Tag Archives: first mate jenny

Boss Fight Studio Astral Projection Jenny

Back off, Psylocke!

Sometimes it can be easy to lose sight of how good an action figure in a particular line is when it’s one of the first released. I’ve been really impressed with all of the figures in Boss Fight Studio’s Bucky O’Hare line, but recency bias certainly plays in a role in my favorites. And the most recent have been (in order of most recent) Bruiser, the Storm Toad Trooper, and the four-armed Dead-Eye Duck. It’s hard to top the sheer spectacle and massiveness of Bruiser, and any toy with extra arms is inherently fun, especially when it’s a pirate duck. Back in November 2017 though, I was pretty floored by First Mate Jenny and this variant I just purchased from Boss Fight Studio has quickly reminded me of that.

Just like with Stealth Mission Bucky, we get updated card art and a character bio from Neal Adams and Larry Hama, respectively.

Jenny had a long wait to reach the vast majority of Bucky O’Hare collectors. She was famously, or infamously, dropped from the vintage Hasbro line of figures back in 1991 because the company didn’t think boys wanted a girl, cat, action figure. This despite the fact that her toy was already complete and in production and despite the fact that she’s Bucky’s freakin’ first mate! She was going to see release in wave 2, but the line was cancelled and who knows how many fully-carded Jenny action figures were destroyed. Some were saved and have made it into the hands of collectors over the years, but the vast majority had to wait until Boss Fight came along and rectified the whole situation.

Astral Projection Jenny comes with the same stuff you remember from wave one, only now it’s clear and purple!

And that first figure is wonderful. I was really looking forward to both Bucky and Jenny when Boss Fight announced them, but I was more so looking forward to Bucky because he’s the star, after all. It was Jenny that basically stole the spotlight though with her clever engineering, terrific sculpt, and fun accessories. Like Stealth Mission Bucky though, I initially passed on the variant Boss Fight put out. And that variant is Astral Projection Jenny. Jenny, being part of a secret society of psychic cats, has the ability to astral project her consciousness leaving her physical body behind. She’s basically depicted as a ghost-like being when doing this who can’t be seen, nor can she interact with the physical world. It’s an interesting choice for a variant for obvious reasons, which we’ll get into. I was somewhat surprised that Boss Fight went in this direction instead of doing an “Aniverse” Jenny that matched the figure’s colors to the cartoon which is mostly a matte gray armor finish and pink hair as opposed to silver and white. I don’t know if I would have been more likely to pick that one up sooner, but it was something that surprised me.

Jenny is an 80s girl at heart so the hair has got to be big!

Astral Projection Jenny is essentially the wave one version of the character cast in translucent plastic with some mild paint variations. Her body is painted, clear, plastic which gives her an ethereal quality. The white of her fur is done with a pearl coat, while the black is largely the same as before. Actually, it appears the black portions may be mixed into the plastic to give it a smoky quality, and probably because black over clear plastic wouldn’t achieve the desired effect. The silver of her armor also has a pearl quality to it as opposed to the chrome of the original and the hot pink gems are now purple. The hair has been given a light brush of teal to impart that ghost-like quality of this form. The only other change is with the effects pieces which have had the pink swapped out in favor of purple.

Jenny has likely awakened a few furries in her time.

Aside from the change in color and choice of plastic, this version of Jenny is essentially the same figure as before. She has a lot of articulation for such a small, somewhat dainty, figure. Her massive poof of hair helps to make her the tallest, non Bruiser, figure in the line at right around 5″. She’s articulated at the neck, though her hair can limit her movement there. She has ball-joints at the shoulders with hinges and swivels at the elbow. Her hands are on pegs so there’s only swivel articulation there. She has a mid-torso swivel in place of a waist one with ball-joints at the thigh. The knee is on a single hinge with swivel articulation and she has a hinge and swivel combo at the ankle. Her tail is on a ball-joint and serves the added function of adding stability to the figure. Jenny’s frame is quite slim and her feet are tiny, so having that tail is most helpful for posing. I find she’s the most fun of all of the figures in this line to pose as a result, though that does come at a cost. At least with my original figure, I have a lot of paint-flake at the those ankle hinges where the chrome rubs off of the joint leaving behind black plastic. Boss Fight probably should have cast her feet in gray plastic to minimize this, but unfortunately didn’t have that foresight. I don’t think it will be as big of an issue with this version though since the plastic is transparent, but it’s something to look out for.

