We made it! Another year in the books, and another Christmas has come. Indulge in it. Bask in it, for it only comes once a year, and not to get too dramatic, but you never know how many you’re going to get. And we’re ending this year’s edition of The Christmas Spot with another throwback to a terrific holiday classic: Mickey’s Christmas Carol.
When it comes to Christmas specials, there’s no shortage of A Christmas Carol adaptations. It’s the most frequently utilized framing device for a holiday special, be it animated or live-action, and there’s no shortage of just straight retellings too. Even Disney has released multiple theatrical versions of the Charles Dickens classic, and for my money, the best version of A Christmas Carol is the one released in 1983 starring a duck and mouse.
Mickey’s Christmas Carol is basically a trimmed down version of the Dickens tale faithfully retold through animation. The familiar Disney characters we all know and love are essentially actors in this story as Mickey Mouse isn’t referred to as Mickey by the characters in the story, he’s Bob Cratchit. It’s essentially what the Muppets would do a decade later, only this isn’t really a comedy as it basically plays it straight. When it released to theaters in 1983 it was a pretty big deal for the simple fact that it was the first Mickey Mouse cartoon in 30 years to be released in theaters. It unfortunately didn’t lead to a new era in theatrical short-form animation, but the following decade was certainly better than the preceding ones as far as quantity goes.
Being that this was the first Mickey Mouse cartoon in 30 years, it marked an era of new beginnings and ends. This was the directorial debut for writer/artist Burny Mattinson. Mattinson would go on to co-direct The Great Mouse Detective, but after that basically returned to his role as a writer for the remainder of his career. For many, this was the first time people were hearing Wayne Allwine as Mickey and Alan Young as Scrooge McDuck. Allwine, who worked in the sound department under his Mickey predecessor Jimmy MacDonald, had started voicing the mouse in some uncredited appearances on The New Mickey Mouse Club, but this theatrical short (which was essentially designed to go right to television given its running time) offered more exposure and a true credit, too. For Young, this was actually his second time voicing Scrooge in the role of Ebenezer Scrooge as he first took on the role for an LP release titled An Adaptation of Dickens’ Christmas Carol, Performed by The Walt Disney Players in the 1970s. He even voiced Mickey on that release. This cartoon was obviously more far reaching than what was essentially an audio play and Young would retain ownership of the role into DuckTales later in the decade and really for the rest of his life. As for ends, this would be the final credited appearance of Clarence “Ducky” Nash as Donald Duck. He had been the sole voice of the character since creation, but would turn it over to animator Tony Anselmo (who was an uncredited assistant on this production) in 1985.
Other notable performances include Hal Smith voicing Goofy for the second to last time. He didn’t voice the character a ton, but Goofy is still a character with a fairly exclusive list of actors credited as performing his voice. This was also the first time Will Ryan would voice Willie the Giant and that’s a role he filled until his death earlier this year (RIP). For actor Eddie Carroll, this was arguably his most exposure as Jiminy Cricket since taking over the seldom used character in 1947. He would voice the character in his other appearances following this pretty much right up until his passing in 2007. Lastly, this is seemingly the first, and only, time Patricia Parris voiced Daisy Duck. Daisy was somewhat of a seldom used character in the 80s and 90s who had multiple voice actors playing the role until Disney seemed to settle on Tress MacNeille as the one and only Daisy sometime around the year 2000. The only credit missing is one for Minnie Mouse, but that’s because her role is silent in this one. Yeah, it wasn’t the best look to see Minnie reduced to a silent cameo, but this was during her silent era which had been going on for decades. Russi Taylor would eventually be cast as Minnie later in the decade finally putting an end to the madness, but we were denied such a performance in this one.
