One thing I lament a bit is the loss of the shared television experience. And in particular, the thrill of knowing a seasonal favorite was airing on a given night. These things seem to be dying as even Charlie Brown has found himself relegated to PBS. And it’s mostly due to these specials getting gobbled up by streaming platforms. There’s still a few that get seasonal airings, but their numbers are dwindling.
Once upon a time, a seasonal special was a surefire way to get some nice ratings during a holiday. That made them attractive for producers who went out of their way to create a holiday themed cartoon for their popular characters. And when it comes to cartoons, few could argue that the Looney Tunes weren’t near the top of the mountain in terms of popularity, or just sheer greatness. Bugs Bunny is a character that can lay claim to being top dog, or rabbit, in the field of animated characters. Want to argue Donald Duck or Popeye? Sure, they and others can make an argument, but so can Bugs. I’m not concerned with figuring out who is best, but I am reminded that Bugs and the gang once had their own holiday specials you could find on television at the right time of year. Unfortunately, they’re almost all bad. How can this be?! Bugs Bunny is fantastic! Daffy Duck, Elmer Fudd, Tweety, Sylvester – they practically write themselves! It’s an unfortunate reality though, as we saw with Bugs Bunny’s Looney Christmas Tales, and the rabbit didn’t just get victimized by Christmas.
In 1977, CBS aired Bugs Bunny’s Howl-oween Special. This could have been an annual viewing tradition, and it was for a little while, but fell by the wayside because it’s, well, not great. Come the 70s, Warner’s theatrical shorts division was dead and their vast cast of characters had pivoted to the small screen. The classic Merrie Melodies and Looney Tunes were now airing in syndication with little in the way of original animation being created aside from wrap-around segments or commercials. Warner and CBS not surprisingly saw an opening to do a Halloween special because the Looney Tunes have dabbled with the macabre before. They could have, and probably should have, just rounded up some popular, spooky, cartoons and aired them in a block. Maybe they could have done some wrap-arounds too, or brought in a live-action host, and people probably would have tuned in. They did not.
Instead, Warner made the decision to take 8 classic (well, mostly classic) shorts and edit them together. Only they didn’t stitch them together with wrap-arounds, instead they tried to make the transition from one toon to the next seamless with new animation. This feels almost sacrilegious to cut up these cartoons like that. Some are even split in half with entire cartoons shoved in the middle. A-Haunting We Will Go is the first toon, and it gets chopped up to have four different cartoons inserted into it before it concludes. Now, maybe if the original directors were making these calls it wouldn’t be so bad, but none of them worked on this special. Hal Geer is the credited executive producer while David Detiege is the credited director who must have overseen the new animation and layouts. I don’t know if they tried to get Chuck Jones or Friz Freleng to do this thing, but presumably that would have cost money and they probably didn’t want to be a part of this.
If dicing up the cartoons feels bad enough, wait until you see the new animation! Holy Hell is it bad. Now, I don’t want to rag on the animators and artists involved. They probably had a shit budget to work with and Warner animation was a shell of its former self come the late 70s, but they couldn’t even get Bugs Bunny on model. It is immensely distracting to watch the old animation suddenly cut to the new, because Bugs looks about as different as he can. He looks like the bootleg Bugs that adorned VHS covers of public domain cartoons in the 80s. It’s bad. The audio is also noticeably different since Mel Blanc had gotten older. That can’t be helped, but it does just add to that jarring feeling.
