Category Archives: Television

Dec. 3 – American Dad! – “Season’s Beatings”

Original air date December 11, 2011.

It feels like it has been a minute since we took a look at an American Dad! Christmas episode. The show can be counted on to produce such an episode almost annually and often times the Christmas episode is among the best of the season. 2024 is also the year we had to say goodbye to actor Martin Mull. It’s possible you don’t immediately conjure up a role for Mull upon hearing his name, but he’s definitely one of those “Hey, it’s that guy!” type of actors that most have encountered. He seemed to get a lot of work in TV in the 90s and I can’t think of a program he was a part of that wasn’t better off for having him. And, to no surprise, he’s great on this episode of American Dad!.

Included a couple of years ago as one of the top Christmas specials of all-time was the season seven episode of American Dad! titled “For Whom the Sleigh Bell Tolls,” so it only makes sense that we return to American Dad! with the season eight episode “Season’s Beatings.” We’ve gone out of order with the show as I wanted to jump ahead to the sequel episode of “For Whom the Sleigh Bell Tolls” with “Minstrel Krampus,” so now I’m here to rectify that.

American Dad! is old news around here so I’m not going to make the usual preamble in this space, just know that you’re getting a subversive Christmas special. It’s not going to be for everyone. I hesitate to use the word “edgy” because it’s too often relied on and seems to be a favored descriptor for those with bad takes, but this episode is probably on the edgier side since it’s going to deal with the main character trying to murder a kid at Christmas. He’s the antichrist though so it’s okay! Still, if your idea of a good Christmas special is something like an episode of Full House or The Little Drummer Boy then this probably won’t be for you.

Roger is here to whip up some good old-fashioned eggnog!

The episode begins in conventional fashion with no Christmas theming added to the opening title. Lame. Once over, we at least are immediately treated with an exterior shot of the Smith household all decked out for the holidays with a fresh blanket of snow. Inside, Francine (Wendy Schaal) and son Steve (Scott Grimes) are making cookies while Roger (Seth MacFarlane) is mixing up a batch of his special eggnog. Steve scolds him for taking so long with the ‘nog and Roger assures him it’s almost ready, but it just needs a final test. His slurred speech would suggest he’s already tested the drink extensively, but just to be sure he pulls out a cage containing two rats. He offers a ladle full of the stuff to a brown rat who sniffs it before taking a few licks. It immediately starts screaming and tares off the head of the other rat in the cage with it. After making out furiously with the severed head, the rat dawns it like a headdress and runs in circles until it stops to vomit out blood until it collapses and explodes sending rat pieces flying. I told you this wasn’t the sort of Christmas special for everyone.

The eggnog may feature some side effects…

After Roger declares his eggnog perfect, Stan (MacFarlane) enters the room with exciting news: Father Donovan is putting on a Christmas pageant at the mall all about the life of Jesus! Fran asks if he’ll be trying out and Stan smugly announces that he’s sure to land the lead role of Jesus for the play because he’s the most devout member of the congregation. Roger drunkenly laughs about the concept of Christianity, referring to it as his favorite deadbeat dad story (comparing it to the real song “Biological Didn’t Bother” by Shaq) as he slurs his speech and somehow manages to not fall off of the stool he’s standing on. Stan angrily slams down the pamphlets he was holding and demands that Roger not insult his religion. Roger, rather calmly, gathers up his jewel encrusted “pimp cup” and stumbles over to Stan as if he’s about to offer some retort, only to point out that Stan as a pimple under the skin of his chin that’s likely to reach its apex in about two weeks. He then saunters off into the living room.

She sure is flexible.

In the dimly lit living room, Hayley (Rachael MacFarlane) and her husband Jeff (Jeff Fischer) are cuddling on the couch watching TV. Hayley asks her husband if everything is all right noting that he cried a lot more than usual during sex this morning. Jeff sits up and announces that he wants to have a baby. He feels they have a lot of love to give plus he also feels broken inside and kids are sure to fix everything! Hayley wants nothing to do with being a mother declaring she has no maternal instincts and only animal ones. She lists off eating and pooping as such instincts and casually tosses in a “laying on the ground ahead of a storm” which she immediately demonstrates by walking around in circles and curling up on the carpet as thunder booms outside. She punctuates the joke by scratching her ear with her foot.

Not the role Stan was anticipating.

At the mall the next day, some parishioners are setting up for the play while Father Donovan (Martin Mull) looks on with a lit cigarette casually placed between his fingers. Stan comes into frame to enthusiastically confirm that he’s willing to play Jesus in the play, but Donovan shoots him down immediately. Stan can’t believe it and points out that he’s the most devout member of Donovan’s flock, but Donovan just laughs him off and informs him the role has nothing to do with devotion – it’s all about the abs, baby! Jesus is shredded, and Stan is, well, not. Stan tries to convince him other wise by laying on the cross that’s being worked on at the moment, but it snaps in half under Stan’s weight causing the female worker who was painting it to declare, “Now what am I going to burn on my ethnic neighbor’s lawn?” Father Donovan assures Stan he has the perfect role for him and holds up a red jacket and pants. Stan thinks this is a reference to Fireman Jesus, but Donovan confirms for him that he wants him to play Santa. To try and convince him how great a role is he produces some Bratz dolls that Santa gave him – for free – last Christmas! He then darkly adds that he can’t believe this is the suit Earl died in.

The Smith family has added a new member, and he’s an orphan! Maybe this will be a wholesome Christmas special after all?

Back at the Smith home, we see Jeff’s van pulling into the driveway and then cut to the living room. Jeff has an announcement to make – he’s adopted a son! He has named the little guy (who I would guess is 2 or 3) Nemo, after his favorite character from his favorite book: the novelization of the movie Finding Nemo. Hayley is outraged that Jeff went and did this while Francine is shocked and delighted. She can’t believe she’s a grandmother and felt her only chance at becoming one was if Steve got raped by a confused lesbian. She runs to Nemo and scoops him up covering him with kisses. Jeff says he wanted a son to carry on his legacy – his Suburu Legacy, so maybe this is going to be a running joke with him. Hayley is confused because adoption should be a lengthy process and asks Jeff how he pulled this off. He’s dumbfounded and chalks it up to an end of month clearance event while adding that the orphanage seemed real eager to get rid of this kid. Nemo then walks over to Hayley who backs away declaring “Eww, get it away from me!” He grabs her hand and nuzzles it which triggers Hayley’s maternal instincts to kick in times ten. She starts sobbing uncontrollably and wraps Nemo up declaring him her baby. Aww! Stan then comes down the stairs in full Santa costume and demands to know who Nemo is. Francine declares they’re grandparents, and he just responds, “Steve was raped by a confused lesbian?”

“Don’t worry about it.”

Back at the mall, Stan is apparently not playing Santa in the play, he’s just playing the part of Santa for the mall. There’s a kid sitting on his knee and Stan curtly asks him what does he want? The kid, in a deep, gravelly, voice, replies with “Umm, let me think about it?” Upon hearing how deep his voice is, Stan demands to know if he’s even a little boy, but the guy just tells him “Don’t worry about it.” After telling him he can’t be here, the not kid says “Come on, I waited in line let me just sit here a minute.” Stan doesn’t agree to that and tells him to get off, but the not kid assures him he’s almost done. When Stan asks what he’s almost done with, he just responds “Don’t worry about it.”

I’m sure Stan will have a rational reaction to Roger landing the role of Jesus.

The performers in the pageant then enter and Stan declares he has to see this. Tossing the not kid from his lap, Stan hurries over to the stage to find out who is playing Jesus. It’s Roger, who is wearing a wig and a loincloth and has some impressive abs on display. Stan is outraged to find Roger as Jesus and demands to know why he would want to do this. He says that Stan made it sound like a big deal and notes it gave him an excuse to work on his abs and his…savior bulge, as he gestures to his groin. Stan can’t believe it and when he finds out that Roger is also drunk he loses it. He punches Roger in the face and climbs on top of him to rain blow upon blow upon this false idol. Roger gets away momentarily and crawls to one of the female performers. He doesn’t ask her for help though, just calls her ugly. He’s definitely not Jesus material.

Looks like I was wrong.

We return to the Smith home as Stan pulls into the driveway. Inside, Nemo has Jeff’s hat on which I’m assuming everyone finds cute. Hayley is filming him and still sobbing uncontrollable prompting Francine to remark that her “bitch crying” is ruining the home movie. Stan then enters still in his Santa suit only now it’s covered in blood. Francine jumps up and asks him what happened. His cover? He was sitting on the bus next to Courtney Love and she sneezed. Even if that were believable, it’s ruined by good old television which Jeff points out as a news story covering the beating at the mall is played. Stan insists it’s not what it looks like and that he was defending Jesus while the anchor describes the beating as an unprovoked attack on Christianity. It’s not helped by the soundbite of Stan shouting at Roger as he wails on him “You can’t play Jesus you lazy, wine-loving, bisexual!” We then pull out from the TV to reveal a female priest is watching the coverage. She picks up the phone which cuts to another priest type doing the same and this goes on until it reaches the pope who asks “Are you watching this shit?”

Very wrong.

Stan insists to his family he wasn’t slandering Jesus, but Roger. The news then alerts the viewing audience that the mall Santa has been identified as none other than Stan Smith. The phone rings immediately and Steve answers informing his father that it’s Father Donovan, and he sounds punitive. We cut to the church where Stan is having a face to face with Donovan who has some bad news: he’s being excommunicated from all of Christianity. Stan can’t believe it and asks how he can get back in. Donovan tells him there are only three ways: find the Holy Grail, kill the antichrist, or donate ten million dollars to charity adding that’s how Jared Fogle from the Subway ads got back in (this episode was made before Fogle was arrested and jailed for being a pedophile so this joke reads quite dark now). Stan points out that he can’t do any of those things, but Donovan can only offer his apologies. He demands that Stan turn in his badge and he apparently does have a gold, Christianity, badge that he places on Donovan’s desk. As he goes to leave, Father Donovan calls out to him to wait! He doesn’t have anything to add, he just wants Stan’s opinion on if he should grow a mustache or not further asking, “What do hookers like?”

Klaus doesn’t get a line this entire episode, but at least he looks cute.

The only thing for Stan to do is go home and cry in front of his family about being excommunicated. Roger is still nursing his injuries from his encounter with Stan at the mall (and really seems to be taking it all in stride, probably because he achieved orgasm during the fight which he confirms to Steve) while Klaus, the goldfish, can be seen wearing an adorable little Santa hat in his fish bowl. Steve tries to suggest to his dad that he just get a new religion and Francine remarks it worked for Mohammed Ali and thinks he changed religions, and his name, to Kareem Abdul Jabar. No, Francine, those are two different people. Stan doesn’t want to change religions, so he just sobs instead.

That’s quite the discovery, Stan.

In his office, Stan is grabbing all of his kitschy religious items and tossing them into a box. As he does, he cries some more until his wails are interrupted by little Nemo who comes walking into the room doing the same. Stan seems to have taken to his new grandson better than I would have guessed as he picks him up and goes in for some snuggles. He then notices a mark on the boy’s head. It reads 6…6…2, phew! Wait! Below the 2 is a “+4” and then under that is the number 666! Nemo is the antichrist! Roger then enters with one of those tins filled with caramel corn. He claims to Stan that he made it just for him, but there’s a card on it indicating it was a gift to their neighbors Terry and Greg from someone named Trevor. We then get a quick cutaway of the pair looking for the gift under their tree while an angry Trevor, who thinks they regifted it, looks on. Trevor declares that they’re worse than Connor and everyone, including Trevor, gasps at the outburst. Connor must be pretty bad. Back in the study, Stan tells Roger to forget the corn because he has found a way back into Christianity and all he has to do is murder his grandson! And I thought they were bonding.

I’d call Father Donovan out on this boast, but I’m afraid he’ll try and prove it.

It’s nighttime and Father Donovan is pulling up to the Smith house in a car that features a license plate which reads “12 Inches.” Sure, buddy. Donovan enters the house and Stan shows him Nemo’s mark as the kid sleeps in a crib in the living room. Donovan tells Smith that he better make sure he knows for certain that Nemo is the antichrist before he kills him. Apparently, he’s made some mistakes in the past. Roger and Jeff then enter the house with Roger remarking that was some of his worst caroling, but best tagging, ever. We get a quick cut to someone’s garage door which features an image of Santa and what looks like strippers. Stan informs Jeff that he needs to take them to the orphanage where he got Nemo so that he can find evidence that proves he’s the antichrist so he can kill him. Jeff just says “Okay,” either not grasping what’s going on here or he just doesn’t care. Roger tells Stan to give the cutest orphan a crisp bill of some kind and the ugliest one a…he backhands Stan for dramatic effect. Stan then informs Roger that he’s coming too since he got him into this mess. Roger is fine with that, but informs everyone that before he can go anywhere he needs to…wipe…better. Gross.

This probably doesn’t bode well for the priest.

Outside the burned down remnants of the orphanage, an old groundskeeper is there to tell the gang the place burned down last week, the day after Jeff adopted Nemo. He also shares with them that was the day he got his cholesterol test results back which no one seems to care about. The group split up and look amongst the wreckage for any clues they can find about Nemo. Only Father Donovan seems to have found anything as he looks over a manilla folder and calls Stan to tell him to meet him outside. As he waits for the others to come out, a crow observes Father Donovan pacing back and forth. Its eyes glow red and we cut back to Nemo who is playing with blocks with his mother. His eyes glow red and then in slow motion he knocks his little block tower over which causes the orphanage to shake and collapse on Father Donovan.

This is probably something the orphanage should have shared with Jeff.

Stan and the others race outside seemingly avoiding catastrophe, but Father Donovan is not so lucky. His torso is sticking out of a pile of flaming rubble. He tells Stan he can’t feel his legs and asks if they’re okay. We pan over to see the man’s severed legs on fire prompting Stan to deadpan “They’re fine.” Donovan hands over what he found which is Nemo’s file confirming that he is indeed the son of Satan with a jackal for a mother. There’s even a nice family portrait of Nemo, a jackal, and a Satan that resembles Tim Curry from Legend. It’s at this point that Jeff realizes that Nemo spelled backwards is Omen, but Roger is quick to point out that doesn’t make sense since Jeff was the one who named him. They choose not to dwell on it as Father Donovan outlines what it means for Nemo to be the antichrist. He tells Stan that he needs to retrieve the sacred daggers from the Vatican as they are the only items that can kill Nemo. When Stan asks if he’s sure, Father Donovan says “Yes, I read it on Wikipedia.” He then goes into a long history on musician Jon Bon Jovi which he also read about on Wikipedia. As he does this, he’s clearly struggling to breathe, but he manages to finish the lesson before finally passing. Stan informs Jeff and Roger that they need to hurry to the Vatican, but Father Donovan wakes up and continues his history lesson. His last words are “Kenny…Loggins.” Stan seems afraid to say anything else in fear that it will prompt Father Donovan to share more last words. Godspeed Father Donovan. I hope there are hookers in Heaven waiting for you and they don’t care if you have a moustache or not.

