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Dec. 25 – The Nostalgia Spot Christmas Special Countdown #10 – 1

Before we got onto the conclusion of our big Christmas Special ranking, let me just wish all of you a merry Christmas! It’s cliche, but it only comes once a year and you never know how many you’re going to get in a lifetime. For my family, it’s a somber one as it’s the first Christmas without my mother-in-law. And she absolutely loved Rudolph the Red-Nosed Reindeer. If she knew I didn’t place that one in the top 10 she’d probably be angry with me, but you know, the top 25 ain’t too shabby either.

The Christmas Spot is a labor of love for me. I love Christmas and I love indulging in it as much as humanly possible each year. And that means watching as many Christmas specials as I possibly can. I love discovering new ones, especially so if they’re new and actually enjoyable, but I also can’t disagree that settling in with an old favorite isn’t a ton of fun too. And a lot of what makes up the top 10 can be described as an old favorite. I suppose that likely comes as no surprise considering the name of this blog is The Nostalgia Spot. With Christmas, a holiday that burns even brighter for children than it does adults, it’s pretty much impossible to separate nostalgia from the equation. I try to be as objective as possible, but I know that I can’t remove those childhood memories and affection from a lot of these. There is a drive to go against the grain, zig when others expect me to zag, but I also hate being a contrarian for the sake of being one. No one likes that guy. As a result, these ten are pretty familiar and not all that different from the last time I did this. It just couldn’t be helped, but their staying power in my heart and in my mind is also a testament to their quality. And I do think I have a couple in here that probably aren’t in a lot of top 10s and I even have two that aren’t even ten years old! That’s enough preamble though, it’s Christmas and you all have stuff to do and places to be, so let’s get to it:

10 – Prep & Landing

Wayne (right) has to overcome disappointment and deal with a new partner in Lanny this Christmas.

It’s funny how the Disney holiday special Prep & Landing still feels new to me, even though it’s now old enough to drive in most states. When this one first came up I was averse to it for no particular reason. I just lumped it in with Disney Channel fair and assumed it was for little kids, if not outright bad. Boy, was I wrong. It was actually recommended to me by my parents, of all people, who had somehow made it part of their annual tradition. I say “somehow,” but this actually is the rare Christmas special to still get a showing on network television year after year. A lot of those have dried up, but so long as ABC is owned by Disney it seems like we can count on Prep & Landing to be shown every year.

And that’s a good thing because it’s pretty great. In this special, we’re introduced to the concept of Santa Claus having an entire division of elves called Prep and Landing. These elves arrive first and basically clear the area for Santa’s arrival. They’re like his own Secret Service. It’s a genius bit of lore because it opens the special up to spy type missions in addition to traditional Christmas special tropes. Wayne is a part of this division only he’s getting kind of sick of it and seeing his partner get a promotion instead of him basically sucks the life out of him. He gets partnered up with an excitable new recruit named Lanny on the big day (an odd time to announce promotions, honestly) following the bad news and basically tries to coast through the night. Nowadays, we call this quiet quitting. This results in disaster and Santa is forced to pass over the house where little Timmy lives (it’s always a little Timmy) and the shock of that realization forces Wayne back into form in a bid to save Christmas for this kid. It’s a unique setup and a pretty relatable premise about feeling unappreciated at work which honestly is something that likely appeals more to adults than kids. Not that there isn’t plenty for kids to latch onto. That relatable element, and the newness of it all, is what makes this original Prep & Landing much better than its sequels. A new installment was actually premiered this year and if you want my opinion on it it’s fine. Maybe better than Naughty vs Nice, but that’s a discussion for another day. When it comes to what I consider modern Christmas specials, this is the one I use as a measuring stick.

9 – Duck the Halls: A Mickey Mouse Christmas Special

Donald elects to remain in the cold north for Christmas and the results are pretty dramatic.

This Christmas special is one of two in the top 10 that isn’t even a decade old. It also prominently features Donald Duck who appears in a whopping six of the top 10! I knew I was a big Donald Duck fan, but even I didn’t realize it ran that deep. One of those six was Prep & Landing where he just has a cameo, but six is six. This one features the famous duck in the starring role. He is the “duck” in Duck the Halls and that subtitle almost feels like it only exists to placate the ego of a certain mouse. If Mickey is in something, he needs to at least share top-billing with the rest of the cast. It’s like a rule they have at Disney.

This special comes from the most recent era of Mickey Mouse cartoons by Paul Rudish. It takes the classic characters and adds more of a mad-cap feel to them. They’re all allowed to be funny with no straight man to play off of. In this one, Donald wants to spend Christmas with his pals, but since he’s a duck that’s a no-no as he’s supposed to migrate with the rest of the flock. This happens every year, but this time is different as Donald opts to stay. The results are disastrous as the cold weather literally causes the poor guy to fall apart forcing Daisy and the other ducks to stage a rescue attempt. Meanwhile, Mickey and the gang is well aware of Donald’s deteriorating condition and vow to get him south, but Donald wants none of it and basically goes insane and runs around town naked with a tree skirt draped around his shoulders. It’s wonderfully funny with just some great visuals to go along with it. I suppose if you don’t like this non-traditional take on Mickey then Duck the Halls won’t change your mind, but I love everything about it. What it lacks in Christmas feels it more than makes up for with humor and outlandish visuals. I just wish Alan Young had been around to voice Scrooge McDuck.

8 – Toy Tinkers

It’s quite likely that the modern Disney company would prefer you forget this image exists.

I wanted to break these two up, but I just could not do it. Toy Tinkers is our other Donald Duck starring vehicle only this one is much older than Duck the Halls. This comes from the 1940s when Donald was on fire. Mickey may have been the mascot for the Walt Disney Company, but Donald was the star. And in this short, he gets paired up with perhaps his greatest rivals: Chip and Dale. The two chipmunks are going to infiltrate the duck’s home on Christmas lured in by the warmth, festive decor, and those nuts. A bowl of nuts may feel more decorative than anything these days, but to a pair of chipmunks it’s a feast.

Chaos ensues when Donald realizes the rodents have invaded his home. Not one for sharing, Donald essentially declares war which is probably why this Christmas short still remains absent from Disney+. Donald disguises himself as Santa and hands out presents to Chip and Dale, only for a revolver to emerge from one such gift that Donald gleefully shoves in their adorable little faces. Modern Disney probably isn’t crazy about one of its most famous cartoon characters brandishing a realistic firearm in such a manner. And from there, a firefight breaks out. While Donald is using a pop gun, it looks realistic and fires nuts and ornaments like a machinegun. There’s a bunch of war-like parody images as the chipmunks return fire and even explosives are introduced. It’s one of the most Warner-like of all the Disney cartoons. And it’s just a ton of fun and it’s all over in less than 10 minutes. I love this era for cartoons and I love a good Christmas themed short. There’s just one I prefer to this one, but Toy Tinkers is always a good time around the holidays.

7 – A Chipmunk Christmas

Alvin Claus and Dave rarely see eye-to-eye.

Speaking of chipmunks, here we have A Chipmunk Christmas starring those lovable little rascals Alvin, Simon, and Theodore. The trio had been in a bit of a lull until the son of creator Ross Bagdasarian, together with his wife Jan Karman, paired up with the legendary Chuck Jones to bring us this animated classic. The chipmunks were given a makeover that is very evocative of the Chuck Jones style and the existence of their classic “The Chipmunk Song (Christmas Don’t Be Late)” meant the special didn’t need to come up with its own theme. All it needed was a purpose and a plot.

For that, we get a pretty typical Christmas special plot. Alvin needs to learn how to appreciate what he has and not focus on the “getting” aspect of Christmas. The twist here is he figures that out in the first act when he gives away his prized Golden Echo harmonica to a sick little boy. From there, it becomes a story about how Alvin feels a need to replace that harmonica before his adoptive father, Dave, finds out he gave it away. And in his quest to do so, he appears selfish and greedy in the eyes of his father because he doesn’t know what’s really going on. It’s all going to work out in the end and whatever ailed young Tommy even magically disappears once he gets the harmonica. What I also like about this one is that Mrs. Claus gets to get in on the act instead of her more famous spouse. It’s a delightful little reveal at the end that I can still remember seeing for the first time as a kid. The antics of Alvin and his brothers are fun and this one does register in the “feels” department. Plus, the chipmunks never looked this good before and really never will again making this Christmas special feel all the more special.

6 – A Garfield Christmas

In this one, Grandma is going to steal the spotlight from the famed orange cat and that’s okay.

I often here people refer to A Charlie Brown Christmas as this very low energy, low stakes, Christmas special. The way it’s phrased is to imply surprise at its staying power and how universal the love is for the special. One holiday special that might be even more low energy by comparison is 1987’s A Garfield Christmas. In this one, Garfield, Odie, and John head to the farm where John grew up to celebrate Christmas with his family. They have dinner, trim the tree, sing, read a story, and that’s about it. A very ordinary Christmas that is held every year by countless families that are far bigger than John’s. The fact that A Garfield Christmas is so beloved is because it’s driven by its characters.

Garfield is a character that requires little explanation. He embodies the emotions we humans attribute to cats. He’s lazy, enjoys eating, and would prefer to spend Christmas in his nice, warm, bed. In some respects, we can all relate to Garfield. The rest of the family helps to round things out. John and his brother, Doc Boy, provide some humor via their apparent case of arrested development going so far as to try and get their parents up at 1 in the morning to open presents. A lot of the heavy lifting when it comes to the emotional side of this special is provided by Grandma. She’s a high energy grandma, but she’s also a sad character as she reveals in a long monologue how Christmas is the time of year she misses her late husband most. It’s the moment in this one where things kind of stop in their tracks. We were having fun just observing this family up to that point and now find ourselves all thinking about the people missing from our own lives this Christmas. If you can’t relate to that part, you will some day. The special has a sweet ending and it’s buoyed by some lovely animation and even some decent songs that do not overstay their welcome.

5 – Simpsons Roasting on an Open Fire

Homer bets it all on Santa’s Little Helper and it actually hits, just not in the way he expected it to.

The 1980s were a great time for Christmas specials and sneaking in right at the end of the decade is The Simpsons. You don’t need me to tell you about The Simpsons. They’re basically the most famous family in America, animated or otherwise. It will never stop amazing me that this show is still running, but we’re currently in season 37 of the show with no end in sight and it all started with this holiday episode. “Simpsons Roasting on an Open Fire” wasn’t supposed to be the premier of the show, but it’s how it all ended up happening. And as a result no matter how many Treehouse of Horror installments the show does, it will always share a special bond with Christmas for as long as it lives.

Returning to this one annually is always a fun reminder of how this show began. The Simpsons wasn’t all that different from other sitcoms of the era with the main exception being that the family was kind of poor. The premise of this episode is that a thing like Homer losing his Christmas bonus could absolutely ruin the family’s holiday. It’s further compounded by Marge having to blow the family’s rainy day fund on getting Bart’s tattoo removed. Not wanting to let his family down, Homer tries to keep everything under wraps and secretly takes a second job as a mall Santa Claus, but when that ends up only paying out a measly thirteen bucks he’s forced to go to drastic measures and gamble his small sum of money at a dog track in a last ditch effort to raise enough funds to provide for his family. Since it’s The Simpsons, things can’t just work out for Homer in a nice, tidy, fashion, but he and Bart fall ass backwards into an even better present for the family: a dog. It’s also interesting going back to this one because the show is very much not at all concerned with preserving the Santa Claus myth for its audience. The writers definitely envisioned the show as more of an adult one that older kids and teens would probably also find interest in, but it ended up taking off most with a younger audience. As a result, this may be the only one in the top 10 of my list that you won’t want to expose the youngest viewers to, but for everyone else it’s a true classic and remains the best Simpsons Christmas episode.

4 – Pluto’s Christmas Tree

When it comes to Christmas, this is as good as it gets.

I mentioned it already in the Duck the Halls portion, but Mickey needs to receive top-billing in anything he appears in. Take this cartoon for example which, by all rights, should be considered a Pluto short, but it’s actually considered a Mickey Mouse one. It follows a familiar premise when compared with Toy Tinkers and even comes after it, but I find this one just a bit more enjoyable. It’s also simpler and the violence is far more tame so you can find this one on Disney+ all year long.

Mickey and Pluto begin this one in search of a Christmas tree. While doing so they encounter the pair of Chip and Dale who enjoy poking fun at Pluto for some reason. I guess because he’s just a fairly normal dog while they are chipmunks of a much higher intelligence. Pluto chases them up a tree which also ends up being the one Mickey settles on and the two end up inadvertently infiltrating the mouse’s house. There, they find a lovely home among the well-decorated tree. There’s the allure of nuts as well, but Pluto is not having it. After trying and failing to get Mickey’s attention to point out the rascals, it turns into a chase sequence which basically destroys the tree and results in Mickey strangling his dog. Yes, he really strangles Pluto. Despite that bit of animal abuse, this cartoon short is quite enjoyable and it all starts with the beautiful backgrounds and animation. The interior shot of the titular Christmas tree is the most Christmas shot ever dreamed up in animation. If I had the money and the ability, I’d go to great lengths to own that animation cel of Dale taking it all in. It’s just gorgeous and I love indulging in this one several times a year.

3. DuckTales – Last Christmas!

This one could have easily been called Dewey’s Christmas. Or should I say Bluey’s?

This is likely the one that’s going to be the biggest outlier in my list and I am okay with that. When most people my age hear DuckTales they likely refer back to the series that began in the 1980s and was part of the inaugural Disney Afternoon programming block. That show did not have a Christmas episode despite featuring a main character named Scrooge. To make up for it, the 2017 reboot had two Christmas episodes and this first one is one of my most favorite things.

DuckTales is a modern animated series with a strong throughline. It’s not entirely serialized though in such that someone just jumping in at any point would feel lost, but those who have kept up will probably get a little more out of it. And the main plot of the show is that Donald Duck has been left to raise his nephews all on his own, but eventually needs a little help and turns to his uncle Scrooge. The boys have never met their mother and do not even know if she’s alive and what happened to her because their uncle and great uncle refuse to discuss the matter, but they know it caused a major rift in their relationship. And we also have Scrooge who, like his namesake, appears to hate Christmas only in this episode we find out that’s a ruse. He just pretends to hate the holiday (though he truly hates Santa Claus for other reasons) so people will leave him alone freeing him up to go galivanting through time with his friends the ghosts of Christmas. It would seem they visited the wrong Scrooge years ago, but enjoyed hanging out with this one. Using the powers of the Ghost of Christmas Past (who is a cricket in just one of many nods to Mickey’s Christmas Carol), the group travels to holiday parties past, only this year Past is plotting to make sure the night never ends as he’s pretty lonely.

When the group travels back in time, there also happens to be a stowaway: Dewey Duck. Dewey is able to drop-off and land at McDuck Manor back in a time when his Uncle Donald and mother Della lived there as children. It’s through this bit of time travel that the young duck gets to meet his mother for the first time, only he can’t tell her who he is unless he wants to risk his very existence. Even sharing his name could have unintended consequences. It’s a really powerful plot device that only time travel could bring about. We saw Marty McFly meet a past version of his own parents which is interesting, but in his case he at least knew both of them in the present. Dewey has never interacted with his mother and to first do it with her as a child is wonderfully creative. It’s also kind of heartbreaking. The episode is careful to balance this all out with plenty of humor and some action as well as the two plots converge for the climax, but it’s also the sort of plot where if one sits with it and digests it they’ll likely find it pretty affecting. I just love it and there’s some wonderful callbacks in it that even one-time viewers should get. If you have never experienced it then I recommend you right that wrong. It’s the rare holiday episode I watched in the moment and I knew I’d be returning to it for years to come.

2 – Mickey’s Christmas Carol

Despite knowing how this one will turn out, it never fails to produce some happy tears.

I swear I didn’t set out to spotlight a bunch of Disney Christmas specials, it just worked out that way. Until doing this, I was almost unaware of how much enjoyment Disney has brought me over the years at Christmas time, but there’s no displacing the classics. Mickey’s Christmas Carol is my favorite version of Dickens and it’s not particularly close. Some love the Muppets (ironically, another Disney IP) while some love the more traditional, but for me it’s all Mickey and primarily Scrooge McDuck. This was my introduction to the character who would go on to star in DuckTales voiced by the wonderful Alan Young and I’ll never be able to separate him from Ebenezer Scrooge as a result. A huge tip of the cap goes out to my mother and her Christmas Tape she made in 1987 for me and my sister. On that famed relic, Mickey bats lead-off along with a trio of classic Disney shorts in Donald’s Snow Fight, Pluto’s Christmas Tree, and The Art of Skiing. A truly splendid way to fill an hour of television.

