Tag Archives: hanna-barbera

Dec. 9 – The Smurfs Christmas Special

Original air date December 13, 1982.

If the 70s were defined by Scooby Doo when it came to Hanna-Barbera, then the 80s belonged to The Smurfs. The little blue creations of Pierre Culliford, better known by his pen name Peyo, had an animated series that basically spanned the entirety of the 80s totaling an insane 258 episodes. And once the 80s ended, it wasn’t like The Smurfs suddenly disappeared. The show would air in syndication for much of the 90s before the franchise finally seemed ready to retire, but like all things from the 80s, it came back.

Relatively early in the show’s run was The Smurfs Christmas Special. The grammatically confusing title at least did not confuse would-be viewers: it was The Smurfs and it’s Christmas. The special aired in 1982 and would see re-runs for years to come, maybe not primetime network re-runs, but they can’t all be Charlie Brown. We actually looked at a later Smurfs Christmas special a few years ago and it was…Smurfy? The Smurfs was one of those shows I watched because it was on. I saw so many episodes of this thing, but I can’t recall any real plot details. I just remember the archetypes and some of the characters and voices, but that’s mostly it. Most of the episodes probably just involved Gargamel trying to capture the Smurfs so I can see how it would just all blend together into the brain of an adolescent. It was never my favorite show though and I don’t recall owning much merch. I think I might have had a little Papa Smurf plush and there was always a little Smurfette spoon at my grandma’s house for some reason.

It looks like a big tree, until you remind yourself the houses are mushrooms.

Let’s check this one out, shall we? I know I’ve seen this before, but like the regular series, the various Smurfs holiday specials sort of blend together in my brain so this might feel almost new to me. Since we are talking Smurfs and Christmas though, I feel like I have to mention that Smurfs creator Peyo actually died on Christmas Eve in 1992. Ok, now that we’re all sad it’s Christmas time and the Smurfs are getting ready! There’s snow on the mushroom houses, we get a little title, and the usual Smurfs theme has some bells added to it to give it a jingle quality. The Smurfs are decorating a massive tree and we get some cuts of Gargamel’s snow-covered house and a horse-drawn sleigh is seen going across the land. We’ll see this again as this is just fluff for the credits.

This one is all about Harmony and his quest to write the perfect Christmas solo. Actually, no it’s not he’s barely in it.

When we get into it, Harmony (Hamilton Camp) Smurf is practicing a trumpet solo and he’s eager to share it with the others, but no one is interested. Smurfette (Lucille Bliss) seems to react in pain when Harmony tries playing for her while Grouchy (Michael Bell) is, well, grouchy and basically tells him to piss off. A whole group of Smurfs then pass by as they’re bringing a giant pot of pudding or something to the town square. I don’t know why it needs to be prepared there, but I suppose that cauldron isn’t fitting in any of those tiny houses. None of them have any interest in what Harmony is up to while Brainy (Danny Goldman) tries to lecture him on the importance of pudding preparation. These Smurfs have some odd priorities.

Someone should probably get him out of there.

A dejected Harmony tries to find a friendly ear in Lazy who’s sleeping on the ground, in the snow. He plays his trumpet, rather poorly, and it causes some snow to fall off of a nearby house and bury every part of Lazy except his nose. He continues with his nap. Harmony then comes across Jokey (June Foray) who is loading up a sleigh with presents. If you know Jokey, then you know those presents are all explosives. He’s giddy about Christmas since he has a gift for everyone in the village. Harmony informs him that he’s written a solo for Christmas and asks Jokey if he wants to hear it? Jokey tries to refuse, but Harmony plays on. As Jokey tries to stop him the sound of the solo causes the gift in his hands to blow up leaving him all charred and blackened. Declaring it not funny, he basically tells Harmony to beat it.

Hah, looks like the joke’s on you, Jokey!

Greedy Smurf (Camp) is then shown stirring the massive cauldron of pudding. He promises it will be his best pudding yet which just prompts Brainy to start talking about how much he contributed. Greedy and the other Smurfs apparently do not like hearing Brainy take all of the credit, as he soon goes soaring through the air and lands in the snow beside Harmony, who is still working on that solo. You just know that solo is going to come back before the episode’s end and perform some Christmas miracle or something.

The Smurfs have apparently unlocked the secret of turning acorns into a light source.

We then cut to the Smurfs decorating the tree, it’s the same animation from the intro only we see a bit more. Papa Smurf (Don Messick) finally makes an appearance just to tell us that this might be their best holiday celebration yet. Aren’t we lucky to be witnessing this one?! The best one ever! You just can’t have a Christmas special in the 80s without someone speculating it will be the best one yet, which will then follow with it seeming like the worst one yet, before it then becomes the best one ever again. These things write themselves.

Unlike Harmony, these characters are actually important to the plot. Well, two of them are.

The scene shifts to the sleigh from the intro and we now get to see who is in it. It’s some old guy and two kids, one boy and one girl, and he’s giving them a lesson on Santa Claus. The old man (uncredited) is the grandfather of the two children, Gwenevere (Alexandra Stoddert) and William (David Mendenhall), and they’re heading home for Christmas. The kids are pretty excited about this Santa Claus guy, and who wouldn’t be? The scene then shifts to the home of the evil Gargamel (Paul Winchell). He hates Christmas and lets us know in no uncertain terms. He’s seated at a table with books all around him, and he slams one of them shut. Unfortunately, his cat Azrael (Messick) was taking a snooze on the table and the book slams shut on her tail. She yells and jumps into the rafters causing a bunch of books to scatter all over Gargamel. He’s pretty angry with the cat, because all villains blame their animal companions for their own mistakes, but soon he brightens up. In his lap is a book that apparently details a spell for making things miserable. He’s positively giddy now as he’s found a weapon that will ruin the Smurfs’ Christmas – muahahahahaha!

The chef isn’t even allowed to sample the pudding? Harsh.

There’s a quick cut back to the old man and his grandkids merrily sleighing through the snow, but some creepy guy and a pack of wolves are watching. It then jumps back to Smurf Village where Papa Smurf is reprimanding Greedy for tasting the pudding. He literally took a finger to this massive pot that these Smurfs have no chance of consuming in its entirety. And if they do, well then they’re probably getting diabetes for Christmas. Brainy Smurf tries to add to Papa Smurf’s scolding which causes the old Smurf to roll his eyes initially. He then interrupts Brainy repeatedly until the annoying one finally shuts up. This allows Papa Smurf to then explain to Greedy, but mostly to us, that the pudding isn’t complete until they add the last walnut. Greedy responds in question by asking if it’s the last, ripe, delicious, walnut and Papa Smurf soon realizes that Greedy ate it. A single tear falls from Greedy’s eye, so at least he seems remorseful, but his name is Greedy for a reason. He apologizes to Papa Smurf who just says it’s all right and that he’ll get another walnut from Squirrel. Yeah, seems like this is not a big deal at all. I’m glad we got to spend time here.

Gargamel! Get your ass off of the ceiling!

The old man and the kids are once again shown singing “Jingle Bells” while the stranger with evil intentions looks on. I’m guessing something is finally about to happen. And it does! A wolf attacks, though the scene is edited clumsily. We just see it charge, the horse rear up, and hear the sound of wood crunching. The scary guy watches with approval. We then jump back to see what Gargamel is doing. He’s preparing his spell that will ruin Christmas, but he’s actually a pretty terrible alchemist and the concoction he’s working on explodes leaving him clinging to a chandelier, which soon falls. He then sobs, because he can’t ruin someone else’s Christmas. Poor guy.

Well that can’t be good.

On the outskirts of Smurf Village, Papa Smurf is borrowing another nut from Squirrel who is, as you probably guessed, just some random squirrel. The nut is dropped from the tree and hits Papa Smurf in the head. Funny. We then get to see the wreckage of the sleigh from earlier. The horse is just running free while the overturned sleigh has a hand sticking out from under it which is actually rather upsetting. The children are then shown approaching what they hope is a friendly home, but it’s Gargamel’s so that’s a big “No.” Gargamel answers the door and the young girl explains the situation as “Our sleigh overturned and our grandfather won’t open his eyes.” Sure sounds like he’s dead. Gargamel asks if they have any money and when they say “No,” he slams the door in their face. I remembered Gargamel as an asshole, but I didn’t know it went this far.

Here’s some important guy.

The scene shifts to a castle and it’s here we find out these kids are sort of royalty. Some guy in charge says his niece and nephew should have arrived hours ago and regrets letting them journey to him with their grandfather. He orders some soldier guy to organize a search party right away. We then are taken to the Smurfs who are singing their annoying “La La” song as they presumably march back to the village from Squirrel’s tree. We then get some quick cuts. First it’s to see Gwenevere’s doll in the snow, which she had just been carrying to Gargamel’s, but I guess got sick of doing so. Then to both kids as they lament their current state and reinforce the notion that they just need to find someone who will help them. Then it’s back to the doll and a wolf is sniffing it. That’s probably not good for the kids.

This guys is definitely evil, but just how evil?

Back at Gargamel’s, the old fool is trying to come up with a new potion, or spell, or whatever that will ruin the Smurfs’ Christmas, but doesn’t appear to be having much luck. Then his door suddenly swings open and it’s the creepy guy in the purple cape. He’s credited as Stranger (Rene Auberjonois) and immediately informs Gargamel that he can help him with his Smurf problem. In exchange, he just wants those kids. Gargamel, surprisingly, asks why he wants those kids and the Stranger goes on to say it’s for revenge. He has a bone to pick with their uncle who apparently thwarts his evilness with good deeds or something. He can’t abduct the children himself and explains that the only way for “goodness” to come his way is through treachery. I feel like there’s a far more interesting story here than what the Smurfs do at Christmas. Is this guy Satan? And if so, what’s that make the uncle of those kids?

That’s his scheming face.

At any rate, Gargamel is game as he wants the Smurfs and this guy has some scroll that will not only lead him to their village, but also provide instructions for what to do when he gets there. I personally think knocking over their tree and stomping on their tiny homes needs no instructions, but whatever. Gargamel sets out to find the kids, but instead he runs into their uncle. He’s with two others and informs Gargamel that they’re looking for the kids. It’s through his explanation we also learn that the grandfather survived and is apparently fine. Gargamel lies and says he hasn’t seen them, but when the uncle mentions he’s offering a reward of 10 gold coins for their safe return, the old alchemist gets a little gleam in his eye. When they wander off Gargamel explains to Azrael how they can get the Smurfs and the gold. That stranger did mention treachery, so this should follow suit, no?

Puppies!

Gargamel resumes his search while we’re shown what the kids are up to. They’re huddled together by a tree and the colors in the sky would seem to indicate it’s sundown. Gwenevere assures her brother they’ll be okay, but the sound of howling wolves would suggest otherwise. The two start singing “Silent Night” together and it’s overheard by Papa Smurf and the others. Brainy goes into an explanation of what they’re hearing while everyone just ditches him. These Smurfs are smarter than I thought. We then cut back to the kids and they’re surrounded by wolves. Seemingly every time we cut away and then back, another wolf is added and no one had to animate anything, which is quite the trick. Papa Smurf then barges in and sticks his finger right in a wolf’s face. The Smurfs is a show with very little actual, physical, conflict and I’m reminded of that as Papa Smurf tells the wolves to go away and they obey. The kids mistake him for Santa Claus, I guess their grandfather never mentioned his height, and quickly explain their situation to Papa Smurf. He orders the male Smurfs with him to go check on the grandfather while Smurfette is sent back to the village to get more help. When they depart, the kids ask him if he’s Santa Claus and he kind of laughs sheepishly, but doesn’t seem eager to correct them.

Is Brainy the only Smurf that can read?

Hefty (Frank Welker), Clumsy (Bill Callaway), and Brainy come upon the wrecked sleigh, but no one is there. Brainy notes that there’s a lot of foot traffic around the wreckage, while Clumsy is the one to find a note. He asks what it says, and Brainy goes into some bogus explanation about how it doesn’t matter what it says, but what it means, which just pisses off Hefty who tells him to just read it. Brainy does as he’s told and we find out it’s a note from Uncle Edgar instructing William and Gwenevere to remain with the sleigh and he will come for them. Hefty and Clumsy then take off for Smurf Village while Brainy pontificates on this meaning of them discovering this message not intended for them until he realizes he’s been left alone. A standard “Wait for me!” is uttered and Brainy runs out of frame.

Even with help from these kids I’m still not convinced they’re putting much of a dent in that pudding.

Gargamel is shown cresting a small hill with Azrael as he outlines to the cat how he’ll find the children, get the scroll, double-cross the stranger, and get the gold. He calls it a plan crafted in Heaven! The children are then shown seated by the massive cauldron of pudding in Smurf Village. The kids are eating pudding and discussing how they can’t wait to tell their grandfather they met Santa and his helpers. Meanwhile, Greedy is just disappointed to see someone other than him eating pudding. He is swiftly reprimanded by Smurfette and the whole village has apparently gathered with gifts in hand. Papa Smurf then presents the children with a gift since they’re far from home on Christmas. To do so, he stands on the platform that Greedy had been using to tend to the pudding. It seems very formal. The children are thankful, and whatever the girl received she declares is beautiful. William got a tiny trumpet he toots on. I’m not sure what use Smurf-sized gifts will be for these kids in the long run, but I guess it’s the thought that counts.

Oh boy…a song…

The trio of Hefty, Clumsy, and Brainy then return and tell Papa Smurf about the note. The kids are delighted to hear that their grandfather is all right, but in true kid fashion, ask if they can open all of their presents first before returning to the sleigh. Papa Smurf is fine with this arrangement, while Grouchy Smurf is not. Papa Smurf then decides to conduct some music for the kids while they open their gifts. A bunch of generic looking Smurfs then sing “Goodness Makes the Badness Go Away.” It’s a terrible little song that will obviously have some importance later. More importantly, it soaks up about 30 seconds.

These kids aren’t trying hard enough – he’s an old guy in rags! He’s probably malnourished – fight back!

With the song done, the Smurfs lead the children back to the wreckage of the sleigh. They tow a small sleigh of their own loaded with gifts so this is turning out to be a nice little haul for them. Papa Smurf orders the others to build a fire since darkness is falling at this point, but soon Gargamel strikes! The Smurfs run around like useless, frightened, idiots while Gargamel just marches off with one kid under each arm. Some Smurfs apparently muster up the courage to fling some snowballs at him, but snowballs aren’t exactly effective at deterring bad guys and Smurf-sized snowballs even less so. Brainy asks Papa Smurf what they can do and he replies there’s only one thing they can do: follow them!

It’s always satisfying seeing a deal come together.

Gargamel takes the kids back to his house and they ask him what he plans on doing with them. Gargamel has no interest in revealing those plans, and soon the Stranger arrives! Gargamel turns the children over to him, as promised, while the Smurfs look on and watch the man hand over the scroll announcing it as the means to destroy Smurf Village. Gargamel is positively giddy and tells the kids the nice man probably has a Christmas present for them, even though they’re now tied up and being lead by a rope. As they leave he even calls out a “Merry Christmas!” to them before running off to Smurf Village. Vanity Smurf (Alan Oppenheimer) worries about the village, but Papa Smurf tells him they can’t afford to worry about that while the children are in danger. This is going exactly as expected.

Merry Christmas, Smurfs…

Gargamel then arrives at an empty Smurf Village all decorated for Christmas. He’s initially dismayed when no Smurfs are there for him to torment, but he cheers up knowing he has a spell to destroy them. He opens the scroll and reads it and it’s pretty awful as the spell ends with “…let no one survive this year!” All the homes basically rot and the Christmas tree drops all of its needles and the whole place is basically in ruins. Gargamel laughs and just walks away for he still has 10 pieces of gold to collect.

I must confess I did not see that coming.