Something tells me Steve will not enjoy this.

Our next scene reveals that Stan has apparently managed to utilize CIA resources to get a plane and head to the Vatican. Stan calls home to let his family know what’s going on and he gets Steve. Steve immediately starts to share the results of his latest eye exam, but Stan obviously doesn’t care. He just blurts out the Nemo is the antichrist. Steve pauses, looks annoyed, then resumes sharing the details of his exam. At the next pause, Stan just shouts what they’re doing and passes on a warning to beware of Nemo before hanging up. Steve, clearly agitated, puts the phone down only to be startled by the presence of his nephew on the couch beside him. Nemo’s eyes glow red once more and Steve shivers beside him until his eyes turn red in response. He drones that he is here to serve him as his buddy Snot (Curtis Armstrong) enters the house. Steve’s head spins around with a snapping sound and Snot rightly is freaked out and makes a hasty retreat.

What did Seth do? I don’t think I want to know what Andy Dick did.

Stan, Roger, and Jeff arrive at the Vatican. Roger is already bored and complaining of thirst while Stan ignores him and outlines the plan. They need to gain access to the catacombs in order to find the daggers they seek, but when they arrive at the gate the two guards inform Stan he’s not allowed to enter. We get a close-up shot of a flier of banned persons. One is Jared from Subway with an “OK” stamped over him. Stan is there and below him it looks like maybe Christian Slater and Andy Dick? The one that looks like Slater might just be Seth MacFarlane, I don’t know. It is! When the camera zooms out we can clearly see his name below. Odd that they didn’t include it in the frame for the close-up. Anyway, Stan informs Jeff and Roger that they’ll have to retrieve the daggers, but Roger doesn’t want to. Stan then asks him why he can’t just assume a persona that’s eager to do this? Roger likes the suggestion and morphs into Roland Chang – Super Positive Asian! He basically wears a wig and smiley face hat and gets slanted eyes. It’s kind of racist? Roger is certainly not PC.

We know what this means…

The catacombs are pretty creepy as we see Jeff and Roger walk amongst some dusty, old corpses. Roger tells Jeff to be on the lookout for the daggers and empty boxes since he has a friend that needs boxes in preparation for a move. A rat emerges from a hole in the wall to spy the pair and its eyes immediately turn red. We cut back to Nemo who is seated in a highchair with a sippy cup and army men splayed before him on the kitchen table. His eyes in turn glow red and he removes the lid to his cup and dumps it upon the army men. In the catacombs, Roger asks Jeff if he does coke and gets no reply so he just says “Yeah, me neither.” Suddenly, a rush of water comes surging in and Jeff and Roger are forced to try and get to safety. Roger manages to get onto a ledge, but the water sweeps Jeff away. Roger cries out, “Jeff!” in response to this only for Jeff to shout back “What?”

That is just a fantastic nut shot. Look at how the eyes go cross.

We then see Roger emerge from a floor vent into an ornately decorated sanctum. A group of cardinals, or bishops, or whatever they’re called are just standing around a bit surprised to see a super positive Asian fellow emerge from their basement. Roger has to break the bad news to them that they have a bit of a moisture problem in the basement. He then spies the ceremonial daggers right there on the wall! He informs them he can prepare an estimate for repairs, but then just kicks the first bishop in front of him right, square, in the nuts. We cut to Stan waiting outside as Roger comes running out shouting “We’ve got the daggers Jeff died run, run, run!”

Well, at least in this state Steve should be more helpful when it comes to stringing lights and such.

We now return to the Smith household where Hayley is tossing a football with Nemo while Steve looks on speaking in tongues. Francine is on a ladder and hanging lights when she scolds Steve to stop speaking in Aramaic – it’s a dead language. Stan and Roger come speeding in and Francine demands to know where they’ve been. Stan asks her if she got his message, but as illustrated by Steve crawling around on the roof in some kind of a reverse crab walk pose, she did not. When Stan points out that Nemo turned Steve into an apostate of Satan, Francine confirms he’s been a pill all day. They also find time to slip in casually that Jeff is dead which shocks Hayley. When Stan tells her that they have to kill Nemo, he tries to use Steve like a club of sorts to telekinetically beat back Stan. Francine still doesn’t buy into this and just thinks Steve is hungry. She tells him she just made a Trader Joe’s run and lists off a bunch of digs at Trader Joe’s ending with something about a mushroom flatbread pizza that smells like nutsack.

Get ready for an extended brawl as our main character tries to kill a toddler!

Hayley, despite all of this, isn’t willing to let her father murder her son. She grabs him after Stan gets tossed into the ladder Francine was on forcing her to grab onto the lights to stop herself from falling. Roger leaps into action to stop Hayley from taking off, but Francine comes inadvertently swinging in and knocks Roger to the ground. The lights end up causing a fire which provides a distraction for Stan to grab Nemo and run. Hayley tackles him through the living room window of Terry (Mike Barker) and Greg’s (MacFarlane) and they roll around their house destroying a bunch of stuff in the process. Stan kicks his kids out of the house, but Nemo uses his telekinetic powers to throw Stan through the ceiling. He dangles for a second, then falls and resumes chasing after Nemo. Terry realizes this is the perfect opportunity to destroy some figurines of Greg’s he hates so he awkwardly swats them off an end table, well after the Smith’s have vacated their home, and does a pretty poor job of acting like it was an accident.

Did we really need to mock the blind here? This one was a little too dark for me to be funny.

Back outside, Hayley pounces on her dad and demands he not harm her Satan baby indicating she’s accepted the reality of the situation, but still would prefer to not have her son murdered. A menacing looking dog leaps to Nemo’s defense so Stan pulls out his gun and shoots it. A blind man then wanders over asking if they’ve seen his dog, Clancy. Hayley and Stan don’t move or say a word and just let the poor guy pathetically call out for his service dog while receiving no response. He decides to move on, and is promptly run over for his efforts. That was just unnecessarily cruel.

It’s all come down to this. Is American Dad! really going to show toddler murder on network television?!

With the blind man dead, Hayley and Stan resume their brawl only to be interrupted by Steve. He jumps on his father, still speaking in tongues, but Roland is here to put him down! He sprays Steve with some bug killer that causes him to fall off and act like a spider that just died. Roland tells Stan now they can kill that boy together and punctuates his optimism with a hearty thumb’s up. Stan grabs the daggers while Nemo tries to flee through the backyard. He uses his mind powers to chuck a charcoal grill at Stan, but Roland grabs him and pins him to a patio table. Stan goes in for the kill, and misses Nemo stabbing Roland in the hand. Roger immediately snaps back into his standard persona and begins to insult Stan, but then has to remind himself that’s not who Roland is and instead offers words of encouragement. Stan regathers the daggers and looks to try again, only for Hayley to pull his own gun on him. He gives her one look, then decides to kill the kid.

Don’t worry, this isn’t The Wizard of Oz.

The screen goes white as we hear the sound of a gunshot. We’re at the hospital and Stan is waking up in his hospital bed surrounded by his family – including Jeff! If you’re thinking this whole episode was a dream, well you’re wrong. All of that stuff really happened, and Hayley did shoot Stan! It’s not explained how Jeff survived, he just did. Nemo was not murdered, but the family has good news regardless. Turns out, Roger’s pimp cup from act one was actually the Holy Grail so Stan has been readmitted into Christianity! As for Nemo, Hayley sent him somewhere far from Stan where he’ll be safe. We then cut to someone tucking little Nemo into bed – it’s Sarah Palin (Schaal). She offers up some encouragement about sleeping in the White House soon and then leaves the boy because her new issue of Highlights magazine has arrived. With his new mother gone, Nemo pops out from under the covers. He takes off his onesie pajamas, which are covered with crosses, and puts them on upside down. He then speaks in a shrill voice threatening Stan Smith that he’ll see him at the Rapture! His head spins around and he vomits a whole bunch while a voice over lets us know that Baby Antichrist wants to wish us a Merry Christmas! The screen is then covered in green vomit and the credits roll.

Merry Christmas to you too, Baby Antichrist!

I told you it wasn’t going to be one of those warm, fuzzy, Christmas episodes. American Dad! knows how to deliver the subversive, and since its main character is a devout Christian it makes it pretty easy to craft a Christmas special. There are probably some uncomfortable images in this one for those who take their religion seriously, but there isn’t much here truly mocking Christianity. Father Donovan isn’t really a wholesome take on a priest while the suggestion that anyone with money can buy their way into the good graces of the Pope could certainly be taken as a jab at the faith. On the other hand, Donovan did say “charity” when mentioning how Stan could pay his way out of trouble so it’s not like he was enriching any one person had he been able to go that route.

Sarah Palin jokes were pretty dated in 2011. They’re even more so now.

No, what’s really the aim of this episode is just to fashion a Christmas episode around a grandfather seeking to kill his newly adopted grandson. That’s pretty messed up, especially because Stan seems completely fine with the whole thing. Then again, Nemo is pretty clearly the antichrist and I suppose a good Christian would want to kill such a creature. And it’s not as if Nemo had been around all that long. I find it funny, and the episode is chock full of Christmas theming which I do so enjoy. We get lots of decorations and fun Christmas outfits for most of the family. I definitely could have used a bit more of Father Donovan so I was a bit sad to see him killed off about halfway through, but at least he didn’t overstay his welcome. The Palin joke at the end wasn’t very good. They insulted her intelligence with the crack about Highlights magazine, but it’s a pretty toothless joke. And Nemo did leave us with a taunt, but he would not return. There’s even a later Christmas episode about The Rapture, but no Nemo. I guess he’s still biding his time up there in Alaska, but he should probably ditch Palin and hitch himself onto another wagon if he wants to get into Washington.

Bless you, Father Donovan. Hopefully, you’re in a better place.

Should you wish to partake in this non-traditional Christmas special the easiest way to do so is via Hulu. If you’re outside the US, then Disney+ will have it. TBS is still the cable home for American Dad! and you can probably find this one playing throughout the month there as well. It’s not my favorite American Dad! holiday episode, but it’s up there. Maybe even number two, so I give it a strong recommend with the caveat that it’s not for everyone. Now let’s all strive to be a little less like the antichrist this holiday season and a little more like Roland Chang – Super Positive Asian!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 3 – Animaniacs – ‘Twas the Day Before Christmas

Children’s cartoons often take to Christmas when the season rolls around. The holiday is usually ripe for parody or just direct adaptations so it’s easy for the writers to kind of phone it in. What’s not customary is for a cartoon series to feature two dedicated Christmas episodes in a single season! That’s what Animaniacs…

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Dec. 3 – Popeye the Sailor – “Mister and Mistletoe”

Last year for the Christmas Spot we took a look at the 1960’s TV series Popeye the Sailor and its Christmas episode “Spinach Greetings.” There are a lot of Popeye fans in the world and my assumption is that most would not put Popeye the Sailor above the theatrical shorts that helped catapult Popeye to…

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Dec. 2 – Dinosaurs – “Refrigerator Day”

Original air date December 11, 1991

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of the world celebrated a different sort of holiday and it was one centered around the refrigerator. Think about it for a second – the refrigerator really is an amazingly transformative invention. Prior to its creation, there was no way to keep food from spoiling when the outside temperature was above 50 degrees or so. People would have root cellars where they would store things like apples and cheese in the winter because they were hearty. Apples could be turned into apple sauce or pie while cheese would spoil from the outside in. Those moldy parts could be discarded, or consumed if you like that sort of thing. That’s why in a society that apparently doesn’t really worship a god a refrigerator can seem like a truly miraculous thing.

Dinosaurs was an ingenious idea that lead to a pretty great show.

On this blog, I tend to stick with cartoons when it comes to the daily Christmas post, but it’s not a hard and fast rule. And Dinosaurs is kind of like a live-action cartoon. It was often compared (sometimes negatively) to The Simpsons during its heyday and it’s fairly apt. Both shows are sitcoms that just go about the whole medium thing different. Where as The Simpsons is a bonafide animated production, Dinosaurs is a costumed one with advanced puppetry. The show was created by Mike Jacobs and Bob Young and receiving a “developed by” credit is the infamous Jim Henson. Henson died before the show’s premiere, but it’s he who is credited with the idea of doing a sitcom about a family of dinosaurs. The costumes for much of the cast are very similar to what the company made for the Teenage Mutant Ninja Turtles films. You basically have an actor in a big, rubber, suit, with animatronics built into the face that are then operated by a puppeteer. I can’t imagine how miserable these costumes must have been to wear, but the technology on display is truly amazing. These characters are as alive and expressive as most sitcom stars and the show became an overnight success when it debuted in 1991.

The Sinclair family is a fairly typical family of four at the beginning, but made five before the first episode ends.

Dinosaurs was considered an expensive production, but despite that it ran for four seasons totaling 65 episodes, an important number if syndication was going to be in its future. It’s also a show that has become infamous since it left the air because the final episode basically kills everybody off. I mean, it’s a show about dinosaurs – how else could it have ended? The Sinclair family doesn’t literally die, but the ice age is essentially about to begin and it’s pretty bleak. Their doom was brought about by their own society’s ills and in that regard it’s even less of a surprise the show ended in such a fashion. Dinosaurs is a sitcom and a funny one at that, but it’s also a pretty biting satire of 90s culture. The show was very critical of war during a time when most of the country was consumed by Gulf War patriotism and the show even tackled religion in a pretty savage way for network television. In my experience, the show burned bright and faded quickly with most only remembering it for the baby and his infamous “Not the mama,” routine, but once the show hit Disney+ I gave it a complete rewatch and was kind of blown away by how well it holds up.

The enduring image from the show.

If you are new to the show, Dinosaurs is about the Sinclair family. Earl (Bill Barretta as the suit actor, Stuart Pankin the voice) is a typical sitcom dad in that he’s a blue collar worker with a mean boss who just wants to be left alone when he’s not on the job. He’s not stupid, but he is pretty ignorant which leads to some stupid decisions. His wife, Fran (Mitchel Young-Evans, Jessica Walter) is the typical moral center of the family and a stay-at-home mother to a pair of teenagers, Robbie (Leif Tilden, Jason Willinger) and Charlene (Michelan Sisti, Sally Struthers). Both kids have pretty typical teenaged problems dealing with popularity, the opposite sex, puberty, and so on. In the very first episode, Fran lays a surprise egg which hatches into Baby Sinclair (a more conventional puppet operated by Terri Harden and Kevin Clash with Clash providing the voice) who basically throws their world for a loop. Earl and Fran, already having teenaged children, certainly weren’t looking to start over with another baby, but life is funny like that.

This will be Baby’s first Refrigerator Day.