This version of A Christmas Carol quite simply has it all. There’s gorgeous animation, wonderful backgrounds, terrific voice acting, humor, and all the feels one would expect from this classic story. I love Disney’s version of the three ghosts and Marley and they will always be the first images that come to mind when speaking of those characters. The music is terrific and the sequence at the graveyard is both terrifying and heartbreaking. The resolution is as uplifting as it would have been if played by human actors and maybe it’s even better since these characters can emote in very specific ways. It’s kind of amazing what Disney can do with that duck visage which should be pretty rigid, but in the capable hands of Disney animators is capable of any expression needed. I already mentioned Alan Young by name, but this was also my introduction to Wayne Allwine as Mickey Mouse and he would go on to voice the character into the new millennium. He is probably my favorite Mickey voice actor for this particular take on the character and he’s wonderful here. It’s also the swan song for the original Donald, Clarence Nash, and while he doesn’t have a huge presence in this cartoon he sounds just as good as ever when called upon. My only disappointment with this one is that it disappeared from network television at some point in the 90s. Why? I don’t know, but it never should have. Especially with Disney owning ABC. I’d love to see that 80s block revived, but for now this one can at least be found on Disney+ and is also free to stream on YouTube.

1 – Dr. Seuss’ How the Grinch Stole Christmas!

This is just the absolute best.

As if it could be any other. Once again, I am declaring the animated classic How the Grinch Stole Christmas! the best Christmas special of all time. At this point, I can’t imagine anything dethroning it. It’s the perfect combination of story, visuals, song, and nostalgia that makes for the best Christmas special. How could one improve upon the Grinch? It plays to those who love Christmas and those who are exhausted by it. The Grinch is both relatable and a villain with a redemption arc. And in the hands of Chuck Jones he looks as good as he ever did and ever will, and we now have two feature length films to prove that point.

I honestly can’t remember if the Grinch was my favorite Christmas special as a kid. It was certainly up there, but I can also recall really loving Rudolph, Mickey, Frosty, and even ‘Twas the Night Before Christmas. The Grinch was always there though, that really consistent player smack dab in the middle of my Christmas Tape. Working in his favor is the half-hour format. I love a good short, and if a special is special enough to command an hour that can work in its favor too, but the half-hour cartoon is certainly my preference. The songs in this one are simple, but oh so effective. We all know “You’re a Mean One, Mr. Grinch,” but the songs sung by the people of Whoville are just as catchy and the moment when they all sing on Christmas morning still lands hard for me every time I return to this.

What will always please me the most though, are the visuals and the Grinch and Max dynamic. The Grinch is just so expressive in the hands of Chuck Jones. His scowls, his nervousness, that smile! I mentioned wishing I could afford an animation cel of the interior of the tree in Pluto’s Christmas Tree and right up there would be a cel of Grinch in full smile. Even though an image can’t do it justice since it’s the animation that sells it as the smile just keeps creeping up his face well beyond where you would have expected it to end. And the way his hair unfurls is just the icing on the cake. Max is also adorable as the poor pup victimized by Grinch throughout. He is the sympathetic core of the picture, but he’s also infectious in the few moments he’s excited. We root for the Whos to get their Christmas back, but we also really just want to see Max have a happy ending. I love this one and I will love it for the rest of my days. I cannot foresee a time in my life when I will get sick of watching How the Grinch Stole Christmas! I am always down for a viewing and it feels like I can’t possibly watch it enough each season.

If How the Grinch Stole Christmas! is not your favorite Christmas special then that is okay. It’s more than okay. It’s okay if your favorite isn’t even in my top 10, 25, or not in this countdown at all. Whatever your favorite is, I hope you feel as strong about it as I do the Grinch. I hope you have that one Christmas special that can turn your day around with a simple viewing. It just makes you happy and helps you to appreciate what a unique time of year Christmas is. I hope you enjoyed this countdown and that you have a wonderful Christmas this year and all the years to come!

If you can’t wait until next year for more Christmas then check out what we had to say on this day last year and beyond:

Dec. 25 – The Simpsons – “‘Tis the Fifteenth Season”

Well folks, we did it! We made it to another Christmas! These things come faster and faster each year which makes something like an online advent calendar helpful as it attempts to keep the season from going by even faster. It’s cliché, but the years go by even faster the older you get and if…

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Dec. 25 – Prep & Landing

We have reached another Christmas Day! It’s a great time to celebrate and enjoy the moment for tomorrow we mourn the passing of the season. It’s the great come-down every year. For this holiday, I am once again returning to my list of the best of the best when it comes to Christmas specials. This…

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Dec. 25 – Rudolph the Red-Nosed Reindeer

Welcome to Christmas Day 2022! We made it another year and another long year is ahead of us until we make it back, but right now, it’s time to celebrate! And in keeping with the theme of this year’s countdown, we are once again looking at another much beloved Christmas special on this day. Before…

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Dec. 12 – The Nostalgia Spot Christmas Special Countdown #115 – 105

Today’s installment of the Christmas Special Countdown basically ends at the halfway mark. After four days in a row of countdown installments, tomorrow’s solo entry comes at a pretty good time. Though in looking ahead, we’re not going to have another one for a week! I guess that’s the problem when you integrate those solo entries into an overall ranking system because they have to post where they rank. I could have taken liberties with the rankings to prevent that, but I have integrity! That integrity forced me to also break-up yesterday’s final entry with today’s first one. I think the two pair well when it comes to discussing the pros and cons of a Christmas special, but I couldn’t figure out a way to make that happen. Especially considering that yesterday’s post included 11 entries and today’s does as well. Had one included 10 it would have been easy enough, but that’s just the way things ended up. Without further adieu, here’s number 115:

115 – Toy Story That Time Forgot

The extent of the Christmas in this one.

I feel this one pairs well with Yes, Virginia because it overcomes the weaknesses of that special, while somewhat lacking its strengths. In case you forgot, Yes, Virginia is a nice little Christmas story with some unfortunate CG animation. It’s not good. This being a Pixar television special, it looks fantastic! It’s just very light on Christmas. Toy Story That Time Forgot is really a post Christmas special. Originally, I even considered doing it as a gag December 26th post. It takes place after the holiday has come and new toys have been bestowed upon young Bonnie, but none appear poised to push out her old favorites (wait until they meet the spork later on). As for her friend, on the other hand, he got something way more interesting: video games. On a playdate, Bonnie gets to experience the same while the toys are left to peruse this other kid’s playroom which has been filled with a new dinosaur product line. This kid got a ton of stuff for Christmas and it kind of takes me back to when my son got into Paw Patrol. As a dad who grew up adoring toys (and still does), I had to get him everything Paw Patrol I could get my hands on and I probably went a little overboard. The same happened for this kid and it’s overwhelming. He doesn’t seem to care and the toys are left to fend for themselves and they’re basically all a bunch of Buzz Lightyears. Woody and the gang have to prove to them they’re actually toys and while it feels a bit familiar, it’s still pretty fun. It’s just not very Christmassy.

114 – The Real Ghostbusters – XMas Marks the Spot

Wait! Don’t bust these ghosts!

This is our second Christmas special (though chronologically, it came first) where the Dickens tale A Christmas Carol is treated like a historical reality. In this holiday themed episode of The Real Ghostbusters, our favorite busters somehow travel back in time and accidentally bust the ghosts that were supposed to show Ebenezer Scrooge the error of his ways. Now, I’ve been pretty vocal about my disinterest in adaptations of A Christmas Carol here, but this one is legitimately clever. Especially when your main characters are known for fighting ghosts. And apparently, that night was extremely important for the world as busting those ghosts changes the future for the worse forcing the Ghostbusters to try and set things right. First, by taking the place of the ghosts, and then by actually springing them from the containment unit. Longtime viewers get to enjoy a trip into where all of the ghosts they’ve been capturing all series long are held and there’s some fun cameos. This one is ranked this high because the premise is fun and this era of the show had some pretty nice animation and vocal performances. If you’ve never cared about Ghostbusters or The Real Ghostbusters then you might not enjoy it as much as I, who was raised on this stuff. Let’s hope Mondo never makes X-Mas variants of their Ghostbusters figures because my wallet may never recover.

113 – Johnny Bravo – ‘Twas the Night

Santa Meathead

Johnny Bravo was another early Cartoon Network original that found success. He’s basically a meat head with an Elvis obsession and this short Christmas cartoon puts that on display. It’s a bit like The Santa Clause, or “Christmas Flintstone,” in that Johnny takes over for Santa because the jolly old elf has become incapacitated. The twist here is Johnny is the one who incapacitated him. I guess Tim Allen did the same when he startled the Santa on his roof, but Johnny literally beats him up. Santa then demands he take over and Johnny reluctantly complies. There’s some good gags as Johnny pops in on characters featured in the show and some who are not, including a famous cameo. Perhaps the best part though is it’s all narrated by Adam West. His dry, yet earnest, delivery is perfect for this sort of thing. The segment is one of three from a half hour show so it’s extremely brief compared to most of the specials on this list which works to his advantage. I can only handle the character of Johnny Bravo in small doses and this is perfect.

112 – The Legend of Prince Valiant – Peace on Earth

You know it’s a big tree when the candle needs to be put on it from the balcony.

This episode of The Legend of Prince Valiant was a tough one to rank. On one hand, it gets a little preachy and the episode’s resolution is perhaps too tidy for the weighty material leading up to it. On the other hand, it’s a more serious addition to the Christmas special lineage which makes it refreshing and the weighty material is handled pretty well, for the most part. It’s all about seeking peace in a war-torn land. A local lord has been killed and his son is expected to rule in his place. His followers want vengeance, but he just wants an end to the long-running feud. Our titular character, Prince Valiant, is politically bound to defend his allies so if a battle is to be waged then he and his knights are duty bound to join in when they want nothing more than to go home for Christmas without bloodshed. It’s not afraid to show some violence and death, it’s just not gratuitous. And such subjects are spoken of plainly. It’s also a relic of the original The Family Channel so, yeah, there’s a religious component to it as well. The plot even centers on a book, though to my shock the book was not the Bible. The animation is solid and if you want something non-comical for your Christmas viewing then this might be worth a look.

111 – Mickey’s Once Upon a Christmas

Despite what the image suggests, the whole gang does not get together to celebrate Christmas.

Mickey’s first animated Christmas special in years is a bit of a mixed bag, hence why it’s here in the middle. The animation and overall look of this one is great, some of Disney’s best television animation for the era. The special is an hour and a half broken up into three segments making it essentially three half-hour specials in one. The sequel special kept the running time, but broke it up into more segments which is about the only thing that special got right. This one kind of struggles with each segment getting long and repetitive. It doesn’t help that the first one is a “Christmas Everyday” story with Donald’s nephews in the lead role. That one is repetitive by design. The middle segment, which stars Goofy and a younger version of Max than we saw in Goof Troop, is probably my favorite and it’s just all about Goofy trying to get his son to believe in Santa Claus. The third is a telling of The Gift of the Magi starring Mickey and Minnie and it’s as satisfying as most adaptations of that story – which is to say not very. Each segment has its moments, but this one falls short of being a true Christmas classic despite its pedigree.

110 – The New Batman Adventures – Holiday Knights

Bullock is not an enthusiastic Santa.

Oh yes, we’re including the Batman episodes! Years ago, in celebration of the 25th anniversary of Batman: The Animated Series, I did a weekly rundown of each episode in the show as well as its sequel show, The New Batman Adventures. As such, these existed outside of the usual Christmas Spot countdown, but since there are two Christmas episodes among them it only felt right to include them here. This one is the series premiere for The New Batman Adventures and it’s like an anthology episode. The first segment features Harley and Ivy going on a shopping spree with a drugged-out Bruce Wayne, the middle segment features Batgirl stopping Clayface at a shopping mall, and the third and final segment actually takes place on New Year’s Eve where the Joker is up to no good and it falls on Batman and Robin to stop him. It’s a weird one for the show because it comes first in production order despite the Robin character getting introduced later on in the series, but we don’t really care about that for this purpose. All you need to know is this is a perfectly fine episode of the show that takes place at Christmas. The segmented nature of it does prevent it from being able to lock-on and tell one cohesive, satisfying, story instead opting more for the Looney Tunes approach. It’s entertaining, and the final scene is a nice piece of Batman lore for this universe, and overall I just find it more enjoyable than what The Justice League did.

109 – Prep & Landing: Naughty vs. Nice

Everything bad that happens to Wayne is deserved.

I am a big fan of the original Prep & Landing holiday special. I hope to be a big fan of the new one coming this year. I am not that big of a fan of Naughty vs. Nice. It obviously isn’t bad since I’m placing it roughly in the middle of my countdown, and by virtue of its association with the better special I tend to watch it annually, but it does some things I don’t like. Namely, it makes the lead, Wayne, just completely unlikable. The first one flirts with that idea, but it’s a bit more reasonable and relatable. This one just gives Wayne a case of sibling rivalry where he comes across as extremely petty, self-serving, and really just an asshole. Can you have a successful Christmas special where the lead is an asshole? Sure, but probably not when it’s ultimately trying to be a wholesome take on the holiday. It’s not all bad as there’s some humorous bits and the presentation is still fantastic, it’s just way less enjoyable.

108 – Popeye the Sailor – Mister and Mistletoe

That’s no candle, Popeye!

Another old school holiday short, and one I deemed much better than the collection of old shorts featured further back in this countdown. Popeye is one of the original stars of black and white cartoons, but this Christmas short comes after that when he was in color and no longer part of Fleischer. That was the best era for Popeye, but these color ones from Famous Studios aren’t all bad. And this mad cap Christmas short is pretty fun and what most probably want out of a Popeye short. Olive and Popeye have put his nephews to bed when Bluto shows up dressed as Santa Claus to try and steal Popeye’s girl. Only Popeye thinks he’s the real deal and is probably more captivated by this rather bulky Santa than Olive seems to be. There’s some funny bits where Popeye is basically throwing himself at Santa until the big guy finally gets rid of him for good. Once the cat is out of the bag, Popeye can get to kicking some ass and eventually Bluto gets his due and violence solves everything. Popeye ends the short in the Santa suit because how could he not?

107 – Nerds and Monsters – Zanti-Clops

Run for your life, kid.

This is one I wanted to rank lower. It’s a 2014 cartoon I had never heard of with only so-so animation, but each time I went back to it for this ranking I was reminded that, “Hey, it’s pretty good!” Now, it’s not sentimental or anything and is just about some kids stuck on a monster-infested island. It’s got some gross-out humor. Poop plays a pretty central role to the monster version of Santa, the aforementioned Zanti-Clops, who takes old junk from kids and leaves behind a steaming pile of green, jewel-encrusted, dung. One of the nerds, Dudley, is anti-Santa or whatever and takes it upon himself to find out the truth, which nearly gets him killed. See, Zanti-Clops eats all who see him, but it turns out he’s not such a bad guy. He still inflicts some terror upon the kids before this one is over and we get even more poop jokes. If you can look past so many poop jokes then you’ll probably be entertained by this. It’s another short one too with some solid character work.

106 – Prep & Landing: Operation: Secret Santa

That is indeed pretty, freakin’, tinsel.

Yeah, we’re doubling-up on Prep & Landing today with this one being the short the franchise has produced. As the title implies, this one is more like a spy mission and it’s a pretty simple one: infiltrate Santa’s work shop and retrieve something for Mrs. Claus. The stakes are a bit undefined. We can clearly see that Lanny and Wayne fear Santa and what might happen should they be caught snooping around, but he’s also Santa. What’s he really going to do? Despite the stakes seeming awfully small, it still manages to create some solid tension while the elves are on their mission. There’s some nice set pieces and stunt shots and the item they’re after leads to a solid enough conclusion. It’s brief, but benign. I usually watch it out of habit at this point after I watch the truly special original.

105 – A Muppet Family Christmas

It was all worth it for this image.

