Japanese Title: Dragon Fist Explosion!! If Goku Can’t Do It, Who Will?
Original Release Date: July 15, 1995
English Release: September 12, 2006
Directed by: Mitsuo Hashimoto
Screenplay by: Takao Koyama
Running Time: 52 minutes
We’ve finally reached the thirteenth and final film in the main Dragon Ball Z film-verse: Wrath of the Dragon. Like our last film, Fusion Reborn, we get a title that’s at least slightly ambiguous and not just the name of the film’s villain. And unlike most of the movies, this one could actually take place during the timeline of the anime since it takes place after the events of the Buu Saga (though don’t confuse that statement for canon, since Dragon Ball Super ignores the events of this movie as it does basically all of the others). As a last hurrah, Toei produced a movie that’s very different in tone from the other 12 features. Even though the running time makes it pretty typical of the other films, it moves a lot slower with the emphasis of the film’s plot resting squarely on something seldom seen in DBZ movies: character development. Rather than simply have some super-powered villain show up and challenge Goku, the film focuses on a new character, Tapion, and the fascination an existing character, Trunks, has with him.
The film opens with a young boy (Aaron Dismuke) in a frantic state. He’s on a darkened planet and armed with a sword. He has pointed years and a mohawk-like hairstyle and probably is not of Earth. He appears to be searching for an unseen danger, when from behind a giant foot emerges and apparently squashes the poor boy. An unsettling laugh is then heard.
The heroes we need.
On Earth, the Great Saiyaman is out keeping the residents of one of Earth’s many cities safe. And he’s no longer a solo act. Great Saiyaman II, or Great Saiyawoman, is by his side in a similar costume to Saiyaman’s original look (as opposed to the bandana and sunglasses disguise) and they’re fouling a robbery. There’s some fun, atypical action in this piece as Gohan (Kyle Hebert) and Videl (Kara Edwards) play super hero, but a shadowy figure is watching and it’s pretty clear he’s going to play some sort of role in this story – and soon. At school, Gohan and Videl are a bit tired from their exploits, and also late for class. After just arriving in his class, Gohan is again summoned by city officials to prevent an old man from committing suicide. He has to excuse himself, much to the shock of his professor, once more to go deal with the situation.
Not everything they do is battle tough space villains.
Gohan and Videl arrive in costume to see the old man dangling from a ledge. Gohan springs into action and rescues the little old man, who introduces himself as Hoi (Troy Baker). The cloaked, possibly alien, character is the same who had been spying on the two earlier. He tells the two about a legendary hero named Tapion (Jason Liebrecht) who has been sealed away in a music box that Hoi just so happens to have in his possession. He warns Gohan that the Earth will soon have need of this Tapion, and that they need to free him from the music box in order to secure his aid. Videl seems suspicious of the old man, who really looks the part of a villain, but Gohan falls for it – he is his father’s son, after all. Unfortunately, even Gohan’s mighty strength can’t turn the crank on the music box and they’re forced to go elsewhere for help.
That is a face that can be trusted.
Hoi encourages them to utilize the power of the Dragon Balls to free Tapion, so Gohan takes the box to Bulma’s (Tiffany Volmer). Goku (Sean Schemmel), Goten (Edwards), and Trunks (Laura Bailey) are there as well and even Goku can’t get the music box handle to budge. He’s game though for a Dragon Ball hunt, and the group does just that summoning Shenron (Christopher Sabat) in short order. He’s more than capable of freeing Tapion from the music box, but once released they soon find out that Tapion did not wish to be free.
The Legendary Hero Tapion.
Tapion, a warrior who looks much like the child from the beginning of the film only an adult, is angered to see Hoi and dismayed to see the music box shattered as a result of Shenron freeing him. Hoi flees, and Tapion is left with the others. Trunks takes an almost immediate interest in the strange, sword-wielding warrior from another world, only Tapion is not interested in idle chit-chat. He too retreats to a remote area near Capsule Corp in what looks to be an abandoned hangar of some kind. Trunks and Goten try and visit him, often with food, but Tapion refuses to engage the children at all.