Gargamel quickly finds the search party and informs them that a stranger took the kids. He comes up with a story about nearly losing his life to the man and tells them where he can be found. Edgar thanks him for the intel and as they run off Gargamel asks about his reward. Edgar tells him he’ll have it when they find the children which Gargamel starts to fret over. He is soon surprised when the Stranger appears with the children right behind him. Angry over Gargamel’s betrayal, he tells him that he’ll be coming with him as well. Gargamel tries to back away, but the Stranger uses some magic to turn the husk of a nearby tree into a pile of bad looking snakes. Gargamel basically begs for his life and the Stranger makes the snakes go away and orders him to come along.

Meanwhile, the Smurfs have been tracking the Stranger and note that the footprints have added another human. They recognize Gargamel and Azrael’s tracks among them and we get this stupid routine of a Smurf saying “Poor William,” “Poor Gwenevere,” with Papa Smurf adding “And perhaps, poor Gargamel,” so the rest can then respond in unison “Poor Gargamel?!”

Yeah, this guy is totally Satan.

The Stranger and the kids are shown and the kids are seated at the ground. They claim they can’t walk any further and the Stranger is surprisingly fine with this. Gargamel tries to slink off, but the Stranger won’t let him. He informs them that they’re all going “home” with him and when Gargamel takes off running he conjures up a ring of fire to keep them together. He then goes into some spell while Gargamel and the kids beg him to stop. The Smurfs are watching from the hillside unsure of what to do. When Smurfette asks Papa Smurf what they can do to combat this evil power, he informs them there’s a greater power: love! I can’t believe they actually went there. Or maybe I can? Anyway, remember the song from before that literally spells out “Goodness makes the badness go away,” as its lyrics? Yeah, that’s our solution. The Smurfs sing it, soon the kids start singing it, and as a final insult Gargamel is forced to sing it as well. How he knew the words is not explained.

Sing, my Smurfs! Sing like you’ve never sung before!

The Smurfs and friends (and foe) literally shout at the devil and it makes him go away. With him gone so too is the fire, and old Uncle Edgar arrives at just the right time to find the kids. Gargamel foolishly still tries to claim a reward, but the kids let their uncle know that he is not a man deserving of a reward. Edgar looks ready to pound some alchemist, but Gwenevere stops him and reminds everyone that it’s Christmas and even a scoundrel like Gargamel deserves forgiveness. Gargamel, for once, smartly takes advantage of the situation and runs off looking very much like Professor Hinkle from Frosty the Snowman as he passes over a series of hills complaining to his cat the whole way. The kids then tell their uncle all about meeting Santa Claus, who laughs it off. As the sleigh takes off, the kids wave to the Smurfs and wish them a “Merry Christmas.”

Those kids they helped get to go to a nice warm castle for Christmas.

The Smurfs then return to find their village in ruins. Papa Smurf gives them a rundown of how shitty their situation is as they all huddle in blankets under a tree and imparts the classic Christmas lesson of “We still have each other.” The rest seem to agree and even Grouchy isn’t mad about the situation. Harmony (remember him?) then asks if everyone wants to hear his solo now? They do, and wouldn’t ya know, Harmony’s solo magically restores the village! Clumsy tries asking Papa Smurf for an explanation, but even the bearded one can’t explain this. The Smurfs are then shown holding hands around the tree as the camera pans up the tree. You think it’s going to rest on the star at the top, but it keeps on going until we see a twinkling star off in space. See? Jesus did it.

Oh wait, never mind, it all worked out.

And that’s the end of The Smurfs Christmas Special. For a special that features a team-up between Gargamel and Satan forcing the Smurfs into action to save some kids, it was rather boring and by the numbers. That is quite the concept and they even managed to keep Santa out of it. Was it the real Santa that made the miracle occur at the end? I suppose your guess is as good as mine. It’s Christmas magic, which needs no explanation. The Smurfs basically do Smurf stuff and help some kids, while Gargamel gets nothing in the end. He gets to have a momentary victory, which might have landed differently for regular viewers, but there was no way the Smurfs would end up having a bad Christmas.

Things start off swell, then some stuff happens, Christmas is ruined, and then it’s not. Pretty standard stuff, well, except for the presence of the devil.

I suppose this one could have been interesting if the solution to everything wasn’t just “Christmas magic.” To combat the devil, Papa Smurf just knows you have to sing at him. Wonderful. It’s just too simple and convenient, but the production values for this thing look no better than a standard episode so I guess it didn’t have the budget for a big action set piece. No, I wouldn’t expect the Smurfs to take on Lucifer, but the other humans could have battled by proxy, I suppose. And hey, maybe they whip up some cool traps or something? Anything would have been better than this. Even the grandfather being left for dead is just brushed aside with a “He’s fine.” The plot does not earn any of the resolutions presented.

All right, you’ve had your fun, now get out of here you little, blue, freaks!

Did that matter to kids in 1982? I honestly cannot say. I always found this one to be rather boring even as a child. It was nominated for an Emmy, but lost to Ziggy. What little memory I have of future Christmas specials from The Smurfs are that they’re better than this, but I need to revisit more of them to be certain. Good thing I’m always in need of Christmas specials! If you want to watch this against my recommendation it’s on YouTube as part of the official Smurfs channel. It is a pan and scan thing though so it looks pretty awful. If you dig deeper, you can find one in its native resolution that is slightly more enjoyable. Or you can purchase it on DVD, but I don’t have any of the DVDs so I can’t say how it’s presented there.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 9 – Space Goofs – “Holiday Heave Ho”

Come the late 90s I was definitely losing track of what was airing on Fox Kids. X-Men came to an end, as did Spider-Man and The Tick. They were replaced with Silver Surfer and a new Spider-Man cartoon that was pretty awful. There was also that live-action Teenage Mutant Ninja Turtles show called The Next…

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Dec. 9 – The Real Ghostbusters – “Xmas Marks the Spot”

  The 1980s sometimes feel like they belonged to the Ghostbusters. That’s because, for me, the Ghostbusters were always around. The film came out when I was but a wee baby, but by the time I had a real interest in television The Real Ghostbusters (not to be confused with the Filmation series) was airing…

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Dec. 18 – Dumb and Dumber – “Santa Klutz”

Original air date December 16, 1995

After doing write-ups for the two cartoons inspired by Jim Carrey films from 1994, you must have figured I’d do the third today! Just as Carrey stormed the cinematic gates with Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber in ’94, the television world followed suit in ’95 with an animated series based on each of those three films. While the first two were made for CBS to air on Saturday morning, Dumb and Dumber went a different route. Still proving that anything relating to Carrey was worth investing in, Dumb and Dumber found itself on another broadcast network, in this case ABC. Thematically and visually, it didn’t really fit-in with the whole One Saturday Morning vibe the network was rolling with, so it’s probably no surprise to find out it wound up on Cartoon Network.

And that’s where the show probably belonged as this is a Hanna-Barbera produced toon. In the mid-90s, ABC was under the Disney banner so it was odd to have a non-Disney developed cartoon on ABC, where as Cartoon Network was owned by Turner which owned Hanna-Barbera. This ended up being the final Hanna-Barbera cartoon produced to air on a broadcast network for a Saturday morning block, an interesting little factoid since Hanna-Barbera was once the king of Saturday morning cartoons.

Because this series went a different direction, it has no affiliation with the other two cartoons we looked at so if you were hoping Harry and Lloyd would meet Ace, I regret to inform you it never happened. Dumb and Dumber probably wouldn’t have survived long enough to pull off that trick any way, since only 13 episodes were produced. Once ABC had seen enough, Cartoon Network was willing to take the re-runs, but not commission more episodes, so it’s safe to say this one was a flop.

The cartoon basically picks-up where the movie left off. Harry (Bill Fagerbakke) and Lloyd (Matt Frewer) are back home after their adventures in Aspen along with their dog-shaped van. Joining them is a new pet, a beaver they think is a cat, and each episode is split into two segments where Harry and Lloyd wind-up in some odd misadventure owing to the fact that they’re a pair of men with very limited intelligence and observational skills. As a mid-90s Hanna-Barbera production, it has a familiar art style to those who were watching the various cartoons premiering under the What a Cartoon banner. The character designs here remind me a lot of Dexter’s Laboratory, only with a touch more ugliness. Even though Harry and Lloyd had pretty similar builds in the film, for the cartoon it was decided to make Lloyd tall and lanky and Harry short and stocky. They’re both rather ugly, with Harry a walking mess and Lloyd a collection of sharp angles and teeth. While one can certainly argue this wasn’t a show that should look like The Mask or Recess, it’s still understandable to not be particularly taken with the visuals here.

The eighth episode of the series is the one to feature a Christmas plot. The first segment is dedicated to the holiday via “Santa Klutz.” The episode begins with Harry and Lloyd out and about with Kitty in their van. They’re both confused to see Kitty cutting down a Christmas tree and slapping it on top of their van, even though they refer to it as a “Christmas tree” and not as an evergreen or pine tree. Harry panics and wonders if Christmas is in December again, and quickly confirms that they’re only three days away from Christmas! Both men need to get a present for the other, but both are also faced with the problem of not having any money to get that present. Neither wants to admit this fact to the other, so Lloyd casually suggests they head to The Big City and look for a part-time job just because.

Lloyd likes to dream big.

The two arrive at Big Department Store and head in seeking employment. Along the way, Lloyd fantasizes about buying Harry a space shuttle for Christmas, proving he has no idea how much a part-time job around the holidays pays, or that he has no concept of how much a space shuttle would cost, or maybe both? Lloyd ends up with a 2 dollar-an-hour job handing out perfume samples, while Harry stumbles upon the store’s Santa who is fed up with the job. He hands over his costume to Harry and he immediately gets sent into the fray.

I hope he gets paid per kid.

Harry is seated in front of an impossibly long line of customers barely looking the part. The costume comes without a beard, it would seem, and Harry has trouble remembering the line “Ho Ho Ho.” His first child turns out to be homicidal, while the second is a degenerate gambler. Meanwhile, Lloyd finds out women don’t like being sprayed with perfume at random. The men don’t either, and when Lloyd angers a large male customer the two grapple over a perfume bottle until the top pops off. It is apparently now a grenade, and as it bounces away Lloyd does the noble thing of falling on top of it. Though since it’s perfume, it explodes rather tamely leaving Lloyd with a pleasant taste in his mouth.

Pictured: not a nice old lady.

As kids cry on Harry’s lap or sneeze on him, Lloyd attempts to sell some perfume to an old woman (Ed Asner per the credits, though it sounds nothing like him). She immediately takes offense to anything he says, even though it’s all innocent. When she informs the manager (Harvey Korman) that Lloyd accused her of smelling of cheap perfume, he asks if she’d like the man fired and she does. Lloyd them imagines a Christmas in which his space shuttle gift is repossessed by an army general (Ed Asner) leaving him despondent.

Lloyd’s Didi cosplay is on point.

Lloyd takes a walk over to the Santa area and spies Harry seated on the throne. Upon seeing his friend dressed as Santa, he comes to the totally reasonable conclusion that Harry IS Santa! And he has been this whole time! He then tries to go have a chat, but finds out from security that Santa is reserved for children. After a couple of failed attempts to sneak up, Lloyd dawns a disguise. I already said this show visually reminded me of Dexter’s Laboratory, but seeing Lloyd in his costume really drives that home as he’s basically in the same outfit as Dexter’s sister, Didi.

Upon reaching Harry Claus, Lloyd tells him he wants Santa to bring him a bunch of money so he can buy his best friend Harry a gift. Harry sees through the disguise which leads to a confrontation as Lloyd is angry with Harry for holding out on him. The two get into a fight and the store manager shows up. He reminds Lloyd that he already banned him, and fires Harry for good measure. Despondent outside the store, the two men hang their heads in shame. Only Lloyd hasn’t given-up on Harry as Santa, so Harry does the only reasonable thing he can to convince Lloyd he’s not who he thinks he is – they take a ride to the North Pole.

I think this is where they live.

The two arrive at Santa’s Work Shop on Christmas Eve. The only problem is Santa isn’t there since it’s, duh, Christmas Eve! They have that confirmed to them by an elf (Scott Menville), and Lloyd sees this as proof that he’s right. The two then head back to wherever they’re from to have a little camp out. Harry is hopeful they’ll be able to catch the real deal in action. Sure enough, he does indeed show up, but Lloyd still isn’t convinced. In fact, he had the foresight to assume Harry would try something like this so he called ahead for Officer Doohickey (Harvey Korman) who shows up and arrests Santa on the spot.

How to get on the naughty list.

Santa (Asner) is pretty surprised that anyone would mistake Harry for him, so Lloyd asks him to prove he’s really Santa. He uses some magic to get out of the police cuffs, which magically appear on Doohickey who remarks “This happens more often than you think.” Still not convinced, Santa whips out his portable PC to check his naughty list. He looks up Doohickey and finds him on the naughty list for lying to his wife about his doughnut habit. Doohickey declares he’s the real deal and scrams leaving Santa alone with the morons. He then asks the two what they want for Christmas and both gleefully whisper into one of his ears.

The next day, Kitty is opening his present from his car seat while Lloyd tells Harry he asked Santa for a gift for Harry. Harry confesses he did the same for Lloyd and the two trade identical boxes. Inside are identical gifts: best friend in the world trophies! Kitty also got a log with a plaque that reads “Best Kitty in the World.” Lloyd then declares there can be only one best friend in the world, and it’s Harry, as he tries to hand over his trophy. Harry does the same, and we zoom out on the two arguing over who is the better friend.

Everything worked out in the end, and all it took was a little divine intervention.

“Santa Klutz” is short and sweet. While I think very little of the art style, I can’t say I hate this. Maybe it was the fact that it’s only around 10 minutes, but I think I’d rather watch that again than either of the specials from the past two days. The humor is not as slapstick as I expected as it’s mostly derived from the two not correctly reading a situation or just getting into arguments stemming from the fact that they’re both stupid. Lloyd mistaking Harry as the real Santa is a bit clever as most shows aiming for such an error would have Lloyd tricked by the costume. Instead, he just thinks his best friend has been lying to him this whole time. It goes for a happy ending when I actually expected it to be a bit darker. If this were a true Farrelly brothers production, Santa probably gets victimized in some way instead of just mildly inconvenienced.

Even though I didn’t hate this, it’s not at all surprising to see a show about two grown men of limited intelligence failed as a cartoon. It’s basically 2 Stupid Dogs, but with humans instead, and how is that any more fun? I don’t think anyone walked out of a viewing of Dumb and Dumber wanting an animated series, but that didn’t stop folks from trying! If you want to check this out, it’s mostly been discarded by Hanna-Barbera. You won’t find it on Boomerang and it also isn’t on HBO Max with some of the other Cartoon Network shows. Instead, you can purchase it through Amazon and Apple if you want to stream it. Warner Bros. did make it available in a manufacture-on-demand release back in 2015 on DVD. Because of that format, it’s never really come down in price, though there also isn’t enough demand to cause it to go up. Even so, I doubt very much anyone would stumble upon this and decide they needed to spend 25 bucks on this cartoon, but in the event one person did, at least you have that option.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 18 – Little Dracula – “The Bite Before Christmas”

There was a huge demand for cartoons in the early 90s. Cable was expanding and needed content for all ages while a new broadcast network was also making noise. That network was Fox, and after scoring primetime hits with Married…with Children and The Simpsons, the network started to look at other areas where it could…

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Dec. 18 – I Am Weasel – “Happy Baboon Holidays”

For today’s installment, we’re taking a trip back to Cartoon Network of 1997 and the animated short I Am Weasel – “Happy Baboon Holidays.” I Am Weasel originated as a segment as part of the Cow and Chicken show, which was part of the second wave of Cartoon Cartoons to become a full-fledged show. Like…

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Dec. 18 – Bob’s Burgers: “Christmas in the Car”

Among the Fox programs airing on Sunday nights, Bob’s Burgers has become the one most likely to deliver a good Christmas special year in and year out, especially now that American Dad has fled to cable. It also still feels like a relatively new series to me, but it’s now in its eighth season. Bob’s…

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Dec. 10 – The Town Santa Forgot

“The Town Santa Forgot” originally aired on December 3, 1993 on NBC, I just liked this Cartoon Network ad more.

