May 23, 2024

Super7 The Simpsons Ultimates! Devil Flanders

By Joe
I guess being left-handed is the mark of the devil after all.

Last week, we concluded our look at the third wave of Super7’s line of figures based on The Simpsons and now we embark on the fourth and final wave. That’s right, Disney pulled the rug out from under Super7 and handed The Simpsons license over to Jakks. Their products will start rolling out this fall. Super7 had shown a potential fifth wave for this line that contained Marge, Lisa, and Groundskeeper Willie, but it shall never see the light of day. The character selection was already a hot topic with this line, but now that we know the end point it has put those decisions in an even brighter spotlight making subjects like today’s figure all the more perplexing and irksome.

Ned has come to offer you a deal.

Devil Flanders appeared in one segment of the annual Treehouse of Horror titled “The Devil and Homer Simpson.” It’s a classic sketch where Homer sells his soul to the devil for a doughnut, and that devil happens to be Ned Flanders (It’s always the ones you least expect). Treehouse of Horror is very popular with fans of The Simpsons so selecting characters from those episodes is hardly controversial. It’s just puzzling when we get a character like Devil Flanders before a regular Ned Flanders. It’s also here at the expense of a Marge or Lisa and doesn’t really pair with any of the previously released figures aside from the Treehouse of Horror connection it shares with Kang and Kodos. We don’t have a standard Homer to pair him with, for example, and it’s not like astronaut Homer is an appropriate fill-in. It’s also the only Treehouse figure in the wave. Wouldn’t it make more sense to do a whole Treehouse of Horror themed wave instead like what Super7 did with ReAction? Time it with Halloween and it practically sells itself.

I guess he can just go with the Treehouse of Horror stuff?

Criticisms aside, Devil Flanders is at least an interesting take on Flanders and one of the better one-off pulls from the Treehouse of Horror anthology series. The only real concern I had going in was what would the quality be like? Wave 2 seemed to increase the quality of the line when it came to paint and accessory count, but Wave 3 represented a step back. Kang and Kodos had their size to rely on which gives them a great deal of shelf presence (at a terrible price), but Ralph and Mr. Burns? They disappointed. Bad paint or no paint, odd choices for accessories, and even the sculpts and choice of expressions felt lacking. Given that the line was axed before those waves were completed, it did not bode well for the fourth wave and Devil Flanders is certainly proof of that.

Devil Flanders arrives in the usual box, but without the slipcover. Wave 4 is the cut-off for slipcovers apparently as Super7 has begun phasing them out across the board to save money, presumably. I can’t imagine it’s much per figure, but over 2,000 figures I suppose it adds up. I don’t really care since I’m not an in-box guy, though I had been saving these boxes and keeping the unused accessories within. I guess it’s a bummer they won’t be uniform.

Who needs a flaming pen?

Devil Flanders stands at approximately 6.875″ to the top of his head and about 7.325″ to the tip of his horns. He is a satyr-like creature with a human torso and goat legs. He also marks the return of soft goods to the line as he has a soft goods robe. The glasses have actual lenses in them and what little paint is here is fairly clean. That’s just the problem though, there’s barely any paint. Super7 went with yellow plastic for his human parts and plainly painted brown for the goat legs. The yellow at least has a matte coating on it while the goat legs do not appear to. They’re quite shiny and cheap looking. The robe also didn’t turn out very well. It’s wrinkly and frumpy and just seems unnecessary. Why not just do it in plastic? I think it would have looked better. The Super7 of old would have given us both options like they did with Splinter in the TMNT line, but that’s apparently no longer in the budget. His tail is also present, but preposed in a U-shape. It’s disappointing he can’t twirl it like he did in the episode. Instead it’s just there. The body is also hollow and has a real cheap feel to it. This does not feel like a high quality collectible nor does it resemble one in any other way.

I got so frustrated swapping the heads just once that I didn’t bother with this one.

The presentation may be lackluster, but it’s nothing compared to the quality control. First of all, Ned comes with three expressions and they are a pain to swap. Don’t even bother trying to get one of the alternate heads on without first heating them up. You’ll just stab yourself on his horns or break his glasses. That’s an annoyance, but one that can be dealt with (especially if you’re just a set it and forget it sort), but what’s beyond that are the legs. Something went very wrong at the factory because the slots on his legs where they join the ball joint in the hip is way too big. His legs are floppy and just fall off. Constantly. If you’re able to get him to stand consider yourself lucky. They’ll go back on, but they’re terrible and it’s ridiculous something like this could see release. Did Super7 just not care since the line was dead? Did someone actually approve this shoddy factory output? It definitely feels like a case of cut corners all around because we know we’re going to have to clearance the line anyway. This is garbage.

“I think I’ll just stick with the potato chips.” “You are not smarter than me!”

Maybe the accessories can rescue this one? If such a thing as legs that won’t stay on can be overcome, I have to say the accessories are just ho-hum. Flanders has three portraits: neutral, an open-mouth smile, and an angry yell. They’re fine and I’m okay with them. For hands, he has a set of gripping hands, relaxed, a pointing right hand, and a tighter gripping left with his thumb up. The pointing right hand has a claw on the end of the finger which is a nice touch as that’s something that really only appears in the episode when he does indeed gesture towards Homer. The tighter gripping hand seems to be for his flaming pen. It’s a little, gray, stick, with a translucent flame coming off of it. He can hold it okay and it pairs with the unsigned contract for one doughnut that Homer is to sign. That’s on a thin piece of plastic with a crease in it. The handwriting is well-printed and it looks good. Lastly, Ned has his pitchfork which is ugly and misshapen like it is in the episode. It’s oddly cast on very soft, flimsy, plastic and I have no idea why. It doesn’t make it any easier to get it into his hands and it means it’s likely to arrive warped. It’s an odd call.

I guess the scale is fine whether you like the cut of his jib or not.

The array of accessories is fine, but I’m guessing most people will be left wondering one thing: where’s the forbidden doughnut?! That’s a layup of an accessory and probably one that would have been easy to make and even reuse. Had Super7 planned this line out better, there could have been a standard Homer already available so that Ned could come with a Doughnut-headed Homer accessory. That’s easy! Were they just hoping to double-dip somewhere down the line by doing a regular Homer and then a Doughnut Homer? Possibly, or maybe they just didn’t put much thought into it. You certainly are allowed to think that given it doesn’t look like much thought or care went into this line at all.

Should we talk about the articulation? It hasn’t been the strongest point of this line and Devil Flanders is no exception there. The head is on a double-ball peg and it’s the only point of articulation that’s any good. The shoulders are hindered by the soft goods as are the elbows, which probably wouldn’t bend 90 degrees anyway. All of the wrists are horizontal hinged and the diaphragm joint does almost nothing. It can’t even twist as it just binds and wants to return to a neutral position. The hips we’ve been over and they’re useless. If you can get him to stand it’s only going to be in a neutral position. There are knee joints, but they do nothing because of the shape of the leg and the ankles basically do nothing as well since he has hooves. He might as well be a statue from the waist down. Actually, the figure would be better if he was a statue from the waist down since that would mean the legs wouldn’t fall off and he’d likely be easier to stand. The robe is also wired so you can pose it a bit, but it’s not really large enough to do a whole lot with. I’ll concede that it’s better than nothing.

“Help me! I command you to help me!”

Devil Flanders is what the kids on social media call hot garbage. This is a bad action figure that would be overpriced at $35, but is sold for $55. I know the license got yanked away and Super7, for some reason, admitted to that before this wave arrived which likely set sales expectations way back. I think they cheeped-out, but the problem with that is whether the line is dead or not, the box still says Super7 on it. When you put your company’s name on something, there should be an element of pride associated with it. There should be an expectation of a certain level of quality and this figure comes up way short. This is a reputation-damaging release by Super7. Brian Flynn did acknowledge the problems with this figure in an interview on the Robo Don’t Know YouTube channel where he instructed listeners to reach out to Super7 if you’re having problems with Flanders. Well, I did, and guess what – there’s nothing they can do. If I had bought it off of them directly, they would have given me a credit, but all of the figures they have in their possession have this issue. They told me to go to the retailer and so I did. BBTS stepped up and refunded me for this thing when Super7 would not. I hope that gets charged back to them (they also shared with me they have fielded lots of complaints on this line). This figure should not have been released in this state. Cut corners on packaging and paint apps if you want, but if the figure can’t even stay together then what the hell are you doing? Don’t buy this. Don’t buy it at $55 and don’t buy it at $35. I wouldn’t even recommend buying it at $25. If after reading this you still think you might want a Devil Flanders in 1:10 scale at least wait until it’s under 20 bucks. It will happen, because consumers aren’t dumb enough to pay $55 for this trash. Do better, Super7.

Here are several other Super7 Simpsons figures of varying quality, though all are better than Devil Flanders:

Super7 The Simpsons Ultimates! C. Montgomery Burns

We wrap-up our look at Wave 3 of Super7’s Ultimates! line of action figures based on The Simpsons today with the main villain of the series: Charles Montgomery Burns. Mr. Burns has been around since the beginning and, like Ralph, is a worthy inclusion in the line at this stage and it’s only odd that…

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by Joe

Super7 The Simpsons Ultimates! Ralph Wiggum

Last week, we talked about two out of left field choices by Super7 for its line of action figures based on The Simpsons. This week, we’re discussing a fan favorite character that belongs and his inclusion is only perplexing given that there is no member of the Simpson family in the wave. Ralph Wiggum was…

Keep reading
by Joe

Super7 The Simpsons Ultimates! Kang and Kodos

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate…

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by Joe

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May 21, 2024

MOTU – Turtles of Grayskull Deluxe Sla’ker

By Joe
That’s one happy turtle.

It’s a Tuesday, and I have a new Turtles product to talk about, so let’s make it another Turtle Tuesday! And today brings us the second in the line of deluxe Masters of the Universe Origins – Turtles of Grayskull line exclusive to Target – Sla’ker: The evil cybernetic snapping turtle! This is Slash, the evil turtle from Dimension X (as billed by Playmates) and Faker, the cybernetic copy of He-Man. It’s from the Target exclusive build-a-figure line of deluxe figures which, once all released, will allow collectors to build a figure of Metal-Roboto. The first such figure in this line was Mouse-Jaw, who despite carrying the “deluxe” label, was a pretty basic figure for the line. He just came with a Mouser and the build-a-figure parts, but cost more money. Sla’ker takes a different approach. There’s no little buddy character this time, but instead this guy is just a whole lot bigger than the norm.

Sla’ker is going to tower over the rest of the figures in this line.