This is a popular one I tend to enjoy less than most. Maybe it’s because I grew up with this one on VHS so it didn’t have that unobtainable quality it had for a lot of people. Now it’s far easier to see thanks to streaming and there have been some physical releases, though some stuff had to be cut for copywrite reasons. The special is great on paper: the Muppets gather at the home of Fozzy’s mom and get snowed in with the gang from Sesame Street and Fraggle Rock. It’s all of the major Jim Henson properties literally under one roof. It just runs out of steam for me. A lot of the setup is fun and seeing the Muppets interact with the cast of Sesame Street is surprisingly entertaining. The Fraggles though are kind of wasted and the back half gets bogged down by concern for Miss Piggy and songs. So many songs. It’s as if they couldn’t fill an hour, so they decided to just have everyone sit around and sing Christmas carols. It’s really not good. Still, some people love The Muppets so much that it’s worth sitting through, but this is the rare special you can turn off about halfway through and not have really missed out on anything. Well, except that Jim Henson cameo at the very end which is pretty sweet. And it’s made all the more so by him no longer being with us.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 12 – King of the Hill – “Pretty, Pretty Dresses”

The 2024 edition of The Christmas Spot has been a year in which we return to a show we haven’t talked about in a little while. Today’s subject is certainly one such show as we’re heading back to Arlen, TX for a Christmas episode of King of the Hill. Up to now, the only episode…

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Dec. 12 – Regular Show – “The Christmas Special”

I have a pretty tremendous blind spot for most animated shows produced between 2005-2015. If it was a show animated and marketed at adults, then I might have checked it out. If it was a show created primarily for kids and not based on some existing IP I knew from my childhood then I almost…

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Dec. 12 – A Very Venture Christmas

This one has been a long time coming. One of my all-time favorite television shows is The Venture Bros., but it’s a show I really haven’t spent much time discussing on this blog. I guess because I view it as contemporary, even though the pilot premiered almost 20 years ago now. For most of this…

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Dec. 6 – The Nostalgia Spot Christmas Special Countdown #168-158

We’re back to the ranking posts, and following yesterday’s solo entry, it means our numbers are no longer nice and clean. This is also our first day with 11 entries and we’ll have a few more just as part of my organization. We’ll also never have fewer than 10 on these. It’s math, baby!

Today we slide a bit further into the “Hmm…okay,” category. There’s still stuff here that I am unlikely to ever return to, but there’s also some stuff in here that I watch just about every year. Now, I hesitate to call those particular specials good, but they obviously do something right or appeal to a certain part of me and flawed Christmas specials can be watchable. The first one on our list though is a bit murky.

168 – A Very Woody Christmas

Courtesy of the “new” Woody Woodpecker show comes “A Very Woody Christmas.” I could make this short and say this series had another Christmas episode, but I never watched it. I had my fill here. It’s not terrible, it just didn’t really make me laugh. It’s three segments: two Woody cartoons sandwiched around a Chilly Willy. I’d say the Chilly Willy one is the best of the three, but I always liked the little penguin. The third one is also in the discussion as Woody tries to get himself off the Naughty List by doing something nice for his neighbor, but everything just goes wrong. The show premiered in 1999 and it looks okay by those standards. Woody’s redesign is slight and not unsightly and I did like Billy West in the role, I just wish the cartoon was funnier.

167 – Bugs Bunny’s Looney Christmas Tales

You could take a lot of what I just said about Woody and apply it here. One would think a Christmas special centered around Bugs Bunny would be pretty funny, but this is not. Perhaps one of the most disappointing Christmas specials I’ve ever seen, this comes post Looney Tunes shorts when the made-for-television animation was obvious and the voices started sounding a little different. It doesn’t look particularly good and too much time is wasted on a tired A Christmas Carol parody that does nothing clever. My affection for these characters has helped to prop it up all the way to this spot and the fact that my kids love Bugs Bunny has kept this in semi-rotation over the years, but this is the worst Looney Tunes Christmas anything on this list.

166 – The Mask – Santa Mask

We go from the Looney Tunes Christmas special to the superhero who wants to be a Looney Tune. The Mask is not a show I’ve spent much time with outside of this episode and I’m not likely to. Even so, this wasn’t bad even though it’s another “Character takes over for Santa” plot. Rob Paulsen is a good Mask and there were at least a few spots that made me smile. It also has Tim Curry and he’s great. I did enjoy the look of this one as it’s much better than the other Jim Carrey movies turned cartoons in that respect. And with this one, I can watch it and think, “This isn’t bad, but it’s definitely not made for me.” And that’s because it’s made for kids and if I were a kid I’d probably think higher of this. And had I been a little kid when this was on, maybe my nostalgia for it would have pushed it higher? Or not as we’ll see in a few entries.

165 – Back to the Future – Dickens of a Christmas

I avoided this one for years because of that title. “Dickens” implies only one thing when paired with Christmas and my appetite to watch unfamiliar A Christmas Carol takes is nonexistent. This one isn’t really what I thought the title implied. Instead, the Brown family (and Marty) travel back in time to find that A Christmas Carol is essentially a true story. They don’t really come to that conclusion, but that’s basically what it is. The Brown kids get mixed up with an Oliver Twist like kid and a Scrooge-type gets it in the end. It’s all right. A cromulent Christmas episode from a cromulent cartoon. There’s so little Back to the Future things outside the movies that there was a temptation to rank this one higher, but if I’m being honest with myself I’ll never watch it again.

164 – The Berenstain Bears’ Christmas Tree

Speaking of surprises, this one definitely surprised me. I knew the Berenstain Bears as a series of children’s books. I read and enjoyed them as a kid. I also vaguely recall an animated series. The only specific of the animated version I could recall was the opening title. An actual plot from an episode is just not something my brain can recall. I assumed this would be a preschool styled show and when I went to watch it for the countdown that year I thought there was a really strong chance I was wasting my time as I avoid preschool shows for this blog. There just isn’t much to talk about with them. I was wrong as this was really a straight-forward comedic show aimed at kids. It didn’t exactly win me over, but I was charmed by elements of it and came to enjoy the dumb father character. I think if this were in the 11 minute range it would have been stronger as I just got sick of it. The plot didn’t have enough meat on the bone to sustain the full run time, but it wasn’t bad. If my kids had been raised on this franchise then I would have been fine introducing this to them. Since they weren’t, I don’t have to.

163 – Dumb and Dumber – Santa Klutz

The last of the Jim Carrey movies turned cartoons I covered was Dumb and Dumber. Coincidentally, it was also the last to be released and the same is true of the movie and cartoon. And it’s also the best of the three, which I’d say is also true of the movies which is quite the coincidence. As for series, that I can’t attest to as I haven’t seen enough of any of them, but for Christmas specials I’m taking “Santa Klutz” over the other two. Part of the reason for that is the run time – this one is short. I like short. It is ugly as sin and I don’t really like looking at it, but unlike the other two this one did have some genuine funny moments. It can be hard to write stupid characters, but this cartoon did a good job with that. There’s some misdirection to jokes and the plot setup is also a strength. Reflecting on it, I’m almost talking myself out of ranking it here and moving it up, but I’m not here to second guess myself.

162 – A Cosmic Christmas

A Cosmic Christmas is a special that’s more interesting than good. I say that as someone who didn’t grow up watching it so my nostalgia here is nil, but the main plot beats are pretty standard Christmas stuff. The animation is rough, but in an artistic and interesting way. Some characters have weird flow or large blocks of color. There’s lots of smoking which is unusual in this day and age and some odd effects with the aliens and their spacecraft. I was never bored watching it even if the story wasn’t exciting. I also enjoyed the Christmas message contained in this one which is largely to help the less fortunate – the sort of thing a lot of high profile church people lose sight of. RIP Nelvana.

161 – X-Men – Have Yourself a Morlock Little X-Mas

Here’s the one I was mostly calling out in the intro paragraph as one I tend to watch every year. X-Men was my favorite show as a kid so nostalgia plays a big role. I was predisposed to liking any Christmas episode X-Men did. And this is a pretty bad Christmas episode, but it’s also intentionally bad. The writing staff was tasked with doing a Christmas episode so they tried to get every trope they could come up with into this one because, on the surface, Christmas with the X-Men is pretty absurd. It just wasn’t the type of show that was going to tackle the subject. The only problem here is the writers were almost too good at making a bad Christmas episode. There’s no sense of irony within the episode, you’re only in on the joke if you happened to read an interview concerning it.

160 – Teddy Ruxpin’s Winter Adventure

I don’t have a ton of nostalgia for the Teddy Ruxpin cartoon, but I did love my Teddy Ruxpin doll and the book this episode was based on. I feel like I can almost recite that story from memory because Teddy and Grubby told it to me so much. It’s not a true Christmas special as it’s one of those other world stories where they have their own customs that just so happen to resemble Christmas an awful lot. The only thing missing is Santa Claus. Teddy and his pals deliver gifts to their friends while the villain, Tweeg, tries to ruin their time, but he’s an idiot with idiot followers. It’s a little too syrupy sweet at times, but I was entertained.

159 – Mickey’s Twice Upon a Christmas

Mickey’s Once Upon a Christmas was so good that they had to come back for another one. Too bad that along the way someone decided that this should be animated in 3D as opposed to 2D and the classic Disney characters just weren’t ready for that. This thing is Ugly. Mickey looks weird, Goofy more so, and it’s an all together downgrade across the board. The duck nephews who are tasked with carrying one of the longer segments of this one look almost monstrous. It’s also a weird setup where we’re going with what is essentially a 90 minute block of programming broken up into 5 segments of varying lengths. It does improve the pacing when compared with Mickey’s Once Upon a Christmas, but the stories aren’t the best. The saving grace is the final segment where Pluto accidentally winds up at the North Pole and Mickey thinks he ran away because he got mad at him. It’s cute watching Pluto frolic with the other reindeer and it has a really sweet ending. It also helps that Pluto made the jump to 3D better than most of the cast. If you’re interested in this one, I recommend just fast forwarding to that part. The rest is filler.

158 – One Ham’s Family

Tex Avery’s contribution to Christmas is this short that’s also a sequel to the classic story The Three Little Pigs. Well, sort of. It doesn’t really matter, but we have two married pigs and their bratty son and old Mr. Big Bad is going to try and sneak into this home on Christmas. It turns out to be a bad idea as the little kid is a true screwball cartoon character with all the powers of the screwball. We get to watch this kid brutalize the wolf and get some laughs in the process. It’s light on your usual Christmas tropes, but there’s something there. What holds it back is just that, at this point in Avery’s career, there wasn’t a whole lot more he could do. It’s a lot of the same gags you’ve seen before and the attempts at making them bigger just lack imagination. I also don’t like the protagonist. I dislike his voice and most of his mannerisms so it ends up being one of those cartoons where you almost want to root for the bad guy. Eat the damn kid – he sucks!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 6 – The Cuphead Show! – “Holiday Tree-dition”

What’s next for a video game that looks like a cartoon? Why, a cartoon! Novel concept, huh? Cuphead is a 2017 video game created by Jared and Chad Moldenhauer heavily inspired by animation from the 1930s. It’s basically a hand drawn video game and a fully playable one, at that. It made waves when it…

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Dec. 6 – Silly Symphony – “Santa’s Workshop” (1932)

Back in 1929 Walt Disney launched the Silly Symphonies series of cartoon shorts. Unlike the Mickey Mouse shorts that were growing popular at the time, Silly Symphonies did not center on just one character or even a group of characters, but rather were fairly self-contained. Some shorts that became popular, like The Three Little Pigs,…

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Dec. 2 – The Nostalgia Spot Christmas Special Countdown #199-190

Sorry folks, but today’s gifts are stinkers.

Today, we move on with our Ultimate Christmas Special Rankings starting with number 199. As you can probably guess, we’re going to generally stick to 10 a day in order to have this neatly conclude on Christmas, but we’ll have a couple spots where we’ll have to do more. This isn’t one of those spots as you just get 10 today. Like yesterday, these specials are what I would consider to be genuinely bad, for the most part, but we’re working our way to the “meh” part of the rankings. We’re also going to kick things off with one I probably dislike more than most. There is a part of me that feels like I’m being unreasonable, but I pretty much loathe number 199.

199 – Ice Age: A Mammoth Christmas

Hah! It’s a snowman with a nut right where…his nuts…you know…

The Ice Age franchise had a nice run for itself, commercially speaking, during the 2000s. I can’t say I really loved any of it, but my memory of the movies I did see are that they were fine. Decent family entertainment that I never have to see again. For some reason, I hate this Christmas special. Maybe I was just in a bad mood when I went back to it last year for the countdown, but I just hate-watched the damn thing. Every plot point irritated me, it was so predictable, cliche, and talked down to the viewer. The attempts at humor were supremely irritating. I think this style of humor just didn’t age well. The competent CG doesn’t come close to rescuing it and I get no feels from it other than white, hot, rage. I honestly expect most people to see my take and not quite get it. Most probably see this as a pretty by the numbers, ho-hum, Christmas special. Let’s move on though as I’m already sick of talking about Ice Age.

198 – We Wish You a Turtle Christmas

Good God that’s terrifying!

Okay, this is a bad Christmas special. Very bad. It’s also entertainingly bad and it helps that I didn’t make my parents spend $30 on a VHS of this thing when I was a kid. It’s brief which helps. If this was your more typical hour long special then it would likely be intolerable. The only bummer for me with this one is that it’s the only Teenage Mutant Ninja Turtles Christmas special from this era. The ’87 cartoon had an episode where the turtles met the freakin’ Easter Bunny, but no Christmas episode. Instead we got this: repurposed live show costumes with unrecognizable voices and actors. It’s bad, and the budget must have been almost nothing. The songs suck in such a way that they’re funny, and the special is so well known now that we even got some NECA toys last year based on it. What a time to be alive.

197 – Super Mario World – The Night Before Cave Christmas

He’s laughing, but there’s nothing funny about this one.

This one is barely a Christmas episode as it’s a made-up version of the holiday by Mario to supplicate some cave people he deems as lesser than him. Poor, misguided, cave, people, if only they had a holiday to believe in? Mario the missionary brings them Christmas and it just turns one cave person, Oogtar, into a spoiled brat. He almost ruins Fake Christmas, that little Ratgoo, but everything turns out fine in the end. It’s just phenomenally stupid and the Super Mario World cartoon was pretty terrible. There’s a reason why Nintendo wants nothing to do with it or its predecessors these days.

196 – The Smurfs Christmas Special

In this holiday special, the Smurfs are tasked with saving some kids from Satan. Yes, you read that correctly.

Oh boy, this one took a pretty surprising turn. The Smurfs holiday themed episodes manages to be both forgettable and also get mixed up in my brain. The other Smurfs holiday episode I covered is a better Christmas special, but so unmemorable. This one? This is the one where the Smurfs have to take down the god damn devil! What other conclusion is there to draw from the villain? Every other plot point here is pure corn, just garbage, Christmas, stuff. The Smurfs are a pretty terrible franchise that has somehow endured – I guess people really like little, blue, men?

195 – Sonic Christmas Blast

That’s Santa Sonic, if you please.

Another video game mascot with a Christmas special, and it’s not much better. This is a cheaply thrown together episode of The Adventures of Sonic the Hedgehog, the wacky cartoon and not the more serious Saturday morning one. I hate the visual style and the plot is nonsense, plus an unspeaking Sally Acorn role? They did her wrong. It just manages to be memorable because of the wild turn at the end. Spoilers if you haven’t seen it, but Santa Claus retires! Yes, the big man hangs them up, but don’t worry as he has a successor ready: Sonic the Hedgehog. In the world of Sonic, he is now Santa Claus. It’s canon and I’ll hear no argument against it, I’m just patiently waiting for one of the video games to acknowledge this fact.

194 – The Super Mario Bros. Super Show – Koopa Klaus

And I bet you thought Frosty was the fastest.

Pretty convenient all of these video game cartoons landed so close together, eh? It’s by design. This list has a subjective element to it where I did try to group things together to some degree. Especially when it comes to kids specials and the more subversive adult comedy ones. And spoiler alert, tomorrow very much has a theme to it. Anyway, this is another lousy Super Mario Bros. cartoon that takes place during Christmas and this one has a more conventional holiday plot. Koopa is out to take over Christmas and Mario and the gang have to save Santa. Toad learns a lesson and Luigi gets to help out. It’s all pretty conventional. There’s some awful animation and if you watch the full episode this is from you get some live-action stuff that has nothing to do with Christmas. Seriously, what a wasted opportunity. The only redeeming element to this one is basically the same as the Super Mario World cartoon: Koopa. I find him entertaining. Oh, and it’s also really short.

