As a kid, I did a lot of my comic reading in the early 90s and as a kid in the early 90s that largely meant X-Men. The X-Men were the “it” team of the moment and seemed so far and above the rest of the pack in terms of coolness. Batman was still in style on the strength of the Burton films and the animated series and Spider-Man (and Venom) was also pretty hot. When it came to comic and comic card trading with friends, those all commanded top dollar. One franchise that did not was The Fantastic Four.
It could have just been my little corner of the world, but The Fantastic Four were regarded as your dad’s comic book franchise. They were pretty lame. If you went to Toys R Us hoping to score a Venom, Spider-Man, or Punisher action figure there was a decent chance you would have to settle for the Fantastic Four instead. I personally never settled, though I was a little interested in The Human Torch. Even though I didn’t particularly care about the franchise, my earliest Cartoon Network memory is becoming aware of the channel by seeing a listing for a Fantastic Four cartoon in TV Guide airing on the network. We didn’t have access to the channel in my market, but it was about a year later that we did and I wanted to check out that damn cartoon. Too bad it was pretty bad, but not as bad as those lone cartoons based on The Thing where the character was a kid who activated his Thing power via a magic ring: Thing Ring do your thing!
I will say they have a good tailor.
Despite my feelings on The Fantastic Four growing up, it’s hard to argue that they’re not Marvel royalty. Created by Jack Kirby and Stan Lee, the group is one of the oldest superhero teams with a memorable rogues gallery headlined by Dr. Doom. When comic book movies exploded in popularity, 20th Century Fox threw The Fantastic Four into the mix with a pair of films in the 2000s that made money, but didn’t seem to make a huge cultural impact. Fox decided a reboot was necessary and the franchise returned in 2015. Again, it made money, but not the kind of money that gets studio executives excited. Fox was reportedly still kicking the tires on more movies, but the acquisition of 20th Century Fox by Disney in 2019 put an end to that. Now, Marvel and Disney are back with what it hopes will be the definitive take on the franchise in film. Ever since Avengers: Endgame basically put a bow on the massive story begun with 2007’s Iron Man, Marvel has been searching for that massive hit that catapults them into the next big event film. Attempts via Disney+ and other films have been met with mixed results, but can The Fantastic Four get audiences as hyped as Avengers did back in 2012?
The setting is practically a character on its own.
The Fantastic Four: First Steps is a film that has been in the works basically ever since Disney acquired 20th Century Fox. It took some time to get right, but once it did we ended up with a picture helmed by Matt Shakman with a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. The film stars Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/The Invisible Woman, Joseph Quinn as Johnny Storm/The Human Torch, and Ebon Moss-Bachrach as Ben Grimm/The Thing. The film is set in 1964, but a futuristic take on the era. This is a world where technology has advanced by leaps and bounds thanks to incredibly smart people like Richards. When we find him early in the film he’s working on teleportation just to give you an idea where we are as a society. As such, it doesn’t look like 1964 other than some design cues and the setting is really it’s own character. The closest example I can think of is Batman (1989) and it’s not 1940s setting that also kind of looks like 1940s America.
She does not bring tidings of great joy.
When we meet The Fantastic Four we’re informed right away that this film starts with their fourth anniversary as a team. Their origin is relayed via montage delivered by an in-universe television special and includes some cameos of their more famous adversaries though with one notable omission. When we actually meet the team, we learn right away that Sue and Reed are expecting a child, something they had been trying for with little success for years. This also sets off massive amounts of anxiety for the father-to-be who can’t help but wonder what effect their cosmic-induced mutations will have on his unborn child. Concerns have to be dismissed for an unusual individual soon reveals themself to the world: Shalla-Bal (Julia Garner), aka The Silver Surfer. She comes baring the unfortunate news that Galactus (Ralph Ineson) has marked Earth for consumption. This naturally comes as a surprise to all involved and it falls on The Fantastic Four to journey into space and barter with the world-devouring entity in hopes of sparing the Earth. They do manage to make it all the way to where Galactus dwells for a face-to-face with the massive entity and find a being who actually is willing to make a deal. The only problem is Galactus desires but one thing: the unborn son of Reed and Sue.
The shadow of Galactus looms large.
That becomes the central conflict of the film: would a parent give away their own child to save the world? It’s a pretty unfair question to ask, but I’m sure you can guess what Reed and Sue want to do and also guess that the rest of the world has a different opinion. The film mostly keeps its focus on that, but also finds time to show Ben trying to find his place in the world and Johnny’s obsession with trying to uncover more information on Shalla-Bal. The film is a tidy 114 minutes and never loses sight of the fact that this is The Fantastic Four’s film. It sounds cliche, but they do a great job of maintaining that family element without resorting to terrible sitcom tropes. This isn’t Full House, but it’s also not some anti-Full House either. There’s conflict between members of the family, but it’s organic. These characters know each other extremely well and love each other. They can annoy each other, but they also rely on each other. And I like that the film remembers that these are all super smart astronauts. Johnny isn’t some dumb jock spending all of his time trying to pick up chicks and The Thing isn’t a big grump who just wants to smash stuff. There’s nuance to all of them and I found it really gratifying to see them rally around a young Franklin Richards (Ada Scott and what Wikipedia refers to as “several other babies”) because that’s what The Fantastic Four should do.
Putting young Franklin at the center of the plot works well for a film emphasizing the family element.
When you have a cast that includes a rock man, a silver woman, and a planet devouring god-being you’re going to need some special effects. Marvel Studios does a solid job bringing characters like The Thing to life. You’re not going to forget that he’s a CGi being, but he doesn’t look out of place. Silver Surfer is also handled rather well and the film is pretty confident about placing this ridiculous being into the film and not making a big deal out of it. Galactus hews pretty close to his classic design with some modern embellishments, but the film definitely doesn’t shy away from showing the being. The colors are muted, but not removed or replaced and I suppose he looks as good as he probably could. The sets look like real sets in many places which is a nice touch over the green screen sets the MCU traditionally relies upon. H.E.R.B.I.E., the resident helper robot, looks like a mix of practical and CG elements and will likely be a crowd pleaser. Maybe not on the same level as Krypto, but kids will enjoy the little robot.
Your kids are going to want one of these.
The film does move fast which may have some questioning if it should have been longer. It’s a bit of a double-edged sword as I think audiences have superhero fatigue and the two and a half hour movies have become exhausting. I very much like how the film gives you the cliff notes version of the origin, though I can also understand some people wondering just what exactly Sue Storm’s powers are? Mr. Fantastic doesn’t get to show off his powers much and the crew really doesn’t get to engage with villains for much of the film. It’s a more procedural film with most of the action reserved for the last act. For action buffs, that’s a bad thing. For me personally, I wasn’t bothered by it. I think it helps set The Fantastic Four apart from more action-heavy franchises. I’m interested in these characters more as characters than as superheroes. It’s an approach that I think will serve the X-Men well whenever they finally get to run wild over the MCU.
The film decided to go the CG route for The Thing and the results are mostly fine.
One final point of criticism I have for the film resides with the ending. If you want zero spoilers about that ending (i.e. when we can expect to see The Fantastic Four again) then skip the rest of this paragraph as I’m going to talk about the mid-credits stinger. Yes, this film has a scene during the credits meant to hype the next adventure. Throughout the film I was quite content with how contained it was. There wasn’t any homework and I didn’t feel like Marvel was setting up another movie. Nothing felt sacrificed or incomplete for the sake of a larger narrative. Then came that mid-credits scene. I won’t actually spoil wht happens in the scene, but it concludes with “The Fantastic Four will return in Avengers: Dooms Day.” I don’t know if I let out an audible groan, but I felt like it. This film did such a good job of making me care about these characters that I don’t want to see them quickly thrust into an even larger ensemble. Now, the scene did follow a “Four years later,” message so it gives Marvel Studios a chunk of unexplored time they can go back to for later films, if they want, but I’d much rather see another Fantastic Four film before seeing them integrated with the Avengers. I know this Dooms Day thing is what the studio is hoping will do Infinity War/Endgame dollars, but I think Marvel and Disney are chasing a dragon there.
Hopefully we get to see a lot more from this group. There are always issues for The Fantastic Four to deal with.
Such concerns could be all for nothing. We’ll see. It also doesn’t really harm First Steps as a movie experience which is one I had a lot of fun with. I don’t think it’s in contention for best comic book adaptation or anything, but it’s a solid B+ theater experience. For the first time in my life I actually care about The Fantastic Four. I want to see more of these characters, this cast, and this really fun setting. Hopefully we do get more of that and hopefully this movie kicks off a new era for The Fantastic Four. The devoted fans have certainly waited a long time for this.
To my surprise, I don’t have any MCU reviews on this blog so here’s the best I can do for related posts:
James Gunn’s highly anticipated Superman has finally arrived in theaters. Is this the film Superman fans have been waiting for? The start of a mega franchise executives are hoping for? Or is it just a nice movie about a super guy and his super dog? Read on to find out!
What is it with the X-Men film franchise and its aversion to simple titles? We couldn’t just have X-Men 2, we had to have X2. The third film was billed as X-Men: The Last Stand in some places, but the theatrical poster seemed to imply it was X3: The Last Stand. At least the reboot…
Over the years, the comic book movie has changed immeasurably. Prior to the year 2000, you could basically count the successful superhero movies on one hand and the only heroes able to really break through were Superman and Batman. This meant Marvel was completely shut out despite feeling like the hotter publication for a long…
It has been just over 10 years since I last posted about a Lego set featuring The Simpsons. That last set, the Kwik-E-Mart, came out in 2015 and was preceded by the home of the Simpson family the year prior. Those sets along with two waves of mini figures seemed to sell pretty well, but for whatever reason Lego decided that was enough Springfield for now. I don’t know why they’re suddenly back ten years later with a new set, but I’m not complaining. I was hoping for at least one more set plus another wave of mini figures since we were missing so many iconic characters from the show: Principal Skinner, Superintendent Chalmers, Lenny, Carl, Barney, Jimbo, and many more. It was unlikely that we’d ever get every character we wanted, but it felt like a third wave would have really filled in the most crucial gaps.
That didn’t happen. Is a third wave now on the table since we have a new set to talk about? I don’t know, but for now we do have Krusty Burger. When I was left to ponder new sets for Lego, I’m a little surprised at myself for not having Krusty Burger pretty high on my list. If I had to make a wager on what was most likely, I was going to go with The Android’s Dungeon the local comic book store run by Jeff Albertson better known simply as Comic Book Guy. It’s small, has some nerd appeal, and works well with existing figures. Maybe it could have led to us getting a Lego Stan Lee? Instead, we have Krusty Burger, the local fast food establishment run by the clown of the same name. Many episodes (and even the movie) have scenes set at Krusty Burger and some are quite memorable. It’s a perfectly cromulent selection by Lego so let’s see how it turned out.
This set comes with a total of 7 mini figures, though some are repeat customers.
The Krusty Burger set contains 1,635 pieces and seven mini figures. Of the mini figures, four are repeat characters: Homer, Bart, Lisa, and Krusty. Bart and Lisa are exactly the same as some past releases. They have neutral expressions and Bart comes with a slingshot while Lisa has her saxophone. Homer also has a neutral expression, but he at least gets some grease stains added to his shirt. Krusty is all new and he’s in his farmer Krusty attire from the episode “Coming to Homerica” complete with hat. It’s a bit interesting to me because Jakks Pacific recently released a Krusty Burger in their toy line featuring a Krusty in the exact same outfit except theirs omitted the hat.
The character selections were made for their ties to the restaurant and Krusty and with some headswaps with old figures we can almost make Grandpa from his time at the restaurant (though he wore the old uniform in his time there).
The rest of the figures are of new characters. Working at the Krusty Burger is the squeaky-voiced teen. He is a teen of many names in the show and also many jobs. He’s in a green and gray uniform which is a color combo seen in more recent seasons of the show. In the old days the workers often had purple shirts. He looks the part and also has his hat on which is non-removable. Also there to enjoy a Krusty burger is officer Lou. I assume he’s included because of the scene from “22 Short Films About Springfield” where he discusses visiting a McDonald’s in Shelbyville which confuses fellow officers Wiggum and Eddie. We also already have a Chief Wiggum (two, actually) so he pairs well with him. Lastly, we have Sideshow Bob. He’s featured in a green shirt and blue pants which would appear to be the default style guide for Bob these days. He’s here I guess because of his connection to Krusty and he is a pretty big name character. He unfortunately doesn’t look the best as Lego really went conservative with his outlandish hair.
Homer’s Krusty-fied car turned out fine, but I wish we had a Homer as Krusty to go with it.
Just like the previous two Simpsons sets, The Krusty Burger also comes with a vehicle. This time it’s Homer’s sedan, but redone to match the episode “Homie the Clown” when Homer became a Krusty impersonator. It has the Krusty visage on the front and also comes complete with speed hole decals for the hood. The build is pretty much exactly the same as the standard version of Homer’s car which includes no roof. I guess this is so Marge could fit inside, but I really hate the no roof look. Why not give us an optional one? It also has exposed studs on the hood like the original which is also something I don’t care for. I would have preferred a smooth exterior there. And while I think this is a solid inclusion, it does make me wonder why we didn’t just get a Homer as Krusty mini figure? That obviously would have cost more money because they would need to cast a new head, but they could have made up for it by just having Krusty come with his default head instead of the one with the hat. Or drop Bart or Lisa from the set – I don’t know. I want a Homer as Krusty!
This little living room set that was a throw-in for people who ordered from Lego is a nice little item, especially for those unable to get the Simpson’s house.
If you ordered this set from Lego directly then you also get a mini set of the Simpson living room. It’s the couch, TV, and end table, and a lamp and it’s basically a cut-away. The TV is the same as the one included with the house only this one comes with a screen featuring a Krusty Burger commercial. A mini figure can easily fit on the couch if you want, but it’s not a couch that is to scale with the house. It can really only accommodate two figures so no family couch gag is happening here. Still, it’s a fun little throw-in and considering the Simpson house set is 11 years old there may be a lot of people buying this set who don’t already have it. This isn’t exactly a substitute for the whole house, but it’s better than nothing.
The Krusty Burger is by far the smallest Simpsons set from Lego so far.
As for the Krusty Burger itself, it’s the smallest of the three sets and by a noticeable margin. It’s pretty self-contained with nothing surrounding it aside from the buildable sign. The layout is a bit odd as the front door is right next to the drive-through window, but that’s how it’s depicted in modern episodes. The right side of the building has a lot of windows while the backside features a rear door and an overflowing grease container. It’s done well with translucent yellow bricks and feels like the sort of thing one would likely find behind an actual Krusty Burger. The left side of the building features the drive-through menu and intercom which pretty much matches the depiction of the same from “Lisa vs Malibu Stacy.” You get to see what everything costs which depicts this restaurant as frozen in time back to the early 90s. My one critique as a fan of the show is that it lists milkshakes on the menu. Krusty Burger doesn’t sell shakes, it sells partially gelatinated, non-dairy, gum-based beverages.
To access the interior, you have to first remove the roof. It just rests on top of the set and there’s a big fan on it that doubles as a handle. There’s also roof access for your mini figures via a little trap door. Once removed, one side of the building can open up which basically breaks the kitchen in half and isolates the dining room in the center. If facing this open set, the left part is the counter and kitchen. There’s a large menu over the counter and two registers. Behind the registers is a small area to fit a mini figure with a prep table behind it that contains some massive burgers. The burger build is creative, but does lead to comically large sandwiches. The deep fryer can be found here as well which has a removable fry basket. For the french fries, Lego is using Wolverine’s claws, but in gold. I’ve seen them do some funny stuff with their hot dog shape, but I wasn’t expecting Wolverine claws for fries here. Also back here you’ll find some storage and an ice cream machine that’s forever out of order. The contents are basically just water which is a nice touch.
It takes up considerable more space when opened to access the various rooms inside.
The center of the build contains the dining area. It’s pretty cramped as it contains one booth and two tables each of which has two stools. Tucked into the corner is Krusty’s Kidz Zone which is a small ball pit. It’s cute, though I would have probably preferred more seating to fit as many figures into this thing as I wanted. Having the Simpson family at one table and the cops at the other would have made sense. Some food is intended to go into this area including Krusty’s version of the Ribwich. It’s made with those tiny Lego cars which is pretty amusing. I had previously seen those in a Christmas tree set.
The right side of the build contains the bathroom and the rest of the kitchen. The bathroom is pretty small and walled-in. For the image on the box, Lego even removed the side wall to make it present better which you could also do if you chose to display the set open. The bathroom is in a pretty sorry state as the sink appears to be overflowing, the toilet is leaking, and there’s no toilet paper left on the roll. It’s what one would expect of a Krusty Burger. The part of the kitchen that’s behind it is the drive-through window. There’s a nice little in-joke on the order screen and there’s also a drink machine in this area.
There are a lot of references throughout the set which is what we’ve come to expect as Simpsons fans with basically anything like this. Lego did a good job with the past sets and they do an adequate job here. This set did begin life as a Lego Ideas design and the pitch was pretty similar to what we got. One of the main differences though was that it was going to come with Marge’s station wagon instead of Homer’s Krusty-fied sedan. It is surprising to me that we have now had three sets from Lego that all came with vehicles, but we still don’t have Marge’s car. And with this set in-hand, a Simpson fan is likely to immediately wonder what could be next? I’m not holding my breath, but now that we have a Krusty Burger I would so love a Skinner house so we could recreate the Steamed Hams sketch in Lego form. The house could be pretty small as we only need the dining room, kitchen, and then they can do whatever with the upstairs. Just having that setup would surely be unforgettable.
If you were curious, the answer is “Yes, you can fit both cops into the previously released cop car.”
The Krusty Burger is a pretty quick and enjoyable build. It’s not very big, but I’m also not surprised that it didn’t get the same love as the Kwik-E-Mart given that ten years have past and costs have changed. The set will set you back $210 making it the most expensive Simpsons set so far, especially per brick. Given the cost, I do wish there were more printed bricks and less stickers. This one came with two sticker sheets and if I have one major complaint with Lego it’s stickers. My Kwik-E-Mart’s stickers are curling on the front and it’s become an eyesore. I don’t have the same issue with other Lego sets that I have, but a lot of them also don’t have exterior stickers like that one. The Krusty Burger does though, and I hope it doesn’t end up in a similar state one day.
As a Simpsons fan, I almost can’t not recommend this Lego Krusty Burger. Sure, I would have packed in more references to the show, probably would have preferred some different characters for mini figures, and definitely would have done things differently with the car, but everything that’s here is still done pretty well. It looks good and there are certainly a lot of memorable scenes from the show one could stage here. It may be small, but it doesn’t look drastically out of place with the other sets. Hopefully, this isn’t the last we see of The Simpsons and Lego and hopefully the next collaboration isn’t ten years away. There’s a lot more Lego could do with Springfield even if there are aspects of it they’d never touch, and I am certainly ready for whatever comes next.
