Author Archives: Joe

March 21, 2024

X-Men ’97 – “To Me, My X-Men”

By Joe

It used to be that when a show got cancelled that was it. It simply ceased to exist as a new product. If there were enough episodes it could last in syndication on both broadcast and cable for a good while, but rarely was it accessible to the point where a fan could have the entire series at their disposal. Some shows received VHS releases, but often they were sparse. Then home media became more affordable. DVDs were both cheaper to manufacture than VHS and could store more information. We started to see full season releases for shows, both active and cancelled. In some cases, the home media market was so great that previously dead programs were able to come back. Now we’ve entered the streaming age where massive entertainment companies are seeking to profit off of their libraries. Those profits have been a bit hard to come by though so these archives need to be supplemented with original programming. Some of that original programming is entirely original or at least only touched by an existing intellectual property (think The Mandalorian) and then some is either a reboot or continuation of an older show.

X-Men ’97 is a continuation of the now classic X-Men animated series that aired as part of the Fox Kids Network from 1992-1997. The original X-Men cartoon was a massive success and turned Wolverine and Gambit into household names. It attracted eyeballs in the millions, sold a bunch of toys, and made lifelong comic book fans out of a generation. For me personally it quickly became my favorite show on television and I was hooked for the show’s entire run. It put Teenage Mutant Ninja Turtles in the rearview mirror as this was something mature, something that more respected my intelligence, and gave me more to chew on. I still adored playing with my X-Men toys and sporting X-Men t-shirts so it’s not like it turned me into an adult overnight or anything, but it was something I genuinely loved in the moment and I still have a ton of admiration for. Having that show continue from where it left off in 1997 was something that didn’t even seem worth dreaming about as that’s how unlikely I felt it would be. Perhaps Disney, who has yet to fully introduce Marvel’s mutants into its vast Marvel Cinematic Universe, wanted to give folks a little primer on what the X-Men were all about? Whatever the reasoning, I am positively giddy like a kid once again that my favorite superheroes are back in an all new television series.

The intro is basically a shot-for-shot remake of the original.

X-Men ’97 was announced in November of 2021. At the time, my assumption was the series was being ticketed to launch in the fall of 2022 to mark the original show’s 30th anniversary. That obviously didn’t happen and the show was slated for 2023, but then slipped to March 2024. For the revival, Marvel selected Beau DeMayo (Moon Knight, The Witcher) to be the head writer with Jake Castorena as the supervising director. From the old show, Eric and Julia Lewald were brought in as consultants along with Larry Houston. Much of the original cast was returned including Cal Dodd as Wolverine, Alison-Sealy Smith as Storm, George Buza as Beast, and Lenore Zann as Rogue. Father Time unfortunately necessitated recasts for both Cyclops (now Ray Chase) and Magneto (now Matthew Waterson). Other voice actors, like Chris Potter (original voice of Gambit) and Catherine Disher (original voice of Jean Grey) were brought back for other roles rather than their existing ones. Such a choice is puzzling, unless we’re talking about a unique case such as Alyson Court who no longer wished to voice Jubilee since she felt the role should go to an actual Asian-American.

The action sequences are where this show will really be able to separate itself from its predecessor.

The show did premiere under a bit of a dark cloud. It was announced that credited series creator Beau DeMayo was fired the week of the show’s sneak preview and a little more than a week out from the Disney+ premiere. As the days went by, the head of animation at Marvel Studios, Brad Winderbaum, revealed some snippets of what was going on. It doesn’t sound like anyone was upset with the quality of the work DeMayo was turning in, and we’ve only heard rumors that he was “difficult” to work with. The term difficult in such a situation can be a loaded one. How many women and people of color have heard that excuse because certain individuals don’t respond well to confrontation from minorities? DeMayo, a gay, black, adopted man was someone who really identified with what the X-Men stood for and removing that voice from the show is certainly a risky move if the show is deemed a success. Winderbaum doesn’t get into specifics on the situation, but does try to frame it as a parting of ways between the showrunner and Marvel.

The group is probably more reflective of the foes to come than the group from the original.

Based on my viewing of the show’s first episode, “To Me, My X-Men,” it would appear that DeMayo’s exit indeed has little to do with the quality of the show. This first episode is the show getting its feet wet. It’s a way to reintroduce these familiar faces in a fun way that does harken back to the original series. It opens with a new version of the classic intro. The song is remixed slightly and all of the character introductions have been recreated and new characters have been added. It still ends with Professor Xavier and Magneto clashing together, though the villains side has been updated with what are probably better, more reflective choices (so long, Gremlin) given who the X-Men typically clash with.

The mutant who will come to be known as Sunspot is basically the Jubilee of this series, only his official joining of the X-Men will have to wait for a later day.

