Tag Archives: charles xavier

Marvel Legends X-Men ’97 Professor Charles Xavier with Hoverchair

I never thought we’d get this in plastic.

The second season of X-Men ’97 may be over, but we still have more on the way to talk about starting with this year’s Marvel Legends San Diego Comic Con exclusive. It was just over a year ago that I reviewed the reissue of the Charles Xavier with Hoverchair based on his appearance in the comic books. At the time, I decided to grab that figure because I wasn’t convinced Hasbro would ever give us a toon accurate version of the character and chair. I figured, at best, they’d just reissue the existing chair again, but maybe in a brighter yellow. How wrong I was. Announced as an exclusive for San Diego Comic Con this year was the Professor Charles Xavier with a screen accurate hoverchair to go with it. I honestly didn’t see that coming even though I know that the X-Men ’97 figures have been pretty successful for Hasbro. Since I had no plans to attend San Diego Comic Con this year (or any year) I was going to be at the mercy of what Hasbro did following the event which leads me into the following tangent.

The comic con exclusive goes back many years. I have no idea when it started, but I can remember reading about them in Wizard back in the 90s. They are to be expected and in this day and age most of them aren’t true exclusives since they’re sold online. Still, last year Hasbro did a Marvel Legends three-pack featuring a reissue of Sauron, Rogue in her Savage Land attire, and a new version of Shanna the She-Devil. Rogue had never been depicted in that look before so there were plenty of collectors interested in the set for that. Sauron was previously a build-a-figure so the chance to get him in a three-pack was also tempting for some. Shanna was a brand new character for Legends and paired very nicely with the recently released (at the time) Ka-Zar and Zabu which made the set really desirable for a lot of fans. Hasbro wasn’t willing to meet demand and few non-attendees were able to get a set when it went up for sale on Hasbro Pulse following the event. I wasn’t personally interested, but I know many collectors still sore about it. The prospect of the same happening with Chuck did not give me much confidence and it leads me to my main criticism when it comes to exclusives: they shouldn’t be essential to a collection. Rogue in a one-off look? Sure. A reissue of Sauron? That’s fine. A somewhat goofy, deep pull like Death’s Head? Bring it on! A main character from a hit show in his most recognizable and iconic look? What?! No!

Chuck sure likes green.

Professor X in his green suit should be an easy figure to acquire. He should have been a regular retail release. Did retailers pass on him? Maybe, but I doubt it. I don’t think any are sitting on much X-Men ’97 stock so the chance to have another character to sell while the second season was in full swing would probably be pretty appealing. That’s not what happened, and when reports surfaced that Xavier sold out at the event I wasn’t feeling too good about getting one myself. Then Hasbro changed how they do things when it comes to Pulse. For their storefront, fans can pay Hasbro an annual sum for the privilege to buy stuff from them. The perk being they get free shipping, but also first crack at exclusive products. In previous years, that meant a one hour headstart on the general public, but this year that one hour was turned into twenty-four. If Premium members were getting a full day all to themselves to buy product what chance did I have? I wasn’t about to hand Hasbro another fifty bucks for Charlie so I let it ride, and to my surprise it all worked out. Xavier was there the next day and remained available for at least an hour. That may sound like a quick sell-out, but when it comes to exclusives that’s a pretty generous amount of time. They also opened up preorders following that which is what should have happened with the Savage Land set the prior year. They did that for basically every other brand exclusive so I don’t know what the issue there was. Hasbro made a silly decision in making Professor X an exclusive, but at least they had the foresight to make enough and keep him available past that for a little while longer.

“Admit it: you’re jealous of my blankie.”

As for the release itself, it’s probably what you expect. The main draw is the chair. In the show, the chair was always blockier, usually very yellow in appearance, and quite sleek. The comic version is more narrow, bulbous, and just all together a different shape. I have no idea why the animated series changed it up, but I’ve always preferred this look to the comic one. And it’s never made it to plastic. Even the old 90s Toy Biz figure featured a chair with the comic design even though that toy line was loosely based on the cartoon. And for this release, Hasbro got it right. It’s the right shape, the right color, has some nice accents on it, and doesn’t feature any unsightly seems anywhere like the older chair. The only assembly required is the seat back has to be inserted and it features a far more understated flight stand that’s just transparent plastic with some concentric circles on it. It’s simple, but it looks the part and that’s all that is needed. The only nitpick I have is it’s a little hard to get a figure into it. If the front panel could pop off it would make it a lot easier, but it’s not like it’s impossible. Plus, Legends figures aren’t covered in paint so it’s not as if you have much to worry about when it comes to paint rub.

I lead with the chair because it’s the star of the show, the actual figure is just fine. Professor X “stands” at about 6.125″ to the top of his bald head. He’s the same height as the older figure and much of the sculpt is also the same. The torso and jacket are reuse while the arms and legs were redone to make them pin-less. The sculpt for both is all new as the wrinkles and seems are different. The arms also dropped the buttons at the ends of the sleeves in favor of just painted on ones which was a bit of an odd choice. The feet are the same while the hands are new. If they’re from another figure I don’t know, but they’re not of the old one. The head is obviously new and this one does resemble the character from the show. It’s a stoic expression and looks good, but it also looks pretty big on the body. This body is very slight. That works for some takes on Xavier, but not really the animated one. He’s built like a house in the show which isn’t captured here. I wish they had gone with one of their bigger suited bodies with broader shoulders, but they probably wanted to reuse this torso with the correct tie on it. They at least did a good job of getting all of the greens to match. There’s not a lot of paint to be found on here, but what’s present is neatly applied.

What’s unfortunate is the small frame looks more out of place when Charles is placed in his chair. He could get lost in this thing which is noticeably bigger than his old one. At first I thought maybe it was the chair that’s too big, but then I stuck the Savage Land Xavier in it and he looks great. That’s a bigger sculpt and he fills out the chair quite well. The heads from this set also fit that body which is nice. And speaking of, there are two portraits: stoic and yelling. The yelling one works for a more aggressive Xavier, though I wish we got a third one featuring a smile (this is a $50 set, after all). The other accessories include two sets of hands: open and gripping. The gripping hands are asymmetrical as one is intended to grip the included keypad which pops out of the chair’s right armrest. He can hold that with his right hand and the left gripping hand is a touch more relaxed like he’s punching something in on that keypad. There’s also an extra right hand with a two-finger gesture that stands in as his mental powers gesture for reaching to his temple. The same Cerebro helmet from the Savage Land figure is also featured here and now we can see why there’s a hole on the back of it as there’s an included power effect. It’s a large, transparent, circle with sculpted circles throughout it. I think this was released with a Daredevil in the past and it works as a physical manifestation of his power set. It can not only plug into the helmet, but there’s also a hole in the chair back for it too which works well should you not want to utilize the helmet. When plugged into the helmet, it can be a challenge to get it to balance right as it wants to pull the helmet back. As for the chair, it too has some accessories in the form of swap-out canons on the front. The panels on the left and right slide off and the canons slide in to replace them. The customary translucent, red, blast effects are included as well to further sell the illusion and they’re fine. There’s a little gold paint at the base, though they may arrive a little warped. The canons and key pad were both featured in the season two episode “Danger.exe” so Hasbro clearly had advanced notice on what this chair could do.

Savage Land Charles seems to fit better than the one that came with the chair.

Articulation for Professor X is the same as the old figure. Considering he’s a paraplegic, he doesn’t really need to do much, but it’s nice to have options. This new head gets a bit of tilt on the ball hinge which is appreciated for the character and the knees, elbows, and ankles are what you would expect of the line. There are no butterfly joints and the only thing I actively do not like is the ab crunch. It serves little purpose for Xavier and I’d much prefer a diaphragm swivel. I think that would be far more useful than even the waist swivel he has for a guy in a chair.

The figure did come in specialty packaging designed to resemble an old television. It’s neat, but just a slipcover which they annoyingly taped to the box inside. It does, however, provide for some hope of a re-release if you missed out and still want this figure. Make the slipcover the real exclusive and just release the figure in a standard box. Which would be a good thing because I think people will want this. It’s a main character from a popular show that has plenty of collectors. It’s not the sort of thing that should remain locked behind the exclusive label, but maybe everyone who wanted one already got one? This set was $50 which is probably a little too much, but not unexpected. The figure is pretty basic, but comes with more accessories than the typical Legends release these days. The chair is its own thing with its own accessories as well and it’s good. I wish the figure had a more accurate sculpt, but at least I have the Savage Land figure I can turn to should it please me (and I still hate the portrait that came with it so at least I can retire that). This release does leave me wishing that I didn’t bother with the old Xavier, but I doubt it has much resale value at this point. At least I have a body for old Guyrich.

We’ll keep it to the original roster to prevent this from getting even more crowded.

For related figures, check these out:

Marvel Legends X-Men ’97 Archangel

On July 1st, 2026, our long wait ends. X-Men ’97 returns to Disney+ with its greatly anticipated second season a little over two years after the conclusion of the first. It’s something I have been looking forward to pretty much ever since credits rolled on the finale and the only thing that stinks about it…

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Marvel Legends Professor X (Savage Land)

It feels like lately I’ve been getting swayed by clearance and discounts when it comes to my action figure purchases. Such is the case for today’s post on Professor X from the Marvel Legends line of action figures. Target had an exclusive version of Xavier featuring the character in his jumpsuit which showed up in…

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Marvel Legends Professor X with Hoverchair

Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of…

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X-Men ’97 – Season Two Wrap-Up

It’s been two weeks since X-Men ’97 aired its season two finale, which in the entertainment world might as well be two years. As a culture, we move on from things real quick, but I’m still letting that second season simmer in my brain as I collect my thoughts on the season as a whole. The second season of X-Men ’97 was a success, but it was a different experience from season one. That season put the human and mutant conflict at its center. There were other subplots, but the season built to a major climax with the X-Men taking on Bastion and his army of sentinels. The second season centered its conflict on Apocalypse. The X-Men taking on a literal god is going to lead to a different kind of story. Over the decades, the X-Men have done all kinds of stories. Some are more grounded than others while plenty take the group to strange and fantastic destinations. There have been successes and failures with both approaches, but for me personally I do prefer when the X-Men keep mutant persecution at its core. As such, I was predestined to like the show’s second season less than the first, but there are other reasons why season one was the overall stronger of the two.

