Category Archives: Television

NECA TMNT Cartoon Slash and Leatherhead

You’re gonna like this one, I guarantee!

NECA’s incredibly popular and white hot action figure line based on the Teenage Mutant Ninja Turtles cartoon series of the late 80s/early 90s has slowly rolled out its third wave. The wave consists of three two-packs and a single-packed deluxe figure, but perhaps to increase the numbers of individual items it can ship at once, NECA opted to roll them out one-by-one starting in late July and finishing by the end of August. The first two-pack was the Casey Jones and Slashed Foot Soldier, and now we’re onto the second which is the villains pack of the wave: Slash and Leatherhead.

In the case of both characters, this is the second attempt at both of these characters from NECA as both have been featured in the Turtles in Time line of figures. Slash was released back in the spring, and Leatherhead was part of the more recently released second wave. Leatherhead is basically a straight re-paint of that release, or that release is a re-paint of this one depending on which you consider “first.” Slash, on the other hand, is a little more involved. This is the first action figure of Slash based on his appearance in the cartoon series. The Playmates action figure was based on his comic appearance where he was actually a good guy and part of the Mighty Mutanimals (along with Leatherhead, it should be noted). His Turtles in Time sprite was also based on that source so cartoon Slash has received very little love in the ensuing years. As such, I get the sense this version of Slash isn’t remembered fondly by a large part of the fanbase, though I like him well enough. The Slash of the cartoon was more of a tragic figure, a contented pet turtle mutated and turned into a tool by those who held power over him. The cartoon wasn’t really equipped to truly explore the complexity of the character though, so they just sent him into Dimension X and when he came back he’s basically a typical villain.

If you thought a lack of enthusiasm towards Slash was going to make this two-pack easier to find, think again. This set is proving just as hard to find as any other in this line. Target at least was a bit more stealthy about the release on target.com which allowed online orders for this set to last a whopping ten minutes! Perhaps that will be the model for future releases.

Slash may be quite different in appearance from his Turtles in Time self, but the figure should still be fairly familiar. He uses the same body as the previously released Slash, which also used the same body shared by the turtles. The only difference is in the paint, head, and other embellishments on Slash’s person, most notably the spiky shell. The head is the most striking part as the cartoon Slash was an ugly, soft-bodied, turtle. He has full cheeks and pockmarked skin with ugly teeth reminding me of a jack-o-lantern. This Slash wasn’t the sharpest knife in the drawer and his face captures that. It also features that metal headband that covers his eyes. It’s a perfect representation of the character from the source material.

Slash’s body only differs from the past Slash release in that he has metal fixtures on his body where the previous one had cloth and wood. He has a bright purple belt with a skull logo on it that’s really cool. I love how NECA’s belt has the extra part flapping off of the front, a nice attention to detail. The gloves and kneepads are a steel gray in color with a single, purple, spike on each. About the only thing he shares with his other self are the black elbow pads which are traditional in design. His skin-tone is basically a match for NECA’s Wave 1 turtles, an olive green, as opposed to the deep green of the video game figure. He also gets to have painted claws on his hands and toes where the video game one did not. He also has a large backpack strapped to his shell and across his chest. This backpack is not intended to be removable, though mine arrived damaged and I had to superglue the bottom “clasp” back onto it. It’s held so far, but it’s also only been a day.

Lots of accessories with this guy.

Since Slash is the same base figure as the other turtles, he has the same articulation. There’s a ball-joint at the head that provides mostly for side-to-side motion, but the shell prevents much up and down motion. The neck has a joint at the base, but it doesn’t seem to offer much. The shoulders are on ball-joints with bicep swivels, single-jointed elbows, wrist swivels, and a wrist hinge. There’s a torso joint inside the shell, but again, the shell removes most of the function. It allows the hips to move a little left to right, with some slight twist. It’s subtle, but it’s not nothing. The legs are on ball-joints and rotate at the thigh as opposed to a true thigh-cut. The knees are double-jointed and the feet are on ball-pegs. They can rotate just fine, but have little up and down motion and minimal side-to-side. It’s all pretty basic, but it feels like NECA’s base turtle design could use another look, especially at the elbows, wrists, and feet.

In the accessory department, Slash is a curious case as his accessories are both abundant and lacking. As a surprise, he only has the one set of hands. Every figure in this line so far, excepting Krang who doesn’t have hands, has had multiple sets of hands for punching, gripping, trigger fingers, etc. Slash just has gripping hands, which is certainly better than having closed fists, but it’s odd he doesn’t have trigger hands or something more expressive. On the other hand, he’s able to wield the accessories he does come with just fine: twin katanas, a Dimension X rifle, a pistol, half-eaten pizza, baby Slash, and his precious “binky” which is a tiny palm tree. I love the design of the new rifle and I appreciate that the included pizza resembles the actual pies he munches on from his episode as opposed to just being the same pizza packed in with the turtles. And as stated, he can hold all of his weapons, and the only thing he can’t really grip is the palm tree, but you can finagle it into his hand. The swords he comes with are quite striking, and are my favorite swords this line has produced so far. He can store them in his purple belt too, which is certainly appreciated since he has so much stuff.

It’s great to finally have a cartoon-accurate version of Slash. Even though he only has the one pair of hands, it’s not a huge loss since he does have a ton of accessories likely to occupy both hands in a display. He does possess one other area for criticism though, and it is again with that base turtle body. Slash in the cartoon was pretty chunky compared to his fellow turtles while this figure is definitely quite lean and trim. It’s most apparent when comparing his head to the rest of his body. The width of his head basically reaches his shoulders on the figure, while in the show it sat inside the yellow “pectorals” of his shell because he was so squat. I’m fine with NECA reusing the limbs from the past figures, but I wish they had at least given him a wider shell. And in terms of scale, he was shown to be the same height as Rocksteady, but if anything NECA’s Rocksteady is a little taller than necessary. I also don’t hold that against either figure since the cartoon tended to be all over the place with scale. He also has some issues with paint to go along with the backpack issue I had. The paint on the hinges of his hands will rub off almost immediately out of the box. One hand on my Slash is still hanging onto it, while the other is not. There’s also a little bit of paint slop on the right knee pad, and I’ve heard from a lot of people their figure had really tight, stuck, joints out of the box, so beware. Mine was tight, but not too bad. I was able to get all of his weapons in and out of his hands okay, though with some paint flaking. Only the elbows gave me any trouble, but I was able to get them to move with plain old force as opposed to heat.

Slash’s box-mate, Leatherhead, had a figure in the Playmates line a bit more like his cartoon self, but this is still the first Leatherhead to truly go after that cartoon look. He’s a big boy, standing at about 7″ with a little extra thanks to his hat. He’s about the same height as Bebop, coming in at about 7 1/4″. His color scheme is also very much in-line with the cartoon version as his skin-tone is this odd blue-green with darker green used for the shading. It looks off at first glance, but go check out the old cartoon and you’ll see this color scheme is basically dead-on. The same is true for Leatherhead’s legs. I believe he’s wearing hip-waiters for trudging through a swamp, which means his pants and boots are one, uniform, color. In this case that’s blue, though with black used as the shaded part on the back. It makes the character look odd and it’s a knock against the character’s cartoon design, not the figure. Did they do this just so they could paint his legs all one color? Probably, because cartoons tried to be made as cheaply as possible. As a result, I can see why some might prefer the Turtles in Time version of the character which opted for a brighter green and gave him jeans with traditional boots on his feet.

The basic construction of this figure shares a lot in common with Bebop and Rocksteady, and might even share some of the parts. The chest is probably the same, but where Rocksteady has a rubbery shirt, Leatherhead has a plastic addition to simulate his scaled belly/chest. He also has his vest which is done up in soft plastic and is part of the same piece as the chest. There’s a lot of paint on this guy so take care when first messing around with him as some joints might be stuck. Mine was pretty loose though, much to my surprise. Unfortunately, he shares the same paint issues as Casey Jones where the ankles were cast in a neutral color as opposed to blue, so when bending his feet some white plastic can be exposed. It’s especially striking on Leatherhead since his legs and feet are all supposed to be one color. I heard there was a running change made to Leatherhead to eliminate this issue, but I haven’t had that confirmed for me. It’s rather mind-boggling that his legs were done this way, since it looks like his torso was cast in blue plastic so I don’t know why the ankle/feet weren’t as well. He also sports a rubbery belt over a sculpted belt, which is a bit odd. That rubbery belt has a hook on it for one of his accessories and I’ve seen several reviews already where that hook broke off, so again, beware.

Since Leatherhead appears to be some mix of Bebop and Rocksteady parts it’s probably not surprising to hear he’s about as well articulated as both. His head is a bit hunched forward so the ball-joint doesn’t afford much motion. He does though have a hinged jaw which is really important for a gator to possess. I don’t know if it’s just mine, but it doesn’t like to stay open and will basically slowly close after I pry it open. He has ball-jointed shoulders with bicep swivels, double-jointed elbows, and wrist rotation. His hands are big and possess hinges, but the range of motion on those hinges is limited to a degree. Any torso articulation that might be present underneath that plastic chest-piece is rendered virtually useless as a result of that piece. He does have waist articulation with ball-joints at the legs, thigh swivels, double-jointed knees, and ankle ball-joints with a little side-to-side range. The main difference for Leatherhead is the added tail functionality. It even comes packed separately and getting it onto the ball peg can be a bit tricky so don’t fret if you need to heat him up to get it on snug. It mostly just swivels as the ball is set back rather deep so he can’t do much with it. It still looks good, at least.

NECA got creative with some of Leatherhead’s accessories.

Since Leatherhead is a pretty massive chunk of plastic, his accessories are a bit sparse compared with Slash. He does come with extra hands so he has fists, open hands, and a single trigger hand. He has his weird ketchup gun, which is a pretty fun accessory and is meant to pair with that trigger hand. You’ll probably want to heat the hand in some hot water for a few seconds to make it more pliable before trying to force that gun into it as it’s a tight fit.

Leatherhead comes with a pair of lobster/crayfish which often hung from his belt in the show. They can’t really hang from his belt here though, which is a bit odd. There are two loops on his belt they can kind of dangle from, but they’re not on his hips. In the promo shots, it looks like NECA just crammed the tails under the belt. He also has a shackle accessory with a real chain attached to it, good for catching turtles and pesky TV news reporters. There’s a bear trap that can open and close and also clips to his belt via that fragile hook. And lastly, he has a net and rope which was apparently the compromise to offset the cost of plastic with him. It’s a fun accessory to have as Leatherhead can round up some turtles (and maybe some frogs in the future) and even suspend them from something if you want to as the net has a string at each corner.

