Batman Beyond – The Complete Series (Blu Ray)

Last year, when Warner Home Media announced a new Blu Ray set for the series Batman Beyond, I decided to wait. I had been an early consumer for the similar Batman: The Animated Series set the prior year and had some misgivings. The price on that set fell and a slimmed down version was even introduced at retail that really only omitted the outer box and Funko items. Plus, I had ordered that set from Amazon and had to go through multiples because the company packaged it so poorly. I also wasn’t in any hurry to order Batman Beyond since I had the DVD sets and had never really found them lacking in a visual sense.

My patience was rewarded as a recent Amazon Lightning Deal came up for the complete Batman Beyond Blu Ray package. Like Batman, Batman Beyond received both a deluxe release and a retail release, only this deal on Amazon ended up being the deluxe version marked down even lower than the retail version. I decided to pounce since it’s been awhile since I engaged with the property, and if I was going to do a re-watch, might as well make it a high-definition one.

Batman Beyond tells the story of Bruce (reluctantly) passing the mantle of Batman to Terry

If you’re unfamiliar with the series, Batman Beyond was the sequel series to Batman: The Animated Series. In actuality, it was the replacement. Series creators Bruce Timm and Paul Dini had operated under the assumption that The New Batman Adventures would continue beyond the one season order the WB network had given it. Instead, the network decided that Batman needed a refresh. Were they right? Probably not, as Batman has proven to be a timeless character. The New Batman Adventures wasn’t quite on par with the Fox seasons, but it was still pretty good and had legs. It would have been nice if the network had given it one more season, or even a half season, while also informing the crew that would be it. Then we could have received a proper finale, but instead we got Batman Beyond and a series of Justice League shows followed.

Given that, it would be easy to approach Batman Beyond with significant baggage. After all, the premise is essentially “Let’s make Batman younger by essentially making him Spider-Man.” If you told that to me before ever letting me watch the show I would instantly have a bad impression. It sounds like the foolish decision of a network executive and not a creative decision by an actual story-teller. Against all odds though, the show somehow worked. It made people care about a new, teen-aged, Batman and it also managed to serve as a bookend to the animated series by largely continuing that show’s continuity. Sure, there was a pretty big gap in time between the two properties and a great many loose strings are never addressed, but just by having Bruce Wayne (still voiced by the incomparable Kevin Conroy) onboard added an instant credibility to the program.

Batman Beyond is set in the year 2039. Gotham has apparently run out of room for expansion and has grown up instead of out. Colossal skyscrapers cover the landscape with roads upon roads on top of one another. The main character is Terry McGinnis (Will Friedle), a teenager who loses his father to a murder making him the ideal candidate to replace Bruce Wayne as Batman. As Batman, Terry is empowered with a futuristic suit that allows him to fly, turn invisible, fire a seemingly endless amount of batarangs, and even stick to surfaces like a certain wall-crawler I already referenced. He’s a bit more jokey than his predecessor, and several episodes act as a teaching moment for him as well. This is a Batman in training, though by the end of the show he is pretty much the real deal. It’s a bit amusing to see how future Gotham looks considering modern Gotham looked like it was frozen in the 1940s. It’s about what you would expect, though most automobiles appear to still possess wheels.

The setting is not really what’s important here. What is most interesting about Batman Beyond is watching an elderly Bruce Wayne manage a kid who has taken up his mantle. It arises in an unnatural way with McGinnis initially stealing the suit to investigate his father’s murder. Wayne is shown giving up his alter-ego in the first five minutes of the show, but also given a motivation to want to see Batman return to Gotham. And that’s Derek Powers (Sherman Howard), who has basically taken Wayne’s company from him turning Wayne Enterprises into Wayne-Powers. He’s setup early on to be the primary foil to Batman and Wayne, though the rogue’s gallery will be filled out quite a bit over the ensuing 52 episodes. It’s a lot of fun though to watch Terry and Bruce bust heads with each other as they seldom agree. They find a working relationship though, and it helps that we have the relationships between Bruce and his prior wards to fall back-on. It’s easy to see that this Bruce is trying his hardest not to repeat the same mistakes as he did once before, and the fact that he’s physically compromised in his old age actually helps him to be more patient with Terry than he was with both Dick and Tim.

To sum it up, Batman Beyond is indeed worth your time as a series, even if you have reservations about the whole thing. It does the impossible in being a worthy follow-up to Batman: The Animated Series. Chances are, if you’re reading this you already know that. What’s more pressing is did Warner do right by the series with this set? Considering it is now being sold for almost half of what it was initially, I would say yes.

Being a late 90s/early 2000s show means this one really isn’t all that old, relatively speaking. The masters were all preserved and when the show received a transfer to DVD it came out great. In high-definition, it looks every bit as a good and obviously a little better. Blacks are deep and the brighter colors pop as expected. There’s no grain to speak of with this series, and everything has a very clean presentation. This was one of the last shows to be animated largely in a traditional manner for DC as they still used ink and paint on celluloid for the main animation. And unlike say Spider-Man 94, there’s no glaringly awful CG effects in use. Nothing is really working against the show in its transfer to HD, and that’s a good thing. Warner Home Video also wisely resisted any temptation to crop the image which seems like a given, but you never know when such will pop up.

The new extra features are all relegated to a bonus disc. There’s a round-table retrospective with the creators and actors of the series, though notably absent is Paul Dini. It’s mostly just 45 minutes or so of the people involved congratulating themselves for making a good show. There’s some interesting moments, like Bruce Timm acknowledging some of the controversial moves for the series following its completion that the others at the table get to weigh in on, but it’s not as juicy as it could have been. If you’re at all versed on this show, you probably won’t learn much from this discussion. There’s also a retrospect on Batman called Knight Immortal which consists of still images and some clips and surprisingly no talking heads. A lot of the main players involved with the character are heard from and it’s a decent look at Batman. Lastly, there’s a history of Detective Comics present. It’s a bit dry, but if you love DC then you’ll probably enjoy sitting through it. All of the DVD special features are also present.

The reverse side of the lenticulars.

Like the set for BTAS, this one doesn’t have any commentaries or anything like that added, just what was already available on DVD. Also like that set, it includes the feature associated with the series, in this case the excellent Return of the Joker. If it weren’t for Mask of the Phantasm, Return of the Joker would be my favorite Batman animated film and it’s still one of my favorite Batman films in general, possibly in my top 5. It’s the uncut version too, as expected. There’s also an optional digital version of the collection that can be downloaded. I haven’t redeemed my code though so I can’t speak to the quality (the BTAS set came with a standard definition digital copy) and I’m also note sure if it includes Return of the Joker.

This little booklet is just a glorified table of contents. No creator notes or anything.

Where this set differs from the BTAS one is in the presentation. It comes in a cardboard box with a window display for a chrome Batman Beyond Funko Pop! rather than mini ones. It’s a normal-sized Pop! so you probably know if you like it or not. Inside the box is a pretty standard Blu Ray set. It’s a hard cardboard slip case with folding digi-book styled case that houses the discs. It’s nothing extravagant, but it’s at least functional. While I loved the presentation of the leather-bound book for the BTAS set, getting the discs in and out was painful. There’s also some lenticular images and a little booklet that serves as a table of contents. It’s fine, just not particularly flashy. I imagine the standard retail release just omits the outer box and Funko figure.

If you want this show on physical media and in HD, then this is something you should seek out.

Batman Beyond – The Complete Series is essentially as advertised. If you had been waiting for a complete collection on Blu Ray, then you should be satisfied with this. Especially if you were able to get it on sale. If you like the show, and you’re still into physical media like I am, then you should probably grab it. Is it essential if you already have the DVDs? Probably not. The bonus features are something you’re likely to watch once and then never again. It would have been great if Warner had made an attempt to make this the full Batman Beyond experience by including the character’s appearances from other shows on here. That would have been especially useful for someone like me who has no interest in buying any of those other shows. And if this is something you want, I’d suggest grabbing whatever version is cheaper unless you really want that exclusive Pop! figure. Lastly, if you like Batman: The Animated Series but never gave Batman Beyond a chance, it’s worth the price of admission. You’ll probably be pleasantly surprised.


S.H. Figuarts Piccolo Daimaoh (King Piccolo)

Before there was the noble Piccolo, trainer of Gohan and ally of Goku, there was the evil King Piccolo. Known as Piccolo Daimaoh outside of the US, King Piccolo was the evil purged from the namekian Kame, who would assume the role of guardian of Earth in the world of Dragon Ball. Piccolo was the usual villian bent on world domination who was imprisoned in a magic rice cooker long ago, but like all ancient evils, he escaped to make life miserable for Goku and his friends.

King Piccolo is one of the more recent releases in the line of Dragon Ball action figures released by Bandai and Tamashii Nations under the S.H. Figuarts banner and he’s a big boy. He’s the main villain of the penultimate arc of Dragon Ball as he escapes from his imprisonment and is able to assemble the dragon balls and wish for his youth to be restored. He is depicted here following that wish in his navy blue gi and cocky smirk. In many ways, he’s the ultimate villain from the original Dragon Ball and, once defeated, it’s his son/clone who would continue on to Dragon Ball Z and become the more popular Piccolo.

King Piccolo stands a tick under 8 inches, so he towers over his adversary, Kid Goku. I do not own a Piccolo from DBZ, but I’ve noticed from looking around online that he’s much taller than his successor. The only visual difference between the two is in the face with King Piccolo having higher cheek bones and an overall narrower face. The figure is colored after his anime appearance so he has patches of pink flesh on his arms and ankles as opposed to yellow. He’s a sturdy figure, with tight joints that aren’t too tight. He stands well and is surprisingly light given his size. The plastic is firm and the paint clean while the upper area of his gi is soft and pliable.

