Tag Archives: fox kids

Dec. 21 – The Nostalgia Spot Christmas Special Countdown #42 – 33

We’re back to the regular entries, but not for very long. Hopefully you enjoyed yesterday’s entry on old Emmet Otter, but we’re ditching the puppets today in favor of traditional, 2D, animation. Well, for the most part. We do have one CG entrant for today to wreck the party, but since we’re talking about a top 40 Christmas special I guess it can be forgiven. Today’s entrants are all of the nice, or genuine, variety as I classified them when sorting my list. It’s also a solid mix of 90s and 2000s cartoons with one extreme outlier so this isn’t a chunk of the list being driven by nostalgia, for the most part. My nostalgic attachment is mostly pre 90s with a few exceptions. In general, if I am allowed to toot my own horn for a second, I’m impressed with my own ability to set aside nostalgia when compiling these rankings. Oh sure, some of it plays a role. Is Rudolph the Red-Nosed Reindeer really as good as I’m going to rank it? Probably not, but I’m also not out here to formulate hot takes. You just have to find that happy medium between genuine quality and cozy nostalgia. With Christmas specials, it can be hard to separate the two and in some cases downright impossible. One Christmas episode that I have zero attachment to is leading us off today, and it might be the Christmas special that surprised me more than any other.

42 – Buzz Lightyear of Star Command – Holiday Time

In this episode, Buzz gets into the “holiday” spirit.

I don’t say that Buzz Lightyear of Star Command surprised me because I expected it to be crap, I just didn’t really have any expectations going in at all. I had zero interest in the universe Buzz Lightyear hailed from. Like the unsuccessful film of a few years back, this show depicts the fictional show the toy in Toy Story would be based on. I guess this is the cartoon Andy might have watched while sitting in front of the TV with his action figure. It’s a 2D animated show that actually looks pretty good for something that aired in 2000. What really works though is the casting of Patrick Warburton as Buzz and Wayne Knight as Zurg. Those two Seinfeld alum are fantastic in their roles and the show is fast-paced, witty, and full of action as Buzz and his fellow members of Star Command have to aid a guy claiming to be Santa in order to save their “holiday.” That might have been my one critique here is that the show is clearly avoiding the term Christmas which feels overthought. I get it, it made no sense for the Flintstones to say Christmas since they predate Christ, but if you’re going to replace the term then come up with something better than “holiday.” That’s a very minor complaint though as this episode was a lot of fun. It’s just a shame Disney has no interest in preserving it or making it available as in the five years since I first wrote about it the show has still not been added to Disney+. I’m blaming the failure of Lightyear for that.

41 – Be Cool, Scooby-Doo! – Scary Christmas

Shaggy and Scooby had a little trouble with the wrapping paper.

Scoob and the gang didn’t mess with Christmas a whole lot. Perhaps it was because their vibe was more in-line with Halloween, but the remnants of Hanna-Barbera started to rectify that in more recent times. Be Cool, Scooby-Doo might be the best Scooby-Doo show that’s ever been produced. I can’t really claim to be an authority on that as I have long since lost track of the franchise. The earliest works are kind of bad though, even though I watched a ton of them. I did enjoy A Pup Named Scooby-Doo as a kid and can appreciate it still on some level and through my kids I’ve been exposed to some of the movies and other modern shows. Of them all though, this is the only one I’d sit down and actually enjoy as it’s pretty funny. It’s kind of like a very tame version of The Venture Bros. as we have the usual mystery solving gang dealing with some supernatural element each episode that’s probably a robot or something. In this one, it’s a robot dinosaur that’s plaguing a town at Christmas and looking to mess up an annual celebration. The show is able to create comedy without really dumbing down the characters. Fred is a bit like the character from A Pup Named Scooby-Doo in that he’s more stubborn than dumb. The only real negative is the show isn’t as fun to look at as some others. It’s not terrible, but I’d put it on par with an adult animated sitcom like Family Guy or Bob’s Burgers. There’s a flatness to everything, but it mostly animates well. I might be ranking this one a bit too high, but it feels more impactful given that it’s a venerable franchise finally getting a good Christmas special.

40 Batman: The Brave and the Bold – Invasion of the Secret Santas

Batman and Red Tornado are teaming up to save Christmas.

Speaking of a venerable franchise getting a good Christmas episode, here’s the caped crusader himself – Batman! I dismissed Batman: The Brave and the Bold when it aired in the 2000s because I had heard it was a kid-focused show. I wasn’t mad or anything, I just figured it wasn’t for me. I may have been wrong. This is a softer take on Batman, but the show is really well-animated and Diedrich Bader is a fantastic Batman. It has a dry humor and there’s a subversive element at play and it’s on display in this episode. Especially when a robot Santa goes up in flames revealing a robotic skeleton underneath it. The show had a team-up format where Batman would partner up with another hero in the DC Universe and this one includes Red Tornado. As an android, he has to try and figure out this whole Christmas thing which is pretty humorous all the while Fun Haus is wreaking havoc on a small town and attempting to steal Christmas. There’s some flashback stuff as well to Batman being a little dick at Christmas when he was a kid just adding another layer of guilt to the trauma-laden character. The episode finds time for some sweetness at the end too, which honestly surprised me a bit just given the overall tone of the episode up to that point. More surprising, is that this is probably my favorite Batman Christmas special. It’s more enjoyable than either of the episodes from Batman: The Animated Series and I’m also ranking it above Justice League. That’s definitely not something I expected going in.

39 – Winnie the Pooh and Christmas Too

Oh, you silly old bear. And pig.

As something of a last hurrah for The New Adventures of Winnie the Pooh comes this Christmas special, Winnie the Pooh and Christmas Too. These days it goes by a different name, A Very Merry Pooh Year, which sounds kind of gross, but the special is the same. Disney just added some wrap-around plot and a new cartoon to basically fill out an hour. This entry is just for the original though and it’s a very gentle, sweet, Christmas episode of The New Adventures of Winnie the Pooh, as one would expect. The Winnie the Pooh franchise is definitely one more aimed at young children, but it’s so charming that adults can certainly enjoy it on some level. This one has Pooh forget to ask Santa for a Christmas present, but when he and Piglet try to retrieve the list it gets all messed up. They take it upon themselves to try and play Santa and make sure their fellow denizens of the Hundred Acre Wood have a merry Christmas, but they’re not exactly successful. It’s cute and has a familiar message of not focusing on the material aspect of the holiday and it’s lovingly animated. It’s very much a nice, feel-good, Christmas special you can watch with your kids.

38 – The SpongeBob Christmas Special

We all remember the time Squidward slapped his cheeks in SpongeBob’s face.

The SpongeBob generation is not one I’m connected with, but damn if that sponge doesn’t make good Christmas specials! This is the original where SpongeBob learns about Christmas from Sandy and makes it a point to share the news about the holiday and Santa with all of the people of Bikini Bottom, much to the annoyance of Squidward. He finds everything about the holiday repugnant, but when Santa passes them over the guilt of how much he enjoys their misery is too much and Squidward basically assumes the persona of Santa and gives all of his possessions away. Ordinarily, I’d be annoyed with a Nickelodeon show denying the existence of Santa Claus, but here it’s rather believable that he could miss a village of fish. Plus, he makes an appearance at the end to make things right. Though I should point out, the Santa in this one is a live-action Santa whereas future holiday episodes will make him something of an elf. It’s honestly not the most flattering depiction of the big guy that I’ve ever seen, but at least it’s unique. This one is charming and pretty funny. There’s a great musical segment in the middle and if this is a show you grew up watching you probably have it ranked higher. I’m not sure if I’m at risk of angering the SpongeBob fanbase for having it ranked behind a later Christmas special, but it’s my list and I say this is the second best SpongeBob Christmas.

37 – Have Yourself a Goofy Little Christmas

He’s so bad at Christmas he managed to decapitate Santa.

This Christmas episode of Goof Troop is another example of Disney using a Christmas special as a series finale. It’s considered by the company to be a stand-alone holiday special so if you go to Goof Troop on Disney+ you won’t find it. I find this extremely annoying since it means this Christmas episode has been missing ever since the service launched and it’s a damn shame. While I felt slightly let down by this one, it’s still a great Christmas episode of a solid cartoon. It’s another tale of Goofy trying to do something right, but he goes way above and beyond what he’s capable of doing when it comes to Christmas and he “goofs” it up. Along for the ride is Pete and his family who thought they were getting away from the Goofs, only to find out they rented the cabin next door for their Christmas too. This one doesn’t dive into the Goofy and Max conflict like A Goofy Movie does or even like the segment from Mickey’s Once Upon a Christmas. If the Goofy segment in that were a stand-alone special I’d be curious to see if I would place it higher than this one. The fact that it lacks some of that more emotional material is why I’m not as high on this one as perhaps I thought I’d be, but it’s still an annual tradition in my home.

36 – Life with Louie – A Christmas Surprise for Mrs. Stillman

Electrical cords are so hazardous in cartoons.

The first episode of Life with Louie is basically the only one I remember. Well, it and the other Christmas episode since I watched it somewhat recently. This was our introduction to the Anderson family in toon form and it’s a funny and sweet little Christmas episode about a neighborhood coming together to surprise a widow on Christmas. The humorous bit is that she’s actually Jewish, but it’s the thought that counts, right? A lot of the humor comes from the Andy character, Louie’s dad, who is the one most put out by helping the old lady out, but despite his grumbling we get to see he’s actually a good guy. Louie, for his part, provides a dry wit and there’s plenty of physical comedy as well as situational comedy like when a pair of cops mistake Andy for a prowler. The Fox Kids shows produced some good Christmas episodes, and this is one of the better ones.

35 – Olaf’s Frozen Adventure

Olaf brings the feels when others do not.

For a time, Disney’s Frozen was inescapable and the company wanted it that way. The 2013 film was a bit of a surprise hit. I’m sure the company expected it to do well, it just was so big that such success could not be predicted or counted on. To keep the franchise in the cultural zeitgeist, Disney commissioned a pair of theatrical shorts. One was indeed short while the second was certainly not. Olaf’s Frozen Adventure was clearly developed as a network special because that’s what the runtime would indicate, but that didn’t stop Disney from attaching it to the Pixar film Coco. Sure, Mickey’s Christmas Carol had the same runtime and was released in the exact same manner, but it was attached to a re-release of The Rescuers, not a completely new film going for a very different vibe. Some found it annoying, but remove it from that context and this special starring the world’s second most popular snowman is quite delightful. At least, when he’s allowed to be the star, but in order for Olaf to go on his quest to discover new Christmas traditions we first have to deal with the lack of them in the castle. Elsa has to make every problem all about her so she goes back to being mopey and blames herself for their family’s lack of holiday traditions. It’s a stretch and something the special didn’t need. She and Anna could have just said “Oh yeah, we don’t really do anything, do we?” and left it at that for Olaf to make a big deal out of. As a result, this is the one I’m sure to question my placement of on this list for years to come. And like it or not, this is one of the few Christmas specials that receives an annual showing on network television thanks to Disney owning ABC.

34 – Tweety in “Gift Wrapped”

Come on, Sylvester, kiss the little birdy!

Here’s a nice, simple, cartoon from the golden era. It’s a Sylvester and Tweety short where the cat is out to eat the little, yellow, canary, only this time it’s set at Christmas. That’s it. And you know what? That’s all it has to be. Adding Christmas to the usual dynamic is enough to spice up the old formula and make this a fun viewing around the holidays. Tweety is a gift from Santa for Granny, but Sylvester gets to the tree first on Christmas morning so he tries to swap his gift (a rubber mouse) with Granny. She, of course, catches him which sets the stage for more attempts at the bird. Unfortunately for Sylvester, Granny also got a dog from Santa so we get to add a big bulldog into the mix (he’s basically Hector from The Sylvester and Tweety Mysteries, but I don’t know if he actually had a name in 1952). There aren’t a lot of Christmas cartoons in the Warner library from this era and this one is the best one. We would have to wait many years for Warner to top it.

33 – Taz-Mania – No Time for Christmas

The rest of his family may let him down, but Taz can always count on the love of his turtle.

51 years to be exact! That’s how many passed between the release of Gift Wrapped and this episode of Taz-Mania, the Fox Kids show starring everyone’s favorite devil from down under. I didn’t watch a lot of this show growing up. I don’t know why, but it just didn’t appeal to me. I found it a little slow as the episodes felt like they went on and on. I think I was just at an age where I was losing interest in comedies and was ready for a show like Batman to come along. When I returned to this one in 2018 I wasn’t expecting much, but damn did I enjoy it! This episode centers on Taz who is really excited for Christmas only no one else seems to share in his enthusiasm. Or, they’re more concerned with their own selfishness. As the title implies, all of the characters just don’t have time for Taz and his Christmas. He interacts with a lot of the cast of the show and they’re all preoccupied with something else. Some try to use Taz for their own needs while others just kind of ignore him. It wares down the devil and we even see him have a sad cry. The town rallies in the end as they realize what’s been going on and it’s a nice moment. Did I cry? I might have, it was seven years ago that I watched this thing. I’d love to watch it some more, but Taz-Mania is a hard show to track down these days because the Warner company absolutely sucks. If you do put in the work to find this one I guarantee you’ll enjoy it.

That does it for today, but even though we just returned to the countdown format tomorrow we’re switching it up again! For the final time in 2025, we will be doing a traditional write-up of a holiday classic. And tomorrow’s entry is unique in that it’s actually the one redo I mentioned way back in November. What special is it that I felt was so important that I needed to expand on what I wrote back in 2014? Well, you’ll have to come back tomorrow and find out.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 21 – TaleSpin – “Jolly Molly Christmas”

Kids who did a lot of their growing up in the 90s likely have fond memories of The Disney Afternoon. There were a lot of programs competing for eyeballs in the weekday afternoon timeslot and Disney put forth a pretty compelling block of animation, even though the actual launch wasn’t that exciting. It included two…

Dec. 21 – RoboCop: Alpha Commando – “Oh Tannenbaum Whoa Tannenbaum!”

It’s been said that the 80s were pretty wild, and it’s not much of an exaggeration. At least where children’s media is concerned. After years of the government getting involved in what was okay to broadcast to children, the Reagan administration basically said “Eh, kids deserve to have everything and anything marketed towards them.” There…

Dec. 21 – A Muppet Family Christmas

This year we’re celebrating two things at The Christmas Spot. Well, 3 things if you count Christmas by itself, which I suppose you should. Every fifth day, we’re celebrating the best of the best which is why yesterday was A Charlie Brown Christmas. If you read the feature on December 1st for this year, then…


Dec. 19 – The Nostalgia Spot Christmas Special Countdown #53 – 44

We’re sending out the signal!

Today our countdown enters the top 50 when it comes to Christmas specials. If it wasn’t apparent before, it should be now, that we’re well into the cream of the crop. The best of the best. And this collection of specials comes almost entirely from the world of kids or general audience television shows. There’s one outlier which gave me pause on just where to rank that one. If I were to bump it to the next big chunk then it would just be the same situation then as it is today. At any rate, it’s not a big issue as I don’t think it’s a particularly “adult” television show or one that’s raunchy or anything. And when it comes to Christmas episodes of this show it’s one of the most family friendly episodes anyway. We’ll get to that one as I’m actually going to place it at the end of this post, but first we’re going to start things off with a cartoon I tend to forget was part of the Disney Afternoon, but stars a character who is pretty damn popular these days.

53 – Lilo & Stitch: The Series – Topper: Experiment 025

This is the kind of chaos one expects out of Stitch.

Lilo & Stitch is a pretty fantastic movie and modern day classic. 2025 also brought with it a live-action remake that’s…fine, but it’s not nearly as good as the original. Stitch proved to be a popular character, and I’m sure kids like Lilo well enough too, so the movie was extended as both an animated series and via direct-to-DVD sequels. The format of the show was like an alien of the week via the many experiments the character Jumba created which have a tendency to get set loose on the world. In this one, Stitch gets introduced to the Christmas holiday, but things go awry when Stitch sees one of these experiments get placed in a Christmas present. This causes him to undertake a Grinch-like plot to round up all of the gifts in town in an effort to find the one with the experiment in it. Even though Stitch was revealed to be able to speak at the end of the movie, he’s not very adept at it in the series. The show also has to find ways to essentially silence him to work around this detail. Things do work out in the end, as they so often do, and the charm of this one comes largely from the characters. They’re just so well developed in the film and the series gives them a chance to go even further with some of the side ones and villains. Plus we get lots of Christmas attire for the regulars and I just found the whole thing pretty charming. It’s a show that came well after I lost interest in the Disney Afternoon and it’s one that makes me feel like I might have missed out on something.

52 – Rugrats – The Santa Experience

This image of Angelica with a ninja turtle-like smile is the most enduring image from this episode for me.

Rugrats was a pretty big hit for Nickelodeon as one of the original three Nicktoons. Aside from SpongeBob, I would guess it’s been the most successful Nicktoon of all time leading to movies, spin-offs, and even a modern update (that has apparently been wiped from existence in one of those oh so popular tax write-off moves). Since it’s a show that centers around an adolescent cast, it’s no surprise that the subject of Christmas was tackled. And since the protagonists are all babies, it meant they could partake in the festivities while also being pretty ignorant of the whole thing. “The Santa Experience” sees the main cast of families all take a trip into the mountains for a holiday getaway. There, Tommy and Chuckie try to figure out a way to capture this Santa guy, Phil and Lil struggle to come up with a gift for each other, while noted brat Angelica finds herself on Santa’s Naughty List and needs to get off – pronto! There are some small plots in the adult world as well, though the most notable is Chaz and Drew both trying to inject some Santa into the festivities which is what the title refers to. I know I’ve been hard on episodes of children’s shows that play it pretty loose with the whole Santa thing, but with Rugrats I’m less bothered since there’s a clear distinction between the adult and the kid world in the show. And they do fix things with the ending, as so many cartoons often do.

