May 20, 2026

Storm Arena Street Fighter Alpha 3 Sagat

By Joe

As my collection grows, I try to be more regimented in my purchasing decisions. I have toy lines that I’m more or less all-in on and I rarely question myself with those. They have the most room budgeted in my house and in my actual budget. And then there’s the stuff I’m less invested in. As a kid, I spread my wings from time to time and was lured in by a flashy commercial or maybe I just liked what someone else had and as an adult I’ve gone through similar periods when it comes to toy collecting. I try to avoid that now, but every so often a toy comes along that looks so damn good that I just give in. Sometimes I end up regretting it, and other times I do not. It can be hard to tell in the moment which I’ll truly regret as I might like the product well enough when I open it up and mess around with it, but over time I might see the space it occupies on a shelf as something better spent elsewhere. In the case of today’s post, I don’t think I’ll have such qualms in the future.

Whether you place him with other Storm Arena figures or characters from other lines, Sagat is going to have some size to him.

I liked Street Fighter well enough as a kid. Street Fighter 2 was impossible to ignore and gave rise to an explosion of one on one fighting games in the 90s. That particular game saw the player select one of eight fighters and progress through a series of opponents culminating in a battle against the big bad guy M. Bison. For me though, he was a reprieve as the one character I always seemed to struggle against most was Sagat. Sagat was the villain of the original game, the one barely anyone played, and was demoted to the penultimate fight in Street Fighter 2. Not only was he difficult to topple, he was supremely annoying as he constantly called out his attacks by name. Being an ignorant kid at the time, I didn’t know precisely how to pronounce his name and I’m almost sure I used a slur to rhyme with it that was quite in fashion in the 90s. We’ve since become better educated about such things, but the fact remains that this guy gave me more trouble than any. When Street Fighter Alpha debuted on home consoles, it came with a bit of a glow-up for the returning fighters including Sagat. When rendered for 16 bit consoles, he was a bit slender and always stood hunched forward slightly with his hands up. In Alpha, he was a hulking brute and just as much of a pain to defeat as he always was. Now, he just more looked the part. He was also quite fun to play as with a very balanced move set and terrific reach. Picking Sagat wasn’t quite like using a cheat code, but I don’t think I had an easier time to plowing through the game with any other character – Akuma included.

There’s a lot of personality in this sculpt.

When it comes to media outside the video games, Street Fighter and I don’t have much of a relationship. And yet, when Storm Collectibles unveiled its Storm Arena line of 1:12 scale action figures I felt that pull. It helped that both Ken and Ryu came in at around $25 which feels like a steal in this day and age. And with both, I was able to talk myself into adding them to the small, but growing, Marvel vs Capcom display in my home as it’s the Alpha looks of the characters that were adopted for those legendary brawlers. When Storm showed off their Sagat, my immediate reaction was, “I want that!” The problem is, he’s actually never appeared in any of those Marvel crossover titles. It’s a bit of a surprise in hindsight since he is one of the titans of the franchise, but it’s true. I guess it’s because his play style is very similar to Ryu and Ken as it is and Capcom likely wanted to highlight some different fighters. And then once the roster went beyond Street Fighter to include all of Capcom well then it made no sense to add anyone else from those games. If I were to remain disciplined in my spending habits, I would have passed on Sagat for that reason, but I just couldn’t do it. The look of the figure combined with the still pretty low price point of $30 was too much to ignore.

Suck knee, Ryu!

Sagat is a big boy compared with Ryu and Ken checking in at around 7.5″ tall. As this line is based on Street Fighter Alpha 3 his proportions reflect the bulkier version of Sagat from those games with broad shoulders, a wide chest, exaggerated muscles, and long limbs. He’s a brick and he looks damn near perfect. His neck is massive and the size of his head is slightly undersized conforming to popular artistic design when creating what are essentially super humans. I love how Storm is able to integrate a butterfly joint into the figure without lowering the shoulders to comical levels. His shoulders are big and sit above the midpoint of his pectoral muscles. When viewed from the side, there’s real mass to the chest which is something expensive brands like Tamashii Nations sometimes struggle with. Paint is a bit sparse, but this isn’t a design calling for much. He’s mostly flesh tone and the soft overlay of the chest Storm likes to utilize is perfectly matched in shade to the other, harder, plastic parts. There’s some subtle shading on the muscles that works really well and the wraps at the forearms and shins have a nice wash applied. His scars and facial details are painted well and if there is one area that’s a touch imperfect it would be the yellow stripe on the side of his trunks. The blue plastic underneath pokes through ever so slightly which is a frequent issue with yellow paint. There is a variant figure in white trunks with red stripes and I would guess that one is slightly cleaner as a result. Still, I prefer the blue look and this guy is absolutely gorgeous and everything I want out of an action figure sculpt.

It’s supposed to go on his right leg, but I can’t get the damn thing to stay.

Accessories for Sagat are a touch sparse. For heads we have a neutral portrait and one where he’s showing some gritted teeth and looking pretty pissed off. For hands, we have a set of fists and and a set of clenching hands. I love the expressiveness of the clenching hands while the fists are obviously needed. Like other figures in the line, the hands are fairly soft and flexible which makes them very easy to remove and swap. Other companies need to start doing this. For an effect part, we get a flaming, lower leg attachment to simulate Sagat’s Tiger Raid super move. It splits into two pieces and it’s designed to be fit over the lower leg and snapped together. It’s not intuitive and I’ve struggled with it. I even looked up videos on YouTube and found one by D-Amazing who does it on camera and seems to have no issues. I have no idea what I’m doing wrong. The effect looks fine, it’s translucent plastic and is a mix of red, yellow, and orange, to simulate flames, but it’s definitely not the first effect I think of with Sagat. I’d have much preferred his “Tiger” fireball, but I think that comes with the variant. He also has the same stand as the other figures with both a clear plastic insert and a black, metal, one. He’s a big boy so balancing him on this stand is not as easy as it is with Ken and Ryu. He probably would benefit from a wider base, especially when posing him for the Tiger Raid attack. The stand really can’t support him in airborne poses and, at best, it can help add a little stability with one-footed stances.

He’s got some great range in the shoulders thanks to good engineering and a soft torso overlay.

When it comes to articulation, Storm really has this thing on lockdown. I don’t know if they’re the best in the game (Jada and its own Sagat are damn fine), but they’re in the discussion. Sagat is pretty well loaded when it comes to joints: double ball peg head, neck, butterfly, shoulder ball peg, shoulder hinge, bicep, double elbows, wrist ball hinge, diaphragm ball joint, waist ball with a hinge, drop-down ball socket hips, thigh swivel, double knees, shin swivel, ankle hinge, ankle rocker, toe hinge. See anything missing? I don’t. And what’s great is there doesn’t seem to be any one joint where the engineering is lacking. You get tremendous range and nuance at the head and neck to get Sagat looking in all directions. The butterfly joint is terrific and Sagat can hit all of his most “Sagaty” poses. The aesthetics on all of the joints are great and I commend Storm for reacting to fan response of the initial product images which had the ab crunch visible on the prototype like it is with Ken and Ryu. Those figures have a gi to hide the joint behind, but Sagat did not, so they shortened it and it now sits behind the trunks. I’ve said before in other reviews that I’m not a fan of drop-down hips, but the way Storm does them works as well as can be. It’s a thick, heavy, hinge that’s not loose or flimsy and using it doesn’t create huge gaps between the thigh and hip. The one thing this figure can’t do as well as others is crunch forward. That’s not to say that it can’t, there’s just figures that can go a little further. I think this one goes plenty far enough, but I’ve seen enough people point it out that it felt like something that was worth mentioning.

The only downside is he’s so damn big that finding a good stand is tough.

Simply put, this Sagat from Storm Collectibles is hand candy. Even with him not appearing in the games, I have no problem putting this with my Marvel vs Capcom collection, but I don’t know if I want this figure to leave my desk. It is so fun to mess around with and pose which is something true of both Ken and Ryu from this line, but Sagat manages to do it even better. I love big, chunky, figures in this scale so I am predisposed to liking Sagat. He just looks so damn good in almost any pose that it’s almost not fair. This release puts other companies to shame. Look what Storm is doing for 30 bucks (BBTS has since raised the price to $35, but the point still stands) – there’s no reason other companies can’t be doing something similar. This is a marvel of engineering, sculpt, and design. My only criticism is with the effect part and the stand. The effect part just doesn’t work well. It obviously can since I linked to a very video that shows it in action, but I can’t get the damn thing to work. The stand is also too light to support the figure and suggests to me that Storm should revisit the one-size-fits-all approach it has with action figure display stands. I also would have loved a gripping hand so he could grab foes by the neck. The clenching hands can kind of pull this off, but a dedicated hand for such would have been welcomed. As I said though, these are nitpicks. For $30 you’re not going to get a better figure on the market. I’m not sure if you can even get one this good for $80. If you’re a Street Fighter collector then absolutely go out and get this one. If you’re more of a casual one like me, go out and get this one. If you don’t care one bit about Street Fighter but love good, quality, action figures, go out and get this one. It will blow you away.

For more Capcom related figures, take a look at these:

Storm Arena Street Fighter Alpha 3 Ken

One of my most anticipated releases of 2025 came out of no where. I was a kid during the early 90s and into video games so I know a thing or two about Street Fighter. Street Fighter II was everywhere and is pretty much the reason why the one-on-one fighting game became a huge genre…

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by Joe

S.H.Figuarts Marvel Gamerverse Cyclops

A funny thing happened in 2025 where two companies revealed they were going to be making action figures based on the hit video game series Marvel vs Capcom only for neither company to actually mention the words Marvel vs Capcom. It would seem that neither Hasbro nor Bandai wanted to compensate the Capcom portion of…

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by Joe

Marvel Legends Gamerverse Captain America vs Venom

We’re going to be doing a lot of 2025 catch-up here as Christmas always slows things down. Toy producers also like to push product for the holidays so I seem to always end up with a backlog at the end of the year. Especially when stores are doing generous sales and convincing me to buy…

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by Joe

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May 14, 2026

Mondo The Real Ghostbusters Ray Stantz

By Joe
We’re finishing off a collection today, folks.

And with that, another bucket list item can be crossed off for Mondo has released the fourth action figure in its line of The Real Ghostbusters toys: Ray Stantz. Ray follows Peter, Egon, and Winston and completes the quartet from the 1986 cartoon series which has been sorely underrepresented in the adult collectible market. There have been quite a few attempts at figures based on the movie versions, but for The Real Ghostbusters there was basically Mego and Diamond Select and neither represented on-model interpretations of the characters in a format befitting an adult collectible. It was a bit incredible to know that few companies had even attempted it given how popular the vintage Kenner toy line was. Hasbro has done reissues and even releases of figures based on cancelled projects in a retro style, but for whatever reason the company has never waded into the waters of the Dic cartoon series with a modern toy line. Supposedly, there are reasons for that some of which has been reflected in Mondo’s hefty price tag of $101 per figure, but for 80s kids and longtime toy enthusiasts such as myself, having a premium version of these characters for the shelf is a bit of a dream come true.

If you have experienced any of the prior releases in Mondo’s line then Ray isn’t going to feature a whole lot of surprises. He is quite familiar and shares a lot of parts with the past figures as well as some accessories. He is another sculpt by Alex Brewer with paint by Mark Bristow, art direction by Hector Arce, and packaging by Jordan Christianson. I received the standard edition which comes in the box modeled after the ghost trap from the show. It has a nice window on the front, but since there’s an abudance of protective material inside the box it’s not going to display all that well for those who choose not to open the figure. There is a lot more in this box compared with both Egon and Winston so it presents as more full. Even Ray’s head is partially cut off by the window border since he’s placed high in the tray.

I think the sizing could have been a little better.

Out of the box, Ray is going to stand a tick over 6.5″ on your shelf putting him basically at the same height as both Peter and Winston. Egon, by virtue of a longer neck and head, stands the tallest. The show can be inconsistent with how it portrayed the busters, but Ray was almost always depicted as the shortest of the four by a noticeable amount. Given that these are likely the most on-model representations of the show we’re likely to get in plastic, it’s a bit of a shame that Mondo did not go out of its way to capture the different heights of the characters. There is so much reuse between the four that it would have been nice if Ray could have received unique legs. He does, at least, feature a unique torso to capture his heavier build which I appreciate. He also appears to have a unique neck that is a little thicker than the rest which is appropriate. I do feel like his head sits a touch too high as the silhouette is off just enough for me to notice. Yes, I am nitpicking a bit with that critique, but as I’ve pointed out in all of the other reviews for this line we are talking about a figure that retails for over a hundred dollars so nitpicking is expected.

Goggles up or goggles down?