If you missed my other Lego Simpsons reviews or want to see what else is out there check below:
Last year, Lego released its first set and series of mini figures styled after The Simpsons, the animated institution that has anchored Fox’s Sunday Night lineup longer than Justin Bieber’s been alive. Debate the merits of the program’s more recent seasons all you want, but it couldn’t diminish my curiosity for a set of Legos…
When I was a kid, the coolest and most colossal Lego sets were often pirate ships or castles. These things required hours upon hours to assemble and cost a lot of money. My parents, when looking to spend money on me at Christmas or for a birthday, opted for video games or a bicycle as…
Back in October, we took a look at the very first wave of action figures from Jakks Pacific based on The Simpsons. At the time, I only had two figures from that inaugural wave: Homer and Bart. It was a series of great interest to myself and other Simpsons fans since it’s existence basically meant…
Recently I took a look at the NECA Gargoyles release “Vows” which featured Goliath and Demona repackaged with a small upgrade for Goliath and some new accessories. It was a purchase brought on by news that NECA had cancelled the Gargoyles line of action figures which motivated me to reconsider some releases I had passed on. Today is another such release and quite possibly the last Gargoyles release from NECA that I’ll ever buy. The only figures I did not purchase are the Steel Clan robot gargoyle and the video game Goliath variant. There’s also a toon variant of Goliath that was sold with a copy of the Sega Genesis Gargoyles rerelease on modern consoles from Limited Run Games and I have no idea if that was ever fulfilled or not (looks like it was as it’s available to order right now from their website). It’s also likely to be the most expensive missing figure so there’s little or no chance I’ll ever go for that one.
“I’ll trade you these snacks for those wings.”“Done!”
This release, titled NECA Presents The Silver Falcon starring Broadway, is just the previous Broadway figure in a trench coat. The selling point is a new portrait and some new accessories as well as the much coveted caped wings. All of the other gargoyles to receive the caped wings accessory had them bundled with a new figure making Broadway the one and only gargoyle collectors were expected to re-buy in order to get this accessory. It basically went against how NECA had previously indicated these wings would be distributed when they said the wings would be packed with human characters and smaller ones like Bronx and Lexington. Lexington would eventually come out without any such wings. Perhaps he ended up costing more than originally thought? We were also supposed to get MacBeth who I am guessing would have come with Hudson’s wings. Instead, Hudson has to go without and so does Angela and Thailog while Broadway only gets them if you really want to see him in a coat.
If you want to use the old wings with this guy you certainly can.
Because of that, I initially passed on this one. I was hoping it would eventually wind up on sale somewhere, but NECA doesn’t clearance their items at Target and I couldn’t find this one on sale anywhere. It’s possible there are a lot of folks like me looking to buy now that the line is done. I also grew sick of the amount of opened wings on my shelf and felt like I just needed to tidy things up and getting these wings for Broadway would definitely help there as it leaves just Hudson and Angela (who I hope to actually outfit with Demona’s caped wings now that I have two sets) as the lone gargoyles with their wings extended on my “good guys” shelf. I also don’t hate the idea of Broadway sporting a trench coat on my shelf, but will he actually keep it? Let’s find out.
Those wings! Those are the style everyone wanted, but NECA never delivered.
This version of Broadway comes in an attractive box with a black and white interpretation of the figure on the cover. It is by Djordje Djokovic with paint by Emiliano Santalucia and features some nice, silver, embossed lettering. The profile shot of Broadway is the most toon-like illustration associated with this line and if I cared about packaging I’d probably hang onto this one, but I don’t. Broadway the figure is exactly the same figure as previously released a couple of years ago. The only difference is the default portrait is a new one where he has a closed, but full, mouth and looks pretty happy. It’s a good, light-hearted, take on a pretty light-hearted character and is meant to pair with the numerous food accessories included here and with the original release.
This new portrait is for stuffing his face.The stitching on the coat is pretty sloppy all over.
The look here is inspired by the episode of the same name, “The Silver Falcon,” featured early in the show’s second season. In that episode, we see Broadway’s love for old detective, noir, type films manifest in this look. Elisa’s partner, Matt, has gone missing and Broadway has volunteered his services in finding the missing detective. The trench coat starts off looking rather sharp, but gradually deteriorates throughout the course of the episode until it’s nothing but rags in the end. He also loses the hat. For this release, NECA is using a plastic hat and a soft goods coat. The hat is shaped to fit in between Broadway’s ears and it has indents inside it that fit over the spikes on his head making it useable with all three portraits. The coat itself is pretty basic. There’s a wire in the collar which allows for some posing as well as a wire running through the sash. The wire protrudes from one end on my release which is annoying and something to watch out for. The coat is not very accurate to the show as it’s missing buttons on the back and a belt buckle on the front. It’s also poor quality as it contains numerous loose strings along the seems. I have soft goods trench coats from multiple NECA releases and this is by far the worst of them all. I’ve left them in place for this review, but I’ll probably try to clean this thing up with some scissors when I’m done.
“Did I ever tell you I love a gargoyle in uniform?”
The big inclusion is obviously the caped wings. They’re styled like Goliath’s where they’re molded together in both the front and the back so the only way to put it on is by removing Broadway’s head first. In the episode, the trench coat hides his wings until he needs them at which point they rip out the back of the coat. He never drapes them over his coat, but should you wish to NECA did cut out two holes in the back of the jacket to allow the pegs to slot into the wing holes. It’s more trouble than it’s worth as trying to find the holes in the coat followed by the ones in the figure is more than a little frustrating. You can just get away with dropping them over his neck if you want, but it’s probably just best to use them without the coat. And they’ll work fine in that fashion. The wings are painted to match Broadway’s other wings, though there’s some sloppy linework right on the front of mine which bugs me. It involves the teal bleeding over the black outer wing membrane and I can’t tell if that black is the base color of the plastic or not so I’m hesitant to try and remove it. I think it’s safe, but I’d need to test it.
You can count on Broadway to bring the snacks.“Why are these jars impossible to open?!”
The other accessories included are the two original Broadway portraits we’ve seen already as well as some hands: open, fists, and a gripping left hand. The gripping hand is quite wide and seems to be intended to hold the sandwich he comes with. It looks to be a ham and cheese with some lettuce and tomato on wheat bread. There’s a bite missing and, as far as little plastic sandwiches go, this looks pretty damn good. Broadway also has a pot of chili, a takeout container with what appears to be lo mein, and a jar of jalapeno peppers. Everything looks pretty good. The pot has some nice dry brushing on it to make it resemble cast iron and there’s a ladle sticking out of the top. The contents are also molded like it’s boiling which makes me think it’s based on a specific shot from the show. The lo mein is convincing as well and the pepper jar is probably as good as it can be. There’s some paint spray inside of it that creates a cloudy appearance. I don’t know if it’s intentional or just a result of how the peppers were painted. He does not come with a lone pepper, but if you have Goliath then you’ll have one. My only disappointment here is I wish he had a biting portrait. NECA may have been able to get away with just doing eyeballs on the roaring portrait. Yeah, he still would have looked angry, but he could really use a head where he’s taking a bite and not just a mouthful.
“Hey Demona!” “Ugh, you repugnant ape!”
And that’s kind of it. The figure itself is exactly the same so it articulates the same only now he doesn’t have any open wings to get in the way. That makes him a little easier to pose, but he’s still pretty limited. I do think, out of all of the Gargoyles, this figure is the most toon-like as his face retains that look. As a result, it is one of the better looking figures in the line perhaps second to Hudson. From that perspective, I suppose if fans were expected to buy multiples of a figure then Broadway isn’t the worst one to have to rebuy, though it’s still unnecessary. I’ll probably just toss this in a drawer and leave my original Broadway on display with the updated wings. The trench coat looks like crap so I have little incentive to keep it on my shelf. The extra food accessories are fine, but hardly worth the asking price. As a result, it’s hard not to look at a release like this one and conclude that it was part of the problem with the line as opposed to a benefit. It’s a shame NECA never found a good solution for the wing issue and instead turned to low effort variants like this one. They set a bad precedent and discourage the fanbase. I doubt this specific release killed the line, but it certainly didn’t save it.
“Don’t worry partner, I’ve got your back!”
Does this conclude my journey with NECA and Gargoyles? Perhaps. As I mentioned earlier, the only figure I didn’t buy that wasn’t a variant is the Steel Clan robot and the only reason why I didn’t is because it’s more like an army builder. I have the armored Xanatos which is basically the same figure with only minor changes and a different deco. Perhaps I’ll go back and review figures like that as well as the others that I didn’t bother to post a review of. We’ll see. It’s a shame the line had to end though. I was looking forward to MacBeth and Coldstone, though I honestly didn’t need anything beyond them. It’s a solid assortment that we have right now, it just stinks knowing it would have felt that much more complete with those two (well, mostly MacBeth, but Coldstone is a kick ass design and the prototype looked awesome so it would have made for an interesting release). As for the future of Gargoyles – who knows? The comics from Dynamite are still going with the Demona mini series launching in July (after several delays thanks to the fiasco with Diamond Comics going bankrupt) and Mondo is working on their own figures, but in sixth scale. These figures are a chore to cram onto a shelf in 1:10 scale, imagine sixth scale? I’d love to see a company try Gargoyles again with a more toon aesthetic, but NECA giving up on the line probably isn’t tempting other companies to want to try their hand. As long as the franchise is still around and producing new content though, there’s always chance.
It’s been awhile since I last took a look at a Gargoyles release from NECA and there’s a good reason for that. While I was super pumped when NECA announced it had acquired the license for Gargoyles back in 2021, I found the figures to be a case of diminishing returns. Goliath, the first figure…
It’s been awhile since I’ve posted a review on an action figure from NECA’s line of figures based on the Disney Afternoon animated series Gargoyles. That’s not due to me not getting any figures, it’s more just me not having a ton to say. Or maybe it would be more accurate to say that I…
We are getting oh so very close to assembling the original Manhattan Clan in action figure form! Disney’s take on gothic beasts originally included the following gargoyles: Goliath, Hudson, Bronx, Brooklyn, Broadway, and Lexington. The clan would grow from there, but those six are still the first that come to mind for me when I…
It’s been awhile since I last took a look at a Gargoyles release from NECA and there’s a good reason for that. While I was super pumped when NECA announced it had acquired the license for Gargoyles back in 2021, I found the figures to be a case of diminishing returns. Goliath, the first figure released, was promising, but had some notable flaws. The flaws would then be shared by just about every figure to follow and while fans practically begged NECA to address the main issue, the company failed to do so. Instead, it quietly cancelled the line after releasing over a dozen characters and a few variants. What was that issue? Wings. Big, honkin’, wings. These things came packaged with their wings spread wide open sucking up tremendous shelf space. The only solution NECA came up with was to include the caped or folded wings with other releases. To get Goliath’s, you had to get Bronx. Brooklyn’s came with Elisa while Demona’s were packaged with Xanatos. If you wanted Broadway’s you had to re-buy Broadway in his detective guise and if you wanted the same for Angela, Hudson, or Thailog, well – you were just plain out of luck as none of them received the wings they were looking for.
Is that why the line came to a premature end? I don’t know. Sales initially were said to be hot. NECA boasted that its Goliath was one of the fastest selling figures they ever had for a new product line. Things must have cooled following that. Perhaps momentum was stunted a bit when the second figure was Thailog, essentially a Goliath repaint. Demona and Bronx followed roughly six months later as part of the inaugrual Target Haulathon which made the pair perhaps harder to acquire than it should have been. They eventually made it to other retailers and by the end of the year we had Hudson. There was a pretty wide gap in releases between Hudson and Brooklyn/Broadway who arrived basically at the same time. Did that slow sales down? Maybe, only NECA knows. The property was untested in this collector space and it’s possible a lot of folks were just happy to get Goliath and didn’t necessarily need anymore. Maybe they didn’t like Goliath after they got him and dropped the line? There weren’t any drastic quality control changes and most of the figures turned out roughly the same. Deciding which figure was best ended up being a fairly subjective exercise. There were a lot of unique sculpts so it wasn’t a low cost line. The boxes were fairly large as well and swallowed up almost as much retail shelf space as they did collector shelf space. Allegedly, Walmart was the first to sour on the brand and stopped ordering it and I guess other retailers must have followed suit. This means the other figures shown off – Coldstone, MacBeth, and Gabriel, are likely to never see the light of day which is a shame.
If you were curious what a Best Buy Open Box item might refer to, this seems to be the extent of it.
For me, my number one issue definitely were those wings. The wide open wings were the most dramatic, but not practical. The caped wings solved the space issue, but their design really hinders articulation and posing too. What I really wanted were just some relaxed wings. Collectors started referring to them as the A wings since they kind of make an A shape when at rest. They didn’t have to be articulated, just more manageable. In addition to that though was the articulation in general. NECA rarely prioritizes articulation with its figures. They tend to have an acceptable amount of articulation points and styles, but NECA is very much an aesthetics forward company. And the gargoyles are basically big, naked, monsters so they don’t present too much options for hiding articulation as well. Even so, almost all of them have their necks at a forward angle that really limits how their heads can be positioned. The torso joints offer little and these guys can’t hit most of their signature poses. Plus you add in their anatomy which makes them hard to stand to begin with and you can see how we might have some issues. My collection is largely a bunch of characters in vanilla poses as a result. They’re not very fun to handle and as a result I kind of stopped wanting to talk about them. I didn’t even review every figure I have for that reason.
Goliath gets 3 new expressions with the neutral one being a holdover. The hair is also new.
With the line’s cancellation, it has me rethinking where I left off. When I found myself losing interest in the line it made it easier to pass on some releases, especially variants. I passed on the Steel Clan and instead just got the armored Xanatos. I passed on the video game variant of Goliath as well as the Detective Broadway. I also passed on the subject of today’s post (I swear I’m getting to it), the Goliath and Demona two-pack, but when a Best Buy open box option popped up I decided to grab it since it was nearly 50% off.
Demona also gets 3 new expressions, but sadly no new hair.
This set, dubbed Vows, contains the same figures we’ve already looked at before of Goliath and Demona, but with one change. That change rests solely with Goliath who has had his head replaced with two new hairsculpts that function like Demona’s. The original release of Goliath just had two portraits with the same hairsculpt: neutral and angry. This one makes use of swap-able face plates so you end up with four expressions and two stylized pieces of hair giving you eight total display options. It’s the approach I thought NECA would have taken from the start and I’m surprised they didn’t, but at least it’s been remedied here. And the expressions packaged in this set for Goliath feel a little more alive to me and more evocative of what we saw out of the character in the show. There’s a stern expression that’s pretty much the same as the one that came in the first release, a smile, a teeth baring expression, and an angry yell. The yell doesn’t feature the whited out eyes so he’s not on the attack rather he’s probably pleading with Demona to not do something evil. His default hair sculpt is the same as the original release and it’s basically his normal look. The second has the hair more spread out and over his shoulders. It’s not exactly wind blown, but it’s a little messy. I call it his sexy hair.
The Phoenix Gate is sort of the main attraction as far as the accessories go.
As for Demona, she is also the same figure as before. And since she already had the face plate technology, there’s basically no change to her. We don’t even get another hair piece. What we do get are more expressions. Her default one is the same as the default one from before, but she adds to it a surprised look, a smile where her teeth are visible, and an angry look that also has a hint of surprise to it. It sort of looks like she smelled a fart. I like them, though the surprised face features a right eye that’s not in alignment with the left. It’s a little higher and tilted which is a bummer because I kind of like this expression the best. Since it’s an issue with the sculpt I’m assuming they’re all like this too.
Demona! No!
The rest of the accessories contain the usual mix of hands and a couple of unique items. For both we get fists and open hands. Both also have a gripping right hand and a trigger right hand. Demona also has a clawing left hand. I think of it as a spell-casting hand or a gesture where she’s reaching for something. Goliath’s gripping hand seems to be intended to work with the mace he comes with. I’m assuming this is another throwback accessory to the original Kenner line since the first Goliath didn’t feature such an item (Broadway, Brooklyn, and Lexington all did), or it’s the mace used to smash the gargoyles in the first or second episode. That would truly be a morbid inclusion. Demona has a new laser rifle that’s mostly blue plastic with a little black paint. It’s probably a direct pull from the show, but I don’t recognize it immediately. I was hoping the effect part that came with Xanatos would work with it, but the opening is too small. They also come with two versions of the Phoenix Gate item from the show: one fully formed and one broken in half. That’s where the whole vows theme comes into play as they each took half of the magical artifact for safekeeping when the two trusted each other. My how times have changed.
Goliath gets a mace, even though he has no real need for one.
What I have not yet mentioned are wings and with this set each figure comes with the caped wings and that’s all. It’s an odd choice because this set came out so long after the single releases of each character. Why wouldn’t NECA include both wing options? It seemed like this was a way to get newcomers to the line to jump on with two of the most popular characters in the franchise, but to not include the other wings is an odd choice. I do realize I spent quite a bit of time complaining about those wings, but my issue isn’t with the wings themself, just that they’re the only default option for every character. At the time this set came out, both Demona and Goliath were still fairly easy to come by. It wasn’t like they had sold out and become sought after by newcomers to the line. NECA gave the fanbase that had been collecting this whole time little incentive to double dip here. The accessories are fine, I like the new portraits, but enough to rebuy the pair? Goliath’s caped wings also came with Bronx, a character I doubt many would pass on. Demona’s previously came with Xanators and I guess some collectors may have passed on him if they were only interested in the gargoyles. I didn’t review that figure, but I did buy it, so I had no need for either wings in this set.
Demona has some new firepower which is always appreciated.
Is all of that enough? Bare in mind that I didn’t even mention the MSRP on this set yet. This thing was $70. Gargoyles fans were expected to drop seventy bucks for a few new portraits and the Phoenix Gate. That’s nuts. I don’t know what NECA was thinking with this one. Yes, it’s reuse of existing molds so that naturally makes the cost lower, but who did they think would buy this? I got it for $40 and honestly that’s even too much considering I already owned both figures and the wing options within. I only was willing to do it for a few reasons. One, I did like the new expressions. I’ve never been satisfied with Goliath’s default expressions and these seemed much better. Two, my original Demona wasn’t great. Her wings were floppy and the factory didn’t paint the claws on her right foot. And, after a few years standing on my shelf, her shin has become warped and I was hoping this one would be less gummy. And three, we never got caped wings for Angela. She and Demona share the same body and can share the same wings. Of course, Angela is shaped like Demona, but colored like Goliath, so I’m going to have to try to paint a set of wings to match. I honestly don’t know if I’m up to the task, but I have two sets of caped Demona wings so I might as well try.
These wings should work fine with the Angela figure, provided they’re re-painted.