51 – Invader Zim – Most Horrible X-Mas Ever

That’s a pretty horrifying Santa.

A Nicktoon that came well after Rugrats is Invader Zim and the two could not be further from each other in terms of tone. Invader Zim centers on an alien, Zim, sent by his home world to conquer Earth, only he’s supremely incompetent. He is poorly disguised as a human child, but no one notices save for one boy by the name of Dib. It’s a very cynical show and the Christmas episode puts that on full display by having Zim disguise himself as Santa, poorly, and use his influence to get society to board prison ships where they’ll be sent off to be slaves or something. Only what undoes his scheme is, per usual, his own incompetence. Or I suppose in this instance, his hyper-competence? The Santa suit was built too well and it basically turns Zim into the real deal and Santa isn’t going to enslave all of humanity now is he? The best episodes of Invader Zim show Zim get close to achieving his goals only for things to blow up in his face which helps to make this Christmas installment not just an interesting and offbeat Christmas special, but also a pretty good encapsulation of the larger show.

50 – The Flintstones – Christmas Flintstone

Fred really gets into the act.

The original prime time animated sitcom also delivered what is perhaps the origin of what I call The Santa Clause plot. This episode has Fred Flintstone take a part time job as a mall Santa in order to earn more money for the holidays, only he winds up being so good in the role that he attracts the attention of the real deal. Santa doesn’t fall off the roof and die in this one, but he is sick and needs a replacement. Fred is up to the task and together with a pair of elves helps to make sure that the people of the world have a merry Christmas even without Santa. Like a lot of episodes of The Flintstones, it’s a little slow and there’s a liberal use of the old laugh track, but I find the plot so enjoyable that I don’t mind. I was tempted to rank this ahead of the pseudo remake that would follow years later because this one is a bit more tidy, but it also lacks the bells and whistles that make A Flintstone Christmas feel a bit more special.

49 – DuckTales – How Santa Stole Christmas!

The rare episode that solves mysteries and rewrites history.

The 2017 edition of DuckTales delivered not one, but two Christmas episodes during its run. This one happens to be the second and sets out to explain why Scrooge McDuck has a vendetta against Santa Claus. He hates the big guy so much that he arms his mansion with numerous traps to keep him out which just confuses his nephews. His surrogate niece, Webby, on the other hand is all-in on the Santa hate. When Santa shows up injured at McDuck Manor it falls on Scrooge and Webby to help the big guy with his deliveries, even if they don’t want to. And during that night we’re treated to numerous flashbacks to show us just why Scrooge dislikes him so much and the revelation is not shocking because it makes perfect sense. Scrooge, a savvy business man who believes in the value of hard work, can’t wrap his head around a guy who just wants to give stuff away for free. Santa’s generosity blows up a business plan they concocted where Scrooge would utilize Santa’s transportation to deliver coal and thus make money. He agrees to help him in the present only because he intends to sabotage him. It’s a particularly villainous look at Scrooge, but things find a way to a happy resolution because a children’s show can’t have its protagonist be at odds with freakin’ Santa Claus. There is a bit of a “lore gone wild” element to this one, as in, did we really need this story told? It doesn’t work in my head, but every time I come back to it I walk away impressed. It’s not as good as “Last Christmas!,” but this is a damn fine entry into the pantheon of Christmas specials which is why it gets the honor of being just inside the top 50 on my list.

48 – Animaniacs – How the Brain Thieved Christmas

Pinky kind of steals the show in this one.

Every one is out to steal Christmas these days, though having Brain of Pinky and the Brain fame be involved is hardly much of a surprise. It’s actually not really one at all which is why I had a hard time ranking this one. This episode from the Hulu run of Animaniacs has Brain invent a toy based on Pinky that he intends to use to take over the world in a roundabout way only for the magic of the holiday to cause him to change his mind. It’s very entertaining on its own and there’s some great banter with Pinky, but it doesn’t exist all on its own. The main takeaway for me is this is way too much like the first Christmas special. Even that one involved the use of a Trojan Horse toy that was modeled after the Brain and the magic of Christmas caused him to basically abort his plan. It’s basically the exact same plot save for the toy Brain was a direct way to take over the world while this one was to ruin Christmas and thus make the world more susceptible to Brain’s efforts. The good news is that first Pinky and the Brain Christmas episode is fantastic which is why we haven’t encountered it yet on this countdown. If you’re going to rip yourself off then it makes sense to rip-off one of your best efforts. Sandwiched in the middle is a musical segment where the Warner siblings visit a roided-out Santa to encourage him to do his thing. It’s amusing and probably the best Christmas segment starring the trio going back to the original series, but the majority of this episode centers on Pinky and the Brain. If the original A Pinky and the Brain Christmas didn’t exist, I’d probably have this one ranked higher.

47 – The Town Santa Forgot

This brat needs to learn the true meaning of Christmas.

Hanna-Barbera has made many contributions to the world of Christmas, but one of the most overlooked is the 90s production The Town Santa Forgot. This one is about a spoiled, selfish, kid by the name of Jeremy Creek who sends Santa a list so long that he assumes the name Jeremy Creek belongs to a town and not some kid. Turns out, there is an actual town by that name that Santa has somehow overlooked all these years so he’s able to visit for the first time and deliver presents. Jeremy ends up with nothing which ticks him off, but when a news broadcast relays what happened he finally has a realization that maybe it is better to give than receive. The special has a fun way of telling the story that helps the rather simple message of the standalone special land a little harder. And it’s narrated by Dick Van Dyke who just turned 100 so happy birthday, Dick! The animation isn’t amazing, but there’s an energy to it that I enjoy. It feels like a precursor to the What a Cartoon era for Hanna-Barbera as it doesn’t really resemble any of their preceding cartoons. It arrived a little late to feel like a true Hanna-Barbera original, but if we’re considering it one then I do have it ranked higher than a lot of their other stuff and that feels appropriate.

46 – We Bare Bears – Christmas Parties

The holidays sometime bring about a need to navigate awkward social situations.

We Bare Bears is a fairly lowkey cartoon about cultural assimilation. Driving the point home is we have a group of actual bears trying to fit in with society and the awkwardness that arrives from making social commitments. The bears basically spread themselves too thin at Christmas trying to make it to everyone’s Christmas party, only they prioritize attending the big, popular, one being thrown by someone they don’t even like while spending little time with the people that actually matter to them. Even though there’s an obvious message here and the bears are acting in a semi-selfish manner, it is relatable to find yourself with many social obligations all at the same time. How does one politely decline an invitation? It can happen where you make plans only for a better opportunity to surface later leading to a temptation to break those plans in favor of something else. I know it’s happened to me, though I can’t recall ever going through with breaking my original plans. I have been on the other side and even when the situation is understandable it still really sucks to have a friend basically tell you “I’d rather do something else than spend time with you.” Even though we’re dealing with bears, this one is extremely relatable and it’s also really sweet. The show handles these social settings really well so that even a kid understands what’s going on and it never makes its characters appear unlikable. That’s a hard trick to pull-off with this type of plot, but We Bare Bears manages it very well.

45 – The Adventures of Sam & Max: Freelance Police – Christmas Bloody Christmas

Sometimes we just need a little toilet humor.

Sam & Max seemed like a bit of an odd fit for Saturday morning TV, but The Adventures of Sam & Max did a fine job of adapting this odd pair for television. Sure, they couldn’t have their guns, but that didn’t stop the cartoon from being able to make prison rape jokes! This is a pretty offbeat Christmas special where the titular duo infiltrate a prison to basically stop a prisoner revolt at Christmas. The Sam & Max brand of humor is on display and surprisingly intact with this show aimed at children. I probably didn’t laugh out loud when I watched this for the first time, but I think it was a chucklefest which took me by surprise. It’s a genuinely funny episode even if it’s meant for kids and if you’re someone who dismissed this version of Sam & Max because it was made for Fox Kids then maybe reconsider that stance.

44 – Bob’s Burgers – Father of the Bob

Bob and his dad have some issues to sort out this Christmas.

Our lone entrant today from the world of adult animation comes courtesy of Bob’s Burgers. Unlike an episode like “Christmas in the Car,” there’s no worry about the Santa thing being spoiled for your kids if you choose to watch this one with them. This is a pretty simple tale about Bob being uncomfortable around his dad as he’s never felt much affection from the guy. Each Christmas brings a Christmas party thrown by Big Bob that Little Bob dreads, but he sucks it up and attends after getting wife Linda to agree on a short visit. Only that goes out the window when it’s apparent that Big Bob is shorthanded at his own restaurant which is where the party is being held forcing Bob into the kitchen with his dad – the last place he wants to be. There’s flashbacks in this one to show us just what happened between the two when Bob refused to be a partner with his dad at the restaurant because their ideas for how to run a restaurant just don’t work well together. All the while, the kids get into all kinds of stuff in the basement trying to find a present for their dad. It’s definitely more of a Christmas episode that just happens to take place at Christmas without necessarily needing it to be Christmas. Since Christmas does sometimes bring about awkward encounters with relatives though, it works. There’s also a really nice portrayal of gay culture in this one that I appreciate. The show didn’t have to include it, but I like that it did. This one is not as funny as other Bob’s Burgers Christmas episodes, but it’s a bit more introspective which makes it more satisfying than some of the other ones. Don’t sleep on it this Christmas.

That does it for today. The next installment of the countdown is coming your way on December 21st which means tomorrow is another traditional installment of an all new (to this website) Christmas special! And it’s one that I think has a lot of fans, and since I’m ranking it at number 43, obviously I think pretty highly of it as well. Just what is it? Well, you’ll have to come back tomorrow to find out!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 19 – Life with Louie – “Family Portrait”

If you were a mid-tier comedian in the 90s looking to breakthrough into television then Fox was the network for you. Whether it was via sitcom or cartoon, Fox seemed to think this was a winning strategy which is apparently why comedian Louie Anderson got his own show called Life with Louie. Life with Louie…

Keep reading

Dec. 19 – Aaahh!!! Real Monster – “Gone Shopp’n”

Whenever I approach another year of The Christmas Spot I usually have some kind of goal in mind. Maybe one could even think of it as a theme. The past few years I’ve made it a point to highlight some of the best Christmas specials I covered in the past, but felt I had short-changed…

Keep reading

Dec. 19 – American Dad! – “Minstrel Krampus”

I’m quite surprised to have made it all the way to December 19 without resorting to The Simpsons, American Dad!, Bob’s Burgers, or some other animated sitcom that has an annual, or near annual, Christmas episode. Not that I have been avoiding such shows, and I may turn to one again before this is all…

Keep reading


Dec. 16 – The Nostalgia Spot Christmas Special Countdown #83 – 74

I’ve been pointing out quite a bit as we move along through this countdown how I like to group similar shows together. I don’t want to go from The Smurfs to Beavis and Butt-Head if I can help it. Well, sometimes I can’t help it. Today is a little bit of a mix of adult shows and kid’s shows. I wouldn’t consider any of the children’s stuff to be particularly wholesome or anything, but could (or should) an 8 year old watch everything on today’s list? Probably not. It is a very Fox heavy lineup though of both Saturday morning and primetime stuff which is not by design, but kind of interesting to me. And these Christmas episodes are also interesting to me and most of them are pretty good. We also have some more tumblers from my very first list which is one of those things that’s going to happen again. A lot has changed since that first list ten years ago.

83 – Rick and Morty – Anatomy Park

Christmas is a time for awkward conversations.

Rick and Morty seems like an odd fit for Christmas, which is why it was so surprising to see the show go to that well so early in its first season. One would definitely expect the show to have a cynical take on the holiday, but that’s not really the case. Christmas is just a framing device for this episode and excuse for Jerry’s parents to show up for a nice, family, get-together. They just happen to bring along their new playmate. Yup, Jerry’s parents are in what the kid’s call a “thrupple” these days where Jerry’s dad likes to watch from the closet (often wearing a Superman costume) while Jerry’s elderly mom makes love to a young, African American, gentlemen. And the rest of the family enjoys watching Jerry squirm. Meanwhile, Rick is busy building an amusement park inside the guts of a homeless man who just so happens to be dressed as Santa. Crazy science things happen and soon it’s raining blood over all of North America. Yeah, it’s a weird turn. This is a B-tier episode of the show. It finds humor in putting the characters in awkward positions, but it’s certainly different and a unique addition to the Christmas special database.

82 – Bob’s Burgers – The Bleakening

Do you like a little horror with your Christmas?

Bob’s Burgers loves to churn out holiday themed episodes year in and year out. The show’s meat and potatoes is Thanksgiving as the writers have kind of staked their claim to that holiday, but the show’s collection of Christmas episodes is strong as well. “The Bleakening” is a really interesting one as it’s a two-part episode with a mystery plot, not really the sort of thing the show is known for. The second part especially has a suspense/horror vibe to it as the family tries to figure out who stole a mini Christmas tree from their restaurant which definitely gives this one a unique vibe. It’s only weakness is the plot probably isn’t dense enough to sustain the double-episode run length. It’s not a slog or anything, but the ending is a bit anticlimactic and feels a little dragged out. Not the show’s best Christmas episode, but a worthwhile watch each year.

81 – The Simpsons – Way of the Dog

He clearly is in need of some holiday cheer.

The Simpsons did a weird thing in 2020 when it decided to end Season 31 with a Christmas episode. If you know anything about network TV, then you know seasons typically end in May which is pretty far removed from the Christmas holiday season – which is pretty damn long as-is. Basically what happened is Carolyn Omine, longtime writer on the series, wanted to do an episode about the family dog, Santa’s Little Helper, and how do you separate a character with that name from Christmas? There was some talk of holding it over until the next season to air at Christmas, but that didn’t happen. Maybe COVID stuff made that a no-go or the network just said “Screw it” and aired the finished episode when it was ready. Either way, this is a solid examination of the pooch that answers some questions. Were they necessarily pressing questions? No, but it’s fine. There’s a B plot of sorts that doesn’t work for me, but the episode makes up for that in other ways. I just wish showrunner Al Jean stayed true to his word and let Santa’s Little Helper’s mom become a permanent member of the family (I don’t think she’s been seen or heard from since).

80 – The Cuphead Show! – Holiday Tree-dition

Cuphead and Mugman will risk life and limb for a tree.

For what I assume is The Cuphead Show‘s final season there was not one, but two, Christmas episodes. This is the one that came first and it’s a typical short subject episode where Cuphead and Mugman are entrusted for the first time to secure a Christmas tree. They basically screw it up by first trying to bargain too hard with the only tree guy in town and then by trying to cut down their own. The show is a throwback to old style shorts and the pacing and gags are very much in line with that. How many of those old Warner cartoons had characters nearly disemboweled in a saw mill? That’s practically what they’re for! It’s a great looking show and there’s some solid laughs and a good ending to be found. I like the longer special that follows more, but this one is pretty great too.

79 – Family Guy – A Very Special Family Guy Freakin’ Christmas

At least Lois gets to sit down this Christmas.

The first Christmas episode of Family Guy is still the show’s best. I liked it so much ten years ago that I ranked it all the way up at number 14 overall! That was clearly me overrating something I had watched a lot of in college, but I still think this is a good episode. It definitely has some of that old Family Guy DNA in it where it’s mostly a Simpsons knock-off, but with an even dumber father character and a liberal use of cutaway gags. In this one, Peter screws up and donates all of the Christmas presents to charity so the family has to brave the mall on Christmas Eve to rebuy everything. That’s one area where it does do things perhaps different from what The Simpsons would do as the family isn’t in financial ruin by losing all of those gifts, but they do end up taking Lois for granted and she goes berserk and runs amok in downtown Quahog. It is a relatable premise if you’re one of the adults who makes Christmas “go” each year. And especially so when your kids are at that age where they know how everything is supposed to go, but they don’t actually do anything to help out. It’s mostly funny and they even manage to shoehorn some Santa stuff in there via Stewie. This is the only Family Guy Christmas episode on my watch list each year, though “Road to the North Pole” is close. I just tend to fall asleep during that one since it’s a double length episode (which is why I never got around to covering it).

78 – Animaniacs – A Christmas Plotz

She’s the Ghost of Christmas Present – get it?

The other Animaniacs Christmas episode from 1993 is one I’m a little torn on. It’s hard to rank because it is pretty funny, the animation is superb, but it relies on some bad tropes of the Christmas special. I’m talking A Christmas Carol and too many fruit cake jokes. Fruit cake jokes are perhaps my personal pet peeve. Yeah, I think the holiday treat is pretty terrible, but I’m sick of hearing about it. No one gives that stuff out anymore. This episode puts the CEO of Warner Bros, the fictional Thaddeus Plotz, in the role of Scrooge. In the role of Bob Cratchit is Ralph, the dim-witted security guard whom Plotz fires at Christmas. Slappy Squirrel gets to play Marley while your trusty Warner siblings serve as the ghosts. The humor is your typical brand of Animaniacs humor which is a mix of topical, pop culture references, and old school gags. There’s no real twist which is perhaps the biggest criticism one could levy against this one. Well, if there is a twist it’s that Plotz is clearly acting out of kindness in the end because he fears damnation and figures he can go back to being a jerk on Boxing Day. The cartoon takes up nearly the entire length of the episode, but there is a “We Three Kings” cartoon short that follows for those who prefer a more secular celebration. It has some gag lines, but mostly plays it straight.