Come the 1990s, the cartoon juggernaut known as Hanna-Barbera was fading. It’s said the company once had control of approximately 80% of the children’s programming on television and even come 1990 it was still around 20%. The studio’s last big hit had been The Smurfs which set all kinds of Saturday morning records despite few animation buffs finding cause to celebrate. There were several spin-offs and specials, some stuck and some which did not, but the name was still fairly prominent on both broadcast and cable.

In 1991, Turner Broadcasting acquired Hanna-Barbera marking a major turning point for the studio. Less legacy properties would be developed as David Kirschner took over. This was the era that brought in more action cartoons like The Pirates of Dark Water and eventually SWAT Kats. Turner would launch Cartoon Network which in its early days was basically a dumping ground for Hanna-Barbera content, both old and new. A swath of new creative directors would be hired like Pat Ventura, Genndy Tartakovsky, and even Seth MacFarlane. Those individuals, along with several others, were the creative minds around the What a Cartoon! series of shorts that would come to define Cartoon Network in the late 90s and beyond.

The original broadcast had its own bumpers, an old staple I wish would return.

Even though Turner was working on creating a cartoon channel to rival Nickelodeon, Hanna-Barbera still had its hands in broadcast animation. We talked about one of the 90s broadcast Christmas specials last year with A Flintstone Family Christmas, and in 1993 Hanna-Barbera produced The Town Santa Forgot. The animated special starred Dick Van Dyke and aired in prime time on NBC that year. Following 93, it would become a holiday staple on Cartoon Network for a few years before being retired to Boomerang with pretty much all of the other Hanna-Barbera properties.

The Town Santa Forgot is based on a poem called Jeremy Creek written by Charmaine Severson. Severson wrote several rhyming poems that were carried by numerous print outlets in the 70s and 80s. Jeremy Creek appears to have first seen publication in 1985 and it tells the tale of a greedy little kid who accidentally brings happiness to a neglected town at Christmas. It was a major hit for Severson and she would follow it up with an annual Christmas rhyme each year into the 90s, though none have risen to the level of popularity enjoyed by Jeremy Creek.

The special was produced by Hanna-Barbera with animation by Wang Film Productions. Wang Film had done work for Hanna-Barbera in the past, most notably with The Jetsons Movie, but it wasn’t handed many Hanna-Barbera originals. As a result, The Town Santa Forgot doesn’t really look like a Hanna-Barbera production. I’d argue it looks better than a lot of the content the company was responsible for at that time. The character designs have a vague hint of Rankin/Bass too, which could be just me or it could be intentional since that company is basically synonymous with Christmas specials. While Hanna-Barbera doesn’t have the greatest reputation, at least this special is an original story with a unique look so I’m already more excited for it than I was with A Christmas Story from a few days ago.

This old grandpa is our story-teller who has to teach his spoiled little grandkids a lesson.

The special begins with a grandfather and his two grandchildren. Dick Van Dyke provides the voice of the grandfather who will serve as narrator. The kids aren’t named, but one is a boy (Troy Davidson) and one a girl (Ashley Johnson). It’s the grandfather who is giving me the Rankin/Bass vibes as he looks like he could fit in with one of the animated Frosty the Snowman specials. The kids are a bit more generic with black, soulless, eyes.

The kids are both talking about all of the stuff they want for Christmas, which prompts Grandpa to sit ’em down and tell them a story about the greediest kid who ever lived: Jeremy Creek.

This is Jeremy. Don’t be fooled by that smile, he’s a little asshole.

Jeremy Creek (Miko Hughes) is a little red-headed child with enough toys for over 400 boys. He has toys of all variety, and he doesn’t like to share. Worse, he always wants more. He can’t possibly have enough toys and when he sees something he wants, he lets his parents know. And if his parents say “No,” then he screams and wails until they give-in. We see Jeremy spy a cowboy doll outside a store and go purple with rage until his parents buy it for him. When he’s home later that night watching television, he sees a commercial for a better version of the same doll and goes into a rage. For once, his parents put their foot down, but that just incites the neighbors who complain about the noise. Eventually, dad (Philip Proctor) lays down the law and tells Jeremy he wants to hear nothing further from the boy and he retreats to his room.

This is a pretty great shot.

Once in his room, we get to see Jeremy survey his toys while perched like a vulture on his bedpost. He then starts playing with all that he has as the narrator goes into detail on the sheer volume of what’s in there. There’s army men, baseballs, vampire costumes, and more. He even has toys for boys much older than he, like remote-controlled airplanes, which he uses to harass the neighborhood. While it’s clear to see this kid is spoiled rotten, it’s at least admirable to see him actually playing with and enjoying the toys as opposed to acting like a dragon and simply hoarding them, which is what my kids seem to do.

They didn’t have any computer paper back then. Hell, they don’t have it now!

Eventually, Jeremy gets the idea that if his parents won’t buy him what he wants then he’ll have to turn to Santa. The problem is it’s currently June, but that doesn’t stop Jeremy from drafting a list. He has to tape sheets of paper together to accommodate his vast array of wants and the list stretches for miles. After he has listed every possible toy under the sun, he signs the list with a simple Jeremy Creek – no thanks or nothing. He bundles it up like a roll of wall insulation and drops it onto a mailman’s back to send it to Santa way up at the North Pole.

A conventional, yet unique, depiction of Santa.

Santa Claus (Hal Smith) is then shown flying his sleigh (with 8 reindeer!) up north and comes to land in the garage of his workshop. This Santa has a plump appearance, basically being shaped like a bell, and he enters his workshop where some elves are hard at work. They’re small and a bit conventional looking with pointed ears and hats. Santa is excited to show them that the first Christmas letters have started to come in, and one of them is particularly massive. The list dominates the room and Santa and his elves can scarcely believe someone wrote this thing. When Santa sees the name at the bottom, Jeremy Creek, it never crosses his mind this could be the list of one person and assumes it refers to an actual place.

The elves of this special also manage to look conventional, yet different, much like Santa.

Santa and his elves get out the map and look all over for a place called Jeremy Creek. Sure enough, they find one only to discover it’s not on their usual route. It’s a town with approximately 4,000 kids which matches up with the number of gifts requested and Santa assumes this is a letter from the town alerting him to their plight. Santa, realizing he’s passed this town over for years, decides he needs to make up for it by fulfilling this request.

Young Jeremy has some evil intentions this evening.

Back at his own home, we see Jeremy counting down the days until Christmas while Santa and the elves get busy at the North Pole. The elves sing a simple little song accompanied by a montage of Jeremy pulling down calendar pages. Eventually, the day arrives and Jeremy is eager to receive all of the gifts on his monstrous list. He climbs out onto his roof armed with a net and some binoculars. It seems as the months have gone by, Jeremy has decided he doesn’t just want what was on his list, but everything Santa has in his sleigh! Santa soon appears and Jeremy watches as Santa goes from house to house slipping inside through various ways. His body is like gelatin as he slides down chimneys and exhaust pipes, beating The Santa Clause to that idea, before climbing back into his sleigh and taking off. Oddly, the narration refers to his sleigh as a “green, glowing, sleigh” but it’s colored red. There’s a slight hue with a greenish tint to it, but it reads like the sleigh itself should have been green. Santa completely bypasses Jeremy’s house which confuses and enrages the young boy. He returns to his bedroom and assaults his pillow before despair starts to sink in.

Suck it, Jeremy!

The next morning, Jeremy arises to see all of the neighborhood kids playing happily with their new toys. He allows himself to be hopeful for a moment and reasons that maybe Santa entered through the window or something and he missed it. He races downstairs and, sure enough, the underside of the tree is just floor. His mom (Melinda Peterson) enters the room and remarks “That’s too bad,” when she sees the empty tree. She then explains that Santa must have noticed that Jeremy couldn’t possibly have more room for toys and passed him over.

Elsewhere in the world, some deserving kids are having a good Christmas for the very first time.

Jeremy storms off to the livingroom where his dad is watching television in his new Christmas socks. The program is detailing the story of an impoverished swamp town that woke up to a wonderful surprise. A pile of toys was left in the center of town for the girls and boys after years of receiving nothing at all. It’s soon revealed this was the work of Santa Claus and the town is none other than Jeremy Creek. Jeremy’s parents are shocked to see a town with the same name as their son, who soon puts two and two together and realizes his massive list of presents was given to the kids of Jeremy Creek.

Jeremy isn’t having any of this.

Jeremy is initially angry that his presents went to these kids. Then the news woman reads a letter from Santa which states someone brought this town to his attention, but chose to remain anonymous. Jeremy finally starts to feel something as his mom explains that people who do a kindness like that don’t need the adulation that comes with it. Jeremy is moved to tears, but he doesn’t want his parents to see, so he races back into the den and retreats to the underside of the Christmas tree.

If he can fit down a chimney, he can fit in a tree.

There Jeremy smiles as he looks up at the brightly decorated tree. He’s finally happy, but much to his surprise he spies a small Santa inside the tree. Only it isn’t an ornament, but Santa himself! Santa explains he figured out what happened, and that the kids of Jeremy Creek want the person who wrote them the letter to be properly thanked. Santa makes a sack appear and asks Jeremy what he would like for Christmas. Jeremy tells Santa that he wouldn’t know what to ask for and that he’s finally figured out that giving is better than receiving. Santa is overjoyed to hear this and tells Jeremy that from now on he will be his gift-giving assistant.

An older, wiser, Jeremy bids Santa farewell.

Jeremy, feeling inspired, changes from then on. He gives away all of the toys he couldn’t possibly find time for which is a callback to some of the scenes we saw earlier of him being mean to other kids in the neighborhood. And come Christmas every year, Jeremy helps Santa deliver presents. He climbs out onto his roof on Christmas Eve with a pair of binoculars and waits for Santa. When Santa arrives, he hops in his sleigh and helps deliver all of the toys. As the years go by we see Jeremy get older until eventually he’s too tall to fit in the sleigh. Santa sadly informs him that his time as his assistant must now come to an end. Jeremy is visibly sad, but he gives Santa a warm hug and hands over his binoculars for Santa to give to the next lucky boy or girl.

And now the kids get to have their own change of heart.

Back in the present, the story is done and the little boy and girl are feeling less selfish. They remark they don’t care what Santa brings them, even if he brings nothing at all! They both also aspire to be the next boy or girl that Santa makes his assistant. The grandfather says it could be either one, or both, and he also breaks the fourth wall to tell the viewer it could be them too. The special ends with an external shot of the house with the mailbox covered in snow. The snow soon slides off revealing the name J. Creek.

That sneaky, son-of-a…

The Town Santa Forgot is a charming little Christmas special. It has a conventional message in that giving is better than receiving, but it’s a message that surprisingly isn’t often relied upon to anchor a Christmas special. Young Jeremy is easy to dislike, as who hasn’t encountered a spoiled little brat in their life and actually enjoyed that kid? The poem origin of the special is retained, though maybe not word for word, as Dick Van Dyke narrates it. He is well cast in this role as he’s not asked to do any embellishment and to just use his natural speaking voice.

I’m a bit embarrassed to say I didn’t see the twist ending coming. Not that I was surprised by it, I just gave it no thought. It wasn’t until then it became obvious that the story the grandfather was telling took place before the present. The toys are a bit older and the television in Jeremy’s house is in black and white. It’s a fun little reveal though to find out Jeremy had been telling us his story the whole time. It’s also a fun twist on the Santa myth for him to select a selfless girl or boy to help him each year. I suppose it’s not a popular addition though since kids would certainly become suspicious when they couldn’t find a single person who received that honor. In that though it makes the act of selflessness become something that is perhaps unattainable, but still worth aspiring to.

This one has a lot less music when compared with other Hanna-Barbera Christmas specials. That’s not a complaint.

As I mentioned in the lead-in, the look of this cartoon is actually quite nice. Early 90s Hanna-Barbera productions should probably get more love than they do as I remember enjoying the look of several of the cartoons from that era. The animation is smooth and distinct and the character designs have some personality, which is harder than you think when it comes to Christmas. There aren’t any animation gaffes I noticed, nor is a bunch of animation recycled as often would happen with older Hanna-Barbera cartoons. The music is pleasant, and there’s only one song of sorts when the elves are shown getting the gifts ready for Christmas. I went into this one with the aim of just finishing off the big Hanna-Barbera Christmas specials, but I may have stumbled upon the best one from the venerable production company.

It’s small and through binoculars, but we do get a “Santa passing in front of the moon” shot.

The Town Santa Forgot is no longer shown on broadcast or cable television, which is too bad because it’s a lot better than some of the specials that still show up on broadcast networks today. My understanding is it’s available on Boomerang, but I’m not a Boomerang subscriber so I can’t confirm that. It is available on DVD for a very reasonable price. It’s included on the same release that features A Christmas Story and Casper’s First Christmas. If you’re like me and you still cling to physical media and like to stockpile Christmas specials, it’s a DVD worth owning for The Town Santa Forgot alone. Consider the other two as bonus features.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 10 – Merry Christmas, Super Dave!

  There are a lot of cartoons that have come and gone in my lifetime, many I forgot even existed until something jars my memory. Earlier this year we lost comedian Bob Einstein. Einstein is probably best known for his role on Curb Your Enthusiasm, but twenty years ago he was best known for his…

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Dec. 10 – The Sylvester & Tweety Mysteries – “Feather Christmas”

One of the earliest Kids’ WB shows was The Sylvester & Tweety Mysteries. It centered on Granny (June Foray) and her pets Tweety Bird (Joe Alaskey), Sylvester the cat (Alaskey), and Hector the bulldog (Frank Welker) and they went around, I bet you’ll never guess, solving mysteries. The personalities of the characters are all pretty…

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Dec. 10 – Rocko’s Modern Christmas

Rocko’s Modern Life may be the most 90s cartoon created during that decade. It’s certainly the most 90s of the Nicktoons, Nickelodeon’s very successful foray into original animation after years of airing other studio’s work. Rocko’s Modern Life centered around a wallaby named Rocko, naturally, and his journey into adulthood, which most notably includes self-reliance.…

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Dec. 4 – A Christmas Story (1972)

Original broadcast date December 9, 1972

For today’s Christmas post, we’re going to take a look at A Christmas Story. No, not that Christmas Story, the first one. Way before Ralphie started obsessing over a BB gun, the duo of William Hanna and Joseph Barbera brought us a story about a mouse and a dog trying to get a last-minute letter to Santa Claus. Not familiar with this one? That’s not surprising as it didn’t have much staying power. Sure, it was still shown on television from time to time as late as the 1990s, but it feels like even Hanna-Barbera wrote this one off as a bunch of the original music created for it would be repurposed just fives years later for the more popular Christmas special A Flintstone Christmas.

Hanna-Barbera produced numerous Christmas specials over the years. The company is often a punching bag in the animation community because of the low quality that became representative of television animation, which is unfortunate as the duo from which the company gets its name were hugely important contributors to animation in general. It just so happens their greatest contribution to the world of animation occurred before the founding of their company when the team created Tom and Jerry. For television, yeah, it’s true the output wasn’t great. Some stuff is better than others, but little is truly celebrated.

The most memorable aspect of this special is going to be the original music written for it. It was apparently so good, most of the songs would be reused in more popular Christmas specials to come.

