Today’s action figure review comes courtesy of online retailer Big Bad Toy Store. No, I have not hit the “big time” where I’m getting freebies for review. Rather, BBTS had a Twitter give-away for an action figure and yours truly happened to be selected. Which is pretty cool, so thanks go out to Big Bad for the hook-up because otherwise I would likely have never had the chance to talk about this figure.
Gotta love that window box packaging.
There aren’t many characters who get featured as a corpse as part of their own product shots.
Yamcha comes straight from the anime Dragon Ball Z. I have reviewed a few of the figures from S.H. Figuarts in the Dragon Ball line, but I’ve largely avoided Dragon Ball Z. That’s because I only have room (and money) for one high-end anime property and if I had to choose I’m taking Dragon Ball over Dragon Ball Z. If I were to reverse course though, and maybe one day I will, I’d probably prioritize the earlier episodes of DBZ like the Saiyan Saga, which is where this figure comes from.
What’s this guy have to smile about?!
I wonder what shampoo he uses?
Yamcha is basically known to the fanbase as the punching bag of DBZ. He’s routinely one of the least powerful warriors and his most famous pose is lying dead in a crater. He makes himself an easy target because he’s often brash and quite arrogant, only to wind up getting his ass handed to him. He’s so bad that I even tried to make referring to someone as a “Yamcha” an insult amongst my friends back in my high school days, but I never really got the phrase over. Yamcha would change in later arcs and in Dragon Ball Super he became more self aware of his lot in life. This has made him actually endearing, to a degree, to the point where Yamcha may be able to refer to himself unironically as a fan favorite these days. After all, being outclassed by Goku is hardly meaningful anymore since virtually no one from those early episodes can hope to stand with him.
Now we’re getting serious.
Here comes the “dreaded” Wolf Fang Fist!
As mentioned earlier, this figure comes from the Saiyan Saga of DBZ so it depicts Yamcha in his orange Turtle School gi complete with big hair. He’s right at the six inch mark which I assume is pretty much average for the line and leaves him about 3/4 of an inch taller than the Vegeta from the same line (not factoring in Vegeta’s giant hair). It’s hard to say what Yamcha’s most popular look is since he’s one of the characters who seems to always change his look, but this one is certainly right up there. He maintained this look through the Frieza Saga before switching to an awful bowl cut that thankfully didn’t last long. It’s a simple look though and I suspect there’s a lot of parts reuse in this figure as he’s essentially Goku. I can’t confirm that though because I don’t have a Goku. The only real difference between he and Goku are the shoes and the lack of a blue undershirt, because Yamcha is first and foremost out to attract the ladies. The more skin showing the better.
I’m more of an energy blast guy, myself.
Solar Flare or “hands up?” Yamcha is not above backing down from a fight.
The S.H. Figuarts line from Bandai is known for its high quality and abundance of articulation. Yamcha is no exception as there’s very little he can’t do as far as posing goes. His joints are all nice and tight with none being too tight so he has no trouble holding a pose. His head sits on a ball joint with surprising range of motion considering the giant hair behind him. The hair keeps him from looking up, but he can do pretty much anything else. There’s a hinge in the middle of his hair if you want to make his hair more billowy than usual, though it doesn’t do much to free up the head any further. He has a joint at the base of his neck that honestly isn’t really needed since he can look pretty far down without engaging it. The shoulders are ball-jointed with butterfly joints as well to allow him to reach across his chest and form a proper Kamehameha pose. The bicep swivels and the elbows are double-jointed. The hands are on ball-pegs with hinges in them so they can rotate and turn in and out. There’s an upper torso joint under the gi that provides for tilt and rotation there as well as another ball-joint at the waist. The legs can go out, forward, and back pretty much without restriction and swivel there as well. The knees are double-jointed and the feet are on ball pegs. There’s a toe hinge and articulation at the knot in his belt, for good measure.
Yamcha with his former lover and the guy she left him for.
Were Bandai leaves itself open for criticism with this line is in the amount of articulation taking away from the sculpt. With Yamcha, it’s not much of an issue because the gi lends itself well to hiding articulation. It’s a flowing, roomy, garment with lots of folds to stash stuff in. Contrast this with Vegeta who is often in skin-tight outfits where the various seems and breaks in the sculpt really stand out. There are still odd parts where things look messy, like the crotch and mid-torso. The sleeves of the gi are also pegged into his shoulders and not attached to the main part of the uniform which is rather odd looking. The other frequent complaint I see is the lack of paint, and there, Yamcha isn’t much of an exception. Bandai sticks with colored plastic for the most part and almost never applies a wash or anything to bring out some of the detail. This figure though does have a wash applied to the sides of the pants, chest, crotch, and sleeves. I’m torn on if I prefer this look to what I’ve seen more recently in the Dragon Ball figures. Kid Goku, Krillin, and even Tao have really no wash applied to them and look mostly fine to me. The effect here does work in certain lighting and poses, though in others it stands out more than I’d like.
I had to…
Yamcha comes packed with an assortment of facial expression and hands to complete his look. He has four distinct expressions for you to choose from, and swapping is simple and effortless. The bangs of his hair pops off to gain access to the face plate and the seems left behind are minimal. For expressions, Yamcha has a cocky grin, an open mouthed yell, a teeth-gritting face, and a stern face. If this were a Dragon Ball version of the character I’d want a frightened/shocked look, or a love-struck one for when he encounters Bulma, but for a Saiyan Saga Yamcha this is a strong assortment. He also has four sets of hands: closed fists, wide open palms, Kamehameha open hands, and martial arts pose hands. There’s some room for criticism in this area as Yamcha really doesn’t need the wide open, Solar Flare, styled hands. What he could really use are pointing hands for his Spirit Ball technique. The Kamehameha hands and martial arts pose hands give him enough range for his other signature maneuvers though, the Kamehameha and Wolf Fang Fist.
He actually he let himself get killed by this!
There is some nice sculpting going on here.
Lastly, Yamcha comes with one other important accessory: the Saibaman. This little green guy is notoriously the one who killed Yamcha. Or rather, it was a Saibaman who felled him and left him dead in a crater and that creature was not distinct from any other Saibaman. This little guy stands a shade under 3″ and is positioned in a permanent crouch. He’s largely colored plastic with very little paint but has quite a bit of sculpting details all over. The eyes and claws on the hands and feet are basically the only parts painted. He’s at least cast in two shades of green so he more or less looks the part, but really could have used a paint wash to bring out the grooves in the skin and the veins in the head. He’s minimally articulated and it’s largely a what you see is what you get affair. His head can rotate side-to-side a bit and the arms rotate at the shoulders on simple pegs. Oddly, the right wrist is on a peg and can rotate, but the left does not. What he’s missing is articulation at the leg, because with a simple swivel there he’d be able to really grab onto Yamcha for his self-destruct attack. Instead, if you want to attempt that you basically need to make Yamcha hug the little alien, which looks a bit silly. This makes the accessory something to pose opposite Yamcha like the two are about to face-off. It’s not nothing, but it’s a shame Bandai didn’t sink a few extra pennies into the sculpt to make it really work. Though if we’re on the subject of small changes that could have made a big difference, I wish instead of the standard one-color backdrop in the box that Bandai had printed the infamous crater instead!
Seriously, Yamcha! This should be a freakin’ mismatch!
Well, looks like this one is over.
There’s room for nitpicks with this release, but at the end of the day this is easily the best Yamcha figure ever made and likely will ever be made, at least as far as the Saiyan Saga is concerned. It’s another high quality release from Bandai via the SH Figuarts brand. There are very few poses he can’t pull off and the screen accuracy aspect is fantastic. Sure, the Saibaman is essentially a foot note for the release, but it’s not as if Yamcha is missing anything. Sure, some might have preferred another energy wave accessory, but this is fine. Though I’m guessing there are some diehard collectors out there rooting for a proper stand-alone Saibaman figure. Until that happens, this will have to do. If you ever wanted to add Yamcha to your collection, it would be hard to pass on this one.
After a disappointing 2019 for Bucky O’Hare, 2020 has managed to be far more kind. No new figures were released last year, but this year has seen three new releases in the line including two new sculpts. I know 2020 has been a rather lackluster year, to say the least, so we need to take our wins where we can. Closing out the year for the Bucky O’Hare line is Captain Mimi LaFloo. She is just the second figure in the line to not be featured in the vintage Hasbro line of action figures from the early 90s. And unlike First Mate Jenny, she was never even planned for that line making her about as new a thing as any figure can get for this line.
I love the blister art on these things.
Fans of the cartoon series Bucky O’Hare and the Toad Wars should be familiar with Mimi. She debuted in the third episode of the series, “Home, Swampy, Home” which was my pick for best episode in the entire run. She returned in the “The Artificers of Aldebaran” as a full-fledged captain of her own ship, The Screaming Mimi, though she still had yet to hire a crew (funds are notoriously tight for the mammal frigates). Even though she originated with the cartoon, she is still depicted here in her Continuity Comics colors in her captain’s uniform. It’s not that drastic a change and really the outfit just features more color and detail when compared with her cartoon counterpart.
You may be wondering how Mimi is #12. Not pictured: Bruiser(#10), CC Dead-Eye (#6), Holiday Bucky(#8). That leaves the count one off (#9), which possibly refers to the unreleased Stealth Dead-Eye. There’s also an unreleased Aniverse Bucky.
When Mimi was announced as the next figure, a lot of chatter I saw online surrounding the announcement was surprise, with a tinge of disappointment. Sure, Mimi isn’t part of the main crew like Blinky and Willy, nor is she one of the heavy hitters on the villain’s side like Toadborg and Al Negator, but she really was one of the best characters to come out of that vintage cartoon. She’s a strong-willed fighter and takes orders from no one, and since she’s basically the only female other than Jenny to receive much air time it’s not that surprising a company like Boss Fight Studio, which strives for diversity with its toys, would be drawn to her. I actually had her fairly high on my wants list when I broached the subject a while back, so while I shared in the surprise that some of my fellow collectors exhibited, I was certainly not dismayed. Plus, I think it’s exciting to see Boss Fight step outside of the Hasbro comfort zone with this property.
Mimi arrives on the standard, resealable, blister card Boss Fight is known for with artwork provided by Continuity Comics to go along with a character bio on the reverse. She stands a tick over the 4″ mark, nearly 4 1/2″ including the ears, and comes bundled with the usual assortment of accessories. She comes out of the package sporting a smile which can be swapped out in favor of one of two extra faceplates: an open mouthed winking expression and a smile with exposed teeth. She has two trigger finger hands to go along with two pistols featuring a sculpt unique to her as well as a set of fists and a set of open hands. The pistols are the same shiny, metallic, silver we’ve seen with the other figures and fit easily in her hands. Her card art seems to depict her with a pistol and a small shotgun-like blaster that is unfortunately not a part of the figure’s loadout. She also has little nubs on her belts to holster the weapons. Lastly, she has a removable hat that’s designed to sit at an angle over one ear. There’s molded plastic inside the hat to fit over an ear as opposed to just hanging or resting on her head. You can even adjust the positioning a bit to sit higher or lower, though you can’t fit the hat in between her ears if you wish her to look a bit more regal.
I prefer her with the hat.