Apart from my critiques with the proportions, the rest of what is presented here looks quite nice. I think Mondo did a good job of finding the right shade of beige for Ray’s jumpsuit and the paint applications are quite clean. The “No Ghosts” logo on the right arm has the right opacity to the white which is something that has either improved as the line has gone on or is a function of Ray’s suit being a fairly light color. He has that nice, matte, finish and the flesh tones are warm. His default expression is a bit of a happy one and the roundness of his cheeks and nose look to be quite on-model. It’s funny that when watching the cartoon I’ve never seen any of the actor’s likenesses in the characters which was by design since Dic had no interest in paying for those likeness rights, but when I view this portrait at a 3/4 angle I do see a bit of Dan Aykroyd in Ray.

Beware the Pink Nightmare!
“We rabbit people demand your respect!”

Ray’s accessories are a mix of both familiar and new, and to my surprise, there is a bit more “new” than we’ve seen with other releases. The repeats are what you probably expected: a proton pack, stream effect, trap, gloved hands, and a disc stand. Like the other guys, Ray comes with one alternate portrait and it features a determined expression, let’s say. He doesn’t quite look angry, but he’s definitely busting ghosts or looking to. He also has a trap effect which features the ghost Mr. Gash, who is the included ghost with the deluxe version. I’ll admit, he’s a cool design and I was slightly tempted to go for it, but I really don’t remember the ghost from the show so I decided to pocket the $100 (and they ended up getting me for Janine anyway, so don’t weep for Mondo). It looks great and slides in with relative ease, though like the other trap effects we’ve received so far it can be a bit of a challenge to get it to stay flat on a surface. I also noticed that the standard trap insert is a bit looser this time around. It will stay put when inverted, but the slightest tape will cause it to slide out. Ray also has a companion ghost of his own and his is Drool, the dog-faced goblin. Admittedly, I don’t remember this guy from the show, but he does possess an interesting design. More bug than ghost, he has eight limbs and a big, grinning, open maw. Each limb can articulate via a swivel point as does his tail and head. It’s not much, but it allows for at least a little bit of variety in your display. The sculpt is great and so is the paint so even if you have foregone the big ghosts of the deluxe packages, you should still have a nice little ghost display if you have all four Ghostbusters.

He’s a good boy.

For unique accessories, Ray has a trio. Like Egon, he comes with some additional equipment in the form of his goggles. I think all of the Ghostbusters have such in the show and may even use them from time-to-time, but they are definitely most associated with Ray going back to the original film. They are well sculpted and painted and feature a soft, plastic, strap to fit over his head. If you want Ray to wear them over his eyes, I recommend taking off the head and putting them on from the bottom. If you want them on his head as he is so often featured, it will take a slight amount of elbow grease to get them onto his tuft of hair if you want them to feel secure. You could also just attempt to rest them on his head which may be the better move for a long-term display to avoid stretching of the strap. For additional headgear, Ray also has his pink bunny hood. This is taken from the episode “Look Homeward, Ray.” when Ray goes back to his hometown and takes a job at a shoe store that requires a rather embarrassing costume. He ends up doing some busting with the hood on which is likely why Mondo included it. Depending on the head you want to display it with (his serious expression takes on a grumpy feel with the hood that I appreciate), you will want to pop it into the hood first before putting it on the body. It sits well and there doesn’t appear to be a ton of rub so I don’t think paint transfer will be much of an issue. The hood is really well painted and features some nice shading so it will work well if you want Ray to look like a pink nightmare on your shelf. Finally, we have a mini Stay Puft doll. It looks just like a scaled-down version of the old Kenner toy and features some nicely painted details. I think this was just a doll Ray (and possibly Slimer) would be seen sleeping with. It almost looks like the arms should swivel, but nothing appears to be articulated here which is fine. It’s a fun inclusion and all of the extra bits with Ray make me wish Peter and Winston had received some unique accessories too. Egon had the ghost bomb and PKE meter.

So long, Mr. Gash.
It’s like a security plush.

Ray being almost a direct copy of the figures before him features exactly the same articulation as his ghost busting brothers. For a quick rundown, there’s head, shoulders, elbows, wrists, waist, hips, knees, and ankles. Knee and elbow joints are single hinges while the hip joints feature built-in swivels at the ball joint. Ray pretty much has the same strengths and weaknesses as the others. The shoulder joint almost looks like a butterfly, but it doesn’t really do anything special. To wield his proton wand properly, he has to basically hold it across his body. The knees won’t bend 90 degrees while the elbows get close and the waist mostly rotates as there’s little room for forward and back. Ray’s articulation is a bit more smooth than his predecessors. I notice it in the right hip mostly which almost comes up a full 90 degrees. The left not so much and even if it matched the right hip I think he’d still be hard-pressed to sit convincingly in a potential Ecto-1. The ankle hinges are borderline loose with Ray and he has fallen over once in the short amount of time that I’ve had him. I hope they don’t get any looser as that would be a drag since even the disc stand is unlikely to help with that. Like the other guys, Ray is capable of just the basics and won’t be able to do much more than that. I do like that he’s a bit smoother out of the box, though the ankles are a bit of a bummer.

Say it with me: busting makes me feel good!

If you have the other three Ghostbusters from Mondo and like them then you’re going to like Ray. If you have experienced these figures before and came away unimpressed, then Ray isn’t going to change your mind. He is relatively on-model with the cartoon series with exceptional paint and a solid assortment of accessories, but he does come up short if you were hoping for 100% or even 99% screen accuracy. And that may be fine as few action figure releases achieve such a hit rate, but not all of them retail for $101. That’s the question facing us all when we go to make a purchasing decision and the higher the price the more scrutiny is invited. I don’t like settling at this price point, but I also don’t expect another company to come along and do a better job than Mondo. That’s the simple fact for me when it comes to The Real Ghostbusters and I am content to let these be my one and only. And with Ray being the fourth and final Ghostbuster, it puts me in a reflective mood. I do understand and take Mondo at its word when it was said the price was something out of their control. However, I do think they could have done a better job of putting value into the box. I like the extra stuff with Ray, but what I would like more is for him to be more on-model. I also think we should have received at least three portraits with each Ghostbuster, something like a spread of neutral, serious, and scared. Neutral would vary as I think Peter’s smug expression is a good neutral for him just as I think Ray’s happy expression is a good base expression. We also really need more hands as Mondo only included gripping hands. I get wanting to do the gloves, but I’m never going to use them. What I really want are some relaxed hands as well as pointing hands so they could imitate their strut from the ending credits. What I’m getting at is the approach should have been “Let’s make these the ultimate Real Ghostbusters figures,” and I don’t get the sense that was the goal. It absolutely has been with the sixth scale X-Men and even looks be the case with the 1:12 Masters of the Universe, but not with Real Ghostbusters. Mondo doesn’t really do accessory packs from what I’ve seen too so I don’t think that’s a possibility, but maybe I’m wrong and they’re working on something. At the end of the day though, I stand by what I said in that I don’t think anyone else is going to come along and do this line better so if you want The Real Ghostbusters on your shelf in this format then you know what it’s going to cost you.

That’ll do, Mondo, that’ll do.

To read what I had to say about all of Mondo’s Real Ghostbusters action figures see below:

Mondo The Real Ghostbusters Winston Zeddemore

We are now three deep into Mondo’s line of 1:12 scale action figures based on The Real Ghostbusters. Well, we’re now six deep counting the ghosts, but I personally passed on both Boogie Man and now The Sandman who has been released in tandem with our third Ghostbuster, Winston Zeddemore. At this point, we know…

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by Joe

Mondo The Real Ghostbusters Egon Spengler

It’s a Halloween miracle! The second figure in the Mondo The Real Ghostbusters line of action figures, Egon Spengler, had been bumped to November. Even when I got my shipping notification from Mondo it said a delivery date of November 1st. It felt almost cruel to receive a Ghostbusters toy the day after Halloween, but…

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by Joe

Mondo The Real Ghostbusters Peter Venkman and Samhain

I didn’t do a big 2024 wrap-up type of post like I sometimes do, but if I did I would have awarded toy producer Mondo with the biggest reveal of the year when they debuted their line of action figures based on The Real Ghostbusters. The Real Ghostbusters was one of many 80s properties to…

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by Joe

Leave a comment   |  tags: , , , , , , , , | posted in Television, toys

May 12, 2026

NECA TMNT Garfello

By Joe

Before they teamed up with the likes of Batman and the Mighty Morphin Power Rangers, the Teenage Mutant Ninja Turtles had an encounter with an orange cat with a love for Italian food. I am speaking of none other than Garfield, the Jim Davis creation who was everywhere in the 1980s. The two franchises came together for a one page comic in the pages of Teenage Mutant Ninja Turtles Magazine in 1992 in which Garfield, disguised as fellow ninja turtle Garfello, tries to dupe the turtles into letting him guard their precious pizza while they go do crime-fighting stuff only for Odie to blow his cover when he can’t get his turtle costume on right. The comic was written by Garfield creator Jim Davis with inks by TMNT co-creator Peter Laird. Art was handled by Gary Barker and Larry Fentz with color by Steve Lavigne and letters by Mary Kelleher. This little comic was apparently popular enough to attract the attention of not one, but two toy companies 23 years later. It was at San Diego Comic Con in 2025 that NECA unveiled their take on Garfello with Odie along as well. The reveal was perhaps the highlight of NECA’s booth for the convention and something that seemed to attract a lot of attention online. Shortly after, Boss Fight Studio (who has a whole line of Garfield action figures) revealed its own Garfello and Odie two-pack that is so similar to what NECA showed that I honestly felt bad for them. Did Garfield rights owner Paramount even alert either toy company to the plans each had? Most licensors won’t greenlight the same thing across licensees because they would just be competing with each other, but evidently Paramount wasn’t too concerned. Both sets look fine from a sculpting standpoint, but the NECA approach of painting all of the little details and the fact that I’m well into their TMNT collection sold that set for me, but I’m guessing those who already have Boss Fight’s Garfield figures would opt for that version.

“We can be ninjas Odie. How hard can it be?”

NECA’s take on Garfello is sold as an “ultimate” release with new box art by Jason Yang. It features all TMNT branding putting it squarely in the turtle toy line. The figures inside are based on sculpts by Tomasz Rozejowski and Kushwara Studios with paints by Geoff Trapp and Mike Puzzo. Even though it’s an ultimate style release, the price tag is a bit elevated which could have something to do with the dual license or perhaps the lack of reuse potential contained within. Or at least that seems to be the case everywhere but Target who prices the set at $38. Many specialty shops are $45 and up which is a bit of a tough sell for such small figures. Is there even enough in the box to make consumers happy at $38? We’ll try to answer that one today.

The two smallest turtles around.

Garfello stands at a miniscule 2.75″ to the top of his head and right around the 3″ mark to the tip of his ears. He’s a little guy, but he’s also a house cat and meant to be in-scale with the turtles. Just which turtles is a legitimate question as the ones from the one-shot are kind of their own thing. Stylistically, they probably most resemble the Jim Lawson turtles, but with colored bandanas. They even look a little like the recently made Stan Sakai turtles, but it’s funny that my memory of the brief comic seems to always insert the Archie turtles into the page and only viewing the actual source gets them out. There’s only one group shot in the comic which puts Garfield at a little past the mid-thigh point of the turtles which does make the figure scale best with the Lawson turtles. With the toon, he’s closer to the belt area, but I think the scale is close enough that he’ll work for whatever turtles you prefer to place him with. And since this is Garfello as opposed to Garfield, he is clad in his turtle costume which is non-removable. The black bandana is part of the sculpt and he features a belt, plastron, and shell. He’s also sporting brown elbow and knee pads and his belt has a big “G” in the middle of it as that was the style at the time.

The shell continuity between the two is pretty nice.

The sculpt for Garfello is quite good and on-model for the comic. The head has that oval shape to it and the eyes dominate the space available on the front. The ears are situated close together and the black markings of the fur are visible from all angles. NECA did take some liberties with the design as they included the little pieces of fur that are often found sticking up and out from the sides of Garfield’s head, something the comic omitted. Here they’re coming out of the bandana which is a little odd, but honestly feels right and I was actually surprised to see that detail wasn’t present on the page. The figure has a very matte appearance as everything is painted over. There’s black linework throughout the shell and plastron which really helps to capture that comic style and helps give the figure a striking appearance. Perhaps the best part of the paint job is reserved for Garfello’s lone weapon: the pizza cutter! It features a brown handle and real working cutter wheel (not sharp, likely terrible for cutting actual pizza) that’s painted a combination of white, blue, and black. The blue helps to give it that comic shading which we see often in NECA’s comic figures while the black lines add detail and create the illusion of a whirling pizza cutter. Painting metal objects as they appear in comic books is honestly one of NECA’s biggest strengths and it really puts to shame other companies that go with just one color or swirly plastic.

“Is there a prettier sight?”