Sla’ker comes in a blister box style of packaging and he dominates the window on said box. That’s because this figure stands just a tick under 7″, though more noticeable than the figure’s height is just how big of a melon this guy has. The head is huge, maybe too big, but there’s certainly a more impressive look to the figure as a result. Otherwise, the body is just a pretty standard MOTU Origins body. It’s my understanding this one was created for the MOTU x WWE line and they needed something bigger for Andre the Giant. And I’m pretty sure this body is being utilized for the Walmart exclusive Krang which I’d love to tell you more about, but Walmart exclusives are an incredible pain in the ass to track down.

Having Sla’ker go bare-chested provides for a better look at whatever this stuff is.

The look of Sla’ker is pretty much as advertised. The body is a pale blue, like Faker, but the head is very much Slash (the Playmates interpretation). Despite the deluxe naming, there’s no extra paint which is unfortunate as there’s a broken piece sculpted into the left eye, but since it’s unpainted it doesn’t stand out at all. The gold chest armor has a slash taken out of the chest and underneath that is a decal of robot stuff. Since this is TMNT, the gears on the decal are pizzas. The armor can be removed easily enough by taking off the head and separating the body at the waist, but the decal looks much cooler through the slash, if you want my opinion. The shell is done the same as it is for the other turtles and it can be removed and used a shield. Since this is Slash, the shell is spiky and purple and looks cool, though it’s still hollow and a little cheap to the touch. The rest of the armor, including spiked shoulder pauldrons, belt, and bracers go for hot pink which feels like a call-back to the Playmates figure. The fingers and toes are clawed, as they should be, and the open mouth is fully sculpted out which is a nice detail. There is a bit of an unsightly seem to it, but it’s only really visible from the side.

He should be able to do some damage with these.

For weapons, Sla’ker has a pair of swords that are more like over-sized knives. They’re very much in line with the same weapon the original Playmates Slash came with, only now his hand blades have been incorporated into the handguard. It’s weird to have a Slash-inspired figure without the blades on the hands themselves, but this is an okay substitute. Like the other turtles, there is a slot on the back of the shell to store weapons, but it can only accommodate one sword at a time. The only other accessories in the box are the Metal-Roboto parts which include the head and the crotch which has includes the legs down to where the boot cut would be. Unfortunately, the head is going to use some other method of connecting to the body when it eventually comes out and can’t be swapped to another figure. I also personally hate it when build-a-figures like this released in a series don’t come with parts that can connect to the parts we just got. Mouse-Jaw came with an arm. It would be more tidy if this figure came with the torso, but oh well.

The removable shell is still a thing with Sla’ker.

Sla’ker may be bigger than the norm, but the construction is exactly the same which means the articulation is essentially the same. With one detail. For whatever reason, the ankle rockers on this figure just plain don’t work. They’re more like swivel joints. Is that by design? I can’t tell. It could just be the engineering is subpar and they’re not working as intended. If it’s an intentional choice then it truly is a bizarre one and also not a good one. You never know how much you’ll miss ankle rockers until they’re gone. As a result, Sla’ker is tough to pose dynamically. The figure is better off with a pretty neutral base. The size of the figure relative to the rest at least imparts some shelf presence even when posed in a pretty vanilla manner, but it’s a shame it doesn’t move as well as the other figures. Every other joint is fine and the tolerance is good.

We’re gonna need more turtles!

Sla’ker is a figure I wasn’t going to get. Then I got Mouse-Jaw and felt the compulsion to complete the build-a-figure, but like Mouse-Jaw I was going to hold off for a clearance event. Obviously, that didn’t happen and I paid the full $25 for Sla’ker. What got me to change my mind? He just looked cool on the pegs. I’ll be surprised if he doesn’t end up getting discounted at some point, though maybe with this figure being more of a TMNT character than a MOTU one it will sell better? That all depends on who is buying this line: MOTU fans or TMNT fans. A lot of people may have also grabbed Mouse-Jaw for cheap and thus could rationalize paying full price for this one with the money saved on Mouse-Jaw, because once you get one piece of a build-a-figure it can lead to wanting the rest, so what should you do? If taking one look at this figure doesn’t do a whole lot for you, or the poor ankles will drive you nuts, then go ahead and play the waiting game. It’s a Target exclusive and I’m guessing they ordered just as many of this figure as they did Mouse-Jaw. If you have to have it now though, then you’ll probably be content enough. Just don’t expect to be able to put this figure into any crazy poses.

“I wish I had a body.”

For more thoughts of mine on this MOTU x TMNT line, look no further:

MOTU – Turtles of Grayskull Raphael

Mattel’s Turtles of Grayskull line rolls on with wave two. This Teenage Mutant Ninja Turtles x Masters of the Universe collaboration is a continuation of the Masters of the Universe Origins toyline. That’s a line of roughly 5.5″ figures designed to capture the aesthetic of the original MOTU toyline, but with some modern articulation engineered…

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by Joe

MOTU – Turtles of Grayskull Deluxe Mouse-Jaw

Nothing can be simple in this day and age of retail toy sales which is why the new mash-up of Masters of the Universe and Teenage Mutant Ninja Turtles toyline features ostensibly 3 SKUs: standard, deluxe, and deluxe with build-a-figure parts. The standard releases are, as you may have expected, released abroad and you can…

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by Joe

MOTU – Turtles of Grayskull Leonardo and Donatello

These days, there isn’t much the Teenage Mutant Ninja Turtles haven’t crossed-over with. Back in the day we had Star Trek, trolls, and the Universal Monsters. More modern times have seen cross-overs with the likes of WWE, Ghostbusters, and Mighty Morphin Power Rangers. Throughout all of that, as well as the action figure license seemingly…

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by Joe

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May 16, 2024

Super7 The Simpsons Ultimates! C. Montgomery Burns

By Joe
It’s a bit odd seeing Burns just standing there all alone with no Smithers at his side.

We wrap-up our look at Wave 3 of Super7’s Ultimates! line of action figures based on The Simpsons today with the main villain of the series: Charles Montgomery Burns. Mr. Burns has been around since the beginning and, like Ralph, is a worthy inclusion in the line at this stage and it’s only odd that he’s arriving before the likes of Marge and Lisa. Burns is a Springfield regular as owner of the town’s nuclear power plant and boss to Homer Simpson. He starts off as just a mostly horrible boss type, but soon morphs into an almost cartoonishly evil character. He’s also a joke machine for old world references owing to the fact that he’s 109 years old. He’s a horrible man, but a powerful one, and all his power rests with his bank account. Take that away and he’s a pathetically weak old man who couldn’t even wrestle a lollipop from a baby.

He’s taller than a child, but not as tall as the show’s more classically trained super villain.

Burns has the usual Ultimates! packaging with slipcover which is soon to be the old style as you’ll see when we get to Wave 4. One thing I have not mentioned yet with this third wave is how terrible the plastic bubble that holds the figures in place has been. I don’t know what happened, but this is usually something Super7 does well and I should sing the praises of it more since they tend to package their figures in plastic bubbles with few tie-downs. I enjoy buying NECA figures, but I hate unboxing them because of those damn things. With this wave, some of the figures have been a real bastard to get out. It’s too tight, especially around the extra heads. I had to cut both Ralph and Burns’ heads out of the thing because I could not get them out. It sucks because I like to keep these boxes and store the accessories in them so I’d rather not mangle them, but oh well.

Look! He’s crowning!

Burns stands at approximately 6.75″ to the top of his head. He is famously of poor posture and if he was capable of standing fully upright he’d be a little taller. He’s sporting a dark green business suit with white undershirt and black tie. Right away, we have a problem. Modern Simpsons reference art places Burns in a green suit, but it’s very much a blue green while this figure has more of a forest green to his suit. Much of the classic era of the show would put Burns in a blue suit and I’m not sure how Super7 settled on this particular shade of green. The solicitation images have a more blue-green tone to the suit so I think this is just a case of the factory not producing the proper color. Did Super7 approve it? Probably.

At least they got the posture right.
“You there! How dare you make me look bad with that painted, yellow, head of yours!”

Continuing with the trend of the third wave, Burns does not feature much paint. He’s matte, but the head isn’t painted yellow like the figures that came before it. The body is pretty much all green and the white and black parts are painted over. The left side of my figure’s shirt is painted horribly with a ton of green showing through. The exposed portions of his white socks are also painted, but the ankle hinges are cast in a pale white. The paint will flake off when moving them, but that comes with the territory of painted hinges. What stinks is there’s a lot of transfer from the green plastic to these hinges and the paint that flakes off around the hinge will expose green plastic as well. For a $55 figure with what should be a simple paint application it doesn’t look great.

Burns has a right to be pissed given the shoddy nature of this paint job.

Aside from that, the overall sculpt is acceptable. His shoes have a funny shape to them, but it’s not necessarily wrong, just more noticeable in 3D. The portrait looks good which features the standard Burns look with exaggerated overbite, though I would have preferred a hint of an evil smile. The spots near his left temple are sculpted on, but not outlined so they look a bit weird. The nose appears to be a separate piece that had to be glued on which created an unnatural seam line. It’s not awful, but a little surprising that it was deemed necessary. The figure looks okay, but plain and the lack of paint on his head gives off a cheap appearance. He almost more resembles his character model from a PlayStation 2 era Simpsons game because of this lack of detail.

I guess it’s good he comes with this accessory since I do feel like he owes me money. Maybe not a trillion, but something.

The articulation on Mr. Burns is pretty limited and in some ways downright poor. He has good range at the neck, but that’s pretty much it. The shoulders are pretty standard and the elbows lack the ability to hit a 90 degree bend. This is more problematic with Burns as his default posture in the show features his elbows bent at 90 degrees and hands hanging like a T-Rex or something. He can’t quite do this, but does get probably close enough for most. His waist is ball jointed which is situated deep inside the torso because of his long coat. It’s basically just a pivot point as the coat is hard plastic. He can’t kick forward really at all, but it’s actually not because of the coat, the joint is just terrible as I pulled him apart to check it out. Knee range is terrible while the ankle hinges work fine. He has an ankle rocker, but it too is pretty limited.

Bobo is along for the ride, but should look way grosser.
There’s a lot of character packed into this evil laughing head, but I can’t see myself every displaying it.

This line is definitely not striving for articulation and instead prioritizing the sculpt and accessories to bring these characters to life. While Burns fares better than Ralph Wiggum from last week, he’s still not as well-thought out as he could be. Burns has his “hooked” hands by default, but he also has a set of relaxed hands, “Excellent” hands, and a set of gripping hands where his right hand is much wider than the left. He also has the more usual two alternate portraits: an evil laugh with side-eye, and an eyes closed contented face. The evil laugh, which also doubles as an angry yell, is pretty self-explanatory and capable of adding a dash dynamism to your display while the contented expression is pretty much only useful for when he’s holding his teddy bear Bobo. Bobo is displayed as he was post being frozen, though not with the same level of detail as he was in the show. This is rather perplexing since it’s far harder to capture detail in animation than it is on a 3D model, but it’s true of Bobo. He has one dangling eye and stuffing popping out, but there’s no texture. Bobo looks so gross and sponge-like in places in the show so this depiction feels very underwhelming. Burns can at least clutch him to his bosom fairly easily.

