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Dec. 1 – DuckTales – “Last Christmas!”

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Original air date December 1, 2018

It’s that time of year once again! Every day goods are a little pricier, egg nog is invading the dairy case at every grocery store, and red and green versions of every candy in existence flourish in the seasonal section of department stores. Yes, it is Christmas time and it would be obnoxious if it weren’t temporary. Does it come too soon? Maybe, but here the season officially starts now and lasts through the holiday.

Welcome to The Christmas Spot! If this is your first time here then let me tell you what you’re in for. Every day through Christmas, we’ll be spotlighting a Christmas special or holiday themed something advent calendar style. Will we talk about a good special? A poor one? Something in between? We’re quality agnostic, which is a damn fine motto. The only thing this site won’t touch are those made for TV Hallmark movies that are basically shown year-round now. I have no interest in them, plus I like to stick to things that are a half-hour format or less to keep things tidy. After all, this is no small task to find time in my day-to-day life to make 25 blog entries in 25 days for the sheer joy of it. So I encourage you to start your day right here. And if one blog entry isn’t enough, well then may I recommend our Christmas archive? It’s a great companion to that first cup of coffee in the morning, or that first visit to the restroom – don’t forget the peppermint scented toilet paper!

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The opening credits get a festive makeover as well.

This year, we’re kicking things off with a relatively new entry to the world of Christmas specials. DuckTales has been around for quite some time. The original run included 101 episodes, but strangely no Christmas one. This is surprising because future Disney Afternoon shows would often feature one. Plus, the star of DuckTales is one Scrooge McDuck. Not only does Scrooge share a name with another individual associated with Christmas, but the character actually debuted in a Donald Duck Christmas story which we covered for last year’s countdown. Well, the new version of DuckTales launched in 2017 would rectify that, though not in its first season.

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We get to learn about Donald’s enthusiasm for Christmas, Scrooge’s hatred of Santa, and that Launchpad is actually Jewish.

“Last Christmas!” premiered, appropriately enough, last Christmas (December 1, 2018 to be exact) and was a late scratch from that year’s list. See, I don’t actually have time to make a post every day for this thing. What really happens is I keep a master list of any and all Christmas specials I know of. Then I arbitrarily pick and choose which to cover each year, and I make posts in my down time and schedule them to go up when they need to. Did that ruin the magic for you? Hopefully not, as this is actually a fun way to get a little dose of Christmas spirit throughout the year. I’m also the type of person that keeps a Christmas countdown going all year long. Anyway, when I found out there would be a DuckTales Christmas special it was pretty late in the game. I almost squeezed it in, but decided maybe it would be best to save it for 2019. A year’s removal would allow me to better put it in perspective. Is it the type of special that deserves to be revisited year after year? Well, this is where we find out.

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Scrooge is predictably grumpy around the holidays.

When DuckTales made its return in 2017 it wasn’t without some controversy within the fanbase. That’s because Disney made the call to recast all of the characters from the original run with new actors all voicing these characters for the first time. This is different from what Disney usually does with its classic characters where a voice actor is paired with a character or characters and serves in that role basically for life. It’s something though that has apparently fallen out of favor with Disney in the past few years. There are currently two(!) voice actors for Mickey Mouse right now, and probably my most popular post ever concerned the handling of Donald’s Duck’s voice when veteran Tony Anselmo was recast for the pre-school show Mickey and the Roadster Racers. When I wrote that I wasn’t aware that Anselmo had the role actually taken from him, as opposed to passing on it. Thankfully, he was returned to voice Donald in DuckTales, but he’s basically the only member of the main cast to return. Alan Young obviously could not return as Scrooge (R.I.P.), but Russi Taylor was basically not allowed to return as the voices of Huey, Dewey, and Louie.

And that’s what makes “Last Christmas!” so special, in a way. Maybe Disney was right to recast the roles of the nephews as now they are individual characters as opposed to a hive-mind, basically. I think they could have all shared the same voice still, but I guess I’ve made my peace with the series concerning this. Still, that doesn’t help Russi Taylor at all, but this episode allowed her to return in a pretty creative fashion. And we have the magic of Christmas to thank for that!

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Webby is a talented trimmer of trees.

This episode opens with a little extra Christmas spice. I love it when holiday episodes do stuff like this. The lyrics are changed slightly to reference the holiday (“Life is like a candy cane,”) and they’re sung by a Frank Sinatra sound-a-like (could not find a credit, so apologies) and accompanied by snowflakes and happy Christmas scenery. The episode then opens at Scrooge’s mansion where Donald (Anselmo) is looking resplendent in a Christmas sweater as he decorates Scrooge’s lawn. Scrooge (David Tennant) then appears on the front step to admonish Donald for covering his lawn with those “inflatable abominations.” Donald points out that Scrooge has the perfect piece of property for a festive Christmas display, but soon sees the error of his ways when Scrooge points out that he also has a pilot who mistakes Christmas lights for runway lights.

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Webby, just waiting for Scrooge to say “Bah! Humbug!” and he will not disappoint.

Scrooge leaves Donald to apparently suffer an awful fate as Launchpad approaches. Inside, Webby (Kate Micucci) is swinging around a massive Christmas tree dressed as a reindeer as she trims the tree while Huey (Danny Pudi) supervises decked in a stocking cap – I so love the holiday attire. Scrooge storms around looking grumpy while Louie (Bobby Moynihan) makes out his Christmas list which begins with an apology to Santa. Mrs. Beakley (Toks Olagundoye) gives Scrooge the rundown of decorations and the night’s schedule (which includes a reading of Christmas on Bear Mountain) which Scrooge suffers through. He then scolds everyone from a balcony before destroying a polar bear dressed in a Santa costume decoration before retreating to his room. Scrooge apparently has some kind of vendetta against Santa.

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There’s a scene like this in most Christmas specials.

Alone in his own room, Dewey (Ben Schwartz) is reading by the light of the Christmas star in a classic “Christmas Wish” setting. He’s looking a little down and Donald takes notice from the hallway, but sports a curious smile. Dewey is clearly missing the mother he never met, but is roused from his room by an odd sound. He approaches a green-lit door cautiously, unsure of what’s behind, and given this is the home of Scrooge McDuck any manner of spook or spirit could be in there just waiting to curse him for all eternity!

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These aren’t the spirits you’re accustomed to seeing.

When Dewey opens the door he does indeed find some mythical creatures, but not in a setting he was expecting. Three ghost-like bodies surround Scrooge. Dewey assumes the worst, but comes to find out they’re not here for any nefarious purpose. They’re cheering Scrooge on, who’s sporting a mistletoe headband, as he chugs what appears to be egg nog. It’s from a carton, so I guess that’s all the censors required to make it appear like this is an alcohol free activity. Scrooge quickly explains to Dewey these ghosts are actually his friends and they visit him every Christmas Eve. They’re also familiar to anyone who’s seen a Dickens adaptation. There’s a mute Grim Reaper like ghost that’s obviously the Ghost of Christmas Future and a chubby pig who is the Ghost of Christmas Present (Bill Fagerbakke). He’s dressed in attire that is almost identical to Willy the Giant’s from the best version of A Christmas Carol – Mickey’s Christmas Carol. And the third ghost is even more reminiscent of that classic short as he’s a little cricket in a suit, an obvious homage to Jiminy Cricket.

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Past is quite obviously an homage to Jiminy Cricket.

The ghosts explain that one year they confused this Scrooge with another who shares a name with him, but finding this one more fun, they now visit him every year for a good time. Scrooge then explains his whole hating Christmas thing is just an act to keep people away around the holidays so he’s free to spend his evening with these old chaps (the Santa hating thing isn’t an act though, he really detests that jolly old elf). This, he explains, is his one night to cut loose and have fun and it’s especially true of this Christmas now that he has Dewey and his brothers to look after.