“Refrigerator Day” is the 12th episode of the show’s second season. It originally aired on the ABC network on December 11, 1991. The episode begins with everyone in the Sinclair household decorating for Refrigerator Day. Basically, it looks like Christmas with a different name. Fran has just finished baking a traditional mold pie while Baby asks his grandmother Ethyl (Brian Henson, Florence Stanley) what Refrigerator Day is. She dryly informs him she already told him, but he asks if he was listening. The humor in this show is very much in-line with The Muppets. Ethyl explains that before there were refrigerators life basically sucked. Fran chimes in as well, but the whole thing is lost on Baby who doesn’t understand their explanation, but does perk up when Charlene mentions it includes lots of presents.

Instead of having to introduce a new item to the home and decorate it, the dinosaurs just trim-up their fridge. It’s a sound method.

Robbie asks his dad if he’s basically going nuts on gifts this year and Earl is happy to tell his son that he indeed is. He gets in a dig at his own expense when he points out that it’s easy to blow all of their money on presents with his salary, but he’s in a very jovial mood so his dead-end job as a tree pusher isn’t going to bother him. He does bring up the dreaded Refrigerator Bonus, so you know he’s either not going to get one or its going to be miniscule. He reaches into that holiest of appliances, the refrigerator, to pull out a snack. It’s a living, small, mammal which gives the show an almost Flinstones vibe as most of their food is seen alive first and is often sarcastic. Fran comes over to lecture him about the true meaning of the holiday. And wouldn’t you know, it’s basically all of the same stuff as Christmas with the noted exception that this holiday is preceded by two days of fasting. Fran snatches the little vermin away from Earl who also gets to make a fat joke at the expense of the megalosaurus.

We jump to later in the day and Earl is on the job. His friend and co-worker, Roy (Pons Mar and Julianne Buescher as puppeteers, Sam McMurray voice) is puzzled by Earl’s lack of lunch who is then forced to explain the whole fasting ritual. Roy, being a bachelor, doesn’t have a wife to enforce such things. Earl isn’t too bummed though, because he soon hears the summons of his boss B.P. Richfield (Leif Tilden and Steve Whitmire, Sherman Hemsley) which can only mean one thing: bonus!

“Toddy.”

Earl heads into his boss’s trailer in a very good mood which is unusual for him as heading into the boss’s trailer is usually a terrifying experience for Earl. Richfield is apparently in the Refrigerator Spirit as he’s decorated his trailer with lights and tinsel and even installed a fireplace so his workers could come in out of the cold. He offers Earl a hot toddy and even takes time to remark what a funny word “toddy” is. Earl is very much enjoying this as his boss produces three envelopes. They each contain a Christmas bonus and when he asks Earl to guess which one is his he surprises him by saying “All of them!”

Now that’s the Richfield we know and love (?).

If this all seems too good to be true it’s because it is. Earl is having a pretty sad fantasy about getting love and respect from his boss, which is shattered by the screams of said boss to get in his trailer. The actual trailer is just as cold and miserable as usual. No fireplace, no hot toddy, no offers of an embrace, and perhaps not unexpectedly, no bonus. Earl actually gets handed four pencils, not to keep, but to sharpen. When he prods his boss about a bonus he’s met with an angry stare and confirmation that there is none. They do a little Looney Tunes bit where Earl tries to say there will be one, while Richfield says otherwise, but Earl being a dinosaur and all has never seen a Bugs Bunny cartoon so he doesn’t know how to turn the argument around in his favor. When Earl protests that he depends on the bonus, Richfield tells him that’s why he isn’t getting one. When you expect a bonus, it’s just salary. When Earl tries to tell him that he isn’t expecting one now, Richfield just remarks, “Good! Now you won’t be disappointed!” As Earl leaves dragging his tail behind, Richfield tells him not to tell anybody else about the no bonuses this year. He wants to tell them himself and describes it as a little holiday treat. I love Sherman Helmsley as Richfield, he is just so damn good at being a terrible boss.

At least Earl doesn’t try to hide his lack of a bonus from his family.

If you’re worried that this means we’re about to embark on an A Christmas Carol like plot involving Richfield then worry not. He’s beyond hope. Instead, Earl heads home with the bad news. We first find Charlene and Robbie preparing more decorations while watching TV. There’s a commercial about celebrating Refrigerator Day by giving paint which Robbie finds distasteful, but Charlene seems more open to Refrigerator Day commercialism. It’s followed up with a holiday greeting from the We Say So corporation about deregulation and corporate freedom. Wow, does it ring true in 2024. Following that is when Earl enters to summon the family to share the bad news. At first, Baby won’t let him share the bad news as he keeps interrupting to talk about his new found love of Refrigerator Day which involves drawing a refrigerator, drawing on the refrigerator, drawing on the walls, etc. Earl is finally able to get it out that he’s not getting a bonus and that they’re broke. Charlene sees no problems here because Earl already bought the presents. When her mother points out that they have no money to pay the bills she still fails to see a problem. Earl tries to reassure everyone that they’ll be okay. It’s the holiday season and everyone is more charitable at this time of year and more willing to wait for their money.

Avert your eyes, dear reader, it’s too gruesome!

We smash cut to the family’s refrigerator getting repossessed in front of a distraught Earl. Larry the repo dinosaur informs him he’s half a day late with his payment so the fridge has got to go. Earl tries appealing to the guy by pointing out his children and that it’s Refrigerator Day. Baby has even latched into his leg, but his mother pulls him away. Larry informs the family that his boss demands that they take the appliance that leaves the biggest mark and puts them under the most pressure, hence why the fridge goes. Earl refers to the guy’s boss as an evil man, which Larry confirms also while adding that he did give them all a nice holiday bonus. With the fridge gone, Earl is left to confront his own failure. He declares himself lower than dirt and despite his family trying to console him he announces that this will be the worst Refrigerator Day ever!

Earl is not coping well.

Earl rises the next morning and, out of habit, saunters over to where the refrigerator would normally be. When he discovers it gone, he becomes delirious and basically starts sobbing. The rest of the family retreat to the living room where Fran shares an idea she has with her kids: they take the presents back to the store, get their money back, and use it to buy back their fridge! Charlene is so disgusted by the suggestion that she can’t even form a proper analogy to describe what it would be like to have no presents on Refrigerator Day, but one look at their father singing to himself while holding ice trays is enough to convince the others. It’s here we find out that the concept of returning purchased goods to a store is a completely foreign concept in dinosaur society. Fran acknowledges it’s an odd thing to do, but thinks they have to try. Meanwhile, Earl seems to be getting even more delirious and cries out that they’re starving. Fran reminds him that they’re fasting, but Earl points out that fasting is a choice. They have no food and therefore are starving. He’s pretty logical when he wants to be.

These two just can’t wrap their heads around the idea of returning bought merchandise.

We next find the family at Kave Mart, a pun that is generic enough to still work today, but is obviously a pun on K-Mart which no longer exists or barely does. Fran and the kids carry in their wrapped gifts and approach a clerk about returning them. He seems puzzled, but says okay and tells them to just put them whereever. When Fran explains that she also wants her money back he gets real confused. He calls in his co-worker Hank to try and figure this out. It’s basically a very straight-forward discussion on logic: why would a store, which already has enough product, buy back its own merchandise? And why would someone like Fran try to sell something without making a profit? This is what it’s like to have a discussion with a libertarian. The two clerks get a bit angry with Fran thinking she’s trying to pull a fast one before declaring that the only way they would be willing to buy merchandise would be if they paid wholesale. Fran reluctantly accepts despite the protests of Robbie who rightly points out that they’ll get practically nothing for these items. What kind of fridge could they possibly get selling these items back to the store for far less than what they paid?

Refrigerator Day is saved?

A Styrofoam cooler, that’s what. We smash cut to the not-fridge while Ethyl takes a gander as Fran informs her mother it was all they could afford. Earl enters to wish everyone a happy Refrigerator Day, but in a very gloomy manner. He informs them he wanted to give them the presents he bought, but it seems they’ve been stolen so he’s going to head to the garage to hang himself. Fran intercepts Earl’s suicide march to tell him the gifts weren’t stolen and they returned them to the store to buy back their fridge. Earl can hardly believe it and nearly becomes overwhelmed with emotion, until he sees the new fridge. He’s back to feeling suicidal as he apologizes to Baby for ruining his first fridge day and implores him to take a whack at his dome with a pot as he so often does. Baby declines which makes Earl feel like an even bigger failure. Ethyl is there for him though as she strikes him across the belly with her cane reminding him that she’ll always be here for him, “Fat boy.”

And now Earl’s own son has rejected the proposal of inflicting violence upon his skull. Could this day get any worse?

It’s at this point that Fran feels inclined to remind everyone what Refrigerator Day is all about. She reminds them all the day is for them to reflect back on their ancestors who have nothing and appreciate all that they have today. She tries to throw it back at Earl by declaring them blessed, but he’d still rather head to the garage and hang himself. Fran stops Earl to inform him that they are going to do the annual Refrigerator Day pageant. Earl replies, “At the risk of sounding immature – I don’t want to!” and stamps his feet. Fran pushes past him to say then they’ll do it without him as the kids follow along behind her. I’m finding it hard to believe that teenagers would go along with a family pageant, but they are a different breed from me.

Now here’s a custom I can do without.

We cut to Ethyl reading from a book, “And now it can be told…the True Story of Refrigerator Day.” It’s essentially a parody of A Visit From Saint Nicholas/Twas the Night Before Christmas. Come to think of it, that’s what this holiday is lacking. A cosmic being who spreads presents and good cheer. Actually, the story is more like the first Thanksgiving complete with pilgrim-like costumes. Earl reluctantly takes part while the rest are fairly enthusiastic. We learn the story of the holiday is that the patriarch of this story heard a voice demanding he build a box that’s cold inside. The dinosaurs stopped migrating and constructed their box. They do, and the family has a little, prop, fridge for their story. As its told, to make it cold they were going to toss it in a lake, until the daughter discovered it had an electrical plug. The play ends with the family singing a “Fridge Carol” that sounds like “The Feast of Stephen.” It’s a crazy holiday, but when you get right down to it, Christmas is pretty wacky too. And don’t get me started on Easter!

It’s a Refrigerator Day miracle!

Performing in the pageant has done wonders for Earl’s mood. He declares his love for the pageant while someone is at the door. It’s the guys from Kave Mart! They’ve brought back their fridge and all the presents from before. Refrigerator Day hadn’t been stolen, it came just as before! Actually, there was no change of heart or visit from three ghosts. The store just figured out that a return policy like the one Fran proposed is a huge, money-making, idea and to buy off the Sinclair family from claiming credit for it they’re being bribed with their old refrigerator and gifts. Earl even gets his bonus and the store also installed snow machines on the roof for ambience. All they have to do is sign away all rights to the return policy idea which Earl is happy to do.

With everything all wrapped up in a neat, Refrigerator Day, package, there’s nothing left to do but celebrate. The children gather around the refrigerator while Earl and Fran reflect on what they have. The image is framed like a greeting card with the cast and crew of Dinosaurs wishing us all the happiest of Refrigerator Days!

The Sinclairs get a happy ending, but they’re also swindled out of a million dollar idea.

It’s not exactly Christmas, but it’s just Christmas with a different name. Dinosaurs took a conventional plot, oddly one also utilized by The Simpsons which Dinosaurs was sometimes accused of ripping off, but they found a way to turn it on its head. The concept of a return policy is completely off the wall in this consumerist society. The world of Dinosaurs is one dominated by We Say So which basically has a monopoly on everything. Do they own Kave Mart? Probably. The bit at the store is great and the show has several expertly crafted cuts to drive home its own brand of satirical, sometimes dark, humor.

It’s that dark humor that can possibly rub some the wrong way. We have multiple suicide jokes and the Richfield character is truly detestable. I find it all pretty damn hilarious, but that’s just me. The characters emote really well and this episode contains a rare additional set in the form of the department store. The one criticism I have of the show is it often takes place in very familiar locations, but that’s because new sets are really expensive. The extras, like the clerks and repo man, are basically stock costumes that get used and reused constantly throughout the show. Sometimes they change up the voices and sometimes they stick with the same ones. It’s almost like a fourth wall situation where the dinosaurs are just actors in this show we’re watching and they play the roles expected of them.

Every Christmas episode should end with a faux greeting card.

Dinosaurs is a terrific little 90s gem of a series. If you remember it somewhat negatively as “The Baby Show” then know that your memories are inaccurate. While Baby was a breakout star, he wasn’t relied upon to do a lot of heavy lifting outside of an episode here and there. It really is a family sitcom, but one that’s not at all sweet or mild and it really leans into the satire. It has a lot of Muppets-styled timing with some of the jokes, but it’s far more focused and lacks that intentional corn of its more famous predecessor. If you have never watched it definitely give it a try especially if you’re a fan of other Jim Henson productions. It’s a pretty unique show and it’s all available on Disney+ so it’s pretty accessible by today’s standards. And remember, while you’re drinking down your nogg and opening presents, think about those who made our refrigerator possible and thank them. If you want to know their names, go check Wikipedia or something. I’m busy decorating for Refrigerator Day.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

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McFarlane Toys BTAS Christmas With the Joker Action Figure

It’s time for your favorite holiday tradition: Christmas with the Joker!

Yesterday, the United States celebrated the Thanksgiving holiday so you know what that means? The Christmas season is underway! And it’s one that feels like it could not have come any sooner. We need a little Christmas, right this very minute, and today it’s coming to us via an unexpected source: The Joker. Yes, the Clown Prince of Crime is getting into the Christmas spirit today for, what else, an action figure release. This is yet another old one from DC Collectibles re-released via McFarlane Toys. The first such set of figures we looked at released this way didn’t go that well. Will this Joker fare any better? Will the magic of Christmas help to elevate him above his brethren? Let’s find out together.

Joker, as seen in the episode from which this figure is based on.

It was years ago (2017, if I’m not mistaken) that DC Collectibles released a Joker action figures based on the episode of Batman: The Animated Series “Christmas With the Joker.” In just the show’s second episode it not only introduced audiences to its version of the Joker, but also made it a Christmas special. Since the show was debuting in September, that meant it had to be held back a bit, but still managed to air in November. Nonetheless, it’s not one of the show’s better episodes, but the mere fact it features the Joker and it’s a Christmas episode helped it to remain memorable.

He certainly looks happy to be celebrating the holidays with us.

When this figure was first released, I considered getting it. I don’t know why I didn’t, I guess maybe I was trying to save money? I probably feared that getting even one action figure from this line of Batman figures would open the floodgates so I held off. When it went on clearance I still held off. When it got a re-release with a pearl finish? Oh yeah, I held off. And when that re-release also received the discount treatment? By then I had become a pro at ignoring this Christmas Joker so it was a piece of cake to do so yet again.

He’s definitely not going to scale with the McFarlane Batman Santa.

Now, it’s 2024 and McFarlane Toys has decided it needs to re-release this Christmas Joker. I don’t know why in 2024 that I feel like now is the time to jump in, but it’s what I’ve done. The wave one figures from McFarlane were borderline terrible. I like the sculpt of the Scarecrow and Freeze is okay, but the Batman and Robin figures were just plain bad. The paint jobs are pretty hideous and the toys feel cheaper than ever. These figures were fragile when originally released, but they didn’t feel cheap. I don’t know what McFarlane is doing, but these feel comparatively worse. Still, for a Christmas figure I just expect it to stand there and look festive. My demands of this figure are pretty minimal and should be easy to please. I’m not sure it’s capable of meeting even those unambitious demands.

