Today’s review has been a long time coming. It was on December 26th, 2024 that I received in the mail a NECA Ultimate Santa Jack action figure based on The Nightmare Before Christmas. Christmas had come and gone so it didn’t make much sense to post a review, so I waited. Nearly a year, in fact, but I’m finally going to take a look at this figure. When NECA returned to The Nightmare Before Christmas in 2024 it went the predictable route by doing two Jack figures and pairing him with Sally. They also did the Mayor, so I guess that part wasn’t typical, and based on how many of those figures I see hanging around store shelves I would assume most were content to just get Jack and Sally. For toy companies, doing two versions of Jack makes a lot of sense. He spends considerable time in the movie with both looks, but also they can conceivably use a lot of the same tools to create both figures. Only, NECA actually opted not to do that from what I can tell.
Santa Jack is actually a little bigger than standard Jack.
The sculpt for this one is credited to the trio of Kyle Windrix, Marty Henley, and Andrew Lawson which is the same trio that brought us the standard Jack. This one comes in the same style of packaging that’s just credited to Chris Longo. Usually NECA credits the artist who made the actual drawings that factor into the packaging, but since one isn’t present that either means Longo did it all or Disney supplied the artwork and declined to include the artist’s name. Regardless, it fits thematically with the other figures we already looked at and will make for a fine coffin for the figure eleven months out of the year.
The prior Jack came with a bunch of expressions while with this one we have to settle for three.
Santa Jack stands approximately 8 3/8″ to the top of his head which is actually a little taller than the standard Jack. Why is this? I’m not sure, but it would appear that most of this figure is new tooling. I was expecting a new upper torso that conforms to the Santa suit and maybe new forearms and shins, but I also thought NECA might add the trimmings of the suit in another fashion. The texture of the red, which is a nice, vibrant, shade, is a little bumpy and almost chalky. I wasn’t sure if this was achieved via paint or by sculpt, but considering the different size I’d guess it’s just all new. The only parts this figure appears to share with the regular Jack are the hands as even the included expressions are different. This one necessitates holes in the sides of each portrait for the beard as well as a port for the hat, but I thought they might be able to reuse the prior heads and just insert something into the mold to create the needed ports. What we end up with though is a very nice presentation of the character from the film in his Santa guise. The paint is clean and the red has a nice matte appearance while the black boots are appropriately shiny. The skull head is a touch off-white and has that cold appearance it has in the film. There are no soft goods present and I suppose some might have preferred actual faux fur trim or a soft goods beard, but I’m content with the all plastic approach.
As long as you can’t see the hole in the top of his head, hat-less displays are possible.
Perhaps because of all that new tooling we don’t get quite as much in the box this time around. That Ultimate Jack is perhaps the figure I own that best lives up to the billing as he came with a ton of different expressions. This Jack comes with just three: smile, wink, and a surprised look. The smile and surprised look are both slightly different from the same expressions found with the standard Jack. You can use the heads from that release with this one, but you won’t be able to make use of the hat or beard as both peg into the heads. The beard is on a double ball peg while the beard has a peg on each side. It’s a little bendy and forgiving, but also mushy. I could not get it into the alternate heads without first dunking them in a cup of hot water. Santa Jack also has an array of hands including sets of relaxed, clutching, pointing, and flat hands which are all repeated from the previous release. To complete the look, he has a plastic sack and three different, wrapped, presents to go along with a candy cane and his clipboard with a picture of himself in this Santa suit. The accessories are all quite fine and will help to build out a little scene on your shelf. He also has the same stand that came with the other figures and you will need it. In fact, I recommend borrowing a second one from another release if you have one. I put regular Jack and Sally away so I had another to make use of and it helps to keep him upright.
All of Jack’s accessories will contribute to your holiday display.
The articulation for Santa Jack is exactly the same as it was for the standard Jack (linked at the end of this post). The only difference is we now have the hat and beard. The beard, since it just pegs into each side of the face, can swivel forward and back which helps a little with adjustment posing. The hat is a double ball peg so it can rotate, but also slide around a bit to be posed at slightly different angles. It’s a nice touch and obviously the only downside here is it means the hat isn’t usable with the standard Jack heads. I do wish NECA had found a solution there. A magnet makes the most sense, but maybe they couldn’t get one into the heads without putting an ugly seam on the top. It also wouldn’t solve the beard issue. If the beard could have just pressure fit to the heads somehow that would have been great, but probably tough to get right. Even something like sunglasses on a figure or the faceguard on the movie Shredder still has tabs to click onto and there’s just no way to do such here without making them visible. Or we could have just got more heads like we did with the regular Jack. I’d have loved more expressions, but it wasn’t in the cards here.
Sally may have been returned to her box, but not Zero. He gets to stay.
Santa Jack is perhaps a little less “ultimate” compared with the standard Jack Skellington, but it’s still a nice figure. The likeness is terrific and the articulation is just enough to make him rather expressive, provided you can keep him standing. That’s my one lingering critique of this line as the disc stand we get just isn’t quite enough in this case. It’s a nice holiday decoration though and if you like the film and this version of Jack it’s an easy recommend. To my surprise, I have not seen a single copy of this figure at stores this year. I’m guessing NECA has been shipping them, but apparently not in tremendous numbers. He can be found online though with hopefully enough time to arrive before Christmas.
If you like The Nightmare Before Christmas or just Christmas toys in general then take a look at these other reviews:
When Tim Burton created The Nightmare Before Christmas while working for Disney I don’t think the powers that be had any idea what kind of a gift he had just given them. Obviously they didn’t since they didn’t even believe enough in the film to release it as a Disney film instead opting to put…
If you buy a Jack Skellington action figure, then you almost have to get him a Sally. That’s exactly what I did, though it proved mildly difficult to track down. I have seen NECA’s Ultimate Jack Skellington around throughout the year as I head into stores that carry NECA products, but Sally had proved elusive.…
There are a number of Christmas specials out there that are basically known by all and I’ve written about most of them here. Some have been annual traditions especially when we had more of a monoculture in the US, but the slow death of cable television has made those annual traditions fade away. One holiday…
We’re back to the ranking posts, and following yesterday’s solo entry, it means our numbers are no longer nice and clean. This is also our first day with 11 entries and we’ll have a few more just as part of my organization. We’ll also never have fewer than 10 on these. It’s math, baby!
Today we slide a bit further into the “Hmm…okay,” category. There’s still stuff here that I am unlikely to ever return to, but there’s also some stuff in here that I watch just about every year. Now, I hesitate to call those particular specials good, but they obviously do something right or appeal to a certain part of me and flawed Christmas specials can be watchable. The first one on our list though is a bit murky.
Courtesy of the “new” Woody Woodpecker show comes “A Very Woody Christmas.” I could make this short and say this series had another Christmas episode, but I never watched it. I had my fill here. It’s not terrible, it just didn’t really make me laugh. It’s three segments: two Woody cartoons sandwiched around a Chilly Willy. I’d say the Chilly Willy one is the best of the three, but I always liked the little penguin. The third one is also in the discussion as Woody tries to get himself off the Naughty List by doing something nice for his neighbor, but everything just goes wrong. The show premiered in 1999 and it looks okay by those standards. Woody’s redesign is slight and not unsightly and I did like Billy West in the role, I just wish the cartoon was funnier.
You could take a lot of what I just said about Woody and apply it here. One would think a Christmas special centered around Bugs Bunny would be pretty funny, but this is not. Perhaps one of the most disappointing Christmas specials I’ve ever seen, this comes post Looney Tunes shorts when the made-for-television animation was obvious and the voices started sounding a little different. It doesn’t look particularly good and too much time is wasted on a tired A Christmas Carol parody that does nothing clever. My affection for these characters has helped to prop it up all the way to this spot and the fact that my kids love Bugs Bunny has kept this in semi-rotation over the years, but this is the worst Looney Tunes Christmas anything on this list.
We go from the Looney Tunes Christmas special to the superhero who wants to be a Looney Tune. The Mask is not a show I’ve spent much time with outside of this episode and I’m not likely to. Even so, this wasn’t bad even though it’s another “Character takes over for Santa” plot. Rob Paulsen is a good Mask and there were at least a few spots that made me smile. It also has Tim Curry and he’s great. I did enjoy the look of this one as it’s much better than the other Jim Carrey movies turned cartoons in that respect. And with this one, I can watch it and think, “This isn’t bad, but it’s definitely not made for me.” And that’s because it’s made for kids and if I were a kid I’d probably think higher of this. And had I been a little kid when this was on, maybe my nostalgia for it would have pushed it higher? Or not as we’ll see in a few entries.
I avoided this one for years because of that title. “Dickens” implies only one thing when paired with Christmas and my appetite to watch unfamiliar A Christmas Carol takes is nonexistent. This one isn’t really what I thought the title implied. Instead, the Brown family (and Marty) travel back in time to find that A Christmas Carol is essentially a true story. They don’t really come to that conclusion, but that’s basically what it is. The Brown kids get mixed up with an Oliver Twist like kid and a Scrooge-type gets it in the end. It’s all right. A cromulent Christmas episode from a cromulent cartoon. There’s so little Back to the Future things outside the movies that there was a temptation to rank this one higher, but if I’m being honest with myself I’ll never watch it again.
Speaking of surprises, this one definitely surprised me. I knew the Berenstain Bears as a series of children’s books. I read and enjoyed them as a kid. I also vaguely recall an animated series. The only specific of the animated version I could recall was the opening title. An actual plot from an episode is just not something my brain can recall. I assumed this would be a preschool styled show and when I went to watch it for the countdown that year I thought there was a really strong chance I was wasting my time as I avoid preschool shows for this blog. There just isn’t much to talk about with them. I was wrong as this was really a straight-forward comedic show aimed at kids. It didn’t exactly win me over, but I was charmed by elements of it and came to enjoy the dumb father character. I think if this were in the 11 minute range it would have been stronger as I just got sick of it. The plot didn’t have enough meat on the bone to sustain the full run time, but it wasn’t bad. If my kids had been raised on this franchise then I would have been fine introducing this to them. Since they weren’t, I don’t have to.
The last of the Jim Carrey movies turned cartoons I covered was Dumb and Dumber. Coincidentally, it was also the last to be released and the same is true of the movie and cartoon. And it’s also the best of the three, which I’d say is also true of the movies which is quite the coincidence. As for series, that I can’t attest to as I haven’t seen enough of any of them, but for Christmas specials I’m taking “Santa Klutz” over the other two. Part of the reason for that is the run time – this one is short. I like short. It is ugly as sin and I don’t really like looking at it, but unlike the other two this one did have some genuine funny moments. It can be hard to write stupid characters, but this cartoon did a good job with that. There’s some misdirection to jokes and the plot setup is also a strength. Reflecting on it, I’m almost talking myself out of ranking it here and moving it up, but I’m not here to second guess myself.