Where this line earns its keep is with the sculpt, and Mimi fits right in. She’s well-sculpted with lots of detail in the exposed fur on her person. Her uniform is a truly spectacular shade of blue with lots of bright yellow and red trim which is right at home in this line. The boots might be my favorite part of the sculpt as they have a really interesting look to them with straps and stars affixed over the top of the foot. Being a fox, she also sports a big, bushy, tail that not only looks great, but acts like a third leg making it relatively easy to position her on a shelf. The inclusion of the tail, and the fact that she’s a female, lends herself well to direct comparisons with Jenny. Both feature much slimmer arms than say Bucky, but they don’t feel fragile. Mimi has a bit more going on with her accents like the shoulder pads and the hem of her top, which hangs like a skirt.
“Don’t call me, Foxy.”
This line has become known for containing specific accessories like the faceplates. I do like the simple default look, but this figure might be the only one where I’m not sure which face I like best. I found the winking one a touch odd looking in promotional images with its combination of an open mouth and a wink, but in person I find it pretty eye-catching. It captures the character’s playful side well and adds a little “fun” to the display. The toothy smile is intended to be the more fierce or battle expression. It’s kind of odd because the smile on the front of her face looks like any old smile, but look closer and you’ll see gritting teeth on the character’s left side. It’s similar in approach to Dead-Eye’s teeth-gritting expressions, but it just looks odder on a fox to not see teeth the whole way down the side of her muzzle or at least a continuation of the lipstick. I would not be at all surprised though if this is a Continuity mandate and refers to how they draw her. And speaking of Continuity, I also feel I should point out that she does not have the tuft of blonde hair she featured in the cartoon. My guess is that was a show addition and not something reflected in the Continuity art, so I don’t consider it a shortcoming, but felt like I should acknowledge it.
Mimi seems to have a “thing” for Bucky. Considering she’s a fox and he a rabbit, he’s right to be wary.
When it comes to articulation, Mimi should feel rather familiar. This line has done a good job of getting as much articulation as it can into what are fairly small figures. Her head is on a ball-joint and can rotate quite freely. She has little restriction in her design and can look up and down as well as tilt her head side-to-side. The shoulders are ball-jointed with hinges that allow her arms to go out, but she does have those shoulder pads that prevent her from reaching straight up. She does not possess a bicep swivel, but does have a swivel at the elbow along with a standard hinge, and a wrist swivel. On her torso, there’s a waist swivel behind her belt and her legs are attached via ball-pegs. The skirt of her uniform does hinder her legs a bit, and Boss Fight did put slits in the side to loosen it somewhat, but functionally the range of motion is pretty good. Her legs can swivel at the top of the knee, and her knees are single-hinged. She does not have a boot cut or a toe hinge, since her feet are rather small, but there is a hinge hidden behind those boot straps. She also gets some rocker-motion at the ankle. Lastly, she has that tail which is on a ball joint and has a hinge for good measure. The only disappointment is that, like Jenny, her ankle hinge is susceptible to paint flaking. And underneath the yellow paint is blue plastic. My figure’s paint flaked off immediately out of the package exposing a blue eyesore. The boot straps can hide it a little, but not all the way. On the plus side, at least she has that tail for balance so I should be able to get her into a pose (if I wish) that does conceal the blemish. Her boot just probably won’t be flush with the shelf.
Oh captains, my captains!
All in all, Captain Mimi LaFloo is pretty great, as expected. She may not be the character a lot of fans were hoping to come next, but I can’t imagine any of them being upset once they have her in hand. Not only is her sculpt great and the paint app clean, but the engineering is probably the best yet. Her faceplates are super easy to swap as are the hands and her pistols can effortlessly be fit into her trigger hands properly. This is great as I’ve had difficulties with that aspect of pretty much every release in this line to some degree, though I’d say each subsequent figure has been an improvement. She scales well with the line and I am truly thrilled to finally have her in my collection after being introduced to the character nearly 30 years ago.
The only thing these two agree on is that we need more Bucky O’Hare figures!
The elephant in the room though, as they say, is “what’s next?” This is the first time I’ve reviewed a figure in this line and didn’t know what would be following it. On the cross-sell, there are no silhouettes to tease an upcoming figure and Boss Fight Studio has been silent on the matter. They did show unpainted prototypes of some mini figures with tiny vehicles akin to a Kid Robot blind box figure, but that was back in February. In the hobby world, no news is often bad news and I know the fear is that Mimi could be the last in the line. Since the first release, Boss Fight Studio has acquired numerous other licenses and it’s possible they’ve outperformed Bucky. There could be difficulties in renewing the license and my initial fear when I saw those mini figures was that maybe Boss Fight felt it needed a lower-priced option to make Bucky viable.
The complete line of Bucky O’Hare figures from Boss Fight Studio, for now?
There’s also the simple possibility that COVID, which has reeked havoc upon all of Boss Fight’s releases this year, has simply forced this property to the sideline for now. It took a long time for Bruiser to come out, and pre-orders for Mimi opened in August of 2019. I’d be understanding of Boss Fight if it didn’t want to unveil another figure that collectors would have to wait over a year for. Still, it’s never a good sign when a company won’t even pay lip service to something so fans are going to continue to fear the worst, but hope for the best. If this is the end, it’s a shame the line went out with a less popular character like Mimi LaFloo because there will be some fans who will blame the character for the line’s end, even though the character would probably share little or no blame. This is my favorite toy line going though, and I really hope it continues into 2021 and beyond because there are still many characters I’d love to have. If this is it though, at least I have a tremendous, modern, Bucky O’Hare display as-is which is something I didn’t think was possible just five years ago. Thank you, Boss Fight Studio!
That Triceraton cartoon has some real “Karen” energy.
Wave 4 of NECA’s Target exclusive Teenage Mutant Ninja Turtles cartoon line continues with its second two-pack release: the Triceraton Infantryman and Roadkill Rodney. The Triceraton has been adapted for basically all iterations of the Teenage Mutant Ninja Turtles save for the live-action films. The Triceraton frequently appeared in the collections of kids in the early 90s as it was a somewhat early release in the Playmates line of figures. Despite that distinction, it was a late addition to the cartoon universe not showing up until the Season 7 episode “Night of the Dark Turtle” where the character took a backseat to a crazed Donatello who basically fancied himself as Batman. As for the Roadkill Rodney, it was an early addition to the cartoon universe as it appeared in the original mini series that got the whole TMNT craze kickstarted. Despite that though, this tiny robot went without a figure entirely until now.
The Triceraton basically looks like a mutated triceratops, as the name would suggest. In the cartoon, they’re a race of space reptiles looking to conquer and enslave Earth. In order to make that a reality, the Triceraton Empire sends a whopping five units to Earth to get the job done. You can probably guess how that turned out. Among those numbers was Captain Zorax and his attendant, Zork. If you prefer those two to what we have here then you’re in luck as they should be released soon as a two-pack of their own. What is contained in this two-pack is the lowly infantryman (infantry…dino?) whom the Playmates figure was based on. The major distinction between the three is in the color of their scales as this fellow happens to be mostly orange with an armored onesie. Being a soldier, he’s packed with weapons and this two-pack is being advertised by NECA as an “army builder” set as many fans may want two or three of these brutes in their collection as opposed to one. Never mind the fact that many Target stores limit these sets to one per customer.
Don’t laugh at his space onesie!
He can really look up should he find himself in the rare position of being shorter than his foe.
The tail is not cartoon accurate, but NECA is counting on you either not noticing or not caring. You can also see the “pants folds” on the sides of the thigh from this angle.
The Triceratons are a rather brutish race of reptiles and therefore are rather large. This figure from NECA captures that reality as it’s one of the largest in the series thus far standing at roughly 7 and a half inches tall which puts it on par with the likes of Leatherhead and Granitor. Being that he is a big dude, there’s a lot of parts reuse at work here and I suspect that will be very true of the other Triceratons to come. The arms and legs are likely shared with Leatherhead, as is the tail. It would not surprise me at all if the torso is as well, but it’s impossible to say given the presence of the armor in place. I don’t mind parts reuse at all, especially since it keeps costs down, but there are aspects where it’s a negative here as there are sculpted folds on the back of his leg that don’t make a lot of sense. They’re there because these were previously meant to be pants, but the Triceraton has decided to forgo such a restrictive garment. They’re on the back/side of the thigh, so it’s not super noticeable, but worth pointing out. The other shortcoming with this direction rests in the tail. In the show, the Triceratons have smooth tails, but since this guy is using Leatherhead’s tail, it has a dual fin running down the top of it. Again, reuse is par for the course with figures, but it does harm NECA’s credibility when they claim to be making the definitive versions of these characters when they’re not entirely screen accurate.
Sorry Mikey, it’s yet another bad guy who can probably squash you like a bug.
The obvious new pieces of plastic rest with the head, hands, and feet. And it’s the head that really needs to shine and indeed it does. While I prefer basically every version of the Triceratons to their cartoon counterpart (the Triceratoons?), I cannot argue that this figure doesn’t look the part. The shading and line work that has become a staple of this line are at incorporated here and the figure very much looks like it originated from a cartoon source. It’s pretty clean, though there’s some paint build-up at the base of one horn on mine and it’s a little messy around the eyes, but not too bad. If you have always longed for a cartoon version of the Triceraton, then this should satisfy that hunger, tail be damned.
The oversized feet make it pretty easy to find a walking pose for this guy.
“Hey dude, are you like, related to Cheesasaurus Rex?!”
In terms of articulation, there are no surprises here. The Triceraton is basically articulated just like Leatherhead before him, with the only difference really being the lack of a hinged jaw with this guy (a real missed opportunity, to be honest). The giant “fins” on the back of his head (I’m sure a paleontologist would be able to tell me the proper term for that part) are surprisingly not a deterrent to the head movement as this guy can look much higher than basically every other character NECA has done so far and can also tilt his head side-to-side quite well. Ball-joints at the shoulders and thighs allow for proper rotation, and double-jointed knees and elbows have become standard for basically everyone in this line except the turtles themselves. He has swivels and hinges at the wrist and the ability to swivel at the bicep and thigh. His feet are on ball-and-socket joints so they can rotate and rock a bit side-to-side. There’s articulation in the upper torso which is probably on a ball-joint, but the armor limits the movement here to basically a swivel. It’s soft plastic, so you can kind of force the character into the desired positions, but at risk of possibly marring the paint on that armor. He’s got plenty of range though for a behemoth who is mostly just going to blast away at his enemies and if you are able to army build these guys you shouldn’t have a problem finding a variety of styles and poses for your display. The only thing missing for me, and I say this a lot with this line, is a butterfly joint at the shoulders so he could properly two-hand hold his weapons. The way NECA does their torsos though, often layering rubbery plastic over a harder base to distinguish characters, basically makes such a joint impossible.
Bang!
The design of this bazooka is great. It fits the figure well and I just really like the look of it.
The Triceraton may be a large hunk of plastic, but he also comes packed with a vast assortment of weapons and accessories. This is an improvement over Traag and Granitor and I suspect it’s due to those rock boys not lending themselves well to parts reuse. The Triceraton has five hands; a set of gripping hands (which work as fists as well) and a set of open hands. He also features a trigger hand (right) and if I have one, small, complaint it’s that NECA didn’t just go ahead and give us two trigger hands since now all of your Triceratons are expected to be right-handed. As for weapons, he has the rifle/bazooka the Triceratons were shown wielding in the cartoon, plus two additional guns that appear to match what Bebop and Rocksteady were wielding in their debut episode. And yes, I am definitely giving those to my Bebop and Rocksteady for my display.