“Now here’s a Santa I can really get behind!”

Joker comes in the normal packaging which is a big window box that’s entirely too large. There is no Christmas theming to the packaging which feels like a real missed opportunity. Make it look like a wrapped gift and you stand to sell two of these per person, Todd. Joker is depicted as he was for most of that episode, well, aside from the hat. He wears the hat for all two seconds, but this figure has one molded to its head. In another missed opportunity, McFarlane could have included a non-hatted head to switch to, but maybe this one was never designed for a removable head? Aside from the hat, Joker is sporting a Christmas sweater that’s a simple red with a green turtleneck underneath. From the waist down, he’s basically your standard Joker with purple pants and white and black shoes.

“Here Harvey, you look like you could use a little Christmas spirit.”

The sculpt is fine, but the paint is not. Joker isn’t as bad as the other figures, but the detail work is pretty awful. His mouth and teeth are sloppy and my figure had a big black smudge on his chin that I’ve mostly been able to remove with a Magic Eraser. His eyes are outlined in black, but he has no eyebrows to speak of. The edges of the white on the Santa hat aren’t particularly sharp, but what isn’t dreadful with this release is the cel-shading. McFarlane added some dark red to the right side of the figure and some dark purple to the pants. There’s also a hit of dark green on the inner sweater. It’s far more purposeful than some of the other figures and the color choices are fine. If all of the figures looked like this there probably wouldn’t be many complaints about the shading. There’s also still a lot of bare plastic here including basically all of the white parts and pants. The original release looks like it was almost all painted, by comparison, so if you can get that one instead for a decent price you may find it the better piece.

Yuck.

What’s not any different is the feel of this thing. It’s cheap and it’s pretty junky. The MSRP appears to be $30 though Target initially offered it for $25 (and it is a Target exclusive). Even at the lower end, it doesn’t feel great. This is more like a $15 figure and the articulation is befitting that price range as well. You get very little here as the head only rotates. If it’s supposed to look up or down mine won’t budge. The shoulder pins are fine and the elbows bend almost 90 degrees. The hips are those awful hinges that DC used to utilize and they both look and feel like absolute shit. He can do splits, but you won’t want him to. Kicking forward and back is minimal while the knees do what they’re supposed to. There’s basically nothing but swivels at the ankle. As an action figure, this thing is terrible for $25 and truly god-awful at $30.

He’s got a candy cane. Cool?

All that said, few are going to buy a Christmas themed Joker action figure to put him in crazy poses. Well, some might want to, but usually these holiday themed figures can get away with subpar articulation if the presentation is there. And aiding in the presentation are the accessories. Joker comes with an assortment of hands: fists, gripping, and what we’ll call candy cane hands. He has these candy cane holding hands because he comes with a candy cane – imagine that? It’s basically a tight trigger finger hand. It would have been nice if regular trigger hands could have worked, but I guess they didn’t want to make a really fat candy cane. As for the candy cane itself, it’s fine. It may not be fat, but it is a pretty big candy cane, but at least those custom hands hold it well.

Joker’s sad little tree.

Joker one-ups the Teenage Mutant Ninja Turtles we looked at earlier this week by coming with his own Christmas tree. This tree makes Charlie Brown’s tree look robust by comparison as it’s really more of a stick. There isn’t a single needle left on this dead piece of pine and it has some twigs poking off of it from which ornaments can be hung. Joker comes with five ornaments: one red, yellow, and green and two blue. One of the blue ones should have a white star painted on the top, but McFarlane cut that from the budget. They’re all spherical with a plastic, black, loop molded onto them so they can be placed on the tree. I wish the loop was just a little bigger as it’s challenging to get them onto some of the smaller branches. Some aren’t angled well for an ornament and the plastic is kind of brittle. I had stress marks on one of the lower limbs as I tried to get a loop over it and had to abandon that idea. His candy cane hands can sort of pinch the hoops on these ornaments so he can hold them, which is a good design choice. There’s also a yellow-painted star molded to the top of the tree.

This little guy enjoys causing mayhem just as much as Joker.

Lastly, Joker comes with his little elf buddy, Laughy. He’s a hand puppet, but not the kind you stick your whole hand into. He’s literally Joker’s fist with a face painted onto the side with an elf costume molded to it. The paint is thick and flakey, but otherwise the hand looks pretty good. It plugs into Joker’s right arm and the fit is rather tight (compared with the incredibly loose alternate hands). There’s a standard, horizontal, hinge which is fine, but the limited range at the shoulder and Joker’s head make it hard for truly convincing posing. If his elbow could actually bend past 90 degrees that would have helped too. Even with the articulation limits, this is probably my favorite accessory of the bunch and I can’t see myself ever displaying Joker without it. Also included is the torso for Maxie Zeus as this is a build-a-figure wave. To complete Maxie you’ll need to also purchase Two-Face, Batgirl, and a Batman variant that’s an homage to an old Kenner toy. I did get Two-Face and if that Batman variant were at all desirable I might have convinced myself to get the rest to complete the figure, but there’s no way I’m spending 30 bucks on a terrible Batman figure.

“Wow Laughy, a shotgun? You shouldn’t have!”

This Christmas themed Joker figure is more or less what I expected. The articulation and overall feel of the figure is truly subpar, but in-line with the first wave of figures. I wish the paint on the Joker’s head was better, but at least the cel-shading is done reasonably well. I also wish he was cheaper, but considering I got the figure at a slight discount I guess I should feel a little better about it. For $30, I can only recommend this for the Christmas enthusiast who also happens to love Batman: The Animated Series. If a Christmas figure does nothing for you then the only reason to get this is for the build-a-figure part. From what I can tell based on the parts I have, the Maxie Zeus figure is going to be a lot like The Condiment King meaning the sculpt is above average, but the scale is way off. He’s a big boy, but hopefully he’s not as floppy in the hips as Condiment King for those who get him. I feel bad for those diehards who really want a Maxie Zeus (I personally did not care for that episode) because they have to get a Batman variant they probably don’t want as well as a holiday themed Joker they may or may not want. For those who don’t, hopefully there’s enough people like me out there willing to buy your unwanted Christmas Joker. At a reasonable discount, of course. That might be the best way to go about getting this guy.

For more Christmas figures or to see what inspired this release check out the below:

McFarlane Toys Gold Label Batman Santa (Blue Suit)

Ho! Ho! Ho! It’s the jolly one – Santa Claus! Oh, wait, no, it’s the somber, moody, one: Batman Santa! Yes, it’s our first Christmas themed post of 2023 and it’s an action figure review – shocking, I know. McFarlane Toys has held the DC license for several years now, but this is my first…

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Batman: The Animated Series – “Christmas With The Joker”

Episode Number: 2 Original Air Date: November 13, 1992 Directed By: Kent Butterworth Written By: Eddie Gorodetsky First Appearance(s):  Robin, Joker, Summer Gleason, Arkham Asylum An interesting choice for a second episode of a series. It’s a Christmas episode, which feels kind of inline with Batman thanks to Batman Returns. It’s also the debut of…

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Naughty or Nice Classic Santa and Cyborg Santa

It was looking like we were in for a photo finish this year. Last year, toymaker Fresh Monkey Fiction partnered with online retailer Big Bad Toy Store to launch the Naughty or Nice collection. Structured similar to a Kickstarter campaign, FMF posted several action figures for preorder with a minimum order quantity needed for the…

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NECA TMNT Dimension X-Mas Vacation

Oh God, they’re back!

If you know anything about me then you probably know that I like collecting Teenage Mutant Ninja Turtles action figures and I like Christmas. Strangely, those two things have not come together all that often. Most of the television shows featuring the famed four opted not to feature the holiday in an episode. And without much Christmas stuff to go off of, the toys have not broached the subject all that often. There have been a few instances though and one infamous example is the 1994 release We Wish You a Turtle Christmas. Utilizing assets from the stage show that had been touring the country, the direct-to-video special saw the Teenage Mutant Ninja Turtles prepare for the holiday while seeking out a gift for Splinter. It was a musical event and one I never watched as a kid. Sure, I saw the tape available for rent, but those hideous costumes were a huge turn-off. Plus, by 1994 I had moved off of TMNT and onto Marvel and video games. There was no going back.

It’s a logical way to reuse these ugly, old, turtles.

In 2020, NECA Toys released a set of action figures based on the old stage show. They called the Musical Mutagen Tour and it brought those ugly ass turtles to the world of plastic in a rather convincing manner. It was a convention exclusive that was also made available at Target since it was the summer of 2020 and conventions weren’t happening. Ever since that release though I had wondered if a set of figures based on that terrible Christmas special were in the cards. NECA likes to do holiday themed releases and we’ve seen Gremlins get more than a couple. They’ve also done Misfits and Elvira and there’s probably more I’m forgetting or choosing not to remember. TMNT is their biggest seller these days and it was dying for a Christmas release of some kind and 2024 ended up being the time for it.

“Hey dudes! You wanna sing carols about pizza?!”

The Dimension X-Mas Vacation is that set. It may not say it on the box due to licensing, but this is basically We Wish You a Turtle Christmas the action figures. It’s NECA repurposing assets from its movie line of TMNT figures along with the heads of those Musical Mutagen Tour figures. Joining the package are some accessories pulled from that special and it’s all presented in a very lovely package meant to simulate a VHS release. There’s even a new story created for this non-existent special that’s summarized on the box itself and it sounds rather plausible for a TMNT release of that era. The set was kept under wraps until San Diego Comic Con of this year and has been made available through Walmart for the not so low price of $150. Because of that price and the niche appeal here, this is probably going to appeal to a smaller audience than usual, but I am most definitely that audience.

This set features figures of the turtles: Leonardo, Donatello, Raphael, and Michelangelo, as they were depicted in We Wish You a Turtle Christmas. It’s basically four identical figures where the only difference is the color of the bandanas. They’re all “naked” as compared with the tour turtles save for their usual belts, pads, and shoes. Yes, shoes, as these costumes decided making turtle feet was way too hard so they have black sneakers and leg warmers. It’s ridiculous. They also each come with a Santa hat which gently rests on the bandana knot on the back of their head. There are two styles of Santa hats between the four turtles and the only difference is which way the pom pom is going: 2 left and 2 right.

“Leo! You’re supposed to put the lights on the tree! On the tree!”

Most of the components of the bodies are reused from the prior tour set which means this is the dated 1990 movie body. The hips are the old pin joints, which is the main tell. The elbows are NECA’s own double-jointed setup and these ones were clearly cut to accommodate the much larger elbow pads of the Musical Mutagen Tour set. Here, they cut for the pad is too generous resulting in uglier looking elbows. The shell and plastron are new though and a better match for the source material compared with the other releases of these bodies. I’m not sure why we couldn’t get updated hips, but it is what it is. Paint across the board is mostly fine. The white of the Santa hats features numerous blemishes across the four while the bodies themselves are pretty clean. There is an overall harder plastic feel to these guys compared with other movie figures. Making use of the gripping hands is going to be harder than usual and there’s some flashing in the elbow joints. It gives the figures a slightly cheaper feel. These costumes are supposed to look cheap, but the figures don’t need to be. The paint around the teeth is at least an improvement over the tour turtles I have with less bleeding of the pink paint onto the teeth.

“Check it out – a tree stand!” “Donnie, this ain’t your best work.”

Articulation for these guys is essentially the same as the tour turtles, which is to say it’s basic. The articulated jaw is a welcomed edition and one of the aspects of these designs that stands out the most in my memory. They’re so ugly and NECA really captured that. Most of the joints are pretty stiff, some almost to a worrisome degree. These guys aren’t going to pose all that well to begin with so I’d advise not forcing anything if it’s fighting you. A hair dryer or hot water will be your friend. The shoulders and hips are especially tight for me while the elbows varied from figure to figure. The elbow joint almost looks like it wants to split which obviously isn’t good, but I haven’t had any breaks. I’ve also been pretty gentile. The ankles are also pretty useless so it’s too bad they didn’t figure out a better way to do the sneakers. The ankle joint really just needs to be visible with this design and it’s not the case. I’m sure the soft goods leg warmers aren’t helping.

“Come on, Mikey, no peeking!”

These turtles aren’t intended to mix it up with the Foot and instead are supposed to just look ugly and festive on your shelf. And to do so NECA included a bunch of Christmas themed accessories. In addition to the hats, each turtle also has a scarf. It’s a soft goods, white, fabric with a wire running through it so it can be posed rather well. One of the four in my set is frayed a bit, which sucks. There’s also a string of Christmas lights to drape over the head of one turtle. They’re sculpted in a soft plastic so it works reasonably well and makes your chosen turtle look like some sort of hideous Christmas tree. There’s also the framed pizza from the special which is just a plastic square with a pizza in the center. The lack of a glass pane means it’s also pretty easy to have a turtle hold it even with the really tight hands. There’s a little hand bell and also a manhole cover, because every TMNT universe needs one, I guess. There’s a skateboard with moving wheels and a nice deco on it and then we also get a whole bunch of presents. They all feature different wrapping paper and help fill out the display. To round out the release there’s also the customary set of optional hands. Each turtle comes with gripping hands, then we get a set of open, thumbs up, pointing, and loose gripping hands for the four to share. I wish we could get a full complement of at least the open and loose hands for the turtles, but this selection is pretty standard at this point.

“Check it out dude, the perfect gift for Splinter!”

Since these are the singing and dancing turtles from a Christmas special, we definitely did not need the usual weapons so NECA did not include them. What I think we definitely did need though is a tree! No Christmas tree in the set makes it feel pretty light. For my pics, I used the Figura Obscura tree, but since it’s not decorated it only works so well. And at $150, that’s unfortunate. There’s a lot of reuse here as well as some reuse potential with the gifts considering all of the Christmas stuff NECA does. For all I know, some of these gifts could even be from other sets, just not ones I have. I like the hats and I like the scarves. I’m a bit torn on if I would have preferred soft goods Santa hats to the molded ones we got. Normally, I’m for molded stuff, but since these were live action characters I think soft goods might have worked. We could have also got a stocking for each turtle. It feels like we should have got more and I question how well this thing will sell because it’s already pretty niche and the price won’t attract many impulse purchases.

“Whoa! No way! He does exist!”
“Huh? I thought I heard something…”

Criticisms aside, if you want some Christmas themed TMNT figures your options are pretty slim. It’s basically the ReAction figures Super7 did a few years back (which I have, but kept on card) or the Christmas plush of Raphael from back in the day. Maybe we’ll get a figure in the future from NECA based on the Michelangelo one-shot which took place at Christmas. And since Super7 is going down the 2k3 rabbit hole, maybe we can get Christmas turtles from the episode of the show based on that one-shot. What I’m saying is this set is fine, but we need more Christmas turtles! And while I think this set is too expensive for what it is, I am glad it exists. Figures based on an obscure and pretty terrible Christmas special is something I find fun and action figures should be fun. Now, if you’ll excuse me Christmas is coming and I need to deck the halls with pepperoni.