After it’s theatrical release alongside a re-release of The Rescuers, Mickey’s Christmas Carol would go on to have a long run as a prime time television special around the holidays. That was how I first encountered it and also how I fell in love with it. Even though the special seems to be purposefully crafted to fit into a half hour broadcast, it would actually be aired as an hour long special with some Christmas or winter themed shorts attached. The version I am most familiar with aired on NBC and was preempted by the following classic shorts: Donald’s Snow Fight, Pluto’s Christmas Tree, and The Art of Skiing. In between the shorts, there would be narration from Mickey describing the favorite Christmas memory of his friends, which would lead into that character introducing their own short (including Pluto who can be heard barking at Mickey). They would also show clips from other shorts like Toy Tinkers and Mickey’s Good Deed before eventually getting to Mickey’s favorite Christmas memory, the year they all got together to tell the story of A Christmas Carol. “Ha ha, we called it Mickey’s Christmas Carol,” he adds a bit sheepishly, almost like he’s a little embarrassed that his name went on this thing. Especially since Scrooge McDuck is the real star!
This one begins with some rousing horns and the classic Mickey head logo only it’s been dressed up with a hat and scarf. From there, we go into a lovely little opening title sequence. Still images in a monochrome, sepia, style from the cartoon to come are displayed along with the credits. It’s set to the song “Oh What a Merry Christmas Day” by Irwin Kostal (lyrics by Fredrick Searles), who conducted all of the music for the cartoon. The song really is quite nice and I think it’s been underserved by Disney ever since it was released. This should be their Christmas song, but I don’t think I’ve ever heard it outside of this cartoon. The final image of the sequence eventually dissolves into some scenery that is just gorgeous. This one seems to be set in the same era as the original story, 1843, as we get a little multi-plane camera action that zooms into a street setting where the sidewalks are populated by beggars and busy bodies and the streets by horse drawn carriages. It’s important to note that all characters in this cartoon are personified animals from past Disney films and shorts. You’ll probably immediately see the three little pigs and the big, bad, wolf as well as many faces from Robin Hood and The Wind in the Willows.
Ebenezer Scrooge is strolling down the street looking rather unapproachable. A beggar (Young) asks him if he has a penny for the poor and Scrooge just scoffs at him. He eventually comes to the front door of his counting house, and before entering he knocks the snow off of his sign which reads Scrooge & Marley, only Marley’s name has been scratched out. It’s then Scrooge informs us (I’m not sure if we’re to read this as him breaking the fourth wall or him just talking to himself) that his old partner, Jacob Marley, died seven years ago today. He boasts the man left him enough money in his will to pay for a tombstone, but he had him buried at sea! Not said, is that Scrooge is so cheap he’d rather just cross his name off of the sign than get a new one. I also wonder if he’d bother to knock the snow off of the sign if it was covering Marley’s name instead of his own.
When Scrooge enters the counting house, he finds his lone employee, Bob Cratchit, up to something over by the fireplace. He demands to know what he’s doing, and Cratchit indicates he’s just trying to thaw out the ink for his quill which is coated with ice. Scrooge is apoplectic that Cratchit would dare to use two pieces of coal in the span of a week and demands he get back to his work. Cratchit takes it in stride and hops up onto a tall chair and appears to make do with the frozen quill as Scrooge begins to remove his coat and hat. Cratchit then brings up the topic of Christmas, very gingerly as Scrooge bristles at the mere mention of the holiday. Cratchit meekly requests a half day off for the holiday, which is tomorrow, and Scrooge reluctantly obliges. Only it’s on the condition that he only receive half a day’s pay. He then tries to recall what he even pays his one, and only, employee and Cratchit has to correct him that he’s up to two shillings and a ha’penny per day on account of a raise he got three years ago when he agreed to start doing Scrooge’s laundry. Scrooge smiles to himself at the confirmation, likely quite satisfied to have such cheap help, before his scowl returns as it reminds him the sack he’s had slung over his shoulder is a bundle of shirts for Bob to wash.
