Tag Archives: tamashii nations

S.H. Figuarts Dragon Ball Kame-Sennin (Master Roshi)

The legendary martial arts master has arrived!

Collecting certainly has a gambling component to it. Sometimes, when a new action figure is released it can pay off to wait a bit and see if the price comes down or a retailer has a sale. Other times, that strategy can completely backfire. Such was the case with the S.H. Figuarts release of Kame-Sennin, better known to westerners as Master Roshi from Dragon Ball. A couple of years ago I started my Dragon Ball figure collection with a Goku from this line. Seeing how readily available he continued to be gave me confidence that a character like Master Roshi, a less popular though still much beloved figure from the anime, would play out the same way. It did not. Maybe Bandai had less confidence in the figure than it does some others, or maybe it had something to do with western distribution seemingly picking up after the figure’s release, but this guy came and went pretty fast. Subsequent figures have not, and I scored several this past summer on a sale, but Master Roshi was seemingly lost.

Well, I finally gave up. When Bandai released a Jackie Chun figure, which is basically Master Roshi in black and with a wig in place of his glasses, I figured that closed the door on a re-release. And thus I was forced to turn to the secondary market. To lessen the blow, I actually sold some figures from my collection that weren’t going to see a shelf which essentially paid for this one, but it still stings to know I could have had this figure for considerably less had I acted sooner. Is there a lesson here or did I simply just play the game and have it go against me? If there is one, it’s simply make sure you get the figures you don’t want to live without. I can have a Dragon Ball collection without a kid Chi Chi and be content, or without a version of Bulma that only appeared in the show’s ending credits. I cannot have one without Master Roshi though.

Master Roshi comes well equipped to add some sizzle to your display.

For this figure, Bandai opted to present Master Roshi in his somewhat official outfit: his orange and blue martial arts uniform. He has quite a few different looks in the manga and anime that are a bit more casual, and if I’m being honest that’s how I tend to picture him in my head, but by going in this direction it gives the figure a bit more versatility. You can go for a comic pose, pose him with his shell, or display him ready for a fight. He can’t do his bulked up Kamehameha pose, but that’s to be expected as it basically requires a whole new sculpt. The figure stands right around the 5 and a half inch mark which allows him to scale pretty well with the rest of the line. His trademarked red and green sunglasses are removable and fit on both of his heads and they rest well on the figure. The orange and blue are both plenty vibrant and it’s mostly just colored plastic. There’s no real paint flourishes on display here which is par for the course. Bandai certainly could have opted for something here to bring out the folds in the shirt, but it’s really not supposed to possess many as it hangs long and loose on the character in the show. I think it looks fine, but I know some others out there wish there was a little more flair to these figures as far as paint is concerned.

Note the plug inserted into the figure’s back to fill the peg hold needed for the turtle shell.

Master Roshi comes loaded with the usual assortment of articulation. It’s certainly needed to get him into various martial arts poses, but with this figure the articulation does detract some from the sculpt. The issue lies with the shirt which is very large relative to the figure. Bandai obviously felt it couldn’t do something like a soft rubber piece over an articulated figure and have it work, and they’re probably right. Instead, a lot of the joints have to be baked into the shirt and it does give it this choppy, scalloped, look. It’s unfortunate as it’s a bit of an eyesore, but ultimately, I think Bandai made the right call since the alternative would be to have very little articulation in the torso and arms. Perhaps soft goods could have been utilized, but that would have been just as, if not more, controversial a choice. The only area of the sculpt that does sort of bother me resides in the character’s elbows. There’s a big, circular, component that just jumps out and looks unnatural. The good thing is, simply posing him with bent elbows largely conceals this. Roshi does have a peg hole on his back to keep his shell sturdy, but if you don’t want to display him with that on, Bandai provided a little, orange, peg to fit into that hole to cover it up. Considering the hole is on the figure’s back, this really wasn’t something Bandai had to do, but it’s pretty cool that it did.

The old man can still move.
Though this requires little in the way of dexterity.

Master Roshi’s shirt may look a bit odd, but at least it does deliver in making this figure fully articulated. His head has the usual range of motion expected of this line. He can look up, but not down much as his beard hinders him a bit. There’s a joint at the base of the neck, but the head moves so smoothly that it’s hard to move the neck without taking the head off completely. The shoulders have terrific range and are also butterfly-jointed with that part of the articulation being completely hidden by the shirt which is pretty cool. There’s a bicept swivel and the elbows are single-jointed with his hands are on ball joints. They are buried a little in the sleeves so the range might not be as great as other figures in this line, but it’s fine. In the torso there’s a lot going on with upper torso articulation and waist articulation. The upper torso basically just allows him to pivot a bit without full rotation. The waist is similar though you could probably get him to turn all the way around if you were determined, but I wouldn’t advise it. The legs are on ball joints and swivel just below that joint. He has double-jointed knees and terrific range at the ankle with rotation and rocker action. Lastly, we have the toe hinge for when he needs to get a little taller, maybe to sneak his perverted, old, man eyes over a window sill or something.