“Check it out Santa-dude, something way better than milk and cookies!”

Do ugly turtles and Christmas interest you? Perhaps you’ll enjoy reading these:

NECA TMNT Musical Mutagen Tour SDCC Set

Awhile back, I decided to rank the various incarnations of the Teenage Mutant Ninja Turtles from worst to best. Occupying that dubious last place spot were the Turtles featured in The Coming Out of Their Shells tour. That may sound like the title of a TMNT sex tape, but it was something else entirely. If…

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Dec. 11 – We Wish You a Turtle Christmas

Several months ago, I reviewed a product called The Musical Mutagen Tour Action Figure Set. It was a set of toys based on the Teenage Mutant Ninja Turtles stage show, Coming Out of Their Shells, from 1990. Back then, the Turtles were so unbelievably hot that they could sell out a terrible stage show in…

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Teenage Mutant Ninja Turtles (4Kids): The Christmas Aliens

In 2003, Fox and 4Kids Entertainment launched a brand new Teenage Mutant Ninja Turtles cartoon series.  This series was the first re-launch for the TMNT after a long hiatus from both film and television and was an attempt at introducing the Turtles to a whole new generation.  One of the consultants for the show was…

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NECA TMNT Toon Vacation Bebop and Vacation Rocksteady

It’s vacation time, fellas!

Pack your bags and grab the sunscreen because today we’re heading to Florida! It’s vacation time folks, and even the bad guys deserve a little fun in the sun sometimes. Coming from NECA Toys we have another fun variant of the duo Bebop and Rocksteady. Always more comic relief than true threat, the boys come dressed for the theme park as they accompanied the boss man down to Florida in an episode of the classic cartoon series which resulted in the further mutation of the punk frog Napoleon. As this line has gone on, I’ve become more and more drawn to the silly offshoots and Bebop and Rocksteady have provided ample opportunities for such. We’ve had them as rabbits, robots, and superheroes and now we have them as tourists. The only question is does anyone need a couple of dimwitted mutants in floral patterns?

Seems like with each subsequent release, Bebop and Rocksteady shrink a little more.

Bebop and Rocksteady come courtesy of the duo Tony Cipriano and Tomasz Rozejowski with contributions from Kushwara Studios. Paint is handled by the frequent pairing of Geoff Trapp and Mike Puzzo. If there are any reused parts from past versions of these two, it’s not apparent. Even the hands look like they’re new. They do share parts between each other, but for the most part this is an all new set. Not that they don’t feel familiar as the construction of these two is pretty consistent. They’re more visual than poseable, but the very loud outfits will help to boost their shelf presence even if they aren’t the most dynamic figures in your collection.

This smaller scale for the duo probably is more accurate to the source material.

Rocksteady stands at around 6″ while Bebop is closer to 6.5″ which adheres to their presentation in the show. The two have similar, but different, outfits. Rocksteady is rocking the Hawaiin shirt in shades of purple and orange while Bebop went with a more bold choice with a yellow polo and red suspenders. Bebop brings in the floral print with the light blue shorts with orange flowers while Rocksteady seems to be wearing jeans with the cuffs rolled up. Bebop retains his usual style of kicks, opting for a matching yellow while Rocksteady has traded in his boots for flip flops. Bebop has more traditional sunglasses than his usual ones and Rocksteady has old man sunglasses with the strap going around his head. Neither are removable, nor is Bebops very fashionable “Not Donald Duck” hat with propeller. The propeller does not spin, unfortunately. Rocksteady actually has two hats: a blue visor or a yellow cabby hat which he switched to in the show.

“This is no vacation!”

These two look great for what they are. I feel like the Bebop and Rocksteady portraits keep getting better (well, except for Rhino-Man who was a little weird) and more aligned with how they looked in the show. There’s tons of paint and it’s pretty cleanly applied, but there will be some variation from figure to figure. My Bebop has an ugly spot near his suspenders on the back of his shirt, but it’s otherwise the only real paint defect. These figures are not pin-less, which is apparently something being rolled out by NECA slowly. It’s not that big of an issue on its own, but does create an eyesore with Bebop’s high socks. The factory went with a flesh colored pin even though the hole is cut through the socks. Gray would have been the more appropriate choice, or they could have painted them. There is also no cel-shading on these figures which continues to be something that NECA utilizes inconsistently. I’m not really bothered by it, but I would prefer NECA to just pick a lane with this stuff and stick to it.

These two come with an assortment of hands and vacation accessories. For both, we get a set of fists, gripping, and open hands. Rocksteady comes with a lei around his neck while Bebop has a satchel. Both also have a camera with a strap on it. Rocksteady’s features a large flash while Bebop’s is more compact. Unfortunately, neither can really be held as they’re too chunky for the gripping hands. You could heat them to wedge it in, but then you risk rubbing the paint. Plus, it’s unlikely they’d be able to hold the cameras in front of their face like they’re using it. There’s a large, blue, canister that looks like a water jug, but it might be some mutagen thing from the episode. I didn’t rewatch it. Unlike the cameras, the pair have no issues holding this thing by the handle. Lastly, we get a little rhino-fly. In the episode, a dragonfly has contact with Rocksteady and then contact with the mutagen to become this gross, little, abomination. It’s a fun little inclusion, though I wish he had a little acrylic stand or something because he really can’t do anything by himself. He basically needs to be held.

They can handle waving, but not much else.

Articulation for these guys is pretty basic stuff for a NECA figure. All of the cuts and joints you would expect are there, but they’re kind of limited. You have the ball joint at the head, but they mostly just rotate because there’s a lot of stuff in the way. The jaws are articulated, but the range is poor. The shoulders are ball-hinged and we get a bicep swivel as well. Double-jointed elbows are really limited by the fact that the neutral position for the arm is slightly bent. They’re also really tight and I can’t get better than a 90 degree bend out of them. Wrists rotate with a horizontal hinge. The shirts are basically overlays with not much inside them but a ball joint. They’ll rotate, but they won’t bend forward or back much. Ball-socket hips kick forward an okay amount but not back. They’ll go out to the side a solid amount though. There is a thigh swivel and double-jointed knees. Like the arms, the neutral pose is somewhat of a squat so the legs can’t go perfectly straight. Knee joints are tight, but even if you get both hinges working in tandem it won’t get you more than 90 degrees. The feet hinge forward and back a bit with an okay ankle rocker. Bebop’s is better than Rocksteady’s, but for the most part the pair move the same which is to say not very well.

“It’s more beautiful than I ever imagined!”

If you’re a collector of this line though from NECA Toys then that’s probably not a surprise. This line always favors aesthetics over articulation and Bebop and Rocksteady are no different. They are a little too far in one direction for my personal taste, but given that they’re goofy variants I’m more fine with it than normally. If these were the more evergreen interpretations of the characters I’d want more out of the torso and head, especially. And, come on, the propeller doesn’t whirl? Missed opportunity, NECA. A second one that’s sculpted like it’s spinning would have been fun too. And I’d be remiss if I didn’t mention that the box art features Rocksteady holding a little, red, flag from the episode which is not included. That’s just odd since that’s probably a pretty inexpensive accessory, but it’s also not some great loss.

“Do I know you?” “No, but I’m a big fan of your work!”

When it comes to variants of figures, I think more falls on how one perceives that look for the character. With Vacation Bebop and Rocksteady, that is very much the case. I can critique and praise aspects of these figures all I want, but at the end of the day the only people buying this set are those who are amused by these looks. I think they’re fun. I love the bright colors and I especially love how Bebop looks practically giddy to be heading out to an amusement park. Teenage Mutant Ninja Turtles was a silly, stupid, show and I want the toy line I’m collecting to reflet that so I didn’t hesitate to grab these. For $60, I can also understand how someone might look at these and conclude “I don’t need them.” If you’re not one of those folks though, then you can find this set at Target. It was part of the Cowabunga Collection released back in August, but it was stocked in generous quantities and is still pretty easy to track down well into November. It probably won’t last forever though and I wouldn’t guarantee on another production run so if it’s something you like you probably don’t want to wait too long.

If you like figures of Bebop and Rocksteady then you have no shortage of options these days:

NECA TMNT Cartoon Super Bebop and Mighty Rocksteady

2021 introduced a lot of good things for collectors of NECA’s Teenage Mutant Ninja Turtles line of action figures based on the classic cartoon. The toy maker still kept the line a Target exclusive when it came to brick and mortar, but it also started selling a lot of it online to coincide with each…

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NECA TMNT Bebop and Rocksteady Target Exclusive Series

I have been rather fortunate when it comes to toy collecting in recent years. When I was a kid, toy collecting meant going to Toys R Us or a similar store and seeing what was on the shelf. Catalogs, commercials, and card backs were my main source of information. I assume there were newsletters and…

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NECA Cartoon TMNT Mighty Hog and Rhino-Man

We did it! We finally made it to the end of the Haulathon releases from NECA Toys and we may have saved the best for last. Back in early 2020, I made a wish list for what I wanted from NECA and Teenage Mutant Ninja Turtles. It was only 10 deep, though there were some…

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Super7 The Simpsons Treehouse of Horror ReAction

It just wouldn’t be Halloween without The Simpsons.

Happy Halloween fellow toy enthusiasts and fans of The Simpsons! Every year since 1990, there has been a Halloween edition of The Simpsons. The annual anthology style episode called Treehouse of Horror is basically appointment viewing each and every year. Sometimes it arrives before Halloween, sometimes on Halloween, and often times after Halloween (as it’s doing this year for some unknown reason). It would be nice if there could be some consistency when it comes to that aspect of the annual show, but at least with Halloween occurring on a Thursday this year it’s not a long wait until Sunday.

Here at The Nostalgia Spot, much time was spent on Simpsons action figures in 2024, and in particular, those from Super7. The company announced it had the license a few years ago to produce action figures based on the show, but it took a long time to get things moving along. As a result, Disney may or may not have grown impatient or they just didn’t like the returns they were getting from Super7 because the company yanked the license (along with all other Disney licenses) away and gave it to Jakks Pacific. That lead to three waves of Ultimates! figures getting released in a short window earlier this year with varying degrees of quality (most not great). I enjoyed some of those figures, but I also did not enjoy some and I was pretty harsh at times. This isn’t an apology though, the figures are what they are, and the criticism was warranted. When I finished that though I opined on if I should make a post about some Super7 figures based on The Simpsons that I did enjoy. Namely, the ReAction brand.

The ReAction figures are a little bigger than the new Jakks 2.5″ (Bart on skateboard) line, but a lot smaller than the Jakks 5″ line (far right).

Super7’s ReAction brand is its retro-style action figure. Loosely based on what Kenner started in the late 70s with Star Wars, these are approximately 3.75″ figures with five points of articulation: head, shoulders, hips. All of those points are simple swivels and Super7 has used this format for basically a whole bunch of licenses over the years. Personally, I don’t have any nostalgia for the original Star Wars line from Kenner so I typically am not interested in these intentionally ugly, limited articulation offerings from Super7. It also doesn’t help that they’re usually around 20 bucks (ouch). However, for some properties Super7 alters its approach slightly to basically sculpt and paint the figures to match the source material and that’s what it did with The Simpsons.

Each wave of Simpsons Treehouse of Horror ReAction consists of four figures.

Super7 did four waves of Simpsons ReAction. One was based on the movie within the show, McBane, while another was a series of Troy McClure two-packs (and they were great). The other two were devoted to Treehouse of Horror. Wave one consisted of Reaper Homer, Skeleton Marge, Inside Out Bart, and Kang as Bob Dole. The articulation across the board is terrible, but the sculpts are pretty nice and these figures are fully painted. What really helps sell them is the yellow paint for the skin, something the much larger and more expensive Ultimates! figures skimped on at times. The Marge sculpt, in particular, is very nice as she has a skeleton body with her normal head (in a horrified expression). Inside her rib cage is a trapped Snowball II and even the little kitty appears to be fully painted. She’s a bit tough to stand because the hips are a touch loose and her hair makes her top heavy, but overall she’s rather nice looking.

Finally! I have Bob Dole’s boneless face in plastic!

Homer also looks great. This take on the “Reaper Madness” segment where Homer became the Grim Reaper captures the likeness well. He has one skeletal arm and one normal one. Plus, he has two accessories: his scythe which he can hold okay with his left hand, and the scroll ordering him to kill Marge which he can hold with his right. He’s even more limited articulation wise, but these things are basically just little statues. Kang-Dole is depicted from the moment in the segment where Homer yanks the Bob Dole mask off of his head exposing the top of his eyeball. The Bob Dole mask is an accessory and it’s kind of creepy. The details on the figure are nice though and it’s certainly a memorable segment from the show. Inside Out Bart is perhaps the least interesting of the bunch. Even though the concept should lend itself well to figure form, there’s less paint since they were able to just mold him in pink and just paint a few veins here and there. His expression is also odd, but he has his cane and top hat and looks fine. It’s just the limited posing (even for this form as his legs do very little) of this form factor that lets the figure down since this character only exists for a dancing segment and he definitely can’t be posed in any dancing maneuvers.

Not the most creative character selection, Super7.

Wave two was surprisingly more of the same for Super7. It once again features a version of Homer, Marge, and Bart and then throws in a side character, which in this case is Groundskeeper Willie. Marge comes in her witch attire from “Easy-Bake Coven.” She has a laughing expression and comes with her broom. She, of course, can’t really ride the broom and even though she’s wearing a long skirt Super7 still gave her hip articulation by splitting the sculpt. I hate when they do that and it’s one reason why I’ve never been tempted by their Misfits ReAction figures. They left the robed Homer alone, but not Marge. It just looks stupid, and the limited articulation doesn’t add much. Still, she’s a good representation of this Marge, even if a little less exciting than the skeleton one.

Both Homers look pretty great.

Homer is in his Snake form from the segment “Hell Toupee.” That means he looks like regular Homer, only he has a gray shirt and hair. Somewhat to my surprise, Disney let Super7 sculpt his pack of cigarettes under his right sleeve. It’s a small detail, but they’re so averse to smoking in anything that I’m surprised they didn’t insist on removing it. He also comes with a corkscrew with Moe’s heart stuck on the end. It’s pretty gruesome for such a small item, but I appreciate his right hand being sculpted in such a way that he holds it properly. The Bart in this wave is technically not Bart, but Hugo from the segment “The Thing and I.” His shirt is a little darker than usual and his clothes are tattered. The remnants of his shackles are still on his ankles and he comes with a glass of milk and plate of fish heads. His grip on the glass is pretty loose and can get annoying as dropping that tiny accessory can lead to a long search for it. The plate of fish heads also just kind of rests on his right hand and can be precarious since it throws off his balance. Basically, once you get him right, don’t touch him! The sculpt looks nice though and he’s well painted, though the tattered bits of the hem of his shirt could have been done better. It’s basically seamless with his body so it looks odd upon close inspection.