The majority of Garfello’s accessories are reserved for altering his expression or hands. The comic is brief which allowed NECA to literally recreate every expression Garfello is responsible for in five of the six panels. The only one he can’t do is his final, disgraced, posed where he’s smushed on the road and glaring at Odie – a pose the figure had no prayer of recreating so why bother with a portrait of the same? The three heads are smiling, smiling with teeth exposed, and smiling with the ears flattened. To swap between the three are three sets of eyes: half-lidded, open, and open with tiny pupils. You can find all three in the comic so it’s hard to argue that anything is missing, even if it would have been fun to get an open-mouthed expression for devouring pizza. To remove the eyes, NECA included a little, plastic, tool that resembles a railroad spike or flooring clete. You can use it to push the eyes out from behind, or just carefully use a fingernail from the front. The pegs that hold them in place are pretty short so they’re fairly easy to remove and replace. For hands, Garfello has a set of fists, gripping, open, and open with claws. They too have fairly short pegs which makes taking them off and on fairly painless. The only danger is that his arms are so short that it’s a little tricky getting leverage, but not impossible. Heads are a little more stubborn, but there’s just a big old ball joint under them so there’s not much risk in damaging anything when removing or seating one. The bandana tails are shared between all three portraits so it’s a good idea to remove that part first. If you do get into any trouble then just turn to some hot water and that will likely cure what ails you. To complete the look, NECA included a stack of pizzas for Garfello to drool over. They have a nice, messy, gooey, quality that makes them appear both delicious and gross. Seriosuly, who removes their pizza from the box to stack like this?

“Stand back, Odie. I don’t want you to see what I’m about to do.”

The other accessory of sorts is Odie himself. Unlike Garfield, Odie can appear on your shelf as his costumed version or just as a garden variety Odie as NECA included two portraits. By default, he’s just Odie with a closed mouth portrait that looks pretty cute. He’s just a tick over 2″ to the top of his head with the ears bringing him to about 2.75″. If you remove that head you can swap it with Odie’s turtle costume which is just a shell with his tongue sticking out of the neck hole. It’s a bit tough to get on, but the figure is pretty sturdy. As always, use heat if it’s being stubborn. Odie’s head connects via a double ball peg so it’s not quite as durable as Garfello’s connection, but hardly weak. Paint for Odie follows the same style as Garfello with lots of linework, especially on the shell head. His soft yellow fur does seem to be a magnet for dirt as he came out of the box looking slightly dingey when viewed up close. Mine also has a black dot on the lower part of the right eye that’s a bit annoying. He looks like Odie though with the only caveat being that I tend to always picture Odie in my head with his mouth open and tongue hanging out. He never actually appears unmasked in the comic so it’s hard to quibble with what is essentially a bonus head. I suspect other Garfield fans will be more disappointed in the fact that Odie can appear as just regular Odie while Garfield is forever in his Garfello attire. There would have been no easy way to make him a two-way figure. It would have been cool if NECA had devised a way to do so, but since we’re already dealing with a full-priced offering I don’t think I’d have wanted to spend more just to make Garfield be able to take the costume off. Especially since I would be unlikely to ever do so.

“Oh, the heck with it – I’ll just use my claws.”

Garfello and Odie are little guys. They’re also NECA figures so it’s a given the articulation is going to be underwhelming with the pair and that much is true. Garfello is articulated at the head, shoulders, elbows, wrists, hips, knees, and ankles which includes both a hinge and a rocker. As I mentioned before, the head is just a big ball socket so it rotates and has a minimal amount of tilt. The shoulders, elbows, knees, wrists, and ankles are standard hinged-peg joints. They’re small, so they have a delicate feel to them and range is fairly limited. The gripping hands do not have a vertical hinge which would have actually served the pizza cutter accessory far better than the standard horizontal hinge. The ankles were tight on mine at the hinge, but other joints were fine. His tail is also articulated, but it just swivels and is best served as a third leg to help balance the figure. The hips are the oddest part as I think they’re just ball-socket connections, but they appear to connect to a ball-pin that’s angled down as opposed to a standard horizontal angle. This limited the movement at the hips to mostly a swivel, a shame if you want your Garfello to kick Odie in the butt for messing up his plan. As for Odie, he has the double ball-jointed head while each leg barely moves. I think they’re all ball joints with the rear legs having slightly more range than the front. The feet feature hinges and rockers which really only exist to get his feet flat on the ground. That’s all Odie is capable of and I’m honestly surprised they didn’t trim the budget and just make his body static. He’s basically articulated just for the sake of saying that he is articulated. Functionally, it’s mostly useless.

“Bon appetit”

Likely no one was buying these figures for their posing ability. It doesn’t meant we can’t expect a little better, but if you just want a silly looking Garfield and Odie for your TMNT display then this will get the job done. The only real question is how much is that worth for you? On a purely value level, I don’t think this set is equivalent to a typical NECA ultimate release. It would have been awesome as a $30 item, but this is a world in which Super7 and Mezco are charging over $20 for figures with five points of articulation. Garfello is like a step up from such and I do wonder how I would have reacted if he was by himself for $30? Would I consider that a good deal? If so, doesn’t that make Odie worth the extra $8? That’s, of course, if you can find him for $38 at Target. NECA did offer Garfello on their website, but with a steep shipping cost. Big Bad Toy Store is charging $47 for this release which does feel steep and I can’t fault the person who looks at that price and decides to pass. This is a novelty figure and the price for that novelty is going to vary from person to person. For what it is, it’s pretty nice. The sculpts are on-model and the paint is great. I’m guessing if you’re a big Garfield fan that this set makes you wish NECA was doing more Garfield if it’s going to look this good. Unless you’re looking at the price tag and feeling thankful your toy budget doesn’t need to make room for more stuff.

I don’t have any other Garfield toys to link to below, but I do have some other stuff:

Dec. 5 – A Garfield Christmas

This year, I’m bringing back a feature from last year where I take another look at, what I consider to be, the greatest Christmas specials ever made. I explained my reasoning for doing this in prior posts, but in short, the first time I looked at some of these specials I did just a short…

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by Joe

Dec. 20 – The Garfield Show – “Caroling Capers”

Back in the 1980s, Garfield was pretty damn popular. His presence was pervasive in pop culture, so much so that younger people today would probably be surprised. He originated as a comic strip by Jim Davis, but his popularity grew enough to pave the way for some prime time animation specials. These proved popular, and…

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by Joe

NECA Mirage Studios Teenage Mutant Ninja Turtles 4-Pack

When it comes to the popularity of Teenage Mutant Ninja Turtles a lot of the credit goes to Playmates Toys. Kevin Eastman and Peter Laird created the characters born out of a joke. Credit them for having the vision to think this joke had appeal beyond their small circle as they self-published Teenage Mutant Ninja…

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by Joe

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May 8, 2026

Iron Maiden – Burning Ambition

By Joe

For 50 years, Iron Maiden has been bringing its own brand of heavy metal to fans the world over. It’s a unique story for as popular as Maiden has become, it did so without the music industry machine ever getting fully behind it. Rarely, if ever, did I encounter Iron Maiden on the radio growing up in the 80s and 90s when listening to rock stations in the northeast USA. Instead, I had to seek the band out and often it was the band’s mascot, Eddie, that would catch my eye first. My very first Iron Maiden record was Killers and I have been hooked ever since. I don’t think I’ve seen a band more times live than I have Maiden and it’s been a joy seeing how much they’ve been embraced in the past few decades, especially.

To mark the occasion of 50 years, Iron Maiden released a new documentary upon the world. Titled Burning Ambition, the Malcolm Venville directed documentary spans roughly an hour and forty five minutes and has been released to select theaters this weekend (just in time for Mother’s Day in the US) and presents an overview of the band’s history. Starting in England in the 1970s, the documentary follows the band through lineup changes, world tours, and endings as it attempts to cover a lot of ground in a relatively short amount of time. The band, having already released more in-depth documentaries in the past, is content to let the fans tell the story while interjecting their own notes and memories along the way via voice over. It’s an interesting approach as we never see current footage of any of the band members but we see plenty of the fans they brought in to record interviews. Some are just regular folks while others are record executives, lawyers, or educators. There’s a few celebrity fans thrown in including actor Javier Bardem as well as fellow musicians Tom Morello, Lars Ulrich, Chuck D, Scott Ian, and Gene Simmons. One almost gets the feeling that this is the fan perspective of the band’s rise as opposed to their own voice.

Some familiar faces, like Tom Morello as seen above, are on hand to provide commentary along with many unfamiliar faces.

Given that perspective, the documentary is light on the usual rock documentary salaciousness. There’s few stories of sex and debauchery to be found and instead the story focuses mostly on some key moments in the band’s journey. The first major one concerns original singer Paul Di’Anno and the circumstances leading to his ouster from the back and the hiring of vocalist Bruce Dickinson. Much of the doc pivots to focus on the relentless tour schedule the band endured in the 1980s and its impact on the departures of both Dickinson and guitarist Adrian Smith. A few moments are spent on the Blaze Bayley era of Maiden where the fans in the documentary do their best to be respectful with one even going so far as to proclaim his two albums as brilliant (bless his heart) before Bruce and Adrian are both welcomed back into the band for Maiden’s big second act. Things wrap with a brief overview of the current era including Bruce’s diagnosis with throat cancer and drummer Nicko McBrain’s stroke and subsequent retirement from touring. One leaves the theater with essentially a slice of the Maiden pie, a decent understanding of the band’s legacy, but with little knowledge about the actual music composed during the band’s lifetime.

That’s the one – the album that hooked me.

The documentary is competently shot and edited with a liberal use of archival footage of the band from throughout its career. There’s quite a bit of time devoted to the band’s trip behind the iron curtain in ’84 when it played Poland and if you are a longtime fan it’s stuff you’ve likely seen before. Harris, Dickinson, and McBrain seem to do the lion’s share of the work from the band’s side as far as commentary goes with very little to be heard from the likes of Murray, Gers, and Smith. There are voice overs from both Di’Anno and Bayley as well about their time spent in the band. Very little is said about original drummer Clive Burr unfortunately and I don’t think anyone even mentions the name of Dennis Stratton, who played guitar on the first record. If you want to hear more about them or the actual music produced by the band you pretty much have to turn to their other documentaries beginning with The Early Years. Thankfully, all three parts (and Death on the Road) are available to stream for free on the band’s YouTube channel and seemingly without ads. As there is a lot of concert footage utilized, there isn’t necessarily a shortage of Maiden music to be found in Burning Ambition, it’s just heard in snippets. Your mileage may vary, but I personally found the way the songs are chopped up and edited to be more annoying than enjoyable as they cut out lines and verses to fit a specific chunk of time that seems unnatural. We’re all here for a good time and we’re not in a hurry – just let the song play.

Burning Ambition is a celebratory film for the boys in the band as well as for the fans watching in the theater or at home.

As a result, Burning Ambition comes across like a documentary meant for the casual fans. It provides a broad overview of the band while leaving plenty of room for those who take to it to go off and find out more. It’s not the long awaited History of Iron Maiden Part Four some may have hoped it would be. I would have loved to hear more from the band in regards to its current form. We got the usual stuff about Bruce flying the plane and all that, but not about how they have grown as song writers. What it’s like to perform this kind of music at an age when most men are retiring. How it feels to play in front of over 100 thousand people after playing the clubs. If you’re looking to settle in with Iron Maiden for a bit this weekend or later when the documentary is surely available for rent or purchase, you could certainly do worse. It’s not the sort of film that is likely to invite repeat viewings, but I suppose not many documentaries do. If nothing else though you’ll likely walk away from it wishing you had tickets to see Maiden the next day. For me, it’s going to be a long four months until the boys roll into town this September.

For more of my thoughts on Iron Maiden and music in general, take a look at these:

Back to the Beginning

Since I was a young lad, I’ve always been drawn to “heavy” music. My dad was an oldies guy, which during my childhood was primarily music from the 50s and 60s. My mom was into modern rock and while her sensibilities weren’t exactly heavy, they definitely were compared to what my dad listened to (which…

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by Joe

Best of the Beast: The Iron Maiden Albums Ranked

Happy Iron Maiden Day, everyone! It’s Friday, September 4th, the street date for Iron Maiden’s 16th studio album: The Book of Souls. To commemorate this event I thought it would be fun to take a look back at the Maiden catalog and rank the studio efforts put out by the band. Obviously, for a band…

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by Joe

Danzig – MGM Music Hall at Fenway Boston, MA 9/11/2023

It’s 2023 and I’ve lost track of how many last Danzig shows I’ve seen. I want to say it was around 2005 following the release of Circle of Snakes where Glenn Danzig first started talking about hanging it up when it came to touring. It wasn’t hard to see why someone who had been in…

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by Joe

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May 7, 2026

Demoniacal Fit – The Coming One: Top Gun

By Joe
It’s famous anime hero Top Gun!

One of the aspects of the toy collecting community I tend to avoid is the relm of third party figures. It wasn’t too long ago that I posted a review of the Manipple Studios arms accessory for the S.H.Figuarts Wolverine. Technically a third party product, it wasn’t something that I had any real conflict with when it comes to ethics. It was an unlicensed add-on for a pre-existing figure. I don’t know where those arms were sourced as far as the molds went, but in order for it to be of any use to anyone they would have had to have purchased an official product already. When it comes to a full, third party release, my ethical side gives me pause. These releases are, at worst, unlicensed figured of properties owned by someone else. There are plenty of people out there who will rationalize it as the owner doesn’t need more money, but that doesn’t make it right. And it’s usually easy for me to just ignore such releases. I bare no ill will towards folks who do like and review them, but they’re usually not for me. Obviously, we’re only talking about this because I’m stepping out of my comfort zone with this one – the Demoniacal Fit The Coming One – Top Gun, which to anyone with a little bit of knowledge on the subject would recognize as Future Trunks from Dragon Ball Z.