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Time for a journey into the Past.

Dewey seems pretty confused, but surprisingly receptive to the story. With that business out of the way, the group decides it’s time to take a trip through time courtesy of the Ghost of Christmas Past (Jack McBrayer) in search of some holiday fun. Scrooge grabs onto him just as his predecessor did 35 years earlier and the cricket even pops open a tiny umbrella and the four fly out of the window and soar over Duckburg. The scenery begins to change as they journey back in time, but the setting surprisingly does not as the ghost leads them right back to Scrooge’s mansion. Only now they’re in the past and will be attending Scrooge’s first big Christmas party at his home. Scrooge likes the idea and he acknowledges his past self as they enter the premises, his past self saluting back without question (apparently he’s expected this).

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Scrooge’s home on Christmas. Note the painting on the wall appearing to depict Scrooge’s first appearance from Christmas on Bear Mountain.

Inside, Scrooge’s home is filled with guests and assorted easter eggs for those with keen eyes. They soon spot a young Mrs. Beakley on the dance floor and Present takes an immediate liking to her. Unfortunately for him, she’s more interested in Future and hauls him out onto the floor. Scrooge tries to make merry himself, but a still alive Duckworth (David Kaye) mistakes him for his younger self and scolds him for trying to act so juvenile in front of many potential business partners. He escorts him to a group of buzzards who are essentially the opposite of fun.

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Scrooge is not really enjoying himself.

Eventually, Scrooge notices Goldie making an entrance and his demeanor perks up. Before he can confront her though he’s accosted by a potential partner who wants to show him some cube he’s got. He makes references about a job that’s another easter egg, this time a reference to a Carl Barks story, but Scrooge pays him no mind. Then another interruption occurs when Grandpappy Beagle (Eric Bauza) barges in with the lesser-known members of the Beagle Boys. They’re here to rob everyone, and Scrooge is officially over this whole thing.

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That would be Grandpappy Beagle and his Beagle Boys.

Informing Past that his idea was a dud, the chipper cricket informs Scrooge he has a better idea. The two depart, apparently leaving Present and Future behind, and end up in a much more quiet setting. It’s a campsite in the woods, and Scrooge recognizes it as his first Christmas in Duckburg, before he was rich. He seems quite nostalgic as he takes a seat on a log beside a roaring campfire and looks contented, until he’s not. Declaring this is boring, he wants to go elsewhere, but Past has other ideas.

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Past takes Scrooge to an even earlier Christmas – his first in Duckburg.

Past chooses this moment to make his heel turn. He apparently doesn’t like this once a year arrangement with Scrooge and wants to spend the whole year having fun with him. His job of showing bad people their past transgressions has apparently worn on him. Scrooge doesn’t want to remain here though, so he goes on the offensive. The two have a spirited sword fight of sorts; Scrooge wielding his cane and Past his umbrella. The two tire themselves out and collapse in the snow, both apparently enjoying this little sparring contest. Scrooge expresses a desire to do it again and suggests they travel back in time the five minutes or so needed to do it over. Past is thrilled by this suggestion and enthusiastic, but when he goes to do the deed he realizes he lost track of his umbrella.

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Got your umbrella.

Scrooge gives him a sly look and produces the diminutive object. He pops it open and with a flash of green light he vanishes, leaving Past sitting there on the log all by himself. He’s cheerful, and assumes Scrooge is just messing with him. As he sits there though the camera zooms out and Scrooge never reappears.

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Dewey was not going to allow Scrooge to go on some Christmas adventure without him.

We then jump back to the future, but 11 minutes in the past. Time travel can be confusing. The important thing to know is we’re back to when Scrooge and the spirits left the mansion. Only now we can see they had a stow-away. Dewey grabbed ahold of Future’s robes as they flew out, but wasn’t able to hold on for very long. He falls down into a snowbank below. Looking up, he sees the mansion and bemoans he’s still in the same boring place, but then notes the “when” may have changed. Congratulating himself on his expert time travel pun, he runs off into the house.

Dewey is obviously interested in finding out how far back in time he’s gone, because if he’s gone back far enough then someone very important to him may be located in this mansion. He races to what I assume is his room in the present and finds, as he describes it, some emo kid.

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Ladies and gentlemen, I present to you adolescent Donald!

The emo kid is wearing a flannel shirt over a black t-shirt with a Nirvana-like logo while strumming a bass guitar. He sings a rather drab song that’s humorous to anyone who remembers grunge and it soon becomes obvious who this kid is. It’s a young Donald Duck, and he’s voiced by none other than Russi Taylor! He appears to be about Dewey’s age, and is annoyed that Dewey has interrupted his playing. He angrily grabs him by the collar and demands to know how much he heard and also demands to know if it was any good. Dewey lies and says it is, makes up a story about being a long removed cousin, then moves on to more pressing matters – where is Donald’s sister, Della?

Donald informs Dewey that Della is where she always is – out back setting a trap for Santa. When Dewey asks why Donald isn’t with her he explains he’s too old for that stuff and thinks Christmas is stupid, a far cry from the holiday obsessed Donald he’ll become. He tells Dewey he can’t go out to look for her because he was close to a breakthrough with his song. Dewey informs him he was not, and cheerily grabs the bass and hops out the window forcing Donald to follow with a “What’s the big idea?”

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Donald doesn’t understand why Della brought so much food and such a large tent. He’ll soon find out why.

Out back, they find a family-sized tent that’s collapsed and the trees are covered with a red goop. Dewey is alarmed, but Donald just views the scene as a sign of Della’s incompetence. He tastes the red goop splattered on the tree and informs the disgusted Dewey it’s just jelly (“What would you have done if it wasn’t?”) before moving on to inspect the tent. He determines Della gave up at trying to put it together and then attempts to fix it, but has just as much luck as his sister. Dewey notices some tracks in the snow clearly belonging to Della, and some that do not. They decide to investigate, but unknown to them some ominous glowing green eyes are watching from the bushes.

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Huey isn’t the only Junior Woodchuck.

As Dewey and Donald trace Della’s steps, Donald is whacked with seemingly every branch Dewey pushes aside. The creature stalking them soon reveals itself as a large, goat-like being:  the Wendigo. Dewey and Donald are forced to run as the creature chases them, and they wind up right in one of Della’s traps.

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Captured by Della Duck.

Now suspended upside down in a large net, Dewey and Donald are greeted by Della who scolds them for ruining her Santa trap. She wants to trap the red guy as a present for Scrooge and now will have to reset it. Donald demands she release them, calling her “Dumbella” as in Dumb Della, but it’s also a reference to her original name. She demands Donald apologize before she sets the two free, even though they can hear the roars of the Wendigo approaching. Donald apologizes for the insult, but it’s not enough. He then lists other things he’s sorry about, like using her toothbrush to clean his combat boots, things Della wasn’t even aware of. Donald is frustrated that his apologies aren’t good enough, forcing Dewey to point out the obvious:  the giant tent, the vast assortment of snacks, Della just wanted to spend Christmas with her brother on her Santa stake-out but he blew her off. Della is angry with Donald for just wanting to sit alone in his room on Christmas rather than spend time with his family, forcing Dewey to also realize he’s guilty of the same back in his own time. Donald acknowledges that Dewey is right and apologizes to Della for not wanting to spend time with her on Christmas and she in turn lets them out.

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Now that the duck siblings have made up, they can turn their attention to more pressing matters.