Willie, with his Jakks counterpart.

The last figure in the wave is Groundskeeper Willie in his Freddy Krueger attire from “Nightmare on Evergreen Terrace.” He is perhaps the most preposed of the line (Hugo is as well) as his knees are bent and his arms are situated in such a fashion that he can hold his included rake with two hands. It basically just means he has one pose so the articulation on this guy is almost pointless. He looks great though and I’m definitely not upset about his inclusion or anything. I do think this line is open to criticism when it comes to character selection. We get two each of Bart, Marge, and Homer, but no Lisa? After the Ultimates! completely shut out her, Marge, and every female in Springfield it was disappointing to see the ReAction figures almost do the same. We could have easily received a witch Lisa instead of Marge, or maybe sorcerer Lisa, Einstein Lisa, snail Lisa, or a multitude of others. Hawk Lisa with a shrew Maggie (or whatever she was supposed to be in “The Island of Dr. Hibbert”) could have been a way to get both of the Simpson daughters into the line.

I love what Super7 gave us, but could we have sacrificed a Marge for a Lisa? I get that Homer and Bart are the most popular, but we needed a Lisa!

All other criticisms of character selection mostly stem from the line only lasting two waves. It’s a shame, because Treehouse of Horror is ripe for more figures. I might have preferred a fly Bart or werewolf Bart to the inside out one, but it’s not like Inside Out Bart is a bad pull or anything. Plus it comes from one of the best editions of Treehouse of Horror. With this line, Super7 had a great process. The sculpts were on model, they didn’t sacrifice on paint, and even the scale looks pretty good. I was certainly looking forward to more and it’s a shame this is it. If you want to collect what’s present here, you definitely won’t want to wait. Most places are sold out with figures only available on the aftermarket where folks are looking to get more for them now that the line is cancelled and no more are coming. At 20 bucks a piece, they were already too expensive for what they are. I could forgive it because at least they looked nice (and I got some of these on sale too), but at any more than that it becomes a really hard to sell. You have to be a hardcore fan of The Simpsons and Treehouse of Horror in particular to spend more than that, and if you are such a fan there’s a good chance you already have them. Happy Halloween!

For more Simpsons figures, and even some Treehouse ones, look no further:

Super7 The Simpsons Ultimates! Kang and Kodos

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate…

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Super7 The Simpsons Ultimates! Devil Flanders

Last week, we concluded our look at the third wave of Super7’s line of figures based on The Simpsons and now we embark on the fourth and final wave. That’s right, Disney pulled the rug out from under Super7 and handed The Simpsons license over to Jakks. Their products will start rolling out this fall.…

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Jakks Pacific The Simpsons Homer and Bart

I think it was early this year that we found out Super7’s line of ReAction and Ultimates! action figures based on The Simpsons was ending after just a couple of years. That meant Super7 was done after four waves of Ultimates! and four waves of ReAction figures. We had seen figures for a possible fifth…

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McFarlane Toys Batman: The Animated Series Wave 1

The lineup for McFarlane’s first wave of dedicated Batman: The Animated Series action figures.

Years ago, perhaps as many as 10 or more, DC Direct was filling comic book stores around the country with action figures based on the classic cartoon series Batman: The Animated Series. The figures were stylized to resemble their onscreen counterparts and it was a line that included many of the characters from the show as well as multiple vehicles. Eventually, DC (or parent company Warner Bros.) decided it no longer wanted in on the action figure market. The branch of the company devoted to toys was dissolved and the license was sold to McFarlane Toys. Since then, Todd’s company has devoted many resources to its DC Multiverse line which is sold at big box retail as well as specialty. The 1:10 line features more variations of characters than I can count and it has its own distinct style. Early in the line, a Batman based on BTAS was even released, though it wasn’t something that I found particularly enticing.

Here is your comparison to what DC Direct was doing in its final days and what we’re getting from McFarlane.

When the DC Direct line was alive and well, I wasn’t really in the collecting game. By the time I got back into it, I was left a little underwhelmed by the offerings available to me. They weren’t cheap, were quite limited in terms of articulation, and it wasn’t an evergreen line where characters were easily attainable. Instead, it was more of a blink and you miss it kind of deal. Towards the end of the line, there were some reissues and I would end up getting the last standard Batman from the line which featured the new tagline of The Adventures Continue. That Batman is fine. The likeness is good enough even if the articulation is pretty poor. It was retooled to have better hips and the paint job was more ambitious and a marked improvement over the Batmen to come before it. I would also add a Gray Ghost, purely out of nostalgia, but any ideas I had on getting more of the figures was pretty much dashed by the absurd aftermarket prices that had emerged. Figures were selling for hundreds of dollars and I just wasn’t interested.

The big selling point for the McFarlane line is the build-a-figure inclusion.

Last year, McFarlane made the wise move to begin reissuing these long out of production figures. McFarlane apparently has access to the molds so this was a pretty low cost way to get some characters out into the wild that fans have been clamoring for. The first wave arrived about a year ago now, but I’m just getting to it for reasons that will become clear as we move along. That first wave consisted of Batman, Robin, Mr. Freeze, Scarecrow, with a build-a-figure of The Condiment King. All four of the retail figures are straight reissues of past DCD offerings with the only new sculpt being The Condiment King. To differentiate these from the other figures, and perhaps to not crater their aftermarket value and risk angering their fanbase, a new deco was applied to each figure and the packaging is all new. These come in oversized window boxes that are honestly way bigger than they need to be, but whatever. It’s just the trash that surrounds the figure. Is this return to stores what fans and collectors have been waiting for? Read on and find out, though you may not like the answer.

What do we think of McFarlane’s attempt at cel-shading?

Let’s start with Batman. This is a reissue of the Batman that came with the Batcycle. He has a soft goods cape and an ab crunch to help make getting him on the bike a little easier. It’s a less attractive figure as a result, but what are you going to do? The main thing that’s going to stick out is the paint job, and that’s going to be true for basically all of these figures. McFarlane decided to attempt cel-shading with these figures. The final Batman from DCD did the same thing to fantastic results. There was blue in the cape, a little gray under the pectorals, and hits of blue on the gloves and boots. It was subtle, but very evocative of the show. This Batman does none of that. He has this ugly brown smear along the side of his face, a dark gray that’s slapped on the side of his body without much regard for anything, and very little blue one the boots and gloves. It’s hideous. DCD gave you the blueprint, McFarlane, why couldn’t you just follow that?

Robin and Freeze get these goofy-ass hips.

Unfortunately, the same is mostly true for the rest. Robin looks almost as bad as Batman with the same brown on his face, but the red and green of his costume at least works better with the shading. They completely missed the yellow on the inside of the cape which is also plastic so he won’t work as well with vehicles as Batman. Mr. Freeze has some pretty atrocious cel-shading as well, though it doesn’t appear to be as heavy as it is with Batman. Scarecrow is the only one who doesn’t look awful, but that’s because his costume of brown and red works better with the shading. It’s barely visible on the red portions while the dark brown doesn’t clash all that poorly. This is also second appearance Scarecrow and, overall, he looks the best of the bunch in terms of being on-model. Mr. Freeze would place second if this were a competition, but he’s too small and his oxygen tank is the wrong color. I don’t think scale is a strength of the line. Robin looks more like a reinterpretation of his old Kenner figure with the big head and dopey grin while Batman just plain looks bad.

It’s a lot of stuff, but how much of it is useful?

Each character does come with accessories. For Batman, it’s a bunch of hands including one with a grapnel gun molded in. He also has a Batarang that’s all black. He has fists, gripping hands, and Batarang hands plus a stand-alone grapnel gun that’s all black. Robin has fists, relaxed hands, gripping hands, and a hand with a molded grapnel gun in it. He also has a bollo that’s just a long piece of plastic. It would have looked better with a whirling effect. Scarecrow has open hands, a gripping right hand, and a left fist, plus an unmasked portrait. The gripping hand is for his scythe which looks pretty good, though I wish he came with two gripping hands or that the one gripping hand actually worked better. Freeze has his freeze gun and then a whole bunch of hands: fists, trigger hands, gripping hands, clenching hands, and open hands. The clenching and gripping hands look specific, like maybe he was supposed to have more accessories (a snow globe, perhaps) that were cut. It’s a comical amount of hands though for a guy who is just going to stand there holding his gun.

That’s not impressive…

Which brings us to articulation, which was never this line’s strong suit and part of that is due to the character designs. We’re talking ball peg heads, ball-hinge shoulders, single elbows, and wrists that swivel and hinge horizontally. Nobody has good range anywhere, save for maybe the head, but it’s at the hips where things get weird. Batman has updated ball socket hips so he can kick forward a reasonable amount and almost do splits. Scarecrow does too, only his range is terrible, but he has a thigh swivel built-in (Batman does not). Freeze and Robin have these awful hinge and peg hips. The hinge leaves this T shape in the cut on the side of the thigh. It allows for full splits, but looks ridiculous and is one of the ugliest joints ever conceived. Neither character can kick forward worth a damn too. All of the figures have double-jointed knees except for Freeze and Robin. Even without the extra hinge, Freeze can still bend his knee 90 degrees. Robin cannot. All of the figures have a swivel and hinge at the ankle with only Batman and Robin having an ankle rocker. Everyone except Scarecrow has a boot cut. The combination of poor articulation and tiny feet make all but Freeze tough to stand. He has large, boxy, feet so it’s not an issue, but his arms are the most limited because of his design. I wasn’t sure if he even had elbow cuts. They’re there, but functionally useless. He’s also the only one without a waist twist.

I like Condiment King’s sculpt and the paint is acceptable, but why is he so big? And I have him lurched forward a bit here just to get him to stand. In other words, this picture makes him look smaller than he is.

Given that these are all old molds and exclusive to Target you would think they’d come at a friendly price. They do not as all of them retail for around $30. Of course, if you get all four then you get a bonus fifth figure in The Condiment King. He is all new and comes with his backpack and twin guns: ketchup and mustard. The guns connect via a thread to the backpack so it limits his posing, but at least they’re here. As for the sculpt, it looks fine. Great even. This is one of the show’s silliest characters and it’s a fun inclusion as a BAF. It might not be the type of character everyone needs, but the hardcore will enjoy building him. His light blue costume with white accents is done well enough. Yes, there’s cel-shading, but it’s not as bad as it is with some of the others. The only spot I hate is the brown smear on the side of his face. Articulation is satisfactory for the line as he has single elbows but double joints at the knee and ball-socket hips, it’s just that the hips are way too loose. Combine that with the backpack and this is one tough figure to stand. The build quality of the guns is also questionable as the handle of the ketchup gun came off when I tried inserting it into his hand. It looks like the guns were molded in two pieces to get the string inside so it’s nothing a little glue can’t remedy, but still annoying. By far though, the biggest issue I have with Condiment King is his size. He’s way too big. He stands around 6.75″ to Batman’s 6.25″. He’s just overall big when in the show he’s just some guy who went nuts. He looks like he’d be more than a match for Batman at this size. It’s almost like he’s from an entirely different toyline.

Is $120 for 5 figures of worth it? It could be, but not these figures. The paint is not only a bad fit, it’s sloppy too. Batman’s cape feels cheap and the articulation cuts for his torso and the hips on Freeze and Robin are truly hideous. Scarecrow is the only figure of the five that comes close to earning his value, but he still doesn’t feel like a 30 dollar toy. All of them feel very fragile and very cheap. Moving these thin limbs, swapping the hands, all feel terrible. I don’t like handling these figures so I guess it’s good that they don’t pose well since the temptation to change things up isn’t really there.

What drove me to make this post though was where I did find some deals: the vehicles. McFarlane has not only reissued the figures, it’s also reissued the Batcycle and Batmobile with the Batwing also on the way (there’s also a Jokermobile, which was supposed to be a part of the old DCD line, but was cancelled). Initially, these vehicles were pricy, but still enticing, but I got both on sale. For the Batcycle, I think MSRP was 40 or 50 bucks, but I got it down to $10. At full price, it’s not bad, but at ten bucks it’s a real steal. It’s a straight re-release of the old bike including the base. It has battery operated lights, though you have to hold in the button on the bottom of the bike for them to be on as opposed to a switch. The base is reversible and can either resemble the Batcave or just a street and it allows for the bike to be tilted and there’s a little swoosh effect too. Instead of being all black, it’s now cel-shaded, but it turned out great! There’s a nice use of blue on it that really makes it resemble the bike from the show. And if you want Batman to play it safe, it also comes with a new head for Batman that features a helmet. They should have tossed in the same for Robin, but I probably wouldn’t use it anyway. The head looks fine, though it features a pale complexion. The tires are rubber and the thing feels solid. For what it is, it’s terrific.

The Batmobile is quite similar in that regard. It’s not fully painted out like the bike, but the sides are black and the top is a dark blue which helps it to resemble the look of the car in the show better than the original all black edition. The canopy slides forward and there’s room for two figures inside. The steering wheel telescopes which makes it easier to get figures in and out. The dashboard is all transparent plastic because this has a light-up feature as well for headlights, interior, rear lights, and the thruster in the back. Oh, and did I mention it’s big? This thing is a shelf hog measuring about 25.5″ long and a little over 8.5″ at its widest. It is a mostly hollow, plastic, box so it doesn’t have as nice a feel as the Batcycle. It does have nice wheels though that are rubber and the front ones can turn, though they are not connected to the steering wheel. The MSRP for this thing is $80, but I got it on sale for $40. Some people have found it for as low as $23! At $80, it’s a luxury item for the Batman enthusiast that has the room for it. At $40, it’s a great deal for the Batman fan that maybe doesn’t know what to do with it, but will figure it out in time. At anything less than that it’s a simple no-brainer. I’m not one who buys toys as an investment, but if you get a Batmobile for under forty bucks and sit on it for a year you’ll probably make some money.

What do we make of McFarlane’s foray into this old BTAS toy line? On one hand, I think it’s great that these molds are back out in the wild. I got Freeze and Scarecrow last year because I love Mr. Freeze and I thought Scarecrow looked good. I only recently got Batman and Robin because I wanted them for the Batmobile. Target lured me in with a sweet deal on that Batmobile and in turn got me to spend another sixty bucks (clever girl) I wouldn’t have otherwise. I think Scarecrow is fine, he’s limited, but he looks the part and I think aesthetics are what collectors are after most with a BTAS line. The Condiment King, if he was packed as a stand-alone figure, would be okay as well though I wouldn’t feel good about spending 30 bucks on it. Freeze is imperfect and too expensive while Batman and Robin are pretty bad. Why did I convince myself I needed them just to stuff in a toy car? I don’t know. It was more of a need for Batman, and then with only one figure shy of a Condiment King I figured why not get Robin? My older DCD Batman could not fit in the Batmobile with his sturdy, plastic, cape, plus he actually looks good and I don’t want him hidden. I’m fine hiding these two.