193 – Mighty Morphin Power Rangers – I’m Dreaming of a White Ranger

This is the extent of the action in this one.

The Mighty Morphin Power Rangers had one Christmas episode and it came during the White Ranger era post the departure of the original red, yellow, and black rangers. In other words, it’s from an era of the show I didn’t watch as I fell off during the second season. I came back for the White Ranger mini series falling for the hype, but didn’t stick around. This one is pretty damn stupid. The Rangers have to go to the North Pole and stop the forces of Lord Zed who have taken it over. It’s an episode that was clearly conceived of on the US side because we don’t get a single shot of the Rangers in action. They stay in their teen persona so there’s very little action. Instead, there’s lots of bad acting that wouldn’t even be passable for a soap opera. The storyline back at Angel Grove with the sad kid or whatever? Terrible – no one cares. I wanted to see the Megazord slice and dice some massive reindeer monster or something and this did not deliver.

192 – Krazy Kat – Krazy’s Krismas

These are some ugly-ass character designs.

I have to admit, I don’t remember anything about this one. Or rather I didn’t until I went back to it before writing this. And yeah, it’s not very memorable. It’s from an era of cartoons on television where budgets were very small and the animation was very limited. This thing is capital U Ugly and I find nothing charming about the character designs. The audio quality is poor as well, though that may be a preservation problem and not something that was apparent at the start. It’s very similar in tone and quality to Tennessee Tuxedo, but shorter and therefore better. And for a character named Krazy Kat, she’s not very crazy. The craziest thing about her is her choice in grammar.

191 – Extreme Dinosaurs – Holiday on Ice

It’s big, beefy, dino-men in Santa hats – did you expect something else?

When it comes to cartoon dreck, there isn’t much lower than the direct-to-syndication cartoon that only exists to sell toys. And it gets even worse when that toyline is just a blatant rip-off of a more popular one. That’s Extreme Dinosaurs for you, which was an extension of Street Sharks. It’s terrible. It is the sort of cartoon where it can look okay in still shots because the character designs are big and colorful, but once things start moving around it turns to shit. I hate all of the attempts at “extreme” language or whatever and this is the sort of show that somehow makes dinosaurs seem lame. As for a Christmas special, it’s another let’s help Santa plot. Not a full-on The Santa Clause, but yeah, dinosaurs are going to help save Christmas.

190 – Mickey’s Christmas Chaos

Mickey does not subscribe to the whole “love thy neighbor” thing.

Around the turn of the millennium, Mickey Mouse tried to make it again in shorts and the results were mixed at best. Mickey’s Christmas Chaos is one of those shorts and it’s tonally kind of a mess. Mickey behaves more like a Warner Bros. character here as he goes to war with his neighbor Mortimer as each tries to one-up the other with their Christmas decorating. The animation is so flat that it limits the impact the gags can have. Plus, there’s really nothing new here. There are no pieces of physical comedy that feel original or offer a new twist on an old concept. I get trying to redefine Mickey or show a different side of him, but this isn’t it. Paul Rudish would figure it out much later. At least this one has a nice ending for best boy Pluto, and if you’re someone who disagrees and actually likes this one then good news! There are a pair of Christmas episodes from the House of Mouse series full of crap like this!

That’s all for now. Come back tomorrow as we move into the bland and the meh that also happen to be free and easy to view. We’re going into the public domain, folks!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Dinosaurs – “Refrigerator Day”

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of…

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Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

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Dec. 11 – Mickey’s Good Deed (1932)

Original release December 17, 1932.

This year we’re doing not one, but two classic Mickey Mouse shorts set at Christmas time. The first one, Mickey’s Orphans, was a cartoon I had failed to mention years ago when doing a scattershot look at Mickey-related Christmas specials. Today’s subject, Mickey’s Good Deed, was mentioned in that post and is the second Mickey Mouse Christmas cartoon released just a year after Mickey’s Orphans. In that it’s fascinating to see how much the look of the shorts has changed in just a short time. The animation is sharper and Mickey’s features are more rounded making him resemble the corporate overlord he would become. It’s also still in black and white as Mickey’s first color toon was still years away though a colorized version has been released for those who just can’t bare to watch a cartoon devoid of color.

Mickey’s Good Deed has some additional notoriety attached to it. When Disney started releasing its Walt Disney Treasures line in the early 2000s, it wanted to make sure it included all of the short form cartoons that spanned a given era. The problem there is that some cartoons have not aged particularly well when it comes to what is acceptable and what is not. The Donald Duck World War II era shorts are the most famous and most obvious of these as they depict Japanese men with yellow skin and offensive accents. Disney’s solution for its more controversial material was to place them in “The Vault,” which just meant they were sectioned off on the DVDs with a mandatory video explanation from film critic and historian Leonard Maltin. And sure, it’s a little annoying for the adult collector that might have preferred to just watch all of the shorts in chronological order, but in the grand scheme it’s not a big deal. Kids like these cartoons too and if a parent doesn’t want them to see it then that’s fine.

Why do I bring up the subject of this virtual vault? Because today’s subject exists in that very vault on Mickey Mouse in Black and White Volume II. It’s a bit crazy to think of the Mickey Mouse of today doing anything controversial, but he’s had his dances in the past. And with this cartoon the issue that landed Mickey in the vault is a fairly common one for this era: black face. Just look at any of the old cartoon shorts featured here at The Christmas Spot and, more often than not, there’s a black face joke in them. From a modern perspective it’s pretty nuts how prevalent it was with Christmas cartoons and they’re almost all found with toys. On the other hand, this particular instance is almost comical to the point where I didn’t even notice it on first viewing. I had to watch the cartoon again and really pay attention to some of the details. I won’t make you do the same. And I suppose it goes without saying, but just in case, I’m using the original 1932 release in black and white. The colorized version is fine as far as that type of thing goes. It’s not the worst I’ve seen, but it still looks unnatural. Black and white is beautiful too, folks.

Depression era Mickey is not the rich, corporate overlord he is today.

The cartoon begins with Mickey (Walt Disney) playing his cello with his dog Pluto (Pinto Colvig) on a snowy, city, street. There’s a Christmas tree in the background among the subtly lit homes, though the streets are surprisingly absent of life. Mickey is playing “Oh Come, All Ye Faithful” on his cello and soon the streets show some signs of life with horse-drawn sleds zooming by in the distance and people passing by on the sidewalk who appear to be finishing up some Christmas shopping. As they walk past Mickey, they flip a coin into a tin cup Mickey has at his feet. Pluto howls along to the melody pausing to chew on his own ass which causes a flea to get tossed into the snow. Pluto resumes his “singing” while the flea eagerly jumps back into the warmth of Pluto’s fur.

Who is out there stiffing Mickey Mouse?!

Mickey, apparently content with his haul, stops his playing and shakes the cup enthusiastically to excite his dog. They march off to a nearby restaurant and the pair gaze inside at the food on display. Pluto barks his approval at Mickey’s intended purchase, but when Mickey dumps the contents of the cup into his hand he finds nothing but nuts and bolts. He angrily tosses the worthless scraps in the snow and drags his cello behind him as he walks off. Pluto starts to follow, then turns around and returns to the restaurant to lick the window. There appears to be a large ham behind the glass that Pluto is dreaming of enjoying.

Get ready to hate a child!

If it wasn’t clear yet that Mickey is poor in this short, it’s driven a home a little more when we see him turn and face the window of a home. His shorts feature a patch on the back, a telltale sign of a poor character in a cartoon, and the ends of his shorts are little rough looking too. It’s clear Mickey needs to keep performing in order to earn money enough to eat. Mickey looks inside a large home, and then turns around with a smile as he resumes playing the cello with Pluto at his side. Inside the house, we see a wealthy pig (I mean that literally) who is trying to entertain his kid (Disney) with toys, but the kid just keeps crying. The house looks massive with a big central staircase and a large Christmas tree. A butler stands nearby ready to assist his employer with whatever he needs.

Rich people always think they can get their way with a little cash and a little violence.

The guy (Colvig) and the butler (uncredited, but I assume it’s Pinto Colvig) keep handing toys to the little swine who just keeps howling. Apparently, nothing will satisfy him. Nothing, that is, until a sound gets the kid to jump on his feet and run to the window. Outside, he hears Pluto barking and upon seeing the dog declares that he wants it. He immediately goes into a tantrum and his father grabs a wad of cash from his pocket, slams it in the palm of his servant, and demands him to get that dog! The butler does as he’s told and exits the home and calls for Mickey. Mickey, thinking he’s in some sort of trouble, immediately stops playing and goes into a run. The butler chases after him trying to tell him he just wants to buy his dog. Mickey yells back that the dog is his pal and he’s not for sale. The butler, likely knowing that rich guys don’t take “No” for an answer, grabs Mickey by the tail and continues chasing him thinking that this will surely get the mouse to sell his best friend. Pluto helps out his pal by biting the butler on the ass forcing him to let go of Mickey and allowing the two to escape.

A devastating development for a poor street performer.

As Mickey and Pluto share a smile, they hit an icy patch in the road. It looks more like a frozen pond and it causes both to drop to their rears and slide across the ice. Mickey loses his grip on his cello which slides off the ice and into another street where a horse drawn sleigh is there to crush it. Mickey races over to inspect what remains of what was likely his most prized possession as some kids from the sleigh (also pigs) shout a “Merry Christmas!” Read the room, kids.

A far more accurate vision on Christmas than sugar plums.

Mickey barely has time to mourn the loss of his cello as the sound of a woman weeping gets his attention. In a nearby shack, a mother cat (Marcellite Garner) has her head buried in her arms at a kitchen table as she sobs. On the wall is a picture of a cat in jail with the word “Father” below it. The breadbox is empty and crawling with vermin while a fish that’s entirely bones swims circles in a bowl. On the fireplace, there hangs 12 mostly ratty looking stockings and a “Deer (sic) Santa” pinned to the mantle. Above the mantle is a calendar alerting us that it’s Christmas Eve. The camera continues to pan and we see a bed full of nine sleeping kittens. Above them, images of Santa play above. He appears to be a human and his sleigh contains just four reindeer.

What’s a poor mouse to do when confronted with such a sad sight?

Outside, we find Mickey who has witnessed this sorry state. He too is crying and Pluto looks pretty sad as well. He knows that there’s no Christmas morning coming to these kids, at least not the one they’re dreaming of, but what can a poor mouse do about it? One look at Pluto and a smile returns to his face. He grabs the dog and takes off down the street. Oh no, Mickey, don’t do it! Don’t sell your dog to the rich pig with the spoiled son! He’s your best pal! And you would just be helping out a family of cats – your mortal enemies!

Mickey, your heart is in the right place, but don’t sell your best friend!

Despite my pleading, Mickey does just that. He rings the bell at the rich pig’s house and the butler answers the door. Before he does, Mickey gives Pluto a kiss on the nose and then tells the butler he’s willing to sell provided he gives his dog a good home. The butler enthusiastically hands over a few bucks. Mickey then looks at his dog with sadness in his eyes, he starts to tell him “Good bye,” and moves in for a hug, but the butler snatches the dog before he can and slams the door in Mickey’s face causing a bunch of snow to fall off the roof and bury the mouse. He pops his head out and immediately smiles at the fistful of dollars he now possesses and races off.

Don’t fall for it, Pluto, that kid is evil!

Inside, Pluto is introduced to his new master. The little pig is excited for the dog and gestures for him to come close, only when Pluto does the kid wallops him on the head with a mallet. The little shit laughs and then smacks the likely concussed dog in the face with the same mallet causing him to roll backwards. Pluto winds up on some toy train tracks with his head clearly still spinning for the double shot inflicted upon him by the little pig. Laughing, the twerp walks over and switches on the train which crashes into Pluto’s rear causing him to jump. It’s a fairly sizable train which just keeps on truckin’ forcing Pluto to run from it. If you’re thinking the kid’s dad is going to step in and discipline his son well you would be wrong. We instead see him cheerfully shake the hand of the butler for now that the little porker has a doggy to abuse he’ll presumably no longer annoy them.

That little balloon poking out of the top of this stuff is the reason for the controversy. What little there is.

We then cut back to Mickey who is walking through the streets with his arms overburdened by boxes and decorations, including a fully decorated Christmas tree. Emerging from the top of the pile is a single balloon and it would appear to be the reason why this cartoon landed in the dreaded vault. It’s a round balloon that appears to be a blackface design with little, curly, bits emerging from the top for hair. It’s not the most obvious blackface gag I’ve seen in a cartoon. Actually, it’s probably the least obvious. Some of that is due to it being in black and white. If the nose weren’t black one could maybe convince themself it’s a clown, but it is what it is. And if you’re wondering, it’s presented exactly the same way in the colorized version.

I hope you’re prepared for this amount of children, Mickey.

Mickey takes his bundle of gifts and such to the dilapidated little shack. Inside, the mother cat is still at the table crying seemingly resigned to the fact that her kids aren’t waking up to toys and food on Christmas. Mickey, dressed in a Santa hat and false beard, slyly opens the door to the dwelling and quietly drags his bundle into the home. He creeps over to the bed and lifts the covers to find a whole lot more kittens underneath than previously thought. He doesn’t seem dismayed about it as he’s still smiling that trademarked Mickey smile.

Animators back then just loved Jimmy Durante.

Mickey lays the blanket back down and creeps over to the fireplace. Along the way he kicks a little duck toy which quacks and he has to stifle the sound quickly. He steps on the tail of some weird cat creature toy that squeaks which gets Mickey to jump a little and drop the duck toy. He puts a toy cow in a stocking which lets out a moo and it’s clear these kids are heavy sleepers. Or their mom cries really loud and often and they’re used to sleeping through that. A toy doll cries out “Mama” while a Jack-in-the-box pops out to reveal a caricature of comedian Jimmy Durante who gives a “Ha cha cha cha” as Mickey tries to stifle it. Durante got around during this era.

It’s party time, kids!

There’s a pan back over to the kittens and they’re somehow still sleeping. Mickey’s eyes are on them as he creeps away, but naturally slips once again on another toy and crashes into the wall causing a bunch of pots and pans to land on his head. He scrambles out the front door and turns to look through the window as the kittens jump out of bed. They gleefully start playing with their toys and Mickey looks on with a smile. They mostly seem to be playing with the toys as intended with only one appearing to be mildly destructive with a drum. Meanwhile, back at the rich pig house, Pluto is raising Hell because the little brat (I’m assuming) has tied a bunch of stuff to his tail causing him to rampage through the house. On his tail is a whole, roast, turkey, a kettle, fork, and some other stuff I can’t quite identify. The kid is on a counter throwing whatever he can find at the dog while the father stands off to the side with a scowl on his face as he’s clearly lost control of this situation.

I think this is going to hurt the kid more than the father, honestly.

The kid grabs an entire bowl of fruit and hurls it at his dad’s face knocking him to the ground. Pluto beats it into the living room where the butler is standing on a ladder and placing an ornament at the top of the tree. It’s not a star, one of those gaudy, pointy, tree toppers that probably has a proper name, but I don’t know it. Pluto runs by though and knocks the guy off the ladder while the kid picks up a massive cake and lobs it at his father. He’s a pretty good shot as he nails the elder pig in the face and has a good laugh. He then sets his sights on the dog again while Pluto retreats to the top of the tree. The kid grabs some garland and yanks on it, but it causes the tree to rebound and send Pluto flying into the father pig along with the decorations from the tree. The aforementioned pointy tree topper finds its way into the pig’s rather large rear end which has to hurt. He angrily jumps up and orders the butler to throw the dog out. The butler does as he’s told, while the kid starts screaming “I want doggy!” The father pig has had enough though and grabs his son and lays him over a knee and starts wailing on his bare ass. The butler stands by approvingly. Maybe this is part of the reason why this cartoon landed in the vault?

Pluto enjoying the sounds of capital punishment.

Pluto, in a snowbank outside, pops his head out and hears the cries and slapping sounds coming from inside. He smiles and laughs clearly enjoying this display of child abuse. He doesn’t have time to relish in the child’s agony though as he starts sniffing the snow-covered ground clearly in search of his best friend. His sniffing takes him right into a curb though and the poor dog whacks his head again. He’s going to have some permanent damage.

A sad, beautiful, shot of Mickey Mouse.