It really is a nice looking shell.
Can’t forget about the Dragon Ball!

Master Roshi has a solid assortment of accessories and interchangeable parts. For starters, he has an optional head that’s basically his pervert face. It works with or without his glasses and it’s not hard to imagine many fans posing him in such a position. Only thing missing is a way to make it look like his nose is gushing blood. You can also swap the bearded portion on each head in effect doubling your range of available expressions. He also has five sets of hands to go along with the fists he comes packaged with. He has gripping hands for his staff, a set of pointing/pinching hands, a set of martial arts styled hands, an open left gripping hand for use with the Dragon Ball, a left hand making a “peace” symbol, a relaxed open palm left hand, and a firm open palm right hand. He has his trusty staff or cudgel and his three-star Dragon Ball. And then, of course, he has his big old turtle shell. It clips into his back and it also has straps that can pop in to make it look like it’s something the character simply slipped his arms through. The peg on the back of the figure makes it sit nice and I really like the sculpt of this thing. It has that very “Dragon Ball” look to it as far as the texture goes with lots of line work and I do enjoy the almost lilac color it has. Bandai even saw fit to make the middle panel of the shell removable so you can still use the action stand with the figure, whether he’s wearing the shell or not. Lastly, Bandai included an action stand for him which is always appreciated. It’s a real nice allotment of stuff that Master Roshi comes packed with. If anything is missing, I guess it would be Turtle? That’s probably asking too much though since he would require quite a bit of plastic. The only other obvious omission is the lack of Kamehameha style hands. I guess Bandai didn’t see the point since he can’t bulk up, or maybe they figured they’d include those hands with the Jackie Chun release. I can’t say I miss them since I wouldn’t pose him like that, but I can see that being a disappointment for some. Especially Dragon Ball Z collectors who may have wanted to line up all of the Z fighters performing Master Roshi’s signature technique.

Look who decided to join the party.
Of course, we have to bring in Goku too. These three look pretty great together.

Making use of Roshi’s accessories is not quite as smooth as it is with other figures. His head pops on and off just fine, though you do have to make sure the ball-joint is orientated properly. The hands are a bit trickier though. The cuffs of the shirt mean the pegs are recessed and they want to move all over the place when pressing a hand onto them. I don’t feel like I’m ever in danger of breaking anything, but it is annoying. The straps on the shell are also a bit troublesome. I find it’s easier to insert the top peg first on each strap before putting it on Roshi’s back. Then you have to kind of finesse the bottom pegs into their respective hole. It at least doesn’t need to be real snug, but if you don’t have patience for such things it could drive you mad. Once you have the setup you want, the hands at least all function the way they should. He can hold his staff with either gripping hand with no problem and the Dragon Ball rests in the open hand just fine. He also stands well with or without the shell on his back making the action stand Bandai included feel unnecessary which can free it up for another figure in your display, should you desire such.

I am so sorry, Bulma.
Maybe I should look into acquiring Lunch so he has someone of-age to menace.

Master Roshi fits in well with the other Dragon Ball releases so far. I maintain that the kid versions of Goku and Krillin are a bit too big, but it doesn’t stand out as much with Master Roshi as it does with Bulma. She’s still the odd one of the bunch though as she should probably be taller than Master Roshi, but instead she’s pretty close in height. It almost looks like he’s designed to scale to Goku and Krillin, with Bulma and the others scaling better with each other. The only other disappointing aspect of the display is just in the choice of attire. Roshi mostly wore this get-up during the training sequences where Krillin wore his yellow gi and Goku sported his blue pants and white tank top look. By the time the two get their Turtle School gi, they’re at the World Martial Arts Tournament where Roshi is in a formal, black, suit. Oh well. I’m definitely glad this version isn’t in the black suit, but I am still partial to his beach bum look when Goku and Bulma first meet the old man.

Yes, I realize I need a dedicated shelf for my Dragon Ball guys.

Acquiring this figure of Master Roshi more or less finishes off my humble Dragon Ball collection from Bandai. The only other figures released in the line include an alternate version of Bulma, Jackie Chun, Lunch, and kid Chi Chi. I don’t really feel a need to grab any of those, though if Jackie and Lunch ever make it to a sale I could be persuaded. The big omission so far is a Dragon Ball version of Yamcha and I would like to have him. Tien, Chiaotzu, Grandpa Gohan, Adult Goku, and Piccolo Jr. would all be intriguing as well. And if they could get an Oolong into one of those releases that would also be great. At least with Master Roshi in the fold I no longer feel like I have a major hole in my collection. He looks awesome and he really is one of my favorite characters from the show. Hopefully he won’t be my last acquisition from this line.