Since he’s from the Figuarts line, King Piccolo has plenty of articulation. His head is on a ball-joint and free to move around. He can look up a bit, and look down as far as any human needs to. His antennae are articulated and can be removed easily, if you wish. Careful though, they’re small and I spent over half an hour trying to find one I popped off by accident. He has a joint at the base of his neck which adds a bit to his range of motion. His shoulders are on ball-joints with a butterfly joint to back them up too so he can reach forward and across his chest. There’s a bicep swivel, single-hinge at the elbow, and wrist swivel with a hinge in the peg. When popping on a hand, you have to pay attention to which way that hinge is oriented to make sure you can get the desired motion you want. The elbow can bend 90 degrees, but the lack of a double-joint means it can’t go any further. There’s a mid-torso ball joint that’s nice and firm as well as a waist swivel. There’s ball joints at the hips, thigh swivel, double-jointed knees, and the feet are on ball joints. The feet can really move all over the place and there’s a toe hinge for good measure.

The articulation is quite expressive and does a good job of not interfering much with the overall look of the figure. There’s a lot going on in the crotch area in terms of trying to maintain the folds of Piccolo’s pants, but the dark color helps keep it a bit neat as opposed to Goku and his orange gi. I love the little sculpted details like the folds in the gi, the texture of the sash, and even the little piece of visible ankles above the shoes. The paint is very clean and also minimalist, as seems to be the case for Figuarts. There’s a hint of a wash on the face, especially the more expressive ones, and what is here looks terrific. It’s hard to imagine someone making a better looking version of King Piccolo.

Piccolo comes with an array of different hands and heads as well as a few other accessories. As is the tradition with the Dragon Ball figures, he comes with a dragon ball of his own. In this case, the one star ball. It looks so tiny in his giant hands. He comes packaged with a pair of fists and a smirk on his face. He has a pair of open, clawing, hands and a pair of fully open hands like he’s firing off his energy blast. He also has a right hand in a karate chop position and a pointing right hand. On the head front, he’s incredibly expressive as in addition to the smirk he has a teeth gritting expression, a yelling expression in which his veins are popping out and his eyes bloodshot, and a “puking” head from when he regurgitates the egg that contains Piccolo Jr. Speaking of which, he also has that egg which has some septum at the end of it to make it look like it’s being fired through the air. There’s also a piece of mucus that it can sit in like a football tee. Lastly, there’s the electronic rice cooker which once held him prisoner. It can open and close and is a cute little accessory.

As you can see, he rightly towers over Bulma and Goku.

The different heads and choice of hands makes Piccolo a truly fun toy to pose. I’m torn on what my favorite head is because they’re all so well done. I love the smugness of the default head, while the other two are great for action shots. The egg puking head is definitely more specific, but again, it’s so well-sculpted that there’s a desire to pose him with that head as well. It also doubles as a good reaction head for when Goku slugs him in the stomach. The egg even has a hole in the bottom of it so it can take advantage of the stands Bandai sells for fireballs and other effects. I do wish Piccolo had a hole in his back for stands as I don’t trust the grabbing stands Bandai uses to hold up with such a big figure. He is pretty light for his size, but I wouldn’t leave him on a shelf suspended in the air by one of those things. I know some people wish Bandai added shading to these figures, but I think natural light works well on the folds in the uniform, especially on darker colors like this one. The rear of the knees is the only part of the sculpt I’m not keen on because they’re so shiny, but they’re also on the back of the figure so it’s not something that will be displaying. Lastly, it’s the little things that bring this one together. The veins on the various heads or the way the antennae can be manipulating on all of the heads is a great touch. You can make them flailing back if he’s in a rushing pose, for instance, which is just great attention to detail.

King Piccolo is an awesome action figure from Bandai/Tamashii Nations. He’s a great and necessary addition to the Dragon Ball line as he has a terrific look and his action figure covers all of the bases. Maybe some have a desire to add an elder King Piccolo to their display, but I’m all set with this one. I’m curious if Bandai will do a proper Piccolo Jr. in the near future that’s distinct from the Dragon Ball Z figure. When he first showed up, Piccolo Jr. had a rather skinny appearance so it would make sense for Bandai to do a new sculpt. We’ll see. For now, I’m just pleased there’s a lot to collect for Dragon Ball fans and I hope Bandai keeps them coming!


Lego 71374 – Nintendo Entertainment System

There’s something almost cathartic about assembling a Lego set. It can be hot and sticky in my house in the middle of the summer, but if I’m fiddling with a Lego set I almost don’t even notice. Considering how unbearably hot and humid it’s been in the north east this summer, it’s a shame I don’t have more opportunities to mess around with a Lego set. Lego presents its own obstacles in that the sets are often pretty expensive and space-eaters. Even if I want something and can afford it, there’s the very real problem of what to do with it after the fact. As such, I try to just to stick to the Disney stuff, in particular anything modeled after an actual attraction at the park. Since finishing the Disneyland Train Station last year though, things have been quiet on that front, but Lego had something in the works I just couldn’t ignore.

It was earlier this year that Lego announced it had struck a licensing deal with Nintendo. This attracted my attention a bit, but I didn’t necessarily expect anything to come of it that would interest me. What I did expect were some Mario playsets, and Lego eventually showed off just that. It’s also not a straight Lego set with Mario themed mini figures, but a bit of an interactive thing where a brickhead-like Mario makes sounds and plays music depending on what blocks he comes in contact with. It’s different, and my son seems to have an interest in it, but it’s not for me. Then Lego went and unveiled something unexpected: the Nintendo Entertainment System.

A few years ago, the NES Classic proved there’s a lot of nostalgia surrounding the venerable old machine from 1985. Nintendo couldn’t even keep up with demand initially and people were scalping the 60 dollar item for triple the price for a short while. Because of that, I suppose it shouldn’t have shocked me when Lego unveiled this set which is a brick reconstruction of the NES, controller, Super Mario Bros. game pak, and an era appropriate TV to pair it with. And just a few short weeks later the set was launched on August 1st with an MSRP of $229.99. The 2,646 piece set quickly sold out at retail locations and the online stock has since sold out as well. Worry not if you missed out as Lego plans to continue making more and it’s a safe bet this one will be a popular item this Christmas.

Fearing a sell out, I rather insanely stayed up the night of July 31st just to make sure I got an order in at midnight. The set actually went up for sale a few minutes early and I had my order placed before midnight. This actually worked against me as there was supposed to be a free gift related to the Mario set, but I think that didn’t go live until midnight so my set arrived by itself. Not that it mattered that much as I only want the NES. It arrived at my door just a few days later and it was a bit of a long day with work before I could get to it.

The set arrived in a box larger than I expected. There’s an inner box that contains the first 7 bags of the set (which all relate to the NES itself) and two booklets: one for the console and one for the TV. There are only three stickers included which is fantastic as I loathe placing stickers on Lego sets. The only stickers are the labels for the game cartridge and a faux informational label for the rear of the TV. I decided to build the NES first and was able to complete it in one evening of roughly three hours of build time. Some of that was spent with my five-year-old son which probably slowed me down some, but it still felt rather breezy.

The construction of the NES is rather painless. You’re essentially just building a slightly irregular box so it shouldn’t be hard. The mechanism Lego has you construct for the game-loader is a bit intimidating to look at, but it’s actually fairly easy to install. Lego made use of a special spring-loaded piece to get it right and the end result is actually kind of amazing. It works just like the old console: you insert the game, push down, and it stays down. Push down again and the game pops back up for you to remove.

Lego took care to make the outer box look like the real deal. There’s audio and video hookups, a channel changing switch, as well as all of the buttons and cosmetic effects you would expect. There’s the ribbed area of the console’s surface which is an interesting part of the build as well as lots of smooth pieces for the top and sides. All of the logos and words are graphics printed on the piece so they look really sharp. The only thing Lego was unable to hide were the hinges on the front cover, but it’s hardly an eye sore. If anything looks a tad off it’s the front of that cover as it’s done with several pieces so there’s an abundance of seems. It probably could have been done in a cleaner manner, but it’s not as if you’re not supposed to know that this is a Lego creation. Lego also couldn’t perfectly replicate the irregular shape of the NES’s controller inputs, but they did a rather good job with it as-is.

The finished product is smaller than the real thing, but not by that much. I had the original NES, in terms of width, height, and depth as: 10.125″ x 3.5″ x 8″. The Lego version measures out as: 8.125″ x 3″ x 7″. The controller is more 1:1 though the Lego one is a touch thinner. It also isn’t a perfect rectangle as the sides and bottom don’t line up perfectly which is perplexing. I guess they didn’t want to engineer a slightly longer, flat, piece? I don’t know why they couldn’t use existing pieces to get it so that it didn’t have such a gap. It’s minor though, but something that I notice. There are also no working buttons on this thing. They look the part, but don’t function, which I expected but it would have been fun if the A and B buttons on the controller at least were able to be pressed.

The included game pak, or cartridge, is another thing you have to build. It’s a very quick build though as it’s quite thin and Lego didn’t feel a need to put a proper back on it, so it’s just the underside of the flat bricks used to craft it. It looks the part though and is undeniably cute in the hand. It’s also smaller than the real thing, and if you’re curious, no, an actual game won’t fit in the Lego NES. A traditional cartridge is: 4.75″ x 0.75″ x 5.25″. The Lego version is 3.75″ x 0.375″ x 4.125″. The stickers look great too and since they’re applied to a flat, black, piece it gives you some freedom in applying them. The smaller sticker even includes the Nintendo official seal of quality, an important touch.

So if you can’t tell, I’m quite pleased with how the NES and it’s components turned out. Since the old Control Deck, as it were called, came with two controllers I do wish this did as well. Since it’s not a functional gaming console though, I understand why it wasn’t exactly necessary to have two. What a Nintendo does need though is a television, because what good is a video game console without video?