As for the figures themself, they’re exactly the same as before. Same pros, same cons. Goliath is hard to pose, but with his tail he’s not that hard to stand at least. The caped wings mean his arms can’t do much though so he’s just going to stand there. The open wings work fine as well, provided you have them. Demona is also the same. Her caped wings really don’t want to plug into her back, or rather, the right peg doesn’t want to. I can probably get it in if I heat it up, but I have yet to try. I didn’t have any issues with the other caped wings and my first release. Demona is still really frustrating though because she’s basically always looking down slightly. I wish NECA had given her a second hair sculpt with her ponytail up or articulated or something. The angle of her face just drives me crazy. She’s also hard to stand because female gargoyles in the show keep their knees straight and stand on their toes while the males bend at the knees, making weight distribution simpler. A stand for the women would have been nice. These figures also really needed a neck joint or alternate portraits that allowed them to look forward while flying gliding parallel with the ground. NECA got some great sculpts out of Djordje Djokovic, but they really needed their engineers to do something more with them. They probably thought they were doing him a favor by not cutting them up more, but really they did him a disservice since these things just don’t pose well.
And the old wings will work just fine as well.
Should you buy this set? No, probably not. If you have been admiring the line from afar and want to try and get into it before it disappears forever, then I guess, yeah, this is probably preferable to buying the figures individually. It’s $70 and Demona alone costs $36 while Goliath was $32, I want to say. I think NECA charged a little less with him on purpose to lure fans in. Right now on Big Bad Toy Store, you can get Goliath for $26 and Demona for $42. They also have the Vows set, but priced at $80 which is crazy. If that set came with both sets of wings then I could see going for that, but you can also find it cheaper. It mostly comes down to preference. If you prefer these caped wings then definitely go Vows. If you like the big, open, dramatic wings then get the individual releases. You’ll get more expressions with this set though. For Goliath, I don’t think anyone is really missing the book and jalapeno pepper, though the first Demona had two guns that turned out pretty nice plus her grimoire. She’s a bit more of a toss-up. Wouldn’t it have been nice if NECA just made this two-pack the ultimate release of both characters like the box suggests? There’s a balancing act to doing reissues like this where you want to put enough new in the box to entice existing customers, but also make it a good jumping on point for newcomers. I don’t think NECA satisfied either group here which seems like a shorthand way to describe the Gargoyles line in general – so close to being great, but oh so painfully short.
“How dare you turn our daughter against me, Goliath!”
If you’re curious what I thought of these figures the first time around see below:
It was nearly 6 months ago that NECA unveiled one of its newest licenses for 2021: Gargoyles! I was incredibly pumped at the time to see that NECA had acquired Gargoyles because the license had so much potential. The show was basically a cult hit in the 90s often characterized as Disney’s answer to Batman:…
When NECA launched it’s line of action figures based on Disney’s Gargoyles, it seemed to imply that Demona would be figure number 2. She was not. That honor went to Thailog, the Goliath clone, and that might have had something to do with the many factory delays and shipping woes that were impacting the entire…
Well, here’s something different. Bronx, the good gargoyle dog, is NECA’s fourth entry in its relatively young line of action figures based on the beloved Disney Afternoon series Gargoyles. And not only is Bronx here all on his own, he’s also got something for his buddy Goliath that collectors of this line have been begging…
All right kids, back in your seats. Teacher is here.
Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of superheroes increased over the years there was more room for nuance. I’m sure some folks in marketing at Marvel Comics scoffed at the idea of a team of superheroes being led by a middle aged paraplegic, but that’s the direction Stan Lee and Jack Kirby went in when they created the X-Men. That team was founded by Professor Charles Xavier, a powerful, telepathic, mutant (which is basically used to mean a superhero born with their powers) who just so happens to be confined to a wheelchair. Unlike a character like Daredevil, a blind superhero whose enhanced, super, senses essentially negate his disability, Xavier’s powers do not help him walk. Sure, some writers have played around with that over the years, but at his core Professor X is a man with a disability able to thrive in a world of super powered individuals.
He’s a bit of a little guy.
I don’t know for certain, but in a world where even female characters were treated like radioactive material, I can imagine folks at Toy Biz not being too excited about doing a Professor X figure. It took a little while for the head man to make his debut in that old toy line, but I was honestly pumped when he did. I think he may have been the final character from the cartoon series X-Men to be released and complete the team. I know we had to wait awhile for Beast and Morph, but I can recall getting those two figures on Christmas (1994, I want to say) and the following Easter Chuck was sitting beside my Easter basket (along with Ahab, a figure not exactly high on my wants list). And aside from having a blue suit instead of green, he was pretty faithfully depicted as he was in the show complete with his 90s, stylish, hoverchair. Because of the cartoon and Jim Lee’s run on X-Men, it’s the hoverchair I most often associate with Xavier. Hasbro certainly knows that’s the case for many which is probably why they released Xavier in a deluxe package with his famous chair.
Hope you like this gesture, because it’s kind of all he can do.
This figure was released a few years ago, but in 2024 Hasbro made it available once again to preorder. Having since acquired several characters from the cartoon in Marvel Legends form, I felt like I needed Xavier to pull it all together. The addition of the chair does make for additional cost. This thing was a whopping 50 bucks, by far the most I have ever spent on a Marvel Legends figure. I was pretty skeptical it would be worth that in the end, but when you’re basically one figure short of a full squad it’s the kind of thing one will extend themselves on. Toy companies are aware of this phenomenon, which is why I fully expect Xavier to be the last release in Mondo’s very awesome, but very expensive, line of X-Men figures. Trying to imagine what a sixth scale Xavier in his hoverchair will set me back is already giving me anxiety.
His chair comes loaded with a TV and some games so he doesn’t get bored.
That is a topic for another day, today we’re in the more familiar realm of 1:12, or there about. Xavier comes in an oversized window box and is featured prominently in the center. His chair is amusingly split in half so we can see one half of the chair on each side of the figure. The backdrop contains artwork of the entire, animated, team in a style that resembles the cartoon. Beast, for example, has pupils. It displays well, but I could not care less about that fact. Once removed, the chair requires some assembly. There are four pieces to it: each side, a backrest, and a cushion. The backrest slides onto either half while the cushion plugs into a slot in the center of one of the pieces. Then you just push it together. It’s pretty intuitive and most probably won’t need to consult any instructions. Not that there is any. I’m surprised they didn’t print some on an inside flap of the box.
I like the thought of this base, but not so much the execution.
The chair looks pretty good from a sculpting standpoint. It’s not painted though, so you get some of that swirly plastic effect Hasbro seems to love when it’s trying to create the illusion of a metal material. There is a big seam down the middle which is unfortunate. It makes me wish that at least the front was a third piece that snapped over the assembled halves, essentially the same concept as the backrest, to at least get rid of the seam there. On each armrest there’s a control panel that slides out. One has a monitor while the other a keyboard and at least those two parts are painted. Even though the artwork seems to be evocative of the cartoon, the design of the chair is from the comic. The most obvious distinction is the shape of the front and lack of headlights. The chair sits fine as-is, but there’s also an included base. It’s a white post with a transparent piece of plastic over it in the shape of smoke, I guess? The transparent portion is frosted over with white paint and the plumes are pointed so, to me, it looks more like ice. I don’t think ice is what they’re going for here, but it gives the figure a little height.
Cool hat, bro.
As for Xavier himself, he’s depicted in his green suit with white shirt and blue and black tie. He has a very serious expression on his face with his signature, arched, eyebrows. His right hand is in a two-finger gesture while his left hand is open, but curled. He has no extra hands which is unfortunate. He should at least come with another right hand so he doesn’t always have to be making this very specific gesture. And because the damn thing cost 50 bucks – throw in some hands! Outside the chair, Charles stands just a tick over 6″. He has a slight build with a very big head relative to his body. It strikes me as a little off as Xavier from this era was usually portrayed as being rather broad shouldered. This figure makes him look like a weenie. Most of the figure is colored plastic with the belt and tie being where the most paint is utilized. The jacket portion of the torso is an overlay while the sleeves are part of the sculpt. This is pretty standard, but the small shoulders means some white sticks through the gap between the arms and jacket. There is also a slight discoloration to the arms vs the shoulders with the shoulders being noticeably darker and shinier. This is an older figure so it does feature pins in the joints. I don’t find them particularly distracting, but there must have been suit guys made over the past few years on pin-less bodies, no? I’m surprised he didn’t get a minor cosmetic upgrade as a result.
Hey professor, you got some…ugh…stuff…squirting out of the back of your head.
Articulation for Charlie is pretty typical stuff for Legends. We have: ball hinge neck, ab crunch, ball-hinged shoulders, biceps swivels, wrist swivels and hinges, waist swivel, ball-socket hips, thigh swivel, ankle hinge and rocker, double-jointed elbows and knees. Range at the hips and shoulders is mediocre and the ankles are pretty limited too, though I guess that doesn’t matter much for a character who will be seated. He’s going to do what you need him to do, but if that’s something you want him to do is outside Professor X’s typical wheelhouse then you won’t be impressed. Like standing. This guy is really hard to stand because the range on the ankle hinged is poor and his feet are tiny. Again, for this guy it doesn’t matter, but if you wanted to swap in a different Xavier and use this body as a custom for someone else you may be disappointed.
If you’re curious, it can kind of fit the head of the X-Men ’97 Jean.
I have critiques for the presentation and articulation on this set, but the bulk of my criticism is going to reside with the accessories. I suppose one could consider the hoverchair itself an accessory, but since this is a set that’s double the price of a typical Legends release I think of it more like a two-pack where the hoverchair is almost like its own thing. And the hoverchair has the effect part stand and also a little blankie that can go over the lap of its occupant. That’s all fine, but for Xavier himself the accessory count is slight. He has his Cerebro helmet which is more of a classic design than one that’s evocative of the 90s or animated series (if you want a more TV helmet, the new Target exclusive Savage Land Xavier comes with one). It fits on his head fine though you may have to mess with it to get it aligned just right. It also has an effect part that plugs into the back. Its done in white plastic with a pearlescent coating. The shape is like a splatter effect and it’s supposed to represent his psychic powers which are sometimes illustrated with such a shape. For me, I think of them as being colored pink or blue (even the box art opts for pink), though I’m sure someone colored them white at some point in the comics. It’s just this color and this shape make it look like he’s getting hit in the back of the head with a balloon filled with milk, or a substance that’s much more disgusting.
Obviously, this is how everyone is going to display this guy.
For optional parts, we have the head of the Shadow King. Your mileage may vary, but for me, the Shadow King was always one of the lamest characters associated with X-Men. I loathe his episodes from the show so this isn’t an accessory that’s going to appeal to me. That being said, the sculpt and paint on the head is fine. There’s more paint on this thing than probably on the entirety of the rest of the set. It’s also just a head and it’s not meant for this figure. My understanding is that this head is designed to fit on the Kingpin body so if you want to create a Shadow King for your collection you need to go out and get yourself another Kingpin. Which is fine as a throw-in if they had room in the budget, but this head is the only other accessory in the box. We don’t get a second portrait for Charles, we don’t even get any extra hands! I wish he had some neutral hands for just when he’s sitting in his chair or at least one alternative to the pointing fingers hand. A portrait where he’s calling out commands to his X-Men would be appreciated too and I would happily trade this Shadow King head for accessories for Xavier that flesh him out. That’s the character I want. That’s what’s driving my purchasing decision. Not a random part that’s only useful if I go out and buy a whole other figure.
This set may be more expensive than your typical Legends release, but the end result is pretty much the same. This Charles Xavier figure is what you buy if you have a collection of Marvel Legends X-Men and you just want an Xavier. It’s going to slot into your display and anyone who sees it will know that’s Professor X. It’s not going to “wow” anybody though and there are a lot of shortcomings. The actual figure strikes me as a better representation of a 60s and 70s Xavier who was drawn more like an older guy. As a 90s Chuck, this guy is too small and slight. The chair looks fine, but the lack of paint also makes it look cheap. And if they had just done the thing in three pieces where the front portion that covers the characters legs was one piece it would have cut out that hideous seam right down the middle. The accessories are a bummer because the figure feels underbaked, and given that this is a re-release it’s an added bummer because they could have improved the figure at no added expense. There are better suit-guy molds at Hasbro they could have used or just more hands. It’s almost like they want you to go out and buy that Savage Land Xavier in the flight suit if you’re unsatisfied with this one and toss him in the chair instead. I prefer my Xavier in his green suit though, and I don’t like the portrait of that new Xavier. Plus, his assortment of hands are almost as bad as they are here (he comes with trigger finger hands – why would Xavier need trigger finger hands?!).
Obligatory, “To me, my X-Men,” shot.
Should you get this one? I don’t know. It’s really just to fill out a collection which is honestly the worst reason to buy something. I try not to do it because money and space are precious resources and I don’t like wasting either on something I don’t love. And to get this guy into your display it’s going to take some work since he does demand quite a bit of shelf space. It looks okay, so I don’t hate it. I would like it a whole lot more if it were $35 instead of $50 so maybe I should have held out for a sale. One may come, one may not, as X-Men are pretty hot right now thanks to X-Men ’97 so anyone waiting for a sale somewhere is probably taking a risk.
There are more reviews here of X-Men action figures if you’re looking to fill out a shelf:
The toyline of my dreams was announced last October. In celebration of the 30th anniversary of the television series X-Men, Hasbro is doing a dedicated line of Marvel Legends with figures based on the look of the show. The show was obviously inspired by the designs of Jim Lee, but there are differences in the…
2022 was the year a dream toyline of mine was made a reality. Hasbro finally decided to do a line of Marvel Legends based on the animated series X-Men, which premiered 30 years prior on Halloween 1992. The line was staggered with a release coming every 6-8 weeks or so and ended up totaling 8…
If you are reading this the day it goes live then Happy X-Men ’97 Day! Today is the day the long-awaited sequel series to X-Men debuts on Disney+. Rather than fast-track a review of the first two episodes to this blog, I decided instead to do what I most often do: review an action figure!…
Marvel’s cheekiest hero gets the premium treatment.
Despite the fact that I own dozens of them, I don’t really consider myself a fan of Hasbro’s Marvel Legends series of action figures. They largely are able to get a purchase out of me thanks to Hasbro’s exclusivity agreement with Marvel/Disney which basically makes them the only game in town. Despite that, I will say perhaps my favorite Legends figure that I own is Deadpool from the movie subline. Specifically, I like the Deadpool that came in the two-pack with Negasonic Teenage Warhead. By Hasbro standards, or really any action figure standards, it’s a damn fine release. It’s well sculpted, it’s painted well, it comes with enough stuff, and it also poses pretty well. I liked it so much that I bought the almost identical re-release from the Deadpool & Wolverine movie.
“Wait! Who the hell are you?!”
I may like that figure, but I have always been interested in something a bit more premium. Legends may be the only game in town when it comes to retail in the US, but for specialty shops and online we have the imports. And in this case, I’m talking the Bandai/Tamashii Nations S.H.Figuarts line. I am very familiar with the brand thanks to all of the Dragon Ball product that’s been released and I’ve had my eye on the Deadpool offerings for awhile. I passed on the first take because Bandai, for some reason, did not include any guns in the package. Deadpool kind of needs those so no guns meant no sale. I don’t know why that was, if it was a Bandai thing or a Disney one. Warner Bros. did ban guns from being included as accessories with DC action figures – did Disney briefly consider the same? I say briefly because it didn’t impact Hasbro or really any other figure release I can think of. The issue was rectified with the Deadpool 2 version of the character, but that featured the much darker and drab color palette from late in that movie which wasn’t really what I wanted. For Deadpool & Wolverine though, I finally found a version of the character I was willing to throw some money at.
Bandai left, Hasbro right.
This version of Deadpool is, I assume, very similar to the past ones in the line. Just like the Legends version, little needed to be re-sculpted to make it work and it’s the sort of release where you really need to look closely to see what’s changed. The most obvious change though is just the color. This Deadpool is a bright red where as the others were noticeably darker. I would say the old costume was the color of dried blood, pretty useful for a character who gets shot and stabbed a whole bunch. The bright red does make the figure look cheaper by comparison. Bandai likes to stick with colored plastics as much as possible over painted parts and Deadpool is no exception. The red parts have that plastic look to them despite being richly textured. The black, both painted and non, has more of a satin finish to it. I’m not sure there’s really anything Bandai could have done to alleviate the issue with the red aside from throwing a wash on it. He does get pretty dirty in the film so it wouldn’t look terrible, but I get why they wouldn’t want to do that. It’s just one of those things that can’t be helped.
“Gasp! It’s Hugh!”
The good news is that’s basically my only complaint when it comes to the look of the figure. Aside from that red, he looks awesome. This figure is well proportioned to resemble actor Ryan Reynolds (and his stunt guys) in suit from the film. I like the head size, the shoulders, the length of the limbs – all of it. If this weren’t such a heavily articulated figure I’d say he looked like he stepped out of the movie. The hits of gold all seem to be in the right place and accounted for on the chest and the back of the hands. The belts, holsters, and straps are all where they should be. There are multiple textures throughout the body that help make the figure come alive along with little folds and creases in certain parts. He looks great, and standing the figure next to the Hasbro offering, you can tell which one cost more money.
It’s good to have the guns back.“Time to make the chimichangas”
Deadpool also comes pretty well stocked with accessories and extra parts. For starters, we get a whopping ten sets of hands. That makes sense since Deadpool is a pretty expressive character and since he wears a full mask he tends to use his hands a lot. For those hands, we get sets of fists, fists with blades poking out, gripping, c-grip, finger-bang, thumbs up, trigger finger, relaxed, chop, and splayed open. Some of these hands have clear multiple uses. The “finger bang” hands are also pointing hands while the c-grip hands can be used to make a heart gesture. There’s basically nothing missing here aside from a middle finger gesture, but maybe Disney wasn’t okay with that? Deadpool also comes with 3 sets of interchangeable eye plates along with the set he’s wearing in the box. There’s a little tool included to help pry them out, though it’s still a little tricky even with it. For eyes, we have what I’d call neutral, happy, angry, and surprised. On their own, the differences are subtle, but it makes a difference when you get them into the head. Again, Deadpool is a very expressive character so these inclusions are much appreciated and I assume a lot cheaper for Bandai than doing three extra heads.
“What do we have down here?”“Look! A baby knife!”“Eat your heart out, Van Damme.”
Deadpool also comes with his usual assortment of weapons. For melee attacks, he has two katana. Like they are in the film, the katana are a little small and thin. I don’t know if they’re technically katana as a result, though I also don’t know if they’re technically small enough to be considered wakizashi. They look nice though with some gold inlaid in the hilt. For storage, he has the scabbards that go on his back and that part plugs in. These swords don’t actually slot into them though, I’m guessing to prevent paint rub, and instead the figure has two dummy sword hilts to plug into them instead. Similarly, we get a sheathed knife that plugs into his right calf. If you want Deadpool to actually brandish his little knife, there’s an empty sheath to swap it with and a little knife all by itself. Lastly, we have the two desert eagles (I think) and their holsters. Unlike the bladed weapons, these do go into the holsters when not in use. They are the black versions of the weapon and not the gold ones he acquires during the film. It would have been nice to get the gold ones, but maybe that’s for a future re-release. The guns look fine otherwise, though I find his trigger hands are quite snug with them. Posing them convincingly is more challenging than I’d like.
“Who invited you?”