Similar to the premiere episode of the original series, X-Men ’97 includes a plot in its episode about bringing a new mutant into the fold and makes the Sentinels the big threat. Even though the show is longer now (it’s listed at 34 minutes, the actual episode is closer to 28), the episode still moves at a snappy pace. We find the team dealing with the aftermath of the professor’s passing. Cyclops is now the leader and is perhaps a little too forceful with his approach which rubs some members of the team the wrong way (namely, Wolverine). The Friends of Humanity are up to no good and have even repurposed some Sentinel tech into weapons of their own that basically resemble Mega Man’s Mega Buster. Roberto Da Costa (Gui Augustini), a wealthy teen who has been abducted by the FOH, is the one in the Jubilee role this time around, though his trek through the mansion is quite brief. The show appears confident that its audience is going to be pretty familiar with these characters and a more robust introduction was not needed.

The Friends of Humanity are back and they’re packing heat.

Other elements of the premiere include the addition of Valerie Cooper (Catherine Disher, the original voice of Jean Grey) as a government liaison for Cyclops and his team. DeMayo, when he was doing press for the show, described Cooper as the thesis for the show so it will be interesting to see how she’s utilized going forward. There’s also the plotline of Jean being pregnant and what that means for her and Cyclops’ future. The first episode ends with a pretty seismic change to the status quo, though if you saw the trailer it won’t come as a surprise and it’s likely the end you expected. Even so, I’ll save talk of that for episode two.

Wolverine still isn’t allowed to smoke, but looks like he’s now allowed to drink.

The first episode is a great reintroduction for the X-Men and really seems to setup what we’re looking at. It also establishes the look of the series. I’ve been a little wary about that going in, but after one episode I will say my fears were unfounded. This show looks as good as it can in 2024. It’s digitally hand-drawn by Studio MIR which is the right approach given that celluloid animation just isn’t done anymore. Stylistically, there will be folks who prefer the look of the old show, but objectively speaking this one animates much better. That is on full display during the action sequences which are far more fun and inventive. This feels like a show directed by people who as kids wondered just how far the super powers on display here could be pushed. Storm, considered an Omega level mutant in the comics and now show, really gets to show off what she can do to such a scale that I worry if the writers can keep her consistent.

I should have expected this, but I didn’t.

The episode includes closing credits done in the same style as the original show’s first season with a character model spinning in place and a brief descriptor of their powers below. Before it can cycle through all of the characters though, it cuts to a static image of the mansion for the rest of the credits. Was this a nod to how the first season’s ending credits would never get to Jubilee? That always drove me nuts as a kid. If it is in reference to that it’s a bit of clever humor, though I’d rather just see all of the characters get spotlighted. And that’s the one failing, if you will, of this episode is that most of the characters don’t get to do a whole lot. That’s going to happen with such a large cast, one that has even been increased since we last saw this group in action. I would imagine we’ll get spotlight episodes to come while also maintaining a serialized approach. Yes, what network executives hated for their broadcast channels in 1992 is the preferred method of story-telling in 2024. The only other disappointment for me was no in memoriam for the people we’ve lost since the original show went dark. It would have been nice to at least see a tribute to original Cyclops voice actor Norm Spencer and the original voice of Magneto, David Hemblen.

Storm is allowed to cut loose in this one, but will she be allowed to do so in every episode?

X-Men ’97 in its debut episode manages to strike the right balance between new and nostalgic. The fan service hits right and its reserved for parts of the show where fan service is appropriate. It also establishes a tone for the show which is in-line with the serious, dramatic, original series though it’s also apparent that this one will be allowed to be a little more grown-up (Wolverine and Morph are shown enjoying a couple of cold ones). That makes sense since the target audience is the kids of 1992, but it also likely won’t want to alienate the kids of the kids of ’92. It also left me wanting more which was good since this was a two episode premiere. I’ll get to that episode in another post, but the main takeaway for me is our beloved X-Men have been placed in good hands and I can’t wait to see what happens next.

Get on the X-Men ’97 hype train with these posts:

X-Men: The Art and Making of the Animated Series

A few years ago, I talked about my love of X-Men, the animated series, via a book review of Previously…on X-Men by Eric Lewald. That book chronicled the development of the 92 animated series that helped propel the Fox Kids Network to the top of the Saturday morning leaderboards through notes from the author and…

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by Joe

Mondo X-Men TAS 1/6 Scale SDCC Exclusive Logan

Mondo has been absolutely killing it with its sixth scale line of action figures based on the now classic animated series X-Men. The company also really ramped up production in 2023 on the line by soliciting five new figures during the year. At over 200 bucks a pop, it was quite the hit to the…

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by Joe

Previously on X-Men: The Making of an Animated Series

A lot of cartoons made an impact on me as a child. My first love was The Real Ghostbusters. Its goofy cast of characters and excitement were plenty of fun and there were interesting toys to supplement the series with, which was pretty much the goal of all cartoons in the 80s. The Teenage Mutant…

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by Joe

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March 20, 2024

Marvel Legends X-Men ’97 Jean Grey

By Joe
After getting short-changed by toy manufacturers for decades, Jean finds herself with two animated versions in the span of a few years.