Lego could have probably just done the console, and if it were to include a TV it could have just made a big, brick, box. Lego wasn’t content to do that though and wanted to actually simulate a Nintendo game, in this case Super Mario Bros. That’s how we ended up with this rather ambitious television included in this set. It contains more than half of the bricks in this set and is a longer build than the console. The TV is also modeled after the one that appeared in the original instruction manual for the NES, though I am unsure if it’s to scale or not. Regardless, it looks the part of an old TV and has some interesting functionality.

The TV is separated into various build phases. You first start with the base and the “guts” of the device before moving onto the rear and sides. What’s that is complete, it’s time to take care of the screen. See, Lego wasn’t content to just make an era-specific brick-television set to pair with your NES to form a nice display, rather it chose to make this system “playable.” In order to do that, you need to construct a fairly elaborate rotating mechanism with a picture on it all entirely out of Lego. The final product is essentially like those old racing or flying toys in which a picture rotates on a cylinder to simulate movement while the player has a controller or wand with a car or plane at the end of it to move around avoiding obstacles or just keeping the car on the road.

In order to do this, Lego basically has you build tank treads, and it’s the section of the build that is the most tedious. There’s a sequence of bags starting at 14 where you’re basically just making one small thing, but over over. The treads are a bag all by themselves as you link them together to make two long treads. You then need to build 15 joiners which are simple, but certainly do a number on your thumbs. You then need to build the plates to place over them which need to snap into place. They’re not all entirely the same as some need a couple of colored bricks affixed to the end which will work with the Lego Mario figure (sold separately).

Once you get through all of that (which comprises three bags, or steps), you’re finally ready to construct the image. Using mostly flat tiles, you build the scenery of Super Mario Bros. There’s lots of blue and brown tiles as well as some studs. You could conceivably ad-lib this part if you wanted to and create your own background, but it’s meant to be constructed in a specific way to work with the previously mentioned Mario. Lego is generous with the special pieces like the goomba, turtle shell, etc. as they’re small, flat, pieces that could be easily lost. You have an extra of each. The graphics printed on them look great, though the mushroom and goomba shape are a little off since they use a tiny “pie slice” piece. They’re still easily recognizable and are probably my son’s favorite part of the set. This was also a great part to have him help me with since it’s basically just laying tiles.

Once the scenery is constructed it has to be wrapped around a little “cart” the set has you construct which then gets placed inside the TV. It’s a touch challenging to get the scene to hook to itself as there isn’t a ton of give, but it wasn’t as bad as I though it might be. Inserting the finished diorama into the TV was also exceedingly simple even though there’s a lot going on. The only part I didn’t like was the little cap Lego has you build to put on top of it as it’s not engineered as well as it could be. There’s a little gap in the piece itself because of the bricks chosen and when snapping this into place it can come undone. This piece isn’t crucial, and after a few tries I just let it be even though I’m pretty sure one side wasn’t snapped together as well as it should be. It’s basically just a spacer between the mechanism and the top of the TV. Mario is added before the next step and he’s a cute little tile all on his own screen-printed to resemble Super Mario from the original game. He’s affixed to a transparent rod (the same one that came with the Ghostbusters Fire House for the flying ghosts) with a spherical, bubble-like piece behind Mario to guide him over the obstacles.

After that is done, the only thing left was to assemble the front of the TV and the bottom leg supports. This was an enjoyable build that comes together pretty fast. Lego was creative with the television dial by using a gear that just rubs a soft, plastic, green, rod to create a clicking sound when the dial is turned. My kids were quite amused by that and even more amused that this is how a TV was once operated. There are more tiles with graphics printed on them for things like volume control and even a UHF toggle. The last step is to create the TV stand which is rather simple. The finished product rests on top of this with some bricks placed on the bottom of the set used as guides so while it doesn’t snap in place, it fits into a track of sorts so it’s not wobbly.

With the set complete, you’re free to experience what it offers. Turning the crank makes the scenery move and Mario will just slide over it. This means he has only one path and you don’t want to try and force him to go higher than intended or else you risk jamming the mechanism. My son did this as he wanted Mario to stomp more goombas and got it stuck. I had to pop Mario off and some of the other pieces to get it going again. I didn’t have to resort to this, but in hindsight it’s nice Lego includes extra tiles for goombas, turtle shells, etc. in the event one were to pop off and fall into the TV it could just be replaced rather than disassembled to dig out one little tile. It works as advertised though and my kids though it was pretty fun.

If you happen to have one laying around, the Mario figure adds to the fun of the set, though he’s also a bit of an eyesore up there.

Of course, you may be aware that this set contains an additional function. If you purchase the new Super Mario Starter Course set from Lego it comes with a Mario brickhead-like figurine. This figure has some electronics built into it that causes it to change facial expression and also output sound. If you happen to have this guy you can place him on a special tile on top of the television to start him up, then move him to the edge of the screen. When you crank the handle, the colored tiles on the edge of the track alert the Mario figure to what’s happened on the “screen” and he’s supposed to play the proper sound. If Mario stomps an enemy it should make that “pop” sound or if he hits a question mark block that unmistakable sound of a mushroom rising up will play. I went ahead and purchased the set for my son, as it’s more of a toy than a display set. It works as advertised, though I had to update the firmware on the Mario figure via the special app Lego launched specifically for the Mario brand. It’s a neat feature, but not worth $60 for adults who just want to experience the music from the game with this set. The Mario figurine atop the TV doesn’t really complement the aesthetic this set is going for, and the Starter Course is a play set as opposed to a display piece by itself so there’s nothing to gain from owning both aside from getting sound effects into this set. As a result, I cannot recommend it. Though if you want it for your kid, mine seems to love it, so there’s that.

Behold! The Tower of NES! Top to Bottom: Hallmark NES, NES Classic, Lego NES, Original NES.

If you lack the Lego Mario figurine, one substitution for him is the 2020 Hallmark NES ornament which plays sounds from the game. My kids didn’t notice the sounds didn’t sync with the TV and didn’t care as one would turn the handle and the other would hold the Lego NES controller and pretend to play. The console doesn’t physically hook-up to the television, you’re just supposed to place it nearby to complete the look. And this works fine. If the TV didn’t have the image built onto it you could probably fool someone from a distance as Lego really nailed that old school look of a television. And the NES is also quite convincing, especially to people who haven’t looked at a proper console in 30 years.

I am quite tickled by how this set turned out. It was a really fun build, even with the tedious portions of the TV, and was rather frustration-free at that. I love the look and functionality of both the TV and NES. When I first saw this set, and how much it cost, I was a bit grumpy they included the TV as a lone NES would have been much cheaper, I’d wager. However, now that I have it built I’m a little torn on what part is my favorite. The TV is so well crafted and so fun to play with that I can’t imagine the set without it. I’m even curious if Lego will do more with this design. While I have little desire at the moment to build another track, I’d probably have to consider it if Lego released additional games for this thing. Side-scrolling Zelda, or maybe Lego would challenge itself with a vertical scroller? And then there’s the Mario sequels or Duck Hunt with Zapper. I’m not expecting any of that, but it also wouldn’t shock me to see it happen. By itself, this set is a blast for nostalgia junkies like myself. If you can get your hands on it (it’s currently sold out, but it will be back) I wholeheartedly recommend picking it up.


S.H. Figuarts Bulma – Adventure Begins

Toy collecting is something that will probably always appeal to me. I just love getting a new toy, even as an adult even though I basically pose it and forget it. It’s just one of those things that makes me happy, so I don’t question it. It can be an expensive hobby though, so I try to stay in my lane, so to speak. For the past few years I’ve largely just stuck with collecting Teenage Mutant Ninja Turtles and Bucky O’Hare. Then 2020 came and COVID forced everyone to stay home. I even found myself saving money as a result since my family and I couldn’t go anywhere and working from home meant I was saving money that was normally spent commuting to and from work. As a result, I’ve found myself behaving in a less disciplined manner when it comes to my hobby, which is why 2020 is now the year I’ve decided to expand upon my Dragon Ball collection!

A couple of years ago, I came across some S.H. Figuarts products in a local GameStop. I had never seen this line in person and I felt compelled to grab a Vegeta and soon after a Kid Goku. I’ve enjoyed Dragon Ball since I was a teen, first falling for Dragon Ball Z before discovering the series that preceded it. As a teen, I definitely strayed towards DBZ, but now I find I prefer the more whimsical Dragon Ball. As a result of my positive experience with the Kid Goku action figure I almost immediately wanted to add more, but these toys tend to run a bit high when it comes to cost. Because of that, I pushed it aside and mostly hoped to catch a sale eventually. I especially hoped to see Master Roshi go on sale, the hope being there aren’t as many Dragon Ball fans out there as there are DBZ ones. I never did see him go on sale though, so for the past two years my collection has consisted of one, lonely, figure.

The summer of 2020 has been much kinder to me as far as Dragon Ball toys are concerned. A recent sale has allowed me to expand upon that collection, and up first is Bulma! This is the second S.H. Figuarts of Bulma with the first being based on the artwork in the closing credits of the show where she looks like some Mad Max character. It’s a look that only exists in that one moment, which is odd because that’s the look Irwin chose when it made Dragon Ball toys back in the early 2000s. It was an easy pass for me, but more recently a new Bulma was released. Dubbed Adventure Begins, this is essentially a first appearance Bulma from when she meets Goku and runs him over with her car. She has her pink dress and her blue-green hair is held in a ponytail by a big, red, bow. She even has panties which is a bit pervy, but this is Dragon Ball after all.

Bulma stands at about 5″ in height with an extra half inch if you include her bow. She comes packaged in a nice window box display, as do all Figuarts action figures, and has numerous accessories. The goal of this line is to make a figure that both perfectly captures the source material while also providing for a ton of articulation. This is meant to be an expressive figure capable of capturing the spirit of the character. And Bandai/Tamashii Nations are pretty damn successful at doing just that.