I do give the company credit though for being big on Christmas. I need a lot of material to do this year in and year out and I can usually count on Hanna-Barbera to fill a day or two each year. A Christmas Story might be our deepest pull yet though when it comes to the company. It was directed by the duo of Hanna and Barbera and was written by the pair Ken Spears and Joe Ruby, who would follow in their boss’ footsteps and found their own studio, Ruby-Spears, in 1977. They were big contributors at Hanna-Barbera for creating Scooby Doo and their company would handle the likes of Thundarr the Barbarian as well as Alvin and the Chipmunks. The company was eventually acquired by Hanna-Barbera through its parent company, Taft Entertainment, and was part of the sale to Turner Broadcasting in 1991 so both Ruby and Spears weren’t really away from Hanna-Barbera for very long.

This special is so basic it even features a “little Timmy.”

A Christmas Story is about as simple as its title implies. We’re going to be introduced to little Timmy (Walter Tetley) and his family at the start. It’s an idyllic Christmas setting as mom (Janet Waldo) decorates the tree while dad (Don Messick) sits on his ass reading a newspaper. It’s hard to say what time period this story is set in, possibly the 30s or maybe even 40s, but certainly not present day for 1972. Timmy needs to get to bed, but he reminds his father that he owes him a Christmas story so he breaks out A Visit from St. Nicholas and even refers to it by the correct title, though he does botch the end by saying “Merry Christmas,” as opposed to “Happy Christmas.”

Your stars for this one: Goober and Gumdrop. They won’t be memorable.

Once Timmy is in bed, we’re properly introduced to the real stars of the short, a basset hound named Goober (Paul Winchell basically doing his Tigger voice) and a mouse named Gumdrop (Daws Butler, basically doing his Elroy Jetson voice, which he used on many characters). Goober and Gumdrop obey the standard animation rule that animals can converse with one another, but not humans. Goober helps Gumdrop hang his stocking beside the stockings for the rest of the family before retiring for the evening. As he heads to his mouse hole, he notices something under a table: Timmy’s letter to Santa. Gumdrop panics and informs Goober it’s up to them to save Christmas for Timmy by making sure Santa gets his letter.

Oh no! Someone forgot to mail Timmy’s letter to Santa!

How do a mouse and dog get a letter to Santa on Christmas Eve? Well, they simply head outside and start looking. At first, Goober (who is sporting a cute, little, green, hat) has some trouble with a slippery walk and does the Charlie Brown-sliding-into-a-tree gag complete with snow falling from the tree to cover him. It’s not particularly well animated, which is true for the special as a whole. Get ready to see a lot of repeating images as Goober and Gumdrop journey through the night.

Dumb mouse looking for Santa in a mailbox.

As the search for Santa begins, the first of three musical montages begin. The song for this one, “Where Do You Look for Santa?” is unique in that it won’t be repurposed down the road for a new Hanna-Barbera Christmas special. The song is utilitarian in nature, and strongly resembles a song we’ll hear later. As it plays, Goober and Gumdrop look all over town, ride a sleigh, and try to be cute as animation is recycled quite liberally throughout.

If you want to put a mouse in peril, simply add cats.

As the two search for Santa, Gumdrop runs afoul of a gang of cats. They’re apparently lead by a cat named Sleezer (Winchell) who is accompanied by the likes of Polecat (John Stephenson) and Fatcat (Hal Smith), among others. Cats obviously don’t take too kindly to mice out on their own and they give him some trouble. It’s basically the show’s only section of comedic violence as Gumdrop avoids catastrophe while the cats do not. The only worthwhile gag is Fatcat deploying a claw like a switchblade before getting it caught in a fence panel.

Clumsy, but effective.

Eventually, Gumdrop wisens up and simply hollars for Goober to come save him (I’m not really sure what he was doing this whole time). Goober, being a dog, basically just has to run into the alley where this is all going down to scare the cats away. He’s a bit of an oaf though as he falls over and takes on the form of a snowball and crashes into some garbage cans, along with the cat gang which soon scatters. As Gumdrop asks him if he’s all right, he replies he’s fine save for the bells ringing in his ears. Gumdrop can hear the bells too, and the two turn their gaze towards the heavens where Santa (Hal Smith again who was apparently charged with only voicing fat characters) can be seen flying overhead with a mere six reindeer. He even starts to call them out by name, but stops after listing only four so as to avoid shouting the names of two reindeer clearly not present.

Pictured: Santa. Not pictured: Donner and Blitzen.

Gumdrop and Goober then basically chase after Santa hoping to catch him as he enters a house. There, they hope to simply give him Timmy’s letter. How he will provide toys without the aid of his workshop is not something this special appears concerned with. As the two run from house to house they have little luck, as they keep missing him.

Well, there’s something you don’t see every day.

Gumdrop decides they’re going about this all wrong and need to think like Santa, whatever that means. They decide to go to a house with a bunch of kids and settle on the home of the Andersons. When they arrive, they see Santa has yet to visit and there’s a ladder conveniently left out in the snow. Gumdrop and Goober head up to the roof, with Goober demonstrating a fear of heights. When he goes to hand Gumdrop Timmy’s letter, it gets blown away. As Goober reaches for it, the ladder splits forcing him to use the remaining pieces like stilts as he chases after the letter eventually securing it in his jaws, before falling into the snow.

This guy has a shitty job.

It’s there a postman, who for some reason is out delivering mail on Christmas Eve, finds Goober. Not seeing this as a solution to their problem (who better to deliver Santa a letter than a mail carrier), the postman actually becomes a hindrance when he assumes Goober got locked out of his house. He puts the dog in his old timey mail truck and locks the doors before heading off to deliver more mail.

That mail man’s job just got a whole lot worse.

Gumdrop sees Goober’s plight and hops onto the truck. He instructs Goober how to open the door, but the dog accidentally knocks the car into gear and they start rolling along. Gumdrop tries to direct the dog, but in a surprising bit of realism Goober has no idea which way is left or right. The two eventually crash into a tree which frees Goober from the truck and the two have improbably escaped the crash injury-free.

The concussion dreams of a dog high on Christmas.

It’s at this point Goober starts to have doubts, but Gumdrop reminds him to have hope, which ushers in a musical number of the same name. If you’ve seen A Flintstone Christmas, then you’ve heard this song as it’s the same one used after Wilma tells Pebbles to do the same. It’s actually a sweet little number capped off with the line “Hope believes in Santa Claus.” I don’t know who sings it though as it’s absent from the credits. Hoyt Curtin handled the musical direction of the program and presumably wrote the song. Susie McCune and Judi Richards are both credited as part of the voice cast without a corresponding character so I’m left to assume one of them sang on this one.

This special is starting to feel like one, long, musical montage.

The montage, which features a goofy visual of Gumdrop riding atop Goober as he flies through the air via flapping his ears, ends with Goober now feeling full of hope. Unfortunately though, their little ride in the car took them away from Santa so now they need to find him. Gumdrop urges Goober to use the animal relay, which is basically the same as The Twilight Bark from One-Hundred and One Dalmatians. Goober barks out that they’re looking for Santa, and some other dogs (two males sharing a dog house, animation’s first gay canines?) pick up on it and spring into action. Surprisingly, this sequence isn’t utilized to bring in some more famous Hanna-Barbera canines for a cameo, but we do see a dog bossing the gang of cats from earlier around.

Surely, this will work!

This then ushers in another familiar musical montage, “Which One is the Real Santa Claus?” The sequence will be remade for A Flintstone Christmas as Gumdrop and Goober look for the real Santa amongst a sea of fake ones. It’s a cute song, but at this point feels like padding (which it is). It also doesn’t help that it sounds an awful lot like “Where Do You Look for Santa?” They eventually spot the real Santa as he’s heading into another house. Gumdrop then folds Timmy’s letter into a paper airplane and fires away. As the two prematurely celebrate, the paper airplane misses the mark and comes to rest in the cold snow. Santa is leaving, our heroes have failed, and Timmy is surely doomed.

Never trust a dog and mouse to save Christmas.

Gumdrop and Goober mope their way back home upset they couldn’t get the letter to Santa. As they head inside, Gumdrop reasons that maybe there’s still a chance and they can give Santa the letter when he visits their house. Goober though immediately falls asleep despite Gumdrop’s urging against doing such a thing, and he too falls asleep. As they sleep together by the fire, a hand reaches down to snatch Timmy’s letter!

Great, so you mean this whole time they’ve been trying to make sure Timmy gets his stupid, racist, presents?

The next morning, the two are woken up by the cries of Timmy. They are not sad cries though, for Timmy finds the underside of the family tree full of toys and presents. The little racist even got the Native American headdress he wanted! Goober and Gumdrop are shocked to see that Timmy got what he wanted, and Gumdrop then notices Timmy’s letter on the floor. It’s been opened, and the only explanation is that Santa did come and found the letter. They then take note of their own stockings, which Gumdrop’s has grown in size considerably, which are overflowing with goodies.

Well, at least he didn’t go straight for the headdress.

Timmy takes time out from his revelry to ask his parents if they got what they asked for. Timmy’s mom then informs him they asked for peace on Earth (so they get extra presents). Timmy then runs to the window and tells his parents that’s what Santa wants too! As the family looks out the window, Santa has written “Peace on Earth” in pixie dust or whatever in the sky. His “ho ho ho” signals that this is the end for A Christmas Story.

I guess they’re cool with sharing their house with a mouse?

A Christmas Story is a pretty safe, conventional, little tale. The animal protagonists give it a cutesy quality as the two just want to make a little boy’s Christmas wish come true. There are no real stakes though, had they failed Timmy just doesn’t get any presents. He’s not ill or anything, just a kid who wants some toys. Goober and Gumdrop are just good-hearted characters with no real personality to speak of. Goober, I suppose, is a bit clumsy, but that’s basically it as far as character traits go. The cat gang was also full of very generic characters all basically characterized by their appearance. There must have been some desire by the studio to keep its usual cast away from this one, but it’s fair to wonder if it would have been better suited to just use Augie Doggy or make it a Mr. Jinks cartoon with the mouse duo of Pixie and Dixie.

This one actually doesn’t feature the image of Santa passing in front of a full moon, despite being a super basic Christmas special.

Easily the best part of this special is the music. “Sounds of Christmas Day” opens the cartoon and it’s a nice little tune. It’s perfectly cast as a song created for a Christmas special; it’s nice to hear in the short, but probably not a song one would request on the radio. I do think “Hope” is a bit better, though it’s definitely more melancholly. It’s sweet though, and the other songs are fine as well. I think a special should be commended for not simply relying on public domain songs. There is a bit of “O Come, All Ye Faithful,” but it’s being sung by carolers so that makes perfect sense given the use. Considering these original songs are the most memorable aspect of the short, it’s no surprise it fell into obscurity since they were all recycled for A Flintstone Christmas. If you’re a network executive choosing between two Hanna-Barbera Christmas specials to air, you’re going to side with The Flintstones nine times out ten given the choice. And that special, despite featuring an unnecessary amount of padding as well, is superior to this one and one I unironically enjoy.

Considering it’s hard to find even The Flintstones in this day and age on television, the chances of any network airing A Christmas Story in 2020 are nil. The special was released on VHS in 1989 and reissued in the 90s after the Turner acquisition. It’s currently available as part of the Warner Home Video burn-on-demand service under the title Hanna-Barbera Christmas Classics. Buying it there also gets you the specials The Town Santa Forgot and Casper’s First Christmas. And since seemingly no one gives a shit about it, it’s also pretty easy to find streaming online for free. Watch it if you’re sick of A Flintstone Christmas or just plain never liked that one, but enjoyed the songs.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – Taz-Mania – “No Time for Christmas”

Before there was an entire broadcast television network owned by Time Warner, there was the relationship that existed between Fox and WB. Fox, needing a lot of content to launch its kid programming block The Fox Kids Network, partnered with WB and Steven Spielberg to bring the world Tiny Toon Adventures. It was a success,…

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Dec. 4 – ‘Twas the Night Before Christmas

Rankin/Bass is almost synonymous with Christmas because of the many television specials the company produced in the 60’s and 70’s. Most people associate them with the stop-motion process used to create Rudolf, but the studio also did traditional animation as well. Most famously, “Frosty the Snowman” was done in this style and the next most…

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Dec. 11 – A Flintstone Family Christmas

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Original air date December 18, 1993

The Flintstones got its start back in 1960 and for many years it was the standard for prime time animation. It was really the only prime time animated show for decades and has now been firmly supplanted by The Simpsons in almost every conceivable fashion. William Hanna and Joseph Barbera, being new to sitcoms, treated The Flintstones as if it were just another sitcom in many ways. A lot of the characters and gags were borrowed rather liberally from The Honeymooners (though Joseph Barbera wants us to think that wasn’t intentional) and the show made use of a laugh track. It also followed adult characters navigating social situations, work, and marriage. Really, the only thing making it feel animated was the setting of Bedrock, a stone age location populated with people, dinosaurs, and other creatures long extinct.

The show was pretty stand-alone in terms of approach, but in season three it added a new character:  Pebbles. Like any other sitcom, this meant Wilma had to go through a lengthy pregnancy captured on film before finally having a baby girl. Not long after, neighbors the Rubbles welcomed Bamm-Bamm via adoption, and suddenly the show started to skew young. Sponsor Winston cigarettes was out and in came Welch’s, maker of jelly and grape juice. Ratings began to slide and the show eventually came to an end, but it would find extended life in children’s timeslots for years to come. The 166 episode total may seem minor considering The Simpsons has gone well beyond that mark, but it’s still a healthy total and represents a long run.

In the 1980s the show was resurrected via spin-offs and specials. The brand also remained pervasive in grocery stores via cereal and vitamins which still exist to this day. The franchise was still popular enough in the 1990s to receive a prime time animated Christmas special titled A Flintstone Family Christmas. Airing on December 18, 1993, it depicts Fred and Wilma as grandparents waiting to welcome their family home for the holidays. Pebbles has married and had children with Bamm-Bamm, essentially making Fred and Barney family officially. It made use of a lot of voice actors that had become prevalent in shows of the era, and it’s a bit of a trip to hear them work on The Flintstones.

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Fred is all about Christmas in this one.

The special begins with Fred (Henry Corden) decorating his home for the holidays while Barney (Frank Welker) looks on. Fred is putting lights on his house that just look like rocks that apparently light up. The source of power for these lights is a tank of water with an electric eel inside. When Fred drops the wire into the tank, the eel goes to work lighting up the display. It soon explodes, changing Fred’s holiday greeting to read Fatso’s House. Fred’s neighbor, Mr. Gravelberry (sp?), shares his disapproval of Fred’s light show, but nothing is going to take Fred out of his holly jolly mood. Not even the paper, which contains stories about drive-by stonings and other non-Christmasy happenings.

Betty (BJ Ward) and Wilma (Jean Vander Pyl) are wrapping gifts when Fred and Barney come inside to find out the kids are on their way home from Hollyrock. Pebbles and Bamm-Bamm have two little ones and Fred can’t wait for them to see him play Santa in a Christmas parade. Wilma lists off all of the things they have to do before the kids get there and usher the boys out to pick up some stuff.

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Well that certainly doesn’t look like a jolly, old, elf.

As Fred and Barney leave a store with a rather large prehistoric turkey, a street Santa gets their attention. He’s soliciting donations, at least that’s what they think when they approach him only to get held up. He takes their belongings, and as he runs away it becomes obvious this Santa is actually two children with one standing on the shoulders of the other. He apparently didn’t get far as Fred and Barney are shown at the police station picking their mugger out of a Santa line-up. Wilma and Betty think it’s rather funny when they see it was just a kid that mugged them, but Fred is insistent that this kid needs the book thrown at him.