Scrooge heads over to his desk and starts making entries in his log. He starts tallying up interest payments (he’s nailing one guy for 80%) and basically playing with the coins on his desk laughing to himself. He goes so far as to embrace a pile of coins remarking “Money, money, money,” to himself in a sequence that would be adorable if it wasn’t so illustrative of his excessive greed.
A bell attached to the door, I suppose that makes it a doorbell, rings with the opening of the door. It’s Scrooge’s nephew, Fred, played by the character Scrooge McDuck also calls a nephew, Donald Duck. Fred arrives by shouting “Merry Christmas!” which his uncle responds to by shouting “Bah! Humbug!” Fred refuses to let his sour uncle get him down and he has Cratchit cheering him on. When Scrooge demands to know what Bob is doing by clapping for Fred he suggests he’s just trying to keep his hands warm. Scrooge demands to know why his nephew is there to bother him and Fred tells him that he came to bring him a wreath and to invite him to Christmas dinner. Scrooge seems actually delighted at the invitation and starts asking Fred about the menu. As Scrooge inquires about each dish, Fred enthusiastically confirms that he’s serving it as his excitement builds up until he finally asks “Are you coming?!” Scrooge then reveals he’s just been toying with the lad by saying he can’t eat that stuff. Fred is clearly hurt, but Scrooge feels he’s wasted enough of his time as shoves the wreath over Fred’s head and literally kicks him out the door. We hear the unmistakable quacks of anger from Fred as he apparently soars off of Srooge’s stoop, only he quickly returns to open the door to shout, once more, “Merry Christmas!” and slip the wreath over the doorknob. Scrooge angrily shoots back, “And a bah humbug to you!”
Cratchit reflects on how kind Fred is, but Scrooge suggests he’s always been a little peculiar. The bell by the door rings again as Scrooge angrily adds that his nephew is quite stubborn, but his mood does a total 180 when he sees that two potential customers have entered. It’s the most personable we’ve seen of Scrooge yet, but unfortunately for him the two gentlemen who just entered are not looking to secure a loan with unfavorable rates. They’re two solicitors for the poor and they’re played by Ratty and Moley (voiced by Smith and Ryan) from The Wind in the Willows. Scrooge sort of recoils at the mere suggestion he just donate money to the needy, but seeing as how he has a business to run, he doesn’t toss the two out like he did his nephew. Instead, he uses some rather twisted logic to indicate that the job of these men are dependent on there being poor, and if Scrooge gives money to the poor, well then they won’t be poor anymore! He then practically begs them not to ask him to put them out of a job, especially not on Christmas Eve! The two completely fall for it as Scrooge gently nudges them outside, but just before closing the door, the real Scrooge emerges as he tells them “I suggest you give this to the poor and be gone,” and tosses the wreath Fred gave him in their direction before slamming the door. We get one lingering shot of the two collectors looking shocked as the wreath swings back and forth on the nose of Moley.
An exasperated Scrooge slumps against the door as he asks his employee, “What’s this world coming to, Cratchit? You work all your life to get money, and people just want you to give it away!” Cratchit doesn’t respond as Scrooge heads to his desk and time passes. It’s dark in the counting house and the clock strikes 7, a long work day is apparently over. A very tired Bob Cratchit is able to smile a bit as the clock bells go off and he begins to head out. Scrooge, checking his pocket watch, then remarks the wall clock is two minutes fast. Cratchit says nothing and quickly jumps back into his chair and into his logs. Scrooge then tells him not to mind the two minutes, but adds that he better be here all the earlier the next day. The animation seems to suggest that Scrooge’s watch and the clock on the wall are in agreement. I wonder if that’s an animation goof or if Scrooge is so manipulative he’d make his employee think he’s leaving early to encourage him to arrive for work earlier in the future? Either way, Cratchit seems positively giddy to be getting out a whole two minutes early and tells his boss that he is so kind. This is clearly the nicest thing Scrooge has probably done for him since that raise three years ago. Cratchit bundles up in his tattered hat and scarf and nearly wishes his boss a “Bah! Humbug,” but corrects himself to “Merry Christmas!” before departing. Scrooge just scoffs and returns to his work.