At this point though, the Wendigo is on top of them. When they ask him what he wants, he roars back with a “When did go?! Scrooge?!” prompting all three to deadpan “Of course.” Donald and Della, demonstrating they’re used to this sort of thing, jump the beast and start wrestling with it while Dewey looks on. They’re tossed from the creature and Della comes to land beside Dewey. She looks at the remnants of the net from earlier and gives Dewey a knowing look. Meanwhile, Donald too is thrown from the monster causing the bass strapped to his back to break. He looks at his beloved instrument and goes into a classic Donald rage. He attacks the Wendigo, and the opening created by his offense allows Dewey and Della to wrap the beast up in the net.

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Problem solved.

The three ducklings drag the beast back to the front steps of the mansion. The whole time Donald and Della maintain a posture that this is all ordinary to them. When Della finally asks just who Dewey is, all he can do is respond with a big, awkward, hug. He almost lets on that he’s her son, but recovers and maintains his story about being a long distant cousin. Della sees right through it and states “You’re a relative from the future.” Dewey tries to deny it, but Della assures him this is only the fourth weirdest thing to happen to them on Christmas. Donald also expresses knowing the whole time he wasn’t who he said he was. Dewey then comes clean about being a relative from the future, but doesn’t elaborate further, and tells Della he should warn her about her future and she refuses to hear him out. The two then head into the house to fetch their uncle leaving Dewey alone with the Wendigo.

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Dewey can’t stop himself from giving his some-day mom a hug.

This is apparently not a good thing, as the beast soon breaks free from its restraints. It looms menacingly over Dewey, but before it can attack Scrooge appears from the sky and gets the drop on him. He pogos off of the beast’s head, just like the Nintendo game, knocking it out. Past and Future then appear and Dewey questions how he found him. Scrooge says he was heading back to retrieve those two when he saw Dewey below. Dewey gives him a hug and tells him he just wants to go home. Scrooge gives him a smile and tells him he just has something to do first.

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Scrooge is always ready to make a save.

They then turn their attention to the Wendigo, which turns to stone and crumbles. From its head emerges a sad looking Past. Scrooge explains, repeating an explanation Della gave earlier, that a Wendigo is a lost soul driven mad by despair. When he left Past back at the campsite, it forced the spirit to just sit and wait for Scrooge to come back, but he never did. Past went crazy every Christmas looking for Scrooge, until he showed up now. He then says he has a Christmas present to deliver and returns Past’s umbrella to him. He then cheers up, and taking hold of the umbrella the group is whisked away back to the future – I mean present.

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The true identity of the Wendigo is revealed.

Everyone is now where they’re supposed to be – gathered around a grand piano in Scrooge’s living room. Launchpad (Beck Bennett) is manning the ivories wearing a blue Hanukkah sweater. The ghosts are hanging around too to join in on the fun. Dewey, now ready to make merry with his family, sees his uncle Donald and gives him a big hug. Donald lets on that he’s been waiting for this for many years, but before Dewey can confirm he’s referring back to Dewey’s trip into the past, he’s pulled away by his brothers into the celebration. We’re also treated to a cut-away of young Della and Donald exchanging Christmas gifts and we see that’s how Donald got his festive Christmas sweater and likely why Christmas came to mean so much to him. While the gang butchers The Twelve Days of Christmas, we also get to see Mrs. Beakley give Future a rather suggestive glance.

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It’s time to celebrate!

As the celebration wraps up, we’re then taken to a much quieter setting. On the moon, Della Duck looks longingly at Earth and at a picture of Scrooge, Donald, herself, and the eggs she left behind. With tears welling in her eyes, she wishes her boys a merry Christmas then resumes work on her spaceship vowing to return to them soon.

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Young Della and Donald exchanging gifts.

“Last Christmas!” is a tremendously fun ride of a Christmas special and a great way to kick things off this year. Time travel stories are often a blast and the show really has fun with it via numerous puns and by introducing a paradox of sorts. Past’s motivations for trying to trap Scrooge with him in the past is a bit rushed, but the results are so entertaining that it doesn’t matter much. It’s a fun twist to put on the Scrooge character, and I’m quite happy to see the writers elected to acknowledge the character’s connection to A Christmas Carol by turning the concept on its head as it would have been supremely disappointing if the show had just done a conventional re-telling.

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Donald and Dewey’s embrace at the end is a nice callback to the look Donald featured at the start of the episode when he was looking in on Dewey.

The first half of the episode is pretty fun, but the second half is where the show finds its emotional core. Dewey going back in time to meet his mother for the first time, but also a younger version of his uncle Donald, was quite sweet. Through their relationship he comes to understand his own with his family. It’s simple, but so effective here as the characters feel so honest, even though they’re cartoon ducks. Russi Taylor being given the role of young Donald is genius and I practically cried when I first heard her voice. It almost takes away from the humorous visual of young Donald. It also makes so much sense that I’m disappointed with myself for never thinking of it on my own. Even though this is a young version of Donald, it puts Ms. Taylor in rather exclusive company as being one of the few to officially voice Donald Duck for a Disney production. A well-deserved honor. It’s sadly all the more poignant too since we lost Taylor to cancer in 2019. Thankfully, we have hours upon hours of her voice to enjoy and to help keep her memory alive for generations to come.

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Della wishing her boys a merry Christmas is the episode’s last effort at inducing tears in its viewers. It’s probably successful.

This episode should also be commended for naturally fitting into the DuckTales continuity. Often holiday specials are a departure from a show’s narrative, sometimes they even feel non-canon. This one is special because it contains Dewey’s first interaction with his mother, even if she is just a child. It also brings the adult version in at the end to remind viewers she’s still out there, and in just a few episodes after this one she’ll finally return to Scrooge and her boys.

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“Last Christmas!” is heartwarming and fun without coming across as cheesy or conventional. Best of all, it doesn’t count if you’re playing Whamageddon! this year.

“Last Christmas!” is one of the best, new, Christmas specials I’ve been exposed to. Not only does it tell a fun and inventive story, it looks fantastic as well and is a supremely rewarding experience for those familiar with the original show and comics. I very much appreciate the obvious nods to Mickey’s Christmas Carol and the meticulous way the episode is crafted. So much of the resolution is hinted at early on, which is a must for any story dealing with time travel. Hopefully the writers of DuckTales return to time travel in future episodes as they appear to have a talent for handling it.

If you want to catch this excellent episode of DuckTales then keep an eye on the Disney Channel. I’m sure it will be shown more than once and may even be On Demand for certain cable subscribers. It’s also available for purchase via streaming platforms and on Disney Plus. Being a relatively new Christmas special in a still-running show, it should be easy to track down. And if this write-up didn’t make it clear enough, you absolutely should track it down this Christmas and every Christmas yet to come.

In one final act of nostalgic bliss, the ending credits are done up in the same style as Mickey’s Christmas Carol.


Russi Taylor

 

Russi TaylorEven though they made their debut together, Minnie Mouse has rarely been celebrated as much as Mickey. Last year marked Mickey’s 90th birthday, a tremendous achievement, but seldom was it mentioned that his beloved Minnie was also celebrating a birthday too. Such has been the case with Minnie as she started off as a fixture of Mickey Mouse shorts, but slowly saw her star fade. When Mickey and the gang made their big return to the world of cinema with Mickey’s Christmas Carol in 1983, Minnie was there as always at his side. Unfortunately, she was the only one of the classic characters who appeared in that film to not have a single line or word of dialogue. She was practically invisible.

That changed in 1986 with the hire of Russi Taylor as the voice of Minnie Mouse. Taylor was already known to the world of Disney as the voices of Huey, Duey, Louie, and Webby on DuckTales. Taylor likely voiced Minnie for theme park segments and attractions initially, as the world would be properly introduced to her version of Minnie via Who Framed Roger Rabbit? in 1988 as well as the NBC television special Totally Minnie that same year. Taylor’s high-voiced, but sweet tempered, version of Minnie was an instant success, a perfect fit for the venerable mouse. And she held onto that role for the rest of her days, voicing Minnie on the small and big screen in hundreds of features.

