October 7, 2026

Marvel Legends X-Men ’97 Apocalypse

By Joe
Come the Apocalypse.

One of the big bads of X-Men: The Animated Series was none other than Apocalypse. He appeared in the opening clash to start almost every episode and when the show was looking to end on a high note it selected Apocalypse as the villain to center that story on. When X-Men ’97 arrived in 2024, Apocalypse was conspicuously absent apart from a throw-away line by Wolverine in the show’s second episode. That is, until the very end when a post credits stinger featured the immortal one amongst the wreckage of Genosha signaling that he was going to have a part to play in season two. We may have had to wait a bit longer than expected for that second season, but perhaps to tide us over we had Hasbro and its Marvel Legends team which unveiled Apocalypse at last year’s New York Comic Con. The made-to-order item would arrive in 2026 and now as we sit on the eve of New York Comic Con 2026, Apocalypse has indeed arrived.

He’s a big boy, but still in the shadow of the Sentinel.

Even with Apocalypse set to play a large role in X-Men ’97 season two, I was skeptical we would get a Marvel Legends figure of the villain. That’s because in 2022 Hasbro released a retro card version of Apocalypse in his animated colors. Apocalypse was rather famously re-colored to purple and blue for the cartoon as opposed to his black and blue look from the comics. It was a curious decision and as a kid one I probably did not like, but overtime it’s become charming and nostalgic. Still, it’s probably not a popular colorway with the majority of Legends collectors so just getting that one figure was a surprise. And it’s a figure I liked then and still like because they did re-sculpt some of the figure to give it more of an animated look, and since the figure was a re-color of a previously released build-a-figure, he was larger than the standard Legends release.

Eternal enemies.
Good luck, Cable.

Whenever Apocalypse is brought to plastic, there’s always a question of how big should he be? Thanks to the original Toy Biz release, my first understanding of Apocalypse was that his mutant power allowed him to increase in size. And it can, but he also possesses a great deal of other powers to use against his foes. Because of his unique abilities, he’s always changing in size. Some of that is probably due to the inconsistent animation of the old series where there’s even shots of Apocalypse at almost eye level with Archangel. For the most part, he’s quite a bit bigger and the official height chart the animators were supposed to go off of put him at over 7′, which interestingly had him as being shorter than Juggernaut. For this made-to-order figure, Hasbro decided to go big.

He’s big on theming.
This setup for the cables works so much better than past figures.

Apocalypse comes in the same style of box as the previously released Sentinel. It has no window, but instead a render of the figure and the accessories inside against a yellow backdrop. Since it’s not something sold in stores, I don’t really care about the omission of a window box. The packaging inside is easy to get through with an absence of annoying tie-downs. Once removed, Apocalypse will tower over the other X-Men ’97 figures (well, except for the Sentinel) at approximately 12″ in height if not a little taller. And he’s not some bean pole as proportionally he’s pretty massive. I don’t know for sure, but it feels like his height was based on the scene inserted into the opening of some episodes of X-Men ’97 showing Apocalypse confronting Cable beneath his temple. Which itself was a recreation of a scene from the original series. This size also likely puts him in proper scale for the scene depicted at the end of the fourth episode of season two and he even seems to come with an accessory that is a reference to that. There’s a nice mass to all of his limbs and his torso which isn’t something Legends is always good about. Even the old retro card figure when viewed from the side has something of a flat chest. This Apocalypse is round and full and really embodies the look of the character in the show.

It doesn’t show on camera, but the retro card figure is a darker purple and the upper body, boots, etc. is blue where as with this new figure they’re a different shade of purple.

And more than any other Legends release I’ve encountered, this guy looks like he stepped right out of my television. The subtle change in the shades of purple in use are captured exquisitely. The old figure was a purple body with blue accents while this Apocalypse is basically just multiple shades of purple. The only color in use that I’d consider blue is found on the figure’s head. There’s a yellow tint to his exposed flesh which matches the show and his eyes are the inferno-like red and yellow. There’s not a ton of paint on him, but the body has been hit with a clear, matte, finish. It makes photographing him slightly challenging for my very amateurish setup. The difference in colors between this new figure and the retro card one are pretty stark in person, but in pictures it looks far more subtle. All of the details are here though like the piping on his arms and subtle changes in textures throughout. The cables, always the bane of any Apocalypse figure, are a metallic silver and they now connect to the rear of the belt and above the elbow which makes them a lot more manageable. I actually have yet to have one pop out by accident and they do seem more pliable than the old figure. That one has them pop out all the time whenever I pose it. The only visual negative is some of the paint around the lips is a little sloppy on mine. There’s also some hot spots with the finish along the side of the figure which I think is the result of the bubble packaging. Neither are noticeable from shelf range, but is apparent in-hand.

Apocalypse has a lot of foes.

Apocalypse comes loaded with stuff and it’s basically all things seen in the early part of the show’s second season. Hasbro almost certainly was able to look at material from the show to create these which is in contrast to how Marvel has been with a lot of the movies of late. For hands, we get a set of fists and a set of asymmetrical open hands. The right hand is a little looser than I’d like, but at least swapping parts is pretty simple. There is one alternate head and it’s a grimacing one which looks great and has a clean paint application. I do wish we got a third, evil smile portrait from the execution scene at the end of episode four. For attachments, Apocalypse has various weapons and even a defensive item. He has his big, snap-on, shield which is emblazoned with his signature “A” and looks incredibly goofy, but it’s well-represented here. It basically slides up the forearm until snug and works well. He also has a blade hand attachment, a spiked ball, and a drill. All of them are entirely plastic with no paint and Hasbro used its semi-metallic plastic for the “metal” parts. There’s some swirling on the morning star that looks bad, but none on the other two. Apocalypse also has his arm canon which first showed up in the original series and was also an accessor with the retro card figure. It comes with two different blast effects. One is similar to the Sentinel blasts as there’s a rear plume and a cone of energy in the center. The second is just the plume with a clip in the middle to plug another figure into it. This is almost certainly in reference to a specific scene, though you won’t be able to accurately pull that off in plastic as the articulation isn’t quite up to snuff there. It’s a neat idea and you can use it with most Legends figures though I wish the impact was larger and more dramatic. He has multiple muzzles on the arm canon and it can accept the Sentinel blast effects so long as you only use the center piece. That’s the only way to get multiple blasts going. Lastly, there’s a diorama piece that’s a blast hitting a rocky ground and it’s pretty damn cool. I’m going to have to figure out a way to work it into my display as a result because it would be a waste not to.

The Sentinel blast works too.
You can fit more into the canon if you omit the muzzle flash.
The clip-on blast works better with non-caped characters.
This is the face my cat makes when I pick her up.

Apocalypse is a pretty chunky boy so articulation isn’t going to be his strong suit. It’s not a total bummer though as he works reasonably well for a man his size. We get: double-ball head, ball-hinge shoulders, bicep, double elbows, wrist swivel and hinge, ball-jointed diaphragm, ball-jointed waist, ball-socket hips, thigh swivel, double knees, boot swivel, ankle hinge and rocker. Where you’re likely to get the best range is at the head and in the torso. He’s too chunky to crunch forward much, but the ball joints in the torso and waist work really well with rotation, tilt, and just general nuance posing. The arms are a bit too chunky to get the elbows to bend past 90 degrees and no butterfly joint does limit things at the shoulder. The big shoulder pads rotate with the arm so they don’t get in the way, at least. He’s not going to do splits or kick forward as far as 90 degrees, but the gait he gets is adequate and the ankles work very well. I also like the included boot swivel so if you want to rotate the feet you can without breaking up the sculpt in the thighs. He can hit walking poses and sell his effect parts well. What he can’t do is reach across his body or convincingly get down on one knee. Again, there’s a certain scene in episode 4 I’m thinking of here that’s just not possible to pull off, unfortunately, but all things considered the articulation is fine.

These are the weapons he turns to when he wants to get medieval.
“Only a coward feels mighty when stepping on ants.”

Do you want a giant Apocalypse from X-Men ’97? One that looks close enough to his appearance in the original animated series as well? Then you should probably get this one. He’s not cheap at $120, but he’s currently listed as in-stock on Hasbro Pulse as of this post going live. This is an impressive chunk of plastic of season two’s signature villain, and while finding space in one’s collection could be a challenge, he will immediately bring some presence to any display. I’ve always liked Apocalypse so I’m predisposed to like this figure. It’s something I never expected, but am happy is here. I hope Hasbro sold a lot of them and that the X-Men ’97 figures are making them money because I’m counting on more getting announced this weekend at New York Comic Con. Apocalypse was a made-to-order item, but if you want to get one just keep your eyes on hasbropulse.com as there are likely more which will go up for sale in due time.

“Crash upon me and be broken!”

For more Apocalypse and X-Men ’97 goodness, check these out:

Marvel Legends X-Men Retro Card Series Apocalypse

It is Halloween and that means it’s time for costumes, candy, and spooky fun. It’s also Halloween 2022, a pretty important date if you grew up loving those mutants who ran around in colorful spandex fighting for a better tomorrow. That’s because 30 years ago on this very night, the animated series X-Men premiered on…

Keep reading
by Joe

Marvel Legends X-Men ’97 Sentinel

When X-Men premiered on Halloween 1992 the big bad guy of the day wasn’t Magneto, it wasn’t Apocalypse, it was the Sentinels. The mutant-hunting robots were chosen because they represented the threat from humanity as it pertained to the protagonists of the show. Any show or comic book can put some scary dude in a…

Keep reading
by Joe

Marvel Legends Mephisto

It’s now been a couple of years since Hasbro did a light pivot from the HasLab model of action figure delivery to the made-to-order one. That’s not to say the HasLab is dead, but we haven’t seen a Marvel Legends themed one since Giant Man which was solicited in September of 2023 and delivered about…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , | posted in Television, toys

September 30, 2026

Mondo Squads Rocko’s Modern Life

By Joe

One of the big television moments of my young life in the 1990s was the premiere of Nickelodeon’s very own cartoons. Dubbed Nicktoons, these were creator-driven shows intended to entertain first and move merch second. And that second component was a pretty distant second. Launched in 1991, the original Nicktoons consisted of Doug, Rugrats, and The Ren & Stimpy Show. All three are pretty much classics at this point and all three brought something different to the table, but the three show format sure felt kind of funny even in the moment. Since all were designed to occupy a half hour block of television it meant that the inaugural Nicktoons block was an hour and a half beginning at 10 AM on Sunday morning and ending at 11:30. That just felt wrong somehow. Even though radio had designated a block of content as 3 songs, for television it felt like a proper block should be four half hour shows. Well, we wouldn’t have to wait long to get out wish as the following year Nickelodeon launched Rocko’s Modern Life to complete the block. The Joe Murray created show had a tremendous team behind it including soon to be household names (well, in animation circles) as Stephen Hillenburg, Tom Kenny, and Doug Lawrence.

It’s a big box.

Over the years, Rocko has seemed to remain popular, but not as popular as some of the other Nicktoons. For my money, it is the best show Nickelodeon has produced. It had the wacky, gross-out comedy that many associate with The Ren & Stimpy Show, but it combined that with something of a coming of age tale. Rocko is a young adult who only recently left home to make a go at living on his own in the 1990’s. He has problems that maybe the target audience didn’t entirely relate with, but could at least empathize with. Some of them are universal issues like how to deliver bad news to a friend or what to do about a crush, but then there were issues with credit cards and holding down a job. The animation always delivered out of the newly minted Games Studios, an in-house production company owned by Nickelodeon, and the show was able to churn out 52 episodes which was a pretty typical order for Nickelodeon. Only the mega successful shows got more episodes as presumably re-upping with Murray and his staff following the initial 52 would be more costly for Nickelodeon than simply launching a new series. By all accounts, Murray was ready to move on as well, but it wouldn’t be the last we’d hear from Rocko as the gang did return in the short movie Static Cling in 2019 carried exclusively by Netflix.

These might be bigger than you would have expected.

Because Rocko is so awesome, and because Mondo seems to have a good working relationship with Nickelodeon, we now have a set of Mondo Squads featuring Rocko, Heffer, Filbert and some choice little buddies. Mondo’s Squads brand is different from typical action figures. They’re somewhat modeled after maquettes, small statues often commissioned for artists working on animated shows and movies to help them visualize a character in 3D, featuring minimal articulation and occupying a scale that is basically their own making. The characters come housed in a pretty substantial box featuring the same artwork that was used on the Rocko’s Modern Life DVD collection several years ago. Jordan Christianson is credited with the package design which resembles a television one might find in O-Town, though I want to say the actual picture of Rocko and the other characters in the background was done by Joe Murray. The figures in the set are based on a concept by Joe Allard and the sculpts were handled by Brandon Gash. Mara Ancheta is credited with the paint while Hector Arce was in charge of the art direction. The figures are well packaged in a large plastic bubble and pretty much everything is wrapped in a plastic bag to protect the paint. There are no tie-downs and the whole thing is quite pleasent to access.

Rocko seems a little off to me. Left is a comparison with a Pop! and right is a still from the movie Static Cling.