Even though he’s kind of a jerk, Trunks and Goten think Tapion is pretty cool.
It’s clear at this point that Tapion was sealed away for a reason, and that becomes even more clear when a strange Kaiju-like monster appears in nearby West City. Gohan and Videl confront the being, and are shocked to see it’s basically just a pair of massive, bug-like legs with no torso or upper body to speak of. They’re unable to do much of anything to the creature, but Tapion appears. Armed with an ocarina, he plays a haunting melody on the instrument which causes the monster to vanish. Gohan and Videl are both astonished and more than a little confused to see Tapion is connected to this monster in some form.
Tapion and his little brother say good bye.
Back at Tapion’s hideout, Trunks once again attempts to bond with the sullen warrior and is again rebuffed. Hoi shows up though and attempts to steal Tapion’s ocarina when he briefly slips into sleep. Trunks is able to get the ocarina from him, and when Hoi attempts to coerce Trunks into giving it back to him, he instead returns it to Tapion. Hoi flees, but after the gesture Tapion is suddenly interested in conversing with the young Saiyan. It’s clear that Trunks is simply seeking out an older brother figure, likely a little jealous of what his good friend Goten has with Gohan, and he’s overjoyed that Tapion is finally speaking with him. He’s able to convince Tapion to join him at his home, and the warrior finally relents.
Bulma just making sure this guy who has taken a liking to her kid checks out.
At Capsule Corp, Tapion visits with Trunks and puts him to bed. Following that, he encounters Bulma in the hallway and she invites him to sit down for a talk, since she knows her son has taken quite a liking to the hero. It’s at the dinner table that Tapion tells his story to Bulma. The monster Gohan confronted is named Hirudegarn (Robert McCollum). Long ago on Tapion’s homeworld, he and his people were able to defeat Hirudegarn following his creaton by a group of evil black magicians. Hirudegarn could not be destroyed though, so following his defeat his essence was split in two by a powerful sword with one half being sealed away inside Tapion and the other in his younger brother, Minotia. To prevent the monster from re-appearing, Tapion and Minotia were locked away inside the magic music boxes never to be awakened and jettisoned to opposite ends of the galaxy. The lower half of the monster was sealed inside Minotia, and with that appearing in West City Tapion fears his brother is no more. The upper half of the being is inside Tapion, and he can’t afford to fall asleep or lose his magical ocarina and sword or else the upper half of the beast could escape. After hearing all of this, Bulma decides to create a special room based on the design of Tapion’s music box in hopes that it can accomplish the same goal and allow the poor guy to finally get some sleep.
Look who got put back together.
As Hirudegarn’s lower half reappears, Tapion attempts to sleep inside the chamber Bulma was able to create (very quickly). Nightmares overwhelm him though which result in him accidentally destroyed the chamber. Goku and the others arrive the next morning and are checking out the damage, when Tapion reappears with a request. He wants them to kill him, hoping that by doing so the half of Hirudegarn inside of him will die too. The others are understandably reluctant to do so, but before Tapion can convince him Hirudegarn and Hoi show up. Tapion is unable to play the melody that controls Hirudegarn in time and the presence of the monster’s lower half causes the release of the upper half from Tapion’s body. Now fully formed, Hirudegarn is a true monstrosity.
Vegeta gettin in his one shot.
Even though he’s massive and not particularly fast, Goku, Goten, and Gohan are unable to land any substantial blows on Hirudegarn due to his ability to teleport. The battle all but ruins Bulma’s home as the battle spills into the city. When it looks like the monster is about to squeeze the life out of Gohan, Vegeta finally makes his first appearance of the film to save the day. He’s a little irritated at losing his house to the monster and lets him know, but he’s unable to really do anything about it. Hirudegarn knocks him into an office building and unleashes a massive blast in Vegeta’s direction. Vegeta is forced to expend all of his energy corralling the blast with a barrier to spare the inhabitants of the building. Exhausted, he collapses, and as quickly as he entered the picture he has now departed.