Jenny is also fun to pose because Boss Fight came up with some really fun effects pieces. For starters, her default hands are gripping hands which is odd since she doesn’t come with a gun. She also has fists and two styled hands, one that’s more open and one that looks like a heavy metal hand gesture or an “I love you” gesture. Two other hands are totally flat and surrounded with “psychic energy.” If you’re familiar with the Marvel Comics character Psylocke, these are essentially her psychic knives. They’re rather cool, though I actually prefer the other effects pieces which are these circular, star-burst, pieces that can be affixed to Jenny’s wrists before inserting one of the hands. They’re really fun and work exceptionally well with those styled hands, though fists work well too. It’s nice having two Jenny figures as now I can display one with the knives and one with the bursts.

With Wave 1 Jenny, and yo can see where the paint has flaked off on my Jenny’s ankle. It’s a minor tragedy.
Me trying to figure out an action shot of Jenny astral projecting.
Fun tip: a winking face from one side functions like an eyes-closed face!

In addition to all of that, Jenny also comes with four different faceplates, an improvement over Bucky’s three. Like with Bucky though, the range of expressions isn’t particularly diverse. Her default look is a smile and she also has an open-mouth version, a winking face, and another where the eyes are a bit narrowed with more of a wry smile. It’s a subtle difference from the default look. For most, the winking face is the clear winner since it’s very different from what the rest of the line features and certainly possesses a playful quality. I do like the more focused expression too, though I wish for this version that Boss Fight had re-painted the eyes to match the look of the card art, or just blank them out. I also wish we had a closed eyes face for the Wave 1 Jenny to make her appear to be astral projecting to work with this figure. Even making one of the face-plates that came with this figure the eyes closed one would have sufficed. That’s wishful thinking though. The important thing is I like these expressions and that it’s easy to swap from one to the other, unlike Bucky who is a bit of a pain.

Cheers!

Astral Projection Jenny is a fun spin on what was already a fantastic figure. My only gripe about the original release is the paint flaking issue, and I don’t see that being as big of an issue with this version due to the choice of plastic. Otherwise, she’s damn near perfect and getting this version was a great reminder that Jenny has a claim to the crown of best in the line. This is a hard line to pick a favorite though which is a great problem to have. If this is a figure that interests you, head on over to www.bossfightshop.com and grab one of your own. And if you want more Bucky reviews, check back soon for a review of the newest figure in the line, Bucky’s admirer and Jenny’s rival: Captain Mimi LaFloo.


Bucky O’Hare and the Toad Wars – “The Artificers of Aldebaran”

img_3687Episode Number:  10

Original Air Date:  November 10, 1991

Directed by:  Karen Peterson

Written by:  Christy Marx, Bridget McKenna

First Appearance:  Princess Felicia, High Artificer

Last week on Bucky O’Hare and the Toad Wars, we met the Corsair Canards and by doing so gained a little insight into Dead-Eye Duck’s past. This week, it’s all about Jenny and her home world of Aldebaran. We know it’s a world with a secret as Jenny has been forced to hide the extent of her powers from her comrades. Back in the episode “The Good, the Bad, and the Warty” we saw her telepathically confer with a character she referred to as Mother Aldebaran as she sought permission to use her powers in front of her friends to get them out of a potentially fatal situation. And even though not using her powers meant death, this superior did not really give her permission to go all out, but did suggest a maneuver she thought would go undetected that ended up working.

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This episode introduces Jenny’s apprentice, Princess Felicia.

In the comics, Dead-Eye refers to Jenny as a witch, though I don’t recall such terminology being utilized in this series. As far as we know, the Sisters of Aldebaran are a bunch of psychics – essentially a planet of Jean Greys. We’ll get more of an understanding in this episode on what goes on there, but there are still a lot of questions left unanswered. Interestingly, we don’t see a single male amongst their people so how they reproduce is a mystery (there is a shot of a female rocking a cradle so they do indeed reproduce somehow). It’s also a big planet, so maybe we just saw a tiny piece in which only females reside. I think it’s definitely safe to assume that only females possess these wondrous powers.