If you can get past all of that, is there something to enjoy here? Yes and no. You get snippets of the old shorts in some cases which just isn’t very satisfying if they’re cartoons you’re familiar with. The pacing is off and most will be left feeling frustrated. Which is a shame, because most of these shorts by themselves are plenty enjoyable:
A-Haunting We Will Go
Hyde and Hare
Hyde and Go Tweet
A Witch’s Tangled Hare
Claws for Alarm
Some of these edits will confuse kids. The special goes right from Hyde and Hare to Hyde and Go Tweet which both feature Dr. Jekyll and Mr. Hyde, but the character models aren’t the same. Claws for Alarm and Scaredy Cat are brutally cut up and quite lousy as a result, even though Scaredy Cat is a terrific toon by itself. And like the new animation issues, you’re also jumping from different eras of Warner shorts which have different production values. It also draws attention to the reuse common in these cartoons like Bugs’ witch costume and walk cycle being the same as Daffy’s nephew. I guess what I’m saying is, this special cuts up the cartoons while also drawing attention to their original flaws. Talk about a swing and a miss.
If you want to spend Halloween with Bugs Bunny and his friends, you can get this special on DVD. You won’t find it airing anywhere, but it is streaming for free in the usual places. It’s mostly an example of what not do do with these shorts. If you want to just experience some spooky tunes, watch the above mentioned shorts by themselves. Or see if you can get the Halloween edition of Toon in With Me that aired this morning. Maybe it’s on demand, but it has some of these cartoons and it’s far more well put together than this. There’s also a block of Looney Tunes airing tomorrow morning on MeTV that may or may not follow a spooky theme. The official Warner YouTube channel even has a bunch of Halloween cartoons on there for free which is way better than this, even if they’re edited. Basically, there are far better options when it comes to enjoying Halloween with Bugs and the gang.
When it comes to classic cartoons, few would argue against the merits of Warner Bros Studios’ Looney Tunes. Pretty much all of the major studios were invested in cartoon shorts in the 1930s into the 1960s and Warner was a gold mine for hilarious content. The Leon Schlesinger produced Merrie Melodies and Looney Tunes churned out characters like Bugs Bunny, Daffy Duck and Porky Pig like a well-oiled machine. Visionaries such as Tex Avery, Friz Freleng, Chuck Jones, Robert McKimson, and many more helped shape these characters and define cartoon comedy for generations. Everything that followed in animated comedy owes something to the Looney Tunes and the influence of those shorts cannot be overstated.
Despite their popularity, the characters of Looney Tunes have teetered on the brink of obscurity for years now. In the 80s and 90s, it was easy to find these characters and shorts on many networks in various packages. I would watch Nickelodeon’s Looney Tunes almost every night when I was a little kid as it was the last piece of programming on the network before Nick at Nite kicked in. And I loved pretty much all of the characters featured, yes, even Bosko, though I was always partial to the Road Runner shorts. The characters remained in the public eye through other shows and a fairly popular apparel line with the franchise probably peaking with 1996’s Space Jam, a bad movie with some decent jokes sprinkled throughout, but one that is definitely a source for millennial nostalgia. Following that, there was a bit of a decline. Networks like Nick and Cartoon Network invested more of their resources into original programming and stopped licensing the shorts from Warner, while that company also sank money into new properties and kind of left Bugs and his pals behind. There was a movie in 2003 titled Looney Tunes: Back in Action and attempts to create new cartoons and rehabilitate old ones, but nothing really made much of an impact or had much staying power.
Now, the Looney Tunes are primed for a resurgence. New shorts are airing as part of HBO Maxx and they at least look good. I have yet to watch any since I’m not a subscriber, and I think that has hurt the property’s growth as I really don’t encounter much chatter online about these new shorts. There’s a new Space Jam film starring LeBron James set for release this year, and that could certainly help catapult these characters into the public conscious as nostalgia seekers who enjoyed the original movie as kids might use it as a vehicle to introduce their own children to these characters.
Perhaps we owe the new Space Jam for the Looney Tunes merchandise that is on the way. We certainly do for the line of Space Jam themed action figures now popping up at retail, but perhaps we also owe Space Jam a thanks for this new line of Minifigures from Lego featuring the Looney Tunes. There definitely is a shortage of Looney Tunes toys in the market. Before 2021, there wasn’t much to speak of at all in both the kid demographic and the collector market. With Disney now getting love from the likes of Super7 and Beast Kingdom, it would be nice to see the Looney Tunes experience the same. For now, we’ll have to take what Lego is providing and be happy that at least someone is making Looney Tunes toys in 2021.