Slash and Leatherhead are fun additions to the cartoon line. While I have some nitpicks about each, they’re both overall quite successful at being representations of the source material and are instantly recognizable. They’re also a good choice at this stage in the line as they’re both quite memorable since they appeared in a whole bunch of TMNT media during peak Turtle-Mania. I get the impression from the fandom that Leatherhead is the star of the show here, but I am one of the few who really liked the cartoon take on Slash so I think I prefer to him Leatherhead, but only slightly. I find my eyes are definitely drawn to Leatherhead more than I expected. Either way, this is the star two-pack of Wave 3 and not one to miss if you’re into this line.

“Got a couple of live ones here!”

This set is currently exclusive to Target stores in the US, and if you’re having difficulties tracking a set down help might be on the way. NECA recently took pre-orders for the Deluxe Metalhead figure on its own webstore with the promise to make other figures from this line available in the future. It also recently opened another batch of pre-orders for the movie Casey and Raph pack as well as Super Shredder. It might take a little while, but it would seem NECA understands the frustrations in the collector community and is committed to making sure every TMNT fan gets a shot at owning these figures. Which is certainly a plus as these figures are too good to remain so scarce.

If you’re looking to get your hands on these guys they’re currently up for pre-order RIGHT NOW on NECA’s website! They’ll be available until the morning of September 4th so don’t wait too long. Also up for pre-order is Bebop and Rocksteady, quite possibly NECA’s best two-pack so far.


S.H. Figuarts – Dragon Ball Kid Klilyn (Krillin)

When Dragon Ball became Dragon Ball Z, many of the old heroes and villains got left in the dust as Goku ascended to a level of power far beyond anything anyone would have comprehended. One of the last holdouts though was Krillin (Klilyn in Japan). Krillin was never on Goku’s level in DBZ, but he always managed to hang around nonetheless. It wasn’t really until the Majin Buu Saga that Krillin finally dropped off and gave up the whole fighting thing, which is more than I can say for the likes of Tien and Yamcha.

In Dragon Ball Z, Krillin basically was there to play the role of Goku’s best friend. In the original Dragon Ball, he had a different role at the start. Krillin was Goku’s rival, a cunning, dastardly, trickster willing to do whatever was necessary to gain an edge. Goku was good-natured and naive, and Krillin was always willing to exploit those qualities in Goku during their training with Master Roshi. The two would eventually become friends and Krillin would, for the first time, see his existence reduced to tragic catalyst for a Goku arc foreshadowing perhaps his most famous role as the motivating factor for Goku’s transformation into a Super Saiyan. What an existence – everyone just remembers you for dying!

No Dragon Ball action figure collection would be complete without Krillin. The bald, diminutive, monk, is a fan favorite from Dragon Ball as he’s almost a constant source of entertainment. He’s one of the many go-to characters for comedy on the show, but when the need arises he can also throw down and even masters the legendary Kamehameha wave just like his more famous rival. It’s no surprise then that Bandai and Tamashii Nations decided to do a figure for its S.H. Figuarts line based on the young version of Krillin from the early days of Dragon Ball.

With how muscular the characters become in DBZ, it’s easy to forget just how round they are as kids.

Krillin is depicted in his fighting, Turtle School, gi. And since the only distinguishing features between he and Goku in the anime when both wear this uniform is their head and Goku’s tail, it should be no surprise that the two share the same traits in figure form. Krillin is essentially the same figure as the Kid Goku from before, so he possesses all of the good qualities of that figure, plus all of the lesser qualities. For starters, Krillin is probably a tick taller than he should be when placed next to some of the other characters like Bulma. This is likely a result of the scale in place as going any smaller on this action figure would probably mess up Bandai’s pricing structure. When your figures retail for $55, you can only go so small. It’s not a big deal, though I do find a little fault in the proportions. In particular, both Goku and Krillin are a bit too lean and muscular. In the anime their bodies are more egg-shaped than they are in action figure form. These figures mostly look the part when in fighting poses as they’re more spread out, but if they’re just standing around then it becomes more noticeable. Krillin also has those same, spherical, elbow joints that look a bit funny when the arm is straight, but fine when bent. The knees also lack kneecaps and look a bit off from certain angles. This is the result of the character being so short and it’s a shortcoming that basically comes with the territory. Aside from the head, the only other difference between he and Goku is Krillin has no need for a peg hole on his bottom for a tail, so one isn’t present.

Aside from those gripes, the figure is actually rather nice to behold. The folds in Krillin’s gi are integrated well into the articulation and all of the little details one would expect are here. The Turtle School logo looks sharp and clean and where paint is required the lines are sharp and defined. There’s little in the way of paint embellishments, which is true of all of the figures I’ve reviewed in this line, but the figure also isn’t really crying out for much. The head sculpts are also a spot-on likeness for Krillin. He looks great and this figure presents a dilemma as it’s hard to settle on any one expression. Krillin has a basic smile expression that’s more than serviceable, but also this smug expression that really gets at the heart of this more juvenile Krillin. And then of course there’s the open-mouthed yelling face which is perfect for battle poses. The determining factor will likely be what accessory you choose to highlight in your display, which is also a tough call.

For a little figure, Krillin is packed to the gills with articulation. He has a ball joint at the head with good side-to-side motion, but very little up motion. Unlike the larger figures in this line, there’s no additional neck articulation, but it’s also not something really needed. There’s a ball-joint at the shoulders as well as a butterfly joint which is crucial for achieving a proper Kamehameha pose. There’s a swivel at the bicep just under the shoulder and those kind of wonky elbow joints. They’re not double-jointed so Krillin can only go to 90 degrees when bending his elbows. There’s full rotation at the wrists and hinge joints as well. At the torso, Krillin has articulation in his diaphragm plus a waist swivel. There’s an additional abdominal hinge in there as well, but Krillin can’t bend very far back without exposing the joint in the middle of his torso. The legs are on ball joints and can swivel below that ball joint. Knees are single-jointed and the ankles are on balls that provide for full rotation, a hinge, and side-to-side. His tiny, little, feet even have a toe hinge.

The figure is rather top heavy, since Krillin has such a massive melon, so standing and positioning the figure can be a bit tricky. With just a little patience though, several poses are achievable without a stand, which is a good thing since unlike Kid Goku, Krillin does not come with a stand for the sole purpose of positioning him. He does come with an action stand for his Kamehameha effect which is probably to make up for the fact that Goku came with his Flying Nimbus cloud. Bandai included optional parts to turn it into a posing stand for Krillin, but why would you want to use it for that when you have a Kamehameha wave? He also comes with 11 different hands which include the following: a pair of fists, a pair of Kamehameha hands, a pair of wide open hands, a pair of peace sign hands, a set of martial arts posing hands, and a special gripping right hand for grabbing Goku’s tail. Beyond that, he has a six-star dragon ball and a Kame rock from when Master Roshi gives he and Goku a task of finding a particular rock.

Probably my favorite expression for Krillin.

The dragon ball accessory is basically the same as what is included with the other figures, and the rock is a nice touch, but the real star is obviously that effects piece. The Kamehameha wave has some nice shading on it to achieve that desired look of a blue energy blast. I do wish the paint was a little less heavy though to expose what I assume is translucent plastic underneath. The stand allows you to position the blast out in front of Krillin to simulate him firing the Kamehameha. It’s a fun thing to play around with and the articulated stand means you can angle the blast any way you want. If you have a extra figure stand, you could even position Krillin in the air firing the blast towards the ground. With Krillin being such a small figure, it was imperative that Bandai include something fun like this with the figure, and they made the right choice by going in this direction. And as stated before, there is an optional “grabber” piece that can be installed on the stand should you wish to use it for the purpose of posing Krillin or another figure.

Krillin is an outstanding addition to the S.H. Figuarts line of Dragon Ball action figures. While it is an easier figure to nitpick when compared with some of the others, at the end of the day this is still a great representation of the character from Dragon Ball. He looks right at home on my shelf with the others and I think the likeness here is even better than it was with Goku. He’s an essential character from the show, and I’m definitely glad I’ve added him to my collection. Hopefully, I can add a few more characters before all is said and done.


S.H. Figuarts Tao Pai Pai (Mercenary Tao)

This is the story of a man and his flying, pink, pillar.

We’re back with another Dragon Ball review and this one is another bad guy, maybe THE bad guy: Tao Pai Pai. Known to English-speaking audiences as Mercenary Tao, and for the rest of this review as simply Tao, Tao is a martial arts expert who has perfected the dreaded Dodonpa, or Dodon Ray, and is an adept killing machine. He’s even been known to kill people with his tongue, folks. Tao is quite possibly the most hated enemy from Dragon Ball since he’s a ruthless killer and also one of the few to defeat Goku in hand-to-hand combat.

The S.H. Figuarts version of Tao depicts the character in his most familiar form. He’s clad in a navy and pink martial arts uniform with the phrase “Kill You!” emblazoned on the rear of his tunic in a blood red font. He has a single braid coming off of the back of his head tied off with a cute little, red, bow. He’s not particularly intimidating to look at, but in the source material he projects an aura of confidence that’s a bit unnerving.

Tao stands a tick under 6″ making him taller than the likes of Bulma, but much shorter than someone like King Piccolo. He features a lot of the same articulation one would expect from this line. His braid is on a ball joint so it can lay on his back or be positioned in a wind swept pose. A ball-jointed head gives him some nice range of motion and additional neck articulation adds some side-to-side pivot and allows him to look at his feet. The shoulders are on ball-joints with butterfly joints that allow him to reach across his chest a bit, though the bulk of his sleeves hinders a bit. There’s bicep swivels and double-jointed elbows. The hands are on ball-pegs and hinges and can rotate and point in and out. The waist is on a ball-peg and there’s diaphragm articulation as well. Bend his upper body too far back and you will see an exposed gap in the chest, but you’re not likely to have need to bend him that far. The crotch area is the 2.0 Figuarts joint so it works well, but is quite busy to look at. Tao minimizes this with the skirt of his tunic which covers the front and back. His legs are on ball-joints with rotation in the thigh as well. His knees are double-jointed, but the bulkiness of his pants hinders some of the articulation gained by the additional joint. The ankles are on ball-pegs and can rotate and rock side to side. There’s also a toe hinge for good measure.

