We’re continuing to work our way through the latest offerings from NECA as it pertains to the Teenage Mutant Ninja Turtles. A lot of collectors are presently going nuts trying to track down the cartoon wave at Target or the movie figures at Walmart, meanwhile anyone wishing to collect the video game line is just sitting back and waiting for the package to arrive. That’s because the video game series, currently consisting solely of figures based on the Konmai classic Turtles in Time, is sold through online retailers and comic/hobby shops and have been available for pre-order since January. Wave 2 just hit in mid-to-late July and should be in the hands of most of the people who ordered them very soon. The wave consists of four figures: Raphael, Michelangelo, Leatherhead, and Shredder. Yours truly isn’t big into this line, but I did place a pre-order for Shredder and he has just arrived.
If you’re not familiar with this line, it’s basically a series consisting mostly of previously released figures with a new, pixelated, paint deco applied. There is some new tooling involved though, so it isn’t all just funny paint. Earlier this year we looked at Slash from the first wave who utilizes the same body as the other turtles, but has an all new and all different headsculpt as well as different pieces on his person. Shredder is not quite that extreme, but he is a bit different from the Shredder we received in the cartoon line. This Shredder is based on the arcade version of Turtles in Time. If you primarily played the home version, then he may seem a little unfamiliar. That’s because the Super Nintendo version of the game replaced the boss fight against this Shredder with one against Super Shredder. I am partial to the Super Shredder fight, but this Shredder caught my eye because he has a wild paint design with a hot pink cape and lots of magenta and purple mixed in. He also has some neat effects pieces that I’ll get to in a bit.
Shredder comes packaged in a window box designed to mimic the old arcade cabinet. All of the figures in this line come in the same style of box with the only difference being the figures on the back. Some online vendors have listed this figure as Super Shredder, but as you can see just by looking at the box, he’s intended to just be Shredder.
If you have the cartoon Shredder, then you should know what to expect articulation wise here. Shredder has ball joints at the head and shoulders, though he doesn’t get a ton of movement out of either because of his cape, helmet, and shoulder pads. His arms can go all the way out, but can’t go up much. He has a swivel in his bicep and double-jointed elbows as well as a cut forearm. His hands rotate and are on hinges as well with in-out movement. He has a cut waist and if there’s any articulation in the main part of his abdomen it’s hard to tell because he has a piece of rubbery plastic serving as his shirt. He has good range of motion at the hips with ball joints and rotational articulation there. He has double-jointed knees and the calves swivel as well. A rarity for this line is the toe articulation as NECA seems to forego that detail frequently.
Where this Shredder differs from the prior one is just in the various armor pieces on his person. He still has a soft goods cape, but now he has fewer spikes on his shoulder pads, gauntlets, and shin guards. He makes up for this in what he does have for spikes are much longer and meaner looking. This is even true of the spikes wrapping around his helmet which are more pronounced as they come off of the back of the helmet. The gauntlets are also overall just bigger than before and the black wraps underneath are gone. He also has these little strips of “metal” at his ankle which is different from the cartoon version. Otherwise though, this is the same figure right down to the hands he comes with.
Shredder comes packed with fists that can pop off and be replaced with either gripping hands or a more open hand. The gripping hands are needed for Shredder’s sword, which is basically a light saber. It’s green and the paint is blended well on the “blade” to give it a glowing look. Why does Shredder have a light saber instead of a traditional sword? I don’t know – it was the 90s and swords just weren’t good enough. His fist hand works best with the fireball attachment he comes with. It’s a yellowish color and it fits over Shredder’s fist to give him a flaming punch effect. It’s a bit tough to wield as it’s not super snug and there’s some weight to it. By far the most interesting accessory is the big, flaming, hand. It clips onto Shredder’s forearm to resemble it shooting forward, as it does in the game. It is of Shredder’s right hand so you’ll probably want to clip it to his right arm, though if you wanted to nothing is stopping you from clipping it to his left. You can combine it with any of the hands, though I think it looks best with the open hand.
The other difference I notice between this Shredder and the past one is in the constitution of the plastic. This Shredder has a far more rubbery texture to him, which is something I’m noticing with the new figures in the cartoon line. I’m not sure if NECA has made a change, but the result gives the figure a less confident feel. He doesn’t stand as well as the cartoon Shredder as the more rubbery plastic causes him to bend and curve ever so slightly making him easy to topple even when using a NECA stand. On the plus side, none of the joints were stuck out of the box so maybe that’s the trade-off with this mix. The plastic used for the flaming hand is a much harder plastic, which is good because if it were soft then it would probably start to droop. It is a bit heavy though and the shoulder joint can’t sustain it fully. I set him up shooting his hand forward on my shelf and after an hour his arm had dropped until the hand was resting on my SDCC Hot Wheels set from last summer. From a quality control standpoint, my Shredder had a little paint slop on some of the spikes, most notably on one of his fists. There’s also a weird seem in the cape by the opening, but for all I know that’s supposed to be that way to maybe bunch it up more. Most of his spikes stayed straight in the package with minimal warp, which can be a problem with old Shred-head.
Shredder is a repaint of an already good action figure that’s true to the source material. I do love that flying hand accessory as well as all of the colors on this guy. I’m less sold on the pixel effect, especially with this figure because the cape is a flat color. He does ditch the cape in the game prior to the fight, so maybe that’s why NECA didn’t pay it much attention. It’s a bit surprising they even included it, but he does look cooler with it on. Since this is only my second figure from this line, I just have him kind of hanging out off to the side with my cartoon figures. Maybe some day I’ll go back and get more of these figures. I do prefer the video game Leatherhead to the cartoon one, and NECA showed off an early sculpt of a Baxter Stockman that will be the first all new sculpt for this line and one I’ll definitely get. As it stands, this figure is a touch underwhelming, but it’s also a little hard to get real excited for a Shredder repaint when so many other exciting figures are hitting retail right now. I don’t regret picking him up, and I think I’ll like him more when he has some more “friends” to play with.
This summer has been a very TMNT kind of summer around here. It’s getting to the point where I might have as many posts about the Teenage Mutant Ninja Turtles as I do Glenn Danzig music. Well, this is the rare post to feature both.
When Mirage Studios started to gain recognition thanks to the success of the TMNT comic book, founders Peter Laird and Kevin Eastman needed to hire more staff in order to churn out material in a reasonable amount of time. One of those hired was artist Eric Talbot, a former classmate of Eastman’s and apparently a fan of rock, metal, and punk music. One of Talbot’s earliest assignments was composing short stories for supplemental books and reprints of the original run of comics, which is how we ended up with the story “Ghouls Night Out.”
“Ghouls Night Out” was included in the reprint of issue #5 of Teenage Mutant Ninja Turtles printed in November of 1987. This is actually a pretty noteworthy issue of TMNT as it contains a special announcement in the middle of the story which officially blows the lid on the licensing deal Laird and Eastman had made with Mark Freedman. Included in the announcement are details about Playmates toys and its first wave of TMNT action figures due out in 1988 as well as the announcement of the animated mini series which was set to premiere the following month. This was the first time fans of the property were introduced to Bebop and Rocksteady and read the name Krang. There’s even a double page ad that follows with the inaugural lineup of turtle toys. Pretty cool!
“Ghouls Night Out” follows the main story and is eight pages of mostly art. In it, a turtle (most fans seem to assume it’s Donatello because he carries a spear at one point, but it could be any of the four) is patrolling a grave yard at night when monsters soon descend upon him. He’s forced to run for his life from the zombies, Frankenstein’s monster, a wolfman, Nosferatu, and others. Most of the Universal Monsters basically get to make an appearance. The story ends when the turtle wakes up in April’s apartment having fallen asleep watching a monster movie marathon on television.
The story is pretty simple, but what drives it is the artwork. The cloaked turtle, wicked monsters, and ghoulish scenery are what sells Talbot’s story. What attracted me to it though was the obvious connection to The Misfits, one of my all-time favorite bands. The title is a reference to the song of the same name, and the very first page features a message on a tombstone thanking The Misfits with the year of the band’s demise also present. Above the title is a row of tombstones which feature arguably the most popular lineup for the band: Jerry Only, Robo, Doyle, and Danzig.
The following pages contain other references as well. The band Metallica can be found on some headstones on page 2 as well as the entire staff of Mirage Studios. And for good measure, some other artists that likely influenced Talbot, such as Frank Frazetta, are tossed in as well. It’s a story that’s supposed to be spooky, but it’s almost cute due to all of the shout-outs Talbot included. I also really dig his turtle design and if anyone at NECA is reading how about an action figure of this cloaked, spear-wielding, mutant? NECA even has a licensing agreement with The Misfits so might as well work in that tombstone too!
This is an interesting little nugget of TMNT history and a fun find for a Misfits/Danzig fan such as myself. I’ve seen other versions of the headstone image online with The Misfits removed and replaced by Glenn Danzig. I don’t know if Talbot redid the art at some point or if a fan did that. It’s pretty cool that this thing exists and it’s another piece of my Misfits/Danzig/TMNT collection.
Awhile back, I decided to rank the various incarnations of the Teenage Mutant Ninja Turtles from worst to best. Occupying that dubious last place spot were the Turtles featured in The Coming Out of Their Shells tour. That may sound like the title of a TMNT sex tape, but it was something else entirely. If you weren’t around in 1990, that was the height of Turtle-mania. The movie had just come out, the cartoon was into its third and biggest season yet, Playmates was putting out new toys and play sets left and right, it was insane! And to add to it, was a ridiculous stage show where actors would come out in TMNT costumes, dance around, mime playing instruments, while a recording played over the loudspeakers. These guys went all over the country with this show which featured some Broadway elements, I suppose, as it was kind of like a play and not just a concert. There were some pre-recorded segments which would play during costume changes and a bunch of this material even made it to VHS. The soundtrack was sold on cassette and CD while virtually everyone who cared about TMNT in 1990 would be exposed to the classic tune “Pizza Power” via Konami’s Turtles in Time video game.