Season two picked up where season one left off with the X-Men scattered across time and the rise of Apocalypse (Ross Marquand) in focus. In true X-Men fashion, things moved quickly. Bishop (Isaac Robinson-Smith) and Forge (Gil Birmingham) had already deduced where each member of the team had ended up and already had a plan to bring them all home when the second season started. The future flung X-Men were returned to the present in short order and the past dwelling mutants made their way back home in episode four after a slightly elongated stay. During that fourth episode, Magneto (Matthew Waterson) was executed by Apocalypse and Xavier (Marquand) left a broken mess in the desert sand. I did a mid-season check-in which I’ll link to at the end of this post so I don’t want to spend too much time on the season’s first half, but it provided a good setup for the Apocalypse conflict. It introduced multiple plot lines including both the existence of X-Force and X-Factor and let us know that Apocalypse was not the sort of villain the X-Men could ever hope to reason with.

I did miss the sentinels this year.

The second half of the season (which was actually four episodes so less than half) was less focused. We received the one-off Wolverine (Cal Dodd) centric episode in the fifth spot where Logan was able to lead a team of friends and foes alike to check out a Weapon X facility only to come face-to-face with the Brood. It was all a ruse by Wolverine to get his adamantium back and his actions claimed the lives of two former comrades in Maverick and Kane. What followed was an episode centered on a newcomer, Polaris (Carolina Ravassa), and another that reintroduced the mutant-hating Graydon Creed (Ben Pronsky). The finale gave us the long anticipated resurrection of Gambit (A.J. LoCascio) and the eventual confrontation with Apocalypse which resulted in victory for the X-Men, but at great cost.

Rogue got a substantial power-up in the finale.

My initial thought is to blame the shift in focus from Apocalypse to more condensed stories as the cause for the season losing some of its momentum. The only problem with that theory is I consider the Wolverine episode the best of the season. In that, we got a good character study that also introduced some new conflict between Morph (JP Karliak) and Wolverine. It’s the sort of story that I think X-Men does best. Had the other episodes done something similar I think the season would have felt like a bigger success. Instead, the episode “Danger.exe,” while addressing the PTSD Xavier was feeling over the death of Magneto was a welcomed addition, the conflict felt very small. Danger (Rachel Kimsey) as a character was uninteresting. It sprung up out of no where and was dispatched of with relative ease. Polaris was also properly introduced in that episode and while I think the character is fine, it’s a bit tough to get the audience to care about a new character when so many of the existing ones are not being well serviced by the show. “Strange Land, Savage Heart” made some attempt to refocus the show on the Genosha fallout and the mutant/human conflict, but also felt almost inconsequential. It also brought Colossus (Robert Cait) back into the fold, though he was immediately sidelined following the conclusion of that one.

So…what did everyone think of Gambocalypse?

And the bulging cast was a problem. The original series had a large, but manageable, cast of characters. Even so, some would go several episodes with little to do or say. Most episodes would try to break the team off into smaller squads to better spotlight a few as opposed to trying to focus on many. X-Men ’97 doesn’t seem to care and is happy to shelve characters if it serves the story’s purpose. Beau DeMayo was the showrunner for season one and the writer and architect for much of season two. As a big X-Men fan, he understood what made the engine go. He also, as a fanboy, seemed to want to race through several moments and events from the comics and I feel that lead to tunnel vision, at times. Some episodes in both seasons felt superfluous in the moment, but they often did serve a purpose in advancing a longer running plot. We had to speed-run Inferno in season one to understand where Cable (Chris Potter) came from as it had importance later on. On the flipside, Wolverine had to get his adamantium ripped out in season one because DeMayo just thought it was cool. Season two, despite it being what I consider to be the season’s best, had to devote an episode to Wolverine getting his adamantium back because the show was uninterested in exploring a de-powered Logan. And I think some moments and actions had to happen in season two because DeMayo was building towards Onslaught, which was then aborted. The show didn’t need to add Polaris, but maybe she was going to play a role with Onslaught?

This still hurts.

With the cast becoming unwieldy, it was no surprise that some needed to be culled. And the chosen method for that seemed to be death. Magneto was taken out in the fourth episode. While Onslaught on the horizon was likely to be his way back to the land of the living, it’s now possible he’s gone for good. Or, at least, gone for longer than Gambit. Magik (Courtenay Taylor), who never got a chance to be a character, was killed off to further her brother’s plot which was a shame. Heading into the finale, it still felt like more needed to go. Since the original series ended, we have added Morph, Bishop, Nightcrawler, Sunspot, Forge, and Polaris to the X-Men while only subtracting Gambit. Colossus was sort of added, though he never made it into the title. X-Force brought back Psylocke (Naoko Mori) and Archangel (Christopher Barger) while X-Factor also returned, but really didn’t get any character development outside of Havok (Teddy Sears) and even that was only slightly. X-Men ’97 decided someone had to go (and really, more probably do) and that someone ended up being Nightcrawler.

Many may hate that it happened, but Nightcrawler’s death was handled pretty well.

Nightcrawler’s sacrifice in the finale was both shocking and heartbreaking. It was also beautiful and really a proper send-off for the character. I don’t think anyone wanted to say goodbye to the fuzzy, blue, elf, but it would have been harder to find a better way to do so. In the episode, Rogue (Lenore Zann) makes a bargain with the celestial Eson (Waterson): her life for the power to take down Apocalypse and save Gambit. After she departs with her new glow-up, Nightcrawler realizes what she has done and offers himself up in her place. It’s done well as the show didn’t telegraph Nightcrawler’s choice. And this is a show that isn’t exactly subtle about much. Having Rogue save the day and look at her hands in bewilderment that she’s still alive only for the camera to pan to show a sad looking Beast (George Buza) standing alone clutching Nightcrawler’s Bible to his chest was a true gut punch moment. Nightcrawler’s contented narration as he explains to the god why he is choosing to give his life for his sister is well written (Brian Ford Sullivan is the only credited writer on the episode) and well performed by Adrian Hough. The images we see of the X-Men back home living their lives could be interpreted as Nightcrawler’s hope for his comrades, but I choose to see it as what did happen. It’s such a good way to close the book on Nightcrawler that I hope it isn’t undone. When Gambit died in season one it felt like there was unfinished business so I didn’t hate the show bringing him back, but with Nightcrawler there’s a finality here. That and if the show keeps cheating death then it will cease to have meaning. It took a season and a half’s worth of episodes, but the show basically exchanged Nightcrawler for Gambit and that’s forgivable regardless of who the favored character is.

I’m not a religious person, but I didn’t take any issue with Rogue choosing to remember her brother in this way.

Where the show has never faltered is with the production end. The animation is a huge step up from the original series. Action scenes remain inventive and perhaps the greatest tragedy in Nightcrawler dying is we won’t get to see his skills on display again. He got a nice send-off in that respect first with his dual against Exodus (who I am a bitter was dispatched unceremoniously) and then when under the control of Apocalypse as he damn near took down the entirety of the X-Men and X-Force by himself. The soundtrack by The Newton Brothers also remains excellent and they know just when to turn to that bombastic main theme. They also do a great job of weaving in the old themes from the original series like using Gambit’s theme during his dinner scene with Rogue. And there’s nothing that gets me more excited these days than that opening kicking in before each episode. I hope there never comes a day when I experience that opening without getting goosebumps all up and down my body.

Apocalypse went out like a chump in the end, but at least it was at the hand’s of a fellow god.

Season two pinned its success on the confrontation between the X-Men and Apocalypse as well as the minor conflict of the X-Men vs X-Factor. Was that a wise decision? I think so, but the results weren’t quite there. Apocalypse was really sidelined following that fourth episode. The show tried to keep him on the viewer’s mind with little moments at the end of episodes six and seven, but it wasn’t really enough. He spent the bulk of the finale inside Gambit, and once he emerged, he looked ridiculous and was quickly dispatched by a powered-up Rogue. The show really could have used a tenth episode to let the conflict simmer. Actually have the mutants fight Apocalypse for more than a minute. The issue there, and it’s one that has always existed with Apocalypse, is that he’s just too damn powerful. There usually isn’t a believable way for the X-Men to go toe-to-toe with him, but that’s also a problem of the show’s making. I’ve always loved the concept of Apocalypse, but his stories often end unceremoniously. At least here there was a plausible end to the conflict, even if it felt like the Power Rangers summoning the Megazord and quickly dispatching of a previously insurmountable foe. Or a Dragon Ball Z power-up that reduces a previously unstoppable opponent to a punching bag.

A happy ending?

That was season two. Overall, I enjoyed my time with it and I’ll miss having an episode to look forward to each week (let’s not do the three-episode premiere again, please, it only hastens the end), but the season was not without its problems. For season three, it looks like we’ll be heading back to a human/mutant conflict and that bodes well for the future. It’s also the true end of the DeMayo era (had it continued, we would have been getting a form of the Age of Apocalypse) which gives the season an uncertain feel. One of his strengths as showrunner was his willingness to be uncompromising in calling out bigotry within the show’s universe. That’s something it will need with a President Creed, but in the hands of someone else will that be softened? The finale marked the return of Mystique (Randall Carpenter) and the only clip shown of season three so far featured her Brotherhood of Mutants tangling with some sentinels. Will Creed be a season-long conflict, or will this be something that gets taken care of as quickly as our time-displaced heroes this season? The road ahead is less certain and I am looking forward to it, but the lack of a major cliffhanger this year makes the wait a little more palatable. And as of right now that wait is only supposed to be a year so here’s hoping that come summer 2027 we’ll have more X-Men ’97 to talk about.

See you next year!

Previously…on X-Men ’97:

X-Men ’97 – “Survival of the Fittest”

We have reached the end of season two of X-Men ’97, albeit probably sooner than we would have liked given the nine episode order. Ten already seemed short compared with the 13 the original series used to get so nine is borderline cruel. All that said, before we dig into the review for the season…

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X-Men ’97 – “The Dead Man’s Hand”

This was the episode of X-Men ’97 we all knew was coming eventually. I don’t think I need to provide a spoilers warning given the episode title before I say this is the return of Gambit. This was all setup in the closing moments of the first season when Apocalypse (Ross Marquand) found the queen…

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Marvel Legends Onslaught

Behold! The most divisive villain in X-Men history!

We’re deep into the second season of X-Men ’97 and it might be appropriate that Hasbro chose this time to unleash Onslaught upon the masses. Onslaught goes back to 1996 and is the manifestation of Charles Xavier and Magneto via complicated, comic booky, means. He was the big bad of a whole arc that changed Marvel Comics for a good while afterward ushering in the Heroes Reborn era and X-Men ’97 may be looking to bring him into the animated universe. Or not, if former showrunner Beau DeMayo can be believed. We’ll just have to wait and see, but the mere possibility of his appearance in the show might be why Hasbro chose to re-release the former build-a-figure as a solo retro card. Sold exclusively at Target, this figure went up for preorder a couple of months ago and now it’s here for me to talk about.