If you are reading this the day it goes live then Happy X-Men ’97 Day! Today is the day the long-awaited sequel series to X-Men debuts on Disney+. Rather than fast-track a review of the first two episodes to this blog, I decided instead to do what I most often do: review an action figure! It was in 2020 that Hasbro announced a subline of Marvel Legends based on the 1992 animated series which were released throughout 2021. Arriving in attractive VHS styled boxes, the X-Men line was more dud than hit. I wanted to love it, but it was hard to shake the feeling that Hasbro was just phoning it in. Despite that, I still bought them all and I continue to buy some of the tie-in figures since Hasbro decided not to deliver the full team. That’s why when the first wave of X-Men ’97 action figures arrived last fall I used it to supplement my existing roster of characters by picking up Magneto, Rogue, and Gambit. The figures had an animated look, though they lacked the cel-shading of the VHS line, but were close enough. Just in time for the debut of the series is wave two. It’s comprised mostly of new characters like Goblin Queen and X-Cutioner as well as some redos in the style of X-Men ’97. As a result, it’s a less attractive wave for me since I don’t want letter of the day Magneto and the VHS Cyclops was one of the few figures I actually liked. However, there was one figure in the line that intrigued me even though I had the VHS version: Jean Grey.

The new figure has a bit of a dead eye going on, but it’s better than the old which looks like a duck-faced Sharon Stone.

I’m not sure which figure was my least favorite in the X-Men VHS line from Hasbro, but the fact that Jean is in the running should probably say enough. The figure is dated and Hasbro couldn’t even be bothered to get the color of her costume right, but more than anything, I just hated the portraits. The figure was a re-release of an existing figure with a new paint job as that’s basically all of the effort Hasbro could muster when it came to the line. She had a ponytailed portrait, but it looked nothing like the version of the character from the show. They also included her down hair portrait, even though she never sported that look in that costume during the entire show’s run, and it was a release that just left me all sorts of grumpy in the end. The only positive I could lay on it was that the cel-shading was actually done pretty well given the standards of the line.

I know there are a lot of people who dislike cel-shading on their figures, but this costume needs something because the design is rather plain.

Jean gets a redo with X-Men ’97, and like most of the characters in the show making a return, she still sports a look that’s very similar to her ’92 counterpart. It’s a costume based on the look Jim Lee gave her and based on some of the promotional artwork I’ve seen it looks like she’ll have the ponytail some days, and let her hair down on others. The figure itself comes in the usual blister and Jean has her hair down look on the card despite the default portrait being the ponytail one. The figure stands approximately 6.25″ to the top of the head. Her costume is basically now a pale orange and dark blue. The figure is mostly orange plastic with a V-shape of blue on the front of the torso and a more rectangular one on the back. The shoulder pads are little cuts of blue plastic pinned into the top of the joint. The belt is still separate from the body, but it fits quite snug to the crotch piece. Paint is largely reserved for the face, X logo, and the blue parts of the arms and hands. The blue on the torso appears to be plastic that’s been plugged into the orange portion. The legs have a lot of sculpted details to the costume, but zero paint which give the figure an unfinished look to it. It’s obviously a limitation to some degree of the character design, but some linework in the grooves cut into the legs would have added a lot.

New Jean seems to scale smaller, but I like that. The smaller head relative to the body is a better fit for the source material as well.

The main draw of this figure for me is simply the default portrait. Jean is sporting a very neutral expression to the point where she looks almost bored. The face and ears are at least painted okay, though it’s a little messy around the right ear. The blue trapezoid shape on her forehead is just painted on and lacks presence since it blends in with the dark blue cowl. The hair is a separate piece of bright, orange, plastic. The sculpt is fine, but Hasbro missed a paint hit as her forehead is visible between the top of the cowl and hair and it’s just left blue. Her part is going in the right direction though and her ponytail isn’t stupid long so I consider it a win. Her eyes are also blue this time, which is consistent with the animated series. The prior release went with the comic green eyes. Most of the colors match with the only one being off the crotch piece which is a darker orange. It’s more noticeable in pictures than in person.

Looks like they missed some paint on her forehead. As far as I know, this is true for all of the figures.