Now I am not backing down from my ranking. Those costumes are kind of scary. The Turtles have these big, crocodile, maws that flap around with little nuance while their eyes look ready to pop out of their heads. Below the head the costumes are mostly fine as they’re basically rubber suits not unlike what we saw in the films, only a little worse. The performers found it too difficult to run around in shells though, so those were quickly dropped from the costumes and replaced with denim vests. Definitely the weirdest part of the whole thing were the sneakers and leg warmers. Ninja Turtles running around in sneakers just looks weird, especially because their feet are normally quite large, but when you put sneakers on an actor you end up with something much smaller. And while it’s fine if you liked the music back when you were 6, few would try to argue that it’s any good. It’s simple, lousy, pop music. And while “Pizza Power” is a bit of an earworm, I would hesitate to actually call it good.
San Diego Comic Con 2020 couldn’t happen this year, as expected. Did that stop NECA from doing a set of Teenage Mutant Ninja Turtles action figures as a convention exclusive? No! That’s how we ended up with this delightful abomination: The Musical Mutagen Tour. Coming Out of Their Shells must have had some interesting rights issues thus necessitating a change in title, but these figures very much are based on that tour. NECA made this set, along with an accompanying swag pack, available via Target since there was no convention. International purchases were also made available at NECA’s online store. I was able to secure a set via Target’s website sale, which sold out of them pretty quickly. Not “seconds” quickly like the cartoon stuff, but definitely “minutes.” It just showed up around me last Friday at brick and mortar and appeared to sell out fast. I was checking Target in the morning and later in the day and it arrived in between visits. The only thing left behind was an empty shelf and the t-shirt box, which appeared to be XL only at the two Targets I frequent.
When it comes to convention exclusives, companies usually like to do something fun or off the wall. Usually these end up being simple variants, but with NECA and its TMNT product it had been more essential than the garden variety con-exclusive. That’s because the license for TMNT made it either impossible, or just plain difficult, to sell action figures at retail. Well, with those restrictions lifting in recent years it’s allowed NECA to do something downright goofy this year. And that’s what a con exclusive should do. These aren’t the easiest, or cheapest, things in the world to get, but they’re also not supposed to be the type of set that everyone needs, let alone even wants. And for these particular Turtles, this is probably a set not everyone wants because as I said these are the worst Ninja Turtles ever. I am a sucker for the stupid and goofy though when it comes to toys, so while I did have to give this one more thought than I had in years past, I still ultimately decided that I wanted this thing. Did I make the right call?
This set comes with a slip-cover over the box. The outer cover has some nice artwork on the front and the reverse has a faux tracklist and a Raphael mask to cut out (which I assume no one will). Slide that sucker off and you have a box that resembles touring equipment. There’s some fun graphics on it and from a distance it looks like a legit case you’d find an amp in or something. It has a window flap on the front held down by tape, cut that sucker and two flaps fold out to reveal the figures inside. The box is meant to resemble a stage and it does a good job of it, though the material is a bit too thin for it to work as a true display piece without a little work. The figures are seated in a plastic bubble which lifts out so the backdrop isn’t marred at all.
This set includes all four of the Turtles and each should feel pretty familiar for NECA collectors. The bodies of each figure are almost identical to NECA’s movie line of TMNT figures with the only differences being the shell and head. The feet are obviously different because they have sneakers now, and they look just as ridiculous in 2020 as they did in 1990. The switch from bare feet to shoes seems to have added a little height to the figures as well. There are soft goods leg warmers in place above the feet and draped over each figure is a denim vest. Each turtle has a different logo associated with them and each jacket features the tour poster graphic on the back as well as that turtle’s name. The vest can be removed pretty painlessly exposing the shell underneath if you don’t like that look, but I for one find this little piece of fabric incredibly charming. The only other change is in the various pads and belts which are all different to match the old stage show. There’s little tassels and such done in plastic, but it’s not super rigid so you don’t have to worry too much about breaking anything. The articulation is the same as the movie figures.
The biggest change lies in that head. Oh boy, is that thing ugly! And intentionally so as these guys look just like their tour counterparts. Each head is essentially the same just with a different colored mask, as the actual costumes were back in the day. Each turtle has a headset glued to their cranium which can be forcibly removed if you want, but would leave behind a garish hole in the side of the figure’s head. There’s a wire coming down from that headset that doesn’t connect to anything, but it’s bendy so you can kind of do whatever you want with it for your display. By far, the coolest thing about these headsculpts is the hinged jaw. Opening these things up just adds a level of horror to them that brings back some memories. The hinge is also well-hidden so that when their mouths are closed it’s almost hard to tell they can even open. It’s a cool feature, and I’m curious if NECA will attempt this with other movie figures, like maybe Secret of the Ooze versions?
Each turtle comes with his own instrument and hands designed to play said instrument. Leo and Mike have guitar-shaped instruments. I say “guitar-shaped” because the string count on each is irregular so neither resembles a proper instrument, but on stage Mike “played” guitar and Leo bass. Donatello has a keytar, which is fantastic, and Raph has some sort of electronic beat machine. Raph also has a second instrument, a green saxophone, as he played that on the VHS release. Of course, nothing is stopping you from switching the instruments around as they work with all of the figures. There are optional hands you can switch in and out if you desire. There’s two sets of wide open hands which are unique to this set and two sets of thumbs up hands which always come in handy during a performance. On the figures, Donnie has pointing hands, Leo loose gripping hands, Mikey tighter gripping hands, and Raph has loose open hands.
NECA did opt to include a few other accessories. You may recall some of the Turtles wearing “eye bling” on some of the promotional material for the show and those are here as well. Leo has this Star Trek-like thing and Mikey has an actual star. Each is included and can fit over the eye of any figure, they simply pop on or off, adding a little extra sparkle. During the original show, the Turtles would also toss these foam, disc, pizzas around and one such pizza is included. It’s appropriately awful looking and is made of a really squishy, pliable, plastic that works well as a foam substitute.
If you’re a stickler for likeness, then you might note that there are some things missing. On the actual figures, the stage versions all wore shirts tied around their waste. It basically amounted to a colorful strip of fabric, but none of the turtles are sporting that here. They also had microphones and stands during the actual production. I know, it makes no sense since they’re all wearing headsets. They wore those during the show too. There was little attempt to make the production look realistic since it was meant to amuse six-year-olds, though I am tempted to see if I can track down some mini microphone stands for my display.
If you were interested in making this set even more “special,” NECA also released an accompanying swag pack. The figure set retails for $125 and the swag adds an extra $25 to the price tag. It’s definitely not essential, but I ended up with one simply because the online order forced it upon me. For what it is, it’s fine. Inside the box is a t-shirt of the box art with “tour dates” on the back corresponding with San Diego Comic Con and New York Comic Con (which technically hasn’t been cancelled yet, but most assume a cancellation is coming). Also included is a backstage pass lanyard, a concert ticket (courtesy of that famous pizzeria, Pizza Roof), and a set of guitar picks. It’s cute, and kind of excessive, but if you’re a completist then you’ll likely feel compelled to grab both if the opportunity presents itself. If your set came from Target’s website, like mine did, then you won’t get the box the stuff comes in. They just stuff it in the shipping box, which is fine.
NECA’s Musical Mutagen Tour set is a comic-con exclusive done right. It’s goofy, silly, yet strangely endearing. NECA managed to perfectly capture the ugliness of those old costumes as well as the spectacle of the stage show. Whether you have good memories or bad of these guys, this set still manages to tickle the nostalgia bone and it’s just a riot to look at. I love the grandeur of it with the stage backdrop, the detailed instruments, the denim vests, it makes me want to put “Pizza Power” on repeat as part of the display. I suspect anyone who has the Arcade 1-Up Turtles in Time cabinet will probably set that thing to attract mode and try to find a space to display these figures alongside it. Had I gone for one of those it’s something I’d definitely be looking to do. And the good news is, that unlike most of NECA’s TMNT stuff, this isn’t something that should appeal to everyone. If it’s something that is for you though, then you’ll be happy to have it and hopefully you won’t have to go nuts trying to find it.
Something that is likely common to most of humanity is a desire to be successful. We all measure success differently, be it professional, financial, or something else, but we all strive for it. And sometimes success can feel like a burden. Take NECA’s line of action figures based on the Teenage Mutant Ninja Turtles property. Since these toys hit retail over a year ago they’ve been a challenge to get hold of. Exclusive arrangements with big box retailers, who definitely do not specialize in collectible toys, can make simply tracking them down difficult. And when anything is hot, it attracts the attention of re-sellers, or scalpers, as they are often referred to as. With unemployment at record highs, the temptation to make a quick buck off of a toy might be even more tempting than it normally would be. Collectors who simply want a hunk of plastic that resembles a cartoon they watched 30 years ago are forced to fight a system not designed for them in addition to the scalpers, bots, and other collectors. Not to mention a global pandemic.
As such, tempers have been running a bit hot lately on social media. Follow NECA on Twitter and likely any tweet will be met with a reply, usually several replies, about folks complaining about their inability to find TMNT product. The most cheeky and overused response is usually something like “Check out this eBay exclusive!” but sometimes things can get downright abusive. NECA’s Creative Director, Randy Falk, even went on the Pixel Dan show recently just to talk about TMNT and the difficulties in getting product to fans. It’s one part rant, one part informational, with a little room for announcements and optimism towards the end (and I encourage you to check it out if you have any interest in NECA’s Tokka and Rahzar set). It has become a rather insane situation, and collectors come out looking the worse for it based on the reactions of a few, but NECA is at least acknowledging that some change is needed so hopefully things can improve.