The episode begins with Jenny combating a droid of some kind. She’s jumping and flipping and doing all kinds of impressive things before destroying it with her powers. Nearby, Princess Felicia (presumably Margot Pinvidic. Cast info on this show isn’t great, but no women other than her appear in the credits so I’m left to assume she handles all of the female voices in this episode) is watching and is impressed with the abilities of Master Jenny. It seems Felicia is Jenny’s apprentice and Jenny has returned to give her some training as she nears an important milestone in her young life. It’s then we see the two turn to a training device that is apparently the source of their powers. It’s a little, greenish, ball of light that the two refer to as a Quark demon. Jenny releases it into the air and Felicia is supposed to try and corral it.

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It’s tea time with the High Artificer of Aldebaran.

Nearby, Bucky O’Hare and the others are enjoying tea with the High Artificer. She’s an older cat who is also the grandmother of Princess Felicia. She does not resemble the individual Jenny referred to as Mother Aldebaran back in episode 3, so either that’s a different character or they just decided to change the appearance of that character and give her a new name. As far as we’re lead to believe, the High Artificer is the one who runs the show.

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Willy encountering what powers Aldebaran sensors:  a Quark demon

The High Artificer thanks Bucky for bringing Jenny back to their world to train Felicia. Some interest in what they’re doing is expressed, but the High Artificer informs them she can’t reveal the nature of the training to outsiders. Willy is seated by what looks like a koi pond when the Quark demon comes over the wall and buzzes by his head. He’s startled, but the scientist within him is also really intrigued. It flies back over the wall to where Felicia’s training is taking place and Willy decides to investigate by scaling a nearby tree. When he reaches the apex he’s able to see Felicia using her powers to try and catch the little ball of light. It returns to Willy, causing him to fall from the tree over the wall.

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Felicia does not appear to be too impressed with Willy DuWitt.

Felicia is then able to snatch the Quark with her powers and return it to the containment vessel it came from while Jenny checks on Willy. He’s extremely apologetic, while Felicia seems accusatory towards him. Jenny vouches for Willy and thinks he meant no harm. Willy, perhaps not thinking things through, demonstrates he understands what he saw and realizes the little Quark is the source of their power and their Aldebaran sensors. Jenny tells Felicia she trusts him and that he won’t reveal their secrets. Felicia then receives some bad news from her master that she is not deemed ready to undertake her Soul Quest. With more practice though, Jenny is confident she’ll get there. Felicia is dismissive of her master’s concerns, and like most teenagers, is resistant to hearing any criticism.

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Electric Space Yam

Possibly nearby in space, a Toad ship has made an interesting discovery. A nearby nebula, that kind of looks like a giant space yam, contains an extraordinary amount of energy within it. Toadborg is in charge of this vessel, and he seems quite intrigued by this so-called Dark Heart Nebula. Whatever is in there is too much for their sensors to handle, but this just causes Toadborg to remember that Bucky O’Hare has an Aldebaran as part of his crew. Apparently, Aldebarans have a reputation for having incredibly powerful sensors, but due to their secrecy, this is obviously technology not available to the rest of the galaxy. Toadborg heads to his private chambers to search his memory banks for more info since he’s had a previous encounter with Jenny. Recalling his fights with her, he concludes he’ll need the aid of an Aldebaran to navigate this nebula.

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Teenagers…

With Felicia’s session complete, the High Artificer thanks Jenny for her help. She also thanks Bucky and the crew for taking the time to come out. As they leave, we pivot to Felicia. Dressed in a flight suit, she’s determined to undertake her quest whether or not Jenny thinks she’s ready. She hops into a sleek-looking spaceship and takes off, apparently unnoticed. This puts her in direct conflict with Toadborg’s ship. They’re in the area in search of an Aldebaran and it looks like they found one. They ensnare Felicia’s ship in a tractor beam and she immediately reaches out to her grandmother to inform her what happened. Her grandmother quickly reminds her of her obligation to protect their secrets by destroying all of the sensors in her ship. She does as she’s told as her ship is boarded by Storm Troopers.

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Mimi is back and as flirtatious as ever.

At a cafeteria (possibly on Genus, or just a random space station), the crew of the Righteous Indignation is getting some lunch. Bruiser wants banana everything and the writers apparently are still entertained by this bit. Jenny is back aboard the ship recalibrating the Aldebaran sensors on it and Bucky tells Willy no one is allowed onboard until she’s finished. Mimi LaFloo then pops in. She’s quite happy to see Bucky again and tells him she’s got something on her ship to show him as she pulls him away. Oh boy!

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Willy just can’t be defeated in a deabte, it would seem.