The portrait isn’t a homerun, but it’s a solid double and a vast improvement over the VHS figure. And if you’re like me then I have good news as the size of the ball joint on both figures is the same. If you want, you can put this head on the VHS Jean body and the only blemish is the dark blue cowl which should be shaded black. It’s not enough to bother me and since the cel shading was executed well I do think this will be my preferred Jean going forward. I do think the forearms on the new figure are a better match for the original series as well when it comes to the gauntlets she wears, but they’re the wrong color and I don’t know how easy it would be to swap the arms. The shade of orange wouldn’t be an exact match either, but someone more committed than me could definitely kitbash the hell out of these two figures.

She does seem even smaller when put next to Rogue and Bishop.

As for the actual, new, figure, it does some things better than the old while also creating its own issues. For additional accessories, we get the hair down portrait. Swapping is easy and the hair looks fine, but will lock the head down and cut out almost all articulation at the neck. This portrait has a slight smile to it, but it’s again another lifeless face. She looks like a mannequin. Aside from that, it’s at least painted well and the hair hides the ears. The only other accessories is another set of hands. She comes with a right fist and an open left hand. The second set is a style pose pair that are open and very similar (if not the same) as the open hands that have come with past Jeans.

“Look, mom! Double elbows!”

The articulation is an area where this new Jean differentiates itself from the past ones the most. As far as I know, we’re dealing with all new sculpts here. The head is on a double ball peg instead of the hinged ball peg the other Jean has. It’s an improvement, though once again Hasbro buried the lower ball too deep in the neck needlessly limiting the range. She barely has any range looking down and only a little looking up. Rotation and tilt are fine, but Hasbro needs to figure these joints out. The shoulders are standard hinged pegs and she can raise her arms out to the side a full 90 degrees from the body. There’s a biceps swivel past that, pin-less double-jointed elbows, and a swivel and hinge at the wrist. The elbows will bend well past 90, though it’s not the most attractive joint. This Jean can at least get her hands to her forehead though.

Aside from the cowl being a little off, I think this looks pretty good. Certainly an improvement.

In the torso we have…nothing. It’s almost bizarre to see no articulation cut into a torso even though it’s theoretically a cleaner presentation. Instead, we get a ball joint at the waist. It goes forward and back a bit and offers full rotation and tilt. This is in comparison to the prior Jean which had a ball joint in the diaphragm and nothing at the waist. It should be both! Why can’t we have nice things, Hasbro? The hips will go out to the side past 45 degrees, but shy of full splits. Jean can kick forward about 90 degrees, but not back at all due to the shape of her buttocks. There is a thigh twist and the double-jointed knees are pin-less and work fine. The ankle hinge bends back all the way, but not forward very far. The ankle rocker is pretty steep, but there. Lastly, the ponytail just pegs into the back of the standard head and can rotate.

Yup, this is how she’s going to live on my shelf.

Is this new Jean an improvement on the old? Yes and no. There’s a softness to the sculpt, and when combined with the lack of any articulation cut into the torso as well as no paint, it gives the figure a very plain appearance. The softness does appear to at least resemble the animation, though I’m sure the show will feature shading of some kind. I don’t know why Hasbro didn’t get her a ball joint in the diaphragm as that would have really added to the articulation, but instead it’s just mediocre. It’s nice to see the arms updated with double-jointed elbows and I prefer the sculpted-in forearm gauntlets, but not enough to display this figure in place of the VHS version. Instead, I’m just taking this new head, slapping it on the old body, and calling it “good enough.” I just wish I didn’t have to spend another 25 bucks to get my Jean figure to this current state.

Get your X-Men fix right here before you check out the brand new X-Men ’97:

Marvel Legends X-Men Animated Series Jean Grey

For some reason, Jean Grey has never been treated well by toy makers. Back in the Toy Biz days, Jean had to wait several years to finally show up in the X-Men line of action figures, and once she did, it was in some gimmicky line in a costume that looked made-up. Her first, good,…

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by Joe

Marvel Legends X-Men ’97 Bishop

We’re going to keep this Marvel/Mutant Monday thing going for one more week! After taking a look at a trio of figures from Hasbro’s new X-Men ’97 line of figures in its Marvel Legends catalog I’ve decided to do one more: Bishop. The first three figures I looked at were basically all missing pieces to…

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by Joe

Marvel Legends X-Men ’97 Rogue

Previously, on X-Men reviews we looked at Magneto from the upcoming series X-Men ’97. The animated series may have been delayed into 2024, but the action figures from Hasbro are already here. And if you were collecting Hasbro’s line of figures based on the animated series from the 90s, this new line offers a chance…

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by Joe

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March 18, 2024

Wolverine and the X-Men

By Joe

It might seem amusing to folks younger than me who grew up on Marvel’s Avengers, but back in the first decade of the new millennium there wasn’t a hotter team of superheroes than the X-Men. The X-Men had been around since the 60s, but really took off as a comic book property in the 80s. That popularity helped land the X-Men on TV in 1992 via the hit Fox Kids show simply called X-Men. That show wrapped in 1997, but not too long after that came the film franchise, the first trilogy of which concluded in 2006. Following that, it was known throughout the industry that Fox intended to break-up the X-Men for future films with rumors that Wolverine, Magneto, and I want to say even Gambit were expected to get solo films. Of them, only Wolverine managed to land his own film franchise, but during that same era came a new animated series: Wolverine and the X-Men.