The more realistic rifle can kind of balance in his trigger hand, or be jammed into a gripping one.
The machinegun only works in the gripping hand and it looks a bit goofy as a result.
At least both seem to work just fine with their true masters, Rocksteady and Bebop.
The only downside with the Triceraton arsenal, is he can’t really wield the majority of his weapons convincingly. The trigger hand basically just fits his bazooka, and it’s a unique handsculpt for the Triceraton which features a larger opening and two fingers (as opposed to the three of Bebop/Rockstead/Leatherhead). The trigger hand works great with the bazooka since they were literally made for each other. It, and the open hands, are fairly soft and pliable which helps in getting the hand into his hand. The trigger hand is too big though for the other guns. You can kind of fake it with the rifle, but the shorter machinegun looks silly. The gripping hands he comes with are much harder and quite restrictive. You can get the machinegun into it, but it sits high and really calls out attention to the fact that the trigger is well above his hand. The rifle is harder to get in and if you’re determined to do so you’ll want to soften those hands up with some heat lest you want orange paint scraping off of the hands and onto the handle. The guns were definitely designed for Bebop and Rocksteady, and for them, the rifle works well. The machinegun is a bit loose in their trigger hand, but a great deal better than the Triceraton.
These little guys have had to wait over 30 years for proper figures!
With this set you get not one, but two, Roadkill Rodney robots. That makes sense since the machines always showed up in pairs in both the cartoon and video games and because they’re rather small (about 3 1/4″) compared with most figures. Don’t let their size fool you though as there’s a lot of personality baked into these suckers. For starters, the sculpt is perfect and these guys look like they were pulled from the show. That’s to be expected, but it had to be stated as well. Since they’re armless, legless, robots there’s really very little articulation to speak of, but that doesn’t mean there isn’t some clever engineering going on here. The “arms” rotate and bend, and there is a swivel above the wheel. The wheel itself can also spin like a proper tire would, though it’s rather stiff as it’s meant to hold its position once set. The front of each unit opens and a blaster can be pulled out. It appears to work exactly as it was depicted in the show, which is both a compliment to NECA and to the animators of that original mini series who could have just fudged it. It’s almost stupidly satisfying to open and close that portion of the figure, and best of all, it doesn’t feel super fragile.
This little gun is pretty cool.
They also come packed with a piercing headache.
Since these guys balance on one wheel, they need a way to stand. NECA included a smoke trail base that clips into a hole on the wheel to accomplish that feat, but that’s not the only thing NECA packed into this box. There’s also a pair of rock formation bases, but these aren’t intended for the main figure, just the heads! Yes, that’s right, you can remove the head from the figure and clip it onto this formation. Remove the top plate of the head and you even have a drill attachment that can be placed on the unit to make it look like it’s coming up through the ground. And for your figure proper, you have a battle damaged dome with three holes in it to accommodate one sai from Raphael. The only drawback is that NECA made the top of the head swap-able for the battle damaged portion. If they had made it a whole separate headsculpt then we could have effectively got four units out of one box. And doing it that way would also have eliminated the largest shortcoming with these robots which resides in how difficult it is to remove those headplates from the figure since NECA declined to sculpt an opening. Instead, you have to choose between displaying the figure proper, or just the head if you want to take advantage of the rock base. I suppose if you do add the rock base to your set you could use the rest of the body as just some discarded carcass on the battle field, but given the choice, I’d rather have two functioning robots. To sum it all up, since there’s a lot here, you get: two robots, two battle damaged domes, two drill bits, two smoke cloud stands, and two rock formation bases.
Back off, reptile!
The longer coils would have worked better if they held their shape after bending. As long as I can get one to work with the Electrified Turtle figure I’ll be content, I guess.
Lastly, the Roadkill Rodney robots (holy alliteration) also come with their signature weapons: the metal coils. The figures come equipped with short, bendy, coils on each side and a much longer pair to share. It was smart of NECA to make the long ones bendy so you can stretch them out and wrap an end around another figure, be it a turtle foe or a misbehaving Bebop and Rocksteady. It’s not fully poseable though, so while you can uncoil the tentacle it will immediately try to recoil itself. It makes it tough to pose with a turtle since those figures are so light and it’s also not quite long enough to wrap around their waist. You’ll probably prefer to wrap it around a forearm or something. That said, i’m quite eager to pair these guys with the upcoming Electrified Turtle figure featured in the next release from Loot Crate. That figure is intended to be from the classic arcade game, but I think an electrified turtle at the end of a cartoon Roadkill Rodney tendril will work fine in any TMNT display.
Being that this is an army builder set, this one has a bit of a utilitarian feel to it. The characters are a personality-less grunt and a pair of faceless androids, but they’re still pretty fun to look at and handle. It’s a bit surprising to get the Triceraton this early in the line since it came at the tail-end of the original cartoon’s run (the following season was the start of the redesigned “Red Sky” era), but I view that as a testament to how recognizable the Triceraton is to the entire TMNT franchise. For what he is, I think the Triceraton turned out well. He’s not really threatening to become my favorite in the line, but I’m happy to have him. The Roadkill Rodney, on the other hand, is a clever little design. Both figures though, feature unfortunate and preventable shortcomings. The Triceraton has all of these weapons, but only one works well. The Rodneys have a bunch of effects pieces, but the coils could have been done better and those little plates are really frustrating to swap in and out.
Do you army-build this set for more Triceratons and Rodneys, or do it for more Bebop and Rocksteady guns? Maybe both? Maybe neither? Hard to say.
NECA is hoping collectors will want multiple sets, but I don’t know how successful that will be. In the cartoon, there were three Triceraton grunts so some devoted to having an accurate display may want 3 for that reason. There won’t be much variety in the display though since every Triceraton will be right-handed and will probably feature the same weapon since the other two aren’t a great fit. Having some extra Rodney robots popping out of the ground will add some character to any display, but is that worth another 52 bucks? I’m not sure. I was lucky enough to find a pair of these sets in-store. I bought both and sent one off to a fellow collector. I also was able to order one from Target that hasn’t arrived yet and I’m not sure if I’ll keep it or send that one along to another collector too. What’s tempting me most about keeping it is the chance to have another set of Bebop and Rocksteady guns in the event the Easter Bunny versions coming via Loot Crate do not have weapons.
As has been the case, this set is a Target exclusive and is profoundly difficult to find on shelves. It was sold online, briefly, on October 28th and is unlikely to be offered online again. Since it is an army builder, I’m cautiously optimistic that NECA will make the set available again sometime in 2021 as a made-to-order pre-order like it did with many of the sets released during the summer, but there’s no guarantee of that at this time. For now, your best bet is to stalk your local Target stores and figure out the local rep’s stocking schedule. And definitely ingratiate yourself to an online community of collectors who help each other out. A very helpful resource is the #CollectorsHelpingCollectors hashtag on Twitter as it’s literally just fellow collectors picking up the most sought after items and passing them along at cost to fellow collectors. And as always, don’t feed the scalpers!
Ready to experience the classic game…Turtle Fighter?
The best way to quickly view the passage of time is through technology, and perhaps no piece of technology is better suited for such an exercise than video games. What was once high-tech is now novelty while the modern video game is almost incomparable to what passed as a game 30 years ago. And one of those measurements of time is available via the Super Impulse Limited run of Tiny Arcades. These devices are smallish arcade cabinets, so small they all have a keychain affixed to them, that contain one classic game. They’re not actually emulated though, or even really ports, but are actually remakes that aim to capture the look and feel of the original. Most of these games are so simple, like Pac-Man and Galaga, that it’s not readily apparent you’re not playing a ROM unless you’re super familiar with the originals.
Notice the only thing the box promises is that it’s functional.
Super Limited apparently wants a challenge, and one of its latest releases is an interpretation of the classic 1989 arcade brawler Teenage Mutant Ninja Turtles. Adapting this game is considerably more ambitious than anything Tiny Arcade has done before. The promotional images looked promising though as the cabinet was decked out in the familiar imagery of that old cabinet complete with Konami logo. It promised authentic gameplay too, but I was rather skeptical. At approximately $20, it seemed like a worthwhile purchase as a novelty item. I certainly didn’t expect it to be a great way to experience the old game, but I was far too curious to resist.
At least they didn’t try to cram four joysticks onto this thing.
Things have changed since the first unveiling. I first noticed the shape of the cabinet is a little different when I picked this sucker up recently at a nearby Target. The screen appears to be a little bigger, but also orientated different for a more vertical display. As a result, the base below the screen has been shrunk making the controls lower to the ground while maintaining the same height of approximately three and a half inches. It’s unfortunate since I was really interested in this as a display piece for action figures. It was already too short, but now it’s even shorter and I’ll need to factor that in when I got to make a “riser” for this thing. If I do. The Konami logo has also been removed, either because Super Impulse didn’t want to pay for it or perhaps because Konami didn’t want to be associated with this thing. The button layout was also changed and instead of the usual two buttons with the nub-stick it actually has four. The unit is powered by three AAA batteries which are included and it comes in the familiar clear plastic packaging with some licensing art emblazoned on it.
It kind of looks the part, though my camera is obviously going to make it look worse than it is.
Turning this thing on and you immediately will notice the music is different. The original begins with the cartoon theme, and Super Impulse assuredly didn’t want to pay for the rights to that song. It’s been replaced with a very generic and very annoying new tune. Otherwise, the beginning is pretty familiar, aside from the lack of a Konami logo. The turtles still burst out of the sewer and you’re treated to the same four-panel image introducing each one. After that though, a rather ugly user interface comes into view that can only be described as utilitarian. You can turn the music and sound effects off and on and adjust the volume as well. What you can’t do is select a turtle as you’re assigned Donatello.
I can forgive the game its shortcomings, but can we at least do better with the stickers?
After that, the game returns to being fairly authentic. There’s a fire at a nearby building and Splinter sends his pupils off to save April. The difference is Michelangelo doesn’t fall on his ass as the turtles land on the rooftop and enter the building. Once the gameplay starts though, you’re in for a shock. The Donatello sprite and the background looks okay. The resolution of a tiny screen is obviously not fantastic, but it’s acceptable. Moving Donatello though will expose how this sucker has a severely reduced framerate. The other Tiny Arcade stuff I’ve played is similar, but it’s far less noticeable with something like Pac-Man. This game feels like it’s moving at 10 frames per second, if that, and it’s very choppy. All of the sound effects seem like they were optimized for Leonardo as there’s lots of clashing sword strikes. It’s definitely not pleasant.
There’s a keychain on the back for those who like impractical things.
Controlling Donatello has also been adjusted from the original. The stick moves him around as expected, but he has two jump buttons and two attack buttons. This was done to allow the user to rely less on the actual joystick, which can be imprecise. One jump button makes Donatello jump forward, and the other makes him jump back. Same with the attack buttons. Repeatedly pressing a jump button will keep him in the air longer which is necessary for avoiding certain obstacles like the giant bowling balls or cars in later levels. Donatello will be confronted by waves of Foot Soldiers of various colors armed with various weapons. Sometimes, a Roadkill Rodney appears and in later levels there are mousers. It is impressive how many enemies this thing can put on the screen at once, so much that they start to look like a massive blob of limbs and weapons. The game doesn’t appear to slow down further during these moments, but it’s hard to imagine it running any slower than it naturally does.