Unlike most Figuarts figures I have, Tao wasn’t quite ready to go out of the package. I’m used to dealing with stuck joints with figures from other companies, but not usually Bandai. My Tao’s right thigh was stuck at the hip so when I tried to bend the leg out, like a split, the leg popped right off. I had to grab the peg and really give it a good tug to get the joint in the inner thigh to start working. My Tao’s left food also didn’t have much side-to-side motion. The peg is a dumbbell peg in the foot, and I think what was happening is the ball at the top was moving, but the one in the foot was stuck. I popped the foot off and immersed it in hot water and was then able to rock the peg back and forth a bit. It’s still not great, but better than before.

The comparison shot.

As is the case with the other figures in this line, the paint application is minimal, but the sculpt work is otherwise damn near flawless. Tao comes with a neutral facial expression that’s perhaps a bit of a scowl. The paint on his tunic is sharp and clear and there’s no mess on the red detailing. The skirt piece is a soft, pliable, plastic that really doesn’t hinder the articulation much. I know some people want to see more elaborate paint applications with this line, but at this point it is what it is and I personally think the sculpt work looks great in natural light. The only aspect of the sculpt that doesn’t look great are the knee joints, but only from the back so it’s not really an issue.

He’s a master tactician when it comes to psychological warfare.

Tao comes with an assortment of extra hands and heads. He has a screaming head for when he’s getting serious as well as a tongue-sticking out head for when he needs to kill. The tongue is definitely a funny inclusion, though if I had to choose I would have preferred a cocky grin. Tao comes packaged with fists, like basically all of the figures in this line, and has two additional sets of hands: open palms and Kung Fu, forked, hands. The other additional hand is a pointing right hand for the Dodon Ray. He also comes with a seven star dragon ball. I know some wish he came with his cybernetic parts from Dragon Ball Z, but I wouldn’t display him in that form so I’m not really sweating it. That version of the character is better reserved for a stand-alone release.

The major accessory for Tao though is his big, pink, pillar. In the source material, Tao couldn’t fly so he’d just smash a nearby pillar or tree and throw it through the sky. He’d then jump on it to ride it to wherever he needed to go. It’s ridiculous, but definitely something that’s memorable. Bandai deemed it so memorable that it was essential, so Tao comes with a plastic pillar and a unique flight stand to position it on. This thing is perhaps needlessly complicated because Bandai is so committed to the aesthetics of the figures in this line that it decided exposed peg holes could not be tolerated. Instead, there’s an included set of plugs to place in the pillar when it’s not in use that conceal any and all holes. There are six holes in total so that Tao can ride it akin to a surfboard or stand with his feet together at the back or center of the pillar. The pillar is hollow and can split apart which is how you remove the installed pegs. It’s also handy for storing any plugs that in use, so long as you don’t mind the rattle.

To attach Tao to the pillar, Bandai included swap-able feet plates. I’ve never seen anything like this. Basically, you pop off the soles of Tao’s shoes and replace them with a set that have pegs on the bottom. There’s a set with pegs that go straight down and a set that are pointing out. The pointing out set is meant for when Tao is standing with his feet together on the pillar and will go straight into it when his feet are angled towards each other. And to add a little more pizzazz to the set, the flight stand comes in three pieces: a base, the piece that attaches to the pillar, and an optional joiner piece. The optional piece adjusts the pitch of the pillar so Tao is either flying at a horizontal angle or one with the front pointing up at a slight angle.

The best I could do with the angled foot pegs. Only the right foot is in.

The pillar is very ambitious and quite an idea, but it’s far better on paper than in reality. For one, as neat as it is to hide the peg holes on the pillar, it should be pointed out that it kind of looks like a piece of sidewalk chalk. It’s funny such care was taken to hide the holes when what was really needed was some shading or just additional paint to help sell this better as a chunk of rock. Tao’s foot plates also have a tendency to pop out, especially the angled ones with my set. I’d insert the right one and it would literally shoot out of the pegs. Perhaps they’re too tight? I’m not sure, because they also come out very easily when trying to position him on the pillar. I had a hell of a time trying to get the angled ones to work right. I think part of it was due to my Tao’s left foot being limited due to the stuck ankle joint, while some of it is likely just poor engineering. I got him onto the pillar in that position, but only if I just attached one foot and let the other float. It didn’t inspire much confidence. The “surfing” position works much better. It’s still finicky, but I at least achieved the desired position. I’m still a little disappointed though as I really wanted to display him in that more confident, nonchalant, pose of standing with his feet together, but oh well.

To better sell the flight stand, Tao also comes with optional skirts for his tunic. He’s meant to pull apart at the waist which allows you to lift off the pieces that he comes wearing by default. The tunic skirts are in two pieces, a rear and a front, and the peg holes were engineered in a way to prevent you from mixing the two up. Getting them onto Tao is easy and really does add to the figure’s presentation. They may not have hit a home run with this figure, but when you get it right it sure does look impressive.

I can think of a few more characters I’d like to add to this display.

Tao is an ambitious addition to the S.H. Figuarts line of Dragon Ball figures. He does stumble in some ways, but the overall package is still impressive. He’s a great villain in the series and a welcomed addition to the roster of characters. My Dragon Ball collection is rounding into form and there are only a handful of characters that I’d like to add to it. If you have one of your own, it’s hard not to want to add Tao Pai Pai to the ranks.


Batman Beyond – The Complete Series (Blu Ray)

Last year, when Warner Home Media announced a new Blu Ray set for the series Batman Beyond, I decided to wait. I had been an early consumer for the similar Batman: The Animated Series set the prior year and had some misgivings. The price on that set fell and a slimmed down version was even introduced at retail that really only omitted the outer box and Funko items. Plus, I had ordered that set from Amazon and had to go through multiples because the company packaged it so poorly. I also wasn’t in any hurry to order Batman Beyond since I had the DVD sets and had never really found them lacking in a visual sense.

My patience was rewarded as a recent Amazon Lightning Deal came up for the complete Batman Beyond Blu Ray package. Like Batman, Batman Beyond received both a deluxe release and a retail release, only this deal on Amazon ended up being the deluxe version marked down even lower than the retail version. I decided to pounce since it’s been awhile since I engaged with the property, and if I was going to do a re-watch, might as well make it a high-definition one.

Batman Beyond tells the story of Bruce (reluctantly) passing the mantle of Batman to Terry

If you’re unfamiliar with the series, Batman Beyond was the sequel series to Batman: The Animated Series. In actuality, it was the replacement. Series creators Bruce Timm and Paul Dini had operated under the assumption that The New Batman Adventures would continue beyond the one season order the WB network had given it. Instead, the network decided that Batman needed a refresh. Were they right? Probably not, as Batman has proven to be a timeless character. The New Batman Adventures wasn’t quite on par with the Fox seasons, but it was still pretty good and had legs. It would have been nice if the network had given it one more season, or even a half season, while also informing the crew that would be it. Then we could have received a proper finale, but instead we got Batman Beyond and a series of Justice League shows followed.

Given that, it would be easy to approach Batman Beyond with significant baggage. After all, the premise is essentially “Let’s make Batman younger by essentially making him Spider-Man.” If you told that to me before ever letting me watch the show I would instantly have a bad impression. It sounds like the foolish decision of a network executive and not a creative decision by an actual story-teller. Against all odds though, the show somehow worked. It made people care about a new, teen-aged, Batman and it also managed to serve as a bookend to the animated series by largely continuing that show’s continuity. Sure, there was a pretty big gap in time between the two properties and a great many loose strings are never addressed, but just by having Bruce Wayne (still voiced by the incomparable Kevin Conroy) onboard added an instant credibility to the program.

Batman Beyond is set in the year 2039. Gotham has apparently run out of room for expansion and has grown up instead of out. Colossal skyscrapers cover the landscape with roads upon roads on top of one another. The main character is Terry McGinnis (Will Friedle), a teenager who loses his father to a murder making him the ideal candidate to replace Bruce Wayne as Batman. As Batman, Terry is empowered with a futuristic suit that allows him to fly, turn invisible, fire a seemingly endless amount of batarangs, and even stick to surfaces like a certain wall-crawler I already referenced. He’s a bit more jokey than his predecessor, and several episodes act as a teaching moment for him as well. This is a Batman in training, though by the end of the show he is pretty much the real deal. It’s a bit amusing to see how future Gotham looks considering modern Gotham looked like it was frozen in the 1940s. It’s about what you would expect, though most automobiles appear to still possess wheels.

The setting is not really what’s important here. What is most interesting about Batman Beyond is watching an elderly Bruce Wayne manage a kid who has taken up his mantle. It arises in an unnatural way with McGinnis initially stealing the suit to investigate his father’s murder. Wayne is shown giving up his alter-ego in the first five minutes of the show, but also given a motivation to want to see Batman return to Gotham. And that’s Derek Powers (Sherman Howard), who has basically taken Wayne’s company from him turning Wayne Enterprises into Wayne-Powers. He’s setup early on to be the primary foil to Batman and Wayne, though the rogue’s gallery will be filled out quite a bit over the ensuing 52 episodes. It’s a lot of fun though to watch Terry and Bruce bust heads with each other as they seldom agree. They find a working relationship though, and it helps that we have the relationships between Bruce and his prior wards to fall back-on. It’s easy to see that this Bruce is trying his hardest not to repeat the same mistakes as he did once before, and the fact that he’s physically compromised in his old age actually helps him to be more patient with Terry than he was with both Dick and Tim.

To sum it up, Batman Beyond is indeed worth your time as a series, even if you have reservations about the whole thing. It does the impossible in being a worthy follow-up to Batman: The Animated Series. Chances are, if you’re reading this you already know that. What’s more pressing is did Warner do right by the series with this set? Considering it is now being sold for almost half of what it was initially, I would say yes.

Being a late 90s/early 2000s show means this one really isn’t all that old, relatively speaking. The masters were all preserved and when the show received a transfer to DVD it came out great. In high-definition, it looks every bit as a good and obviously a little better. Blacks are deep and the brighter colors pop as expected. There’s no grain to speak of with this series, and everything has a very clean presentation. This was one of the last shows to be animated largely in a traditional manner for DC as they still used ink and paint on celluloid for the main animation. And unlike say Spider-Man 94, there’s no glaringly awful CG effects in use. Nothing is really working against the show in its transfer to HD, and that’s a good thing. Warner Home Video also wisely resisted any temptation to crop the image which seems like a given, but you never know when such will pop up.