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Totally Minnie was essentially a reboot for the character.

Because of her contribution to the company and her role as the voice of Minnie Mouse, Russi Taylor was recognized as a Disney Legend in 2008. Also receiving that same honor that day was her husband, the late Wayne Allwine who had been the official voice of Mickey Mouse for decades. It was a tale too perfectly sweet for this world as the voices of Mickey and Minnie found happiness and love in each other’s arms.

I had never met Russi Taylor or had an interaction with her, but based on what I’ve seen in interviews over the years I get the impression she was a very humble woman. She would insist that Minnie is the star and she was just there to give her a voice. I must respectfully disagree for Minnie would not be the character she is today without Miss Taylor’s contribution. Her Minnie is wonderfully versatile. She can be the sweet-natured mentor to children everywhere via The Mickey Mouse Clubhouse as well as a songstress. She demonstrated more recently her knack for comedic timing with her more manic and bubbly version of the character for the present line of Mickey Mouse shorts. In those cartoons, Minnie has finally become her own character capable of being funny and entertaining without playing off another character. Her star rivals that of her famous partner and others – she’s that good! If you’ve been sleeping on those wonderful cartoons then you owe it to yourself to check them out.

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The role of Martin Prince may be retired following Taylor’s passing which has been the custom for The Simpsons.

Beyond Minnie Mouse, Taylor had many contributions to the world of voice acting. She was in-demand if you needed someone who could pull-off a convincing child or needed to provide words to a kind-hearted woman. Her most famous non-Disney role (well, until recently) is likely that of Martin Prince on The Simpsons. Martin was often called on during the show’s golden years to provide a laugh, often at the character’s suspense, and Taylor always delivered. She was also the voice of twins Sherri and Terri on the same show, a smaller role, but one still often proving to be very funny.

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People my age have grown up with these individuals serving as the voices for the iconic Disney characters. Left to right:  Tony Anselmo (Donald Duck), Wayne Allwine (Mickey), Bill Farmer (Goofy), and Russi Taylor (Minnie).

Russi Taylor has been a presence in the media I consume for basically my whole life. I’ve never really known another Minnie Mouse, and the same is obviously true of my kids. I have a daughter who will be turning 3 in the fall and Minnie Mouse is her world. She often requests, no demands, to wear a Minnie dress daily. When we took her and my son to Disney World for the first time this past winter, she was playfully shy with all of the characters she met, basically sticking close to mom or dad and waving from a distance. All except Minnie, of course. She ran to Minnie and gave her a big hug. I wasn’t sure we were going to be able to get her out of there. It was a heart-warming moment, and I have to believe part of my daughter’s love for Minnie can be credited to the performance of Russi Taylor.

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My own little princess would be devastated if she knew that Minnie Mouse had passed away.

Russi Taylor passed away this past Friday at the age of 75. I don’t know how the news was received by those who knew her in life, but for fans it came as a shock. Images of this happy, smiling, woman flooded my mind when I heard the news, then came the images of all of the voices she provided. Her legacy is incredible, and my condolences go out to her friends, family, and colleagues who must all be hurting right now. Many of them have expressed some wonderful sentiments all across social media and through entertainment channels. I encourage you to seek them out. I don’t think it’s hyperbole to say that Russi Taylor was the best Minnie Mouse yet. I mean that as no disrespect to the women (and man, as Walt himself once voiced her) who came before her. Someone out there is about to land the role of a lifetime, and they’ll have some big shoes to fill.

There are likely more cartoons to come featuring Taylor, as well as episodes of The Simpsons. A new attraction will be opening at Disney World’s Hollywood Studios soon, a ride featuring Mickey and Minnie which is something that is long overdue. Her voice will be featured there likely for many years to come. It wouldn’t surprise me in the least if the ride ends up being dedicated to her and will hopefully serve as one of many enduring tributes. The last Mickey cartoon released before her passing, Carried Away, also strikes me as a fitting farewell. It features Russi Taylor’s singing as Minnie, something the writers of these shorts seem quite fond of because she does it so well. It contains a great twist of an ending that encapsulates the modern spirit of Minnie Mouse so see if you can watch it without having a tear come to your eye. I know I can’t.
wayne and russi


Dec. 3 – Duck the Halls: A Mickey Mouse Christmas Special

Duck_the_Halls_-_TitleBy the time 2016 drew to a close I got the sense that people were ready to say goodbye to the year. It may have brought some bad times, but lets at least remember it for one of the good things it contributed to society:  a brand new Mickey Mouse Christmas special! Not since 2004’s Mickey’s Twice Upon A Christmas had television been blessed with a new holiday special starring Disney’s world renowned mascot, and best of all, it was a Donald Duck special!

“Duck the Halls:  A Mickey Mouse Christmas Special” is a roughly 21 minute Mickey Mouse cartoon set in the new Mickey Mouse cartoon universe which launched in 2013. Most of those cartoons are around 4 minutes in length making “Duck the Halls” by far the longest of the bunch. The series has a distinctive look that’s well animated using modern techniques and features the voice cast you know and love. And for basically the first time ever, Mickey himself is actually very funny and the series is reliant on visual gags more so than jokes to induce laughter. It feels like an animator’s show which naturally draws comparisons to 90’s animated shows like Ren & Stimpy, Rocko’s Modern Life, and Animaniacs.

GOOFY, DONALD DUCK, MICKEY MOUSE, MINNIE MOUSE

Donald is looking forward to celebrating his first Christmas with his friends.

The cartoon opens with an intentionally classic Christmas vibe. There’s shots of the various characters welcoming Christmas set to song which is being sung in a crooner style meant to evoke memories of Bing Crosby. We see Goofy (Bill Farmer) sloppily wrapping gifts, Pluto pulling Donald (Tony Anselmo) around in a make-shift sleigh, and Minnie (Russi Taylor) baking fruit cake. The sequence ends on Mickey (Chris Diamontopoulis) trimming the tree with the reveal that he’s the one singing with his voice suddenly shifting from the Crosby-esq voice to a more traditionally high-pitched Mickey. Daisy (Tress MacNeille) then shows up to spoil all of the fun as she reminds Donald they need to get the hell out of there and migrate, despite Donald’s protesting to stay and enjoy Christmas just once.

Mickey and the gang are borderline cruel in talking up Christmas as Donald struggles with his reality. Mickey recounts the Christmases of his youth when he strangely spoke with an old english accent. We get to see images of Mickey’s family, which I don’t recall any other short ever doing before. It’s probably not considered canon, but it is pretty neat. Goofy chimes in to talk-up Christmas too and his toes even turn into “missile-toes” and explode. None of this stops Daisy from dragging Donald out of there, but not before Mickey can give Donald his Christmas present:  a snowglobe that says “Wish You Were Here.”

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Mickey wants Donald to experience everything Christmas has to offer.

Donald has a crisis of conscious as they head down the highway, the present from Mickey and a billboard proclaiming X-Mas is Awesome!! being the last straw to cause him to jump out of Daisy’s SUV and send him running back to Mickey’s house. The gang is delighted to have Donald for the holidays, while down south Uncle Scrooge (John Kassir), Professor Ludwig Von Drake (Corey Burton), and the nephews (Taylor) are all bummed that Donald isn’t there for them to pull pranks on, experiment on, and do other activities Donald likely won’t miss. Back north, we get a montage set to song sung by Mickey all about his enthusiasm for sharing Christmas with Donald. Throughout the song they’re doing “Christmasy” things while Donald gets progressively sicker and sicker, due to the cold, culminating in his beak falling off while singing carols.

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The southern gang, all wondering when Donald is going to give up on Christmas and show up.