Next to a Pac-Man from the same series. You can see how the screen size has been changed leading to an adjustment of the unit’s dimensions.
Super Impulse was able to get the bosses into the game as well. Rocksteady appears at the end of the first level, followed by Baxter in the sewer, and so on. It is only 3 levels long though, and I have actually yet to beat it. I can make it to the street level following the dual boss fight with Bebop and Rocksteady where things just get really cheap. Foot in cars or on motorcycles will fly by and they’re a one-hit death. I even reached this scenario with all of my lives intact, but died when I got hit by a motorcycle. The game respawned me in the path of a Foot missile, another one-hit death, and it was an unending cycle that took all four of my lives in the span of a few seconds. Prior to this though, I found the game extraordinarily easy. The bosses are staggered when struck and they can’t break out of it so this game is one you can essentially button mash through. You really only have to make sure enemies don’t surround you and learn to avoid the few level obstacles there are. Defeating enemies seems to restore your health bar as there are no pizza pick-ups. The environment also cannot be interacted with like it can be with the original, so no smashing fire hydrants or traffic cones.
At least he seems to be enjoying it.
I think most who pick this item up are doing so for the sheer novelty of it. And considering that, it’s still lacking. I find it rather deceptive of Super Impulse to not inform the consumer that only one turtle is selectable. I thought maybe they were going to release multiple versions, but that doesn’t appear to be the case. The actual game plays like a Java cell phone game from 2007. It’s so jittery that it barely feels like a full video game and more like a Tiger handheld. I expected this thing to have issues with the inputs, but I wasn’t expecting the video to be so poor. If Konami didn’t want its name on this thing it’s not hard to see why.
At $20, this item leaves a lot to be desired. I would almost rather a Hallmark ornament of this arcade cabinet instead since I was mostly interested in it for the aesthetics. Its dimensions are odd though, and the low-res images on the sides and marquee leave something to be desired as well. I thought this would be a fun addition to a someday NECA sewer lair for my action figures, but now it feels more like something I’m going to return to the store on my next visit.
A few years ago, I talked about my love of X-Men, the animated series, via a book review of Previously…on X-Men by Eric Lewald. That book chronicled the development of the 92 animated series that helped propel the Fox Kids Network to the top of the Saturday morning leaderboards through notes from the author and extensive interviews with the folks that helped bring that series to life. Now, Lewald is back with his wife Julia with a complementary piece all about the artists and artwork that went into creating that series, X-Men: The Art and Making of the Animated Series.
There are probably a few individuals out there who first wrinkled their nose at the thought of an art book based on the animated series starring the X-Men. That’s because the show was somewhat famously underserved by Saban Entertainment who had little interest in sinking much money into the art and animation that went into the show. It’s not that the show was abysmal to look at, it’s more that it was always going to be compared with Batman: The Animated Series. Both shows launched in 92 on Fox, though X-Men only in a sneak preview with the proper launch coming in January of 1993. Batman was on weekday afternoons, while X-Men was allowed to reign over Saturday morning. The other big difference though was Batman had the might of Warner Bros behind it which produced the series and just licensed it out to Fox. X-Men had the backing of Marvel, which wasn’t what it is today. Marvel was a bit touch and go for many years even when it was starting to take over the news stand with a lot of help from the mutants who starred in this series. Rather than self-finance though, Marvel licensed it out to Saban who partnered with Graz Entertainment. The budget was never going to be the same, nor was the confidence. X-Men was unproven outside of the comic book world, and thus received just a one season order initially, followed by a second, before eventually the big order came in.
X-Men on the front, bad guys on the rear. What does it say about me that I think I prefer this to the cover?
Despite all of that, and a legend who had no idea how the property should be presented (::cough:: Stan ::cough::), the show was a smashing success. It’s interesting to look back on because I think many consider Batman to be the superior show. And yet, X-Men was the ratings champ and my favorite of the two. And when it came to my friends, most liked Batman, all loved X-Men. I don’t know why that is, though I have some theories. Batman was a known property and the show reflected the Tim Burton films. Whenever something goes from the big screen to the small one (especially in the 90s), there’s a feeling that the TV version is inferior. The X-Men may have lacked the recognition of Batman, but it also lacked any sort of baggage. Batman was also quite great at being a moody, superhero, show with a lot of style. It was also mostly rooted in that, where as X-Men was an ensemble with more characters to lean on. Batman was almost devoid of personality as a character by choice, while basically every member of the X-Men (well, maybe not Cyclops) was rather colorful able to display a wide range of emotion and even drop a one-liner or two. Or maybe it was just the prestige of being on Saturday morning? Either way, it was a good time to be alive.
It’s an art book, so expect a lot of artwork!
Both shows were part of a gradual maturation taking place in children’s cartoons. We basically had left the wacky and cheap 80s in favor of something that actually had respect for its audience. Shows like The Pirates of Dark Water and my beloved Bucky O’Hare and the Toad Wars were quite different in tone from the likes of Thundercats and Teenage Mutant Ninja Turtles. Most of those shows still featured a character that could be turned to for comedic relief, and even Batman has the Joker. X-Men didn’t really feature that though. Morph could have been that character, but he was killed off rather quickly. It’s a drama starring people in bright spandex that captivated me as a kid. The serialized nature and some of the nuance of the show asked something of me, and I was willing to rise to the program as a mere 7 year-old. It’s no surprise to me that when I look back on my youth, X-Men is there and always will be as it was far and away my favorite program.
Perhaps the most rewarding aspect of the book is getting to read the descriptions that go along with each storyboard panel.
And despite what you may think, a lot of really talented and devoted artists contributed to this show. Knock the animation all you want, but I’ve always been rather insistent that the show looks pretty great in stills. Sure, pick through it and you’ll find some weird stuff or miss-colored limbs and costumes, that’s true of a lot of shows from that era. Where this book is able to shine is with the stuff not broadcast. All of the developmental art that went into the show; costume ideas, height charts, storyboards, are quite rewarding to look at. When Lewald and his team were handed this property, there were decades of material to cherry-pick for the show and a lot of ideas were cast aside. There’s also plenty of production art, like cels and such, that are quite interesting to look at. Especially some of the backgrounds, like the lair of Mr. Sinister, which featured several layers of artwork to make it right.
And it’s not just art! The books is broken out into six chapters, plus an intro and an afterword, with each containing a detailed breakdown of what went into each section. Some of this stuff is lifted from the prior book, so it will be a bit familiar for those who read it, and some of the details are new. Since this book is focused on the art of the series, you’ll hear additional nuggets about what went into a character’s look or a particular background. There’s a lot of ink spent on the various cameos that occurred throughout the series and some of the other details may surprise and amaze. One such nugget came from Director and Storyboard Artist/Supervisor Larry Houston who pointed out how difficult it was to animate a character like Mr. Sinister. His irregular cape basically forced Houston to storyboard the character with as little motion as possible. Basically, the camera was either directly in front or behind him and he was basically never allowed to rotate. It’s fun to go back and watch the series with such information in hand and it gives some newfound appreciation for all of the work Larry and his team had to do before sending an episode off to Korea for animation.
When the X-Men ruled the world!
There’s a lot to unpack in this book and I don’t want to reveal too much since a lot of the enjoyment I had was uncovering things I either didn’t know or really paid little attention to. There’s also some nice additions to this one like a collection of all of the episode logs and a picture to go along with it. Some time is spent on looking back at the X-Men craze, like the Pizza Hut promotion and the action figure line from ToyBiz, which might make you wish for a third book that covers all of that tie-in merch. The book itself is also quite lovely. It’s hardbound with new cover art from Houston, I think. There’s no explicit “Cover” credit, just a case credit to Houston with ink by Rick Hoberg and colors by Laura Martin. It’s a bit confusing as the inside of the front and back cover are storyboards which were definitely done by Houston, so the credit may be referring to that. Regardless, the cover, featuring the main team including Morph and Bishop, and the rear cover featuring the villains of the series look great. Pages are nice and thick and the whole thing totals 288 pages. Since it’s mostly artwork, it’s not a tremendously long read, but it’s hardly brief. I mostly read it while sipping a morning or afternoon coffee (first starting my read, appropriately enough, on a Saturday morning) over the course of a week. It was a wonderful, leisurely, trip back to the 90s and my youth that not only left me wanting more, but also with a desire to go back and revisit the show once again.
One of my favorite inclusions in the book is the visual episode guide with accompanying logs, a tremendous resource to have on-hand.
X-Men: The Art and Making of the Animated Series is a great companion to Previously…on X-Men. It’s a book intended to satiate fans of the show, but would also probably entertain casual fans as well. I had a great time engaging with the art from the property, and while I already had a pretty terrific appreciation of the art that went into the show, I think those who might not have that same level of appreciation will likely leave with a bit more. Eric and Julia Lewald do a great job of recounting their time with the show and the various artists and executives they speak with bring a lot to the table. It’s my assumption that anyone with a love for this old show will be delighted by this book and it’s something I plan to flip through again.
It’s been awhile since I’ve done a video game post. In the spirit of the season, being Halloween, I decided to dive into…Mario power-ups? All right, hear me out. I’ve more or less exhausted The Misfits and everyone and their mother will have posts this month about horror themed movies, games, and TV shows. And what is a Mario power-up? It’s a costume! Sure, a costume with often magical properties and no real horror element, but a costume is a costume and not everyone gets dressed up as something spooky for Halloween.
Since the Mario franchise as we know it truly launched, power-ups have almost always been a major feature in the games that followed. The only outlier really is Super Mario Sunshine since the gameplay of that one focused on the user of a water pack. The other outlier is Super Mario Odyssey, but there’s a good reason there as Mario was gifted Cappy for that one which basically turns every enemy into a power-up of their own! A ranking of the various things Mario can turn into in that game is a ranking all its own, so I’m going to ignore that one. I’m also ignoring the power-ups removed from the main Super Mario Bros. franchise (like the RPGs) and the ones trapped in Super Mario Maker. I’m also ignoring the temporary accessory items Mario has been able to pick up, like the shoe or the blockhead thing in New Super Mario Bros. 2. I also excluded the intentional game-breaking power-ups like the Invincibility Leaf which gets offered to the player when they die too much. And lastly, I decided not to treat Yoshi as a power-up so he’s not included, nor all of the Yoshi-specific power-ups. What I’m left with was 34 power-ups, so since this is going to take awhile, we might as well get started. And we’re starting with the worst:
Tubular…
34. Power Balloon – The Power Balloon, or P Balloon, first appeared in Super Mario World and will forever be associated with the bonus level Tubular, the level most cite as the worst in the game (and one of the worst in general). It’s actually not that bad, and Nintendo has put far more annoying levels in its games since, but the P Balloon, which simply inflates Mario like a balloon for a short amount of time, is annoying to control. It’s not particularly enjoyable, and just the sight of it is anxiety-inducing. Sort of like an under water level in a Sonic the Hedgehog game since its effects are temporary and when it wares off there’s a good chance Mario is plummeting to an early death.
Even Mario would rather no bother with this one.