77 – Eek the Cat – It’s A Very Merry Eek’s-mas

You may not realize it right now, Santa, but you’re actually in pretty good hands with Eek. Or should I say paws?

Eek the Cat received quite a bit of attention from Fox back in the day and was sort of like a mascot for the kid’s programming block Fox Kids. He hasn’t had much staying power over the years, but he did contribute a couple of Christmas specials to the scene and both are pretty solid with this first one being the better of the two. In it, Santa’s reindeer go on strike and the big guy needs help delivering presents. Meanwhile, Eek’s girlfriend’s dog, Sharky, who hates Eek and never misses a chance to maul him, is depressed and misses his family. Eek vows to help out Sharky because that’s what Eek does – he is an eternal optimist who always does the right thing even if it means tremendous pain for him. They hook up with a scab reindeer named Elmo and basically have to be the elves, reindeer, and Santa in order to deliver Christmas to the world and reunite Sharkey with his family. There’s a lot of physical humor and even some dark stuff (the special ends with Eek about to become Christmas dinner) while also just some strange things like a cameo by the Barbi Twins who were basically famous for being in Playboy. And for being twins. That was Fox though and it wasn’t for everyone, but it sure was unique.

76 – Samurai Pizza Cats – The Cheese Who Stole Christmas

Christmas kitties to the rescue!

Samurai Pizza Cats is a weird show. It’s sort of like Mighty Morphin’ Power Rangers in that it was imported from Japan and then “Americanized.” Only with an animated show like this one, there was no room for new shots or anything so it was just given the weirdest dub imaginable. Teenage Mutant Ninja Turtles had been popular so the new title the show was given was an obvious play on that and since the characters did work in a pizzeria it wasn’t entirely out of left field. The actual show is more like a goofy version of Ronin Warriors, but with cats. There’s not much plot here. The main villain, Big Cheese, impersonates Santa and causes some mischief so the heroes go out and take care of business. It’s very comedic and made even more so by the dub. I’ve never sought out an undubbed version of this show, but I assume it too was fairly comedic in nature as well. The animation is fun and it’s the sort of offbeat Christmas special that feels quite refreshing among more traditional options. If you’re into anime, then it’s definitely worth a look.

75 – Married…with Children – You Better Watch Out

Not the Santa you want to see coming down your chimney.

What’s this? A live-action sitcom? Yes, I never set out to make my list exclusively animation, but it did mostly happen that way. There’s just way more Christmas cartoons out there and I tend to love cartoons. When it comes to live-action it’s mostly traditional sitcom stuff which, for me, never ages particularly well. There isn’t one sitcom I used to watch in the 80s or 90s with a Christmas episode I seek out each year. Well, with one exception, and it’s this one. Married…with Children was the first show I can remember my mom telling me she didn’t like me watching, and I can see why. She never stopped me from watching it, but she didn’t like it and hoped I just wouldn’t watch it on my own because of that. She was wrong. It is pretty sleezy and it was the type of show Fox was staking its reputation on. The Bundy family has little love for one another. The husband is miserable, the wife selfish and lazy, the daughter an airhead, and the boy basically spends all of his time lusting after women and jerking off. In this one, we see how shitty Christmas is for the Bundy family because they’re poor and because patriarch Al just doesn’t care to make an effort. Then a mall stunt goes wrong and a parachuting Santa lands in their backyard dead. It’s a plot that could only happen with this show. And even though Al Bundy is a pretty loathsome individual, he does at least try to assuage the kids in the neighborhood that Santa Claus is fine and the family has a Merry Christmas in the end when they discover the sack of mall gift certificates the now deceased Santa was supposed to give out. It’s pretty dark, but also pretty funny.

74 – The Adventures of Pete & Pete – Oh Christmas Pete

The Wrigley family yearns for Christmas every day.

Back to back live-action shows – this will not happen again in the countdown. I think this is actually the end of the live-action stuff, unless you include puppets in there. Nickelodeon had a ton of unique programming in the 90s and few shows sum up the vibe of the network like The Adventures of Pete & Pete. It’s just two brothers, both named Pete, and their day-to-day lives in an absurd world. It borders on cartoonish, but usually doesn’t quite go that far, especially in these later episodes where Artie is no longer around. In the Christmas episode, Young Pete refuses to give up on Christmas. Why does it have to go away when it’s so good? The interesting thing is, despite the fact that he’s a kid, he’s not hung up on the whole presents thing. He’s not looking to score a new gift every day, he just likes the overall feeling of the season. And standing in his way is the garbage man. He wants those trees, but Pete needs to rally the neighborhood to withhold them. Things get crazy as there’s a garbage strike and eventually people start to crack. Pete gives in since everyone else does, but then a final act of Christmas spirit thaws the garbageman’s heart and the magic of Christmas lives just a bit longer. It’s cute and fun and as someone who hates saying goodbye to Christmas every year I can totally empathize with Little Pete. If only we could feel that way the whole year round – wouldn’t we all be a bit nicer? Big Pete, via narration, claims the neighborhood was a nicer place after that even if they did eventually put Christmas away and that’s certainly a nice way to end the episode and today’s entry.

If you can’t wait until tomorrow for more Christmas check out what we had to say on this day last year and beyond:

Dec. 16 – The Cleveland Show – “A Cleveland Brown Christmas”

We’ve taken a look at a lot of animated sitcoms this year and so far they’ve all been repeat visitors to The Christmas Spot. It feels like it’s time for something new, though it has a very familiar feel. The Cleveland Show is a 2009 spin-off of Family Guy created by Seth MacFarlane, Richard Appel,…

Keep reading

Dec. 16 – A Very Solar Holiday Opposites Special

Yesterday, we talked about South Park and its very first holiday special from the late 90s and today we’re talking about the Trey Parker/Matt Stone of the 2010s – Justin Roiland. Roiland was able to hook-up with Dan Harmon in the mid-2000s which put him on the path to comedy writer and actor, usually of…

Keep reading

Dec. 11 – The Nostalgia Spot Christmas Special Countdown #126 – 116

We’ve got another 11 special slot for you today. After all, it is the season of giving, is it not? And once again, we’re mostly sticking to the land of children’s fair or G-Rated content. In fact, our most aggressively G-rated special leads things off today.

126 – Bluey – Verandah Santa

I love how toasted Bluey’s mom (far left) looks.

I detailed in the write-up for this one that I basically have a “No Preschool” shows rule when I do this and that’s because that’s a genre that is very specialized. It’s not that adult comedy isn’t, but preschool might be the only genre that really can’t entertain a demographic other than its intended one. However, one show rises above them all: Bluey. I know many adults who adore the Australian import and her canine family – I’m married to one of them. The show is charming and clever and it manages to impart worthwhile life lessons without feeling too formulaic. The adults are incredibly patient with their children and always down to play making them seem like the idealized version of a parental figure. Unfortunately for our purposes, the Christmas episodes aren’t the best. This one unfortunately is a bit formulaic as Bluey is wronged by her toddler aged cousin and basically seeks revenge by hurting her feelings. Still, there’s some fun stuff and I really like the food coma impacted adults. Bluey might make the parents play like kids, but it’s also not afraid to show them as adults.

125 – Pokémon – Holiday Hi-Jynx

Jynx is why we can’t have nice things.

Pokémon may not be as popular as it was in the late 90s and early 2000s, but it’s still plenty relevant. The show, in its various forms, number hundreds of episodes and yet this Christmas episode from 1999 is one of the harder to view today. That’s all due to the presence of Jynx, the pocket monster who resembles a character in blackface. Even though she’s been recolored to deemphasize that, this episode still remains “lost.” Is that a big deal? Only if you really like Christmas episodes. In this one, Ash and his pals wind up at Santa’s village and need to help him out and thwart Team Rocket in the process. There’s a bit of a B plot with Jessie and her connection with Christmas, but it’s nothing profound. It’s a pretty okay episode of TV with some interesting lore (that I think the show dropped) if you’re a Pokémon fan.

124 – Teenage Mutant Ninja Turtles (2003) – The Christmas Aliens

These kids really don’t seem to mind rat Santa.

It still blows my mind that the 1987 iteration of the Teenage Mutant Ninja Turtles never tackled Christmas. There was no Christmas episode, no Christmas themed action figures, nothing. The 1991 movie The Secret of the Ooze got a Christmas-themed poster to help sell VHS copies of the movie which feels like the closest thing we got. We really should have had a mutant reindeer or something in the Playmates line. Anyway, this holiday episode comes from the 2003 series and it remains the only Christmas episode any TMNT cartoon has featured – which is perhaps even more insane. It’s based on the Michelangelo one-shot from Mirage Studios and features a simple plot where Mikey thwarts a Christmas robbery and also adopts an adorable kitten. Klunk is the original ice cream kitty. The issue was adapted for the show and it’s pretty faithful. The only major change is that while Mikey is out doing stuff the rest of the gang is back at the lair hosting a bunch of friends they’ve made throughout the show. It’s solid, nothing spectacular or revolutionary, and it does feature some nice Christmas outfits during the final scene that I’d love to see in action figure form. At least in 2025, the Christmas drought comes to an end for TMNT with the theatrical short Chrome Alone 2: Lost in New Jersey. It’s from the current version of the franchise and is attached to a new SpongeBob movie opening on the 19th. Hopefully, it can be viewed easily without seeing that movie.

123 – Beauty and the Beast – The Enchanted Christmas

At least it gives Disney a new look to sell as a doll for Belle.

In 2017 I had the crazy idea to dedicate one of my write-ups to a movie – what was I thinking?! If I had to guess, I was just curious if this direct-to-video midquel for Disney’s Beauty and the Beast was any good. The actual movie is one of my wife’s favorites so it was something we could check out together. And it’s okay. Honestly, most of the direct-to-video Disney stuff I’ve seen has been perfectly fine. Not on the level of the theatrical output, but mostly entertaining. It doesn’t look as good, naturally, and features some regrettable CG that hasn’t aged well, but it tells a decent Christmas story that mostly fits into the movie without creating too many obvious plot holes. And it has Tim Curry who is wonderful in everything. Honestly, if you’re able to separate this from its theatrical better then it’s perfectly fine. That’s just an admittedly difficult thing to do if you’ve already seen it a bunch.

122 – The Weekenders – The Worst Christmas Ever!

The Disney show that asked “Do you want to build a snowman?” way before Anna.

Interesting that we wind up at The Weekenders a mere three spots ahead of Pokémon. That’s because the legacy of this show seems to be that it temporarily dethroned Pokémon as the Saturday morning ratings king. I honestly don’t really know why. The Weekenders isn’t a bad show or anything, it’s just a bit of a low energy one which feels a bit out of place for Saturday morning. Then again, it’s from ABC which always had the low energy Saturday morning shows. It was like their specialty or something. I was a Fox Kids kid so I didn’t watch much of the stuff on ABC and by the time this show was airing I wasn’t awake on Saturday morning anyway. This one is fine though. It does the thing where it gathers a bunch of kids from different backgrounds, gives a snapshot of their holiday experience, and also sneaks in one wacky adventure that mostly goes wrong. I don’t like the look of this one at all, but the kids are well represented and feel authentic. It’s an emotionally mature cartoon, whether or not that’s something you like is more subjective than anything.

121 – Doug – Doug’s Christmas Story

The Christmas special where Nickelodeon tortures a kid and his dog.

Interestingly enough, this leads us to Doug. Doug was the quiet Nicktoon. It’s grounded, to a point, but has its own cartoon traits to distinguish it from live-action. And most of those traits rest with the dog, Porkchop, who is the subject of “Doug’s Christmas Story.” Porkchop is a bit like Scooby Doo, though without the talking. He gets accused of attacking one of the kids in town which is preposterous for all regular viewers of the show, but it gets taken very seriously. We basically see the titular Doug imagine his dog getting put down and it’s made rather apparent that euthanasia is on the table for old Porkchop. It’s a humorless Christmas special that’s rather weighty as a result. And that’s fine as long as the show does the plot justice. As far as that goes, the results are a bit mixed. It loses me in the final act, but it’s not bad and a sad story about a dog at Christmas is sure to bring about some Christmas feels.

120 – Doug – Doug’s Secret Christmas

That’s right, not one, two Dougs!

I didn’t know how to separate these two, so I didn’t! This episode comes from Disney’s take on Doug which is largely viewed as inferior to the Nickelodeon years. I mostly subscribe to that notion, but I honestly didn’t keep up with the Disney version. I am by no means the authority on Doug, but I did enjoy this episode just a little more than the first one. The plot is Doug’s family is preparing for a new baby and that basically consumes his parents at Christmas time. His dad is apparently afraid to leave the house or has money concerns with a new kid on the way so the Funnie family won’t be buying anything or doing anything this Christmas. Doug hates this lack of Christmas spirit so he and Porkchop vow to have their own, secret, Christmas up in his room. It honestly takes up only a few minutes of the episode’s duration as most is devoted to Doug navigating the holiday and then the final act is all about the baby. It’s charming though and the final act hits better than the first Christmas special.

119 – Justice League – Comfort and Joy

Cheer up, Flash, he’ll fix your poopy duck toy.

The DC Animated Universe has made a few attempts at Christmas episodes, but I don’t think any are really a home run. This is the one from the ensemble show which brings its own challenges, but also opportunity to view the holiday through different perspectives. Writer Paul Dini attempts that with “Comfort and Joy” and the results are just decent as opposed to a Christmas classic. I think I enjoyed the more offbeat plot between Flash and Ultra-Humanite the most. It had some solid humor and I like the depiction of Ultra-Humanite. The Martian Manhunter plot is the one that I think the episode wants us to be moved by, but it’s pretty conventional “Guy goes to small town and finds the Christmas spirit,” plot. It’s fine, but it’s been done before. And the Hawkgirl and Green Lantern plot is a waste of time. No Batman and no Wonder Woman so if you wanted to see them you were let down. Considering Batman has already taken a go at Christmas, it’s not a big loss. I guess I would have liked to see what Wonder Woman was up to, but at least she wasn’t shoehorned into one of the other plots which were crowded enough.

118 – Bedtime for Sniffles

Santa always wins.

If you want a brief, Christmas, short that looks pretty cozy then have I got the cartoon for you. Bedtime for Sniffles is a Chuck Jones directed Warner Bros. cartoon starring the mouse in his cute days. Sniffles would evolve into more of a pest since his cartoons weren’t funny enough, but here he’s just a sweet character trying to stay awake on Christmas Eve. There’s some visual humor, but nothing outlandish. This is Jones really trying to audition for Disney as the look of this one is very evocative of a Mickey Mouse short with realistic and well-detailed backgrounds and a character that emotes in the cutest way possible. It’s harmless fluff and better than a lot of other Looney Tunes/Merrie Melodies Christmas specials.

117 – Bobby’s World – Miracle on 34th Street and Rural Route 1

Bobby – slamming doors in the face of carolers since 1995.

More cutesy stuff as we’re onto the Fox Kids series Bobby’s World. This was a Howie Mandel creation back when it felt like a lot of comedians were getting opportunities in television. We had Camp Candy, Little Rosie, and Life with Louie among others. Bobby’s World felt like an early breakout hit for the Fox Kids Network on its march towards Saturday morning dominance. Bobby was pretty wholesome, but the show was also a comedy so there’s plenty of silly stuff to entertain the kids. For this one, Bobby travels to see his grandparents and engage with his extended family. He wants a video game for Christmas really bad, but he’s going to have to learn the Christmas spirit instead because everything goes wrong. It’s solid, though I did kind of hate the resolution. It’s worth watching and you could really put together a solid viewing party of Christmas specials from Fox Kids if that was your goal.

116 – Yes, Virginia

My mom loves the kid on the left so much she named her cat after him.