We’ll talk about Rocko first who Mondo lists at coming in at 5.75″. As I alluded to above, these figures do not occupy any sort of concrete scale. They’re definitely not 1:12 or even 1:10, but the goal seems to be to just make sure they scale with each other. Rocko is depicted in his traditional blue, collared, shirt with pink triangle pattern and brown shoes. By default, he’s sporting what I’d call a contented expression and his arms are at his sides. Rocko could be a tough character to pull off in 3D, but Gash did an amazing job as he looks to be incredibly on-model. The paint application is simple, but clean, as Mondo did not opt to go for a cel-shaded look. Instead we just have flat, saturated, matte colors that do well to mimic an animation cel. Rocko would be perfect if not for one thing that’s been bothering me. The shade of his fur in the original series was a pale yellow. I have a Funko Pop! that pretty well captures that shade, but for this figure we have more of a dull brown. It’s darker in person than in pictures and I can only assume this is because Mondo based their design off of the updated character models for Static Cling where Rocko was a bit darker. In that though, I’d say his fur has a touch of gray as opposed to brown so it’s not a perfect match for that as well. His shoes are also a little off as they’re a dark brown as opposed to more of a red-brown. It’s a thing I’m trying to ignore and just accept, but it does bother me if I’m being honest.

“Umm, you wouldn’t happen to know the Big Heads, would you?”
“Spunky! No!”

Rocko is pretty much a five points of articulation figure as basically all of the Squad designs are, but he does have a lot of extra parts to change how he’s displayed. His secondary portrait is Rocko’s frequently worn concerned look. He is unsure about something or maybe even a bit embarrassed. To complete the look he has a set of arms that feature his hands coming together at the fingertips. If that is a bit understated, he has a terrific “freak out” expression that’s partly based on his scream during the opening title. His mouth is wide open with his brain literally leaping out of his skull. The brain is held up in air with translucent, red, plastic for the brain stem and it’s quite impressive to behold. The eyes are enlarged as well, though not to the degree they are from the show. To help further sell this scream, Rocko has a second tail that sticks straight out from his body (his default tail has a bit of an “S” shape to it) and a set of arms out wide. The brain leaping from the skull bit is something I identify with the show so this was a great pull for an optional display. All of the limbs just peg in so everything is easy to swap on Rocko as well as the rest of the figures in the set.

The gluttonous steer with a heart of gold.

We now move onto Heffer, Rocko’s gluttonous best friend who is a steer raised by wolves. Mondo has Heffer listed at 9.5″ so he’s considerably taller than Rocko, as he should be. He’s also practically a sphere with limbs and has a very light feel, but still has that high quality, Mondo, appearance. Unlike Rocko, his shading is pretty much spot-on and Gash did a tremendous job translating him to 3D. He even has his asymmetrical eyes and cavernous butt crack. The paint is once again clean and I like the addition of some subtle shading in places, most notably that bulbous ass. There’s also some nice, black, linework on the feet and around the hem of his pants. The only blemish, or mistake, is that Mondo left Heffer’s horns the same shade of yellow as his body and head. In the show, and movie, they were always orange as there was an obvious separation between skull and horn It’s a much smaller issue than Rocko’s general fur color, but a surprising omission considering how detail-oriented Mondo typically is.

“Give me a merit badge NOOOOOOOWWW!!!”

By default, Heffer has a happy expression that captures his personality quite well. His default arms are also just at his side. For a second portrait we get Heffer with a mouthful of who knows what? There’s a right arm holding a blue, foil, bag to go with this look and a left arm holding a TV remote. The presence of the remote makes me wish we had Rocko’s couch and TV, but there’s already a lot in this set and that likely would have really pushed the MSRP higher than the already pretty high $160. Heffer’s third expression is a giant belching one with half-lidded eyes. He has outspread arms to go with this and while Heffer likely burped quite a bit in the show, this set really makes me think of his declaration “Give me a merit badge NOW!” from the short “Belch of Destiny.” It’s a good selection for Heffer, though I’m a little disappointed that the snack bag is just plain blue. Why no Pasture Puffies logo? And I think I’d swap the TV remote hand for one clinging to a handful of the green, spongey looking, snack.

“Hello.”
“I’m nauseous…I’m nauseous…”

Rounding out the trio is good old Filbert, the hypochondriac turtle who is probably a little bipolar since he can get aggressive at a moment’s notice. He stands at about 6″ even and looks every bit as good as Rocko and Heffer. If anything, he is the best of the three as there’s nothing obviously off about the design or the paint. I suppose one could quibble with the placement of his arms, but they kind of moved around in the show, but were almost always shown coming out of the side of his shell at about the same level as his belt. His shoes are also too dark, but it’s not really something that bothers me. Overall, he looks great and his default expression is more or less a happy one. He too has arms that just hang at his side for the default ones and like Rocko his secondary portrait is one that looks concerned or worried. His arms that seem intended for this expression are similar to Rocko’s where he’s bringing his hands together in front of him. His third portrait features oversized, bloodshot, eyes and arms with his palms open pointing forward, elbows bent. This is Filbert’s freak out expression and it’s a good one. He’s such an expressive character in the show that it would be especially easy to come up with more (yelling, angry, one with a heating bag on his head), but I think this selection is pretty damn good and appropriate for old Filbert.

“Please take care of my, Turdy!”
Turdy! Behind you!

And that’s not all, as we have two more characters to talk about. First is Spunky, because you can’t have a Rocko without a Spunky. Spunky is a slug figure with no articulation, but he’s sculpted in a bum scoot pose with a delightful expression upon his face. If you’re going to do just one Spunky, this is the way to go. The other included little buddy is Filbert’s bird, Turdy. Featured in the segment “Bye, Bye, Birdie,” Turdy was entrusted to Rocko while Filbert was away only for Heffer to accidentally sit on him and end his short life. To capture this moment, Turdy has two sets of eyes: one for the living, and one for the dead. His dead eyes, in true cartoon fashion, feature big X’s so you wouldn’t confuse him with a living bird. He does have a swivel in his neck, but is otherwise not articulated. Both Spunky and Turdy are on-model and look great featuring the same quality of paint as the larger figures.

“You think Filbert will notice?”

This set of figures based on Rocko’s Modern Life was sold as a limited edition set on Mondo’s shop earlier this year for $160. It’s a steep price for figures that are essentially statues, but if you’re someone in the market for high end collectibles of Rocko’s Modern Life then this is pretty much the only game in town. It’s also sold out so the only option now is to grab one on the secondary market. I have no idea if this one is going to be so desirable that it will command far more than that $160 price tag (which also included an $18 shipping charge) or not, but it’s also the type of thing that is likely to only go up. Mondo on a live stream awhile back also confirmed that this is the only planned set for Rocko’s Modern Life so if you were holding out for a cheaper one with less stuff it sounds like that isn’t happening. Of course, if demand is there they can always revisit it. I’d personally love a second set featuring the Big Heads or a Christmas variant of these three. Such a set could feature Rocko, Heffer, and Filbert in their winter attire and come with a walking Spunky, the little elf character, and Rocko’s tree with a living expression and a dead one. Perhaps I shouldn’t start giving Mondo ideas since this stuff isn’t cheap, but for now I’m pretty happy to have these characters in my collection as it’s been long overdue. The best Nicktoon deserves the best toys and Mondo’s Squads is pretty much the perfect method of delivery, albeit not the most economical.

For more of my thoughts on the greatness that is Rocko’s Modern Life check these out:

Rocko’s Modern Life: Static Cling

After taking a trip to the past with Rocko’s Modern Life during the spring, it seems only fitting that I also take a look at the Rocko’s Modern Life movie from 2019: Static Cling. To be fair, the term “movie” is definitely used loosely when applied to this piece of media. Static Cling was originally…

Keep reading
by Joe

Rocko’s Modern Life – Season 3

My rewatch of Rocko’s Modern Life really could not have gone better. I suppose it would be better if it wasn’t during a pandemic, but what can you do? The show has been a delight, and while I felt Season Two was pretty much on par with the first season, I think an argument can…

Keep reading
by Joe

Dec. 10 – Rocko’s Modern Christmas

Rocko’s Modern Life may be the most 90s cartoon created during that decade. It’s certainly the most 90s of the Nicktoons, Nickelodeon’s very successful foray into original animation after years of airing other studio’s work. Rocko’s Modern Life centered around a wallaby named Rocko, naturally, and his journey into adulthood, which most notably includes self-reliance.…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , , , , | posted in Television, toys

September 21, 2026

Mondo X-Men ’97 1/6 Scale Storm

By Joe
Behold! The fury of the Storm!

With the arrival of Storm, Mondo moves one step closet to completing the X-Men team from the original Fox animated series. She follows Jubilee, Gambit, Rogue, Cyclops, Wolverine, and Beast, but since this line got started during the launch of the very successful X-Men ’97, she arrives with that title upon her box. For fans who have been collecting this line, that distinction has been a little irritating at times. No, I can’t say most care about what’s on the box, but some of the figures within have too strongly favored the continuation as opposed to the original series, but with Storm that is not the case.

Storm comes in the usual, large, box with artwork on the front by former storyboard artist Dan Veesenmeyer. Images from those same storyboards are used to fill out the background and it’s tough to tell what episode. It might be “Slave Island” though it could be “Savage Land, Savage Heart.” Regardless, it’s Storm going off with her powers and it looks pretty neat. The figure inside is another sculpt from the renowned Alex Brewer with paint by Tom Rozejowski and Hilary Arce. Hector Arce is credited with the art direction while Jordan Christianson designed the packaging. It is a box like Beast’s and does not include a window like past releases, but that’s fine considering the contents are heavily wrapped to protect the paint.

Out of the box, Storm stands about 11″ to where the top of her head would likely be under that rather large mass of white hair. Factor that in, and she’s over a foot tall making her one of the tallest in the line. As I alluded to in the opening paragraph, this is very much a Storm based on her appearance in the original animated series. The tell-tale mark in this case are her thigh-high boots and heels. In X-Men ’97, she ditches those for a more traditional boot line halfway up her calf. The sculpt is quite nice as Brewer was pretty generous with the curves. The costume, a bit of a point of contention amongst comic fans (Is it white? Silver? A glossy black?), is a cartoon-accurate white with a lot of black shading. There’s some gray-blue shading mixed in as well which helps make Storm look like she leapt off the screen. All of the yellow accents are where you would expect them to be as are her trademarked lightning bolt earrings. By default, she has her big, poofy, hair which will make her a bit tough to stand, but is animation accurate. The only critique I have for the sculpt is her face is still not quite what I picture for Storm from the show. Her chin comes to more of a pronounced point in plastic where her jaw was a bit more square, but with soft lines, in the show.

The plastic cape looks great, but severely limits posing.

One of the challenges of creating Storm for this line rested with her cape. To preserve the look of the show, a painted cape made out of plastic is ideal, but since her cape connects to her wrists that basically kills any articulation in the arms. Mondo’s solution then was to give the collector options. Storm has an all plastic cape that’s well-painted and looks great. It includes her shoulder pads and plugs into her clavicle area with the yellow cuffs fitting over her wrists. It’s in a neutral position so Storm won’t be able to do much with her hands while wearing it, but if you’re the sort of person that just goes for a pretty vanilla pose on your shelf it will look nice. For those looking for something more poseable, there’s a soft goods cape as well. It’s actually two pieces and also includes the yellow cuffs, but it’s all soft goods. The outside portion is white while the inner part of the cape is gray. It’s not going to fool anyone and does look like a soft goods cape, but it does strike a nice compromise. And if you don’t like the look of the soft goods, yellow, wrist cuffs on it Mondo did include two optional yellow, plastic, ones. I think these are mostly intended for slipping over her wrists for those who don’t want to put the cape on at all, but they can be muscled over the soft goods cuffs too for a stronger, more saturated, look. Based on the pictures on Mondo’s website, it also is possible to remove the cape from the shoulder pads, but it doesn’t look easy so I have opted not to try. I’m also not sure which cape that applies to.

For those who prefer their Storm have more of a punk vibe.

Storm may be wearing her ’92 costume, but she does have some ’97 inspired portraits to approximate her look in that series if it’s your preference. The default one features the big hair and her iris present while there’s an alternate one with the eyes whited-out. This is what happens whenever Storm uses her powers so if you’re posing her with lightning effects make sure you have the right eyes unless you want to look like a fool. The sculpts look to be identical with just the eye paint being different. It makes sense, though I wish her non-powered up look featured a smile. If you want her to look a bit more intimidating, there’s a slightly angrier expression where the wind is pushing her hair up. It’s definitely a cool look and one I’ll be hard pressed to ignore when it comes to my own, personal, display. For the X-Men ’97 enthusiasts, she also has a neutral portrait with mohawk and an angry one with that same mohawk hairstyle. The angry one features the added detail of little holes beside her whited-out eyes that can accommodate two lightning effects. I believe this is based on her grand entrance in the first episode of X-Men ’97. Also included in this timed edition of Storm is another neutral portrait with a ponytail hairstyle. I think this hairstyle made an appearance a couple of times in the original series, but I remember it most from the episode “Orphan’s End.” It’s a good spread, though I’m a little disappointed that none of the heads feature a smiling expression. She’s either stoic or angry and while Storm does tend to be quite serious much of the time, she’s not joyless.

She has a pair of “weapons” as well, including this terrific homage to the Toy Biz Storm.