33. Spring Mushroom – This little power-up first showed up in Super Mario Galaxy, a game that unofficially brought the power-up back into style for Mario and oddly made them all mushroom-based. It, like the P Balloon, is ranked so low because actually getting the power-up is done out of necessity, not want. No one wants to control a spring-loaded Mario, just as no one wants him to control like a balloon. The Spring Mushroom sequences in Galaxy were, by far, my least favorite.
They’re no Ghostbusters, but they get the job done.
32. Light Box – The Light Box was brought into the universe via Super Mario 3D World and it serves one singular purpose: to thwart ghosts. And it’s good for that, but nothing else. It works, but it’s boring and honestly I almost didn’t include it.
At least he looks cute.
31. Frog Suit – The Frog Suit was one of the many power-ups found in the classic Super Mario Bros. 3. Getting it in World 3 was pretty exciting, until you actually used it. If underwater, the Frog Suit is great as it allows Mario and Luigi to swim faster and with more precision. On land though, it’s a nightmare and you’ll be searching for an enemy to knock you out of it. Maybe if Mario had been given a tongue attack or something it would have worked better.
The evolved form of Gravel Mario.
30. Rock Mushroom – Another Galaxy addition is the Rock Mushroom. It basically turns Mario into a Mario Golem that can roll around and smash stuff. It’s not particularly fun, but since Mario is nigh indestructible in this form it’s not as annoying to control as the Spring Mushroom.
Look at me! I’m a cloud!
29. Cloud Flower – Introduced in Galaxy 2, the Cloud Flower turns Mario into…Cloud Mario! This allows Mario to create cloud platforms to assist him in reaching new heights. It’s useful, just not particularly sexy. Unless you have a cloud fetish, then it’s very sexy.
All right, Bowser, now I’m-ah gonna fuck you up!
28. Canon Box – Mario has always lacked the fire power of Bowser and his minions, but the Canon Box evens those odds to a degree. It turns Mario’s head into a literal canon and he can blast anything in his way. It’s not particularly refined or cute, but it is pretty damn effective!
Sadly, not T-1000 Mario.
27. Metal Cap – The signature power-up of Super Mario 64. That game was a revelation when it came out, but one thing that it always lacked from the start was interesting power-ups. The Metal Cap turns Mario into Metal Mario, which is basically just good for letting him walk on the bottom of a sea floor without the need to swim. And swimming for the first time in 3D was quite the challenge so the Metal Cap was certainly welcomed, it’s just not particularly fun.
Mario’s got a nice set of cherries.
26. Double Cherry – In Super Mario 3D World, Mario gained the ability to split in two, or more, copies of himself. He’s always had the ability to gain extra lives, but never to live them simultaneously! It’s an interesting concept, but it’s less a power-up and more a method for puzzle solving or to get a star coin or something.
Admit it, you probably overlooked this one.
25. Life Mushroom/Life-Up Heart – A very useful power-up without really any “fun” component, the Life Mushroom in Galaxy just doubles Mario’s health. It’s something I’ll go out of my way to get when playing a level, but it doesn’t give Mario a fun ability or cool, new, look. It just makes him stronger.
Weee!
24. Penguin Suit – The Penguin Suit from New Super Mario Bros. Wii is the opposite of the Life Mushroom. It’s really fun and silly looking, but kind of a pain in the ass to maneuver in. It’s not as bad as the Frog Suit, and it gives Mario the ability to slide on his belly and to fire ice balls. It’s also the type of power-up that gets in the way and you may blame a death or two on this one before the level is over.
Angelic Mario.
23. Wing Cap – Mario had flown before, but the Wing Cap in Super Mario 64 was the first time he flew in 3D. And it was pretty cool to do so the first time, even though controlling Mario was a bit tricky and the level it’s available in feels more like a Pilot Wings demo than anything. It would have been a lot cooler if Nintendo could have integrated it into other levels like a more traditional power-up, but there was just no way to do it without breaking the game. I rank it as low as I do for that reason as it’s mainly just a diversion.
Red Star Mario reminds me of Red Son Superman, who was a communist. Is this Communist Mario?!
22. The Red Star – Basically the Wing Cap, but in Super Mario Galaxy. It drops the wings and just lets Mario fly like Superman. By Galaxy, controlling such a thing was far more refined and thus more fun, but like 64 it’s basically just a reward for players who stick with it and doesn’t feel like a true power-up.
He’s certainly owning this look.
21. The Blue Shell – Introduced in New Super Mario Bros., the Blue Shell is basically the Hammer Bros. Suit without the hammers. Instead, Mario can run and do a slide attack. It’s functional, doesn’t intrude on Mario’s basic controls, but also doesn’t impart much in the way of special abilities. It’s fine.
How small can he get?
20. Mini Mushroom – The Mini Mushroom was also introduced in New Super Mario Bros. and it felt like a longtime coming. We had the traditional Super Mushroom that makes Mario big, so why not have a small one that does the opposite? The Mini Mushroom makes Mario tiny and hard to hit while also seemingly boosting his running speed. He’s also light and floaty which makes him more challenging to control, but does let him run across water. It’s another power-up that has a very specific application usually in order to access secret areas. It’s fun to use though and adds a bit of challenge without making things too frustrating.
You best not get any sick ideas while invisible, Mario!
19. Vanish Cap – This one from Super Mario 64 renders Mario intangible. He can’t be hurt and can pass through certain things. Since it’s from 64 it has very specific applications, but it’s cool. It’s just not exciting to look at since it’s just regular Mario only he’s now transparent.
It’s a known fact that when you die your tongue increases in mass several times over.
18. Boo Mushroom – The Boo Mushroom lets Mario become that which he fears most: a ghost! He gets to float around and pass through fences and read a dead language reserved for ghosts, so it has a puzzle component to it. And it looks cool! What more could you want?
I’m-ah coming for you, Culken!
17. Bee Mushroom – The “big” power-up, I suppose, from Super Mario Galaxy turned Mario into an adorable honey bee. It grants temporary flight, the ability to walk on certain surfaces, and grip to others. It’s actually pretty fun and there’s definitely a rush of excitement when a Bee Mushroom is spotted in a level. The only thing that sucks is it’s from Galaxy, so once the level is done you can’t take it with you.
You can probably hear this image.
16. Super Star – The venerable Super Star, around since the beginning and a staple of 2D Mario gaming. It makes Mario invincible for a short amount of time and in some games augments his jump or running speed. Everyone loves a Super Star and it’s one of those power-ups you’ll run after when it pops out of a block, sometimes recklessly. And the best power-ups are the ones you don’t want to get away when they show.
Mario! Smash!
15. Mega Mushroom – Like the Super Star, the Mega Mushroom makes Mario invincible briefly, but only this time he grows to gargantuan proportions and can smash through pretty much anything. The only downside really is that once you’ve seen it and experienced it once a lot of the fun is removed since you literally just go right the whole time. And yet, if I see a Mega Mushroom pop out of a block I’m going all out to make sure I get that damn thing!
I don’t think I’d eat that…
14. Super Mushroom – The venerable Super Mushroom. What’s not to like? It turns Mario into Super Mario bestowing a precious extra hit point to Mario while often granting him an extra ability or two, like the drill jump in Super Mario World. It may be unsexy, but the Super Mushroom is undeniably useful and it has no negative side effects other than a larger hit box, but that’s hardly a trade-off since it makes Mario stronger.
I already made a testicles joke with the cherries, two would just be gratuitous.
13. Superball Flower – Super Mario Land was the first Mario experience on the Game Boy and it brought along the flower power-up. Only since the Game Boy lacked a color palette, Mario couldn’t easily be depicted tossing fireballs so Nintendo chose to go with Superballs! They do work a bit differently as they fire at an angle and bounce around. It’s the main power-up of Land and Super Mario Maker has given it a new lease on life.
And he was feeling good when just wearing the shell!
12. Boomerang Flower – Way back in 1988 we got the Hammer Bros. suit in Super Mario Bros. 3 and we had to wait until Super Mari 3D Land in 2011 to get the logical complement, the Boomerang Flower which grants Mario the Boomerang Suit. It’s the same thing, only Mario gets to toss a boomerang instead of a hammer. It’s pretty cool, but no hammer.
If this list were purely on aesthetics then this one would rank higher.
11. Ice Flower – Another one that took awhile, we’ve had the Fire Flower since the beginning, but the Ice Flower took it’s sweet time in making it to a game as it first appeared in Super Mario Galaxy. In that game, it was a temporary power-up like a Super Star, but it’s since become a permanent power-up in the New Super Mario Bros. series. It gives Mario the ability to toss ice balls which freeze enemies on contact turning them into blocks of ice which also have their uses. It’s not as good as old reliable, the Fire Flower, but it’s pretty fun to have ice powers and it doesn’t come with the limited movement of the Penguin Suit.
And this one would rank lower.
10. Super Acorn – One of the most recent power-ups, the Super Acorn was introduced in New Super Mario Bros. U and is basically the logical evolution of the Super Leaf. It grants Mario the Flying Squirrel Suit which allows him the ability to glide with a one-time height boost per flight to reach high places. He can also flutter slowly, but he descends quickly when compared with the Super Leaf. He can also cling to a wall when in this suit which has its uses. It’s a fun item to get ahold of, but also kind of terrifying as gliding is really tempting and blindly gliding over a level can end badly, especially if Mario loses his power mid-flight. It’s propensity for introducing trouble is why I don’t rank it higher.
More of these suits and powers should probably include a helmet.
9. Propeller Mushroom/Propeller Box – The flying item for New Super Mario Bros. Wii was the Propeller Mushroom which grants Mario the Propeller Suit. Basically, when wearing this Mario can do a double-jump that rockets him high into the air and allows for a slow descend. It’s a simple way to integrate a flying component into the game that’s not game-breaking, but it’s lack of an extra attack limits its use. The Propeller Box in the 3D games essentially functions as the same thing, only without the cool suit.
Like cats? Well, have I got a Mario game for you!
8. Super Bell – Introduced in Super Mario 3D World, the Super Bell lets Mario live out his dream – as a cat. It’s a simple power-up, but one that is always welcomed as it lets Mario run faster, climb walls, perform a dive attack, and gives him a claw attack as well. It’s awesome! And who doesn’t love Mario and his companions in an adorable cat costume?
Is this maybe too cute?
7. Carrot – The somewhat forgotten power-up of Super Mario Land 2 is the Carrot. Not Super Carrot, just Carrot, and it gives Mario…bunny ears? Yes, like the Super Leaf, it gives Mario the power to fly without making much sense, but who cares? Mario can fly! He flaps his new ears to clear large gaps. He can’t go up, but can travel horizontally in the air indefinitely and also slow his descent when falling. It is kind of game-breaking, like a lot of the flying abilities during this era, but undeniably fun to use and the signature power-up from that game.
Super Mario Bros. 3 Fire Mario is the best Fire Mario.
6. Fire Flower – Old reliable! The Fire Flower has been a mainstay and it’s never not useful. It lets Mario shoot fireballs at enemies and most of those enemies are not interested in taking a fireball to the face. It’s certainly been overshadowed over the years by flashier power-ups, but it still remains a hard power-up to pass-up when it shows itself in any given level.
Meanwhile, this look is a bit much…
5. Gold Flower – Everything that is good about the Fire Flower, only it also turns enemies (and a lot of other stuff) into coins and who doesn’t love money?! Sure, New Super Mario Bros. 2 probably went overboard with the whole coin focus, but the Gold Flower certainly fit in and it’s the Fire Flower, but better, so it’s ranked here.