He’s technically not as big as he’s supposed to be, but he’s pretty big.

Back in the Toy Biz days, Marvel Legends did a build-a-figure Onslaught, but not like this. That version of the character was its “crab form” that had a skull-like face and digitigrade legs. It was basically not the version most wanted or thought of when thinking of Onslaught, but in the pre-Legends days Toy Biz had done an Onslaught figure in the armored Magneto form so maybe that was why they were reluctant to do that again? Many years later, Hasbro finally did the figure in the more familiar look as a build-a-figure and, like several other build-a-figures before it, it’s now being repackaged as a stand-alone action figure with only minimal tooling changes. I don’t have the prior version so I can’t say for sure what’s different, but some have claimed the head has been retooled. I can’t tell just by looking at pictures. The only thing I know for sure is the paint job is a little different, most notably the hands, and this version omits the Red Skull optional portrait. Otherwise, it’s a big figure on a big card for a bigger price.

The retro card makes for a nice display option for those who keep these things mint-on-card, but for me I’m ripping this big boy open. Onslaught stands around 8″ tall and he’s most comparable in my collection to the previous build-a-figure turned retro card release Apocalypse. Red and purple dominates the look here and most of it is just colored plastic. There’s a shininess to the purple this time that may be new, but again, I don’t have that old figure. It’s not done via paint but rather Hasbro’s shiny attempt at molded plastic and it looks okay, but there’s no fooling anyone what this thing is. It’s a big hunk of plastic. Most of the paint is reserved for the head which has the purple trim, black “face,” and white eyes. Onslaught never had a face when helmeted so this is definitely the preferred route and it looks fine. There’s also a little paint on the circles of his armor and even a hit of a matte red on the outer part of his thighs. The shoulder pads are massive and, if anything, actually could be bigger but I understand Hasbro’s reluctance to go beyond what’s here. They help dominate the silhouette and even contribute to the torso looking a bit blocky. There is a taper to it, but you almost have to raise the shoulder pads or outstretch the arms to really get a feel for it. Otherwise, this guy presents as pretty chunky head-on. I wish there was actually more bulk front-to-back, but such is often a failing of Marvel Legends. The character was so preposterous in the comics that it’s kind of impossible to properly render him in plastic, but this is mostly fine.

Since this mold is a few years old, the construction and articulation is a little dated. If you hate pinned limbs in your figures well then too bad, Onslaught has pins in his knees and that’s that. There’s a ball-hinge at the neck, shoulder hinges, bicep, elbow, wrist, ab crunch, hip, thigh, knee, and ankle articulation. It’s all a bit stiff and somewhat limited because this guy is pretty damn chunky and not conducive to much range really anywhere. The head is pretty well buried in the neck and can only do so much. The shoulder pads do swivel and can kind of get out of the way, but not enough to let the arms come up a full 90 degrees. You can disconnect the shoulder pads in the back rather easily, but it only allows so much extra. Perhaps because this was originally a build-a-figure, the arms pop out of the socket pretty easily and sometimes when you don’t want them to. Despite how blocky the ankles look, there’s enough clearance to get a good ankle rocker. The cuffs on his forearms also rotate which is good for adjustment posing. The bicep swivel is more like a sleeve as the elbows are single hinged. It basically just moves to keep the muscle group lined up. The elbow itself also swivels. He’s a very limited poser as a result, but at least there’s some size here to kind of make up for that. Is it enough though?

“Yay! I want to go to the park!”

Because this guy has no accessories. Just his “cape” which comes in the box unattached and pegs into the figure’s back. Basically, what you see is what you get and it will set you back $40 if you can find one in Target. The register date was July 20th so if you find one at this point there’s no fear of a register lock event. If you want an Onslaught and didn’t get the prior one then this is fine. It’s a lot cheaper than having to buy an entire wave of figures even if it’s still overpriced at $40. I think it’s pretty lame of Hasbro to not slip in some accessories of some kind. How about some fists? Maybe some kind of energy effect? I don’t really care about the Red Skull omission, but there should be something here. When that retro card Apocalypse dropped it had a newly tooled torso, a new portrait, the old portrait, two sets of hands, and a newly tooled arm canon and blast effect parts. That’s a good value! It was also 2022 and it seems like these days you’re getting less with every Legends release, but paying more money. Onslaught certainly captures that. As for me, I always liked the look of the character even if the story kind of sucked. I also know that if this guy does show up in X-Men ’97 then I would have regretted passing on this release. Is that a good reason to spend forty bucks on an action figure? Probably not.

He may be more at home with the Gamerverse.

For related entries on Onslaught, check out the following:

Marvel Legends Professor X with Hoverchair

Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of…

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Marvel Legends X-Men ’97 Magneto

It was two years ago that Hasbro made the announcement that it was wading into the weeds of X-Men, the cartoon series that aired on the Fox Kids Network from 1992-1997. The line was released across eight installments in 2022 (plus a ninth if you include the obviously animated-inspired Apocalypse released on a retro card)…

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Marvel Legends X-Men Retro Card Series Apocalypse

It is Halloween and that means it’s time for costumes, candy, and spooky fun. It’s also Halloween 2022, a pretty important date if you grew up loving those mutants who ran around in colorful spandex fighting for a better tomorrow. That’s because 30 years ago on this very night, the animated series X-Men premiered on…

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X-Men ’97 – “Danger.exe”

Original premiere date July 22, 2026.

After last week’s side trip up north to get Wolverine his skeleton back, this week’s episode of X-Men ’97 brings us back to the mansion which we really haven’t seen much of so far this season. The season’s sixth episode is centered on survivor’s guilt and the sins of a parent. For the guilt portion, we have Charles Xavier (Ross Marquand) who witnessed the death of his friend, rival, and surrogate brother Magneto at the hands of Apocalypse. For the sins of the father angle, we have Polaris (Carolina Ravissa) who we really don’t know much about. Sure, if you’re a comic reader then you probably know plenty about the sometimes daughter of Magneto, but anyone who only absorbs X-knowledge via the animated series just knows she’s a former member of the team who once dated Iceman and is now a member of the government task force known as X-Factor. Oh, and she has a green hair for some reason.

Polaris gets something of a spotlight episode this week which just makes me wonder if a certain ancient, evil mutant has a plan for her?

Since both the original show and this one have dedicated so little screen time to Polaris, it’s even possible that viewers have no idea that she essentially has the same power set as Magneto. The comics have always been a bit non-committal with her lineage. Some writers made it a point to say she wasn’t related to Magneto while others have said the opposite. Obviously, if she has the same magnetic powers then one is going to naturally wonder if the two are related, though there are plenty of mutants with similar powers that are not so it’s also not a requirement. For this universe, we were shown previously the two are likely related since Polaris appears in silhouette form in the first season finale in Magneto’s mind. I guess that means he knows about her, and that much is confirmed early on in the episode “Danger.exe.” At the beginning, Polaris is shown breaking up a weapon’s smuggling ring being lead by old friend Carl Denti aka the X-Cutioner (Lawrence Bayne), though he’s no longer sporting the fancy costume. He’s teamed up with a bunch of other folks all in service to the reverand William Stryker (JP Karliak), the enemy featured in the classic story God Loves, Man Kills by Chris Claremont. More casual fans will recognize him as the foe in X2: X-Men United though for that role he was turned into former military and the whole preacher thing was dropped – a pity. Here he’s just a cameo, but I do hope he plays a bigger role in the episodes to come at some point.

Xavier using the Danger Room to relive Magneto’s execution is pretty grim.

Polaris breaks up this gathering in pretty extravagant fashion. She also loses her cool a bit which puts her in hot water with X-Factor’s leader and government liaison, Val Cooper (Catherine Disher). Seeing the two have a very different idea for how members of X-Factor should approach their work, Polaris finds herself dismissed, but that’s not so big of a deal when your fallback plan happens to be the X-Men. Lorna returns to find her room had been left untouched, which is impressive since the mansion has been destroyed at least two times since she left. Her and the professor get to have a little chat and things seems to be going well, all until the Danger Room’s artificial intelligence breaks free and turns on everyone. This is where Xavier comes in as he and a small team have returned to Genosha to pick up the pieces. The Danger Room A.I., simply known as Danger (Rachel Kimsey), seeks a confrontation with its maker in Charles and that’s the physical conflict of the episode. The mental one is Xavier overcoming his guilt and helping Lorna to not be afraid of where she comes from in order to cut loose and use her powers to help those who are in need.

There is some…danger…incoming for the X-Men this week.

This episode is a little less meaty than most of the ones we’ve had this season. I liken it to the Lifedeath stuff from last season as there’s some necessary character growth, just minus the big, world-changing, moments. There is a lot of subtle change at play here as Storm (Alison Sealy-Smith) has been promoted to headmistress and put in charge of the education at the Xavier Institute. The government has also forbid the X-Men from acting as a paramilitary organization and the institute is only allowed to remain open if it’s to function as a school. Basically, anything they do outside of education is going to put them into conflict with X-Factor and it feels like we’re setting up a showdown between the two. How X-Force plays into all of this remains to be seen as we haven’t checked in with them in quite some time now. There are also a lot of new students at the school, most of whom we saw in that X-Force centric second episode so I’m assuming there is some cooperation between the X-Men and X-Force, or they just ditched the kids on their doorstep. A bit surprising that Jubilee didn’t hang around.

Looks like another wardrobe change for the X-Men is in order.

In terms of the bigger picture, there was an interesting conversation between Xavier and Lorna where Charles basically confesses he tried to preserve Magneto’s psyche just before Apocalypse murdered him, but failed. Are we aborting on Onslaught? That’s a strong possibility. The episode concludes with a long-expected scene as well which may or may not pay dividends next week. I would not be surprised if it’s put off until the penultimate episode. This episode is also noteworthy in that it does not feature Wolverine. It’s hardly a surprise to see an episode of X-Men ’97 not feature the runt, but following the end of last week’s episode it was a bit disappointing to not see if his relationship with Morph has been affected. The episode does put some players on the move and there is an attempt at placing the focus back on Apocalypse despite the emphasis on a villain of the week format. I get the sense that the show is maneuvering its pieces into place before the big conclusion. With only three episodes to go in the season, it feels like things are about to pick up.