To go with all of those expressions is an assortment of hands. By default, Storm has these style posed hands. The kind of gesture she would make while reaching out and getting ready to direct her powers at a target, be it lightning, wind, or something else. She also has a similar set with little crackles of lightning affixed to them. They’re soft and pliable, but also do make it a little tough when trying to put her hands on (and swapping is not easy – go for heat). She also has two clenching hands with similar lightning effects on them and a set of gripping hands. For those gripping hands, Storm has the staff weapon featured in her battle with Callisto in the episode “Captive Hearts.” It’s the strange, double lightsaber weapon that has a gray handle in the center and translucent blue plastic for each end. It looks fine, but I’m surprised at the lack of paint in the center handle. The other handheld accessory is a large, translucent, yellow, lightning bolt. This feels like a direct callback to Storm’s original Toy Biz figure right down to the little, squared-off, grip on the side of it. It looks pretty neat and I do love it when Mondo slips callbacks into these packages. The hands that are likely to be among the favorites of anyone with this figure are the ones with lightning shooting from the finger tips in a wide arc. It’s more translucent yellow plastic and it’s an effect similar to what Hasbro attempted with their X-Men Storm, but executed far better because the plastic for the hands is not painted over translucent plastic. The last hand option is a unique piece. It’s a small plant with a right hand affixed to the bottom. Above the plant is a rainstorm and a dark cloud and affixed to that cloud is another lightning bolt connected to a left hand. Unfortunately, mine arrived with the hands basically parallel to each other which made it impossible to get onto Storm as the top needed to be facing the opposite direction. By heating it, I reshaped the little lightning bolt and was able to get it onto my figure, though this stressed where the lightning was glued into the cloud and it snapped when I took it off. Mondo is sending me a new one at no cost to me so it’s not a big deal, but something to watch out for if you get the same. The last accessory, is another mutant power suppressor collar like the ones Gambit came with. You should now have enough to reenact the episode “Slave Island” with Storm, Jubilee, and Gambit if you so desire.

Can’t forget the ponytail look.

For articulation, Storm is pretty typical of the line. We get: double-ball head, ball-hinge shoulders, single hinge elbows with a swivel, ball wrists, diaphragm, waist, hips, thigh cut, double-jointed knees, hinge ankles and rockers, wired cape. The thigh cut is a nice addition since it’s hidden by the line of her boots. The torso works really well with its ability to arche back and forth at the diaphragm and a little at the waist. Plus you get the rotation and tilt you likely would want. The single-hinged elbows are a minor shortcoming, but the shoulders are the weakest point. Because her costume bunches up at the shoulders which is captured by the sculpt, she can’t raise her arms out to the side into a classic “T” pose. The range is about 45 degrees, but she can rotate at the shoulders without issue so it’s something that can be worked around to some degree. Even with the heels and big hair, Storm can be made to stand on her own with a little persistence. I don’t know that I’d leave her on a shelf like that, but the good thing is that I don’t have to. Mondo also included their new flight stand. Unlike the one I received with Nightcrawler, this one fit over the articulated post for me without having to disassemble it. The only problem is that she’s so slight of frame finding a place to use the claw on her is tough. It’s pretty much the bust area or nothing. I wish they had a smaller claw for smaller figures, but on the plus side this will work with pretty much all of the other figures in the line if you want to put Wolverine in a leaping pose or allow Magneto to hover.

Before I “fixed” it, this is how the plant hand arrived.
This is how it’s supposed to look.
From Mondo itself. Image by Raúl Barrero.

Like all of the figures in this line, Storm doesn’t come cheap. The MSRP is $245, but it also required a tariff fee and shipping which brought the total for me to north of $300. Is she worth it? If any of the others are then yes and by the standards of the line she not only features a lot of stuff, but looks great and articulates about as well as can be expected. I love all of the options and I appreciate Mondo giving us two kinds of capes for our display. The only downer for me is how Mondo doesn’t allow for us to swap the hair. If Storm could do so it would really open up the display possibilities. I love the eye lightning, but I don’t know if I’ll ever want to display her with her X-Men ’97 hairstyle when I’m mainly going for a ’92 look for my display. If the hair could be moved around it would solve that problem, Plus, that’s a lot of extra plastic to have to include. The issue with the tree accessory is unfortunate, but not a big deal for me. As of right now, I have not received my replacement part, but I have an “order” created for it by Mondo so I’m not concerned at the moment. I might also just try and repair the one I have since it is a clever little item. My criticisms here feel pretty minor though and at the end of the day I think Storm is one of the best figures in the line so far. It’s getting tough to pick favorites, but I’ve been really impressed by Storm, Beast, and Nightcrawler. Next up is Jean which Mondo is billing as the team completer, but we all know there’s still some pretty important characters still waiting for their own chance. Jean won’t be out until next year though so it’s going to be a little while before we have another figure in the line to talk about, but at least it’s not the last.

EDIT: Jean went up for preorder on September 22 with an expected ship date of November 2026 so apparently we are not done with X-Men this year!

UPDATE: I received my replacement “Storm Plant” from Mondo about two weeks after contacting them. The new part did have the hands in a new orientation, but unfortunately it’s still unusable. When the bottom hand is connected to the figure, the fingertips of the top hand are now pointing at her chest. Previously, they were pointed in the same direction as the bottom hand. I can only conclude the issue must be pretty widespread and I wonder if checking which direction the parts are going is even part of the factory review. It’s too bad they glued everything as not only would that have prevented the issue, it would have made it easier to get onto the figure. I think I’ll explore a permanent fix to the one I broke rather than ask for a third one.

We are so close!

For more from Mondo’s X-Men line, see below:

Mondo X-Men ’97 1/6 Scale Beast – Limited Edition

Back in the old Toy Biz line, it felt like we had to wait a long while for an action figure of Beast, or The Beast as the opening title of X-Men: The Animated Series referred to him as. Perhaps that was due to the character spending the bulk of the first season out of…

Keep reading
by Joe

Mondo X-Men ’97 1/6 Scale Nightcrawler

Yes, I’m afraid this is another toy review that needs to begin with a word about tariffs. It was the talk of 2025 in the toy collecting community because it caused considerable delays, disruptions, and worst of all, increased prices across the board. One line impacted by the introduction of these new costs more than…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , , , , , | posted in Television, toys

September 16, 2026

Numskull BurgerTime Quarter Scale Arcade Cabinet

By Joe
It’s time! It’s time! It’s Burger Time!

For a few years now, Numskull has been releasing scaled down versions of arcade classics. It’s a strategy similar to Arcade1Up which managed to worm its way into big box retail with its smaller versions of classic and not so classic arcade games, but with Numskull they’ve gone even smaller. Their quarter scale machines are just that – a classic arcade machine at one fourth the size. At least, I take them at their word in that regard since the game we’re talking about today is one I don’t have access to in its original form so if this is not exactly to scale then that’s for someone else to confirm. These releases though caught my eye when they first showed up and have continued to do so, but the price has always kept me from biting. After all, this is certainly not the ideal way to play an arcade game. Most of these are 40+ years old and available virtually everywhere which makes this type of release more of a gimmick or decorative item than anything. However, I do love a good micro version of a popular item. In that, I’m like Myron Reducto from Harvey Birdman: Attorney At Law who has an obsession with tiny things. I don’t know what it is, but when something I like is available in a tinier version it makes me happy, but only if it doesn’t lose function and Numskull would seem to fit that description.

A size comparison that hopefully suits everyone: (left to right) replica NES cart, Playmates Toys Bebop, Burger Time, Marvel Legends Cyclops

Of course, if someone were to go out and buy one of these things that’s only part of the decision. The other is to decide on just what to get? For Arcade1Up, I have just two releases: The Simpsons and Marvel Super Heroes. The Simpsons is the only “full size” cabinet I own with the Marvel one being a “barcade” which is just a smaller version that sits on a table or bar. The Marvel one I received as a gift and it’s a solid one to have since it contains three 2D fighting games on it and that’s a style of game that works well on repeat plays. The Simpsons, in contrast, does not. It’s a brawler and they’re shallow, but I just love The Simpsons so I wanted to add it to my rec room and I waited for it to go on clearance before finally taking the plunge. With Numskull, a lot of the games are classic, see if you can get the high score, sort of things. They do work well to some degree as a game designed to be replayed and mastered, but they’re also old and it can be hard to justify playing such games when so many other, more modern titles are constantly available in a given household. The thing is though, the $250-300 starting point for a lot of these meant it didn’t really matter. I was not going to spend that kind of dough on a gimmick. If any were to go on steep discount then sure, but I honestly didn’t think that would ever happen.

The marque lights up when turned on.

Enter Woot, Amazon’s discount storefront. It was in the spring that they had the Numskull version of BurgerTime available for $70. This ordinarily would cost $230 so while $70 is still a lot for a gimmick, it’s also a pretty sizeable discount. While it wasn’t the game I had my eye on, it certainly fit the bill as something that would be worthy of replaying. And for the record, the game I was hoping would hit such a price was Teenage Mutant Ninja Turtles, but really just so I could stick it with my quarter scale action figures. I didn’t actually want to play it, I can do that far more easily in other ways, but thus far that has only hit as low as $200 from its MSRP of $300 and it’s unlikely to ever dip below $100 so BurgerTime it is.

It’s a little cramped, but playable.

BurgerTime is a game originally released in 1982 by Data East for the DECO Cassette System. That was a series of arcade cabinets designed to be altered and have their game swapped out when things started to get stale. It was one of the early platform titles following in the footsteps of Nintendo’s legendary Donkey Kong. In it, the player takes control of a chef by the name of Peter Pepper tasked with assembling a series of hamburgers. Trying to prevent Peter from doing so are some enemy foot items. What’s the hamburger’s greatest enemy? Why, the hot dog (or sausage) of course! Joining the hot dog is a fried egg and a pickle slice. I’m not sure why the egg and pickle, both solid additions to any burger, are trying to obstruct Peter, but perhaps we shouldn’t pay it any mind. The game tasks the player with navigating a sequence of platforms via ladders to walk over ingredients for the burgers that need to be constructed. Walk over them and they drop a level. Peter must get all of the ingredients to fall through the level and into place in order to clear the level.

The resolution is pretty nice.

BurgerTime has six, looping, levels and the ultimate goal is to collect the highest score. Peter has few maneuvers at his disposal to avoid enemies as he can only walk along platforms and scale ladders. He does have access to pepper and hitting an enemy with pepper both stuns them and makes it possible for Peter to pass through them. Peter only has five doses of pepper to start, but collecting points will cause power-ups to appear on the screen for a short amount of time which can replenish Peter’s pepper reserves. The real skill of the game is in navigating the baddies and using them to your advantage. When Peter walks across a portion of a burger, it drops one level. However, if it has an enemy on it then it will drop multiple levels which can help speed things along and increase your point totals. The game basically turns Peter into a pied piper of sorts as you want to get enemies following you so that you can drop ingredients with them on it. Enemies located below falling ingredients will also get taken out by them, though they can re-enter the fray. As levels advance, the game gets harder by creating more choke points on the map. The first map is pretty basic while the second is shaped like an inverted pyramid. It’s much easier to avoid enemies near the top, but towards the bottom they can more easily box the player in. Contacting an enemy is death and Peter has just three lives, but can accumulate more at certain point total intervals.

“Should have been Pizza Time.”

BurgerTime is a simple game, so it translates pretty well to a tiny arcade cabinet. It requires just two inputs to play: the four-way joystick and the pepper button. The joystick does have a touch more play to it than I’d like as sometimes I feel like it’s not as responsive as it could be, but that could also be the game which requires some precise positioning in order to ascend or descend a ladder. Repeated plays have helped me to largely improve in that respect, but it does make me wish I had access to an actual arcade cabinet to see if it feels the same (I haven’t played BurgerTime prior to this in 30+ years). The screen is nice and bright and the sound comes through cleanly. The cabinet works best when placed on a table, but it’s not too big to just plop on your lap as well. The build quality feels really nice and it’s quite lovely to look at. The marquee lights up when it’s on and there are buttons for player select and the coin returns, though they don’t all actually do anything in the game. The cabinet can be played plugged into a wall outlet, but it also has an internal battery that is advertised to get over 2 hours of playtime. In my experience that seems to be pretty accurate and it comes in at the high end of the estimated time. Since this is an emulated arcade game, Numskull did add some features via the bios so if you just want to see everything the game has to have without the necessary skills needed to get there you can toggle on invincibility or infinite lives to do so. And like the real deal, it will keep track of high scores so it gives you something to shoot for. That’s right, I’m coming for you Ken!

He’s going for my high score.

Numskull’s quarter scale arcade cabinet is about what I expected. It’s a quality machine that is quite fun to look at, but is also surprisingly fun to play as well. Is this the best way to experience BurgerTime (or any of the games available)? Probably not, but it’s also not the worst as there were plenty of ports to home consoles for BurgerTime that came up lacking. This is a 1:1 recreation of the arcade experience just in a smaller package. It’s pretty addicting, though also dated. BurgerTime has never been my favorite game from this era, but it’s one of the better ones. I mentioned that TMNT was the cabinet I was really hoping to land some day, but for superficial reasons and to sate my TMNT fandom. As far as actual games that I’d want to play, it’s pretty much BurgerTime, Ms. Pac-Man, and Bubble Bobble of the available games. I’m not a big shooter fan so I wouldn’t want any of those so I can’t be disappointed with the fact that it was BurgerTime that ended up being the one I got. Will I get more? Probably not. They would have to hit a similar low price point and be one of the few games I have my eye on. And now that I have one, I don’t feel the same level of curiosity that I felt before. If this is something that interests you and you can get it for a similar price then I think it’s worth it. It’s hard to set an actual price on it because it is pretty superfluous. I know I wouldn’t pay the original sticker price, but I might have been willing to go more than the $70 I got it for.