Pure joy distilled into a single piece of Mario art.
4. Super Leaf – The Super Leaf gave Mario a raccoon tail and ears and changed the series forever. For the first time, Mario could fly! It was all anyone wanted to talk about when we first started getting a look at Super Mario Bros. 3. Since that game, the Super Leaf has resurfaced in a neutered form as it often just retains the ability to hover and tail-attack. That original one is still the best as the flying was easy to use and made exploring the levels a lot more interesting than they had been previously.
Mario’s most hug-able power-up.
3. Tanooki Suit/Statue Lead – It’s the Super Leaf, only it makes Mario both more adorable and more destructive! Mario goes full tanooki with the costume and never looked better giving him the same abilities as the Super Leaf. It also has the added ability to allow Mario to turn into a statue making him invulnerable to attack and able to smash stuff. It doesn’t get much better than that which is why it’s at number 3.
Mario! Hammers are for pounding nails, not throwing!
2. Hammer Suit – The most illusive power-up in Super Mario Bros. 3 is the game’s best. It gives Mario the ability to essentially be a Hammer Bro. His hard shell makes him impervious to fireballs when ducking and his hammers do massive damage. If you manage to hang onto the thing all the way through Bowser’s castle you’ll be rewarded with a really easy final battle. If you put it on though and then immediately lose it you’ll be left wishing that old game had a save feature and you could reload. The Hammer Suit is awesome, and if it only had a flight component it would be the ultimate Mario power-up.
All of those years he was calling himself Super Mario when he didn’t even have a cape!
Feather – No power-up for Mario is as powerful as the simple Feather. It gives Mario a bright, yellow, cape and in a video game a cape can only mean one thing: flight. And unlike the Super Leaf, this cape can keep Mario airborne indefinitely once the user gets the hang of it making it the most game-breaking of all the power-ups. It’s probably the reason why power-ups like the Red Star are reserved for just certain areas in its games. And not only can Mario fly, he also gets a cape-attack which is incredibly useful throughout Super Mario World. Useful attack plus unlimited flight? Yeah, the Feather is the ultimate power-up.
Look through my various toy reviews and you’ll probably notice that I’m not much of a Marvel guy. That wasn’t always the case for me though as I was huge into Marvel Legends once upon a time. I basically stopped around the time Hasbro was awarded the Marvel license. I felt there was a dip in quality and also the character assortment stopped appealing to me. I knew what I wanted from the line and had wanted for years, but it seemed the line refused to give me what I wanted. I moved on, and it wasn’t long after the line was actually suspended for quite a few years before it made a comeback. I’ve never gone back though and that’s largely just due to my fading interest in the Marvel Universe.
Pardon the stock boxed photo, I was so eager to check this set out I forgot to snap a pic.
One figure I did review though was the Marvel Legends Deadpool. That figure was from the sixth series released by Toy Biz. I reviewed it simply because it’s the only Marvel Legends figure on display in my house. All of the rest are in bins crammed in an attic and most of the choicest figures have been sold. I liked that Deadpool a lot though when it came out so I did a little post on it. Well, when I was walking through an aisle at my local Target I happened upon one of the latest two-packs released by Hasbro in the Marvel Legends line. And that two-pack is the Deadpool and Negasonic Teenage Warhead set from the film Deadpool 2. It’s an eye-catching window box as it’s done up in red with Deadpool “effects” added to it like marker crossing out the figure’s real names and a faux Deadpool sticker placed over the X-Men logo. Since I still have a Deadpool on display in my house, I was really intrigued in having an updated version of the character to go with it. It turned into an impulse buy, so here we are.
She looks the part.
First off, let’s talk about the other figure in this set: Negasonic Teenage Warhead, who will now be referred to simply as NTW. I have little to no interest in this figure, but if I wanted a new Deadpool I had to get her. She is depicted in her Deadpool 2 costume complete with the mohawk hairstyle. She stands a tick under five and half inches to the top of her forehead, and is a bit taller when you factor in the hair. She looks the part and the face is a good likeness for actress Brianna Hildebrand. The sculpt features some nice texture work on the yellow portion of the chest as well as the sleeves and shoulders. Strangely, the pants feature no such touches and are basically just plain, black, plastic with some yellow painted on at the thighs. It would be okay if this were a figure based on a comic, but not a film. The only other aspect of the sculpt I’m not high on is how her head sits on her neck. The cut just looks odd from the side as there’s quite a gap between the back of her head and neck. I suppose the counter here is how many people are going to pose her on a shelf at a side angle? Probably few.
I don’t like that gap on the back of her neck.
NTW does come packed with quite a bit of functional articulation. Her head may look odd on her neck, but it can roll around effortlessly and she has a solid range of motion when looking up and down. The shoulders are ball-jointed and she has a bicep swivel and double-jointed elbows allowing her to bend about 90 degrees. It looks like the bottom joint should allow for movement past 90, but my figure doesn’t seem to want to cooperate. She has hinges and swivels at the wrist and an upper torso joint. It works more to pivot her side to side as she has little to no movement forward and back. The legs attach via ball-joints and can swivel. She also has a thigh cut and double-jointed knees. There’s a boot cut and her feet possess hinges as well as the ability to rock side to side. Being she’s not the most acrobatic of superheroes, this strikes me as a perfectly acceptable amount of articulation for this figure. It’s all integrated well into the sculpt and should you want to get creative I don’t think you’ll be limited too much.
Hands open.
Hands closed.
When it comes to accessories, NTW is a bit lacking, but also there’s not a ton of room to really add much. She comes with two sets of hands: fists and open style pose hands. They pop off and on easily enough and both are suitable for posing with this figure. She also has a pair of energy effects that wrap around her forearms. They’re okay, a little too flimsy for my liking, but the translucent yellow-orange plastic is a good look. That’s it though, but like I said, I’m not really sure what else would make sense for her to have.
Oh you are one sexy superhero.
And the view from behind, because the audience demands it.
The real draw of this set, for me and probably most who pick it up, is Deadpool. And to Hasbro’s credit, the company seems to be well aware of that. He comes with a lot more stuff than his boxmate and a lot more care went into his sculpt as well. First of all, this is a Deadpool 2 version of the character’s costume, though he does come with two sets of all black gloves, reflecting his appearance from the first film. I think Hasbro intends for this to be a catch-all version of the character, though the shoulder strap is clearly based on the sequel. Regardless, it’s not that important since his costume was pretty similar from one film to the next and he very much looks like Deadpool.
Home Alone face!
Sometimes a hero just needs to chill.
Deadpool stands at around six and a quarter inches and scales well with NTW. I assume he scales well with the other figures in this wave, but I also don’t have them to confirm. The sculpt is pretty involved with this guy as he has lots of seams, straps, and buckles, all over the place. The entire costume is well textured and looks like it was pulled from the film and there’s some minor battle damage on his chest as well. The belt Hasbro put on him is floating, so it doesn’t hinder his articulation to the degree one would expect. It’s also painted and sculpted quite well, at least on the front. Hasbro went cheap on the rear of the figure as the pouches are not painted to the degree the ones on the front of the belt are. Like the head on NTW, it’s something that won’t really show on a shelf, but come on, Hasbro! That’s pretty cheap. There’s also some errors here and there when comparing this costume with the film. The sculpt seems to be all there, it’s just some parts (in particular, the boot area and the collar) are either unpainted or painted black when they should be red, or vice versa. My figure also has one paint chip on the black portion of his abdomen and I’m frustrated at myself for not noticing that in the package since I had my pick from around half a dozen sets at the store.
Let’s pose!
Gun fight? Knife fight? Deadpool is always prepared.
Deadpool, essentially being a superhero ninja, is pretty well stacked when it comes to articulation. His head appears to be on a dumbbell joint giving him movement at the head and base of the neck. The collar Hasbro has on him limits the movement a bit, but it’s fine. The shoulders are on butterfly joints that give him some inward motion without marring the chest portion of the sculpt. They’re also ball-jointed and his elbows double-jointed and he can bend well past 90 degrees as he can basically do a full curl. The hands are hinged and also able to rotate, as expected. He does have an ab crunch and the way his costume is designed makes it work well with the sculpt. The waist can swivel and you can slide his belt up a bit to make it work. He’s ball-jointed at the legs with rotation there to go along with a thigh cut below it. The knees are double-jointed and his feet are hinged with rocking action. I’m a little surprised at the lack of a boot-cut or swivel down there, but it’s fine.
Let’s get messy!
The articulation Hasbro packed into this figure is plenty enough to get him into various poses, which comes in handy since he has a lot of stuff to pose with. In terms of hands, Deadpool has two all black fists and a pair of all black open, style pose, hands. His gripping hands have the back of each painted silver and his set of trigger hands are the same reflecting his appearance in Deadpool 2. I’m still not sure if this was intentional, or if the all black hands just weren’t painted by mistake. He also has an assortment of weapons including two katanas which fit neatly into the scabbards affixed to his back and a pair of handguns he can wield. They look like action guns in that the bolt appears to be set back like it’s being fired, either that or they’re some weird, made-up, pistol. He also has a pair of holstered handguns that Hasbro, for some reason, glued in place. I’ve seen some people get these out and they’re completely separate pieces, but mine are well stuck. He also has a knife which can slot into the little holster on his left ankle. You’re unlikely to pose him with the knife in hand, but I like that it’s included. Lastly, he has his stuffed unicorn and it’s pretty adorable. I actually might have to pose him with that for the sake of comedy.
Deadpool really is just a fantastic figure. I have some nitpicks with the paint, but I think the sculpt is great and I love all of the articulation Hasbro was able to work into this figure. My biggest complaint with my old Deadpool figure was with how that sculpt prioritized articulation ahead of aesthetics and some of the joints, in particular the shoulders, are kind of ugly. I have no such complaints here and really my only other complaint is with those guns Hasbro glued in. I love that Deadpool comes with lots of stuff, so it drives me a little crazy that he can’t holster the guns he’s intended to grip because his holsters are occupied by more guns!
I’d say things have improved over the last 15 or so years.
NTW is a fine figure as well. I’m disappointed that Hasbro seemed to phone it in on her lower half sculpt, but she looks the part and has all of the articulation she needs. Let’s be realistic though, if I could have bought Deadpool solo I would have. I’m not collecting Marvel Legends and I don’t plan on adding to this Deadpool collection either. Maybe Hasbro will get me to grab Cable if I run into him since I already have these two, but probably not. It’s great to see the Deadpool franchise getting some love from Hasbro though since it’s presently in limbo as far as films go. It was very successful for 20th Century Fox, but in the hands of Disney it feels like it doesn’t have a home. We know the company likely has plans for the whole X-Men Universe. I hope Deadpool is a part of those plans, but who can say? This figure sure kicks ass though!
I found this set at Target, but it’s being sold elsewhere as well. You can even pre-order it at Best Buy right now, or find it at other various online retailers. The MSRP is $49.99 so happy hunting!