A Cosmic Christmas is a special that’s more interesting than good. I say that as someone who didn’t grow up watching it so my nostalgia here is nil, but the main plot beats are pretty standard Christmas stuff. The animation is rough, but in an artistic and interesting way. Some characters have weird flow or large blocks of color. There’s lots of smoking which is unusual in this day and age and some odd effects with the aliens and their spacecraft. I was never bored watching it even if the story wasn’t exciting. I also enjoyed the Christmas message contained in this one which is largely to help the less fortunate – the sort of thing a lot of high profile church people lose sight of. RIP Nelvana.
Here’s the one I was mostly calling out in the intro paragraph as one I tend to watch every year. X-Men was my favorite show as a kid so nostalgia plays a big role. I was predisposed to liking any Christmas episode X-Men did. And this is a pretty bad Christmas episode, but it’s also intentionally bad. The writing staff was tasked with doing a Christmas episode so they tried to get every trope they could come up with into this one because, on the surface, Christmas with the X-Men is pretty absurd. It just wasn’t the type of show that was going to tackle the subject. The only problem here is the writers were almost too good at making a bad Christmas episode. There’s no sense of irony within the episode, you’re only in on the joke if you happened to read an interview concerning it.
I don’t have a ton of nostalgia for the Teddy Ruxpin cartoon, but I did love my Teddy Ruxpin doll and the book this episode was based on. I feel like I can almost recite that story from memory because Teddy and Grubby told it to me so much. It’s not a true Christmas special as it’s one of those other world stories where they have their own customs that just so happen to resemble Christmas an awful lot. The only thing missing is Santa Claus. Teddy and his pals deliver gifts to their friends while the villain, Tweeg, tries to ruin their time, but he’s an idiot with idiot followers. It’s a little too syrupy sweet at times, but I was entertained.
Mickey’s Once Upon a Christmas was so good that they had to come back for another one. Too bad that along the way someone decided that this should be animated in 3D as opposed to 2D and the classic Disney characters just weren’t ready for that. This thing is Ugly. Mickey looks weird, Goofy more so, and it’s an all together downgrade across the board. The duck nephews who are tasked with carrying one of the longer segments of this one look almost monstrous. It’s also a weird setup where we’re going with what is essentially a 90 minute block of programming broken up into 5 segments of varying lengths. It does improve the pacing when compared with Mickey’s Once Upon a Christmas, but the stories aren’t the best. The saving grace is the final segment where Pluto accidentally winds up at the North Pole and Mickey thinks he ran away because he got mad at him. It’s cute watching Pluto frolic with the other reindeer and it has a really sweet ending. It also helps that Pluto made the jump to 3D better than most of the cast. If you’re interested in this one, I recommend just fast forwarding to that part. The rest is filler.
Tex Avery’s contribution to Christmas is this short that’s also a sequel to the classic story The Three Little Pigs. Well, sort of. It doesn’t really matter, but we have two married pigs and their bratty son and old Mr. Big Bad is going to try and sneak into this home on Christmas. It turns out to be a bad idea as the little kid is a true screwball cartoon character with all the powers of the screwball. We get to watch this kid brutalize the wolf and get some laughs in the process. It’s light on your usual Christmas tropes, but there’s something there. What holds it back is just that, at this point in Avery’s career, there wasn’t a whole lot more he could do. It’s a lot of the same gags you’ve seen before and the attempts at making them bigger just lack imagination. I also don’t like the protagonist. I dislike his voice and most of his mannerisms so it ends up being one of those cartoons where you almost want to root for the bad guy. Eat the damn kid – he sucks!
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
What’s next for a video game that looks like a cartoon? Why, a cartoon! Novel concept, huh? Cuphead is a 2017 video game created by Jared and Chad Moldenhauer heavily inspired by animation from the 1930s. It’s basically a hand drawn video game and a fully playable one, at that. It made waves when it…
We touched on it a bit just a few days ago when we talked about The Justice League, and we’re going to do it again! What is “it?” Why, the launch of The WB, of course! The network fronted by Warner Bros. was a newcomer in the mid 90s and was here to challenge the…
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Is this a review I really need to do? Probably not, but I’m doing it anyway. Queen Studios wasn’t a shop that was on my radar going into 2025. I’m guessing that’s true for a lot of folks and that’s probably why they had a media blitz when it came time to promote their brand INART and its new 1:12 scale Batman action figure from the movie The Dark Knight Rises. Now, when I say “media blitz” I mean that relatively speaking in the action figure collector universe. I kept seeing video reviews for this thing pop up everywhere a few months back and I definitely ended up watching my fair share as I had no idea who this company was. I’m not on YouTube nor is my blog big enough to get that sort of attention so if I wanted to review this figure I was going to have to buy it. And buy it I have so here’s another review of this thing many talked about months ago.
A trio of Batmen.
One of the most expensive action figure purchases I’ve made in my life was a Hot Toys Batman based on his look in The Dark Knight. I loved that movie when it came out and I really wanted to own a piece of it. There really wasn’t much in the 1:12 scale at the time, but Hot Toys had the film covered. The price was way more than I was used to spending, but looking back on it, I’d guess it was far less than what I’ve been shelling out of late for sixth scale Mondo figures. I loved that figure when I got it, but I was also terrified to touch it. If you’ve never owned a Hot Toys figure, it’s basically a big action figure with a rubber suit. The kind of thing that could split or warp and the figure itself was pretty stiff. I had a hard time with the optional parts and one of my cats even ate a Batarang on me (seriously, what the hell, Izzy?!). Still, I loved the actual look so I kept it on display for years, but when I moved into my current house I boxed it up and then never took it out. After a few years of the thing just sitting in my bedroom, I decided to part with it. I wasn’t getting any enjoyment out of it so it no longer made sense to hang onto it.
“I’m Batman!” “I’m Batman!” “No, I’m Batman…”
When I parted with that Batman I never intended to replace it with a similar figure at any scale. Since getting that, the Nolan Batman trilogy concluded with The Dark Knight Rises, a movie that was just okay. My enthusiasm for the trilogy waned and at the end of the day I just love other versions of Batman a lot more than the Nolan take. I still think elements from those films are cool, but do I need to own them as toys? The reviews I watched for the INART Batman made me question that. And then when I heard the MSRP was only around $69 it really got my attention. Since it’s for the Asian market only, that $69 quickly became more like $100 for folks in the US, but considering what other figures in this scale cost these days, it still wasn’t a terrible value. I reluctantly passed, but then Mezco had to go and unveil their Joker from The Dark Knight. He looked awesome, way better than their The Dark Knight Batman who is more like a mini Hot Toys in construction. I wanted the Joker, but I’d need a Batman to pair him with which got me back to this INART Batman. To ebay I went, as that was the only place I could seem to find one I was confident wasn’t a bootleg, and more money was spent than what it would have cost me over the summer. Oh well.
Deluxe gets you a base an armature for posing. Cool?
The INART Batman comes in two versions: standard and deluxe. I got the deluxe which basically just includes a stand and an unmasked portrait. The difference in price seemed small, so why not? I love a good stand. This Batman is based on The Dark Knight Rises, but the costume is basically unchanged from The Dark Knight. Someone more obsessed with those pictures could probably point out some detail that was changed, but I’m not interested. It looks the part to me. The packaging is pretty robust as INART ships the main box in a shipper box which is also in a brown shipper itself. The actual product box is just black with the logo on it. There’s no window, but I guess that’s fine for something primarily sold online. Inside the box is a tiered tray system with some instructions and a cardboard envelope in between the trays which contains the soft goods cape. I will say, as far as instructions go these are the most robust I’ve seen with a modern toy. They tell you what each item is and what each hand is intended for. It even has diagrams for the articulation and informs you how much range each joint should have. I could probably save myself some time and just post a pic of that in place of the articulation rundown, but I’m not going to take such shortcuts.
Batman doesn’t use guns…that fire bullets. Just ones that fire an EMP and bombs. Bombs aren’t as bad as bullets, right?
The Batman figure comes without the cape applied. It stands just a tick over 6″, and considering that Christian Bale is listed as an even 6′ I’d say that’s some pretty damn good scaling if you figure the boots would have bumped him up an inch or two. What attracted me to this release is that the body construction is all plastic. It’s a mix of PVC and ABS and there’s no rubber overlays in use. It has a very light feel in hand, similar to a MAFEX figure, and the quality is very nice. The finish is matte and per the instructions it is painted, though I’m guessing this is all black plastic. There are different textures at play as there’s some parts that feel like Kevlar and some parts that are smooth. The torso is all segmented, but the pieces are fit together very well. The proportions look great and the copper colored belt looks pretty screen accurate to me.
The Cape looks great when it’s on, but it can be a pain in the ass getting it there.
The cape is in a cardboard envelope and the way it attaches is pretty interesting. The chest where the Batman logo is sculpted in is actually removable and what holds it in place are a pair of small magnets. The cape is connected to a pair of plastic tabs which slot into two gaps of the chest. The magnetic piece is then supposed to be reapplied and that will hold it in place. Getting the tabs to actually stay put is a little cumbersome. I had to try it a couple of times to really get the magnetic piece to sit properly on the figure. I wish they had made slots for the tabs to actually slide into, but it’s a minor inconvenience. The cape itself is not wired, but it is pleated and it hangs really nice. For the price though, it would have been cool to get a drape cape and a wired one especially considering we get a flight stand.
The three faces of INART Batman. I’ll let you decide what each one is going for.
Batman is outfitted with a bunch of accessories, most of which are good. What’s not good are the optional faceplates. There are three included and there is barely any difference between them. They’re fairly neutral, but I’ll post pictures and maybe you can spot the difference. For hands, we have sets of fists, open, sticky bomb gun holding hands, relaxed, EMP rile supporting left hand, EMP rifle trigger right hand, Batarang holding right hand, Grapple Gun holding right hand. As you could have probably guessed based on those descriptions, we also have a grapple gun, EMP rifle, sticky bomb gun, and four Batarangs: two large, two small. The guns all look pretty damn good. I think the sticky bomb gun was featured in The Dark Knight, and it may have reappeared in The Dark Knight Rises. There’s nice detail on all of the guns and the finish is really nice on the matte parts and the copper parts. The hands are as advertised and work very well for their intended purpose. The figure does have some difficulty in looking down the barrel of the guns, but it can be fudged. There’s also the unmasked portrait which features a neutral expression and a terrific likeness to Christian Bale. It connects at the lower neck peg and doesn’t feature any articulation where the neck meets the head, which is a little odd. It was a bit tricky getting the standard neck part off and I did resort to hot water to do it. The peg inside is pretty sturdy though so I probably could have bent back and pulled. The display stand is pretty hefty and has a shiny plate on the front featuring the film’s logo. The armature included is pretty standard and works well.