Bulma is packed with articulation, even though she’s not a “fighter” who needs to be capable of getting into and out of numerous, dynamic, poses. Bulma’s head is on a ball-joint capable of full, rotational, movement. She can look down rather well, but not up. Her pony tail is also on a ball-joint so you can do a lot with that if you desire. Bulma’s shoulders are ball-jointed with a swivel joint in there as well for maximum rotation. She can reach forward and back and even over her head. Her bicep has an additional swivel at the sleeve and her elbows are simple hinges. They’re single-jointed but on a wheel so she can achieve the same range of motion a double-jointed elbow can, but that wheel is a bit ugly when her arm is straight. The hands are on ball and sockets and there is a single hinge in each. Bulma has a ball-joint in her mid-torso just below her bust to give her full upper body motion to go along with a waist swivel. Her belt is non-removable, but it’s also not glue down so you can slide it around. The skirt is soft plastic and her panties are even a separate piece of plastic. Bulma has ball-joints at the hips and her thighs can rotate in and out as well. She has single-jointed knees on those wheel joints again, though it’s hidden well from the front. Her ankles can swivel and she has hinges and can rock side-to-side at the ankle.

Bulma’s sculpt is fantastic and really captures the look of the character. She’s a bit slight, but that mixes well with the bigger characters. The paint detail is minimal, but clean. She’s also sturdy and easy to pose and stand. She can even balance on one foot, though it’s a bit tricky. The only thing missing from her articulation is a butterfly joint at the shoulders so she can properly aim the sidearm she comes with. Inserting one probably would have harmed the look of the figure too much, but having her grip her gun with two hands was the only pose I couldn’t quite get to work.

Since this is a Figuarts toy, Bulma comes with a whole bunch of additional hands and other accessories. She comes packaged with fist hands which are really easy to remove. They’re on little pegs and look kind of scary, but they seem rather durable as they’re the same pegs Kid Goku has. Getting another hand on requires some finesse as the peg wants to move on you, but it can be done. Bulma’s additional right hands include: a trigger finger, pointing, cupped hand (for holding a Dragon Ball), open hand with peg hole (for the Dragon Radar), and a hand holding a capsule. For left hands (the non gloved hand) she has a pointing hand and an open hand. The accessories to go with those hands include a Dragon Radar, a 2-star Dragon Ball, a gun, gun holster, and holster with a gun inside it. She comes packaged with the holstered gun on her belt, but it pops off easily and can be replaced with the empty holster. The gun cannot be inserted into the holster, but it’s pretty cool that both were included.

Scary!

Rounding things out are the extra faceplates. Bulma comes with a smiling expression as her default look and can switch to a more exhuberant happy face and a shocked or scared face. Obviously, the biggest omission is an angry face since Bulma is known for losing her temper, especially with Goku who’s ignorance in those early episodes frustrates her and crosses some boundaries as well. To change her expression you simply pull her hair off, which is really easy to do. The face then pops off as it’s on two, thick, pegs so there’s little chance of anything breaking. Seating a new one is painless and there you go! I like all of the included faces, though I don’t know if I’ll ever pose her with something other than her happy face. The scared face definitely lends itself well to photography and I do plan on snapping more pictures with that one eventually.

When thinking about the important characters of Dragon Ball, Bulma certainly qualifies. Even so, I wasn’t sure that I needed a Bulma since all she is going to do is stand on my shelf, maybe holding her Dragon Radar, and not much else. Now that I have her though I’m very glad I took the plunge. This is a fun figure and she looks great. I’m very happy with the articulation and accessories, and really the only thing missing from this figure is an angry facial expression. It would have been fun to have Bulma perpetually screaming at Goku on my shelf, but in the end I guess she deserves to be happy.


NECA Turtles in Time Shredder

“Tonight I dine on turtle soup!”

We’re continuing to work our way through the latest offerings from NECA as it pertains to the Teenage Mutant Ninja Turtles. A lot of collectors are presently going nuts trying to track down the cartoon wave at Target or the movie figures at Walmart, meanwhile anyone wishing to collect the video game line is just sitting back and waiting for the package to arrive. That’s because the video game series, currently consisting solely of figures based on the Konmai classic Turtles in Time, is sold through online retailers and comic/hobby shops and have been available for pre-order since January. Wave 2 just hit in mid-to-late July and should be in the hands of most of the people who ordered them very soon. The wave consists of four figures: Raphael, Michelangelo, Leatherhead, and Shredder. Yours truly isn’t big into this line, but I did place a pre-order for Shredder and he has just arrived.

If you’re not familiar with this line, it’s basically a series consisting mostly of previously released figures with a new, pixelated, paint deco applied. There is some new tooling involved though, so it isn’t all just funny paint. Earlier this year we looked at Slash from the first wave who utilizes the same body as the other turtles, but has an all new and all different headsculpt as well as different pieces on his person. Shredder is not quite that extreme, but he is a bit different from the Shredder we received in the cartoon line. This Shredder is based on the arcade version of Turtles in Time. If you primarily played the home version, then he may seem a little unfamiliar. That’s because the Super Nintendo version of the game replaced the boss fight against this Shredder with one against Super Shredder. I am partial to the Super Shredder fight, but this Shredder caught my eye because he has a wild paint design with a hot pink cape and lots of magenta and purple mixed in. He also has some neat effects pieces that I’ll get to in a bit.

Shredder comes packaged in a window box designed to mimic the old arcade cabinet. All of the figures in this line come in the same style of box with the only difference being the figures on the back. Some online vendors have listed this figure as Super Shredder, but as you can see just by looking at the box, he’s intended to just be Shredder.

If you have the cartoon Shredder, then you should know what to expect articulation wise here. Shredder has ball joints at the head and shoulders, though he doesn’t get a ton of movement out of either because of his cape, helmet, and shoulder pads. His arms can go all the way out, but can’t go up much. He has a swivel in his bicep and double-jointed elbows as well as a cut forearm. His hands rotate and are on hinges as well with in-out movement. He has a cut waist and if there’s any articulation in the main part of his abdomen it’s hard to tell because he has a piece of rubbery plastic serving as his shirt. He has good range of motion at the hips with ball joints and rotational articulation there. He has double-jointed knees and the calves swivel as well. A rarity for this line is the toe articulation as NECA seems to forego that detail frequently.

The goodies.

Where this Shredder differs from the prior one is just in the various armor pieces on his person. He still has a soft goods cape, but now he has fewer spikes on his shoulder pads, gauntlets, and shin guards. He makes up for this in what he does have for spikes are much longer and meaner looking. This is even true of the spikes wrapping around his helmet which are more pronounced as they come off of the back of the helmet. The gauntlets are also overall just bigger than before and the black wraps underneath are gone. He also has these little strips of “metal” at his ankle which is different from the cartoon version. Otherwise though, this is the same figure right down to the hands he comes with.

Shredder comes packed with fists that can pop off and be replaced with either gripping hands or a more open hand. The gripping hands are needed for Shredder’s sword, which is basically a light saber. It’s green and the paint is blended well on the “blade” to give it a glowing look. Why does Shredder have a light saber instead of a traditional sword? I don’t know – it was the 90s and swords just weren’t good enough. His fist hand works best with the fireball attachment he comes with. It’s a yellowish color and it fits over Shredder’s fist to give him a flaming punch effect. It’s a bit tough to wield as it’s not super snug and there’s some weight to it. By far the most interesting accessory is the big, flaming, hand. It clips onto Shredder’s forearm to resemble it shooting forward, as it does in the game. It is of Shredder’s right hand so you’ll probably want to clip it to his right arm, though if you wanted to nothing is stopping you from clipping it to his left. You can combine it with any of the hands, though I think it looks best with the open hand.

The other difference I notice between this Shredder and the past one is in the constitution of the plastic. This Shredder has a far more rubbery texture to him, which is something I’m noticing with the new figures in the cartoon line. I’m not sure if NECA has made a change, but the result gives the figure a less confident feel. He doesn’t stand as well as the cartoon Shredder as the more rubbery plastic causes him to bend and curve ever so slightly making him easy to topple even when using a NECA stand. On the plus side, none of the joints were stuck out of the box so maybe that’s the trade-off with this mix. The plastic used for the flaming hand is a much harder plastic, which is good because if it were soft then it would probably start to droop. It is a bit heavy though and the shoulder joint can’t sustain it fully. I set him up shooting his hand forward on my shelf and after an hour his arm had dropped until the hand was resting on my SDCC Hot Wheels set from last summer. From a quality control standpoint, my Shredder had a little paint slop on some of the spikes, most notably on one of his fists. There’s also a weird seem in the cape by the opening, but for all I know that’s supposed to be that way to maybe bunch it up more. Most of his spikes stayed straight in the package with minimal warp, which can be a problem with old Shred-head.

Shredder is a repaint of an already good action figure that’s true to the source material. I do love that flying hand accessory as well as all of the colors on this guy. I’m less sold on the pixel effect, especially with this figure because the cape is a flat color. He does ditch the cape in the game prior to the fight, so maybe that’s why NECA didn’t pay it much attention. It’s a bit surprising they even included it, but he does look cooler with it on. Since this is only my second figure from this line, I just have him kind of hanging out off to the side with my cartoon figures. Maybe some day I’ll go back and get more of these figures. I do prefer the video game Leatherhead to the cartoon one, and NECA showed off an early sculpt of a Baxter Stockman that will be the first all new sculpt for this line and one I’ll definitely get. As it stands, this figure is a touch underwhelming, but it’s also a little hard to get real excited for a Shredder repaint when so many other exciting figures are hitting retail right now. I don’t regret picking him up, and I think I’ll like him more when he has some more “friends” to play with.