Willy and Blinky are outside the doors of the Righteous Indignation when Jenny is just about finishing up. Jenny receives word from the High Artificer about Felicia, and it falls on Jenny to attempt a rescue. Jenny makes the call to go alone, the problem is she’ll need to take Bucky’s ship. She orders Willy and Blinky off the ship, but Willy protests. While the two argue, Blinky appears to plant a device on the ship, likely some way to track it and Willy is able to convince Jenny to take him along since his door is on the ship.

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I’m tough on the show’s visuals at times, but this is a nice-looking still.

Aboard Toadborg’s ship, we get our required dose of Toad TV. It’s both a Charles Atlas parody and an Arnold Schwarzenegger one (Arnold Wartnegger). You know the one; a bully picks on a skinny kid at the beach. The twist with this one is that Wartnegger isn’t looking to pump you up, but just supply giant, bully-swatting, mallets. Surprisingly, we’re not experiencing Toad TV via Frix and Frax but actually via Felicia who is being tortured with it. She yawns indicating its effectiveness when an angry Toadborg barges in. He dismisses the tech administering the torture and then grabs Felicia and demands she take him into the Dark Heart Nebula.

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“Help me Obi…I mean Bucky…I mean just forget it. I’ll be back. Dinner’s in the fridge.”

At the space station, Bucky and Mimi are apparently done with their tryst and Blinky informs him what happened. Before she left, Jenny had Blinky record a message which he plays for Bucky. Mimi turns her nose up at “the cat” so apparently this rivalry is going to go both ways. Blinky tells Bucky about the tracking device, and he commends his android and declares they’re going after Jenny. As they all run down a corridor, Bucky stops in his tracks when he and the others realize they don’t have a ship. Mimi then strolls by and, somewhat reluctantly, tells them to come join her on her frigate.

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Toadborg is rather viscious in this episode and shrewd negotiator. He’s blossomed into a pretty fantastic villain.

Jenny and Willy then head out towards Felicia’s last known location and find Toadborg’s ship. Jenny, with Willy at Dead-Eye’s gunner position, demands the release of Felicia. Since the princess is onboard the ship, Toadborg knows she won’t actually fire upon him. They’re on video conference, and he demands she back off as he intends to have Felicia take him into the Dark Heart Nebula. When Felicia refers to Jenny as “Master,” Toadborg decides he’d rather have Jenny take him instead. For a brief moment, Toadborg gains eyeballs so we can see him “thinking” things through. Jenny agrees to take him as long as Felicia is unharmed. Toadborg tosses Felicia around, which really causes Jenny to get mad. He reminds her that he’s in control and dismisses her threats before terminating the transmission. That was actually a well-done and rather intense exchange.

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Toadborg needs Jenny to lead him through the nebula, or else he’d get lost forever. Felicia is his insurance that Jenny won’t betray him.

Jenny and Willy pilot the Toad Croaker into the nebula with Toadborg and Felicia following. Jenny tries to tell Toadborg this is a bad idea but he won’t hear it. As they enter the nebula they reach its center, a large grayish sphere. Toadborg can sense incredible power and is eager to taste it. Jenny tries to discourage him once more, but he tosses Felicia to shut her up. As Willy and Jenny fly off after Felicia, Toadborg shoots out this two-pronged device (insert robot penis joke here) that jabs into the gray sphere. As electricity courses through him, the sphere begins to move. It actually opens revealing that the outer layer we were looking at were actually giant bat-like wings. The sphere is a towering, naked, demon and it apparently does not like what Toadborg is doing to it. It swats the cyborg away, but it’s awake and angry and apparently not willing to go quietly.

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Now this is unexpected.

After securing Felicia, Jenny has Willy pilot the Croaker back towards this demonic being. She bombards it with her powers, but she’s going to need some help. She mentally reaches out to her Aldebaran sisters requesting they lend her their power. We get cuts of various cat-people in their day-to-day lives pausing to lend their aid to their sister. It’s very “Spirit Bomb” like. It’s not enough though, and Jenny continues to ask for more. Part of the problem seems to be one holdout:  Felicia.

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The ancient father of all demons does not go down without a fight.

Felicia gets knocked from the croaker as the ancient Quark tries to grab it. Jenny has to use her powers to keep it from crushing them while calling out to Felicia for help. When Jenny convinces the young princess to lend them her powers it’s suddenly enough and the demon goes to back to sleep. Felicia is astounded, yet confused, at what happened (aren’t we all?). Jenny tells her this is the lesson she must learn, that it’s the sum of the whole that can make a difference and sometimes it comes down to just one person making a choice. Felicia takes this in, then is instructed by Jenny to do what she came here for. Thousands of little Quark demons are flitting about and Felicia basically sucks some into the crystal on her tiara. This apparently ends her quest.