The new extra features are all relegated to a bonus disc. There’s a round-table retrospective with the creators and actors of the series, though notably absent is Paul Dini. It’s mostly just 45 minutes or so of the people involved congratulating themselves for making a good show. There’s some interesting moments, like Bruce Timm acknowledging some of the controversial moves for the series following its completion that the others at the table get to weigh in on, but it’s not as juicy as it could have been. If you’re at all versed on this show, you probably won’t learn much from this discussion. There’s also a retrospect on Batman called Knight Immortal which consists of still images and some clips and surprisingly no talking heads. A lot of the main players involved with the character are heard from and it’s a decent look at Batman. Lastly, there’s a history of Detective Comics present. It’s a bit dry, but if you love DC then you’ll probably enjoy sitting through it. All of the DVD special features are also present.

The reverse side of the lenticulars.

Like the set for BTAS, this one doesn’t have any commentaries or anything like that added, just what was already available on DVD. Also like that set, it includes the feature associated with the series, in this case the excellent Return of the Joker. If it weren’t for Mask of the Phantasm, Return of the Joker would be my favorite Batman animated film and it’s still one of my favorite Batman films in general, possibly in my top 5. It’s the uncut version too, as expected. There’s also an optional digital version of the collection that can be downloaded. I haven’t redeemed my code though so I can’t speak to the quality (the BTAS set came with a standard definition digital copy) and I’m also note sure if it includes Return of the Joker.

This little booklet is just a glorified table of contents. No creator notes or anything.

Where this set differs from the BTAS one is in the presentation. It comes in a cardboard box with a window display for a chrome Batman Beyond Funko Pop! rather than mini ones. It’s a normal-sized Pop! so you probably know if you like it or not. Inside the box is a pretty standard Blu Ray set. It’s a hard cardboard slip case with folding digi-book styled case that houses the discs. It’s nothing extravagant, but it’s at least functional. While I loved the presentation of the leather-bound book for the BTAS set, getting the discs in and out was painful. There’s also some lenticular images and a little booklet that serves as a table of contents. It’s fine, just not particularly flashy. I imagine the standard retail release just omits the outer box and Funko figure.

If you want this show on physical media and in HD, then this is something you should seek out.

Batman Beyond – The Complete Series is essentially as advertised. If you had been waiting for a complete collection on Blu Ray, then you should be satisfied with this. Especially if you were able to get it on sale. If you like the show, and you’re still into physical media like I am, then you should probably grab it. Is it essential if you already have the DVDs? Probably not. The bonus features are something you’re likely to watch once and then never again. It would have been great if Warner had made an attempt to make this the full Batman Beyond experience by including the character’s appearances from other shows on here. That would have been especially useful for someone like me who has no interest in buying any of those other shows. And if this is something you want, I’d suggest grabbing whatever version is cheaper unless you really want that exclusive Pop! figure. Lastly, if you like Batman: The Animated Series but never gave Batman Beyond a chance, it’s worth the price of admission. You’ll probably be pleasantly surprised.


S.H. Figuarts Piccolo Daimaoh (King Piccolo)

Before there was the noble Piccolo, trainer of Gohan and ally of Goku, there was the evil King Piccolo. Known as Piccolo Daimaoh outside of the US, King Piccolo was the evil purged from the namekian Kame, who would assume the role of guardian of Earth in the world of Dragon Ball. Piccolo was the usual villian bent on world domination who was imprisoned in a magic rice cooker long ago, but like all ancient evils, he escaped to make life miserable for Goku and his friends.

King Piccolo is one of the more recent releases in the line of Dragon Ball action figures released by Bandai and Tamashii Nations under the S.H. Figuarts banner and he’s a big boy. He’s the main villain of the penultimate arc of Dragon Ball as he escapes from his imprisonment and is able to assemble the dragon balls and wish for his youth to be restored. He is depicted here following that wish in his navy blue gi and cocky smirk. In many ways, he’s the ultimate villain from the original Dragon Ball and, once defeated, it’s his son/clone who would continue on to Dragon Ball Z and become the more popular Piccolo.

King Piccolo stands a tick under 8 inches, so he towers over his adversary, Kid Goku. I do not own a Piccolo from DBZ, but I’ve noticed from looking around online that he’s much taller than his successor. The only visual difference between the two is in the face with King Piccolo having higher cheek bones and an overall narrower face. The figure is colored after his anime appearance so he has patches of pink flesh on his arms and ankles as opposed to yellow. He’s a sturdy figure, with tight joints that aren’t too tight. He stands well and is surprisingly light given his size. The plastic is firm and the paint clean while the upper area of his gi is soft and pliable.

Since he’s from the Figuarts line, King Piccolo has plenty of articulation. His head is on a ball-joint and free to move around. He can look up a bit, and look down as far as any human needs to. His antennae are articulated and can be removed easily, if you wish. Careful though, they’re small and I spent over half an hour trying to find one I popped off by accident. He has a joint at the base of his neck which adds a bit to his range of motion. His shoulders are on ball-joints with a butterfly joint to back them up too so he can reach forward and across his chest. There’s a bicep swivel, single-hinge at the elbow, and wrist swivel with a hinge in the peg. When popping on a hand, you have to pay attention to which way that hinge is oriented to make sure you can get the desired motion you want. The elbow can bend 90 degrees, but the lack of a double-joint means it can’t go any further. There’s a mid-torso ball joint that’s nice and firm as well as a waist swivel. There’s ball joints at the hips, thigh swivel, double-jointed knees, and the feet are on ball joints. The feet can really move all over the place and there’s a toe hinge for good measure.

The articulation is quite expressive and does a good job of not interfering much with the overall look of the figure. There’s a lot going on in the crotch area in terms of trying to maintain the folds of Piccolo’s pants, but the dark color helps keep it a bit neat as opposed to Goku and his orange gi. I love the little sculpted details like the folds in the gi, the texture of the sash, and even the little piece of visible ankles above the shoes. The paint is very clean and also minimalist, as seems to be the case for Figuarts. There’s a hint of a wash on the face, especially the more expressive ones, and what is here looks terrific. It’s hard to imagine someone making a better looking version of King Piccolo.

Piccolo comes with an array of different hands and heads as well as a few other accessories. As is the tradition with the Dragon Ball figures, he comes with a dragon ball of his own. In this case, the one star ball. It looks so tiny in his giant hands. He comes packaged with a pair of fists and a smirk on his face. He has a pair of open, clawing, hands and a pair of fully open hands like he’s firing off his energy blast. He also has a right hand in a karate chop position and a pointing right hand. On the head front, he’s incredibly expressive as in addition to the smirk he has a teeth gritting expression, a yelling expression in which his veins are popping out and his eyes bloodshot, and a “puking” head from when he regurgitates the egg that contains Piccolo Jr. Speaking of which, he also has that egg which has some septum at the end of it to make it look like it’s being fired through the air. There’s also a piece of mucus that it can sit in like a football tee. Lastly, there’s the electronic rice cooker which once held him prisoner. It can open and close and is a cute little accessory.

As you can see, he rightly towers over Bulma and Goku.

The different heads and choice of hands makes Piccolo a truly fun toy to pose. I’m torn on what my favorite head is because they’re all so well done. I love the smugness of the default head, while the other two are great for action shots. The egg puking head is definitely more specific, but again, it’s so well-sculpted that there’s a desire to pose him with that head as well. It also doubles as a good reaction head for when Goku slugs him in the stomach. The egg even has a hole in the bottom of it so it can take advantage of the stands Bandai sells for fireballs and other effects. I do wish Piccolo had a hole in his back for stands as I don’t trust the grabbing stands Bandai uses to hold up with such a big figure. He is pretty light for his size, but I wouldn’t leave him on a shelf suspended in the air by one of those things. I know some people wish Bandai added shading to these figures, but I think natural light works well on the folds in the uniform, especially on darker colors like this one. The rear of the knees is the only part of the sculpt I’m not keen on because they’re so shiny, but they’re also on the back of the figure so it’s not something that will be displaying. Lastly, it’s the little things that bring this one together. The veins on the various heads or the way the antennae can be manipulating on all of the heads is a great touch. You can make them flailing back if he’s in a rushing pose, for instance, which is just great attention to detail.

King Piccolo is an awesome action figure from Bandai/Tamashii Nations. He’s a great and necessary addition to the Dragon Ball line as he has a terrific look and his action figure covers all of the bases. Maybe some have a desire to add an elder King Piccolo to their display, but I’m all set with this one. I’m curious if Bandai will do a proper Piccolo Jr. in the near future that’s distinct from the Dragon Ball Z figure. When he first showed up, Piccolo Jr. had a rather skinny appearance so it would make sense for Bandai to do a new sculpt. We’ll see. For now, I’m just pleased there’s a lot to collect for Dragon Ball fans and I hope Bandai keeps them coming!


S.H. Figuarts Bulma – Adventure Begins

Toy collecting is something that will probably always appeal to me. I just love getting a new toy, even as an adult even though I basically pose it and forget it. It’s just one of those things that makes me happy, so I don’t question it. It can be an expensive hobby though, so I try to stay in my lane, so to speak. For the past few years I’ve largely just stuck with collecting Teenage Mutant Ninja Turtles and Bucky O’Hare. Then 2020 came and COVID forced everyone to stay home. I even found myself saving money as a result since my family and I couldn’t go anywhere and working from home meant I was saving money that was normally spent commuting to and from work. As a result, I’ve found myself behaving in a less disciplined manner when it comes to my hobby, which is why 2020 is now the year I’ve decided to expand upon my Dragon Ball collection!

A couple of years ago, I came across some S.H. Figuarts products in a local GameStop. I had never seen this line in person and I felt compelled to grab a Vegeta and soon after a Kid Goku. I’ve enjoyed Dragon Ball since I was a teen, first falling for Dragon Ball Z before discovering the series that preceded it. As a teen, I definitely strayed towards DBZ, but now I find I prefer the more whimsical Dragon Ball. As a result of my positive experience with the Kid Goku action figure I almost immediately wanted to add more, but these toys tend to run a bit high when it comes to cost. Because of that, I pushed it aside and mostly hoped to catch a sale eventually. I especially hoped to see Master Roshi go on sale, the hope being there aren’t as many Dragon Ball fans out there as there are DBZ ones. I never did see him go on sale though, so for the past two years my collection has consisted of one, lonely, figure.