For more video game talk, check these out:

Arcade1Up – The Simpsons

When it comes to arcade cabinets, there are few that would interest me as far as a purchasing decision is concerned. One such cabinet though has always been The Simpsons arcade game, and it’s not really because of the game’s quality. The game is fine, one of the better brawlers out there, it’s just limited…

Keep reading
by Joe

Arcade 1Up Marvel Super Heroes Counter-Cade

Arcade 1Up has been around for a few years now selling arcade cabinets at a reduced size and also a reduced price. The cabinets are significantly smaller than an actual arcade cabinet, but still plenty large enough to take up a lot of floor space in your home. And while they’re cheaper than the “real…

Keep reading
by Joe

Teenage Mutant Ninja Turtles (1989 Arcade)

What began as a joke between aspiring comic book creators, Kevin Eastman and Peter Laird, eventually morphed into a multi-media juggernaut bestowing wealth and status upon the two. Along the way though, few predicted such big things out of a property titled Teenage Mutant Ninja Turtles. The books sold well, but they were independently produced…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , | posted in Video Games

September 14, 2026

X2: Wolverine’s Revenge

By Joe
Original release date April 15, 2003

For much of my childhood, Wolverine and the X-Men had a pretty mediocre track record when it came to video games. The games released for the Nintendo Entertainment System were atrocious with X-Men being borderline unplayable and the solo Wolverine game just a miserable experience. During the 16 bit era, it did get better. While Spider-Man and the X-Men was one of the biggest disappointments of my youth, the outings for the Segan Genesis were at least decent. I would classify the first X-Men game as mediocre, but in the moment it felt special because everything else was so terrible. The sequel was genuinely good and over on the Super Nintendo Capcom was able to give us Mutant Apocalypse – a game no one would confuse for a classic, but it did make the X-Men legitimately fun to play as. Come the PlayStation and Saturn era, things got murky again. The X-Men stayed with Capcom for a series of fighting games that did become classics, though during that era the home ports were hit and miss as the PlayStation wasn’t really built to handle them while the Saturn just wasn’t a console many people owned. Activision still hung onto the license though and put out a pair of 3D fighters where the first was fine and the follow-up less so.

Come the PlayStation 2 era, Activision still retained the rights to the X-Men only now the franchise was on another upswing thanks to the movies released by 20th Century Fox. Licensed games, especially move tie-ins, had never really recovered from the early days where the products were mostly known for being shoved out the door half-baked and often half-finished. For every Golden Eye on Nintendo 64, there were numerous examples of games that were awful like The Crow: City of Angels or The Matrix. And Activision itself didn’t have a sterling reputation, but it did put out a perfectly cromulent Spider-Man game based on the movie. Still, that wasn’t enough to get me or my best friend to lay down our hard-earned money for a copy of X2: Wolverine’s Revenge.

X2: Wolverine’s Revenge should really just be called Wolverine’s Revenge, or just something else with Wolverine in the title. What shouldn’t be featured in the title is X2 and Hugh Jackman should absolutely not be on the cover. This game has nothing to do with the movie released the same year. Sticking Jackman on the cover was just to lure folks in, I guess, even though there was plenty of video games coverage for people to know what was going on. This is a true comic book video game with a script by Larry Hama himself. The only connection beyond the cover is that Patrick Stewart is featured as the voice actor for Professor X in the game. Was Jackman already too big of a star to voice Wolverine? Possibly, but in his place is Mark Hamill who does a pretty nice Wolverine. I’m surprised he didn’t go on to voice the character again, but future games replaced him with Steve Blum who may have come cheaper. Or maybe Hamill just wanted to do Wolverine once to say that he did? Either way, this is a game that has stuck in my brain for years because it’s the last game I can recall where a friend and I rented it and stayed up all night to beat it. We alternated back and forth since it is a solo experience which honestly probably made it a better experience. I’ve always wanted to replay it as a result, and with a brand new Wolverine game that looks to be the best of its kind set to be released (or maybe not since early reviews have been mixed at best), now feels like a good time to go back and check this one out.

The game introduces its gameplay mechanics via flashback to Wolverine’s time in the Weapon X program.

Wolverine’s Revenge is a pretty typical 3D action game of its era. You control Wolverine in a fully 3D environment and are expected to hack and slash your way to the end. It’s a hybrid stealth-action game where it’s undoubtedly easier to go the patient route and take enemies out one by one as opposed to running into the fray claws brandished. Wolverine and the styling of other characters is of the era with him in his attire featured in Grant Morrison’s New X-Men where the characters were designed and illustrated by Frank Quitely, but Activision and Gene Pool Software UK probably knew fans would want something more classic so those costumes are available and not especially well hidden early in the game. In this one, Wolverine has discovered he’s been stricken with a virus implanted in him during his time in the Weapon X program. He has only 48 hours to discover the cure or else he’s toast so it’s back to Winnipeg (or wherever the facility is in Canada) to uncover the secret and probably tangle with some old foes in the process.

The presentation in Wolverine’s Revenge is one of the best things it has going. Hamill is quite good as Logan and the other voice actors are all pros. When it wants to be, the score is of a near theatrical quality though there are many quiet moments since this is a stealth game after all. The graphical presentation is mostly decent. It’s a little early in the life of the PS2 so it does kind of resemble a PlayStation 1 game just in how the models are constructed, but with much better textures. And since this is technically a movie tie-in, I’m guessing there were some time constraints involved. It’s not ugly or anything, but no one would be singing its praises where graphics are concerned. The environments are not especially spacious, but you do spend the majority of the game in underground facilities and the like so it was never going to have an open world feel to it. There are some scenarios that are open, but they’re honestly the more boring portions of the game as there usually isn’t much to do or discover within them. And since the emphasis is on stealth, the tighter confines are welcomed as they provide more opportunities for Wolverine to hide and sneak up on foes.

Stealth is the name of the game for much of this one and it makes sense when guards are too stupid to check the roof of a truck.

Where things start to go off the rails though is just in the general controls and camera. The camera is basically free floating and needs to be constantly fiddled with. When moving along in a stealthy manner, it’s passable as manipulating the camera when Wolverine is stationary or moving slowly is fine. When things get chaotic it can be hard to focus on where danger is coming from or what a boss might be doing. And despite the game putting an emphasis on stealth, there are a lot of times where it forces the player into something else. When engaging in stealth, Wolverine has a simple selection of tools that mostly work. Holding R1 allows him to quickly move in a low, almost on all fours, crouch that counts as stealth. Holding L1 keeps him upright and has him walk slowly and quietly while holding L2 does the same, but with “heightened senses” enabled which is essentially infrared. This makes it easier to see enemies and even displays a scent trail to help locate enemies not in plain sight. Wolverine can also flatten himself against a wall and creep along it. When he reaches the edge of said wall, he can peer out from behind it without penalty which shifts the camera. It can feel a bit cumbersome at first, but it’s relatively easy to get a handle on after a little while and the game does do a good job of getting the player’s feet wet. When an enemy gets within striking distance while in stealth, the word “Strike” flashes across the screen and pressing the circle button will cause Wolverine to go into an animation where the enemy is taken out. While he does brandish and utilize his claws without hesitation, there’s no blood or gore to be found in the game as Activision likely wanted it to retain a Teen rating.

When stealth fails the game also starts to do the same. Wolverine can trade blows using square and triangle with square being punch and triangle kick. Pressing R2 deploys his claws which deals extra damage, but having them deployed negates Wolverine’s healing factor. When enemies get damaged enough to have most of their health depleted, they’ll be stunned. Wolverine can then finish them off with a strike command or pick them up. If they’re picked up he can stab them to death or toss them at another foe. When Wolverine is engaged with multiple enemies, multi-strike maneuvers become available. These are unlocked throughout the game by collecting dog tags which Wolverine receives as reward for stealth kills. When two or more enemies are in range, green arrows flash on the floor indicating a strike command is available. Activating them will allow Wolverine to take out up to three enemies in range. At first, the player will only have the circle attack available, but four levels can be unlocked and these are triggered by alternating circle and triangle. These maneuvers are not to be confused with finishing strike commands though as often it won’t be enough to take them out – especially later in the game which is one of my biggest pet peeves with this game.

Be prepared to spend a lot of time just waiting for that health bar to refill itself.

The enemies are just too damn strong. Basic grunts encountered take awhile to bring down. Wolverine, whether he has claws deployed or not, will need a good thirty seconds to take down a single foe. That may not seem like a lot, but when trapped in a room with six enemies it gets pretty tedious. Big groups of enemies often need to be taken down with running attacks. When running, pressing triangle causes Wolverine to go into a baseball slide which knocks enemies down. This doesn’t do much damage, but it does dislodge firearms which is really important for crowd control because a room full of guys blasting Wolverine with rifles will not end well for him. Despite being the best at what he does, Wolverine can’t take the sort of punishment one might associate with him. Aiding him is a fury meter located above his health. When full, this triggers a rage that allows Wolverine to do damage, but forces his claws to be out until it dissipates. He’ll do more damage and take guys out quicker, but it’s fleeting and works against the stealth approach. And when the game just wants to up the difficulty during the later stages (in particular, the hated Act IV), it just forces the player into taking on a bunch of enemies at once. One of the worst sequences in the game tasks the player with sneaking into a room with a command tower in it. Wolverine needs to enter the tower to unlock a door, but once the terminal is interacted with, two groups of five soldiers enter the room and four turrets in the wall emerge. There’s no way to stealth your way out of this because the enemies know Wolverine is in there. Jumping out and making a run for it won’t work because one of the soldiers is carrying a key needed to advance. You pretty much need to take them out. The only good thing is striking the wall turrets just once with Wolverine’s claws will cause them to deactivate, but doing so is easier said than done with all of the guns trained on Wolverine.

I tried and failed a bunch at this point. I’d wait in the tower as after a few minutes one of the enemy groups would walk out into another room as if to patrol. I’d run out, slash the two turrets on the left, then retreat back into the tower where the enemies wouldn’t follow. This would take out about half of my health and once in the tower I could let Wolverine’s healing factor bring me back up, which is not something that happens quickly. Once healed, I’d try to repeat that with the other two turrets, but unfortunately they were on the same side as the soldiers who didn’t retreat. That’s where I’d fail, sometimes while climbing the ladder back into the command tower. What allowed me to finally clear this is actually letting a stationary turret in the preceding room detect me before leaving it. It makes no sense as a gameplay mechanic, but instead of sneaking past it if the turret catches sight of Wolverine the turrets in the next room become activated. I then slashed at them to make the turrets retract and when I activated the terminal in the command tower they did not reactivate it. That made it much easier to take out the guards which is still tedious, but much easier.

Some of the other X-Men make cameos including Colossus.

As is common of action games, each act ends with a boss encounter. Some of the parts within an act itself also feature one and they pretty much all have a gameplay mechanic needed to be understood in order to defeat the boss. Wolverine can’t just go in claws slashing. One boss requires you to knock back thrown barrels while another tasks Wolverine with doing his best “So long, gay Bowser,” imitation to toss a boss off a platform several times. Some are more obvious than others while there are some encounters that are borderline archaic. It’s not a boss, per say, but there’s a “vortex” Wolverine needs to quell in one stage before it reaches a power source and the only way to do that is throw enemies at it. There’s really nothing in the game to clue the player in on that though and it’s basically an instant death if Wolverine contacts it so have fun replaying everything up to that moment again and again. Most become easy to figure out though, but actually clearing them can still be a chore. Collision detection is not the game’s strength. In the platform fight, objects rain down on the battlefield and you need to be further away from them than you would probably expect to avoid taking damage. On that same fight, getting knocked off the platform is also an instant death. I’m not one to complain about a game “cheating” me, but twice when I had the boss down to literally no health (you have to throw him one more time post that achievement) I got swiped at by him from the left only for it to knock Wolverine in the same direction. As in, it would be like hitting a golf ball square and it somehow goes backwards. Both times, this attack knocked me off the platform and it looked ludicrous and I have no explanation for why the game would do that. Another fight puts Wolverine in an electrical cage of sorts. In order to win the fight, Wolverine needs to lure the enemy into charging into specific spots on the electric fence, but the camera is brutal. The game wants to keep the full arena in frame which forces it to drawback too far. Wolverine also isn’t particularly nimble or equipped for that type of dodge mechanic and it feels pretty clunky. To make it more annoying, enemies outside the field lob toxic gas grenades which stun Wolverine and negate his healing factor. After the bad guy hits the force field, he gets stunned and Wolverine has to hit him a couple of times to make a “Strike” prompt appear and the window is tiny. I would basically hit the attack button twice and then mash the circle button and just hope he went into the strike animation.