The Bale likeness is pretty damn good.
As this Batman is an import figure, it articulates like one would expect an import figure to. For the most part. We get the typical setup with a ball jointed head and joint at the base of the neck which works very well for whatever you need. The shoulders are ball peg joints with a shoulder pad over them on a double hinge. There’s no butterfly joint which may disappoint some, but it is a ball peg so you get some up, down, in, and out range. The shoulder pad should be moved out of the way when you articulate the shoulder and bicep swivel, but it feels pretty sturdy. The elbows are double-jointed and bend past 90 degrees and the wrists are ball pegs. The torso is somewhat complex as it’s segmented throughout the diaphragm with a ball joint at the waist. It works more for twisting and shifting side-to-side than bending forward and back. Range there is pretty basic, but there’s some nice nuance afforded by this setup. It does get gappy at the waist, but the belt is floating and can be manipulated to hide it. The hips can kick out 60 degrees, per INART, and kick forward a full 90. There is a thigh swivel and the knees bend past 90 degrees. The ankles are ball pegs that swivel, will kick forward and back and rock side-to-side. There’s a toe hinge as well which is nice and stiff.
He’s Batman, so of course he has Batarangs.
The articulation range isn’t super impressive, but what does work really well are the aesthetics of the joints. These are the best looking elbows and knees I’ve ever seen on a figure. INART sculpted the pieces all the way and there are no gaps or unfinished parts. The texture is so nice I thought it was silicon or something. The toe joint is also really well done and I love how effortless it is to line-up the seems of the costume with all of the articulation points such as the thigh swivels, biceps, and toes. I think Queen Studios did a really good job balancing articulation and aesthetics with this one. Yeah, they may have sacrificed a little on the articulation end, but not on the aesthetics. Considering this is based on a real world costume that also limited movement for the actor in it, I think it’s the way to go. The only shortcoming for me is the lack of a true butterfly joint. I do wish he could hold some of the weapons just a little better, but for the most part I’m pretty damn happy.
And he has a grapple gun – can’t forget that!
And that pretty much is also how I feel about this release in general – pretty damn happy. This Batman looks fantastic and the quality is apparent in the sculpt and construction. I’ve never interacted with a release from Queen Studios before, but I definitely wouldn’t mind handling a few more. They are apparently doing their own version of Heath Ledger’s Joker and I’m not ruling it out. I liked the Mezco one so I got my preorder in, but I didn’t have to pay a deposit. Given how the ’89 Batman from Mezco is not true 1:12 scale, I am a little nervous their Joker will be too big. If the one from INART comes around and looks better then I can easily pivot to it. I’m just curious how they’ll approach the character. It’s definitely on my radar and I look forward to paring this Batman up with a Joker, whoever ends up supplying it.
We’ve got more Batman figure reviews, and if you want to check out something from the early days of this blog, here’s a review of the film this figure hails from:
When it comes to the world of more high end action figure collectibles, I’ve been able to get my hands on a few. Some rather prominent companies have yet to cross my path though, and it’s not really for any reason other than they either don’t make what I like or I don’t really like…
I mentioned in my look at Batman’s best films that I had gone into total lockdown mode for The Dark Knight Rises. I got off of social media, stayed away from review sites, and just basically blocked the world out where Batman was concerned. I wanted to walk into this film with an unformed opinion.…
You may have been wondering why I decided to devote an entry earlier this week to a nearly twenty year old action figure of mediocre quality, and if so, now you know why. I wanted to take a look at the DC Direct Batman based on his appearance in the Jeph Loeb written, Jim Lee…
If you buy a Jack Skellington action figure, then you almost have to get him a Sally. That’s exactly what I did, though it proved mildly difficult to track down. I have seen NECA’s Ultimate Jack Skellington around throughout the year as I head into stores that carry NECA products, but Sally had proved elusive. I’m sure I could have ordered her at some point from somewhere, but I wanted to find it in store. And if I didn’t, then it wasn’t made to be. Coming in midway through the Halloween season is that NECA Ultimate Sally which I finally encountered at retail. I wasted little time in selecting my figure as they all looked pretty good and now she’s on my shelf with my Jack enjoying the fall decorations.
Sally comes in the same style of packaging as Jack. It’s an all black box with some artwork done in white. Chris Longo is credited with packaging, but I don’t know if he’s responsible for the illustration or not. Sculpt is credited to Kyle Windrix, Marty Henley, and Andrew Lawson with fabrication credited to Marty Henley. Jon Wardell and Geoff Trapp handled the paint duties.
They look good together.
Sally stands right at the 7″ mark making her noticeably shorter than Jack. The size disparity between the two looks appropriate to me. She only had one look in the film and that’s what she has here. Proportions look really nice as she has a long, slender, physique with tiny hands and feet. Her dress features sculpted stitchwork as does her flesh and a muted color palette. Her skin tone has a blueish tint to it that might be a touch too saturated for my taste. I always had the impression the lighting in the film was more responsible for the blue hue than her actual composition. Or perhaps I have it backwards and it’s the lighting that make her appear more pale in the film. Either way, it looks nice enough. The paint is clean and better than my Jack in that regard. The only thing about the appearance of the figure that is unfortunate is the tie in the packaging left behind a slight crease in her dress. I hate those god damn ties NECA uses and I would outlaw that practice if I could.
Sally is not as expressive as Jack, but still pretty damn expressive.
Sally’s articulation is pretty basic as well as pretty restricted given the character design. She’s composed entirely of plastic, no soft goods, so the dress is going to prevent her hips from doing anything. She does have a ball joint at the head and at the base of her neck so she gets decent range there. Her hair is a long sheet of plastic so it gets in the way a bit, but not enough to stop her from being able to look her beau in the eye…sockets. Shoulders feature ball-hinges, elbows are single hinged with a swivel, wrists rotate and hinge. There’s a diaphragm joint that offers a little tilt, but it mostly works for rotation. Knees are single-hinges and the ankles are hinged and do feature an ankle rocker, but her feet are so tiny it can be hard to use. Articulating her feet feels like wiggling a loose tooth.
I’m not sure if these accessories are essential, but I enjoy them.
Sally isn’t going to do much aside from stand there, but she doesn’t do much in the film nor does she come with a ton of accessories that require her to do anything. For portraits, she comes with five: neutral/smile, open mouth smile looking to the side, concerned looking ahead, concerned side eye, and an angry expression with her eyes narrowed. I like them all, though I wish she had an open-mouth smile without the side eye as well. Her expressions swap via face plates and it’s easy to utilize. She also has two sets of hands which are easy to swap: open palms and gripping. It’s a light assortment of hands, but I can’t think of any gesture she needs to be able to perform not covered by the options included.
NECA is doing a good job of making these NBX figures earn that “ultimate” label.
Sally’s other accessories are mostly tailored to her time in her tower and some other odds and ends. She comes with the basket she brought to Jack when she worried he wasn’t taking care of himself (does a skeleton really need to?). For contents, there are two white bottles one marked with an S and the other P which makes me think salt and pepper, but it would be odd to have those in bottles, no? There’s also a translucent green bottle which is from the movie. Sally also comes with her slotted spoon and the jar of deadly night shade. The jar has some really nice texture and paint work on it to the point where I expect it to feel like a true ceramic every time I pick it up. The black cat is also along for the ride and he has a little plate with fish bones on it. The cat is articulated at the head and no where else. Sally also has a jack-in-the-box with a black cat theme to it as well as a smiling jack-o-lantern. Lastly, she has a stand just like Jack’s which you will need since her feet are so tiny. She stands okay with it, but I did have her take a shelf dive the first night so do be careful.
She’s not sold on this whole Christmas thing.
Sally is a fine addition to NECA’s Nightmare Before Christmas collection. I don’t think she looks quite as good as Jack, but that’s not a slight against this figure as I think that Jack looks pretty damn amazing. This collection should be the final say on this film in plastic form. I can’t imagine ever needing to upgrade on either Jack or Sally. Some might prefer soft goods to the all-plastic approach NECA took, but I am not one of those people. I think this looks great, I don’t need her to come with anything else, and I don’t need her to articulate any better than she does here. I guess she can’t really kneel on the ground as she did in her omen scene, but maybe that’s also why NECA didn’t include a little Christmas tree or burned one. She’s on my shelf with Jack where I suspect she’ll be for many Halloweens to come and I may even let her hang around for Christmas. If you’re a fan of the film I think you’ll be pleased.
Simply meant to be.
If you like this Sally figure, then you may be interested in these ones as well:
December 18th brings with it the realization that we are now one week away from Christmas – start panicking! Why panic? Well, if you’ve been putting off your Christmas shopping you’re now in danger of missing out all together. This is the point where it’s risky to order anything online expecting it in time for…
Today should be a day of 90s cartoons because we’re taking it all the way to 64 – Nintendo 64! The Christmas gods do not agree for not only does today not include any 90s properties, but it doesn’t even include a Nintendo one. It does include a video game turned cartoon and there are…
Today’s review has been a long time coming. It was on December 26th, 2024 that I received in the mail a NECA Ultimate Santa Jack action figure based on The Nightmare Before Christmas. Christmas had come and gone so it didn’t make much sense to post a review, so I waited. Nearly a year, in…
When Tim Burton created The Nightmare Before Christmas while working for Disney I don’t think the powers that be had any idea what kind of a gift he had just given them. Obviously they didn’t since they didn’t even believe enough in the film to release it as a Disney film instead opting to put it on the company’s Touchstone brand. In creating what is now a beloved film, Burton gifted Disney something it values more than art itself: merchandizing. In particular, a product that could be sold and tied into the two most commercialized holidays on the planet: Halloween and Christmas. It’s a film that stars Halloween characters creating their own Christmas special. Or, to perhaps put it simpler, it’s a Christmas movie with a Halloween aesthetic.
With the Halloween season upon us it felt like a good time to take a look at a figure that I’ve had in my possession for a little while now: NECA’s Ultimate Jack Skellington. NECA released action figures based on The Nightmare Before Christmas many years back, but in 2024 the company decided to return to the franchise with some all new sculpts. There isn’t much shortage for merch based on the film these days, but NECA felt like it had something to say where the characters are concerned. Those old toys were okay for their time, but could use an update. Super7, Diamond Select, Beast Kingdom, and more have all tried to put their stamp on the franchise as well in recent years to varying degrees of success and failure. NECA, always being more of a horror brand when not making Teenage Mutant Ninja Turtles, must have felt like it could top them all and they may have done just that.
I feel like it only makes sense to compare him to a Halloween-type figure and a Christmas one.