That’s not everything though, as Deadpool has one other accessory of note: Headpool. Headpool is the decapitated and decrepit remains of a Deadpool from an alternate universe. He has this old school leather pilot’s helmet with a propeller on top that allows him to basically float around. What’s left of his mask just dangles in tatters while his exposed skull is free to yammer away, despite no longer having a voice box. He’s basically a visual joke in the movie that Bandai brought to life. The head is well sculpted and painted and the little propeller does rotate, but that’s it for articulation. I’m surprised the jaw doesn’t move. Also included is a clear, acrylic, post that plugs into the head at one end and features a c-clamp on the other. It’s designed to clip onto Deadpool’s forearm, which works well enough, but I wish it had an optional platform to just stick him on the shelf beside Deadpool or a way to plug into Deadpool’s back so that he’s hovering over his shoulder. With the setup provided, he’s really only useful in one pose and I don’t know how many collectors will want to clip this guy onto Deadpool’s arm? I definitely don’t so it feels like a wasted accessory.
“Ohh that’s pretty cool…”
That’s a pretty good spread, all things considered, but there are some obvious omissions. The last Deadpool Bandai released came with some gun effect parts that I would have liked to have seen included. I guess we’re getting Headpool instead, but I would honestly trade him for the gun parts. Also not included is an unmasked head. For me, this isn’t a big omission as I’d never display him unmasked, but I understand people who think one should be included. Obviously, releasing the figure without one means that Bandai didn’t have to pay Reynolds for his likeness. If that keeps the figure’s price down a bit, then that’s a worthwhile trade-off as far as I’m concerned. Hasbro did the same, and as far as I know, the only figures with the Reynolds likeness are coming from Hot Toys. Maybe Bandai will come back to this with an unmasked head? It’s possible, but none of their other Deadpool figures featured such so I wouldn’t hold my breath.
Deadpool: “Snikt!” Wolverine: “What the fuck are you doing?”
This Deadpool figure comes with a lot more parts than its Hasbro counterpart, but it also features more articulation. Or at least it should. The Hasbro one is pretty well articulated on its own with only a few areas of weakness (basically the waist). This figure should remedy that, though I have to say upfront that posing this guys can be quite annoying. He is what I’d call a “fiddly” figure. He has so much extra stuff keyed into his body that will constantly pop off on you when posing him. The knife especially. It’s best to just take that off and pose him then replace it when you’re done. I already mentioned that the eyes are not the easiest things to swap, but they pale in comparison to the hands. For most, I needed to heat them up in order to get them onto the wrist pegs. This is unusual in my experience with a SHF release and it definitely does knock the fun-factor down since this figure has so many damn hands and so many possible expressions and poses to take advantage of. I basically did a lot of these pictures with a bowl of hot water at the ready that also eventually needed to be reheated. I tried to plan out my pictures as much as possible to get through as many as possible while the water was still warm enough to do its job. It makes me wish Bandai did the Medicom thing of putting the extra hands on acrylic posts to keep the entry hole as wide as necessary. I don’t know if that practice actually works or if it’s just confirmation bias at play, but I didn’t have any issues with my Medicom figures in the past.
“All right kid, hand over the pizza!”
With that out of the way, lets rundown this articulation. We have a double-ball at the head, ball at the base of the neck, butterfly joints, shoulder ball hinges, bicep swivel, double-jointed elbows, ball hinge wrists, ball-jointed torso, ball-jointed waist, ball-jointed hips, thigh swivel, double-jointed knees, ball-hinged ankles with ankle rocker, and a toe joint. That’s basically the standard SHF setup and most of it works as intended. You will get great personality out of the head and the elbows and knees bend well past 90 degrees. At the hips, the holsters pose issues when trying to bring the legs out for full splits. Going forward and back isn’t an issue, but out to the side is as he can’t even really get to 45 degrees. The butterfly joints work well, but he has these shoulder pads that really make getting much use out of the bicep swivel more trouble than it’s worth. The figure is going to fight you at times in the shoulder region as a result. There is rotation in the diaphragm, but that waist seems to mostly offer forward and back. He can at least get a decent crunch going forward and arch his back enough until the scabbards get in the way, but the figure is more limited than I expected.
“Ow! Fuck! I wasn’t really gonna shoot him!” “No one messes with our pizza, dude!”
This is a figure where the articulation is there, but you have to work for it. I wish Bandai had done the shoulders differently when it comes to the padding up there and I also wish they had come up with a more creative solution for the belt and the impediments there. Maybe just make those holsters peg into the belt so they can swing out of the way? That would probably make the suit less accurate to the source, but if the actual holster itself still pegged into the thigh maybe it wouldn’t matter? The old hinged ball in the diaphragm may have helped too. That setup can lead to gapping issues, but if it’s on the back of the figure (and amongst a lot of black) it may have been worth the sacrifice. This is an expensive figure, most US retailers have it at $90, so a little extra engineering should be expected. Especially when so much of what’s in the box is likely reused from past Deadpool figures.
Wolverine: “I gotta get the fuck outta here.”
I bought this version of Deadpool because I wanted a premium version of the character for my shelf. Did I get what I paid for? For the most part, yes. It looks better, it’s more expressive, and even though it can be a chore to pose it does ultimately pose a little better than the cheaper Hasbro offering. Is it just worth more than 3x what that Hasbro figure costs? Honestly, probably not. If you’re comparing the two as apples to apples then, yes, this Deadpool figure is the superior action figure. It’s just going to be a more subjective exercise when value is added to the equation. I’ve been pretty happy all these years with that first movie Deadpool I bought. Hell, I still enjoy the old Toy Biz Marvel Legends Deadpool. I really didn’t need the updated Legends figure for the new movie, but I wanted more Deadpool. I certainly did not need this one, but I’m happy to have it. A more rational and cost-conscious person could probably buy one of the Legends offerings and be perfectly content with that as well. If you have the money and want the best Deadpool on the market, then yeah, go for it. If you’re content with the Hasbro figure then I don’t blame you if you come to the conclusion that you don’t need this.
Bandai did also release a Wolverine to pair with this Deadpool. Unfortunately, it’s just not good enough for me to buy. Priced at $85, the figure is not much different from the Hasbro offering in terms of what’s in the box except for the fact that it doesn’t have an unmasked head. I don’t place much value in that when it comes to Deadpool, but I absolutely do when it comes to Wolverine. And what I couldn’t get past is the lack of sleeveless arms. The Bandai Wolverine is basically a look we never saw in the movie. When Wolverine had the sleeves on he went unmasked. He only masks up at the end when his suit is pretty beaten up and dirty. The proportions look way better than the Legends figure which is quietly kind of terrible in that area. The saving grace of that figure is the fantastic Hugh Jackman portrait. And with that figure, I can compromise at $25, but not at $85. If Bandai comes back with the Wolverine I want I’ll get it, but for now, Deadpool is going to fly solo on my shelf. Well, not exactly, since he has plenty of Deadpools to keep him company. And Headpool, how could I forget about Headpool?
If you’re looking for more Deadpool figure reviews we have more Deadpool figure reviews:
Despite the amount of reviews presents on this blog, I still do not consider myself a Marvel Legends collector. That’s because my interests are somewhat narrow when it comes to the Marvel brand. Over the years I’ve developed a fondness for Deadpool as depicted on film by Ryan Reynolds. I think the comic book character…
It might be hard for the young folk to believe, but once upon a time movies based on comic book characters were treated like box office poison. Unless you were Superman or Batman, you just didn’t belong in cinema. Even those characters weren’t bulletproof. Superman had a nice run, but fizzled out with the fourth…
Look through my various toy reviews and you’ll probably notice that I’m not much of a Marvel guy. That wasn’t always the case for me though as I was huge into Marvel Legends once upon a time. I basically stopped around the time Hasbro was awarded the Marvel license. I felt there was a dip…
In some ways, Secret Wars was bad for comics. Commercially, the 80’s event was hugely successful for Marvel even though it seems to have just a lukewarm reception by fans in some circles. It helped to establish the belief that events sell and Marvel seemed hellbent on taking that approach in 90s. One of Spider-Man’s big plotlines was Maximum Carnage. It was a multi-issue arc with a bunch of heroes and villains teaming up to form super teams, and like Secret Wars, it didn’t seem like fans thought much of the finished product, but it sure seemed to sell well. And if it had not we wouldn’t have the extremely derivative Maximum Clonage (sic) to follow. Also referred to as The Clone Saga, Peter Parker was suddenly confronted with multiple versions of himself thanks to The Jackal and no one knew who the real Peter was. It’s the storyline that brought us the Scarlet Spider and it’s also the storyline that gave us Kaine.
“Don’t look at me!”
Kaine was yet another clone of Peter. He was the like the goth Peter before Sam Raimi came up with the idea for Spider-Man 3. Clad all in black with this weird, blue, membrane running throughout and a tattered cape, he caused some trouble for both Spider-Man and Scarlet Spider before eventually being outed as yet another clone. Kaine was actually the point where I fell off the story as a kid. It just got way too soap opera-like for my taste and I got enough of that at home from a mother who would monopolize the television on Saturday to watch all of the episodes of All My Children she had recorded during the week.
That’s more sculpt and paint than we’re used to with Hasbro.
Kaine may have been a lame addition to the story, but if I’m being honest, he did look kind of cool. When Hasbro unveiled a Kaine figure last year, I took one look at it and said to myself, “Why not?” As a Marvel Legends figure, it looked interesting and the crazy pricing we’re seeing from the world of action figures makes these $25 ones feel more susceptible to impulse buying now. Kaine comes in the retro Spider-Man packaging which makes sense given his era. He never did get a single card release in that line, so I guess this is like making up for lost time. There was a Maximum Clonage box set that contained a Kaine figure that was probably exclusive to some store. It was a classic Toy Biz repaint and I think they used an Archangel body for the base and just slapped a cape on it. Maybe if he had made the jump to the actual show he would have been given a more prominent release, but honestly it’s all Kaine really deserved.
The cape looks nice and dramatic, but it will get in the way.
Hasbro apparently felt like he deserved better, because this Kaine figure goes harder than I would have predicted. This figure is basically all new sculpt. The blue veins are all sculpted and painted as are the fins, or blades, on his forearms and shins. Even the crotch piece has sculpted veins. The hair, head, and cape are all new as well and the only reuse this figure can take advantage of rests with the hands and feet, which I’m sure are recycled from tons of figures. This does come at a cost for the consumer as Kaine only comes with one set of alternate hands, but that’s how it goes. He has fists and open, style posed, hands. The cape is sort of an accessory because you can remove it, but the straps for it on the torso are much harder to get off so it’s really not designed to be removed, but you may want to and we’ll get to why in a bit.
Krillin: “I don’t think even the Dragon Balls could get us a mane like that!”
What I find really striking about this figure is that wonderful head of hair. Kaine looks like he walked out of a shampoo commercial or something. Fabio would be jealous as his hair never looked this good while hawking imitation butter. It, as well as the cape, are just one shade though. There’s no paint added which is a bit of a bummer as I think a wash would really help liven this figure up and also reduce that plastic look. I find this figure looks a lot better on my desk when the lighting is getting dim because it takes away that plastic sheen. Still, by the standards of the line, Kaine is an impressive looking figure and if you’re a customizer of some talent you can probably get this to look even better with minimal effort.
The articulation is basic by Legends standards. He should be able to pose well enough, even with the cape.
Since this is an all new body you may wonder if it has some articulation surprises. And the answer there would be, “Not really.” They had to make new molds to produce this figure, but I bet they just took an existing digital sculpt and then added the details to it before cutting steel. As a result, Kaine feels like a lot of Marvel Legends. He has the hinged ball neck, ball hinged shoulders, butterfly joints, bicep, double-elbows, swivel and hinge wrists, ab crunch, waist twist, ball hips, thigh cuts, double knees, and ankles that hinge and rock. Range at these joints is also all typical Marvel Legends stuff. He can almost do splits, kick forward 90 degrees, and the ab crunch works well enough. Where this figure is limited is the head and that left shoulder. The combination of the big hair and the plastic cape really lockdown the head. He can turn to the side a bit, look down, and barely look up. The left shoulder is also restricted by that cape, but really only in a sense that it can’t rotate all the way around. It does a decent enough job of getting out of the way with most movement and once you’ve settled on a position you can just reposition the cape. It’s not nearly as bad as it looks like it would be, though I’m sure there will be people getting custom soft goods capes for this guy.
Which one is the real Peter Parker?!
How do we feel about having a Marvel Legends Kaine? Fine. He’s a solid entrant for the line and it feels like real effort was put into making an accurate representation of the character in plastic form. Now I understand there’s some debate over just what color the blue vein things should be. He often was drawn to have gray instead of blue. Not being a massive fan of the character, I don’t care. I like the light blue on black so I’m happy. I’m not happy about the lack of accessories, but I expect that of Legends now. I have a weird soft spot for the trash of the 90s, so that’s primarily why I have Kaine. He’ll go with my Scarlet Spider and look like his goth cousin and that’s cool. And if you too think he looks cool then by all means drop $25 and grab him. I don’t know if he’ll be anyone’s favorite release in the line come the end of the year, but he certainly won’t be the worst.
We have more Spider-Man and Maximum Clonage stuff here if that’s your thing:
It was in this space last year that I shared my fondness for the Scarlet Spider costume when I reviewed the Medicom MAFEX Scarlet Spider action figure. I don’t buy much from Medicom because their figures are really expensive for what they are, but I sometimes break my own rule when I think they’ve made…
Last year, Hasbro celebrated the 30th anniversary of X-Men, the animated series that premiered on Halloween 1992 and would become a ratings hit shortly thereafter for the Fox Kids Network. It was responsible for getting a lot of kids into the X-Men and Marvel comics in general and the first, prime, benefactor of that rise…
When I was a kid, one of my favorite past times was drawing. Like most, I started really young with a box of crayons and coloring books. I’d eventually start keeping markers, colored pencils, and other instruments in a plastic McDonald’s case that came from a Happy Meal. It was blue and had a map…
After putting a real hurting on my wallet in 2023, Mondo decided to take it easy in 2024 with its line of sixth scale action figures based on the animated series X-Men which ran from 1992-1997 on Fox Kids. Two figures ended up getting released this year, Rogue and now the leader of the X-Men Cyclops. With Cyclops though we get a slight change because easily the biggest thing to happen to the X-Men in 2024 was the release of X-Men ’97. Well, some would argue for a movie staring a foul-mouthed merc and an old man as being the biggest business in the X world, but I’m going with the Disney+ series. Since the show turned out to be quite the hit, and because it’s a continuation of the original X-Men series, Mondo decided its figures could use a little rebranding which is why Cyclops is the first release to be billed as hailing from the new show. What does this mean for the figure itself? Not a whole lot.
Yeah, I know, this isn’t a fair comparison.
Cyclops still comes in the same style of window box with artwork from storyboard artist Dan Veesenmeyer. The difference between his release and the others is that the character model definitely resembles the look from X-Men ’97 and not the original show. That’s not a huge change as the costume is the same, but Cyclops has a slightly slimmer profile and the detail work is a dead ringer for the same in the new show. For the figure, there’s really no change and Mondo via its YouTube channel has basically admitted that the figures are going to hew closer to the original series. It’s just now they will be able to toss-in items and accessories pulled directly from the new show where it makes sense.
“To me, my X-Men!”
And we pretty much know this to be true because concept art for Cyclops was shown well before X-Men ’97 debuted. Here we have another sculpt by the awesome Alex Brewer with paint by Tomasz Rozejowski that really harkens back to 1992 and that original Fox series. Cyclops stands a full 12″ and is clad in his yellow and blue Jim Lee outfit which he wore almost exclusively in that show. Like prior figures in this line, there were two editions of Cyclops made available and I opted for the limited version which came with extra stuff which we’ll get to.
You may want to separate these two on your shelf.
The sculpt for Cyclops may not be complex, but it gets the job done. He’s well-muscled and proportioned with a portrait that evokes the original series. The details one would expect are in place like the segmented straps on the belt or the pouches and straps. There’s even a little extra detail where the chest strap attaches to the lower belt that I don’t remember seeing in the show. The hair and the visor are all appropriate and the placement of the thigh straps appears spot-on as well (they’re also floating and slightly annoying as a result). That doesn’t mean there isn’t room for some nitpicks. Cyclops was nicknamed Slim early on, but by the 90s he was a pretty massive dude. This figure depicts him as a big guy, but maybe not quite as big as he could be. The legs look fine and so do the arms, but the chest and abdomen strike me as a bit undersized. It’s almost like Mondo aimed to fit this Cyclops figure in-between the 92 and 97 version. It could also be for a different reason which ties into the extra stuff. This version of Cyclops has removable arms and an optional flight jacket part like the Logan figure. If he were any bigger he might look huge with the jacket. If so, I disagree with the approach as the jacketed look should be a secondary concern, but the feature also seems to play a role with his shoulders being set apart from the body. These are all things mostly noticeable when the figure is just standing straight up and down, pose him and it’s less an issue, but it’s an expensive figure so we have to nitpick where it’s warranted.
He scales well enough with the bad guys too.
What really offers no room for disappointment is the paint. Mondo just slays when it comes to that part of the presentation and Cyclops is no different. The base blue is the perfect royal blue and the lighter blue used to shade it and the blacks all make him pop. The yellow is the right shade with just a hint of red of in it to lessen that lemony look the Hasbro figure of the same has. The different shades of gold used to apply the cel-shading for the yellow looks great and everything is rich and full. There’s an impressive lack of paint slop and issues as well. With such an ambitious paint job some of that is expected, but I’m finding it hard to notice with this one. There’s a visible brush stroke on the chest strap, but apart from that I’m at a loss. This is some really impressive execution so Mondo better hang onto whatever factory put this one together.
Mondo decided it was important Cyclops be able to do stuff like this.
Cyclops comes with new branding, but he also comes with new articulation. Mondo tends to keep things basic with its figures as they prioritize aesthetics over function. And at this scale, I think that’s the right approach. However, there’s no denying that certain characters need to be able to hit certain poses and for Cyclops it’s being able to place a hand on the side of his visor to activate his optic blasts (even though we also see him do so without pressing a button in the show, but lets just go with it). In order to achieve that function, Mondo opted to incorporate double-jointed elbows into this one. And they work great, no problem hitting that pose and he can pretty much put his hand to his X communicator on his chest as well. And the aesthetics trade-off is nil, as far as I’m concerned. We’re all toy collectors and we’re used to double-jointed elbows. They look fine, better than the swivel joint used on Wolverine and Sabretooth that has some miscolored plastic, so I hope they do this more going forward.
This is a team that loves a good, brown, jacket.