Sometimes it can be easy to lose sight of how good an action figure in a particular line is when it’s one of the first released. I’ve been really impressed with all of the figures in Boss Fight Studio’s Bucky O’Hare line, but recency bias certainly plays in a role in my favorites. And the most recent have been (in order of most recent) Bruiser, the Storm Toad Trooper, and the four-armed Dead-Eye Duck. It’s hard to top the sheer spectacle and massiveness of Bruiser, and any toy with extra arms is inherently fun, especially when it’s a pirate duck. Back in November 2017 though, I was pretty floored by First Mate Jenny and this variant I just purchased from Boss Fight Studio has quickly reminded me of that.
Just like with Stealth Mission Bucky, we get updated card art and a character bio from Neal Adams and Larry Hama, respectively.
Jenny had a long wait to reach the vast majority of Bucky O’Hare collectors. She was famously, or infamously, dropped from the vintage Hasbro line of figures back in 1991 because the company didn’t think boys wanted a girl, cat, action figure. This despite the fact that her toy was already complete and in production and despite the fact that she’s Bucky’s freakin’ first mate! She was going to see release in wave 2, but the line was cancelled and who knows how many fully-carded Jenny action figures were destroyed. Some were saved and have made it into the hands of collectors over the years, but the vast majority had to wait until Boss Fight came along and rectified the whole situation.
Astral Projection Jenny comes with the same stuff you remember from wave one, only now it’s clear and purple!
And that first figure is wonderful. I was really looking forward to both Bucky and Jenny when Boss Fight announced them, but I was more so looking forward to Bucky because he’s the star, after all. It was Jenny that basically stole the spotlight though with her clever engineering, terrific sculpt, and fun accessories. Like Stealth Mission Bucky though, I initially passed on the variant Boss Fight put out. And that variant is Astral Projection Jenny. Jenny, being part of a secret society of psychic cats, has the ability to astral project her consciousness leaving her physical body behind. She’s basically depicted as a ghost-like being when doing this who can’t be seen, nor can she interact with the physical world. It’s an interesting choice for a variant for obvious reasons, which we’ll get into. I was somewhat surprised that Boss Fight went in this direction instead of doing an “Aniverse” Jenny that matched the figure’s colors to the cartoon which is mostly a matte gray armor finish and pink hair as opposed to silver and white. I don’t know if I would have been more likely to pick that one up sooner, but it was something that surprised me.
Jenny is an 80s girl at heart so the hair has got to be big!
Astral Projection Jenny is essentially the wave one version of the character cast in translucent plastic with some mild paint variations. Her body is painted, clear, plastic which gives her an ethereal quality. The white of her fur is done with a pearl coat, while the black is largely the same as before. Actually, it appears the black portions may be mixed into the plastic to give it a smoky quality, and probably because black over clear plastic wouldn’t achieve the desired effect. The silver of her armor also has a pearl quality to it as opposed to the chrome of the original and the hot pink gems are now purple. The hair has been given a light brush of teal to impart that ghost-like quality of this form. The only other change is with the effects pieces which have had the pink swapped out in favor of purple.
Jenny has likely awakened a few furries in her time.
Aside from the change in color and choice of plastic, this version of Jenny is essentially the same figure as before. She has a lot of articulation for such a small, somewhat dainty, figure. Her massive poof of hair helps to make her the tallest, non Bruiser, figure in the line at right around 5″. She’s articulated at the neck, though her hair can limit her movement there. She has ball-joints at the shoulders with hinges and swivels at the elbow. Her hands are on pegs so there’s only swivel articulation there. She has a mid-torso swivel in place of a waist one with ball-joints at the thigh. The knee is on a single hinge with swivel articulation and she has a hinge and swivel combo at the ankle. Her tail is on a ball-joint and serves the added function of adding stability to the figure. Jenny’s frame is quite slim and her feet are tiny, so having that tail is most helpful for posing. I find she’s the most fun of all of the figures in this line to pose as a result, though that does come at a cost. At least with my original figure, I have a lot of paint-flake at the those ankle hinges where the chrome rubs off of the joint leaving behind black plastic. Boss Fight probably should have cast her feet in gray plastic to minimize this, but unfortunately didn’t have that foresight. I don’t think it will be as big of an issue with this version though since the plastic is transparent, but it’s something to look out for.
Jenny is also fun to pose because Boss Fight came up with some really fun effects pieces. For starters, her default hands are gripping hands which is odd since she doesn’t come with a gun. She also has fists and two styled hands, one that’s more open and one that looks like a heavy metal hand gesture or an “I love you” gesture. Two other hands are totally flat and surrounded with “psychic energy.” If you’re familiar with the Marvel Comics character Psylocke, these are essentially her psychic knives. They’re rather cool, though I actually prefer the other effects pieces which are these circular, star-burst, pieces that can be affixed to Jenny’s wrists before inserting one of the hands. They’re really fun and work exceptionally well with those styled hands, though fists work well too. It’s nice having two Jenny figures as now I can display one with the knives and one with the bursts.
With Wave 1 Jenny, and yo can see where the paint has flaked off on my Jenny’s ankle. It’s a minor tragedy.
Me trying to figure out an action shot of Jenny astral projecting.
Fun tip: a winking face from one side functions like an eyes-closed face!
In addition to all of that, Jenny also comes with four different faceplates, an improvement over Bucky’s three. Like with Bucky though, the range of expressions isn’t particularly diverse. Her default look is a smile and she also has an open-mouth version, a winking face, and another where the eyes are a bit narrowed with more of a wry smile. It’s a subtle difference from the default look. For most, the winking face is the clear winner since it’s very different from what the rest of the line features and certainly possesses a playful quality. I do like the more focused expression too, though I wish for this version that Boss Fight had re-painted the eyes to match the look of the card art, or just blank them out. I also wish we had a closed eyes face for the Wave 1 Jenny to make her appear to be astral projecting to work with this figure. Even making one of the face-plates that came with this figure the eyes closed one would have sufficed. That’s wishful thinking though. The important thing is I like these expressions and that it’s easy to swap from one to the other, unlike Bucky who is a bit of a pain.
Cheers!
Astral Projection Jenny is a fun spin on what was already a fantastic figure. My only gripe about the original release is the paint flaking issue, and I don’t see that being as big of an issue with this version due to the choice of plastic. Otherwise, she’s damn near perfect and getting this version was a great reminder that Jenny has a claim to the crown of best in the line. This is a hard line to pick a favorite though which is a great problem to have. If this is a figure that interests you, head on over to www.bossfightshop.com and grab one of your own. And if you want more Bucky reviews, check back soon for a review of the newest figure in the line, Bucky’s admirer and Jenny’s rival: Captain Mimi LaFloo.
He (quietly) goes where no ordinary rabbit would dare!
It’s been almost three years since toy maker Boss Fight Studio started shipping out it’s first figures in its Bucky O’Hare line of products. Ten figures have followed with an eleventh soon to be released and I’ve been an enthusiastic supporter of the line since day one. When the product first launched, my family had recently welcomed a new addition. We were in a new house and getting acclimated to our new life. At the time, I was pretty cautious with money and I set some limits on myself, especially when it came to a hobby like toy collecting. And when it came to Bucky specifically, I told myself I’d stay away from variants. Well, my restrictions have loosened over the years and a recent sale at Boss Fight Studio has allowed me to go back and grab some of those variants I had passed on initially, variants like the third release in the Bucky O’Hare line: Stealth Mission Bucky O’Hare.
It may be “just a repaint,” but Continuity Comics contributed new card art from Neal Adams plus a new bio on the rear from Larry Hama.
This variant is basically a straight re-paint or recasting of the inaugural Bucky O’Hare figure. It’s actually the second Bucky variant I’ve purchased as I couldn’t resist the Holiday Bucky that Boss Fight Studio released alongside Dead-Eye Duck. As you could probably guess from the naming convention of the figure, this is Bucky in a stealth suit, which is the same as his standard suit only it’s black and blue with a camo deco. This isn’t a look that appeared in the animated series nor did it appear in the comics. It’s a look dreamed up by the designers at Boss Fight Studio and approved by Continuity Comics. They even supplied some new Bucky artwork for the card back which features the new look.
Gettin’ sneaky.
Bucky O’Hare stands at about 3.75″ which stretches to about 4.5″ if you include highest point of the ears. Since this a repaint it includes all of the same accessories and articulation as before. What you’re paying for is the new aesthetic, and I must say I do enjoy this black and blue look. The blue is more like a deep turquoise while the black is almost a graphite color in places. Bright green are the lenses of Bucky’s goggles which contrasts well with the deeper colors of the costume. His fur is still that light green we’re used to, only now it has streaks of black across it to break-up his image. Even his guns are black though there’s a slight blue hue to the metallic coating on them. It’s a sharp look, and even though it’s one I initially passed on that was entirely due to cost, not look.
Bucky auditioning for the role of Fall-Out Boy.
For a small figure, Bucky’s articulation is rather robust. His head sits on a ball joint that mostly rotates as opposed to being able to look up and down. The ears swivel, as does his little tail and his cape fits into a peg hole on his back with a satisfying “pop” and stays in place. The shoulder tassels and belt are separate pieces of plastic and can be moved and repositioned as desired. Which is necessary at times to free up the articulation at the shoulders, which are ball-jointed. He has single-hinged elbows with a swivel there and at the wrist where the glove meets the arm. There’s a waist swivel and ball-joints at the legs with single-hinged knees and a swivel there as well in place of a true boot-cut. The ankles are on hinges and they can rock side-to-side. There’s a toe hinge as well to top it all off.
Not much differentiates the two extra faces.
Face #1
Face #2
Face #3
Bucky’s big feet make him easy to pose and stand. To add some variety to those poses he has some swappable parts. First off, he does have two pistols which are his primary weapon and accessory. He comes packaged with trigger-finger hands on both arms so he can dual wield, if you so desire. The pegs on his belt are to store the pistols when not in use and they clip on rather easily. You can put them on the front, back, or side, though doing so adds some bulk. If you want to change-up his hands he has two additional sets. One set are fists and the other contains an open palm and a pointing hand. To swap them, just give a firm tug on the figure and off it comes. It’s a little tricky because there isn’t much to grab onto between the wrist and elbow of the figure, but I’ve never feared breakage there. Bucky also has swap-able faceplates, and unfortunately they’re the weakest aspect of the figure. The default face is a frown with a closed mouth. The other faces both feature an open mouth and one has what I would call a relaxed frown and the other a deep frown. It’s the type of thing where the difference between the two isn’t obvious right away. I’ve also always had a hard time getting the optional faces to sit flush on the figure. It can be done, it just requires more effort than it’s worth, in my opinion.
The comparison shot you’ve been waiting for!
There’s not much more to say than that. This is a re-paint of what I already considered a great figure to begin with. I love Bucky O’Hare and I love the design of the character and Boss Fight Studio really nailed the likeness. I wish the optional faces worked better than they do, but I also like the default face that’s there and so it doesn’t bother me that I can’t go with something else, especially since there’s not much difference between the three. Even though I had passed on this figure for more than two years at this point, I still always wanted it and figured I would get it at some point. My plan was to actually buy it in-person with my Aniverse Storm Toad Trooper earlier this year at Boss Fight’s retail location, but COVID messed that up and since they have no plans to reopen I just figured I’d go the online route. He’s a fun figure and I hope there’s more to come. If you would like to secure one of your own, head on over to www.bossfightshop.com to find it and other figures in the series.