Following the musical number, Donald is in rough shape. His feathers are falling off and he had to tape his beak back on. Goofy makes the obvious observation that he looks like death, before giving him some hot coco that is much too hot. Meanwhile, Daisy and the gang miss their duck and all have begun to worry about Donald’s well-being. They had expected him to give up on Christmas by now. Mickey is worried about Donald too as he’s getting really bad, and when Daisy calls it’s decided that Donald needs to get south pronto, the only problem is Donald is so close to Christmas morning at this point that he’s not giving up. He snaps, and runs out of Mickey’s house featherless wearing a tree skirt as a cape and other trimmings as an outfit. They chase after him and Donald eventually crashes through a barn and ends up in a manger in a scene that might border on sacrilege for some, but not me as Donald is bigger than Jesus.

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Donald’s finally lost it.

They get Donald back to Mickey’s house where things look dire. Mickey makes a Christmas wish to save his friend’s life, and on cue, Santa arrives. He promptly gets stuck in the chimney, so Mickey and the gang steal his sleigh resolved to get Donald south. It’s at this point that “Duck the Halls” passes my personal reindeer test as the sleigh has all eight reindeer, plus Pluto for good measure (so many specials are too lazy to animate all eight reindeer, nine if you include the one with the shiny nose). They get south, and it includes a pretty good “warp speed” gag that I appreciate (since a warp speed button as exhibited in other specials makes no sense, even for flying reindeer), just as Daisy and the others were getting ready to head north to rescue Donald. They crash into the resort and it appears for a minute that Donald is dead, but he rises from a hot tub reborn! Santa even shows up to use some Christmas magic to clean up the mess and even turn Pluto into an actual reindeer. He explains to Donald that Christmas doesn’t have to be celebrated exclusively in cold climates, Christmas is in your heart and is to be shared with the people you love! After these wise words, everyone has a wonderful Christmas celebration.

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Pluto living his dream.

“Duck the Halls” is a lot of fun. It has laughs, music, Santa, a wholesome Christmas message, and the production values to wrap it all up in a nice package. Tony Anselmo shines bright in his familiar role as Donald Duck as he’s able to capture Donald’s enthusiasm and joy for the holiday as well as his deteriorating physical condition throughout the show.  John Kassir debuts as Scrooge, and is notable as this was basically the first performance of Scrooge by someone not named Alan Young, who was one of 2016’s many victims. Interestingly, they could have given the role to David Tennant who is now voicing Scrooge in the DuckTales reboot, but perhaps they wanted to save his debut for that show’s premiere. Also, Young had voiced Scrooge previously in some shorts for this series and they may have wanted to cast someone who sounded like Young’s Scrooge as opposed to Tennant who is basically doing his own thing. Russi Taylor also gets to voice Donald’s nephews again, as they were also recast for the new DuckTales. They don’t really say or do much in this special, but it’s cool to hear Taylor’s version of the nephews once more. I also really like the look of Santa Claus in this one, as he basically looks like the old Santa from the Silly Symphony short, red nose and all.

Duck_the_Halls_Mickey_Mouse_final_shotBeing a relatively new addition to the Christmas television landscape, “Duck the Halls” is likely airing multiple times this year on television, which is why I wanted to feature it early in this year’s countdown so you had a chance to find it on TV for yourself if you missed it in 2016. It’s also available on DVD as part of a collection that includes a Halloween special and some other shorts from the Mickey Mouse series. The set was released in August in limited numbers before receiving a wide release in September. I assume it will be well-stocked throughout the holidays should you desire to add this one to your collection. And why wouldn’t you? Mickey Mouse and Christmas go together like egg nog and bourbon. Actually, even better, because you can never have too much Mickey around the holidays where as too much egg nog can go south real fast. As for where it ranks among other Mickey/Donald Christmas cartoons? That’s hard to say as the old shorts are among my all-time favorites and I also adore Mickey’s Christmas Carol. This one is so decidedly different in its brand of humor that it really stands on its own, making comparisons difficult. Just the fact that it stands among those without feeling inferior is a good enough endorsement.


The Scariest Story Ever – A Mickey Mouse Halloween Spooktacular!

Scariest_Story_Ever_Mickey(1)The new Mickey Mouse cartoons are pretty spectacular. They’re funny, look great, and best of all they’re keeping Mickey and the gang relevant as television stars and not just amusement park fixtures. And best of all, they seem to be embarking on a trend of holiday specials! I adore holiday themed specials, in particular Christmas and Halloween. They’re the two holidays that lend themselves the best to a special because they’re so visual. Last year, we received a brand new Mickey Mouse Christmas special called “Duck the Halls” and it was pretty great. As a follow-up, this year we’re getting a brand new Halloween special:  The Scariest Story Ever – A Mickey Mouse Halloween Spooktacular! The new special will debut on television this Sunday, October 8th, on the Disney Channel, but you can check it out right now by heading to your local big box retailer and picking it up on DVD as part of the Merry and Scary collection which includes “Duck the Halls” and an assortment of spooky shorts.

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Mickey’s house all tricked out for Halloween.

The special opens with Mickey, Donald, and Goofy out trick or treating with the nephews Huey, Dewey, Louie and the seldom seen mouse nephews Ferdi and Morty. Right away, this special is after my heart as the duck nephews are sporting the same costumes they wore in the classic Donald Duck short “Trick or Treat.” A nice little bobbing tune plays as the group does Halloween stuff before returning to Mickey’s house which is decked out in full Halloween decor. It’s there the story comes into focus as the kids demand a scary story from Uncle Mickey who is happy to oblige.

The special takes on an anthology format and parodies three classic tales:  Frankenstein, Dracula, and a take on Hansel and Gretel. The Frankenstein one features Goofy as Dr. Frankenstein and Donald as his assistant as they construct a monster who’s not quite what the kids are expecting. Unsatisfied with Mickey’s ability to spin a scary tale, Goofy and Donald assist with the second one which casts the trio as vampire hunters after Dracula. The Hansel and Gretel tale is the third and final one as the kids weren’t scared by either of the first two. In that one, the kids are inserted into the tale as a gang of rotten kids who steal pies and find themselves seduced by the tastiest pie of all which happens to be baked by a witch who wants to eat them.

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Mickey trying to scare the kids.

By and large, this special is designed to induce laughter. They’re more joke-reliant than the usual Mickey cartoons which tend to heavily rely on visual gags. That’s not to say there are no visual gags to be found. In fact, there are some pretty good ones especially in the Dracula portion in particular. I really liked the one where the vampire places Donald’s stretched out neck in a hot dog bun as he prepares to indulge himself in some duck blood. The more traditional jokes involve Goofy freaking himself out with a sock puppet and Donald trying to tell a scary story but no one can understand him.

Visually the show looks great. I love how vibrant the colors are and the backgrounds have a gritty quality at times that lends itself well to the Halloween vibe. Mickey is in a costume that features a sunflower on his hat and the flower always takes the place of one of his ears, which is a fun visual treat to follow throughout the episode. Goofy is in his Super Goof attire which is a nice callback as well to that version of the character. There’s a musical number early on that’s pretty silly and thus amusing and the usual voice cast appears. If you like your duck nephews voiced by Russi Taylor, as they were in the 80s, then you’ll be happy to know she voices them in this special, as she did in the previous one as well. The special also has some genuinely spooky imagery, but not enough to frighten my 2 and half year old (he refers to this as the Scary Mickey Cartoon and has been watching it incessantly the past week) so I wouldn’t be too concerned about it being too scary for kids. As always though, if you have an easily frightened child you’re best off watching it by yourself first to see if you think it’s something that will frighten your kid. The only thing about the special I don’t particularly care for is the obvious “made for TV” breaks inserted into it when scenes just end and fade to black. They could have created transitions and just edit them out for TV. I always appreciate it when a retail version of a TV special has slightly more content than what ends up on television.