Aside from that, the articulation is pretty much the same as other figures. The head is on a double-ball peg and the range is pretty nice. It is a little more gappy than past figures, but I’m guessing they prioritized plus range at the head given his unique skillset. The shoulders are the usual ball-hinges with a bicep swivel past that. Wrists are ball-hinged and they can be tight, but I didn’t experience any issues. The torso is where things get less impressive. Cyclops has the usual ball-jointed diaphragm and waist, but he also has that unique belt that goes around his chest. It’s connected to the belt at his waist so it’s going to get in the way. It has some play and will float when you manipulate the chest, but the range is okay, at best. Hips are ball-sockets with thigh swivels built in, but the rubber trunks will hinder the figure’s ability to kick forward and back. I can get him into one knee poses, but it’s awkward and one must be mindful of paint rub. Knees are double-jointed and the ankles hinge forward and back with an ankle rocker. The ankles are pretty tight, but I didn’t need to heat them up to get them working. Shoulders are really tight too, but again, no heat needed as I just went easy.
Multi-blast!This is the big one.It sags a little.
Cyclops has a ton of extra stuff to go through so let’s not waste any time. We’ll do the standard version accessories first which include a stoic head and a yelling head. Both feature interchangeable visors and come with a standard one by default. Getting the visors off and on is pretty painless, and both heads can use all of the visors. The extras are a visor with a lens flare and one with a slot in it for blast effects. And for blast effects we get two by default. The first is a pretty standard Cyclops blast. It’s 4″ long or so with a splash effect at the end. The easiest way to put it on is to slot it through the visor first, then plug it into the head. It can only go in one way so if it doesn’t fit just spin it around. The other blast effect is an arc with four short blasts. It strikes me as a very Marvel vs Capcom effect and it looks pretty cool. Both are done on translucent red plastic which feels appropriate for a Cyclops effect. They’re rigid so hopefully none arrived warp. I love the look of the blast, and the lens flare part is also pretty cool, so settling on a display is actually quite challenging with this guy. You’ll want to swap some stuff from time to time.
“I was raised by a cup of coffee.”
Cyclops also has an assortment of hands to make use of. By default, he comes with a set of fists which are always useful. In addition to that he has two clenching hands, two “finger bang” hands, a set of two-finger hands for his optic blasts, and a single right gripping hand. The gripping hand is for his cup of coffee which is included. This was seen a few times in the first season, most memorably for me in “Deadly Reunions,” and it’s a pink cup with sculpted steam wafting off of it. Even though Mondo included a gripping hand for it, I find the clenching hands work just as well to hold it. Swapping heads and visors is painless with this guy, but the hands are tough. The pegs going into the arms are ribbed when they probably don’t really need to be. The ball hinge also plugs into the hand and each hand is on its own, which is how Mondo always does it. Initially, I felt like the fists were more likely to come off at the hand and not where they’re supposed to in the forearm, so I heated the forearms of my figure with warm water. It’s made easier by the fact that the arms are designed to pop off. I was then able to get the hands out, but it was dicey. I’m reluctant to really jam any of the hands into his forearms as a result, though I haven’t had the same level of difficulty with the other hands.
Sometimes it gets cold out there.
That’s all the stuff that comes with the standard, $220, version. The $240 limited edition has a few more things including the aforementioned jacket. Swapping the arms isn’t too bad and the jacket arms come with bare fists. The fists are actually the exact same as the standard fists just painted flesh colored. They are removable, though I haven’t bothered since they’re in there pretty good. He sometimes wore gloves with the jacket in the show so the other hands work with this look as well. The arms are also double-jointed at the elbows just like the standard ones so there’s no loss of articulation in swapping them. I think he looks great with the jacket and it’s a tough call on how to display him. Right now, I’ve gone without, but I’ll be changing it from time to time for sure. Oh, and I had to try because this look is so close to Morph, but the Morph heads don’t fit. The opening is way too small, which is probably good so that I’m not tempted to attempt a very expensive custom.
The big blast needs a little help.“Take that, hairball!”
Cyclops would wear the jacket in the field plenty, but sometimes also to look more casual. To that end he has an uncowled head. It looks great and his eyes are painted red, which makes sense. Maybe some would have preferred brown eyes for the few times he was depowered in the show, but many won’t display him like that because he also has his shades. They’re black with the red lenses that have some white shading on them which looks nice. They’re a little brittle feeling, but have held up fine so far. They slot into his temples and look great when in place. He also has yet another visor that’s been removed so he can either hold it or stick it around his neck or something. It’s a nice touch. I will say, this head is the most X-Men ’97 looking part of the package, which could be intentional. This version also comes with another effect part that is one, massive, blast that’s almost 8″ long. It has a large splash effect at the end and it looks cool, but it’s heavy. There’s some drooping with this one so I’m reluctant to leave it in place for long stretches of time. It probably works best in tandem with an enemy getting blasted so there’s some added support for it.
Probably not going to be the preferred look for most collectors.This head can make use of the blasts though.
Oh, but we’re not done! Mondo likes to toss in a goofy accessory with all of these special editions. We had the elf Jubilee portrait, Gambit as Mystique, and the Morph heads. With Cyclops, it’s a Sentinel head styled to resemble Cyclops. This is taken from the episode “Till Death Do Us Part – Part One” where Wolverine is battling Cyclops robots in the Danger Room. It looks the part and is pretty ridiculous when placed on the head of the figure, but it’s there if you want it. And Mondo went the extra mile and also included a swappable visor piece so he too can make use of the blast effects. It’s a little tighter a fit than the other visor, but it works. I’ll never use it, but it’s funny. Maybe it can be used as a head of a fallen Sentinel with Wolverine or something? Lastly, there’s also the usual Mondo stand. I don’t use them so I didn’t even take it out of the plastic. I wish they’d put an X emblem on it like the Logan one, but it’s fine.
“How do I turn these darn things off?!”
Ultimately, this is another home run by Mondo. Cyclops is a much needed addition to the roster of characters and he turned out pretty great. Did I have issues? Yeah, because nothing is perfect. I’d have liked to see a little more beef in the torso, but that is basically the end of my complaints. I do think the hands could have been made to swap easier and the hands are a longstanding issue with the line (though it’s been better, Magneto was rough). I get why things are tight though because these are big, solid, figures and loose joints would kill them. This figure poses reasonably well and the swappable effect parts and heads are all a ton of fun. This is probably the figure that is the most fun to pick a display, though Gambit and Jubilee are pretty great at that too.
It’s the Blast Squad!
Cyclops is definitely the last figure from this line to see release in 2024, but on-deck is another Wolverine. Alex Brewer has sculpted all of the figures in the line since the original Wolverine so Mondo wanted to get his take on the character and the looks we’ve had are promising. There’s also a retro Cyclops coming based on his look in the season finale of X-Men ’97. I have not gone for the variants in this line and I didn’t go in for that one either. We should also start seeing the first figures from the Spider-Man ’94 line very soon. I don’t plan on going all-in with that one, but expect at least a couple reviews of that line. Beyond that, we don’t know what’s next, but it sure seems like this line is going strong. If I had to guess, I’d say Storm will follow Wolverine, but I hope we get all of the core cast from the ’92 series. Even though it gets harder and harder to find room each time one arrives.
If you liked this review, then check out more from Mondo’s X-Men line:
The conclusion of X-Men ’97’s first season has left behind a void. For 9 consecutive Wednesdays, we had something awesome to get up for. Now the long wait for a second season has begun, but here to help fill the void while we wait is Mondo. Mondo has been dishing out some very impressive sixth…
Mondo has been absolutely killing it with its sixth scale line of action figures based on the now classic animated series X-Men. The company also really ramped up production in 2023 on the line by soliciting five new figures during the year. At over 200 bucks a pop, it was quite the hit to the…
It is my belief that when it comes to X-Men, the animated series which debuted in 1992, the breakout star of the show was Gambit. Wolverine was the closest thing we had to a household name going into the show and was the de-facto pick for favorite character of many. And while the whole roster…
Well folks, we did it! We made it to another Christmas! These things come faster and faster each year which makes something like an online advent calendar helpful as it attempts to keep the season from going by even faster. It’s cliché, but the years go by even faster the older you get and if you have kids it seems worse. It’s great to stop, breathe, and just try to take it all in for I know if I’m fortunate enough to live to be an old man I’ll probably look back on my life and think it went by in a flash.
That’s the sort of melancholy vibes Christmas brings about for me, but it’s important to remember this is a day of fun. Of revelry! I try to save a good one for each December 25th, or at least a weird one (I did go with Samurai Pizza Cats one year), and this year I felt like turning the day over to America’s real first family: The Simpsons.
Homer is going full Grinch in this one. Well, sort of.
The Simpsons has been featured here before. Many times too. The show has staked its claim to Halloween via the Treehouse of Horror anthology series, but it was Christmas that marked the show’s debut. For years the show avoided the topic as how could anyone hope to top the show’s debut episode? Eventually, that fear subsided and the show started cranking them out. Not quite annually, but there’s certainly plenty at this point. And today’s episode comes from the show’s fifteenth season and is appropriately titled “‘Tis the Fifteenth Season.” At the time, it felt like quite the achievement to be on the air so long that it was celebrated, or at least marked, in the very title of the episode. Now, it almost seems quaint. Fifteen seasons isn’t even half the show’s current total. Will The Simpsons ever end? When I was a mopey teen angry the show wasn’t as funny as I remembered it being I would have said it needs to die, but now I’m just curious to see how long it can go. There’s a comfort in knowing that every fall a new season of The Simpsons debuts. It probably won’t go on forever, but that doesn’t mean it can’t try.
In almost any other episode, I would have liked this couch gag, but this is not the holiday couch gag I’m looking for.
The first episode aired of The Simpsons, “Simpsons Roasting on an Open Fire,” was pretty much a Homer (Dan Castellaneta) story. He was denied a Christmas bonus and Marge (Julie Kavner) spent all of the family’s extra money on getting a tattoo removed off of Bart (Nancy Cartwright). Rather than come clean, Homer takes a part time job as a mall Santa to earn extra money in hopes of providing his family with the kind of gifts he felt they deserved. Or rather, the type of gifts that would make him feel like a successful provider. Following that episode, Homer would take a back seat in future holiday outings. We had episodes centered around Bart, Lisa, and even Marge while Homer was like a sidecar. The kids need his help in the waning moments of “Grift of the Magi” to steal some toys, he and Flanders have a B plot in “Skinner’s Sense of Snow,” and that’s kind of it. In today’s episode, Homer is very much the focal point as he must learn the spirit of giving, then learn to reject materialism, then…become the Grinch? This one ends in a place one wouldn’t have predicted at the start, so let’s jump into it and see how we get there.
How is it that Itchy and Scratchy are able to exist in this space?
This holiday episode of The Simpsons begins with the standard, abbreviated, opening where we just jump right to Marge almost running Homer over in the driveway. The couch gag isn’t even holiday themed, it’s anime, which is a surprise. We’re not off to a good start here. The episode proper then begins not with Christmas, but Thanksgiving. The family is watching a Channel 6 holiday broadcast featuring Krusty (Castellaneta), Sideshow Mel (Castellaneta), Mr. Teeny, and a large woman dressed as a ballerina. Am I supposed to know who she is? Kent Brockman is appearing via cardboard cutout which Krusty informs us he’s contractually allowed to do because he’s in rehab. Again. Oh, and Itchy and Scratchy are present too which is really confusing. Are they someone in costume? Are they animation and we can’t tell because the whole show is animated? Anyway, Krusty informs the viewers for every dollar spent on Krusty merchandise he’ll be nice to a sick kid. And that hookers with a cold count as sick kids. Never change, Krusty.
Homer no like sweater.
It’s now time for Christmas decorating, and set to “It’s the Most Wonderful Time of the Year,” we see Homer and the kids putting up the decorations. Bart and Lisa (Yeardley Smith) twirl some string lights like a lasso and fling them on the bushes outside. Homer tries to do the same with a tree and inadvertently kills two birds in the process which he slyly covers with snow and walks off. Inside, the stockings are being hung with care one by one until we get to Grandpa (Castellaneta) who hangs an IV bag instead. Marge is shown putting the family dog, Santa’s Little Helper, in a festive sweater which he predictably hates. We pan over to Snowball II who is already in a sweater and doing her best to get it off. The camera continues it’s pan to find Homer also in a sweater and also desperately trying to remove it with his teeth like an animal. Never change, Homer.
Looks like someone forgot Lenny’s present.
We now are taken to the Springfield Nuclear Power Plant where it’s apparently already time to exchange Secret Santa gifts. Carl (Hank Azaria) is Homer’s Secret Santa and he has quite the present for the big guy: a new DVD player and the first season of Magnum P.I. Homer is quite happy with this extravagant offering (come on Carl, there had to have been a limit you blew by), but there’s a problem. No one has a present for Lenny (No, not Lenny!) and that’s because Homer is his Secret Santa. Realizing he forgot, Homer runs offscreen and we get to hear him battle with a vending machine. Lenny (Harry Shearer) can tell what’s going on and a scowl crosses his face before Homer returns with his gift: a roll of Certs. Homer seems pleased with himself, but Lenny doesn’t hold back and tells him that his gift flat-out stinks. Carl piles on too telling Homer he’s the most selfish man he knows (then why did you go all out on Homer’s gift, Carl?). Homer appears offended and tries to defend himself by saying Mr. Burns is the most selfish man around. He starts to bad mouth him, and Skinner, only for Burns to sidle up behind him without him knowing.
I’m surprised this hasn’t been utilized for a current plot.
Burns (Shearer) hears the insults, but laughs startling Homer. He declares that Homer’s very obvious description of him describes “Cathy in personnel” to a tee. Who is this mystery woman? No time for that, for Burns is here to hand out Christmas bonuses. This feels familiar. The bonus this year? A five dollar voucher to the plant cafeteria which no one is happy with. I guess it’s better than the series premiere when they got nothing? Burns has something special for Bart though, I guess because he knows Homer has a son? They’ve obviously crossed paths many a time, but I don’t get the sense that he’s giving Bart a gift because of any of that. The gift is, as Burns puts it, a confectioner’s card of a current baseball player. The way he phrases it he clearly doesn’t place any value on this card, but it’s a Joe DiMaggio card and a pretty famous one in card collecting circles at that. Not that Homer is aware. Burns refers to DiMaggio as a rookie for the New York Nine and when Homer says the name in disbelief (likely because he knows that Joe DiMaggio has long since passed his rookie days) Burns confirms it’s him and adds, “It seems they’re now letting ethnics into the big leagues.” He then turns away from Homer and is surprised to see Cathy (Tress MacNeille), from personnel! She looks exactly like Burns and he asks her how things in personnel are she has a one word response for him: Excellent.
Oh no! He must deftly lick it off!
Homer may not know how valuable the card is, but he knows it’s worth something so he takes it to the only place in town he’d logically go: The Android’s Dungeon. Homer finds Comic Book Guy (Azaria) eating some nachos from his usual perch atop his stool and asks if he can get any money for the card? Comic Book Guy takes one look at it and nearly has a heart attack as he turns up his cash register and empties its contents onto the counter. He greedily snatches the card from Homer, but then immediately begins to fret because he got nacho cheese on it. He reasons the only solution is to deftly lick it off, which he does. Homer just grabs his armful of cash and walks off remarking “Freak,” under his breath. We don’t know how much Homer just got, but probably not a substantial amount? Most stores only keep so much money on-hand, though I suppose a business that buys and sells might have more than usual. Either way, he probably didn’t get full value since that’s a card worth tens of thousands of dollars, but at least he’s happy.
Jesus was a prune? I guess I’ve learned something today.
We return to 742 Evergreen Terrace to find the rest of the family seated in front of the TV. A common past time for the Simpson family. They’re watching the 1986 “classic” Christmas with the California Prunes. Obviously, this is a parody of the 1987 sorta classic A Claymation Christmas which featured the California Raisins, a special I probably should have covered by now, but just have not. This could almost barely be considered a parody as we get to see some of this special which features claymation characters that look almost exactly like the California Raisins. There’s a soulful rendition of “Oh Holy Night” being played (and possibly sung by Karl Wiedergott since he’s listed in the credits, but not assigned a role), but with words adjusted to better fit prunes like “We are the fruit that your grandmother eats.” It’s also a nativity scene so if you ever wanted to see what Jesus would look like as a prune, well now you have. I think this is actually really close to the actual segment it’s parodying so if this seems ridiculous, there’s a more sincere version out there. Lisa declares it offensive to Christians and prunes. You know what it’s not offensive to? Animation fans, because this segment looks way too good to just be a quick gag on an episode of The Simpsons.
Comic Book Guy sure keeps a lot of cash in his register.
Homer then comes bursting into the room with his hands and pockets overflowing with cash. He declares they’re going shopping at the Springfield Heights Promenade. Marge jumps up with excitement declaring “That’s the rich people’s mall! Let’s shop till we droop!” Lisa corrects her to say it’s drop, but Marge just scolds her with “That’s a very violent image, Lisa.” Burl Ives then whisks us into Springfield Heights with his version of “Silver and Gold.” The tagline for this place is “Our prices discriminate because we can’t.” It’s basically a fancy outdoor marketplace. I’m not sure if it’s based on anything specific, but it has a similar vibe to Boston’s Quincy Market and there’s a hint a little ways in that might give that away. For a sight gag, we get an Abercrombie and Rich store and there’s a cart that will put your image on a Rembrandt. Moe is clearly pictured on such a painting. Seems almost too tacky for this place, but if it is anything like Quincy Market then it’s also a tourist trap and tourists buy all kinds of stupid stuff.
Cameos of Christmases Past.
Homer is handing out wads of cash to everyone in the family to go buy Christmas presents with. And when they’re done, he also promises to get a glorious Christmas tree for the home. In fact, he declares it will be so large that its absence from the forest will cause mudslides and flooding. Everyone cheers this except Lisa. That’s some nice attention to detail. We cut to Bart and Lisa shopping together and Lisa has stumbled upon a toy store called The Prodigy Barn. Very quickly there’s a cameo of the rich happiest kid in the world and his mom from “Marge Be Not Proud,” though his hair is now blond instead of brown. Inside, Bart is playing a video game console clearly modeled after the original PlayStation as he’s blasting state capitols on a map of the United States. He soon realizes that this game is trying to teach him stuff and reacts angrily tossing the controller at the screen and declaring “That’ll teach you to teach me!”
This may be more of a gift for Marge.
We jump to Marge shopping at Victor’s Secret, an obvious pun on Victoria’s Secret, where she’s looking to buy a present for her beloved Homie. She’s picked out some very large underwear that’s sort of tiger striped, but she needs the clerk to help her figure out if it’s the right size for Homer. Make that two clerks as they both easily fit into the underwear and Marge is delighted that it’s the right size. They (Castellaneta) then offer to gift wrap it for her and in order to do so they have to fold it like a flag. They stuff it into a tiny box and hand it over to Marge warning her to stand back when she opens it.
This episode is from before everything had Wi-Fi capabilities. I bet that astrolabe was obsolete in less than five years.