If Wolverine was the franchise’s biggest star and set to lead his own film franchise, then it made sense to have a prominent television tie-in to keep the kids interested, especially if the films were going to aim a little older. The show premiered in January 2009 on the Nicktoons network which means Wolverine, Cyclops, and the rest are now all on equal footing with Tommy Pickles, Arnold, Stimpy, and the rest of the Nicktoons gang. The show was developed by Craig Kyle and Greg Johnson, and while I don’t think either has ever stated it, but the show feels like a spiritual successor to the first animated series. It has a very similar approach in that the world the X-Men inhabit has existed for awhile before we get to jump-in. These characters have a history with one another and we’re going to see some of that, or we’re just expected to already know. It’s a very dramatic series and not your typical Nicktoon as it’s not out to make the audience laugh. The characters are often pretty humorless, the stakes are high, and sometimes things seem rather grim. It’s also serialized and the type of show that rewarded viewers who tuned in each week for a new episode, but may have also alienated the ones who did not.

Back in 2009 I was not comfortable with the idea of Wolverine leading the X-Men. In 2024, I’m still not all that comfortable with it.

For me, I was well into adulthood when this show came about and I was immediately turned off just by hearing the name. Wolverine and the X-Men? First, we’re reducing the team to a bunch of Robins and it’s not just spotlighting Wolverine with the title, but actually making him the leader of this version of the X-Men. I’ve never liked the idea of Wolverine as a leader because a core part of his character is he’s a loner at heart. There always comes a point where he feels like he needs to close himself off to his allies and deal with things by himself. The show does take steps to address that, but it’s not something I ever become comfortable with. The second X-Men film does a solid job of making Wolverine a reluctant leader, but one of the failings of the third is he basically carries himself as a born leader. This show has some of that, it attempts to make him grow as a leader, but there’s a credibility problem throughout.

The portrayal of Wolverine turned me off and kept me away for years. The show also was not picked up for a second season following a debut 26 episodes. It’s said the financing partner had problems as a second season was in pre-production, but I think most attribute the show’s demise to the Marvel acquisition by Disney. That too took place in 2009 and Disney would refocus the brand onto film assets it had control over. That meant X-Men, Fantastic Four, and Spider-Man would see a reduction in marketing and promotion in favor of The Avengers. If Disney had wanted to step in and finance a second season of Wolverine and the X-Men it absolutely could have done so, but chose not to. Because of that, I felt no compulsion to even check out the show since nothing further was coming. When Disney+ launched I started watching it, but it didn’t hold my attention. Only recently have I decided to really give this one a shot. We’ve been deprived X-Men cartoons for a long time now and there’s a good chance I missed out on something special. And if I didn’t, well at least this would be a decent way to pass time during my workout.

The show begins with an unexplained tragedy and much of the show’s sole season is devoted to uncovering just what happened.

Wolverine and the X-Men begins with the X-Men well established. Wolverine (Steve Blum) and Rogue (Kieren van dan Blink) are in the midst of an argument as it appears Wolverine is blasting off by himself once again. Suddenly, Professor Xavier (Jim Ward) and Jean Grey (Jennifer Hale) experience what looks to be a terrible headache and an explosion results. There’s a massive crater on the grounds of the Xavier Institute and the other X-Men are all in some state of distress, except Professor X and Jean who have vanished without a trace.

Following the traumatic beginning, there’s a time skip of a year and humanity has created the MRD – Mutant Response Division which all mutants view as a threat to their livelihood. This prompts Wolverine and Beast (Fred Tatasciore) to reassemble the X-Men to fight back, but without the aid of a telepath the job is tough. Enter Emma Frost (Kari Wahlgren), a former headmistress herself of a mutant school, who wishes to offer her telepathic abilities in exchange for membership in the team. Wolverine agrees, and Emma is able to locate Xavier in Genosha, a small, island nation controlled by Magneto (Tom Kane). There they find Xavier alive, but in a coma. Magneto allows the X-Men to take Xavier home even though he very much clings to his own ambition to squash humanity with or without the help of the X-Men. Once home, the real plot begins as Xavier is able to telepathically reach Wolverine from 20 years in the future.

Xavier is able to communicate telepathically from the future with his X-Men, of which he’s chosen Wolverine to lead.