S.H. Figuarts Dragon Ball Z Yamcha

Look out boys, here comes Yamcha!

Today’s action figure review comes courtesy of online retailer Big Bad Toy Store. No, I have not hit the “big time” where I’m getting freebies for review. Rather, BBTS had a Twitter give-away for an action figure and yours truly happened to be selected. Which is pretty cool, so thanks go out to Big Bad for the hook-up because otherwise I would likely have never had the chance to talk about this figure.

Gotta love that window box packaging.
There aren’t many characters who get featured as a corpse as part of their own product shots.

Yamcha comes straight from the anime Dragon Ball Z. I have reviewed a few of the figures from S.H. Figuarts in the Dragon Ball line, but I’ve largely avoided Dragon Ball Z. That’s because I only have room (and money) for one high-end anime property and if I had to choose I’m taking Dragon Ball over Dragon Ball Z. If I were to reverse course though, and maybe one day I will, I’d probably prioritize the earlier episodes of DBZ like the Saiyan Saga, which is where this figure comes from.

What’s this guy have to smile about?!
I wonder what shampoo he uses?

Yamcha is basically known to the fanbase as the punching bag of DBZ. He’s routinely one of the least powerful warriors and his most famous pose is lying dead in a crater. He makes himself an easy target because he’s often brash and quite arrogant, only to wind up getting his ass handed to him. He’s so bad that I even tried to make referring to someone as a “Yamcha” an insult amongst my friends back in my high school days, but I never really got the phrase over. Yamcha would change in later arcs and in Dragon Ball Super he became more self aware of his lot in life. This has made him actually endearing, to a degree, to the point where Yamcha may be able to refer to himself unironically as a fan favorite these days. After all, being outclassed by Goku is hardly meaningful anymore since virtually no one from those early episodes can hope to stand with him.

Now we’re getting serious.
Here comes the “dreaded” Wolf Fang Fist!

As mentioned earlier, this figure comes from the Saiyan Saga of DBZ so it depicts Yamcha in his orange Turtle School gi complete with big hair. He’s right at the six inch mark which I assume is pretty much average for the line and leaves him about 3/4 of an inch taller than the Vegeta from the same line (not factoring in Vegeta’s giant hair). It’s hard to say what Yamcha’s most popular look is since he’s one of the characters who seems to always change his look, but this one is certainly right up there. He maintained this look through the Frieza Saga before switching to an awful bowl cut that thankfully didn’t last long. It’s a simple look though and I suspect there’s a lot of parts reuse in this figure as he’s essentially Goku. I can’t confirm that though because I don’t have a Goku. The only real difference between he and Goku are the shoes and the lack of a blue undershirt, because Yamcha is first and foremost out to attract the ladies. The more skin showing the better.

I’m more of an energy blast guy, myself.
Solar Flare or “hands up?” Yamcha is not above backing down from a fight.

The S.H. Figuarts line from Bandai is known for its high quality and abundance of articulation. Yamcha is no exception as there’s very little he can’t do as far as posing goes. His joints are all nice and tight with none being too tight so he has no trouble holding a pose. His head sits on a ball joint with surprising range of motion considering the giant hair behind him. The hair keeps him from looking up, but he can do pretty much anything else. There’s a hinge in the middle of his hair if you want to make his hair more billowy than usual, though it doesn’t do much to free up the head any further. He has a joint at the base of his neck that honestly isn’t really needed since he can look pretty far down without engaging it. The shoulders are ball-jointed with butterfly joints as well to allow him to reach across his chest and form a proper Kamehameha pose. The bicep swivels and the elbows are double-jointed. The hands are on ball-pegs with hinges in them so they can rotate and turn in and out. There’s an upper torso joint under the gi that provides for tilt and rotation there as well as another ball-joint at the waist. The legs can go out, forward, and back pretty much without restriction and swivel there as well. The knees are double-jointed and the feet are on ball pegs. There’s a toe hinge and articulation at the knot in his belt, for good measure.

Yamcha with his former lover and the guy she left him for.

Were Bandai leaves itself open for criticism with this line is in the amount of articulation taking away from the sculpt. With Yamcha, it’s not much of an issue because the gi lends itself well to hiding articulation. It’s a flowing, roomy, garment with lots of folds to stash stuff in. Contrast this with Vegeta who is often in skin-tight outfits where the various seems and breaks in the sculpt really stand out. There are still odd parts where things look messy, like the crotch and mid-torso. The sleeves of the gi are also pegged into his shoulders and not attached to the main part of the uniform which is rather odd looking. The other frequent complaint I see is the lack of paint, and there, Yamcha isn’t much of an exception. Bandai sticks with colored plastic for the most part and almost never applies a wash or anything to bring out some of the detail. This figure though does have a wash applied to the sides of the pants, chest, crotch, and sleeves. I’m torn on if I prefer this look to what I’ve seen more recently in the Dragon Ball figures. Kid Goku, Krillin, and even Tao have really no wash applied to them and look mostly fine to me. The effect here does work in certain lighting and poses, though in others it stands out more than I’d like.