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Can’t wait for the TV broadcast? You can pick this one up on DVD with the Christmas special as well.

“The Scariest Story Ever” is likely to be repeated quite a bit this month. As of this writing, I’m not aware of any non cable airings planned, but it would be nice to see this paired with the “Toy Story of Terror” TV special and aired on a major network so more people can see it. I love that Mickey and the gang are being revived for a new audience so getting them on major networks would really help boost the popularity of the brand. Every kid should get to grow up with Mickey, Donald, Goofy and all the rest. Here’s hoping more holiday specials are on the way in the years to come.


Mickey Mouse Season One

disney_mickey_mouse_vol_1For many years Mickey Mouse was the star of Disney’s theatrical shorts. As his popularity grew he started to shift into more of a supporting role while the likes of Donald Duck, Goofy, and even his dog Pluto stepped in to do more of the heavy lifting with the shorts business. Mickey Mouse became more than just a cartoon character, he became a symbol of the Walt Disney Company which soon branched out from the movie theaters to television, merchandising, theme parks, and now own Spider-Man, Luke Skywalker, and have an omnipresence unlike any other. Through it all, Mickey has remained the top figurehead, especially after the passing of Walt Disney who has really been the only public face associated with the company that the average person could pick out of a line-up. With Mickey in that capacity, his animated outings dwindled. He’d show up here in there, most famously in 1983’s Mickey’s Christmas Carol and 1995’s Runaway Brain. His presence was bolstered on television, but mostly in the realm of programming for the very young. Perhaps someone at Disney was unhappy with the status of the company’s mascot, and the characters associated with him, as in 2013 he was brought out of his forced retirement to resume the role he was born to play.

Simply titled Mickey Mouse, the 2013 “show” isn’t much of a show at all, but just branding for a new line of short cartoons. They primarily air as filler on the various Disney cable platforms and can be easily found on various Disney websites. They’re also packaged together in groups of three for more traditional block programming, but considering their short run time of approximately 4 minutes, even these blocks are quite brief. The first season of shorts was released on DVD in August of 2014. Now three years later, it’s still the only season of the program to receive a physical release (a holiday collection was just released on August 29th, 2017 in limited quantities) and may end being the only one to receive such.

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Goofy’s new look comes across as the most drastic of the main cast.

The series is credited to Paul Rudish who was long associated with Cartoon Network before developing this program. Most of the voice actors associated with the classic Disney characters were brought on to voice their respective character. Bill Farmer is Goofy, Tony Anselmo is Donald, Russi Taylor voices Minnie Mouse, and Tress MacNeille does Daisy. The only exception was with the star character himself:  Mickey Mouse. Mickey had been voiced by Brett Iwan since the passing of Wayne Allwine who had been voicing Mickey since the late 70s. Someone involved with the casting of this show felt Iwan’s portrayal of Mickey wasn’t suited for a more cartoon-like portrayal so Chris Diamantopoulos was hired to voice Mickey. This basically means that for the first time in Mickey’s 80+ years existence he has two official voice actors. While it’s true a number of individuals stepped in during the Walt years to voice Mickey here and there, none were ever considered an official voice of The Mouse. It’s strange and somewhat upsetting for Disney historians (I tackled the subject in this post about Donald Duck suddenly having two voices) for Mickey to have more than one official voice, but I suppose it is what it is.

Brett Iwan probably could have handled voicing Mickey just fine for these shorts. Ignoring that though, Diamantopoulos’ Mickey is similar in that he’s still a high-voiced character with a smooth delivery. This Mickey is more manic than what we’re accustomed to seeing. He often overreacts to simple slights and obstacles and is prone to screaming. Most of the characters are interpreted through this more outlandish lens as the toon quality of the show is emphasized in almost every scene. Minnie is very similar in attitude to Mickey as she’s more or less a female version of the same character. That doesn’t mean she’s uninteresting as she still possesses a personality, it just happens to be very similar to Mickey’s making the two feel like a natural couple who’s been together for decades – which they have! Daisy, on the other hand, is snobbish and materialistic and often likes to brag about her man, err duck, Donald. Goofy is more dim-witted than ever, and he’s also seen the most extreme redesign. The other characters are basically just stylized takes on their classic looks, but Goofy almost looks like a different character. His model reminds me of the George & Junior 90’s “What A Cartoon” show designs. He’s kept his hat and vest, but ditched his pants and even grew a tale. He’s pretty gross too, with stinky feet and is seen scratching himself and picking lint out of his belly button. Donald actually comes across as slightly more mellow than his usual persona. He’s sometimes dismissive of Mickey, but still has his meltdowns. He’s a bit mean-spirited too and isn’t above laughing at another’s misfortune, and that’s pretty much in tune with his classic portrayal. Appearing sporadically is Peg-Legged Pete voiced by Jim Cummings. For the first time in a long time, Pete is even portrayed with his old peg leg. This is also the most cat-like his appearance has been outside of his earliest appearances.

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Mickey’s ears sometimes have a mind of their own.

Visually, the show is very 90s in its looks. Mickey and gang are still fundamentally cute in appearance, but they’re also shown in ugly lights too. When Mickey is worn out or sad his snout will droop making him resemble Mortimer Mouse more than Mickey. It’s a part of Mickey’s anatomy I’ve never seen emphasized before. His eyes and coloring are consistent with his first run of shorts in color. The only real change there is in his over-sized shorts which impossible stay around his waist. The artists and animators love playing with his ears. They slide around on his head, pop-up off of his skull when he screams, and at times they’re even detached. The physics in play are very much of the Looney Tunes variety, with that 90s twist popularized by the likes of Ren & Stimpy, Rocko’s Modern Life, and Animaniacs. The animation is done in a modern way, meaning it’s likely all CG, but it resembles classic animation with its 2D look and backgrounds.

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The animators do not shy away from portraying Mickey in an unfavorable light when the situation calls for it.

The show is very visual, with gags being the name of the game in a great many episodes, especially the season one shorts. Some of these gags are a play on the world and characters. The first broadcast short, “No Service,” tackles the age old question of why it’s permissible for Donald to strut around pants-less and Mickey without a shirt when the two are denied entry into Goofy’s burger joint. Donald ends up taking Mickey’s shorts so he can go inside and order food, leaving Mickey naked and vulnerable outside as he tries to hide from Minnie and Daisy. It’s one of the more hilarious shorts and lays the groundwork for basically all of the others in that Mickey is often presented with a simple obstacle or objective and he has to go through an awful lot to get around it. In “Stayin’ Cool,” Mickey, Donald, and Goofy have to try and beat the heat somehow. When they get tossed out of some guy’s pool they’re forced to search all over the city for a way to stay cool and wind up in an ice cream truck. You get some weird visual gags such as Goofy filling his shorts with ice cream. In “Third Wheel,” Goofy invites himself out on a date with Minnie and Mickey, and through some rather crazy machinations, the duo end up inside Goofy’s stomach enjoying a romantic dinner. When the camera leaves Goofy’s innards just as the two kiss, Goofy’s outer stomach starts a moving and a grooving. These suggestive visual gags are a bit shocking for those accustomed to only a certain brand of humor from Disney, and Mickey especially, but it’s hard to deny their effectiveness.

The music is appropriately upbeat for many of the high energy scenes in this collection of shorts. There’s also a nice sampling of low key jazz and big band music which is evocative of the classic shorts. And where appropriate, the shorts will even dig into Disney’s rich catalogue of original music here and there. There’s even cameos from classic Disney characters I won’t spoil, though some of my favorite cameos actually occur in later seasons. Some of the shorts take place in foreign countries, and in an interesting move, Mickey and his co-stars will speak the native language when the setting changes. Usually these shorts end up having minimal dialogue, but it’s a pretty neat attention to detail and down-right bold as well.