Meet the new Hirudegarn, better than the old?
Seeing the others having no success against Hirudegarn, Trunks and Goten decide to fuse and unleash Super Saiyan 3 Gotenks. The cocky fused persona of the two Saiyan children has some nifty attacks, and for a moment it looks like Hirudegarn has been defeated. Since this is a Dragon Ball Z movie though, we know the villain most likely still has a trump card to play. His body hardens and cracks and soon the outer carapace shatters. Like a butterfly emerging from a cocoon, a new version of Hirudegarn emerges. Only unlike a butterfly, this thing is quite ugly and terrifying to look at (though arguably not as scary as the first form with its skull-like head). He thrashes Gotenks, causing the being to split back into Trunks and Goten. Gohan and Videl are soon taken out, and it comes down to Goku.
Don’t ask a kid to kill you, man, just do it yourself.
As even Goku finds it hard to keep up with Hirudegarn, Tapion emerges. He plays his ocarina and the melody causes Hirudegarn to once more become sealed inside of him. With the beast now gone, Tapion turns to Trunks and begs him to use his magic sword to kill him. Trunks is taken aback by the request and struggles to come to terms with it. Tapion pleads with him, and when it starts to look like Trunks just might do it, Hirudegarn breaks free. Worse, the ocarina is destroyed in the process and Hoi emerges once again. He taunts Tapion for his failure to contain the beast, but his victory is short-lived as Hirudegarn crushes him thus at least destroying the last of the evil wizards who helped create him.
That’s one way to kill a giant bug.
With the ocarina now gone, the only thing left is to confront Hirudegarn with raw power. Goku powers up to his Super Saiyan 3 form and begins to battle it out with the monster. Trunks, not content to sit on the sidelines, charges in with Tapion’s blade and manages to slice off the tail of Hirudegarn. Goku orders Trunks to stand down as he prepares to unleash his latest technique. With an uppercut pose and a mighty yell, Goku unleashes his Super Dragon Fist which causes a golden Shenron to form around him. The dragon unloads on Hirudegarn wrapping around him, constricting him and ultimately exploding as Goku is left in a dramatic “shoryuken” pose.
Nothing like a good victory pose.
With the monster finally defeated, all that’s left is for Tapion to go home. An unspecified amount of time passes, and Tapion is set to leave in Bulma’s time machine. It looks identical to the one Future Trunks used in the main series, and it’s assumed I suppose that Tapion is going to search for his little brother. Before he can leave though, he has to say goodbye to his surrogate little brother, Trunks. The young Saiyan is sad to see the hero leave, but he’s given Tapion’s sword as a parting gift. As the credits role, clips and images of Trunks, including Future Trunks armed with a similar sword, are shown with the obvious implication being this is how Trunks came to be a swordsman.
Time to say good bye. What’s that wink imply, Bulma?
Wrath of the Dragon Fist is an interesting Dragon Ball Z movie by itself, but also kind of an odd way to say good-bye to the series. With it being the last, it’s somewhat surprising that there isn’t more emphasis on getting the whole gang together, but aside from a cook-out scene early in the film, most of the regulars are no-shows. The defeat of Hirudegarn is a neat visual spectacle, but also really weird since we’ve never seen Goku do anything even remotely like that before. It’s kind of equally weird that it’s Goku at all who takes down the monster since he plays such a minor role in the film. It would have been better to just go all-in on the Trunks theme and have him take out Hirudegarn, but at least he got to cut off the beast’s tail. I guess they just wanted to give Goku a win in his Super Saiyan 3 form since that power-up has so few of them.
Trunks gets a pretty swell parting gift. That thing is as big as him.