Good old Blinky.
Did anybody want this?

Burns also comes with a serving tray featuring Blinky, the famous three-eyed fish who debuted in Season Two and resurfaces on occasion. Like Bobo, there’s not much texture to the fish and the paint on his fins where the body meets the lettuce he’s being served on is not applied very well. It’s also a missed opportunity that the lid to the serving tray Kodos comes with doesn’t also fit over Blinky. Burns also has an issue of Burns Weekly. It’s a soft piece of red plastic with an image of Burns printed on it. It’s very flimsy and there’s no attempt at sculpting on the edges to make it resemble an actual magazine. Very lazy, and also not really welcomed. I’d much prefer a copy of Burns’ autobiography Will There Ever Be a Rainbow? Lastly, we also get Burns’ trillion dollar bill which is on another piece of soft plastic with printing on both side. It looks fine, but it’s unnaturally thick for a bill. I guess it’s fine though since it makes it easier for the figure to hold and more durable. He basically only has one hand that can hold it, the left “Excellent” hand has the thumb positioned under the palm so the bill (or magazine) can be slotted in between effectively enough.

Well, at least Mr. Burns got what he wanted.

Burns is only slightly better than Ralph and it comes on the strength of more accessories and overall a better sculpt, but in comparison to the first two waves of the line he’s pretty underwhelming. I’m assuming the paint on the front of mine is unique to my copy and not a reflection of every Burns figure Super7 puts out, but the paint apps have been spotty in general so who can say how uncommon it is? It definitely doesn’t look and feel like a premium collectible so it’s impossible to recommend at $55. Plus, without a Smithers to pair him with the figure feels almost incomplete, because what is Burns without his sycophantic righthand man? Only get this if you absolutely have to have a Mr. Burns figure in this scale, and even then you should probably wait for the eventual discounted price that is almost sure to come before the year is through. Next up is wave four of this line and if you thought wave 3 was a little disappointing, then you haven’t seen nothing yet.

Join me as I journey through Super7’s take on The Simpsons:

Super7 The Simpsons Ultimates! Ralph Wiggum

Last week, we talked about two out of left field choices by Super7 for its line of action figures based on The Simpsons. This week, we’re discussing a fan favorite character that belongs and his inclusion is only perplexing given that there is no member of the Simpson family in the wave. Ralph Wiggum was…

Keep reading
by Joe

Super7 The Simpsons Ultimates! Kang and Kodos

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate…

Keep reading
by Joe

Super7 The Simpsons Ultimates! Krusty the Clown

If you’ve been following along with my reviews on the second wave of Super7’s The Simpsons Ultimates!, then you will have noted that I’ve had a bit of a love/hate relationship with this wave. For the most part, the sculpts and deco have been on point, it’s some of the little things that have been…

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by Joe

Leave a comment   |  tags: , , , , , , | posted in Television, toys

May 15, 2024

X-Men ’97 – “Tolerance is Extinction – Part 3”

By Joe
Written by Beau DeMayo and Anthony Sellitti.

Today, X-Men ’97 dropped the curtain on its first season and what a way to bring it to an end. Last week’s episode was a roller coaster of emotions for me. I couldn’t go into much detail of my review of “Tolerance is Extinction – Part 2” without wading into spoiler territory, so allow me to indulge myself before we get to this week’s episode. When one thinks of childhood trauma baked into media, the death of Bambi’s mom is probably the most often cited. If you’re an 80’s kid it might be the death of Optimus Prime in the first Transformers movie or the death of Littlefoot’s mother in The Land Before Time. The 90s kid has Mufasa while the comic book readers like me have X-Men #25. No one truly died in that issue, but it’s the infamous issue where Magneto decides he’s had enough of Wolverine and uses his magnetic powers to rip the metal off of his bones and force it through his pores and open wounds. It’s all anyone wanted to talk about concerning X-Men when it happened and it changed the character of Wolverine in a big way. Like basically all things in comics, Wolverine eventually regained his awesome adamantium skeleton, but it took a surprising amount of years for that to happen.

They did it. I can’t believe they did it.

Despite being one of the most singular, powerful, moments in X-Men history, that confrontation with Magneto has really just been confined to the page. The original X-Men animated series had just kicked-off its second season when it happened, but never touched it during the rest of its run. I remember feeling anxious during the Asteroid M episodes, “Sanctuary,” out of fear it might happen, but Wolverine escaped that arc unscathed. I remember my friend jumping in his seat when we saw the first X-Men movie in theaters when Magneto lifts Wolverine up on the train and asks “Does that remarkable metal run all through your body?” He thought, and I too, that Magneto might give a tug in that moment and I certainly thought it could be him laying the groundwork for a future confrontation that never arrived. Other animated efforts and movies that followed never did go to that well, but in its ninth episode X-Men ’97 did.

For a brief moment I thought we may be jumping straight to the mind wipe Xavier inflicted upon Magneto in response to his attack on Wolverine.

When Magneto emerged from Bastion’s imprisonment in the eighth episode and used his magnetic powers to attack the whole planet’s electrical grid is when I first felt X-Men #25 was on the table. It was similar to his attack to open that issue on the planet’s satellite defense system which knocked out power all across the globe. Even though much of the events of last week’s episode were mirroring the events of New X-Men from 2001, there was always the possibility of multiple plotlines converging. As I said in my review of last week’s episode, that “Greatest Hits” approach the original series and this one is able to take is part of what makes it so successful. When it was Wolverine who was tabbed to deliver the opening, “Previously…on X-Men,” line I pretty much knew what we were in for. It became even more obvious when Rogue basically assumed the role of Colossus from the Fatal Attractions plotline X-Men #25 is a part of by joining Magneto (along with Roberto) midway through the episode. It made it hard to enjoy all of the fan-service leading up to the final act with the return of the old costumes, the Hulk cameo, or Cyclops’ return dig at the film costumes as I was expecting the worst for old Wolverine. And even during the episode, my X-Men animated Wolverine figure decided to take a shelf dive. I’d love to say it was during that scene, but I don’t remember because I was engrossed in the show and only after it was over did I check to see who fell. He knew.

Wolverine’s claws covered in blood – something we never could see in the original series.

The final scene of the episode was done exceptionally well, though it still left a glimmer of hope that Wolverine would not be subjected to his worst injury to date. When he removes Magneto’s helmet to allow Xavier a chance to attack him with his telepathic powers, the imagery was evocative of Xavier’s answer to Magneto’s brutal assault on Logan from X-Men #25. For a brief moment, I thought he might be spared. Then Cyclops blasted his mentor, not because he was turning on him or anything, but because Gold Team had not yet taken down Bastion and they couldn’t risk Xavier, through Magneto, re-activating the Prime Sentinels.

“Been in a lot of wars, bub – the brave always die first.” A great callback to Magneto’s line from the season finale of the original show’s first season, “The Final Decision.”

That’s when Wolverine struck. In actually more graphic fashion compared with the comic from which the story was taken, we get to see a flash of his claws and then the ends protrude through Magneto’s torso. At that moment, I could only watch with both dread and awe since there was no going back now. The attack was brief. We got just a quick shot of each character’s reaction, friend and foe alike, at Wolverine’s attack. It was like all of the participants in the melee up to that point were just made aware that violence has consequences, like a bunch of kids play-fighting in the yard until someone gets really hurt. The final image of Wolverine in mid-air with the adamantium oozing out of his body was a near 1:1 recreation of Andy Kubert’s artwork. It was chilling and a hell of a way to end an episode of television. I was riding an exercise bike on my first viewing and I wish I had thought to check my heartrate readings on my fitness app when it was all said and done. I was covered in sweat, more than usual after a workout, and that same pit in my stomach I felt as a 9 year old in 1993 had returned.

The plot with Wolverine made me completely forget that we may have witnessed the death of Jean. Again.

The moment was so captivating that it practically erased everything that came before it. I had to watch it again to be reminded of the fact that Morph and Beast had been defeated and were at the mercy of Bastion last we saw them. Sinister had taken control over Cable like he did his mother before him unleashing his telekinetic powers on Jean. She was able to make psychic contact with Cyclops, and through her, he saw what was going down just long enough for her to tell him she loved him before Cable’s blast engulfed her. And at Asteroid M, Magneto is likely mortally wounded or damn close to it while Xavier had Magneto’s helmet basically crushed around his skull neutralizing his psychic powers. This concept is new to the show as when the original aired the idea that Magneto’s helmet was designed to protect him from Xavier had not been invented yet. You can even see in the show’s fourth episode Xavier attack him with the helmet on, but I don’t mind it being a new wrinkle for this show as basically every version of the X-Men has done the same.

We open on a flashback we’ve heard about before.

As a kid, I don’t know how many times I read X-Men #25 and its follow-up, Wolverine #75, so I had a good idea what was going to happen in this season finale (in case you forgot, that’s what we’re here to talk about today) in space. I was less certain about the Bastion plot, but I had some ideas. Given the nature of how the last episode ended, there isn’t much I can say about the plot of this one that doesn’t spoil something, but I’m sure I can find something to talk about. The “Previously…” line is delivered by Magneto and our opening credits contain few surprises. More Dark Phoenix, more Apocalypse, but also a new scene of Magneto and Xavier unleashing their powers for the first time in front of each other on some terrorists from “Enter Magneto.”

Wolverine will not be doing much this episode.

And we’re shown that flashback because that is essentially where the episode begins. A young Xavier and Magneto having some drinks in a bar in a war torn country chatting about the potential for mutants. The war setting is even established by the opening chords of the famous song by The Byrds “Turn! Turn! Turn!” which I thought we all agreed we were done with? That and Credence Clearwater Revival. It’s at least brief which probably saved Disney a few bucks. Outside of the flashback, the episode is going to pick-up right where we left off with Wolverine in bad shape and the Earth heading for catastrophe. The only one who can heal the Earth’s magnetic field is Magneto and he needs some convincing.

Gold Team! This is no time for a nap!

At ground level, we last saw Bastion essentially victorious. And he will be ready for his victory lap that villains are so fond of, but as is often the case, the celebration is premature. Again, I’m not here to spoil anything, but I don’t think it’s a spoiler to say that the X-Men will need to deal with this guy. If last episode was more of the Magneto conflict, then this one is definitely more on Bastion. He is pretty set on eradicating mutants, and once that is done, he intends to rule over humanity since they can’t exactly be trusted either. And if he can’t do either, well, let’s just say that’s something he won’t respond to very well. And if that weren’t enough, the world super powers are left mulling what to do about the Magneto Protocols. Should the grid get restored, not only will the Prime Sentinels be reactivated, but President Kelly will have access to the missile defense system crafted especially for targeting Asteroid M.