Previously…on X-Men ’97:

X-Men ’97 – “Weapon X, Lies, and DVDs”

When X-Men went into development for the Fox Kids Network, it didn’t take the writing staff (who was unfamiliar with the property going in) long to figure out that Wolverine was their ticket to television royalty. The character really took off in the 1980s and helped the X-Men storm into the 1990s as the most…

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X-Men ’97 – “Rise of Apocalypse: Part 2”

Unlike the first three episodes of season two of X-Men ’97, this fourth one is going to spend all of its time in one era. And as you could probably guess, that era is 3,000 BCE since that is where we left off last week. I consider these reviews that I do spoiler free, but…

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X-Men ’97 – “Rise of Apocalypse: Part 1”

The premiere episode for season two of X-Men ’97 took us to the far off future where Apocalypse reigns supreme. The second followed that one up with a story set in the present time of the series: 1997 (Duh!). Now, for the third episode of this three-part premiere we head to ancient Egypt to meet…

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X-Men ’97 – “Rise of Apocalypse: Part 2”

Original premiere date July 8, 2026.

Unlike the first three episodes of season two of X-Men ’97, this fourth one is going to spend all of its time in one era. And as you could probably guess, that era is 3,000 BCE since that is where we left off last week. I consider these reviews that I do spoiler free, but even so, I don’t think it’s much of a spoiler to say that Rama-Tut’s (John de Lancie) attack at the end of last week’s episode was not very successful. The show wanted us to believe that our beloved X-Men were in real danger, but that was pretty hard to believe considering it was just the third episode. As expected, Magneto (Matthew Waterson) was able to put up a forcefield just in time to spare our heroes. Also surviving, to no one’s surprise, is En Sabah Nur (Adetokumboh M’Cormack) who is basically some kind of super man and I think he just shrugged it off. As for the rest, they’re all dead and Nur’s fortress is in ruins. Among the dead is Baal, Nur’s adopted father, and it’s unlikely he’ll react well to that.

Much of last week’s episode featured Magneto trying to get En Sabah Nur to buy into Xavier’s (Ross Marquand) dream of human and mutant coexistence. Mercy was a big part of that lesson, but when Nur discovered that Magneto and the X-Men were sneaking around behind his back and working on a time machine, he grew pretty angry. He felt this was a betrayal, which seemed extreme to me at the time, but it’s hard to get a read on just how Magneto sold himself to Nur. Clearly, he doesn’t look like someone born in Egypt so he should have known that he was from somewhere far off (we’ll ignore the whole language thing, everyone speaks English because it’s just easier that way). Then again, Nur doesn’t really look like a typical Egyptian either thanks to his mutation and I suppose he may have assumed the same of Magneto. Either way, that door was shut by episode’s end, but now it’s Xavier’s turn to try to appeal to the would-be mass murderer. Since Xavier and pals survived Tut’s attack, Nur is forced to look upon him with respect since he does buy into that whole survival of the fittest mantra. Xavier is then able to convince Nur to allow him to probe his mind to find out just what it is they are both seeking.

You’re up, Chuck.

Xavier doesn’t really learn anything new, at least not to the audience. The temple they, and Rama-Tut, are seeking is quite literally calling out to En Sabah Nur. It’s clearly not of this world, but it’s a destination they all seek. It’s also made even more important for the X-Men to find this thing because Magneto is very much committed to his idea of reform for Nur so much so that he disables Bishop’s (Isaac Robinson-Smith) time traveling bracelet. He seems to think they’ll be able to repair it with the tech waiting for them at this temple, but that’s one Hell of a gamble. The rest of the episode is fairly straight-forward. We do get some character moments of which the most intriguing is between Rogue (Lenore Zann) and Nur while camping for the night. Xavier also receives a communication from Rama-Tut himself during which viewers not familiar with the character get the Cliff’s Notes version of just who he is. The most interesting aspect of the meeting is finding out that Tut is attempting to prevent the rise of Apocalypse (Marquand), though he seems to view it as inevitable. I mostly find it interesting because we know that he, as Immortus, will assist Bishop in doing just that some 5,000 years in the future during the “Beyond Good and Evil” arc. He had to wait an awful long time for that sort of satisfaction.

Well, that answers some questions.

And inevitable is certainly a theme with this one. What we’re seeing is a fatalistic approach to time travel on display where everything occurs in a loop. We saw that in episode two with Nathan obtaining the power of Apocalypse’s celestial ship, which was referred to simply as Ship in the X-Men episode “Obsession.” That entity manifests itself as Cable’s computer, a device which allows him to travel through time and a power Apocalypse seeks in “Beyond Good and Evil.” It first rested with Apocalypse until Cable essentially stole it before he reacquired it to embark on that particular quest. With the X-Men in the past attempting to prevent his rise, they have inadvertently become a part of it. Apocalypse is inevitable, and like Bishop trying to alter time to improve upon his future, it seems like there is little mere mortals can do about it. Everything has happened for a reason and for longtime viewers of X-Men and now X-Men ’97, it’s rewarding to see how everything intertwines.

Even this one finds time for some interesting character moments.

This episode does feature an action-packed climax and a resolution designed to land with a wallop. It is, unfortunately, undermined by the show up to this point as we have had numerous fake outs and lasting consequences seem to be in short supply when it comes to X-Men ’97. That is not unique to the show as it’s something of a failing for comics as a whole. Perhaps the fallout will land better in a future episode, but for me when this one was over I didn’t feel much of anything other than appreciation for how well everything was animated. To my surprise, the episode also didn’t really toy with the idea of the X-Men taking out En Sabah Nur before he becomes Apocalypse, assuming they could. There is a brief moment where it seems like Bishop is willing to do so, but he’s stopped and no discussion ensues. A pedantic complaint I also have is we see Xavier and Magneto secretly communicating via telepathy, but the whole time Magneto is wearing his helmet. This would not have been an issue in the original series because at that point it had not been established that Magneto’s helmet blocked psychic attacks. Unfortunately for the show, that retcon was adopted for the first season of the show so it should still be in effect now. It further annoys me because we didn’t need Magneto to put his helmet on. He didn’t have it in the previous episode and I don’t even know how he managed to recover it during all that happened on Asteroid M, so why even stick it back on his head now? The design is slightly different so maybe it’s not the exact same helmet and instead one he created during their time in Egypt. Even so, it sure looks to be largely the same so there’s no reason to think it wouldn’t possess the same benefits as his old one.

That helmet is bugging me way too much.

It’s not important, just something a very invested fan like myself needs to call out. “Rise of Apocalypse: Part 2” lives up to its name and it will likely prove to be a necessary step for the greater conflict with Apocalypse this season. Nothing is resolved here as far as that conflict goes, though other aspects of this early season are. For instance, we do learn who was calling out to Xavier in that vision he had in the prior episode, though the individual is never given a name (you’ll have to…search…that information out yourself). I should also point out that there is a stinger scene at the end of this one during the credits so don’t bail on it while the X-Men are spinning on their pedestals. It’s just a tease for next week’s episode and if you looked ahead at the episode titles then you can probably guess where we’re heading. I’m expecting it to be kind of a time out episode before we get back to the Apocalypse plot, but I obviously could be wrong. This is an episode of X-Men ’97 that largely keeps the train rolling and serves to be an exciting half hour of television with some time travel quirks, albeit one with an ending that doesn’t land as forcefully as the writing staff probably intended.

Previously…on X-Men ’97:

X-Men ’97 – “Rise of Apocalypse: Part 1”

The premiere episode for season two of X-Men ’97 took us to the far off future where Apocalypse reigns supreme. The second followed that one up with a story set in the present time of the series: 1997 (Duh!). Now, for the third episode of this three-part premiere we head to ancient Egypt to meet…

Keep reading

X-Men ’97 – “A Force to be Reckoned With”

The title of this post says X-Men ’97, but in some respects it should read X-Force ’97 because that’s what the opening title presents. Yes, boys and girls, we have ourselves an X-Force on television. Cable made numerous appearances in the original series, but never as the leader of X-Force. This surprised me as a…

Keep reading

X-Men ’97 – “Days of Past Future”

At last, X-Men ’97 has made its return to airwaves with not one, not two, but three episodes for the premiere which means there’s a lot to talk about. Truthfully, too much for one post which is why we need to keep things to one episode per entry as is the style of the time.…

Keep reading

X-Men ’97 – “Rise of Apocalypse: Part 1”

Original premiere date July 1, 2026.

The premiere episode for season two of X-Men ’97 took us to the far off future where Apocalypse reigns supreme. The second followed that one up with a story set in the present time of the series: 1997 (Duh!). Now, for the third episode of this three-part premiere we head to ancient Egypt to meet up with the rest of the X-Men, only they’re not alone for in this time is the mutant En Sabah Nur who the X-Men know will one day become Apocalypse. They have been unknowingly sent here against their will by Mother Askani to prevent the rise of Apocalypse, but just how they’re supposed to go about such is a matter of debate. Beyond that is the debate of if it should happen at all?

The episode opens with the X-Men who were sent to the future now back in the ruins of the X-Mansion. They returned expecting to find the team Bishop (Isaac Robinson-Smith) was sent to retrieve there as well, but when no one appears they become concerned. This is time travel, after all, so the idea that they have to wait for their return doesn’t make sense if they were all set to return to a specific moment in time. All they can do is wait though, because Forge (Gil Birmingham) is unable to get a reading on their time bracelets. In 3,000 BCE, En Sabah Nur (Adetokumboh M’Cormack) is preparing to lead his forces against those of Rama-Tut (John de Lancie) who is a vicious ruler and slaver that once possessed Nur. Alongside Nur is Baal (Michael Dorn), the man he looks up to as a surrogate father for he is the one credited with rescuing Nur from a life of slavery. Nur is, as far as we know, the world’s first mutant with the tell-tale sign being his pale skin and blue lips. He also possesses incredible strength and durability and is something of a super man which is what makes him a natural leader of other former slaves.

The X-Men have been sent to the past to stop En Sabah Nur from becoming Apocalypse.

The X-Men trapped in this past are under no delusions who En Sabah Nur is, or rather, who he will become. Charles (Ross Marquand) feels their presence in the past is an affront to nature and they should do everything in their power to not interfere and instead focus on getting back home. Magneto (Matthew Waterson), on the other hand, sees this as an opportunity to set Nur on a different path. If he can instill in him the values of Charles Xavier then perhaps Xavier’s dream of human and mutant coexistence can come true before he’s even born to dream it himself. He views this as penance for his hand in what happened on Genosha, but Charles is not so certain this is the correct path. What no one seems to suggest is simply destroying En Sabah Nur before he can become Apocalypse. Such is the quagmire of the time traveler – if you can prevent an atrocity by taking out the orchestrator of such before it happens should you? En Sabah Nur as he exists in this moment in time is not the same man who committed countless atrocities as Apocalypse. Can he be sentenced for a crime he has not committed? This question doesn’t come up in this episode, but perhaps it will soon enough.