One way to combat this scarcity is simply to buddy-up! I have had no luck finding the newly released Target exclusives in my area, but a fellow collector out in Illinois has hooked me up with one of the releases: the Casey Jones and Slashed Foot Soldier Two-Pack. This two-pack is the first two-pack in Wave 3 of NECA’s line of figures based on the original Teenage Mutant Ninja Turtles cartoon series from 1987. In an attempt to get more product on shelves, NECA has opted to release this wave in a staggered fashion. This Casey two-pack arrived first alongside the single figure release of Metalhead. Later this week, the second two-pack is scheduled to start rolling out and the third will follow two weeks later. That next two-pack might be even more hard to get as it features the villainous duo of Slash and Leatherhead. This third will feature April O’Neil and a “bashed” Foot Soldier. Fans in the UK had the whole wave dropped all at once so you may see fans from across the pond with all three sets already. What hasn’t been clarified is if Metalhead will continue to ship with the other two-packs. I sure hope so, because he’s been difficult to find with most stores apparently only receiving two per shipment. As a result, he is going for roughly triple the MSRP on eBay at the moment, which is a shame because he looks like a contender for toy of the year and one that deserves to be in the hands of collectors as opposed to scalpers.
This two-pack marks the second such two-pack headlined by Casey Jones this summer, the first being the movie version of Casey Jones with Raphael in disguise. It’s kind of amusing that both versions of Casey have arrived bundled with a variant of a previously released figure, but maybe that speaks to the popularity of the Casey Jones character that NECA thinks he can carry a two-pack with a variant alongside him. Casey Jones is definitely one of the most memorable allies of the Teenage Mutant Ninja Turtles from the old show and action figure line. He had a strong presence in the comics and obviously the first film. The hockey mask look is striking, and in the cartoon he was voiced by Pat Fraley doing an obvious Dirty Harry impersonation. He only appeared in five episodes and was basically just some crazed vigilante whom the Turtles had to hold in check, but he definitely left an impression. He didn’t form any real personal connections with anyone which is a distinction between this Casey and the others.
NECA’s action figure of Casey is based off of his first appearance in the show. His costume and weapons are quite screen accurate as he has the cut-off shirt and sweatpants look. He carries a golf bag over one shoulder that you have to pop the head off of the figure to slip on and the bag can hold all of his included weapons. He stands a little over six inches making him taller than the Turtles, but shorter than the villains. He is fully articulated,as one would expect, with articulation in the following places: ball-jointed neck, ball-jointed shoulders, bicep swivel, double-jointed elbows, wrist swivel, waist swivel, ball-jointed diaphragm, ball-jointed legs, double-jointed knees, and ankle joints on a hinge with some pivot motion from side to side. This is fairly standard of NECA which tries to avoid things like cut thighs and ab crunches so as not to take away from the look of the figure. The only consistent complaint I see for this figures is the lack of hinges in the wrist area that allow the hands to move in four directions as opposed to just in and out.
The sculpt work on Casey is pretty damn fantastic. He looks like he’s pulled right from the show. NECA did a great job adding subtle detail to the mask, which is non-removable as he never took it off in the old cartoon, to really allow the character’s personality to shine through. He’s also a rather fit dude, but the sculpt doesn’t go overboard with the muscles. A lot of Casey’s attire is done with a separate piece of soft plastic which gives the figure a nice feel and texture. The little strings on his sweatpants are in this soft plastic so they have some play as is his shirt and shoulder pad. The pliability of the plastic allows for some movement in the diaphragm area, though the shirt does hinder it as well. The shoulder pad also limits some of the range of motion on his left arm. The only articulation I personally miss is a butterfly joint in the shoulder area which would have allowed him to do more forceful looking, two-handed, weapon swings. My figure was quite loose and ready to rock out of the box, so no heat was needed to get things working. His elbow and knee hinges though have a very rubbery feel to them. I worry about durability down the line. Hopefully my fears are unfounded.
The paint job should seem familiar to fans of this line. You either like it or don’t when it comes to NECA’s shading. They apply a darker shade of paint to the backside of their figures to mimic the shading from the show. Sometimes this looks fine, and sometimes it comes across as overdone. With Casey, I think it mostly works on his clothing, but looks a bit silly on his arms. Natural lighting should take care of this without the need for the added paint, but it appears this tactic is here to stay at this point. The paint itself though is rather cleanly applied with little slop. NECA did a great job matching the plastic arms to the paint on the exposed knees. NECA also likes to use a lot of black lines to give the figures added pop. I’ve seen some complaints of this online, but it’s something I’m a fan of.
The only area I see for criticism is just in the amount of paint and choice of plastic. There’s a lot of paint on this guy and I worry about it flaking off down the road. It’s already an issue on the ankle joints and wrist hinges where NECA used a flesh-toned plastic and then painted green to match the boots and brown for the gloves. This paint has a tendency to flake off (or the entire hinge was never painted to begin with) leaving an exposed area of flesh tone in the middle of the boot and at the base of the glove. Casey’s wristbands do hide the hinge on the hand fairly well, so it’s more of an issue with the boot. NECA would do well to have the factory match the color of the foot with the plastic rather than paint in future releases. The paint also has a tendency to rub off when it comes to the hands. This is particularly an issue on the bone-white hockey stick which already has a brown smudge from inserting and removing it into Casey’s hands.
Casey is known for having a small arsenal on his person at all times, and NECA doesn’t disappoint here. In addition to the golf bag he uses for storage, Casey has the following weapons: a hockey stick, a goalie stick, a baseball bat, a metal bat-like rod, and a mallet. All feature a lot of black linework giving them a real toon appearance. I think my favorite is the traditional hockey stick, but that mallet is certainly fearsome looking. In addition to the weapons, he also has a few extra hands. He comes packaged with closed fists for when weapons aren’t needed and has a set of gripping hands. He also has an optional right hand with a pointing gesture, and a left hand giving a thumb’s up. The gripping hands seem to work just fine with all of the accessories. Some probably wished for an open hand or double thumb’s up hands, but this allotment certainly gets the job done.
And of course, Casey is not alone! Joining him in this two-pack is the Slashed Foot Soldier. Initially, many fans simply assumed that Casey and April would be packed together since they were first unveiled side-by-side and the two characters have an established relationship outside of the cartoon universe. That didn’t come to pass though and instead both come with a battle damaged Foot Soldier. I was initially disappointed with this development as I’m not the army builder type, but I will say this particular Foot Soldier is pretty cool.
The majority of the figure is the same as the previously released Foot Soldier. The only difference is in the torso which features the battle damage. The clothing has been ripped away exposing some of the robotic parts inside. All of this is sculpted really well and you can see where parts were severed and intended to match up and so forth. There’s one thick wire that’s still connected and it holds the two halves together. It’s bendable, though coated with plastic so you will want to go easy with it to avoid cracking that plastic coating. This allows the figure to be displayed as he’s in the process of being torn in half. He could be doubled-over, in mid-slash, or even pulled apart entirely. It’s a very descriptive figure and one toy photographers might actually want multiples of. It wouldn’t shock me if down the road we get a refresher wave that bundles the two battle-damaged Foot together if there’s a demand for it, and maybe then Casey and April will be bundled together as well.
The Foot looks great and his battle damage is quite possibly the best application of that concept I’ve ever seen. He also comes with accessories though so he’s more than just a prop. He has the same hands and rifle as the previously released Foot, plus he has a new, more bulbous, gun that undoubtedly showed up in the show at some point. He also has the same communicator released with several figures previously, only this one has a sticker of Rocksteady on it. If you’ve been collecting everything, that means you should have a communicator with Shredder, Krang, Bebop, and Rocksteady now which is a fun little touch.
The Casey Jones and Slashed Foot two-pack is a worthy addition to NECA’s cartoon line of TMNT product. Casey is a fan-favorite and I think fans will be very pleased with how he turned out. While the Slashed Foot may not be something fans were crying out for, it’s a fun, gimmicky, figure that works well in a display especially considering he comes with a figure who’s a big fan of slashing, as is. There will be a handful only interested in Casey, but I’m sure if that’s the case they won’t have much trouble unloading this extra figure considering how in-demand this line is. This set is sold exclusively at Target in the US and at various specialty shops outside of the country. Since NECA stocks its own product at these stores they won’t show up on the website or on inventory tracking sites like Brick Seek except for under rare circumstances so get out there, make some phone calls, and good luck!
I need to send out a special “Thanks” to the fellow poster over at thefwoosh.com for hooking me up with this figure at cost. Without him, I may have never encountered it in the wild. And that’s the thing I want to stress in this review – help each other out! If you’re a collector, get onto social media or a forum and find fellow collectors that can help you and that you can in turn help out. I see too many selfish collectors who buy up stock with the intention of keeping one for them and flipping the others to in effect “pay” for the one they kept. That’s just using the rest of the collecting community to fund your hobby and it’s a dick move. So if you happen upon these things don’t be shy about buying two and selling one at cost to a collector in need. Some don’t live near a Target, or might be immunocompromised and shouldn’t be out in public places right now. If there’s another collector at the store then by all means don’t take one out of their hands, but we should do what we can to try and make sure these don’t fall into the hands of scalpers. And it should go without saying, but don’t buy from scalpers. If people weren’t paying 80 bucks on eBay for this set, then no one would bother trying to sell them. It’s tough out there, but you don’t have to go it alone.
After taking a trip to the past with Rocko’s Modern Life during the spring, it seems only fitting that I also take a look at the Rocko’s Modern Life movie from 2019: Static Cling. To be fair, the term “movie” is definitely used loosely when applied to this piece of media. Static Cling was originally conceived by Nickelodeon as a one hour TV special with commercials so the running time is a tidy 45 minutes. It’s basically a double-episode, but considering Rocko’s Modern Life had never had a special before it’s easily the longest story the show ever committed to.
The special was announced in 2016 by Nickelodeon and it rejoins the original cast, alongside series creator Joe Murray, and gives fans a look at what Rocko (Carlos Alazraqui), Heffer (Tom Kenny), Filburt (Doug Lawrence), and the rest have been up to since. The theme of the special is change as it’s a very metta look at how audiences grapple with the loss of something from their past and seek out nostalgia binges to fill that hole left behind. The special will drive that point home quite literally by having Rocko, who has been lost in space since the events of “Future Schlock,” return to an O-Town that has long since ridden itself of his favorite cartoon: The Fatheads. Rocko is forced to confront this new O-Town and adapt to a new modern without his binky and he finds it impossible. Conversely, he has to watch his two best friends adapt just fine as Heffer and Filburt become immediately enchanted by modern technology. A clerical error by neighbor Ed Bighead (Charlie Adler), whose life has apparently been bliss since Rocko and his friends were blasted off into space, causes the mega-corporation, Conglom-O, to lose all of its paper value thus plunging all of O-Town (since Conglom-O owns everything) into a depression. Rocko is able to convince the head at Conglom-O, Mr. Dupette (Adler), that a way to help the company out would be to produce a new Fatheads TV Special. The only problem is that series creator Ralph Bighead (Joe Murray) hasn’t been seen or heard from in years.