When the clock strikes 9, Scrooge finally calls it a day. He puts on his coat and hat and heads out into the snowy, now deserted, streets for a lonely walk home. This walk cycle always floors me with how gorgeous it looks as the snow looks so authentic and the movement of Scrooge so accurate to how this character would move if he were real. He eventually reaches his home, a fairly large looking house with a gaudy, gold-colored, door knocker. As Scrooge goes to unlock it, the visage on the knocker changes to resemble what we, the audience, know to be the face of Goofy, but here he’s Jacob Marley. He calls out in a low, mournful, manner for Scrooge which certainly gets his attention. Scrooge just says “Jacob…Marley?!” at the sight, and when the knocker returns with another wail, Scrooge squeezes his nose which causes him to yell out in pain. This frightens Scrooge into the house while we’re left to see Goofy scrunch up his nose and remark in typical Goofy fashion, “Gwarsh!”
A shaken Scrooge enters his dark and cold house. Wide eyed, he jumps onto a tall staircase and peers through the darkness frantically, but seeing nothing, cautiously begins his ascent up the stairs. As he climbs, a shadow of Marley appears on the wall behind him. The shadow is loaded with heavy chains and makes quite the noise as it moves and Scrooge notices almost immediately. When he stops, the shadow stops, and when he spins around it disappears! Scrooge then resumes his climb and the shadow respawns, only now it’s feeling playful as it lifts Scrooge’s hat off of his head. Scrooge then carefully sticks his cane out behind him and basically tickles the shadow. As it laughs, Scrooge is able to spin around and catch sight of it. The shadow drops his hat while Scrooge yells and races up the stairs into his bed chambers.
Once inside, Scrooge engages numerous locks on his bedroom door (that’s kind of irregular) before retreating to a large chair. Shaking, he pulls his hat low as Marley’s haunting calls for Ebenezer Scrooge return. Scrooge barks back for him to go away, but the ghost enters. As he walks through the door, he fails to negotiate the cane Scrooge hastily left on the floor and trips over it coming to land right beside Scrooge’s chair. Marley pops up remarking it’s kind of slippery as Scrooge lights a candle in disbelief. The ghostly apparition confirms to Scrooge that he is indeed the ghost of Jacob Marley. Scrooge then softens a bit and starts recounting how Marley was a class act who bravely robbed the widows and swindled the poor. Marley seems rather proud of himself before something reminds him that basking in such praise is not what he came here for. He snaps out of his contented state to correct Scrooge. Declaring he was wrong to live his life in such a manner, he reveals he was punished for all eternity for his crimes against humanity as he flings his chains about. They’re his curse, but wrapped around one is a piggy bank that Scrooge takes interest in. When Marley, deep in his dramatic recounting of his cursed state, yanks on the chains they wrap around Scrooge’s neck drawing him closer to Marley and choking him in the process.
It’s at this point that Marley reveals to Scrooge that the same is in store for him when his time is up. Scrooge seems legitimately scared of such a fate and begs his old partner for help. It’s at this point Marley gives him the old “You will be visited by three spirts,” routine, only since this is Goofy he holds up just two fingers when saying “three.” He warns Scrooge that if he doesn’t heed the advice of these spirits that his chains will be even heavier! He then departs with a haunting “Farewell,” and as he vanishes through the door Scrooge calls outs out for him to “Watch out for that first,” before we hear the sound of Marley falling down the stairs with the familiar Goofy yell accompanying it. When the crashing sounds end, Scrooge finishes his warning, “…step.”