The figures are overpriced and kind of blow, but the Batmobile is pretty cool.

All that is to say, try and track down an actual DC Direct Batman if you want a Batman from this line. This one and Robin just aren’t worth it and unlike the vehicles, they seem to never go on sale. Mr. Freeze and Scarecrow aren’t worth your 30 dollars either, but if you do get Scarecrow you at least may not regret it in time since he looks fine. The vehicles are great though. If you have a DCD collection and passed on them then I think you should reconsider. Especially the Batcycle which looks pretty cool and isn’t too hard to fit into a display. The Batmobile presents obvious space concerns and I still don’t know where it’s going to end up in my house, but it’s an okay problem to have and now I’m wondering if I should consider the gargantuan Batwing. I shouldn’t, but if it ends up at Target for 40 bucks then I can’t be held responsible for my actions. As for the line itself, I wish McFarlane would spend a little to improve these figures. Better hips, better ankles, and figure out how to do proper cel-shading or just give up. No one will be angry if it goes away. This line is fueled only by a love of the show because if there was a better option out there then surely most would get that. Unfortunately, there isn’t and there likely won’t be in this scale anytime soon.

There aren’t a ton of Batman toy reviews here, but we do have some:

Batman – The Adventures Continue #50: Batman

If you’re a repeat visitor here at The Nostalgia Spot, then you’ve probably noticed that around here there is a high opinion of the television show Batman – The Animated Series. I did a re-watch of the series that spanned more than two years and also checked out the various films based on the property.…

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The Hot Wheels Batman Series

I’m not much of a car collector, but when I was a kid I went through a Hot Wheels and Matchbox phase. My favorite car was a small, black, one that I only barely remember. I have no idea what make or model the car was, but what I liked about it was that it…

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DC Collectibles BTAS #42 – Gray Ghost

I have long maintained that the best episode of the now classic Batman: The Animated Series is the Mr. Freeze story, “Heart of Ice.” It is not, however, my favorite episode of the show as that honor belongs to “Beware the Gray Ghost.” That episode introduced the character Gray Ghost, a superhero from television who…

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NECA TMNT Toon “Binky’s Day Out” Slash V2

Here comes Slash…again!

In the far off time of 2020, NECA Toys released the Slash and Leatherhead two-pack as part of its line of action figures based on the 1987 cartoon Teenage Mutant Ninja Turtles. That two-pack was just the third two-pack that I would review here at The Nostalgia Spot. It wasn’t the third two-pack released as the turtles, Shredder, Foot, and Krang were all released before it, but they were re-releases of the figures previously released at San Diego Comic Con. The first all new two-pack was Bebop and Rocksteady followed by variants of the turtles and a Foot two-pack for those who wanted to army build. Slash and Leatherhead were basically part of the first wave of all new figures as that set was released alongside the Casey Jones and Slashed Foot and April O’Neil and Bashed Foot. Coincidentally, or perhaps by design, almost all of those figures have received updates over the past calendar year. April was retooled and released solo while Casey got a new variant in his business attire. Leatherhead got a release in the Archie line (with a Mirage one to follow soon) and now it’s Slash’s turn with the deluxe release Binky’s Day Out.

A gathering of Slash.

A Slash redo is something fans have wanted basically ever since the first one came out. It wasn’t a terrible figure, but it was a compromised one. NECA opted to repurpose the same body it used for the turtles and just tool a new shell, hands, feet, and head to go along with the accessories it devised for the set. The result was a Slash that had a solid headsculpt and some fun weapons, but he was way too small. When we got the Archie version of the character years later that reused the Tokka sculpt it drove the point home how most really wanted to see a new toon Slash. Well, we now have what we wanted as that Tokka sculpt has been repurposed once again to create a brand new cartoon Slash.

Even his gun is bigger!

Slash comes in the deluxe style packaging featuring some wonderful artwork by Tim Lattie and Aaron Hazouri. Like past solo releases in this line, the box art is meant to mimic the old f.h.e. VHS releases of the cartoon from back in the day. The sculpt for this figure is credited to Paul Harding and Tony Cipriano. If I’m not mistaken, Harding sculpted Tokka so I’m assuming that’s his contribution to this release with Cipriano sculpting the new bits. Paint is once again handled by the dynamic duo of Geoff Trapp (who NECA sometimes credits as Geoffrey so apologies to him if that’s his preferred name) and Mike Puzzo.

Backpack too.

Slash, being largely composed of reuse, stands as tall as Tokka and the Archie Slash at about 5.75″. The old Slash is around 5.325″ so there is a little added size here, but mostly we’re talking about added bulk. Slash is much thicker and his head is wider and sits lower on his body as it did in the show. I was pretty happy with the old headsculpt, but this one is undeniably better to my eye. He has the same kind of stupid grin with ugly teeth poking out. It’s the width of the head that really makes it look more like Slash as the previous one was pretty narrow relative to the source material. What really stands out though about this new figure is the paint. Slash is a much brighter green than his previous figure and is thus much brighter than the turtles. I’m not really sure why as he was the same shade of green as the turtles in the show. Artistic choice? Or maybe a factory screw up? I’m not sure, but it might annoy some.

Slash with his “daddy” and Raph, because why not?

Aside from that, the sculpt and overall presentation is quite nice with this new Slash. I’m a big fan of this chunky sculpt so I’m not surprised to see that it works fine here as well. The paint is clean and applied liberally. Oddly, he doesn’t feature the toon shading on the rear of the figure which has become one of those things NECA is really inconsistent about. I’m not sure how they determine which figures get it and which don’t. The shell on the rear of the figure is new sculpt and it’s this lumpy shell that matches the source material rather well. Arms and legs are basically the same as the past Slash save for the fact that the elbow pads lack spikes with this version. The hands are all new and Slash wears fingerless gloves and the paint is applied well there. He has his shoulder pads which are done in a soft plastic which might arrive a little warped. All of the metallic parts are painted a light blue which I kind of like, but is something I have to point out as inaccurate once again as they’re all gray in the cartoon.

Guns and toys. Okay, it’s not a toy rocket ship, but it sure looks like one to me.

Slash comes loaded up with a sizable selection of accessories. For optional parts, we get three sets of hands: fists, gripping, and trigger finger. I am happy to report that, like the Mirage Karai, the gripping and trigger hands feature a vertical hinge. Hopefully that’s a trend that continues. For heads, we get the default smile and a second one where his tongue is poking out. I think he made this face right after he went back to being dumb in the smart Slash episode. It’s fun though and I like it, though I understand those who think the two portraits are too similar. The hands are easy enough to swap, but the heads were a pain for me. I couldn’t get the default head off without heating it first, and once I did it was the ball joint in the neck that came free and not the socket in the head. I basically had to just keep trying to only heat the head and not any part of the neck, but since he has one those heads that juts forward rather than up, it was quite the trying experience. I did get it off eventually, and I would suggest maybe not pushing the heads all the way down if you want to be able to swap easily.

And if you don’t like the weapons this one comes with, the swords from the old Slash look pretty nice.
The old pizza works fine too.

Slash also has some weapons and accessories to properly outfit his person. He comes with a larger version of the backpack the old Slash came with. It’s a little cumbersome, but works well enough if you want it on him. I did not have to remove his head to get it on and off. For weapons, Slash has a handheld gun that’s mostly white and looks nice. It’s not the same pistol the old Slash came with so it’s nice to get a new gun. He also has this massive, two-handed, double-barreled gun that rests against his abdomen. One of these guns is a freeze ray and one is an anti-gravitational beam. I have no idea which is which as I haven’t watched the cartoon in years. There’s also a little, handheld, missile that kind of looks like a toy rocket ship. I think it’s the shield projector which is listed on the box. He also has his trusty Binky, the little, green, palm tree which comes with a plastic bowl and a little unmutated Slash to go with it. These are all new too as the old Slash came with a slightly different Binky and a much larger pre-mutated Slash. And if you’re curious, the weapons from the first Slash work just fine with this one too so if you want him to wield swords he can do that or make use of the other guns.

Let’s not forget about Binky!
The comparison you’ve been waiting for: Binky and “baby” Slash. New on the left, old on the right.

Articulation for Slash is exactly the same as Tokka and Archie Slash, so I won’t do a full rundown here (those reviews are linked at the bottom of this entry). I will say that Slash is a little loose. The Archie one was too and it’s mostly in the hips. They’re not floppy, but they’re pretty close. The figure has stood fine for me ever since I got him and only when I pushed it did he fall over. He is a little rear heavy, but should stand okay. Some joints are also pretty tight, like the knees and elbows, and the bicep swivels were stuck on mine. I actually never got the left one to work, but the right came free without any help.

“I’m gonna pulverize you do-gooders!” “Hey Slash, I hear they’re giving out free pizza a few blocks away.”
“Pizza!”

Is this new Slash an improvement over the previous one? Without question the answer is “Yes.” Still, if you have been content with that Slash all this time then maybe you’ll be fine to stick with it. There are also plenty of fans who do not like the cartoon’s portrayal of Slash and this probably won’t change their mind. It is not without its problems. I wish the articulation was tighter at the hips and the head swapping thing is really annoying. The bright green skin tone is a bit off-putting. I presently have my Slash amongst the villains from the “Night of the Rogues” episode where it’s not much of a bother for me, but when beside the turtles he does look off. And if you want to nitpick this guy further, he’s also probably a little too big now compared to the turtles. The same is true of Tokka, Bebop, Rocksteady, and probably other villains that don’t immediately spring to mind. That’s not something I take issue with, but if we’re discussing this as a review then it needs to be said.

“I wuv you, son.”

If you want to add this Slash to your collection you will have to turn to Target. He’s been in stock on the website for a bit, but might not be when this goes live because of my adherence to Turtle Tuesdays. Target is charging $37 for the figure, which it lists as Ultimate Slash, which is pretty much the going rate for a NECA solo release in this line. Since this figure does come with a fair amount of accessories, I think it’s a better value than some of the other recent releases. It’s not a perfect Slash action figure, but I think most will be happy with it and we shouldn’t need a version 3 in the future.

As promised, here’s out look at the figures this Slash is built off of as well as NECA’s first attempt at the character:

NECA TMNT Cartoon Slash and Leatherhead

NECA’s incredibly popular and white hot action figure line based on the Teenage Mutant Ninja Turtles cartoon series of the late 80s/early 90s has slowly rolled out its third wave. The wave consists of three two-packs and a single-packed deluxe figure, but perhaps to increase the numbers of individual items it can ship at once,…

NECA Cartoon TMNT Tokka and Rahzar

There is certainly a lot of Teenage Mutant Ninja Turtles product flying around these days, but I would guess collectors and fans of the property are paying the most attention to two toy makers in particular: NECA and Super7. One search for “NECA” on this blog will reveal that the company has produced a ton…

NECA TMNT Adventures Series Slash

As NECA continues to find success with its Teenage Mutant Ninja Turtles lines of action figures, the company has sought to branch out beyond the usual source material in an effort to give collectors more of what they want and also likely to just keep the hype train rolling. NECA started first with doing figures…


Jakks Pacific The Simpsons Homer and Bart

Another company is taking a whack at The Simpsons.

I think it was early this year that we found out Super7’s line of ReAction and Ultimates! action figures based on The Simpsons was ending after just a couple of years. That meant Super7 was done after four waves of Ultimates! and four waves of ReAction figures. We had seen figures for a possible fifth wave and listings for another wave of ReAction figures, but they will never see the light of day. If you’re curious about my thoughts on that whole mess, check out my review of King Size Homer linked at the bottom of this entry. Safe to say, I was let down and really not surprised that Disney pulled the plug. Super7 took too long to bring figures to market and frustrated the fanbase with its character selection. And once the backlog was unleashed earlier this year, the quality took a nosedive as well which would have only further irritated Disney.

It is entirely my assumption that Disney ended the deal with Super7 largely over money in that they probably wanted more. They also apparently had another partner ready and willing to dive into The Simpsons in Jakks Pacific. Unlike Super7, Jakks is a company that specializes in low cost action figures and toys released at mass market retail. You have probably seen their figures based on various Super Mario Bros. licenses and Sonic the Hedgehog. The Simpsons is apparently their next mountain to climb and it’s possible that Jakks either wouldn’t do the deal with Disney or wasn’t willing to pay as much as Disney wanted without some kind of exclusivity over the license. For fans of the property, it basically just means we’ve swapped out one company for another. The approach of the two is very different and it remains to be seen what the finished product will look like for Jakks when it comes to selection, but for now we have a few figures we can look at and assess.

I don’t have any of the figures from Playmates, but I can show you how they scale with Super7 Ultimates!

The Jakks approach for The Simpsons is a lot like their video game figures in that there are basically two lines: a 2.5″ line and a 5″ line. I don’t actually know what the measurements of the smaller line are because I have yet to buy any. They are small though and minimally articulated. It looks like this line will be how Jakks gets play sets into market as there’s already a Homer and living room set. The 5″ line is the one I’m more interested in as it’s a more fully articulated line of figures. The 5″ scale also has the added benefit of fitting in with the old World of Springfield toy line from Playmates that existed in the early part of the century. There’s also a third tier, a deluxe line, that’s starting to come out. These figures will feature more paint and come with dioramas and special features. I’m not sure about that line at this time as the price is around $25 for those and I’m not seeing the value, but maybe I’ll change my mind. There’s also a talking Krusty doll (I have it, it’s great for what it is) and a roleplay item in the form of Moe’s telephone. I might have to get that too, but it’s very much a “toy” and something I don’t need (not like that ever stopped me).

And I can also show you how they scale with the Super7 ReAction line.

Wave One of the 5″ line contains four figures: Homer, Bart, Willie, and Otto. I have so far only managed to find the two Simpson boys, but I do hope to run into Willie and Otto at some point. The figures are sold in window boxes with the same licensing art across all of them. It’s fine and sturdy and if you’re an in-box collector the window is generous and provides for a good look at the figure inside. Each figure will retail for about $13 and it looks like the aim is to do a figure with at least one accessory. As a first wave, this seems like a solid approach to get two family members and two fairly prominent side characters. Otto was definitely more of a factor early in the show’s life, which I do kind of appreciate since it’s those long-time fans that are mostly likely to buy these. After Super7 failed to release any women in their main line though, I’m a little remiss that Jakks did the same. It looks like we won’t have to wait long though for such characters to arrive as Wave Two is set to include Lisa along with Krusty, Moe, and another Homer. I guess Marge will have to wait until the third wave.

The scale here is not great.

Homer and Bart follow a pretty similar approach. Homer is around 5″ tall while Bart is a tick under 4″. You will likely notice right away that the scale is pretty far off for the pair. Bart is way too big, but it’s basically the same scale as what Playmates did. Toy companies have a tendency to make the smallest characters in a property bigger than they should be while the largest characters tend to be smaller than they should be. In the case of Homer, I think his size is perfect. His proportions look pretty good and I really have no complaints there. Bart, in addition to being too big, also doesn’t look proportional to me. His head is huge relative to his body and his arms and legs are too long. The arms and legs I can excuse since it’s probably to help facilitate articulation, but he’s not a great looking figure. I pretty much bought him because he’s, well, Bart!