Outside of a store called Things Unnecessary, Homer is rummaging through his bag of goods with a contented look on his face. We then find out he’s bought the family all key rings. Cheap, stupid, key rings. He drops his gifts though when he catches a window display for a talking astrolabe. He immediately goes inside where a clerk with a British accent shows it to him. He wants to make it a gift for himself and notes how it is so unnecessary. The clerk (Shearer) laughs and remarks that he has excellent taste then lists the features which include a pad of paper and pen for writing upside down. Homer is pretty much sold, but then he looks at the price tag: 500 bucks. If he buys this he won’t have anything left for a tree. The astrolabe (I think it’s Azaria, but it’s not listed in the credits on IMDB) then announces that today is the birthday of comedian Margaret Cho, which makes this December 5th. We can also see the current coordinates for the location of this device which online sleuths discovered long ago point to Boston, hence my Quincy Market theory. “That’s the birthday I’m always forgetting, I must have it!” And with that, Homer has bought an extremely unnecessary and extremely expensive gift for himself.
What is it with sitcoms and their Christmas suicide jokes? I feel like I should apologize for how many there have been this year.
We cut to the car and the family is on the road. Bart asks if they can get their big tree now and Homer laughs nervously and confirms that they can as he also inspects the cash he has left which totals 2 bucks. He still insists that they’ll get a tree from the finest lot in town as he proceeds to lead the family to a rather unsavory part of town. Lisa is the first one to remark that she doesn’t like this neighborhood, but Homer just tells her to lock her door and avoid eye contact while he turns on the radio. It’s a version of the song “Convoy,” which was part of the plot of “Radio Bart” way back when, only now it’s “Christmas Convoy.” It’s our soundtrack to the sights which includes Gil preparing to hang himself with Christmas lights, some hobos roasting pigeons over a flaming drum, and a bloody snowman with an axe in its head.
Well, sufficient is certainly one way to describe it.
Homer pulls into a pretty sad looking tree lot and buys the best tree 2 bucks will get you, which is pretty brown and lacking in fullness. Homer presents it to the family as a great tree, but Marge points out that it looks a little dry. Homer tries to insist it just needs a little love, but when he rubs it the tree bursts into flames. I’m betting Homer thinks the tree will magically transform when decorated into a glorious one, like it did for Charlie Brown. We cut to the house and the partially burned tree is up. Homer remarks, “Isn’t it sufficient?” and pats it again once again causing the tree to go up in flames. He’s ready with a fire extinguisher and quickly puts it out, but Bart is left to wonder why they couldn’t afford a good tree? Marge asks Homer if there’s something he’s not telling them and right on cue we hear the astrolabe announce that it’s 6:31 PM in Montreal.
A man sobs alone with his astrolabe at Christmas time. Is there a sadder sight?
Marge rightly asks where that voice came from, but Homer tries to play it off as Maggie finally talking. She finds the astrolabe all wrapped up with a tag on it that says “To: Me, From: Santa.” Marge exchanges the gift for Maggie, who Homer was holding, and confronts him on the fact that he wasted their money on an extravagant gift for himself. Homer tries to reason with her that there’s a trickle down theory at play here: If he’s happy then he’s less abusive to the rest of the family. I should try that the next time I buy an expensive action figure. Lisa is the one to inform him that this time he was just plain selfish as sad music plays and the family leaves Homer with his toy. The astrolabe then announces “I am not returnable,” causing Homer to start sobbing. It then announces it will begin testing its smoke alarm for the next three hours which causes Homer to sob louder and announce, “This is sadder than Tuesdays with Morrie.”
Marge has opted for pettiness and I for one support her.
Where do Homer and Marge often settle their disputes? In bed, of course, as we find Homer trying to defend his selfish act. He tries to suggest that she is in fact selfish too for choosing to get her haircut at Supercuts instead of Regular Cuts, the joke being Supercuts is a pretty cheap place to get a haircut. And whoever does Marge’s hair deserves a lot. Marge is obviously not taking the bait and just points out to Homer that Christmas is the time to think of others, but he only cares about himself. He denies this accusation pointing out that he cared what they thought when they found out. She informs him that he can sleep on the couch tonight, but Homer just wants her to yell at him now and get it over with. Marge refuses instead opting to parcel out her anger over the next few days and weeks so she can jab at him when he seems most content. Homer can only groan as he grabs his pillow and flees.
This doesn’t seem like much of a punishment for Homer.
Homer has decided to stay up late watching Christmas specials with his selfish purchase. He’s also opted to unwrap it early as well and even declares that he doesn’t need Marge since he has the astrolabe. It responds to him by telling him that Columbia’s chief export is coffee. On television is The Year Santa Got Lost starring Jimmy Stewart (Castellaneta) as the voice of the mailman. It looks like another claymation piece and the characters all resemble toys from Rudolph the Red Nosed Reindeer, except for the mailman who just looks like a mailman. I guess he’s a nod to Special Delivery from Santa Claus is Comin’ to Town. It’s a very boring story that Jimmy is telling and Homer taps out insisting that Jimmy Stewart as a puppet is just wrong. On the next channel is Mr. Mcgrew’s Christmas Carol, a parody of Mr. Magoo. It’s sort of like the California Prunes from earlier in that this parody is so similar to the thing it’s parodying that it’s almost indistinguishable. Upon stumbling on this, Homer declares he loves that blind, senile, old man! He’s then interrupted by his father knocking on a window in his bathrobe claiming he can’t find his way back to the nursing home. Homer shouts at him, “I heard you the first five times!” then throws his shoe at the window. A bunch of snow falls off the roof and poor Grandpa is buried.
Oh that Magoo McGrew, that’s not a woman, you silly, old man!
We get to see some of McGrew (Castellaneta) which looks a lot like the actual Mr. Magoo’s Christmas Carol, the very first animated Christmas special made for television. I’ve never covered it because it’s, well, terribly boring. We get to watch McGrew mistake a potbelly stove for a pregnant woman which somehow leads to him sticking his head into a roaring fire. Homer laughs for, once again, old McGrew has mistaken something for something. As the special moves along, Homer comes to realize that McGrew is just like him. Well, except for the rich part. When it gets to the climactic scene at the cemetary, Homer is on the floor in front of the TV begging the ghost to spare McGrew and to take Tiny Tim instead! The ghost gestures to the headstone which reads Ebenezer McGrew. Homer then sees it as reading” Homer Simpson – Unloved by All. He cries out “Unloved by Al? No!” then the ghost gestures again and he reads it correctly and yells even louder.
Marge wanted to see more of this Star Trek Christmas Carol and I think I’m with her.
The next morning, Homer is still in the midst of a fretful sleep moaning on the couch “I’ll be good.” Lisa wakes him up with some concern in her voice and Homer just asks her what day is it? She tells him it’s Saturday, December 6h and Homer jumps up saying “Good! There’s still four more days till Christmas!” No one bothers to correct him. We next find the family at breakfast where Homer is talking about the amazing cartoon he watched the night before. He describes it and Lisa has to point out that what he watched was A Christmas Carol by Charles Dickens and that it’s been around for 160 years. Bart points out that television has been mining that thing for decades and he is certainly not wrong. What’s sort of implausible here is that someone who watches as much TV as Homer would be unfamiliar with it. Bart gets to prove his point by turning on the TV (there sure has been a lot of the family watching TV so far in this one) to reveal an Urkel parody and a Star Trek one. Marge thinks the Star Trek one looks pretty good. Homer then announces that TV and nightmares have joined forces to convince him to be a less selfish man. He vows to become the least selfish man in town and Marge reminds him that he’s made this promise before. Homer points out that this time he’s sober…ish. That’s a bit alarming since it’s only breakfast.
It really is the perfect gift for someone always getting stuff in his eye.
Time to see Homer put his words to action. We find Flanders (Shearer) and his two boys, Rod (Pamela Hayden) and Todd (Cartwright), taking some boxes of old clothes and lima beans to an area frequented by the homeless, only Homer beat them to the punch. He gave them his old clothes and we get to see a whole bunch of unhoused men dressed like Homer. One comes over to remark that these new pants smell worse than his old ones, but Homer just says “You’re welcome.” To the Nuclear Power Plant where Homer owes Lenny a present. A real present. Homer presents Lenny with a photo cube that’s full of pictures of them (and Carl) which Lenny seems to appreciate. And there’s another surprise, Homer filed down all of the corners so it won’t hurt if it comes into contact with Lenny’s frequently injured eye. He demonstrates by jabbing Lenny in the eye and he smiles uncomfortably and announces it only stings a little.
Marge has been waiting fifteen seasons for this.
Back at the house, the family is finishing up dinner when Homer goes to eat the last porkchop, catches himself, and then walks the platter over to Marge. He offers her the last porkchop and Marge is so overcome with emotion she doesn’t know what to do. Homer has never offered her the last porkchop and she happily accepts. She is super emotional about it as she’s basically sobbing while she eats it remarking that his thoughtfulness tastes so good and that tears are the sweetest sauce. She’s not even bothering to use utensils, just her hands, and all the rest of the family can do is stare at her. Homer also adds that she’s starting to creep him out.
I feel like we’ve been here before.
We then cut to the family at church where Ned and Homer are in charge of the collection plates, though they’re really more like baskets on poles. Homer gets to Burns who just deposits a coin into the basket so Homer jabs at him. He drops another coin in, but Homer is still not satisfied so he keeps jabbing him in the face. Burns finally relents by emptying his entire wallet into the basket, including his credit cards and eventually the wallet itself. He then angrily suggests that Homer take his blood too and pricks his finger, but only dust comes out which Burns acknowledges by saying “Yes, I’m old.” Ned happily empties his basket into a sack held by the Reverend Lovejoy (Shearer) who is only too happy to inform Ned that this week he came in a distant second to Homer who has a rather impressive haul. Homer announces he’s not looking for glory, he’s just trying to buy that stairway to Heaven Jesus sang about. When Ned corrects him that it was actually Led Zeppelin who sang that song, he just scoffs and tells him to get back to his bong, hippy! He and the reverend then smugly walk off leaving Ned to stew in anger. His kids come over and Todd asks him if he’s jealous of Homer with some shock in his voice. Ned confesses that he is a little jealous. To try and cheer him up, Rod confesses he’s jealous of girls because they get to wear dresses and Ned angrily responds with “One problem at a time, boy.” This was the era where Ned Flanders became a more bigoted Christian. I know some people don’t like this turn for Ned, but when a show is on for as long as The Simpsons characters are going to change with the times.
Homer: a man of many talents. Or maybe just this one?
We return, yet again, to the Simpson master bedroom only now things are far less frosty. Marge is delighted in Homer’s transformation and he has come to view being unselfish as a natural high like hiking or paint thinner. And he’s not done! Homer then unveils to Marge his latest gift to the town: an ice skating rink in the Simpson backyard. How he built that without Marge’s knowledge is not specified. Similarly, how could he, the man who couldn’t afford a Christmas tree, manage to buy all of the materials needed for a rink? I should stop asking questions. It’s a hit though as numerous people are skating on it. Comic Book Guy demonstrates he’s pretty nimble for a man of his generous waist even though his leap results in a fall. A fall that splits his pants. With a declaration of “Activate cloaking device,” he ties his coat around his waist, only for that to rip too. Overcome with depression, he chooses to engage candy bar sadly.
Nelson is showing off and giving Flanders the business here. What a guy.
Ned is shown making his way to the Springfield Men’s Mission singing “Here comes sandwiches,” to the tune of “Here Comes Santa Claus.” He has a plate of cheese on bread for the homeless who dwell here, but because this is Season 15 Ned we have to get a little peak in his head as he refers to this as Boozy Bum Lane. In other words, this is the Ned who partakes in charity not because it’s right or just a nice thing to do, but because he just wants to get into Heaven. He’s shocked to find the place empty, so shocked he even spells out the H word (no, not that one). And he soon realizes that everyone is at Homer’s where they can rent skates for free (how did he come into possession of all these skates? Shut up, Joe, just go with it) no matter how gross and black their feet may be. Ned is frustrated and dismayed to hear Gil (Castellaneta) refer to Homer as the nicest guy in town. Nelson (Cartwright) is also there to deliver his customary “Ha! Ha!” and add a dash of “Your position has been usurped!” He also makes a couple more passes to rub it in even laughing “You’re sad at Christmas!” While he does he demonstrates some really fine tandem skating with Sherri or Terri. Sometimes a guy surprises you.
Great sight gag, I approve!
After an act break, we return to the TV! Man, this episode has a lot of old Simpsons tropes between the bedroom scenes and the plot-advancing television spots. It’s the nightly news with Kent Brockman (Shearer) delivering a breaking news report on the nicest guy in town: Homer Simpson. He has to deliver it in his Brockman way though by first shocking and horrifying the viewer with the announcement that Santa Claus is dead! This gets a scream out of Bart and Lisa who are, strangely, the only ones watching the news in the house. Bart didn’t seem to believe in Santa way back in the first episode, but I guess he’s had a change of heart? Or maybe it’s just a part of him he can’t let go? This was all a clever setup by Brockman to declare that Santa might as well be dead, because Homer Simpson has stolen his spotlight. They then show a photo of Homer strangling Bart in front of Marge and Lisa, but it’s been digitally altered to replace Bart with an image of a bouquet of flowers.
Ned, you’re starting to freak me out a little bit.
Next door, Ned is practically steaming watching this report. He starts tugging on his moustache and assuring himself “Pain is the cleanser,” in an attempt to banish his jealous thoughts. Mel Gibson would approve. A ring of the doorbell gets him off the couch and it’s a pregnant woman (Hayden) who needs help with her car. An overzealous Ned offers to jump the car, rotate the tires, and even fold the map she’s holding. This just turns her off and, calling Ned a creep, the woman says she was looking for Homer Simpson. That is apparently the last straw as Ned vows to show the whole town that he’s nicer than Homer. That he can be the nicest man who ever lived! He then looks at a picture of Jesus on the wall and tells him he said nicest man, not man-god, and to keep his pants on. I don’t think Jesus wore pants, Ned. Hah!
Skinner and his mother asking the important questions here.
To make good on his boast, Ned has decided to go door-to-door dressed as Santa Claus handing out presents to everyone in town. His first stop is the Skinner residence where Seymour (Shearer) is flabbergasted by Ned’s mission. Agnes (MacNeille) barks at him, “What’s your angle, pervert?” and Ned is actually honest by answering “Giving in this world, living in the next!” In other words, he just wants to get into Heaven. When Skinner asks how he can possibly afford this on a widower’s salary, Ned informs him he rented out his house to a fraternity. We cut back to Ned’s home and there are Greek letters (Sigma, Chi, Sigma? I’m not up on frat business) above the door and a keg goes flying through the front window. We hear an agitated Rod also shouting “Stay out of our medicine cabinet!”
That’s quite an imagination you’ve got there, Homer.
Homer takes note of Flanders’ good deeds and scoffs at them. We see he’s already been to the Simpson house and gifted Bart a Krusty-branded version of Operation. We hear the toy groan when Bart “tweezes my wang.” I feel like they’re usually more subtle than that? Homer, apparently taking Ned’s bait, wants to outdo him and thinks the best way is to buy everyone a car. Lisa, ever the voice of reason, is there to tell her father that he doesn’t need to outdo Mr. Flanders and to remind him to remember the theme of the season. Homer seems to think it’s despair and Lisa goes on to share her feelings on the matter of gifts as a Buddhist. She thinks people would be better off without presents, which gets Homer thinking. We see a car, a Christmas sweater, and then an image of Budai (smiling fat dude often mistaken for Buddha), and they all combine into an image of Budai (Azaria) driving. He offers Homer some sage advice, “[…]attachment to material goods kills the soul.” Then, for some reason, Budai gets pulled over by the cops in Homer’s imagination and vows to never return to jail. Homer is satisfied now and decides he needs to take away everyone’s presents! He then thanks, Buddha which brings back his brain cloud to show Budai getting arrested and threatening the cops that they’re in trouble if he ever gets out.
Look at Santa’s Little Helper! He’s cuter than Bradford II!
And now it’s time for an extended Grinch parody! Homer, with assistance from Santa’s Little Helper, is going to go house to house stealing all the presents under the tree in town on Christmas Eve. And as he does so, he’s going to sing about to the tune of “You’re a Mean One, Mr. Grinch” which goes something like this: You’re a hero, Homer Jay. You’re as crafty as a skunk. They’ll thank you in the morning for stealing Flanders’ junk, Homer Jay! You’re a double-bacon genius burger, and just a little drunk!” As he does, we see clips of him walking like the Grinch, slithering like the Grinch, cutting down stockings like the drink, and chloroforming a toddler like the Grinch. Wait! That’s all Homer and not a good look for the big guy.
This sort of thing didn’t work out all that well for the Grinch, but maybe it will for Homer.
At dawn, Homer is seen driving the family station wagon into the center of town with a massive sack of stuff tied to the roof. He hops out of the car and douses the bag in gasoline before hopping onto the ground to put a hand to his ear. There he waits to listen to the thanks coming from the folks of Springfield. It’s a rather clever inverse of the Grinch. He wanted to hear sadness and anger over his stealing Christmas, but heard singing instead. Homer wants to hear the singing, but he just hears anger. First from Lenny, then Dolph (MacNeille), and then we start to jump around. Snake (Azaria) is shown shocked and saddened by the fact that he’s been robbed at Christmas and reflects, “Man, so this is how it feels.” In a season of Simpsons repeating Family Guy gags, I feel like I have to point out that Family Guy did a very similar joke where an inmate stabs himself to see how it feels. We then jump to a rather sad scene at Nelson’s house. He wonders if his dad came back in the night to steal their presents while his mom (MacNeille) just gruffly says “I wouldn’t put it past him.” She references the night he left and Nelson gets defensive insisting he just went to the store and when he gets back he’s going to wave those Pop Tarts right in her face! Poor, delusional, Nelson.
Definitely not a gracious mob.
Homer then pulls back a little disappointment in hearing anger, but he points out happily that a mob is approaching shaking its fists in anger! The show decides to let Cookie Kwan (MacNeille) and Drederick Tatum (Azaria) get some lines in before the mob begins pummeling a confused Homer with snowballs. Even the Simpson family joins in on the beating. And who comes to Homer’s aid? Why, it’s Ned Flanders, of course. He stands protectively between Homer and the mob to tell them what Homer did was wrong, but that maybe he was also wrong to give everyone those gifts? Ned gets bombarded with snowballs for suggesting such and knocked to the ground.
Well, I hope this hurts less than a football to the groin, Hans.
Now, it’s Homer’s turn to rise to Ned’s defense. He shouts out for everyone to wait and look to the sky for there is the Christmas they need. And in the sky high above Springfield is a brilliant, shining, star. Everyone is transfixed with Selma (Kavner) even declaring it a miracle. We cut abruptly to find out that it isn’t a star, but a flare fired by Hans Moleman (Castellaneta) who appears to have gone off the road and is stuck chest-deep in the snow. It’s his last flare too, but don’t worry, for rescue dogs have come to his aid! Oh, actually those are wolves and the McGrew-like Moleman is blind and confused and sure to die.
Homer’s big speech is a thing of beauty. Bravo to writer, Michael Price, who penned this one.