Okay, perverts, happy now?!

The X-Men had split into Blue and Gold teams last episode, but it’s going to take all able-bodied X-Men to stop Bastion. A large portion of the episode is devoted to the battle that you knew was going to happen and, as has been the case with this show, it’s quite satisfying and spectacular. The action direction continues to be a strong point and the animation staff is up to task. Since we’re dealing with a finale here, there is an effort to give everyone some time to shine, provided they were able to stand at the conclusion of the last episode. The episode also pays more than lip-service to actual character growth and this is the episode that is able to cash in on the smaller moments (and some big ones) that we saw throughout this first season.

Sunspot has been allowed to cut loose these past few episodes which has been fun to see.

Where this episode did stumble a bit for me is that it’s basically a small portion of fallout from the previous episode, then a whole bunch of action, and then setup for next season. It’s become routine in the streaming age for shows to be serialized and include a lot of cliffhangers and X-Men ’97 is no different. I received some Game of Thrones vibes from the show when watching this one as the penultimate episode was where a lot of the spectacle was while this one felt a bit more like clean-up followed by setup. They left no room for the characters to really respond to what happened last week. It’s mentioned only in passing and we see Wolverine’s banged up body a few times, but we get almost nothing from the characters. How is Jubilee processing this? She and Wolverine were tight. Is anyone mad at him for pushing Magneto as far as he did by getting all stabby on him? Again, we don’t know and the way the episode ends makes it seem like it’s a thing we’re just not going to address at all and that feels like a real missed opportunity for a show that loves the soapy drama.

At least Morph seems to care.

Like last week, expect to be tickled by several cameos. Some are repeat cameos, but many are all new. Sure, it can feel like stunt-casting or something akin to it, but considering the plot in this episode has worldwide ramifications it makes sense to get a look around the globe. It’s certainly interesting and makes me wonder if X-Men ’97 will turn into a launching pad for an animated universe set in the 90s. Nostalgia for the period will likely never be hotter than it is now so it wouldn’t be Marvel and Disney’s worst idea. As long as my X-Men show doesn’t become overrun by non-mutant superheroes I’m all for it. Even if I personally have little interest in revisiting the other 90s Marvel cartoons.

I love everything about this shot.

I may seem a little down on this episode, but that’s only because the prior two were so strong. This is indeed a good episode, and it’s a long one at that, and DeMayo and Sellitti do some great stuff with their dialogue. There are certain characters they write so well and it’s on display in this episode. There’s also more callback lines to the original series and its woven in effectively and with purpose. There’s some heavy stuff intermingled with the action concerning Xavier and Magneto and this episode is one of the first pieces of X-Men media that really convinces the audience that Xavier and Magneto care deeply for each other. They’re not just paying lip-service to the “old friend” label they like to toss around so casually.

This episode concludes what has inarguably been a successful first season for X-Men ’97. The second season is in production so the wait should not be as long as it was from announcement to premiere. I suspect we will hear more at San Diego Comic Con this summer. Series creator and showrunner Beau DeMayo was heavily involved in the second season and it can be assumed much of his vision will make it to air. Following that, we’ll be heading into some unchartered waters with the show. Disney and DeMayo have remained tight-lipped on why he was let go from the series just before the premiere which is unfortunate because it would be nice to know if fans should be advocating for Disney to reverse that decision. If he was fired because of an OnlyFans account or creative differences, then that was probably a stupid decision given how well this show has turned out (and for the record, the OnlyFans thing would be stupid if the show sucked too). If he was fired over workplace misconduct or something (and full disclosure – I have no idea why he was let go and I’m just tossing out examples) then all right, that’s not someone I’d want to go to bat for. This stuff has a way of getting out so it’s more probable than not we’ll know in time, but for now, I’m extremely satisfied with how X-Men ’97 turned out. I’m also extremely bummed about not having a new episode to look forward to next week. This is going to be an intolerable wait.

Previously…on X-Men ’97:

X-Men ’97 – “Tolerance is Extinction – Part 2”

Magneto was right. That was the realization many characters seemed to share at the end of last week’s episode of X-Men ’97. As we roll into the penultimate episode of the show’s first season, a lot is on the line and the show is drawing inspiration from several different sources related to the X-Men over…

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by Joe

X-Men ’97 – “Tolerance is Extinction – Part 1”

Ever since the episode list was released for X-Men ’97 I’ve been looking forward to what reads like an epic, three-part, season finale. In truth, given that X-Men ’97 is a serialized show you could basically call every episode “X-Men ’97 Season 1 Part 1” and so on, but the titles do add a dramatic…

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by Joe

X-Men ’97 – “Bright Eyes”

When we last saw our beloved X-Men, their world had just been destroyed. An idyllic place set to the soundtrack of the very on-the-nose choice of “Happy Nation” by Ace of Base in Genosha was laid to waste. Mutants of all backgrounds were slaughtered including our beloved Gambit and less beloved Magneto. In the aftermath…

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by Joe

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May 14, 2024

MOTU – Turtles of Grayskull Raphael

By Joe

Mattel’s Turtles of Grayskull line rolls on with wave two. This Teenage Mutant Ninja Turtles x Masters of the Universe collaboration is a continuation of the Masters of the Universe Origins toyline. That’s a line of roughly 5.5″ figures designed to capture the aesthetic of the original MOTU toyline, but with some modern articulation engineered into the form. For the first wave, I took a look at both Leonardo and Donatello. As someone who is a TMNT fan, but not a MOTU fan, the turtle boys are the only ones that appeal to me. Despite that, I did end up getting the Mouse-Jaw figure despite that being a MOTU character, but he came with a Mouser so that works, right?

The gang is not quite all here.

Raphael is the turtle of the line’s second wave which also includes Ram Man, Beast Man, and Shredder. I’m not likely to get either MOTU character in this wave, but I’m also not sold on Shredder. I guess I need to see him in person. Raph I knew I wanted so I went ahead and just preordered that one. This should be a pretty easy review since this figure is essentially the same as the prior turtles. That’s the whole idea behind the line which is one base body creates many toys. The new stuff is the armor and accessories and the new head.

I’ll take a picture of the shell shield, but if you display your Turtles of Grayskull like this you’re a monster.

Raphael could basically be described as Raphael x Ram Man. I don’t know anything about Ram Man, my MOTU knowledge is only surface level, but from what I gather he’s a stout fella with a hard head and helmet to go with it. I assume he rams people, and while Raph may be hot-headed, he’s not known for bashing folks with his brain so he’s also equipped with some weapons. Unlike the Donatello-At-Arms figure, the helmet is removable so this figure can strip down to a fairly basic Raph with barbarian underwear.

“I could get used to this.”

Right off the bat, I have to say the green on this Raph pops. It’s hilarious to me that Mattel has done a better job at recreating Raph’s classic shade of green than Playmates has with its reissues. The head gives me 2003 vibes like it did with the previous turtles while this figure has way more of Raph’s red worked into the figure. The bracers and greaves are red, he has red on the helmet, a red belt, red on the chest, and a piece of red armor on his shoulder. The shell is the same piece and is a matte brown and the paint applications overall are a little cleaner with this figure than they were with my wave one offerings. I may not care about Ram Man and I think his design is kind of boring, but this is working for me. I think Raph is my new favorite in the line and it’s mostly because the colors work and he looks great with or without the helmet.

Raph could do some damage with these.

As for weapons, Raph apparently can’t have normal sai he needs something bigger. The first sai is more like a tri-bladed sword. It has a long handle and the weapon is larger than Raph’s leg. It’s done all in silver and he can grip it just fine. It also slots into the holster on the back of the shell pretty well. The other sai is a bit more involved. It’s basically a glove that fits over his right fist which is kind of a Fisto thing, only Raph is taking it a step further (or three) by having giant blades coming off the top of his fist. If the outer blades were as long as the center one he’d look like he’s cosplaying Wolverine. It’s a cool weapon, though it looks more like a Shredder weapon to me and that’s primarily to do with how he armed himself in the 2012 series. Like the other turtles, the shell does come off and can double as a handheld shield. The chest armor, like the helmet and glove sai, are just pressure fitted so no straps to deal with. The shoulder armor can slide off as well so if you want to get this guy pretty close to naked it’s not too difficult. There’s also another mini comic included, but it’s not the advertised continuation of the story from the first wave. It’s just panel art, no dialogue bubbles, and seems to be pretty scattershot. I guess we have to wait until Wave 3 for the rest of the story?

“You don’t scare me, ugly!”

The articulation for Raph is exactly the same as it was with Leo and Donnie. It’s solid as the shoulders, head, elbows, and knees have good range despite the simple approach. The waist twist is just a waist twist, but the ankles feature hinges and rockers. My lingering complaint is still that the hands only have horizontal hinges when vertical would be preferable for melee weapons. It’s fine.

“You better not be cuttin’ in on my territory, bub!”

The bottom line here is if you dig the look of this mash-up and enjoyed Wave One then you’ll be plenty happy with this interpretation of Raphael. The line needed a Raph and it got a pretty good one. Wave Two should be arriving in stores around you as I type this. It’s also available at various online retailers and I got mine from Amazon. MSRP is 20 bucks, which is a little higher than the standard MOTU Origins price, but that’s likely due to Mattel having to pay Viacom for the license. Wave 3 should be coming soon and I’ve seen some people who already have it, plus there’s the deluxe figures and I’ll be checking some of them out. This line has legs, so we’re definitely not close to being done.

The Turtles like playing with other IP, MOTU is just the latest:

MOTU – Turtles of Grayskull Leonardo and Donatello

These days, there isn’t much the Teenage Mutant Ninja Turtles haven’t crossed-over with. Back in the day we had Star Trek, trolls, and the Universal Monsters. More modern times have seen cross-overs with the likes of WWE, Ghostbusters, and Mighty Morphin Power Rangers. Throughout all of that, as well as the action figure license seemingly…

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by Joe

MOTU – Turtles of Grayskull Deluxe Mouse-Jaw

Nothing can be simple in this day and age of retail toy sales which is why the new mash-up of Masters of the Universe and Teenage Mutant Ninja Turtles toyline features ostensibly 3 SKUs: standard, deluxe, and deluxe with build-a-figure parts. The standard releases are, as you may have expected, released abroad and you can…

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by Joe

Hasbro MMPR x TMNT Shredder

We’ve looked at the two-packs from Hasbro’s Mighty Morphin Power Rangers x Teenage Mutant Ninja Turtles line of action figures based on the comic book crossover, but have we saved the best for last? Coming in on his own is the arch nemesis for the turtles: The Shredder! And since this is a line specializing…

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by Joe

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May 9, 2024

Super7 The Simpsons Ultimates! Ralph Wiggum

By Joe
This is the story about a boy who just wanted to be loved.