Boy, did this one take a tumble since I first mentioned it? This one was part of my initial list of my 25 favorite Christmas specials which I compiled back in 2015. Then, I had it ranked all the way up at number 16! There may have been some recency bias at play for even though this special debuted in 2009 I think I had seen it for the first time fairly recently in 2015. Back then, I mostly stuck to “the classics” when it came to my Christmas viewing and it was doing this blog that really caused me to both branch out and to rediscover Christmas specials I had not seen in years. Yes, Virginia suffered as a result, but it’s still plenty fine. It might have worked a little better as a shorter subject as it is a little slow, but I enjoy the story which is loosely based on reality. In it, Virginia is a believer in Santa, but she’s at that age where her peers stop believing and she’s getting left behind. Her dad has a saying that “If it’s in The Sun, it’s true,” referring to the local paper so Virginia decides to write to the paper asking if Santa Claus is real. And wouldn’t you know, they print a reply that says “Yes, Virginia, there is a Santa Claus!” It’s a great climax, it just takes a bit to get there and some of the stuff along the way is less fun. Plus, it revolves around mostly adult characters who dismiss the idea of Santa which limits the special’s reach with kids. I never liked showing my kids stuff that might create doubt about Santa so maybe this is more of a special for kids in Virginia’s age range. They do sneak in a real Santa at the end, but I don’t know how reassuring that is. By far though, the real reason why this has dropped so much is it is ugly to look at. Cheap, 2000’s, CG has not aged gracefully and maybe that’s why it’s no longer on TV? There are other versions of this story out there which I should check out, but even though I no longer have this one in my top 20, I still think it’s worth watching provided you’re not bothered by the Santa stuff I already mentioned.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 11 – Mickey’s Good Deed (1932)

This year we’re doing not one, but two classic Mickey Mouse shorts set at Christmas time. The first one, Mickey’s Orphans, was a cartoon I had failed to mention years ago when doing a scattershot look at Mickey-related Christmas specials. Today’s subject, Mickey’s Good Deed, was mentioned in that post and is the second Mickey…

Keep reading

Dec. 11 – Be Cool, Scooby-Doo! – “Scary Christmas”

I don’t think there’s much debate that the most popular and enduring character churned out by the Hanna-Barbera factory during its hey-day is none other than Scooby Doo. About the only franchise that even competes with the big dog is The Flintstones, which hasn’t been relevant for ages. Scoob has basically had an omnipresence ever…

Keep reading

Dec. 11 – The Berenstain Bears’ Christmas Tree

When I was a kid growing up in the 80s The Berenstain Bears was a popular series of books that usually imparted a simple, clear, message. I seem to recall a fire safety book being a go-to in school for fire safety week and I know I got a copy of one about not eating…

Keep reading

Super7 TMNT Ultimates! Teenage Mutant Ninja Turtles (2003)

Technically a blast from the past, but these designs still feel new to me.

Who isn’t making Teenage Mutant Ninja Turtles action figures these days? It’s becoming a far easier thing to keep track of than just who is making them. For years, it was the domain of Playmates Toys and only Playmates Toys. NECA tried to get in on that TMNT action in 2008 and it ended prematurely either due to poor sales or because Playmates killed it. That is no longer the case as I sit in my toy room and look around I see TMNT figures made by Joy Toy, Bandai, Hasbro, Mattel, and Super7 to go along with an expansive collection of TMNT by NECA Toys. That, however, doesn’t mean the Playmates influence is dead.

There’s definitely some interesting stuff going on here.

When Super7 secured a license to produce TMNT toys around 2019, the company decided the brand would be a perfect fit for its young Ultimates! line of figures. These approximately 1:10 scale figures were created with a goal of mixing modern production methods with an old school aesthetic. For TMNT, that manifested as basically an upscaled recreation of the vintage Playmates line with more articulation, more paint, and more accessories (and more money). If you thought it seemed weird that Super7 could basically just recreate the work of another company then apparently your intuition was right. This business model worked for a time, but Playmates reportedly wasn’t crazy about it and as the master license holder for TMNT they have quite a bit of sway. For whatever reason, that influence didn’t really begin to manifest until somewhat recently, but it’s prevented Super7 from following the blueprint it crafted at the onset which is how we ended up where we are today.

The 2003 version of TMNT had previously only been brought to plastic by Playmates (right).

Perhaps Super7 saw just how many companies were getting in on the action where TMNT is concerned that they decided to be proactive. If the Playmates thing was going to create a significant barrier to creating more TMNT Ultimates!, then Super7 would need a new subject. In 2003, Teenage Mutant Ninja Turtles as a brand was on life support. The fad so many adults predicted would be over in a year or so had finally come to an end. Co-creator Kevin Eastman had moved on leaving Peter Laird to carry the torch. For Laird, this wasn’t necessarily a bad thing as it presented an opportunity to start over. He was able to find some willing partners in 4kids Entertainment and the Fox Kids Network to craft a new entry point for the franchise in the form of a new cartoon series. The show, simply titled Teenage Mutant Ninja Turtles, had the freedom to be a little edgier than the silly former cartoon. It stayed much closer in spirit to the original comics by Eastman and Laird while also doing its own thing. The art style was more mature and more evocative of modern comics and really the only obvious step back was the bland theme song.

New line means new packaging.

The 2003 version of the show was a success. Maybe not the success of the ’87 series, but successful enough to run for years and 155 episodes plus a TV movie. For fans who had enjoyed the original cartoon series, it represented one of that generation’s earliest forms of nostalgia while new kids were able to start from the beginning. The show is remembered fondly in the TMNT fanbase and it’s no surprise that a company like Super7 would want to make action figures based on it. It’s one of the few eras of the turtles to not get a modern action figure as really the only plastic representation out there is the original Playmates companion line. And with Super7 simply basing their figures on the animation, there is basically nothing Playmates can do about it other than keep them out of the toy aisle at Walmart. The fact that Super7 landed this “license” and not NECA came as a bit of a surprise, but apparently it was Viacom that proposed the idea to Super7. Maybe they were sick of managing the Playmates/Super7 relationship and wanted to give Super7 something else to do. Plus it probably came about as the show turned 20.

I think of these as the more heroic of the turtles.

Super7’s inaugural wave of 2003 TMNT figures went up for preorder last spring and are just now making their way out to customers. The first wave is both a surprise and predictable as it contains the characters Leonardo, Donatello, Michelangelo, and Raphael. Yes, all four turtles are being offered right out of the gate as opposed to the one per wave approach Super7 initially took with the license. Perhaps with this aspect of the franchise being untested Super7 felt they needed to show fans that they would get all four turtles and have a complete set. They could have split them up, but maybe they feared customers would doubt their ability to deliver additional waves (and they’d be forgiven for such since Super7 has run into that problem a lot lately) and hold out until all four brothers were available. This approach undoubtedly worked to extract the maximum amount of interest they’re likely to see. Hopefully the drop-off for wave two (Splinter, Casey Jones, Shredder, and a Foot Ninja) wasn’t precipitous.

These new ones are just a touch smaller than the original turtles by Super7.

Lead designer at Super7 for the TMNT license is Kyle Wlodyga who explained in various interviews that these are the turtles he grew up with and thus some care has been taken to get these figures to match the visual style of the show. He gets into it in great detail in this interview posted by the show Turtle Tracks. And it appears that’s the approach as they look to be pretty screen accurate. This contrasts slightly with the companion art for the show and some of the more lavish sequences created for the show’s intro. In both, the turtles had a more traditional superhero shape to their body with a torso that tapers in towards the abdominal region and limbs that appear a bit longer than usual. The turtles of the show were more stocky, like most iterations of the characters, with rounded shells. They all have blank, white, eyes like the comics, but feature unique skin tones like the Playmates toys (though the colors aren’t the same) and their expected colored bandanas. The elbow and kneepads are brown like the turtles from the big screen, so we really do have a mix of influences coming together to create these new (old) look turtles.

The rear of each turtle features a hard, bulbous, green shell. It’s not super shiny, but it does cheapen the look.

Packaging for this wave is pretty typical of the Ultimates! brand with a big window box adorned with artwork of the characters and a bio on the back. The brown shipper also made its return to better protect the contents. It’s a bit evocative of the Playmates blister card, which may have been the one minor hurdle to getting these figures to market. The artwork across the front and back looks to be stock licensing art for the show. There’s also no longer any sort of bio on the back while the plastic for the window feels thinner than usual. The style for each box is the same from turtle to turtle while the insert is color-coded for each brother. If you’re an in-box collector then this is probably fine, though they still take up quite a bit of space. And if you’re an opener like me, these boxes aren’t so nice that you will feel compelled to keep them. Plus the blisters inside are so damn tight you’re likely to mangle them getting the figures and their accessories out.

As is commonplace these days, Michelangelo does have real chain link ‘chuks.

Once freed from their rather tight confines, the turtles will stand around 5.75″ on whatever surface you place them on. They’re actually a smidge shorter than the other Super7 turtles, but I have no idea how tall Super7 envisioned those characters to be. Super7 kind of did its own thing with that line. These new turtles do look a lot different though as they’re bulkier which makes them look stockier. They have smaller heads by comparison, but those older turtles have some pretty large domes. Aside from something very obvious that we’ll get to in a bit, the approach Super7 took is still pretty consistent. These new figures are mostly bare plastic with just a touch of shading applied to the green. It helps to cut down on that plastic sheen, but it also draws attention to the areas of the figures where no shading exists like the kneepads. The rear of the shell is the biggest offender as it’s just a light shade of green. It’s also very bulbous, but this is pretty screen accurate. It’s the most plastic looking of the figures and looks very cheap by comparison. It is on the rear of the figure, but these are premium collectibles and it’s definitely an eyesore. The figures at least appear to have a matte clear coat applied to the entirety of the figures. Strangely, it doesn’t come across as well in pictures. I tried going with a low light setup as harsh lighting can make them shine more than they will in natural light.

I don’t remember Donatello having a birth mark.

Even though paint is kept to a minimum, what little is there can still be messed up. My Donatello has a big, green, spot on the side of his face that I may reach out to Super7 about. That’s the worst looking part, but the paint around the bandanas on all of the heads leaves a little something to be desired. Michelangelo also has a speck of white on one of his cheeks. Normally, I’d get out the Magic Eraser to try to get rid of such, but I’m worried it will mess up the clear coat. Instead, I’ll either learn to live with the shortcomings or just go with the neatest head for each figure and call it a day.

Those who bought all four from Super7 got a bonus head pack on a blister card.

These versions of the turtles are quite chunky, more so than I remembered. It presents a tough order for a sculptor as there’s an inelegance to the silhouette that belies the fact that these characters are trained martial artists. It’s something that can thankfully be posed away, but just standing straight up and down they look awkward. The turtles do share the same body across all four figures with the only differences being the heads and belts. Leo has his scabbards and Donatello his loop for his bo staff while Raph and Mikey are just supposed to cram their weapons into the sides of their belts. These guys also dropped the belt buckles in favor of plain knots which makes it even easier on Super7 when it comes to molds.

The default portraits across the four are pretty typical for the characters and each comes with a secondary option. Leonardo has a smirk and a teeth-baring smirk that reminds me of the Playmates figure. Donatello has an old school TMNT expression with his teeth showing on both sides of his beak as well as a smiling portrait. Michelangelo has a very similar smile to Donnie as well as an open mouthed smile embodying his party boy nature. Raph is the only one who doesn’t get to be happy as he has a pair of angry portraits. One features him baring his teeth while the other is a yell. That one is one of the best of the bunch as one eye is noticeably larger, and rounder, than the other which adds some more personality to the mix. And if you purchased direct from Super7, you got a bonus pack of heads with the following expressions: Leonardo (smile), Raphael ( full teeth gritting), Michelangelo (winking and smiling), and Donatello (a side smile taken from when he mugs for the camera in the show’s intro, also very similar to his Playmates counterpart). The extras are all fine in their own way, but there’s a severe lack of imagination on display. Why does Leonardo have 3 smiling portraits? Raph is all angry, which I guess is on brand, while Michelangelo is also nothing but happy. I would have liked a grim expression for Leo and a smile for Raph, even if it was more of a sinister one. Donatello is the only turtle who gets a wide range of emotions.

The Shell Cell is a downgrade from the Turtle Com.

For additional accessories the turtles share a lot of stuff plus feature their own weapons. For hands we have a set of fists, gripping, and open hands. Each turtle also has a Turtle Com or “Shell Cell.” It’s a bit of a throwaway accessory as the turtles can’t hold it convincingly. It’s in an open state too and it would have been more interesting to get an opened and a closed one. Donatello also comes with a set of goggles. They’re a little tricky to get on either head, but they also look a bit cheap so I’m not sure it’s worth it. This was kind of the start of Donatello always getting headgear of some kind which I’ve never been a fan of.

The rest of the accessories are the weapons and they’re what you would expect: swords for Leo, sai for Raph, a bo staff for Donnie, and nunchaku for Michelangelo. These versions of the turtles may have ditched the initialed belt buckles, but they did like color-coded weapons. This means colored wraps for Leo, Raph, and Mikey on the handles of their weapons while Donatello has purple tape in the middle of his bo. Unfortunately, this represents most of the paint on the weapons as the steel portions for Leo and Raph were left as bare plastic. The plastic is a very pale gray with the the sais almost looking slightly transparent and milky. As a result, their weapons look very cheap especially compared with past offerings from Super7. Raph’s sais are also puny and I can’t find any art, be it key art or from the show itself, backing this up. When stored his sai in his belt they tended to shrink, but in hand they look to be much bigger. Mikey does have real chain on his ‘chuks so they look fine while the brown plastic of Donnie’s staff looks more convincing. Michelangelo apparently was the favorite turtle at Super7 because he also gets effect parts. Like the NECA Michelangelo, you can detach one handle of his nunchaku from the chain and replace it with a whirling effect. He gets one for each weapon and it looks great, I just wish the other turtles received a similar effect part for their weapons like we saw with JoyToy.

When these figures were announced last year the big talking point was double knees and elbows. For the first time in the line, Super7 decided to give the turtles double-joints at both spots. In the past, Super7 co-founder Brian Flynn has expressed a dislike for the aesthetic qualities of such joints. His background seems to largely be in soft vinyl figures and retro stuff so it’s not that surprising he’d feel that way. I think most modern collectors are fine with the trade-off and have always been since we’ve had double joints since the Toy Biz Marvel days. Super7 decided to change things up here, either because they felt the kids who grew up on this version of the turtles wouldn’t accept single joints, or because they caved to pressure that was both internal and external. Whatever the reason, the joints are here and they’re fine. Both are pin-less, but both also need to contend with what all turtle figures have to contend with and that’s the knee and elbow pads. To combat this, Super7 used a style of joint similar to what NECA used to use on some figures where you have a hinge ball above and below the joint. This creates two additional pivot points as well as the double-hinged bend. It works okay and certainly better than what we had. The aesthetics are a downgrade, but probably worth the trade-off to most.

Sais does matter.

Aside from that, most of the articulation should seem familiar. The head is on a double-ball peg and there’s also a ball joint at the base of the neck. These turtles have good range, but the shell prevents them from looking up effortlessly. The shoulders feature ball hinges and we have bicep swivels, the double elbows, and wrists that hinge and swivel. The gripping hands feature the proper hinge orientation for melee wielders while the elbows will bend past 90 degrees, but not far beyond that. There is a waist joint under the shell that mostly works as a pivot point than a full rotation. Hips are still ball-hinges, but the hinge seems much bigger and sturdier than typical Ultimates! figures. There’s a thigh swivel, double knees, and ankles that hinge and rock side to side. The knees bend past 90 degrees and the hip range out to the side allows for full splits. Kicking forward is a little limited since the shell forces the leg out to the side, but the range is there.

Perhaps most important to all who have interest in this line is that the joints are all nice and tight. That doesn’t mean it’s all sunshine and roses though. While I wouldn’t say any joints are too tight, there is an issue with binding and scraping. The hinges in both the shoulders and hips function like ratcheted joints. There’s no smoothness to them at all. Most of these figures are also composed of a very soft plastic, but at the joints we have hard plastic. This causes scraping, cutting, and scuffing even if you’re careful. You’re also bound to have a stuck joint or two across the four figures in either the elbows or knees. The rotation in these double knees can aid in posing, but also drive you nuts as they keep spinning out of position during handling and become misaligned for using the hinge. The design and approach isn’t terrible, and this is better than the often floppy hips we get from Super7, but it still needed another pass before going into production. It feels like Super7 just looks at a test shot once and thinks they don’t need to review anything again or something. Hinged shoulders and hips aren’t anything knee and lots of companies do them without issue, but Super7 would have you believe those toys are freakin’ miracles. Or they could just finally ditch the hinged hips and go with ball sockets. That would make me happy, though I’m sure there would be growing pains there as well.

Splits are also on the table.

Perhaps this is all coming to a head. I do not like to kick someone when they’re down, but things have not been great for Super7 of late. Some of their lines appear to be dead, licenses have been pulled, and a major release like the Cat’s Lair was plagued with quality control issues that Super7 had to rectify at some cost to the company. And now we have tariffs to deal with. This wave apparently arrived at port during that brief window when tariffs on products imported from China were at 140%. In response, Super7 laid off about half of its workforce including 75% of the designers they employed. Among them was Kyle Wlodyga who has been the head designer for Teenage Mutant Ninja Turtles and other licenses and was responsible for some really terrific stuff. I’ve always assumed TMNT was one of Super7’s best performing licenses so to see him laid off came as a shock. He also was vocally pushing for the company to tackle 2003 TMNT for awhile, but they didn’t do it until Viacom basically forced their hand. And what do you know, it was a big seller! At least, according to Super7. How shitty is that? The guy pushed for this, it finally happens, it’s a success, and he’s the one who gets shit-canned? Something smells there.

Thanks, Mikey – have a slice!

While I have sympathy for those at Super7 and I don’t want to see the company fold, as a reviewer, I’m not going to tell you to go out and buy an inferior product out of the kindness of your heart. I have to review these action figures as they are independent of the climate surrounding them and I’m forced to conclude that they’re just not worth the asking price. Super7 wants $55 each for these figures, perhaps more now that tariffs are involved, and they just don’t measure up to other figures in that price range. The appearance is too cheap in places and the articulation can literally damage your figures. They also don’t come with much and look especially light when compared with the other turtle figures Super7 has released over the years. If these were $35 then I could overlook most of that. The quality control would still be unacceptable to some degree, but also easier to swallow at that price.

These guys are a mixed bag, but if your standards are simply that you want something that looks like the show for your shelf then you’ll probably be content.