Jack Skellington was one of four figures released by NECA at the end of 2024. Missing Halloween, but arriving in time for Christmas was Jack, Sally, the mayor, and a Santa variant of Jack. I had planned on reviewing at least some of those figures for Christmas last year, but I never had an opportunity to buy this particular figure during that window. And that’s fine, because as a standard Jack this is firmly in the Halloween part of the film and a better figure for this very moment.
There are so many expressions included.
Jack comes in the standard Ultimates style box with artwork on the front and photography on the sides and back. There’s no credit for the artwork so I assume it’s from Disney. It certainly looks nice if you’re an in-box collector, but I am not. Once Jack is removed from the box he’ll stand around 8.25″ to the top of his head. He’s composed entirely of plastic with no soft goods at all. The plastic is also fairly rigid including the tails on his coat and his bow tie. The proportions look spot-on to the source material with incredibly thin, long, limbs. The body looks like it’s all black plastic with white lines painted onto it for his tuxedo. There’s an intentional wiggle to those lines reflecting the look in the film and I almost wish I had two figures to compare each other to see if there’s a random element to the shape of the lines or if this is taken from the film. The application isn’t perfect. There’s some messy paint on the right thigh of my figure that I lament not noticing at the store when I picked this guy up as I had a few to choose from. The backside of the coat tails also aren’t painted, or if they are it’s a touch glossy and I wish it were matte. The white of the hands and the chest are clean as is the head.
And speaking of, that head is magnificent. They all are, actually. NECA really captured the look of Jack with each and every portrait in this box and it’s what sells the figure. By default, we have a smiling Jack portrait but there’s also a mischievous grin, an open mouthed smile, angry smile, a look of wonderment, an “Ooo” mouth, a scared portrait, and a howling one. That’s eight total portraits, if you weren’t counting, and you practically have enough to do your own stop-motion with this figure. There’s also four sets of hands to add to the expressive nature of the figure and they are relaxed, pointing, gripping, and I guess what I’d consider clawing. He doesn’t have a tight gripping hand, but aside from that I can’t think of anything that’s really missing. Some of the heads are better than others when it comes to paint, but mostly to how the head was extracted from the mold. My howling head has a blemish by the left eye and a couple of them have little divots in the top of the skull. They should hopefully be visible in the pictures.
He’s a good boy.For ambience.Something’s missing…
We have a few other accessories to talk about including the best, little, ghost dog around: Zero. He’s sculpted in this milky, translucent, plastic with a nicely painted jack-o-lantern nose. His head rotates, but that’s all for articulation. He does come with a transparent ball-socket stand that gets the top of his head about 3.5″ off the surface if you’re keeping him parallel with the ground. You can tilt and move him about on the stand and it’s a solid way to pull off Zero. I wish the plastic had more of a blueish hue to it instead of a yellowish one, but I’m happy we got a Zero with Jack. The other accessories include a pair of jack-o-lanterns, the jack-o-lantern jack-in-the-box (that’s a lot of hyphens), and the framed picture of Jack holding yet another jack-o-lantern (he is the Pumpkin King, after all). Lastly, there’s a clear, oval, stand for Jack that works only so well. It has two pegs on it, but I’ve found if I actually use both pegs that Jack will fall over eventually. The jack-o-lanterns help here because they have some weight to them so you can plop on the stand to help stabilize things. I think it works best to only use one foot peg on the stand and turn it so it’s pointing out from Jack for a little more coverage that way, though given the proportions and tiny feet in play here, this is a figure that’s never going to be 100% secure on your shelf. He really needs more of a doll stand to grab him at the waist. Just be mindful with where you leave this guy on a shelf.
Articulation for Jack is basic, but also pretty substantial given what’s here. He has a simple ball joint at the head and another at the base of the neck. Since there’s really nothing to get in the way, Jack can look up and down pretty well even with the neck joint having minimal range. From there, we get ball-hinge shoulders, hinged elbows, hinged wrists that swivel, ball-jointed diaphragm, ball-socket hips, hinged knees, hinged ankles, and ankle rockers. Even though the knees and elbows are single hinges, they bend well past 90 degrees because there’s just nothing to impede them. You can swivel at both points as well, but the pins are tiny and I can’t say I like the feel there. The diaphragm joint rotates pretty well, but doesn’t move forward and back much. The hips will let Jack do splits while the angle of the pelvis won’t let him kick out straight, but the leg will go off to the side and pretty high. He’ll pretty much do what you need him to do, but there’s no getting around that his limbs are all very thin and slender. There’s a fear element to working some of these joints out of the box. Bending the knees the first time was one of those moments where I just had to take a deep breath and see how it goes. Everything has been fine so I’m not saying there’s any issues with the durability or quality control, but the design of the character is going to lead to at least the perception that this is a fragile figure. And I don’t think there’s any getting around that, but from what I’ve experienced the figure is structurally sound.
This is a really satisfying figure to own.
If you have ever wanted an action figure of Jack Skellington then I think you’ll be very happy with this NECA figure. NECA captured the look and personality of the character to near perfection. If it can be helped, I just recommend finding him in store where you can cherry pick the best paint job available and mind those lines. I was caught up in making sure the heads looked as pristine as possible and didn’t even look at the legs, not that I should have to, but I wish I had. Otherwise, I love the look of this one and he looks like a puppet from the film. You could probably substitute this figure into a shot of the movie without anyone noticing. Getting Zero included is a great perk while the other accessories help for a festive, Halloween, display. And if you want to leave him up all the way through Christmas then you’re more than welcome to, though NECA also has a solution there as well.
If you liked reading about this Jack Skellington then here’s some more seasonal fare that may interest you:
Is it a Christmas movie? Is it a Halloween movie? Can a film be both? That seems to be the big question surrounding Tim Burton’s multi-holiday classic The Nightmare Before Christmas. Released on Disney’s Touchstone label (because the company was too scared to be directly associated with the film at first) around Halloween 1993, The…
There’s a scourge taking over our local record stores, clothing outlets, and gaming boutiques. It comes in mass quantities dominating its chosen territory at the expense of other merch. It swears no allegiance to anyone and will even place mortal enemies side by side as it amasses an army of licensed property of yesterday and…
It’s a battle for the hearts of children around the world! What is the superior holiday: Halloween or Christmas? Today’s entrant is founded on the premise that Halloween is the only holiday to rival Christmas as far as what children look forward to most. This feels more or less on point as a kid…
When NECA released their first set of Teenage Mutant Ninja Turtles action figures based on their appearance in issue number 1 of the Mirage Studios comics I was a day one buyer. Even though NECA is riding high with TMNT these days, that initial set wasn’t the catalyst for it. Those figures came and went and came again in black and white, but they didn’t launch a whole new toy line for NECA. Some of that had to do with interference from master license holder Playmates Toys, but also NECA conceded that they weren’t big sellers. At the time, the company concluded that the comic book versions of the characters weren’t that popular and it would take awhile for them to get into that sweet, sweet, cartoon gravy.
In my opinion, what really got things going with NECA and TMNT was the unveiling of the quarter scale action figures based on the 1990 movie. I am not a big quarter scale collector, but those turtles are some of my favorite possessions because they turned out so damn lifelike. Collecting them was pretty fun too as they were pretty much released on a quarterly schedule initially with the first one out the door being Donatello in time for Christmas 2016. I loved it and I made sure to get each of the next offerings to assemble a full squad of turtles. I was going to go deeper initially and had a Shredder preordered at one point, but once NECA revealed the 1:10 toy line based on the movie I decided to go without the villain. They take up a lot of space and aren’t exactly cheap.
Four babies and a pizza box.
One item I was tempted by, but never pulled the trigger on, was the Baby Turtle Accessory Set. I don’t remember what it cost originally, but it felt too steep for what it was. As the name implies, the set centered on baby versions of the turtles as seen during the flashback scene pretty early in the film. To make it an accessory set, a pizza box and four additional slices were to be included which, together with the four pizza slices included with the figures, made for a whole pie. There was also a bag of corn chips in the same style as the pork rinds which came with Michelangelo, but the thing that really tempted me was an additional accessory for Mikey: his spinning nunchaku effect.
The scale seems reasonable to me.
One of my favorite scenes in the film as a kid is the “‘Chuk-Off” between Mikey and an unnamed Foot ninja. I originally saw the film on the big screen when it came out, but most of my viewings of the movie were on VHS. There, the dark, grainy, picture always made it look like the scene ended with Michelangelo just spinning his nunchaku like he often did by holding one end and twirling it over his head. It didn’t make sense to me, but I thought it was funny like he was clowning on the guy. Only when I got the movie on DVD many years later could I see the scene for what it was: Mikey balancing the weapon at the center of the ropes and twirling the whole thing like helicopter blades. It makes no sense, which is why the Foot look absolutely stunned by what they’re seeing and it remains a favorite scene of mine. The real question was, did I want to pay $60 or whatever just to get an extra hand and effect part?
At least the big boys have a full pie now.
No. I passed, but I’ve kept my eye on the damn set all these years hoping to score a break. I even tried buying just the accessory I wanted secondhand, but never could find one worth the price. The set finally was discounted recently on Amazon, but only slightly. Ten bucks off making the set $50. For all I know, the set originally was that or even less considering the quarter scale figures used to be around $100 but now cost anywhere from $130 to $150. I was kind of sick of looking though so I just went and did it. Was it stupid? Probably. After all, I’m really only interested in the nunchaku part. The rest of the box isn’t worthless, but not exactly appealing either. Time to see if I’m mistaken.
At rest.Whirling.
The box this thing comes in is pretty nice. It’s a big window with the film’s theatrical poster adapted for the art. Mine did arrive damaged with the window cracked and broken. Could I have complained and got a few bucks refunded? Maybe, but I don’t really care about the box so I can’t in good conscience get worked up about it. The part I wanted was actually flopping around loose in the box, but since it’s just a hand it was fine. It’s a pointing finger hand with a hole drilled into the tip of the index finger. The color seems a little lighter shade of green compared to my quarter scale set. This is likely a production variation as I’m guessing this thing has been in and out of production over the years. Had I bought it when it was originally made available then maybe it would match better. Even so, it’s not really noticeable and the nunchaku part pegs into it effortlessly. It can then spin freely – wee! It does what it’s supposed to do, but I do wonder if it would look better as a sculpted, whirling, effect? We’ve seen NECA do that with the toon line, but this being live action probably made them just go with the real deal and you can spin it if you want. It might have been nice to get both though.
3 bucks off if late!Convincing grease.Old slices on the left.Gotta check those ingredients.
The pizza box and food items are what they are. The box is designed to look like a Domino’s box, but it’s parody. The grease marks inside are convincing and I like that the price is listed as $13. The four slices of pizza are actually different sculpts from what came with the turtles. That’s pretty cool as it gives a more realistic look, but also probably wasn’t necessary. The new slices appear a little darker than what came with the boys, but it will work. The toppings at least match. The corn chips are done just like the pork rinds so it’s a foil bag sealed at both ends. There’s probably a little piece of a spongey material inside to give it some volume, but it probably could have done with a touch more. The turtles can grip it easily and that little scene with Mikey and Don at the table was perhaps the one my sister and I recreated the most as kids, though always with potato chips as we never had pork rinds.