Scrooge, now dressed in a gown and cap for sleeping, is inspecting his room for spirits, it would seem. He flashes a candle in the fireplace and under the bed, but seeing nothing he climbs into bed scoffing at the notion of spirits as he blows out his candle. He quickly falls to sleep, and then the camera starts bouncing! We’re clearly seeing the point of view of another creature, which heads for Scrooge’s nightstand. It’s Jiminy Cricket, who rings the bell on Scrooge’s clock to wake him from his slumber. A groggy Scrooge turns to regard this individual who informs him that he’s the Ghost of Christmas Past. Jiminy even displays a fancy badge, like the one he receives at the end of Pinocchio, confirming his identity. Scrooge rather casually remarks he thought he’d be taller, then turns to go back to sleep. The cricket fires back that if men were measured by kindness, then Scrooge would be no bigger than a speck of dust! Scrooge tells him what he thinks of kindness and its usefulness, which Jiminy reminds him he didn’t always feel that way. Declaring it’s time to go, Scrooge encourages him to get out, but when the ghost opens the window Scrooge is suddenly out of bed.
Confused, Scrooge asks the ghost (which he always addresses as Spirit) what he’s doing. He tells him they’re going to visit his past, but Scrooge lets him know he can’t go out the window without falling. The ghost just tells him to hold on, and when he opens his tiny umbrella the two sail out of the window with a gust of wind! They fly through the night sky with Scrooge becoming ever frantic like a cat that accidentally wandered onto a motor boat or something. The spirit actually laughs at him, suggesting he thought Scrooge enjoyed looking down on the world.
Eventually, the two come to rest outside a tavern. It belongs to an individual named old Fezzywig, Scrooge’s former employer. Scrooge is excited to peer through the window and the sights are full of Disney cameos. Scrooge remarks that Fezzywig couldn’t have been a kinder person to work for, which is interesting since he doesn’t appear to find that trait useful for himself as an employer. He then gets excited when he spies a younger version of himself seated in the corner. The spirit points that this is the version of Scrooge that hasn’t yet become a miserable miser consumed by greed which doesn’t seem to offend Scrooge in the least as he casually responds “No one’s perfect.” Scrooge then narrows his focus on Isabelle, as played by Daisy Duck. He refers to her as “lovely Isabelle,” and we see her pull the young Scrooge out onto the dance floor. She rather unapologetically begs Scrooge for a kiss by pointing out she’s primed and ready and under the mistletoe, but Scrooge instead takes note that she’s standing on his foot. She doesn’t allow herself to be bothered as she takes Scrooge’s hands and the two dance. When the song ends, Belle plants a kiss on Scrooge which he rather clearly enjoys.
The present day Scrooge is left swooning too as he recalls how he was madly in love with her. The spirit then reminds him that in ten year’s time he came to love something else. Scrooge looks around and realizes they’re in his counting house on a dark, and rainy, evening. The young Scrooge is seated at his desk behind a mountain of money he’s counting out as Belle enters. She has to interrupt his counting to get him to acknowledge her, and he won’t even stand up to look at her from behind his wall of coins. She then delivers in rather unforceful terms an ultimatum. She’s been waiting for Scrooge to keep his promise to marry her as she’s been holding onto a cottage for the two of them for years. She asks if he’s come to a decision, and Scrooge rather angrily indicates he has. Belle’s last payment on the cottage, which she apparently financed through him, was an hour late allowing Scrooge to foreclose on the mortgage. As he waves the document in her face, Belle begins to sob and head for the door as broken hearts flutter about in the air – a little corny, but effective. She casts one, last, look in Scrooge’s direction and her face morphs from sadness to anger as she slams the door behind her causing all of the coins to scatter on Scrooge’s desk.
The spirit pushes the knife in deeper by pointing out that Scrooge loved his gold more than Belle causing him to lose her forever. Scrooge then begs the spirit to take him home declaring he can no longer bare these painful memories. The spirit adds that he fashioned them himself, as the scene shifts back to Scrooge’s bedroom. He’s in bed asking himself how he could have been so foolish when he’s roused from his thoughts by a loud, booming, voice. The voice shouts “Fee! Fi! Fo! Fum!” and the being indicates it’s puzzled by the smell of something unpleasant. Scrooge peers out from behind his bed curtains to see a massive man (the only human looking denizen of this world) surrounded by food. He quickly shuts the curtains, before pulling them open carefully again and a giant eye fills the opening.