This isn’t the Egypt you read about in your textbooks.

As for the X-Men stranded here which includes Beast (George Buza), Rogue (Lenore Zann), and Nightcrawler (Adrian Hough) in addition to Magneto and Charles, their journey home is perhaps an impossibility. Beast is no Forge, but he has spent time working with Bishop’s time traveling device and has some knowledge of how it works. The problem is acquiring the power and resources needed to create a time machine and to do that they look to the forces of Rama-Tut. We may be in ancient Egypt, but the tech of Tut is certainly not of this era. He attacks with robotic minions lead by a human general named Logos (Chris Britton) and once the forces of Nur lay waste to them, the X-Men scavenge the battlefield for parts, but they’re not making much headway which is taking its toll on everyone, especially Beast. The plot takes a turn when Magneto is able to convince Nur to abandon his survival of the fittest mantra and take Logos hostage rather than kill him. With him in their clutches, Magneto hopes to convince Xavier to probe his mind and perhaps find a solution to their problems, but instead Xavier just finds more riddles. A disembodied voice that espouses a famous quote from Apocalypse appears before Charles alongside a massive, fiery, eye that looks like a galaxy being born. The presence of a shattered moon in the shape of Magneto’s helm leads me to believe this could be a foreshadowing for Onslaught, though I’ve seen some speculate that this could be a reference to Stryfe. I would have thought it was merely a vision of Apocalypse himself, but Xavier is the one who classifies this individual as a mystery and that would be a pretty lame mystery since we know that Apocalypse is the villain already in focus.

In this era, Rama-Tut rules, but I definitely wasn’t expecting to see the X-Ternal (credited as Candra) from the episode “X-Ternally Yours” to make an appearance.

The episode does end on a cliffhanger, though it’s a bit of a toothless one since these characters have quite a bit of plot armor at this point. Bishop will also make an appearance and, if anything, this cliffhanger may just explain why the X-Men were unable to rendezvous with their comrades in 1997. Perhaps we will find out the events of this episode caused the time bracelets to be damaged and the X-Men will have to seek out another way to return home. Of course, with me catching up and this going live the day part two drops that means these questions have likely already been answered (and maybe the identity of the mystery voice has as well), but I had to make sure I got my thoughts down before that episode dropped. I am guessing the technology of Rama-Tut hides a way for the team to get home and it would be a great example of circular story-telling since it was a future version of Rama-Tut that helped Bishop and the X-Men take down Apocalypse in the “Beyond Good and Evil” arc. There, he took the form of a cosmic janitor named Bender who only revealed himself to the viewer as Immortus at the end, but he’s basically a future version of Rama-Tut who is also an aspect of Kang the Conqueror. Yeah, it’s complicated.

A lot of capes in this picture.

“Rise of Apocalypse: Part 1” is a bit slower paced than the other two episodes in this three episode premiere. Being that it’s co-written by Beau DeMayo (along with JB Ballard), that’s not a surprise as he seems to like these more talky episodes and when you get Magneto and Xavier sharing scenes that tends to happen. It’s a necessary episode, though I do wonder if this is really how I want to see Apocalypse portrayed. I like origin stories and villain ones can be a lot of fun, but Apocalypse as a Spartacus figure is hard to square. Are we supposed to have sympathy for this character? Apocalypse is a genocidal monster, I’m not sure that I want or need to know that he wasn’t always bad. This is an adaptation of Rise of Apocalypse by Terry Kavanagh and Adam Pollina so it’s not a new story, but I never read that one to know if the portrayal of En Sabah Nur was quite the same. At any rate, I’m willing to see how things progress from here and since this is only part one it does feel a little incomplete. We’ve set the table, but the meal has yet to arrive.

Previously…on X-Men ’97:

X-Men ’97 – “A Force to be Reckoned With”

The title of this post says X-Men ’97, but in some respects it should read X-Force ’97 because that’s what the opening title presents. Yes, boys and girls, we have ourselves an X-Force on television. Cable made numerous appearances in the original series, but never as the leader of X-Force. This surprised me as a…

Keep reading

X-Men ’97 – “Days of Past Future”

At last, X-Men ’97 has made its return to airwaves with not one, not two, but three episodes for the premiere which means there’s a lot to talk about. Truthfully, too much for one post which is why we need to keep things to one episode per entry as is the style of the time.…

Keep reading

X-Men ’97 – “Tolerance is Extinction – Part 3”

Today, X-Men ’97 dropped the curtain on its first season and what a way to bring it to an end. Last week’s episode was a roller coaster of emotions for me. I couldn’t go into much detail of my review of “Tolerance is Extinction – Part 2” without wading into spoiler territory, so allow me…

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Marvel Legends Professor X (Savage Land)

You can’t wear a business suit for every occasion.

It feels like lately I’ve been getting swayed by clearance and discounts when it comes to my action figure purchases. Such is the case for today’s post on Professor X from the Marvel Legends line of action figures. Target had an exclusive version of Xavier featuring the character in his jumpsuit which showed up in the spring. Having recently purchased a different, more traditional version of the professor it wasn’t something I felt I needed. I wasn’t entirely satisfied with that figure though, so I was a little interested in this new one. Plus, the jumpsuit look feels like it’s pulled straight from the old animated series as this was the look Xavier sported for the entirety of the second season. And in that season, he and Magneto found themselves stranded in the Savage Land where a device Mr. Sinister had negated mutant powers, but somehow managed to cure a paraplegic like Charles Xavier. Of course, the X-Men destroy the machine to get their powers back thus dooming the world’s paraplegics to a life of paralysis. Seriously guys, you probably should have thought that one through a little better. I know this outfit showed up in the comics as well, but the combination of the look plus Hasbro’s decision to release it on a retro card definitely has me thinking X-Men ’92.

When I buy one version of a character that I’m not crazy about I hate to compound the issue by buying another version of the same character. Especially when I don’t love that other version either. And with this Xavier it’s the face I don’t love. Xavier is often illustrated with pronounced cheek bones, but in three dimensions that makes for a bit of a lumpy appearance. Hasbro has also introduced more detailed face printing in recent years and sometimes they overdo it. That strikes me as the case here with Chuck as his eyes are rimmed with black and his lips are painted. The shade is almost like a slightly metallic peach and doesn’t look like a natural lip shade to me. It actually reminds me of a shade of lipstick my grandmother used to wear. I feel like he’s a wig away from being able to cosplay as a Golden Girl. This is in contrast to what I would want him to look like which is the animated series which took a very plain look to its character designs with mostly smooth features and no shading for the lips.

Some like this face, some don’t, but all can agree that Chuck has some crazy eyebrows.

Basically what I’m saying is that, apart from the bald head and the pronounced eyebrows, this portrait doesn’t scream Xavier to me. As for the rest of the sculpt – it’s fine. I think this body is reused from a past release, but I can’t be certain. The legs may be from Wonder Man though I’m not sure about the arms and torso. I don’t have enough Legends figures to know. Whether they are or are not, it doesn’t matter so long as they work for this figure and in this case I would say that they do. Most of the figure is colored plastic with paint reserved for the black undershirt and the belt. There are some black buttons painted onto the shirt and the rolled up sleeves were painted a lighter shade of green from the rest which is a nice touch. And we get some X logos printed on the shoulders. The greens are mostly consistent, but the legs and arms appear to have a touch more yellow to them than the torso. The knees and elbows are also a little off which is typical of these pin-less joints from Hasbro. This figure is not the worst offender in that regard and the difference is pretty subtle.

He’s got the helmet, even though he’s not supposed to have his powers in this state.

Xavier comes with just a few accessories, which is often the case for Legends these days. He has two sets of hands: fists and trigger hands. I have no idea why Professor X would come with trigger finger hands, but I guess if you want him to wield a gun he can. He also has a fifth hand which is a two-finger pointing left hand for doing mental power poses. It actually has some sculpted in lines to make it look like an actual glove which is surprising. It may be the same hand that came with the Age of Apocalypse Gambit so that may be how they justified the tooling cost. Chuck also comes with a new Cerebro helmet. At least, I think it’s new. It’s different from the one that came with hoverchair Charlie and it’s fine. It’s that swirly, gray, plastic Hasbro favors over shiny paint for metallic objects and it fits on his head just fine. There’s a hole on the back which had me thinking that was for X-Men ’97 Jean’s ponytail, but the helmet really doesn’t fit on her head because of her hair.

Xavier’s articulation is pretty standard Legends fair, though it has its own quirks. The head is a double ball peg and it’s actually the best double ball peg setup I’ve seen from Hasbro. The lower ball isn’t as deep as it normally is in the neck and he gets good range looking up, down, and tilt thanks to another joint at the base of the neck. Of course, the lack of any hair to work around is playing a role, but good is good. From there we have typical shoulder ball pegs, bicep swivel, double-jointed elbows, wrists, ab crunch, waist twist, hip, thigh, double-jointed knees, boot cut, and ankle hinges and rockers. The range on the ab crunch is pretty poor going forward and back, but aside from that the other joints are fine. The two-finger pointing hand and the trigger hands all have vertical hinges which is interesting. Not so much the trigger hands, but the two-finger gesture is an odd choice. I’m not sure which direction I’d want the hinge to go in this case. The waist twist being above the sculpted belt is a bit unfortunate because it’s ugly. If they could have set it inside the belt it would have looked better, but also cost more.

In the chair where he belongs.

The articulation is fine and it’s probably plenty for Charles Xavier, a guy who traditionally doesn’t walk. The figure also can fit into the hoverchair if you wish and he did sport that look in the show as well. This is a pretty fine Marvel Legends figure. If I liked the portrait sculpt then I’d be pretty happy here and probably would have paid full price. Since I don’t, I still question my decision to buy it as I don’t think it’s an improvement over the other Xavier I have. At any rate, he’s another addition to the animated shelf and he won’t look awful. And if I display him with the helmet I’ll probably barely notice the face. Plus, the new X-Men ’97 Morph is coming with a head for Henry Gyrich and even the Legends team had that head on the hoverchair Xavier body. Perhaps I’ll do the same eventually leaving this as my default Xavier. Even though this has been discounted for a couple of weeks now, I still see this one at Target so you may be able to find it if you’re interested. I paid $17 for it, but if they keep lingering maybe they’ll go even lower? That might be a gamble worth taking.