The season unfolds both in the present and the future. Xavier has awakened to find himself in a post apocalyptic wasteland. The war between humanity and mutants laid waste to everything and now the sentinels run the show. Yes, this is like a version of the classic “Days of Future Past” plot, but as a whole series. Xavier appoints Wolverine as the leader of the X-Men and charges him with reassembling the team so that they can prevent this future from happening. This will bring them into contact with past members, some join up, and some don’t. Most of them embody their typical archetypes, in particular Iceman (Yuri Lowenthal) and Shadowcat (Danielle Judovits) who are basically the happy-go-luck teens of the team. Then you have Cyclops (Nolan North) who is essentially a shell of his former self following the loss of Jean. Rogue has run-off to join Quicksilver’s (Mark Hildreth) Brotherhood of Mutants essentially defecting to the bad guys while former X-Men like Angel (Liam O’Brien) and Nightcrawler (also O’Brien) feel their talents could be better utilized elsewhere.

The season unfolds with Wolverine working to stop the MRD while Xavier has joined up with some mutants in the future to try and figure out just what happened. Time seems to operate on “Days of Future Past” rules where a day in the present equals a day in the future for Charles, so he can’t simply go back further in time to prevent the initial explosion. We’re basically fed breadcrumbs for the main plot throughout the season and it all pays off in a suitable way in the end. Also along the way are numerous one-shots sprinkled throughout like episodes where the X-Men have to help a fellow mutant avoid capture by the MRD or explore some relationships between team members. There’s naturally some Wolverine solo missions reaching back to his days in the Weapon X program. A lot of this type of stuff borrows liberally from the comics, but there is often some twist introduced. For example, Wolverine did not have a relationship with Silver Fox in his past, but a different woman the identity of which might have annoyed some, but I kind of liked. I wish it had been explored more, but I’m guessing that was being saved for a future season. The show is definitely at its best when it’s sticking to the main plotline, but some of the one-offs are entertaining.

Is anyone surprised to see Bishop among Xavier’s allies in the future?

Toonz Entertainment handled the production on the show which strikes me as a mix of how the characters looked during the Astonishing X-Men era with some stylization likely intended to give the show it’s own vibe while also making it easier to animate. A lot of the male characters are depicted with large upper bodies and tiny wastes with long legs. Even a short guy like Wolverine has pretty long legs, though he’s also not as short as he would have been depicted pre-Hugh Jackman era. The women are presented more straight up and down though their abdomens usually pinch-in dramatically. They’re also almost universally well-endowed. It’s all 2D, and if any 3D effects are in use they’re well hidden. The costumes are largely from the Astonishing era and I guess since this was a cartoon for digital cable they were able to get away with keeping them pretty true to book so Emma Frost looks like she’s about to burst out of her top in basically every scene she occupies. The animation itself is pretty good and there’s no denying that this show animates better than the Fox series. Whether or not you like the style present is certainly more of a subjective decision.

The music is appropriately dramatic. It very much feels like it was intended to evoke the film franchise and I wasn’t sure if I was even hearing compositions taken from the films itself. Film composer Michael Kamen doesn’t receive a credit, so I think this is just a case of the show’s composer Dean Grinsfelder doing a good job of inhabiting that style. The voice cast is basically all new for those of us who grew up on the old cartoon series. Steve Blum is a solid Wolverine. He knows when to add a little growl to his lines and when to play it more straight-up. I like Nolan North as Cyclops and was surprised at how much Tom Kane’s Magneto sounds like Patrick Stewart, which kind of makes me want to see Stewart play the character, but that’s obviously not happening. Nobody on this show makes me forget the cast I grew up on or replaces their voices in my head when I read dialogue in a comic, but I did enjoy what was here.

There’s a whole episode devoted to Marrow playing the role of Hogarth to this sentinel’s Iron Giant. It’s cute.

Wolverine and the X-Men consists of twenty-six episodes and there is a resolution to a lot of the questions the series has at the onset. That doesn’t mean it ends all neat and tidy as there very much was a new threat setup for the following season that never came. It’s a shame, because it could have been interesting to see how this show would handled some pretty familiar comic book plots. It also would have been fun to see how the team’s dynamic worked post finale as there were some changes.

I do think I was initially rather hard on the series and it was probably a mistake for me to dismiss it based on the premise. I did enjoy my time with the show, though it’s not perfect. Like a lot of X-Men media, the show struggles with the large cast. We wind up knowing plenty about some of the A-listers, but the B-team, if you will, gets very little time to shine. Shawdowcat and Iceman basically exist just for their powers and are given almost nothing to do aside from that. Ditto for Beast who serves the role of “smart guy” who can figure out most of their problems. Rogue and Wolverine have a lot of conflict at the beginning that just sort of fades away and gets a very quick, last second, resolution in the end. And part of this issue stems from the mutants in Genosha having their own plots as well as those in the future with Xavier. There’s a lot going on and the show was certainly ambitious with the scope of its plot. Even though it stumbles, I do appreciate how far the show tried to take things as it demonstrates a real faith in its audience to be able to follow along. They weren’t just trying to sell toys to five-year-olds.