Objectively, I can say these figures aren’t worth the ask, but subjectively I can also say I don’t hate them. I don’t even dislike them. These are solid representations for an underserved era of Teenage Mutant Ninja Turtles. If you want a set of 2k3 turtles for your shelf you’ll probably be content with these once they’re in place. I do wonder how deep Super7 can go with this line. Personally, I’m in for Shredder out of wave two, but no one else. If Super7 wants to give me Christmas variants I’d be interested in that, but I don’t plan on going deep at all on 2k3. Unfortunately, it sounds like Super7 is. In another interview with Turtle Tracks posted at the same time, Wlodyga said the vintage-inspired stuff was “on pause.” Rarely does “on pause” ever mean anything good. That’s really frustrating as we’re still missing key figures in that line, most notably Undercover Don and Heavy Metal Raph, two figures keeping collectors from a complete set of Playmates remakes. Even if Viacom is really pushing for Super7 to move away from that stuff, the company should go to bat for its consumer and tell Viacom that people really want and expect those figures from them. They basically did it for Rat King, they can do it again. I’m so irritated by that decision that it makes me want to boycott the 2003 subline. I guess don’t expect a ton of Super7 stuff from me going forward.

We may be light on Super7 coverage from here on out, but there’s no shortage of historical coverage:

Super7 TMNT Ultimates! Rapper Mike

Is Super7 going to finish a set of variant Teenage Mutant Ninja Turtles?! Maybe, as we’re now three-fourths of the way through the rock n’ roll turtles as released by Playmates. Punker Don, Classic Rock Leo, and now Rapper Mike make 3 with only Heavy Metal Raph remaining. As of this writing, Raph hasn’t been…

Keep reading

Super7 TMNT Ultimates! Punker Don

It’s been awhile since we last took a look at a figure from a wave of Super7 Teenage Mutant Ninja Turtles Ultimates! It was back in July 2024 that I gave a rather glowing review of the first of a presumed four turtle figures based on the old Playmates Rock n’ Roll Turtles – Classic…

Keep reading

Super7 TMNT Ultimates! Classic Rocker Leonardo

When I was a kid, I had parents with divergent musical tastes. Dad likes oldies from the 50s and 60s while mom was more into modern rock (then 80s). One area where their tastes overlapped was Bruce Springsteen. We had several of his records in my house and I distinctly remember that cover to Born…

Keep reading

Marvel Legends The Chameleon (Animated)

The villain who can be anyone he chooses to be and this is what he chose.

I had a bit of an impulse buy a few weeks back with the Marvel Legends Spider-Man Unlimited action figure from the show of the same name. What I didn’t mention was that he was not alone for hanging on the pegs that day with him was The Chameleon. Like Spider-Man Unlimited, The Chameleon is based on his appearance in a Fox Kids animated series, it’s just that this one is based on the more popular, more celebrated, Spider-Man which debuted in 1994. I can’t say that I was ever particularly fond of The Chameleon. He literally doesn’t talk so he doesn’t have much personality in the show. He’s just a shape-shifter in a purple outfit who received a featured slot in his own episode before becoming more of an ensemble type of villain. And for a villain that isn’t going to banter with Spider-Man, he’s probably best suited for that type of role.

Chameleon with animated Venom and the Walmart exclusive animated Spider-Man.

I have not been collecting figures based on Spider-Man like I did X-Men. That largely had to due with Hasbro’s release model. I would have loved to have added Doc Ock to my display, but I had zero interest in paying for a cruddy looking Aunt May figure just to get him. The two-pack approach really killed my enthusiasm for that line. I was never going to be as into it was I was X-Men, but I definitely would have bought more if I could have just picked up the characters I actually wanted. Chameleon was at least released as a retro card all by himself. He’s in his animated duds and mostly looks the part. My affection for the show, and boredom at not having bought anything recently at the time (damn, that changed fast) is what motivated me to pick up this release. Was that a smart move? Ehh…

And now with the rest of the animated figures I own.

Chameleon stands at approximately 6.5″ making him look a great deal larger than the animated Spider-Man released on a retro card. That’s more of a problem with that Spider-Man than Chameleon, but he does seem really big. Everyone was kind of big in that show, ordinary people on the streets seemed to all be jacked, so I guess it’s not that big of a deal, but I did expect him to be all together smaller. I have no idea how much of this figure is reused, but I’d wager it’s some and maybe that’s how he ended up tall and pretty thickly built. Even though he’s from the cartoon there’s no cel-shading or anything like that on him. He’s played straight up. The head is really well done with a lot of deep grooves in his lethal expression. There’s a little bit of what looks to be an almost silver paint around the eyes and in the creases of his brow. That combined with the really well applied eyes gives him an eerie look. Almost lifelike. It’s striking and it really gives Chameleon the appearance of a cold-blooded killer.

This belt is a pain in the ass to get straight.

The rest of the body is essentially bare plastic. I don’t think there’s another hit of paint on this guy. The only painted part is the belt. Since it has a shoulder strap, Hasbro did it all in one piece. It’s an orange plastic which matches the cuffs on his sleeves. The actual belt portion is painted red and the device on his belt buckle is painted gold and green. It’s somewhat soft, but the choice to make it all one piece means you’ll likely have to mess with it to get it on straight. The harness is pretty tight with no real room for play so it tends to want to pull up on the belt. It’s really challenging to get that belt buckle centered, if not impossible, so it may drive some folks a little nuts if they hate stuff like that. I wish they had just done it in two pieces similar to what they did with the strap on Cyclops. His shoulder pads are also a softer plastic that are keyed into the shoulder joint. I’m guessing the peg for the arm goes through a loop to sort of hold it in place. It moves with the arm, but getting them to mirror each other is a chore. The shoulder pad on the right shoulder of mine is seated nicely into the body while the left one is not so more of it is visible. In trying to jam it back in I actually damaged it slightly with my thumbnail so I guess I should learn to live with it.

At least he has fists?

Chameleon has the usual accessories for a Legends release which is to say he doesn’t come with much. Though, he does come with more than usual. Out of the package, he’s equipped with two trigger finger hands and he also has a set of fists he can turn to. For those trigger hands we get a pair of guns: a pistol and a much larger gun. They’re both a dull silver and they are the exact same two guns that came with the VHS Mystique. And if you’re buying more of this wave, they’re the exact same two guns that come with Agent Venom. I think the pistol also came with movie Deadpool so Hasbro has certainly got a bunch of mileage out of these two. Lastly, we also get a “mask” of one J. Jonah Jameson. It’s designed to resemble a rubber mask that’s been pulled off of someone’s head and is just hanging from something – like a hand. It’s both creepy and kind of funny looking. I like it, but I hate that they sculpted finger holes for it in the back. If you want Chameleon to hold his arm out and have the mask just hang from his fingers it will look stupid. If he holds it as his side it looks passable, but a little odd. I wish they had just sculpted it with the mask coming to a point in the center of the head like it’s going through his fist. Hell, since it’s an all new sculpt, just make it an extra hand like Mondo did for the Venom hand holding Spider-Man’s mask or the Spider-Man hand holding the mask of the Green Goblin. That would have been the way to go.

He also has a bigger gun.

You can probably take one look at this figure and conclude that it’s not going to articulate all that well, and you would be right. The head is on the old ball-hinge, but the oversized collar renders the hinge nearly useless. He can basically just turn his head to the side. Arms feature the usual hinged ball at the shoulder, bicep swivel, double-jointed elbow, swivel and hinge at the wrist. The trigger hands have the superior vertical hinge while the fists go with an appropriate horizontal one. The torso feature an ab crunch that has crappy range going forward, decent range going back. There’s a waist twist, ball-socket hips that can almost hit splits out to the side, kick forward a decent, and a thigh twist in each leg. The double-jointed knees are tight, but otherwise fine. There is a boot swivel that’s pretty ugly, but there if you want it, and the ankles hinge forward and back and there is an ankle rocker. Range at the ankle is mediocre. This figure is pin-less so that’s nice, but it also means that knees and elbows are a slightly lighter shade of purple than the rest of the body so you’re swapping one eyesore for another. I will say, on this figure the miscolored parts aren’t as bad as I’ve seen it on some others.

Sure to be everyone’s favorite accessory is this JJ mask. It doesn’t make sense for this version of Chameleon, but who cares?

Chameleon is pretty mediocre when it comes to articulation. He’s going to just stand there on your shelf. I don’t know why they’d go with the ball-hinged neck given the big collar. The collar is a floating piece so I guess if you want Chameleon to have more range looking up and down you could remove it, but I’d have preferred a double-ball peg so he could have more tilt for nuance posing. I don’t need him to look up at the sky or down at his toes. No butterfly joint when he comes with guns is a bit of a bummer, but I do like the unbroken appearance of the chest. He’s actually pretty broad-chested compared with a lot of Legends and the proportions are pretty damn good. Chameleon is an example for how a character doesn’t need a complicated design to look good in plastic if you just get the proportions right.

Standing tall. Standing proud.

And that’s what it all comes down to for me with Chameleon. Yeah, he doesn’t impress with the articulation and there are some design flaws that bug me, but he looks like the character from the show. He’s a big dude and he’s sculpted as such. The matte finish across the board just makes him look nice and they really nailed the face. He comes with an extra set of hands, two guns, and the mask accessory which is practically a motherload for a Marvel Legends figure being sold at the standard price. For that reason, I can’t really be down on this guy. He’s fine. If you like Chameleon as he appeared in the Spider-Man cartoon from the 90s then I think you’ll be happy with this one. He’s not going to be one you fiddle with much, but when you look to your shelf and see him standing there staring a hole through your soul you’ll probably think “Man, Hasbro kind of nailed that one.”

We have plenty more action figure reviews from the Spider-Man cartoon of the 90s:

Marvel Legends Spider-Man ’94 Spider-Man vs Carnage

Last year, Hasbro celebrated the 30th anniversary of X-Men, the animated series that premiered on Halloween 1992 and would become a ratings hit shortly thereafter for the Fox Kids Network. It was responsible for getting a lot of kids into the X-Men and Marvel comics in general and the first, prime, benefactor of that rise…

Keep reading

Marvel Legends Spider-Man (Animated)

It was in 2021 that Hasbro released a PulseCon exclusive Venom figure on a Spider-Man retro card. The retro card series is meant to stir-up nostalgia for all of the adults who were buying toys and watching cartoons in the 90s as the retro card is a facsimile of the old cards Toy Biz used…

Keep reading

Marvel Legends Spider-Man Unlimited

There’s got to be at least one person who has been waiting for this day.

When the decision was made to end the animated series Spider-Man, it didn’t mark the end of the webbed one’s adventures on the small screen. Momentum was building towards a Spider-Man movie which would eventually arrive in 2002 so it made sense to keep old webhead in the public spotlight. Apparently, it would have been too costly to just renew Spider-Man and see if Peter Parker ever did find Mary Jane (we had to wait until 2024 to find out), so Saban Entertainment set out to do something new. Various ideas were kicked around including going back to the beginning, but with Sony working on an origin story for the big screen Marvel squashed that. Ideas for Spider-Man 2099 were considered as well as some sort of alternate universe story with two Peters that Marvel also nixed (perhaps PTSD related following Maximum Clonage). What Saban and Marvel eventually settled on was Spider-Man Unlimited, a show cancelled after three episodes aired that has largely been forgotten. Until now!

It is an interesting look for Mr. Parker, I just wish Hasbro went all out with the shading for the figure.

Spider-Man Unlimited is back in action figure form. Hasbro has done almost every other incarnation of Spider-Man at this point so why not? He did have a cameo appearance in Across the Spider-Verse, just like basically every Spider-Man, and since the look from the show was pretty unique I suppose it makes sense to give it a go in plastic. If anything from the show is remembered fondly these days, it probably is the suit which is sort of a mix of Scarlet Spider and Spider-Man 2099. It’s still red and blue, but there are no weblines and the whole thing is heavily shaded. He also has the web cape of Spider-Man 2099. It’s not the sort of look that can be easily adapted from an existing figure so the fact that Hasbro was willing to invest in new tooling for this is actually a surprise. And there’s really no way to do the figure without also using a fair amount of paint when compared with a basic Marvel Legends release. It will be interesting to see how this thing sells and if Hasbro’s investment paid off.

I’m guessing we’ll never get Venom and Carnage from this show so this will have to do.

Spider-Man Unlimited is a bit of a throwback to a couple years ago when it comes to Spider-Man figures. I should point out that this suit was designed by Shannon Denton and Roy Burdine so if you like the look then thank them. The figure is mostly new tools because the spider logo on the chest is raised as are the legs running from them. Where they are not raised is on the arms and the red, spider, web-shooters are a separate piece. The calves have molded fins on them while the thighs and feet do not. In other words, the torso and shins are definitely new sculpt while the arms and thighs could have been sourced from another figure. The hands are conventional Spider-Man hands while the head is similar to past Spider-Man molds, but it looks too round to be from one of the symbiote costume figures and I want to say it’s all new. The web cape I’m not sure of as I don’t have any of the 2099 figures. It’s hard plastic and semi-transparent that’s slightly preposed.

Most of this figure has been molded in blue plastic. All of the red you see on the figure is painted except for the web shooters and head. And on the head, the eyes are painted and not all that well. There’s some bleed around them and it’s noticeable even from a distance. The paint on the torso though is pretty clean and impressively so. The only ugly spot is the seem between the back and front of the figure where blue shows throw. Paint on the legs is mostly fine. The red is not particularly opaque on the knee pieces, probably because that piece is a hard plastic and it just doesn’t adhere as nice. To my surprise though, the head doesn’t really clash with the painted neck so that’s a plus.

I need to do a second coat and touch-up the edges, but I like the added shading on the face. Can I keep myself from shading the rest?

What does stand out aesthetically here is the lack of shading. It’s not really Hasbro’s approach to do heavy shading on their figures, but it feels like a pretty big component for the look of this version of Spider-Man. Rather than shade it, the blue and red just seem all together darker than they probably should be. It is really apparent though since the image on the box is similar to the look from the show. In my opinion, the shading makes the suit look more interesting than it is, but to properly shade this it would need most of the blue to be covered in black. What’s easier is the face, which was always shaded on the front and basically outlined in red. I think a solid compromise would have been for Hasbro to include that shading, but they opted not to. I decided to try it myself, despite not really being a customizer and, personally, I think the shading adds something. I could easily see myself getting carried away and going over portions of the body too, but I feel like I’d be better served to just stop at the head.

A flight stand can really aid in posing this one given its limitations.

Accessories for Spider-Man Unlimited are what you would expect: fists, wall-crawling hands, and thwip hands. That’s all. No Peter portrait or web accessories. The articulation is where the figure feels a little dated. Most new Spider-Man figures have settled on a scheme that includes a ball-jointed diaphragm that Spider-Man Unlimited omits. He just has an ab crunch and a waist twist which really limits the “spider” posing. The other aspects are mostly conventional: ball-hinge head, ball-hinge shoulders, butterfly joint, bicep swivel, double-jointed elbows, wrist swivel and hinge, waist twist, ball socket hips, thigh cut, double-jointed knees, shin swivel, ankle hinge, ankle rocker. Range at the butterfly joint is a plus, while range at the hips is just okay. The waist twist, thigh cut, and shin cuts all are useful, but also all break-up the sculpt quite a bit so your mileage may vary when it comes to how useful they are. The ab crunch, being the only joint in the torso, at least works well enough, but I’m surprised they would go through the trouble of sculpting a new torso without implementing what passes for modern articulation. I don’t love what Hasbro does with its Spider-Man figures, I think they should do a ball joint in the diaphragm and waist, but it would be better than what we have here.

Even in bad TV shows, Spidey can still kick some ass.

Spider-Man Unlimited is a figure I never thought we’d get, but now that he’s here, I find myself surprised I own him. I have a bit of a fondness for odd looks sported by famous characters, especially when it’s tied to some forgotten media like Spider-Man Unlimited. I also kind of bought it because I kept striking out when heading to stores in search of other figures, and then when I saw this, it was like a bit of retail therapy to just buy it. It wasn’t anything I was planning on getting, but now that I have it what do I think? It’s okay. The figure looks fine, and I guess when you’re talking about a costume like this that’s what is most important. The articulation isn’t very good compared to the other Spider-Man figures Hasbro has done recently which aren’t exactly amazing either. And the usual complaints about a lack of accessories applies here too. I will forever remain puzzled how Hasbro was able to condition Marvel collectors to accept Spider-Man figures without web effects. If this costume is one you actually have fond memories of or just think is cool, you shouldn’t have much trouble locating this figure at retail be it online or in-store. I’ve seen it a few times now and more seem to be shipping out every day. It will set you back $25 should you decide to take the plunge with no one’s favorite Spider-Man.

Postscript: So I got kind of bored with this one just hanging out on my shelf. It’s not a bad figure, but the Spider-Man Unlimited TV show was so heavily stylized that it just really wasn’t doing it for me. I saw some customs online that looked really good, so I decided to take a stab at re-painting this one. I went with the outline approach and mostly copied the process of this custom on the channel Ken I Make It. Some others I saw put the blue on the inside of the sculpt to highlight the muscles, which looks pretty cool, but isn’t really in-line with the show. I liked the clean look with the spider logo outlined in black and decided to stick with this approach. Maybe I’ll get bored again some day and decide to do it differently, but I’m pretty content with the end result.