Professor X isn’t much on his own, so here’s some other figures that might catch your fancy:

Marvel Legends Professor X with Hoverchair

Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of…

Marvel Legends X-Men ’97 Magneto

It was two years ago that Hasbro made the announcement that it was wading into the weeds of X-Men, the cartoon series that aired on the Fox Kids Network from 1992-1997. The line was released across eight installments in 2022 (plus a ninth if you include the obviously animated-inspired Apocalypse released on a retro card)…

Marvel Legends X-Men Animated Series Mr. Sinister

This week, the long wait for an in-person San Diego Comic Con comes to an end. For the first time since 2019, attendees, creators, and the like will be invited back into the city of San Diego for a celebration of all things comics, movies, and general “nerd” culture. One of the many panels this…


Marvel Legends Professor X with Hoverchair

All right kids, back in your seats. Teacher is here.

Most view superheroes as idealized versions of people. Superman has all the power he needs to mete out justice as he sees fit. He’s a man who is super fast, super strong, basically invulnerable, and he even has laser eyes for good measure. Not every character can be Superman though and as the stable of superheroes increased over the years there was more room for nuance. I’m sure some folks in marketing at Marvel Comics scoffed at the idea of a team of superheroes being led by a middle aged paraplegic, but that’s the direction Stan Lee and Jack Kirby went in when they created the X-Men. That team was founded by Professor Charles Xavier, a powerful, telepathic, mutant (which is basically used to mean a superhero born with their powers) who just so happens to be confined to a wheelchair. Unlike a character like Daredevil, a blind superhero whose enhanced, super, senses essentially negate his disability, Xavier’s powers do not help him walk. Sure, some writers have played around with that over the years, but at his core Professor X is a man with a disability able to thrive in a world of super powered individuals.

He’s a bit of a little guy.

I don’t know for certain, but in a world where even female characters were treated like radioactive material, I can imagine folks at Toy Biz not being too excited about doing a Professor X figure. It took a little while for the head man to make his debut in that old toy line, but I was honestly pumped when he did. I think he may have been the final character from the cartoon series X-Men to be released and complete the team. I know we had to wait awhile for Beast and Morph, but I can recall getting those two figures on Christmas (1994, I want to say) and the following Easter Chuck was sitting beside my Easter basket (along with Ahab, a figure not exactly high on my wants list). And aside from having a blue suit instead of green, he was pretty faithfully depicted as he was in the show complete with his 90s, stylish, hoverchair. Because of the cartoon and Jim Lee’s run on X-Men, it’s the hoverchair I most often associate with Xavier. Hasbro certainly knows that’s the case for many which is probably why they released Xavier in a deluxe package with his famous chair.

Hope you like this gesture, because it’s kind of all he can do.

This figure was released a few years ago, but in 2024 Hasbro made it available once again to preorder. Having since acquired several characters from the cartoon in Marvel Legends form, I felt like I needed Xavier to pull it all together. The addition of the chair does make for additional cost. This thing was a whopping 50 bucks, by far the most I have ever spent on a Marvel Legends figure. I was pretty skeptical it would be worth that in the end, but when you’re basically one figure short of a full squad it’s the kind of thing one will extend themselves on. Toy companies are aware of this phenomenon, which is why I fully expect Xavier to be the last release in Mondo’s very awesome, but very expensive, line of X-Men figures. Trying to imagine what a sixth scale Xavier in his hoverchair will set me back is already giving me anxiety.

His chair comes loaded with a TV and some games so he doesn’t get bored.

That is a topic for another day, today we’re in the more familiar realm of 1:12, or there about. Xavier comes in an oversized window box and is featured prominently in the center. His chair is amusingly split in half so we can see one half of the chair on each side of the figure. The backdrop contains artwork of the entire, animated, team in a style that resembles the cartoon. Beast, for example, has pupils. It displays well, but I could not care less about that fact. Once removed, the chair requires some assembly. There are four pieces to it: each side, a backrest, and a cushion. The backrest slides onto either half while the cushion plugs into a slot in the center of one of the pieces. Then you just push it together. It’s pretty intuitive and most probably won’t need to consult any instructions. Not that there is any. I’m surprised they didn’t print some on an inside flap of the box.

I like the thought of this base, but not so much the execution.

The chair looks pretty good from a sculpting standpoint. It’s not painted though, so you get some of that swirly plastic effect Hasbro seems to love when it’s trying to create the illusion of a metal material. There is a big seam down the middle which is unfortunate. It makes me wish that at least the front was a third piece that snapped over the assembled halves, essentially the same concept as the backrest, to at least get rid of the seam there. On each armrest there’s a control panel that slides out. One has a monitor while the other a keyboard and at least those two parts are painted. Even though the artwork seems to be evocative of the cartoon, the design of the chair is from the comic. The most obvious distinction is the shape of the front and lack of headlights. The chair sits fine as-is, but there’s also an included base. It’s a white post with a transparent piece of plastic over it in the shape of smoke, I guess? The transparent portion is frosted over with white paint and the plumes are pointed so, to me, it looks more like ice. I don’t think ice is what they’re going for here, but it gives the figure a little height.

Cool hat, bro.

As for Xavier himself, he’s depicted in his green suit with white shirt and blue and black tie. He has a very serious expression on his face with his signature, arched, eyebrows. His right hand is in a two-finger gesture while his left hand is open, but curled. He has no extra hands which is unfortunate. He should at least come with another right hand so he doesn’t always have to be making this very specific gesture. And because the damn thing cost 50 bucks – throw in some hands! Outside the chair, Charles stands just a tick over 6″. He has a slight build with a very big head relative to his body. It strikes me as a little off as Xavier from this era was usually portrayed as being rather broad shouldered. This figure makes him look like a weenie. Most of the figure is colored plastic with the belt and tie being where the most paint is utilized. The jacket portion of the torso is an overlay while the sleeves are part of the sculpt. This is pretty standard, but the small shoulders means some white sticks through the gap between the arms and jacket. There is also a slight discoloration to the arms vs the shoulders with the shoulders being noticeably darker and shinier. This is an older figure so it does feature pins in the joints. I don’t find them particularly distracting, but there must have been suit guys made over the past few years on pin-less bodies, no? I’m surprised he didn’t get a minor cosmetic upgrade as a result.

Hey professor, you got some…ugh…stuff…squirting out of the back of your head.

Articulation for Charlie is pretty typical stuff for Legends. We have: ball hinge neck, ab crunch, ball-hinged shoulders, biceps swivels, wrist swivels and hinges, waist swivel, ball-socket hips, thigh swivel, ankle hinge and rocker, double-jointed elbows and knees. Range at the hips and shoulders is mediocre and the ankles are pretty limited too, though I guess that doesn’t matter much for a character who will be seated. He’s going to do what you need him to do, but if that’s something you want him to do is outside Professor X’s typical wheelhouse then you won’t be impressed. Like standing. This guy is really hard to stand because the range on the ankle hinged is poor and his feet are tiny. Again, for this guy it doesn’t matter, but if you wanted to swap in a different Xavier and use this body as a custom for someone else you may be disappointed.

If you’re curious, it can kind of fit the head of the X-Men ’97 Jean.

I have critiques for the presentation and articulation on this set, but the bulk of my criticism is going to reside with the accessories. I suppose one could consider the hoverchair itself an accessory, but since this is a set that’s double the price of a typical Legends release I think of it more like a two-pack where the hoverchair is almost like its own thing. And the hoverchair has the effect part stand and also a little blankie that can go over the lap of its occupant. That’s all fine, but for Xavier himself the accessory count is slight. He has his Cerebro helmet which is more of a classic design than one that’s evocative of the 90s or animated series (if you want a more TV helmet, the new Target exclusive Savage Land Xavier comes with one). It fits on his head fine though you may have to mess with it to get it aligned just right. It also has an effect part that plugs into the back. Its done in white plastic with a pearlescent coating. The shape is like a splatter effect and it’s supposed to represent his psychic powers which are sometimes illustrated with such a shape. For me, I think of them as being colored pink or blue (even the box art opts for pink), though I’m sure someone colored them white at some point in the comics. It’s just this color and this shape make it look like he’s getting hit in the back of the head with a balloon filled with milk, or a substance that’s much more disgusting.

Obviously, this is how everyone is going to display this guy.

For optional parts, we have the head of the Shadow King. Your mileage may vary, but for me, the Shadow King was always one of the lamest characters associated with X-Men. I loathe his episodes from the show so this isn’t an accessory that’s going to appeal to me. That being said, the sculpt and paint on the head is fine. There’s more paint on this thing than probably on the entirety of the rest of the set. It’s also just a head and it’s not meant for this figure. My understanding is that this head is designed to fit on the Kingpin body so if you want to create a Shadow King for your collection you need to go out and get yourself another Kingpin. Which is fine as a throw-in if they had room in the budget, but this head is the only other accessory in the box. We don’t get a second portrait for Charles, we don’t even get any extra hands! I wish he had some neutral hands for just when he’s sitting in his chair or at least one alternative to the pointing fingers hand. A portrait where he’s calling out commands to his X-Men would be appreciated too and I would happily trade this Shadow King head for accessories for Xavier that flesh him out. That’s the character I want. That’s what’s driving my purchasing decision. Not a random part that’s only useful if I go out and buy a whole other figure.

This set may be more expensive than your typical Legends release, but the end result is pretty much the same. This Charles Xavier figure is what you buy if you have a collection of Marvel Legends X-Men and you just want an Xavier. It’s going to slot into your display and anyone who sees it will know that’s Professor X. It’s not going to “wow” anybody though and there are a lot of shortcomings. The actual figure strikes me as a better representation of a 60s and 70s Xavier who was drawn more like an older guy. As a 90s Chuck, this guy is too small and slight. The chair looks fine, but the lack of paint also makes it look cheap. And if they had just done the thing in three pieces where the front portion that covers the characters legs was one piece it would have cut out that hideous seam right down the middle. The accessories are a bummer because the figure feels underbaked, and given that this is a re-release it’s an added bummer because they could have improved the figure at no added expense. There are better suit-guy molds at Hasbro they could have used or just more hands. It’s almost like they want you to go out and buy that Savage Land Xavier in the flight suit if you’re unsatisfied with this one and toss him in the chair instead. I prefer my Xavier in his green suit though, and I don’t like the portrait of that new Xavier. Plus, his assortment of hands are almost as bad as they are here (he comes with trigger finger hands – why would Xavier need trigger finger hands?!).