I had to…

Yamcha comes packed with an assortment of facial expression and hands to complete his look. He has four distinct expressions for you to choose from, and swapping is simple and effortless. The bangs of his hair pops off to gain access to the face plate and the seems left behind are minimal. For expressions, Yamcha has a cocky grin, an open mouthed yell, a teeth-gritting face, and a stern face. If this were a Dragon Ball version of the character I’d want a frightened/shocked look, or a love-struck one for when he encounters Bulma, but for a Saiyan Saga Yamcha this is a strong assortment. He also has four sets of hands: closed fists, wide open palms, Kamehameha open hands, and martial arts pose hands. There’s some room for criticism in this area as Yamcha really doesn’t need the wide open, Solar Flare, styled hands. What he could really use are pointing hands for his Spirit Ball technique. The Kamehameha hands and martial arts pose hands give him enough range for his other signature maneuvers though, the Kamehameha and Wolf Fang Fist.

He actually he let himself get killed by this!
There is some nice sculpting going on here.

Lastly, Yamcha comes with one other important accessory: the Saibaman. This little green guy is notoriously the one who killed Yamcha. Or rather, it was a Saibaman who felled him and left him dead in a crater and that creature was not distinct from any other Saibaman. This little guy stands a shade under 3″ and is positioned in a permanent crouch. He’s largely colored plastic with very little paint but has quite a bit of sculpting details all over. The eyes and claws on the hands and feet are basically the only parts painted. He’s at least cast in two shades of green so he more or less looks the part, but really could have used a paint wash to bring out the grooves in the skin and the veins in the head. He’s minimally articulated and it’s largely a what you see is what you get affair. His head can rotate side-to-side a bit and the arms rotate at the shoulders on simple pegs. Oddly, the right wrist is on a peg and can rotate, but the left does not. What he’s missing is articulation at the leg, because with a simple swivel there he’d be able to really grab onto Yamcha for his self-destruct attack. Instead, if you want to attempt that you basically need to make Yamcha hug the little alien, which looks a bit silly. This makes the accessory something to pose opposite Yamcha like the two are about to face-off. It’s not nothing, but it’s a shame Bandai didn’t sink a few extra pennies into the sculpt to make it really work. Though if we’re on the subject of small changes that could have made a big difference, I wish instead of the standard one-color backdrop in the box that Bandai had printed the infamous crater instead!

Seriously, Yamcha! This should be a freakin’ mismatch!
Well, looks like this one is over.

There’s room for nitpicks with this release, but at the end of the day this is easily the best Yamcha figure ever made and likely will ever be made, at least as far as the Saiyan Saga is concerned. It’s another high quality release from Bandai via the SH Figuarts brand. There are very few poses he can’t pull off and the screen accuracy aspect is fantastic. Sure, the Saibaman is essentially a foot note for the release, but it’s not as if Yamcha is missing anything. Sure, some might have preferred another energy wave accessory, but this is fine. Though I’m guessing there are some diehard collectors out there rooting for a proper stand-alone Saibaman figure. Until that happens, this will have to do. If you ever wanted to add Yamcha to your collection, it would be hard to pass on this one.


S.H. Figuarts – Dragon Ball Kid Klilyn (Krillin)

When Dragon Ball became Dragon Ball Z, many of the old heroes and villains got left in the dust as Goku ascended to a level of power far beyond anything anyone would have comprehended. One of the last holdouts though was Krillin (Klilyn in Japan). Krillin was never on Goku’s level in DBZ, but he always managed to hang around nonetheless. It wasn’t really until the Majin Buu Saga that Krillin finally dropped off and gave up the whole fighting thing, which is more than I can say for the likes of Tien and Yamcha.

In Dragon Ball Z, Krillin basically was there to play the role of Goku’s best friend. In the original Dragon Ball, he had a different role at the start. Krillin was Goku’s rival, a cunning, dastardly, trickster willing to do whatever was necessary to gain an edge. Goku was good-natured and naive, and Krillin was always willing to exploit those qualities in Goku during their training with Master Roshi. The two would eventually become friends and Krillin would, for the first time, see his existence reduced to tragic catalyst for a Goku arc foreshadowing perhaps his most famous role as the motivating factor for Goku’s transformation into a Super Saiyan. What an existence – everyone just remembers you for dying!

No Dragon Ball action figure collection would be complete without Krillin. The bald, diminutive, monk, is a fan favorite from Dragon Ball as he’s almost a constant source of entertainment. He’s one of the many go-to characters for comedy on the show, but when the need arises he can also throw down and even masters the legendary Kamehameha wave just like his more famous rival. It’s no surprise then that Bandai and Tamashii Nations decided to do a figure for its S.H. Figuarts line based on the young version of Krillin from the early days of Dragon Ball.