A social worker named Stella Stalagmite (Didi Conn) then enters to tell us all about the kid, Stony (Christine Cavanaugh). He’s a cave-less child, which horrifies Wilma. No one wants him, and they’ve tried appealing to all of the major religions too, but no one can get this kid to fly straight. Fred finds out it was a stick and not a gun that the kid was holding when he held them up, and becomes irate when Wilma suggests they bring him home. The two argue, with Fred insisting there’s no way this kid is coming over to his house, which can only mean one thing…

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Fred is rather protective of his television which appears to be powered by magic.

Stony is indeed brought home to the Flintstone residence and is amazed by what he sees. He’s very polite and complementary, but Fred isn’t buying it. As the Rubbles head off to make dinner, Fred is left alone with the kid who marvels at his big screen TV. Stony rewires it so that Fred can get all of the channels illegally and some all cave girl network pops up on the screen. Unlike most Flintstone gags featuring modern tech in a stone age world, there’s no explanation for how this TV works. As best I can tell, it’s just a regular TV in a stone box. Fred is interested in this racy channel at first, but soon changes the channel insisting they watch what he wants to watch. The remote is at least low tech as a little bird flies out of it to manually change the channel to It’s a Wonderful Stone Age Life. Fred declares it’s his favorite movie, while Stony isn’t impressed. We then get what’s probably going to be the prevailing message of this special when Stony imagines himself entering the movie only to have the main character to tell him to beat it, “We don’t want to think about your kind at Christmas!”

Stony relays his distaste for the holiday to an incredulous Fred. He doesn’t understand how a kid could dislike Christmas and declares him defective. Wilma has to break up the fight, and suggests that they go get a Christmas tree. Fred wants to wait for the grandkids, but when Stony offers to get them a tree for only 20 bucks Wilma insists they should let him do it so that they can demonstrate their trust for him. Fred reluctantly gives Stony a twenty, and he takes off and reappears quickly with a fully-decorated tree. Fred can’t believe it, but then Barney re-enters the picture and immediately recognizes the tree as his own.

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Will nothing go right for Fred and the gang? Stay tuned!

As Wilma fits Fred for his Santa suit, Pebbles calls with bad news. It seems she and the family are stranded at O’Harestone (this is already like the fifth “joke” that’s just the name of something from the real world with “stone” added onto the end of it) and she isn’t sure when they can make it home. This bums Fred out and Stony tries to cheer him up. They get into a little conversation about Stony not understanding what he did wrong, Fred gave him a 20 and he produced a tree. Wilma reasons the kid is just acting in the only manner he knows how, while even Barney sticks up for him as he apparently hooked him up with the cave girl channel too. Fred then tells Stony he just wants him to try and enjoy Christmas, and it seems like our special is turning hopeful. They then pile into the car to make what Wilma calls their “Christmas rounds.”

The next segment is a montage set to an original song. If I had to guess, I would say it’s titled “It’s a Merry Christmas in Bedrock This Year.” During the montage, the gang is shown caroling while Stony solicits donations to himself which Fred puts a stop to. They then deliver cookies, and we get our shot of Stony looking thoughtful on the kind gesture. Fred tries to show the boy how to figure skate, which ends in pain for Fred, and then they all gather for a picture and Fred puts the kid on his shoulders.

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The best character in this special.

When we exit the song, Fred and Wilma are taking Stony to see Santa Claus. Fred expresses to Wilma that he’s getting through to Stony, while Stony sits on Santa’s lap. He tells him how he used to have a red suit like that, until the pants ran away. This sets the Santa into a sad story about his own life. He admits he’s not the real Santa and then adds how he feels like he’s under tremendous pressure to tell the kids who see him that they’ll get what they want for Christmas, even though he’s powerless to make it so. While he tells his story, Stony swipes a handful of candy canes from Santa’s sack. Fred approaches and tells the Santa to brighten up and hands him a homemade ornament. Santa does as he’s told, and Stony is apparently warmed by Fred’s holiday spirit and slips the candy canes back into the sack.

The family then heads to pick out a tree. Wilma eyes an eight-footer, but Fred is scared off by the price. Stony tells him he needs to get a good tree for his grandkids’ first Christmas, but Fred remarks he can’t print money and they walk off. This gives Stony an idea as he tells the salesman to hold the tree. We then see him hosting a table game. He has three turtle shells and is taking money from people to see if their eye is quicker than his hand. When a very large man insists Stony cheated him, he runs off seeking the help of Fred. He insists to Fred, with a tear in his eye, that he didn’t cheat the guy and Fred stands up for him. This doesn’t go so well for Fred as the big guy grabs a Christmas tree and hits Fred over the head with it.

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A hospital bed for Fred – what’s next?

The tree did enough damage that Fred needed to be hospitalized. As he lays in a hospital bed with Wilma and the others at his side he openly wonders how this Christmas could get any worse. Mr. Slate (John Stephenson) then enters to tell Fred he’s taking him out of the parade. He can’t risk Fred’s health and have Santa die in the middle of the thing. Fred is heartbroken, and as Stony looks on he starts to feel sorry for himself declaring this is all his fault. He then spies Slate’s car waiting for him outside and a smile crosses his face as he apparently has another idea. When Mr. Slate returns to his car, he orders the driver to head to Flintstone’s house so he can retrieve the Santa suit. As the car drives away we see it’s Stony who is behind the wheel.

Stony brings the suit to Fred’s hospital room, and upon hearing what he did to his boss, Fred flips out. He takes off with Stony in tow and we see that Stony locked Mr. Slate in Fred’s bathroom. As he shouts for help, he gets the attention of the police who soon show up as Fred arrives. When Fred goes to free Mr. Slate from the bathroom, the door falls on him and out comes Mr. Slate. The cops order everyone to put their hands up, and all three do with Fred’s coming from underneath the door.

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Jail – that’s what’s next. It ends up being a nice time for a heart-to-heart about Christmas though.

Stony and Fred are then shown being taken to a jail cell. They’re in pin-striped suits and Fred looks pretty mopey. Stony tries to cheer him up by telling him it’s not so bad, but it’s not getting through. He imparts some advice to Fred as well, like don’t slow dance with Bubba or play Marie in the prison play. Fred has had enough of Stony and draws a line on the cell they share and orders Stony not to cross it. Stony gets back on Fred’s good side when he produces some crumb cake he smuggled into prison (he doesn’t elaborate on how he snuck it in). When Fred asks why he did that he explains when you live on the street you never know where your next meal is coming from so you always try to save something. He even gives Fred a bigger chunk of the cake which leads into the sappiest moment yet where the two have a heart-to-heart. Stony explains he just wanted to help Fred out since he helped him out with that big guy at the tree lot. Fred explains that Stony’s intentions are good, but his methods are not.

As the two have their happy Christmas moment, which includes the both of them resigning themselves to spending Christmas in jail, the cell door opens and in comes Mr. Slate and the social worker from earlier. Slate has the Santa suit and slams it on Fred. He cleared up the charges and still wants Fred to play Santa in the parade. As Fred struggles to get the beard over his head, the social worker takes Stony out as she assumed the placement with the Flintstones isn’t working out. As he’s lead away, Fred is dragged by Mr. Slate as he calls out for Stony.

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The Flintstones have had a lot of different reindeer stand-ins over the years.

Fred is at the parade sitting in Santa’ sleigh, which is pulled by six giant birds (why not 8?), when Wilma, Betty, and Barney show up. They’re glad to see him out of jail, but Fred is depressed over Stony being taken away. The parade starts and the birds pull him along and as he heads down the street he realizes something is in his hat. It’s a star-shaped Christmas card that Stony slipped inside his hat, and as Fred wishes the lad a merry Christmas, he sees Stony getting into the social worker’s car. He then snaps the reigns and orders the birds to fly. They sail over the parade and over the mayor’s car (the mayor, by the way, looks just like Fred but with a moustache) which Mr. Slate was riding in. He shouts out “Flintstone!” as he often does at the sight of Fred abandoning the parade.

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Gotta have this shot.

Fred soon catches up to the social worker’s car and reaches down to pluck Stony from the rear seat. He tells the social worker Stony has a home and the two fly off into the required Santa in front of the moon shot. They head home, where Pebbles and the gang are waiting for them. They’re singing a Flintstone’s version of “The Twelve Days of Christmas” while Stony shows the babies his turtle shell game. Fred then approaches to tell them it’s time for the family tradition where the newest member of the family puts the star on the tree. Stony hands over the babies thinking that honor falls to them, but Fred hands him the star instead. Bamm-Bamm lifts the boy on his shoulders and Stony places the start on the tree, an amber rock with a firefly inside of it. Fred then remarks to Wilma that this is the best Christmas ever, and everyone sings about wanting chocolate pudding. A “Merry Christmas!” lets us know this one is over.

This is a mostly serviceable Christmas special starring The Flintstones. I don’t have tremendous affection for The Flintstones, but I will say that as a Flintstones special this is rather weak. There aren’t any good puns and the stone age technology isn’t very creative at all. The writers seemed to think just tacking the word “stone” onto the end of everything serves as a joke all by itself. The special at least doesn’t repeat the trope of Fred having to find a new appreciation for Christmas, as we’ve seen him do in other Flintstones Christmas specials (he’d even play Scrooge the following year), but that’s a low bar to clear.

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Can I get a “Looky what he can do?”

As a Christmas special though, this isn’t terrible. Stony coming around to see the good aspects of Christmas and feel accepted by his new family happens pretty quickly and conveniently. Having the Flintstones adopt another kid certainly makes them look good, though I don’t think Stony every shows up again (not that much follows this special). When the gang all return in 1994 for A Flintstone Christmas Carol, Pebbles and Bamm-Bamm are kids again so it obviously takes place at a different time. Both specials essentially mark the end of The Flintstones as a prime time network attraction and it’s possible they only exist to cross-promote with the film which came around the same time.

Visually, this one looks like a 90s cartoon. It’s in-line with the level of quality that would show up in other Hanna-Barbera cartoons. The characters are on-model, though they have exaggerated 90s flourishes to their actions. It’s actually refreshing since a lot of Flintstones animation was re-purposed and reused often. The sound design is also of a similar quality as most of the voices fans were familiar with were still around to voice these characters. And Frank Welker does a pretty good Mel Blanc impression as Barney Rubble.

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Exit on everyone singing, and that’s a wrap!

If you like The Flintstones then you’ll probably think this is okay, but may also feel let down. The Flintstones premise was never very creative making the only charming aspect of the show often the little gags tossed in which usually revolved around some animal appliance. This special is missing that as what is present just isn’t funny. It’s a heart-warming Christmas special though, so if you’re just looking for some Christmas feels it will probably get the job done. And at only 23 minutes, it’s not like it hangs around too long.

If you want to add this to your viewing this year, your options are a bit limited. The video-on-demand service Boomerang still shows episodes of The Flintstones, but it’s a paid subscription service. The special was sold as a manufacture-on-demand DVD with A Flintstones Christmas through Amazon as A Flintstone Christmas Collection and that might still be the case. That’s how I came upon it. Just taking a look, it appears it’s no longer available from Amazon, but third party sellers have it for less than 5 bucks. Warner Bros. doesn’t appear too protective of the property these days, so if you want to watch it without spending any money it’s not hard to find.


Dec. 25 – A Jetson Christmas Carol

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Original air date December 13, 1985

Merry Christmas! We have reached the end on our advent calendar celebration of the holiday season. This is the third complete 25 day advent calendar here at The Nostalgia Spot and fourth overall. For this year, I managed to shy away from the tropiest of the tropes when it comes to Christmas television specials – adaptations of A Christmas Carol and It’s a Wonderful Life. For this final feature though, I’ve decided to go traditional. I like to weigh these features by visibility, so if I’m covering a special that might actually air on TV during the countdown I try to put that up front. For the ones that have no shot, I tend to save them for the end. In the case of “A Jetson Christmas Carol,” I saved it for last since it’s a conventional holiday special that many people have probably seen. While it’s unlikely to be broadcast on a major cable channel, it’s easy enough to find in the wild and it’s a perfectly satisfying take on the classic Christmas tale.

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The Jetsons first preiered September 23, 1962

The Jetsons was Hanna-Barbera’s logical next step following the success of The Flintstones. Where The Flintstones depicted a fictional family of prehistory, The Jetsons focuses on a family of the future. It premiered on September 23, 1962 in prime time on ABC and was the first show broadcast on that network in color. It would last one season with the final new episode airing in March and reruns taking it all the way around the calendar where it was removed from the lineup in September of 1963. It was then moved to Saturday mornings where reruns were shown for the younger audience. It’s popularity endured though into the 1980s and with cable now expanding television lineups Hanna-Barbera would return to the series to bring the total episode count to 65. A third season of ten episodes would follow and the series was essentially capped-off by the 1990 animated feature film. The Jetsons would continue to have a presence in syndication, along with a lot of Hanna-Barbera’s works, for much of the 90s before eventually being ousted by newer programs.

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In the future, everyone has terribly ugly laser trees.

The Jetsons may have seemed derivative of The Flintstones, but it’s take on the common nuclear family played well for audiences. Where The Flintstones focused more on the adult problems of Fred, The Jetsons was more confident in spreading things around. The family, as introduced by the very catchy and lavishly produced theme song by Hoyt Curtin, consists of George Jetson (George O’Hanlon), his wife Jane (Penny Singleton), teenaged daughter Judy (Janet Waldo), son Elroy (Daws Butler) and they’re also joined by the family dog Astro (Don Messick) and robot maid Rosie (Jean Vander Pyl). For the second season, the little alien Orbitty (Frank Welker) was added to the cast as another pet, of sorts. George is a typical working man who has a job at Spacely Sprockets working for Mr. Spacely (Mel Blanc), a short man with a big temper who often is at odds with his employee. They live in a future as envisioned by folks in the 60s so Jane is a stay-at-home mom while George is the bread-winner. Their lives are made easier by technology with Jane’s housework largely automated or falling to Rosie while George just pushes buttons from a console at work. They have flying cars, video phones, and a host of other contraptions some of which have since become reality while others remain just fantasy.

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What would the Jetsons be like if they were rich? Well, we’re going to find out.

“A Jetson Christmas Carol” is from the show’s second season and it first aired on Friday the 13th in December of 1985. As the title implies, this is a re-telling of A Christmas Carol. In the place of Scrooge we have Mr. Spacely with George serving as the Bob Cratchit of the tale. In the role of Tiny Tim is surprisingly not Elroy, but Astro the dog who’s very life depends on the actions of Mr. Spacely.

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George is a bit concerned with the size of the Christmas shopping list this year.

The episode opens with the family sitting at the table while machines feed them breakfast. Jane is talking about how she needs to finish the Christmas shopping while the kids are eager to hit the mall. Astro is off in the corner sneaking a peek at Jane’s Christmas list until she snatches it from him. When George sees it he asks aloud how they can afford so many gifts and Jane matter-of-factly informs him that they can’t, but also that they can’t worry about such things at Christmas (what an awful sentiment). George, surprisingly cheerful, leaves for work while Jane hopes he can get out early for Christmas Eve. She and the kids leave for the mall, though not before Judy expresses some indecision on what to wear (all the while using space puns or 80s teen lingo) before just settling on the same outfit she always wears. Once they’re gone, Astro heads for the neon Christmas tree with hovering ornaments and starts snooping around.

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The mall on Christmas Eve is crowded no matter what year it is.

While the kids shop at a very crowded mall, George hosts an office Christmas party attended entirely by robots, other than himself. He jokes with his computer partner RUDI (Messick) who shares a corny joke until Spacely catches them via video monitor and orders everyone back to work while also declaring he hates Christmas. After Elroy gets a lesson on “want” at the mall, we head home to find Rosie whipping up some eggnog (ingredients:  one egg and one nog). Astro helps Elroy hang up some mistletoe and then goes back to gift-snooping. Orbitty calls Astro out and Jane catches him opening his gift. When she tells him it’s supposed to be a surprise, he insists he is surprised (Astro is on the same level as Scooby Doo in terms of communication skills) and finds a toy cat inside. The robot cat (Welker) rolls around on a wheel while Astro gives chase and seems to be enjoying himself.