Rather than focus on a big ensemble story or another Goku piece, Toei and screen-writer Takao Koyama (who authored every one of these movies) decided to do a deep dive into Trunks and try and unite this version of the character with the Future Trunks we had seen earlier in the Androids Saga. It’s a solid premise for a movie and it’s nice to see a film choose to focus on exploring a character as opposed to just creating some big, bad, villain of the week. Trunks and his desire to form a bond with someone is easy to understand. He’s an only child and probably home-schooled. He’s had an absentee father for most of his childhood, and his only friend is a country boy named Goten who comes from a family in which he’s the little brother to Gohan. Trunks just wants a brother of his own, and maybe since Vegeta was such a crummy dad, he also seeks a role model too. His scenes with Tapion are cute, and it’s heart-breaking to see Trunks’ reaction to Tapion requesting he kill him. Thankfully, he didn’t have to go through with it as that would have been one Hell of a damaging episode for the poor kid.
Tapion proves to be a rather fine addition to the ensemble.
As far as our newcomer is concerned, Tapion is handled quite well. He has a simple, easy to understand back story that makes him a sympathetic figure. He projects a mysterious aura and also possesses a unique look for the series. Some probably look at an elf-like, sword wielding, ocarina playing, hero and think Link from The Legend of Zelda, but this movie predates Ocarina of Time and Tapion doesn’t look that close to the Link that existed prior to that. Since they do look so similar it’s possible they share a common source of inspiration, but what that may be I’m not certain. Hoi and his evil wizards (who are all dead) is kind of lame. He’s a blatantly obvious villain so it’s kind of frustrating to see him scheme his way to releasing Tapion, but the movie would be rather boring if he wasn’t successful. The only motivation he’s given is that he and the other wizards are genocidal monsters that want to destroy anything that isn’t them. Hirudegarn himself is just a mindless monster. Even though he’s as one-dimensional as it gets, he still manages to be interesting since we haven’t seen Goku and company take on such a massive enemy in a long time. It’s kind of like “What if Goku took on Godzilla?”
There apparently wasn’t enough room for Vegeta in this one.
My one major piece of lingering criticism of Wrath of the Dragon rests with its use of Vegeta. Perhaps because Fusion Reborn spent so much time with he and Goku exploring their relationship and rivalry, Koyama decided to avoid the Saiyan Prince here. I would have liked to see more of him though since so much of the movie takes place at his house. It’s just weird for him to not be seen until he makes his dramatic entrance. This was also the first chance to pair up Trunks and Vegeta in a movie, and since this follows Vegeta’s change of heart following the events of the Buu Saga, it would have been interesting to see how their relationship has changed. Come Dragon Ball Super, Vegeta is basically back to his prickly self, but it would have been interesting to juxtapose he and Tapion. Would it have made the film better if we saw a jealous Vegeta who feels threatened by Tapion’s presence? Perhaps, and perhaps not. It just feels like the movie had room to do something with Vegeta, and instead it reduced him to a cameo.
There’s a sweetness to be found in this one seldom seen in DBZ movies.
Aside from that piece of criticism, I really have nothing else to say about the movie that would be considered bad. Wrath of the Dragon is very different for a Dragon Ball Z movie. It’s a little light on action and humor and instead more procedural. It relishes in the quiet moments shared mostly between Trunks and Tapion, but also some other small scenes as well. Its emphasis on story and character make it a more rewarding and less disposable experience. We all like our flash and pizazz when it comes to Dragon Ball Z, but it’s nice to see one of the movies treat these characters more as actual characters as opposed to characters from a fighting video game. It’s because of that I feel Wrath of the Dragon is one of the best movies to come from Dragon Ball Z. It can still impress you with its excellent visuals and make you laugh at a few moments, and it may even make you tear-up a little. It’s so interesting from a narrative standpoint that I didn’t even expound on how wonderful the film looks. This is one of the best looking things the series has ever produced. Dragon Ball Z picked a great way to bow out, and it’s nice to know over 20 years later that it wouldn’t be the end for these characters as we knew them.