After I posted my review of NECA’s take on Metalhead from the classic cartoon Teenage Mutant Ninja Turtles I thought I’d have a little break based on the upcoming release schedule for the line. Turns out, that break ended up being almost exactly one month as while I was out toy-hunting for my kids I happened upon the latest two-pack from NECA: Traag and Granitor!
And when I say it was a chance encounter, I mean it. This set started rolling out maybe a week or two ago in parts of the country. Like all of the NECA product based on the old TMNT cartoon, this set is exclusive to Target and a pain to find. The sets usually start showing up in California first and then gradually make their way east. As a denizen of the north east, I’m used to waiting a bit for them to show up in my area. Though in the case of Wave 3, I never saw a damn thing and had to purchase product from Canadian retailers that were willing to ship to the US. Well, either NECA or NECA’s vendor squashed that going forward so I was back to the old-fashioned way, since these guys have yet to appear on Target’s website (despite indications from NECA it was supposed to happen last Friday).
My kids love the show Bluey and a set for that toyline was supposed to release on the 4th. I went out looking for it locally, but while on my way my wife texted me to say she just scored a set online at Walmart. Since I was already out early on a Sunday, I decided to take a drive. While browsing Target’s app I had been keeping an eye on this set since it was supposed to go up any day now. I noticed when I looked at the stores in my area, there was actually one store across the border in New Hampshire that listed the item as in stock. I couldn’t do store pick-up though, and I have found it’s hard to get anyone at Target to answer the phone before 9, so I made the half hour drive to the store. Sure enough, the little inventory machines they have in some aisles indicated there were two sets in stock, but they weren’t on the shelf. I asked a clerk in electronics and he didn’t think they had anything since they never show on the app, but that he’d check in the back. Lo and behold, they did indeed have a set! It seems the store did its monthly inventory the night before, and someone actually scanned the sets into the inventory. This is unusual as a NECA rep is the one that stocks the section, not a Target employee, but in this case it worked out for me. It was especially surprising as I had yet to see anyone in the region on social media or even eBay list a set so this store may be one of the first in all of New England, maybe even including the tri-state area, to receive stock. Needless to say, after feeling rather snake-bitten with the last wave, I’m feeling quite fortunate today.
And it was a great set to get lucky with because Traag and Granitor are practically all new. Traag did receive a figure in the vintage Playmates line, but he looked nothing like his cartoon counterpart while Granitor never received a figure. And this was despite the two appearing in the first mini series as they debuted in episode four “Hot-Rodding Teenagers from Dimension X” when they crossed over into the dimension of the Turtles in pursuit of those pesky Neutrinos. And being made of stone means these guys are pretty unique looking to begin with so there’s little opportunity to reuse parts from already released figures. They’re big, dense, and chunky. I want to say beefy, but that doesn’t seem appropriate for beings made out of stone. And to top it all off, these guys have been a long time coming as NECA unveiled them years ago as part of the video game line, since both appeared as bosses in the original arcade game, but soon moth-balled them for the release we now have.
Traag and Granitor come in the standard window box format you should all be familiar with at this point. You get a nice look at the figures from the front with some licensing art beneath. The backdrop for the two has actually been changed from the sewer one we’re accustomed to and replaced with the Technodrome in Dimension X, which is very appropriate. The side and rear panels feature product shots of the figures in action while the rear also includes the series bio (sadly, not character specific) along with promotional shots of two of the sets to come as well as the previously released Metalhead. Since these boys are on the larger side, this is the oversized box previously used for Bebop and Rocksteady so if you’re a mint-in-box collector you’ll need to plan for a little extra room on the shelf for these guys.
Buns of stone.
In terms of likeness, Traag and Granitor are like a lot of this line – damn near flawless. Traag stands around 6 5/8″ while Granitor is slightly taller at 6 7/8″. Both feature a ton of sculpting to capture that rock appearance. They share some parts between the two in particular at the hands and basically from the abdomen down. The upper body is probably the same as well, but with different parts glued onto each to differentiate the two as they were quite different in the show. The plastic is very rigid and not that pliable, rubbery, stuff we’ve seen in some of the figures (in particular, the human figures like Casey and April) which really enhances the feel of the pair in-hand. Traag has very rocky shoulders while Granitor possesses a rock collar at the base of his neck and these huge shoulders and biceps. Of course, their heads are where they differ the most. Both are helmeted, but Traag has a flatter face and his open-mouth expression is a dead-ringer for how I continue to picture the character in my head. Granitor has this huge nose and these triangular eyes that make him look a great deal more evil than the general. If I have any criticism of the sculpt, it would be that Granitor’s head probably could be a little smaller as he was quite the pinhead in the show. I think the prototype head from a few years ago was a little better, but you’re not going to mistake this guy for someone else. The legs also probably should be longer, but I’m guessing these guys are just so big that NECA was limited to what it could do there and it was certainly more important to capture their massive upper-body.
General Traag seemed to always be making this stupid face in the show.
Meanwhile, Granitor looks ice cold! He’s not planning on playing nice with those Neutrinos.
Where I can’t render a single complaint with these two is with the paint app. This line just keeps getting better in regards to the paint and these guys look amazing. Traag, in particular, is an almost perfect recreation of a difficult deco to capture from the show. He’s mainly a red-orange, with a softer orange used for highlights that imparts a volcanic glow quality to the texture. Granitor is a bit cooler with shades of gray and both feature a lot of black line-work where appropriate. It’s all been applied in a very neat and clean fashion, which is especially impressive considering how much is here. There’s a little badge on the chest of each and both feature a belt complete with ammo and a holster for their gun. The belt is soft plastic, which has been the case with a lot of this line, so you do need to be a bit careful with the accents on it as they’re just glued on.
As far as articulation goes, these two are not quite as robust as some of the other figures in this line. That has a lot to do with the sculpt which only allows for so much. In terms of the points of articulation, it’s fairly similar with past figures. There’s a ball-joint at the head which affords the typical range of motion and both heads are on a neck with articulation at the base. Traag can look up, but not much down. Meanwhile, Granitor’s neck is quite long and thin and reminds me of an analog joystick on a video game controller, only without the tension that pulls it back to center. As a result, his range of motion feels a bit more dynamic and it’s a satisfying joint to play with, though also a bit scary since it’s so thin. The shoulders are on ball-joints and here Traag gets a bit more use as he can raise his arms outward, while Granitor’s massive shoulders are a hindrance, though his ball-joints are extended from his body more to at least provide for some functional range of motion. The elbows are double-jointed, though the top joint doesn’t have much range due to the bulky nature of the bicep. You still get close 90 degrees out of both. The triceps area swivels at that second elbow joint and the hands swivel and are on hinges. The hinges are pretty tight on mine, so a little heat goes a long way. The upper torso is on a ball-joint and you get a lot of twist there and it’s also nice and tight. The waist does swivel, but it was super tight on both of my guys to the point where I haven’t bothered to get it moving so be careful there (edit: I got it loosened up with just some added effort). The ball-joints at the thigh allow for some forward and outward motion, but nothing really backwards. There is a thigh swivel, but it doesn’t offer a ton. The knees are single-jointed at the hinge, but there is a tiny bit of swivel articulation at that point. The ankles are on hinges and have some outward, rocking, motion. Watch out for paint-flaking though as the entire boot and foot is painted over the base color. It’s not as visible as it was with Leatherhead at least, but still disappointing to see NECA isn’t casting the feet in the base color of the boot still.
“Lord Krang, please forgive us for our posture.”
The articulation is a bit less than what maybe some were expecting, but all in all I think it’s fine. These are big, bulky, rock creatures and they’re not looking to strike much in the way of dynamic poses. They basically lumber around, shoot their guns, and that’s about it. The upper torso is what really helps give them some posing options, and despite the fact that they’re rather top-heavy, they’re still fairly easy to stand. The only pose I wish I could pull-off that they just can’t do is to have them on one knee paying fealty to their lord Krang. Their arms are so long that they can even mostly pull off the ability to two-hand grip their pistol as they do in the show which is pretty cool as most NECA TMNT figures can’t do something like that since they lack a butterfly joint at the shoulder and chest.
Stuff.
“Can I interest you in the finest retro-mutagen Dimension X has to offer?”
“Traag! You must eliminate those radical teenagers before they start a rock concert! No offense…”
“Have you seen this boy?!”
Since these guys are so big and mostly new molds, it shouldn’t be a surprise that the only true negative here is the lack of accessories. It’s a business, so it’s to be expected, but still a bit disappointing. Both figures have a trigger finger right hand and an open, stylized, left hand. There are no optional hands to switch in and out, but I’m honestly not really missing them. Maybe a pointing finger for Traag, since he is a general after all, would have been fun, but it’s not a big loss. Their main accessory that both feature is a pistol. It’s a new sculpt and it’s painted up in a dark and light blue scheme that I find really appealing. It honestly probably has a bit more flourish to it as far as the paint is concerned when compared with the show, but that’s for the better. The only drawback is the hands of these guys are very rigid so you may want to heat up the hands before placing the gun in to avoid any paint scraping, which would be tragic. The pistols also fit into the holster on their belts in a snug manner. They also come with the Dimension X communicator many of the villains have featured in this line. In this case, the sticker decal is of Krang, but it appears to be the new Krang that’s expected to be released in November with the android body. The final, plastic, accessory is a mutagen canister. This time it’s painted gray instead of blue. It’s fine, though not really applicable to these guys and I think it’s just included because it was cheaper than doing a new one, like the weather bomb Traag unleashes. I was expecting that to come with them so it’s a bit disappointing to see it excluded, but again, I get it, it all has to do with costs. Lastly, they do come with three wanted posters each featuring one of the Neutrinos. They’re printed on a transparent plastic giving them a holographic effect which is pretty neat. They’re in a little bag taped to the underside of the blister so don’t throw it out by mistake!
Pictured with fellow big boy, Leatherhead.
Traag and Granitor are yet another addition to the many rogues of Teenage Mutant Ninja Turtles. It’s great to see them as part of Wave 4 since, even though they appeared infrequently in the show, they felt important. That’s probably owing to their debut appearance in just the fourth episode and those early episodes just feel a lot more important to the show than what followed. It’s especially great to finally have a Granitor since he was overlooked back in the day. I’m very happy with how these boys turned out and my only real issue is trying to find room for these bulky beings on my shelf. I’m really going to need that street diorama, NECA!
Poor Raph, he’s really going to need a few more allies.
Traag and Granitor is just the first two-pack in Wave 4 of this line. They’re being rolled out slowly across the US at Target, though considering I found my set in New Hampshire I would expect them to be in every state this week so start looking! There should also be an online release at some point, but that can be a real shit-show as product usually goes fast. Follow NECA on twitter (or me @samhainsgrim) with alerts switched on for your best chance to land them. This looks like it’s going to be a pretty awesome wave as up next on or around the 15th is the Triceraton Infantryman (Infantry-dino? Infantry-reptile?) and Roadkill Rodney (2) set followed by a big one on the 29th, Master Splinter and Baxter the Fly! The Triceraton officers, Zarax and Zork, finish things off on November 12th alongside the deluxe Krang with his android body. This line is hotter than hell right now so don’t go to sleep on it. NECA also isn’t offering any more made-to-order sets in 2020 so if you can’t get these guys at Target over the next couple of months the wait will only get longer. Plug yourselves into a toy community, stay vigilante, don’t feed the scalpers, and good luck!
The Nostalgia Spot 