With how muscular the characters become in DBZ, it’s easy to forget just how round they are as kids.

Krillin is depicted in his fighting, Turtle School, gi. And since the only distinguishing features between he and Goku in the anime when both wear this uniform is their head and Goku’s tail, it should be no surprise that the two share the same traits in figure form. Krillin is essentially the same figure as the Kid Goku from before, so he possesses all of the good qualities of that figure, plus all of the lesser qualities. For starters, Krillin is probably a tick taller than he should be when placed next to some of the other characters like Bulma. This is likely a result of the scale in place as going any smaller on this action figure would probably mess up Bandai’s pricing structure. When your figures retail for $55, you can only go so small. It’s not a big deal, though I do find a little fault in the proportions. In particular, both Goku and Krillin are a bit too lean and muscular. In the anime their bodies are more egg-shaped than they are in action figure form. These figures mostly look the part when in fighting poses as they’re more spread out, but if they’re just standing around then it becomes more noticeable. Krillin also has those same, spherical, elbow joints that look a bit funny when the arm is straight, but fine when bent. The knees also lack kneecaps and look a bit off from certain angles. This is the result of the character being so short and it’s a shortcoming that basically comes with the territory. Aside from the head, the only other difference between he and Goku is Krillin has no need for a peg hole on his bottom for a tail, so one isn’t present.

Aside from those gripes, the figure is actually rather nice to behold. The folds in Krillin’s gi are integrated well into the articulation and all of the little details one would expect are here. The Turtle School logo looks sharp and clean and where paint is required the lines are sharp and defined. There’s little in the way of paint embellishments, which is true of all of the figures I’ve reviewed in this line, but the figure also isn’t really crying out for much. The head sculpts are also a spot-on likeness for Krillin. He looks great and this figure presents a dilemma as it’s hard to settle on any one expression. Krillin has a basic smile expression that’s more than serviceable, but also this smug expression that really gets at the heart of this more juvenile Krillin. And then of course there’s the open-mouthed yelling face which is perfect for battle poses. The determining factor will likely be what accessory you choose to highlight in your display, which is also a tough call.

For a little figure, Krillin is packed to the gills with articulation. He has a ball joint at the head with good side-to-side motion, but very little up motion. Unlike the larger figures in this line, there’s no additional neck articulation, but it’s also not something really needed. There’s a ball-joint at the shoulders as well as a butterfly joint which is crucial for achieving a proper Kamehameha pose. There’s a swivel at the bicep just under the shoulder and those kind of wonky elbow joints. They’re not double-jointed so Krillin can only go to 90 degrees when bending his elbows. There’s full rotation at the wrists and hinge joints as well. At the torso, Krillin has articulation in his diaphragm plus a waist swivel. There’s an additional abdominal hinge in there as well, but Krillin can’t bend very far back without exposing the joint in the middle of his torso. The legs are on ball joints and can swivel below that ball joint. Knees are single-jointed and the ankles are on balls that provide for full rotation, a hinge, and side-to-side. His tiny, little, feet even have a toe hinge.

The figure is rather top heavy, since Krillin has such a massive melon, so standing and positioning the figure can be a bit tricky. With just a little patience though, several poses are achievable without a stand, which is a good thing since unlike Kid Goku, Krillin does not come with a stand for the sole purpose of positioning him. He does come with an action stand for his Kamehameha effect which is probably to make up for the fact that Goku came with his Flying Nimbus cloud. Bandai included optional parts to turn it into a posing stand for Krillin, but why would you want to use it for that when you have a Kamehameha wave? He also comes with 11 different hands which include the following: a pair of fists, a pair of Kamehameha hands, a pair of wide open hands, a pair of peace sign hands, a set of martial arts posing hands, and a special gripping right hand for grabbing Goku’s tail. Beyond that, he has a six-star dragon ball and a Kame rock from when Master Roshi gives he and Goku a task of finding a particular rock.

Probably my favorite expression for Krillin.

The dragon ball accessory is basically the same as what is included with the other figures, and the rock is a nice touch, but the real star is obviously that effects piece. The Kamehameha wave has some nice shading on it to achieve that desired look of a blue energy blast. I do wish the paint was a little less heavy though to expose what I assume is translucent plastic underneath. The stand allows you to position the blast out in front of Krillin to simulate him firing the Kamehameha. It’s a fun thing to play around with and the articulated stand means you can angle the blast any way you want. If you have a extra figure stand, you could even position Krillin in the air firing the blast towards the ground. With Krillin being such a small figure, it was imperative that Bandai include something fun like this with the figure, and they made the right choice by going in this direction. And as stated before, there is an optional “grabber” piece that can be installed on the stand should you wish to use it for the purpose of posing Krillin or another figure.