The summer of 2020 has been much kinder to me as far as Dragon Ball toys are concerned. A recent sale has allowed me to expand upon that collection, and up first is Bulma! This is the second S.H. Figuarts of Bulma with the first being based on the artwork in the closing credits of the show where she looks like some Mad Max character. It’s a look that only exists in that one moment, which is odd because that’s the look Irwin chose when it made Dragon Ball toys back in the early 2000s. It was an easy pass for me, but more recently a new Bulma was released. Dubbed Adventure Begins, this is essentially a first appearance Bulma from when she meets Goku and runs him over with her car. She has her pink dress and her blue-green hair is held in a ponytail by a big, red, bow. She even has panties which is a bit pervy, but this is Dragon Ball after all.

Bulma stands at about 5″ in height with an extra half inch if you include her bow. She comes packaged in a nice window box display, as do all Figuarts action figures, and has numerous accessories. The goal of this line is to make a figure that both perfectly captures the source material while also providing for a ton of articulation. This is meant to be an expressive figure capable of capturing the spirit of the character. And Bandai/Tamashii Nations are pretty damn successful at doing just that.

Bulma is packed with articulation, even though she’s not a “fighter” who needs to be capable of getting into and out of numerous, dynamic, poses. Bulma’s head is on a ball-joint capable of full, rotational, movement. She can look down rather well, but not up. Her pony tail is also on a ball-joint so you can do a lot with that if you desire. Bulma’s shoulders are ball-jointed with a swivel joint in there as well for maximum rotation. She can reach forward and back and even over her head. Her bicep has an additional swivel at the sleeve and her elbows are simple hinges. They’re single-jointed but on a wheel so she can achieve the same range of motion a double-jointed elbow can, but that wheel is a bit ugly when her arm is straight. The hands are on ball and sockets and there is a single hinge in each. Bulma has a ball-joint in her mid-torso just below her bust to give her full upper body motion to go along with a waist swivel. Her belt is non-removable, but it’s also not glue down so you can slide it around. The skirt is soft plastic and her panties are even a separate piece of plastic. Bulma has ball-joints at the hips and her thighs can rotate in and out as well. She has single-jointed knees on those wheel joints again, though it’s hidden well from the front. Her ankles can swivel and she has hinges and can rock side-to-side at the ankle.

Bulma’s sculpt is fantastic and really captures the look of the character. She’s a bit slight, but that mixes well with the bigger characters. The paint detail is minimal, but clean. She’s also sturdy and easy to pose and stand. She can even balance on one foot, though it’s a bit tricky. The only thing missing from her articulation is a butterfly joint at the shoulders so she can properly aim the sidearm she comes with. Inserting one probably would have harmed the look of the figure too much, but having her grip her gun with two hands was the only pose I couldn’t quite get to work.

Since this is a Figuarts toy, Bulma comes with a whole bunch of additional hands and other accessories. She comes packaged with fist hands which are really easy to remove. They’re on little pegs and look kind of scary, but they seem rather durable as they’re the same pegs Kid Goku has. Getting another hand on requires some finesse as the peg wants to move on you, but it can be done. Bulma’s additional right hands include: a trigger finger, pointing, cupped hand (for holding a Dragon Ball), open hand with peg hole (for the Dragon Radar), and a hand holding a capsule. For left hands (the non gloved hand) she has a pointing hand and an open hand. The accessories to go with those hands include a Dragon Radar, a 2-star Dragon Ball, a gun, gun holster, and holster with a gun inside it. She comes packaged with the holstered gun on her belt, but it pops off easily and can be replaced with the empty holster. The gun cannot be inserted into the holster, but it’s pretty cool that both were included.

Scary!

Rounding things out are the extra faceplates. Bulma comes with a smiling expression as her default look and can switch to a more exhuberant happy face and a shocked or scared face. Obviously, the biggest omission is an angry face since Bulma is known for losing her temper, especially with Goku who’s ignorance in those early episodes frustrates her and crosses some boundaries as well. To change her expression you simply pull her hair off, which is really easy to do. The face then pops off as it’s on two, thick, pegs so there’s little chance of anything breaking. Seating a new one is painless and there you go! I like all of the included faces, though I don’t know if I’ll ever pose her with something other than her happy face. The scared face definitely lends itself well to photography and I do plan on snapping more pictures with that one eventually.

When thinking about the important characters of Dragon Ball, Bulma certainly qualifies. Even so, I wasn’t sure that I needed a Bulma since all she is going to do is stand on my shelf, maybe holding her Dragon Radar, and not much else. Now that I have her though I’m very glad I took the plunge. This is a fun figure and she looks great. I’m very happy with the articulation and accessories, and really the only thing missing from this figure is an angry facial expression. It would have been fun to have Bulma perpetually screaming at Goku on my shelf, but in the end I guess she deserves to be happy.


NECA TMNT Cartoon Casey Jones and Slashed Foot Soldier

It’s never a good day to be a Foot Soldier.

Something that is likely common to most of humanity is a desire to be successful. We all measure success differently, be it professional, financial, or something else, but we all strive for it. And sometimes success can feel like a burden. Take NECA’s line of action figures based on the Teenage Mutant Ninja Turtles property. Since these toys hit retail over a year ago they’ve been a challenge to get hold of. Exclusive arrangements with big box retailers, who definitely do not specialize in collectible toys, can make simply tracking them down difficult. And when anything is hot, it attracts the attention of re-sellers, or scalpers, as they are often referred to as. With unemployment at record highs, the temptation to make a quick buck off of a toy might be even more tempting than it normally would be. Collectors who simply want a hunk of plastic that resembles a cartoon they watched 30 years ago are forced to fight a system not designed for them in addition to the scalpers, bots, and other collectors. Not to mention a global pandemic.

As such, tempers have been running a bit hot lately on social media. Follow NECA on Twitter and likely any tweet will be met with a reply, usually several replies, about folks complaining about their inability to find TMNT product. The most cheeky and overused response is usually something like “Check out this eBay exclusive!” but sometimes things can get downright abusive. NECA’s Creative Director, Randy Falk, even went on the Pixel Dan show recently just to talk about TMNT and the difficulties in getting product to fans. It’s one part rant, one part informational, with a little room for announcements and optimism towards the end (and I encourage you to check it out if you have any interest in NECA’s Tokka and Rahzar set). It has become a rather insane situation, and collectors come out looking the worse for it based on the reactions of a few, but NECA is at least acknowledging that some change is needed so hopefully things can improve.

One way to combat this scarcity is simply to buddy-up! I have had no luck finding the newly released Target exclusives in my area, but a fellow collector out in Illinois has hooked me up with one of the releases: the Casey Jones and Slashed Foot Soldier Two-Pack. This two-pack is the first two-pack in Wave 3 of NECA’s line of figures based on the original Teenage Mutant Ninja Turtles cartoon series from 1987. In an attempt to get more product on shelves, NECA has opted to release this wave in a staggered fashion. This Casey two-pack arrived first alongside the single figure release of Metalhead. Later this week, the second two-pack is scheduled to start rolling out and the third will follow two weeks later. That next two-pack might be even more hard to get as it features the villainous duo of Slash and Leatherhead. This third will feature April O’Neil and a “bashed” Foot Soldier. Fans in the UK had the whole wave dropped all at once so you may see fans from across the pond with all three sets already. What hasn’t been clarified is if Metalhead will continue to ship with the other two-packs. I sure hope so, because he’s been difficult to find with most stores apparently only receiving two per shipment. As a result, he is going for roughly triple the MSRP on eBay at the moment, which is a shame because he looks like a contender for toy of the year and one that deserves to be in the hands of collectors as opposed to scalpers.

This two-pack marks the second such two-pack headlined by Casey Jones this summer, the first being the movie version of Casey Jones with Raphael in disguise. It’s kind of amusing that both versions of Casey have arrived bundled with a variant of a previously released figure, but maybe that speaks to the popularity of the Casey Jones character that NECA thinks he can carry a two-pack with a variant alongside him. Casey Jones is definitely one of the most memorable allies of the Teenage Mutant Ninja Turtles from the old show and action figure line. He had a strong presence in the comics and obviously the first film. The hockey mask look is striking, and in the cartoon he was voiced by Pat Fraley doing an obvious Dirty Harry impersonation. He only appeared in five episodes and was basically just some crazed vigilante whom the Turtles had to hold in check, but he definitely left an impression. He didn’t form any real personal connections with anyone which is a distinction between this Casey and the others.

The accessories!

NECA’s action figure of Casey is based off of his first appearance in the show. His costume and weapons are quite screen accurate as he has the cut-off shirt and sweatpants look. He carries a golf bag over one shoulder that you have to pop the head off of the figure to slip on and the bag can hold all of his included weapons. He stands a little over six inches making him taller than the Turtles, but shorter than the villains. He is fully articulated,as one would expect, with articulation in the following places: ball-jointed neck, ball-jointed shoulders, bicep swivel, double-jointed elbows, wrist swivel, waist swivel, ball-jointed diaphragm, ball-jointed legs, double-jointed knees, and ankle joints on a hinge with some pivot motion from side to side. This is fairly standard of NECA which tries to avoid things like cut thighs and ab crunches so as not to take away from the look of the figure. The only consistent complaint I see for this figures is the lack of hinges in the wrist area that allow the hands to move in four directions as opposed to just in and out.

The sculpt work on Casey is pretty damn fantastic. He looks like he’s pulled right from the show. NECA did a great job adding subtle detail to the mask, which is non-removable as he never took it off in the old cartoon, to really allow the character’s personality to shine through. He’s also a rather fit dude, but the sculpt doesn’t go overboard with the muscles. A lot of Casey’s attire is done with a separate piece of soft plastic which gives the figure a nice feel and texture. The little strings on his sweatpants are in this soft plastic so they have some play as is his shirt and shoulder pad. The pliability of the plastic allows for some movement in the diaphragm area, though the shirt does hinder it as well. The shoulder pad also limits some of the range of motion on his left arm. The only articulation I personally miss is a butterfly joint in the shoulder area which would have allowed him to do more forceful looking, two-handed, weapon swings. My figure was quite loose and ready to rock out of the box, so no heat was needed to get things working. His elbow and knee hinges though have a very rubbery feel to them. I worry about durability down the line. Hopefully my fears are unfounded.