The early bits of the special unfold in a predictable, but still entertaining, manner. Rocko and the gang are shown adjusting to modern life and the classic opening segment from the TV show is even redone with modern technology now harassing Rocko. There’s also a nice bit of the boys taking in a gritty reboot of Really Really Big Man that’s an obvious parody of Christopher Nolan’s Batman trilogy. Even though the special is basically mocking those who have been begging for this show to return for the last 20 years, there’s still a ton of fan service throughout as basically every character of note returns for a cameo, at the very least.
Static Cling was commissioned as a Nickelodeon TV Special initially, but the network wound up passing on it and selling the rights to Netflix. This caused a rather significant delay in getting the special in front of fans. Nickelodeon never offered up a reason why it chose to option the special to Netflix, but many speculate it has to do with the character formerly known as Ralph Bighead. A major plot device in the special is that when Rocko eventually finds Ralph, he finds that Ralph no longer identifies as male and has taken the name Rachel instead. The reaction of Rocko and his friends, and basically everyone in town, is very positive as they basically congratulate Rachel and that’s that. Rachel’s father, Ed, is the only one who has an issue with it resurrecting his line “I have no son!” from the Season Two premiere. Nickelodeon was reportedly supportive of the idea to add a transgender character, and it certainly fits the theme of change, but it’s not the best look for the network that it chose to pass on airing this. Maybe the network found it could make more by selling the distribution rights to Netflix, but how much would the pay-out have been affected if Nickelodeon chose to premiere it on its own network and then pass it off to Netflix? Probably not a lot and it’s a shame it didn’t see this as an opportunity to make a positive social statement.
The look and sound of Static Cling is quite similar to what fans remember from the show, but also a bit different. Cartoons just aren’t made in the same manner they were back in the 90s so Static Cling doesn’t necessarily look like a 90s cartoon. It’s obviously all digital and a bit more “clean” to look at. Some of that Rocko’s Modern Life grime has been lost and this is overall a far less gross version of the show than viewers are used to. Not that Rocko’s Modern Life needed to be gross in order to be funny. The only big change I felt a bit jarring is that Rocko’s fur is a deeper shade of beige than it was before. As mentioned before, basically all of the cast returned to voice the main characters and the side ones as well. Pretty much all of them still sound the same, though Tom Kenny’s Heffer is a bit higher and is the most notable difference.
Rocko’s Modern Life was able to garner itself a reputation for adult humor during its life as it sometimes found itself censored after airing. Fans hoping for something as titillating as “Leap Frogs” or the infamous moo-milker gag might be a little let down by Static Cling. The Chokey Chicken does get to have its original name restored (it’s mascot has also been slimmed down as it’s become health conscious in this new modern setting) and Really Really Big Man’s magic nipples get some screen time as well. The only borderline lewdness I picked up on was just an emphasis on Mrs. Bighead’s ample bosom. There’s a scene where a fence divides her and Rocko and her breasts hang over it right in Rocko’s face, though he doesn’t seem to notice. She even reaches into her cleavage to pull out an object, though that’s the kind of gag I feel like the original show could have got away with anyway (and maybe did).
Static Cling does an excellent job of giving these characters a reason to exist in the 2010s. The foundation is solid, though I found the last fifteen minutes or so started to drag for me. A lot of the best humor and gags occur early in the special and it doesn’t help that the Rachel Bighead plot feels very similar to Ralph’s debut in “I Have No Son.” It was both disappointing and predictable to see Ed Bighead serves as the conflict once again for Rachel and the character just re-learns the lesson he had already learned back in that old episode. Maybe it could have been more interesting if the opposite had occurred and it was Bev Bighead that took issue with Rachel? Anything to make it feel less redundant would have likely helped, though maybe it didn’t feel redundant to someone who hasn’t seen that episode in 20 years.
Ultimately, Static Cling does have something to say and it’s a worthwhile message. It’s examination of modern fandom and nostalgia is pretty on point, and the overall message that change is necessary is a statement worth saying. The fact that it also contains a positive portrayal of a transgender character is also great as that’s a minority that is still under-represented. It never stoops to cheap trans jokes too, which is a plus, as the production did seek input from the Gay & Lesbian Alliance Against Defamation (GLAAD) during production. It’s also hard not to enjoy Static Cling for the reason it seems to not want the viewer to enjoy it for and that’s just the pure nostalgia trip one gets from interacting with these characters once again. I have no doubt that because of it’s approach to comically infuse cartoon characters into a modern society that Rocko’s Modern Life could make a full comeback and be just as funny in 2020 as it was in 1995. It’s perhaps the cartoon from that era that has aged the best. It doesn’t seem like Joe Murray is interested in a full-blown comeback, but at least we got a little taste of what life would be like for Rocko in the 2010s.
In 1995 the Mighty Morphin Power Rangers were at the height of their powers. The show had premiered on Fox Kids in the summer of 1993 and was basically an instant hit. Saban Entertainment churned out 60 episodes for that first season followed by a 52 episode second season which finished airing in early 1995. When it comes to successful children’s properties, most executives want to strike while the property is burning bright so a movie was fast-tracked for summer 1995. It would be a whole different kind of production as the television show was a mash-up of three separate shows. The Power Rangers as teens was all shot in California, while the majority of the action was taken from Super Sentai, a long-running Japanese action-adventure television series. To make things more complicated, the White Ranger was introduced in Season Two even though he was featured in an entirely different season of Sentai which is how you end up with three distinct source productions.
For the movie, 20th Century Fox stepped in and took over for the notoriously cheap Saban Entertainment. Saban was so cheap that by the time the second season ended three actors had been replaced with new ones. Austin St. John, Walter Emanuel Jones, and Thuy Tran had been replaced as the red, black, and yellow rangers when the three tried forming a union to request better wages. The actors reportedly were making $600 per week and we’re being asked to do their own stunts as well. For a hugely successful show, one would think they were justified in requesting a raise. Saban though is run by Haim Saban, the same executive who reasoned that the writers for the wildly successful X-Men cartoon should take a pay cut for the second season because now that the show was a hit, writers should be banging down on his door to write for it. The three original Rangers were replaced by Steve Cardenas, Johnny Yong Bosch, and Karan Ashley while the other three who declined not to unionize (Jason David Frank, Amy Jo Johnson, and David Yost) remained.
It’s for that reason that it feels like Fox was just a few months late with the movie. Had the more memorable, and frankly better, characters made it to the big screen it probably would have had more of an impact. Then again, Mighty Morphin Power Rangers isn’t really a film that asks much of its heroes, save for them to mostly look cool and jump around. There’s one memorable line from the Rangers in the entire film, so basically anyone could have played these parts.
With Fox on board it meant someone else got to foot the bill other than Saban. It’s not uncommon for a movie based on a television property to look much better than its small screen counterpart, but for this film it was clear that Fox really wanted to make that point. The Power Rangers have their recognizable costumes, but they’re now padded with armor plating. The villainous Lord Zedd’s (Mark Ginther) exposed brain now throbs with every line of dialogue and his right hand monster, Goldar (Kerry Casey), gets to sport glowing red eyes and re-worked face. The end result is a bit of a mixed bag for the characters we’re familiar with. Zedd looks quite menacing, while the Power Rangers look more like motocross participants and Goldar is actually less menacing than he was on television.
What does work is the film’s new lead villain. The basic story is a strange artifact shows up at a dig site that contains the ancient evil Ivan Ooze (Paul Freeman). He apparently caused some trouble many years ago and an older version of the Power Rangers, together with their leader Zordon (Nicholas Bell), defeated him and sealed him away. Zedd is aware of the discovery and sees an opportunity to enlist Ooze’s help to defeat the Power Rangers and take over the world, but Ooze has other ideas. He traps Zedd and his bride, Rita Repulsa (Julia Cortez), in a snowglobe and takes over his operations with his own goal for global domination. He attacks Zordon and lays waste to the command center of the Power Rangers sapping them of their powers. The Rangers are then forced to use the last of their powers to warp to a distant planet to find a greater power in the hope that it will allow them to save Zordon and defeat Ivan Ooze for good.
The film marks the theatrical debut for director Bryan Spicer who worked with John Kamps and Arne Olsen to craft the story and script for the film. It’s a very basic story of a bad guy stripping a hero of their power and forcing them to find a new source to train, power-up, and return. It’s actually very similar to the plot of the first Teenage Mutant Ninja Turtles film in which the heroes lose their surrogate father and have to leave for a period only to come back and save the day. The film is only an hour and thirty-five minutes, but it’s a long hour and thirty-five minutes as there’s a lot of padding to be found. The film begins with a lengthy, and pointless, sky-diving sequence which gives way to an extended roller-blading outing for the Rangers. I guess the idea was to make the heroes look cool while also hitting that magic 90 minute running-time, but there’s a lot of pointless stuff going on.
The acting presented here is about what you would expect. The Rangers themselves are rather wooden, but they’re also given some of the worst lines to work with. Tommy, played by Jason David Frank, is perhaps miscast as the leader of the bunch since he struggles with basically every line except for “It’s morphin’ time!” I say “perhaps miscast” because I am not sure any of the others really demonstrate anything better. Amy Jo Johnson, who plays Kimberly the Pink Ranger, is probably the best of the bunch, but even she isn’t given a whole lot. Worse is that she and Aisha, the Yellow Ranger, seem to constantly find themselves in peril calling out for help from the male Rangers in virtually every conflict. This is a departure from the show where the girls are freely allowed to kick some ass and even bail out their male comrades. There’s also a romance angle shoe-horned into the relationship of Tommy and Kimberly, but there’s absolutely no chemistry to be found between the two actors.