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And you thought Futurama was the first to depict drunk robots.

Back at Spacely Sprockets, George is literally counting down the seconds until quitting time, but just as that time arrives Spacely pops-up on the video monitor to tell him he’s working late. George, sullen, doesn’t really offer up a fight and turns back to his console. Jane soon phones in and gets the bad news, while George returns to work wishing some ghosts would visit Spacely like they did Scrooge.

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This is unfortunate for Astro, but what about the obviously sentient robot cat?

At the Jetson residence, Astro continues to chase his toy while the family seems to be getting along all right without their patriarch. Astro ends up catching his toy leading to a crash. The robot explodes and as Astro is left lying on his back a single sprocket lands in his mouth and is ingested. The family runs over to him with worry, while Astro’s fur takes on a greenish hue. They bring him over to the couch for a look and all are worried. Elroy wants to call a vet, but Jane isn’t certain they can find one on Christmas Eve. As he and Judy head out to find one, Astro wails that he’s dying. This is actually kind of dark.

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Hopefully there’s some booze leftover from that office party.

At the office, an exhausted George is finishing up the orders as he lays on the terminal pushing the last button. Spacely pops back in on the monitor to ridicule George for working too slow. He tells him he’ll see him in the morning, but George at least stands up for himself a little by reminding Spacely that tomorrow is Christmas and it’s a day off, to which Spacely remarks “Too bad,” to himself. George beats a hasty retreat only to emerge in a snowstorm. Remarking he’ll be lucky to get home by Groundhog’s Day, his car seems to have little trouble lifting itself out of the snow. At home, Astro is running a fever of 102 as Elroy and Judy return home with bad news:  they couldn’t find a vet open at Christmas. Jane tells them things are looking grim, as George makes his triumphant entrance. He’s in a celebratory mood, but finds the family is not. He takes a look at Astro and arrives at the same conclusion as his wife, though when he finds out Astro got hurt chasing his toy he admonishes him for opening his gift early. He then questions if he’s faking it while Judy scolds him.

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That’s what you get for peeking, Astro – death!

At Spacely Sprockets, Mr. Spacely is seated in his office enjoying his money. Since it’s too late to deposit it at a bank, he decides he better spend the night with his money at the office. Upon falling asleep he’s greeted by the ghost of his former business partner, Marsley (Blanc). Marsley gives him the usual Jacob Marley talk while Spacely angrily insists he’s dreaming and orders Marsley to go away before remarking he was always a bit of a sicko. He goes back to sleep only to be awakened by a weird, floating, robot (Messick). It’s the Ghost of Christmas Past, and he takes Spacely back to his days on the playground where he had little Georgie Jetson run his lemonade stand. A young Spacely (Welker) flies in to find George counting the cash and snatches it from his hands returning only a penny. When George questions this arrangement the young Spacely tells him to not be greedy before taking off. They then journey to a fly-in movie theater where a college-aged (and bald) Spacely (Welker again) is watching The Flintstones with his future wife. When she questions if he loves money more than her he insists that of course he loves money more! He promises to take half a day off for their wedding, which is apparently good enough.

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Jacob Marsley – not one of the show’s better puns.

Spacely is returned to his office in quite a happy mood. He saw nothing wrong with the actions of his past as he resumes his sleeping only to be roused by yet another ghost (Welker). This one is a giant Christmas present, a too on the nose joke on the Ghost of Christmas Present. The giant box with extendable arms takes Spacely to the home of the Jetsons where they look at the family as they worry over Astro. Spacely is unmoved by the family’s plight, insisting he’s a business man and not a dog-father. He’s returned to his office, but he’s not alone for very long.

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That would be ghost robot number one.

A giant, black-green, robot with red buttons looms over him. Spacely is a bit unnerved by this silent third ghost who soon zaps him to the future. There they arrive at a mansion and Spacely is over-joyed to see what he assumes is his future home. Instead though they find the Jetsons inside happily discussing how fabulously wealthy they are. Spacely is annoyed to see this and demands to know how they got so rich, and even though George can’t hear him, he’s happy to fill him in. They attained their wealth thanks to a lawsuit against Spacely after Astro’s death as a result of swallowing that sprocket. The family is sad recalling their old dog, though if they’d give up this new lifestyle to bring him back I’m not sure. George then elaborates on what became of Spacely as Spacely questions how George could sue his beloved boss, thus proving he has no concept of how people really feel about him. After the suit, his company went under and his wife left him. Last anyone knew, he was on skid row. As Spacely turns to the ghost to ask if this is all set in stone or just a vision of what might be, the ghost zaps him back to his office.

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Did I say Marsley was bad? Okay, this one is worse.

Spacely wakes up on his hands and knees begging for another chance. When he realizes where he is, he immediately perks up and sets out for the home of the Jetsons. For now it’s Christmas morning, and the family is still worried about their dog who at least made it through the night. Spacely arrives with his personal vet whom he dragged out of bed (this is still Spacely, after all, who will absolutely force a man to work on Christmas if it means saving his money) to treat Astro. He demonstrates some neat future tech when he whips out a portable X-Ray to spot the sprocket in Astro’s stomach. Then he demonstrates that vet technology has only come so far as he simply reaches down Astro’s throat to remove the obstruction. Astro immediately feels better and Spacely also announces he’s brought gifts for the whole family. Elroy gets the rocket guitar he was eyeing while Judy gets some nuclear roller skates. He departs by telling George he’s getting a big, fat, raise as he heads home to spend Christmas with his wife. George and the family then join arms to sing “We Wish You a Merry Christmas” with Astro and Orbitty getting the honors of the last line as our holiday special comes to an end.

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Simple yet fearsome. I like ghost number three.

That last act gives this special an interesting wrinkle. Spacely’s motivation for acting “good” is purely to save his money, unlike Scrooge who is motivated to save Tiny Tim out of the goodness of his heart. Had Spacely not acted, Astro would have died, but the Jetsons would have been thrust into an easy life. No more crappy job for George while Elroy and Judy would find their higher education not limited by financials. The kids are a bit spoiled in the future vision, so perhaps their character suffers, but George is also quick to remind them of how they ended up in this position so it isn’t as if they’ve lost sight of what the costs were for this new life. There aren’t many episodes to follow, but for what it’s worth Mr. Spacely remains unchanged following this one so he didn’t really learn anything.

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Spacely to the rescue!

Being one of the 80s episodes of the show, it actually is animated a little better in places than it was in the 60s. There’s less of characters just standing around, and best of all, no laugh track. There are a few instances of that canned running sound Hanna-Barbera was so fond of, but the voice acting is overall quite good. It’s pretty neat that the studio was able to return the entire original cast for the relaunch of the show, though O’Hanlon and Blanc would eventually both pass away during production on The Jetsons Movie. Some of the backgrounds are a bit abstract or even empty, and the trip through time with the ghosts and Spacely is surprisingly static. I suppose in most versions of the story there is little depicting the change in time between past, present, and future so I suppose I can’t really deduct points here. The plight of Astro is actually genuinely sad. The poor dog knows he’s dying and is borderline hysterical. The show is quite honest in how grim his outlook is.

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An early joke about Judy taking forever to pick an outfit even though she can change outfits literally in an instant.

A lot of the humor in this show stems from essentially the same joke. A character complains about something, then we see how trivial the complaint is. For example, Elroy complains about how long it’s going to take Judy to get changed, when she literally steps into a machine that can instantaneously change her outfit. The joke is basically “Ha, they have no idea how easy they have it!” There’s also a lot of material meant to appeal to working class folks with the greedy Spacely lording over Jetson. He makes Jetson do all of the work while he sits back and takes in all of the money. This feels like a mainstream attitude back then that has some-what shifted, and that shift seemed to begin in the 80s where wealth became the be-all end-all measurement of success. If you’re not rich then it’s because you didn’t work hard enough. It’s preposterous, but it seems to permeate our culture today and a leading cause of current clash division. Then there’s also the dated jokes at Jane’s expense where she’s characterized as a do-nothing housewife. In her case, times have obviously changed as fewer and fewer women can even afford to be stay-at-home mothers and housewives. It’s not as if the show though portrays George as some work-a-holic though as he often gripes about work while being shown doing actually very little. Though in his defense, many people now have jobs where they just sit and push buttons, and while it may not be manual labor, it’s strenuous and ultimately still a job that keeps us from doing things we’d rather do.

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Hey! A Flintstones cameo!

It’s a bit surprising how dated a show about the far-off future can seem, but there’s no predicting where society is truly heading when looking so far ahead. The Jetsons is actually fine entertainment and I would probably prefer to watch it over The Flintstones. Neither show is as good as some of the prime time animation that followed, but for its time it was good enough. This version of A Christmas Carol can be described in similar terms – good enough. It has a few laughs, some down moments, and ultimately a happy ending. It’s a fine ending for the 2018 version of The Christmas Spot.

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This one isn’t afraid to get a little grim.

If you’re hoping to sneak in a viewing of “A Jetson Christmas Carol” before the holiday is through then you’re in a relatively good spot. The Jetsons are available on DVD and there are even special holiday editions of Hanna-Barbera cartoons sold separately likely destined for the discount bin tomorrow. Season Two of the show was a manufacture on-demand release so it’s a little tricky to come by, but hardly impossible. While the show isn’t presently streaming on a major service in 2018, episodes of this show (including this one) can be found online for free rather painlessly.

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In the end though everyone is pretty happy.

Well, that about does it. I hope you enjoyed 25 days of 25 blog posts on 25 pieces of Christmas media. For me, it’s a great way to really bask in the season both writing and reading similar pieces, not to mention actually consuming all of this media either again or for the first time. Even though it’s a lot of work, I always enjoy doing it so I have no plans on stopping. I hope to see everyone back again next year when we do 25 more. As always, thanks for reading and I hope you have a very, merry, Christmas and a happy new year!


Dec. 15 – The Night Before Christmas with Tom and Jerry

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Originally released December 6, 1941

As someone who loves the cartoon shorts produced by Warner and Disney, I sometimes am guilty of overlooking the contributions of MGM from that same era. MGM was a big player back then, and their flagship creation was Tom and Jerry. The cat and mouse pair first debuted in 1940 and were the creation of William Hanna and Joseph Barbera, two folks most associated with television creations through their company Hanna-Barbera. Because the quality of those television productions is largely poor, Hanna-Barbera is more of a punch-line in the world of animation which is why I always try to keep things in scope. Their creation of Tom and Jerry is their crowning achievement and their greatest contribution to the world of animation. They were also responsible for bringing animation to television, which is something we can likely all agree was a good thing, even if we turn our noses up at the likes of Jabber Jaw and Grape Ape.

Tom and Jerry’s third cartoon was the 1941 classic The Night Before Christmas. It was nominated, but did not win, an Academy Award and it was once a Christmas staple on Cartoon Network, but is now relegated to home video and streaming services. It was written and directed by the duo of Hanna and Barbera and even features voice work by Clarence Nash, as Tom, who is most famous for being the voice of Donald Duck. He went uncredited in this short, perhaps because of his association with Disney or perhaps just because a lot of folks initially went uncredited who work in animation.

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Jerry’s too smart to fall for that.

The short opens with a narrator (Frank Graham) reciting the opening to A Visit from Saint Nicholas, more commonly referred to simply as Twas the Night Before Christmas. The camera pans through a cozy home all decorated for Christmas and rests on a mouse nook in the wall with a mousetrap outside it. The trap contains a wedge of cheese with a festive red ribbon placed around. Given the cheese is in a trap, I’m thinking this isn’t the work of one Santa Claus. The narrator ends his narration after the conclusion of the mouse line from the poem, which is Jerry’s cue to emerge from his home.

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Jerry is so stinkin’ adorable throughout this cartoon.

Jerry is a happy little rodent who seems delighted by the festive decor. He pays the cheese no mind as he happily skips over to the Christmas tree which is loaded with gifts and treats. He finds a candy cane and licks the stripe off of it and also manages to get his head stuck in the mouth of a stuffed lion. He soon discovers that same lion has a squeaky toy in its belly, and he delights in bouncing up and down on it to make it squeak. The force of his bounce causes him to bounce off of the lion and come to rest on a soft, furry, gray surface. Mistaking this for another toy, he bounces up and down trying to make it squeak, only to come to find he’s actually bouncing on the rump of one Tom the cat.

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I bet I know how this encounter ends…

Upon being woken up by the careless mouse, Tom takes a swipe at him only for Jerry to avoid him and slap a Do Not Open Until Christmas sticker over his mouth. It’s a frequent gag in old cartoons, even in ones not taking place at Christmas (Daffy Duck Hunt). Tom chases Jerry around the Christmas tree and through the various toys where the characters pause for comic hijinks. Jerry uses the various toys to his advantage, and even demonstrates how cartoon science works. Upon noticing a missing bulb in a string of Christmas lights on the tree, Jerry jumps into the exposed socket and immediately glows like an angel atop a tree. When Tom grabs Jerry he’s immediately electrocuted though Jerry is unharmed.

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…nailed it!

Jerry is able to escape through more toys and comes to rest atop a model train. Tom is forced to stop when the crossing bar for the train is lowered and Jerry goes on by. He’s a bit careless though as he’s knocked from the train when he fails to duck for a tunnel giving Tom an opening. Jerry hides in a boxing glove and is able to jab at Tom who grabs the matching glove. He gives chase once more and Jerry takes shelter in a box, which turns out to be a jack-in-the-box which belts Tom in the face.

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I’ve seen enough cartoons to know it won’t end well for you, Tom, if you touch that mouse.

After recovering from the blow of the toy, Tom gives chase once more and Jerry arms himself with a piece of mistletoe he plucked from a wrapped gift. He stands there holding it over his head while making kissing faces towards Tom. Tom pauses in his pursuit to fold his arms across his chest and feign indifference to Jerry’s advances. He soon softens and appears to be flattered at Jerry’s proposal, eventually giving in and kissing the little mouse. While Tom is basking in the the afterglow of the smooch, Jerry slips behind him and kicks him in the butt.

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Mistletoe:  the only aphrodisiac that works on sight.

Tom, now wounded both physically and emotionally, chases Jerry once more who jumps through the mail slot in the door and escapes outside. From there he’s able to pelt Tom with a well-aimed snowball through the mail slot, but it’s his final act of mischief as Tom simply piles household objects in front of the door to prevent Jerry from getting back in.

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Tom soon begins to worry about that adorable little mouse.

Satisfied he’s dealt with the mouse, Tom grabs a fluffy pillow and prepares to lay down beside a roaring fire. As he does so the mournful tunes of “Silent Night” begin to play, and Tom looks over at the blocked mail slot with some concern. Jerry is shown pacing back and forth in the snow outside. The camera jumps between the two as the volume of the music increases. Tom tries to distract himself, but it’s clear he’s experiencing some guilt over trapping the mouse out in the cold. Jerry continues to pace as the snow accumulates around him eventually overtaking him. When Tom can’t stand it any longer, he races over to the door and removes the blockage. He then hides behind a corner and waits for Jerry to come back in. When he doesn’t, Tom opens the door and sees a snow-covered object sticking up from out of the snow. He grabs it and it at first resembles a popsicle. He shakes it to reveal a frozen Jerry and he races back inside.

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A mousicle.

By the fire, Tom thaws Jerry out by the tail and places him on his pillow. As Jerry comes to, he’s at first scared to see Tom but is soon gifted a candy cane from the now softened cat. He happily licks it while Tom goes over to a bowl of milk to indulge himself. Jerry then races over to stop Tom from drinking the milk. He plunges the candy cane into the milk splashing Tom in the process, but also triggering a mouse trap he had apparently hidden in the milk for his adversary. Tom smiles and returns to his milk while Jerry heads for his nook. He pauses outside it and takes note of the wrapped cheese wedge on the mouse trap. Using the hooked end of his candy cane, he safely removes the cheese only for the trap to snap-back and reveal it wasn’t a trap at all, but a music box which plays “Jingle Bells.” As the song plays, Jerry looks to the camera with glee as the short ends.