Casey seems to scale rather well with the other figures in the line.

The paint job should seem familiar to fans of this line. You either like it or don’t when it comes to NECA’s shading. They apply a darker shade of paint to the backside of their figures to mimic the shading from the show. Sometimes this looks fine, and sometimes it comes across as overdone. With Casey, I think it mostly works on his clothing, but looks a bit silly on his arms. Natural lighting should take care of this without the need for the added paint, but it appears this tactic is here to stay at this point. The paint itself though is rather cleanly applied with little slop. NECA did a great job matching the plastic arms to the paint on the exposed knees. NECA also likes to use a lot of black lines to give the figures added pop. I’ve seen some complaints of this online, but it’s something I’m a fan of.

The only area I see for criticism is just in the amount of paint and choice of plastic. There’s a lot of paint on this guy and I worry about it flaking off down the road. It’s already an issue on the ankle joints and wrist hinges where NECA used a flesh-toned plastic and then painted green to match the boots and brown for the gloves. This paint has a tendency to flake off (or the entire hinge was never painted to begin with) leaving an exposed area of flesh tone in the middle of the boot and at the base of the glove. Casey’s wristbands do hide the hinge on the hand fairly well, so it’s more of an issue with the boot. NECA would do well to have the factory match the color of the foot with the plastic rather than paint in future releases. The paint also has a tendency to rub off when it comes to the hands. This is particularly an issue on the bone-white hockey stick which already has a brown smudge from inserting and removing it into Casey’s hands.

Casey is known for having a small arsenal on his person at all times, and NECA doesn’t disappoint here. In addition to the golf bag he uses for storage, Casey has the following weapons: a hockey stick, a goalie stick, a baseball bat, a metal bat-like rod, and a mallet. All feature a lot of black linework giving them a real toon appearance. I think my favorite is the traditional hockey stick, but that mallet is certainly fearsome looking. In addition to the weapons, he also has a few extra hands. He comes packaged with closed fists for when weapons aren’t needed and has a set of gripping hands. He also has an optional right hand with a pointing gesture, and a left hand giving a thumb’s up. The gripping hands seem to work just fine with all of the accessories. Some probably wished for an open hand or double thumb’s up hands, but this allotment certainly gets the job done.

And of course, Casey is not alone! Joining him in this two-pack is the Slashed Foot Soldier. Initially, many fans simply assumed that Casey and April would be packed together since they were first unveiled side-by-side and the two characters have an established relationship outside of the cartoon universe. That didn’t come to pass though and instead both come with a battle damaged Foot Soldier. I was initially disappointed with this development as I’m not the army builder type, but I will say this particular Foot Soldier is pretty cool.

The majority of the figure is the same as the previously released Foot Soldier. The only difference is in the torso which features the battle damage. The clothing has been ripped away exposing some of the robotic parts inside. All of this is sculpted really well and you can see where parts were severed and intended to match up and so forth. There’s one thick wire that’s still connected and it holds the two halves together. It’s bendable, though coated with plastic so you will want to go easy with it to avoid cracking that plastic coating. This allows the figure to be displayed as he’s in the process of being torn in half. He could be doubled-over, in mid-slash, or even pulled apart entirely. It’s a very descriptive figure and one toy photographers might actually want multiples of. It wouldn’t shock me if down the road we get a refresher wave that bundles the two battle-damaged Foot together if there’s a demand for it, and maybe then Casey and April will be bundled together as well.

The Foot looks great and his battle damage is quite possibly the best application of that concept I’ve ever seen. He also comes with accessories though so he’s more than just a prop. He has the same hands and rifle as the previously released Foot, plus he has a new, more bulbous, gun that undoubtedly showed up in the show at some point. He also has the same communicator released with several figures previously, only this one has a sticker of Rocksteady on it. If you’ve been collecting everything, that means you should have a communicator with Shredder, Krang, Bebop, and Rocksteady now which is a fun little touch.

The Casey Jones and Slashed Foot two-pack is a worthy addition to NECA’s cartoon line of TMNT product. Casey is a fan-favorite and I think fans will be very pleased with how he turned out. While the Slashed Foot may not be something fans were crying out for, it’s a fun, gimmicky, figure that works well in a display especially considering he comes with a figure who’s a big fan of slashing, as is. There will be a handful only interested in Casey, but I’m sure if that’s the case they won’t have much trouble unloading this extra figure considering how in-demand this line is. This set is sold exclusively at Target in the US and at various specialty shops outside of the country. Since NECA stocks its own product at these stores they won’t show up on the website or on inventory tracking sites like Brick Seek except for under rare circumstances so get out there, make some phone calls, and good luck!

The collection is growing! And if you’re wondering why all of the glassware is present, it’s because the best place to display these in my house happens to be behind my bar.

I need to send out a special “Thanks” to the fellow poster over at thefwoosh.com for hooking me up with this figure at cost. Without him, I may have never encountered it in the wild. And that’s the thing I want to stress in this review – help each other out! If you’re a collector, get onto social media or a forum and find fellow collectors that can help you and that you can in turn help out. I see too many selfish collectors who buy up stock with the intention of keeping one for them and flipping the others to in effect “pay” for the one they kept. That’s just using the rest of the collecting community to fund your hobby and it’s a dick move. So if you happen upon these things don’t be shy about buying two and selling one at cost to a collector in need. Some don’t live near a Target, or might be immunocompromised and shouldn’t be out in public places right now. If there’s another collector at the store then by all means don’t take one out of their hands, but we should do what we can to try and make sure these don’t fall into the hands of scalpers. And it should go without saying, but don’t buy from scalpers. If people weren’t paying 80 bucks on eBay for this set, then no one would bother trying to sell them. It’s tough out there, but you don’t have to go it alone.


Rocko’s Modern Life: Static Cling

After taking a trip to the past with Rocko’s Modern Life during the spring, it seems only fitting that I also take a look at the Rocko’s Modern Life movie from 2019: Static Cling. To be fair, the term “movie” is definitely used loosely when applied to this piece of media. Static Cling was originally conceived by Nickelodeon as a one hour TV special with commercials so the running time is a tidy 45 minutes. It’s basically a double-episode, but considering Rocko’s Modern Life had never had a special before it’s easily the longest story the show ever committed to.

The special was announced in 2016 by Nickelodeon and it rejoins the original cast, alongside series creator Joe Murray, and gives fans a look at what Rocko (Carlos Alazraqui), Heffer (Tom Kenny), Filburt (Doug Lawrence), and the rest have been up to since. The theme of the special is change as it’s a very metta look at how audiences grapple with the loss of something from their past and seek out nostalgia binges to fill that hole left behind. The special will drive that point home quite literally by having Rocko, who has been lost in space since the events of “Future Schlock,” return to an O-Town that has long since ridden itself of his favorite cartoon: The Fatheads. Rocko is forced to confront this new O-Town and adapt to a new modern without his binky and he finds it impossible. Conversely, he has to watch his two best friends adapt just fine as Heffer and Filburt become immediately enchanted by modern technology. A clerical error by neighbor Ed Bighead (Charlie Adler), whose life has apparently been bliss since Rocko and his friends were blasted off into space, causes the mega-corporation, Conglom-O, to lose all of its paper value thus plunging all of O-Town (since Conglom-O owns everything) into a depression. Rocko is able to convince the head at Conglom-O, Mr. Dupette (Adler), that a way to help the company out would be to produce a new Fatheads TV Special. The only problem is that series creator Ralph Bighead (Joe Murray) hasn’t been seen or heard from in years.

Alternatively known as Static Cling: The Rocko Special.

The early bits of the special unfold in a predictable, but still entertaining, manner. Rocko and the gang are shown adjusting to modern life and the classic opening segment from the TV show is even redone with modern technology now harassing Rocko. There’s also a nice bit of the boys taking in a gritty reboot of Really Really Big Man that’s an obvious parody of Christopher Nolan’s Batman trilogy. Even though the special is basically mocking those who have been begging for this show to return for the last 20 years, there’s still a ton of fan service throughout as basically every character of note returns for a cameo, at the very least.

Some of the jokes the special makes are rather easy, but they’re also the type of jokes that pretty much have to be made.

Static Cling was commissioned as a Nickelodeon TV Special initially, but the network wound up passing on it and selling the rights to Netflix. This caused a rather significant delay in getting the special in front of fans. Nickelodeon never offered up a reason why it chose to option the special to Netflix, but many speculate it has to do with the character formerly known as Ralph Bighead. A major plot device in the special is that when Rocko eventually finds Ralph, he finds that Ralph no longer identifies as male and has taken the name Rachel instead. The reaction of Rocko and his friends, and basically everyone in town, is very positive as they basically congratulate Rachel and that’s that. Rachel’s father, Ed, is the only one who has an issue with it resurrecting his line “I have no son!” from the Season Two premiere. Nickelodeon was reportedly supportive of the idea to add a transgender character, and it certainly fits the theme of change, but it’s not the best look for the network that it chose to pass on airing this. Maybe the network found it could make more by selling the distribution rights to Netflix, but how much would the pay-out have been affected if Nickelodeon chose to premiere it on its own network and then pass it off to Netflix? Probably not a lot and it’s a shame it didn’t see this as an opportunity to make a positive social statement.

The re-done opening credits gag will likely be a favorite part for many fans.

The look and sound of Static Cling is quite similar to what fans remember from the show, but also a bit different. Cartoons just aren’t made in the same manner they were back in the 90s so Static Cling doesn’t necessarily look like a 90s cartoon. It’s obviously all digital and a bit more “clean” to look at. Some of that Rocko’s Modern Life grime has been lost and this is overall a far less gross version of the show than viewers are used to. Not that Rocko’s Modern Life needed to be gross in order to be funny. The only big change I felt a bit jarring is that Rocko’s fur is a deeper shade of beige than it was before. As mentioned before, basically all of the cast returned to voice the main characters and the side ones as well. Pretty much all of them still sound the same, though Tom Kenny’s Heffer is a bit higher and is the most notable difference.

The Chokey Chicken has undergone a makeover.