The wave of 12 figures features some heavy hitters, and some not-so-heavy hitters. As far as I know, this wave of figures is the only Looney Tunes product Lego has unveiled, so if you were hoping they arrived with an actual set you may be disappointed. That could partly be due to the fact that there are no obvious locales to spotlight in a set. Bugs Bunny lives in a hole and many cartoons just take place in a forest. The Tweety cartoons take place in a generic house, while Porky is a bit more of an everyman who can be featured everywhere. Maybe Lego will get creative and do something like Duck Amuck! as a set, or the abstract Wacky Land. There are possibilities, for sure, just nothing obvious. Well, aside from Space Jam sets which may or may not be coming.
Like other waves of Minifigures, these all come in blind bags and are sold pretty much anywhere Lego is sold. They’re 5 dollars a bag and you can take a chance and just grab some off the rack or spend some time feeling them out. This set is not particularly hard to discern for those determined not to get doubles as, like the Disney and Simpsons waves, these characters feature unique head-sculpts which goes a long way in determining who is who. The only characters who really have a similar head-shape are Tweety and Porky, but both feature additional pieces that are a dead give-away like Tweety’s circular bricks for building his mallet and Porky’s rectangular sign. Overall, this is a small release though as the last Disney wave contained 18 figures to just 12 here. Some of that 18 may have been due to parts reuse (Huey, Dewey, and Louie were essentially the same figure 3 times), but I was still surprised at how small this wave was. Especially considering the characters left out, but maybe that’s a good sign that Lego is planning more? Or maybe Lego deemed some of the remaining characters too risqué for the company’s liking. Oh well, at least it’s easier on the wallet this way.
We’ll go in the order Lego displays the figures in on the included checklist, so first up is Lola Bunny. Lola was created for the original Space Jam and she is likely present in this line because of the new movie and because there are so few female characters from Looney Tunes to represent. This version of Lola sports a yellow tank top and purple shorts which really draws attention to the fact that she’s basically just adult Babs from Tiny Toons. She has a scrunchie in her ears which makes them look like a ponytail and it’s those ears you want to be on the look-out for when searching for this character. She also has a basketball, but it’s just an orange sphere with no printing with a hole on one end so that she can actually hold it. She looks fine, though I find it a little odd her mouth is basically just printed and not sculpted at all. I don’t know if anyone collecting this line really wanted Lola, but she turned out all right at least.
Next up is the iconic Bugs Bunny. He has his own unique head sculpt from Lola, though he does feature the same printed on mouth as her. His ears are the dead give-away when looking for him and he comes with a carrot, because he’s Bugs Bunny. This is the standard, licensing art, Bugs most are familiar with. He has white hands and the fur around his mouth is tufted as opposed to smooth. His tail, to my surprise, is just printed on his back. I was expecting a separate piece that went in-between his legs and torso. He looks pretty great though and is basically what one would expect of a Bugs Bunny Lego.
Wile E. Coyote is next up. Since I did so love the Road Runner cartoons when I was a kid I was really looking forward to getting that duo. Wile E. looks terrific. His head features probably the best sculpting in this wave as he has the tall ears, the snout that sticks way out with a slight droop, and the cheeks that puff out. There’s even a little sculpting on his eyebrows. He features a tail add-on that’s a bit odd. It’s a long, bushy, tail that looks like it belongs to a fox or raccoon. In the shorts, Wile E. always featured a rather diminutive tail, but Lego likely recycled this from a past figure. I do prefer it to a printed tail, at least. You can position it in either an up position or a down one. His accessory is an anvil that has to be assembled. It’s a bit odd looking for an anvil, but it gets the job done. Mostly, I just love how the face turned out so I’m happy.