Last week, we talked about two out of left field choices by Super7 for its line of action figures based on The Simpsons. This week, we’re discussing a fan favorite character that belongs and his inclusion is only perplexing given that there is no member of the Simpson family in the wave. Ralph Wiggum was featured in the very first episode of The Simpsons, but as a character, he wasn’t really developed until Season Four’s “I Love Lisa.” Up until that point, he was just some kid who was a little heavy-set, but made little impression. “I Love Lisa” made Ralph the character he is today. He’s more than a little slow, but genuine, and very impressionable. Unfortunately, he gets bad advice from his dad, the chief of police, which basically sets him up to have his heart broken by Lisa, but it all turns out well in the end. It’s not my favorite episode of The Simpsons, but it is one I adore and there are few episodes I’ve watched more than that one.

He wants to be loved, but not touched.

As an action figure, Ralph is a bit of a hard sell. The character is certainly beloved and not particularly difficult to translate to 3D, but it’s not one that presents a lot of opportunity for articulation or flashy paints. And since Super7’s Ultimates! line carries a base price of $55, Ralph is especially tough to value as he’s the same price as Homer, Moe, Krusty, and up to this point basically everyone except the massive Kang and Kodos. Super7 is one of those companies that has no problems asking its consumers to pay more for bigger characters, but never do they charge less for the small. And with Ralph, it’s hard to argue that Super7 has done much of anything to alleviate that.

The height of Ralph seems fine when compared with Bartman, but the rest? Eh, no.

Ralph stands at approximately 4.25″, probably a tick under. He’s just a little shorter than Bartman, which is proper for true scale, though his larger proportions make him look odd beside Bart. Ralph’s height is fine, but the rest isn’t really in scale. Unfortunately for Super7, there’s an entire episode about Bart and Ralph being paired up so there’s no shortage of reference images. Ralph’s hands and feet are gargantuan in comparison to Bart’s and the two do not look good side-by-side. I think this is a case of Super7 just not wanting to go smaller on Ralph than they did because then the asking price would look even more foolish. A lot of action figure lines tend to add a little to the smallest characters, and take a little from the largest to try to find a happy medium and I do think that’s true here. How much it bothers collectors is likely to vary from person-to-person, it’s just a shame the line ended up being a brief one because there’s really no one to pair Ralph with on the shelf if not Bartman. I guess he always was a bit of a loner.

Even with the adults his proportions just seem too big. His feet are bigger than Moe’s.

Aside from the scale, the sculpt on Ralph is fine. He has his almost blank expression where he’s smiling and it’s captured. He has his blue shirt and brown pants and basically the only paint is reserved for the eyes, shirt, and belt. His head does not appear to be painted yellow and instead Super7 just went with a matte coat. It’s a step back from the paint jobs we saw in the second wave of the line and I’m curious if these final two waves (which shipped at the same time and only a few weeks after the second) were rushed or had cuts made to them since Disney was pulling the license. The paint on the blue shirt is applied all right, but there are some blemishes. It also chips and flakes around where the arms plug into the shoulders leaving behind ugly, yellow, spots. By far though, my least favorite thing about the presentation of the figure is how Super7 did Ralph’s hair. Ralph has this very thin, wispy, hair in the show and Super7 opted to sculpt it in soft, black, plastic and glue it to his head. The end result is it’s just far too thick and he almost looks like he has dreadlocks. I think the proper way to do the hair would have been to sculpt it into his head and just paint it. Or do it with with something thinner, like the bristles you might find on a brush. This choice doesn’t work very well. You can especially see it in the reference art on the box how the diameter of his hair should be smaller than his pupils, but with the figure it’s the opposite.

At least it covers up the awful hair.

There isn’t much to say about Ralph’s articulation. It’s terrible. He’s barely better than a ReAction figure. The head just rotates and so do the shoulders. His elbows have little range as do the hinges in his hands. He has a waist twist, and everything below that is essentially useless. I don’t know what they were trying to do with the ankles as there’s basically a brown post that goes into his feet. There is a hinge, but it does almost nothing. There’s a gap between the end of his pants and shoes as a result and it looks bad. Ralph was never going to have terrific range at these joints, but it’s like they didn’t even try.

The only accessory you need?

A little statue like Ralph is relying on accessories to create value. I often get the sense with Super7 that they start at the $55 price and then try to add enough stuff to hit their cost target. With Ralph, I don’t really get that sense and instead this figure feels like a cost-saving one. The most popular character in the line that will probably sell the best so let’s produce it cheaply and maximize profit! Ralph has no extra hands and one extra head. That head is exactly the same as the default one, except it has a melted ice cream cone glued to the forehead. That’s it. The heads are really hard to swap too and I can’t see myself ever wanting to use this reference from a later episode that’s also a dated joke that hasn’t aged well. Why no toothy grin? Or better yet, a grin with red crayon all over the teeth? This is just bad.

“Go banana!”

Ralph’s other accessories include a banana, jar of paste, Valentine, sign, and computer. The banana and jar of paste have hands sculpted to them which I guess is fine. The jar has a removable top with paste at the end of a brush inside it, but Ralph’s range of motion is so terrible he can’t hold it with the top on. The Valentine is what you would expect and features the “I Choo-Choo-Choose You” remark and there’s a picture of a train. It’s great for what it is and if it wasn’t included there would be riots. There is a “WARNING DO NOT HUG” sign that can be hung around Ralph’s neck which, again, is from a much later episode. I would have preferred his Idaho costume instead. The sign is all plastic so it doesn’t even hang properly and looks stupid. The computer is an old, boxy, design and Ralph is practicing spelling “CAT” on it and there’s a picture of a cat. It too is from a post golden age episode, but at least it’s the Super Nintendo Chalmers scene so I’ll allow it, but there isn’t really anything for Ralph to do with it. He can’t hold it and he doesn’t have a desk to put it on. It just sits there.

“Miss Hoover! I’m all out of ice cream!”

For such an iconic character, Ralph’s accessories are severely underwhelming. And considering how small he is and that he has just one alternate head, he should have more. Where is his key to the town? Where’s the leprechaun that tells him to start fires? He could have had soft goods and another head to recreate his George Washington costume. He could have had his TV dinner he needs someone to microwave for him or his box of Star Wars collectibles. What about the cat he likes talking about so much? A box of crayons with a missing red crayon? There’s just so much! Obviously, Super7 could not have given us everything, but it’s like they tried to impress us with deeper cuts from later in the show’s life when they would have been better served to just focus on “I Love Lisa” and deliver as much from that episode as possible like a facial expression from the exact moment his heart rips in two.

If you’re a fan of The Simpsons and collecting this line, should you get Ralph Wiggum? I mean, as a character, of course. He’s probably the most popular character in the wave. As an action figure that costs $55? Absolutely not. Super7 did not earn your money with this release. The paint is mediocre, the sculpt is too large, the articulation is practically non-existent and the accessories uninspired. This is a dud of a release. Yeah, mixed in on your shelf with the rest of the line (provided he’s not next to Bartman) Ralph will look okay, but no one is likely to see it and go “Oh wow! I love that Ralph!” If I wasn’t going all-in on this line as a show of support so it would go on for awhile (oops), I would have passed or at least cancelled my preorder when Super7 figures started routinely hitting the discount rack. I suggest anyone who does have an interest in Ralph to just wait for such an event.

We’ve got more from Super7 and The Simpsons:

Super7 The Simpsons Ultimates! Kang and Kodos

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate…

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by Joe

Super7 The Simpsons Ultimates! Krusty the Clown

If you’ve been following along with my reviews on the second wave of Super7’s The Simpsons Ultimates!, then you will have noted that I’ve had a bit of a love/hate relationship with this wave. For the most part, the sculpts and deco have been on point, it’s some of the little things that have been…

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by Joe

Super7 The Simpsons Ultimates! Hank Scorpio

If you’re going to market action figures to a fanbase as venerable as The Simpsons, you should probably go after what they love most. Simpsons fans love to make references to their favorite episodes and characters and one of the top episodes from the show is “You Only Move Twice” from the show’s seventh season.…

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by Joe

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May 8, 2024

X-Men ’97 – “Tolerance is Extinction – Part 2”

By Joe
Written by Anthony Sellitti.

Magneto was right.

That was the realization many characters seemed to share at the end of last week’s episode of X-Men ’97. As we roll into the penultimate episode of the show’s first season, a lot is on the line and the show is drawing inspiration from several different sources related to the X-Men over the course of decades. We’ve seen costume changes for both Storm and Jubilee, one to her original look harkening back to the ’70s while the other jumped forward to a slightly more modern interpretation. We’ve been seeing scenes of the Dark Phoenix Saga play out in the opening credits much of this season while Bastion, an enemy associated with the new millennium, has been the puppet master for much of the show, though only recently outed.

Have we witnessed the death of a dream and the realization of another?

And then we had the conclusion of last week’s episode. The still alive and well Charles Xavier was outed to the world by Bastion through the media while the world would be reintroduced to another thought dead individual – Magneto. Valerie Cooper, heralded as the show’s center by showrunner Beau DeMayo before the season began, made the choice to free Magneto from Bastion’s clutches. We don’t know what Bastion had planned for the Master of Magnetism or if some of those plans may have already begun, but we do know that once freed Magneto immediately turned to a familiar refrain – revenge. Traveling to one of the Earth’s poles, Magneto unleashed a massive EMP through his magnetic powers which were likely amplified by the Earth’s own magnetic field. This both saved the mutants and quite possibly doomed humanity as the power grid was effectively neutralized. Wolverine called it a declaration of war.

A “blink and you’ll miss it” moment from the opening title is the insertion of Prime Sentinels in the middle of the Xavier and Magneto confrontation.

And this is what made the original series and now this one so effective. It’s a melting pot of different eras of the team and their stories distilled into one. I’d call it a greatest hits, but some misses still managed to slip in (looking at you Cody and the Not Brood) and X-Men ’97 hasn’t been immune from that. It’s a great approach and whoever at Disney or Marvel is put in charge of bringing the X-Men back to cinema really should go back and watch the original series and this one. Not because they’re perfect, mind you, but because they had the right approach. And whomever does so can see what worked and what didn’t or what stories could have been expanded upon or resonated in a different way. Just maybe don’t do Phoenix. I know it’s a classic, but everybody does it. Or if you’re going to do it, make sure to bring something new to the table (or maybe don’t just jump right to the Dark Phoenix Saga).

Look who came back.