Most of this review is me just complaining about the game and that basically sums up my experience with it. This is a Wolverine game that fails in making the player feel like they’re controlling Wolverine. Sure, the avatar on screen looks enough like Wolverine and has cool claws, but he’s pretty clunky to handle, dies easily, and isn’t the killing machine one would expect of him. The story is decent in that it provides some motivation to see it through and there’s a ton of familiar foes in this one. It does end on a cliffhanger which is amusing now since no sequel followed. The designs are squarely in that 2000s era which isn’t my favorite, but I don’t fault the game any for that. I also do kind of like that it’s of its era. The most important question today is should this game be experienced by someone in 2026? And I’d say only if you’re really curious. You don’t need to play the whole game to get the full experience so shut it off once the frustration kicks in. For those who just want to play a Wolverine game and actually have a good time, Wolverine Origins is much better. It’s not a masterpiece or anything, but is good, mindless, fun and the only true drawback is that it’s tied into a truly awful movie. And as this goes live we’re on the eve of a brand new Wolverine game by Insomniac for the PlayStation 5. While I’m not completely sold based on what I’ve seen, there’s a good chance it will be the best Wolverine game to ever come out even if it too is a far cry from better titles like God of War or even Insomniac’s own Spider-Man.

For more video game content check these out:

Spider-Man and the X-Men in Arcade’s Revenge

Expectations influence just about everything we come in contact with.  Expectations can help lead to a more fulfilling experience when those expectations are met.  Other times, they can help make the bad seem worse when something fails to meet those expectations.  When I was a kid and I heard there was going to be a…

Keep reading
by Joe

Arcade 1Up Marvel Super Heroes Counter-Cade

Arcade 1Up has been around for a few years now selling arcade cabinets at a reduced size and also a reduced price. The cabinets are significantly smaller than an actual arcade cabinet, but still plenty large enough to take up a lot of floor space in your home. And while they’re cheaper than the “real…

Keep reading
by Joe

Spider-Man (Arcade)

Forgive me if I’ve said something similar before; but younger people are shocked by the norms of the past! Yeah, it’s a very “old man” thing to say, but it’s also an easy way to impress someone younger. And in this case, the shocking thing to say is that Marvel Comics often found itself in…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , , , , , , , , , , | posted in Video Games

September 10, 2026

Boss Fight Studio Garfield & Odie Halloween Adventure Set

By Joe
Best be prepared to turn over your candy!

Retail loves having something to sell you and one of the easiest themes for retail to go in on is a seasonal one. That’s why (at least in the United States) when the Fourth of July passes us by out come the Halloween items! Which is why it isn’t really out of the ordinary for a Halloween post to show up on this humble little blog at this time of year. Halloween is the only holiday that can rival Christmas in terms of television specials. If I had to guess, I’d assume that Christmas is still ahead, but there are certainly a lot of episodes of popular shows as well as stand-alone specials designed to air during the Halloween season, more so if you just count anything that has a horror motif. I’ve never gone into Halloween as heavy as I do Christmas here, but I do enjoy a good Halloween special and one of my all-time favorites is Garfield’s Halloween Adventure. Also known as Garfield in Disguise, the television special first showed up on CBS in 1985 and was the fourth in a long line of Garfield television specials. This one arrived even before the much loved A Garfield Christmas and I’d love to say it was an instant classic upon it’s arrival, but I was still in diapers at the time and couldn’t really say either way. I don’t remember my first viewing, but I probably liked it as did pretty much everyone in the 1980s. The cat was huge, and I’m not just talking about his belly.

This line is a larger scale compared with NECA’s interpretation.

Here to capitalize on Garfield and Halloween nostalgia is Boss Fight Studio. The Massachusetts toy maker acquired the license to produce Garfield action figures a few years ago and the first wave arrived around a year ago. Coincidentally, it was around that time this set of action figures based on Garfield’s Halloween Adventure went up for preorder. In fact, I received my set exactly one year after placing my order. It’s a set that features both Garfield and Odie dressed up as pirates from the famous special as they embarked on a quest for candy. Well, Garfield wanted candy, Odie was basically along for the ride and so that Garfield could get even more candy. It went up alongside another two-pack based on their appearance in the Teenage Mutant Ninja Turtles magazine, as in, the very same appearance NECA also made a Garfield and Odie set based on. I thought it odd at the time that Nickelodeon, who controls the Garfield license now, would license out the same basic design to two different toy makers, but now that I have this set I can kind of see why.

Garfield can go hat-less if you prefer, but he’s missing the little tufts of hair at his temples. The hat also left behind some purple on my figure’s ears which I’ll have to try and remove.

Garfield stands at roughly 3.375″ to tip of his ears. He also has his pirate hat which makes him a bit taller while the NECA “Garfello” came in at pretty much an inch shorter. If the NECA one is thought to be something close to 1:12 scale (Garfield’s size kind of changes in print and on television to suit the scene) then this interpretation is more like 1:10 scale. There is a difference, albeit a minor one, but hopefully there’s enough enthusiasm for that one-shot to go around. This set though has no such concerns as Boss Fight Studio is the only one making Halloween Garfield. The figure borrows parts from the regular Garfield (which I don’t have) while mixing in some new. He comes out of the box with a mischievous, almost evil, grin of sharp teeth and frowny eyes. The strap across the torso is a separate piece, but is glued down. The shorts are part of the sculpt and I love how they left holes in the ragged ends. Garfield’s right leg is a normal one while the left is a peg leg. He has his little, wooden, sword to wield and there’s a peg hole on his left hip to holster it, though it’s a bit tough to fit in. Garfield also has his sack of candy which can be placed on a surface or slotted into either hand. The paint is clean and matte. Garfield is mostly orange plastic, but it too is matte in appearance. All of his stripes are where you would expect as well as the little freckles on his cheeks. His little, pink, nose has a hit of gloss to it which makes it stand out. The skull and crossbones on the hat is very clean and crisp and, as I alluded to earlier, it is removable. It fits over the ears, though it did leave behind some purple smudges on those ears. I could probably get it off, but honestly I’ll never display him without the hat. My only critique with the presentation is that Boss Fight Studio doesn’t put any stripes on the cheek area of his face. It’s one of those things that’s kind of a cheat with the character as the stripes appear to only be on the back of the body and head, but from the front and side they’re always visible. I’d have liked to see them included here. I also wonder if it would look better with some black outlining on the teeth. NECA outlined everything which really gave their figure a sharp presentation. This one looks good, but also more like a toy. The more orange and overall rounded features do make me think of the CG Nickelodeon show more than the old animation where Garfield was a bit lumpier, but it’s a pretty subtle distinction.

“Stick with me, Odie, and there will be much candy.”

Garfield is not alone in this set as we also have Odie in his pirate garb. For Odie that means a yellow and green polka-dotted bandana, a gold ring in his left ear, and a red and white striped shirt. By default, Odie has his tongue proudly on display and he is about 3.5″ to the top of his head and 4.75″ to the highest point of his ears. The scaling looks great with Garfield and I think Odie might be the overall better looking figure in terms of being on-model. That’s not to say that Garfield looks off-model, just that Odie looks that damn good. Which is funny because he’s such a wild design. His neck is basically his entire lower jaw. No dog looks like Odie, but somehow Jim Davis made this work and Boss Fight Studio was able to reproduce it in 3D. He has his little whiskers on his face and the yellow plastic for his body is matte. The paint on the head is very clean while the shirt has a small blemish or two, but nothing out of the ordinary. Out of the box, Odie has four standard Odie legs, but he also has an optional peg leg to swap out with his front, left, leg. It pops off pretty easy as Boss Fight just utilizes ball joints for all of the connections. They’re tiny, but sturdy, and once I worked up the courage to actually swap them I found there was really nothing to worry about as far as breakage is concerned.

A trick-or-treating we will go!

Both Garfield and Odie have two expressions to take advantage of. Garfield’s secondary expression is more of a scared one. His eyes are wide and his mouth has basically vanished. Swapping between the two expression is very easy and I imagine both work with the regular release of Garfield so if you have that one you’re getting more options for your display. Odie is a little more involved as he basically has a swap-out neck. The top of his head comes off and out of the box mine was pretty snug. If you handed me the figure without telling me it had another display option I would not have suspected it came off. It did with just a little wiggling and elbow grease and then the neck, or jaw, plugs into the body via another ball joint. It too needed a little force and some courage, but it popped out. It’s very sturdy plastic so I don’t think there’s much risk for breakage, but a wiser person than me might have heated him up first (I was worried about warping either the tongue or ears). The secondary expression is all teeth with an opening in it. That opening is for Odie to hold his candy sack which is a different sculpt from Garfield’s. It works, but it’s hard to turn down Odie and his big, happy, tongue expression. The extra piece plugs into the body of the figure pretty effortlessly, but I have a hard time getting the head onto it. It’s extremely snug and required some heating up to get a seamless fit. Even going back to the default, tongue-out expression needed some heat.

“Tough break, kid.”

Both Garfield and Odie are articulated, but don’t expect these to be the most poseable figures in your collection. For Garfield, we have joints at the head, shoulders, elbows, wrists, hips, knees, tail, and ankles. The most range is at the head and Garfield has enough range to look up, down, and all around with some tilt. The elbows and knees are a bit tricky since there just isn’t a lot of plastic to work with, but they do work. The ankles are nice, but the hips are pretty limited. He can brandish his sword and be posed walking or running to a point so I think he’ll do enough. I would like a little more out of the tail just to better sell a running pose, but at least the way that it is allows for it to be a suitable tripod. As for Odie, he has a far simpler spread with far less utility. He has articulation where the legs meet his body and at his ankles which includes a hinge and a rocker. The ball joints are very smooth with the front legs bordering on too smooth. Sometimes his legs slide out when I go to stand him, but I can usually adjust it and he stands just fine. And that’s with or without the peg leg in place. He’s not going to really do anything though. He can stand on his hind legs, but since he doesn’t have knees he can’t really do a walk or running pose. I can’t say I mind all that much because he looks great and what do I really want him to do? He’s just going to stand on my shelf looking like the best little pirate boy that he is.

“Hand over the candy, mummy!”
“On second thought, you hang onto that.”

Garfield and Odie as based on their appearance in Garfield’s Halloween Adventure is a layup. This is an easy set to get behind and Boss Fight Studio did a great job of recreating the looks from this infamous Halloween special. If you’re a Garfield fan or just love decorating your house for the season then this is an easy recommend. It’ll set you back $45, which in this day and age is a pretty fair price for a licensed character. You get two figures and some display options for both. About the only thing I wish was included that is not is just a scared expression for Odie to go with Garfield’s. This is pretty great though and it’s been a hit in my house even if it’s still technically summer. It also makes me wonder what else could be on the horizon for Garfield and Boss Fight Studio? The holy trinity of holiday specials is Garfield’s Halloween Adventure, Garfield’s Thanksgiving, and A Garfield Christmas, but those other two don’t have the iconic looks that the Halloween special contains. There’s Jon in his elf attire from the Christmas one and Grandma in her biker gear, but Garfield and Odie pretty much play it straight. I think for Christmas, just Grandma and her rocking chair with a Garfield for her lap would be amazing, but would probably make me cry every time I look at it since that special always makes me think of my own grandmother. And I probably would buy a Thanksgiving grandma because I have too few Thanksgiving toys.

“You know what, Odie? Thanksgiving isn’t so bad, and it’s a lot less scary.”

For more holiday tales from Garfield and toys look no further:

Dec. 5 – A Garfield Christmas

This year, I’m bringing back a feature from last year where I take another look at, what I consider to be, the greatest Christmas specials ever made. I explained my reasoning for doing this in prior posts, but in short, the first time I looked at some of these specials I did just a short…

Keep reading
by Joe

NECA TMNT Garfello

Before they teamed up with the likes of Batman and the Mighty Morphin Power Rangers, the Teenage Mutant Ninja Turtles had an encounter with an orange cat with a love for Italian food. I am speaking of none other than Garfield, the Jim Davis creation who was everywhere in the 1980s. The two franchises came…

Keep reading
by Joe

Dec. 20 – The Garfield Show – “Caroling Capers”

Back in the 1980s, Garfield was pretty damn popular. His presence was pervasive in pop culture, so much so that younger people today would probably be surprised. He originated as a comic strip by Jim Davis, but his popularity grew enough to pave the way for some prime time animation specials. These proved popular, and…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , | posted in Television, toys

September 8, 2026

NECA TMNT Adventures Leatherhead

By Joe
It’s time to finish a team.

NECA may be done with Teenage Mutant Ninja Turtles at the close of 2026, but the company is at least making an effort to close out a few things on the way out. Tempestra, the last member of the group of villains featured in the episode “Night of the Rogues,” will finish off the cartoon collection and should be arriving in stores sometime in October, or shortly thereafter. For the Archie subline, the Mighty Mutanimals has been the primary focus since the line got off the ground. It started with Slash, who while not a founding member, did eventually join up with the Mutanimals. Man Ray followed and was soon joined by Jagwar and Dreadmon and along things went for years slowly, but surely until only one founding member was missing: Leatherhead. Leatherhead had already received four different figures from NECA based on his appearances across the franchise including one already from Teenage Mutant Ninja Turtles Adventures. That particular one was the wrestling Leatherhead from the Stump Wrestling era which is pretty different from his original appearance and later appearances with the Mutanimals. His Mutanimals era is very similar to his depiction in the cartoon so I was curious how eager NECA was to get to this version of Leatherhead. Then when they did Mondo Gecko, who is very similar to his toon version, I figured it was something that would happen for sure and now it has. Our last figures from NECA based on TMNT Adventures is the Mutanimals version of Leatherhead.

This is not the first Archie Leatherhead we’ve received from NECA.