Rocko’s Modern Life was able to garner itself a reputation for adult humor during its life as it sometimes found itself censored after airing. Fans hoping for something as titillating as “Leap Frogs” or the infamous moo-milker gag might be a little let down by Static Cling. The Chokey Chicken does get to have its original name restored (it’s mascot has also been slimmed down as it’s become health conscious in this new modern setting) and Really Really Big Man’s magic nipples get some screen time as well. The only borderline lewdness I picked up on was just an emphasis on Mrs. Bighead’s ample bosom. There’s a scene where a fence divides her and Rocko and her breasts hang over it right in Rocko’s face, though he doesn’t seem to notice. She even reaches into her cleavage to pull out an object, though that’s the kind of gag I feel like the original show could have got away with anyway (and maybe did).

Static Cling does an excellent job of giving these characters a reason to exist in the 2010s. The foundation is solid, though I found the last fifteen minutes or so started to drag for me. A lot of the best humor and gags occur early in the special and it doesn’t help that the Rachel Bighead plot feels very similar to Ralph’s debut in “I Have No Son.” It was both disappointing and predictable to see Ed Bighead serves as the conflict once again for Rachel and the character just re-learns the lesson he had already learned back in that old episode. Maybe it could have been more interesting if the opposite had occurred and it was Bev Bighead that took issue with Rachel? Anything to make it feel less redundant would have likely helped, though maybe it didn’t feel redundant to someone who hasn’t seen that episode in 20 years.

It shouldn’t be glossed over that the inclusion of Rachel is a pretty eventful change, and one that should be celebrated.

Ultimately, Static Cling does have something to say and it’s a worthwhile message. It’s examination of modern fandom and nostalgia is pretty on point, and the overall message that change is necessary is a statement worth saying. The fact that it also contains a positive portrayal of a transgender character is also great as that’s a minority that is still under-represented. It never stoops to cheap trans jokes too, which is a plus, as the production did seek input from the Gay & Lesbian Alliance Against Defamation (GLAAD) during production. It’s also hard not to enjoy Static Cling for the reason it seems to not want the viewer to enjoy it for and that’s just the pure nostalgia trip one gets from interacting with these characters once again. I have no doubt that because of it’s approach to comically infuse cartoon characters into a modern society that Rocko’s Modern Life could make a full comeback and be just as funny in 2020 as it was in 1995. It’s perhaps the cartoon from that era that has aged the best. It doesn’t seem like Joe Murray is interested in a full-blown comeback, but at least we got a little taste of what life would be like for Rocko in the 2010s.


Bandai Mighty Morphin Power Rangers Megazord

It was now a couple of weeks ago I posted about some toys I always wanted as a kid, but never got. Shortly after, I rectified some of those decades old injustices by purchasing the Dragonzord with Green Ranger from Bandai’s Mighty Morphin Power Rangers line of action figures from 1993. The Dragonzord was my number 2 miss, but number 1 had always been the Deluxe Megazord from that same line. Well, predictably, I have now made peace with the two biggest toy omissions from my youth by securing my own set of Dinozords!

The Megazord was always appealing to me because it was essentially five separate toys that could combine into two additional toys. That’s basically seven toys in one box, and the fact that it was pretty screen accurate made it appeal to me even more. I was just a casual fan of the television show, but those toys were just too awesome to ignore. The demand for the toys was something I couldn’t overcome though, so I learned to go without. As an adult though, I don’t have to.

“We need Dinozord power now!”

I purchased a Megazord secondhand. Unlike the Dragonzord set I acquired, this one did not come with a box, but it did come with all of the parts. In my search for an authentic early 90s Megazord I found it was common to find some missing the sword, shield, and especially the canons that double as feet for the pterodactyl zord. Some also would feature a broken gun on the triceratops zord or missing horns. I assume most of these that were acquired in 1993 were played with and not kept on a shelf so it’s not a surprise that it’s hard to find a fully intact Megazord. It’s also why these things end up being quite expensive. I don’t feel as good about the price I paid for this set as I did the Dragonzord, but it is what it is. I’m actually relieved the seller no longer had the box or else I probably would have had to spend more!

Like the Dragonzord, I had some options when it came to buying a Megazord in 2020. Bandai released two different versions of the Megazord in 2010 as part of the Legacy line of figures. That one, from what I can tell based on video reviews, is very similar to this one. The functionality is virtually identical as both basically transform as it did on television. The standard 2010 version has a pretty ugly sword, but there was an updated version with some diecast parts and a much nicer looking sword. Overall, the 2010 Megazord appears to be a touch smaller, but the thing that bugged me about it is the triceratops zord lost the gun articulation on its tail. It’s a really minor thing, but it irritated me because it’s a clear downgrade. The 2010 version should have been superior in every way to a toy released in 1993! Also like the Dragonzord, there’s a Soul of Chogokin version from Tamashii Nations. It’s fantastic looking and easily the superior Megazord, but it’s also upwards of $300 at this point. There was also a model kit, Mini-Pla, version that’s almost adorably small and still retains the five zords into one (unlike the Build-A-Figure version from the Legacy Collection line that’s just an action figure) that I would have loved to consider, but it’s long since sold out and now fetches around 200 bucks on the secondary market. Ultimately, it was the 93 Megazord that vexed me as a kid so it was the 93 Megazord that I should acquire.

On their own, they’re merely okay, but put them together…

In case you’re not familiar with the Megazord concept, please allow me to present this refresher. The Megazord is the combination of the five Dinozords. Each of the five original Power Rangers was aligned with a prehistoric beast and each Ranger controlled what is essentially a giant robotic representation for each beast. They are: Tyranosaurus, Pterodactyl, Triceratops, Sabre-toothed Tiger (sic), and Mastodon. In nearly every episode, the monster of the day the Power Rangers are fighting grows to roughly the size of a skyscraper, so the Rangers attack via their zords. They can attack separately, though rarely do. Instead, they combine their beasts into one massive robot: the Megazord.

The Megazord actually has two forms: tank mode and battle mode. Tank mode is the less elegant version as it’s basically just the Megazord, but sitting down without a head. The T-Rex serves as the body, and the sabre-toothed tiger and triceratops form the right and left legs respecitively. The mastodon zord loses its head and wraps around the T-Rex to form the arms of the Megazord while the pterodactyl zord just sort of rides on the thing. The feet of the pterodactyl become the canons which attach to the mastodon arms, while the mastodon head sits on the T-Rex chest and the whole thing rolls similar to a tank.

There’s the face you know and love!

When the Power Rangers want to switch to the more memorable battle mode, the tank basically just stands up. The mastodon head is removed and the pterodactyl becomes a chest plate. The T-Rex head folds down and into its chest revealing the Megazord’s head and hands pop out of the arms. The canons from before are affixed to the Megazord’s back and look like boosters or something. The Megazord can attack with its fists, or rely on the power sword. The mastodon head can also be utilized as a shield, though it rarely was used in the show in this fashion.

Both transformations are essentially identical in how they occur with the toy as they do on television. This is probably due to the designer of the Megazord having to account for future toys down the road. At least, that’s what I assume. The show really only takes liberties in that once the models combine on the show, they’re swapped out with a costumed actor and the proportions change slightly. The most notable being the head of the costumed performer is much larger than what ends up on the toy. The only other aspect of the toy that isn’t entirely screen accurate is the T-Rex tail, which kind of just disappears on TV but is folded up the back of the toy. And the actor is able to move in a far more graceful manner than the toy. The Megazord is basically only articulated at the shoulders and hips and they’re just hinge joints. The lack of ball-jointed shoulders and basic elbow articulation really limit the available poses for the toy as it basically can only assume one position on your shelf.

This version of the Megazord is composed almost exclusively of colored plastic. This means there’s less opportunity for paint-slop and chipping over the years. The graphics and highlights are all done with stickers so when buying secondhand you’re at the mercy of whomever originally put these stickers on. Like the Dragonzord, the stickers aren’t 100% screen accurate, but it’s really only noticeable when doing a direct comparison. It doesn’t look like the original toy asked too much of parents and kids when it came to applying them and my unit looks as good as one could expect of a toy from 1993. It was clearly loved and enjoyed by a kid long ago and it shows. The sword is quite attractive as it has a shiny paint-app and is probably the portion of the figure that would be most likely to show ware. Same for the similar chrome portions of the other zords, namely the mastodon tusks and triceratops horns.

Whether you have instructions or not, transforming the Megazord is rather easy since you can basically just watch the show. The individual zords offer limited play. The mastodon and triceratops basically just sit there, though the triceratops has wheels. The pterodactyl also doesn’t do much, but since it’s a flier it doesn’t have to. The little canons can clip to it like feet, but they look stupid and I don’t recall seeing them in the show. The saber-toothed tiger has solid articulation though and it can emulate a running motion while also featuring moveable fangs. It’s a shame Bandai didn’t go the extra step of putting a hinged jaw on this one. The tyranosaurus has about as much function as you would expect, though it’s a little disappointing that it’s mouth has a big, red, wad, of plastic for the throat that makes it look odd. The connections are easy to utilize and pull apart just as easily, but they also won’t just fall off. The only complicated part is the mastodon which basically splits down the middle and clips around the T-Rex. Both of the leg zords are super simple, especially the triceratops which just has to fold its tail in and bend its neck, and even kids should be able to handle it.

In hand, the Megazord has some nice weight to it. It stands about ten and a half inches tall and is noticably larger than the Dragonzord, which is about nine and a quarter inches to the top of the head. Since it’s all plastic, it does get a bit creaky. The joints on mine are still fairly tight and I have no issues getting the Megazord to hold its arms out forward, basically it’s lone pose. On the individual zords, the tails of the triceratops and saber-tooth tiger are loose and getting them to stand in a blasting pose is a balancing act. The T-Rex tail is also a bit loose and doesn’t stay locked in place for very long. That’s also partly due to the toy needing to be bent forward at a pretty extreme angle so the legs don’t interfere with the tail. The little flaps that are the pterodactyl’s wings are also fairly loose, but they also don’t have to do much. All of the connections though are really satisfying and it’s a lot of fun to plug and play. It makes a nice clicking sound when things are put together and it’s really impressive what Bandai achieved since it seems like there’s little chance of forcing something into place at the risk of breaking it.