Teenage Mutant Ninja Turtles #5 (1987)

This summer has been a very TMNT kind of summer around here. It’s getting to the point where I might have as many posts about the Teenage Mutant Ninja Turtles as I do Glenn Danzig music. Well, this is the rare post to feature both.

When Mirage Studios started to gain recognition thanks to the success of the TMNT comic book, founders Peter Laird and Kevin Eastman needed to hire more staff in order to churn out material in a reasonable amount of time. One of those hired was artist Eric Talbot, a former classmate of Eastman’s and apparently a fan of rock, metal, and punk music. One of Talbot’s earliest assignments was composing short stories for supplemental books and reprints of the original run of comics, which is how we ended up with the story “Ghouls Night Out.”

“Ghouls Night Out” was included in the reprint of issue #5 of Teenage Mutant Ninja Turtles printed in November of 1987. This is actually a pretty noteworthy issue of TMNT as it contains a special announcement in the middle of the story which officially blows the lid on the licensing deal Laird and Eastman had made with Mark Freedman. Included in the announcement are details about Playmates toys and its first wave of TMNT action figures due out in 1988 as well as the announcement of the animated mini series which was set to premiere the following month. This was the first time fans of the property were introduced to Bebop and Rocksteady and read the name Krang. There’s even a double page ad that follows with the inaugural lineup of turtle toys. Pretty cool!

“Ghouls Night Out” follows the main story and is eight pages of mostly art. In it, a turtle (most fans seem to assume it’s Donatello because he carries a spear at one point, but it could be any of the four) is patrolling a grave yard at night when monsters soon descend upon him. He’s forced to run for his life from the zombies, Frankenstein’s monster, a wolfman, Nosferatu, and others. Most of the Universal Monsters basically get to make an appearance. The story ends when the turtle wakes up in April’s apartment having fallen asleep watching a monster movie marathon on television.

Might be hard to make out, but some familiar names are on those tombstones across the top.

The story is pretty simple, but what drives it is the artwork. The cloaked turtle, wicked monsters, and ghoulish scenery are what sells Talbot’s story. What attracted me to it though was the obvious connection to The Misfits, one of my all-time favorite bands. The title is a reference to the song of the same name, and the very first page features a message on a tombstone thanking The Misfits with the year of the band’s demise also present. Above the title is a row of tombstones which feature arguably the most popular lineup for the band: Jerry Only, Robo, Doyle, and Danzig.

The following pages contain other references as well. The band Metallica can be found on some headstones on page 2 as well as the entire staff of Mirage Studios. And for good measure, some other artists that likely influenced Talbot, such as Frank Frazetta, are tossed in as well. It’s a story that’s supposed to be spooky, but it’s almost cute due to all of the shout-outs Talbot included. I also really dig his turtle design and if anyone at NECA is reading how about an action figure of this cloaked, spear-wielding, mutant? NECA even has a licensing agreement with The Misfits so might as well work in that tombstone too!

I don’t know where this one came from, but it swaps out The Misfits for just Danzig. The colored reprints of this story kept The Misfits.

This is an interesting little nugget of TMNT history and a fun find for a Misfits/Danzig fan such as myself. I’ve seen other versions of the headstone image online with The Misfits removed and replaced by Glenn Danzig. I don’t know if Talbot redid the art at some point or if a fan did that. It’s pretty cool that this thing exists and it’s another piece of my Misfits/Danzig/TMNT collection.


NECA TMNT Musical Mutagen Tour SDCC Set

“We’re coming out of our shells, dude.”

Awhile back, I decided to rank the various incarnations of the Teenage Mutant Ninja Turtles from worst to best. Occupying that dubious last place spot were the Turtles featured in The Coming Out of Their Shells tour. That may sound like the title of a TMNT sex tape, but it was something else entirely. If you weren’t around in 1990, that was the height of Turtle-mania. The movie had just come out, the cartoon was into its third and biggest season yet, Playmates was putting out new toys and play sets left and right, it was insane! And to add to it, was a ridiculous stage show where actors would come out in TMNT costumes, dance around, mime playing instruments, while a recording played over the loudspeakers. These guys went all over the country with this show which featured some Broadway elements, I suppose, as it was kind of like a play and not just a concert. There were some pre-recorded segments which would play during costume changes and a bunch of this material even made it to VHS. The soundtrack was sold on cassette and CD while virtually everyone who cared about TMNT in 1990 would be exposed to the classic tune “Pizza Power” via Konami’s Turtles in Time video game.

This is going to be fun.

Now I am not backing down from my ranking. Those costumes are kind of scary. The Turtles have these big, crocodile, maws that flap around with little nuance while their eyes look ready to pop out of their heads. Below the head the costumes are mostly fine as they’re basically rubber suits not unlike what we saw in the films, only a little worse. The performers found it too difficult to run around in shells though, so those were quickly dropped from the costumes and replaced with denim vests. Definitely the weirdest part of the whole thing were the sneakers and leg warmers. Ninja Turtles running around in sneakers just looks weird, especially because their feet are normally quite large, but when you put sneakers on an actor you end up with something much smaller. And while it’s fine if you liked the music back when you were 6, few would try to argue that it’s any good. It’s simple, lousy, pop music. And while “Pizza Power” is a bit of an earworm, I would hesitate to actually call it good.

San Diego Comic Con 2020 couldn’t happen this year, as expected. Did that stop NECA from doing a set of Teenage Mutant Ninja Turtles action figures as a convention exclusive? No! That’s how we ended up with this delightful abomination: The Musical Mutagen Tour. Coming Out of Their Shells must have had some interesting rights issues thus necessitating a change in title, but these figures very much are based on that tour. NECA made this set, along with an accompanying swag pack, available via Target since there was no convention. International purchases were also made available at NECA’s online store. I was able to secure a set via Target’s website sale, which sold out of them pretty quickly. Not “seconds” quickly like the cartoon stuff, but definitely “minutes.” It just showed up around me last Friday at brick and mortar and appeared to sell out fast. I was checking Target in the morning and later in the day and it arrived in between visits. The only thing left behind was an empty shelf and the t-shirt box, which appeared to be XL only at the two Targets I frequent.

When it comes to convention exclusives, companies usually like to do something fun or off the wall. Usually these end up being simple variants, but with NECA and its TMNT product it had been more essential than the garden variety con-exclusive. That’s because the license for TMNT made it either impossible, or just plain difficult, to sell action figures at retail. Well, with those restrictions lifting in recent years it’s allowed NECA to do something downright goofy this year. And that’s what a con exclusive should do. These aren’t the easiest, or cheapest, things in the world to get, but they’re also not supposed to be the type of set that everyone needs, let alone even wants. And for these particular Turtles, this is probably a set not everyone wants because as I said these are the worst Ninja Turtles ever. I am a sucker for the stupid and goofy though when it comes to toys, so while I did have to give this one more thought than I had in years past, I still ultimately decided that I wanted this thing. Did I make the right call?

Don’t forget the swag, man.

This set comes with a slip-cover over the box. The outer cover has some nice artwork on the front and the reverse has a faux tracklist and a Raphael mask to cut out (which I assume no one will). Slide that sucker off and you have a box that resembles touring equipment. There’s some fun graphics on it and from a distance it looks like a legit case you’d find an amp in or something. It has a window flap on the front held down by tape, cut that sucker and two flaps fold out to reveal the figures inside. The box is meant to resemble a stage and it does a good job of it, though the material is a bit too thin for it to work as a true display piece without a little work. The figures are seated in a plastic bubble which lifts out so the backdrop isn’t marred at all.

These dudes are ready to rock!

This set includes all four of the Turtles and each should feel pretty familiar for NECA collectors. The bodies of each figure are almost identical to NECA’s movie line of TMNT figures with the only differences being the shell and head. The feet are obviously different because they have sneakers now, and they look just as ridiculous in 2020 as they did in 1990. The switch from bare feet to shoes seems to have added a little height to the figures as well. There are soft goods leg warmers in place above the feet and draped over each figure is a denim vest. Each turtle has a different logo associated with them and each jacket features the tour poster graphic on the back as well as that turtle’s name. The vest can be removed pretty painlessly exposing the shell underneath if you don’t like that look, but I for one find this little piece of fabric incredibly charming. The only other change is in the various pads and belts which are all different to match the old stage show. There’s little tassels and such done in plastic, but it’s not super rigid so you don’t have to worry too much about breaking anything. The articulation is the same as the movie figures.

The biggest change lies in that head. Oh boy, is that thing ugly! And intentionally so as these guys look just like their tour counterparts. Each head is essentially the same just with a different colored mask, as the actual costumes were back in the day. Each turtle has a headset glued to their cranium which can be forcibly removed if you want, but would leave behind a garish hole in the side of the figure’s head. There’s a wire coming down from that headset that doesn’t connect to anything, but it’s bendy so you can kind of do whatever you want with it for your display. By far, the coolest thing about these headsculpts is the hinged jaw. Opening these things up just adds a level of horror to them that brings back some memories. The hinge is also well-hidden so that when their mouths are closed it’s almost hard to tell they can even open. It’s a cool feature, and I’m curious if NECA will attempt this with other movie figures, like maybe Secret of the Ooze versions?

Each turtle comes with his own instrument and hands designed to play said instrument. Leo and Mike have guitar-shaped instruments. I say “guitar-shaped” because the string count on each is irregular so neither resembles a proper instrument, but on stage Mike “played” guitar and Leo bass. Donatello has a keytar, which is fantastic, and Raph has some sort of electronic beat machine. Raph also has a second instrument, a green saxophone, as he played that on the VHS release. Of course, nothing is stopping you from switching the instruments around as they work with all of the figures. There are optional hands you can switch in and out if you desire. There’s two sets of wide open hands which are unique to this set and two sets of thumbs up hands which always come in handy during a performance. On the figures, Donnie has pointing hands, Leo loose gripping hands, Mikey tighter gripping hands, and Raph has loose open hands.