The titanic spirit (portrayed by Willy the Giant from Fun and Fancy Free) reaches into the bed to confirm that he has, indeed, smelled a stingy, little, Englishman. Scrooge emerges from the creature’s grasp and has it confirmed that he’s the Ghost of Christmas Present. Scrooge then takes note of the delicious looking, giant-sized, food before him. He asks where it all came from and is informed that it’s “The food of generosity, which you have long denied your fellow man.” Scrooge scoffs at the notion as he passes through a bundle of grapes, getting one stuck on his foot. He suggests no one has ever shown him generosity, and the spirit is forced to correct him that, despite his not being deserving of it, there are still some out there who do indeed extend good tidings to him. Scrooge tries to assure the spirit that this is not the case, but he’s just told. “You’ll see.”
With Scrooge in the pocket his festive, green, robe, the spirit leaves Scrooge’s home. Since he is a literal giant, he has to lift the roof of the house off to step out. He then grabs a street lantern, which magically functions like a flashlight, as he goes on a search for a specific home. He checks one and the screams of a woman from inside alerts him that he’s not in the right place. He soon finds the home he’s looking for and dives onto his knees outside of it. One would assume a giant jumping around outside would get the attention of the whole neighborhood, but no one seems to notice.
The spirit removes Scrooge from his pocket and deposits him outside the home. Scrooge, rather angrily, demands to know why he brought him to this old shack. The spirit then tells him it’s the home of his overworked, underpaid, employee: Bob Cratchit. Scrooge looks inside and sees Mrs. Cratchit placing dinner on the table. He cracks a joke by asking if she’s cooking a canary, then, perhaps sensing the ire of the giant, says they must have more food than that and points out a pot boiling over a fire. The spirit corrects Scrooge by telling him that’s his laundry, and the two go quiet and just observe as Bob tells his two children they must wait for Tiny Tim (Dick Billingsly). The small boy tells his father he’s coming as he slowly descends the stairs with the aid of a cane. His father whisks him over to the table where the boy enthusiastically declares there’s a lot of wonderful things to eat. Then reminds his family that they must thank Mr. Scrooge. His mother can’t muster up a response except just to smile politely and avoid his gaze, she probably spends many hours of her day cursing that name. Bob sits down and begins cutting a single pea for himself. Seeing that this is apparently all his dad has to eat, Tiny Tim offers him the drumstick from his plate, but Bob, sort of sadly, just hugs the child refusing to take the offering.
Scrooge asks the spirit what’s wrong with Tim, and he responds, “Much, I’m afraid. For if these shadows remain unchanged, I see an empty chair where Tiny Tim once sat.” Scrooge can only respond with “Tim will…?!” but there’s no spirit to answer him. He looks around and the scenery grows foggy as Scrooge begs for the spirit to return through coughing. A shadowy figure appears smoking a cigar, the apparent source of all the smoke. Scrooge, clearly terrified of this new apparition, asks if he’s the Ghost of Christmas Future. The spirit only nods as Scrooge, rather carefully, begs to know what will happen to Tiny Tim.
The spirit simply raises an arm and gestures. A cemetery comes into view and a small headstone sits beneath a tree. Bob is beside it, clutching Tim’s can, as his wife and other two children lower their heads and walk away. The camera focuses on Bob as he sniffles a bit and a tear runs down his cheek. It’s a truly heartbreaking sight. He then lays the cane on the headstone and slowly walks away.