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Jerry repays the favor, because Christmas.

The Night Before Christmas is a delightful little short starring Tom and Jerry. It contains the chase scenes the duo is known for while also putting a Christmas spin on everything. The layout of the home and the various Christmas decorations creates a very festive setting. It’s a home I want to visit for Christmas. The sweet conclusion of the short is also the right note to strike for a Christmas themed cartoon. It’s interesting that MGM was willing to show Tom and Jerry in such a light after only a few shorts, but it’s still sweet nonetheless and for most people who actually view it today I doubt it feels too soon. There’s plenty of festive music as well, and I’m glad the short didn’t include the entire poem it borrows its title from. This is also the only post this year that is duplicative of acartoonchristmas.com, but it’s so wonderful I think there’s plenty of room for many posts like this.

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Just look at that happy little guy!

Visually the short is near breathtaking. Jerry is so plump and happy and his expressions feel authentic and genuine. I love how happy he is just checking out all of the Christmas toys under the tree and his expression to close short is perfection. Tom has a nice scruff to his appearance, considering he is a tom cat after all, but he too is capable of all manner of expressions. I really enjoyed the back and forth between he and Jerry during the mistletoe scene, and Tom’s anguish over Jerry being locked out in the cold was played well. The characters do not speak, so it falls on the animators to make sure we understand what they’re experiencing in the moment. A particular triumph is when Tom removes the obstruction from the door in hopes that Jerry will return. He hides behind the wall likely because he’s not entirely sure he’s comfortable with Jerry knowing he extended such a courtesy to him, but all the while the look of fear is etched on his face that the little mouse is no more.

Tom and Jerry cartoons may not air on television much anymore, but they’re still easy to come by. This particular short has been released several times on home video including the Christmas themed Tom and Jerry: Santa’s Little Helpers and the Blu-ray release Tom and Jerry Golden Collection Volume One. If you just want to see this short and aren’t interested in purchasing a DVD or Blu-ray, you probably won’t have much trouble finding it online for free to stream. And I totally recommend it as this is right up there with my favorite Christmas shorts from Disney.


Dec. 7 – Dexter’s Laboratory – “Dexter vs Santa’s Claws”

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Original air date April 29, 1998. Yes, you read that right.

After yesterday’s entry ran 3,000 words, it seems like a nice time to slip in one of the shorter specials we’ll be looking at this year. This one comes from the Cartoon Network original Dexter’s Laboratory. Created by Genndy Tartakovsky, Dexter’s Laboratory was one of the inaugural series to be spun-off from the Cartoon Cartoon/What A Cartoon! show which was basically an elaborate testing ground for cartoon pilots. Cartoon Network, which at the time mostly consisted of old Hanna-Barbera shows, would package together three cartoon shorts and air them over a half hour of television. Viewers could call into a hotline and vote for the short they liked best. At the end of the year, Cartoon Network would have a big New Year’s countdown ranking all of the shows in order of what was most beloved and what was not. The network wasn’t beholden to do anything with the results so for all we know they decided on what to promote and what not to, but Dexter’s Laboratory was one of the most well-received and it was the first to get a full production order.

The show is about the title character, Dexter (Christine Cavanaugh), a boy-genius with an elaborate and high-tech laboratory hidden under his parents’ house. They’re unaware of their son’s impressive intellect, but sister Dee Dee (Kathryn Cressida) is not. Despite Dexter’s best efforts, Dee Dee often finds a way into his lab and drives him crazy often times ruining whatever his latest invention is. He also has a rivalry with another boy genius, Mandark, and one of his laboratory monkeys also got to star in his own series of shorts. An episode was usually broken out into three short segments and I have mostly fond memories of it.

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What Dexter thinks happens on Christmas.

“Dexter vs. Santa’s Claws” was the third segment of episode 37 of season 2 which first aired on April 29, 1998. Why did a Christmas episode air in April? I do not know. The show did have some issues with production delays, but that’s not out of the ordinary for a cartoon series. Often when that happens networks will just sit on a holiday episode and air it the next time that holiday comes around, but Cartoon Network apparently didn’t want to do that. The network didn’t even want to wait for Christmas in July. In looking over the episodes from season 2, a Halloween one premiered the prior month so I’m guessing this was supposed to air in 97 or something, or Cartoon Network just didn’t care.

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What really happens on Christmas!

The episode begins with Dee Dee using Dexter’s super computer to make her Christmas list. Dexter is irritated she would be utilizing his computer for such a foolish task and reprimands her. He explains she’s wasting her time for Santa Claus is just make-believe. When Dee Dee counters with a question of who puts the toys under the tree, Dexter explains, through rap, that their father does that. The humor is in how far Dexter thinks his parents carry the ruse insisting that their dad not only dresses up as Santa, but he disguises the car as a sleigh and puts it on the roof. Their mother, dressed as a reindeer, greases him up and sends him down the chimney with all of the toys. Dee Dee insists that’s not what happens, cutting his very poor rap off in the process, and gives the more conventional explanation of elves and magic. Dexter vows to prove her wrong.

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Dexter confronts Santa, who only speaks in “ho’s”

That night, while everyone sleeps, Dexter sits in front of his monitors fighting off sleep hoping to catch their father in the act. When a sleigh and some reindeer go whirling past he thinks he’s got him. He emerges from his lab to find Santa in the living room getting down to business. The Santa model looks almost exactly like the one from A Flintstone Christmas only he seems incapable of speech and just keeps saying “Ho ho.” Dexter accuses him of being his dad in disguise, forcing Santa to magically flee up the chimney. Still not convinced, Dexter heads for the roof as well and confronts Santa once again as he climbs into his sleigh. He manhandles a reindeer, thinking it’s an elaborate costume worn by his mother, and even snaps its antlers off. Santa then takes off leaving Dexter stuck in the chimney.

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Dexter is basically a violent, little, asshole this whole episode.

Dexter was apparently prepared for such a development as the chimney morphs into a high-tech spaceship and detaches from the house. In doing so it takes the side of the house with it leaving Dee Dee’s room without a wall. She awakens due to the frigid air and goes to shut her already closed window when she catches sight of Santa. She watches as her brother pursues him firing missiles which Santa intercepts with gifts (“Those better not be my presents!”). Dexter resorts to laser-fire and eventually he hits Santa causing him to crash into their home.

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When Dee Dee doesn’t have her pigtails in, the flatness of her head makes her look like Hulk Hogan.

Now with Santa incapacitated in the ruined livingroom, Dexter approaches armed with an electric razor. As he shaves off Santa’s beard his father (Jess Bennett) enters the room demanding to know what Dexter is doing. His mom (Kath Soucie) follows, still wearing her rubber cleaning gloves that she always wears, and is horrified to see the Christmas tree and everything else in ruin. Dee Dee then follows and scolds Dexter further demanding to know where her presents are. Dexter is forced to apologize for ruining Christmas, again, and apparently realizing he’s in a Christmas special, implores his family to treasure that they’re together and not fret over the destroyed gifts and decorations. He breaks into a rendition of “Oh Christmas Tree” and Dee Dee puts a stop to that telling him he’s wrong and calling him a block-head. When he asks what Christmas is about then, a beard-less Santa let’s him know, “The presents.”

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Do you like dog fights in your holiday specials?

“Dexter vs. Santa’s Claws” is a pretty odd entry in the world of Christmas specials. We’ve seen plenty of cynical specials, and some that are just bizarre, but this one has an all-together different feel. Dexter basically beats up Santa Claus. He’s relentless and cruel. Unlike network-mate Johnny Bravo, he didn’t mistake Santa for an intruder or something he’s just trying to beat a confession out of him. And possibly worse, he assaults a reindeer and breaks its antlers off, which just sounds painful. The only really cute aspect of the episode is Dexter’s hypothesis on what really happens on Christmas Eve. Even though he’s super-smart, he’s still a kid and isn’t capable of just assuming his parents stick presents under the tree, they have to make it elaborate. The ending of the episode with the message being that Christmas is about the presents is pretty much the cynical 90s cartoon take. A lot of the comedy shows delighted in upending norms and that’s a pretty logical point for this one to make.

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Ruined Christmas.

Revisiting this series reminded me how flat the design is. The characters are about as flat as those on South Park and they practically slide across the screen rather than trying to create the illusion that they exist in three dimensions. It’s a stylistic choice more than a budget one, I think, but it’s not unique to this show as basically all of the Genndy Tartakovsky shows were animated in this fashion. I really enjoy Christine Cavanaugh (RIP) as Dexter. He’s one part Chuckie from Rugrats (who Cavanaugh also voiced) with an accent that kind of sounds like Ren from Ren & Stimpy, with perhaps a slight Swedish twist? It’s an accent that doesn’t exist in the real world and it’s a funny quirk of Dexter. The show is also very bright and the characters change attires even in this brief little short which is kind of neat. I also definitely liked the homage to the Flintstones Christmas special. I wouldn’t think they were able to actually re-use the model from that special, but this Santa was definitely drawn to look almost exactly like it.

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There is something very unsettling about a beard-less Santa.

“Dexter vs. Santa’s Claws” is not going to make you feel good about Christmas. It might make you uncomfortable to see Santa get his ass handed to him, but it also might make you laugh. It’s certainly different and I don’t regret watching it or anything, but it’s more dark than funny so ultimately I suppose it comes up a bit short. If you’re looking to check it out this year, Dexter’s Laboratory can be found on Hulu and iTunes. The entire series is also available on DVD, but it’s out of print and kind of pricey. This specific episode can also be found on The Powerpuff Girls:  ‘Twas the Fight Before Christmas DVD and also on the Cartoon Network:  Christmas Rocks DVD and both are cheaper than getting the entire series. And as usual, if you’re not picky about quality you can probably find this one streaming for free somewhere on the world wide web.


Dec. 5 – “Don Coyote and the Christmas Bell”

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Originally aired sometime in 1991, probably in December.

After four relatively solid entries this year, I feel like we need to take a look at something that has the potential to be truly awful. In the 80s and early 90s Hanna-Barbera was still trying to remain current while it moved away from the shoddily animated mysteries and animated sitcoms of its past. Its solution for remaining current was to bizarrely adapt the 17th century novel Don Quixote into a show about anthropomorphic animals, in this case changing the title character to Don Coyote (Frank Welker). His sidekick Sancho Panza was now Sancho Panda (Don Messick) though the crux of the story remains surprisingly similar to the source material. Don Coyote is a wandering knight who wishes to do good deeds for the people he encounters. His intentions may be noble, but his imagination runs wild causing him to mistake ordinary objects like windmills for massive dragons. Rather than help people, he tends to make a big mess of anything he touches and has to make make-up for that before the episode’s conclusion. He’s constantly oblivious to his own psychosis, but most of the people around him aren’t, especially his horse Rosinante (Brad Garrett) and Sancho’s donkey Dapple (Welker) who get to be the mouthpiece for the audience in a, “Here we go again,” sort of way.

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Don Coyote accidentally pulls this want-to-be knight from a well and immediately becomes the boy’s idol.

The Adventures of Don Coyote and Sancho Panda is not particularly well-remembered and no one seems to care that it was at one-time a thing. As a result, determining when this episode originally aired is almost impossible and I can only say it aired sometime in December 1991 as the show’s 25th episode and part of season 2. “Don Coyote and the Christmas Bell” begins with our heroes stumbling upon a small village as Christmas descends on the area. The locals are moving a large bell to the bell tower and having a tough go of it when Don Coyote mistakes it for a monster or something and smashes it. They’re all pretty irate, while a young boy has a case of hero-worship at meeting Don Coyote. Don Coyote does not realize he did anything wrong, but does notice the broken bell and vows to find the town a new one in time for Christmas. The villagers aren’t having any more of Don Coyote, and they toss him off a cliff forcing his horse to run underneath him to give him a soft landing. Don Coyote mistakes this as a kindness assuming they were showing him a shortcut and vows to return with a new bell.

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That’s no bell, but an ogre!

As Don Coyote and Sancho Panda ride off, a dastardly pirate has just stolen a rather large sum of gold. He speaks as if he’s a recurring character and uses a relatively cliché form of pirate-speak. I think he also says his name but I can’t make it out. One of his men reminds him that he’ll never get all of this gold they swiped from the king past the guards, forcing the captain to come up with a plan. They melt the gold down and fashion it into a giant golden bell. He and his men then disguise themselves as monks to carry the bell wherever it is they’re taking it, until they hear of Don Coyote’s approach. The pirate captain remarks that Don Coyote is the crazy knight who destroyed his pirate ship and forced him to this life of crime on land, so we’re apparently supposed to be familiar with him. While I did watch this show as a kid, I can’t say I remember anything about specific plots.

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A bunch of pirates masquerading as monks.

Don Coyote thinks these humble monks need an escort, and they try to get him to go away, but he won’t hear of it. They go along with it, while back at the village, everyone grumbles about not wanting to ever hear of, or see, Don Coyote again while the one little kid tries to convince them otherwise. Some physical comedy ensues as one man falls down a hill and drops all of the pieces of the bell and it settles into the shape of Don Coyote. Another village just keeps making sarcastic quips and he sounds exactly like Brainy Smurf.

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Pirate captain Jack (I think) finds killing Don Coyote a tough gig.

Meanwhile, the pirate leader tries to get rid of Don Coyote. He has one of his men tell Don Coyote that there is trouble up ahead at another bell tower and Don Coyote races off to help. There he finds the pirate leader at the top of the tower, and seeing nothing wrong, calls for Sancho to help him down. With his back turned, the pirate tries to boot Don Coyote out of the tower, but misses and he falls to the ground. He remarks to the camera (so much fourth wall breaking in Hanna-Barbera stuff) “Well, at least we know the fall wouldn’t have killed him,” for our first genuinely amusing line of the show. Surprisingly, it won’t be the last.

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Oh no! Don Coyote has returned! This feels like such a Hanna-Barbera gag.

At the village once more, the villagers have reassembled the bell and it looks like a real piece of shit. Still, they seem pleased enough. Not content to just let others think what they will of Don Coyote, the little boy from before rides around acting like the swordsman and inadvertently destroys the bell once more. He’s doing a good job of realizing his dream.

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I’m sure they’ll be fine.

Back on the road, the pirate captain is scheming to rid himself of Don Coyote once again and has created a rope trap that looks like a hammock. He complains of his bones being weary and Don Coyote proposes they take a break. The captain leads the pair to his hammock trap, and insists he and Sancho have a seat. When Don Coyote refuses, suggesting the captain is far more tired than he, the pirate shoves him into it and his man cuts the rope. The two soar through the air undaunted, Don Coyote enjoying the ride while Sancho is indeed concerned. They collide with a docked pirate ship’s sail (I thought the guy said his ship was destroyed?) which sends them back from where they came. As the pirate captain celebrates, he’s then horrified to see the pair returning as they crash into him and all three land back in the hammock which has been inexplicably reset. His man then cuts the rope once more, for who knows why, and the trio are launched into a tree. The pirate captain appears ready to give up the golden bell and his other treasures, until he notices that Don Coyote and Sancho are stuck high up in the tree. He drops down delighted as Don Coyote urges them to push onward to deliver the bell to the village and not to worry about their predicament.

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The pirates are making off with their booty.