We cut to Mickey sitting by a fire in the cold snow roasting a sausage on a stick. He must have saved a little money for some food, but he doesn’t look happy. On the other side of the fire, a snow Pluto sits as a reminder of the friend he’s missing. Mickey looks positively miserable, and I suppose he should considering it’s Christmas, he’s alone, and has no home. Pluto’s nose leads him to his pal and he burrows into the snow to climb the hill to where Mickey sits. Mickey pulls his hot dog from the fire to take a bite, then holds it out to the snow Pluto as if to offer it a bite as well. At the same time, Pluto emerges from the snow popping out of the snow effigy of himself and gleefully takes a massive bite of the hot dog. The music quickly shifts from somber to jaunty as Mickey cries out “Pluto!” and the dog leaps into his arms. If you were worried about Mickey going hungry after Pluto ate the rest of his sausage, worry not, for Pluto still has a whole turkey tied to his tail. Mickey sees the turkey and scoops it up. He rips a drumstick off and hands it to his best friend who gobbles it up bone and all while Mickey takes a bite out of the rest of the bird. He says “Merry Christmas, Pluto!” who barks in return, though there’s no audio for his bark so it’s kind of weird.

At least Mickey is not alone (or hungry) for very long.

And that’s the end! A bummer we ended on an audio hiccup like that, but at least it’s a happy moment. I don’t know how I feel about his one. Mickey does do a good deed by helping to give some poor kittens a happy Christmas. They get a lot of toys, but they definitely need some food. I guess we can assume Mickey included some food among those packages too. At least, I hope he did. It’s more of the cost of the deed that I take issue with. Selling your dog, your only companion, just to buy toys for some kids? It’s noble, but shortsighted. I guess we can reason it that by selling Pluto to a rich pig Mickey thinks he’s doing right by his pal. He has a hard enough time providing for himself, let alone a dog too. Maybe it’s the responsible choice to give the dog a good home. After all, he has no idea how terrible that home will turn out to be for Pluto.

Enjoy that meal, fellas, because who knows when you’ll be having another?

The other aspect of this short that’s a downer is thinking about what’s next for Mickey and Pluto. They have no money, no home, and no cello to make money with. Sure, they have a turkey, but that’s only going to last so long. I guess Mickey has that Santa hat and beard still so he can sell it, but there’s probably not much of a market for that on December 25th. I guess the simple solution here is to not think about what would come next. And as a Christmas short, it’s fine. I just think the feel good aspect of Mickey’s good deed is undermined by the tragedy of him having to sell Pluto to make that deed happen. It all worked out in the end way better than Mickey could have predicted, but the ride to get there doesn’t work that well. Perhaps because this was released during the Great Depression, the studio couldn’t make it too syrupy. They apparently wanted to keep this semi-realistic by not having a mythical being like Santa Claus provide for these kids. He doesn’t exist in this cartoon. I guess it’s bad for the kids of 1932, but perhaps more era appropriate as delivered.

At least visually I think this short still holds up. There’s plenty of good character animation as this one goes more for that than outright gags. It’s actually short on those and they’re mostly limited to Mickey and the toys. None of the gags are memorable and there’s not really a laugh out loud moment. There’s satisfying moments with the most satisfying being perhaps the spoiled kid getting spanked. I’m not ashamed to admit I enjoyed seeing that kid get what was coming to him even if I’d never strike a child myself. Maybe a more elegant form of comeuppance could have befallen the kid that wasn’t so direct. The climactic embrace between Mickey and Pluto is probably as equally satisfying. It’s an embrace I’ve seen countless times as it was featured as a clip in the NBC broadcast of Mickey’s Christmas Carol back in the 80s. I think this was the last cartoon from that broadcast featured in clip form that I had to track down. It was a mission of mine once upon a time to see all of the cartoons featured there so mission accomplished.

Mickey’s Good Deed is not a Christmas classic, but it is a better Christmas cartoon than Mickey’s Orphans. As a short form, it gets a recommend from me just because it doesn’t require much of an investment in time and I enjoy the visuals. The snow, especially, looks so cold and appropriately miserable. There’s no real cozy moments to be found, instead this one is just harsh. The warm confines of the rich guy’s house are juxtaposed with chaos and animal cruelty making them anything but cozy. And if you want to watch this cartoon you can easily do so via YouTube. Disney is not protective of its classic shorts, especially those in black and white that will never be added to Disney+, so you have options. Even the colorized version can be found easily enough. If you prefer to go legitimate, it is on the set Mickey Mouse In Black and White Volume II, but that’s probably not cheap since it’s been out of print for about 20 years now. It was also released on VHS way back in 1986 on Jiminy Cricket’s Christmas and the colorized version was released on DVD in 2005 as part of Holiday Celebration with Mickey & Pals collection. That last one is not a bad collection of shorts, but few of them are actually Christmas cartoons. And it too is long out of print, but if you’re a collector of classic cartoons, it might be worth owning just to have the colorized version of this cartoon even if it doesn’t look as good. And if you like Mickey, be sure to keep coming back each day because we’re not done yet with the famous mouse this year!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 11 – Be Cool, Scooby-Doo! – “Scary Christmas”

I don’t think there’s much debate that the most popular and enduring character churned out by the Hanna-Barbera factory during its hey-day is none other than Scooby Doo. About the only franchise that even competes with the big dog is The Flintstones, which hasn’t been relevant for ages. Scoob has basically had an omnipresence ever…

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Dec. 11 – The Berenstain Bears’ Christmas Tree

When I was a kid growing up in the 80s The Berenstain Bears was a popular series of books that usually imparted a simple, clear, message. I seem to recall a fire safety book being a go-to in school for fire safety week and I know I got a copy of one about not eating…

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Dec. 11 – One Ham’s Family (1943)

Tex Avery is one of the most influential animators in cartoon history. Beginning his career at Universal, he would make the jump to Warner Bros. when he famously convinced producer Leon Schlesinger he was an animation director when he actually had little or no experience at such. While working under Schlesinger, Avery was influential in…

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Dec. 1 – Mickey’s Orphans (1931)

Original release date December 5, 1931.

It’s December 1st and you know what that means – time for Christmas specials! Not to “well, actually,” myself, but the Christmas special viewing season began before today in my house as it’s annually the day after Thanksgiving. What you may call Black Friday, I dub the start of the Christmas Special Season. And this year, it’s a shorter than usual one since Thanksgiving occurred on the 28th of November which is the latest the holiday can take place which means we have less time than usual to squeeze in some favorite seasonal viewing.

Not that any of that has any impact on this year’s edition of The Christmas Spot. It’s always 25 days of 25 festive topics which most often take the form of a holiday special walkthrough. It’s actually been years since I did something other than a holiday special on one of the 25 days of Christmas (sorry Family Channel/ABC Family/Freeform/Whatever you’re called now, I’m stealing your bit) – will this year change that? I don’t know! I just know I have my work cut out for me.

It’s always a Mickey Mouse cartoon, never Mickey and Minnie. Poor Minnie.

To kick things off this December I am righting a wrong. It was many years ago I made a post about Christmas specials staring Mickey Mouse. You know that guy, right? He’s often celebrated as the first global cartoon star following his debut in 1928. I have no idea if that is accurate or not, there were a lot of cartoon characters that came before Mickey, but when you’re a company as big and powerful as The Walt Disney Company and you’ve lasted longer than many of your competitors you basically get to write your own history. I think we can all agree that Mickey is pretty damn popular and recognized around the world even to this day as the brand ambassador of a mega-corporation. He’s even still starring in current Christmas specials and probably will continue to do so long after many of us expire.

Oswald got to do Christmas first where he tried to bring Christmas to some poor kids. Only in his cartoon, it was the home of the children that got wrecked, not Oswald’s.

Back when I did that post though, I failed to mention Mickey’s first ever Christmas cartoon: Mickey’s Orphans. Released in 1931, it stars Mickey (Walt Disney), Minnie (Marcellite Garner), and Pluto and features the characters taking in some orphaned kittens (mice taking care of kittens – how absurd) on Christmas. The Wikipedia entry for the cartoon states it’s a remake of an Oswald the Lucky Rabbit cartoon (that guy who was famous before Mickey) titled Empty Socks. Well, I’ve watched Empty Socks and I don’t see how it could be classified as a remake. That cartoon features Oswald playing Santa for some orphans (who also happen to be feline) and they’re basically brats and they actually end up burning down the house. This one has the orphans coming to Mickey’s house and, yes, they’re pretty destructive. I can see how the Oswald short influenced this one, but calling it a remake seems like it goes too far.

This being a short from 90+ years ago, it should come as no surprise that it’s in black and white and the audio and visual quality isn’t exactly pristine. Mickey cartoons are often cited as being technically great, but not as entertaining as the stuff from Warner Bros or even the later cartoons from Disney staring Donald Duck. As someone who has watched a lot of cartoons from that era, I can mostly go along with that. Mickey cartoons tend to feature a lot of just singing and dancing. There are some that are quite entertaining though, and on a technical level even the oldest ones can often impress in some way. Mickey became more of a bland every man character much later into the 30s when he could play off of his more comedic sidekicks, Donald and Goofy. In ’31 he was allowed to be a bit less polished, more of a rascal, though this being a Christmas cartoon in which he takes in orphans don’t expect a whole lot of that stuff. He’s actually just going to roll over and take it in this one.

This individual isn’t even going to bother with the church, apparently.

The cartoon begins with a robed figure walking through the snow at night. The wind is howling and it’s whipping the individual’s ragged clothing around. The figure is carrying what looks like a picnic basket with its right arm. It’s a nice shot that doesn’t rely on a repeating background and “Silent Night” is helping to set the mood as a somber one. The individual then comes to a warmly lit house and we hear Minnie Mouse before we see her. The individual looks through a window to find Minnie playing “Silent Night,” but not singing it (she just keeps saying “La la la” because I guess she has trouble with lyrics), at a piano. I think? I don’t know, it has two large pedals that she’s working over. Nearby, we see Mickey decorating the Christmas tree. Each time he places an ornament we hear a little chime. He grabs two candy canes and then taps the ornaments in time with the music. We pan over to see Pluto asleep by the fire. He’s looking well fed as he snores.

I guess two mice can be parents to a cat. Why not?

Outside, the ragged figure runs over to the front door and lays the basket down in front of it. The person picks up a bundle from inside it, kisses it, then places it back in the basket and rings the doorbell. They take off as Mickey opens the door. An eager Pluto runs out and returns quickly with the basket. He sniffs at it, and from inside pops out a little kitten. Pluto doesn’t seem thrilled, but Mickey happily scoops up the little fella and brings it over to Minnie. She thinks it’s adorable, though it’s oddly hostile towards Mickey as it bites him on the finger. He’s such a good-natured man-mouse though that he laughs it off. Meanwhile, Pluto is still sniffing around that basket and soon another kitten pokes its head out and whacks him on the nose. Then an impossible amount of kittens burst forth!

That must have been some kind of magic basket to fit all of these kittens in it. Maybe they have a future as a gang of clowns?

The kittens soon overrun the place swinging on clocks, bouncing on pianos, and pulling on poor Pluto’s ears and tail. Another kitten has displaced the couple’s parrot in its cage while another group ride a chandelier like an amusement park ride. Mickey gets his tail tied around his ankles and there’s a long shot of the kittens just going nuts in the living room. To their credit, Mickey and Minnie seem unphased by all of this as they continue to smile. Minnie whispers an idea into Mickey’s ear, who in turn does the same with Pluto. The two soon depart, but not before Mickey grabs a deer mount from the wall. I wonder what they could be up to?

Hey! It’s food or a fashion accessory, not both!

With Mickey gone, it means Minnie has to look after all of the kittens. One needs help blowing its nose while another is tugging her skirt and seems anxious about something. I thought maybe it dirtied its diaper, but apparently the little tyke is just hungry. Minnie does what any responsible adult would do and gives the hungry toddler a candy cane. The little cat licks it all over then starts strutting around using it like an actual cane. That thing is going to get real gross real fast.

There was no way Mickey was going to star in his first Christmas cartoon and not play Santa.

Minnie then takes a seat at the piano once again. The pedals have strangely disappeared. She starts playing “Jingle Bells” which is apparently Mickey’s cue to come bursting through the front door. He’s dressed like Santa Claus and being pulled on a sleigh by Pluto who’s sporting the deer head like a helmet. Mickey is whipping him, which seems a bit cruel, and he’s apparently enjoying it since he has that same big, dopey, grin plastered on his face. When the sleigh comes to a stop, Mickey hops off with a big sack of presents, but the little monsters don’t even wait for him to start handing out gifts. They run him over and all dive into the sack. Each one comes running out with something until there’s nothing left, just a final kitten clutching the sack itself. It stops to ask Mickey, “Are you Santa Claus?” Mickey smiles and nods and the kid responds by blowing him a raspberry and tugging on his beard so hard that he topples over. Ungrateful brat!

This doesn’t even resemble playing anymore, they’re just hacking stuff to bits.

With the gifts distributed, the children return to their path of destruction. A series of them start a marching band and some have actual instruments while others are just banging on household items. The music is livelier now too and kind of sounds like it could be a version of “Ain’t We Got Fun.” Whatever it is, it doesn’t sound Christmassy. A bunch of the kids somehow got ahold of saws and hammers and we get to see them destroying Mickey and Minnie’s furniture. A bunch are also smashing other objects with more conventional toys while a trio of kittens wielding pop guns use them to break some stuff and blast Mickey in the bum. Meanwhile, the construction crew of kittens has moved on from the living room to the piano and they’re hacking that thing up. I guess they weren’t a fan of Minnie’s playing?

Mickey got to enjoy himself for maybe three seconds.

More destruction ensues as the kids smash windows and basically anything else of value in the house. A kitten comes riding by on a train (did you ever hear how Walt loved these things? Of course there’s a toy train in this picture) and smashes into Mickey. He does a flip and ends up seated on the caboose. He waves to Minnie as they drive by and she’s up on a sofa like she’s trying to escape the carnage, but the two happily wave to each other like their house isn’t getting demolished. I guess Walt pays them well. The kitten conductor drives the train under an end table so the back of Mickey’s head smashes into it and knocks him from his perch. Another kitten is shown shooting Pluto in the butt with a toy canon and when the dog runs into the wall the deer head he was wearing pops off and lands on his butt creating some weird chimaera of a creature that frightens the kid.

That’s…unsettling.

Mickey seems like he doesn’t know what to do, which just makes him more of a target. A kitten operating a toy steam shovel uses it to scoop coals out of the fireplace and drop them down Mickey’s pants. He starts hopping around which alerts the kitten fire brigade to come to his rescue. Two kittens come riding in on a toy fire truck and blast Mickey in the butt. He enjoys the relief it brings and just sort of stands there soaking it all in. Quite literally. On all fours. It’s an odd sight to be sure.

Oh, what a lovely tree! Surely those orphans will appreciate it!

Minnie then gets everyone’s attention with a little horn. She’s standing by a curtain and Mickey comes over to help her reveal what’s behind it by playing a drum. After a vintage drum roll, the curtain is pulled back to reveal the Christmas tree. It’s quite a lovely sight as it’s full of ornaments and lit with several candles. These things must have been extreme fire hazards back in the day. The kids all cheer and then attack! The tree has some more gifts under it, but the kittens cover the tree by climbing all over it and as they disperse what’s left behind is a standing, old, stick. Mickey and Minnie can only look on with shock and awe and for the first time there appears to be a twinge of sadness on their faces.

This is the shot we go out on. I don’t think it’s going to be a merry Christmas for the Mouse family.

If you think this is where the kittens realize they’ve been a naughty bunch and have treated these mice poorly, think again! Nope, there is no moral here as that’s the end. Mickey and Minnie can only stare at what’s left of their tree and are left to ponder what their Christmas might have been like if these wretched orphans hadn’t been dumped on them.

What a weird cartoon. It is similar to the Oswald short I mentioned coming in as in both some orphans just act like rotten kids and there’s no comeuppance for them. They just spread destruction at Christmas and that’s it. We’re supposed to laugh at their wickedness, I suppose, and that’s enough. We’re not really supposed to care about Mickey and Minnie and what’s left of their house. I suppose making sure orphans are in a safe environment at Christmas is something to aspire to. Minnie and Mickey’s physical possessions aren’t really that important, but these two take these kids into their home, go to great lengths to give them a special Christmas, and get nothing in return. It’s definitely not the kind of cartoon you would see starring Mickey Mouse in 2024.