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Mickey’s mocking of Donald in “No Service” makes me laugh every time I see it.

Mickey Mouse is a great return for the ageless mouse and his cast of friends and foes. There’s an infectious energy in this cartoon series that can’t be ignored. Watching it, one gets a sense of appreciation for these characters on the part of the creators as well as a desire to re-imagine them to a point and place them in new settings and new situations to see how they would respond. I can understand if some longtime fans of Mickey and Goofy, especially, are uncomfortable with this take or find their look unappealing, but I do hope they can appreciate the humor in this series. Really, for the first time in his existence, Mickey Mouse is actually a funny character on his own. He’s been the straight man for so many years, and prior to that he was somewhat of a thrill seeker and even a trickster, but rarely comedic. The series is still ongoing and is in the midst of its fourth season with over 60 shorts released, plus the holiday specials. I hope more is on the way and a physical release is considered for the episodes that have been stranded on cable and the internet.  Season One includes 18 shorts, plus a brief making of type of feature that’s not really worth watching, and is readily available for less than 10 dollars. If you’re a Disney or animation fan it’s basically a no-brainer at such a low price point, and considering my own offspring is addicted to this disc, I can safely recommend it for children and adults alike.


DuckTales: Remastered

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DuckTales: Remastered (2013)

If you read yesterday’s post about DuckTales for the NES, you may have thought, “Wow, I’m surprised he didn’t mention anything about the re-make that came out in 2013.” Well, that’s because I was saving it for its own post! DuckTales: Remastered is a complete remake of the original NES game for Playstation 3, Xbox 360, and Nintendo Wii U. Initially a digital only release, DuckTales: Remastered would receive a tangible release as well, and for a game the started as a budget-friendly digital title, I can think of few others that received as much attention and fanfare as DuckTales: Remastered.

Capcom debuted the game at E3 with a memorable video hyping it up before indulging the audience in a sing-along of the memorable theme song from the show. The release of the game coincided with the 25th anniversary of the NES original, and it was a worthy title to revisit based on the fact that the original is still a ton of fun to play. Naturally, remaking a game many consider to be a classic is a tall task, but with such simple play mechanics, how could Capcom go wrong?

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Transylvania got a lot scarier over the last 25 years.

DuckTales the game is largely unchanged at its core. The player still controls Scrooge who jumps and pogos his way through various levels (now six) in an effort to accumulate more wealth for himself and eventually to recover his lucky dime. What is changed are the production values. Modern game consoles can obviously handle quite a bit more, and this being tied to a Disney property, means a remake needs to meet the expectations and standards of The Walt Disney Company.

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A comparison of the sprites from the NES original and the Remastered version.

For the first time ever, a Disney Afternoon property can now basically look just like it does in game form as it did on television. The game is still a 2D side-scroller, but now the sprites for the characters are lovingly hand-drawn in great detail in bright, expressive colors. Scrooge will mostly sport a happy expression, but when he encounters the Beagle Boys or Magicka DeSpell he’ll scrunch his face up into a frown. The enemies too feature changing facial expressions, and not just the boss characters, but even lowly spiders and the like. The levels really come to life as the difference in climate is really accentuated by the enhanced presentation. All in all, DuckTales: Remastered is a beautiful game to behold and one of my very favorites from a visual point of view.

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Another comparison shot to the original.

The enhanced fidelity of the game’s graphics are not the only aspect of the presentation to be enhanced with better technology. The audio is also greatly expanded upon featuring full-voiced characters with actors from the show as well as remastered music. Alan Young, in what is basically his swan-song as Scrooge, does a great job of voicing the greedy old duck and shows that time hasn’t taken much away from his vocal chords. Russi Taylor is on-hand to reprise her role as the nephews, Huey, Duey, and Louie, while  Terry McGovern returns as Launchpad. The wonderful June Foray was even brought back to voice Magicka DeSpell, making this a reunion of sorts for the cast. This seems all the more special since the new version of the cartoon set to launch this summer will feature an all new cast for these characters.

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I love how cold this cavern looks.

The downside to all of these resources is the need to make liberal use of them. DuckTales for the NES was a quick and fun to play title that would have worked even without the DuckTales license. For Remastered, a lot of cut scenes and cinematics were tacked onto the experience, not just in between levels, but even during them. They can be skipped, but even so they really break up the experience of playing the game and not in a welcomed way. Worse, I feel kind of guilty skipping over any line from Young and the other cast-mates, but it can get old hearing the same lines over and over if you’re forced to retry a stage. The game has also been lengthened quite a bit, not just with these scenes, but with a new level and longer boss encounters. Some of the boss fights are fine in their new form, while others do drag. I particularly hated the very final encounter with Magicka and Glomgold. What was a pretty simple race to the top of a rope in the first game, is now a death-defying escape from an active volcano with questionable hit detection. I had to replay the final, added level (which aside from the ending was quite good) repeatedly because I kept dying on this final part. Once I finally beat it I was too aggravated to enjoy it.

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And you thought only Zelda came in gold carts.

The game also adds additional collectibles that can be unlocked as you play, giving you something to do with all of the money Scrooge accumulates throughout the game. It’s mostly limited to concept art and background stills from the game but it’s still fun to look at, though not really enticing enough to encourage repeated play-throughs. I wish Capcom had gone the extra mile and included an unlockable version of the original game or its much rarer sequel. There was a press kit sent out to select individuals that included an actual copy of the original NES game, painted gold, and with the Remastered artwork on the cart. Acquiring one of those on the after-market will set you back a few grand, though it is a pretty neat collectible (and one that probably really irritated those select few that had a complete library of NES games in 2013).

Ultimately, DuckTales: Remastered is a fine enough love letter to the original game. It looks and sounds great, though it’s not quite as much fun to play as the original (though Scrooge’s pogo is still just as satisfying as it was back then) due to the pacing issues. It’s an odd duck (pun intended) in that regard, as most objective onlookers would take one look at both and immediately decide they’d rather play the remake. If you enjoyed the original, Remastered is still worth your time as it’s pretty cheap to acquire and includes enough fan-service to make you smile. And at the end of the day, it’s still DuckTales and still inherently fun, even if it could have been more.


Mickey Mouse: In Living Color, Volume 2

175px-DisneyTreasures03-mickeycolorAs the 1930’s came to an end and Disney transitioned into the 40’s, Mickey Mouse saw his starring roles in cartoon shorts dwindle.  He was, more or less, unofficially retired by the time the decade came to a close and relegated to hosting duties on television and as the official mascot of the Disney brand.  There were several factors contributing to the decreased screen-time for the world’s most famous mouse.  For one, Disney had moved on to feature-length productions and was producing fewer cartoon shorts.  And when Disney was producing shorts, Donald Duck was usually the star, not Mickey Mouse.  As the Disney brand grew, Mickey was not surprisingly delegated as the face of the company.  As such, Disney felt that Mickey needed to be a role model.  While the Mickey who starred in numerous black and white shorts could be kind of mischievous and a bit of a trickster, this new Mickey needed to embody a more wholesome image.  Donald Duck could be the bad boy, and as a result, the funnier of the two characters which made creating shorts for him a natural process.  Donald Duck could be the hero or the villain of any cartoon he starred in, while Mickey was forced to be the straight man.  Another reason why Mickey made fewer appearances in animation is because he was voiced by Walt Disney himself.  As the Disney empire grew, Walt found himself too busy to voice Mickey.  Eventually, he would hand over the voicing duties to sound effects man Jimmy MacDonald because of his too busy schedule.