They can just barely hold a slice.
The main attraction here is obviously the baby turtles. These guys are about 4″ tall and are articulated at the head, jaw, and shoulders. They’re all identical and while they look pretty good, I was surprised at the lack of articulation in the legs. They do a solid job of resembling the puppets in the film, though if I am to nitpick I think the beak could be sharper and more yellow. One of them appeared to have a bandage on their face in the movie (I assume Raph since he has a scar on his cheek) and NECA included an optional sticker sheet if you want. It has two Band Ade style bandages and two that look more like wraps. I’m not sure if I’ll bother as stickers have a tendency to curl and come off eventually and my collection is kept in my basement where it can get a little humid. If one is supposed to have a bandaged face then NECA should have just sculpted it.
Well, they’re here to stay.
Did I just pay 50 bucks so my Michelangelo figure could spin a nunchuk on his finger? Yeah, pretty much. The little guys aren’t terrible, but they don’t add much to the display for me. They can at least hold a pizza slice, but the articulation is so minimal that there isn’t much they can do. I think I like the pizza box and corn chips more than the baby turtles. If this set included more food items like soda cans, juice boxes, and Raph’s apple then I’d probably like it a lot more. Or if it just had most of the stuff the 1:10 scale accessory set wound up coming with (a set I passed on, but probably should not have). This one is very light and retails for $60. I don’t feel great about my purchasing decision, but I wanted that stupid effect part and now I have it. In time, I’ll forget about the cost and just enjoy seeing Mikey spinning his weapon on my shelf so I guess that will just have to be good enough.
These reviews are old as hell and I’m reluctant to link to them, but if you want to read my thoughts on the quarter scale line here you go:
The good thing about NECA’s Michelangelo, the final turtle to be released from their quarter-scale line of action figures based on the 1990 film, is that it’s just like the previous three turtles to be released. The bad thing about it is that it’s just like the previous three turtles to be released. Let’s start…
NECA is now 3/4 of the way through the release schedule of their TMNT 1990 movie line with the release of Leonardo – the REAL leader of the group. And like Donatello and Raphael before him, he’s a pretty impressive specimen. The original 1990 movie impossibly never had dedicated action figures. Playmates half-assed a line…
It took awhile, but I finally have my hands on the second turtle from NECA’s 1/4 scale series of Teenage Mutant Ninja Turtles based on the original film. Raphael was released back in February, but I left the preordering of this series to my wife who saw them as gifts for basically the coming year…
Another figure from last summer’s blockbuster. We like to stay current here.
It feels like a theme this summer for me is buying action figures I previously deemed unworthy of my money as they go on clearance. Sometimes that’s a dumb thing to do. If I didn’t want something six months ago why should I want it now just because it’s cheaper? In the case of today’s review, the answer is because I think it’s a good figure. The S.H.Figuarts Wolverine from the movie Deadpool & Wolverine is probably the best figure yet of the character from that film, with the caveat it’s the most expensive and technically isn’t from the film. Both of those aspects of the figure is why I cancelled my original preorder, but when I saw I could get the figure for 40% off I decided that was good enough to get this imperfect representation of Wolverine.
Probably the best figure from the movie so far, even if he never looked like this in the movie.
Let’s cut to the chase – this figure is not really from the movie. It depicts Wolverine in full costume which includes the mask and the sleeves. At no point in the movie did we see Wolverine look like this. By the time he put the mask on he had ditched the sleeves. Unfortunately, Bandai didn’t base their figure on this look nor did they include an unmasked head like the Marvel Legends release. There could be reasons for that which are perfectly valid. Bandai may have been going off of concept art released to them by Disney which is probably the most likely reason. They may have also not wanted to pay for the actor likeness to include a Hugh Jackman head which would make them cheap. It would have been nice if such could be included, or if there were bare arms also included (or just made the default look), but we can only judge the figure on what is present and what it’s trying to achieve. It just meant that it wasn’t worth $85 to me. As imperfect as the Legends release is, I was mostly sated in having it, but the lure of a better price has brought me here today.
And for those wondering, no, you can’t use the Legends unmasked head with this one.
Wolverine stands at approximately 6″ to the top of his head, or just a little taller. Hugh Jackman is 6′ 2″ so that little tick over the 6″ mark basically puts him at an accurate 1:12 scale, assuming the boots he wore in the film didn’t add an inch or two. He is shorter than the Legends version which I had at 6.5″, but that’s pretty consistent for Legends which tends to run a little bigger than true 1:12 scale. He seems a little shorter than the SHF Deadpool though that seems to mostly be in the head. That Deadpool has an oversized melon that becomes more apparent when placed with this figure (for the record, Jackman and Reynolds are both listed as being 6’2″). The costume is textured all over like the one from the film and it’s comprised mostly of colored plastic. The yellow is a pale yellow, especially compared with the more saturated Legends release that is more like honey colored. This shade looks more accurate to my eye. The blue and black is what’s painted, as well as the tiny silver buttons, and everything is pretty clean. The finish is nice and on the blue of the gloves, boots, and shoulder pads there’s a bit of a glossy finish which reflects the look of the film as well. The claws are a nice, metallic, silver and quite pointy. Be careful swapping hands as those claws are rigid and will hurt if you’re not careful.
Deadpool is actually a little taller this time.It works.They don’t like each other.
What stands out the most with this release vs the Legends ones are the proportions. The head size, shoulder width, and leg length all look pretty accurate to the film. The Legends one was pretty stumpy despite being a taller figure and it was my main peeve with that release. There’s a solid amount of mass as well in the torso, legs, and arms, though I would have liked the chest to be pumped out just a little more, but that’s more of a nitpick. The details of the costume are all captured well and I like how they did the folds of the neck portion. The Jackman likeness also looks fine to me. Granted, it’s just the area around his mouth, but the paint is clean where it could have easily gone off the rails with all of the facial hair. The fins on the head are also a rigid plastic which likely helped keep their shape in transit whereas the Legends one is a little warped.
He comes with three sets of non-clawed hands, but I bet most will never use them.
Wolverine is much lighter than his co-star when it comes to accessories, but he also doesn’t demand the sort of weaponry that Deadpool does. For portraits we get two: neutral and teeth gritting. I like the personality of the teeth gritting head more, but both are fine. For hands, we get fists, open, and relaxed hands. For clawed hands, there are fists and open and that ends the accessories. It’s light, but in terms of hands I’d say we’re set. Yes, we should have bare arms and an unmasked head and that’s a shortcoming of the figure. If they couldn’t give us an unmasked head they could have given us a yelling one. It was five dollars cheaper than Deadpool so at least that appears to be reflected in the price, but it’s still an $85 figure so if you wanted more from it then I think you’re entitled to such feelings.
If you find fists boring there’s these hands.
Since this is a SHF release it should also make this Wolverine the best articulated figure of this version of the character and for the most part it is. The head and neck work together allowing Wolverine to look up and down, but maybe not down as much as some would want. It has all of the rotation and nuance you would expect of a SHF setup. The butterfly at the shoulders doesn’t allow for much, but the figure can do the claws across the chest pose. The shoulder pads are pegged into the front of the shoulder and can be moved out of the way. The shoulder can raise a little past 90 degrees and it rotates fine. The double-jointed elbows and knees bend past 90, and the wrists, thigh swivels, and toe hinge do what they’re supposed to.
The articulation isn’t amazing, but is probably good enough for this version of Wolverine.
The torso is a little more mixed. There’s a ball joint in the center which allows for some forward and back. In conjunction with the ball-jointed waist, the figure can bend forward a decent amount, but it adds nothing going back. There’s no rotation in that upper torso joint, but there is tilt. The waist is where the rotation comes from and even more side-to-side tilt. The hips go out to the side almost to full splits, but kick forward a tick shy of 90 degrees and have no range going back. The ankles can go back a little ways, but have little to no forward movement. The ankle rocker works fine at least, but there’s no boot swivel or swivel at the glove. In terms of visuals, none of the joints are ugly. The thigh swivel is pretty apparent, but not to the degree it has been on some of Bandai’s Dragon Ball figures. The elbow joints stand out a little because they are a slightly brighter yellow and bending them all the way will produce small gaps. The same is true of the knees.
It’s not the Wolverine I want, but it is pretty fun to have.
This Wolverine from the film is basically what I expected of the figure. It’s articulated reasonably well and for the look it’s going for it pretty much nails it. It’s just not the look I wanted and wasn’t willing to buy for full price. And that was my mind set when I cancelled my original preorder: why buy something I really don’t want? I want a sleeveless Wolverine. If he was that way and still lacked the unmasked portrait I would have paid full price. Ideally, we’d get a figure that comes with both. In a way, I place almost no value on the sleeved look. I’d happily ditch those arms in favor of the bare arms look and that’s how I felt with the Legends figure as well. I just think the costume looks better that way. At a reduced price though, this is fine. It’s very functional and I’ve had him on my desk for about a month and I mess around with him when I have some downtime. He’ll look good with my Deadpool, and if Bandai comes back with the version I want I’ll have to consider that one was as well. Since they’ve apparently had trouble moving this one though I’m not holding my breath. If this is the look you want for Wolverine on your shelf, then you’ll probably be satisfied with this release provided you feel it’s worth it vs the cheaper Legends release. And since basically everyone seems to have this one on sale, you probably won’t have to pay full price for the pleasure of finding out for yourself.
Here are all of the other Deadpool & Wolverine reviews we’ve done up to now:
Despite the fact that I own dozens of them, I don’t really consider myself a fan of Hasbro’s Marvel Legends series of action figures. They largely are able to get a purchase out of me thanks to Hasbro’s exclusivity agreement with Marvel/Disney which basically makes them the only game in town. Despite that, I will…
It might be hard for the young folk to believe, but once upon a time movies based on comic book characters were treated like box office poison. Unless you were Superman or Batman, you just didn’t belong in cinema. Even those characters weren’t bulletproof. Superman had a nice run, but fizzled out with the fourth…
Despite the amount of reviews presents on this blog, I still do not consider myself a Marvel Legends collector. That’s because my interests are somewhat narrow when it comes to the Marvel brand. Over the years I’ve developed a fondness for Deadpool as depicted on film by Ryan Reynolds. I think the comic book character…
As a kid, I did a lot of my comic reading in the early 90s and as a kid in the early 90s that largely meant X-Men. The X-Men were the “it” team of the moment and seemed so far and above the rest of the pack in terms of coolness. Batman was still in style on the strength of the Burton films and the animated series and Spider-Man (and Venom) was also pretty hot. When it came to comic and comic card trading with friends, those all commanded top dollar. One franchise that did not was The Fantastic Four.