Of course, the fun doesn’t end here. If you have the Dragonzord, you can take advantage of that as well. The Dragonzord has a battle mode in which it basically assumed the role of the T-Rex zord in the Megazord construction. The mastodon becomes the arms as the chest piece is removed and the Dragonzord arms fold in to make a new chest piece. A face can then fall down from the Dragonzord head while the legs of the Megazord serve the same purpose here. The T-Rex and pterodactyl are free to do whatever they wish, and in the show the T-Rex would often fight alongside the Dragonzord in this battle mode, though in toy form the scale is way off. The Dragonzord’s tail also combines with the former chest piece and the included shaft to make the Power Lance, or Power Lazer Drill (as the box refers to it as). It’s pretty neat to behold, and like the Megazord the transformation process is really satisfying. The only thing I don’t like about it is the drop-down face on the Dragonzord has nothing behind it so it kind of just swings there. And while the lance is pretty cool looking, it’s functionally useless since it’s so huge. It has a handle that basically just rests in the hand of the zord, but the zord itself can’t actually wield the thing. Modern iterations make this aspect work better by fudging with the scale just like the show does by including an extra lance for play purposes.

If you wish to leave your Megazord intact though, you can still combine it with the Dragonzord to from the Mega-Dragonzord. This one is a bit less interesting as it’s basically the Dragonzord with the chest and tail removed and draped over the top of the Megazord. The tail can clip onto one of the sides, as can the discarded chest piece of the Dragonzord, though it basically just looks cool. This version of the character was deployed more like a tank in the show as it would just shoot a giant laser at the enemy as opposed to battling with fists and sword or whatever. It’s also this version that can combine with the unfortunately named carrier zord, Titanus, to form the Ultrazord. It’s another tank-like mode and the only change is the chest of Titanus is clipped onto the chest of the Mega-Dragonzord as it’s placed inside the carrier zord. I never really cared for the Ultrazord as a kid, so I have little compulsion to go after a Titanus so you probably shouldn’t expect a review of that one to come.

I don’t see myself getting a Titanus to form the Ultrazord.

There’s no doubt in my mind that had I been able to collect this line as a kid I would have loved the hell out of it. These are some of the best toys of the early 90s and it’s no surprise they ended up being incredibly popular. I could see myself transforming and de-transforming these things constantly and swapping in all manner of other action figures I had laying around as bad guys, maybe even big stuffed animals. I was also the type of kid that could busy himself for long stretches of time just playing with my action figures so imagination was never an issue. Not that these toys even require much since they’re so similar to what was presented in the show.

Acquiring both the Megazord and the Dragonzord has certainly scratched an itch for me. I don’t think it’s going to lead to much more from me where Power Rangers are concerned, but who knows? My kids have really taken to it, and I read Hasbro is looking to release a Megazord later this year so I may need to keep an eye out for that if my kids remain interested. In looking at the other iterations that have come, I’m certainly tempted to by the Soul of Chogokin version, but I likely won’t be able to justify the expense and take on another line of collecting. That’s fine though, because I have what I always wanted. It may have taken nearly three decades, but I finally have a Megazord!


Rocko’s Modern Life Season 4

It’s an accepted part of life that all good things must come to an end. Bad things have endings too, but the only endings that are usually painful are the good things. And for Rocko’s Modern Life, it certainly was a good thing that ended perhaps before it needed to. After 52 episodes (100 segments) creator Joe Murray felt it was time to move on. It should be said that it was more of a personal decision in that he just didn’t have anything more to say with the show. He even stepped back some taking on the role of executive producer for the final season allowing Stephen Hillenburg to assume the role of creative director. Murray encouraged the network, Nickelodeon, to continue the show without him, but the network decided not to renew it for a sixth season. This was pretty typical of Nickelodeon as it often didn’t go beyond this type of episode count with its Nicktoons, or really any shows. As a result, Rocko’s Modern Life is one of those shows that feels like it went out on top. There were likely many more stories that could be told with these characters, but they’ll have to remain untold.

The fourth season of Rocko’s Modern Life continues to explore the setting of O-Town and life in the 90s for the main cast. Rocko (Carlos Alazraqui) once again is forced to tackle the mundane and the insane like managing conflicts between friends, rude neighbors, love, ghosts, and even a bout a hypnosis. His gluttonous best friend, Heffer, (Tom Kenny) takes on the role of co-star for many segments and even gets to assume a larger role at times than the star. Filbert (Mr. Lawrence) returns as a married turtle and will get to experience fatherhood this season while the Bigheads (Charlie Adler) are still around to make life miserable for neighbor Rocko.

A theme of the final season seems to be an emphasis on side characters. In this one, Rocko teaches Heffer’s mom how to drive.

The fourth season might be the best looking season of the show. I don’t know if anything changed on the production end, or if it was a case of the masters being better stored, but the DVD release really pops. The colors are deeper than they were on the first three seasons and the animation is quite fluid. It’s perhaps not as gross as the prior seasons, and that could be Hillenburg’s influence as creative director this season. There’s still moments that are somewhat gag-inducing, but it’s definitely not a defining characteristic.

Seeing Heffer, Rocko, and Filbert as O-Town High students doesn’t make much sense, but it does give us one of my favorite scenes from the show involving Filbert and some potato chips.

On the flip-side, this season seems to feature less continuity. We’ll see Filbert become a father in the early season episode “From Here to Maternity,” but afterwords his life doesn’t seem to change a whole lot. There will be times the gang goes to his trailer and it looks like he lives alone. I understand not wanting to be restricted by this development (it would be tiresome to write into every episode who is watching the kids), but there is a disconnect. Similarly, the dog Earl taken in by Bev Bighead seems to disappear this season and there’s a confusing flashback episode in which Rocko, Filbert, and Heffer are depicted as high school students even though Rocko moved to the US during adulthood. These aren’t really things that prevent one from enjoying the show, I just liked the continuity on display in the past seasons since so few cartoons contain such.

This season seems to feature a couple of movie parodies, including this obvious Ghostbusters one.

The show is still wildly funny in many places. I think a lot of fans consider season three of the show to the peak for it, but it’s hard to find any real drop-off with season four. “Sailing the Seven Zzz’s” might be the show’s funniest episode. The plot concerns Ed Bighead and his somnambulism in which he thinks he’s a pirate and makes nights miserable for Rocko. Heffer and Filbert see this as an opportunity to mess with him, and it gets pretty wacky. And speaking of Ed, he basically assumes a starring role in several episodes of this season. My favorite might be “Closet Clown” where we find out Ed enjoys playing a clown, but hides it from everyone. It’s yet another episode of the show that might be dealing with a sensitive subject, such as closeted individuals, but doing it in a very funny, natural, way.

There are a few segments that don’t work as well as others. “Dumbells” gives Gladys the Hippo (Adler) a starring role alongside Rocko in which she gets addicted to the thrill of the childhood prank ding, dong, ditch. It’s okay, but not really an interesting way to shine a light on a one-note character from prior seasons. “Wallaby on Wheels” is another episode where Rocko is trying to impress a girl (he seems to finally be over Melba) that feels a bit too familiar. The same could be said for one of the broadcast finale segments, “Turkey Time.” That one is depicting Rocko’s introduction to Thanksgiving and he invites a turkey home for dinner not realizing the intent is to serve it for dinner. It plays a lot like the episode where Heffer brings an elk home for the same reason. “Turkey Time” then gets extra redundant when everyone in town finds out about Rocko having a party and invites themselves over, which is the same plot as “Rocko’s Modern Christmas.” It does feature one of the racier jokes in the season though when Heffer brings out a turkey for the party and Rocko’s living room is basically decked out like a strip club.

Closet Clown is a funny episode, but might also be scratching the surface of a bigger societal issue.

Speaking of racy jokes, you can’t have a discussion about Rocko’s Modern Life without a discussion of censorship. This season contained one episode that was essentially banned after its initial airing and that’s “Heff in a Handbasket.” In it, Peaches returns whom viewers should remember from “To Heck and Back.” Peaches is the lord of the underworld and he’s tasked with acquiring Heffer’s soul, since he outwitted him before. It’s nothing too salacious and it’s a very silly episode where Peaches rigs a game show designed to steal Heffer’s soul, only Heffer is so stupid that he keeps messing it up. It’s a funny episode, so it’s a shame it got kicked off the air, and I guess it got the boot simply because part of it is set in a version of Hell.

Unlike a lot of cartoons, Rocko’s Modern Life did get a proper series finale. The segment “Future Schlock” is the intended finale, though the Thanksgiving episode aired after it to line-up with the actual holiday. Most of the episode takes place in the future when Filbert’s kids find a banana in the refrigerator of Rocko’s abandoned house and bring it to their eldery-looking (but only 38 year old) father to find out why anyone would put a banana in the refrigerator. Much of the episode from there is a flashback, but I enjoy the fact that it displays Filbert’s contempt for Heffer which is something that seemed to be rising with each season (though Filbert in general got a bit nastier, see him try to sacrifice Rocko for a wig in the segment “Rug Birds”). The show ends with the whole gang getting mistakenly blasted-off into space and the Netflix special Static Cling from 2019 actually picks up where the episode leaves off and you’ll definitely hear my thoughts on that before the summer is through.

The plot for the final episode is set in motion by an old banana.

The DVD for the fourth season of Rocko’s Modern Life is a lot like the other three. It’s essentially just the episodes presented in broadcast order. It would have been nice if they could have been arranged in production order for this season, since it has a proper ending, but it’s not a big deal. The only special feature is a video recording of a fan event from 2012. Hosted by voice acting legend Rob Paulsen, it’s a gathering of the main cast of the show for a reading of “Wacky Delly Part 1” and it’s quite a bit of fun. After the script is read, they also talk about the show and share their thoughts on everything. It’s crazy to think this was recorded 8 years ago at this point, but everyone sounds great and I enjoyed it more than I thought I would.

If you liked Rocko’s Modern Life or have all three seasons up to this point, then there’s absolutely no reason not to own season four. It’s a little different, but still plenty hilarious, wacky, and silly. Some characters get more of a spotlight shined on them so if you had a favorite side character from before then maybe you’ll be pleasantly surprised by their inclusion here. There’s just a great chemistry between the characters in the show and the people behind the image that shines through. Joe Murray and his team can be proud that they created a cast that could work in almost any setting because they’re interesting, funny, and even sympathetic. Reliving this fourth season has me wishing even more than I already was for more content down the road. I don’t know that any will ever come, but it doesn’t hurt to hope.