Obligatory, “To me, my X-Men,” shot.

Should you get this one? I don’t know. It’s really just to fill out a collection which is honestly the worst reason to buy something. I try not to do it because money and space are precious resources and I don’t like wasting either on something I don’t love. And to get this guy into your display it’s going to take some work since he does demand quite a bit of shelf space. It looks okay, so I don’t hate it. I would like it a whole lot more if it were $35 instead of $50 so maybe I should have held out for a sale. One may come, one may not, as X-Men are pretty hot right now thanks to X-Men ’97 so anyone waiting for a sale somewhere is probably taking a risk.

There are more reviews here of X-Men action figures if you’re looking to fill out a shelf:

Marvel Legends X-Men Animated Series Wolverine

The toyline of my dreams was announced last October. In celebration of the 30th anniversary of the television series X-Men, Hasbro is doing a dedicated line of Marvel Legends with figures based on the look of the show. The show was obviously inspired by the designs of Jim Lee, but there are differences in the…

Marvel Legends X-Men Retro Card Marvel’s Beast

2022 was the year a dream toyline of mine was made a reality. Hasbro finally decided to do a line of Marvel Legends based on the animated series X-Men, which premiered 30 years prior on Halloween 1992. The line was staggered with a release coming every 6-8 weeks or so and ended up totaling 8…

Marvel Legends X-Men ’97 Jean Grey

If you are reading this the day it goes live then Happy X-Men ’97 Day! Today is the day the long-awaited sequel series to X-Men debuts on Disney+. Rather than fast-track a review of the first two episodes to this blog, I decided instead to do what I most often do: review an action figure!…


X-Men ’97 – “Tolerance is Extinction – Part 3”

Written by Beau DeMayo and Anthony Sellitti.

Today, X-Men ’97 dropped the curtain on its first season and what a way to bring it to an end. Last week’s episode was a roller coaster of emotions for me. I couldn’t go into much detail of my review of “Tolerance is Extinction – Part 2” without wading into spoiler territory, so allow me to indulge myself before we get to this week’s episode. When one thinks of childhood trauma baked into media, the death of Bambi’s mom is probably the most often cited. If you’re an 80’s kid it might be the death of Optimus Prime in the first Transformers movie or the death of Littlefoot’s mother in The Land Before Time. The 90s kid has Mufasa while the comic book readers like me have X-Men #25. No one truly died in that issue, but it’s the infamous issue where Magneto decides he’s had enough of Wolverine and uses his magnetic powers to rip the metal off of his bones and force it through his pores and open wounds. It’s all anyone wanted to talk about concerning X-Men when it happened and it changed the character of Wolverine in a big way. Like basically all things in comics, Wolverine eventually regained his awesome adamantium skeleton, but it took a surprising amount of years for that to happen.

They did it. I can’t believe they did it.

Despite being one of the most singular, powerful, moments in X-Men history, that confrontation with Magneto has really just been confined to the page. The original X-Men animated series had just kicked-off its second season when it happened, but never touched it during the rest of its run. I remember feeling anxious during the Asteroid M episodes, “Sanctuary,” out of fear it might happen, but Wolverine escaped that arc unscathed. I remember my friend jumping in his seat when we saw the first X-Men movie in theaters when Magneto lifts Wolverine up on the train and asks “Does that remarkable metal run all through your body?” He thought, and I too, that Magneto might give a tug in that moment and I certainly thought it could be him laying the groundwork for a future confrontation that never arrived. Other animated efforts and movies that followed never did go to that well, but in its ninth episode X-Men ’97 did.

For a brief moment I thought we may be jumping straight to the mind wipe Xavier inflicted upon Magneto in response to his attack on Wolverine.

When Magneto emerged from Bastion’s imprisonment in the eighth episode and used his magnetic powers to attack the whole planet’s electrical grid is when I first felt X-Men #25 was on the table. It was similar to his attack to open that issue on the planet’s satellite defense system which knocked out power all across the globe. Even though much of the events of last week’s episode were mirroring the events of New X-Men from 2001, there was always the possibility of multiple plotlines converging. As I said in my review of last week’s episode, that “Greatest Hits” approach the original series and this one is able to take is part of what makes it so successful. When it was Wolverine who was tabbed to deliver the opening, “Previously…on X-Men,” line I pretty much knew what we were in for. It became even more obvious when Rogue basically assumed the role of Colossus from the Fatal Attractions plotline X-Men #25 is a part of by joining Magneto (along with Roberto) midway through the episode. It made it hard to enjoy all of the fan-service leading up to the final act with the return of the old costumes, the Hulk cameo, or Cyclops’ return dig at the film costumes as I was expecting the worst for old Wolverine. And even during the episode, my X-Men animated Wolverine figure decided to take a shelf dive. I’d love to say it was during that scene, but I don’t remember because I was engrossed in the show and only after it was over did I check to see who fell. He knew.

Wolverine’s claws covered in blood – something we never could see in the original series.

The final scene of the episode was done exceptionally well, though it still left a glimmer of hope that Wolverine would not be subjected to his worst injury to date. When he removes Magneto’s helmet to allow Xavier a chance to attack him with his telepathic powers, the imagery was evocative of Xavier’s answer to Magneto’s brutal assault on Logan from X-Men #25. For a brief moment, I thought he might be spared. Then Cyclops blasted his mentor, not because he was turning on him or anything, but because Gold Team had not yet taken down Bastion and they couldn’t risk Xavier, through Magneto, re-activating the Prime Sentinels.

“Been in a lot of wars, bub – the brave always die first.” A great callback to Magneto’s line from the season finale of the original show’s first season, “The Final Decision.”

That’s when Wolverine struck. In actually more graphic fashion compared with the comic from which the story was taken, we get to see a flash of his claws and then the ends protrude through Magneto’s torso. At that moment, I could only watch with both dread and awe since there was no going back now. The attack was brief. We got just a quick shot of each character’s reaction, friend and foe alike, at Wolverine’s attack. It was like all of the participants in the melee up to that point were just made aware that violence has consequences, like a bunch of kids play-fighting in the yard until someone gets really hurt. The final image of Wolverine in mid-air with the adamantium oozing out of his body was a near 1:1 recreation of Andy Kubert’s artwork. It was chilling and a hell of a way to end an episode of television. I was riding an exercise bike on my first viewing and I wish I had thought to check my heartrate readings on my fitness app when it was all said and done. I was covered in sweat, more than usual after a workout, and that same pit in my stomach I felt as a 9 year old in 1993 had returned.

The plot with Wolverine made me completely forget that we may have witnessed the death of Jean. Again.

The moment was so captivating that it practically erased everything that came before it. I had to watch it again to be reminded of the fact that Morph and Beast had been defeated and were at the mercy of Bastion last we saw them. Sinister had taken control over Cable like he did his mother before him unleashing his telekinetic powers on Jean. She was able to make psychic contact with Cyclops, and through her, he saw what was going down just long enough for her to tell him she loved him before Cable’s blast engulfed her. And at Asteroid M, Magneto is likely mortally wounded or damn close to it while Xavier had Magneto’s helmet basically crushed around his skull neutralizing his psychic powers. This concept is new to the show as when the original aired the idea that Magneto’s helmet was designed to protect him from Xavier had not been invented yet. You can even see in the show’s fourth episode Xavier attack him with the helmet on, but I don’t mind it being a new wrinkle for this show as basically every version of the X-Men has done the same.

We open on a flashback we’ve heard about before.

As a kid, I don’t know how many times I read X-Men #25 and its follow-up, Wolverine #75, so I had a good idea what was going to happen in this season finale (in case you forgot, that’s what we’re here to talk about today) in space. I was less certain about the Bastion plot, but I had some ideas. Given the nature of how the last episode ended, there isn’t much I can say about the plot of this one that doesn’t spoil something, but I’m sure I can find something to talk about. The “Previously…” line is delivered by Magneto and our opening credits contain few surprises. More Dark Phoenix, more Apocalypse, but also a new scene of Magneto and Xavier unleashing their powers for the first time in front of each other on some terrorists from “Enter Magneto.”

Wolverine will not be doing much this episode.

And we’re shown that flashback because that is essentially where the episode begins. A young Xavier and Magneto having some drinks in a bar in a war torn country chatting about the potential for mutants. The war setting is even established by the opening chords of the famous song by The Byrds “Turn! Turn! Turn!” which I thought we all agreed we were done with? That and Credence Clearwater Revival. It’s at least brief which probably saved Disney a few bucks. Outside of the flashback, the episode is going to pick-up right where we left off with Wolverine in bad shape and the Earth heading for catastrophe. The only one who can heal the Earth’s magnetic field is Magneto and he needs some convincing.

Gold Team! This is no time for a nap!

At ground level, we last saw Bastion essentially victorious. And he will be ready for his victory lap that villains are so fond of, but as is often the case, the celebration is premature. Again, I’m not here to spoil anything, but I don’t think it’s a spoiler to say that the X-Men will need to deal with this guy. If last episode was more of the Magneto conflict, then this one is definitely more on Bastion. He is pretty set on eradicating mutants, and once that is done, he intends to rule over humanity since they can’t exactly be trusted either. And if he can’t do either, well, let’s just say that’s something he won’t respond to very well. And if that weren’t enough, the world super powers are left mulling what to do about the Magneto Protocols. Should the grid get restored, not only will the Prime Sentinels be reactivated, but President Kelly will have access to the missile defense system crafted especially for targeting Asteroid M.

Okay, perverts, happy now?!

The X-Men had split into Blue and Gold teams last episode, but it’s going to take all able-bodied X-Men to stop Bastion. A large portion of the episode is devoted to the battle that you knew was going to happen and, as has been the case with this show, it’s quite satisfying and spectacular. The action direction continues to be a strong point and the animation staff is up to task. Since we’re dealing with a finale here, there is an effort to give everyone some time to shine, provided they were able to stand at the conclusion of the last episode. The episode also pays more than lip-service to actual character growth and this is the episode that is able to cash in on the smaller moments (and some big ones) that we saw throughout this first season.

Sunspot has been allowed to cut loose these past few episodes which has been fun to see.