For someone who doesn’t really collect Marvel Legends, I sure have managed to look at quite a few Spider-Man figures:

Marvel Legends Spider-Man ’94 Spider-Man vs Carnage

Last year, Hasbro celebrated the 30th anniversary of X-Men, the animated series that premiered on Halloween 1992 and would become a ratings hit shortly thereafter for the Fox Kids Network. It was responsible for getting a lot of kids into the X-Men and Marvel comics in general and the first, prime, benefactor of that rise…

Keep reading

Marvel Legends Retro Card Scarlet Spider

It was in this space last year that I shared my fondness for the Scarlet Spider costume when I reviewed the Medicom MAFEX Scarlet Spider action figure. I don’t buy much from Medicom because their figures are really expensive for what they are, but I sometimes break my own rule when I think they’ve made…

Keep reading

Marvel Legends Retro Card Cyborg Spider-Man

Well, this is a figure that I never planned on reviewing. It’s a bit old at this point, but we’re looking at yet another Spider-Man retro card release from Hasbro and this time it’s Cyborg Spider-Man. Now, I remember seeing this quite some time ago at Target and thinking it looked fine, but I’m not…

Keep reading

Mondo Spider-Man ’94 1/6 Scale Venom – Limited Edition

Mondo is heading down the Spider-Man rabbit hole.

Mondo has had success with its sixth scale line of action figures based on X-Men and X-Men ’97 so it’s no surprise that the company has decided to dip its toe into another 90s animated Marvel series in Spider-Man. And when it comes to Spider-Man, I’m not sure what to call it. I always referred to the X-Men cartoon as simply X-Men, though in the ensuing decades there’s been an attempt to retcon it as X-Men: The Animated Series since that’s what happened with Batman. Only, Batman had “The Animated Series” tacked onto it from the very beginning even if it wasn’t technically the show’s name. With Spider-Man, I guess I always called it just Spider-Man, but over the years I’ve come to think of it as Spider-Man ’94. I don’t know why I feel the need to differentiate it in such a fashion, but I do sometimes refer to X-Men as X-Men ’92.

Whatever you want to call it, Spider-Man was a pretty entertaining show for an early teens kid in the 90s. I was introduced to the character of Spider-Man via public service announcements and that really cool CGi Spider-Man that dropped in as part of the Marvel logo at the end of Muppet Babies. I did catch a few stray episodes of Spider-Man and His Amazing Friends, but for the most part I didn’t know a ton about Spider-Man going into the premiere of the ’94 cartoon. I knew the basics, had a few comics, read the back of many trading cards, but a lot of Spidey knowledge would come from the show. And I liked Spider-Man well enough going into the whole thing, but the character I really liked and wanted to see on television was Venom.

As is typical of Mondo, the packaging is pretty nice.

I’ve explained my love of Venom in other posts on the subject, but he was one of the big characters of the 90s. Sure, he debuted in the 80s, but I feel like he took off in the 90s leading to his solo outing in Lethal Protector. When the Toy Biz Marvel Super Heroes line emerged, I didn’t buy Spider-Man, I got Venom! When the video game Maximum Carnage hit, I played that thing and kept saying “Where’s Venom?” until finally getting to the stage where he was playable. He was just cool. This big, brutish, version of Spider-Man with a great concept for his costume and artists that took advantage of it. When the show hit, he was saved for last in the opening title for a reason and I would tune into that show week in and week out waiting for the big guy to finally show up. And when that episode finally hit and the alien slime dripped down onto Eddie Brock I could have jumped out of my skin with excitement. Unfortunately, that would be just one of three episodes that featured the character, but it was still cool to finally see him in animation.

That’s definitely Venom from the old Spider-Man cartoon.

I liked the show Spider-Man well enough, but it wasn’t as high on my list as X-Men. As a result, I don’t know how deep I’m going to go on a line of sixth scale toys that retail for over $200 a piece and require a lot of shelf space to display properly. However, when Mondo announced they were doing Spider-Man I knew I was at least in for Venom. Which doesn’t make the most sense, if I’m being honest. Venom, as a character created for animation, has a weaker design compared to his comic book counterpart. He couldn’t have the many rows of teeth, the giant tongue, complicated eyes, and so forth because it would be a nightmare to animate. He also couldn’t be shaded like he was in the books where most artists would start with a blue base and then layer on the blacks. He kept his basic shape, but the eyes and mouth were simplified. The show added its own touch by cutting out slits on the tops of the white eyes which give him the illusion of slit-like pupils as if owing to a snake. The tongue was there, but not monstrous and usually absent the green slime. Standing out most though was this blue outline the character would have on one side, plus a red one on the other. It’s not uncommon to see blue used to shade black in both comics and animation, but the red was certainly an interesting choice. It’s certainly a unique look for Venom, even if it isn’t my favorite, but there’s charm and certainly a great deal of nostalgia baked into this look.

Venom is pretty damn large even when compared with the biggest characters from the X-Men line.

Mondo’s Venom comes in a massive window box that is structurally the same as what we see from the X-Men line. Conceptually, it’s relying on new artwork and for this release that artwork is done by Kris Anka with Jordan Christianson receiving credit for the package design. There’s a big web on the front with Venom in the middle with a black, blue, and red Spider-Man logo across the top. There’s a Velcro flap with a side portrait of Venom on the inside. The window for viewing the figure has a comic book-like character portrait in the top left corner that also includes the dates April 1995 through November 1996 with both endpoints marking Venom’s debut and final appearance in the show.

Sorry Wolverine, since we don’t have a Spidey you’ll have to do.

Packaging is fun and all, but the real treat is what’s inside. Venom is a big, hulking, brute of an action figure. Mondo lists him as 13″ and my tape measure has him at just a tick over 13.25″. He’s big and right up there with Sabretooth and Omega Red from the X-Men line. This is another sculpt by Alex Brewer and on paint for Venom is Mara Ancheta and, let me tell you, these two did a bang-up job. That should come as no surprise to anyone familiar with what Mondo has been doing at this scale, but Venom looks like a maquette from the show. He is as faithful to the screen as you’re going to find. His upper body is massive with huge shoulders and bulging biceps. It tapers well at the abdomen and he has these tree trunk legs that just really add to the bulk on display.

I can hear Hank Azaria’s voice in my head.

All of the show specific details are captured beautifully in this figure. The portrait is perfect. He has this slight indent on the center of his head which he was often drawn with. It was like the meeting point between the blue and the red outline and it gave him a bit of a “butthead” look in some stills. Here it’s subtle so we don’t have a butthead Venom, but we have an accurate one. The eyes are perfect and he has those unique Spider-Man ’94 eye slits plus the blue and red lips around his lizard-like maw. The default head has an open mouth and the teeth are painted exceptionally well. On the chest and back is the classic white spider logo and the black lines in the legs are slightly sculpted in. The forearms feature those veins that kind of looked like webbing to me as a kid and they’re colored in blue and red as they were in his second appearance. The white patches are also present, a detail Mondo certainly wouldn’t overlook. And the paint is just fantastic. Crisp, clean, and in the right amount. Venom isn’t the sort of character that’s going to pop like a Cyclops or even a Spider-Man, but he has what he needs. There’s tons of blue and red highlights on the muscles and the logic on play is well applied as the figure creates an illusion of a light source. There’s also a hit of gray in the spider logo under the pectorals and in the abs which looks great and adds definition. If you inspect the figure in great depth you might find a white spot here and there or a softer edge to some of the paint, but in terms of paint slop it’s pretty much pristine.

Venom triumphant!

Now, where these Mondo figures usually don’t shine is with the articulation, and despite Venom doing some thing different, he’s still largely the same. All of the points of articulation you could want are here, they just don’t have the range to create a variety of poses. There’s the usual double-ball peg head, the ball-hinged shoulders, ball-jointed wrist, ball-jointed diaphragm, ball-jointed waist, ball-socket hips, thigh twists, double-jointed knees, ankle hinges, and ankle rockers. The sort of new, or less often seen, are the bicep swivels with double-jointed elbows. I think Mondo is going to be doing this more and more going forward as we did see it with Cyclops and it’s a change I like. In terms of what works and what doesn’t, it’s largely a case of tightness. The shoulders are very tight. Hitting a T pose might be impossible for this guy and just basic rotation is tough. You also have to be mindful of the arm rubbing on the pecs as you don’t want to mess up the paint. The elbows will bend a little past 90 degrees, but he’s so bulky that going any further really isn’t going to do much. The diaphragm joint feels very limited. I’m getting not much forward and back, rotation is oaky, but again it’s a painted surface and I don’t want to mess anything up. The waist is really hard to get much use out of and I can’t get the ankle hinges to budge. The rockers work so standing him has been easy, but this isn’t a Venom for deep crouches or those real spider-like poses.

Venom has these itty bitty webs.

There’s no sugar-coating it, articulation is a shortcoming with this figure and with this line. It’s just a question of as a consumer are you willing to accept that as a trade-off for the aesthetic? And aiding that aesthetic is the boatload of accessories Mondo included with this one. I have the limited version, which has some extra stuff that I’ll be sure to call attention to. As far as what’s included with all, we have a bunch of hands. By default, Venom comes equipped with open hands but he has sets of fists, gripping, and clawing hands that swap in and out pretty easily. He also has an extra right hand which is gripping a Spider-Man mask from the scene in his debut episode where he tries to expose Spider-Man to the general public. The mask is sculpted and fully painted and looks cool. It’s also kind of amusing to me because Mondo’s Spider-Man figure (I initially passed on that one, but then ordered it via a third party through a sale and I’m still waiting on it) came with a hand holding the mask of Green Goblin. Is that going to be a thing for this line where every character comes with a hand holding the mask of another character?

He also has some big web lines with different attachments for the end. This attachment is basically the traditional web line.

Naturally, Venom also has some effect parts. And namely, effect hands. He has two fists that are angled with long strands of web shooting out. The web lines are close to 9.5″ in length and are made of soft plastic or rubber with a wire running through it. I’m not sure how useful the wire will be, but I suppose it’s better than not having it. The line ends with a plug hole and you can insert one of two splatter ends or one of two included web ends. I like them, but the connection on my figure’s left hand is pretty weak. Weak enough that I think it might fall off soon which is something to be mindful of. The web line on the right hand seems secure. And if these web lines just seem like too much, there’s also a set of hands with short, 2.5″, web lines shooting out. These do not have a wire, because it’s not needed, but they certainly require less shelf space if you want Venom shooting webs on your shelf.

And if you prefer, we have a splat effect too.

Venom has always been an expressive character so he needs multiple portraits. And for the standard edition you get three. The default one features an open mouth and Venom’s typical sinister grin. The alt head has that tongue you all want snaking out. As it was in the cartoon, the tongue is pink and there isn’t any slime on it as was common in the comic books. Often in the show the tongue would end as if there was slime on it, but it was just colored pink. I always wondered if that was by design or if they just didn’t paint on the slime. Either way, this head doesn’t reflect that which is honestly probably for the best because it was pretty weird looking. Lastly, we have the unmasked Eddie Brock portrait. There’s not much to say about it other than the likeness is spot on. He has somewhat of an agitated expression when I think most may have preferred a sinister grin, but it’s fine. Paint across all of the heads is pretty damn immaculate. I don’t use that word often to describe the paint job on toys because there’s usually something wrong on everything, however minor. With these it’s pretty damn hard to find anything though.

I think of this as the Lethal Protector head.

And now for the extra stuff. If you get the limited version, you get two extra portraits. The first is another tongue head with a more dramatic tongue covered in green slime. This feels like more of a comic head even though the actual head and face of the character is still undoubtedly Venom from the cartoon. I think of this head as the idealized version of the character, what we would have wanted to see all things being equal from the show, but animation budgets prevented it. It’s awesome though and I am guessing this will be the favorite of many. The other head is an Eddie Brock portrait in mid-transformation. The Venom “mask” is closing its mouth over Brock’s face as it would do in the show and it looks amazing. I can’t believe how well they managed to get the paint on this thing and it’s this Brock face that has that sinister grin I was looking for. To go with this is a big piece of Venom goo that clips around the waist of the figure to make it look like alien slime is shooting off his back. It plays up that mid-transformation thing, even though the figure is basically already in Venom form, but it’s neat. It’s soft plastic so it doesn’t feel like something that will scuff the figure or anything.

Poor Venom has no Spider-Man for his swing. Maybe one day…

The last accessory is what I affectionately refer to as Venom’s web sex swing. It’s from the debut episode of the character where he webs up Spider-Man in this web contraption, pulls off his mask, and dangles him over the edge of a building where the onlookers at street level try to get a picture or video of Spider-Man unmasked. It’s basically five parts: you have a Venom left hand which is how it attaches to Venom. Then you have the five web lines, two of which end in loops to go over the Spider-Man figure’s wrists and the other two weblines end on what’s basically a web belt. The plastic is fairly soft and pliable and, according to Mondo, this belt part is supposed to slide over Spider-Man’s legs and come to rest around his waist. I don’t have that figure, but I have my doubts that this thing will be easy to get onto Spider-Man. When/if I get Spider-Man maybe I’ll update this with a picture of it in action, or confirmation that I just couldn’t do it. There are promo shots of it, but who knows how Mondo pulled them off. I suppose you could separate the figure at the diaphragm, but I don’t blame anyone for not wanting to pull apart a 200 dollar action figure. I know I wouldn’t.

What a portrait!

Mondo’s take on Venom is pretty damn rad. If you don’t care for his animated look then that’s understandable, but if you’ve ever wanted a representation of Venom from the Spider-Man cartoon on your shelf then this is the one to get. Yes, it’s very expensive and I was even a little annoyed at the price this one came in at, but it’s Venom and I had to have it. The articulation won’t blow anyone away, but the presence this one has is pretty damn incredible. He has all he needs and the execution of the sculpt and the paint is as close to flawless as I think I’ve ever seen with an action figure in any scale. Yeah it costs a lot, but you’re getting a damn good product. If you want the limited edition, unfortunately it’s sold out and you’re going to have to try your luck on the aftermarket. My preferred head is in the limited version, but I don’t know that I’d pay more than the ten bucks Mondo charged for the extra stuff. The standard version should still be available in various places, just not through Mondo directly. If this looks like something you want in your collection, I think the expense is worth it. Just know what you’re getting: a big, kick ass looking Venom from the 90s Spider-Man cartoon.

We’ve got plenty more Venom and more from Mondo for you to check out:

Marvel Legends Walmart Exclusive Retro Card Venom

On Tuesday, I posted a review for the NECA TMNT Adventures Cryin’ Houn’ action figure, a figure that debuted during this year’s edition of Walmart Collector Con. Today, we’re looking at a true exclusive from that event. Cryin’ Houn’, and a lot of other figures released that day, were basically a first to market agreement…

Keep reading

Mondo X-Men ’97 1/6 Scale Cyclops – Limited Edition

After putting a real hurting on my wallet in 2023, Mondo decided to take it easy in 2024 with its line of sixth scale action figures based on the animated series X-Men which ran from 1992-1997 on Fox Kids. Two figures ended up getting released this year, Rogue and now the leader of the X-Men…

Keep reading

Mondo X-Men ’97 1/6 Scale Cyclops – Limited Edition

The leader of the X-Men has arrived.

After putting a real hurting on my wallet in 2023, Mondo decided to take it easy in 2024 with its line of sixth scale action figures based on the animated series X-Men which ran from 1992-1997 on Fox Kids. Two figures ended up getting released this year, Rogue and now the leader of the X-Men Cyclops. With Cyclops though we get a slight change because easily the biggest thing to happen to the X-Men in 2024 was the release of X-Men ’97. Well, some would argue for a movie staring a foul-mouthed merc and an old man as being the biggest business in the X world, but I’m going with the Disney+ series. Since the show turned out to be quite the hit, and because it’s a continuation of the original X-Men series, Mondo decided its figures could use a little rebranding which is why Cyclops is the first release to be billed as hailing from the new show. What does this mean for the figure itself? Not a whole lot.

Yeah, I know, this isn’t a fair comparison.

Cyclops still comes in the same style of window box with artwork from storyboard artist Dan Veesenmeyer. The difference between his release and the others is that the character model definitely resembles the look from X-Men ’97 and not the original show. That’s not a huge change as the costume is the same, but Cyclops has a slightly slimmer profile and the detail work is a dead ringer for the same in the new show. For the figure, there’s really no change and Mondo via its YouTube channel has basically admitted that the figures are going to hew closer to the original series. It’s just now they will be able to toss-in items and accessories pulled directly from the new show where it makes sense.

“To me, my X-Men!”

And we pretty much know this to be true because concept art for Cyclops was shown well before X-Men ’97 debuted. Here we have another sculpt by the awesome Alex Brewer with paint by Tomasz Rozejowski that really harkens back to 1992 and that original Fox series. Cyclops stands a full 12″ and is clad in his yellow and blue Jim Lee outfit which he wore almost exclusively in that show. Like prior figures in this line, there were two editions of Cyclops made available and I opted for the limited version which came with extra stuff which we’ll get to.

You may want to separate these two on your shelf.