Krillin is an outstanding addition to the S.H. Figuarts line of Dragon Ball action figures. While it is an easier figure to nitpick when compared with some of the others, at the end of the day this is still a great representation of the character from Dragon Ball. He looks right at home on my shelf with the others and I think the likeness here is even better than it was with Goku. He’s an essential character from the show, and I’m definitely glad I’ve added him to my collection. Hopefully, I can add a few more characters before all is said and done.


S.H. Figuarts Tao Pai Pai (Mercenary Tao)

This is the story of a man and his flying, pink, pillar.

We’re back with another Dragon Ball review and this one is another bad guy, maybe THE bad guy: Tao Pai Pai. Known to English-speaking audiences as Mercenary Tao, and for the rest of this review as simply Tao, Tao is a martial arts expert who has perfected the dreaded Dodonpa, or Dodon Ray, and is an adept killing machine. He’s even been known to kill people with his tongue, folks. Tao is quite possibly the most hated enemy from Dragon Ball since he’s a ruthless killer and also one of the few to defeat Goku in hand-to-hand combat.

The S.H. Figuarts version of Tao depicts the character in his most familiar form. He’s clad in a navy and pink martial arts uniform with the phrase “Kill You!” emblazoned on the rear of his tunic in a blood red font. He has a single braid coming off of the back of his head tied off with a cute little, red, bow. He’s not particularly intimidating to look at, but in the source material he projects an aura of confidence that’s a bit unnerving.

Tao stands a tick under 6″ making him taller than the likes of Bulma, but much shorter than someone like King Piccolo. He features a lot of the same articulation one would expect from this line. His braid is on a ball joint so it can lay on his back or be positioned in a wind swept pose. A ball-jointed head gives him some nice range of motion and additional neck articulation adds some side-to-side pivot and allows him to look at his feet. The shoulders are on ball-joints with butterfly joints that allow him to reach across his chest a bit, though the bulk of his sleeves hinders a bit. There’s bicep swivels and double-jointed elbows. The hands are on ball-pegs and hinges and can rotate and point in and out. The waist is on a ball-peg and there’s diaphragm articulation as well. Bend his upper body too far back and you will see an exposed gap in the chest, but you’re not likely to have need to bend him that far. The crotch area is the 2.0 Figuarts joint so it works well, but is quite busy to look at. Tao minimizes this with the skirt of his tunic which covers the front and back. His legs are on ball-joints with rotation in the thigh as well. His knees are double-jointed, but the bulkiness of his pants hinders some of the articulation gained by the additional joint. The ankles are on ball-pegs and can rotate and rock side to side. There’s also a toe hinge for good measure.

Unlike most Figuarts figures I have, Tao wasn’t quite ready to go out of the package. I’m used to dealing with stuck joints with figures from other companies, but not usually Bandai. My Tao’s right thigh was stuck at the hip so when I tried to bend the leg out, like a split, the leg popped right off. I had to grab the peg and really give it a good tug to get the joint in the inner thigh to start working. My Tao’s left food also didn’t have much side-to-side motion. The peg is a dumbbell peg in the foot, and I think what was happening is the ball at the top was moving, but the one in the foot was stuck. I popped the foot off and immersed it in hot water and was then able to rock the peg back and forth a bit. It’s still not great, but better than before.

The comparison shot.

As is the case with the other figures in this line, the paint application is minimal, but the sculpt work is otherwise damn near flawless. Tao comes with a neutral facial expression that’s perhaps a bit of a scowl. The paint on his tunic is sharp and clear and there’s no mess on the red detailing. The skirt piece is a soft, pliable, plastic that really doesn’t hinder the articulation much. I know some people want to see more elaborate paint applications with this line, but at this point it is what it is and I personally think the sculpt work looks great in natural light. The only aspect of the sculpt that doesn’t look great are the knee joints, but only from the back so it’s not really an issue.

He’s a master tactician when it comes to psychological warfare.

Tao comes with an assortment of extra hands and heads. He has a screaming head for when he’s getting serious as well as a tongue-sticking out head for when he needs to kill. The tongue is definitely a funny inclusion, though if I had to choose I would have preferred a cocky grin. Tao comes packaged with fists, like basically all of the figures in this line, and has two additional sets of hands: open palms and Kung Fu, forked, hands. The other additional hand is a pointing right hand for the Dodon Ray. He also comes with a seven star dragon ball. I know some wish he came with his cybernetic parts from Dragon Ball Z, but I wouldn’t display him in that form so I’m not really sweating it. That version of the character is better reserved for a stand-alone release.