Next we get some brief sequences. First, we check in on that kid and he’s actually praying for Don Coyote’s success while his mom orders him to bed. The pirates are then shown loading the bell onto a small rowboat and affixing that to their ship. All the while Don Coyote and Sancho Panda sleep in the tree, while Rosinante and Dapple (the horse and donkey, in case you forgot) talk about how it’s all up to them once again. They use the hammock trap to fling themselves through the air at the tree knocking Don Coyote and Sancho from it. They land on their trusty steeds while still soaring through the air crashing down on the rowboat with the bell. The force of their landing causing it to detach from the main ship, and they decide to take the bell back to the village themselves, feeling the monks have done all they can (Don Coyote is still oblivious to the fact that they’re actually pirates).

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The real heroes of the show, and the only characters I don’t hate.

As they row through the night, they realize they don’t know where they’re going. Sancho says they need to head north, but doesn’t know which way north is. Don Coyote suggests he just have faith and says they should follow the only star in the night sky, deeming it the north star. The young boy is then shown waiting by the shore at sunrise and his mom scolds him once more to come in out of the cold and to stop waiting for things that aren’t going to happen. The rowboat then makes land rather violently, and the boy and his mother call for help.

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Time for a Christmas miracle.

On the beach, the capsized vessel needs to be lifted and the villagers begin raising it once they hear someone from underneath it. As they lift it, the boy peers under and sees Don Coyote. He shouts with excitement about his discovery, causing the villagers to insist they cease lifting the boat. Don Coyote then shouts they have the bell and the villagers reluctantly free the trapped knight and marvel at the shiny, golden, bell. The whiney villager who sounds like Brainy Smurf (I can only assume he is voiced by Danny Goldman) says they’ll never haul that bell up to the tower before Christmas (it’s now Christmas Eve) while the message of the episode is now coming through loud and clear – have faith.

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The idiot actually made good on his promise.

They drag the bell up the steep hill to the village and it’s now nightfall, only 15 minutes until Christmas. As the villagers prepare to raise the bell to the tower, the pirates show up and put a musket in Don Coyote’s ear. Now dressed in their traditional pirate attire, Don Coyote still mistakes them for monks and declares everyone welcome their generous benefactors. The rest of the village is skeptical, but the pirate captain turns his attention to the bell and gives a hearty laugh pointing out that thing will never ring because it’s solid gold (though, he withholds the part about it being solid gold). The villagers strike it and it makes just a thud before angrily turning on Don Coyote. As he approaches the bell he trips and smacks his head on it breaking the scaffolding surrounding it and causing a loud “dong” to ring out. Now the villagers cheer Don Coyote and even the pirates. As the villagers hoist the pirate captain in the air triumphantly, he confesses he likes the good attention and decides they can keep the bell, he’ll find gold elsewhere. Don Coyote and Sancho ride off into the sunrise echoing the sentiments about fate or something.

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Don Coyote gets his bell run while ringing a bell in the process. Genius.

I set out looking for a bad Christmas Special and I’d say I mostly found one in “Don Coyote and the Christmas Bell.” It contains the same shoddy animation Hanna-Barbera was known for during this era with some cheap sound design as well. The voice actors are ones you have heard before, though I couldn’t find credits for this particular episode. They’re professional, but rely on a lot of clichés from the era and everyone basically sounds like another character from one of the other many Hanna-Barbera cartoons of the era, like the Brainy Smurf clone, for example. Don Messick also uses a mildly offensive accent for Sancho Panda, but Hanna-Barbera was never known for casting minority actors to voice minority roles.

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Pirate Jack gets the hero treatment.

What I did like about this episode is just how much the villagers despised Don Coyote. It was rather amusing to hear them openly wish for his death and to see them actually attempt to murder him by tossing him off a cliff. Don Coyote is an annoying character, and he’s intentionally so. He speaks in an annoying cartoon accent, the kind of accent that only exists in cartoons, that’s best described as dumb-speak. It’s bizarre that someone thought a character this annoying should function as a lead, because even as a kid I remember not really liking him when I watched (though strangely I can also remember playing Don Coyote and forcing my little sister to role-play as Sancho) this show, as infrequently as that may have been.

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“It’s all faith and shit, Sancho. Trust me, I’m Jesus.”

This special is also somewhat light on Christmas. We know it takes place in the days leading up to Christmas and there’s some light traces of snow on the backgrounds. There’s not much else though until the closing scenes when getting the bell back to town in time for the holiday becomes more urgent. The message of faith is then amplified, though it was there from the start in the form of the little boy who keeps faith that Don Coyote will find a new bell. The “miracle” of Don Coyote making a solid gold bell ring is kind of dumb, even though I saw it coming a mile away. I have no idea if a solid gold bell could ring though. It would make for a great conductor of electricity so maybe that bell tower will get hit by lightning and burn that whole village to the ground. A fitting postscript, indeed.

What intrigues me about this show is just how did it come to be? Did someone just hear the name Don Quixote and say “That kind of sounds like ‘coyote,'” which would be a stupid premise for a show, but this is Hanna-Barbera. Maybe someone actually had a genuine affection for that old story and wanted to share it with children? Or maybe someone was familiar with the tale of Don Quixote and felt it could work as a children’s cartoon? It’s honestly not a terrible, if unconventional, thought. It still kind of amazes me though that this exists.

If for some reason you still wish to watch this one yourself then your only option is via the internet. If you search for The Adventures of Don Coyote and Sancho Panda on YouTube you’ll find it labeled as episode 25. This is another show that no one is trying to profit off of in 2018 so the only thing keeping it offline is the actual public, who probably shouldn’t care about this show either. Watch it only if you’re really curious.


Dec. 24 – Chucklewood Critters: T’was the Day Before Christmas

511N57VG66L._SY445_In the 80s, if you had any connection to a successful animation production unit you could probably get a shot at creating your own series. Such was the case for former Hanna-Barbera animators Bill Hutten and Tony Love. They left that famous cartoon factory to create a series of holiday specials that would eventually lead to a cartoon series:  Chucklewood Critters. The show centers round a Fox named Rusty and a Bear cub named Buttons. If it sounds sweet that’s because it is. This is a very sincere show that just tries to be a nice little cartoon. In some ways, it’s the type of show that just doesn’t get made anymore. The 90s were all about gross humor and characters so it’s kind of crazy these specials were turned into a series in 1998. The first special was released in 1983, “The Christmass Tree Train,” and the last in 1994. We’re not talking about that inaugural special from ’83 though, because it’s currently December 24th, better known as Christmas Eve, and it’s the day before Christmas so lets talk about “T’was the Day Before Christmas.”

The special opens with some really corny Christmas music, remember this special is ultra-sincere, and a duck in search of his flock flies by. His wings flapping sound like plastic tarps wafting in the wind and there’s very little animation. Something tells me this thing didn’t receive a large budget. We soon see our protagonists, Rusty and Buttons, as Rusty rouses Buttons from his hibernation to go sledding in the snow. They crash their sled into a snowbank and and a female fox and bear happen to walk by. Buttons seems pretty into the she-bear (I think he calls her Bear Bear, or something equally unimaginative). Moving along, they see the Christmas Tree Train in the distance and Rusty asks Buttons if he wants to hitch a ride prompting him to question Rusty’s sanity. Nice call-back. They also notice some large footprints in the snow and are creeped out.

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The Chucklewood Critters brand was all about holiday exploitation. They even have a Thanksgiving special! No one does that.

Scared off by the prints in the snow, Buttons and Rusty go running to Buttons’ dad, Abner, and find him operating a giant wooden snow plow. They’re immediately taken by the giant machinery and seem to forget about the footprints. Abner is called away by his wife, and Buttons and Rusty decide to hop on the plow thinking they can make a nice sledding track with it. Instead the thing proves hard for the diminutive duo to control and they end crashing into some weird creature in a long fur coat (possibly the originator of the footprints?). The two kids are frightened by what they deem a monster as the creature runs off leaving them to survey the damage of the ruined plow.

As one would expect, Abner is pretty pissed when he sees his wrecked plow. His son insists it was the cause of a monster, but he seems pretty skeptical. The mothers of Rusty and Buttons seem to find this whole thing amusing and think nothing of their claim. Surprisingly, the two are allowed to go off sledding in search of Ranger Jones. I would have expected some kind of punishment for destroying the snowplow. When they get to the cabin of Ranger Jones, they find a note on the door informing them he’s left to visit his family for Christmas. The mailbox is overflowing with Christmas cards and Buttons and Rusty look at the festive images and wish they had a critter Christmas of their very own. Somehow, I don’t think this is going to lead to a blood orgy.

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This angry little guy is Skeeter, maybe the only part of this special that doesn’t irritate me.

The two walk off still openly griping about the lack of Christmas for critters. A bald eagle observes them and tells them its nonsense to desire a Christmas for its beneath critters. Are the animators suggesting Christmas is un-American? The eagle does little to put a damper on things and Buttons and Rusty decide to create their very own Critter Christmas. Buttons doesn’t notice a hole in the ground and falls in leading to a rabbit den. There Skipper and Bluebell live and they’re surprised to see Buttons is awake and not hibernating. Rusty pops in and the two are happy to inform the bunnies that they’re throwing a Critter Christmas. The bunnies, apparently feeling this doesn’t infringe upon Easter, seem excited by the prospect. The four go off in search of a Christmas tree while, unknown to them, menacing music is playing in the background as it’s revealed the fur-coated monster from earlier is pursuing them!

The group find a tree, and that duck from earlier pops in for a second for some reason before flying off, only to find its inhabited by a rodent of some kind named Skeeter. Skeeter sounds like he’s from Brooklyn and is hiding from a monster. When he sees that the others are clearly not monsters he becomes more concerned with the fact that they want to dig up his home for their Christmas tree. He convinces them to use a different tree and leads them to one by a frozen creek. There he asks Buttons and Rusty just what is Critter Christmas? Buttons just says it’s a bunch of fun, basically, and mentions treats which is apparently what interests Skeeter most (he is a bit paunchy). Meanwhile, Skipper was left to dig out the tree while Bluebell just looks on to tell him he’s a sour-puss for complaining about doing all of the work. The fur-clad monster then pops in and scares them off. He pauses to question why everyone is so scared of him (he clearly can’t hear the music) and says he’s just the alligator friend of Buttons and Rusty – Lester. So I guess this isn’t going to be a mystery that takes us through the episode.

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And down goes the tree.

Skipper and Bluebell run into Buttons, Rusty, and Skeeter to inform them of the monster. They’re getting out of there, leaving the others to ponder what to do about the monster, and their tree. Rusty suggests they go check it out thinking the monster may have left. Skeeter is not impressed, but when Buttons agrees he’s kind of stuck going along. Sure enough, no monster, but now they need to finish uprooting the tree without the help of the rabbits. Buttons casually leans on the tree to think, and of course this causes it to fall landing on the frozen creek. It shoots off on the ice and the trio has to pursue in their sled. Rusty is able to lasso the tree, but that just means they’re stuck going for a ride with it. Things only get worse when a water fall appears and the sled goes flying through the air. They whiz by that duck once again from earlier, still searching for his flock, and come crashing down to earth in a giant snowbank. The tree lands upright and the spot is apparently as good as any as Rusty remarks they need to now enlist the help of the other critters to decorate it. Skeeter, meanwhile, is still pretty ticked about the near-death experience he just had and rightfully so.

Up next, a musical montage! The staple of the Hanna-Barbera Christmas special lives on in the works of Hutten and Love. The critters are creating decorations and ornaments for the tree while a really annoying song plays to the scenes. The rabbits even returned to operate the toy assembly line (they really got that up and running fast) and someone thought it was a good idea to put a skunk in charge of the perfume. The song mercifully comes to an end after a brief amount of time to find Buttons and Rusty waking their turtle friend Turner up to help out. They basically order him to make decorations and give him no guidance, even though he’d rather stay in his nice warm shell. He doesn’t protest though and runs off to gather materials, I guess, and runs into Lester. As the others did before him, he mistakes Lester for a monster and immediately runs the other way passing Rusty and Buttons. They don’t understand how Turner could let a little thing like a monster come between him and their Christmas celebration. They decide not to work on convincing him otherwise as they need to focus on their new task – finding a star for the tree.

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I’m not convinced they know what a proper Christmas decoration looks like.

Rusty and Buttons’ search for a star leads them to the work shop of Ranger Jones. There with Skeeter, they finish making ornaments and their star, but by the time they’re done the sun is setting. Buttons and Rusty are eager to get going while Skeeter has little interest in heading out after dark with a monster on the loose. He doesn’t voice his concerns to his friends, and instead offers to stay behind to dry the ornaments while they fetch the sled. Of course, after Rusty and Buttons take off Lester strolls in and Skeeter predictably freaks out. He races up a tree and screams for help as Lester approaches. I’m not sure why the cartoon is trying to drum up some tension here as we already know Lester isn’t a monster. When Rusty and Buttons return to the work shop with their sled, they see the tracks in the snow and assume Skeeter is in trouble. They race off after him and just as Skeeter was falling out of the tree into Lester’s waiting arms Rusty and Buttons crash into him with their sled.

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It’s just Lester, guys.

Rusty and Buttons soon realize they were mistaken and the monster is no monster, but their friend Lester who came up from the bayou to visit. Apparently he had an open invitation following an appearance in a previous special (“The Honeybunch”). He explains his clothes because of the cold and tells them how he rode the Christmas Tree Train up to see them. Now that they’ve sorted everything out, Rusty and Buttons invite Lester to their Critter Christmas. They all gather around the newly decorated tree to bask in its Christmas-goodness, only for Lester to notice it needs lights. Just then, that stupid duck drops in again and Rusty and Buttons say what we’re all thinking, “Not again!” Lester has some info for the duck this time though as he saw his flock a few days ago. He offers to give him directions, in return for a favor – he’s to bring some friends back from the bayou for Lester. I think I know where this is going.

The critters pile onto the sled, with Lester serving as a reindeer to pull it, and they start reciting “A Visit From St. Nicholas” but with all of the words changed to reflect their Critter Christmas basically just recounting the events of the day. They zoom past most of the characters from before, and arrive at the tree as night falls. The duck returns with a bunch of fireflies in tow (called it!) and they serve as the lights for the tree. All of the adult critters remark how wonderful a job Buttons and Rusty did, and they point out they couldn’t have done it without Lester (apparently no one wants to thank the fireflies who are willing to just chill out on the tree so they can enjoy an illuminated Christmas tree). Ranger Jones then shows up with a big sack of goodies, and even the duck’s flock (his name is apparently Quackers, I should have guessed) goes flying by so he can join them. The special ends with Rusty and Butters wishing Quackers a merry Christmas as he struggles to catch up with the flock.

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Hooray, the dumb little critters have their own tree!

“T’was the Day Before Christmas” is a by-the-numbers old school Christmas special. It tells a story and stars some cute animals, but doesn’t have anything to say or even lessons to teach. I will say it’s pretty cool that it acknowledges the events of past specials, since often cartoons exist in a vacuum. It’s pretty clear that this mindless special is what inspired South Park’s “Woodland Critter Christmas,” which was featured earlier in this year’s list. The animation is probably below contemporary Hanna-Barbera standards and the original music is brutally sweet. The orchestral parts are fine though and the voice cast does the best it can with the script they were given. The Lester mystery being revealed so early is kind of weird, as it seems like the show was trying to build tension with the monster in the snow. Since his head is covered until his true reveal, I wonder if his dialogue confirming his identity was added in later because someone felt it was too scary for kids or something. Surprisingly, no visit from Santa at the end. I guess he cares about Critter Christmas as much as I do.

If after reading all of that you still wish to view “T’was the Day Before Christmas” then you’re best bet is to probably just google it. No one cares about the Chucklewood Critters brand in 2017 so it’s not hard to find a free stream. All of the specials were released on VHS individually and the entire series was also released on DVD once upon a time, but is out of print. Despite that, the various DVDs are still pretty cheap if you must have them, probably because no one wants them.


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