Now, before anyone chimes in with a comment about Ninjara, yes, I know she exists andsome think of her as a member of the Mighty Mutanimals. She’s not a founding member though and I can understand why NECA would be focused on just the original squad which is captured on the box art for Leatherhead. NECA probably knew this was the end for awhile so they brought back Ken Mitchroney to not only create some Leatherhead art, but to create a full squad image that mimics a comic book cover to go on the front. Leatherhead’s box is the same shape as the past releases, but it has that fifth panel on the front which is what allowed for the ability to include such a picture. And it looks great and there’s a headshot of each member on one side of the box and a solo Leatherhead on the other. The inside of the flap is a full squad photo on a beach (too soon) of all of NECA’s figures and they do look pretty great together.

You can swap their heads, if you wish.

Leatherhead is a mostly all new sculpt by Tomasz Rozejowski with a credit also attributed to Kushwara Studios. Paint was handled by Mike Puzzo and Geoff Trapp and the box photography was taken by Matt Kloberdanz. Leatherhead may be the second Archie Leatherhead from NECA, but his design necessitated a lot of new tooling. For one, the torso of Mutanimals Leatherhead looks like that of the cartoon version and basically all versions with the scaling. The wrestling design emulated the heroic wrestlers of the era so that Leatherhead gets some nice, well-defined musculature which wouldn’t really work with traditional alligator anatomy. Still, it’s not all brand new as this figure was able to reuse the arms and tail from that release as well as any hands they share and the crotch piece. The abdomen also looks to be the same underneath the overlay. The head, torso overlay, and legs are all new this time around though it maintains the same proportions as the wrestling version. If not for the different chest, they would look just like the same character in a different outfit. And in an interesting choice, NECA made sure that the heads could be shared between these two. The hat is a removable piece that slots onto the little spikes on Leatherhead’s brow so it fits on the wrestling version as well. The only reason to swap them is that the wrestling head has an articulated jaw while the new one has a permanent grin. When I got that wrestling Leatherhead, I thought NECA messed up by not sculpting the mask he wears in the comics over his eyes, but it’s possible the choice was a deliberate one for this release. Instead, he just has a heavy black outline around his eyes that is a mediocre mask, but subtle enough eyeliner for use here. The only other difference is that the wrestling version has white eyes with black pupils while this new one has yellow eyes with black. That’s a detail that may bother some, but I am personally not bothered by it. The only failing with this approach is the red hat left behind some paint rub on the new Leatherhead so I am not eager to use that one on the wrestling body. I probably wouldn’t have anyway though. The green is ever so slightly more blue on the wrestling figure, but not enough to look out of place to my eye.

One of two big guns.

As a figure, Leatherhead stands at about 6.25″ to the tips of the ridges on his head. He’s clad in his furry, brown, vest and torn purple pants. The animated version went with all blue for his pants and boots and it’s a look I’ve never liked. I’ve heard the pants described as hip waders which may be true, but I think the cartoon was just being cheap and looking for an excuse to keep the whole leg one color. Here he has brown boots which makes for a more attractive presentation. The colors are nice and saturated and there’s a ton of black linework throughout the body and clothes. Another difference he shares with the prior Leatherhead is that the claws are painted white and outlined in black on every hand, including the fists. The paint throughout the teeth is really neat and tidy and there are no obvious blemishes on my figure. He is a bit squat looking which is in contrast to the Mitchroney art on the box showing a slimmer, taller Leatherhead. Several artists worked on the Archie books and there are some who depicted him like this so I don’t think that’s a failing, but a conscious choice. His earliest appearances when he was an adversary seem to reflect these proportions more than some of the later ones. He should be a striking piece for the shelf and pops as well as the other Archie figures. This style really became my favorite as the lines from NECA went on and it’s a shame this is the last one.

I think this is the Ftoom rifle, but I just call it “the bigger one.”

As a last hurrah, Leatherhead comes with a lot of stuff. He has a pretty typical assortment of hands to choose from: fists, open, gripping, a trigger finger right hand and a a loose gripping left hand. That loose gripping hand seems to be here exclusively for the Turnstone, which is just a white sphere. This is the mystical object that turned Jess Harley into Leatherhead in the Archie books. As an accessory, it is literally a white sphere so not the most exciting thing, but it does suit the character to have it included. He also has his pole knife which is a pole with Leatherhead’s knife strapped to the end. It is all white with just a little black linework on the rope and the blade itself. Leatherhead also has two firearms: the Ftoom Rifle and the Thoom Blaster. I don’t know which is which, but they’re both big. The big white one looks more like a rifle to me, but only because it has a scope. There’s some light blue shading in places and some black circuitry sculpted onto the sides. The blaster is a yellow and white design and a little bit smaller, but still a comically large gun for Leatherhead to wield. Both fit well enough into the trigger hand while they can also be finagled into the wide grip by hooking the trigger guard onto the finger. Both may be large, but they’re extremely light and the same is true of the pole knife. It feels like ABS so they’re also very rigid. You do not want these to tumble off your shelf because they will be susceptible to both breaking and paint scratching. That’s also why I’d be careful with the tight gripping hands as you don’t want green paint rubbing off on any of these lightly colored weapons.

My Leatherhead prefers to keep it simple.

The constant shortcoming of NECA’s Archie line of TMNT has been the articulation and Leatherhead is no exception. He’s pretty basic and similar to the wrestling one, only now he has an overlay on the torso which prevents any diaphragm articulation from being usable. He has: head, shoulder, elbow, wrists, waist, hips, knees, and ankles. The elbows and knees are single-hinged and they won’t hit a 90 degree bend at either spot. They do swivel and there is a built-in thigh swivel as well. The figure does have those bicep “sleeves” that swivel which makes the elbow swivel more visually appealing. The head doesn’t have much range and the waist is mostly there to rotate as the range on the ball joint doesn’t provide for much else. The tail is plugged into the rear of the figure with a peg and hinge so it can rotate on the peg and hinge up and down. There’s a heavy gauge wire inside it as well that allows for some posing. It’s probably best to bend it into whatever shape you want and then plug the tail into the figure to avoid putting stress on the actual peg because it is a thick, plastic, tail. Leatherhead can basically pose just enough to wield his included weapons. He can do a walking stance as well, but this isn’t a figure you buy for its posing. By the standards of the day, it’s mediocre. By the standards of the line, it’s fairly average.

Mutanimals…assemble!

If you have been collecting this line then you likely know what to expect of Leatherhead from NECA. It looks great, it really captures the spirit of the character, and if you keep things in-box you’ll be really happy with the presentation here. The figure has a slight uptick in price at $38 if you buy it from Target. He may be more money from other retailers. I don’t believe he has shown up elsewhere yet, but I would expect it to unless other retailers are no longer interested in the line. Since it has indeed been confirmed that NECA is losing the license at the end of the year, it’s possible the figure could hit clearance in the future if you’re not crazy about the price tag. It’s also possible that speculators may start snatching a lot of these late releases by NECA up in hope that it will appreciate in value enough to warrant sitting on them for however long that takes. As a send-off for the line, I think it’s fine. The packaging does help to make Leatherhead feel a little special and for those who always wanted a collection of The Mighty Mutanimals it’s nice to finally have them all in plastic. It is a shame that this means we won’t be getting that standard April NECA teased over a year ago by showing off the artwork Chris Allan had done for the packaging. And it’s really a shame we never got standard, Archie, turtles. I figured they were just holding those back for an eventual four-pack, but maybe the last few four-packs did not do well and retailers soured on them. They already had the tools for much of it between the wrestling turtles and the April as the fifth turtle release. The wrestling turtles have in recent months shown up at Ross stores in single packs for the low price of $15 so customizers do have access to cheap fodder provided they have a Ross nearby (I don’t). Those never to happen turtles were the thing I wanted most from NECA going back years now so it’s a real bummer we’re not getting it. I’m basically content with the movie and toon stuff, but not getting those Archie turtles is the one thing that will haunt me when I think about “What might have been.”

Let’s let Slash get in on this.

For more TMNT Adventures figures from NECA, check these out:

NECA TMNT Adventures Wingnut and Screwloose

NECA started down the Archie-verse of Teenage Mutant Ninja Turtles in 2022 with the Mighty Mutanimals-adjacent Slash. For most, The Mighty Mutanimals team of heroes consists of Man-Ray, Jagwar, Leatherhead, Dreadmon, Mondo Gecko, Wingnut, and Screwloose. For those folks, NECA began that team in 2023 releasing the trio of Man-Ray, Jagwar, and Dreadmon all within…

Keep reading
by Joe

NECA TMNT Adventures April – The Fifth Turtle

NECA’s line of Teenage Mutant Ninja Turtles action figures based on the pages Teenage Mutant Ninja Turtles Adventures by Archie Comics is like the little engine that could. It’s not a fast-moving line, the releases aren’t always heavy hitters, but when they land they’re usually pretty damn good. And NECA appears to be slow-walking this…

Keep reading
by Joe

NECA TMNT Adventures Stump Wrestling Leatherhead

We are rolling right along with more reviews of NECA’s TMNT Adventures line of action figures and we’re also staying within the realm of Stump Wrestling. When the turtles wound up in the intergalactic wrestling federation, they didn’t just encounter aliens, they also encountered an old foe. I don’t know how Leatherhead wound up as…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , | posted in Comics, toys

September 3, 2026

Coyote vs. Acme (2026)

By Joe

Certain characters are thought of as film royalty: Charles Foster Kane, Vito Corleone, George Bailey, Wile E. Coyote. Yes, Wile E. Coyote belongs among the stars as do Bugs Bunny, Daffy Duck, Mickey Mouse, Donald Duck, and an assortment of colorful, animated, characters that have delighted generations on screens big and small. Animated characters never die, their voice may change a bit here and there, but they endure unlike those fragile humans. And it’s because of my belief in the importance of these characters that I demand that they be respected like any other venerable film franchise. They should be celebrated, but for too long in the case of the Looney Tunes has Warner Bros. done the brand a disservice. They allowed these characters to fade away and become less important. There’s likely a generation of kids in the world right now who might not be able to identify these characters by sight and that’s a shame. Lately, there has been a small renaissance. MeTV and its offshoot MeTV Toons is a broadcast channel that makes classic cartoons part of its regular programming. The Day the Earth Blew Up had a modestly successful run in theaters this past year, and Warner even tried its hand at the Space Jam game again. And here to help further that revival is Coyote vs. Acme.

Or, it nearly didn’t. If you’re reading this then by now you’re likely familiar with the story of Coyote vs. Acme. Based on a 1990 article in The New Yorker by Ian Frazier, the film was pitched to Warner by producer/director James Gunn in 2015 and officially went into development in 2018. Dave Green was hired to direct and Will Forte and John Cena were cast as opposing lawyers for the film, one representing Wile E. Coyote and the other Acme. The film was shot, edited, and set for release on July 21, 2023, but a late change meant the film gave up its slot to Barbie and a rescheduled date was not forthcoming. Then in November of that same year word came out that Warner Bros. Discovery was planning on shelving the film choosing instead to take a tax write-off estimated to “save” the company around $30 million. Movies and television shows get cancelled all of the time for various reasons, but in the case of Coyote vs. Acme the film was done. It was complete. Warner had spent around $70 million on the project, but felt a write-off was worth more to them than whatever profit the movie was likely to make. It was especially painful for those who worked on the film because it screened well with test audiences, anyone outside of the production who saw it had nothing but good things to say, and there was really no reason not to give a movie like this a fair shot. It was pure corporate greed and an insult to the Looney Tunes and Hollywood (as well as the general public) took notice.

It only took a couple of days for Warner to go back on its word and instead opted to pursue selling the film instead. When February rolled around and Warner had rejected all offers, it made people question if they were serious or not or if this was all charade to make them look better before eventually hitting the delete button on a finished film. Finally, in March of 2025 it was reported that Ketchup Entertainment had secured the rights to the film for roughly $50 million. Ketchup, as you may recall, is the company that rescued The Day the Earth Blew Up which could have met a similar fate. Ketchup was apparently happy with that investment and was willing to spend money on a Wile E. Coyote movie. I don’t know how that is going to work out for them when it comes to the dollars and cents, but from an artistic standpoint the move has been an explosive hit.

If you have seen even one Road Runner/Wile E. Coyote cartoon then you know this isn’t going to work out well for the coyote.

Coyote vs. Acme is the story of one coyote and his quest to eat a bird, and not just any bird, but the Road Runner. However, standing in his way has been the tools provided by the Acme Corporation which seem to always blow up in, on, or around his face. Wile E. Coyote makes his way into Albuquerque, New Mexico to enlist the aid of a small claims lawyer by the name of Kevin Avery (Will Forte), he of the law firm Avery, Jones, & Maltese (brilliant). Avery is the kind of lawyer who looks to eke out a living suing massive corporations like Acme for extremely small sums. He sees Wile E. as a similar candidate and thinks he can get him a couple hundred bucks, but Wile E. circumvents him and the pair end up suing Acme for several millions. Buddy Crane (John Cena) is the hot-shot lawyer for Acme who went to law school with Avery and knows he’s a failure. Confident he can get a settlement agreed to, Avery is more than willing to go along with such, but his client refuses forcing the issue to trial. It’s David vs. Goliath with the fate of Avery’s firm on the line so the stakes are fairly large. And lurking in the backgroun is a secret operation at Acme, Project Sisyphus, uncovering the origins of which may put Avery and his niece clerk Paige (Lana Condor) in legitimate danger.