With the show long dead, the only remaining question is “Should you bother?” I think if you’re a fan of the X-Men then this show is a fun diversion. Yes, if you end up liking it then you’ll feel some pain when it’s over since the show was cut down so unceremoniously. With X-Men ’97 continuing the adventures of the original show perhaps a revival of Wolverine and the X-Men is possible? I wouldn’t get your hopes up as the show definitely didn’t have the impact of the ’92 series, but I suppose anything can happen. I do think the show is enjoyable for what it is so while it sucks that there wasn’t a second season, watching this definitely doesn’t feel like a waste of time.

We have plenty more coverage of Wolverine and the animated X-Men:

X-Men: The Art and Making of the Animated Series

A few years ago, I talked about my love of X-Men, the animated series, via a book review of Previously…on X-Men by Eric Lewald. That book chronicled the development of the 92 animated series that helped propel the Fox Kids Network to the top of the Saturday morning leaderboards through notes from the author and…

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by Joe

Mondo X-Men TAS 1/6 Scale SDCC Exclusive Logan

Mondo has been absolutely killing it with its sixth scale line of action figures based on the now classic animated series X-Men. The company also really ramped up production in 2023 on the line by soliciting five new figures during the year. At over 200 bucks a pop, it was quite the hit to the…

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by Joe

X-Men: The Animated Series – The Adaptations

Halloween 1992 was when things really changed for the X-Men. A high-selling comic book was about to blow open and enter the mainstream with a hit new Saturday morning cartoon series. Spearheaded by Eric Lewald for Saban Entertainment, X-Men would become the highest rated children’s program on the Fox Network and the overall highest rated…

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by Joe

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March 12, 2024

MOTU – Turtles of Grayskull Leonardo and Donatello

By Joe
The warriors of the forgotten sewer have just been legitimized.

These days, there isn’t much the Teenage Mutant Ninja Turtles haven’t crossed-over with. Back in the day we had Star Trek, trolls, and the Universal Monsters. More modern times have seen cross-overs with the likes of WWE, Ghostbusters, and Mighty Morphin Power Rangers. Throughout all of that, as well as the action figure license seemingly opening up, many of the world’s biggest toy producers have laid their hands on TMNT. One of the last remaining holdouts, Mattel, is now joining those ranks which is interesting because Mattel very nearly acquired the license from the beginning. A prototype was even made for a potential Mattel turtle, but it never went farther than that. Well, better late than never (yeah, right, think about all of the money Mattel and others missed out on by passing on TMNT in the 80s) as we now have Mattel versions of the turtles, but with a decidedly different flavor.

It’s Leo like you’ve never seen him before – naked!

Masters of the Universe is a toyline I’ve never been into. I was born into a post-MOTU world where the action figure market was massive: C.O.P.S., Transformers, M.A.S.K., The Real Ghostbusters, just to name a few. Sure, I watched He-Man and the Masters of the Universe on television like many boys my age and I had been excited to see the baffling live-action movie as well. I guess it just didn’t stick. For whatever reason, I can never recall asking my parents for the toys. I had friends and cousins who had a bunch of MOTU figures and play sets, but I never did and never really yearned for them either. It’s a bit surprising to me that I didn’t have one figure, but that’s just how it was. The only He-Man toys I can recall owning came from The New Adventures of He-Man. I had one action figure and one role play sword that made cool laser sounds. I don’t recall ever pretending to be He-Man while playing with it, rather I thought of myself as Link from The Legend of Zelda. That lone He-Man figure joined the likes of the Ultimate Warrior, Junkyard, and Sunstreaker as single toys I owned from popular toy lines.

That was an interesting design choice.

I suppose it goes without saying that the new mashup of Masters of the Universe and Teenage Mutant Ninja Turtles isn’t specifically aimed at me since I don’t consider myself a MOTU fan. I do enjoy the good mashup though when it concerns my boys in green so it was naturally on my radar. And it’s impossible to be an action figure enthusiast in this day and age and not know about Masters of the Universe Origins. This retro-inspired toyline from Mattel is essentially the vintage line with modern improvements. The base look of the characters has changed very little, but they now have things like elbow joints – what a concept! It’s been well received and I constantly hear from TMNT fans how they wish Playmates Toys would do the same. It’s almost shocking that they haven’t tried (the Last Ronin figure they released is sort of in the same style), but maybe the re-releases are making them enough money?

Oh god I hate it. Put that shell back where it belongs!