Mickey is Mr. Nice Guy in this one, but he just gets crap for it.

There isn’t a whole lot to this one. There are some visual gags, but they’re not inventive or creative. It’s just kids being destructive in pretty standard ways. Mickey’s makeshift Santa entrance had a little cleverness to it, but it’s not like he used household objects to create toys like Grampy did in Christmas Comes But Once a Year. Visually, it’s a nice looking black and white short. Disney has always been on top of the animation game and that was true back then just as it so often has been throughout the decades since. The music is probably all public domain stuff. There’s a few Christmas numbers, and I think I even heard Beethoven, and it’s fine. There’s almost no dialogue save for the little kitten asking Mickey if he’s Santa and a few remarks by Minnie. The audio always comes across as more dated to me than the black and white visuals and that’s true here.

Mickey’s Orphans is a pretty unremarkable Christmas cartoon from the famous mouse, which is probably why it’s quite forgettable. There weren’t any scenes from this used in the broadcast of Mickey’s Christmas Carol like we saw with On Ice and Mickey’s Good Deed. Like a lot of what makes up the legend of Mickey Mouse, it mostly just gets credit for being first and not much else. Still, at only about seven minutes it’s hardly much of an investment of your time if you want to check it out. It can be found on YouTube and other free streaming platforms with ease as Disney isn’t very protective of its old black and white cartoons. If you want to own it then that’s a different story. This was released in the Walt Disney Treasures line on the very first Mickey Mouse in Black and White set, but it’s now long out of print and quite expensive. It’s also the only set I didn’t buy back when they were more affordable and that’s because these cartoons can be hard to sit through. Do I really want to spend all of that money just to say I own them even if I’ll never watch them all? The answer has, so far, been “No.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 1 – Christmas Comes But Once A Year (1936)

We’re back with another year of The Christmas Spot! And to kick things off this year we’re taking a look at a bonafide Christmas Classic. Christmas Comes But Once A Year may not be the household name that Rudolph and Frosty are, but for Gen X and millennial kids it’s probably familiar because it was…

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Dec. 1 – 35 Years of The Christmas Tape

Welcome back to another year of The Christmas Spot! This year we’re kicking things off with a post I’ve been sitting on for a few years now. When I utter the title “The Christmas Tape,” I’m curious what comes to the minds of readers. It sounds both generic and specific and I suspect a few…

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Dec. 1 – Frosty the Snowman

Welcome back, lovers of Christmas, to the 7th edition of The Christmas Spot! If you missed the introduction a few days ago, we’re doing things a little differently this year. Yes, you’re still getting a dedicated write-up each day through Christmas about a beloved or not-so-beloved holiday special, but this year we’re also going retro…

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Lego Disney 100 Minifigures Wave

More Disney 100 merch has arrived.

Disney and The Lego Company have found a partnership that is mutually beneficial so it was not a surprise to see Lego get in on the Disney 100 celebration. We already looked at one set that falls under that umbrella, and now I’m back to take a look at Lego’s third wave of minifigures based on Disney, this one focusing on the history of the company itself.

The first two waves of minifigures from Lego and Disney seemed to perform rather well. They would thankfully show up in large quantities at retailers, but didn’t linger too long. Collecting an entire set meant one needed to hit the store at the right moment to find either a fresh box or pegs filled with the little foil bags. These are shipped in bags and are intended to be blind buys. For the first two waves, I somewhat degraded myself by painstakingly feeling my way through them in-store until I had a complete set. Lego’s tendency to do custom head portraits for the characters makes finding them surprisingly easy when just feeling-up a bag. It still takes awhile, but my method worked as I was able to get full sets without doubles.

For this third wave, I ran into some troubles. No, not in picking through them, just in finding them! I don’t know if some of the stores around me just didn’t get them when they were supposed to, or if someone cleaned them out before I got there, but these things seemed to sell faster than usual. My wife managed to find four close to their release date, and thankfully it was four unique figures, but we didn’t come across any at a big box retailer for weeks after. Instead, we seemed to only have consistent success by hitting The Lego Store. They got regular shipments often twice per week and our store even did the feeling out for you! I don’t know if that’s a common practice, but it was certainly convenient. Even hitting that store routinely, we still had trouble filling out the ranks. Eventually we got it to where we were missing just one, but The Lego Store was also receiving smaller and smaller shipments indicating the wave may be nearing the end of its lifecycle. Thankfully, not long ago I happened to be walking through my local Target and came upon a fresh box on an endcap. It was highly unusual for my store which normally hangs the bags by the registers. I could have easily missed this, but got lucky. I secured the missing piece, and now I can tell you all about them.

This wave celebrating the 100th anniversary of The Walt Disney Company is a celebration of the company’s animated films. There seems to be a concerted effort to hit on each decade of the company’s existence, though missing representation are the 1980s and present decade beginning in 2020. It’s not that much of a surprise to see the 80s excluded. That wasn’t a great decade for the company as it included the noted bomb The Black Cauldron. The Little Mermaid did make it out just before the 80s concluded, but we already received an Ariel and Ursula in a prior wave. Oliver & Company doesn’t work all that well for minifigures since it’s characters are mostly dogs and a cat, but why not hit on The Great Mouse Detective?

Excepting Lego’s mistreatment of the 1980s, the character selection this time around is pretty solid, so let’s take a look!

Of course we have a Mickey in the set.

We’ll go in 3s, and for this first group we have the original Disney star, Oswald the Lucky Rabbit, along with Mickey in perhaps his most iconic role and from the year 2002 another version of fan-favorite Stitch. Oswald is a standard Lego body with a unique portrait. It looks fine, but its very round and looks a bit off. For an accessory, he comes with a clapboard that is not articulated. All of the figures come with the standard Lego stand, but this time it has a “Disney 100” printed on it. For Mickey, he’s in his sorcerer’s apprentice costume and it’s printed with sparkles. The hat is non-removable and he has a bucket and broom to complete the look. They had to include a Mickey, and this version is a bit of a no-brainer. And then we have Stitch, the figure who I had to track down. His portrait is the same as the prior one, but his eyes are printed differently to make them more narrow. I would have liked a new mouth, but oh well. He’s in his Experiment 626 form so he has four arms which are done by adding them to the sculpt as opposed to inserting four standard arms into the torso. He also has a pair of laser guns. It’s a fun look, albeit a compromised one due to how they did the arms.

Clues for finding them in bags: Oswald’s ears, Mickey’s head, Stitch’s ears (these three are pretty easy)

Lego knows what many know: Disney collectors love villains.

Next up, we have a trio of villains. First is the Evil Queen from Snow White and the Seven Dwarfs. She has a soft goods cape and collar and her lower body is done with a brick like other dress-wearing characters before her. The crown is actually a full skull cap, which is nice, but it means she only has the one expression, not that she really needs another. She comes with her magic mirror and I like that the entity within it has been “Lego-fied” as well. She looks the part, and pairs nicely with the Old Hag version of the character released in the villains set. We also have the Queen of Hearts who has a soft goods collar and a bulbous lower half to simulate her large dress. She gets two heart-shaped wands and two expressions for her face: a grin and an angry scream. I like this one, and she slots into the villains set as well which featured her on a playing card, but it would have been fun to get the little king as a slug figure or something instead of two wands. Last, is Cruella who also features a soft collar. She comes with two purses, which is a little half-circle piece with printing, and one of the many dalmatians from the film: Patch. He’s just a little slug figure, but the printing is well done and he’s pretty adorable. Cruella also has two expressions: a smile and a yell. I wish the angry face had tried to better emulate the animation from just before she crashes her car. Excepting that, she looks fine, but is a bit on her own with no other figures from the movie.

Bag clues: The Queen’s mirror, the lower dress for the Queen of Hearts, and Patch

I love Pinocchio, but I’d be lying if I said either of these two were my favorite in this set.

Our next trio includes the puppet who wanted to be a boy, his conscience, and Pocahontas. Pinocchio uses the articulated kid legs and comes with Cleo, who is a transparent head piece with the character printed on one side, and her castle on the reverse. Pinocchio has a unique portrait so his nose could be captured, but this also means he only gets the one expression. Despite that shortcoming, he looks fine, but I wish they had printed some of the screws in his body onto the arms and legs. Jiminy is on the kid body, but the non-articulated version, which is a bit disappointing. He obviously does not scale at all with Pinocchio, but at least he looks nice. He has a soft goods collar, removable hat, and comes with a pink umbrella. Pocahontas is a traditional minifigure with a stylized hair piece that also hides the back of her head so she gets two expressions, but they’re both smiles. Her accessories include two compasses and some autumn leaves. They’re fine, but I think fans would have preferred a Meeko instead. She’s also on her own from the movie so I guess she just goes with the other princess characters.

Bag clues: Pinocchio’s head, Jiminy’s hat+umbrella, and Pocahontas’s hair

A modern princess and her foil plus a classic one. It’s a winning combination.

Our next group includes another villain and a pair of princesses. Dr. Facilier is another traditional minifigure, but he has a lively design that works for the form. His lack of a hairpiece means he, like Jiminy, gets only one expression and for him it’s a sinister grin. He also has a wand, removable hat, and a Tarot card. He’s not bad, but it feels like he’s just here to pair with Tiana. She is done in the typical princess fashion with a large brick piece for her dress. She’s in her green dress from early in the film, though she comes with a menu from her restaurant from the end of the film. She also gets a frog, the same frog that came with Cinderella’s Castle, because why not? Aurora rounds out this trio, and even though she’s the lone representative from her film in this wave, we have two versions of Maleficient to pair her up with. She has the same form as Tiana and comes with a tiara and owl. I’d have gone with a spinning wheel, personally, but at least the owl is different. She also has a fun second portrait which features her doing what she does best: sleeping.

Bag clues: Dr. Facilier’s hat+stick for his wand (to differentiate him from Jiminy), Tiana’s menu plus her dress, Aurora’s owl and hair

I love this Prince John, but I can’t help but feel Lego missed an opportunity to include a tiny Sir Hiss.

The next group is perhaps the most surprising entrants. From the film Robin Hood, we have Robin himself! He gets a unique headsculpt and the feather in his hat is removable. He also comes with a tail piece and a bow and arrow. He’s not going to be able to hold that bow and arrow in a convincing manner, but it’s hard to think of a better accessory for the famed archer. Joining him is that phony King of England, Prince John. He too has a unique portrait which features a scowl. I love that Lego got his ears right and have his crown sitting on top of them. He also has a sack of money and a coin, both appropriate for the character. The third figure in this grouping is Baymax from Big Hero 6. He’s a standard minifigure, but with new arms that better resemble his from the film. As an inflated, bulbous, character, the minifigure form doesn’t really suit him all that well as it’s basically the opposite of that aesthetic. He has his charging station as an accessory which he can stand in, though it doesn’t look particularly special.

Bag clues: for both Robin and John it’s the head with the bow and money sack providing extra assurance, for Baymax it’s his arms plus all of the little bits that will makeup his charging station

The characters from Coco pretty much steal the show.

Our last grouping features two characters from a Pixar film, Coco, and Mulan from the movie of the same name. Ernesto De la Cruz is our fifth villain, though he has two very happy expressions so you wouldn’t know he’s a bad guy without seeing the film. He has his sombrero and signature guitar which turned out really well. His body is printed with black and silver and he’s one of the stars of the wave. Not to be outdone, is the hero from the film Miguel. He has the most stuff of anyone as he gets two heads, a hairpiece, a hood, guitar, and a slug figure of Dante. If you were going to get multiples of any of the figures in this wave, it would likely be Miguel as he can be skeleton-faced Miguel or standard Miguel and both heads have two expressions! I am partial to the skeleton look with hood and he has the guitar he used when performing in the Land of the Dead. As for our last figure, Mulan, we get a pretty basic minifigure. Her hair means she gets two expressions and Lego actually allowed one of the “princess” characters to look angry. She also has her cricket friend and a pair of swords. She’s certainly a different flavor of princess from the rest.

Bag clues: Ernesto is quite possibly the easiest due to the sombrero and guitar. For Miguel, it’s the guitar plus Dante and with Mulan you want to feel for the swords.

And that does it! Disney Minifigure Wave 3 does a solid job of giving us some new characters and films while also filling out the prior waves and sets. Aurora, the Evil Queen, Queen of Hearts, and I suppose the new Stitch fit well with those. Acknowledging films like Fantasia and Pinocchio are also no-brainers, and if you’re celebrating 100 years of Disney then you basically have to include Oswald. Most of the rest are fun inclusions as well. I love seeing Robin Hood get some love as it was a favorite of mine as a child, and who could argue that Cruella is not worthy? The two figures from Coco might be my favorites from the entire wave and it feels right that Pixar should get some recognition as well. The only ones I’m kind of down on are Baymax and Pocahontas. Baymax just doesn’t make for a fun figure in this format and I don’t feel like Big Hero 6 needs representation in this wave, but I’m guessing they wanted one CG Disney film to showcase. I feel the same about Pocahontas as we already have Mulan to stand-in for the 90s and the figure is a bit uninspired. I’d easily drop one of the two for a Basil, and maybe both so we could double-up on The Great Mouse Detective, an underrated film in the Disney catalog.

If you’re a Disney fan and enjoy Lego, this wave is probably in your possession already or on your radar. It’s still being sold at retail and online, though ordering online means you’re making a truly blind purchase. If you have the time and patience, I suppose you could order an entire box and sell off the doubles. I’d guess you’d probably break even doing so as plenty of people are willing to pay a few bucks more on the secondary market to know what character they’re getting. Definitely hit a Lego Store if you have one nearby if you’re only missing a couple. My difficulty in finding Stitch suggest to me that he’s either quite popular, or some figures are short-packed. Feeling them out is relatively easy though. All of the unique portraits are distinguishable from each other, while many of the rest feature a signature item or accessory for you to home in on. Happy hunting!

Check out our coverage of other Disney and Lego collaborations:

Lego Mini Figures – Disney Series 2

I feel like I need to take credit for the existence of this wave of Disney Mini Figures. It wasn’t that long ago I wondered why the flood gates never opened following the 2016 release of Cinderella’s Castle from Walt Disney World and the wave of mini figures that preceded it. Just days after that…

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Disney gets the Lego Treatment

Lego is one of the most popular toy manufacturers on the planet. They’ve become known for their building block style toys that come in various shapes, sizes, and colors and can be combined to form castles, pirate ships, space crafts, and other fantastic designs. They also have struck gold with their mini figures, simplistic action…

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Mattel Disney 100 Minnie Mouse & Mickey Mouse

The true “it” couple.

When it was announced that Mattel had wrested control of the Disney license from rival Hasbro, I felt it would be a good thing for my daughter who loves Barbie and also loves the Disney princess dolls. Now they’d be able to swap clothes easily and fit in all of the Barbie vehicles and playsets without issue. I did not stop to consider what it meant for my personal toy buying habits. If the new Disney 100 Minnie and Mickey set is an indication of what’s to come, then maybe I should be a little more excited for the Mattel era than previously thought.

I have made many posts on this blog under the “Toys” subcategory and almost all of them have been action figure related. None of them have been a Mattel product. As someone who just missed the He-Man hype in the 80s, Mattel was rarely on my radar. I can’t, off of the top of my head, even recall if I ever owned a Mattel action figure. I know I had the He-Man power sword from The New Adventures of He-Ma when I was a kid and I think I had at least one figure from that toy line too, though it never sunk its claws in me. In fact, when I role-played with that sword as a kid I would often pretend I was Link from The Legend of Zelda, not He-Man. The other big license Mattel has these days is WWE, but I don’t buy WWE action figures and thus I don’t have any experience there. Rumor has it, there may be a Masters of the Universe x TMNT on the horizon so maybe that will get me to purchase more from Mattel, but for now, this unexpected set is my first experience with a Mattel figure in a long time.

So these two ended up being quite a big bigger than expected. Here with two other Disney stars.