Next up is Road Runner himself. This figure could have turned out really bizarre, but I’m happy to say he actually looks pretty good. The character is basically all legs with a small, but long, body. He’s essentially the opposite of a blocky Lego, but with a little effort they got him looking great. His head features the expression one would expect and it also has separate plumage that pegs into the top. At the waist is a tail piece that was possibly created just for this figure, while the arms are wings likely recycled from last year’s Big Bird. The legs are a bit plain as Lego declined to give him bird feet, but the overall aesthetic works well enough. His accessory is a bowl of bird seed, perfect for the coyote to lay down as a trap that will inevitably backfire in some way.
Tweety is our next figure and he’s a bit of an odd choice. He’s certainly popular enough to be featured in this inaugural wave, he’s just way out of scale with everyone else. Lego used their child legs for Tweety, which are non-articulated, to make him as small as possible, but he still looks pretty ridiculous next to any of the other characters. He might have made more sense as a small, non-articulated, figurine. His paint scheme is simple, so Lego could probably make him look fine. They took that approach with the Simpson pets. They didn’t though, and even though he’s out of scale, he at least looks okay. The head-sculpt is nice and he comes with a big mallet to smash Sylvester with that at least helps to make him look a little smaller. He’s still odd though because the cartoon character is almost all head with a tiny body and huge feet. He also has a printed tail like Bugs and Lola. Definitely not my favorite of the line, but not a total swing and a miss.
If you have Tweety, well then you need Sylvester too. Sylvester might be the most authentic looking of the line. His proportions look pretty good even adapted for this blocky Lego style, and Lego opted to give him a nice tail too. His head-sculpt looks terrific and his included accessory is the always useful baseball bat. Maybe he would have looked better with a frown, but otherwise I have no complaints. His likeness is almost so spot on that it makes him boring.
The always jealous Daffy Duck is another obvious inclusion in this wave of figures. Daffy is based on his later appearances which align with the licensing art for the character as opposed to his rounder, wackier, version. I love his head-sculpt and Lego made sure to attach a small, white, neck to it so he would have his trademarked ringed neck look. He also recycles the “duck butt” that Lego utilized with Donald and Daisy Duck to give him a touch more depth. His accessory is a “Rabbit Season” sign which makes about as much sense as anything for Daffy. Like Sylvester, one could argue it would have been more appropriate to give him an angry expression, but I like what we have here and as someone who loves Daffy Duck I am quite pleased.
Speedy Gonzales is next up, and like Tweety, he suffers from the same scale problems. Unlike Tweety, he doesn’t really make up for it with a nice head-sculpt. Speedy is one of those characters that was rarely shown head-on, and his head just doesn’t translate well to 3D. At least not at this size. His sombrero is molded to his head while Lego tossed in a mouse tail accessory. It’s a bit weird because it’s molded in the same color as his fur so he has a strip of fur between his shorts and shirt. If he was a character with an exposed belly all of the time this would be fine, but he really isn’t such a character. He uses the kid legs again, which is unfortunate because he can’t even be placed in a running pose as a result. His accessories are four cheese wedges, which is fine, though maybe a can-opener to torment Daffy would have been more fun. I think overall, he looks better than the sum of his parts when placed among the others, but he is one of the lesser figures in the wave. He also seems to be short-packed as he was the hardest for me to find when he really should be one of the easiest when feeling out bags because of his unique head shape.
The Tasmanian Devil is next up and he’s an interesting figure. First of all, he uses these short, stubby, legs like Tweety and Speedy, but his are actually articulated. Why doesn’t Lego just do this for all of their shorter characters? His head is rather massive and fits over much of his torso reminding me of a theme park mascot. It looks great though and helps to preserve the character’s stocky physique. Lego also included a whirling disc for him to stand on, in addition to the usual black stand. It doesn’t really work well as something to spin, but it’s a nice touch. He also has a turkey leg and a pie, since he sure did like to eat in the old shorts. He also features the same tail as Wile E. Coyote, and like that character, I question its suitability here. The Tasmanian Devil always had a stubby tail and I think over the years it’s a tail he’s mostly lost as the character’s design has been tweaked. I suppose if I really am bothered by it I could just remove it.