That’s another a discussion for another day, today is all about “Tolerance is Extinction – Part Two.” The opening “Previously…on X-Men” responsibilities are turned over to everyone’s favorite Canadian Wolverine and the credits feature the return of Storm in her classic threads. We’re still checking out the Dark Phoenix Saga, Asteroid M, and Cable facing down Apocalypse as clips from the old show as clues to what is to come. When the episode begins, we’re reintroduced to Charles Xavier, better known as Professor X, as he wakes up in what remains of his bedroom. The mansion has been destroyed (really, no one should be trying to sleep in it) for the second time this season and at least the third overall (not counting the time Rogue put a hole in every floor of the thing including the roof). Xavier has to deal with not just the fallout of what Magneto has done, but the fallout for leaving the school in his care. Elsewhere, Bastion is seen collecting his mother’s deactivated body as the EMP deactivated all of the Prime Sentinels. This allowed both Roberto and Jubilee to escape, and they’re quickly rescued by the duo of Storm and Forge from a gang of angry humans.

It’s quite a mess Charlie returned home to.

Reckoning needs to happen between Xavier and his pupils. There’s a nice conversation between he, Scott, and Jean over his decision to leave the school to Magneto where Xavier’s intentions are well illustrated. Still, this isn’t a happy reunion as Cyclops wasn’t the only one displeased with the professor’s decision and they’re certainly not happy he wasn’t there when the world went to hell. There isn’t much time for all of that though as Magneto returns and he brought his asteroid with him. There’s no more words to be shared between he and his old friend. Magneto has made his choice and he is only there to offer an invitation to any who wish to join him on Asteroid M. Some will leave, most will stay, and for the first time the show will separate the members into Blue and Gold teams, though the membership of each doesn’t really align with such from the books aside from the leaders being Cyclops and Storm.

Not the happy homecoming Charles may have been looking forward to.

And why do we need two teams? Because in order to save the world, or at least prevent a full blown war, the X-Men must take down Bastion and restore the damage done to the Earth’s magnetic field through Magneto. That means one team seeks out Bastion while the other heads into space to confront Magneto. The tricky part might not be defeating either one or convincing Magneto to undo what he has already done, it’s that both teams need to be successful, but at different times. If the Blue Team succeeds before the Gold Team neutralizes Bastion then they very well may restore all of the Prime Sentinels to a functional state which would probably doom the Gold Team. Unfortunately for the Gold Team, Bastion is revealed to be what the show refers to as a technopath, meaning he can communicate with machinery like his Sentinels. He is likely unaffected by what Magneto has wrought so both teams are in for a fight.

Magneto has an offer to make to his X-Men and it’s an offer he’s made before.

And fights are what we get! One aspect of X-Men ’97 that has not been as strong as that of the original series is how the original was able to spotlight basically every member of the team. The show didn’t do it in every episode, that would have been foolish, but found a way throughout and especially so in the show’s second season. What X-Men ’97 has done instead is give characters their own moments typically in action scenes. And this week it’s Jean’s turn to kick some ass while Morph gets to unleash another cameo. We also get to see Mr. Sinister in action (I hope you didn’t forget about him) which is a lot of fun for those who grew up with the ’92 series. Perhaps those watching didn’t even realize it at the time, but that show’s animation budget just wasn’t what it needed to be for a complicated character design like Sinister. As a result, he basically just stood in fairly neutral positions. He couldn’t turn or do anything dynamic, but in X-Men ’97 he is unburdened by such constraints and it’s pretty cool to see in action.

I don’t like to spoil the easter egg moments from this show, but this time I’m making an exception: Raise your hand if you had that Wolverine motorcycle as a kid!

Another major change for X-Men ’97 where the original is concerned is that it’s not afraid to change the status quo nor is it afraid to “go there.” The X-Men can’t expect to come out of every confrontation unscathed and this penultimate episode ends on a pretty major development. This is one of those episodes where I’m a tad jealous of the bingers who are just waiting patiently for the whole season to be available to them. Instead, we have to wait until next week to see how this all sorts itself out. That melting pot I referred to keeps us folks who know these stories from the comics slightly in the dark. We know how they all end, but the show is setting up for these stories to just smash in to each other. The results could be largely the same, or radically different. And that’s the beauty of it.

Previously…on X-Men ’97:

X-Men ’97 – “Tolerance is Extinction – Part 1”

Ever since the episode list was released for X-Men ’97 I’ve been looking forward to what reads like an epic, three-part, season finale. In truth, given that X-Men ’97 is a serialized show you could basically call every episode “X-Men ’97 Season 1 Part 1” and so on, but the titles do add a dramatic…

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by Joe

X-Men ’97 – “Bright Eyes”

When we last saw our beloved X-Men, their world had just been destroyed. An idyllic place set to the soundtrack of the very on-the-nose choice of “Happy Nation” by Ace of Base in Genosha was laid to waste. Mutants of all backgrounds were slaughtered including our beloved Gambit and less beloved Magneto. In the aftermath…

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by Joe

X-Men ’97 – “Lifedeath – Part 2”

Last week’s episode of X-Men ’97 ended in spectacular and heartbreaking fashion. If you were hoping to experience the fallout of that one, you’re going to be disappointed by this week’s episode. Like the week before which saw an episode end with Forge and Storm in a precarious situation, this week’s episode is willing to…

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by Joe

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May 7, 2024

NECA TMNT Toon Samurai Adventure Michelangelo and Space Adventure Donatello

By Joe
It’s time to go on an adventure!

I think most people understand that when it comes to a toy line the most popular figures are of the most popular characters. The problem is, what do you do when everyone has the most popular characters? You make them again, but different! That’s sort of the genesis of the variant action figure of a popular character. When Playmates Toys struck success with Teenage Mutant Ninja Turtles it didn’t take them long to get the main turtles back onto pegs, but in a different form. There were the gimmicky Wacky Action Turtles which had wind-up features and there was the disguise series of standard action figures of the turtles, but with fun disguises. And we’ve talked about them before because Super7 has already remade three of the four (it would seem they have no desire to make Undercover Don) and I’ve reviewed them all. Now it’s NECA’s turn to try to extend the life of their line of figures based on the classic cartoon series by dipping into the Playmates well with this two-pack of Samurai Adventure Michelangelo and Space Adventure Donatello.

Normally, samurais are the domain of Leonardo.

Recently, Super7 has run into issues with Playmates where the company really doesn’t like them remaking their toys. Is it because they want to re-release them to stores as they have with many old figures? Maybe, or it could just simply be a company protecting its interests and the right to make that call at some point in the future. With NECA, it would seem their way around that same issue is to switch up the characters. Playmates did Sewer Samurai Leonardo so NECA does it with Mikey instead. Raphael the Space Cadet becomes Space Adventure Donatello. Same concept, different character and different design. These aren’t 1:1 recreations and they’re coming from a toy line that is doing very well. That certainly gives NECA a lot of pull with Viacom when proposing these sorts of things and if they want to humor Playmates or not.

And space is typically reserved for Raphael.

These two figures are creations by the fine folks at NECA with the obvious tip of the hat to Playmates. Michelangelo and Donatello never sported these looks in the cartoon, but you could probably fool someone with a poor memory of the show as it’s not far-fetched for that program. They also both follow the Punk Turtles and Pizza Club releases in introducing more facial expressions for collectors to mix into their collection. Though like the Punk set, these heads are better suited for the newer figures and not the older Turtles in Disguise due to the shade of green utilized. In some way, these figures exist on their own. I don’t have the Pizza Club editions since I already have two sets of the Turtles in Disguise release and the original NECA turtles, but I do have the Punk Turtles and the heads are a little different. Where those are dark green and matte, these new ones are the same shade of green, but glossy. The shade of Michelangelo’s bandana is also darker than what came with the Punk Turtles. Does it match the Pizza Club Mikey? I don’t know, but the lack of consistency is irksome.

And rabbits. They’re allowed to go into space too.

That said, these expressions should work okay with at least the Punk and Pizza Club editions and not so well with the older figures. The two expressions that come with Michelangelo, an open mouth and a teeth-gritting one, are brand new while the mouth included with Donatello is an old, closed, expression we’ve seen before. That’s disappointing considering I think even the Pizza Club Donatello comes with this one. The only new head part with Donnie is the top which features a covering and purple goggles similar to the old Raph the Space Cadet figure. You can at least swap out the expression if you wish, but only having angry eyes is a bummer.

Sort of reminds you of the old title card, no?

We’ll talk Mikey first. He very much looks the part of a samurai, but with a lot of color. The helmet is almost exactly like the old Leonardo figure, but done in bright yellow with lots of black linework. The main suit is a pale blue with black and yellow trim. The almost salmon-shaded armor looks good and also gives the figure a toy impression rather than something going for realism. Paint is mostly clean, but there are some parts where the black bleeds into the yellow on the forearms and shins. There is a waviness to the belt which I don’t think is supposed to be present, but otherwise the figure looks good. The helmet plugs into the peg hole where the bandana knot usually goes (no such piece is included so if you want him to go helmet-less you will have to salvage that from another figure) and it’s easy to slot in, but sits rather loose. The helmet will stay on, but don’t be surprised if it falls off a lot while posing the figure.

Old expression, but at least he’s got cool shades now.

Donatello’s space suit is a bit more understated when compared with Mikey’s samurai armor or Raph’s old suit. It’s an off-white color with black linework and some gray and light blue accents. It doesn’t pop like some other looks in this line, but it’s appropriate for an astronaut turtle. The helmet is done with transparent plastic and the back is painted. It’s nice and clear with no odd blemishes anywhere. Paint is very clean on this figure and even the more complex parts of the head are painted well. Donatello’s goggles are done in transparent plastic with purple rims and they look great. They even flip-up if you prefer and removing the helmet is simple enough.

“Whoa dude, mellow out!”
Double-jointed elbows on a turtle? No way!

The articulation for both figures is actually better than most turtles. That’s because the costumes allow for some degree of freedom where shells are concerned. Both figures have the standard setup in the head, neck, shoulders, and hips while also having an easy to access waist twist. Both figures feature double-jointed knees and ankles that pivot and hinge forward and back. Donatello has single-jointed elbows that bend about 90 degrees while Michelangelo gets a NECA first for a turtle in this line: double-jointed elbows. Despite the presence of elbow pads and bulky sleeves, Mikey can bend his elbow past 90 degrees which is pretty cool. All of the hands feature horizontal hinges though, which is a real bummer. A samurai with a bunch of melee weapons and dual-wielding astronaut should have vertically hinged gripping and trigger hands.

This is one well-armed turtle.
What’s the coolest weapon in the set? It’s almost always the one with the chain.

This set comes loaded with accessories. We already covered the heads for Michelangelo which include standard and angry eyes, but he also comes with an assortment of hands: gripping, fists, and style posed. Donatello has fists, gripping, trigger finger, and style posed hands. When it comes to weapons, these turtle boys are stacked! Michelangelo has a set of katana, a spear, a studded club, a circular-handheld blade, and a little sickle with a chain affixed to the handle that’s attached to a weight. They’re all fully painted and done well at that. The chain on the sickle is real chain and it will be hard settling on a display for this guy. Donatello comes with a pair of wacky looking pistols. They’re yellow and green and the muzzle makes me think of corn on the cob. Nonetheless, they’re based on an old roleplay toy for TMNT (thanks Johnny Nostalgia for that info) and are a fun deep cut as a result. Donatello also has this handheld device that looks like it could be something that is designed to propel him through space. It’s actually based on the old Wacky Action Donatello which came with an all gray version and even showed up in the cartoon as an aid for swimming. Donnie can hold it or it can peg into his back. He also has a little backpack device that can plug into the same spot as well.