As is the case with the television show, the real stars of the film are the villains. Lord Zedd and Rita Repulsa are a fun odd-couple pairing, for the brief time they’re around. They make me smile when they’re on screen, and I would have been very disappointed with how they’re written out if not for the presence of Paul Freeman’s Ivan Ooze. Ooze is a ridiculous looking villain, which is perfect for a film like this one that has a bit of a B-movie vibe going for it. He’s funny, flamboyant, and the pile of prosthetics Freeman is forced to wear do not cover-up his face so he’s free to emote and use his facial expressions to further enhance the character. He’s easily the best part of the film and it’s almost a shame he had to endure so many hours in a makeup chair for such a picture.
Where the film really takes a turn for the worse is in its desire to elevate the product above the television show. The show is formulaic and repetetive, but it’s not without its charm. The cheap effects are endearing, and the bad rock music soundtrack has a way of worming its way into your ear. Note that I don’t consider the main theme song, “Go, Go, Power Rangers!” as among the bad. That song is perfect for what it is. For the film, licensed music is brought in as is often the case for summer blockbusters. There are songs from The Red Hot Chili Peppers and Van Halen to go along with the techno-rock score that just isn’t nearly as fun as the television soundtrack. It causes the property to have a sense of being in over its head, like it doesn’t belong, when in reality the soundtrack was aiming to do the opposite.
Worse than the soundtrack though, are the effects. There are a great many instances of practical effects in this film, which is what is appropriate for the franchise. Some of them get a little silly, like the White Ranger doing a comical amount of flips through the air. His deployment of his sentient sword, Saba, is also awesomely bad. What can’t be forgiven though is the CG finale. The film only had a budget of roughly $20 million so no one would expect Jurassic Park CG, but where the films errs is in its attempt to make the zords, giant robots piloted by the Power Rangers, entirely CG. Same with the evolved form of Ooze which features a frozen face completely removing the character’s strength. The zords are just brutal to look at and it’s a real shame that the studio didn’t just pour money into making awesome costumes for the stunt performers. The Rangers even get new, more powerful, zords, but kids were likely left underwhelmed at the end result. They do show up in the TV show in a manner fans were accustomed to, and they look light years ahead of what’s presented here.
I decided to watch Mighty Morphin Power Rangers: The Movie largely because my kids have been watching the original show and it’s been a fun trip down memory lane for me. I honestly can’t remember if I had ever sat down and watched this movie beforehand, but if I did I can see why it wasn’t very memorable. I was hoping for more camp and plenty of humor, some intentional and some unintentional, but the film really doesn’t deliver. The only redeeming part of it for me was Ivan Ooze, and when he’s not on screen I’m just not entertained, save for one line by Johnny Yong Bosch when he finds out he’s receiving the powers of a frog. The film was a hit as it reportedly made over $60 million at the box office plus it probably made a bunch more in merchandising. Despite that though, there was no Mighty Morphin sequel. Instead, we got Turbo: A Power Rangers Movie in 1997 which bombed at the box office. The franchise was also rebooted in 2017 as simply Power Rangers, but it didn’t perform well enough to warrant a sequel and rumor has it the film franchise is destined for another reboot. The show is still going though and it seems like the type of series that will last forever at this point. It’s just a shame that its best era received such a dismal feature.
Bill Murray is the greatest actor of all time. If you want to disagree with me, that’s fine, just know that you’re wrong. Because of my love of toys and Mr. Murray, I’ve always wanted a Bill Murray action figure. It might sound like a weird want to most people, but to a toy enthusiast it probably isn’t. If one were to aspire to own Bill Murray in plastic though, then the easy franchise to look to is Ghostbusters.
The Real Ghostbusters is the toyline that made me an action figure fan for life. I loved that series from Kenner as I had the firehouse, the Ghostbusters, numerous vehicles, and some ghosts. That franchise is based on the cartoon though, and the actual Ghostbusters did not resemble their real-life counterparts even in the slightest. That is almost certainly due to money, as if you’re going to make a cartoon that uses the likeness of actors like Murray and Harold Ramis then it stands to reason that those individuals need to be compensated.
Nostalgia has taken over the toy collecting world though, and actual toys based on the original 1984 hit Ghostbusters have been trickling out for years. There have been some high end ones, and some more mass market friendly releases. I’ve always intended to purchase a Peter Venkman from one of those many lines to satisfy my Murray obsession, but I just never did. For one reason or another, I just either wasn’t enthused with the product or I didn’t like the price. Well, today on a trip to Target for some essentials, I made an impulse buy when I stopped by the toy section as staring at me right in the face was a Peter Venkman from Hasbro’s new Plasma Series of toys.
Hasbro is the latest license holder to acquire Ghostbusters. Previously, Mattel held the license and I believe Diamond Select also had it at one point. Hasbro is a well known toy creator as it currently holds many of pop culture’s biggest licenses such as Marvel and Star Wars. Once upon a time, I was a Marvel enthusiast and was way deep into the Marvel Legends line, but when Hasbro acquired the license from Toy Biz I wasn’t impressed. I left that line around 2006 and I haven’t purchased a Hasbro toy since. For that reason, this purchase was a bit like a homecoming for me. I have nothing against Hasbro as a company, I just don’t have much interest in the licenses they hold. This was the first release that had appealed to me in quite some time, so I was curious to see how Hasbro’s action figures stand up in 2020.
The Ghostbusters Plasma Line all come packaged in an attractive window box display. One side panel features a bit of stylized art of the four Ghostbusters and the rear dispalys the rest of the line. There’s also a brief blurb on the character. For Venkman, the box reads: “The man with the mouth: Peter can convince (almost) anybody of (almost) anything.” Short and to the point, it described the character well enough. Each figure comes with a few accessories as well as a piece of Vince Clortho in demon-dog form. For Peter, it’s the left, front, leg. The other figures in the line include the other three Ghostbusters, Dana in her Zuul attire, and Gozer. The retail at Target was $19.99 so if you want to build your own demonic canine it will cost you around $140. Hopefully you don’t want two.
Peter Venkman comes clad in his traditional Ghostbusters outfit from the first film. It’s the khaki one with the logo on the right shoulder complete with black boots and gloves. He stands right around 6″ and possesses a great deal of articulation. His head sits on a ball joint with great range of motion. The shoulders are ball-jointed and there’s a hint of a butterfly joint in there as well for turning the shoulders into the body. It doesn’t do much though. He has a biceps swivel which is a little tight out of the box and double-jointed elbows. At the wrist he has a swivel and a hinge joint to tilt the hands up and down. His torso is on a ball-joint so he has some good motion there that doesn’t detract as much from the sculpt as an ab crunch would, though he lacks traditional waist articulation. The legs are attached via ball-joints with thigh swivels and double-jointed knees. The ankles are on swivels, but with an odd pitch to them so they sort of turn out and up instead of on a straight plane. The feet also rock side to side.
What I understand to be typical of Hasbro is fairly true here in that most of the figure is colored plastic. There’s not a ton of paint work aside from a yellow cable on his belt and the logo on his arm. The face is a solid likeness for Murray, as good as one would expect at this price point. I’ve seen more expensive Venkman figures with lesser face sculpts. He has a cocky smirk which is befitting of the character, though I wish he had a five-o-clock shadow. The uniform looks great and even features the screen accurate detail of Venkman’s pants not being tucked into his boots. He has his walkie talkie affixed to his belt, though it’s non-removable, and the belt itself is a floating piece of plastic which adds a little depth to the look of the figure. The hands are in trigger-finger positions as opposed to a more generic grip. I’m not sure this really adds anything to the figure as the proton pack doesn’t feature a trigger, but the plastic is soft enough that he can hold his accessories with only a little bit of fuss. The lack of paint means he’s fairly glossy to look at. A wash over the uniform might have done some good, and his eyes are particularly shiny, but it’s an attractive enough piece.
For accessories, Venkman comes with his proton pack and a ghost trap. The proton pack is a really nice sculpt with some paint highlights as well. It’s attached to a harness that features two shoulder straps, a belt, and a peg to fit into Peter’s back. The belt of the proton pack detaches on the left side and it was more than a little troublesome out of the box. It almost looks like it was glued in place which had me doubting myself if I was supposed to even go this route in order to get this thing onto Venkman. I did manage to unfasten it, but I was scared the whole time that the peg would come off with it. It definitely could have been done better and isn’t something that would probably hold up well to repeated removals. The actual blaster portion can be holstered on the side of the pack or held by the figure. It’s on a soft piece of plastic and seems reasonably durable. Venkman has enough articulation that he can hold the end of it in a casual manner, ready across his chest, or point it to bust some ghosts. The other accessory, the trap, looks the part, though it doesn’t do anything. Venkman can hold it, but there isn’t an easy way to clip it onto his belt or anything like that. It also doesn’t have the activation pedal. The only other accessory is the build-a-figure piece which I suppose looks fine, though I’m not about to judge that figure based on one leg.
Positioning and posing Venkman is pretty rewarding. There isn’t much he can’t do that you would want him to do based on what the character does in the film. His feet are a bit small, so he’s a little harder to stand than I expected he would be. The proton pack also adds some weight to the figure, but not enough to make standing him impossible. For the price, he’s as good as expected. The only real shortcoming with the figure is the lack of extra hands as he pretty much needs to be holding his proton blaster to not look stupid. A screaming second head would have also been cool, but not expected or really necessary. I wouldn’t be surprised if Hasbro does a slimed variant in the future.
The Plasma Series Venkman is an action figure that gets the job done. I wanted a Bill Murray toy, and was happy to take him in his Ghostbusters attire, and this fit the bill. It’s about what one would expect of a mass market action figure at the $20 price point, but it also doesn’t exactly leave me feeling like Hasbro went above and beyond like NECA often does with its products. It also didn’t leave me with a compulsion to buy the rest of the line, so Peter is going to have to get used to hanging out with the Lego versions of the other Ghostbusters. Maybe if they ever hit clearance I’d revisit it, but probably not. For Ghostbusters enthusiasts, I suspect they’re happy to have an improvement on what Mattel did in the past and at an affordable price point.