Back in the center of town, Ned is finishing up reading from the Bible, the same passage old Linus referenced in A Charlie Brown Christmas. Before he can finish though, Mayor Quimby (Castellaneta) buts in to say that Ned can’t pray on city property. Homer takes it from there, “Let’s just say that on this day, a million years ago, a dude was born who most of us think was magic, but others don’t, and that’s cool. But we’re probably right. Amen.” The crowd returns with an “Amen” as well, and I just love that summation by Homer. It sums up that Christian smugness so prevalent in American society since that’s the majority opinion.
He’s such a good boy!
Homer then decides, with Ned’s help, to return all the gifts! As the two toss gifts to the mob, we get the expected animation of Santa’s Little Helper doing his Max impression as well. To sneak in an extra joke, we also get to see Professor Frink (Azaria) open his present and find it’s a brassiere (his choice of words), but in the spirit of Christmas, decides to make pretend that he has boobs. Bart is shown sharing his sentiments that this is a great Christmas and that not even Moe’s (Azaria) annual suicide attempt can bring him down. We then cut to Moe on top of City Hall threatening to jump and no one taking him seriously. Moe vows to jump and that they’ll all be sorry, but then laughs and confesses he’s not going to do it, but slips and falls anyway.
And as for Moe…who did NOT die!
No one was paying attention to old Moe for they were busy launching into a rendition of “Hark! The Herald Angels Sing,” because we need to tie this back to Peanuts one more time. Moe actually gets to deliver the “Peace on Earth and mercy mild,” line so we see he’s not dead, just really, really, hurt. As the crowd sings, we cut back to the wrapped astrolabe on the roof of Homer’s car. We hear it say that today is the birth of Jesus, and also the birthday for singer Barbara Mandrell. Snake then steals it for good measure, a nice way to bring the whole story back around to the beginning. We fade out on the crowd singing. Merry Christmas!
I like that they got the astrolabe into the end somehow.
As far as Simpsons Christmas episode go, that is one of the most joke-heavy ones they’ve done. There are tons of one-liners and just silly moments for the sake of comedy. Yeah, there are plenty of holes one can go poking through it, especially if past episodes are brought up. I’m always a little surprised when this turns into a “Homer Loves Flanders” redux in the second half thus leading into the Grinch parody. It’s quite a ride considering where we started. There’s really no B plot as the plot of the episode just moves from one stage to the next. I like that about it and it is reminiscent of “Grift of the Magi,” another Christmas episode that just moved from one situation to the next. The difference there is that one morphed into a Christmas episode where as this one was pretty much committed the whole way through.
The stop-motion segments are great and really help to give the episode a “special” sort of feel.
As I mentioned during the write-up, there are a ton of moments where TV is used to advance the plot. I’m pretty much okay with it though as there was some great comedy to be found there. The Christmas special parodies were all well done, even if some played it mostly straight. The extra surprise of stop-motion utilized was pretty damn cool too and shout out to Chiodo Brothers Productions, Inc. for producing those segments. Some of the jokes could be described as easy or layups, but I found they worked. And try to keep in perspective that some of this stuff was still pretty novel back in 2003. Now, a Grinch parody feels a bit more played-out, though I’m struggling to think of many Magoo parodies so The Simpsons was and is still ahead of the curve there.
“‘Tis the Fifteenth Season” may honestly be the funniest Christmas episode of The Simpsons. That doesn’t mean it’s the best, but there’s a solid amount of laughs to be found. Some don’t like the portrayal of “Jerk Ass” Homer like we see in the first act and I also know folks who don’t like what Flanders morphed into in the 2000s. Such opinions are valid, but for me, it works. This is funny television. It’s not trying to make much of a statement, just lampoon Christmas specials. There isn’t really a cynical message either so if you don’t care for those types of Christmas specials then I don’t think this one qualifies. It’s just a bunch of stuff that happened at Christmas.
Merry Christmas from me and the Simpsons.
And that’s it for the 2024 edition of The Christmas Spot! If it’s the last time I do this 25 specials in 25 days thing then I feel like I went out with a pretty solid selection of Christmas episodes. There was some good, even some great, and some stinkers, but those are fun to read and write about. It was a lot though as I finish writing this one on December 23rd, possibly the latest I’ve taken to finish one of these. That’s partly why I feel like I need to take a step back because it’s become harder and harder to find the time (and material) to keep this up. Whether you read one or 25 of these things this year, thank you, and I hope you had some fun. Merry Christmas, Happy Hanukah, joyous Wednesday, and good luck in the new year!
That’s a wrap on Christmas 2024, but if you must have more here’s what we had to say on this day last Christmas and beyond:
We have reached another Christmas Day! It’s a great time to celebrate and enjoy the moment for tomorrow we mourn the passing of the season. It’s the great come-down every year. For this holiday, I am once again returning to my list of the best of the best when it comes to Christmas specials. This…
Welcome to Christmas Day 2022! We made it another year and another long year is ahead of us until we make it back, but right now, it’s time to celebrate! And in keeping with the theme of this year’s countdown, we are once again looking at another much beloved Christmas special on this day. Before…
We made it! Another year in the books, and another Christmas has come. Indulge in it. Bask in it, for it only comes once a year, and not to get too dramatic, but you never know how many you’re going to get. And we’re ending this year’s edition of The Christmas Spot with another throwback…
Ok, so I know we did Prep & Landing last year, and we already did Operation: Secret Santa this year, but I just had to complete the trilogy. Not to be a downer, but I don’t know if I’m going to do this next year so I need to make sure that I feel good about the list of Christmas specials I’ve covered here at The Nostalgia Spot. And Prep & Landing, being perhaps the best series of Christmas specials since the days of Rankin Bass, needs to get the full treatment. Well, all except for Tiny’s BIG Adventure. It’s not that the cartoon short starring the diminutive elf is bad, it’s just not essential. There’s a reason why it’s the only one not on Disney+.
Operation: Secret Santa felt like a little treat for fans of Prep & Landing when it landed in 2009, but Naughty vs. Nice is the true sequel to the original special. It’s maybe not the very next Christmas for our heroes Wayne (Dave Foley) and Lanny (Derek Richardson), but it is another Christmas that sees them sort of on the job. As was the case with Operation: Secret Santa, Lanny and Wayne won’t be asked to actually prep a house in this one. Instead, they’re tasked with saving Christmas from another threat, the dreaded jinglesmell1337! Yeah, it ups the stakes as sequels often do. In the first one, Wayne had to realize the value of his job and preserve Christmas for just one little boy. In this one, the villain threatens to take down the entire Santa Naughty and Nice list grid throwing the entire operation into pure chaos. The kind of chaos that not even Santa can solve quickly putting the entire holiday in jeopardy. Look what technology has done to Christmas!
Like the original, Naughty vs. Nice was essentially created to give the ABC network a Christmas special it could turn to year after year. And since it was the second half hour length cartoon in the series, it gave the network a solid hour of programming it would return to year in and year out. With the creation of Disney+, that network timeslot has probably lost some value, but it still aired this year back on December 10. Apologies for not getting to this one sooner in case you were hoping to go and watch it after this, but at least you still have streaming options.
The coal elves were mentioned in the original special, but now we get to see them in action.
This one begins like the previous one with a licensed Christmas song. This time it’s “Santa Claus is Comin’ to Town” as performed by Bing Crosby and The Andrews Sisters over scenes of an idyllic Christmas town. We move into a home and the camera settles on a fireplace with stockings hung with care about it. Then the music cuts out as a puff of black smoke filles the area and out comes The Coal Brigade! We saw a brief glimpse of the Coal Elves in the first special, but they weren’t elaborated on. Not that any was really needed. They were dirty and covered in soot and one could surmise these guys were in charge of delivering coal to the bad kids.
You don’t want to find one of these in your stocking.
As the elves emerge from the fireplace, one cocks his “gun” like a break-action shotgun, though it more resembles a gatling gun made out of roman candles. The other elf takes out his “fruitcake,” a little handheld device from which the elves communicate and document. They spy a drawing on the wall with crayons on the floor around it and the way the shot is framed it’s like they’re two crime scene investigators coming upon a corpse. Wayne’s voice fills our ears explaining the nature of these two as they spy other elements of naughty behavior including a broken lamp and a bad report card. They document everything and then send it back to HQ via a satellite in space. An elf there reviews the findings and confirms the naughty behavior. A supervisor elf then does the same to check it twice. A naughty rating is then relayed back to the elves via the fruitcake and they print out a ribbon that says “Try harder next year.” It’s affixed to a lump of coal and loaded into a gun which is then fired into one of the stockings.
Casey Jones? As a Storm Trooper?
As the elves make their way for the fireplace, they’re intercepted from behind by a masked figure. It’s clearly a child based on their stature sporting a “Not Storm Trooper” mask and towel for a robe. The child activates a toy, robotic, dog which comes running down the hallway at the elves. The elf with the gun unloads on the dog, but it does nothing since their ammo appears to match the sleep grenade we’ve seen the elves use and a robotic dog isn’t going to succumb to that. They scramble to get back up the chimney as the dog bites at them eventually escaping. However, our assailant pats the dog on the head and it opens its jaw to reveal the fruitcake! The child laughs in a distorted voice for it seems that was the goal all along.
Magee is back to coordinate another Christmas and her tree is still dead.
We are taken to the North Pole and a message on the screen alerts us that it is December 22nd, the following year. Magee (Sarah Chalke) is in her office coordinating the lead-up to Christmas and giving Tiny her order for what I assume is eggnog. She grabs the phone to place a call to Mr. Thistleton (Chris Parnell), the elf we saw in the prior scene checking the list twice. He appears to be the head tech elf when it comes to the Naughty and Nice list and coordinating of presents. Magee requests he deliver some good news “baby,” and he responds by calling her “baby” too, but catches himself and immediately seems regretful about it. Hey man, Magee created the hostile work environment first by calling you baby so don’t feel bad about returning with the same.
This kid is up to something. Something very naughty.
Thistleton does, however, have some good news to relay. It’s looking like this year will produce a record number of names on The Nice List and as he explains we see old pal Timmy Twerlep on said list. He’s getting a football. We also get a glimpse at the assembly line for toy production, though it’s mostly gift wrapping. They have conveyor belts of stuff and tubes to suck up the finished product and deposit them in a massive sack already loaded onto Santa’s sleigh. Suddenly, an image in red flashes across the monitor of one of the elves. The image is unmistakably the child we saw in the opening scene, mask and all, and for a moment the assembly line shuts down. It then resumes operation and the elves mostly shrug it off, all except Thistleton. He has the image on every monitor in front of him seemingly preserved as he narrows his gaze and remarks that someone is being very naughty.
Wayne is out doing some Christmas shopping for his favorite elf: himself.
Smash cut to old pal Wayne who appears to be driving a snow mobile while saying he’s been very nice this year. It’s a demo for a new model of snow mobile called a Natalé and it would seem that Wayne intends to get himself a rather expensive Christmas present this year. As he disembarks the floor model, Lanny (Derek Richardson) enters the showroom with his arms full of gifts. Lanny has been out shopping for others while Wayne is shopping for himself. I’m sure there will be no comeuppance later for such selfish behavior. Lanny gets slammed in the automatic door and doesn’t appear to have the wherewithal to just step out of it as he asks Wayne if he wants to come trim the tree with his family. Wayne tells Lanny that this shiny new Natalé is all the family he needs. He even asks the sales elf if he can remove the passenger seat. I guess he no longer has the same girlfriend he had in the prior special.
A Christmas ornament shaped gondola – makes sense.
Lanny’s fruitcake then flashes a dire sign: Cranberry Red. He holds it up to Wayne who springs into action ordering the sales elf not to sell the snow mobile as he’ll be right back. We cut to the pair on a gondola as we hear Magee apologizing for pulling them away from their holiday shopping spree. The gondola is basically a Christmas ornament and inside is like a mobile command center. Thistleton is appearing via hologram while Tiny drives. He informs the pair that someone has acquired a fruitcake conduct calculator and is attempting to hack the Naughty List, which they obviously cannot have. The person is known only by their online handle: jinglesmell1337. Lanny seems particularly taken aback by the image of the perp and their disgusting handle. Thistleton tries to humble brag following the disclosure of this information, but Magee ends transmission. Wayne then attempts to cut to the chase as he’s got this figured out: the big guy wants THE Prep & Landing elf to infiltrate the home of jinglesmell1337 and retrieve the stolen fruitcake. He announces that he will indeed undertake this mission, but Magee has some apparent bad news for him. She relays that the big guy does indeed want he and Lanny to get this item back, but also that he thinks they need the help of someone with expertise in the field of naughty children. In other words: a coal elf.
Either Lanny has a big thirst or the bartender is thirsty for Lanny.
Magee drops the two off in the Coal District and slips in a quick apology towards Wayne before ordering Tiny to floor it. Lanny thinks working with a coal elf is going to be pretty tinsel while Wayne doesn’t see the point. We then head into a coal elf bar. A more rock n’ roll type of song about naughty children (“Naughty Naughty Children (Better Start Actin’ Nice)” by Grace Potter) is played against a backdrop of coal elves shooting pool, tossing axes, and riding a mechanical bull. Because they’re covered in soot, the animation team can get away with making the bar cloudy and smoke-filled like a bar occupied by a bunch of cigar-chomping miscreants. At the bar, Wayne notes that their so-called expert is fifteen minutes late as the bartender delivers their drinks: hot chocolate. Wayne receives a pretty standard sized mug with a single marshmallow while Lanny receives an oversized one with several marshmallows and even some candy canes. He says “Thank you, sir!” as the bartender slides a piece of paper his way. It says Carol and there’s a phone number. Lanny then feels embarrassed as he realizes he just called a woman “Sir” and we finally pan to the bartender who is indeed a rather large, muscled, female elf. She seems unbothered by the slip-up and gives the elf a wink and moves along leaving Lanny to feel rather embarrassed. I say go for it, man.
Wayne, who very much wanted out of Prep & Landing in the first special, is now enjoys being the big shot of the department.
Wayne then looks to his left and sees an old coal elf (the credits would seem to suggest that this is Crumbles, voiced by Phil LaMarr) reading a newspaper. The headline is “Who Will be Elf of the Year?” and Wayne has no inhibition about offering up to the fella that he will be named Elf of the Year. The old guy puts down the paper and appears transfixed as Wayne confirms that he’s THE Prep & Landing guy. The elf has apparently heard of him, but mistakenly calls him Dwayne. He calls out to the other elves that Dwayne from preps and landing is in their presence and that he’s going to be Elf of the Year! Wayne basks in the attention modestly remarking how he’s here to save Christmas and all that while also remarking that their so-called expert is late.
Here’s an elf who knows how to party!
He’s interrupted by the sound of a novelty car horn as we hear an engine being revved. A voice cries out “Jingle Bam!” as a snow mobile comes barging into the bar in a cloud of coal dust. A large, rowdy, coal elf with big sideburns emerges from the snow mobile firing off finger guns to the adoration of all in the bar. He quickly apologizes to Carol for the mess, who shrugs it off indicating that she’s unbothered by his entrance. By the bar, Wayne looks horrified while Lanny is excited as he suspects this is their expert. Wayne just says “Noel” as this elf explains how he just dropped some serious coin on a brand, new, Natalé – it’s a turbo! Lanny notes it’s a lot like the one Wayne was going to buy, but he just says “Noel” again with disbelief. The elf explains that the dealer had another buyer, but he was able to sweet talk him into letting him take it. He then announces that he’s here to save Christmas and repeats his “Jingle Bam!” catchphrase again. The old coal elf then calls attention to Dwayne since he said he was going to do the same. Noel takes one look at “Dwayne” and calls him by his real name, Wayne, but the old elf corrects him and adds “No one ever listens to me.” Noel then orders Wayne to come and dispense with some hugging, but when Wayne doesn’t move Noel tackles him and puts him in a headlock. Through a collapsing wind pipe, Wayne is able to croak out an explanation to Lanny: this is Noel, his little brother.
Ooo, are we going to get some fireworks between these two?!
Lanny is understandably shocked to hear that Wayne has a brother as we next catch up with the trio at headquarters. Noel is in a good mood and happy to be finally teaming up with his big brother, who is in fact much smaller in stature than the coal elf, but Wayne does not seem to share in his brother’s enthusiasm. As they approach the hangar where Thrasher (Hayes MacArthur) resides, Wayne warns his brother that the secret reindeer can be pretty irritable and that it’s best he just doesn’t say anything. When he catches a glimpse of Thrasher, Noel’s face hardens. He marches over to him shouting out “Hey! Bambi! I told you if I ever saw you again I’d put your head on my wall!” Thrasher responds with a snort at him and a threat, but when Noel whips out a box of candy canes, the two erupt with laughter. It would seem they’re old friends making Noel one of the few creatures Thrasher actually likes. He does not feel the same way about Wayne.
Aww, kid Wayne and Noel were so adorable!
As the crew heads for their target, Noel is teaching Lanny how to properly utter a “Jingle Bam!” of his own. He’s having some trouble, but Noel encourages him to keep at it. He then takes a seat by Wayne who is reading a brochure for snow mobiles since he needs to find a new one. Noel informs Lanny that he was Wayne’s original partner, though not in Prep & Landing. We see a flashback of Wayne and Noel playing superheroes as kids. Wayne was Captain Avalanche and Noel was his sidekick Snowball. The flashback is shown like an old 8mm film and it’s a nice effect as we see the two playing to Noel’s narration. He then brings up a toy associated with the product, the Commander Avalanche Super Sled, and how Wayne wanted it so bad, but that Peterson kid (Peterson was also the elf who got the promotion Wayne wanted in the first Prep & Landing) got it instead. Wayne was enjoying the flashback until Noel got to that part and he especially doesn’t like Noel bringing up how he cried like a baby when he didn’t get that toy. Noel sighs wistfully as he says “My big brother, the big baby.”
Okay, this guy might be a little nuts.
Wayne angrily hops off the bench and reminds everyone that they have a mission to do. He asks Thrasher over the intercom how soon until they hit the drop zone, but Thrasher just snaps back, “Do not question me, Wayne! I tell you when we’re over the drop zone!” He then kindly informs Noel that they’re over the drop zone, much to Wayne’s annoyance. He even tosses in some words of encouragement about saving Christmas to old Noel. Wayne then summons Lanny for an equipment check, but Noel interrupts him to say the only thing they need is his big, freakin’, gun. Lanny is impressed with the weapon as Noel chuckles about the two still using parachutes. He then saunters over to the exit, and with a “Jingle Bam!”, jumps out. Wayne angrily removes his hat which contains his parachute and hands it to Lanny as he follows his brother. The two head for land, but as Noel lands on his feet with relative ease, we see Wayne completely miss the roof. Crashing sounds and a car alarm are heard as Lanny comes into frame safely via his parachute.
Noel is packing some serious heat.