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And he’s back to sleep. No harm no foul, I guess.

The Screaming Mimi, with a new orange paint-job to make it resemble the other frigates in the United Animal Fleet, shows up and drives Toadborg’s ship away. Dead-Eye is shown behind the canon, only it looks like they forgot to actually illustrate canon controls. It would also seem Mimi doesn’t have a crew of her own if Bucky’s gunner is taking the lead. The Toad ship, under heavy fire, has a reading on Toadborg’s location and retreats to rescue its captain. Aboard the Toad ship, Toadborg has been collected. He awakens with no memory of what happened. When the navigator inquires about the nebula, Toadborg snaps and says his instruments must have been wrong about it. He orders him to fix them as he stumbles off to his private quarters, presumably. Jenny then returns to the Righteous Indignation as Bucky’s voice comes over her radio. He’s curt, and orders her to pilot the ship to Aldebaran while Willy assures Jenny it’s all right and that Bucky will understand why she took the ship.

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And it’s ceremony time, which means more Star Wars reminders.

On Aldebaran, a ceremony officially welcoming Princess Felicia into the sisterhood is underway. She’s awarded this title by her grandmother, while Jenny, Willy, and Bucky look on. Felicia turns to Willy to thank him and even gives him a little peck on the cheek. What’s with this kid and cats? With that concluded, Jenny then turns to Bucky to apologize for making off with his ship. He says nothing, causing her to ramble on and on. Eventually she implores him to say something and he responds with a simple “How about ‘Welcome back?'” Jenny happily embraces him and a wink from Bucky ushers us out of the episode.

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Cats really seem to love this kid.

Well, that was certainly a trip. I did not expect the source of Jenny’s powers to essentially be demonic in nature. It’s certainly imaginative, and I can see why they would want to keep that a secret. Jenny and Felicia have a solid dynamic and it’s hard not to get a Star Wars vibe from their training. The return of Toadborg is welcomed as well as he is probably my favorite antagonist at this point. This is the first episode to not feature the Air Marshall and just the second to not feature Komplex. Komplex was also missing from last week’s episode making me wish the order of episodes had been mixed up a bit. Komplex was partially taken down in “The Komplex Caper” but appeared to be back up and running in the following episode “The Search for Bruce.” Had that episode followed this one instead it would have been a nice piece of continuity to have Komplex out of action for two weeks. It’s not important in the grand scheme, but little touches like that are some of the things I appreciate most.

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Really the only blatant visual gaffe, though it’s a pretty big one with Dead-Eye firing invisible canons.

Thankfully, this episode is much improved in the animation department over last week’s episode. I was fearful the shoddy work found in “Corsair Canards” was a harbinger of things to come, but this is a nice rebound. There’s still some errors and ugly shots, but nothing on the level of the previous episode. Toadborg looks plenty menacing when he’s on-screen, so  perhaps it’s partly due to his presence that more resources were devoted to this one. He’s the most complex character model in the show, so it would make sense if more time was allocated to episodes he’s featured in, which is something I hadn’t considered previously. If that’s true well then that’s good news for us as the final three episodes all feature Toadborg in some capacity.

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This is the last appearance of Mimi in this show.

Since there are only three episodes left, it probably is not surprising then to hear that the Aldebaran characters won’t be seen again. This is also the final appearance of Mimi LaFloo, so whatever conflict she and Jenny seem to have with each other will remain unresolved. Jenny seemed to just not like how forward Mimi is with Bucky, possibly feeling she’s slept her way to the top. Mimi, for her part, seems to simply view Jenny as a threat. It’s rather sad that the two most prominent females on the show are played that way. I’m also still unclear if Jenny harbors feelings for Bucky or something. The two keep things professional, giving that embrace a little extra meaning at the end of the episode.

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Bucky getting cheeky with the camera.