Most of this figure appears to be ripped off from the S.H.Figuarts Trunks – The Boy From the Future.

Demoniacal Fit has been around for a little while and seems to have a pretty good reputation in the toy world when it comes to quality. Third party, or bootleg, figures have a reputation for being poor, but that isn’t always the case these days. For me, there are two distinct types of third part offerings. The true third party, unlicensed, action figures are creations by an actual third party of a licensed character sold without a license. A bootleg, to me, is different as that’s a copy of another company’s licensed offering. Through either reverse engineering or outright theft of tools, bootlegs are just copies of varying quality of something being sold (or was once sold) through official channels. Some of the more popular bootlegs have been the many incarnations of NECA’s Mirage Studios Teenage Mutant Ninja Turtles from 2008. Rumor has it that those molds were stolen and since NECA lost the license for a time they were bootlegged to Hell and back. A more recent example is CT Toys which has been bootlegging MAFEX figures for incredibly low prices. Many have claimed that Medicom is so preoccupied with CT Toys that it’s the reason for why the company has seemingly prioritized reissues over new figures.

I don’t know why the sword was done this way, but I guess it’s interesting?

This Demoniacal Fit offering of Future Trunks is basically a hybrid of the two approaches. There are definitely parts here wholly ripped-off from the Bandai S.H.Figuarts release Future Trunks – The Boy From the Future. It is, however, a depiction of the character that Bandai has never done and there are some new parts utilized to make this figure somewhat unique. It’s a figure I had seen when it first was announced and I did think it looked pretty neat. It’s Future Trunks as he appeared in the movie Bojack Unbound which just put the character in a cut-off version of his blue Capsule Corp jacket while also giving him the long hair he sported towards the end of the Cell Saga. It’s a look I’ve always liked for Trunks as I find that the long-haired Super Saiyan look resembles a morning star and it just works. I never got the figure, but recently I was at a toy convention where someone had a sealed copy for sale. Ironically, I was all set to buy an official Dragon Ball Super Future Trunks, but the person running the table was off somewhere else and after hanging around for 10 minutes or so I went back to the guy with the bootleg. I confess that I was curious to see what the quality was like compared with an official release – it certainly looked good in the box. And it was a look I didn’t have in my collection nor do I know if it’s one on Bandai’s radar. Obviously, I took the plunge and while I don’t want this to come across as an endorsement for bootleg action figures, I’m guessing there are other people like me out there curious how this does compare to an official product.

This look is what got me to buy this one.

This figure appears to be comprised largely of parts from the official release of Future Trunks by Bandai and Tamashii Nations. The items that appear identical to me are the face plates, the torso, belt, hands, crotch, feet, and portions of the legs. Demoniacal Fit re-sculpted the right thigh and left shin to add some torn fabric. I checked other official releases I have with similar distress marks and couldn’t find any matches, but I don’t have every release out there. The arms are bare and I was curious if I could find a source for them, but my collection turned up nothing. I thought maybe Super Hero Gohan or even the old Trunks or Vegeta arms just cast in flesh instead of blue, but that does not appear to be the case. That doesn’t mean they’re not from some other release, I just don’t have it. The jacket turned vest looks almost identical, but they did have to re-sculpt it because the edges are torn where the sleeves used to be. It’s split in the back just like the jacket on the official release and the paint is pretty much the same. The painted part of the exposed chest is actually slightly cleaner on the bootleg while the boots look softer in sculpt to me (which makes sense if they reproduced a mold from the official release). Like the official release, because the figures are designed to wear a jacket of some kind there’s basically nothing to the sculpt in the shoulder area. If you pulled the vest off of this one it would look ridiculous so it’s staying on. The same is true of the official release, but since it didn’t have bare arms there was no need to ever take the coat off. The only other negative about the bootleg vs the official is the top of the left thigh swivel on mine is slightly chewed up. It looks like it didn’t come out of the mold clean and I may attempt to lightly sand it down, or just live with it.

This effect part is also taken from the Bandai/Tamashii Nations line. I know it from the Super Saiyan 4 Vegeta release.

We’ll talk more about what’s bootlegged when we get to the accessories, but the overall look of the figure is pretty nice. Even with the lack of paint, it’s not shiny. I like the sculpt of the arms and the portrait out of the box looks nice and it’s just one of three looks the figure possesses. For the non-Super Saiyan look we have a hair down sculpt and one where the ends of his hair is blowing in the wind slightly. As far as I know, both are unique creations as the only long-haired Trunks I’m aware of by Bandai has his hair in a ponytail. The connection in the neck is the same as The Boy From the Future so you can use these interchangeably with that release, if you wish. What also works in the bootleg’s favor is it has a nice in-hand feel. The original release of The Boy From the Future is somewhat notorious for the bad quality control on display. Reissues have reportedly been better, but I only have the first one to judge and it’s not great. The figure is floppy, the bicep loves to detach on the left arm, and the paint’s not great. Mine also had a reversed abdomen out of the box that I actually didn’t even notice until I got this bootleg release. That had me running to the internet for pictures to see which way it was supposed to be facing. By comparison, this release from Demoniacal Fit is much tighter, the articulation is smoother, and the overall look is pretty much spot-on. To an outsider, the official release would probably feel like the bootleg.

Bootleg or not, it does look pretty damn good.

The non-Super Saiyan portraits are nice, but what really attracted me to this figure was the Super Saiyan one. It has that big, spiky, appearance that I love about this look from the movie. The sculpt is great and the approach to the color is my preferred one with a pale yellow plastic and some darker yellow shading. For expressions there’s a yelling one, a stoic one, and a teeth gritting one. For the non Super Saiyan look, there’s stoic, yelling, and a slight smirk. The sculpt of the faceplates appears to be the same as the Bandai ones, though the eyes are slightly larger. For hands, we have fists, gripping, angled gripping, clenching, flat palms, open, and open with pegs. The pegs are utilized with the effect part – a little, yellow, translucent ball of energy that’s a copy of the same that came with Super Saiyan 4 Vegeta. The only difference (apart from the color) is this one has no paint on it. Where the bootleg nature of the figure does seem to come into play is with the hands. The gripping ones, in particular, are not easy to put on. The hole is at an odd spot (it was on the original) and doesn’t seem to be wide enough. One of the gripping hands is a bit soft in the sculpt too with extra material making it hard for him to hold anything with it. You’re probably going to need some hot water to get these on. And he has gripping hands because Trunks also has his sword which, again, is just ripped-off from the official release. The one difference is they cast the sword in translucent pink, but painted silver over most of the blade leaving just the tip this purple-pink shade. I don’t know what the purpose is here. Did he make the blade glow in the movie? I didn’t even remember him using it, but I did screen grab a pic from the movie back when I reviewed it of him with his sword strapped to his back. As for the strap, it’s just as fiddly and annoying to work with as the official release, but doable if you want him to wear it. Just don’t touch it once you get it in place.

You may need heat to get the sword in his hand, but it is doable.

Articulation for this Trunks is the exact same as that of the official release, it’s just smoother. Nothing was too loose or stuck on my release out of the package and the range at most of the joints is pretty good. This is one of those releases copying the Bandai look with the oddly shaped thigh swivels which I don’t like. The ball hinges in the wrist are a bit more exposed on this figure than is typical, but they also benefit with improved range as a result. It’s almost a shame I don’t think much of the sword because he can probably wield it better than the previous version. All of the hair pieces are pretty restrictive when it comes to allowing the figure to look up. The purple hair also can be a pain with looking down. The collared portion of the vest can also get in the way, and like many figures, the crotch area is all hard plastic limiting the range on splits in both directions. He’s still going to largely pose the way you want him to, but you do have to watch some of the edges of the joints. In particular the thigh swivels since they need to slide under the hips so they can suffer from rubbing. There’s some light scuffing on my figure’s right thigh and I honestly don’t know if he came out of the box like that or if I did that while handling the figure, but it may be something to watch out for.

Too slow.

I will say, Demoniacal Fit largely lived up to their reputation as a producer of Dragon Ball bootlegs that are on par, or sometimes better than, the official releases from Bandai. Does that mean I feel like this is an ethically sound release? No, not at all. There’s far too much copied from the official figures to make me feel great about owning this. I’m not going to lose sleep over it or anything, but I don’t foresee this being the start of something bigger for me. I should point out that there are two versions of this figure. If you look up The Coming One you may find the Trunks with shorter hair. That one is designed to have a removable coat making it like an end of Cell Saga, return to the future, version of the character. It looks solid, but isn’t unique enough of a look for me to need it in my collection as it’s basically regular Future Trunks just without his coat. If this is a look for Trunks that you have really wanted in your display then I suppose it’s a release made for you. Prices seem to vary on it, but expect to pay anywhere from $65-$95 depending on where it’s being shipped from. Judging it strictly on its merits as an action figure, it’s a pretty good release. The sculpt is great whether you’re talking about the new parts or the stolen ones and the quality is good as well. If this were a Bandai/Tamashii Nations release I’d be plenty happy with it apart from how annoying the hands are to swap. And hey, if they want to rip-off this Super Saiyan hair for an official release (maybe on a new, ascended Saiyan body) I’d say that’s a good way to strike back and something I’d buy. As always though, if this is something you want I leave that decision entirely up to you. I can only tell you what I think of it and how it makes me feel.

For some official Trunks figures as well as the source for this look check these out:

Dragon Ball Z: Bojack Unbound

Japanese Title:  The Galaxy’s at the Brink!! The Super Incredible Guy Original Release Date:  July 10, 1993 English Release Date:  August 17, 2004 Directed by:  Yoshihiro Ueda Screenplay by:  Takao Koyama Running time:  51 minutes Dragon Ball Z:  Bojack Unbound is the rare DBZ movie that actually could be considered canon, should someone want to.…

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by Joe

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May 4, 2026

Medicom MAFEX 287 Gambit (Comic Variant Ver.)

By Joe
Everyone can relax…

When I think of 90s comic book characters, there are quite a few who come to mind, but first and foremost is Gambit. I attribute that largely to the X-Men animated series as that was my first real introduction to the character. Prior to that show’s premiere, I had seen images of the character and had a vague understanding of what made him a superhero, but he wasn’t someone I paid much attention to. Created by writer Chris Claremont and artist Jim Lee, he is quite a bit different from the classic superhero when it comes to his appearance. He’s been around so long and is so popular now that it’s easy to lose sight of how a guy in a trench coat and hot pink shirt might not read as a superhero right away. His role as a bit of a scoundrel and unique power set have certainly helped make Gambit a memorable member of the X-Men, but I do think that very popular cartoon in ’92 really helped cement the character as one of the most popular X-Men of all time.

This figure is a costly, but obvious, upgrade over the Legends figure. It does make me want to talk myself into the MAFEX Rogue though.

If you have followed any of my previous X-Men figure reviews, then you know that a big part of my goal as an action figure collector is to assemble that animated team on my shelf. The only issue with that goal is the only game in town when it comes to something in a 1:12 scale the only game in town in a lot of respects has been Hasbro. They did their own take on some of the animated team and have since moved on to X-Men ’97 based figures, but a lot of them have been not great. In particular, the dedicated ’92 series of figures was pretty bad. The line was only 8 figures and yet I’ve already replaced 3 of them in some form or another. And all of them have been replaced with other Marvel Legends offerings or a kit-bash approach, but this new Gambit figure marks my first time attempting to replace one with another company’s offering.

For some, this might be the ideal Capcom Gambit.

Gambit was released in the first wave of X-Men ’97 figures by Hasbro. It was basically just a straight re-release of a prior Gambit, but with an updated portrait that’s more evocative of the new show’s style. It’s an okay release. The articulation is dated and the card-throwing accessory is worthless, but visually it’s passable. Certainly not good enough to not be at risk of replacement. Enter Medicom and their new MAFEX-branded release of Gambit. This is an update on an older figure that has proven to be one of the more popular releases in the line. Just perusing the toy community online it sure seems like Gambit, Magneto, and the brown-costumed Wolverine are often cited as being among Medicom’s best efforts. And one look at Gambit and it’s easy to see why. The proportions and sculpt look nice, the soft goods coat turned out well, and there’s a bunch of stuff included in the box – so why did I never pick it up? Well, it’s expensive. MAFEX figures for those sitting outside Asia will routinely cost around $100 when all is said and done. That figure looked good, but it wasn’t $100 good for me. Medicom went with a metallic paint job, something they seem quite fond of with their X-Men figures, which just isn’t my thing. I want my figures to resemble their source material as close as possible and nothing about a metallic paint job on Gambit really screams that for me. Then last summer, Medicom unveiled a new variant Gambit which they referred to as their comic variant. Basically, it’s a more straight-forward paint job with a different color applied to the coat and effect parts and suddenly I was in. Well, almost. I still waited for the figure to actually release before I finally gave in (and a nice bonus at work helped give me a nudge) and once I was satisfied with how it turned out I laid my money down.