It’s time to enter the belly of the beast, as Noel calls it. It must be he that extinguishes the flames of the fireplace for a large plume of smoke emerges before we see Noel and Lanny enter. Noel cautions Lanny that this is a dangerous mission and that one of them might die. He matter-of-factly states “Probably you,” which unnerves Lanny even more. Wayne then pops up between them stretching and cracking his back following that tremendous fall from Thrasher. He tells Noel to stop being dramatic and for the pair to follow his lead saying “Stealth is my middle name.” Lanny whispers to Noel “I thought it was Frances,” who nods in acknowledgement. Wayne then creeps over towards the tree and calls attention to an ornament on the floor. Standing beside it, he says that Noel would have stepped on it and blown their cover, but as he picks it up to put it back on the tree Noel cries out for him to stop!
Wayne, in his attempt to show up his brother, is just sloppy.
That’s because the ornament is connected via string to an iPod dock. Yes, this is from 2011 when an iPod dock could be found in many living rooms across the country. It activates and we get another lively, licensed, Christmas song (“Nuttin’ for Christmas” performed by Plain White T’s) which is sure to alert the residents in this house that someone is lurking downstairs. A quick cut to a teddy bear placed on a staircase with a glowing red light suggests a camera is in place. We then cut quickly to jinglesmell1337 at their computer as further traps are unleashed. A dump truck full of ornaments pulls up beside the trio and unloads on them. Noel gives the order to run and to “Serpentine! Serpentine!” as toys from the hallway fire Nerf-style darts. They reach the stairs with Noel and Wayne seemingly unscathed, but poor Lanny is loaded with darts.
It’s like the mini boss of the mission, the dreaded Hop With Me Bunny!
We cut back to jinglesmell1337 as they handle a video game controller. As the brothers reach the top of the stairs, they’re met by a purple, stuffed, bunny with a voice like Elmo. Hop With Me Bunny (Kevin Deters) is just a toy that hops in place and Wayne thinks he’s up to the task. He runs at the doll, but it drop kicks him back into Noel and Lanny. Noel announces that he’s got this, much to the annoyance of brother Wayne. He tackles the toy and puts it in a headlock. Wayne, ever defiant and determined to prove he’s as tough as his brother, tries to join in, but the rabbit kicks him again. Noel then pins it to the floor and with a mighty yell reaches into the beast’s chest to rip out its heart! I mean battery pack. The bar, gunplay, and now this apparent Mortal Kombat style fatality are all possible thanks to creative use of coal, sleep aids, and toys. Wholesome Disney is marketing violence to your kids, parents.
Lanny is doing his best, but I don’t think he’s cut out for these type of missions.
While this melee is taking place, Lanny decides to go for the fruit cake. We see him nervously darting and rolling towards the lair of jinglesmell1337. The kid is seen just sitting in front of their PC as Lanny removes the pin from a sleep grenade and nervously approaches. He spins the chair around and the head of the kid rolls off and to the floor. Lanny thinks he killed the naughty kid, and in his moment of panic basically forgets that he’s holding a live grenade. It goes off with a puff of sparkles in his face as Wayne and Noel come running down the hall. The bedroom door slams shut trapping Lanny inside as he tries to fight off the effects of the grenade. He rises to his feet as a figure approaches. He asks “Jingle Smell?” and the child emerges from the shadows. It’s a girl sporting a pink Disney Princess sweatshirt and a sour expression. Lanny can only look at her say, “but you’re so adorable!” before he passes out.
Behold! Jinglesmell1337!
After an act break, we find Lanny stuck to the wall being held in place by adhesive give tags. We’re also properly introduced to Grace Goodwin aka jinglesmell1337. Grace (Emily Alyn Lind) wants the password to the fruitcake so she can take her name off the Naughty List, but Lanny isn’t going to be too cooperative. He’s also loopy from the sleep grenade which essentially means he’s drunk. He’s coherent enough to question why he would ever help a kid remove themself from the Naughty List which is when Grace reveals him: Gabriel. Gabriel is her little brother and he’s revealed by her opening a door to his room where he slumbers peacefully in his crib. A connecting door between two kid rooms is rather unusual, but it works for the reveal. Grace says that ever since he was born, she’s essentially been getting blamed for his naughty, toddler, behavior. She details how he destroyed her favorite plush and I guess we’re to assume he’s responsible for the writing on the wall, busted lamp, etc. I’m not sure that we can totally blame the poor grades on the little guy, but maybe that alone isn’t enough to land Grace on the dreaded Naughty List.
Not a cameo I was expecting.
As Grace details her arguments towards Gabriel, Wayne and Noel can be seen lurking in the ductwork above. We also see some of Gabriel’s actions via a cutaway which includes a scene of Grace waiting to see Santa at a mall. A misbehaving Gabriel causes her mother to pull her away before she gets her turn and behind her is a clear reference to A Christmas Story of Ralphie waiting in-line to see Santa and that weird kid in the pilot gear is staring uncomfortably at him. Grace adds that no one notices her ever since her brother was born nearly two years ago (in case you were thinking he wasn’t the cause of her landing on the Naughty List the prior year) and she really needs Lanny’s help to get the password to allow her to access the fruitcake. Unfortunately, Lanny tells her that what he needs is a pizza! Dismayed she turns to her computer, but Lanny then suggests that maybe all she needs to do is say the magic word.
Umm, mission failed?
Grace giddily races to the computer and enters “Please” as the password and is instantly granted access to the fruitcake. She changes her entry on the Naughty List and does a celebratory dance in response. Noel, who has now moved under the bed amongst some stuffed animals, warns us that we don’t want to see what happens next as he basically cocks his gun while Wayne begins his descent from the ventilation – and gets his hat stuck in the grate. As the change is uploaded to the network, we see quick cuts of the satellite and Thistleton as things start beeping and a red image of Grace in costume appears on a screen. This is not good.
Do you even know how to use that thing, Wayne?
Noel decides to make his move as he army crawls across the floor. Unfortunately, he’s spotted by Lanny who calls out to him, “Noel! We’re getting pizza!” Grace then whirls around to see the elf, but Wayne intercepts Noel and yanks his gun from his hands. Declaring this is his mission, Wayne attempts to fire at Grace while Noel cries out a warning, and with good reason. Not only does Wayne miss, but the recoil of the gun sends him flying backwards where he lands in a tackle box full of makeup and has the lid shut on him. Noel then lunges for the fruitcake, but Grace does as well. They fight over it with one grabbing the fruitcake and the other the cable it’s connected to. It ends up getting sent soaring through the air where it smashes through a window to land down in the street. Grace may have been able to blame a lot of naughty stuff on her baby brother, but that broken window is pretty much all on her.
Don’t worry everybody, Noel has saved the day!
Noel springs into action as Wayne calls for him to stop. He tells his brother not to worry, he’ll get the fruitcake. He jumps out of the window and sees the device in the middle of the street. Unfortunately, a snowplow is heading right for it. Noel steals himself and makes a run for it deftly avoiding the plow and snatching up the fruitcake all in one motion. He then places a call to Magee to inform her mission accomplished, they have the fruitcake. She is, of course, delighted and even tells Noel he’s likely to win Elf of the Year for this! She’s interrupted by an emergency call from Thistleton and has to disconnect, but Noel is left feeling pretty good about himself.
Noel has picked up on his brother’s hostility towards him so he isn’t as dense as you might think.
An individual who is not feeling too good right now is Wayne who has followed his brother and is shown staring at his little brother from the sidewalk. When Noel announces to him that Magee said he’s likely to get Elf of the Year is when Wayne seems to feel totally deflated. He seems almost numb as he makes sarcastic quips as he slams his head into a nearby trash barrel causing a pile of snow to fall on him. Noel then finally asks his brother if he’s all right indicating that he’s been getting kind of a vibe from him so he’s not completely oblivious to his older brother’s hostility.
That is not the look of someone happy to see their brother.
From beneath the pile of snow, we see Wayne’s eyes laser-focused on his brother. He shakes the snow off and, despite the obvious cold, he’s steaming like a tea kettle. He starts yelling at Noel and throwing snowballs at him about how his problem is, and has always been, Noel. He accuses him of showing him up all of the time as he chases after him. Noel, to this credit, doesn’t stand his ground even though he could probably wipe the floor with Wayne. He apologizes for “Dolores” and swears he never knew there was mistletoe there. Wayne is apparently still mad about this so-called Dolores, but also the mission, the turbo, and pretty much everything. Grace comes running outside to witness the last of Wayne’s volley. As Noel tries to appeal to him by saying how great it is they got to go on this special mission together, Wayne reveals that he not only didn’t want to have Noel along for this, but he also wishes he never had a brother!
Words hurt, Wayne. Words hurt.
That one cuts deep. Noel stops running and lets the snowballs strike him harmlessly as he stares up at his brother from the street as he’s perched on a car. He has a serious expression his face, one we haven’t seen on the jolly elf yet, and tells Wayne he knows he didn’t mean that as he finally fires a snowball in retaliation. The blast of snow knocks Wayne off the car and to the ground as Wayne tells his brother to tell him he didn’t mean what he said. Wayne says nothing as he dusts himself off and won’t even look at his brother his face still simmering with rage. Noel’s face softens to one of hurt as he details that he always looked up to Wayne and thought of him as a hero, until now. The writers even slip a joke into this otherwise weighty moment by having Noel mention that Wayne taught him how to write his name in the snow. I don’t think we needed that, let the moment be.
I hope you didn’t forget about the sled, because Wayne sure didn’t.
Wayne still doesn’t turn around as Noel produces a gift from behind his back. Where he was concealing it no one really knows. He tosses it at Wayne’s feet with a half-hearted “Merry Christmas.” The box opens and out falls the Captain Avalanche Super Sled. No wonder why Noel mentioned it during their transport, he needed to get his brother fired up to finally get one. Wayne picks it up with awe and looks it over. It’s just as awesome as he remembered it. Now, it’s Noel’s turn to turn his back on his brother as he gathers up his hat. Wayne says the sled is even better than he remembered and adds that Captain Avalanche was nothing without Snowball – never have been, never will be. Noel stares a dagger over his should to quip “You got that right,” seemingly expecting more. Wayne then apologizes and somewhat sheepishly says “Jingle Bam?” Noel turns around with a smile, returns the “Jingle Bam!,” and pulls Wayne in for a great, big, bearhug.
There’s no more time for family drama, they need to get that device to that tower or Christmas is ruined!
Grace has been watching the whole time and a look of relief crosses her face to see the brothers makeup. Behind her, Lanny has apparently broken free to stumble out the front door asking if the pizza is here yet. Grace’s parents must be very heavy sleepers. Wayne gets a jingle in his earpiece and answers with a “Hello, beautiful,” so these elves really need a crash course in workplace etiquette from HR. It’s Magee, naturally, and they have a crisis. She asks if Wayne is in possession of the fruitcake and he indicates that he is. Something is wrong though as they now have a glitch in the system that is placing every child in the world on the Naughty List! Thistleton indicates it’s an issue originating from the fruitcake, but he can’t seem to interface with it. That would be because the antenna is broken. Thistleton instructs Wayne that he needs to basically find a new antenna, but not just any antenna, the most powerful antenna he can source. The elves are dumbfounded when they hear this, but the still drunken Lanny happily points out a giant antenna on a nearby building. Perfect!
These elves have abandoned all notions of stealth at this point.
Grace, who understands this is all her fault and would like to make amends, begins rewiring the fruitcake so that it can accept the new antenna. As the crew races over to the building, we see Lanny is riding in Grace’s backpack. As she finishes what she’s doing, she tosses the device to Wayne and also apologizes for being so naughty. Wayne just encourages her to always be her brother’s hero while Lanny tries to insist that he’s coming with them, only to suddenly pass out. At headquarters, the Naughty List has consumed about 75% of the world’s children and it’s climbing. The implication here is that if it hits 100% there’s somehow no way to undo it because we need some real stakes here, people.
Spider elves, spider elves…
Wayne and Noel race up a tree outside the building and use a cable attached to the building like a zipline. Now they’re actually working together in a functional manner with Wayne using his silly, curled, elf shoes as the zipline handle and Noel grabbing onto his hands. When they reach the side of the building they’re met by a series of lighted snowflakes which have been mounted to the side of it. Noel notes it looks like the lair of Professor Permafrost prompting Wayne to toss him one of those candy cane grapnel launchers with a “Race you to the top, Snowball!” The two elves move with lightning speed up the obstacles like Spider-Man, but a new obstacle awaits them at the top.
Jingle Bam!
When they reach a landing the pair is met by grating above them that they can’t simply scale. There’s also some high voltage warnings indicating that they might not want to go any further even if they could. Noel asks Wayne what they’re to do now, but Wayne has an idea: the Captain Avalanche Super Sled! With it’s suction cup grappling hook and zipline action, they can shoot it through the grating with the fruitcake attached! Wayne then wisely hands the sled to his brother noting that he’s the better shot. Problem is, Noel can’t get a clear view of the tower because of the grating and some flags. Wayne, with Magee chirping in his ear, has one final solution: holiday hug. He tackles his brother off the landing and activates his parachute. The parachute allows the pair to float above the grating clearing the way for Noel to fire the Super Sled at the antenna and activate the zipline feature to bring the fruitcake where it needs to be. Parachutes don’t really work that way, but maybe there was some giant fan below them that wasn’t shown?
And not a speck of mistletoe in sight.
With the fruitcake in position it’s able to sync with the computer at the North Pole. Almost instantly, the Naughty List comes down replaced with a record number of Nice List occupants. Maybe this even worked out for some kids who were supposed to be on the Naughty List? A celebration breaks out up at the North Pole and Magee is so overjoyed that she plants a wet one on Thistleton. This is a full blown HR crisis at this point. Wayne and Noel celebrate as well and a crisis would appear to be averted.
Love your siblings, folks. That’s the message here.
We’re then shown a clip of Christmas morning. Grace, who did not make the Naughty List, receives a brand new Miss Whiskers, her favorite toy her brother destroyed. She’s so happy that she even hugs the little guy and wishes him a merry Christmas. We’re shown this via Santa’s magic snow globe as the big guy is here to put a bow on this thing. The moral of this story is that family is everything. Wayne thanks Santa (W. Morgan Sheppard) for pairing them up with Noel adding it was the best Christmas present ever. Santa then notes the time, 4:30, and how they don’t want to be late.
Oh good, I’m so relieved they got to share the award. Nice dress, Magee.
And what don’t they want to be late for? Why, the Elf of the Year presentation! And wouldn’t you know, the award is being shared this year by both Wayne and Noel. Lanny and Magee are there to celebrate with them as the pair triumphantly hold up their award. The credits then enter with Crumbles, the old elf, looking at the newspaper about it still insisting that Wayne’s name is actually Dwayne. Carol is also present and she reprises the song from earlier seemingly revealing that she is the vocalist of this group? Good for her.
Carol apparently has a set of pipes to go with those biceps.
And that’s the end! A kid mistakenly placed on the Naughty List finds her way onto the Nice List while Wayne the elf learns to appreciate his family above things, glory, and so on. Noel gets celebrated as co-Elf of the Year and demonstrates he’s a very forgiving elf while Lanny is basically just along for the ride. Naughty vs. Nice has a lot of the elements that made the original Prep & Landing so much fun. We get sneaky, super specialized elves who have to overcome personal problems for the greater good. There’s a race against time and Christmas is in jeopardy, but it all works out in the end.
It’s just that Naughty vs. Nice is a bit messy compared with the first special. How is Santa’s Naughty and Nice system so bad that kids are getting blamed for the misdeeds of a baby sibling? That seems like quite a flaw in the system that would impact a lot of children, not just Grace. She also went about addressing her problem in a pretty naughty manner that I guess is just forgiven since she ends up helping Wayne and Noel solve the problem she created, in response to a problem caused by Santa, which was caused by her brother. It’s certainly a thing.
Wayne really didn’t deserve his brother’s forgiveness.
Where this special really doesn’t work as well for me as the original is with Wayne. In the first Prep & Landing, Wayne basically flirts with the Naughty List himself. He maintains some sympathy though in doing so because he feels overlooked and unappreciated. Again, a problem caused by the top of the North Pole hierarchy. What’s that big man do all year? In this one, Wayne is just plain hostile towards his loving, adoring, brother out of pure jealousy. Even before Noel enters the picture, Wayne can be seen downplaying the importance of family and overinflating his own ego with boasts of winning Elf of the Year and being THE Prep & Landing guy. He’s a total dick not just to Noel, but to Lanny who he completely dismisses. And as for Lanny, the special basically treats him the same. He’s basically sidelined in this one. Sure, he gets a couple of funny lines and basically gets to be drunk, but he should be pretty pissed with Wayne too and he gets nothing.
Basically what I’m saying is that Naughty vs. Nice has an unlikable protagonist. We went from moments of frustration with Wayne in the first special to outright detesting him here. He’s basically the villain and he gets off easy. He gets the present he’s always wanted, the award he coveted, and all he had to do was say “I’m sorry.” Noel would have been justified in refusing that apology and maybe he should have? Wayne should not have been rewarded with Elf of the Year. I think it would have been a much better arch for him if he was forced to humbly congratulate Noel for receiving the honor.
Poor Lanny had a tough time in this one. Hopefully the new special is a better experience for him.
In spite of all of that, is Naughty vs. Nice worth a watch? Yes, it’s still entertaining, just a bit frustrating. I think it really needed one more pass by a script doctor or someone who had been separated from the pre-production process who would have recognized that Wayne was awful and needed refinement. It’s similar to the original Toy Story which had to do the same thing with the Woody character when it was realized that he was far too villainous initially and needed refinement. I can excuse the sidelining of Lanny because there’s only so much room in a 23 minute cartoon, but the Wayne character is a tough pill to swallow. There’s still a relatively fun story here and the action is well done. There’s humor, and Michael Giacchino’s score is as excellent as ever. It’s just not as enjoyable an experience as the original Prep & Landing.
If you would like to view this or the first one, Disney+ is the easiest way to do so. The specials are also likely being shown on Freeform if you have cable and may even still have an airing scheduled this late in the game. The special was also released on DVD and Blu Ray with the first one and isn’t terrible expensive should you wish to go that route. And if you love these characters then be on the lookout for a brand new Prep & Landing coming in 2025. I honestly thought the franchise was dead when Disney+ was launched without the promise of a new one, but I’m happy to see it’s going to continue. Hopefully, the next one let’s Lanny do something.
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
I realize we just did a Christmas post the other day set in a mall, but at least this one is actually set at Christmas! And we’re pivoting from Nicktoons to Disney toons (which surprisingly don’t have their own fun branding) with the short-lived cartoon Future-Worm! I’ll be honest, before doing this post I had…
As we’ve maneuvered through the countdown for 2022 the theme of The Christmas Tape has stayed strong. And today, I am going down a rabbit hole because of that tape. If you read the first entry this year, you may recall I talked about a Cinnamon Toast Crunch commercial that contained a contest for kids…
One of the franchises I have great admiration for is The Chipmunks, or Alvin and The Chipmunks. It’s been around since 1958 when Ross Bagdasarian Sr. came up with a novelty song called “The Witch Doctor.” Realizing he could make funny sounds by speeding up his voice, a tactic cartoon makers had been utilizing for…
The Nostalgia Spot 