The sculpt for Cyclops may not be complex, but it gets the job done. He’s well-muscled and proportioned with a portrait that evokes the original series. The details one would expect are in place like the segmented straps on the belt or the pouches and straps. There’s even a little extra detail where the chest strap attaches to the lower belt that I don’t remember seeing in the show. The hair and the visor are all appropriate and the placement of the thigh straps appears spot-on as well (they’re also floating and slightly annoying as a result). That doesn’t mean there isn’t room for some nitpicks. Cyclops was nicknamed Slim early on, but by the 90s he was a pretty massive dude. This figure depicts him as a big guy, but maybe not quite as big as he could be. The legs look fine and so do the arms, but the chest and abdomen strike me as a bit undersized. It’s almost like Mondo aimed to fit this Cyclops figure in-between the 92 and 97 version. It could also be for a different reason which ties into the extra stuff. This version of Cyclops has removable arms and an optional flight jacket part like the Logan figure. If he were any bigger he might look huge with the jacket. If so, I disagree with the approach as the jacketed look should be a secondary concern, but the feature also seems to play a role with his shoulders being set apart from the body. These are all things mostly noticeable when the figure is just standing straight up and down, pose him and it’s less an issue, but it’s an expensive figure so we have to nitpick where it’s warranted.

He scales well enough with the bad guys too.

What really offers no room for disappointment is the paint. Mondo just slays when it comes to that part of the presentation and Cyclops is no different. The base blue is the perfect royal blue and the lighter blue used to shade it and the blacks all make him pop. The yellow is the right shade with just a hint of red of in it to lessen that lemony look the Hasbro figure of the same has. The different shades of gold used to apply the cel-shading for the yellow looks great and everything is rich and full. There’s an impressive lack of paint slop and issues as well. With such an ambitious paint job some of that is expected, but I’m finding it hard to notice with this one. There’s a visible brush stroke on the chest strap, but apart from that I’m at a loss. This is some really impressive execution so Mondo better hang onto whatever factory put this one together.

Mondo decided it was important Cyclops be able to do stuff like this.

Cyclops comes with new branding, but he also comes with new articulation. Mondo tends to keep things basic with its figures as they prioritize aesthetics over function. And at this scale, I think that’s the right approach. However, there’s no denying that certain characters need to be able to hit certain poses and for Cyclops it’s being able to place a hand on the side of his visor to activate his optic blasts (even though we also see him do so without pressing a button in the show, but lets just go with it). In order to achieve that function, Mondo opted to incorporate double-jointed elbows into this one. And they work great, no problem hitting that pose and he can pretty much put his hand to his X communicator on his chest as well. And the aesthetics trade-off is nil, as far as I’m concerned. We’re all toy collectors and we’re used to double-jointed elbows. They look fine, better than the swivel joint used on Wolverine and Sabretooth that has some miscolored plastic, so I hope they do this more going forward.

This is a team that loves a good, brown, jacket.

Aside from that, the articulation is pretty much the same as other figures. The head is on a double-ball peg and the range is pretty nice. It is a little more gappy than past figures, but I’m guessing they prioritized plus range at the head given his unique skillset. The shoulders are the usual ball-hinges with a bicep swivel past that. Wrists are ball-hinged and they can be tight, but I didn’t experience any issues. The torso is where things get less impressive. Cyclops has the usual ball-jointed diaphragm and waist, but he also has that unique belt that goes around his chest. It’s connected to the belt at his waist so it’s going to get in the way. It has some play and will float when you manipulate the chest, but the range is okay, at best. Hips are ball-sockets with thigh swivels built in, but the rubber trunks will hinder the figure’s ability to kick forward and back. I can get him into one knee poses, but it’s awkward and one must be mindful of paint rub. Knees are double-jointed and the ankles hinge forward and back with an ankle rocker. The ankles are pretty tight, but I didn’t need to heat them up to get them working. Shoulders are really tight too, but again, no heat needed as I just went easy.

Cyclops has a ton of extra stuff to go through so let’s not waste any time. We’ll do the standard version accessories first which include a stoic head and a yelling head. Both feature interchangeable visors and come with a standard one by default. Getting the visors off and on is pretty painless, and both heads can use all of the visors. The extras are a visor with a lens flare and one with a slot in it for blast effects. And for blast effects we get two by default. The first is a pretty standard Cyclops blast. It’s 4″ long or so with a splash effect at the end. The easiest way to put it on is to slot it through the visor first, then plug it into the head. It can only go in one way so if it doesn’t fit just spin it around. The other blast effect is an arc with four short blasts. It strikes me as a very Marvel vs Capcom effect and it looks pretty cool. Both are done on translucent red plastic which feels appropriate for a Cyclops effect. They’re rigid so hopefully none arrived warp. I love the look of the blast, and the lens flare part is also pretty cool, so settling on a display is actually quite challenging with this guy. You’ll want to swap some stuff from time to time.

“I was raised by a cup of coffee.”

Cyclops also has an assortment of hands to make use of. By default, he comes with a set of fists which are always useful. In addition to that he has two clenching hands, two “finger bang” hands, a set of two-finger hands for his optic blasts, and a single right gripping hand. The gripping hand is for his cup of coffee which is included. This was seen a few times in the first season, most memorably for me in “Deadly Reunions,” and it’s a pink cup with sculpted steam wafting off of it. Even though Mondo included a gripping hand for it, I find the clenching hands work just as well to hold it. Swapping heads and visors is painless with this guy, but the hands are tough. The pegs going into the arms are ribbed when they probably don’t really need to be. The ball hinge also plugs into the hand and each hand is on its own, which is how Mondo always does it. Initially, I felt like the fists were more likely to come off at the hand and not where they’re supposed to in the forearm, so I heated the forearms of my figure with warm water. It’s made easier by the fact that the arms are designed to pop off. I was then able to get the hands out, but it was dicey. I’m reluctant to really jam any of the hands into his forearms as a result, though I haven’t had the same level of difficulty with the other hands.

Sometimes it gets cold out there.

That’s all the stuff that comes with the standard, $220, version. The $240 limited edition has a few more things including the aforementioned jacket. Swapping the arms isn’t too bad and the jacket arms come with bare fists. The fists are actually the exact same as the standard fists just painted flesh colored. They are removable, though I haven’t bothered since they’re in there pretty good. He sometimes wore gloves with the jacket in the show so the other hands work with this look as well. The arms are also double-jointed at the elbows just like the standard ones so there’s no loss of articulation in swapping them. I think he looks great with the jacket and it’s a tough call on how to display him. Right now, I’ve gone without, but I’ll be changing it from time to time for sure. Oh, and I had to try because this look is so close to Morph, but the Morph heads don’t fit. The opening is way too small, which is probably good so that I’m not tempted to attempt a very expensive custom.

Cyclops would wear the jacket in the field plenty, but sometimes also to look more casual. To that end he has an uncowled head. It looks great and his eyes are painted red, which makes sense. Maybe some would have preferred brown eyes for the few times he was depowered in the show, but many won’t display him like that because he also has his shades. They’re black with the red lenses that have some white shading on them which looks nice. They’re a little brittle feeling, but have held up fine so far. They slot into his temples and look great when in place. He also has yet another visor that’s been removed so he can either hold it or stick it around his neck or something. It’s a nice touch. I will say, this head is the most X-Men ’97 looking part of the package, which could be intentional. This version also comes with another effect part that is one, massive, blast that’s almost 8″ long. It has a large splash effect at the end and it looks cool, but it’s heavy. There’s some drooping with this one so I’m reluctant to leave it in place for long stretches of time. It probably works best in tandem with an enemy getting blasted so there’s some added support for it.

Oh, but we’re not done! Mondo likes to toss in a goofy accessory with all of these special editions. We had the elf Jubilee portrait, Gambit as Mystique, and the Morph heads. With Cyclops, it’s a Sentinel head styled to resemble Cyclops. This is taken from the episode “Till Death Do Us Part – Part One” where Wolverine is battling Cyclops robots in the Danger Room. It looks the part and is pretty ridiculous when placed on the head of the figure, but it’s there if you want it. And Mondo went the extra mile and also included a swappable visor piece so he too can make use of the blast effects. It’s a little tighter a fit than the other visor, but it works. I’ll never use it, but it’s funny. Maybe it can be used as a head of a fallen Sentinel with Wolverine or something? Lastly, there’s also the usual Mondo stand. I don’t use them so I didn’t even take it out of the plastic. I wish they’d put an X emblem on it like the Logan one, but it’s fine.

“How do I turn these darn things off?!”

Ultimately, this is another home run by Mondo. Cyclops is a much needed addition to the roster of characters and he turned out pretty great. Did I have issues? Yeah, because nothing is perfect. I’d have liked to see a little more beef in the torso, but that is basically the end of my complaints. I do think the hands could have been made to swap easier and the hands are a longstanding issue with the line (though it’s been better, Magneto was rough). I get why things are tight though because these are big, solid, figures and loose joints would kill them. This figure poses reasonably well and the swappable effect parts and heads are all a ton of fun. This is probably the figure that is the most fun to pick a display, though Gambit and Jubilee are pretty great at that too.

It’s the Blast Squad!

Cyclops is definitely the last figure from this line to see release in 2024, but on-deck is another Wolverine. Alex Brewer has sculpted all of the figures in the line since the original Wolverine so Mondo wanted to get his take on the character and the looks we’ve had are promising. There’s also a retro Cyclops coming based on his look in the season finale of X-Men ’97. I have not gone for the variants in this line and I didn’t go in for that one either. We should also start seeing the first figures from the Spider-Man ’94 line very soon. I don’t plan on going all-in with that one, but expect at least a couple reviews of that line. Beyond that, we don’t know what’s next, but it sure seems like this line is going strong. If I had to guess, I’d say Storm will follow Wolverine, but I hope we get all of the core cast from the ’92 series. Even though it gets harder and harder to find room each time one arrives.

If you liked this review, then check out more from Mondo’s X-Men line:

Mondo X-Men TAS 1/6 Scale Rogue – Limited Edition

The conclusion of X-Men ’97’s first season has left behind a void. For 9 consecutive Wednesdays, we had something awesome to get up for. Now the long wait for a second season has begun, but here to help fill the void while we wait is Mondo. Mondo has been dishing out some very impressive sixth…

Keep reading

Mondo X-Men TAS 1/6 Scale SDCC Exclusive Logan

Mondo has been absolutely killing it with its sixth scale line of action figures based on the now classic animated series X-Men. The company also really ramped up production in 2023 on the line by soliciting five new figures during the year. At over 200 bucks a pop, it was quite the hit to the…

Keep reading

Mondo X-Men TAS 1/6 Scale Gambit

It is my belief that when it comes to X-Men, the animated series which debuted in 1992, the breakout star of the show was Gambit. Wolverine was the closest thing we had to a household name going into the show and was the de-facto pick for favorite character of many. And while the whole roster…

Keep reading

Dec. 19 – Life with Louie – “Family Portrait”

Original air date December 20, 1997.

If you were a mid-tier comedian in the 90s looking to breakthrough into television then Fox was the network for you. Whether it was via sitcom or cartoon, Fox seemed to think this was a winning strategy which is apparently why comedian Louie Anderson got his own show called Life with Louie. Life with Louie was pretty unique when compared with the rest of the Fox Kids lineup in the mid 90s. Most of the shows were either superhero cartoons or some kind of wacky offering. Life with Louie was a more grounded show and was basically a slice of life animated sitcom. It was slightly autobiographical as it starred a kid version of Louie (voiced by himself) and just followed his day-to-day life dealing with typical kid problems. It was a show that was allowed to have more heart than the rest of the lineup which is perhaps why it managed to attract critical acclaim.

I don’t know if Life with Louie was popular in spite of its unique approach. I watched it, but I can’t recall ever having a conversation about the show with another kid. It also wasn’t appointment viewing for me, but I was a pretty loyal Fox Kids watcher on Saturday morning so I saw a lot of the show. It’s a show that probably would have felt more at home as part of the ABC One Saturday Morning lineup, but at least on Fox it got to stand out a bit. As I got older, Saturday morning stopped being appointment viewing for me. I probably slept through most of the programming including Life with Louie. As a result, I’m far more familiar with the first season as opposed to the later ones.

They know what they’re doing when it comes to Christmas.

The show basically followed in the footsteps of The Simpsons and premiered with a Christmas episode. We’ve already looked at that one, and it was an episode that was featured in primetime. Fox liked to pull that trick with its animated shows. The calendar in December was often where most shows took time off for reruns. Holiday specials worked their way into lineups because back then most people didn’t own physical copies of those shows so they were like appointment viewing. Miss it, and you had to wait a whole year to see it again. Life with Louie‘s second Christmas episode didn’t get the same treatment. By then, the show was in its third and final season and would only air three more episodes after it. It must not have been a big hit for Fox since the final episode count ended up being 39. In other words, it never got that full series order most animated shows strive for (usually 52 episodes, sometimes 65). Still, 39 episodes isn’t a bad run and the first Christmas special was pretty good so I’m feeling relatively confident going into this one which I have never seen.

Louie and Tommy are not thrilled to find out that Santa has a five dollar limit.

The episode begins with the typical song, but all of the clips used in the intro are Christmas or winter related. Since the show only had two Christmas episodes, they’re basically all taken from the first episode and the one we’re about to watch. The episode begins with a narration by Anderson, as all do. No live-action segment as we go straight to animation. It’s Louie, his brother Tommy (Miko Hughes), and his mother Ora (Edie McClurg) and dad Andy (Anderson) strolling through downtown Cedar Knoll. As the narration explains, winter in Wisconsin lasted a long time, but Christmas was like the relief from that long, cold, winter. Unfortunately for Louie, he’s one of 11 children to Ora and Andy so his dad informs him that there’s a five dollar limit on Christmas. Louie is pretty glum about this and responds with a healthy dose of sarcasm suggesting he and Tommy each ask for half of the alphabet and then maybe next year they’ll get a board they can spell out “Thank you” on. Anderson, as narrator, does explain that five bucks went a lot further when he was a kid than it did in the mid 90s, but not far enough to get something really cool. This is demonstrated when a shopkeeper changes the price on a window display of a remote-controlled Jeep from five bucks to seven.

I should also get it out of the way now, that despite Louie having so many siblings, Tommy is really the only one we see featured much. I guess the cast just would have been too massive otherwise so they’re usually offscreen and mentioned only in passing. I also find it funny that for kid Louie, Anderson does a deeper voice than his natural one, and for his dad he does a higher, nasally, one. Having never heard the real Andy Anderson speak I can only assume this is what he sounded like. Or Louie just decided this was way funnier.

This kid is most definitely an orphan or something.

We next find Louie at school getting lunch and discussing Christmas presents with his friends. He’s pretty mopey about this imposed five dollar limit (the subject of Santa is not discussed so I take it these kids are all non-believers, or Santa just fills stockings and parents get the good stuff) while most of his buddies are all expecting something more extravagant. Everyone that is, except Teako (Jer Adrianne Lelliott). I don’t think Teako is a regular character and is someone introduced for this episode, which means he’s definitely part of the plot. He’s not joining in with the other kids eating lunch and is instead shooting a basketball since the cafeteria doubles as a gymnasium. My schools all did the same, but we were never allowed to shoot hoops at lunch. Anyway, he indicates he doesn’t know what he’s asking his parents for Christmas and doesn’t really have much to say about the holiday in general. Instead, he seems like he wants to change the subject and asks if anyone wants to play HORSE. Toddler (Justin Jon Ross), offers to play with him and the subject is seemingly dropped. Teako is definitely either poor or an orphan or both – I’m calling it now.

Judging by his expression, I’m guessing playing Santa for Tommy’s class wasn’t Andy’s idea.

In Tommy’s classroom, the teacher (possibly Samantha Dean) is eager to welcome Santa Claus to entertain the kids today. And playing Santa is none other than Mr. Anderson. He looks the part well enough and the kids seem pretty excited to have him there, but when the teacher suggest he sing some Christmas carols he balks. His schtick in this show is that he basically doesn’t want to do anything, but despite whatever protest he musters he basically goes along with it anyway which is exactly what happens here. Andy isn’t much of a singer though, so the kids aren’t exactly enjoying his rendition of “Deck the Halls.” He’s also changing the words as he goes to make it a song about kids driving their fathers nuts around Christmas. He may not be much of a singer, but he’s a pretty good ad-libber. Tommy started off enjoying seeing his father in some state of misery, but is now more embarrassed than anything. And the other kids staring at him would seem to indicate they all know who this Santa really is. When Andy is finished with his song, Tommy decides to, I guess, get even in a way by asking where all of the presents are? This sets off a stampede of kindergarteners who soon overwhelm Andy who acts like he’s under siege in a war situation.

Those kids are mongrels!

Andy and Tommy return home and his Santa suit is in tatters. Andy refers to the children as demented demons as he holds up what remains of his suit for his wife Ora, who downplays the abuse. He casually strips down into his long underwear and approaches his recliner, which Louie is presently occupying. I like how it’s basically understood that Louie is expected to vacate the chair for his old man and he does so. Andy collapses into the chair vowing to never play Santa again, but Ora has some bad news for him: she already signed him up to play Santa at the local orphanage (told you, Teako is definitely a resident) and Andy complains about it, but you know he’s going to go along with it. Louie, enjoying his father’s misery, asks him what happened to his heart and Andy replies “I gave it to the Tin Man.” Pretty good comeback, Anderson.

Teako is the kind of friend that allows Louie to feel good about himself. We all need friends like that.