The major accessory for Tao though is his big, pink, pillar. In the source material, Tao couldn’t fly so he’d just smash a nearby pillar or tree and throw it through the sky. He’d then jump on it to ride it to wherever he needed to go. It’s ridiculous, but definitely something that’s memorable. Bandai deemed it so memorable that it was essential, so Tao comes with a plastic pillar and a unique flight stand to position it on. This thing is perhaps needlessly complicated because Bandai is so committed to the aesthetics of the figures in this line that it decided exposed peg holes could not be tolerated. Instead, there’s an included set of plugs to place in the pillar when it’s not in use that conceal any and all holes. There are six holes in total so that Tao can ride it akin to a surfboard or stand with his feet together at the back or center of the pillar. The pillar is hollow and can split apart which is how you remove the installed pegs. It’s also handy for storing any plugs that in use, so long as you don’t mind the rattle.

To attach Tao to the pillar, Bandai included swap-able feet plates. I’ve never seen anything like this. Basically, you pop off the soles of Tao’s shoes and replace them with a set that have pegs on the bottom. There’s a set with pegs that go straight down and a set that are pointing out. The pointing out set is meant for when Tao is standing with his feet together on the pillar and will go straight into it when his feet are angled towards each other. And to add a little more pizzazz to the set, the flight stand comes in three pieces: a base, the piece that attaches to the pillar, and an optional joiner piece. The optional piece adjusts the pitch of the pillar so Tao is either flying at a horizontal angle or one with the front pointing up at a slight angle.

The best I could do with the angled foot pegs. Only the right foot is in.

The pillar is very ambitious and quite an idea, but it’s far better on paper than in reality. For one, as neat as it is to hide the peg holes on the pillar, it should be pointed out that it kind of looks like a piece of sidewalk chalk. It’s funny such care was taken to hide the holes when what was really needed was some shading or just additional paint to help sell this better as a chunk of rock. Tao’s foot plates also have a tendency to pop out, especially the angled ones with my set. I’d insert the right one and it would literally shoot out of the pegs. Perhaps they’re too tight? I’m not sure, because they also come out very easily when trying to position him on the pillar. I had a hell of a time trying to get the angled ones to work right. I think part of it was due to my Tao’s left foot being limited due to the stuck ankle joint, while some of it is likely just poor engineering. I got him onto the pillar in that position, but only if I just attached one foot and let the other float. It didn’t inspire much confidence. The “surfing” position works much better. It’s still finicky, but I at least achieved the desired position. I’m still a little disappointed though as I really wanted to display him in that more confident, nonchalant, pose of standing with his feet together, but oh well.

To better sell the flight stand, Tao also comes with optional skirts for his tunic. He’s meant to pull apart at the waist which allows you to lift off the pieces that he comes wearing by default. The tunic skirts are in two pieces, a rear and a front, and the peg holes were engineered in a way to prevent you from mixing the two up. Getting them onto Tao is easy and really does add to the figure’s presentation. They may not have hit a home run with this figure, but when you get it right it sure does look impressive.

I can think of a few more characters I’d like to add to this display.

Tao is an ambitious addition to the S.H. Figuarts line of Dragon Ball figures. He does stumble in some ways, but the overall package is still impressive. He’s a great villain in the series and a welcomed addition to the roster of characters. My Dragon Ball collection is rounding into form and there are only a handful of characters that I’d like to add to it. If you have one of your own, it’s hard not to want to add Tao Pai Pai to the ranks.


S.H. Figuarts Bulma – Adventure Begins

Toy collecting is something that will probably always appeal to me. I just love getting a new toy, even as an adult even though I basically pose it and forget it. It’s just one of those things that makes me happy, so I don’t question it. It can be an expensive hobby though, so I try to stay in my lane, so to speak. For the past few years I’ve largely just stuck with collecting Teenage Mutant Ninja Turtles and Bucky O’Hare. Then 2020 came and COVID forced everyone to stay home. I even found myself saving money as a result since my family and I couldn’t go anywhere and working from home meant I was saving money that was normally spent commuting to and from work. As a result, I’ve found myself behaving in a less disciplined manner when it comes to my hobby, which is why 2020 is now the year I’ve decided to expand upon my Dragon Ball collection!

A couple of years ago, I came across some S.H. Figuarts products in a local GameStop. I had never seen this line in person and I felt compelled to grab a Vegeta and soon after a Kid Goku. I’ve enjoyed Dragon Ball since I was a teen, first falling for Dragon Ball Z before discovering the series that preceded it. As a teen, I definitely strayed towards DBZ, but now I find I prefer the more whimsical Dragon Ball. As a result of my positive experience with the Kid Goku action figure I almost immediately wanted to add more, but these toys tend to run a bit high when it comes to cost. Because of that, I pushed it aside and mostly hoped to catch a sale eventually. I especially hoped to see Master Roshi go on sale, the hope being there aren’t as many Dragon Ball fans out there as there are DBZ ones. I never did see him go on sale though, so for the past two years my collection has consisted of one, lonely, figure.