Where this episode did stumble a bit for me is that it’s basically a small portion of fallout from the previous episode, then a whole bunch of action, and then setup for next season. It’s become routine in the streaming age for shows to be serialized and include a lot of cliffhangers and X-Men ’97 is no different. I received some Game of Thrones vibes from the show when watching this one as the penultimate episode was where a lot of the spectacle was while this one felt a bit more like clean-up followed by setup. They left no room for the characters to really respond to what happened last week. It’s mentioned only in passing and we see Wolverine’s banged up body a few times, but we get almost nothing from the characters. How is Jubilee processing this? She and Wolverine were tight. Is anyone mad at him for pushing Magneto as far as he did by getting all stabby on him? Again, we don’t know and the way the episode ends makes it seem like it’s a thing we’re just not going to address at all and that feels like a real missed opportunity for a show that loves the soapy drama.

At least Morph seems to care.

Like last week, expect to be tickled by several cameos. Some are repeat cameos, but many are all new. Sure, it can feel like stunt-casting or something akin to it, but considering the plot in this episode has worldwide ramifications it makes sense to get a look around the globe. It’s certainly interesting and makes me wonder if X-Men ’97 will turn into a launching pad for an animated universe set in the 90s. Nostalgia for the period will likely never be hotter than it is now so it wouldn’t be Marvel and Disney’s worst idea. As long as my X-Men show doesn’t become overrun by non-mutant superheroes I’m all for it. Even if I personally have little interest in revisiting the other 90s Marvel cartoons.

I love everything about this shot.

I may seem a little down on this episode, but that’s only because the prior two were so strong. This is indeed a good episode, and it’s a long one at that, and DeMayo and Sellitti do some great stuff with their dialogue. There are certain characters they write so well and it’s on display in this episode. There’s also more callback lines to the original series and its woven in effectively and with purpose. There’s some heavy stuff intermingled with the action concerning Xavier and Magneto and this episode is one of the first pieces of X-Men media that really convinces the audience that Xavier and Magneto care deeply for each other. They’re not just paying lip-service to the “old friend” label they like to toss around so casually.

This episode concludes what has inarguably been a successful first season for X-Men ’97. The second season is in production so the wait should not be as long as it was from announcement to premiere. I suspect we will hear more at San Diego Comic Con this summer. Series creator and showrunner Beau DeMayo was heavily involved in the second season and it can be assumed much of his vision will make it to air. Following that, we’ll be heading into some unchartered waters with the show. Disney and DeMayo have remained tight-lipped on why he was let go from the series just before the premiere which is unfortunate because it would be nice to know if fans should be advocating for Disney to reverse that decision. If he was fired because of an OnlyFans account or creative differences, then that was probably a stupid decision given how well this show has turned out (and for the record, the OnlyFans thing would be stupid if the show sucked too). If he was fired over workplace misconduct or something (and full disclosure – I have no idea why he was let go and I’m just tossing out examples) then all right, that’s not someone I’d want to go to bat for. This stuff has a way of getting out so it’s more probable than not we’ll know in time, but for now, I’m extremely satisfied with how X-Men ’97 turned out. I’m also extremely bummed about not having a new episode to look forward to next week. This is going to be an intolerable wait.

Previously…on X-Men ’97:

X-Men ’97 – “Tolerance is Extinction – Part 2”

Magneto was right. That was the realization many characters seemed to share at the end of last week’s episode of X-Men ’97. As we roll into the penultimate episode of the show’s first season, a lot is on the line and the show is drawing inspiration from several different sources related to the X-Men over…

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X-Men ’97 – “Tolerance is Extinction – Part 1”

Ever since the episode list was released for X-Men ’97 I’ve been looking forward to what reads like an epic, three-part, season finale. In truth, given that X-Men ’97 is a serialized show you could basically call every episode “X-Men ’97 Season 1 Part 1” and so on, but the titles do add a dramatic…

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X-Men ’97 – “Bright Eyes”

When we last saw our beloved X-Men, their world had just been destroyed. An idyllic place set to the soundtrack of the very on-the-nose choice of “Happy Nation” by Ace of Base in Genosha was laid to waste. Mutants of all backgrounds were slaughtered including our beloved Gambit and less beloved Magneto. In the aftermath…

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X-Men ’97 – “Lifedeath – Part 2”

This week’s episode was written by Charley Feldman, his first sole writing credit on an episode of X-Men ’97.

Last week’s episode of X-Men ’97 ended in spectacular and heartbreaking fashion. If you were hoping to experience the fallout of that one, you’re going to be disappointed by this week’s episode. Like the week before which saw an episode end with Forge and Storm in a precarious situation, this week’s episode is willing to let those characters dangle a bit longer because now we’re going back to check-in on Storm. And we’re also going beyond the stars to check-in on the one major plot thread still left unaddressed from the original series.

This week’s episode, “Lifedeath – Part 2,” begins with the usual “Previously…” tagline and this time it’s delivered by Storm (Alison Sealy-Smith). In keeping up with current events, both Magneto and Gambit have been removed from the opening title because it does not care about your feelings. There is a surprising addition in the form of Nightcrawler, but if you’re wondering just what’s going on with that situation then it’s again something that will have to wait until next week. The recreated clips of the old show inserted include shots of the Shi’ar along with a shot from “One Man’s Worth,” Mastermold, Nim’rod, and Apocalypse.

Look who has been added to the opening title!

The episode opens with a battle taking place in space. The Shi’ar are taking on the Kree, and people just jumping over from the Marvel Cinematic Universe may be surprised to see a comic accurate depiction of Ronan The Accuser (Todd Haberkorn). He’s in some trouble as upon him is the Shi’ar Imperial Guard lead by the virtually indestructible Gladiator (David Errigo Jr.). Also there is princess of the Shi’ar, Deathbird Cari Kabinoff), who was last seen in the original series serving at the pleasure of Apocalypse. They’re interrupted by a transmission from the empress herself, Lilandra (Morla Gorrondonna), who has an important announcement to make: she is to be wed. Her chosen suitor? None other than Charles Xavier.

Xavier (Ross Marquand) being alive isn’t what I would consider a spoiler. The final episode of the original series depicted Xavier being taken to space by Lilandra where the technology of the Shi’ar could potentially save his life. This outcome was expected and it was only a matter of time before we’d hear from Charles Xavier once more. And it would appear he’s made a full recovery from his mystery ailment, and not only that, the Shi’ar have a suit capable of allowing him to walk again. Still, the announcement from Lilandra that she intends to wed what the Shi’ar term a Terran is met with resistance, especially from her sister, Deathbird. It would seem even in the far reaches of space, Xavier is still a victim of racial prejudice. And it turns out, there’s an ancient, Shi’ar, custom that allows for the people to make a demand of any outworlder looking to marry into power. It’s played as a “gotcha” from Deathbird who clearly hopes to draw a wedge between her sister and her lover first, then between her sister and her people following that, all in a bid to take the throne for herself.

Ronan The Accuser makes his X-Men ’97 debut.

In order to wed Lilandra, Xavier will have to make a terrible sacrifice that will prevent him from ever seeing his X-Men again. As an audience, we’re privy to more information than Charles and we obviously want him to not make a decision that will keep him from returning to Earth. The show does a good job of framing the decision in a sympathetic light so that we can see why Xavier might do so, and needless to say, we’re pretty invested in where this will go.

Elsewhere, the other plot of the episode concerns Storm and Forge. When we last saw them, they were under attack by The Adversary, a demonic entity (also voiced by Sealy-Smith, but with a monstrous quality), which had grievously injured Forge. The bite of the demon is poisonous, and Forge is in bad shape when we find them. The Adversary is there to prey on fear and self-loathing which is what draws it to Storm who needs to overcome both the demon and herself in order to save Forge. And the only cure for this demon bite rests with a certain cactus known to grow in dark places. In other words, an old mine shaft which is a place that will be a challenge for Storm to traverse given her extreme claustrophobia.

It can’t be fun having a literal demon dwelling in your rafters.

Storm’s plot is one of self-discovery, while Xavier’s is more on the lines of cultural integration and power. The events in Texas move at a fairly brisk pace as they did in the previous episode featuring this pairing. It does lead to some problems, but it feels less severe than it did before. As for the events in space, they move at a much more leisurely pace. It helps that we’re getting reacquainted with two characters with a lot of backstory and a pre-established relationship and the show operates in a manner that tells the audience you better know your stuff because it’s not slowing down to bring new viewers up to speed. And as much as I want to see the show deal with the Genosha fallout, this is the right time to bring Xavier back into the fold as a plot element. The X-Men have lost their Xavier replacement, it’s foundational pieces in Cyclops and Jean are at odds, and they have lost members of their team and community on top of that. It’s a time of tremendous turmoil and uncertainty and I bet they would love to have the guidance of Charles Xavier once more.

Deathbird has designs on her sister’s throne. She should really hire a PR firm because that name “Deathbird” seems like it would be a hard sell.

“Lifedeath – Part 2” might not be the episode people wanted to watch this week, but it’s the one we got and it does tie-up some loose ends of its own. It’s another cool down episode (what episode wouldn’t be following last week’s?) for X-Men ’97 and it moves at a more deliberate pace. Those waiting for a big action piece may be left wanting, but it has its own moments of elevation and there is some nice action bits at the front of the episode. There are also some cameos for those who enjoy them, and one in particular definitely feels like one the show wants you to notice. My only real gripe was some tonal changes in the Storm/Forge plot, but I think that’s just the reality of a show speeding towards what showrunner Beau DeMayo has described as a big one. And that finale is going to air in three parts which means we only have one more episode of setup before it can begin. I expect next week to be the show setting the stage for a major climax. And I’m already bracing myself for a major cliffhanger of a finale and, if so, the wait for Season Two will be excruciating.

Previously…on X-Men ’97:

X-Men ’97 – “Remember It”

Last week’s episode of X-Men ’97 saw the show take a breather with a fairly low stakes plot involving Jubilee and Roberto getting sucked into a video game. The last 7 or 8 minutes of the episode concluded with a more serious tone as Storm and Forge found themselves at odds in the wildlands of…

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X-Men ’97 – “Motendo/Lifedeath Part 1”

X-Men ’97 continues on into it’s fourth episode with a bit of a change-up. The first three episodes were rather weighty dealing with the fallout of Xavier’s death, Storm losing her powers, and the whole clone situation of the third episode. And that third episode did reveal a few cracks in the foundation of the…

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X-Men ’97 – “Fire Made Flesh”

Well, that was a long wait! After the two episode premiere of X-Men ’97 on March 20th I was ready for that third episode. The week long wait felt both excruciating and exhilarating. It’s been a long time since we’ve had an X-Men show to get excited about, or really an X-Men anything, and it’s…

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