Leo and Mikey have their optional eye-wear.

NECA did opt to include a few other accessories. You may recall some of the Turtles wearing “eye bling” on some of the promotional material for the show and those are here as well. Leo has this Star Trek-like thing and Mikey has an actual star. Each is included and can fit over the eye of any figure, they simply pop on or off, adding a little extra sparkle. During the original show, the Turtles would also toss these foam, disc, pizzas around and one such pizza is included. It’s appropriately awful looking and is made of a really squishy, pliable, plastic that works well as a foam substitute.

If you’re a stickler for likeness, then you might note that there are some things missing. On the actual figures, the stage versions all wore shirts tied around their waste. It basically amounted to a colorful strip of fabric, but none of the turtles are sporting that here. They also had microphones and stands during the actual production. I know, it makes no sense since they’re all wearing headsets. They wore those during the show too. There was little attempt to make the production look realistic since it was meant to amuse six-year-olds, though I am tempted to see if I can track down some mini microphone stands for my display.

If you were interested in making this set even more “special,” NECA also released an accompanying swag pack. The figure set retails for $125 and the swag adds an extra $25 to the price tag. It’s definitely not essential, but I ended up with one simply because the online order forced it upon me. For what it is, it’s fine. Inside the box is a t-shirt of the box art with “tour dates” on the back corresponding with San Diego Comic Con and New York Comic Con (which technically hasn’t been cancelled yet, but most assume a cancellation is coming). Also included is a backstage pass lanyard, a concert ticket (courtesy of that famous pizzeria, Pizza Roof), and a set of guitar picks. It’s cute, and kind of excessive, but if you’re a completist then you’ll likely feel compelled to grab both if the opportunity presents itself. If your set came from Target’s website, like mine did, then you won’t get the box the stuff comes in. They just stuff it in the shipping box, which is fine.

NECA’s Musical Mutagen Tour set is a comic-con exclusive done right. It’s goofy, silly, yet strangely endearing. NECA managed to perfectly capture the ugliness of those old costumes as well as the spectacle of the stage show. Whether you have good memories or bad of these guys, this set still manages to tickle the nostalgia bone and it’s just a riot to look at. I love the grandeur of it with the stage backdrop, the detailed instruments, the denim vests, it makes me want to put “Pizza Power” on repeat as part of the display. I suspect anyone who has the Arcade 1-Up Turtles in Time cabinet will probably set that thing to attract mode and try to find a space to display these figures alongside it. Had I gone for one of those it’s something I’d definitely be looking to do. And the good news is, that unlike most of NECA’s TMNT stuff, this isn’t something that should appeal to everyone. If it’s something that is for you though, then you’ll be happy to have it and hopefully you won’t have to go nuts trying to find it.


NECA TMNT Cartoon Casey Jones and Slashed Foot Soldier

It’s never a good day to be a Foot Soldier.

Something that is likely common to most of humanity is a desire to be successful. We all measure success differently, be it professional, financial, or something else, but we all strive for it. And sometimes success can feel like a burden. Take NECA’s line of action figures based on the Teenage Mutant Ninja Turtles property. Since these toys hit retail over a year ago they’ve been a challenge to get hold of. Exclusive arrangements with big box retailers, who definitely do not specialize in collectible toys, can make simply tracking them down difficult. And when anything is hot, it attracts the attention of re-sellers, or scalpers, as they are often referred to as. With unemployment at record highs, the temptation to make a quick buck off of a toy might be even more tempting than it normally would be. Collectors who simply want a hunk of plastic that resembles a cartoon they watched 30 years ago are forced to fight a system not designed for them in addition to the scalpers, bots, and other collectors. Not to mention a global pandemic.

As such, tempers have been running a bit hot lately on social media. Follow NECA on Twitter and likely any tweet will be met with a reply, usually several replies, about folks complaining about their inability to find TMNT product. The most cheeky and overused response is usually something like “Check out this eBay exclusive!” but sometimes things can get downright abusive. NECA’s Creative Director, Randy Falk, even went on the Pixel Dan show recently just to talk about TMNT and the difficulties in getting product to fans. It’s one part rant, one part informational, with a little room for announcements and optimism towards the end (and I encourage you to check it out if you have any interest in NECA’s Tokka and Rahzar set). It has become a rather insane situation, and collectors come out looking the worse for it based on the reactions of a few, but NECA is at least acknowledging that some change is needed so hopefully things can improve.

One way to combat this scarcity is simply to buddy-up! I have had no luck finding the newly released Target exclusives in my area, but a fellow collector out in Illinois has hooked me up with one of the releases: the Casey Jones and Slashed Foot Soldier Two-Pack. This two-pack is the first two-pack in Wave 3 of NECA’s line of figures based on the original Teenage Mutant Ninja Turtles cartoon series from 1987. In an attempt to get more product on shelves, NECA has opted to release this wave in a staggered fashion. This Casey two-pack arrived first alongside the single figure release of Metalhead. Later this week, the second two-pack is scheduled to start rolling out and the third will follow two weeks later. That next two-pack might be even more hard to get as it features the villainous duo of Slash and Leatherhead. This third will feature April O’Neil and a “bashed” Foot Soldier. Fans in the UK had the whole wave dropped all at once so you may see fans from across the pond with all three sets already. What hasn’t been clarified is if Metalhead will continue to ship with the other two-packs. I sure hope so, because he’s been difficult to find with most stores apparently only receiving two per shipment. As a result, he is going for roughly triple the MSRP on eBay at the moment, which is a shame because he looks like a contender for toy of the year and one that deserves to be in the hands of collectors as opposed to scalpers.

This two-pack marks the second such two-pack headlined by Casey Jones this summer, the first being the movie version of Casey Jones with Raphael in disguise. It’s kind of amusing that both versions of Casey have arrived bundled with a variant of a previously released figure, but maybe that speaks to the popularity of the Casey Jones character that NECA thinks he can carry a two-pack with a variant alongside him. Casey Jones is definitely one of the most memorable allies of the Teenage Mutant Ninja Turtles from the old show and action figure line. He had a strong presence in the comics and obviously the first film. The hockey mask look is striking, and in the cartoon he was voiced by Pat Fraley doing an obvious Dirty Harry impersonation. He only appeared in five episodes and was basically just some crazed vigilante whom the Turtles had to hold in check, but he definitely left an impression. He didn’t form any real personal connections with anyone which is a distinction between this Casey and the others.

The accessories!

NECA’s action figure of Casey is based off of his first appearance in the show. His costume and weapons are quite screen accurate as he has the cut-off shirt and sweatpants look. He carries a golf bag over one shoulder that you have to pop the head off of the figure to slip on and the bag can hold all of his included weapons. He stands a little over six inches making him taller than the Turtles, but shorter than the villains. He is fully articulated,as one would expect, with articulation in the following places: ball-jointed neck, ball-jointed shoulders, bicep swivel, double-jointed elbows, wrist swivel, waist swivel, ball-jointed diaphragm, ball-jointed legs, double-jointed knees, and ankle joints on a hinge with some pivot motion from side to side. This is fairly standard of NECA which tries to avoid things like cut thighs and ab crunches so as not to take away from the look of the figure. The only consistent complaint I see for this figures is the lack of hinges in the wrist area that allow the hands to move in four directions as opposed to just in and out.

The sculpt work on Casey is pretty damn fantastic. He looks like he’s pulled right from the show. NECA did a great job adding subtle detail to the mask, which is non-removable as he never took it off in the old cartoon, to really allow the character’s personality to shine through. He’s also a rather fit dude, but the sculpt doesn’t go overboard with the muscles. A lot of Casey’s attire is done with a separate piece of soft plastic which gives the figure a nice feel and texture. The little strings on his sweatpants are in this soft plastic so they have some play as is his shirt and shoulder pad. The pliability of the plastic allows for some movement in the diaphragm area, though the shirt does hinder it as well. The shoulder pad also limits some of the range of motion on his left arm. The only articulation I personally miss is a butterfly joint in the shoulder area which would have allowed him to do more forceful looking, two-handed, weapon swings. My figure was quite loose and ready to rock out of the box, so no heat was needed to get things working. His elbow and knee hinges though have a very rubbery feel to them. I worry about durability down the line. Hopefully my fears are unfounded.

Casey seems to scale rather well with the other figures in the line.

The paint job should seem familiar to fans of this line. You either like it or don’t when it comes to NECA’s shading. They apply a darker shade of paint to the backside of their figures to mimic the shading from the show. Sometimes this looks fine, and sometimes it comes across as overdone. With Casey, I think it mostly works on his clothing, but looks a bit silly on his arms. Natural lighting should take care of this without the need for the added paint, but it appears this tactic is here to stay at this point. The paint itself though is rather cleanly applied with little slop. NECA did a great job matching the plastic arms to the paint on the exposed knees. NECA also likes to use a lot of black lines to give the figures added pop. I’ve seen some complaints of this online, but it’s something I’m a fan of.

The only area I see for criticism is just in the amount of paint and choice of plastic. There’s a lot of paint on this guy and I worry about it flaking off down the road. It’s already an issue on the ankle joints and wrist hinges where NECA used a flesh-toned plastic and then painted green to match the boots and brown for the gloves. This paint has a tendency to flake off (or the entire hinge was never painted to begin with) leaving an exposed area of flesh tone in the middle of the boot and at the base of the glove. Casey’s wristbands do hide the hinge on the hand fairly well, so it’s more of an issue with the boot. NECA would do well to have the factory match the color of the foot with the plastic rather than paint in future releases. The paint also has a tendency to rub off when it comes to the hands. This is particularly an issue on the bone-white hockey stick which already has a brown smudge from inserting and removing it into Casey’s hands.