To boldly go where no turtle has gone before. Well, except Raph. And those Star Trek turtles. And…

That’s a ton of stuff, but aside from the one peg hole on Donatello’s back the big thing missing here is weapon storage. Michelangelo especially has all of this gear, but no where to put it. No sheath, no hooks, no nothing. It’s a bizarre oversight. Donatello could have easily had holsters for his guns especially considering these designs are uniquely NECA and not based on anything. I can forgive the figure not having a spot for that giant thruster thing, but the sidearms? Bad design.

The only item storage on these figures.

The cool thing is if you want these figures to look more like the vintage ones it’s easy to just swap heads to make the samurai Leo and the space turtle Raph. Since the bodies aren’t really color-coded to Mikey or Donatello, there’s no clash of colors or anything. The necks are barely visible so any prior turtle release should work relatively okay for a full head swap, and with Donnie’s upper head being fully painted, he can use any mouth expression from before as well. It even seems like NECA tried to arm Michelangelo with weapons similar to the other turtles. He just needed a second one of those handheld bladed weapons to have two sai stand-ins. It does lead me to wonder what might follow. Surely NECA has plans for a Leo and Raph set in some sort of non-cartoon look, or maybe they will pull from the show? Leonardo as a musketeer would work as a toy and I’m sure there’s some look for Raph in there that doesn’t immediately come to mind. They can’t do an Undercover Don type of figure since they’ve essentially already done that, but they could do a beach one or something.

How will Raph and Leo respond to these bodacious outfits?

The real question is do I want more turtles in the style of the cartoon, but in looks that didn’t actually appear in the cartoon? I’m thinking it’s going to be a case-by-case thing. I was initially planning on passing on this set as something I didn’t need, but I liked the idea of getting some new expressions and there was the fear that when a Leo and Raph set comes along that I’d be remiss if I skipped this one. I believe that is what the kids refer to as “FOMO” and it sure is an effective marketing strategy. This line has been a big hit for NECA so I’m not shocked to see them try to stretch it beyond the show, just so long as we don’t miss out on the few characters we’re still missing from said show (I’m mainly talking Tempestra), but I have no real worries there. This set is exclusive to Target and will set you back 60 bucks if you’re so inclined. It’s a solid value given all of the stuff in the box and the quality of the figures and I’m having some fun here. If you come across it in your travels and the designs get your attention then I think you’ll find plenty to enjoy here.

We have plenty more TMNT where this came from including more NECA and what served as inspiration for this set:

NECA TMNT Toon Punk Disguise Turtles

Another year, another Haulathon. Haulathon, and the very similar Fall Geek Out, have become basically the only instances each year where NECA releases Target exclusive Teenage Mutant Ninja Turtles merchandise as well as non-exclusive merchandise. It’s honestly not a lot of fun as it just creates a frenzy of panic where collectors aren’t sure what…

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by Joe

Super7 TMNT Ultimates! Sewer Samurai Leonardo

Well, after looking at the Wave 6 Slash a couple of weeks ago we can now finally turn our attention to a Wave 5 release from Super7’s line of Teenage Mutant Ninja Turtles Ultimates! series of figures: Sewer Samurai Leonardo. The thing with TMNT is, you have the four good guys, a few core allies,…

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by Joe

Super7 TMNT Ultimates! Space Cadet Raphael

It feels like it’s been awhile since we had a proper Turtle Tuesday around here, but today that streak ends. It also feels like a long time since we had a new wave TMNT Ultimates! from Super7 to talk about – and that’s because it has! Not including the glow-in-the-dark variant of Leonardo I looked…

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by Joe

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May 2, 2024

Super7 The Simpsons Ultimates! Kang and Kodos

By Joe
They do not come in peace.

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate releases, but since the figures are practically the same it makes sense to review the two at the same time. These aliens could be described as fan favorite characters and they owe much of that status to their close ties to the annual Halloween celebration that is Treehouse of Horror. For awhile, these two aliens could be counted on to make at least a cameo appearance, but the show seems to have mostly dropped that. They’ve probably appeared in more than they’ve missed, and their debut occurred in the very first installment of the Halloween tradition. Still, they take up two slots of a wave that includes four figures and not one of them is an actual member of the Simpson family (though one does make it into this wave as an accessory) which is more than a little bizarre. Why not save the pair for a Treehouse-themed wave? Devil Flanders is in the fourth wave, so they’re only one figure short. Oh well, Super7’s poor planning is not the fault of these figures so let’s just see if they can stand on their own merits.

Robot Scratchy has been overthrown.

The aliens of The Simpsons are green, octopus-like creatures with one eye and a massive maw that is constantly overflowing with saliva. The aliens apparently need a very specific type of mix to the air they breath so they are most often seen in a large glass helmet that covers their head, but still allows for their tentacles to be free. I had never paid much attention to how many tentacles each alien has, but if Super7 can be assumed to have done its homework then the answer is five. Kang and Kodos are siblings and in one episode Kang refers to Kodos as his sister, though I think they refer to the character as a “he” in later episodes. Since they are largely from the Treehouse of Horror anthology episodes, their appearances are basically non-canon anyway so their circumstances change to suit the jokes and situations each plot presents. They did have one non-Treehouse appearance, but it’s an episode most consider to be pretty terrible and I have no idea if it’s considered canon or not by the show’s writers. Regardless, as action figures these two present an obvious challenge since there isn’t a whole lot to articulate. They’re also massive and come at an inflated price of $75 each. That was too rich for me initially, though once the line was cancelled I felt better about extending myself to make sure I had a full collection. Plus, I took advantage of an influencer discount at Entertainment Earth (Preternia, if you’re curious, since that guy is always alerting me to great action figure deals) and free shipping was just enough to get me to bite now rather than hold out for a possible discount later. These two arrived in a massive box which was honestly pretty exciting.

“We find your lack of mass amusing.”

The packaging for Kang and Kodos is consistent with the first two waves so slipcovers are included. The cardstock in use for their oversized boxes is thicker than usual and both actually got a little beat up in transit. They’re too big to save anyways so I tossed them, but they’re definitely two of the bigger Ultimates! boxes I’ve encountered. I think both the Power Rangers T-Rex and Dragonzord were wider, but these were deeper and taller. They’re also held in place with lots of tie-downs and twist-ties which is annoying, but they did seem to keep everything in place.

Everything about this pair is big.

Kang and Kodos are exactly the same size. Their “heads” are a little over 7″ alone and once you put the dome on their bodies you’re talking about something that’s over 11″ tall. They are big and impressive to look at, but I stress the “look at” part. In-hand, they feel shockingly cheap. Shockingly because they don’t look how one would expect them to feel. The heads are hollow so they’re very light. Some parts of the heads appear to be painted and some appear to be colored plastic made to fit in place. The mouth area is all painted well, but the green spots on the tops of the heads can be iffy. Kodos, in particular, has some bad paint up there where some of the spots are unfinished. Worse though are these domes. They’re plastic and are manufactured in two halves and then glued together. I think, because they don’t want to separate. Both were pretty scuffed up right out of the box and since they were packaged well I’m assuming they went into the box in this condition. Once again, it’s Kodos that gets the worst of it as their dome has a pretty nice scrape on it near the top and also a random black dot. Unfortunately, both eyesores are on different sides so one is always visible and the seams around the whole thing do limit the display options. Oddly, Kang’s was packaged differently and included a soft, plastic, hose around the tip of the dome though the tip on Kodos’ dome arrived fine without it. Kang also had more plastic wrapped around his head for some reason. Kodos has what appears to be some tape stuck over the left side of the eye that I’m having a hard time getting off too.

It doesn’t photograph well, but the domes are scuffed up on mine. Hopefully it’s an isolated issue.

The domes and badly painted spots are my only gripes about the presentation with these two because they have the size to earn their spot on a shelf. If they can fit, that is. I’ve been displaying my collection on the Arcade 1-Up editions of The Simpsons arcade game and these two aren’t going to fit. If I was determined to pull it off I probably could, but I doubt I’d be able to add any others. Instead, they’re going on a stand beside the cabinet and I’ll probably stick Devil Flanders with them as well.

They basically pose just enough to use their accessories.

For articulation, there’s not a lot to speak of. The heads rotate on the base and the eye is articulated as well. It’s basically a marble that can be moved around which is a nice touch. The two front and one rear tentacle are connected with hinged pegs so they can move a bit, but the range for the hinge is pretty minimal. The two side tentacles function as the arms and are connected to the body in the same manner, but they’re skinnier so the range is better. They’re also segmented and each features an “elbow” and a “wrist” for additional posing. All of the joints are the same hinged peg and they don’t do a ton. I’m not sure if a ball joint would have been better. There would likely be better range, but the sculpt would likely be broken up even more. You’re basically just going to pick your favorite accessories and pose them accordingly.

There are quite a few food-based accessories.

And for accessories, we get a lot of stuff just pulled from the show. Kodos features two tentacle ends that come to a soft point which can be swapped with a tentacle holding a salt shaker, ray gun, serving tray, or the big book on how to cook for forty humans. The ray gun is a really fun design and well painted. The tentacle piece holding onto it is kind of like a “trigger” tentacle and it pegs into the handle of the gun and can be removed. Without the gun, it sort of looks like a thumb’s up gesture. The other items have the tentacle molded to them. The serving tray or dish is a domed one and the dome does come off, though Super7 didn’t provide anything to place in it. I guess they can serve potato chips or a cream pie if you have Homer and Krusty. The other portrait for Kodos is a laughing expression and it’s a nice complement to the more menacing, default, portrait. It’s a bit more visually engaging and I feel drawn to it over the standard look.

Ladies and gentlemen, the only Simpson of wave 3.
At least she scales reasonably well.

For Kang, he has a cheeky grin by default and his alternate portrait is the same as the one included with Kodos except his eye is closed. It’s kind of lame as a result because the moveable eye is the best piece of articulation the two have. If you want the two laughing on your shelf then I guess it’s fine. Kang also comes with his hitchhiking sign that says “Earth Capital.” His default right tentacle ends in a hook shape which can hold it in place if you wish, or it has a peg hole and can be affixed to the gun-holding tentacle end, which Kang also comes with. His other parts are tentacles holding a knife and fork so you can pair the two up for a dinner scene. Kang’s best accessory though is his daughter, Maggie, following the loss of her baby legs. Maggie looks pretty vicious as she has a wide grin with visible sharp tooth. Her pacifier is on one of her tentacles and her head can rotate. She’s painted well and is the only Simpson included in wave three. Since she is in variant form, I guess it makes sense given that was the case for Homer and Bart. If you want to place her with them, she does scale pretty well.