It could have just been my little corner of the world, but The Fantastic Four were regarded as your dad’s comic book franchise. They were pretty lame. If you went to Toys R Us hoping to score a Venom, Spider-Man, or Punisher action figure there was a decent chance you would have to settle for the Fantastic Four instead. I personally never settled, though I was a little interested in The Human Torch. Even though I didn’t particularly care about the franchise, my earliest Cartoon Network memory is becoming aware of the channel by seeing a listing for a Fantastic Four cartoon in TV Guide airing on the network. We didn’t have access to the channel in my market, but it was about a year later that we did and I wanted to check out that damn cartoon. Too bad it was pretty bad, but not as bad as those lone cartoons based on The Thing where the character was a kid who activated his Thing power via a magic ring: Thing Ring do your thing!
I will say they have a good tailor.
Despite my feelings on The Fantastic Four growing up, it’s hard to argue that they’re not Marvel royalty. Created by Jack Kirby and Stan Lee, the group is one of the oldest superhero teams with a memorable rogues gallery headlined by Dr. Doom. When comic book movies exploded in popularity, 20th Century Fox threw The Fantastic Four into the mix with a pair of films in the 2000s that made money, but didn’t seem to make a huge cultural impact. Fox decided a reboot was necessary and the franchise returned in 2015. Again, it made money, but not the kind of money that gets studio executives excited. Fox was reportedly still kicking the tires on more movies, but the acquisition of 20th Century Fox by Disney in 2019 put an end to that. Now, Marvel and Disney are back with what it hopes will be the definitive take on the franchise in film. Ever since Avengers: Endgame basically put a bow on the massive story begun with 2007’s Iron Man, Marvel has been searching for that massive hit that catapults them into the next big event film. Attempts via Disney+ and other films have been met with mixed results, but can The Fantastic Four get audiences as hyped as Avengers did back in 2012?
The setting is practically a character on its own.
The Fantastic Four: First Steps is a film that has been in the works basically ever since Disney acquired 20th Century Fox. It took some time to get right, but once it did we ended up with a picture helmed by Matt Shakman with a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. The film stars Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/The Invisible Woman, Joseph Quinn as Johnny Storm/The Human Torch, and Ebon Moss-Bachrach as Ben Grimm/The Thing. The film is set in 1964, but a futuristic take on the era. This is a world where technology has advanced by leaps and bounds thanks to incredibly smart people like Richards. When we find him early in the film he’s working on teleportation just to give you an idea where we are as a society. As such, it doesn’t look like 1964 other than some design cues and the setting is really it’s own character. The closest example I can think of is Batman (1989) and it’s not 1940s setting that also kind of looks like 1940s America.
She does not bring tidings of great joy.
When we meet The Fantastic Four we’re informed right away that this film starts with their fourth anniversary as a team. Their origin is relayed via montage delivered by an in-universe television special and includes some cameos of their more famous adversaries though with one notable omission. When we actually meet the team, we learn right away that Sue and Reed are expecting a child, something they had been trying for with little success for years. This also sets off massive amounts of anxiety for the father-to-be who can’t help but wonder what effect their cosmic-induced mutations will have on his unborn child. Concerns have to be dismissed for an unusual individual soon reveals themself to the world: Shalla-Bal (Julia Garner), aka The Silver Surfer. She comes baring the unfortunate news that Galactus (Ralph Ineson) has marked Earth for consumption. This naturally comes as a surprise to all involved and it falls on The Fantastic Four to journey into space and barter with the world-devouring entity in hopes of sparing the Earth. They do manage to make it all the way to where Galactus dwells for a face-to-face with the massive entity and find a being who actually is willing to make a deal. The only problem is Galactus desires but one thing: the unborn son of Reed and Sue.
The shadow of Galactus looms large.
That becomes the central conflict of the film: would a parent give away their own child to save the world? It’s a pretty unfair question to ask, but I’m sure you can guess what Reed and Sue want to do and also guess that the rest of the world has a different opinion. The film mostly keeps its focus on that, but also finds time to show Ben trying to find his place in the world and Johnny’s obsession with trying to uncover more information on Shalla-Bal. The film is a tidy 114 minutes and never loses sight of the fact that this is The Fantastic Four’s film. It sounds cliche, but they do a great job of maintaining that family element without resorting to terrible sitcom tropes. This isn’t Full House, but it’s also not some anti-Full House either. There’s conflict between members of the family, but it’s organic. These characters know each other extremely well and love each other. They can annoy each other, but they also rely on each other. And I like that the film remembers that these are all super smart astronauts. Johnny isn’t some dumb jock spending all of his time trying to pick up chicks and The Thing isn’t a big grump who just wants to smash stuff. There’s nuance to all of them and I found it really gratifying to see them rally around a young Franklin Richards (Ada Scott and what Wikipedia refers to as “several other babies”) because that’s what The Fantastic Four should do.
Putting young Franklin at the center of the plot works well for a film emphasizing the family element.
When you have a cast that includes a rock man, a silver woman, and a planet devouring god-being you’re going to need some special effects. Marvel Studios does a solid job bringing characters like The Thing to life. You’re not going to forget that he’s a CGi being, but he doesn’t look out of place. Silver Surfer is also handled rather well and the film is pretty confident about placing this ridiculous being into the film and not making a big deal out of it. Galactus hews pretty close to his classic design with some modern embellishments, but the film definitely doesn’t shy away from showing the being. The colors are muted, but not removed or replaced and I suppose he looks as good as he probably could. The sets look like real sets in many places which is a nice touch over the green screen sets the MCU traditionally relies upon. H.E.R.B.I.E., the resident helper robot, looks like a mix of practical and CG elements and will likely be a crowd pleaser. Maybe not on the same level as Krypto, but kids will enjoy the little robot.
Your kids are going to want one of these.
The film does move fast which may have some questioning if it should have been longer. It’s a bit of a double-edged sword as I think audiences have superhero fatigue and the two and a half hour movies have become exhausting. I very much like how the film gives you the cliff notes version of the origin, though I can also understand some people wondering just what exactly Sue Storm’s powers are? Mr. Fantastic doesn’t get to show off his powers much and the crew really doesn’t get to engage with villains for much of the film. It’s a more procedural film with most of the action reserved for the last act. For action buffs, that’s a bad thing. For me personally, I wasn’t bothered by it. I think it helps set The Fantastic Four apart from more action-heavy franchises. I’m interested in these characters more as characters than as superheroes. It’s an approach that I think will serve the X-Men well whenever they finally get to run wild over the MCU.
The film decided to go the CG route for The Thing and the results are mostly fine.
One final point of criticism I have for the film resides with the ending. If you want zero spoilers about that ending (i.e. when we can expect to see The Fantastic Four again) then skip the rest of this paragraph as I’m going to talk about the mid-credits stinger. Yes, this film has a scene during the credits meant to hype the next adventure. Throughout the film I was quite content with how contained it was. There wasn’t any homework and I didn’t feel like Marvel was setting up another movie. Nothing felt sacrificed or incomplete for the sake of a larger narrative. Then came that mid-credits scene. I won’t actually spoil wht happens in the scene, but it concludes with “The Fantastic Four will return in Avengers: Dooms Day.” I don’t know if I let out an audible groan, but I felt like it. This film did such a good job of making me care about these characters that I don’t want to see them quickly thrust into an even larger ensemble. Now, the scene did follow a “Four years later,” message so it gives Marvel Studios a chunk of unexplored time they can go back to for later films, if they want, but I’d much rather see another Fantastic Four film before seeing them integrated with the Avengers. I know this Dooms Day thing is what the studio is hoping will do Infinity War/Endgame dollars, but I think Marvel and Disney are chasing a dragon there.
Hopefully we get to see a lot more from this group. There are always issues for The Fantastic Four to deal with.
Such concerns could be all for nothing. We’ll see. It also doesn’t really harm First Steps as a movie experience which is one I had a lot of fun with. I don’t think it’s in contention for best comic book adaptation or anything, but it’s a solid B+ theater experience. For the first time in my life I actually care about The Fantastic Four. I want to see more of these characters, this cast, and this really fun setting. Hopefully we do get more of that and hopefully this movie kicks off a new era for The Fantastic Four. The devoted fans have certainly waited a long time for this.
To my surprise, I don’t have any MCU reviews on this blog so here’s the best I can do for related posts:
James Gunn’s highly anticipated Superman has finally arrived in theaters. Is this the film Superman fans have been waiting for? The start of a mega franchise executives are hoping for? Or is it just a nice movie about a super guy and his super dog? Read on to find out!
What is it with the X-Men film franchise and its aversion to simple titles? We couldn’t just have X-Men 2, we had to have X2. The third film was billed as X-Men: The Last Stand in some places, but the theatrical poster seemed to imply it was X3: The Last Stand. At least the reboot…
Over the years, the comic book movie has changed immeasurably. Prior to the year 2000, you could basically count the successful superhero movies on one hand and the only heroes able to really break through were Superman and Batman. This meant Marvel was completely shut out despite feeling like the hotter publication for a long…
When I was a kid, the only superheroes with any box office success to speak of were the biggest heroes from Detective Comics: Superman and Batman. The Superman films starring Christopher Reeve were probably the first superhero movies I ever saw. If not them then the honor would belong to Batman (1967). It wouldn’t be long until Tim Burton’s take on the Dark Knight rocked the box office and became a merchandizing juggernaut. It followed a tetralogy of Superman films that had really run out of steam. Batman was the new “It” hero for the film world and no one else mattered or could find success. Not until Fox and Sony started winning audiences over with their takes on X-Men and Spider-Man. The Marvel Cinematic Universe followed, and even though during that era there was a trilogy of very successful Batman movies from director Christopher Nolan, it feels like Warner Bros. and DC have been trying to emulate the Marvel method with its films with little to show for it.
Enter James Gunn. After entrusting the DC film universe to Zack Snyder to middling results, Warner Bros. searched for someone to spearhead a second attempt at a shared DC film universe. Gunn was known to them through work he had already done for the studio including including films The Suicide Squad and the HBO series Peacemaker. Gunn of course was the director for three very successful Guardians of the Galaxy films for Disney and Marvel and the prevailing thought at Warner must have been if Gunn can take a relatively unknown comic franchise like Guardians and turn it into a mega-successful film franchise then surely he can do the same for the already famous characters of DC? His first task: create a new franchise with Superman serving as the anchor character to kick things off.