Even with the weird demon thing, “The Artificers of Aldebaran” is a good episode of the show. I like seeing where Jenny came from, though their world could have been more interesting to look at. Felicia could have been a really annoying character, but instead she comes across as naive more than anything and perhaps a bit too confident in herself. And if my guess is correct and voice actress Margot Pinvidic did indeed perform all of the female voices in this episode, then major props go to her. She manages to come up with four mostly distinct voices for Jenny, Mimi, Felicia, and High Artificer so I wanted to give her a special acknowledgement. Hopefully the remaining three episodes are similar to this in quality. Next week’s episode, “The Warriors,” is one I have little recollection of outside of the debut of more new characters so I’m eager to check it out. See you then.


Boss Fight Studio’s Bucky O’Hare and First Mate Jenny Action Figures

IMG_1874For the better part of three decades, Bucky O’Hare has been largely absent from the public conscious. His television show lasted a mere 13 episodes, likely green-lit thanks to the popularity of other obscure comic turned television sensation the Teenage Mutant Ninja Turtles. His toy line consisted of one wave of 10 figures and two vehicles and no more. Why did Bucky fail? There are a few theories, but the most prevailing is that Hasbro mishandled the toy line packing too many unpopular figures into a case (specifically Toad Air Marshall) at the expense of the most popular characters like Bucky, Dead Eye, and Bruiser. And I can certainly vouch for that to a point, as I only bought a Toad Air Marshall as a kid when he was literally the only character on the pegs. And it wasn’t that the section had been picked over leaving a handful of figures, no it was dozens of Toad Air Marshall action figures. When I got my first Bucky I had to sift through a bunch of them to find him and was elated. I eventually had the whole set, plus the vehicles, though sadly they would be either sold in a yard sale or discarded entirely. I would replace my Bucky many years later as an adult collector, but never the rest of the set.

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91 Bucky with his 2017 counterpart. Finally, we’re rid of that molded oxygen mask from the original toy.

Enter Boss Fight Studio, an upstart toy developer out of Massachusetts that has mostly dabbled in mythological beings for its action figures. Bucky O’Hare is the company’s first go with a license and they’ve already done better than the last company to try. Over a decade ago, Shocker Toys acquired the Bucky O’Hare license for a line of Bucky Shockini toys, which were basically a variation of the Mini Mates line that was really popular at the time. They showed off completed prototypes for four figures:  Bucky, Jenny, Dead Eye, and a Toad Storm Trooper. They were never released and the company is gone. I don’t know why they weren’t released as I remember posting about it on their message board back then and the post was ignored, then deleted. It could have been they had a bad reception and the company backed out. Maybe they only had the license for a year and weren’t able to get the product to retail before it expired? Maybe they just plain ran out of money?  Whatever the reason, it was another obstacle for Bucky O’Hare, who had recently failed to land a new tv deal after Neal Adams attempted to sell a brief CG pilot, and it was possible the franchise would never be heard from again.

Truth be told, not much has changed since then for Bucky O’Hare. This license acquisition by Boss Fight Studio came out of no where. I’ve done my best with this little blog to keep Bucky some-what relevant. I’ve talked about his NES game, the arcade game, and the show itself before while also hyping these figures. 90’s nostalgia is pretty hot right now and lots of properties are being revived so maybe Boss Fight Studio was just looking to score a piece of that and one that probably wouldn’t cost a ton. And someone at the company must obviously remember the property and enjoy it because an obscure property like Bucky O’Hare isn’t getting a toy line without someone who loved it driving that. And I’m happy to report that these two inaugural figures have turned out about as well as they could.

IMG_1864For the debut of the line, Boss Fight Studio settled on Captain Bucky O’Hare himself and First Mate Jenny. The selections may seem obvious, after all, who is going to launch a Bucky O’Hare toy line with out Bucky O’Hare, but Boss Fight Studio deserves some recognition for pairing him with Jenny. Jenny was infamously dropped from the Hasbro line because of the concern of marketing a girl toy to boys. She was supposed to be included in the planned second series, and since she was basically prepared for the first set, completed figures made it through production and into packaging. Some of these would find their way into the hands of collectors, most did not, and Jenny remains the biggest omission from that lone set of figures. Finally, Bucky O’Hare fans have the Jenny figure they were denied back in 1991.

The figures in this line appear to be in a standard 6″ scale similar to the Marvel Legends line by Hasbro. This means Bucky is around 4″ tall, not including his ears, and Jenny about 4.5″. They’re very similar to the scale from the original toy line, though with better and more accurate proportions. Those old toys tended to have over-sized heads and squished bodies. They were fine for their era, but obviously not adequate for an adult toy line. The packaging for both is almost identical to the old Hasbro packaging, only BFS utilizes a re-sealable blister. Character bios and images of upcoming figures are on the back and really do a great job of taking advantage of the nostalgia fans likely have for the old figures.