“The class is Pain 101. Your instructor’s Casey Jones.”
There may not be a more quotable scene from Teenage Mutant Ninja Turtles than the encounter between Casey Jones and Raphael. Raphael, after taking in a movie he appeared unimpressed by, stops a purse-snatching and scares the kids off with a simple gesture to his sai. The kids take shelter in Central Park, where they have a chance encounter with the vigilante Casey Jones. Jones witnessed the attempted thievery, but he’s not as forgiving as Raph. Before he can really lay into the teens with an assortment of sports equipment turned weapons, Raph breaks it up which brings about the memorable encounter.
It was a trip for me as a kid to see my favorite green heroes on the big screen, and it was almost equally as entertaining to see Casey Jones. Played by Elias Koteas, Jones basically leapt from the comics and cartoon and took to live-action effortlessly. His attire was simple: sweatpants, t-shirt, vest, and that trademarked hockey mask. It should have been easy to translate to a film, but the performance of Koteas throughout the film should not be dismissed so easily. He’s an entertaining and even endearing character. There was probably so much more that could have been done with him, but in an effort to tone down the violence from the first film the Casey Jones character was written out of the sequel, I suppose in favor of the much less-celebrated Keno. He did return for Teenage Mutant Ninja Turtles III, but the less said about that film the better.
As has probably been noted in every one of my reviews of NECA’s movie-inspired Teenage Mutant Ninja Turtles line of action figures, this is a notable release because it’s the first of its kind. The movie was not expected to perform well, so Playmates did not support it with any toys. When it did prove a surprise hit, the company went straight to producing toys based on the sequel. That meant the Turtles themselves at least received figures as well as many others, but the characters and designs unique to the first film never did. And it doesn’t look like Casey received a figure for the third film, which is a bit surprising. Fans of Casey Jones have had to wait 30 years for a proper figure, but he’s finally here and fans are left to determine if he was worth the wait.
Not to be ignored though, is the fact that Casey Jones is part of the first movie two-pack released by NECA exclusively through Walmart. Along for the ride is Raphael in disguise sporting his trench coat and hat. This Raph is a scaled-down version of the quarter-scale figure, which is also just the regular movie Raphael, but with a coat and hat. It’s a fairly iconic look for the character that deserves a proper action figure and bundling him with Casey Jones makes perfect sense. I suppose there are some out there who would have preferred he come with another all-new sculpt, (April? Tatsu?) but I can’t say I feel cheated or anything.
Let’s talk about Raph first before getting to the main event, of sorts. Raphael is the exact same figure released previously as part of a four-pack of Turtles as a San Diego Comic Con exclusive and also released as a single-pack through GameStop last year. NECA has taken the movie line from GameStop to Walmart, in case you were wondering, and the previously released figures should start showing up any day now in two-packs as well. In comparing the figure with my SDCC edition, his face looks a touch lighter to me with a little more yellow mixed-in with the green. The eyes on my original Raph were kind of screwy as well, but this new one looks fine. It might have been neat if he could have had a new head, perhaps one with more teeth such as when he rescues April in the subway, but this is a good likeness of the character. His default mask “tails” is a new piece that diverts the tails around his neck instead of off to one side. He comes with the other two pieces, one going left and one going right, should you wish to swap it out, but I think the default one looks best. The coat is a soft goods coat and it looks really sharp. There’s one loose string on my Raph’s left shoulder, but otherwise the cut looks great. The buttons are non-functioning, but the belt and pockets are real. His hat is soft plastic and there’s a little hole for the knot of his mask. You could, if you wanted, pop out the tail piece and re-insert it through the hat to possibly get it stay on better, but he looks good no matter what you choose to do there. He also has his backpack, which is made of more soft plastic. It’s the biggest hindrance to getting the coat off and I suspect you would either need to cut the straps or pop his arms off to do so, but why would you?
Underneath that coat everything appears to be the same. All of the spots and battle-damage on Raph’s shell all look to be there. This also means all of the articulation is still in place as well. Raph will be restricted by his coat to some degree, though the cloth nature of it means it’s not as restricting as you may have expected. Raphael features a nice, tight, ball-joint at the neck. The default mask tails restricts his mobility a bit, but that’s what the other parts are for. He has ball-joints at the shoulders and elbows, plus hinges at both as well. There’s a forearm swivel and wrist swivel plus a hinge at the hand. Underneath the shell is a torso ball-joint that provides a little movement, but the shell (and coat) don’t allow for this joint to do much. He has ball and hinge joints at the thigh to go along with double-jointed knees. His feet are on a hinge, but there isn’t much movement there. It can also rock side-to-side a bit. This was plenty for the standard release, though for this version I wish the feet had more range of motion as the added bulk of the backpack makes him a challenge to stand. I can get him to stand in some poses, but ultimately I think I’ll use a stand when I place him on a shelf.
As far as accessories go, Raph seems a bit light compared with his box-mate. That’s fine since Raph really doesn’t need much aside from his outfit and trusty sai. That outfit is the star, of course, since it looks and feels fantastic. Despite not featuring a wire inside it, I found the coat easy to move and position. It can be bunched up in places to gain more range of motion at the arms, or allowed to conceal as much of this big turtle in a trench coat as possible. I was even able to get him to properly hold a baseball bat without much hassle. Raph also comes with both sai, even though he was down to one when he met Casey. He comes with gripping hands affixed to his arms, and optional open palms and finger-pointing/optional sai grips as well, just like the standard figure. NECA also tossed in a slice of pizza for good measure since I guess you can never have too many of those, though I kind of wish they had stuck a hole in the middle for his sai even though he didn’t do that until the second film. Or maybe a chewed up apple would have been fun.
Raphael is pretty sweet, but he’s also a variant of a two-year old figure. What collectors are really excited for is Casey Jones! Casey stands at about seven inches making him roughly half an inch taller than Raph, which feels about right. He’s in his first-appearance attire which includes a non-removable hockey mask. Underneath the mask is indeed a face that vaguely resembles Elias Koteas (you’ll have to search online to see for yourself), but the only way to get it off is to chisel it since it’s glued on. The mask also features pegs, and the straps are part of the sculpt, so your figure will look pretty stupid without a mask. NECA was unable to secure an agreement with Koteas to use his likeness, which is why there’s no unmasked head included. Though let’s be honest, basically everyone is displaying this guy with the mask on anyways, even if he only wears it for a small part of the film. Koteas confirmed on Instagram recently that he has actually given his blessing to NECA to go ahead and do a figure with his face on it, so don’t be surprised if we get an unmasked variant down the road (or a quarter-scale version with a removable mask) as part of another two-pack.
Casey’s sculpt looks to be pretty damn accurate to the screen version. He has a white t-shirt with a vest over it that’s actually a shirt with cut-off sleeves. Both the shirt and vest are a soft plastic, though the sleeves on his arms are sculpted. He’s got his gray sweatpants on and black high-tops to go along with fingerless gloves for added bad-assness. The mask is the star of the show though as it looks great. It’s a thick plastic with a glossy paint-job that looks great. The decision to sculpt it separately with a face underneath also means his eyes looks menacing and the slits over the mouth could be actual cuts in the plastic rather than painted lines. If anything appears to be a touch off, it’s the hair which looks heavy as opposed to the more frizzy appearance it had on film. Hair is notoriously difficult to sculpt though so this barely registers as even a nit-pick. The knees also a look a tad odd, but again, that’s because NECA is trying to recreate a soft cloth like sweatpants in plastic form. NECA opted to make the plastic of the thigh go over the lower leg rather than do a kneecap. It’s tough to say what would look better and I bet the sculptors were left wishing the character had sported knee pads in the film. I’m curious if the expected quarter-scale version will experiment with soft goods for the sweatpants or stick with plastic.
Casey is pretty well loaded with articulation like his little, green, buddy. His head is on a ball-joint and partially restricted by the hair, but nothing that should cause issue. He has ball-jointed shoulders and double-jointed elbows to go along with a forearm swivel and the same swivel-hinge articulation at the wrist enjoyed by Raph. What I can’t determine is if he has any kind of ab crunch as the t-shirt prevents me from figuring that out. He has some waist articulation, but the shirt again prevents much of the movement. His thighs are on ball joints, but he features just a simple hinge at the knee. The ankles can swivel freely and there’s a hinge joint as well that’s quite restrictive. He’s a bit tough to stand as well, especially with the golf bag on, so he’s likely going to end up with a stand as well. He would likely need bigger feet to stand better, but that obviously wouldn’t be screen-accurate. More leg/torso articulation could have possibly helped as well, but then you’re cutting up those sweatpants and shirt even more which would have been less aesthetically pleasing.
The paint job on Casey is simple and effective. The clothing is done with a matte finish, but the shoes have a bit of a shine to him. His laces are painted black as well, which is probably screen-accurate, but I’ve never tried to stare at the character’s shoes. The t-shirt has an understated dark wash applied to it giving it a grimey look which is a nice touch. Casey doesn’t seem like the type who stayed up doing laundry. The only negative with the paint is the hinge piece of the shoulders was left unpainted, so if Casey’s arms are up it will look a bit ugly.
As expected, Casey comes with a lot of goodies. He has his golf bag to store everything in which fits easily over his head and arm. It’s soft plastic so it’s fairly light, but once it’s full of stuff it’s no longer quite so light. The strap is rather thin and doesn’t disconnect so you’ll want to handle with care to not snap it at one end. For weapons, Casey comes with a pair of baseball bats (sadly, no Jose Canseco signature spotted on either), a hockey stick (left-handed, interestingly), a goalie stick, golf club (wood), and of course the infamous cricket bat. The weapons all look great with a paint-wash applied to nearly all of them to give them a weathered look. Most feature athletic tape, and the only one that looks brand new is the golf club. And it should, since that’s from the end of the film when Casey uses it to finish off Tatsu (“I’ll never call golf a dull game again.”) and is a nice touch since NECA could have chosen to omit it given the set is so scene specific. You can also fit everything into the golf bag with some effort, though the giant goalie stick looks a bit ridiculous sticking out of the bag. In the film, he only ever needed room for the two bats and the cricket bat so being able to fit them all wasn’t even a realistic goal, but they pulled it off. Not much to complain about either in terms of screen accuracy. I noted that the hockey stick is left-handed, but it looks like a righty stick on screen. And Casey certainly swings that cricket bat right-handed. The bats also probably could have been lighter in color, but I can’t say either thing is something that bothers me. These weapons are a lot of fun and I’m glad to see that Casey has a full assortment.