Marvin the Martian is our most conventional figure in this bunch. That’s because his head is just the usual small, round, peg done-up in black with two large eyes printed on it. For his helmet, Lego actually made it and the brush (?) on top of it all one piece rather than have it peg in. He also has a skirt piece, the only soft goods in the wave, and his little, green, blaster. He looks the part, though I wish they could have given his sneakers a bit more love, but Lego seems to prefer the square aesthetic of the feet. He looks good though and I quite like his little gun.
Petunia is the character in the line many might struggle to remember. She wasn’t featured a lot in the Porky shorts, and may be best-remembered as being one of the included toys in the McDonald’s Super Looney Tunes Happy Meals where she was Wonder Woman. Prior to Lola, Petunia got extra work since she was one of the few female characters featured in Looney Tunes, and she’s probably included here for that reason. Her head is actually different from Porky’s as her braids are part of the sculpt so this isn’t a case where she’s included to save money. I don’t really know if the outfit she’s wearing is what she featured in the old shorts the most. My guess is this is just the licensing art being used as a reference. She comes with a tea kettle and two tea cups so I guess her character is one that enjoys tea? She’s definitely not a character I would have requested so I find it hard to get excited over her figure. It’s fine though.
And rounding out the set is the always last Porky Pig. I don’t deny Porky’s popularity, but he’s never been a favorite of mine. He’s got his licensing art attire here which is what he often sported at the end of shorts: a blue jacket, red bowtie, and white gloves. He looks like Porky though and his accessory is the obvious “That’s all Folks!” sign that most definitely belongs in a Looney Tunes display.
Overall, I do quite like this line of Minifigures from Lego. While I prefer some characters to others, the only one that feels like a “dud” to me is Speedy, and even he’s really not that bad. I actually like him more than Lola and Petunia, but objectively speaking his likeness isn’t as good as theirs. Really, the biggest negative I can come up with is the character selection, and that could have been addressed easily by making the wave 15 or 18 figures instead of 12. My hope is that Lego is just holding back some popular characters for a second wave as Looney Tunes doesn’t feature a cast as deep as Disney, or even The Simpsons. It’s still hard to get over the fact that we have a Bugs though, without an Elmer! He’s definitely the biggest omission. Some may feel the need to point that Lego may not be too keen on giving us an Elmer with a shotgun, but he has other looks too. His more domesticated, bowler derby wearing, version doesn’t need a gun, or they could just go straight to What’s Opera, Doc? Elmer. Yosemite Sam is another one with gun concerns, but Lego has loads of pirate figures with musket-styled revolvers that would work fine for Sam.
Hopefully a wave two is in the works, because there are other characters to include like Foghorn Leghorn, Grannie, and Pepé Le Pew. There are also plenty of opportunities for variants of some of the characters present in this wave and I would not be at all surprised to see Toon Squad versions mixed-in, even if I’m not asking for them. Time will tell what Lego and the toy world has in store for the Looney Tunes, but it’s at least great to see these characters finally getting some more merch and a chance to shine.
Once upon a time, Bugs Bunny was a big enough star to land numerous television specials. He’s still a recognizable character across the world, but I sometimes feel as if Bugs isn’t as loved as he should be. I can’t recall the last time I saw him standing next to a Warner Bros. logo in front of a film. I just feel like he should be on the same level as Mickey Mouse and Disney does a much better job of promoting their mascot than Warner.
In 1979 Bugs returned to the small screen for a Christmas special. Unlike some other Bugs TV specials, this one wasn’t just a collection of previously released theatrical shorts but a collection of all new shorts with an obvious Christmas theme. It features the most recognizable of Looney Tunes as well as the voice of Mel Blanc. It’s broken up into three acts that are each different shorts: Bugs Bunny’s Christmas Carol, Freeze Frame, and The Fright Before Christmas. Fritz Freleng directed the book-end shorts as well as the joining segments while Chuck Jones handles Freeze Frame.