If so, he’s not going to make the SHF Cyclops look tall.

Gambit comes in the standard Medicom MAFEX box which is designed to mimic a comic book with a snippet of art from the books and a bunch of product shots. I will say, it immediately made me chuckle that the comic book art doesn’t match the look of this supposed comic book variant of the figure (and we’ll get more into that shortly), but that’s not something that truly bothers me. Out of the box, Gambit stands a little over 6″ with his poofy hair taking him up to around the 6.5″ mark making him true 1:12 scale. He possesses the typical, MAFEX, proportioning as his legs are fairly long and the build is more on the slender side than the bulked-up type. It works for Gambit and the coat helps to add more of a presence to the figure’s form. The pink of the shirt is a nice, bright, shade with some light purple shading added which helps create texture. The blue…whatever this thing is…around the base of his neck is sculpted as I remember it from the comics and is shaded with dark blue which really helps to make it pop. The paints and the cowl are a nice, matte, black and the pink rectangles on the thighs are present and painted well. The blue of the belt and boots matches to each other and there’s some nice black linework in both areas. The face is really well done and the hair has some black or very dark brown wash applied. There’s also a hint of stubble on his chin and the trademark red eyes glow brightly. Most of the paint is clean. There is a white spot on the right thigh of my figure and some of the black lines on the boots could have been applied in a neater fashion. The hands, which feature Gambit’s traditional fingerless portions, could have been painted cleaner as well. If it sounds like I’m nitpicking know that I am, but we’re also talking about a $100 action figure and standards should be exceptionally high.

The sculpt is pretty freakin’ nice.

The presentation of the sculpt and paint works very well for me. This is a sharp figure. What’s been a bit more divisive is the coat. In pictures, the coat has a real touch of red to the brown. It’s a far more saturated shade compared with the original release which is much closer to the comic image on the box in terms of color. In hand, it’s still noticeably red, but not to the same degree. It’s indeed a brown coat and I think it plays off of the hot pink shirt very well, but if you’re looking for pure comic book accuracy this shade probably isn’t it. Now, we are talking about a character who debuted in 1990 and in the ensuing decades he’s had a lot of looks and variations and if you scour the pages of Marvel Comics I don’t doubt that someone could turn up an image of Gambit where he looks like this, but is it what people think of first? Probably not. For me, I personally think the figure looks great. I get a lot of Toy Biz vibes out of the figure as far as the colors go stretching back to the first Gambit released in that line (with the karate kick action!). I’ve seen people online doing a coat swap with the first release and being quite happy with the result, but that’s a lot of money to shell out for the ideal Gambit.

He has two arc effects, one with more of a fire texture and another that’s smoother.

Another area where this color discrepancy rears its head is with the accessories. Gambit gets the usual vast assortment of hand options including fists, gripping, relaxed, open, open with an effect peg, and a set of card holding hands that are not mirrored. The right hand is the classic two-finger Gambit pose while the left is designed to hold two cards. The alternate head features a gritted teeth expression while utilizing the same sculpt for the hair. Gambit has his staff which is a light brown with some black linework painted onto it. The “controversial” part are the effects. Gambit has a solo card with a trailing effect on it, a two-card piece that’s more stationary and flaming, and then there are two flame effects for the ends of his staff. For all, Medicom went with a yellow and orange coloration like actual fire. On the previous figure, they went with the pink/magenta the character is more known for when he activates his powers in the comic. Like the coat, you can find images of Gambit’s powers taking on this color, but they’re definitely the minority (and originally his powers were green which is just weird to think about). His power effects were similar to this color in the original cartoon series, but in that show they also used an animation effect that gave it a different texture. In X-Men ’97, his powers were altered to resemble the comic. I think we got this set because Medicom just wanted to differentiate the figure further from the first release, but in doing so it does lessen the whole notion of this being the true comic variant. For me personally, while I would have preferred the pink, it doesn’t really move the needle at all. I think the effects look good, they’re just not in the color that first comes to mind for when I think of Gambit.

He also has his staff and even some flame effects for the ends.

And those aren’t even the only effects. Gambit also has two, large, throwing effects. Each one features three cards and an arc of flame behind them. They’re designed to peg onto the effect hands and the peg hole is at the end so we don’t end up with a Hasbro situation where the arc makes no sense. All of the cards, including the other two effects, are just yellow like they’re glowing and there’s no visible suit or number. One of the arc effects is thinner and sharper looking while the other has textured flames. It’s heavier as a result, not that the slimmer profiled one isn’t heavy, and to counter that Medicom included a stand for the effects. It’s just a clear, plastic, base and post with two options for a “Y” shaped top to help prop it up. Without it, the wrist joint won’t be able to support the weight and it will turn towards the ground. Certain poses, like a vertical toss, can work, but if you want a horizontal sweep type of throw you’ll need the post. Also included is the usual MAFEX stand that works just as well as it always does.

It can be tricky to pose, but these effects are pretty damn fun to mess around with, though they do add heft.

The articulation for Gambit is pretty typical for MAFEX which is to say it’s quite good. There’s a double-ball peg head, ball-jointed neck, butterfly shoulders, shoulder hinges, bicep swivel, double elbows, ball-hinge wrists, diaphragm, ball-jointed waist, drop-down hips, thigh swivel at the hips joint, double-jointed knees, ball-hinged ankles, toe hinge. Range at pretty much all spots is a plus. The torso gets nice arch back and crunch forward, the head can be posed with a great deal of freedom, and the hips allow for high kicks and the like. The ankles are the only area I’m not in love with. The ball hinge can be tough to get a good ankle rocker out of it. It works, it’s just a bit more fickle than I’d like. The coat is wired all along the hem including the collar so it can pose very well. It will bunch up on the arms and that’s just the nature of soft goods – you’re always sacrificing something when they cover limbs. The coat can come off, if you so desire, which will free up the range of the arms, but your Gambit will look far less cool. To probably get the most out of the arms, you will have to remove the coat to pose him, then try to carefully get it back as manipulating the bicep swivel and even the elbow joint can get really cumbersome with the coat on.

The big effects are flashy, but sometimes the simpler ones work just as well.

This Gambit from Medicom is expensive, but it is a terrific action figure. There’s not a whole lot to complain about. I think the paint could have been a little sharper in places and I really think we should have got a third portrait with a smirk on it. Two heads where one is stoic and the other angry just isn’t ideal for a character like Gambit. People are going to want to pose him with Rogue and he’s never not smiling when he’s around Rogue. This reissue would have been a great opportunity to add an extra head, but Medicom opted not to. Still, what is here is pretty substantial when it comes to hands and effects and the end result is something special. This is only my fourth MAFEX figure, but it quickly became my favorite. If all of their X-Men figures turned out this well I’d have a whole lot less money to my name, but one Hell of a collection. This is the rare $100 figure at this scale that I have no regrets whatsoever about picking up. If you dig it and want one of your own, the import sites will probably be a better deal than some of the US-based retailers which are charging upwards of $130 for this one. That’s pretty rich, but if you shop around you should be able to get him for less so long as he’s in stock. And I would guess this one will sell out eventually so don’t put it off for too long.

For more premium action figure offerings check these out:

S.H.Figuarts Marvel Gamerverse Cyclops

A funny thing happened in 2025 where two companies revealed they were going to be making action figures based on the hit video game series Marvel vs Capcom only for neither company to actually mention the words Marvel vs Capcom. It would seem that neither Hasbro nor Bandai wanted to compensate the Capcom portion of…

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S.H.Figuarts Across the Spider-Verse Scarlet Spider

In the two reviews I did of Scarlet Spider action figures I shared the origins of my love for the character’s design. To make it short, I found the appearance of him on a cover of a Spider-Man comic intriguing, but more is as a young artist I much preferred to doodle him in my…

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MAFEX No. 117 – Superman (Batman: Hush Ver.)

They finally wore me down. It was nearly five years ago that I reviewed the Medicom MAFEX Batman (Hush Ver.) action figure and concluded that it would probably be the only figure I’d get. Then along came Superman. As a kid, I liked Superman well enough. I think the first pair of superhero themed pajamas…

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April 30, 2026

Legacy of Kain: Soul Reaver (Remastered)

By Joe

In the early days of the PlayStation, there was a game that caught my eye. Blood Omen: Legacy of Kain put you in the shoes of a vampire by the name of Kain on a quest for revenge. It was an intriguing game at the time for not many titles put the player in control of a vampire. Usually they’re the bad guy. And if a game did it was something like Monster in my Pocket or Kid Dracula which had a distinctly different vibe from something like Blood Omen. The only problem with the game at the time is that it was just a brutal slog on the PlayStation. Not that the PC version was much better, but the CD ROM format just wasn’t quite ready for a game like Blood Omen as the loading times were tough to manage even in an era where websites took minutes to load as opposed to seconds. It was a game that didn’t get much run from me, but its sequel? That enchanted me from day one.

Legacy of Kain: Soul Reaver is set some time after the events of Blood Omen. Kain (Simon Templeman) is no longer a newly born vampire seeking a cure to his vampirism, but is an established vampire lord with his own thralls of vampire servants. Among them is Raziel (Michael Bell), Kain’s favored son, until one day Raziel appears before his father with a new set of wings. It seems vampires evolve in unique ways and at different rates, but since Kain did not have wings of his own, he apparently took Raziel’s evolution as an insult so he tore the wings apart and cast him into the abyss to die. Nice guy. Only Raziel didn’t quite die. Revived by the disembodied Elder God (Tony Jay), Raziel finds himself transformed into a wraith-like being. His flesh is scarred and tinted-blue, his lower jaw is gone, and all that remains of those once glorious wings are tattered pieces of leathery flesh. Raziel does not take kind to his new appearance and hungers for revenge. Revenge against Kain for what he did to him, but also revenge against his brothers who stood by or even assisted in his demise.

Apparently, sprouting wings earns one a death sentence in the eyes of Kain.

Unlike Blood Omen, Soul Reaver is a fully 3D platformer where the player is able to explore the fictional world of Nosgoth in control of Raziel. It’s a bit like a 3D Metroidvania, though it also borrows from titles like The Legend of Zelda. Raziel begins the game with only his claws to fight with and a special ability that allows him to cross between the material realm and the spectral one. As the player progresses through the game, Raziel will gain new powers and abilities that unlock new areas to explore and new enemies to conquer. Unlike a Zelda game, those new powers are most often unlocked by defeating one of Raziel’s brothers as opposed to acquiring said power during exploration of a dungeon. Whenever Raziel defeats an enemy, he is able to consume their soul and consuming the soul of an elder vampire has some real perks to it. Raziel begins the game lightly outfitted, but he’ll gain the ability to pass through barriers, climb walls, and even conquer his aversion to water. He’ll also acquire the titular Soul Reaver, the blade wielded by his former master reduced into a spectral form that’s always at his side. Well, until he takes a hit then it goes away until he can regain full health.

Along his journey, Raziel will encounter a small variety of enemies most of which are vampiric. Killing a vampire requires specifics and they can only be vanquished with sunlight, fire, water, or by piercing their heart. Across Nosgoth the player will find various weapons to make use of. Many of these are some form of polearm that Raziel can swing like a staff and then impale his foes upon once they’ve been sufficiently dazed. Rocks and clubs can only stun vampiric enemies while a lit torch can set them ablaze, though it then needs a heat source to be reignited. Dazed enemies can also be picked up and thrown allowing Raziel to finish them off by tossing them into a lit area, water, or my personal favorite, onto ornamental spikes you may find throughout the environment. Once an enemy is slain, Raziel only has a few precious seconds to consume their soul and attempting to do so leaves him open to attack if more enemies are present. If the soul is consumed, the vampire disintegrates and Raziel regains some health. If the soul escapes, the corpse could be revived quickly. Regardless of what the player does, enemies respawn quite liberally if an area is left and then returned to so it can feel like a bit of a waste of time when just passing through to deal with enemies if they’re not directly in one’s path. The actual combat is fairly simple, though impaling foes never loses its charm. The Soul Reaver is a weapon Raziel will always have after a certain point in the game so long as he has full health which helps. It also has a bonus function of preventing Raziel from losing health when in the material world as ordinarily his physical form slowly deteriorates.

The game has received a pretty substantial visual upgrade with this remaster.