Casey is going to need some hands to wield those weapons, and he has a bunch. His default hands are simple fists for when he wants to get his hands dirty. He also has two sets of gripping hands. I can’t really tell what’s different about them, the gripping opening might be just a touch larger on one set versus the other, but it’s pretty light. The goalie stick does require a bit more room to wield properly, but I seem to have little trouble regardless. His gripping hands are also really soft so you can bend the fingers around whatever he’s holding. Maybe the extras are just in case of ware and tare? He also has a pointing right hand and a more relaxed open left hand to rest a hockey stick or bat in. It’s a nice assortment and the long pegs and soft nature of the plastic makes swapping them pretty effortless.
Casey Jones is a more than worthy addition to what is perhaps the most impressive line NECA has ever produced. The likeness all of the figures from the first TMNT movie have been incredible, and Casey is no exception. I would be remiss if I didn’t point out the fine work of sculptors Trevor Zammit, Kyle Windrix, and Trevor Grove. And no one should be snoozing on the Raphael in this set either. I was a bit on the fence with him and questioned whether or not I would have purchased a single-carded version of the character in disguise, but now that I have him I’m pretty happy to say that I do. My collection would have been lacking if I had a Casey Jones with no Raph to go along with him. As much as I identify Casey with April, a two-pack of them on a porch swing is certainly not nearly as exciting as the confrontation between mutant hero and vigilante.
If you want to add this two-pack to your movie collection, it can be found exclusively at Walmart for $49.99. It just started showing up last week and is still shipping to stores as I type this. Some areas will just start to receive it this week. It was also offered for purchase online, but basically sold out in seconds as NECA’s TMNT product remains extremely hot. Because of that, this set is not the easiest in the world to find, but it can be done. I’m just a blogger so my toys come from the store just like everyone else and I was able to find a set, so don’t despair if you don’t find one right away. And NECA is certain to keep producing these and I definitely expect at least a Casey re-release some day now that Elias Koteas is onboard. And above all, network with folks, make friends in the collecting community, and don’t feed the scalpers! Good luck!
It was now a couple of weeks ago I posted about some toys I always wanted as a kid, but never got. Shortly after, I rectified some of those decades old injustices by purchasing the Dragonzord with Green Ranger from Bandai’s Mighty Morphin Power Rangers line of action figures from 1993. The Dragonzord was my number 2 miss, but number 1 had always been the Deluxe Megazord from that same line. Well, predictably, I have now made peace with the two biggest toy omissions from my youth by securing my own set of Dinozords!
The Megazord was always appealing to me because it was essentially five separate toys that could combine into two additional toys. That’s basically seven toys in one box, and the fact that it was pretty screen accurate made it appeal to me even more. I was just a casual fan of the television show, but those toys were just too awesome to ignore. The demand for the toys was something I couldn’t overcome though, so I learned to go without. As an adult though, I don’t have to.
I purchased a Megazord secondhand. Unlike the Dragonzord set I acquired, this one did not come with a box, but it did come with all of the parts. In my search for an authentic early 90s Megazord I found it was common to find some missing the sword, shield, and especially the canons that double as feet for the pterodactyl zord. Some also would feature a broken gun on the triceratops zord or missing horns. I assume most of these that were acquired in 1993 were played with and not kept on a shelf so it’s not a surprise that it’s hard to find a fully intact Megazord. It’s also why these things end up being quite expensive. I don’t feel as good about the price I paid for this set as I did the Dragonzord, but it is what it is. I’m actually relieved the seller no longer had the box or else I probably would have had to spend more!
Like the Dragonzord, I had some options when it came to buying a Megazord in 2020. Bandai released two different versions of the Megazord in 2010 as part of the Legacy line of figures. That one, from what I can tell based on video reviews, is very similar to this one. The functionality is virtually identical as both basically transform as it did on television. The standard 2010 version has a pretty ugly sword, but there was an updated version with some diecast parts and a much nicer looking sword. Overall, the 2010 Megazord appears to be a touch smaller, but the thing that bugged me about it is the triceratops zord lost the gun articulation on its tail. It’s a really minor thing, but it irritated me because it’s a clear downgrade. The 2010 version should have been superior in every way to a toy released in 1993! Also like the Dragonzord, there’s a Soul of Chogokin version from Tamashii Nations. It’s fantastic looking and easily the superior Megazord, but it’s also upwards of $300 at this point. There was also a model kit, Mini-Pla, version that’s almost adorably small and still retains the five zords into one (unlike the Build-A-Figure version from the Legacy Collection line that’s just an action figure) that I would have loved to consider, but it’s long since sold out and now fetches around 200 bucks on the secondary market. Ultimately, it was the 93 Megazord that vexed me as a kid so it was the 93 Megazord that I should acquire.
In case you’re not familiar with the Megazord concept, please allow me to present this refresher. The Megazord is the combination of the five Dinozords. Each of the five original Power Rangers was aligned with a prehistoric beast and each Ranger controlled what is essentially a giant robotic representation for each beast. They are: Tyranosaurus, Pterodactyl, Triceratops, Sabre-toothed Tiger (sic), and Mastodon. In nearly every episode, the monster of the day the Power Rangers are fighting grows to roughly the size of a skyscraper, so the Rangers attack via their zords. They can attack separately, though rarely do. Instead, they combine their beasts into one massive robot: the Megazord.
The Megazord actually has two forms: tank mode and battle mode. Tank mode is the less elegant version as it’s basically just the Megazord, but sitting down without a head. The T-Rex serves as the body, and the sabre-toothed tiger and triceratops form the right and left legs respecitively. The mastodon zord loses its head and wraps around the T-Rex to form the arms of the Megazord while the pterodactyl zord just sort of rides on the thing. The feet of the pterodactyl become the canons which attach to the mastodon arms, while the mastodon head sits on the T-Rex chest and the whole thing rolls similar to a tank.
When the Power Rangers want to switch to the more memorable battle mode, the tank basically just stands up. The mastodon head is removed and the pterodactyl becomes a chest plate. The T-Rex head folds down and into its chest revealing the Megazord’s head and hands pop out of the arms. The canons from before are affixed to the Megazord’s back and look like boosters or something. The Megazord can attack with its fists, or rely on the power sword. The mastodon head can also be utilized as a shield, though it rarely was used in the show in this fashion.
Both transformations are essentially identical in how they occur with the toy as they do on television. This is probably due to the designer of the Megazord having to account for future toys down the road. At least, that’s what I assume. The show really only takes liberties in that once the models combine on the show, they’re swapped out with a costumed actor and the proportions change slightly. The most notable being the head of the costumed performer is much larger than what ends up on the toy. The only other aspect of the toy that isn’t entirely screen accurate is the T-Rex tail, which kind of just disappears on TV but is folded up the back of the toy. And the actor is able to move in a far more graceful manner than the toy. The Megazord is basically only articulated at the shoulders and hips and they’re just hinge joints. The lack of ball-jointed shoulders and basic elbow articulation really limit the available poses for the toy as it basically can only assume one position on your shelf.
This version of the Megazord is composed almost exclusively of colored plastic. This means there’s less opportunity for paint-slop and chipping over the years. The graphics and highlights are all done with stickers so when buying secondhand you’re at the mercy of whomever originally put these stickers on. Like the Dragonzord, the stickers aren’t 100% screen accurate, but it’s really only noticeable when doing a direct comparison. It doesn’t look like the original toy asked too much of parents and kids when it came to applying them and my unit looks as good as one could expect of a toy from 1993. It was clearly loved and enjoyed by a kid long ago and it shows. The sword is quite attractive as it has a shiny paint-app and is probably the portion of the figure that would be most likely to show ware. Same for the similar chrome portions of the other zords, namely the mastodon tusks and triceratops horns.
Whether you have instructions or not, transforming the Megazord is rather easy since you can basically just watch the show. The individual zords offer limited play. The mastodon and triceratops basically just sit there, though the triceratops has wheels. The pterodactyl also doesn’t do much, but since it’s a flier it doesn’t have to. The little canons can clip to it like feet, but they look stupid and I don’t recall seeing them in the show. The saber-toothed tiger has solid articulation though and it can emulate a running motion while also featuring moveable fangs. It’s a shame Bandai didn’t go the extra step of putting a hinged jaw on this one. The tyranosaurus has about as much function as you would expect, though it’s a little disappointing that it’s mouth has a big, red, wad, of plastic for the throat that makes it look odd. The connections are easy to utilize and pull apart just as easily, but they also won’t just fall off. The only complicated part is the mastodon which basically splits down the middle and clips around the T-Rex. Both of the leg zords are super simple, especially the triceratops which just has to fold its tail in and bend its neck, and even kids should be able to handle it.
In hand, the Megazord has some nice weight to it. It stands about ten and a half inches tall and is noticably larger than the Dragonzord, which is about nine and a quarter inches to the top of the head. Since it’s all plastic, it does get a bit creaky. The joints on mine are still fairly tight and I have no issues getting the Megazord to hold its arms out forward, basically it’s lone pose. On the individual zords, the tails of the triceratops and saber-tooth tiger are loose and getting them to stand in a blasting pose is a balancing act. The T-Rex tail is also a bit loose and doesn’t stay locked in place for very long. That’s also partly due to the toy needing to be bent forward at a pretty extreme angle so the legs don’t interfere with the tail. The little flaps that are the pterodactyl’s wings are also fairly loose, but they also don’t have to do much. All of the connections though are really satisfying and it’s a lot of fun to plug and play. It makes a nice clicking sound when things are put together and it’s really impressive what Bandai achieved since it seems like there’s little chance of forcing something into place at the risk of breaking it.