Homer actually scales pretty well with little Hugo here. I think I prefer the kids be just a little too small than too big.

Both figures feature minimal paint applications. There’s really almost none to speak of. On Homer, it’s possible the only paint is the black hair that zig zags around his head and the pupils of his eyes. His mouth and the white part of his eyes look like they may be separate pieces of colored plastic glued into place. It’s certainly the case with the eyes, while I’m less certain about the mouth. For Bart, his pupils are painted along with some of the parts of his shoes. And with the shoes, the only paint might actually be the white circles on the inside of his sneakers (something Super7 failed to paint) as the soles of his shoes are all white and there’s a little excess plastic around his socks which makes me think that too is a molded piece. It’s possible the blue is painted on and then the white circles over that.

Similarly, this new Bart doesn’t look too bad beside an Ultimates! Homer.

The lack of paint basically means these figures have a very glossy appearance. From a collector’s standpoint, it’s the thing that bothers me the most. Yes, I know, we’re talking about a very low price point here, but if just the heads were at least painted it would give these figures a much nicer aesthetic. The other issue that stands out for me are the portraits. Both characters have a hint of a smile that’s really only visible from the side or a 3/4 angle. From the front, there isn’t much personality to convey. The Simpsons are a pretty animated bunch and I would have liked some more personality. Something else that kind of bums me out is that the heads don’t feel like they’ll be easy to remove. If Jakks had planned it better, perhaps we could swap portraits with future Bart and Homer variants to create more expressive poses.

My favorite detail about Homer’s behavior at work is how he always just takes the box of donuts from the break room and heads into the bathroom.

This line is a fully articulated one and Homer and Bart probably have as much articulation as one would expect of a Simpsons line. It’s also the same setup for both. There’s a swivel head, ball-hinged shoulders, biceps swivel, single-jointed elbow, wrist swivel and hinge, ball-jointed waist, ball-socket hips, single-hinged knees, and ankle swivels. Bart’s thighs can also swivel where they meet his shorts, though it’s tight enough that I wonder if it’s intentional. I was also able to get his lower leg to rotate at the knee which I only did because his lower leg was inserted backwards out of the box. Again, I’m not sure if it’s supposed to do that, but it did. Homer’s elbow range is a little less than 90 degrees, while Bart’s is a little more. The waist joint is mostly a rotation point, but there’s a tiny bit of tilt all around on the ball joint there. It’s decent and probably enough for this brand. The arms are a little ugly since both characters are bare armed, but what are you going to do? I suppose a more collector focused line would do swappable arm parts instead of joints, but that clearly isn’t what Jakks is going for. The only joint that’s really worth criticizing is the lack of an ankle rocker. I suppose a simple ball joint for the head would also be superior to what we have.

Eating and skateboarding, that’s pretty much what both characters like to do most. Aside from maybe watch TV.

Both figures do feature a primary accessory. I suppose for Homer we technically have two. For Bart, it’s his skateboard which features a single peg at the rear of the board and purple wheels that really spin. The board itself is red plastic with stickers applied for the other colors. I always thought of Bart’s board as more orange than red, but it’s fine. Even though Bart’s right hand is a gripping hand, he doesn’t come with a slingshot or anything. For Homer, he has a pink box of donuts with an articulated lid. Inside the box, are eleven donuts which are non removable. There’s one missing because it’s separate and Homer can hold it. It has a big bite missing and it’s Homer’s favorite donut with the raspberry glaze. It too appears to be two pieces of different colored plastic glued together. That approach must be way cheaper than paint for Jakks to go through all of this trouble assembling tiny donuts.

Homer’s box of donuts turned out pretty well.

Overall, I would say these figures of Homer and Bart are pretty much as expected. They look cheap and they feel cheap because they are cheap. Now, they don’t feel fragile or anything and they have a nice weight to them, but they definitely don’t feel like a true “collectible.” I’m far more pleased with Homer than I am Bart and it has everything to do with the scale and proportions on Bart. I’m tempted to buy the 2.5″ Bart to see if I like how he fits with Homer and maybe making that my way of collecting the Springfield kids. I like how Homer looks with the ReAction Hugo so it gives me optimism that He’ll look good with the smaller Bart.

They might not be the figures we want, but maybe they’re what we deserve?

If you’re looking to start another collection of The Simpsons action figures, these are currently showing up at both Target and Walmart and have been for quite a few weeks now. It actually took me awhile to find a Bart that didn’t have misaligned pupils which is what took me so long to get to them. Amazon is also selling the first wave and they can be found at other online retailers. The figures should retail for about $13 so it’s definitely an affordable line, but you also get what you pay for. I’m largely interested in this line and I do plan to buy more, but I’m not excited about it. It’s mostly a feeling of acceptance that is driving me to buy these as more than anything they just remind me of what I want from the brand. And that’s 5″ scale figures with more paint and more accessories. Not so much accessories in the form of “stuff,” but just in extra expressions via portraits and hands. I can pose Homer with his donuts, but his mouth isn’t open to bite into one nor can he just drool over them. These figures are very sterile, but The Simpsons should be anything but.

If these figures from Jakks Pacific aren’t really doing it for you, maybe you’ll like the stuff Super7 did:

Super 7 The Simpsons Ultimates! King-Size Homer

Well, we’ve done it. We’ve reached the last figure in Super7’s line of Ultimates! action figures based on The Simpsons. Did we save the best for last? No, not really, but I am happy to say today’s figure is definitely not the worst. And this fourth and final wave has featured multiple contenders for worst…

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Super7 The Simpsons Ultimates! Kang and Kodos

We are onto the third wave of Ultimates! from Super7 based on The Simpsons. Like past waves, plenty of questions abound when it comes to Super7’s character selection and they’re not unfounded. Perhaps the two most questionable inclusions in this third wave are the subject of today’s post: Kang and Kodos. These are two separate…

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Super7 The Simpsons Ultimates! Bartman

When I concluded my review of wave 1 of The Simpsons Ultimates! from Super7 I was thinking that I’d be back with more reviews later in the year. That was in February of 2023. We are now in April of 2024 and finally wave two has arrived (my original order was place January 5th, 2022).…

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S.H.Figuarts Super Saiyan Son Gohan – The Fighter Who Surpassed Goku

The son of Goku who dresses like Piccolo.

When Goku shattered his ceiling and became the Super Saiyan of legend to topple the seemingly unbeatable Frieza, the story could have come to an end. Where could the hero go after attaining this awesome power and vanquishing the ultimate evil? The being responsible for not just the death of his father, but the destruction of his entire race? It is said that Dragon Ball creator Akira Toriyama gave consideration to ending things there, but doing so would have meant not following through with Goku’s son, Gohan. Plus it would have meant giving up untold millions in future Dragon Ball related products.

They’re a posse.

The story did continue and is technically still continuing to this day, though that aspect is a bit more muddled than ever before with the passing of Toriyama. Goku would survive his encounter with Frieza and return to Earth to take on a new challenge: Cell. As for Gohan, he had been introduced at the start of Dragon Ball Z as a gentle child with an incredible power hidden within. It was the type of power that only surfaced when Gohan was driven to extreme bouts of anger usually as a result of his loved ones being put in a position of danger. Both Gohan and Goku are what one could describe as gentile souls, but both view fighting from very different perspectives. For Goku, fighting is a thrill and a challenge. He wants to be the best and always improve just for the sake of doing so. For Gohan, fighting is an obligation. It’s a tool and the sort of tool one only turns to when it’s needed. If Gohan did not have to fight in order to protect those he loved then he likely wouldn’t fight at all.

I don’t have a Cell Saga Goku so this will have to do.

During The Cell Saga of Dragon Ball Z, Goku decided to train Gohan in order to meet this new challenge head-on. And it was during that year long training session that Goku discovered that his son had the potential to become even stronger than he was. He kept this discovery to himself, but it manifested in an extreme feeling of confidence in his son’s abilities. He may have overestimated them a touch, because while Gohan may be even stronger than anyone he stands against, he lacks the polish of a seasoned fighter as well as the killer instinct to finish what’s been started.

To my surprise, these are two completely different figures.

This latest action figure from Bandai and Tamashii Nations depicts Gohan as he was when emerging from that training session with his pops. He’s attained the level of Super Saiyan and physically he’s matured quite a bit from the little kid he was on Namek. And even though he spent his time training with his dad, he opted to honor his first trainer in martial arts, Piccolo, by sporting his purple gi and white cape. This figure naturally lends itself to comparisons with the previously released Super Saiyan 2 Gohan from later in his battle with Cell. Bandai just re-released that figure last year with a new deco as one of its convention exclusives. If you expected this new figure to share parts with that one though you would be mistaken. Even though it doesn’t make a whole lot of sense, this new Gohan is actually a little smaller than that one standing at around a tick under 4″ to the top of his face. His legs are shorter as is his torso and he’s a little more slender too. None of the parts from that figure have been recycled for this one. That’s both a good thing and a bad one as it means we get updated articulation with this figure, but you can’t swap heads and hands between the two.

Team Shorties.

As you probably have surmised based on that description, this Gohan is a bit of a dainty figure. He’s short and slight and one of the smallest overall figures in the line. Bare in mind, I don’t have the past Kid Gohan figures to compare him with, though I do have Kid Goku and Krillin. He’s taller than those figures, though they’re practically a different scale on their own. He’s most similar to Fourth Form Frieza as that’s a short, slender, figure. Krillin is similar as well, though even he’s a bit chunkier. Plus that dome is massive. The presentation is pretty typical though. The hair is a soft yellow with just the tiniest hint of shading. The flesh is pale, as Super Saiyans are often drawn, and the gi is purple plastic and it too has just a touch of shading on the front of the shirt and pants. It’s so faint that it’s barely noticeable. The only other paint is reserved for the face while the belt, wrist bands, and boots all appear to just be colored plastic.

I like the expressiveness of this scared or worried look, though I don’t know if I’ll ever really use it.

For portraits, Gohan has a decent assortment. There’s the neutral expression he comes equipped with plus a similar one that just features large eyes. That one has almost a scowl for an expression and I’m puzzled why Bandai didn’t just go with a smile? It feels more appropriate for the larger pupils. There’s also a teeth gritting expression, a yelling face, and one where he looks alarmed. That last one features some battle damage and I think it’s supposed to represent the face he makes when the head of Android 16 winds up at his feet. It’s a solid assortment of faces, but it’s a bit surprising there isn’t a more exaggerated scream with his eyes closed and tears running down his face to capture the moment he transforms. There’s also two head sculpts for the hair: one that’s neutral and one that’s windswept. It looks nice, but part of me looks at it and thinks that if Bandai was going to give us two hairstyles, why not just give us Super Saiyan 2?

The cape is going to lock the head down, but it does make him look pretty cool…

Gohan also has an assortment of hands. For sets, we get fists, flat palm, wide open, clenching “Kamehameha,” and a more nuanced clenching set. I’m not really sure what that last set is going for, maybe a reaching out kind of expression? I like them though and subtle differences are nice for hands. Lastly, Gohan also comes with his shoulder pads and cape setup. Unlike Piccolo or the Super Hero Gohan version, this cape set uses soft goods in conjunction with plastic shoulder pads. The fit is a little snug, but manageable, and it mostly looks fine. It feels like it’s just cotton and there is a wire running all around the edge. It’s not a very large cape though so it won’t pose much. The difference in material is noticeable, but I suppose it’s better than the plated, articulated, capes, though I understand those who do not like mixing materials in their displays.

Come on, Gohan! Get mad!

Gohan is constructed in a manner similar to his adult counterpart from the Super Hero film. I guess this would be considered the 3.0 body? I don’t know, though it’s not entirely the same. The head is on a double ball peg, which is nice, though it’s a little floppy. He’ll hold his pose, but perhaps not as well as he should. The neck is on a ball joint as well and is slightly gappy, but not out of the ordinary for the line. Between the two joints, Gohan has solid range save for looking up which is typical of these figures. The shoulders are ball pegs and the setup is very much like adult Gohan and Krillin. It’s not a true butterfly, but the small nature of the figure means he has decent clearance coming across the chest, but not much going back. The sleeves are basically a floating piece. They get in the way sometimes, but it’s not too cumbersome. Bicep swivels, double elbows, and wrist ball-hinges all work as expected and do what they’re supposed to.

You’re going to have to provide your own energy effect or steal one from another figure.

At the waist is a ball and socket joint and that’s it for the torso. If there is anything under the gi I can’t tell. It rocks forward and back a bit, but Gohan is not going to move as well as some of your other SHF figures. He will kick forward extremely well and can also do splits out to the side. He does have the butt cheeks sculpted on so kicking back doesn’t work well. The thigh twist is setup like other recent figures such as Future Trunks and adult Gohan which isn’t a look I love. They stick out too far, though either it’s less an issue here or it’s just the smaller figure that hides it somewhat because it’s not as bad on Gohan as it is with Trunks. The double-jointed knee will bend a bit past 90 degrees and at the ankle is a twist, hinge, rocker, and toe hinge. The range on the hinge is pretty poor, again a repeated issue of the line, while the rocker is solid. The toe hinge is what it is.

If you’re a big time collector of DBZ figures then chances are your Cell Saga display is much larger than mine.

All of that is to say that this version of Gohan is a pretty solid figure, though maybe not the most impressive. It’s a simple approach of a character with a simple design. The accessory loadout is good, though it’s lacking an energy effect or a Super Saiyan 2 portrait (I know, they’re saving that for a likely future release). The only real issue I have with this figure is the asking price of $65. This is a general release item, not a P-Bandai release, and $65 feels a little steep. I even forgot that it cost that much and assumed it was $50 until I went back and checked it out before writing this up. I guess we’re paying for the soft goods? I don’t know, Bandai’s prices have been creeping up so maybe this is just their new, non-Target, release price. I guess if you like this version of Gohan you’ll probably get it just for that. Those looking to construct a smaller collection might prefer to wait for a new Super Saiyan 2 version.

We have more from Dragon Ball Z’s Cell Saga:

S.H.Figuarts Piccolo: The Proud Namekian

When the S.H.Figuarts line was launched years ago and Dragon Ball Z was at the forefront, it wasn’t Goku who got to be the first figure out of the gate. Nope, it was Piccolo. That figure caught my attention when it was announced even though I had not purchased a Dragon Ball figure in quite…

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S.H.Figuarts Dragon Ball Z Krillin – Earth’s Strongest Man

My Dragon Ball collecting was once simply focused on the original series, Dragon Ball, but has been expanding over the years. I’ve definitely leaned more towards Dragon Ball Super of late, but one of my Dragon Ball Z purchases last year was the event exclusive Nappa. I don’t know why I like Nappa so much.…

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