“Go ahead and eat me. At least I’ll be able to die saying I had dinner plans.”

These two look pretty damn good and the accessories included are fine. I would have preferred a better secondary portrait for Kang, perhaps an angry one that pairs with the angry one included with Kodos, but otherwise I’m pretty satisfied with what’s included. I just wish the domes turned out cleaner. They display all right, but look pretty bad up close and for seventy-five bucks it’s inexcusable. That’s the big hindrance with these two as that asking price is crazy. I don’t know what they cost to manufacturer and ship obviously, but when Super7 asks for a premium on these larger figures, but still charges $55 for Bartman and Ralph it definitely makes the consumer feel as if they’re not getting a great value. The cheap in-hand feel of this pair doesn’t help as they don’t feel like $75 figures. I’m left wondering if it would have been better to just do them as soft vinyl figures outside of the Ultimates! line. They would have sacrificed articulation, but that would have been no great loss and looked and felt a whole lot better. They also probably would have been $200 a piece considering Super7’s Super Size vinyl figures are $300 and in some cases are not much bigger. This is what we got though so if you want a Kang and Kodos in this scale better ready that wallet or hope for a clearance event down the road. These two may not have been ordered in the quantities other figures were so it’s hard to know if it will happen, but I’d say it’s more likely than not. Just watch out for a run on them as Halloween approaches.

We have plenty more from the world of Springfield and Super7:

Super7 The Simpsons Ultimates! Krusty the Clown

If you’ve been following along with my reviews on the second wave of Super7’s The Simpsons Ultimates!, then you will have noted that I’ve had a bit of a love/hate relationship with this wave. For the most part, the sculpts and deco have been on point, it’s some of the little things that have been…

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by Joe

Super7 The Simpsons Ultimates! Bartman

When I concluded my review of wave 1 of The Simpsons Ultimates! from Super7 I was thinking that I’d be back with more reviews later in the year. That was in February of 2023. We are now in April of 2024 and finally wave two has arrived (my original order was place January 5th, 2022).…

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by Joe

Super7 The Simpsons Ultimates! Hank Scorpio

If you’re going to market action figures to a fanbase as venerable as The Simpsons, you should probably go after what they love most. Simpsons fans love to make references to their favorite episodes and characters and one of the top episodes from the show is “You Only Move Twice” from the show’s seventh season.…

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by Joe

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May 1, 2024

X-Men ’97 – “Tolerance is Extinction – Part 1”

By Joe
Written by Beau DeMayo and Anthony Sellitti

Ever since the episode list was released for X-Men ’97 I’ve been looking forward to what reads like an epic, three-part, season finale. In truth, given that X-Men ’97 is a serialized show you could basically call every episode “X-Men ’97 Season 1 Part 1″ and so on, but the titles do add a dramatic element. Pretty much all of the episodes have been linked and the only two that feel even a little stand-alone were the two containing parts of the Lifedeath arc. Otherwise, X-Men ’97 has pretty much stuck to its central conflict of humanity and mutants and the violence that can lead to. Violence like what we saw in the fifth episode, “Remember It,” which has proven to be the catalyst for what’s to come.

Look who is back in the opening title.

The “Previously…” intro is delivered this week by Cyclops once again, so apparently Wolverine, Morph, and others had their turn skipped. Returning to the character lineup this week is Professor X. I guess knowing he’s alive and likely on his way back to Earth is reason enough to add him in. Nothing really new in the opening credits to speak of when it comes to the scenes. The inserted scenes are the recreated Danger Room scenes from the original show’s intro plus a quick look at Magneto orbiting Asteroid M from the “Sanctuary” arc and a return of Cable vs Apocalypse (he’s got to be coming at some point, right?). This also reminds me that showrunner Beau DeMayo shared a list of recommended episodes of the original series for viewers to brush up on before embarking on this three-part finale. Those episodes include: One Man’s Worth (Parts 1 and 2), Sanctuary (Parts 1 and 2), Descent, and Graduation Day. I’m pretty well-versed in all of those episodes, but I never need much of an excuse to go back and watch episodes of the original series, especially good ones like the ones above.

Cable and the X-Men must work together to find Bastion.

Last week’s episode ended with a lot of reveals, some more shocking than others. Rogue had been searching across the planet and trying to figure out what “OZT” referred to. Well, now we know and it’s Operation Zero Tolerance. And the one leading that is called Bastion (Theo James), a mutant-sentinel hybrid. It was actually revealed by DeMayo that Bastion has been lurking this whole season and has brief cameos in other episodes. The only one I saw on first viewing was in the fifth episode, but I do plan on going back to search for more (if it’s not spoiled for me ahead of time). At the end of “Bright Eyes,” it was revealed that Trask was converted into one of these hybrids and he packs a hell of a punch since he felled Rogue in one blow. Old pal Cable resurfaced to put him down and in the process Jean mind-zapped him to discover that he is Nathan Summers from the future (a detail she seemingly forgot after doing the same in the “Time Fugitives” arc from the original series – that’s probably why it wasn’t on the recommended viewing) and he’s tangled with these things before. We also learned another detail about the attack on Genosha and it’s the one reveal I mentioned I felt the show had given away and it’s that Magneto lives. We got to see the Master of Magnetism strapped in a barber’s chair and collared as Bastion shaved his face to the sounds of “Flying Purple People Eater.” He seemingly has plans for Magneto and he needs him to look his best.

Bastion takes smug to another level. Also, I’m sure there are some cameos bathed in pink on those monitors some of which are revealed later.

Another reveal for the characters, but not the viewer, was Bastion revealing to Sinister that Xavier lives. He was able to get footage of Xavier’s introduction as emperor to the Shi’ar people via a satellite or some nonsense. Either way, it’s a catalyst for stirring anti-mutant sentiment as Bastion has released that footage to the globe via the United Nations. The news paired with the assassination of Henry Gyrich (by Bastion in last week’s episode) is not well-received by humanity as the conclusion many seem to be drawing is that the X-Men faked Xavier’s death to gain sympathy for mutants. Never mind that the last the world heard from Xavier was a recording that he’s fine (which was Morph) so I have no idea how his death was faked. Did no one demand to examine his corpse? A man was presumably tried for murder over it or at least detained.

I’m loving the addition of Nightcrawler to the team as he serves as a moral anchor for the group.

Early in this episode, Cable explains what’s going on and all he knows about Bastion and his new Prime Sentinel creations. Perhaps the most important detail, and likely the question all would be asking if it wasn’t explained, is that Cable has tried in vain multiple times to stop the attack on Genosha, but every time he gets pulled out as we saw in “Remember It.” The poor guy has likely witnessed the murder of his mother more than once. He’s taking a new approach now as he gained some intel on where Bastion may have been operating from. He, Cyclops, and Jean are dispatched to check it out while the rest hang back.

Two people the world assumed were dead are very much alive.

Elsewhere, Bastion has Magneto chained to a wall on a giant “X” evoking memories of a famous Uncanny X-Men cover featuring Wolverine. And it’s here in his base we learn the fate of another – Valerie Cooper. It seems she survived and has some connection to Bastion. She is here to give Bastion a soundboard, someone to explain his plans to, and react in a manner similar to the audience. At the mansion, Beast is busy examining the remains of Bolivar Trask while Nightcrawler keeps vigil over an unconscious Rogue. Jubilee is also still hanging out with Roberto’s family and isn’t really enjoying herself since Roberto’s mother, Nina (Christine Uhebe), is far more concerned with making sure no one knows her son is a mutant rather than helping out in a meaningful way. As someone who has maintained a life of privilege, she sees no reason for involvement in human-mutant conflicts outside of sending some money Genosha’s way and doesn’t understand why the status quo should ever change.

In true X-Men ’97 fashion, all of this build-up is for an action-packed third act. The X-Men can’t go looking for a guy like Bastion without getting into some fights and viewers will be treated to some fun. There’s fan-service to be had in these battles and if you’re someone who has been waiting for Wolverine to do something ever since he and Gambit’s team-up move back in the first episode then you’ll be happy with what unfolds.

There has been some great action in this series, but this sequence from Wolverine’s perspective as he impales a robot and Nightcrawler teleports them is amazing.

This first part of the season’s finale is mostly as expected. It needs to lay the ground work for what’s to come and there’s plenty of exposition to be found in order to get there. We’re fed breadcrumbs when it comes to the X-Men’s adversary and we’re likely to learn even more over the coming episodes. The show has done a tremendous job of not losing sight of its central conflict and the racist undertones that conflict contains. Bastion is a great example of this as he highlights how portions of humanity has felt left behind. It echoes real world racist manifestos like The Great Replacement Theory only in this world there’s actually a touch of truth to it as Bastion explains how a mutant-powered human can do things a normal person can’t which could actually cut into job opportunities. Mostly, Bastion is like any other figurehead preying on ignorance and fear who sees racist tropes as a path to power. Racists typically do not function on logic and reason so having even a kernel of truth to his replacement theory makes it all the more powerful.

Storm a couple of episodes ago plus Jubilee here has me wondering if we’ll be phasing out the Jim Lee looks for the characters.

The episode does end with a “bang” moment that is sure to leave viewers eager for more. We’re adapting an era of the X-books I’m not as intimately familiar with as other eras and it’s nice not knowing where this is headed. It’s unlikely the adaptation will be direct anyway, but I’m doubtful this will all be wrapped up in a neat little package in two weeks since a second season is in production already. And that’s fine, give me all the X-Men ’97 you can, Disney!

Previously…on X-Men ’97:

X-Men ’97 – “Bright Eyes”

When we last saw our beloved X-Men, their world had just been destroyed. An idyllic place set to the soundtrack of the very on-the-nose choice of “Happy Nation” by Ace of Base in Genosha was laid to waste. Mutants of all backgrounds were slaughtered including our beloved Gambit and less beloved Magneto. In the aftermath…

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by Joe

X-Men ’97 – “Lifedeath – Part 2”

Last week’s episode of X-Men ’97 ended in spectacular and heartbreaking fashion. If you were hoping to experience the fallout of that one, you’re going to be disappointed by this week’s episode. Like the week before which saw an episode end with Forge and Storm in a precarious situation, this week’s episode is willing to…

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by Joe

X-Men ’97 – “Remember It”

Last week’s episode of X-Men ’97 saw the show take a breather with a fairly low stakes plot involving Jubilee and Roberto getting sucked into a video game. The last 7 or 8 minutes of the episode concluded with a more serious tone as Storm and Forge found themselves at odds in the wildlands of…

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by Joe

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