Of course, the fun doesn’t end here. If you have the Dragonzord, you can take advantage of that as well. The Dragonzord has a battle mode in which it basically assumed the role of the T-Rex zord in the Megazord construction. The mastodon becomes the arms as the chest piece is removed and the Dragonzord arms fold in to make a new chest piece. A face can then fall down from the Dragonzord head while the legs of the Megazord serve the same purpose here. The T-Rex and pterodactyl are free to do whatever they wish, and in the show the T-Rex would often fight alongside the Dragonzord in this battle mode, though in toy form the scale is way off. The Dragonzord’s tail also combines with the former chest piece and the included shaft to make the Power Lance, or Power Lazer Drill (as the box refers to it as). It’s pretty neat to behold, and like the Megazord the transformation process is really satisfying. The only thing I don’t like about it is the drop-down face on the Dragonzord has nothing behind it so it kind of just swings there. And while the lance is pretty cool looking, it’s functionally useless since it’s so huge. It has a handle that basically just rests in the hand of the zord, but the zord itself can’t actually wield the thing. Modern iterations make this aspect work better by fudging with the scale just like the show does by including an extra lance for play purposes.
If you wish to leave your Megazord intact though, you can still combine it with the Dragonzord to from the Mega-Dragonzord. This one is a bit less interesting as it’s basically the Dragonzord with the chest and tail removed and draped over the top of the Megazord. The tail can clip onto one of the sides, as can the discarded chest piece of the Dragonzord, though it basically just looks cool. This version of the character was deployed more like a tank in the show as it would just shoot a giant laser at the enemy as opposed to battling with fists and sword or whatever. It’s also this version that can combine with the unfortunately named carrier zord, Titanus, to form the Ultrazord. It’s another tank-like mode and the only change is the chest of Titanus is clipped onto the chest of the Mega-Dragonzord as it’s placed inside the carrier zord. I never really cared for the Ultrazord as a kid, so I have little compulsion to go after a Titanus so you probably shouldn’t expect a review of that one to come.
There’s no doubt in my mind that had I been able to collect this line as a kid I would have loved the hell out of it. These are some of the best toys of the early 90s and it’s no surprise they ended up being incredibly popular. I could see myself transforming and de-transforming these things constantly and swapping in all manner of other action figures I had laying around as bad guys, maybe even big stuffed animals. I was also the type of kid that could busy himself for long stretches of time just playing with my action figures so imagination was never an issue. Not that these toys even require much since they’re so similar to what was presented in the show.
Acquiring both the Megazord and the Dragonzord has certainly scratched an itch for me. I don’t think it’s going to lead to much more from me where Power Rangers are concerned, but who knows? My kids have really taken to it, and I read Hasbro is looking to release a Megazord later this year so I may need to keep an eye out for that if my kids remain interested. In looking at the other iterations that have come, I’m certainly tempted to by the Soul of Chogokin version, but I likely won’t be able to justify the expense and take on another line of collecting. That’s fine though, because I have what I always wanted. It may have taken nearly three decades, but I finally have a Megazord!
It’s an accepted part of life that all good things must come to an end. Bad things have endings too, but the only endings that are usually painful are the good things. And for Rocko’s Modern Life, it certainly was a good thing that ended perhaps before it needed to. After 52 episodes (100 segments) creator Joe Murray felt it was time to move on. It should be said that it was more of a personal decision in that he just didn’t have anything more to say with the show. He even stepped back some taking on the role of executive producer for the final season allowing Stephen Hillenburg to assume the role of creative director. Murray encouraged the network, Nickelodeon, to continue the show without him, but the network decided not to renew it for a sixth season. This was pretty typical of Nickelodeon as it often didn’t go beyond this type of episode count with its Nicktoons, or really any shows. As a result, Rocko’s Modern Life is one of those shows that feels like it went out on top. There were likely many more stories that could be told with these characters, but they’ll have to remain untold.
The fourth season of Rocko’s Modern Life continues to explore the setting of O-Town and life in the 90s for the main cast. Rocko (Carlos Alazraqui) once again is forced to tackle the mundane and the insane like managing conflicts between friends, rude neighbors, love, ghosts, and even a bout a hypnosis. His gluttonous best friend, Heffer, (Tom Kenny) takes on the role of co-star for many segments and even gets to assume a larger role at times than the star. Filbert (Mr. Lawrence) returns as a married turtle and will get to experience fatherhood this season while the Bigheads (Charlie Adler) are still around to make life miserable for neighbor Rocko.
The fourth season might be the best looking season of the show. I don’t know if anything changed on the production end, or if it was a case of the masters being better stored, but the DVD release really pops. The colors are deeper than they were on the first three seasons and the animation is quite fluid. It’s perhaps not as gross as the prior seasons, and that could be Hillenburg’s influence as creative director this season. There’s still moments that are somewhat gag-inducing, but it’s definitely not a defining characteristic.
On the flip-side, this season seems to feature less continuity. We’ll see Filbert become a father in the early season episode “From Here to Maternity,” but afterwords his life doesn’t seem to change a whole lot. There will be times the gang goes to his trailer and it looks like he lives alone. I understand not wanting to be restricted by this development (it would be tiresome to write into every episode who is watching the kids), but there is a disconnect. Similarly, the dog Earl taken in by Bev Bighead seems to disappear this season and there’s a confusing flashback episode in which Rocko, Filbert, and Heffer are depicted as high school students even though Rocko moved to the US during adulthood. These aren’t really things that prevent one from enjoying the show, I just liked the continuity on display in the past seasons since so few cartoons contain such.
The show is still wildly funny in many places. I think a lot of fans consider season three of the show to the peak for it, but it’s hard to find any real drop-off with season four. “Sailing the Seven Zzz’s” might be the show’s funniest episode. The plot concerns Ed Bighead and his somnambulism in which he thinks he’s a pirate and makes nights miserable for Rocko. Heffer and Filbert see this as an opportunity to mess with him, and it gets pretty wacky. And speaking of Ed, he basically assumes a starring role in several episodes of this season. My favorite might be “Closet Clown” where we find out Ed enjoys playing a clown, but hides it from everyone. It’s yet another episode of the show that might be dealing with a sensitive subject, such as closeted individuals, but doing it in a very funny, natural, way.
There are a few segments that don’t work as well as others. “Dumbells” gives Gladys the Hippo (Adler) a starring role alongside Rocko in which she gets addicted to the thrill of the childhood prank ding, dong, ditch. It’s okay, but not really an interesting way to shine a light on a one-note character from prior seasons. “Wallaby on Wheels” is another episode where Rocko is trying to impress a girl (he seems to finally be over Melba) that feels a bit too familiar. The same could be said for one of the broadcast finale segments, “Turkey Time.” That one is depicting Rocko’s introduction to Thanksgiving and he invites a turkey home for dinner not realizing the intent is to serve it for dinner. It plays a lot like the episode where Heffer brings an elk home for the same reason. “Turkey Time” then gets extra redundant when everyone in town finds out about Rocko having a party and invites themselves over, which is the same plot as “Rocko’s Modern Christmas.” It does feature one of the racier jokes in the season though when Heffer brings out a turkey for the party and Rocko’s living room is basically decked out like a strip club.
Speaking of racy jokes, you can’t have a discussion about Rocko’s Modern Life without a discussion of censorship. This season contained one episode that was essentially banned after its initial airing and that’s “Heff in a Handbasket.” In it, Peaches returns whom viewers should remember from “To Heck and Back.” Peaches is the lord of the underworld and he’s tasked with acquiring Heffer’s soul, since he outwitted him before. It’s nothing too salacious and it’s a very silly episode where Peaches rigs a game show designed to steal Heffer’s soul, only Heffer is so stupid that he keeps messing it up. It’s a funny episode, so it’s a shame it got kicked off the air, and I guess it got the boot simply because part of it is set in a version of Hell.
Unlike a lot of cartoons, Rocko’s Modern Life did get a proper series finale. The segment “Future Schlock” is the intended finale, though the Thanksgiving episode aired after it to line-up with the actual holiday. Most of the episode takes place in the future when Filbert’s kids find a banana in the refrigerator of Rocko’s abandoned house and bring it to their eldery-looking (but only 38 year old) father to find out why anyone would put a banana in the refrigerator. Much of the episode from there is a flashback, but I enjoy the fact that it displays Filbert’s contempt for Heffer which is something that seemed to be rising with each season (though Filbert in general got a bit nastier, see him try to sacrifice Rocko for a wig in the segment “Rug Birds”). The show ends with the whole gang getting mistakenly blasted-off into space and the Netflix special Static Cling from 2019 actually picks up where the episode leaves off and you’ll definitely hear my thoughts on that before the summer is through.
The DVD for the fourth season of Rocko’s Modern Life is a lot like the other three. It’s essentially just the episodes presented in broadcast order. It would have been nice if they could have been arranged in production order for this season, since it has a proper ending, but it’s not a big deal. The only special feature is a video recording of a fan event from 2012. Hosted by voice acting legend Rob Paulsen, it’s a gathering of the main cast of the show for a reading of “Wacky Delly Part 1” and it’s quite a bit of fun. After the script is read, they also talk about the show and share their thoughts on everything. It’s crazy to think this was recorded 8 years ago at this point, but everyone sounds great and I enjoyed it more than I thought I would.
If you liked Rocko’s Modern Life or have all three seasons up to this point, then there’s absolutely no reason not to own season four. It’s a little different, but still plenty hilarious, wacky, and silly. Some characters get more of a spotlight shined on them so if you had a favorite side character from before then maybe you’ll be pleasantly surprised by their inclusion here. There’s just a great chemistry between the characters in the show and the people behind the image that shines through. Joe Murray and his team can be proud that they created a cast that could work in almost any setting because they’re interesting, funny, and even sympathetic. Reliving this fourth season has me wishing even more than I already was for more content down the road. I don’t know that any will ever come, but it doesn’t hurt to hope.