Our carolers for the evening, no Daffy is pretty disappointing.
The special opens with Bugs leading some other Looney Tunes characters in some carols before we’re whisked away to an adaptation of A Christmas Carol. In this, Bugs is sort of the narrator, but he’s also a part of the story as Fred and Jacob Marley. Yosemite Sam is Scrooge and Porky is Cratchit. Tweety is the Tiny Tim character, though he’s not really essential to the story. Bob asks Scrooge for some coal, which Scrooge denies because he gave him a piece last Tuesday (Disney will kind of steal that line). Fred, Scrooge’s nephew, is there to wish his uncle a Merry Christmas with the carolers and notices Bob’s predicament. When Scrooge tosses him out, Fred swipes a piece of coal and gifts it to Bob. Scrooge’s cat, played by Sylvester, sees this and alerts Scrooge who tosses everyone out and fires Bob. Bob thanks Fred, even though he did kind of get him fired, and invites him over to his home for dinner. There he meets the rest of the family and sees how little they have. A knock on the door is from a man with the light company and he comes in and takes the family’s candle. Another knock is from the bank – Scrooge is foreclosing on the mortgage and kicking the family out tonight. That’s one harsh lender.
You know what they say about a fool and his money.
Bugs takes it upon himself to teach Scrooge-Sam a lesson uttering a popular Looney Tunes line of, “Of course you know, that this means war.” He returns to Scrooge’s house to first annoy him with carolers. Then he throws snow in his hot bath. To really scare him straight though, he dresses up as a ghost and convinces Sam that he’s his deceased former partner Jacob Marley. Rather than run through the usual past, present, and future routine, Bugs is able to just get to the point by threatening Scrooge with eternal damnation. It’s enough and Scrooge heads over to the Cratchit house to set all the wrongs right, though he’s not particularly happy to do it. Once done, it’s revealed to be a sort-of play and Sam assures Bugs he’ll be getting his money back. Wile E Coyote and Roadrunner look on from outside the house, which leads us into the next segment.
The Coyote is busy researching road runners (book title “Everything You Ever Wanted to Know about Road Runners but were Too Afraid to Ask”) and discovers they love deserts and hate snow. One ACME snow-seeder later and the Coyote is buried under a pile of snow. Every time he tries to use the snow generator it just drops a pile on him, even when he takes shelter in a cliff face it just shoots the snow horizontally. Realizing that’s a dead end, he resorts to the tried and true method of switching two road signs, one pointing to the desert with one pointing to a snow summit. The Road Runner falls for it and ends up on a frozen pond unable to get much traction. The Coyote is ready with a pair of speed skates and calmly skates a circle around the Road Runner intending for the bird to fall through the ice. Of course, the ice under the Coyote drops instead out leaving the Road Runner floating on a circular piece of ice. He runs in place and creates an outboard motor effect to escape the trap.
Next the Coyote uses rocket-powered skis to chase the Road Runner while some subtle Christmas music sets the mood. The two become buried in the snow with only their tails exposed. In a repeat from an old Bugs Bunny short, the Road Runner’s tail splits in two when he approaches a tree there-by allowing him to go around the obstacle, while the Coyote possesses no such ability and merely crashes into the tree. He then acquires a dogsled with a team of 12 92lb dogs guaranteed to run-down any road runner. Turns out, the dogs also love coyotes and they maul him. Had he checked the invoice more thoroughly he would have noticed. Next comes what’s probably the Coyote’s worst idea of the short – he rides a rocking horse like a sleigh while wielding a Road-Runner Lasso. All he does is entangle himself in the lasso while the rocking horse plunges off a cliff. It has the misfortune of landing on some train tracks. You know the rest. The Coyote then makes a giant snow ball he intends to crush the Road Runner with. He just ends up getting stuck to it and when it rolls towards a cliff he falls with the snowball close behind. He pops out of the snow looking like Santa Claus and holds up a sign wishing the viewer a Merry Christmas and Happy New Year.