Scrooge can only wail “Oh no!” at the sight, before turning to the spirit. He declares he didn’t want this to happen and begs to know if these events can yet be changed. The spirit doesn’t respond as a raspy pair of voices fill the air. Two weasels (voiced by Allwine and Ryan) are laughing about a recent funeral they just witnessed. They’re grave diggers, and the person they’re digging a grave for apparently had a funeral with no mourners. One laughs and says they should take a break, since “He ain’t going no where,” as they laugh and walk away. Scrooge and the spirit approach the open grave and Scrooge, likely knowing the answer given how spooked he sounds, asks to know whose lonely grave this belongs to.
The spirit strikes a match and as he lights his cigar his hood falls away. It’s Peg Leg Pete (Ryan), and he lets him know that the grave belongs to him! He holds the match beside the headstone so Scrooge can see his own name. The spirit then slaps his back, knocking Scrooge into the grave, as he shouts, “The richest man in the cemetery!” and breaks out into laughter. As Scrooge cries out for help, the spirit only continues to laugh harder. Scrooge, holding onto a root, dangles above his own coffin which soon billows with smoke and an eerie red light shines from within. It begins to open, and as Scrooge falls towards it he shouts “I’ll change! I’ll change!”
Scrooge tumbles out of bed tangled in his own curtains. He’s shouting demands for the spirit to let him out before he realizes he’s back in his own room. He runs to the window declaring it’s Christmas morning! He shows his elation by hugging a pigeon that was on his window sill and declares the spirits have given him another chance. He frantically searches for his robe, accidentally stepping through his hat and ripping through the top, as he tosses on a scarf and runs out the door. He then runs back in and declares “I can’t go out like this!” Mind you, Scrooge is in his nightgown and slippers with a red coat, scarf, and busted hat. He then grabs his cane and declares “There!” in a bit of a fake out before running back outside.
Scrooge gleefully slides down a short, snow-covered, banister and crashes into the individuals who showed up at his counting house the prior day collecting funds for the poor. Scrooge is happy to see them, though they don’t appear to feel the same way about running into Scrooge again. He tells them he has something for them, but they try to deflect him as they likely assume it’s more insults or another wreath, but Scrooge surprises them with gold. He fills the mole’s hat and slaps it down on his head as the rat reacts with shock and punctuates it with an “Oh no!” in disbelief. Scrooge thinks, or acts like he thinks, that the rat thinks this isn’t enough and starts tossing more money. This schtick goes on until Scrooge literally fills the mole’s pants with money leaving them with 100 gold pieces. As Scrooge cheerfully heads to his next destination, the two call out a “Merry Christmas to you!”
Scrooge merrily dances through the streets greeting people who are clearly shocked to see this side of Scrooge until his nephew nearly runs him over while riding a horse. Scrooge, not bothered by this at all, simply calls out “Ah! Nephew!” Fred, like the other denizens of town, is shocked to see his uncle in an apparent good mood. He’s even more shocked when Scrooge tells him he’s looking forward to that wonderful meal he’s preparing. Fred, almost sweetly, shouts “You mean you’re coming?!” and Scrooge tells him he’ll be over promptly at 2 and to keep it piping hot as he balances his cane on his nose and scampers off. Fred, with a huge smile across his bill, assures his uncle that he will keep it hot and wishes him “…a very merry Christmas to you!”
Some kids scamper by, two of the three little wolves chased by one of the little pigs wielding a pop gun, as Scrooge emerges from a toy store with a huge sack over his shoulder. Declaring, “And now for Cratchit’s” he merrily makes his way down the street and to the home of Bob Cratchit. He giddily knocks on the door, but then forces himself to put on a serious face. Bob answers the door and is pretty shocked to see his boss standing there on Christmas morning (he probably shouldn’t be that shocked given how terrible his boss is). He somewhat sheepishly offers a “Merry Christmas” towards Scrooge, who snorts and brushes past him causing Bob to sort of whimper “Won’t you come in.”