Casey is known for having a small arsenal on his person at all times, and NECA doesn’t disappoint here. In addition to the golf bag he uses for storage, Casey has the following weapons: a hockey stick, a goalie stick, a baseball bat, a metal bat-like rod, and a mallet. All feature a lot of black linework giving them a real toon appearance. I think my favorite is the traditional hockey stick, but that mallet is certainly fearsome looking. In addition to the weapons, he also has a few extra hands. He comes packaged with closed fists for when weapons aren’t needed and has a set of gripping hands. He also has an optional right hand with a pointing gesture, and a left hand giving a thumb’s up. The gripping hands seem to work just fine with all of the accessories. Some probably wished for an open hand or double thumb’s up hands, but this allotment certainly gets the job done.

And of course, Casey is not alone! Joining him in this two-pack is the Slashed Foot Soldier. Initially, many fans simply assumed that Casey and April would be packed together since they were first unveiled side-by-side and the two characters have an established relationship outside of the cartoon universe. That didn’t come to pass though and instead both come with a battle damaged Foot Soldier. I was initially disappointed with this development as I’m not the army builder type, but I will say this particular Foot Soldier is pretty cool.

The majority of the figure is the same as the previously released Foot Soldier. The only difference is in the torso which features the battle damage. The clothing has been ripped away exposing some of the robotic parts inside. All of this is sculpted really well and you can see where parts were severed and intended to match up and so forth. There’s one thick wire that’s still connected and it holds the two halves together. It’s bendable, though coated with plastic so you will want to go easy with it to avoid cracking that plastic coating. This allows the figure to be displayed as he’s in the process of being torn in half. He could be doubled-over, in mid-slash, or even pulled apart entirely. It’s a very descriptive figure and one toy photographers might actually want multiples of. It wouldn’t shock me if down the road we get a refresher wave that bundles the two battle-damaged Foot together if there’s a demand for it, and maybe then Casey and April will be bundled together as well.

The Foot looks great and his battle damage is quite possibly the best application of that concept I’ve ever seen. He also comes with accessories though so he’s more than just a prop. He has the same hands and rifle as the previously released Foot, plus he has a new, more bulbous, gun that undoubtedly showed up in the show at some point. He also has the same communicator released with several figures previously, only this one has a sticker of Rocksteady on it. If you’ve been collecting everything, that means you should have a communicator with Shredder, Krang, Bebop, and Rocksteady now which is a fun little touch.

The Casey Jones and Slashed Foot two-pack is a worthy addition to NECA’s cartoon line of TMNT product. Casey is a fan-favorite and I think fans will be very pleased with how he turned out. While the Slashed Foot may not be something fans were crying out for, it’s a fun, gimmicky, figure that works well in a display especially considering he comes with a figure who’s a big fan of slashing, as is. There will be a handful only interested in Casey, but I’m sure if that’s the case they won’t have much trouble unloading this extra figure considering how in-demand this line is. This set is sold exclusively at Target in the US and at various specialty shops outside of the country. Since NECA stocks its own product at these stores they won’t show up on the website or on inventory tracking sites like Brick Seek except for under rare circumstances so get out there, make some phone calls, and good luck!

The collection is growing! And if you’re wondering why all of the glassware is present, it’s because the best place to display these in my house happens to be behind my bar.

I need to send out a special “Thanks” to the fellow poster over at thefwoosh.com for hooking me up with this figure at cost. Without him, I may have never encountered it in the wild. And that’s the thing I want to stress in this review – help each other out! If you’re a collector, get onto social media or a forum and find fellow collectors that can help you and that you can in turn help out. I see too many selfish collectors who buy up stock with the intention of keeping one for them and flipping the others to in effect “pay” for the one they kept. That’s just using the rest of the collecting community to fund your hobby and it’s a dick move. So if you happen upon these things don’t be shy about buying two and selling one at cost to a collector in need. Some don’t live near a Target, or might be immunocompromised and shouldn’t be out in public places right now. If there’s another collector at the store then by all means don’t take one out of their hands, but we should do what we can to try and make sure these don’t fall into the hands of scalpers. And it should go without saying, but don’t buy from scalpers. If people weren’t paying 80 bucks on eBay for this set, then no one would bother trying to sell them. It’s tough out there, but you don’t have to go it alone.


Rocko’s Modern Life: Static Cling

After taking a trip to the past with Rocko’s Modern Life during the spring, it seems only fitting that I also take a look at the Rocko’s Modern Life movie from 2019: Static Cling. To be fair, the term “movie” is definitely used loosely when applied to this piece of media. Static Cling was originally conceived by Nickelodeon as a one hour TV special with commercials so the running time is a tidy 45 minutes. It’s basically a double-episode, but considering Rocko’s Modern Life had never had a special before it’s easily the longest story the show ever committed to.

The special was announced in 2016 by Nickelodeon and it rejoins the original cast, alongside series creator Joe Murray, and gives fans a look at what Rocko (Carlos Alazraqui), Heffer (Tom Kenny), Filburt (Doug Lawrence), and the rest have been up to since. The theme of the special is change as it’s a very metta look at how audiences grapple with the loss of something from their past and seek out nostalgia binges to fill that hole left behind. The special will drive that point home quite literally by having Rocko, who has been lost in space since the events of “Future Schlock,” return to an O-Town that has long since ridden itself of his favorite cartoon: The Fatheads. Rocko is forced to confront this new O-Town and adapt to a new modern without his binky and he finds it impossible. Conversely, he has to watch his two best friends adapt just fine as Heffer and Filburt become immediately enchanted by modern technology. A clerical error by neighbor Ed Bighead (Charlie Adler), whose life has apparently been bliss since Rocko and his friends were blasted off into space, causes the mega-corporation, Conglom-O, to lose all of its paper value thus plunging all of O-Town (since Conglom-O owns everything) into a depression. Rocko is able to convince the head at Conglom-O, Mr. Dupette (Adler), that a way to help the company out would be to produce a new Fatheads TV Special. The only problem is that series creator Ralph Bighead (Joe Murray) hasn’t been seen or heard from in years.

Alternatively known as Static Cling: The Rocko Special.

The early bits of the special unfold in a predictable, but still entertaining, manner. Rocko and the gang are shown adjusting to modern life and the classic opening segment from the TV show is even redone with modern technology now harassing Rocko. There’s also a nice bit of the boys taking in a gritty reboot of Really Really Big Man that’s an obvious parody of Christopher Nolan’s Batman trilogy. Even though the special is basically mocking those who have been begging for this show to return for the last 20 years, there’s still a ton of fan service throughout as basically every character of note returns for a cameo, at the very least.

Some of the jokes the special makes are rather easy, but they’re also the type of jokes that pretty much have to be made.

Static Cling was commissioned as a Nickelodeon TV Special initially, but the network wound up passing on it and selling the rights to Netflix. This caused a rather significant delay in getting the special in front of fans. Nickelodeon never offered up a reason why it chose to option the special to Netflix, but many speculate it has to do with the character formerly known as Ralph Bighead. A major plot device in the special is that when Rocko eventually finds Ralph, he finds that Ralph no longer identifies as male and has taken the name Rachel instead. The reaction of Rocko and his friends, and basically everyone in town, is very positive as they basically congratulate Rachel and that’s that. Rachel’s father, Ed, is the only one who has an issue with it resurrecting his line “I have no son!” from the Season Two premiere. Nickelodeon was reportedly supportive of the idea to add a transgender character, and it certainly fits the theme of change, but it’s not the best look for the network that it chose to pass on airing this. Maybe the network found it could make more by selling the distribution rights to Netflix, but how much would the pay-out have been affected if Nickelodeon chose to premiere it on its own network and then pass it off to Netflix? Probably not a lot and it’s a shame it didn’t see this as an opportunity to make a positive social statement.

The re-done opening credits gag will likely be a favorite part for many fans.

The look and sound of Static Cling is quite similar to what fans remember from the show, but also a bit different. Cartoons just aren’t made in the same manner they were back in the 90s so Static Cling doesn’t necessarily look like a 90s cartoon. It’s obviously all digital and a bit more “clean” to look at. Some of that Rocko’s Modern Life grime has been lost and this is overall a far less gross version of the show than viewers are used to. Not that Rocko’s Modern Life needed to be gross in order to be funny. The only big change I felt a bit jarring is that Rocko’s fur is a deeper shade of beige than it was before. As mentioned before, basically all of the cast returned to voice the main characters and the side ones as well. Pretty much all of them still sound the same, though Tom Kenny’s Heffer is a bit higher and is the most notable difference.

The Chokey Chicken has undergone a makeover.

Rocko’s Modern Life was able to garner itself a reputation for adult humor during its life as it sometimes found itself censored after airing. Fans hoping for something as titillating as “Leap Frogs” or the infamous moo-milker gag might be a little let down by Static Cling. The Chokey Chicken does get to have its original name restored (it’s mascot has also been slimmed down as it’s become health conscious in this new modern setting) and Really Really Big Man’s magic nipples get some screen time as well. The only borderline lewdness I picked up on was just an emphasis on Mrs. Bighead’s ample bosom. There’s a scene where a fence divides her and Rocko and her breasts hang over it right in Rocko’s face, though he doesn’t seem to notice. She even reaches into her cleavage to pull out an object, though that’s the kind of gag I feel like the original show could have got away with anyway (and maybe did).

Static Cling does an excellent job of giving these characters a reason to exist in the 2010s. The foundation is solid, though I found the last fifteen minutes or so started to drag for me. A lot of the best humor and gags occur early in the special and it doesn’t help that the Rachel Bighead plot feels very similar to Ralph’s debut in “I Have No Son.” It was both disappointing and predictable to see Ed Bighead serves as the conflict once again for Rachel and the character just re-learns the lesson he had already learned back in that old episode. Maybe it could have been more interesting if the opposite had occurred and it was Bev Bighead that took issue with Rachel? Anything to make it feel less redundant would have likely helped, though maybe it didn’t feel redundant to someone who hasn’t seen that episode in 20 years.