As a result, this final set of Mickey Mouse cartoons is much shorter than its predecessors.  It’s also not as good as the first Mickey Mouse:  In Living Color collection, but still contains some classic material and worthwhile bonus features.  Disc one includes the last of Mickey’s original run while disc two contains some of his more prominent starring roles and last theatrical short.  The set captures Mickey’s twilight years, and includes material from his three most prominent voice actors: Disney, MacDonald, and Wayne Allwine.  The set is, if nothing else, a nice piece of history for one of animation’s most famous characters.  The animation is top-notch Disney, as one would expect, making even the lesser shorts still fun to watch.

images-187This may be a lesser set when compared with the previous one, but there are still some classic shorts to be found on disc one.  Mickey often finds himself paired with other characters, such as Pluto, Donald, and Goofy.  in “Tugboat Mickey,” Mickey, Donald, and Goofy spend their time repairing an old boat and little goes right.  There’s plenty of slapstick humor in the same style as other shorts that grouped this trio together.  In “The Pointer,” Pluto and Mickey are out hunting and soon find themselves nose to nose with a bear.  Pluto probably gets equal screen time as Mickey and arguably steals the short.  This is common for Mickey though as the guest stars tend to generate the most laughs.  A personal favorite of mine for nostalgic reasons is “Mickey and the Seal.”  I remember watching this one as a kid and it involves Mickey being followed home from the zoo by a seal pup.  They get into some humorous situations as Mickey is unaware the seal followed him which climaxes is in a very entertaining bath tub scene.  There are some duds though, such as “The Nifty Nineties” and “The Simple Things.”  “The Nifty Nineties” is basically a love letter to the 1890’s.  It contains some nice music and pretty backgrounds, but it’s just really boring.  Nothing happens.  “The Simple Things” is another Mickey and Pluto short, and also the last Mickey Mouse short until the 1990’s.  It’s not so bad in a vacuum, but a lot of the gags are recycled from older Mickey, Pluto and Donald cartoons and have become worn out at this point.

There are some curious inclusions amongst the cartoons as well.  Namely, there are a few Pluto cartoons here that would have made more sense as part of the Pluto collections.  Perhaps Disney felt it needed to include more content on this one, but “Pluto’s Party” and “Pluto’s Christmas Tree” would have been more at home on the Pluto sets, but I can’t say I’m disappointed they’re here.  It’s actually more of a hindrance to the Pluto sets that they weren’t also included there.  The short, “Plutopia,” included on this set actually also shows up on The Complete Pluto, Volume Two as well.

Still breathtaking more than 70 years later.

Still breathtaking more than 70 years later.

In addition to the short-form cartoons are the longer feature appearances of Mickey.  Included on disc one, is “The Sorcerer’s Apprentice” from Fantasia and “Mickey and the Beanstalk” from Fun and Fancy Free.  These end up being about three to four times the length of a typical cartoon short, and are essential to the Mickey Mouse legacy.  “The Sorcerer’s Apprentice” kind of goes without saying, but for the record I will state it’s an iconic piece of American animation and possibly Mickey’s most famous appearance.  “Mickey and the Beanstalk” is less known, but important because it was the unofficial passing of the torch for the voice of Mickey from Walt Disney to Jimmy MacDonald as portions of the cartoon feature Mickey voiced by Disney and portions by MacDonald.  For a long time, it was thought that this was the last time Disney voiced Mickey, but it was actually revealed by MacDonald to film critic and set host Leonard Maltin that Walt reprised the role of Mickey for the intros to the Mickey Mouse Clubhouse television show.  Those intros, five in total, are included as a bonus feature on this set and are impossibly cool for fans of Disney and Mickey Mouse history.

The Prince and the Pauper is hardly a classic, but it's nice to have it included all the same.

The Prince and the Pauper is hardly a classic, but it’s nice to have it included all the same.

Disc two contains more special features as well as Mickey’s most recent cartoons.  The long-form shorts “Mickey’s Christmas Carol” and “The Prince and the Pauper” are featured.  I’ve written more than once on this blog about “Mickey’s Christmas Carol” so I won’t go into much detail here, but there’s some bonus content with some animators who worked on it which is worth checking out.  It’s a neat cartoon for many reasons, but also because it’s the first time Mickey Mouse was voiced by Wayne Allwine, who would eventually go on to become the longest running voice of Mickey Mouse until his death in 2009.  The cartoon also features the Uncle Scrooge character voiced by Allen Young, who would of course go on to voice Scrooge in the very successful DuckTales series.  The cartoon is also the last time Donald Duck was voiced by his original voice actor, Clarence Nash, making “Mickey’s Christmas Carol” one of the most historically significant cartoons ever produced by the Disney company.  “The Prince and the Pauper” is another twenty-four minute short.  Coincidentally, it was released to theaters with The Rescuers Down Under while “Mickey’s Christmas Carol” was released with The Rescuers (Disney apparently likes to group its mouse characters together).  It’s a fairly unremarkable short but does feature some nice animation, though its brightness contrasts it with the muted pallet of “Mickey’s Christmas Carol” in a way that kind of puts me off.  It is notable for being the last time Disney used the Xerox process for its animation, a process that had been in use since 101 Dalmatians.

Runaway Brain feels like it's mostly been forgotten, which is a shame because it's great fun.

Runaway Brain feels like it’s mostly been forgotten, which is a shame because it’s great fun.

The last short include on the collection is, up until very recently, the last Mickey Mouse short, “Runaway Brain.”  Released in 1995 along with A Goofy Movie, it features Mickey and Minnie (voiced by Allwine’s real-life wife Russi Taylor) and marks the debut of mad scientist Dr. Frankenollie (named after longtime Disney animators Frank Thomas and Ollie Johnston), who is voiced in the short by Kelsey Grammar.  The plot involves Mickey forgetting his anniversary with Minnie and trying to make up for it by volunteering for a science experiment to earn money for a Hawaiian vacation.  Mickey ends up as a mindless beast and it’s a pretty entertaining cartoon short.  It served as a nice way for Mickey to bow out of animation, though starting in 2013 new Mickey Mouse shorts have been in production featuring a new style and approach in terms of both look and content.

Mickey Mouse: In Living Color, Volume Two isn’t quite as good as Volume One, but there’s enough here that any Disney fan should own it.  More than anything, this set is a piece of Disney history as it documents the changing look of Mickey Mouse as well as the men who gave voice to him.  There’s a little bit of sadness to it as well, as Mickey quietly exited the world of animation with little fanfare or celebration.  It seems like he deserved better, and it’s too bad that generations of kids have grown up without new Mickey Mouse cartoons.  The most recent shorts produced actually aren’t bad, and the few I’ve seen I’ve enjoyed but it doesn’t seem like they get much attention.  Disney would do well to make an effort to keep Mickey’s animation presence alive and well by celebrating his legacy more and pushing his current shorts.  Kids today deserve to know Mickey Mouse as more than a theme park attraction and brand.

Mickey Mouse:  In Living Color, Volume Two

  • Society Dog Show
  • The Pointer
  • Tugboat Mickey
  • Pluto’s Dream House
  • Mr. Mouse Takes a Trip
  • The Little Whirlwind
  • The Nifty Nineties
  • Orphan’s Benefit (1941)
  • Mickey’s Birthday Party
  • Symphony Hour
  • Mickey’s Delayed Date
  • Mickey Down Under
  • Mickey and the Seal
  • Plutopia
  • R’Coon Dawg
  • Pluto’s Party
  • Pluto’s Christmas Tree
  • The Simple Things
  • The Sorcerer’s Apprentice
  • Mickey and the Beanstalk
  • Mickey’s Christmas Carol
  • The Prince and the Pauper
  • Runaway Brain

 


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