The big guy vs. little guy plot is probably strong enough to carry the film, but the sordid details, mysteries, swerves, and an escalation of the trial itself really helps to fuel the plot and keep it engaging all the way through. There are some solid dynamics with Kevin and Paige who as a recent law school grad has an idealized version of what a lawyer can and should be while her uncle embodies all of the bad stereotypes. What also helps push things along is the character development between Kevin and Wile E. Coyote. Given one is played by a human actor and the other is a mute cartoon, that’s a bit surprising, but the two play off each other really well. There are some legitimate heartfelt moments between the two and if you’re the sort of person who never felt sympathy for the coyote then you will here. I was never one of those people. I always rooted for the coyote. Cena’s buffoonish turn as Buddy Crane is the perfect foil for Avery and also along as the head of Acme is Foghorn Leghorn (Eric Bauza) who makes for a natural villain as well. He’s played a bit like his role in The Looney Tunes Show where he was a mayor there. A loud-mouthed schnook like him is perfect as a C.E.O. or politician.

I was pleasantly surprised by the visual effects, but if one character looks a bit “off” it’s Foghorn Leghorn.

The film is a live-action animation hybrid and as such is going to invite criticisms to past Looney Tunes movies like Space Jam as well as much better movies like Who Framed Roger Rabbit? The movie is less interested in cameos than both of those, but there are still plenty as this is a world where humans and cartoons interact with regularity as part of day-to-day life. DNEG and Duncan Studios provided the animation to bring these characters to life. Most have a 2D appearance, but they’re clearly 3D models and some are more obvious about it than others. The rather bulbous Foghorn Leghorn moves like a big, CG, ball and has a bit of a video game quality to him. As far as films go, it reminded me of the Rescue Rangers movie in terms of quality. For a character like Wile E. Coyote, the effect was less noticeable. Fairly early in my viewing I stopped paying attention to the visual effects where the coyote was concerned and instead was viewing him as another character. He works wells with the human actors and doesn’t look out of place in most shots. There are, of course, plenty of special effects shots designed to play with the hybrid nature of the film and pretty much all of them work very well. There’s a big action set piece towards the climax of the film that probably accounted for a sizable chunk of that $70 million budget and it’s pretty spectacular. This film isn’t going to rival some of the hybrids that came before it, but the visuals were a modest surprise for me and it didn’t come across as some lesser version intended for streaming or something.

The sound design for the film is also very well done with all of the bangs, explosions, and musical stings one would expect of a Looney Tunes movie. Eric Bauza is on-hand to voice many of the characters he’s inherited over the years and there are also a couple of surprises I won’t spoil. Steven Price composed the film’s score and he understood the assignment. Archival sounds for Road Runner’s classic “Meep Meep” were utilized rather than redone and if you listen closely you will hear from Mel Blanc in this one. The non Wile E. Coyote characters are also utilized well. Porky Pig is kind of a schmuck who has been a client of Avery’s multiple times. Gossamer is the one who delivers subpoenas and the always eager to help Charlie Dog is an employee of the firm. Not every classic character makes an appearance, but chances are you will see your favorite with only a couple of notable exceptions. I also have to give a special shout out to Candi Milo who continues to kill it as a modern day June Foray.

He may not have enlisted the best, but this legal team is probably as good as it’s going to get for Wile E. (L to R): Martha Kelly, Lana Condor, Wile E. Coyote, Will Forte, Tone Bell

It’s rather interesting that a film like Coyote vs. Acme in which an aggrieved party tries to get justice by going toe-to-toe with an all powerful corporate entity was the film nearly destroyed by a similar entity in the real world. The parallels are uncanny and if the executives at Warner Bros. Discovery had any sense they would have seen that right away and opted not to pursue such an avenue with such an obvious film. Acme may be the bad guys of the film, but it reads like a stand-in for the parent company itself. It’s also quite clear that none of them watched the movie before coming to such a decision, and if they did then they not only lack any sense of taste, but also have no appreciation for the characters that built this legendary studio they all grow fabulously wealthy via. Warner Bros. is currently for sale and may very well get sold in the next calendar year as the media landscape in the United States further consolidates into a small handful of conservative voices. Who knows what our entertainment will look like following such, but at least Coyote vs. Acme managed to escape before all of that happens. The movie is legitimately funny and especially so for those who grew up loving the Looney Tunes. It is so much better than Space Jam or Looney Tunes: Back in Action and it feels like the squad finally has that live-action, animation hybrid it deserves. If you have a chance to see this one in theaters I highly recommend it. I was pretty sure I was going to have a solid time with it when I bought my ticket, but it exceeded my expectations in every way. My entire family walked out of the movie, including my daughter who clung to her ratty, old, Bugs Bunny plush throughout the whole thing, feeling that we had just watched the best Looney Tunes movie ever. Hopefully, it won’t be the last.

For more from the Looney Tunes, check these out:

The Day the Earth Blew Up: A Looney Tunes Movie

For all of the success the cast of Looney Tunes have had on the silver screen, it’s rather surprising that they have never been given the chance to helm a feature in their native medium. Sure, we had Space Jam and Looney Tunes: Back in Action, but both were live-action/animation hybrid films with one of…

Keep reading
by Joe

Lego 71030 Looney Tunes Minifigures

When it comes to classic cartoons, few would argue against the merits of Warner Bros Studios’ Looney Tunes. Pretty much all of the major studios were invested in cartoon shorts in the 1930s into the 1960s and Warner was a gold mine for hilarious content. The Leon Schlesinger produced Merrie Melodies and Looney Tunes churned…

Keep reading
by Joe

Dec. 23 – Bugs Bunny’s 24-Carrot Holiday Special

Let’s try this one more time for 2023 – can we find a good Looney Tunes Christmas special? And more importantly, a good Bugs Bunny one? We’ve looked at two already that were merely okay. Nothing terrible, but hardly holiday classics. For our final go at this, I’m feeling a little more optimistic and that’s…

Keep reading
by Joe

1 Comment   |  tags: , , , , , , , , , , , , , , , , , , | posted in Film

September 2, 2026

Marvel Legends X-Men ’97 Professor Charles Xavier with Hoverchair

By Joe
I never thought we’d get this in plastic.

The second season of X-Men ’97 may be over, but we still have more on the way to talk about starting with this year’s Marvel Legends San Diego Comic Con exclusive. It was just over a year ago that I reviewed the reissue of the Charles Xavier with Hoverchair based on his appearance in the comic books. At the time, I decided to grab that figure because I wasn’t convinced Hasbro would ever give us a toon accurate version of the character and chair. I figured, at best, they’d just reissue the existing chair again, but maybe in a brighter yellow. How wrong I was. Announced as an exclusive for San Diego Comic Con this year was the Professor Charles Xavier with a screen accurate hoverchair to go with it. I honestly didn’t see that coming even though I know that the X-Men ’97 figures have been pretty successful for Hasbro. Since I had no plans to attend San Diego Comic Con this year (or any year) I was going to be at the mercy of what Hasbro did following the event which leads me into the following tangent.

The comic con exclusive goes back many years. I have no idea when it started, but I can remember reading about them in Wizard back in the 90s. They are to be expected and in this day and age most of them aren’t true exclusives since they’re sold online. Still, last year Hasbro did a Marvel Legends three-pack featuring a reissue of Sauron, Rogue in her Savage Land attire, and a new version of Shanna the She-Devil. Rogue had never been depicted in that look before so there were plenty of collectors interested in the set for that. Sauron was previously a build-a-figure so the chance to get him in a three-pack was also tempting for some. Shanna was a brand new character for Legends and paired very nicely with the recently released (at the time) Ka-Zar and Zabu which made the set really desirable for a lot of fans. Hasbro wasn’t willing to meet demand and few non-attendees were able to get a set when it went up for sale on Hasbro Pulse following the event. I wasn’t personally interested, but I know many collectors still sore about it. The prospect of the same happening with Chuck did not give me much confidence and it leads me to my main criticism when it comes to exclusives: they shouldn’t be essential to a collection. Rogue in a one-off look? Sure. A reissue of Sauron? That’s fine. A somewhat goofy, deep pull like Death’s Head? Bring it on! A main character from a hit show in his most recognizable and iconic look? What?! No!

Chuck sure likes green.

Professor X in his green suit should be an easy figure to acquire. He should have been a regular retail release. Did retailers pass on him? Maybe, but I doubt it. I don’t think any are sitting on much X-Men ’97 stock so the chance to have another character to sell while the second season was in full swing would probably be pretty appealing. That’s not what happened, and when reports surfaced that Xavier sold out at the event I wasn’t feeling too good about getting one myself. Then Hasbro changed how they do things when it comes to Pulse. For their storefront, fans can pay Hasbro an annual sum for the privilege to buy stuff from them. The perk being they get free shipping, but also first crack at exclusive products. In previous years, that meant a one hour headstart on the general public, but this year that one hour was turned into twenty-four. If Premium members were getting a full day all to themselves to buy product what chance did I have? I wasn’t about to hand Hasbro another fifty bucks for Charlie so I let it ride, and to my surprise it all worked out. Xavier was there the next day and remained available for at least an hour. That may sound like a quick sell-out, but when it comes to exclusives that’s a pretty generous amount of time. They also opened up preorders following that which is what should have happened with the Savage Land set the prior year. They did that for basically every other brand exclusive so I don’t know what the issue there was. Hasbro made a silly decision in making Professor X an exclusive, but at least they had the foresight to make enough and keep him available past that for a little while longer.

“Admit it: you’re jealous of my blankie.”

As for the release itself, it’s probably what you expect. The main draw is the chair. In the show, the chair was always blockier, usually very yellow in appearance, and quite sleek. The comic version is more narrow, bulbous, and just all together a different shape. I have no idea why the animated series changed it up, but I’ve always preferred this look to the comic one. And it’s never made it to plastic. Even the old 90s Toy Biz figure featured a chair with the comic design even though that toy line was loosely based on the cartoon. And for this release, Hasbro got it right. It’s the right shape, the right color, has some nice accents on it, and doesn’t feature any unsightly seems anywhere like the older chair. The only assembly required is the seat back has to be inserted and it features a far more understated flight stand that’s just transparent plastic with some concentric circles on it. It’s simple, but it looks the part and that’s all that is needed. The only nitpick I have is it’s a little hard to get a figure into it. If the front panel could pop off it would make it a lot easier, but it’s not like it’s impossible. Plus, Legends figures aren’t covered in paint so it’s not as if you have much to worry about when it comes to paint rub.

The effect part works much better plugged into the chair (left) than into the helmet (right).

I lead with the chair because it’s the star of the show, the actual figure is just fine. Professor X “stands” at about 6.125″ to the top of his bald head. He’s the same height as the older figure and much of the sculpt is also the same. The torso and jacket are reuse while the arms and legs were redone to make them pin-less. The sculpt for both is all new as the wrinkles and seems are different. The arms also dropped the buttons at the ends of the sleeves in favor of just painted on ones which was a bit of an odd choice. The feet are the same while the hands are new. If they’re from another figure I don’t know, but they’re not of the old one. The head is obviously new and this one does resemble the character from the show. It’s a stoic expression and looks good, but it also looks pretty big on the body. This body is very slight. That works for some takes on Xavier, but not really the animated one. He’s built like a house in the show which isn’t captured here. I wish they had gone with one of their bigger suited bodies with broader shoulders, but they probably wanted to reuse this torso with the correct tie on it. They at least did a good job of getting all of the greens to match. There’s not a lot of paint to be found on here, but what’s present is neatly applied.

Watch out: Charlie is packing!

What’s unfortunate is the small frame looks more out of place when Charles is placed in his chair. He could get lost in this thing which is noticeably bigger than his old one. At first I thought maybe it was the chair that’s too big, but then I stuck the Savage Land Xavier in it and he looks great. That’s a bigger sculpt and he fills out the chair quite well. The heads from this set also fit that body which is nice. And speaking of, there are two portraits: stoic and yelling. The yelling one works for a more aggressive Xavier, though I wish we got a third one featuring a smile (this is a $50 set, after all). The other accessories include two sets of hands: open and gripping. The gripping hands are asymmetrical as one is intended to grip the included keypad which pops out of the chair’s right armrest. He can hold that with his right hand and the left gripping hand is a touch more relaxed like he’s punching something in on that keypad. There’s also an extra right hand with a two-finger gesture that stands in as his mental powers gesture for reaching to his temple. The same Cerebro helmet from the Savage Land figure is also featured here and now we can see why there’s a hole on the back of it as there’s an included power effect. It’s a large, transparent, circle with sculpted circles throughout it. I think this was released with a Daredevil in the past and it works as a physical manifestation of his power set. It can not only plug into the helmet, but there’s also a hole in the chair back for it too which works well should you not want to utilize the helmet. When plugged into the helmet, it can be a challenge to get it to balance right as it wants to pull the helmet back. As for the chair, it too has some accessories in the form of swap-out canons on the front. The panels on the left and right slide off and the canons slide in to replace them. The customary translucent, red, blast effects are included as well to further sell the illusion and they’re fine. There’s a little gold paint at the base, though they may arrive a little warped. The canons and key pad were both featured in the season two episode “Danger.exe” so Hasbro clearly had advanced notice on what this chair could do.

Savage Land Charles seems to fit better than the one that came with the chair.