The next day, we find Louie and his classmates engaged in a good old-fashioned game of dodgeball. The bully characters, lead by chief rival Glen Glenn (Justin Shenkarow), are all on one side while Louie and friends are on the other. They’re not doing so hot, but Teako is on their team and he’s pretty damn good. Louie, on the other hand, is trying his best to avoid getting nailed by a rubber ball including hiding behind Toddler, who as you may have guessed based on his nickname, is a pretty small kid on his own. Eventually, it’s down to just Teako and Louie versus Glen. When Glen misses, Teako asks Louie if he’s ready and hands him a ball. Louie is reluctant, but seems to trust Teako. Teako tosses his ball in a high arc, like he’s shooting hoops. Glen laughs at what he feels is a wimpy throw, but it’s just a diversion. Teako tells Louie “Now!” and he runs, trips, but still manages to get his shot off. He hits Glen right in the belly while Teako’s ball hits him in the head for added insult. As the kids rain praise down on Louie and Teako, Louie explains that “It’s all in the wrist.”

Please note, I am not fat-shaming when I say that is an unhealthy amount of cookies for one kid to consume. Andy, Ora, you gotta set some limits here.

We return to the Anderson residence where Andy is still grouchy about having to play Santa. He’s standing on an ottoman while Ora repairs the Santa suit as he wears it. He’s now irritated because he doesn’t think he’s fat enough to play Santa, and yet he always gets asked to do it. As he says it, he undermines his own argument by complaining that the suit is too tight. Ora then has more bad news for him: his mother and brother Eric are coming for Christmas dinner. He winces as she accidentally sticks him with the needle she’s using to sew up the costume, but when she apologizes for doing so he corrects her and says he was wincing from the pain of finding out his relatives were coming, not the needle in his side. Louie then enters from the kitchen with a glass of milk and a massive plate of cookies. His mom wants to know if he’s decided on what he wants for Christmas, but Louie just complains about the dollar limit once again. This just earns him a lecture from his dad, one of those “In my day,” talks where his dad says he was lucky to get a lump of coal which he then had to rely on for warmth all winter long. As Louie disappears upstairs to consume an unhealthy amount of cookies in his room, his mother remarks that Christmas isn’t just about getting presents. Andy agrees and notes it’s also the time when annoying relatives invade your house and ruin your holiday.

The fear of serious bodily harm just adds to the fun!

The next day, Louie and his friends are out sledding. They have one, large, toboggan style sled and they’re on a large hill overlooking the orphanage. Louie makes a somewhat callous remark how it must be great to be an orphan and not have a family, which Teako tries to brush off. Louie wants to sled down that side of the hill, but Teako suggests the other side which the other kids refer to as Concussion Corridor. Local lore says that only Glen Glenn has survived such an attempt and Louie points out how that must have worked out for him considering his present disposition. Teako likes a challenge and encourages Louie to try it insisting that his steering will see them through. The others just kind of go along with Teako, albeit apprehensively, and soon they’re off! Despite Teako’s confidence, Louie’s piloting skills appear to be lacking some polish as they crash into a rock. Everyone is sent flying and Toddler momentarily thinks his legs were separated from his body, but it was just the legs of Mike who landed headfirst in the snow. Despite the crash, everyone seems all right and, best of all, they had a blast! Louie insists they head to his house next where they’ll almost certainly be able to score some hot chocolate.

Louie is not very appreciative of what he has, which is pretty typical of all children.

The kids enter the Anderson home to find Louie’s mom setting up the Christmas tree and listening to Christmas music. The second they enter she asks if anyone wants hot chocolate and Louie points out that she’s a mind reader. As the kids settle on the floor to drink hot chocolate, Teako is in awe of all of Louie’s comic books. Mike (Justin Shenkarow) asks Louie if his electric football game is hanging around which draws more awe from Teako. And when Mike opens a closet to retrieve said game, he can hardly believe how much stuff is in there. Louie dismisses it as all junk completely oblivious to the trials of his new friend. Tommy then comes over because he’s seen Teako playing basketball at school and thinks he’s amazing. He even wants the kid to sign his ball, but Louie ushers him away. When he complains about how annoying little brothers are, Teako suggests that the kid seems fine to him. Louie’s mom then delivers a plate full of homemade Christmas cookies which draws more awe from Teako. As they settle in to play the electric football game, Louie laments having a large family and wishes he was an only child. Teako tries to tell him that being an only child isn’t so great and that he wishes he had a big family like Louie’s, but Mike just corrects him by saying he has yet to meet “Corporal Keister.”

I love Louie’s mom, she’s do damn cute. I hope he was nice to her during his teenage years.

Evening arrives and the kids all go their separate ways, but not without thanking Mrs. Anderson for a lovely time. She’s pretty impressed with Teako and Louie shares her sentiment pointing out that he’s handsome, popular, good at sports, and he’s an only child. Who wouldn’t want to be him? Ora doesn’t try to change her son’s opinion, just offers up some classic Mom talk by saying he must be a smart kid too since he’s chosen Louie as a friend. She’s so cute and earnest that this sweet stuff is working like a charm on me.

What can a kid get for five bucks? There must be something since when I was a kid I could at least get an action figure for that kind of money.

The next day, Louie, Teako, and Mike are roaming the streets of town since Louie has yet to figure out what to ask Santa for Christmas. Mike can’t believe that Louie can’t find something worthwhile for five bucks. Louie is still pretty sullen and as they look at the remote control Jeep from earlier he opines that five bucks probably couldn’t even get him the batteries that power the thing. Teako tries to be helpful and suggests a book, but Michael looks at him like he’s got two heads at the mere suggestion of such. He then pivots to a gumball machine as they’re in a store that has one for five bucks. Mike is quick to point out that it doesn’t come with gum. Louie then allows himself a moment of panic for if he can’t find something then he’s sure to get something terrible. Teako seems dubious of such, but Louie tells him that’s how he got a flywheel for his birthday.

Heh.

At the Anderson house, it’s time for the old man to get ready for his star turn as Santa Claus for the orphans. He’s about as happy as you would expect. Ora is very supportive and reminds him that all of the gifts will be labeled with each kids name. He just snaps back at her that he knows how to read, but asks where the gifts are? Speak of the devil as the doorbell rings and some delivery men show up with a trio of massive sacks of presents. Andy has no idea how he’s supposed to manage such a volume, but Louie and Tommy laughing at him gives him an idea. We then cut to Louie dressed as an elf and Tommy a reindeer. Andy is pretty proud of his solution and if I’m not mistaken I think he rather likes the fact that his boys get to share in his misery this evening. Ora, naturally, thinks they’re adorable resulting in Louie asking if he can be adorable in his regular clothes?

This is a terrible idea.

Louie’s concerns are dismissed as the boys set out with three sacks of gifts strapped to the roof of Andy’s station wagon, The Rambler. He backs into his neighbor’s garbage cans and serenades the boys with his own rendition of “Silent Night” as they head for the orphanage. In between each line he inserts his own comments, such as “Silent Night (not if you have 11 kids). Holy night (What? Did they see my boxers?).” At the orphanage, Ora is there passing out snacks and such when her boys show up. Andy is ready to haul the gifts inside, but Louie and Tommy see this as an opportunity to get back at their father for making them dress up. Louie insists that he can’t enter through the front door as Santa, he has to go down the chimney. This has “bad idea” written all over it and Andy knows, but in typical Andy fashion, he whines and complains, but ultimately does as suggested. I don’t know how they got to the roof, but they did and Louie and Tommy help stuff their father down the chimney. It’s a little more than a tight fit, but where there’s a will there’s a way! Andy lands hard on his rump and then mistakenly calls for the presents which follow close behind. As for Louie and Tommy, well, they’re not Santa so they waltz in through the front door!

You know, I think he actually likes this Santa thing.

The kids are pretty happy to see Santa and Ora makes the mistake of mentioning presents. Poor Andy gets assaulted just as he did in Tommy’s class and he points that out by crying, “Deja vu!” After things settle down, Santa Andy starts handing out gifts. As kids come up to retrieve them, Louie calls out the price on each item since they’re all well above five bucks. Andy actually seems like he’s enjoying himself, though probably not his son’s quips. He tells Louie to do him a favor and go brush the snow off his car, of course, catching himself in the moment and correcting it to “sleigh.”

Louie may be shocked, but I am not.

We then come to the last gift which is for a kid named Russell. Andy calls the name out a few times, and then, predictably, from the shadows emerges Teako. Louie gasps when he sees his friend, who just cheerfully says “Hi Louie,” as he walks by to receive his present. Louie asks why everyone calls him Teako when his name is Russell and, get ready for more sadness, he explains it’s because it’s short for “Antique.” Being the oldest kid in the orphanage, he acquired a nickname which has been shortened overtime to Teak or Teako. God damn, it’s getting dusty in here. Ora then suggests to Teako that he open his gift and so he does. To Louie’s surprise it’s an electric train set which he’s quick to call out to his dad costs $29.99! Teako ignores him and asks if he’d like to help him set it up and Louie agrees on account of the fact that he’ll never get one.

Look at that adorable little rascal!

With the train setup, Teako and Louie are able to play and have a little heart-to-heart. Louie asks him why he never mentioned he was an orphan and Teako confesses he’s a little embarrassed by it. He tells Louie that he’s lucky to have parents and siblings and for once Louie agrees with him, though not all that convinced by the sound of things. He also refers to his dad sarcastically as Dean Martin since he’s busy leading the kids in a horrible version of “Jingle Bells,” one that ends with him wishing he was on the frontlines of war instead of here. Andy then makes for the snack table and boasts to Ora that these kids are totally buying into him as Santa Claus. Then some kid calls him Mr. Anderson and he’s forced to concede that maybe his performance isn’t that impressive. Louie comes over and tells his parents he finally knows what he wants for Christmas: for Teako to be able to spend Christmas with the Andersons! Andy is predictably aghast and complains about having another mouth to feed, but he should probably shut his yap since I bet he’s coming out ahead on this one. Louie’s mom asks him if he’s sure he wouldn’t want a real present, but Louie just returns her sentiment that Christmas isn’t only about getting stuff which is music to a mom’s ears. As she turns her attention to Andy, Louie’s smiling, elf, face gets smushed between his parents in what is almost certainly going to be the featured image of this post.

By far, the most cartoony moment of this otherwise relatively grounded show.

Christmas comes, and as requested, Teako is there to spend it with Louie’s family. And so are Louie’s relatives who his father isn’t exactly thrilled to have over. Before they go in for dinner, Louie, Tommy, and Teako are shown playing tag outside and Louie takes a tumble. When he enters the house, he’s literally a snowball. His grandmother (Inga Swenson) is there and she has what sounds like a Swedish accent. I’m guessing Louie’s grandfather didn’t have the same since Anderson is about as vanilla a name as it gets. Andy can soon be heard asking his wife for his vice grips as he’s having some difficulty with a jar of something. This just invites a scolding from his mother who opens it without a fuss.

Let’s see how the old man handles this one.

Louie and Teako take a seat at one of the three tables setup in the Anderson living room. One of Louie’s seldom seen older siblings pops in and asks if Teako is some cousin he’s never met. When Louie tells him that Teako is his friend his brother laughs and suggests the kid must have lost a bet. Louie is ready for a comeback though as he tells Teako this is the brother who’s never had a date. Grandma Helga then suggests to her son that he should say the blessing before dinner. Andy does his best, and his best isn’t very good, “If you’re listening, big guy, thanks for the viddles. And thanks for bringing our family together,” followed by something unintelligible to my ear. His brother, Eric (Stephen Tobolowsky), tells Andy his blessing was very nice and Andy is quick to point out “I didn’t mean you!”

I think Teako is having a good time.

Ora then encourages everyone to dig in and a free for all ensues. Teako is aghast at how quickly the food is flying around, but he basically just sticks his plate out and it gets passed around and loaded up with all kinds of stuff. The same is true for Louie and the two share a smile as they dig in. We then cut to the kids watching TV. It’s the original version of Miracle on 34th Street and it’s the scene where the little, Dutch, orphan is introduced to Santa Claus. They use the actual footage, which is something they also did in the first Christmas special only then it was It’s a Wonderful Life. The movie is interrupted by Eric asking his brother if he’s still driving the same car. Andy happily declares he still is listing all of the stuff that’s basically wrong with it, but it has 750,000 miles on it (but is also on its fourth engine). Eric tells him he needs to upgrade to a luxury car, but Andy just sort of growls in response.

I guess he kind of had that one coming.

Eric takes the opportunity to flaunt his new camera in his brother’s face noting it cost him a pretty penny. Andy is unimpressed, but has nothing to throw back in his brother’s face, that is until his own flesh and blood approaches with a gift for their dear old dad. Louie and Tommy present a present to their father and he tries to rub it in his brother’s face how much his kids appreciate him. Then he opens it to find a lump of coal which gives everyone a good laugh. Andy is a little pissed at first, but then starts to suggest it can keep the family warm into February, then under his breath whispers “Or start a fire under Eric’s car.”

Such a lovely family.

Eric either doesn’t hear that part or takes it in stride and instead declares that they should take a family photo. Teako offers to take the picture, but of course Louie wants his friend to join in the picture. No problem, as Eric points out they can use the timer feature on this fancy, new, camera of his. He sets it on the television and everyone takes their place. Then they wait, and wait, and by the time the camera goes off they have all started doing something else.

He sure knows how to clear a room.

It’s time to pass out stockings and there’s even one for Teako. Or should I say Teco? The credits on IMDB list him as Teako, but the stocking says Teco. I’m not changing it now. Andy reaches under the tree, now back in his Santa threads, and mentions he has “a surprise for you, son.” Louie is indeed surprised when the gift is for Teako, and the moment is captured by Uncle Eric’s camera. The real Louie’s voice enters to wrap things up. As we see Louie and Teako playing checkers (I guess that was his gift?), Louie tells us sometimes the best gift you can get is spending time with the people you like the most. We see quick cuts of the pair making cookies and the family being lead in song by Andy. “The Twelve Days of Christmas,” which no one seems to be enjoying except for Andy. It’s his own version which highlights his unfortunate existence. Everyone walks away, but the song ends on a rather sweet note with Andy concluding “And a wife who stands by me throughout it all!” He mumbles that he should have been a singer as we fade out.

As expected, “Family Portrait” was a sweet and earnest Christmas episode from Life with Louie. I could see the plot beats coming a mile away and I ate it all up. It was cute. Louie’s obliviousness to how good he has it, Teako’s genuine good heart, and even old man Anderson who despite the grumbling and protesting seems to always do the right thing. Louie Anderson turned his father into a comedic figure, but you can also tell the guy must really love and respect his old man. And his mom is portrayed in such a positive manner too that I just keep coming back to the fact that it’s all just sweet. Very, very, sweet.

If there is a touch of cynicism to this thing it wouldn’t work. It lets the characters and the moment get just touching and sappy enough and knows when to ease up. It would have probably been over-the-top if the Andersons announced they were adopting Teako. They have 11 kids already and seem to basically just get by, adding a twelfth would probably be unwise. And Teako, despite some embarrassment at being an orphan, seems to be a well-adjusted kid. He may not have a family of his own, but he has a pretty strong group of friends and a good support system. If the kid was ever in trouble or needed anything you know Louie’s mom wouldn’t hesitate to make it happen.

I hope Louie’s parents lived long enough to see this show because his affection for them shines pretty bright.

I’m left wishing that this wasn’t basically the end of Life with Louie. These characters are interesting to me and it would have been nice to see how everything turned out. I know the show is somewhat autobiographical, but I don’t think it is down to the plot. As in, I don’t think Louie Anderson ever had an orphan boy over for Christmas as his Christmas gift. I could be wrong, and I don’t know if it was ever asked of him. He’s unfortunately no longer with us, though I’m assuming some of his 10 siblings are so maybe they could recall?

It’s not important though. This is a perfectly fine Christmas special whether the events depicted happened or not. And it is indeed one I recommend along with the other Christmas episode of Life with Louie. They’re both feel good Christmas stories that manage to feel sentimental and heartfelt, but without crossing over into corny territory. I don’t know how they pulled it off and if I did I’d write a hundred Christmas specials of my own. It’s not an easy thing. Life with Louie sadly never got the full DVD or Blu Ray release Louie Anderson seemed to think was imminent making it a lot like some of the other Fox Kids originals. On the plus side, that means it’s readily available online streaming for free and since the show did air on digital cable at one time the transfers are pretty good. You just have to deal with the stupid JETIX logo that channel superimposed over everything. Their program director had no sense of taste.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 19 – Aaahh!!! Real Monster – “Gone Shopp’n”

Whenever I approach another year of The Christmas Spot I usually have some kind of goal in mind. Maybe one could even think of it as a theme. The past few years I’ve made it a point to highlight some of the best Christmas specials I covered in the past, but felt I had short-changed…

Keep reading

Dec. 19 – American Dad! – “Minstrel Krampus”

I’m quite surprised to have made it all the way to December 19 without resorting to The Simpsons, American Dad!, Bob’s Burgers, or some other animated sitcom that has an annual, or near annual, Christmas episode. Not that I have been avoiding such shows, and I may turn to one again before this is all…

Keep reading

Dec. 19 – Krazy Kat – “Krazy’s Krismas”

One of the most celebrated comic strips of all time is Krazy Kat by George Herriman. Krazy Kat debuted in the New York Evening Journal in 1913 and concluded its run in 1944. It contained a fairly simply premise where a cat named Krazy pined for a mouse named Ignatz, only the mouse hated the…

Keep reading