When Disney has some milestone coming up, the company always finds a way to flood the market with new merchandise. There was Disneyland’s 60th a few years back and the company just concluded a 50th anniversary celebration at Walt Disney World that lasted over a year (I managed to catch the start of that and the tail end despite my trips to Disney World being spread over 3 calendar years). The latest money-maker for the company is Disney 100 celebrating 100 years of the Walt Disney Company, or some variation on it. I honestly haven’t dug too deep into the company’s claim so I don’t know how fast and loose they’re playing here, but I always have some degree of skepticism with it considering they don’t even acknowledge the first Mickey Mouse cartoon as being the first Mickey Mouse cartoon. I thought this Disney 100 thing would only lead to new Lego minifigures for me, though that hunt has not gone very well thus far (I only have four), so imagine my surprise when this two figure set popped up on Amazon on a random Thursday. I had no idea it was coming, and it took me all of two seconds to hit “Check Out” on an order for myself. Less than 24 hours later it was in my possession. Say what you will about the practices Amazon engages in (and many are unpleasant), but it always blows my mind when I can order something online and have it on my doorstep just a day later.

These two aren’t going to scale well with your Super7 figures.

Minnie and Mickey come packaged in a nice window box adorned with sketch artwork of the pair and plenty of reminders that this is a Disney 100 tie-in. The first thing that jumped out at me was how big these two are. Minnie and Mickey stand at around 5.5″ to the top of their head stretching to 6.25″ to the tips of their ears. And it’s not just height, they’re just proportionately pretty big. They’re not going to fit in with your Super7 Disney Ultimates or the ReAction figures, but they may look all right mixed with Hero Cross and Beast Kingdom. The height is similar, but even still, the proportions are all together different with Minnie and Mickey having pretty large heads compared with the figures I have. They’re also modeled after their early appearances in the 1920s and 30s, but depicted in color. Mickey has his trademarked red shorts and yellow shoes while Minnie is sporting a light blue, polka-dotted, skirt with red hat and yellow heels. Both feature an all white face with large, black, ovals for their eyes which was the style at the time. My preferred Mickey has always been with a white face and black eyes so this style was right in my wheelhouse for the pair.

They can hang with the offerings from Hero Cross and Beast Kingdom though.

The figures themselves are mostly colored plastic. We have black for the bodies with the clothing being these soft, rubbery, overlays. The shoes and gloves are also a soft material and the paint is basically just reserved for the heads. There, Mattel had to paint on the black around the face as well as the details of the face itself. Their portraits are almost the same save for Minnie’s sculpted eyelashes. She has a dash of purple eyeliner as well. Even with just a little paint, it’s not super clean. The eyes look fine, but the black for Mickey’s widow’s peek doesn’t fill in the entire area it’s supposed to. The painted portion also has a slightly matte appearance compared with the shinier plastic, but it’s not particularly noticeable. The rest of the appearance is solid with the only oddity being there’s a different visual quality to the materials in use. The soft plastic bits have a muted look and it’s easy to tell from a distance that they’re made of a different material from the bodies. Minnie looks fine, but I would have liked a little more saturation out of Mickey’s shorts and shoes. Their proportions also strike me as just a bit off-model. The heads, as previously mentioned, are huge and they also have pretty long arms which is not uncommon for cartoon characters. Shrinking the heads maybe 5% and making them just a little less round might have turned out better, but as is, these fit the part well enough.

They definitely have more stuff than I expected.

A Minnie and Mickey figure set was a surprise, but so was the approach to the accessories. I wouldn’t have expected optional parts, but Mattel surprised me again. Mickey and Minnie can share hands and between the two of them they have a set of gripping hands, a set of gripping hands with the thumbs up, a set of wide open hands, another right gripping hand, and a relaxed left hand. I’m not sure why we got essentially three, right, gripping hands instead of a set of the relaxed hands, but so be it. They also don’t have anything to grip, unless you count Minnie’s hat which slots between her ears. We also get one extra portrait for each featuring the duo in a kissing pose. It’s cute, but I feel like it needs some paint around the mouth. If viewing it from the side, which I think is how it was intended, it’s not as noticeable. Lastly, we also have two display stands with multiple pegs on them to help you pose your figures in case you don’t just want them flat-footed. The stands are all black and say Disney 100. They’re nothing fancy, but can at least provide some piece of mind if you’re worried about shelf dives. There’s also a little card with a sketch of the pair on it that says Disney 100 on the reverse. The packaging also implies the insert (featured as a backdrop in my images) is an accessory, albeit a pretty lame one.

They even come with alternate heads for maximum adorableness.

Where I didn’t expect these two to impress is with articulation, and unlike the additional parts, my expectations were basically met. These two aren’t terrible when it comes to articulation, but they’re also not exactly robust. The heads just sit on a ball peg so they rotate and get a little play on that ball. The ears feel like they’re pegged in and there’s some play, but I’m not sure how much of that is intentional. It’s not enough to position the ears for a side profile pose that mimics the impossible ears of these two in animation. The shoulders rotate and there’s a single hinge for each elbow which also rotates. It can be hard to tell which way the elbow is supposed to bend, but since they have rubber hose arms it doesn’t really matter as the hinge will bend in either direction. It’s not going to give you a full 90 degrees though, and the shoulder hinge won’t raise the arms out all the way to the side either. There is a hinge at the wrist, but it sits pretty deep inside the gloves so it doesn’t do a whole lot. The hands can also rotate on the peg. There’s a waist twist at the shorts and skirt of Minnie and at the hips it’s basically another hinged ball peg so you can swivel the leg and then line the hinge up the way you want it to go. Mickey’s shorts get in the way a bit, though Minnie is less restricted. They’re a bit tight and I didn’t really test it too much. There’s no joint for the knee and instead we get another hinged peg at the ankle. Once again, Minnie gets more range here because of her shoe design while Mickey’s can’t do much. There’s no dedicated ankle rocker, though you can manipulate the hinge so it’s going off to the side if you wish. Lastly, we get another hinged ball-peg at the tail which works well enough.

They don’t do a ton, but it’s hard to argue with the price.

It’s not a ton of stuff, and one can see why some of the more premium imports skip some of these joints in favor of static arms that can be swapped in and out. For what this set is, I think it’s okay. I would have preferred something better at the hips, especially since the joints can be hidden relatively easily with the clothes, but the rest I’m fine with. I also wonder if Mattel would have been better off scrapping the wrist hinge and just doing another ball peg like they did for the head. You will be able to find some poses that look cute for this couple though, be they holding hands, waving, or smooching. The joints are all nice and tight, which is good since these two are a bit top heavy. It does mean there is some degree of trepidation that comes with posing them since the limbs are pretty thin. These figures don’t look or feel like premium items, so there is a cheapness to them in-hand, though I’d hesitate to say they look cheap.

“Ugh, get a room!”

The best thing this set has going for it is affordability. This pair only set me back $42. Basically, getting Mickey and Minnie from Mattel is about the same price as getting two ReAction Minnie and Mickey figures from Super7 and noticeably less than a single Super7 Ultimates release. It’s also less than half of what the Beast Kingdom Donald Duck set me back and I think I like these two more than that figure. There are better figures out there of Mickey, and maybe Minnie, but definitely not ones in this price range. While I think the amount of hands these two came with was probably unnecessary, there are still enough optional parts that make settling on a display quite enjoyable. And swapping parts is easy and I didn’t feel like I was at risk of breaking anything. If you’re interested in an affordable set of Minnie and Mickey figures, I think this will do nicely. Now I’m left hoping Mattel does Donald and Daisy.

Interested in more Disney collectibles? I’ve got you covered:

Hero Cross HMF Donald Duck #006R

I have coveted the Donald Duck figure from Hero Cross for a few years now. If you’re not familiar with the company, Hero Cross is a toy manufacturer based in Hong Kong that specializes in hybrid figures that utilize both plastic and metal. Their main line is called the Hybrid Metal Figuration series, or HMF…

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Lego 21317 – Steamboat Willie

It was just over a week ago I made a post wondering what happened to the Lego/Disney relationship. Sure, there have been some Duplo sets and the Lego Friends brand has featured some princess characters, but nothing major followed the 2016 release of mini figures and Cinderella’s Castle (based on the structure in Walt Disney…

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Beast Kingdom Disney Dynamic 8ction Heroes Classic Donald Duck

Few brands are as immensely popular as Disney, which is why it’s a bit surprising that the company’s presence in the world of action figures has always felt a little lacking. It’s thought (and maybe even confirmed by the company) that Disney’s interest in properties like Marvel and Star Wars stemmed from them being unable…

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Mickey Mouse – Runaway Brain (1995)

Original release date August 11, 1995.

There is a lot of debate over who the greatest cartoon star of all time is, but there isn’t much debate about who the first real star was. That title belongs to Mickey Mouse who entered into the world of cinema in 1928 and remained a star into the 1950s. Since then, Mickey’s presence on the big screen has been severely reduced. Between 1953 and 1983, there were no Mickey Mouse shorts. That drought was put out with the release of Mickey’s Christmas Carol, but that short subject has always felt like a cheat. Most Mickey Mouse shorts were around 8 minutes or so, that one was 26 and that’s likely because Disney always had plans to put it on television as a holiday special. Following that short, Mickey would come back with a cameo in Who Framed Roger Rabbit? followed by another long-form short in The Prince and the Pauper in 1990. Again, not really a short in the classic sense. The true drought was finally laid to waste in 1995 with a brand new bonafide short that would go on to be nominated for an Academy Award, but Disney would rather you forget about that these days.

Since it is October, the spookiest month of the year, I wanted to recognize the spirit of the month in some fashion which is why we’re to talk about the much unloved Mickey Mouse comeback Runaway Brain. The short was conceived by animator Chris Bailey with backing from executive Jeffrey Katzenberg. In the 90s, Mickey Mouse was a frequent subject in the halls of Disney’s animation wing as the company wanted to restore the character to prominence. The problem was, after decades of being a corporate mascot, Mickey was hard to pin down. As characters like Goofy and Donald Duck gained popularity back in the 30s, Mickey was pushed into more of a straight man role. He really didn’t do much, just played off of others. The 1990 short was attached to The Rescuers Down Under, one of the only animated films of the Disney Renaissance that failed to make a splash. Was that Mickey’s fault? No, probably not, but he apparently didn’t help to elevate that release.

Runaway Brain sees Mickey Mouse firmly as a 90s man.

Bailey wanted to do something different with Mickey and it’s said that Katzenberg was onboard with doing a “90’s Mickey.” The original pitch for a short was a duo picture between Mickey and Donald where a jealous Donald would actually try to kill Mickey. That wasn’t going to fly and it was unsurprisingly nixed by Disney executives Peter Schneider and Thomas Schumacher. Rather than rework that pitch, Bailey did something all-together different coming up with a pseudo-Frankenstein for Mickey that saw the mouse turned into a monster. It was a bold take from a design standpoint as it involved creating a new, monstrous, version of Mickey Mouse which could upset Disney fans young and old. Katzenberg liked it though, and since Disney had a newly acquired team of animators just sitting on their hands in France, the storyboard actually went into production.

Unfortunately, between the start of production and the eventual end, Jeffrey Katzenberg was fired. Or let go, however he chooses to spin it these days. At any rate, one of the supporters high up in the company was gone and in his place were Schumacher and Schneider who seemed to have a much lower opinion of Bailey’s short subject. Despite having a terrific team of animators onboard including Andreas Deja who animated Mickey in Who Framed Roger Rabbit?, the executives demanded the short be chopped up and hacked apart to remove effects and change scenes around entirely, including the ending. Michael Eisner was said to have liked the short when it was screened for he and the other executives, but either Bailey and team were cut off from appealing to him, or he just left it all to Schumacher and Schneider and put all of his trust in their decisions.

The end result is that a severely compromised version of Runaway Brain was sent to theaters in 1995 playing in front of the dud A Kid in King Arthur’s Court. I suppose the optimist might say that the powers that be paired Mickey up with the forgettable picture to help bring in additional patrons, but Bailey saw it as a slight. It would air with A Goofy Movie and The Hunchback of Notre Dame in other territories, two films that make more sense to pair it with (A Goofy Movie especially), but plans to screen it in 1996 with the Glenn Close starring 101 Dalmatians re-make were nixed at the 11th hour. And since then, the film has only been released on physical media once as part of the Mickey Mouse: In Living Color Volume 2 set and digitally with Walt Disney Animation Studios Short Films Collection. And that digital release could be considered a surprise, though it says a lot about the studio’s attitude toward the film that it wasn’t part of the actual, physical, release of the set.

Does Runaway Brain deserve this kind of treatment from the studio? Of course not! While it’s not Mickey’s greatest role or anything, it’s a fun little film and should be on Disney+ at least. Granted, a lot of Mickey shorts are not on the service, but as the only true short from the 1990s, why not that one? Plus it would fit nicely into the Halloween collection. At any rate, lets take a scene-by-scene look at this short so we can see what we’re being deprived of. I am viewing the short via the DVD of the previously mentioned Mickey compilation which is a pretty great set if you like physical media (and it seems to have actually come down in price over the years).

Not the kind of intro we’re accustomed to seeing for a Mickey cartoon.

The film begins with a big Mickey Mouse title card and some rather upbeat, fairly typical, Mickey type music. It’s interrupted with a monstrous version of Mickey’s gloved hand which slaps down on the card and then slashes across it replacing it with the Runaway Brain title. The font looks like its molten lava or something and it’s a solid juxtaposition to what was originally presented.

Maybe Disney just doesn’t want kids to see how Mickey really lives?

We then find Mickey (Wayne Allwine) at his home. It’s dark and rainy and he’s shouting from inside like he’s being attacked. He’s not, and is actually just playing a video game. He’s really into into it though and so is Pluto (Bill Farmer) who’s bouncing around and barking up a storm. We get a look at the game and it’s a fighter pitting Dopey against the Evil Queen from Snow White and the Seven Dwarfs. The gamepad he’s using does slightly resemble a Genesis one, though it’s clearly designed to be something generic.

Geez Minnie, you’re worse than my mom! Can’t you tell by the row of tombstones that Mickey is on his last life?!

Minnie Mouse (Russi Taylor) then enters all excited to see her man. She walks in between Mickey and the TV and you can probably imagine how that goes over with the mouse. Mickey even remarks, “Are you trying to get me killed?” and Minnie responds with a “Maybe,” as she feels Mickey has forgotten about an important day. She has to remind him she’s referring to the anniversary of their first date and Mickey is forced to scramble. He puts down the game and tells Minnie he has big plans. Grabbing a newspaper which features an add for miniature golf, he waves it in her face remarking how they can have some fun in the sun. Unfortunately, Mickey didn’t notice an ad for a Hawaiian cruise just below the mini golf one and that’s what Minnie thinks he’s referring to. She gives him a big hug while Mickey stares at the ad and recoils at the thousand dollar price tag. Minnie plants a kiss on his lips before departing to go swimsuit shopping leaving Mickey to try to figure out a way out of this mess.

You can tell this is 90s Mickey instead of 2000s Mickey by his lack of an ass.

Man’s, or mouse’s, best friend seems to have the answer as he flops the want ads in front of his master. Mickey’s attention is drawn to an ad promising pay for an afternoon of mindless work – what could go wrong? Mickey sets out to investigate and arrives at the home of Dr. Frankenollie, a portmanteau of Frank Thomas and Ollie Johnston, two of the famous 9 old men of Disney animating legend. His home happens to be located at 1313 Lobotomy Lane which doesn’t seem at all like a bad omen. Mickey seems unphased though as he tosses on a blue tie, and there’s a very brief animation flourish of it choking him as he secures it, before knocking on the door.

Mickey can’t help himself – he’s jealous.

When he does so, the ground opens up below Mickey and swallows him whole! He travels down a steel pipe and drops into a crude looking chair that immediately shackles him in place. He cracks, “Talk about your ironclad contracts,” which was one of the many revisions the Disney executives made with this one as he was originally supposed to say, “I think I’m in trouble.” Such a needless revision. We’re then introduced to the doc (Kelsey Grammer), who as an ape, basically climbs all over Mickey. He’s a skinny ape in a white lab coat with a lightbulb in his head. As he examines Mickey he asks him questions such as “Here for the job?” Mickey tries answering his questions in various ways, basically trying to tell him what he doesn’t want to hear and sometimes what he does, just to see if there is a way out. It’s clear his responses mean nothing to the doctor as he has what he wants and Mickey is going no where.

He may be named Julius, but that’s Pete like you’ve never seen him before! He even has his peg leg back in this one!

Dr. Frankenollie then introduces Mickey to his partner: Julius. Julius (Jim Cummings) rises from a contraption in the ground and is basically a massive version of Pete crossed with Frankenstein’s monster. He eagerly confirms for Mickey that he intends to swap their brains, and when he does we get a fun X-Ray shot of Mickey’s head which depicts his brain in 3 parts: his head and each ear. Despite protests from the mouse, the doctor activate his machine. Electricity surges out of a contraption in the ceiling and blasts both Mickey and Julius with electricity. For Mickey, it looks quite painful, but for Julius it looks almost therapeutic.