If Raziel suffers too much damage and is reduced to no health he doesn’t die, but is instead returned to the spectral realm. The spectral realm is another version of the “real world” only objects cannot be interacted with nor do they possess form, in some instances. There are still surfaces to walk on and Raziel can grab onto a ledge, but water has no density and Raziel can pass through it like air. Within the spectral realm is usually an abundance of lost souls and minor enemies for Raziel to feast upon and regain his health and once full he can return to the material realm, but only via specific waypoints. This is a key component to the puzzle nature of Soul Reaver as few areas require feats of conquest where enemies are concerned and instead turn into large puzzles that the player has to untangle. Once Raziel gains the ability to pass through fencing, many locations will make use of that as Raziel can only use that ability in the spectral realm. Often, if the player runs into a dead end jumping to the spectral realm can reveal a way to press on, not just because there are barriers Raziel can phase through, but also because the spectral realm has a tendency to twist and distort what’s present in the material realm so a ledge that was once out of reach may no longer be. A frequent trick of the game is to present the player with a block puzzle. A block puzzle involves the player having to move a massive block(s) of some kind across an area and into a slot. Sometimes it’s done to create a mural or join pipes or simply as something that needs to be stacked so the player can reach a higher ledge. These puzzles were frequently cited as a point of contention because they are a bit plodding, but the criticism was overblown. At least as far as the main campaign goes.

Like many games, Soul Reaver has areas that need to be completed in order to progress through the game while some areas are strictly for those looking to do everything. Raziel will only learn one spell by default, the ability to go between realms, but there are numerous others available via glyphs. These are only accessible once Raziel acquires new abilities and are strictly optional. Most are just area of effect spells useful for dealing with common enemies and many are attuned to certain vampiric weaknesses. There’s also an upgrade for the Soul Reaver to find as well as objects that increase Raziel’s max health when in the material world. Acquiring these will task you with more of those dreaded block puzzles including the biggest one of the game so if you don’t like them you may not want to seek these upgrades out. For my original playthrough back in 1999, I did everything, but for my most recent run I only grabbed the stuff I knew I wanted. The expanded glyphs are not particularly useful nor is the game hard enough to require the player to seek out all of the health upgrades.

Not only has Raziel received a new coat of paint, but boss characters as well.

When I played this game in ’99 I loved it. It was a little short which was my main critique as I was able to beat it in a rental (I did eventually buy it cheap for the Dreamcast), but I was in love with the lore and overall vibe of the game. As a 2024 experience when the remaster was released, it’s a little harder to love. The game looked very good on the PlayStation for its time and I honestly think it’s held up pretty well in that regard. In the remaster, you can toggle between the original game’s assets and the upgraded visuals by clicking the right thumbstick and they do present better. My guess is they imported some of the sequel’s assets into the first game, but also the boss characters and enemies received an upgrade. Most apparent is now their mouths move when they speak. And the gothic music and the voice acting is still pretty top notch. I think Soul Reaver is the first game I played where the voice acting was truly an asset (it was either this or Metal Gear Solid). Most video games at the time were either terrible or passable when it came to voice acting, but this was a professional job and a lot of the heavy lifting is credited to voice of Raziel Michael Bell. My only real critique with the presentation is just that it’s so dark. There’s no toggle in the game to increase the brightness and there were areas where I felt like I was going through them blindfolded. I just personally hate that and I also hate having to mess with my television’s settings.

What doesn’t hold up as well is the platforming. Raziel is given a few tools to traverse the world. He can do a standing high jump, grab ledges to extend his leaps, and use what remains of his wings to glide. The camera is quite loose, but also has a tendency to get in too close in certain areas. The camera can be manually controlled with the right stick, but there are times when it will frustrate. The game also tasks the player with making several tricky jumps with almost no margin for error in some cases. And the punishment for missing said jump can cost minutes as you trek your way back to the spot of your failure. There is one sequence in the game’s water temple (water temples should be outlawed from gaming) that I had to keep trying at where Raziel has to cross a series of beams to reach one ledge and then another set of similarly small ledges. All before overcoming his aversion to water so failing means switching back to the spectral realm when he plunges into the waters below. It had me incredibly frustrated and there are areas of similar difficulty, though none that irritated me as much as that. Raziel controls with little weight to his movements making his jumps feel floaty and the challenge is, once he lands, to not run off the ledge. When it’s an especially long one, I found it best to be stationary and use the character’s standing high jump and then glide. In some cases, that worked and Raziel would grab the ledge to haul himself up. At least in one area, that doesn’t work and you need to just jump as far as the game will allow and hope for the best.

You can relive the birth of the Soul Reaver – now in HD!

Another aspect of the game not as enjoyable on a replay are the boss encounters. Since the game is more of a mental challenge than anything, each boss fight requires the player to use the environment to their advantage. That means that once the problem is solved it ceases to be a challenge. The only exception are the two confrontations with Kain himself. There really isn’t much to either encounter – get up close and whack him, rinse and repeat. It was a criticism of the game then and it remains one now. There just is no satisfactory encounter with Kain and the game ends on an abrupt cliffhanger. It was said at the time that a lot of content had to be cut including a third fight with Kain. I don’t necessarily think a third was needed, they just needed to do something clever with the final battle and they kind of phoned it in. The cliffhanger ending was a bit of a bummer though because the narrative component is clearly a strength with the title. People seemed to genuinely enjoy the game’s story and to not get much of an ending did feel a bit like a betrayal at the time and still does. Fortunately now, if you do get the remastered version it comes with Soul Reaver 2, a game I did own once upon a time, but only played through one time and have very little memory of it.

Legacy of Kain: Soul Reaver was one of my favorite games of all time when I first played it back in 1999. It’s not really that anymore, but there’s still a lot here to love. The game is just a bit clunky feeling and there’s certainly diminishing returns when it comes to the game’s puzzle elements, even with having not played it in over 20 years. The good news is that this remastered collection was a mere $20 and includes two games. My non complete playthrough took me around 9 hours and that felt just about right. I could go back and seek out the glyphs I passed up, but 9 hours in this world feels like plenty and since nothing carries over to the sequel I’d rather just jump into that one. I don’t speed through games like I did when I was younger so who knows when that review will go up. In the little I’ve played so far, I’ve found the darkness issue to be an even bigger one with the sequel. I played through the first temple where Raziel acquires the dark affinity for the Soul Reaver and found some of the sections leading up to it absolutely miserable. I did try the game on the PlayStation Portal briefly and that seemed a whole bunch brighter so maybe that’s my solution, but I haven’t gone back to it. Time will tell if I do see it through, and if I do, I’ll be sure to share my complete opinion right here on The Nostalgia Spot.

I don’t have much vampire content, but I do have some:

Dec. 21 – Count Duckula – “A Christmas Quacker”

In the 1980s, Nickelodeon didn’t have a lot of animated content. That’s probably surprising for today’s adolescents, but that’s how the network was in the old days. That was due in large part to the network first prioritizing educational content, and then wanting to make sure whatever it aired couldn’t be found on another channel.…

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Super 7 Ghost Ultimates! Papa V Perpetua

Ghost remains the most unlikely mainstream rock act I can recall in recent times. A Satanic metal act that sells out arenas in the United States is not something I ever expected to see in my lifetime. It was basically the joke in a show like Metalocalypse – a “Can you imagine if such a…

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Dec. 18 – Little Dracula – “The Bite Before Christmas”

There was a huge demand for cartoons in the early 90s. Cable was expanding and needed content for all ages while a new broadcast network was also making noise. That network was Fox, and after scoring primetime hits with Married…with Children and The Simpsons, the network started to look at other areas where it could…

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2 Comments   |  tags: , , , , , , , | posted in Video Games

April 28, 2026

NECA TMNT Toon Robo Tokka and Robo Rahzar

By Joe
It’s the duo you know, but not how you expected.

The vintage Playmates toy line for Teenage Mutant Ninja Turtles had no shortage of variants. There were beach turtles, police turtles, hockey turtles, and so on. We even had something akin to Operation: Desert Storm turtles. In looking back, it seems like few stones were left unturned unless you want to get into the weeds of licensed collaborations (the TMNT x Star Wars collab was just never meant to be, unfortunately), but don’t tell that to the fans of today still brainstorming and coming up with concepts never before explored by Playmates or anyone else. People like Sylvain Plantier, a self-described toy designer and illustrator who had a dream of robotic versions of the duo Tokka and Rahzar from Teenage Mutant Ninja Turtles II: The Secret of the Ooze. The duo was inserted into that film pretty much because TMNT co-creators Kevin Eastman and Peter Laird wanted nothing to do with the dimwitted duo of Bebop and Rocksteady, not that it stopped the writers of the film from making Tokka and Rahzar giant, literal, babies. At least they looked scary? Due to the popularity of the characters and film, the two made their way into the Teenage Mutant Ninja Turtles cartoon where they were quite different as characters, but visually were identical to the Playmates interpretations of the two created to promote the movie as toys. And since their TV counterparts, Bebop and Rocksteady, appear in both the toy line and the show as robots, why not extend the same to Tokka and Rahzar?

I love the design of Tokka’s shell. Rahzar’s backside isn’t very interesting, but I didn’t want him to feel left out.

Plantier at least seemed to think that was warranted and he created and shared designs for what that might look like. His concept got the attention of NECA’s Trevor Zammit who liked it so much that he proposed making figures based on Plantier’s work and incorporate them into NECA’s long-running toy line based on the vintage cartoon. And now here we are. A deal was struck and the designs were handed off to NECA sculptor Tomasz Rozejowski and a pair of what-if characters now exist in the NECA toon line. These concept figures have increased in numbers over the past few years as the line gets a bit long in the tooth. Robo Tokka and Rahzar join the likes of Wyrm, Panda Khan, Dark Leo, Samurai Mikey, and others which is a fair direction to take the line in these days as the number of characters who appeared in that show that have yet to see plastic gets rather small. This is the line that gave us the spare parts of Bebop and Rocksteady’s gang which is pretty incredible, all things considered, so while it’s fair to wonder where someone like Tempestra is, I don’t think we’re missing anyone at the expense of these fantasy creations. Besides, who really gave a shit about Tempestra when this line started?

With their flesh and blood counterparts.

Robo Tokka and Rahzar follow in the same sort of look as the robotic Bebop and Rocksteady. Plantier did a great job of creating some all new characters, but also ones that if seen by someone unfamiliar would cause them to start searching their memories for such an episode of the show. Both characters utilize some blocky components and hard edges, but also plenty of curves like one would expect to see in the show. The two are predominantly a light gray and slate gray, but they also each incorporate their own unique color to the design. Like Bebop featured red and Rocksteady yellow, Tokka has some green accents via the knee pads and pauldrons while Rahzar has some striking blue parts most prominently featured in his pauldrons and knee pads. I like how Plantier apparently gave consideration to the Playmates figures as well as both characters feature a red dome on the top of their head which I assume is to mimic the light-piping feature of the vintage toys. It would have been cool if NECA could have provided an alternate head with such a feature, but this works fine.

They display well with robotic Bebop and Rocksteady.

Let’s get more into the nuts and bolts of each one starting with Tokka. He stands at approximately 5.375″ to the top of his head. The little spike on his shell atually sits higher than his head. He’s a little shorter than the standard Tokka, but is pretty much just as stocky. He’s got these Bowser-like pauldrons that are a nice combination of green and yellow and the shell on the back of the figure mostly recalls the Playmates figure, but with fewer spikes. There are some sculpted cables about his shell and also around his neck that line up with the two rockets positioned at the top of his shell. They can come off, but they’re a little tight so I’m loathe to force it, especially since there is little reason to remove them. I like the updated “tech” Foot logo on his belt buckle as well as the attempts at creating the illusion of robotic joints, in particular the ankle area. There’s more of the light gray with this figure as compared to Bebop and Rocksteady and I think it looks better. It allows the darker gray to enhance it and provide more of an outline. I appreciate the little studs and rivets found in the design which are just numerous enough to break up the design, but not look out of place in a toy line based on an 80s cartoon. Paint for both figures was handled by Mike Puzzo and Geoff Trapp and it’s as clean and crisp as usual. The black line work on the yellow spikes is especially impressive and I remain impressed with how consistent these little details are applied by NECA’s workers.

There is a couple of weapons in the set.

Rahzar is a much bigger beast when compared with his box-mate coming in right around the 7″ mark. Like Tokka, he’s a touch shorter than the standard Rahzar, but this one is definitely bulkier by comparison. I like how his design incorporates a lot of what we associate with the character like the rounded pauldrons, the spikes on the thighs, and, of course, the grill on the abdomen. There’s a bit more of the dark gray incorporated into the design as a result of those thigh pieces, but it looks good and helps to contrast him with Tokka. I really like how the blue was incorporated as it was only a small part of the original Rahzar look in the toon and toy line, but it’s well enhanced here. I also like the asymmetrical look of the forearms since that’s a true Playmates callback if I ever did see one. Tokka did the same, but in a less obvious manner. Here Rahzar has a boxy right gauntlet and a round, spiked, left. And because NECA was apparently so committed to making these two have a large size discrepency between them, there are almost no shared parts between the two. They both use the same hands, but as far as I can tell everything else is unique. The paint on Rahzar seems a little sloppier than Tokka’s, but not to an alarming degree. There’s a tiny bit of gray on the blue part of the chin on mine as well as a light, gray, dot in the midst of the dark gray on the back of the head. The detail work is still quite impressive and overall it’s a striking figure for the shelf.

Mostly, I think of the toon Tokka and Rahzar as food monsters so I appreciate these inclusions.