It shouldn’t be glossed over that the inclusion of Rachel is a pretty eventful change, and one that should be celebrated.

Ultimately, Static Cling does have something to say and it’s a worthwhile message. It’s examination of modern fandom and nostalgia is pretty on point, and the overall message that change is necessary is a statement worth saying. The fact that it also contains a positive portrayal of a transgender character is also great as that’s a minority that is still under-represented. It never stoops to cheap trans jokes too, which is a plus, as the production did seek input from the Gay & Lesbian Alliance Against Defamation (GLAAD) during production. It’s also hard not to enjoy Static Cling for the reason it seems to not want the viewer to enjoy it for and that’s just the pure nostalgia trip one gets from interacting with these characters once again. I have no doubt that because of it’s approach to comically infuse cartoon characters into a modern society that Rocko’s Modern Life could make a full comeback and be just as funny in 2020 as it was in 1995. It’s perhaps the cartoon from that era that has aged the best. It doesn’t seem like Joe Murray is interested in a full-blown comeback, but at least we got a little taste of what life would be like for Rocko in the 2010s.


Mighty Morphin Power Rangers: The Movie

In 1995 the Mighty Morphin Power Rangers were at the height of their powers. The show had premiered on Fox Kids in the summer of 1993 and was basically an instant hit. Saban Entertainment churned out 60 episodes for that first season followed by a 52 episode second season which finished airing in early 1995. When it comes to successful children’s properties, most executives want to strike while the property is burning bright so a movie was fast-tracked for summer 1995. It would be a whole different kind of production as the television show was a mash-up of three separate shows. The Power Rangers as teens was all shot in California, while the majority of the action was taken from Super Sentai, a long-running Japanese action-adventure television series. To make things more complicated, the White Ranger was introduced in Season Two even though he was featured in an entirely different season of Sentai which is how you end up with three distinct source productions.

For the movie, 20th Century Fox stepped in and took over for the notoriously cheap Saban Entertainment. Saban was so cheap that by the time the second season ended three actors had been replaced with new ones. Austin St. John, Walter Emanuel Jones, and Thuy Tran had been replaced as the red, black, and yellow rangers when the three tried forming a union to request better wages. The actors reportedly were making $600 per week and we’re being asked to do their own stunts as well. For a hugely successful show, one would think they were justified in requesting a raise. Saban though is run by Haim Saban, the same executive who reasoned that the writers for the wildly successful X-Men cartoon should take a pay cut for the second season because now that the show was a hit, writers should be banging down on his door to write for it. The three original Rangers were replaced by Steve Cardenas, Johnny Yong Bosch, and Karan Ashley while the other three who declined not to unionize (Jason David Frank, Amy Jo Johnson, and David Yost) remained.

The Power Rangers leap onto the big screen with new, armored, costumes.

It’s for that reason that it feels like Fox was just a few months late with the movie. Had the more memorable, and frankly better, characters made it to the big screen it probably would have had more of an impact. Then again, Mighty Morphin Power Rangers isn’t really a film that asks much of its heroes, save for them to mostly look cool and jump around. There’s one memorable line from the Rangers in the entire film, so basically anyone could have played these parts.

With Fox on board it meant someone else got to foot the bill other than Saban. It’s not uncommon for a movie based on a television property to look much better than its small screen counterpart, but for this film it was clear that Fox really wanted to make that point. The Power Rangers have their recognizable costumes, but they’re now padded with armor plating. The villainous Lord Zedd’s (Mark Ginther) exposed brain now throbs with every line of dialogue and his right hand monster, Goldar (Kerry Casey), gets to sport glowing red eyes and re-worked face. The end result is a bit of a mixed bag for the characters we’re familiar with. Zedd looks quite menacing, while the Power Rangers look more like motocross participants and Goldar is actually less menacing than he was on television.

Ivan Ooze is the true star of this one.

What does work is the film’s new lead villain. The basic story is a strange artifact shows up at a dig site that contains the ancient evil Ivan Ooze (Paul Freeman). He apparently caused some trouble many years ago and an older version of the Power Rangers, together with their leader Zordon (Nicholas Bell), defeated him and sealed him away. Zedd is aware of the discovery and sees an opportunity to enlist Ooze’s help to defeat the Power Rangers and take over the world, but Ooze has other ideas. He traps Zedd and his bride, Rita Repulsa (Julia Cortez), in a snowglobe and takes over his operations with his own goal for global domination. He attacks Zordon and lays waste to the command center of the Power Rangers sapping them of their powers. The Rangers are then forced to use the last of their powers to warp to a distant planet to find a greater power in the hope that it will allow them to save Zordon and defeat Ivan Ooze for good.

The film marks the theatrical debut for director Bryan Spicer who worked with John Kamps and Arne Olsen to craft the story and script for the film. It’s a very basic story of a bad guy stripping a hero of their power and forcing them to find a new source to train, power-up, and return. It’s actually very similar to the plot of the first Teenage Mutant Ninja Turtles film in which the heroes lose their surrogate father and have to leave for a period only to come back and save the day. The film is only an hour and thirty-five minutes, but it’s a long hour and thirty-five minutes as there’s a lot of padding to be found. The film begins with a lengthy, and pointless, sky-diving sequence which gives way to an extended roller-blading outing for the Rangers. I guess the idea was to make the heroes look cool while also hitting that magic 90 minute running-time, but there’s a lot of pointless stuff going on.

The Power Rangers also have new, ninja, outfits to show off which means Bandai has more toys it can sell.

The acting presented here is about what you would expect. The Rangers themselves are rather wooden, but they’re also given some of the worst lines to work with. Tommy, played by Jason David Frank, is perhaps miscast as the leader of the bunch since he struggles with basically every line except for “It’s morphin’ time!” I say “perhaps miscast” because I am not sure any of the others really demonstrate anything better. Amy Jo Johnson, who plays Kimberly the Pink Ranger, is probably the best of the bunch, but even she isn’t given a whole lot. Worse is that she and Aisha, the Yellow Ranger, seem to constantly find themselves in peril calling out for help from the male Rangers in virtually every conflict. This is a departure from the show where the girls are freely allowed to kick some ass and even bail out their male comrades. There’s also a romance angle shoe-horned into the relationship of Tommy and Kimberly, but there’s absolutely no chemistry to be found between the two actors.

As is the case with the television show, the real stars of the film are the villains. Lord Zedd and Rita Repulsa are a fun odd-couple pairing, for the brief time they’re around. They make me smile when they’re on screen, and I would have been very disappointed with how they’re written out if not for the presence of Paul Freeman’s Ivan Ooze. Ooze is a ridiculous looking villain, which is perfect for a film like this one that has a bit of a B-movie vibe going for it. He’s funny, flamboyant, and the pile of prosthetics Freeman is forced to wear do not cover-up his face so he’s free to emote and use his facial expressions to further enhance the character. He’s easily the best part of the film and it’s almost a shame he had to endure so many hours in a makeup chair for such a picture.

My children found movie Zordon frightening.

Where the film really takes a turn for the worse is in its desire to elevate the product above the television show. The show is formulaic and repetetive, but it’s not without its charm. The cheap effects are endearing, and the bad rock music soundtrack has a way of worming its way into your ear. Note that I don’t consider the main theme song, “Go, Go, Power Rangers!” as among the bad. That song is perfect for what it is. For the film, licensed music is brought in as is often the case for summer blockbusters. There are songs from The Red Hot Chili Peppers and Van Halen to go along with the techno-rock score that just isn’t nearly as fun as the television soundtrack. It causes the property to have a sense of being in over its head, like it doesn’t belong, when in reality the soundtrack was aiming to do the opposite.

“Mega” is not the way I would describe this Megazord.

Worse than the soundtrack though, are the effects. There are a great many instances of practical effects in this film, which is what is appropriate for the franchise. Some of them get a little silly, like the White Ranger doing a comical amount of flips through the air. His deployment of his sentient sword, Saba, is also awesomely bad. What can’t be forgiven though is the CG finale. The film only had a budget of roughly $20 million so no one would expect Jurassic Park CG, but where the films errs is in its attempt to make the zords, giant robots piloted by the Power Rangers, entirely CG. Same with the evolved form of Ooze which features a frozen face completely removing the character’s strength. The zords are just brutal to look at and it’s a real shame that the studio didn’t just pour money into making awesome costumes for the stunt performers. The Rangers even get new, more powerful, zords, but kids were likely left underwhelmed at the end result. They do show up in the TV show in a manner fans were accustomed to, and they look light years ahead of what’s presented here.

You would probably believe me if I said this was from a PlayStation game, not a major Hollywood blockbuster.

I decided to watch Mighty Morphin Power Rangers: The Movie largely because my kids have been watching the original show and it’s been a fun trip down memory lane for me. I honestly can’t remember if I had ever sat down and watched this movie beforehand, but if I did I can see why it wasn’t very memorable. I was hoping for more camp and plenty of humor, some intentional and some unintentional, but the film really doesn’t deliver. The only redeeming part of it for me was Ivan Ooze, and when he’s not on screen I’m just not entertained, save for one line by Johnny Yong Bosch when he finds out he’s receiving the powers of a frog. The film was a hit as it reportedly made over $60 million at the box office plus it probably made a bunch more in merchandising. Despite that though, there was no Mighty Morphin sequel. Instead, we got Turbo: A Power Rangers Movie in 1997 which bombed at the box office. The franchise was also rebooted in 2017 as simply Power Rangers, but it didn’t perform well enough to warrant a sequel and rumor has it the film franchise is destined for another reboot. The show is still going though and it seems like the type of series that will last forever at this point. It’s just a shame that its best era received such a dismal feature.