Scrooge adds a “Merry Christmas, indeed,” in an angry tone. He tells Bob he has another bundle for him as he slams the sack on the ground. A teddy bear pops out, which Tiny Tim takes notice of. Scrooge scoops it up and stuffs it in the pocket of his jacket as he tugs the sack closer to himself trying to ignore the curious child. He then goes into a rant, declaring he’s had enough of this “half day off stuff” He then starts to act like he’s going to fire Cratchit, who looks pretty terrified. As he hollers, “You leave me, no alternative, but to give you,” the last part he can’t get out without a bit laughter as Tim finishes the sentence by exclaiming, “Toys!”
Scrooge confirms to a confused Bob that, yes, he is giving him toys. He also tells him that he’s giving him a raise, and making Bob his partner as he doffs his cap and puts an arm around him. Bob can only muster up a “Partner?!” as he clearly didn’t expect this. Scrooge basically just announced that he’s lifting his family out of poverty, for heaven’s sake. He can only respond by saying, “Thanks, Mr. Scrooge” as we see his wife lift a fully cooked turkey out of that same sack (those toys must be gross). Tiny Tim then goes in for his line, “And God bless us, every one!” as Scrooge embraces the kid. They tumble into a rocking chair as Scrooge places his hat on the kid’s head and the other two kids run in to join the fun. “Oh What a Merry Christmas Day” returns as the Cratchits look on as their children pile onto Scrooge and the cartoon comes to an end.
If that ending doesn’t leave you all warm and happy on Christmas Day, then I’m guessing nothing does. The way that Scrooge toys with Bob at the end doesn’t come across as cruel, though I can see some perhaps thinking that it does. It serves to draw out the suspense of the moment as Bob Cratchit discovers that his boss has made a truly life altering decision for him and his family. Did Disney intend for us to put it in such context? Maybe, I don’t know, but it’s how I’ve always approached that last scene. That family was starving to the point where their malnourished son was essentially a goner if things didn’t change, and fast. Now, assuming Scrooge keeps his word, the Cratchits will basically get half of every dollar Scrooge makes and presumably have a much easier life. And the adorable Tiny Tim gets to live.
It’s a very satisfying conclusion to a well-worn story. I, like probably many, do not care to see another version of A Christmas Carol come along ever gain. We have enough. This cartoon though was my first introduction to the story which is probably why I like it so much. I do think it has value beyond that and my affection isn’t solely attributed to nostalgia, but I do acknowledge it plays a role in just how much I adore this one. I just think it’s wonderfully paced, beautifully animated, and the cast is exceptional. I love how this one looks, even when I’m watching it on a 35 year old VHS my mother made for my sister and I. I especially love the backgrounds which are so detailed and almost weathered looking to reflect the setting. As a result, the special loses a little something in the HD transfer Disney did a few years ago that brightens everything up and dulls some of the linework. Not that it isn’t still worth watching, but I almost prefer my ancient tape or cheap DVD I bought more than a decade ago. The actual animation is also wonderful. The characters are so expressive and the animators did an amazing job of conveying emotion through them. You could watch this thing on mute and know what every character is feeling at every moment. And even though this re-telling plays it straight, there’s some exaggerated, animated, flourishes here and there like when Scrooge is terrified of Marley or when he kicks Fred out of the counting house. It feels like Disney had something to prove with the first Mickey cartoon in 30 years and it really nailed it here.
Mickey’s Christmas Carol is available to stream all year round on Disney+. It probably aired this month on cable too, but at this point those airings may be over. I wish it still got the broadcast network timeslot it occupied 30 years ago, especially with the added shorts (only two of which are on Disney’s streaming network), but that’s how it goes.
I hope you enjoyed this year’s edition of The Christmas Spot, whether you read one entry, or all 25. Or whether or not you’re reading this in 2021, or 2025. In December, or March. It doesn’t matter, it’s always nice to do a little Christmas reading and reflect on the specials that warmed our hearts as kids and adults. And it’s even fun to look at the not-so-good ones, and that’s why I do this every year. A lot can change in a year, but I plan on being back here next year so I hope to see you then. Merry Christmas, everyone!