The accessory load-out on these guys is a bit sparse, but perhaps that’s the result of two, unique, sculpts with little reuse potential. Each figure has three sets of hands: fists, gripping, and an open gesture. As mentioned above, the hands are the same between the two, but NECA did include a set of each for each figure so you don’t have to share any between the two which is appreciated. Each character also appears to have an intended weapon, but since these are fantasy creations, do with them as you will. For Tokka, he has a chunky sword with a spiked handguard. The inner part of the handle is blue so if you think it fits Rahzar better then go for it. The rear of the blade is serrated and the handle is black with a red diode or button on it. For Rahzar, there’s a big, spiked, mace which also features a gold spike at the end and a little white tape at the base of the handle. There’s a red button sculpted onto it as well as some red trim near the base which doesn’t really correspond with either character. The spikes on this thing are quite sharp though so do be careful. I do like both weapons, but it would have been cool to callback to Rahzar’s skull staff the old toy came with. They’re also both really hard to get into the gripping hands and I would advise not even trying out of the box. Heat them up, slot them in, and then never remove them. Lastly, we have two food items which is appropriate for the pair since it seems to be the only thing the toon versions of Tokka and Rahzar cared about (besides each other, they are the best of friends). We get a bowl of nuts, as in metal nuts, which has a sculpted spoon handle sticking out of it. It’s a fun design and may be mandatory for a display. There’s also a circuit board with a bite taken out of it. The sculpt and paint on this thing is really impressive considering it’s just this little throwaway accessory. The characters can hold that one with either a gripping hand or even the fist as the thumb is spearate from the rest of the fingers and it slides in pretty painlessly. The bowl is best held with the open hand unless you want to wedge the spoon into the fist or gripping hand, but that’s it for accessories. No blast effects are a shame as Rahzar has two guns mounted to his shoulders and Tokka the two rockets. I wonder if something was considered as there’s a small hole in the right barrel on Rahzar, though not on the left.

“Hey! Give me a bite!”

If you looked at these two and concluded that these designs would not lend themselves well to articulation then you would be correct. Articulation is never NECA’s strong suit, and much like the Usagi Yojimbo figures we looked at recently, the articulation here is going to be rather poor. Somewhat to my surprise, the better of the pair is Tokka. Both figures feature the same points of articulation: head, jaw, shoulders, elbows, wrists, waist, hips, knees, ankles. For both, the elbows and knees are single-hinged and they do swivel which is to make up for the lack of a bicep joint in the arm. Tokka’s pauldrons are on hinges and can get out of the way to an extant. Curiosly, the fixture on my figure’s right shoulder sits higher than the left. I assume this is not by design and is just variation at the factory. The waist is basically useless on both figures as Tokka’s turtle body severely restricts it while Rahzar has that grill in place. Neighter figure can do splits or kick forward very far. Rahzar’s head is limited by that giant chin he has which also prevents his jaw from opening unless he’s looking up. His shoulder pauldrons also have no mechanism in place to help get them out of the way. Raising his arms out to the side for the old “T” pose is not happening. The two little canons on his shoulders might swivel, or might not. The right one on mine is not budging while the left came out of the box orientated incorrectly with the sight at 3 o’clock. That was my only hint that it could even move as I was able to swivel it back into place. To NECA’s credit here, nothing was stuck on my figures out of the box nor was anything loose. It might have helped that they were delivered by mail and the box sat in the sun for about an hour before I could get to it. Are we done with frozen figures until the fall? One can only hope.

“Michelangelo, I’d just like to say I really hate your plan.” “Shut up, Leonardo…”

These robotic versions of Tokka and Rahzar from Sylvain Plantier and NECA are probably what you would expect of them. The design is terrific and the sculpt and paint really bring them to life. The size and aesthetics mean they don’t slot into your vintage toy collection, but they look right at home in a NECA toon display despite never appearing in the show. I do wish we got some effect parts, but I do wonder if that’s something Nickelodeon frowns upon. It seems JoyToy can get away with such, but maybe not toys for the US market? The articulation is what it is. I don’t think anyone expects much out of NECA in that regard and at this stage of the toy line’s life it’s not something that’s going to change. If you like the design then that’s what you should base your purchasing decision on. And as for that decision, the unique tooling in place here certainly seems to have impacted the price tag. These guys are exclusive to Target in the US where they retail for $70. This two-pack is more expensive than the movie versions two-pack. These are basically priced like two NECA Ultimates, or something a little lesser since those seem to be trending towards the $40 mark. Gone are the days of the $52 two-pack, especially when it’s a set that doesn’t feature much opportunity for parts reuse. I’m not going to tell you how to spend your money, but we’re definitely at that point where I’m passing on sets because of the price. At $52 I was willing to buy just about anything, but at $70 I’m definitely selective which is why I never reviewed the Creepy Eddie and Shibano-Sama two-pack – they just didn’t seem worth it to me. This set did because I really like the designs and I think it works well for the line. Who knows what will come next for me with this line as we don’t have much confirmed past this. Each turtle is getting a unique disguise later this year and there may be a Tempestra coming, though the figure was not on display at New York Yor Fair for some reason. And then there’s the question of whether or not the line continues past 2026? The San Diego exclusive is already out and available for purchase and it’s just a black and white set of the 2012 turtles with an accessory pack. I don’t need another set of those and if the toon line is coming to an end then at least I can look forward to saving some money!

For more NECA and Tokka and Rahzar goodness, check out these:

NECA Cartoon TMNT Tokka and Rahzar

There is certainly a lot of Teenage Mutant Ninja Turtles product flying around these days, but I would guess collectors and fans of the property are paying the most attention to two toy makers in particular: NECA and Super7. One search for “NECA” on this blog will reveal that the company has produced a ton…

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by Joe

NECA TMNT Secret of the Ooze Tokka and Rahzar

Merry Boxing Day every one! I hope you enjoyed the Christmas content this year, but it’s time to go back to our usual programming. Which in 2020 means toys. And I just could not wait any longer to talk about what was probably my most anticipated release of 2020: NECA’s Tokka and Rahzar based on…

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by Joe

NECA TMNT Cartoon Super Bebop and Mighty Rocksteady

2021 introduced a lot of good things for collectors of NECA’s Teenage Mutant Ninja Turtles line of action figures based on the classic cartoon. The toy maker still kept the line a Target exclusive when it came to brick and mortar, but it also started selling a lot of it online to coincide with each…

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by Joe

Leave a comment   |  tags: , , , , , , , , , , , | posted in Television, toys

April 24, 2026

Dragon Ball Z – The Legacy of Goku II

By Joe

In the late 90s, FUNimation and various stakeholders tried to make Dragon Ball Z a thing in western markets. Both the original Dragon Ball and its sequel series Dragon Ball Z were partially dubbed and released on VHS with a syndication package sold to local networks. For the first in the US, a Dragon Ball video game (yes, I’m aware of Dragon Power, it doesn’t count), Dragon Ball GT: Final Bout, was localized and released on the PlayStation outside of Japan while retailers were sent repackaged versions of the Bandai and AB Toys action figure line. It didn’t take off. Maybe people in the US weren’t quite ready for DBZ? Or maybe the video game was terrible, the toys sucked, and the show was aired in horrible timeslots where it had no chance to take off?

If you’re at all familiar with the Dragon Ball franchise then you know that didn’t last forever. Eventually, networks gave up on it and so did apparently everyone else. Everyone except Cartoon Network who loved acquiring cheap programming to freshen up its broadcast schedule as it tried to incorporate more than just old Hanna-Barbera cartoons into its lineup. Dragon Ball Z found a home on the cable channel and it soon gained enough popularity that Cartoon Network was able to center a new anime block, dubbed Toonami, around it. The only problem was that by the time DBZ had found its audience all of the old product was basically gone. Sure, the VHS tapes were still around, but a lot of the toys had been sent to the discount bin and everyone was doing their best to forget about the PlayStation game. Well, some poor souls paid exorbitant prices for copies on the secondary market that they almost certainly would come to regret, but there was a hunger for more: more episodes, more merch, and definitely more video games.

I had to include a shot from the game’s intro because the lone DBZ animation cel that I own happens to be from this scene.

The delayed fandom in the US meant that everyone basically had to play catch-up when it came to Dragon Ball Z. And in the backs of the minds of those involved was probably the worry that this was just some fad that would crash out so speed was necessary. Infogrames was awarded the video game license which it would release on its Atari brand it had acquired somewhat recently. The first game out of the gate was The Legacy of Goku in 2002. The Game Boy Advance action-adventure role-playing game put the player in control of Goku in a top-down, Zelda-style game where the legendary hero did battle with…wolves and snakes. And often died. The game was a mess with poor collision detection and little refinement. A true cash grab in many ways as the team at Webfoot Technologies was likely given a very small window to develop and release the title. Reviewers were not kind, but since it was the first DBZ game released to a fanbase practically frothing at the mouth for a new game it sold like hotcakes and a sequel was quickly greenlit.

By all accounts, The Legacy of Goku II improved on its predecessor in just about every way possible. Set during the Android/Cell Sagas, Legacy of Goku II puts the player in control of multiple heroes in the same action RPG style with improved collision detection, new maneuvers, and new power-ups. When it arrived on the GBA in 2003, I didn’t pay it much mind. I had played the first game and can confirm it was trash so I wasn’t going to just throw money at a new one. I’m pretty sure I was aware of the improved reviews, but I never did seek it out. Not until almost ten years later when I got the itch to play a DBZ game and wanted something that wasn’t a one-on-one fighter. I picked up a copy on eBay and the post office promptly lost it. I never did get it and didn’t want to double-down by just grabbing another so I moved on. Recently, my local comic book store posted on Discord a bunch of games it had taken in on trade recently and among them was a copy of LoGII. I figured now was finally the time to put my money down (again) and see just how much better than its predecessor this one truly is.

You’ll spend most of your time fighting enemies that look like whatever this thing is.

Legacy of Goku II is once again a top-down or isometric action RPG. Since it’s on the GBA it’s a sprite-based game and all of the characters have a slightly chibi quality applied to them. They’re cute, and most of their faces are just eyes so it’s kind of like everyone has become Krillin. It works even if it’s not as impressive to look at as the later Dragon Ball Advanced Adventure. The music follows the style of the english dub at the time and while it’s not my preference, it’s largely fine if a bit repetitive. You begin the game as Gohan, but as you progress through the story you’ll unlock Piccolo, Vegeta, Trunks, and Goku. And if you clear certain conditions, there’s a post game bonus character in the form of Mr. Satan (referred to as Hercule in this one because it’s for the kids). The game picks up basically right where the previous one ended with Frieza defeated and Goku missing. The game bypasses the Garlic Junior Saga with the only reference to that being the in-game excuse for why the animals attack in the forest (they’re corrupted by the Black Water Mist). The game will take the player through the bullet points of the Android Saga and culminate with the Cell Games. During the game playable characters come and go as the story dictates meaning you will rarely have access to all of the characters at the same time. The game utilizes a Final Fantasy-like world map complete with Mode 7 scrolling which you will utilize to access various locations that are mostly familiar to fans of the show and manga. Within those maps are Capsule Corp logos where the player can save as well as switch characters. There are also maps posted in a few places within each area that will allow the player to return to the world map if they so choose.

The meat and potatoes of the game is walking around and smacking enemies. Most of the enemies you encounter will once again be relegated to wolves, snakes, and the like. Yeah, it’s pretty stupid that any of these characters would pose a challenge taking on any of these guys, but it would also be pretty boring if you could just massacre everything with ease. Characters attack with a standard melee attack while the other button is reserved for ki attacks. You have two resources to manage: health and energy. Health naturally depletes when you take damage while energy depletes as you expend ki either via attacks or transformations. Ki will slowly replenish itself, but health can only be restored by finding consumables as you defeat enemies and smash rocks in the environment or via senzu beans, which are limited, but not finite. Leveling up will also completely refill both meters. What’s much improved this time around is the hit detection. In the first game, Goku’s range was positively puny while this game is quite generous. If you think of the display as a grid your character occupies one square, but his attack will impact the three squares in front of him (the one directly in front, the one diagonally to the character’s right, and the one diagonalley to the character’s left) so you don’t have to be lined up perfectly with an enemy to strike it. It also means the enemies have an easier time hitting the player and this might get you a few times when projectiles are introduced, but it’s definitely more good than bad. Enemies and the player also can’t get pinned against a wall as being knocked back into something will cause the character to bounce off of it usually resulting in them ending up on the other side of the attacker. Again, this means you can’t pin an enemy down, but they can’t do it to you.

Behold! The best attack in the game!