Bucky and Jenny are both loaded with articulation. Bucky uses a lot of colored plastic which works to make his red spacesuit pop but not overwhelm. The minimal amounts of paint utilized are all nice and clean. There’s no weird fraying plastic or evidence of the molds, even on the small switchable hands. He has a rubbery cape that is removable via a peg, and the shoulder pads are a separate piece as opposed to being molded to his arms, same for his belt. Bucky has two additional face plates, one with a smiling open mouth and the other a more relaxed open mouth. He has twin pistols and the pegs on his belt still function as holsters, a call-back to the original design for Bucky (they always envisioned toys) and the Hasbro Bucky. The pistols are more in scale this time around too and look great. The negative with Bucky, and even BFS noted it on via their Facebook page, is that his removable pieces are all really tough to manipulate. I can’t get the additional face plates to seat properly on his head, and the hands won’t come off. When I try to pull them off his arm ends up popping off at the elbow. His cape also doesn’t fit all the way into the peg hole on his back so it’s prone to falling off. The cape is not that big of an issue, since he’ll be hanging on a shelf eventually, but it’s discouraging. BFS recommends using a hair dryer or hot water to warm the pieces in order to separate them, but I have yet to try because I’m a little skittish of such tactics.

IMG_1871Jenny is in some ways the more anticipated of the two because of her history. She does not disappoint. She’s nice and shiny and packed with articulation like Bucky. She’s got a huge mount of hair on her head, as she did in both comics and TV, and an abundance of curves. If this property had been more popular we’d probably be partly blaming Jenny for the rise of furries. Her arms and lower legs are really thin, but she doesn’t seem particularly fragile or anything. Her hands are easily swapped out with the extras provided by BFS, and she also has two additional face plates, one of which being a cheeky winking face. She doesn’t have a gun, despite carrying one in the animated series, but has two hands with “psychic energy” resembling Marvel’s Psylocke and two circular energy blasts she can hold. She has four sets of hands as a result, compared with Bucky’s three, and four face plates. Her default features an open mouth, but she also has a smiling one and a toothy smile in addition to the winking face mentioned before. Her hair is obviously quite heavy, but her tail makes posing her rather easy. She’s a bit limited in what she can do as a result, but still looks great. There are some slight paint imperfections on a few of her face plates as she requires finer details, but nothing major.

Overall, these figures are great and any Bucky O’Hare fan will likely be very happy with them. There is an elephant in the room though that does dampen some enthusiasm I have for the line and that’s the price. Bucky and Jenny both retail for $35 a piece. Add in tax and shipping and you’re looking at roughly $80 for a pair of 4.5″ action figures. Bucky O’Hare fans starved for merchandise will likely suck it up and buy a set, but the price point makes it very hard for Boss Fight Studio to attract casual collectors. Some-what troublesome is the amount of variants announced already. There’s a stealth Bucky and astral projection Jenny on the way which are just repaints of these two figures. Dead Eye has been announced as well along with a variant for him too. There’s even a second Bucky variant that’s all brown to resemble a chocolate bunny, he’s an Easter release. Boss Fight Studio has also shown off a Toad Storm Trooper. Coincidentally, they’re following the planned Shocker release with their first four figures. If the line is going to need to sell variants in order to survive then that’s probably not a good sign. I know I’m personally not in the market for repaints at this price point. I want to support the line because I really want to see it continue, but I can’t justify buying an Easter Bucky for $35. I will definitely be placing an order for Dead Eye and the Storm Trooper when they become available because both look amazing.

Because of the pricing structure and the fact that Bucky O’Hare has been such an unsuccessful and niche franchise, it’s hard to be optimistic for this line. I don’t want to end this on a down-note though. I think these two figures are great and they’re already among my most favorite of any line I’ve ever collected and I am totally onboard with more characters, be they taken from the comics or cartoon. Boss Fight Studio has already mentioned they’re eager to do an Al Negator, which is important to know because was a cartoon-only character so that probably opens the door for other toon-only characters like Bruiser and Mimi. If you’re a fan of Bucky, or just remember the cartoon and want to reminisce, these are great action figures to add to your collection. They’re really fun character designs with a lot of personality and Boss Fight Studio did an impeccable job in bringing them to life. Hopefully, we can keep Bucky from disappearing again.


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