Superman may be one of the most famous superheroes in the world, but it feels like his time as the most popular has long since past him by. Film attempts at reviving the character have not been received all that well and Batman has taken over as the face of Detective Comics. It almost feels like at some point in the 80s a rift developed between the two fictional characters that carried over into the fandom. If you were a Batman fan then you thought Superman was lame. If you were a Superman fan then Batman was a joyless, grim-dark, sadist. The talk of a Batman vs Superman movie became a thing that eventually happened and even when comic book royalty like Jim Lee took over the Batman books he made sure to work in a Batman vs. Superman scene into his Hush story. This can probably be traced back to Frank Miller’s The Dark Knight Returns which contains probably the most famous and iconic physical stand-off between the two the atmosphere of which helped to influence Burton’s Batman which helped define the character for the next decade-plus.
The film begins with Superman looking less like his usual self and more like Yamcha.
All of this is to say that Superman arrives with a great deal of expectation. There’s expectation from the studio that this will be the catalyst for a mega-successful film franchise to follow, and not just for Superman himself. There’s the hope from fans of the character that this is the movie that will get him right and do justice for the character that many feel the previous films failed at. And then there’s the naysayers, the anti-Superman crowd and Snyder loyalists which has been stoked by recent cries that Superman is getting too political because Gunn dared to point out that he’s an immigrant and his story is an immigrant story. The film drops at a prescient time for such notions as currently immigration is the focal point of the current administration in the United States with ICE raids and protests against said raids often dominating the news. Can this film possibly serve both crowds and win over a large majority of move-goers this summer?
Despite how this looks, this is thankfully no “Trial of Superman” type of film.
No, probably not. Those who have decided that this new movie is too political and against their conservative leanings going into it are not going to be swayed. And those who thing Superman sucks of only Snyder’s portrayal mattes have made up their minds already so why bother convincing them otherwise? For that other crowd though, I do think many are going to leave the theater with some measure of satisfaction. This is the portrayal of Superman that they were likely looking for, and while the film is far from perfect, it’s also pretty far from terrible.
Superman (played by David Corenswet) opens at an interesting time for the character: his first defeat. Some text overlay is present to inform the audience that Superman has been on this world for 30 years and revealed himself to the public 3 years prior to the events of the movie. This is not an origin story, though if you know nothing about Superman going into it you’ll have the gaps filled in enough without a lot of direct exposition. Superman also gets to open the film in a Yamcha pose. If you are a Dragon Ball Z fan then you know what I am referring to as the character is laying in a fetal position in a crater in the arctic. If you saw the first trailer then you saw this scene. It’s an interesting way to introduce the audience to the character as it informs us that this is a Superman who can feel and experience pain. Some takes on the character make him basically invulnerable to all things not Kryptonite. This Superman is indeed a super-powered individual and no mortal man could ever hope to best him at any physical test, but other super-powered beings can perhaps stand a chance.
This film very much wants to remind you that Superman’s priority is safeguarding the people (and animals) of the planet he now calls home.
The Superman of this universe is an eternal optimist. He is here on this world to do good, as his biological parents instructed via a pre-recorded message, and that’s his goal. When a fictitious foreign power tries to invade a neighboring country, Superman puts a stop to it with his own brand of justice. That lays the foundation for one of the film’s central conflicts – can a man of his power who owes no allegiance to any nation be allowed to act in such a way? To Superman, he is doing right. The invasion would have cost lives and Superman prevented that. To an adult in the political world, there’s more nuance. The invading country (Boravia) claimed it was liberating the people of the country it invaded (Jarhanpur) from an oppressive regime. Lives would have been lost, but they would have better off in the end, or so they claim. Superman disagreed and since he holds the power it’s his opinion that supersedes all others. He consulted no political authority before acting as he did and the fear is what if he’s wrong?
Hoult’s cocky and obsessive Luthor is hopefully a villain with real staying power.
To a man like Lex Luthor (Nicholas Hoult) this is a very scary proposition. He has some sympathizers in the US government, but none are eager to go toe-to-toe with Superman who is not only extremely powerful in his own right, but also extremely popular. Luthor is motivated by more than just fear though. He’s not a man out to make the world a better place, but a better place for him. He’s greedy and jealous and his jealousy towards Superman has been all-consuming. He wants to out Superman as someone the public should fear, and then he wants to kill him. He has been studying Superman these past three years and has used his considerable wealth to hire some very smart people to help him do that. Among his ranks are two creations: Ultraman and The Engineer. Ultraman is an incredibly strong creation of mysterious origins while The Engineer (María Gabriela de Faría Chacón) is some sort of techno-engineered human capable of breaking her body down into tiny nanobots.
The Justice Gang has a role to play, but not a sizeable one.
Other heroes, or metahumans, exist in the world including the Justice Gang (working title). This group consists of Green Lantern (Nathan Fillion), Hawkgirl (Isabela Merced), and Mister Terrific (Edi Gathegi). If you know nothing of those heroes from the comic books good luck understanding what their powers are beyond a superficial level. The film isn’t interested in sifting through lore and all one needs to know for the film and their presentation is they’re some pretty powerful people. There’s also the Daily Planet crew where Clark Kent is employed and we meet the usual suspects for a Superman film. Lois Lane (Rachel Brosnahan) is the lead reporter and the one we’ll spend the most time with. Along with her is Jimmy Olsen (Skyler Gisondo) who is traditionally a photographer, but in this film I don’t know what his role is. He’s not a reporter, even though he has the best sources, and he defers to others and operates like an assistant. Perry White (Wendell Pierce) serves in his customary role as the editor-in-chief.
The film is primarily concerned with presenting Superman as a force for good and what is morally right and just. Cronenswet is perfectly suited for such a role. He has an innocent charm about him as well as the physique. He doesn’t wrestle with his decisions of what is right and what is wrong because he feels he knows inherently the difference between the two. An interesting dichotomy is displayed when he and the Justice Gang take on a kaiju-like beast in Metropolis. Superman struggles with the beast because he wants to subdue it and take it to an intergalactic zoo of some kind while the other heroes see killing the creature as the quickest way to neutralize the threat. Superman, for all his power, doesn’t appear to subscribe to the theory that might makes right, he’ll use his considerable might as he deems necessary, but he’s not a killer. This juxtaposes with the cynical world around him. Lois, in particular, clashes with him because of her more jaded, but also typical, outlook for an adult woman in a modern day setting. She can raise these issues with Superman, but all they do is frustrate him because seemingly no one else sees the world as clearly as he does. The only thing I don’t like about this Superman is his costume. Yes, it’s pretty close to his classic look, but he has that texture and piping that has become commonplace in super hero movies and TV shows. It’s uninspired and overdone and looks like Superman through the lens of The Boys.
Holt definitely gets the most opportunity to steal some of the spotlight.
Hoult’s Luthor is a proper villain for Superman, one who can’t ever hope to match him physically, but can do so in other ways. He’s portrayed as a very smart, savvy, and even patient man since he’s been working to put his plans into motion for years at this point. He’s also prone to emotional outbursts and Hoult is able to straddle a fine line between lethal mastermind and over-the-top theatrics. The background conflict between the two warring nations feels like a clear proxy for conflict in the middle east. Gunn has been working on this film since 2022 so it’s hard to say if that conflict is meant to be a stand-in for something as politically charged as Israel and Palestine, but present day audiences are likely to go there.
If you were hoping to see a lot more of the reporters at The Daily Planet then you may be disappointed.
And that’s where Superman is likely going to come up short for some people. Those who want the movie to have a very clear stance on present day topics like the current one in Gaza are going to be left wanting more. The criticism, if there is any, is largely toothless. The moral questions of whether or not Superman is right or wrong is basically introduced, but mostly dropped. It serves as a catalyst for the plot which then quickly becomes just another sci-fi, comic booky, conflict where the fate of the world is at stake. The film provides a resolution to the plot, but not really any of the other stuff. And amidst the climax the human characters basically get swallowed up. If you’re someone who feels the Daily Planet staff is an integral part of the Superman experience then you too will be left underserved. The film literally puts the only important characters from that group (and even the non-important ones who get little face-time) in a bubble to ride the whole thing out. I won’t go so far as to say the Daily Planet stuff could have been stricken from the film without any loss, but it’s close. On the plus side, the film is at least confident with its sci-fi. It doesn’t get bogged down in the how or why these things can happen, they just can. For some viewers that may be frustrating while others are more apt to just accept the reality of the film for what it is.
DC and Warner are probably counting on this dog to move some merch and he probably will.
The other character I have to mention is the one likely to help offset some of the losses in the adult audience and that’s Krypto. The super canine was introduced in the initial trailer and you won’t have to wait long to see him on the big screen. I have never been a Krypto fan. Even as a kid it felt like pandering to a young audience that I saw through despite my enjoyment of dogs. He’s probably here to help pander to that younger audience once again and maybe win over some dog people who ordinarily wouldn’t care about Superman. His portrayal is better than expected as Krypto is not some well-trained companion, but a force of chaos. He’s a bit unruly and pup-like and it’s probably because he’s a bit neglected being forced to live in Superman’s Fortress of Solitude (it’s never actually called that in the film, but you get the idea). He has not been socialized with other dogs, probably because he’d accidentally destroy them, and Superman isn’t available to train him. He’s still a good boy though so the audience is probably going to enjoy him more than I did. I know my kids left the theater saying he was their favorite part.
John Murphy and David Fleming handled the score with liberal use of the Superman theme composed by John Williams. I was very happy to hear that theme returned as there’s no reason to ever craft a new Superman theme. The films makes use of it in different ways adjusting the tempo and intonations, but it’s unmistakable. I do wish at some point there was a performance a bit closer to the one from the 70s, even if just over the end credits, but the film denied us that. It’s also worth noting that even though this is a launching point for a new DC film universe, it doesn’t feel like one. Yes, there’s a mid-credits and a post credits scene, but they’re not teasers. There isn’t any obvious setup for a future film or story and the plot is self-contained. It may seem a bit ridiculous to praise a film for telling a story and committing to it, but the Marvel Cinematic Universe has become exhausting to follow and it’s nice to just sit and watch a film without wondering “What’s next?”
Okay, I’ll admit it, he’s a good boy.
Superman is a good film. It’s probably not the genre or character-defining moment some want it to be, but if you’re in the market for a good Superman story presented in a capable manner then there’s enough here to enjoy. Where the film comes up short is in its approach to plot points many would consider topical. If you wanted a strong denouncement of the immigration policies in the US or criticism of what’s going on in Gaza well you’re not really going to get it. Should the film have gone farther? Perhaps. I don’t think it would have hurt commercially as the people refusing to see the film because it’s “woke” have already made up their mind and aren’t going to give it a fair shake anyway. There’s always a danger in playing it safe because it can turn off the audience you were likely to have anyway and alienates the one you never were going to appeal to. And it’s never a bad thing to take a stand on what’s right, provided it’s truly the position of those making the art. Those who wanted to see more of Superman’s supporting cast might also be left disappointed. This isn’t a solo Superman story, but it’s also not one heavily reliant on others, but maybe we needed that after films and stories all too willing to place the character on the back burner. It’s also 129 minutes long and feels just about right so while there are things I might have liked to have seen included, I can’t say I wanted another bloated 150 minute comic book movie. Hopefully, Gunn and DC can stick with telling more Superman stories and be less concerned with telling the story of the Justice League or whatever else you know they want to build to. My fear is this is an outlier just to establish Superman and DC is going to just go back to trying to emulate what Marvel has done. Not every film needs to be building towards something bigger and better. There are plenty of Superman stories worth telling. We have the cast and hopefully we have vision at the top to usher in a new era for the character.