When you first acquire a character they can just punch and shoot a generic ki blast, but during the course of the game they’ll learn new attacks and it’s these attacks (as well as their underlying stats) that separates the characters from each other. Each character will learn one, charged, melee attack which doesn’t cost anything to use, but leaves you open while charging. With any attack, charging it locks the character in place and they can’t change direction so you do need to make sure you have the enemy lined up properly. For Gohan, he gets a a jump kick that helps close gaps. Vegeta has an overhand smash while Trunks attacks with his sword in an arc. Goku has a flurry punch while Piccolo gets the lamest attack as he just spins around with his fists outstretched. It seems to lack the range of the others, but he arguably makes up for it with one of the best energy attacks. And that would be his Special Beam Canon which fires straight ahead and through any enemy it touches. Piccolo can easily clear a screen of enemies with that one while his second attack, the Scatter Shot, is basically a spread shot from a game like Contra. Vegeta has his Big Bang Attack which has a slight vacuum quality to it as it pulls enemies in, though his second energy attack is just a punch. I have no idea where they got that from. Trunks gets perhaps the most abused special attack, his Burning Attack, which is just a weak ki blast that happens to stun the enemy it touches. And unlike say Sub-Zero and his freeze attacks in Mortal Kombat, the stun doesn’t dissipate after Trunks strikes the enemy. It basically persists for 3 seconds and since it’s so cheap to use it makes playing as Trunks a breeze. It even works on bosses! His second attack is just an energy sword wave. Goku has his Kamehameha which is surprisingly weak. It persists like Piccolo’s Special Beam Canon as long as the attack button is held down, but it doesn’t go through enemies and seems to burn through ki incredibly fast. On the other hand, his Spirit Bomb is quite destructive and will stun all of the enemies on screen as well, even ones it doesn’t hit. This does have a downside as once the stun vanishes the enemy immediately goes aggro, but it’s usually nothing Goku can’t handle. Gohan, who will likely end up being your most powerful character, has pretty lame special attacks. His Masenko was turned from a beam attack into a grenade as it arcs making it hard to aim. The longer you charge it the further it goes. His second attack is the Kamehameha and it sucks just as much as Goku’s version.

Transforming into a Super Saiyan is now possible and believe me, it’s most useful moment is for moving these stupid eggs.

Introduced for Legacy of Goku II are transformations. As expected, all of the playable Saiyans will eventually unlock the ability turn into a Super Saiyan. Doing so requires the player to stand still for a couple of seconds to initiate the transformation, but once completed the player’s speed will be increased and damage output is also better. It’s not a huge boost and it’s really the speed that matters here, a point driven home during the brief period in the game when the “Ascended” Super Saiyan power-up is unlocked via Trunks and Vegeta who suddenly move like tanks. Thankfully, that chapter is short-lived as it renders the transformation worthless. While transformed the player’s energy reserves constantly deplete and if you’re not finding replenishing items you will likely run out and revert back to your standard form. This is really only a concern in boss battles, but if you have a senzu bean or two you can mitigate that. As for the one non Saiyan, Piccolo gets his “Fuse with Kami” transformation which is treated just like a Super Saiyan transformation even though it makes no sense. Instead of getting a new hairstyle though, Piccolo removes his cap and cape.

The game is not terribly long and features a level cap of 50. It’s also not really well paced as there will be times when you need to grind away in order to gain levels and progress. There are even some areas locked behind a level gate (I think you have to get to level 40 to challenge Cell, for example) that are part of the story while others are extra areas. They’re key in unlocking Hercule as every character has a level 50 door only they can open, including Hercule himself. If you don’t enjoy playing as Hercule, I’ll save you the time and tell you his door is just an alternate ending that’s not particularly interesting. Just more of Hercule taking credit for killing Cell. He unlocks at level 40 so you have some grinding ahead if you want to access the final door. Playing as him is not as challenging as you may have expected for even though he’s incredibly weak, his lone special attack stuns every enemy on screen (he simply poses which I guess entrances all around him) and costs almost nothing to use.

Open all of the level 50 doors and beat the game and you get to play as this guy.

The game is an improvement over The Legacy of Goku in almost every way, but what it fails to do is create a compelling gameplay experience. Legacy of Goku II is still a pretty shallow experience, it’s just no longer broken. Most of your time is spent just mindlessly slaughtering woodland critters that will respawn the second you return to the same screen. There are a few special items to find throughout the game and non-player characters will make requests of the player, but it’s all very basic, easy, stuff. There’s one optional boss, Cooler, but little in the way of easter eggs. I would guess there was still a tight schedule with this one and just not enough time to insert more content into the package. Not that bonus fights against Broly or Super Android 13 would add much as the boss fights are truly lackluster. The only ones I found challenging are actually the earliest as Androids 19 and 20 are able to absorb energy attacks forcing you to take them on with just your fists. For many, you can often place some structure in between the enemy and player character and cheese them. Once you’re powered up, overwhelming bosses is also pretty easy and there aren’t many enemies in the game that will force you to change tactics. Just pound them and when their health is low bust out an energy attack. The only challenge with boss characters is that they have ranged attacks and melee ones. For most enemies, the tactic is to hit them with a ki attak and then charge the melee one as they approach. You can’t always do that against a boss, but there is a certain range that once you’re inside it they basically stop using ki attacks so it’s still pretty easy to do them in with charged melee strikes.

Later game bosses like Cell at least have some presence, but they behave more or less like every other garden variety enemy in the game.

The lack of spectacle with this game is a bummer. It’s also the little details which tend to bother me too. After Goku and Gohan emerge from the Room of Spirit and Time they’re in base form, not Super Saiyan. Gohan, for some reason, wears his Saiyan armor into the fight against Cell and not his typical gi and, post game, you can’t use Super Saiyan 2. There’s a lot of stuff that could have been playable, but isn’t. And when you do summon Shenron you don’t even get to see him! Just his tail dangles from the top of the screen. As a result, I hesitate to call The Legacy of Goku II a good game. It’s not bad. The first game was a broken mess (and the third seems to be as well) and was rightly slammed for it. I think with this one being at least a competent experience it caused some to overrate it when it came out. And when it came out in 2003 the pickings were still incredibly slim as Budokai had come out the previous December and was similar in that it was a pretty middling experience that Infogrames would need to improve upon with a sequel. The Legacy of Goku II was almost by default the best Dragon Ball Z game available, but that is no longer the case. I don’t think it’s even the best game for the franchise on the Game Boy Advance as I’d much rather play Dragon Ball Advanced Adventure. Still, I didn’t hate my time with this one and I’m glad I did finally play it. I’m just unlikely to ever return to it.

If you’re curious about some of the other Dragon Ball video games covered in this space then check these out:

Dragon Ball: Advanced Adventure

In the West, it took awhile for Dragon Ball to make an imprint with US audiences. It was localized and brought over in the mid-90s in the hopes of making money in syndicated markets. There were over 200 episodes, so the reasoning was sound, but it just didn’t take off. It wasn’t until the property…

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by Joe

Dragon Ball Z – Budokai HD Collection

Oh, you thought we were done with DBZ?! Oh no, I have some more Dragon Ball related material to share with you and even though we’re done with the movies, I thought now was as good a time as any to talk about some video games. If you’re a usual reader, you may recall I…

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by Joe

Dragon Ball Z: Kakarot

I need a break from action figure reviews so why not turn to the world of video games? I don’t get to play many these days, but I did splurge on a PlayStation 5 not that long ago and was looking for something to play. And ideally, that something would be budget friendly. The good…

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by Joe

Leave a comment   |  tags: , , , , , , , , , , , , | posted in Television, Video Games

April 22, 2026

Manipple Studio S.H.Figuarts Wolverine Arm Upgrade (Deadpool & Wolverine)

By Joe
Wolverine got himself some new arms.

When Marvel got rolling on the film Deadpool & Wolverine I think it did so with a veil of secrecy. This was going to be the first Marvel movie where Wolverine would be in a costume similar to what he’s worn in the comics for years. When X-Men first arrived back in 2000, the thought process back then with most superhero movies was that you couldn’t get a casual audience to take seriously a bunch of people running around in yellow spandex. Even Batman couldn’t be in gray and blue he had to go full black. As it would turn out, the whole notion of superhero squads in uniforms is a pretty far-fetched idea all by itself so who really cares how loud those threads get? The downside of this secrecy though meant that companies looking to produce merch for the movie may have had their hands tied. Or maybe they’re just cheap? When Wolverine did show up in plastic it was somewhat incomplete. The Hasbro figure came with a masked and unmasked portrait, but the truth of the matter is the masked portrait never really worked well because he never wore the mask with the sleeves in the movie. Other companies seemed reluctant to pay Hugh Jackman for his likeness which is how we got the S.H.Figuarts release that only had masked portraits plus the sleeved look. Where could someone go who wanted something more all-encompassing? Diamond Select appeared poised to release such a figure, but they went belly-up before that could happen. Enter the third parties!

I think Hasbro Logan is jealous.

Wolverine had a lot of looks in Deadpool & Wolverine with the vast majority of them being a fun sequence of cameos early in the film. For the most part though, he had three distinct looks: unmasked, unmasked without sleeves, and masked without sleeves. He also did end up completely shirtless with the mask in place, but for an action figure that’s a little more involved. For a company wanting to hit those three main looks though you basically need two heads in the box plus two sets of arms. Throw in some clawed and unclawed hands and you have yourself a pretty complete release. Unfortunately, that’s been hard to come by and while I love the unmasked portrait of the Legends release, the figure itself is pretty mediocre. It is being re-released this spring with bare arms, but that just solves one problem. The far better figure release was the S.H.Figuarts one, but as I noted already, it only had masked portraits and featured sleeves. In other words, this is a Wolverine we never saw on film. And if Bandai came back around with an updated one, how eager would I be to spend $80-$100 on an all new figure when it’s really the arms I take issue with?

They were able to match the gloves pretty well.

When it comes to third parties, I’m often reluctant to purchase. Many are essentially bootlegs of someone else’s work. They may be good quality, but it’s still essentially stolen property. Manipple Studios has come onto my radar a few times and with them it’s usually parts sold on their own that are intended to work with an official release. They’re filling a void the official companies don’t want to and as far as I know they’re sculpting their own parts. I could be wrong and the arms I purchased off of AliExpress could be cast from an official release, but if so I’m not aware of it. These things are available though and for around $20 shipped to the US. Sure, that seems like a lot for two plastic arms, but considering the actual figure retails for $85 maybe it’s not so bad? I also got my Wolverine figure on steep discount so there’s some surplus value here that I could spend on an extra set of arms and after getting them in over the weekend how do I feel about them?

Show off them guns, Wolverine!

Pretty damn good. The arms are just that – arms. The gloves are part of the sculpt and painted while the flesh is bare plastic. It has some warmth to it though and isn’t waxy or shiny and works with the figure considering it too is a lot of bare plastic. And they are straight replacements so swapping them is fairly easy. Bandai uses a shoulder ball peg which can be popped out without the need for heat – maybe. My figure’s right arm came out just fine while the left was more stubborn. It first came apart on me at the bicep, and then when I did try heat the black portion popped out. Once I did get the arm itself extracted it wasn’t particularly trying to get the new arm in place, it just took slightly more effort than the right arm. The hands pop onto the new wrist pegs effortlessly and they may even have slightly better range than the stock ball hinges. The elbows are double-jointed and there’s a bicep swivel so you’re not losing any functionality and the paint between the forearms and the gloves appears to be pretty spot-on. It gets this figure to where I want it to be and now I have a Wolverine that looks like he did onscreen, minus the grime and battle damage. If you prefer a more comic inspired look, Manipple also includes extra shoulder parts with a peg hole in them in case you want to use the shoulder pads from the stock figure. I don’t so I didn’t bother, but it’s a fun thought.

This just feels right.

And that’s all there really is to it. If you want, for about twenty bucks you can get the arms the figure probably should have come with to start and improve the look of your $85 Wolverine figure, or whatever you paid for it. It’s still available in some places and often for less than MSRP while the arms on AliExpress seem to fluctuate in price from about $18-$22. The quality on the new parts is good and the look hopefully speaks for itself. Obviously if you’re happy with the sleeved look of the figure then this isn’t for you, but if you wanted something more evocative of what was in the movie then this gets the job done and is cheaper than buying a whole new figure.

For my original review of this SHF Wolverine see below as well as some other Deadpool & Wolverine figure reviews:

S.H.Figuarts Deadpool & Wolverine Wolverine

It feels like a theme this summer for me is buying action figures I previously deemed unworthy of my money as they go on clearance. Sometimes that’s a dumb thing to do. If I didn’t want something six months ago why should I want it now just because it’s cheaper? In the case of today’s…

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by Joe

S.H.Figuarts Deadpool & Wolverine Deadpool

Despite the fact that I own dozens of them, I don’t really consider myself a fan of Hasbro’s Marvel Legends series of action figures. They largely are able to get a purchase out of me thanks to Hasbro’s exclusivity agreement with Marvel/Disney which basically makes them the only game in town. Despite that, I will…

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by Joe

Marvel Legends Deadpool & Wolverine Wolverine

It might be hard for the young folk to believe, but once upon a time movies based on comic book characters were treated like box office poison. Unless you were Superman or Batman, you just didn’t belong in cinema. Even those characters weren’t bulletproof. Superman had a nice run, but fizzled out with the fourth…

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by Joe

Leave a comment   |  tags: , , , , , , , , | posted in toys