We go back to the carolers and Bugs is still leading them in song when his nephew shows up to remind him that he owes him a Christmas story. Bugs informs him that he’s going to tell him all about Santa Claus and the night before Christmas. We’re then taken to the North Pole where Santa is speaking offscreen about getting a move on. High above an airplane soars by and the pilots are discussing their cargo – a tasmanian devil. The cargo falls from the plane and Taz ends up landing in Santa’s suit which was hanging out on a clothes line. He ends up in the sleigh (six reindeer, grrrr!) and the reindeer take off.
Back in Bugs’ home, or his nephew’s, he’s reading the little bunny A Visit From Saint Nicholas when a sound on the roof causes his nephew to get all excited for Santa. Bugs sends him to bed while Taz jumps down the chimney and lands in the roaring fire below. Bugs cracks some jokes at Taz’s expense, but invites him in for a snack. Taz is eager for food and not only does he devour Bugs’ milk and cookies but the entire table as well. Bugs then reads him his nephew’s Christmas list while Taz sets to eating the decorations on the Christmas tree. Eating the lights cause him to get electrocuted, but it doesn’t seem to bother him too much. Bugs suggests he sit by the fire so he can make him some popcorn, but Taz eats the kernels before Bugs can get the popper and the heat from the fireplace causes them to pop in his stomach. He starts to wreck the place, and Bugs sets up a gift exchange booth and gifts Taz a present – a self-inflating rubber raft (I expected TNT). Taz eats it, and when it inflates he floats away.
Bugs’ nephew Clyde wakes up disappointed that Santa didn’t bring him anything. Bugs assures him everything will be all right and they set out to return Santa’s sleigh. As they soar through the air Bugs wishes us a Merry Christmas. Back from the break, the Looney Tunes are sleighing along and singing carols when Taz decides in to eat their sleigh. That’s basically the end and they must have only tacked on this final segment so Porky can chime in with his signature good bye, only he stammers his way through “Happy Holidays” instead of the usual.
Bug’s Bunny’s Looney Christmas Tales is pretty underwhelming for the old rabbit. A lot of the gags have been done before, and the animation is definitely television quality as opposed to move theater quality. Of the three segments, the middle one, Freeze Frame featuring the Road Runner and Wile E, is probably the best. It’s nothing you haven’t seen before, but it’s a solid Road Runner short with just a dash of Christmas thrown in. Yosemite Sam as Scrooge makes a lot of sense, but it’s still a tired tactic to adapt A Christmas Carol. At least the light department gag is probably the best joke in this one and probably the only time I laughed out loud. Tweety is essentially wasted though. And where’s Daffy? Did someone think he and Bugs could not co-exist in the same Christmas special? Is Daffy too big a star to play second banana to Bugs?
Watching this one, I inevitably feel compelled to come back to the Bugs and Mickey comparison. While Mickey was given Mickey’s Christmas Carol, yes a trope to adapt that story but done so well it’s probably my favorite adaptation of it ever, Bugs was gifted this. It’s unfortunate. While it’s true the format of a typical Bugs short doesn’t lend itself to a Christmas tale quite as easily as the more adaptable Mickey Mouse, they still could have done better. Why not have Bugs just wind up in the North Pole and his antics there mess up Santa’s plans or something? We don’t need to make Bugs more wholesome, we just want to laugh and get in a little Christmas cheer at the same time. Oh well.
Of course Bugs would end up in Santa’s sleigh at some point.
Bugs Bunny’s Looney Christmas Tales probably won’t be shown on television this year. If it’s shown at all, it would probably be on Boomerang. If you insist on viewing it, you can find it on the fifth volume of the Looney Tunes Golden Collection set of DVDs. They’re sold individually or as a box set with all six volumes and it’s actually really affordable and comes highly recommended by yours truly, even if this special isn’t particularly…special.