Articulation for Professor X is the same as the old figure. Considering he’s a paraplegic, he doesn’t really need to do much, but it’s nice to have options. This new head gets a bit of tilt on the ball hinge which is appreciated for the character and the knees, elbows, and ankles are what you would expect of the line. There are no butterfly joints and the only thing I actively do not like is the ab crunch. It serves little purpose for Xavier and I’d much prefer a diaphragm swivel. I think that would be far more useful than even the waist swivel he has for a guy in a chair.

“I’m gonna need Jubilee to show me how to use this…”

The figure did come in specialty packaging designed to resemble an old television. It’s neat, but just a slipcover which they annoyingly taped to the box inside. It does, however, provide for some hope of a re-release if you missed out and still want this figure. Make the slipcover the real exclusive and just release the figure in a standard box. Which would be a good thing because I think people will want this. It’s a main character from a popular show that has plenty of collectors. It’s not the sort of thing that should remain locked behind the exclusive label, but maybe everyone who wanted one already got one? This set was $50 which is probably a little too much, but not unexpected. The figure is pretty basic, but comes with more accessories than the typical Legends release these days. The chair is its own thing with its own accessories as well and it’s good. I wish the figure had a more accurate sculpt, but at least I have the Savage Land figure I can turn to should it please me (and I still hate the portrait that came with it so at least I can retire that). This release does leave me wishing that I didn’t bother with the old Xavier, but I doubt it has much resale value at this point. At least I have a body for old Guyrich.

We’ll keep it to the original roster to prevent this from getting even more crowded.

For related figures, check these out:

Marvel Legends X-Men ’97 Archangel

On July 1st, 2026, our long wait ends. X-Men ’97 returns to Disney+ with its greatly anticipated second season a little over two years after the conclusion of the first. It’s something I have been looking forward to pretty much ever since credits rolled on the finale and the only thing that stinks about it…

Keep reading
by Joe

Marvel Legends Professor X (Savage Land)

It feels like lately I’ve been getting swayed by clearance and discounts when it comes to my action figure purchases. Such is the case for today’s post on Professor X from the Marvel Legends line of action figures. Target had an exclusive version of Xavier featuring the character in his jumpsuit which showed up in…

Keep reading
by Joe

Marvel Legends Professor X with Hoverchair

Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , , | posted in Television, toys

August 27, 2026

X-Men ’97 – Season Two Wrap-Up

By Joe

It’s been two weeks since X-Men ’97 aired its season two finale, which in the entertainment world might as well be two years. As a culture, we move on from things real quick, but I’m still letting that second season simmer in my brain as I collect my thoughts on the season as a whole. The second season of X-Men ’97 was a success, but it was a different experience from season one. That season put the human and mutant conflict at its center. There were other subplots, but the season built to a major climax with the X-Men taking on Bastion and his army of sentinels. The second season centered its conflict on Apocalypse. The X-Men taking on a literal god is going to lead to a different kind of story. Over the decades, the X-Men have done all kinds of stories. Some are more grounded than others while plenty take the group to strange and fantastic destinations. There have been successes and failures with both approaches, but for me personally I do prefer when the X-Men keep mutant persecution at its core. As such, I was predestined to like the show’s second season less than the first, but there are other reasons why season one was the overall stronger of the two.

Season two picked up where season one left off with the X-Men scattered across time and the rise of Apocalypse (Ross Marquand) in focus. In true X-Men fashion, things moved quickly. Bishop (Isaac Robinson-Smith) and Forge (Gil Birmingham) had already deduced where each member of the team had ended up and already had a plan to bring them all home when the second season started. The future flung X-Men were returned to the present in short order and the past dwelling mutants made their way back home in episode four after a slightly elongated stay. During that fourth episode, Magneto (Matthew Waterson) was executed by Apocalypse and Xavier (Marquand) left a broken mess in the desert sand. I did a mid-season check-in which I’ll link to at the end of this post so I don’t want to spend too much time on the season’s first half, but it provided a good setup for the Apocalypse conflict. It introduced multiple plot lines including both the existence of X-Force and X-Factor and let us know that Apocalypse was not the sort of villain the X-Men could ever hope to reason with.

I did miss the sentinels this year.

The second half of the season (which was actually four episodes so less than half) was less focused. We received the one-off Wolverine (Cal Dodd) centric episode in the fifth spot where Logan was able to lead a team of friends and foes alike to check out a Weapon X facility only to come face-to-face with the Brood. It was all a ruse by Wolverine to get his adamantium back and his actions claimed the lives of two former comrades in Maverick and Kane. What followed was an episode centered on a newcomer, Polaris (Carolina Ravassa), and another that reintroduced the mutant-hating Graydon Creed (Ben Pronsky). The finale gave us the long anticipated resurrection of Gambit (A.J. LoCascio) and the eventual confrontation with Apocalypse which resulted in victory for the X-Men, but at great cost.

Rogue got a substantial power-up in the finale.

My initial thought is to blame the shift in focus from Apocalypse to more condensed stories as the cause for the season losing some of its momentum. The only problem with that theory is I consider the Wolverine episode the best of the season. In that, we got a good character study that also introduced some new conflict between Morph (JP Karliak) and Wolverine. It’s the sort of story that I think X-Men does best. Had the other episodes done something similar I think the season would have felt like a bigger success. Instead, the episode “Danger.exe,” while addressing the PTSD Xavier was feeling over the death of Magneto was a welcomed addition, the conflict felt very small. Danger (Rachel Kimsey) as a character was uninteresting. It sprung up out of no where and was dispatched of with relative ease. Polaris was also properly introduced in that episode and while I think the character is fine, it’s a bit tough to get the audience to care about a new character when so many of the existing ones are not being well serviced by the show. “Strange Land, Savage Heart” made some attempt to refocus the show on the Genosha fallout and the mutant/human conflict, but also felt almost inconsequential. It also brought Colossus (Robert Cait) back into the fold, though he was immediately sidelined following the conclusion of that one.

So…what did everyone think of Gambocalypse?

And the bulging cast was a problem. The original series had a large, but manageable, cast of characters. Even so, some would go several episodes with little to do or say. Most episodes would try to break the team off into smaller squads to better spotlight a few as opposed to trying to focus on many. X-Men ’97 doesn’t seem to care and is happy to shelve characters if it serves the story’s purpose. Beau DeMayo was the showrunner for season one and the writer and architect for much of season two. As a big X-Men fan, he understood what made the engine go. He also, as a fanboy, seemed to want to race through several moments and events from the comics and I feel that lead to tunnel vision, at times. Some episodes in both seasons felt superfluous in the moment, but they often did serve a purpose in advancing a longer running plot. We had to speed-run Inferno in season one to understand where Cable (Chris Potter) came from as it had importance later on. On the flipside, Wolverine had to get his adamantium ripped out in season one because DeMayo just thought it was cool. Season two, despite it being what I consider to be the season’s best, had to devote an episode to Wolverine getting his adamantium back because the show was uninterested in exploring a de-powered Logan. And I think some moments and actions had to happen in season two because DeMayo was building towards Onslaught, which was then aborted. The show didn’t need to add Polaris, but maybe she was going to play a role with Onslaught?

This still hurts.

With the cast becoming unwieldy, it was no surprise that some needed to be culled. And the chosen method for that seemed to be death. Magneto was taken out in the fourth episode. While Onslaught on the horizon was likely to be his way back to the land of the living, it’s now possible he’s gone for good. Or, at least, gone for longer than Gambit. Magik (Courtenay Taylor), who never got a chance to be a character, was killed off to further her brother’s plot which was a shame. Heading into the finale, it still felt like more needed to go. Since the original series ended, we have added Morph, Bishop, Nightcrawler, Sunspot, Forge, and Polaris to the X-Men while only subtracting Gambit. Colossus was sort of added, though he never made it into the title. X-Force brought back Psylocke (Naoko Mori) and Archangel (Christopher Barger) while X-Factor also returned, but really didn’t get any character development outside of Havok (Teddy Sears) and even that was only slightly. X-Men ’97 decided someone had to go (and really, more probably do) and that someone ended up being Nightcrawler.

Many may hate that it happened, but Nightcrawler’s death was handled pretty well.

Nightcrawler’s sacrifice in the finale was both shocking and heartbreaking. It was also beautiful and really a proper send-off for the character. I don’t think anyone wanted to say goodbye to the fuzzy, blue, elf, but it would have been harder to find a better way to do so. In the episode, Rogue (Lenore Zann) makes a bargain with the celestial Eson (Waterson): her life for the power to take down Apocalypse and save Gambit. After she departs with her new glow-up, Nightcrawler realizes what she has done and offers himself up in her place. It’s done well as the show didn’t telegraph Nightcrawler’s choice. And this is a show that isn’t exactly subtle about much. Having Rogue save the day and look at her hands in bewilderment that she’s still alive only for the camera to pan to show a sad looking Beast (George Buza) standing alone clutching Nightcrawler’s Bible to his chest was a true gut punch moment. Nightcrawler’s contented narration as he explains to the god why he is choosing to give his life for his sister is well written (Brian Ford Sullivan is the only credited writer on the episode) and well performed by Adrian Hough. The images we see of the X-Men back home living their lives could be interpreted as Nightcrawler’s hope for his comrades, but I choose to see it as what did happen. It’s such a good way to close the book on Nightcrawler that I hope it isn’t undone. When Gambit died in season one it felt like there was unfinished business so I didn’t hate the show bringing him back, but with Nightcrawler there’s a finality here. That and if the show keeps cheating death then it will cease to have meaning. It took a season and a half’s worth of episodes, but the show basically exchanged Nightcrawler for Gambit and that’s forgivable regardless of who the favored character is.

I’m not a religious person, but I didn’t take any issue with Rogue choosing to remember her brother in this way.

Where the show has never faltered is with the production end. The animation is a huge step up from the original series. Action scenes remain inventive and perhaps the greatest tragedy in Nightcrawler dying is we won’t get to see his skills on display again. He got a nice send-off in that respect first with his dual against Exodus (who I am a bitter was dispatched unceremoniously) and then when under the control of Apocalypse as he damn near took down the entirety of the X-Men and X-Force by himself. The soundtrack by The Newton Brothers also remains excellent and they know just when to turn to that bombastic main theme. They also do a great job of weaving in the old themes from the original series like using Gambit’s theme during his dinner scene with Rogue. And there’s nothing that gets me more excited these days than that opening kicking in before each episode. I hope there never comes a day when I experience that opening without getting goosebumps all up and down my body.

Apocalypse went out like a chump in the end, but at least it was at the hand’s of a fellow god.

Season two pinned its success on the confrontation between the X-Men and Apocalypse as well as the minor conflict of the X-Men vs X-Factor. Was that a wise decision? I think so, but the results weren’t quite there. Apocalypse was really sidelined following that fourth episode. The show tried to keep him on the viewer’s mind with little moments at the end of episodes six and seven, but it wasn’t really enough. He spent the bulk of the finale inside Gambit, and once he emerged, he looked ridiculous and was quickly dispatched by a powered-up Rogue. The show really could have used a tenth episode to let the conflict simmer. Actually have the mutants fight Apocalypse for more than a minute. The issue there, and it’s one that has always existed with Apocalypse, is that he’s just too damn powerful. There usually isn’t a believable way for the X-Men to go toe-to-toe with him, but that’s also a problem of the show’s making. I’ve always loved the concept of Apocalypse, but his stories often end unceremoniously. At least here there was a plausible end to the conflict, even if it felt like the Power Rangers summoning the Megazord and quickly dispatching of a previously insurmountable foe. Or a Dragon Ball Z power-up that reduces a previously unstoppable opponent to a punching bag.

A happy ending?

That was season two. Overall, I enjoyed my time with it and I’ll miss having an episode to look forward to each week (let’s not do the three-episode premiere again, please, it only hastens the end), but the season was not without its problems. For season three, it looks like we’ll be heading back to a human/mutant conflict and that bodes well for the future. It’s also the true end of the DeMayo era (had it continued, we would have been getting a form of the Age of Apocalypse) which gives the season an uncertain feel. One of his strengths as showrunner was his willingness to be uncompromising in calling out bigotry within the show’s universe. That’s something it will need with a President Creed, but in the hands of someone else will that be softened? The finale marked the return of Mystique (Randall Carpenter) and the only clip shown of season three so far featured her Brotherhood of Mutants tangling with some sentinels. Will Creed be a season-long conflict, or will this be something that gets taken care of as quickly as our time-displaced heroes this season? The road ahead is less certain and I am looking forward to it, but the lack of a major cliffhanger this year makes the wait a little more palatable. And as of right now that wait is only supposed to be a year so here’s hoping that come summer 2027 we’ll have more X-Men ’97 to talk about.

See you next year!

Previously…on X-Men ’97:

X-Men ’97 – “Survival of the Fittest”

We have reached the end of season two of X-Men ’97, albeit probably sooner than we would have liked given the nine episode order. Ten already seemed short compared with the 13 the original series used to get so nine is borderline cruel. All that said, before we dig into the review for the season…

Keep reading
by Joe

X-Men ’97 – “The Dead Man’s Hand”

This was the episode of X-Men ’97 we all knew was coming eventually. I don’t think I need to provide a spoilers warning given the episode title before I say this is the return of Gambit. This was all setup in the closing moments of the first season when Apocalypse (Ross Marquand) found the queen…

Keep reading
by Joe

Leave a comment   |  tags: , , , , , , , , , , , , , , , | posted in Comics, Television