The summer of 2020 has been much kinder to me as far as Dragon Ball toys are concerned. A recent sale has allowed me to expand upon that collection, and up first is Bulma! This is the second S.H. Figuarts of Bulma with the first being based on the artwork in the closing credits of the show where she looks like some Mad Max character. It’s a look that only exists in that one moment, which is odd because that’s the look Irwin chose when it made Dragon Ball toys back in the early 2000s. It was an easy pass for me, but more recently a new Bulma was released. Dubbed Adventure Begins, this is essentially a first appearance Bulma from when she meets Goku and runs him over with her car. She has her pink dress and her blue-green hair is held in a ponytail by a big, red, bow. She even has panties which is a bit pervy, but this is Dragon Ball after all.

Bulma stands at about 5″ in height with an extra half inch if you include her bow. She comes packaged in a nice window box display, as do all Figuarts action figures, and has numerous accessories. The goal of this line is to make a figure that both perfectly captures the source material while also providing for a ton of articulation. This is meant to be an expressive figure capable of capturing the spirit of the character. And Bandai/Tamashii Nations are pretty damn successful at doing just that.

Bulma is packed with articulation, even though she’s not a “fighter” who needs to be capable of getting into and out of numerous, dynamic, poses. Bulma’s head is on a ball-joint capable of full, rotational, movement. She can look down rather well, but not up. Her pony tail is also on a ball-joint so you can do a lot with that if you desire. Bulma’s shoulders are ball-jointed with a swivel joint in there as well for maximum rotation. She can reach forward and back and even over her head. Her bicep has an additional swivel at the sleeve and her elbows are simple hinges. They’re single-jointed but on a wheel so she can achieve the same range of motion a double-jointed elbow can, but that wheel is a bit ugly when her arm is straight. The hands are on ball and sockets and there is a single hinge in each. Bulma has a ball-joint in her mid-torso just below her bust to give her full upper body motion to go along with a waist swivel. Her belt is non-removable, but it’s also not glue down so you can slide it around. The skirt is soft plastic and her panties are even a separate piece of plastic. Bulma has ball-joints at the hips and her thighs can rotate in and out as well. She has single-jointed knees on those wheel joints again, though it’s hidden well from the front. Her ankles can swivel and she has hinges and can rock side-to-side at the ankle.

Bulma’s sculpt is fantastic and really captures the look of the character. She’s a bit slight, but that mixes well with the bigger characters. The paint detail is minimal, but clean. She’s also sturdy and easy to pose and stand. She can even balance on one foot, though it’s a bit tricky. The only thing missing from her articulation is a butterfly joint at the shoulders so she can properly aim the sidearm she comes with. Inserting one probably would have harmed the look of the figure too much, but having her grip her gun with two hands was the only pose I couldn’t quite get to work.

Since this is a Figuarts toy, Bulma comes with a whole bunch of additional hands and other accessories. She comes packaged with fist hands which are really easy to remove. They’re on little pegs and look kind of scary, but they seem rather durable as they’re the same pegs Kid Goku has. Getting another hand on requires some finesse as the peg wants to move on you, but it can be done. Bulma’s additional right hands include: a trigger finger, pointing, cupped hand (for holding a Dragon Ball), open hand with peg hole (for the Dragon Radar), and a hand holding a capsule. For left hands (the non gloved hand) she has a pointing hand and an open hand. The accessories to go with those hands include a Dragon Radar, a 2-star Dragon Ball, a gun, gun holster, and holster with a gun inside it. She comes packaged with the holstered gun on her belt, but it pops off easily and can be replaced with the empty holster. The gun cannot be inserted into the holster, but it’s pretty cool that both were included.

Scary!

Rounding things out are the extra faceplates. Bulma comes with a smiling expression as her default look and can switch to a more exhuberant happy face and a shocked or scared face. Obviously, the biggest omission is an angry face since Bulma is known for losing her temper, especially with Goku who’s ignorance in those early episodes frustrates her and crosses some boundaries as well. To change her expression you simply pull her hair off, which is really easy to do. The face then pops off as it’s on two, thick, pegs so there’s little chance of anything breaking. Seating a new one is painless and there you go! I like all of the included faces, though I don’t know if I’ll ever pose her with something other than her happy face. The scared face definitely lends itself well to photography and I do plan on snapping more pictures with that one eventually.

When thinking about the important characters of Dragon Ball, Bulma certainly qualifies. Even so, I wasn’t sure that I needed a Bulma since all she is going to do is stand on my shelf, maybe holding her Dragon Radar, and not much else. Now that I have her though I’m very glad I took the plunge. This is a fun figure and she looks great. I’m very happy with the articulation and accessories, and really the only thing missing from this figure is an angry facial expression. It would have been fun to have Bulma perpetually screaming at Goku on my shelf, but in the end I guess she deserves to be happy.


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