It doesn’t look like the doctor will be helping you, Mickey.

When the experiment is over and the dust settles, the lab looks absolutely trashed. A closeup of Mickey’s eyes and a part of his nose is accompanied with a voice over of him seemingly thinking all is well. It’s not, and as the camera zooms out we see the experiment worked and Mickey is in the body of the giant monster! Mickey, panicked, runs over to Doctor Frankenollie begging him to undo what happened only the doctor is unresponsive. Mickey picks him up and he’s stiff as board. Then his flesh turns to dust leaving behind only a skeleton, which too turns to dust. It would seem the doctor didn’t get to live to see the culmination of his life’s work – such a shame.

Looks like they didn’t have to edit out all of the drool!

We’re then introduced to the monstrous Mickey! Julius comes jumping out of the debris and he’s basically a feral version of Mickey. He walks mostly on all fours, his hands are curled into claws, his ears are furry and jagged, and his eyes rimmed with dark circles and bloodshot. He was supposed to feature lots of drool too, but that was another element the Disney executives had edited out. Mickey tries to reason with Julius and in doing so mentions Minnie. He tells Julius to look in his wallet and when he does he finds a picture of Minnie and Mickey (and we get a brief shot of Mickey from Steamboat Willie) and seems to salivate over Minnie. Mickey grabs the wallet, but it’s too late. Despite formerly being a cat monster, Julius is pretty infatuated with Minnie Mouse and starts grunting her name as he climbs up and out of the ceiling of the lab forcing Mickey to give chase.

Aww, he’s cute!

Julius emerges on the roof and starts gnawing on the ledge before something catches his eye. It’s Minnie and she’s entering a shop named The Wet Rat (eww). She’s looking at bathing suits, bikinis to be exact, which look quite tiny and a bit risqué, but one look at the size of Minnie’s body and they actually seem reasonably sized. And since a bikini includes a top, it actually covers more than we’re used to seeing with Minnie. Julius comes running in and Minnie tries to hide what she’s looking at since she doesn’t want him to see it until they’re on the boat. She doesn’t notice that her man is looking a bit more feral than usual, and with her back turned toward him, the real Mickey comes bursting in.

I think he likes it, Minnie.

Mickey cries out a warning that she’s in the presence of a monster, but she only hears the warning. When she turns around, she sees Mickey, in the monster’s body, grabbing the Julius-Mickey and assumes the monster is the, er, monster. I realize that sounds confusing, but she throws stuff at Mickey and frees Julius and the two of them run out the door. As they run down the street, Minnie is holding Julius by the hand who basically hops behind her and it’s rather fun looking. Mickey, in the body of the monster, smashes through the store and chases after them.

He can change his ears at will, but apparently not the rest of his body.

Mickey catches up to the pair and is able to snatch Minnie. He’s finally able to get her to notice it’s him speaking to her, and this short does do the cheat where the characters retain their usual voice despite the body swap. As he says “It’s me, Mickey!” his ears morph into traditional Mickey-shaped ears which is rather clever. Minnie doesn’t ask questions and believes him now, but feral Mickey has grabbed onto a car and is speeding towards them. Mickey swings via some construction equipment to the top of a skyscraper where he deposits Minnie for safe keeping. He then swings back down to ground level and is able to grab Julius. As they swing up into the air once more, Julius opens the bucket Mickey is swinging from which dumps some construction waste onto his head (steel girders and such) which causes him to let go. They land on some power lines which shocks their brains back into the proper body, then slingshots them towards the building Minnie is on. They smash through a billboard, coincidentally for the Hawaiian cruise that started all of this, with the character heads comically inserted into the image.

Mickey might miss having all of that extra room for his brain.

Mickey comes to and realizes he’s back in his old body. Unfortunately, he’s also in the grip of Julius and so is Minnie! Julius is still lusting over the mouse and Mickey has to bite his finger in order for the monster to drop him. Julius swats him off of the building and then makes a kissy face in Minnie’s direction who promptly slaps him. He’s pretty ticked off now, but before he can do anything to Minnie, Mickey returns! He’s armed with some rope and what appears to be a window squeegee which he cocks like a shotgun. He gets Julius’ attention and then charges at the monster!

Disney wouldn’t let Mickey wield a toy gun for the video game scene, so they had to make do with this.

Mickey uses his squeegee like a pole-vault and launches himself over Julius and onto a mechanical arm attached to a hula dancer on the billboard they previously smashed through. The arms goes up and and down, but largely is horizontal with the rooftop so Mickey is able to run across it. He lassos Julius who lets go of Minnie, but Mickey is able to lasso her as well. Swinging down and back to the rooftop with his girl in his arms, Mickey and Minnie share an embrace while a wrapped up Julius teeters via his peg leg on the ledge. Minnie takes a step back after her embrace with Mickey ends and she accidentally bumps Julius off of the building. Worry not for the monster, for as he falls the mechanical arm of the billboard pulls him back up like a yo-yo. The camera zooms out for a full look at the gag which provides for our first real look at the contraption in action.

That is one powerful motor in that billboard.

We then cut to Minnie, in her little, green, bikini, and Mickey with their toes in the water. They look like they’re on a float indicating Mickey was able to come up with the money to make their vacation dreams come true. Or not. We zoom out as Minnie plants a nice, wet, one on her man to see they’re on an inner tube being pulled by Julius. He’s swimming them to Hawaii with the picture from Mickey’s wallet dangling in front of his face. This was originally meant to be a crude effigy of Minnie fashioned out of pillows, but for some reason the executives didn’t like that. I don’t think either is necessarily more funny than the other, it just sucks to make people re-animate something for nothing. Plus, in order for this to work now Mickey’s wallet has to be Julius-sized which makes little sense.

Mickey and Minnie may have received a happy ending, but Runaway Brain has not.

That’s it though. Runaway Brain is far more infamous than it rightly deserves to be. The cartoon is fine and I enjoy the look of the characters in it. Mickey and Minnie have a nice flow to their animation and I love how they’re just constantly in motion. Their character models are just ever so slightly redesigned here to make them feel unique to the picture. They both seem a little taller and more narrow than usual, but they still maintain their signature look. I love Dr. Frankenollie, who we really only see briefly. The animators have a lot of fun with the fact that he’s an ape as he doesn’t just stand in front of Mickey, he climbs all over him and all over his own equipment. Julius is positively huge which makes his design a great deal of fun, though he’s still plainly in the realm of a Frankenstein. The feral Mickey is the most memorable part of the short and it’s because it’s just fun to see a monstrous take on a classic character like Mickey Mouse. His arms are usually bent so he has some sharp angles in his posture which is quite different from the rubber-hosed Mickey and his fur is ruff and exaggerated, which again, is very different from traditional Mickey who looks more black-skinned than furry. I’m having a hard time thinking of a scene that makes Mickey look like a fur-covered being and coming up empty.

It is thought that the design of the feral Mickey is the leading reason why this short is so shunned by the company. He’s unsettling and a bit scary and it would seem a lot of people associated with Disney do not like seeing such descriptors attached to Mickey Mouse. Sitting here in 2022 and watching it, it really feels like much ado about nothing. This feral Mickey is not particularly gross, which he certainly could have been given this was made in the 90s, and he’s only vaguely monstrous. We’ve seen Mickey look far worse now on the Paul Rudish shorts, but perhaps those are allowed to get away with more because they have their own style which is very different from classic Mickey? I’m not sure, but in terms of ugly depictions of Mickey, we’ve moved way past feral Mickey in the 27 years since the release of Runaway Brain.

It’s a shame that Disney just leaves this one hanging when it’s a film that deserves to be seen by millions.

At this point, the black sheep status Runaway Brain seems to embody is nothing short of peculiar. It’s such an inoffensive cartoon. There’s an energy to it that is unmistakably 90s, and the animation puts it square in that era too which is a good thing. It’s nice to have a 90s looking Mickey since he had few shorts and wasn’t allowed to grace television sets as part of the Disney Afternoon like Donald and Goofy. He even gets to act heroic in this one and save his beloved Minnie who also is able to stick up for herself and avoid being a total damsel in distress. It brings back Mickey’s troubles with money, a common trait in his classic shorts, and it’s all together perfectly fine. It’s not some remarkable piece of animation and probably not even top 10 for a Mickey Mouse short, but it is fun. According to some within the company, there’s really no conspiracy or grand design to keep Runaway Brain out of the public eye, it’s just not popular and gets overlooked as a result. Others maintain the opposite though and indicate that many at Disney don’t like it and would rather see it buried. It’s rarely merchandized, and as we covered before, has only been made available on two occasions since leaving theaters. Which is silly, because I think the feral Mickey design could be popular if given the chance as a Halloween tie-in. Sell furry Mickey ears at the parks, put him on keychains, or corny motivational posters about having a bad hair day. Make feral Mickey plushes – I’d buy one! A video game where the player controls a Mickey that turns into the feral Mickey at night like a werewolf could even be fun! Or it would be like that terrible Sonic game. Either way, Runaway Brain deserves to be seen and should be a Halloween treat year in and year out and most certainly should be treated a lot better than it currently is.


Super7 Disney Ultimates! Mickey Mouse as The Sorcerer’s Apprentice

Do bad things always happen when the mouse puts on the hat?

The first figure from this line of Super7 action figures based on characters from Disney’s treasure trove of animated characters was Pinocchio. In that review, I mentioned how Disney wanted to outdo itself with Pinocchio and sunk a lot of money into that film’s production. Well, the only other film from that era that might compare is 1940’s other feature: Fantasia. Fantasia was Walt’s passion project as he saw the marriage of animation with classical compositions as high art. I think he was mostly happy with how it turned out, but not happy with the reception as audiences didn’t seem to appreciate it the way the company figurehead did.

How come Mickey gets a special sticker, but Pinocchio doesn’t, when both films were released in 1940?!

Even so, there’s no denying that at least one segment from Fantasia has impressed and delighted movie goers for generations and that’s The Sorcerer’s Apprentice. That segment starred Mickey, who was still a pretty big deal in 1940. He was voiceless in the film, but was arguably never as expressive as he is in the short segment because no Mickey cartoon before (or likely since) had the budget of Fantasia. It truly is a delight and one of the best cartoons of all time and it’s no surprise that Super7 turned to Fantasia, and Mickey, with its first wave of Disney Ultimates!

Doesn’t get much more iconic than this.

The direction of Super7 founder Brain Flynn with this Disney line is to not simply do characters from Disney in their most recognizable forms. For Mickey, that would be classic red trunks and yellow shoes. The thinking from Flynn is that you can get that Mickey anywhere so Super7 should do something else. Now, doing Mickey as the Sorcerer’s Apprentice isn’t exactly breaking new ground either, but it’s apparently enough for Flynn who basically conceded that they needed to do something a bit more expected and generic for this first wave as Disney collectors are probably pretty new to Super7. And since the figure did sort of coincide with Fantasia’s 80th anniversary (curiously, so did Pinocchio but that one didn’t get a fancy sticker on the box), it makes perfect sense to have this Mickey in Wave One.

Careful, he doesn’t like it when you call him short.

Being a 7″ scale line, Mickey comes in on the small side for an action figure. He is not, however, as small as Pinocchio and I think most collectors are likely going to be pretty happy with the sizing of the mouse. To the top of where his head would be he’s nearly 4″, and once you factor in the hat he’s basically a 5″ figure. His proportions are fairly small, though more substantial than Pinocchio, and he does feature the trademarked oversized gloves and shoes. This is a figure that largely features no paint. There’s the blue on the hat with the painted silver runes, Mickey’s eyes and mouth, and the black lines on the back of his gloves. Under the robe, he does have blue trunks which are a mix of colored pieces and painted ones and the brown boots are colored plastic. It’s largely fine, as his entire body is covered by the robe, but where paint is sorely needed is on his face. The flesh-tone plastic is just not saturated or warm enough for the character and it has a glossy characteristic that is off-putting. Some have gone so far as to say it ruins the look of the figure, but I’m not willing to go there. Instead, it’s just an unfortunate shortcoming. Simply painting that area of the face would do wonders for the look of this guy.

Mickey’s feeling pretty good in that snazzy robe.

I mentioned in the Pinocchio review that one of Super7’s goals with this line is to incorporate soft goods into each release. For Pinocchio, the inclusion was a minor one, but for Mickey the soft goods needed to be something special and I’m happy to say Super7 pulled it off. Mickey’s robe is a touch darker than it is onscreen, but it has a shimmery quality to it that really imparts a sense of quality into the release. It’s cinched with a simply knotted rope, and it’s appropriately sized for the figure. It doesn’t look overly baggy, and the roominess of the design allows Mickey’s articulation to function as intended. Like a lot of collectors out there, I’m not often partial to soft goods, but here they work and they work well.

Things always start off well enough when tossing magic at a broom.

As for that articulation, I’m happy to say it’s better than what we got with Pinocchio, though it’s still hardly a strong point. Mickey’s head sits on the same ball peg design as Pinocchio so there’s no neck articulation and what you get out of his head just depends on the amount of range on that single ball. It’s sufficient as Mickey can look up an okay amount, but there’s really no reason why they couldn’t a double ball peg. The shoulders are ball-hinged and Mickey can raise his arms out to the side just fine and he can even rotate around with the robe on. He has single-hinged elbows with swivel and his hands rotate and feature horizontal hinges. Once again though, we have no torso articulation. Not even a waist cut, which is a shame because, again, the robe would hide everything! Maybe it’s a size issue – I don’t know, but NECA’s done figures at this size with more articulation so I’m not willing to allow that as an excuse. At the hips, we have the usual Super7 ball-peg hips and they’re fine. The knees hinge and swivel and Mickey can at least bend 90 degrees. The ankles are, once again, rather floppy and the oversized shoe means the ankle rocker isn’t as useful as it could be. The right ankle on mine isn’t as bad, but the hinge is pretty tight. I actually have a hard time getting both legs to appear the same length as the knee hinge is loose on the left leg. There’s also a ball-hinge at his tail giving that some movement. He can hold a pose at least, and hasn’t fallen down like my Pinocchio, but there’s room for improvement.

Eventually though, things take a turn and it’s time to break out the axe!
There’s certainly a nice assortment of stuff here, and I didn’t even place all of the extra hands into the shot.

On the accessory front, we pretty much get all that we need. The default head is an open mouthed smile and Mickey can swap to an angry head or a standard smile. Both extra heads feature a bend in the cap which is nice for a little added personality. I probably could do without the smile though in favor of a scared expression because it feels redundant with the open smile. All of the heads also feature the ears sculpted into the hat, and I feel like Super7 missed an opportunity to change the ear position so we could have a screen accurate way to present Mickey from the side as he is on the back of his box or as he was in the often seen tag before every Walt Disney VHS release in the 80s and early 90s. A scared expression would have been really nice for the giant book accessory that Mickey floats on towards the end of the segment. The book is just a big slab of plastic, and it’s cool, but without a scared head I really don’t know what to do with it. There’s also a single, animated, broom with a pair of water buckets it can hold. There’s no articulation on the broom, but both it and the buckets are very well-painted. And for when Mickey gets angry with said broom, he has an axe to chop it up. To go along with all of that, are numerous hands. Mickey has open hands in the package to go with fists, gripping hands, pointing hands, and a more relaxed open set of hands. With the hands, the only criticism I can make is the hinge on the gripping hands isn’t going the right way, but otherwise this is a fine set of expressions.

There’s probably a lot of people wondering how they can get more of these guys.
The book is neat, but this would work so much better with a scared expression.

Objectively, and subjectively, Mickey succeeds far more than Pinocchio did at making the jump to plastic. The articulation could be better, but that’s often true of every Super7 release. My main critique is in the lack of paint on the face, and if not for that, I’d consider this a homerun. As released, it’s a solid line drive for a double and I think it will please both action figure fans and Disney collectors. It’s very on-model, and the soft goods robe adds a touch of class. Plus, it’s an iconic version of an iconic character. Personally, I would have loved to have seen Super7 roll with The Band Concert or The Brave Little Tailor version of Mickey, but at least we’re getting that with the ReAction line and I can’t fault them for doing this version. It’s both safe and pleasing for the audience and an easy recommend for Disney enthusiasts.