If you’re interested in more thoughts on Superman in film then perhaps you’ll find these worth your time:
It might be hard to convince younger people today that superhero movies were once huge financial risks for production companies. It might further surprise them to learn that only one comic book company seemed to figure the whole thing out, and it wasn’t Marvel. While Marvel struggled to get Hollywood interested in its characters, Detective…
Original Air Date: October 4, 1997 Directed by: Toshihiko Matsuda Written by: Paul Dini, Stan Berkowitz, Alan Burnett, Rich Fogel, Steve Gerber Animation: TMS – Kyuokoichi Corporation Running Time: 61 minutes Also Known As: Superman: The Animated Series episodes 39, 40, 41 “World’s Finest: Parts 1, 2, and 3” When Warner Bros. launched its own…
When the original Superman was conceived for a theatrical release, the producers on the project were ambitious. Convincing audiences that a man could fly sure seemed like enough ambition for one film, but not Superman. Alexander and Ilya Salkind decided it would be more prudent to shoot the film and its sequel at the same…
It was a little less than two years ago that NECA unveiled not one, but two, Teenage Mutant Ninja Turtles exclusive items for San Diego Comic Con. One of those, the four pack of turtles from the movie Teenage Mutant Ninja Turtles III, I purchased and reviewed in this space as I often do. The other, the first ever action figure of Ernie Reyes Jr. as Keno from the movie Teenage Mutant Ninja Turtles II: The Secret of the Ooze, I passed on. Not because I disliked the release or was limiting myself to only one item, but because NECA wanted 100 bucks for it. I have said in this space before that I do not like the second movie in the TMNT film franchise. I found it enjoyable as a kid, but it’s a bad movie. Reyes Jr. gives a fine performance as Keno and he’s not the reason the movie is bad, it’s a lot of things. Still, I was interested in adding a Keno to my figure shelf because he was a part of it and a part of my childhood. And if I was going to add a Keno, a Keno from the beginning of the movie where he’s delivering pizzas is my ideal Keno. I’m just not willing to spend 100 bucks on it.
I guess two Kenos are better than one?
Driving the price of Keno was the inclusion of his scooter, but driving the price even higher was a bunch of swag being tossed in. If you ever purchased one of the NECA themed Loot Crates then you know what I’m talking about. You get an action figure that’s worth maybe half the value of the total package while the rest is made up of a t-shirt, keychain, and other assorted junk. It was all stuff I didn’t want and didn’t want to pay roughly 40 bucks for. The following summer, NECA released a Keno and Foot two-pack that I did end up getting. It depicted Keno from his test with the Foot Clan as he was trying to gain admission. Again, not my preferred Keno, but I figured why not? Maybe a month or so ago we found out that Keno and his scooter were coming back. NECA didn’t say how or when, just that it was happening. Fast forward another couple weeks, and he’s a surprise inclusion at Walmart Collector Con. Best of all, he retails for the now standard two-pack price of $60. Waiting almost two years got me the price I wanted, but it also got me to buy a different Keno set I might have passed on had I just spent the 100 bucks in the first place so I’m actually out $120, but I have two Kenos. And a scooter. And a plus-sized Foot ninja. Win?
“Hey! It’s that kid we’re friends with for one movie!”
The Keno and scooter set is exactly the same as the one sold for Comic Con. As far as I know, there was no stamp or sticker or anything put on the box of that release, it was just the extra stuff that ended up being exclusive. The figure, accessories, and the deco all appear to be identical. This is Keno from his first appearance as a delivery boy for Roy’s Pizza. He’s in his long-sleeved shirt and jeans and has the scooter and other equipment to make sure those pizzas arrive fast and hot. The figure is the exact same height as the training Keno at roughly 6.3″, but by default this one has a unique portrait with a very wide smile. He looks ready to laugh and it’s not a very good likeness. His forehead seems huge and there’s just these deep grooves around the mouth area that really makes it protrude almost like a feline. The sculpt for Keno’s signature mullet looks fine, but the paint around it is sloppy. It looks like they would have been better off doing the head in two pieces so the hair didn’t need to be painted as carefully. It’s not typical NECA quality.
I do not care for this portrait.
The sculpt for the rest of the body is mostly fine. The shirt is done with an overlay for the torso while the sleeves are molded as part of the arms. There is a disconnect between the painted red on the overlay and the rest plastic used for the arms with the sleeves being noticeably darker. Again, an unusual issue for NECA since they tend to just paint over everything anyway, but they apparently opted not to with the arms. The white portions of the shirt are covered in tiny spots to simulate dirt and grim, I suppose. I honestly didn’t notice it in the promo shots and thought my figure might be defective. I then thought that maybe these new splatters were an update to differentiate it from the first release, but nope, both have it and once I saw it on the figure I started noticing it in the photography. The shirt is greasy and gross in the movie, but it looks more authentic for someone handling greasy pizza. Here it looks more like he was riding his bike behind a truck in a rainstorm.
Back to work, kid!
I mentioned my dislike for the default portrait so it’s probably a good thing that Keno comes with an alternate head. This is the same head that’s included with the training Keno set and it’s a more subtle smile. This one looks like Reyes Jr. to me so it’s the one I’ll rock. And it also works out that I had the more intense head on my training Keno so I won’t have to display them with the same head (you can also use that head on this figure, if you were wondering). For hands, we get a set of fists, gripping, and open hands. And since he is a pizza delivery boy, he comes with the warming sleeve or whatever those things are called for the pizza box to go into. And yes, there is a pizza box as well. To my surprise, there’s no actual pizza in the box, but that’s probably because they would have had to sculpt a newer, smaller, pizza because this box is tiny compared to what came with the turtles. I think the thickness of the sleeve forced them to go smaller because the scale looks fine, but maybe it too is a little small. It’s hard to say. It’s also possible the pizza box that came with the turtles isn’t in proper scale.
“All right! Keno with the hook-up!”
Articulation for Keno is fairly basic. We get a double-ball peg at the head which works fine, but the hair will limit posing somewhat. Shoulders are ball-hinged, elbows are single hinges with a swivel, wrists rotate and there is a hinge. NECA gave Keno’s gripping hands a vertical hinge which is normally the preferred way to go, but since he has them to primarily grip handle bars, it’s actually not the best choice. I usually find myself complaining about the lack of vertical hinged gripping hands when it comes to NECA figures, but here we have the opposite. There is a diaphragm joint in this guy, but the overlay makes it functionally useless. Waist does rotate and there are ball-socket hips that swivel. He can kick forward all right and almost hit splits, but again, the overlay causes problems. If one were to cut the slits already present in the side of the shirt it might allow him to hit full splits, if you care. The knees are double-jointed and they’re the kind with the peg and hinge at the top and bottom so you get a little swivel out of the top of the knee as well, if you want. Ankles hinge forward and back and rock side-to-side.
“What the hell is this, man? You think this little thing is going to feed the four of us?! He’s holding out on us!”
Keno can hit some of his martial arts poses from the film, but nothing crazy. He does have one real flaw when it comes to articulation and it concerns the other half of this release: the scooter. The scooter is basically being priced like a stand-alone figure. It’s made up of a fairly hard plastic and has actual rubber tires. The handle bars rotate and rotating them does cause the front wheel to turn with them which is cool. There isn’t much detail on the dash, but the entire body of the scooter looks pretty convincing. The plastic has a little shine to it which works for a motor vehicle. The headlights are non-functioning, but they’re at least cast in translucent plastic. The scooter even has accessories of sorts, or you could just think of it as some assembly required. The carrying case for the pizza goes on the back and the frame for it has to be plugged into the scooter first. After that, it just tabs on and looks good. Best of all, it’s fairly lightweight and the scooter has no issues supporting the weight of the case with or without the pizza pocket inside it. There’s also a kickstand to keep the bike upright, though it’s a little loose and I found it giving out on me a lot when trying to pose Keno with the bike.
Looks good from the side…Looks good from the front…Hmm?Umm…I guess?
And that’s the inherent flaw with this set: Keno cannot sit on this thing convincingly. He just doesn’t have the range of motion in his torso to get hunched over properly. Or, the scale is messed up and he just can’t reach the handlebars in a normal, seated, position. He’s always going to look a little goofy and unnatural on this thing. The best pose is probably to have him in the process of getting on or off the bike or it’s to just have him stand beside it. It’s a real bummer because if you’re going to put out a figure and vehicle combo then you should make sure the two are truly compatible. If it’s the torso range that’s the cause, then NECA should have gone soft goods with the shirt. We see Batman figures come with cloth capes for that very reason when they’re being paired with a Batmobile. Or they should have gone back to the drawing board if it was a matter of scale and figured something out. Either way, it’s a bummer.
Maybe he’s just better suited to do martial arts stuff instead of deliver pizza?
To summarize, we have a figure of Keno with a sloppy paint job and iffy likeness with at least one of the heads. He comes with an out of scale pizza box, but at least it can be hidden in the pizza warmer thing. He also has a scooter that looks great, but doesn’t really work with the figure. And this package will set you back 60 bucks. Is it worth it? On the surface, a 1:10 scale action figure and vehicle combo at 60 bucks is a pretty good deal. There are not a lot of figure and vehicles out there in this scale for cheaper. On the other hand, it’s an imperfect figure that doesn’t work well with said vehicle. And it’s a part of NECA’s movie subline of Teenage Mutant Ninja Turtles which actually has a pretty sterling reputation. These are some of the best figures NECA has ever done, but unfortunately, Keno lowers that bar. He doesn’t lower it as much as Danny did, but he’s not the equal of the turtles or even the other Keno which I enjoyed quite a bit. This is an underwhelming release and I’m glad I didn’t pay 100 bucks for it in 2023 because then I might have been kind of pissed. Now I’m just disappointed. I like that I have a Roy’s Pizza Keno in my collection, but that’s where my enthusiasm ends. If you want to pick this up and sort out your own feelings on the subject, Keno is currently exclusive to Walmart like most of the movie collection. As of this writing it is still in stock on Walmart’s website (fulfilled by NECA) and I assume it will start showing up in stores as well.
Did I mention I blog a lot about TMNT? Here’s a few other relevant reviews you might find interesting:
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