First of all, I’ve seen the coverage of this line where a lot of the folks presenting it have stressed that this isn’t a mashup. It’s a story about the turtles and He-Man and there’s a companion comic book to emphasize that (it’s nothing special, but each figure comes with one). Bologna. There may be a story, but at least where the turtles are concerned, the character designs are clearly TMNT character crossed with MOTU character. Even the MOTU characters are getting turtle-themed armor so they’re like a mashup as well. Regardless, we have new character designs incorporated into the Origins set of tools and you’re either here for them or you’re not. For me personally, I could not care less about the MOTU characters. I’ll admit, Mouse-Jaw looks kind of cool, but I don’t need it. I’m here for the turtles and after only encountering the MOTU characters in stores, I finally came upon a lone Leonardo and singular Donatello so I decided to give them a whirl.

If you have always wanted to play dress-up with your turtles then these are for you.

This Turtles of Grayskull line of figures comes in a standard blister pack with new card art on the front and rear that’s pretty eye-catching. I confess, I don’t buy many blister-carded figures anymore so slotting these two in my shopping bag brought back the warm fuzzies of doing the same when I was a kid. Leonardo is billed as the heroic ninja turtle leader while Donatello is referred to as the heroic turtle-at-arms. In other words, this is He-Man Leo and Man-At-Arms Donnie. The Origins line is basically designed to be one size fits all – for the most part. This is nothing new to TMNT and it should come as no surprise that both figures are the same. The only sculpted difference are the heads. Origins differentiates releases via the accessories. Both figures have a bunch of removable armor pieces that either slide on or strap on. The only things non-removable are their furry trunks which are part of the sculpt, the wrist bands, and the shin guards. Donatello’s helmet also appears to be non-removable, which is a bummer.

They do have weapon storage, but in the case of Leonardo I don’t recommend it.

Both figures stand at a tick under 6″ – let’s call it 5 7/8″. They’re a little bigger than the vintage MOTU size, but I think that’s entirely due to these figures having articulated knees as opposed to pre-posed ones. As I said, the body is the same across both figures. It has a more pronounced V-shape to the torso and it reminds me a bit of the 2003 cartoon series design or the Super Mutants from even before that. It’s a different, more heroic, look for the turtles and their waists pinch in. The limbs are still plenty beefy and they have the right hands and feet. Leonardo is also in his classic Playmates green and Donatello in his brownish tone. The finish across the board is matte so no shiny, plastic, skin tones here. The shell is where the sculpt gets interesting as they have a sculpted-in shell on the back of the torso, but it’s not painted. Instead, they also have a more traditional shell that can be worn and it also doubles as a shield. It’s mildly unsettling. I don’t know why it bothers me, but it’s weird.

These two are pretty close in size to other modern iterations of the turtles so if you want them to drive the Turtle Van or the Party Wagon they probably can.

The Origins line is a throwback one, so it’s probably not terribly surprising to find out the paint, overall, is limited. The plastron is painted a sunflower yellow and each turtle has colored straps around their shins. The only other paint is reserved for the bracers on the wrists, the bandanas, eyes, and teeth. The paint on the bandana of my Leonardo is pretty sloppy with a lot of the blue continuing onto the face. I would have loved to have come across multiples of this figure in the store to see if some were better than others, but alas there has been only the one. The chest straps on my Leonardo were also stuck to the chest out of the package so the paint is a little marred underneath. There is a belt that goes across the back of the shell which is painted as well and it looks fine. Otherwise, these figures are more relying on the colored plastic of the armor bits to create shelf presence.

The traditional two-sword look for Leo kind of sucks with this release.

And those armor bits are a double-edged sword. Leonardo comes with a skirt piece, shoulder pads, and a chest harness which has this big, furry, mane attached to the back of it. He also has an additional forearm guard that is intended for his left arm. These three armor pieces just slide on and they make the figure more cumbersome to handle as they’re always moving. The Origins line is essentially a modular one so everything is intended to be mixed and matched amongst figures. In that, they’re kind of like the dolls we action figure collectors have been insisting are different from what we like. I don’t love the mane which appears to be glued to the harness which sucks. I was hoping it was removable, and I suppose if I really wanted to I could take it off, but I’m not the type to make permanent alterations to my toys. The chest strap does have some paint to it in the form of a big L in the middle of the chest which looks clean. The blue bits have a pearl quality to the finish, despite just being plastic and mostly look okay. They look better if you can hide the big rings on them that fit around the arms, but that can be a challenge.

Donatello looks fine, I’m just personally not a big fan of the Man-At-Arms aesthetic.

For Donatello, all of his armor comes on him out of the package. He has his own chest armor which features this big face guard right in the middle. I’ve never liked that aspect of the Man-At-Arms design and unfortunately that part doesn’t come off. In addition to that chest piece, he has a ring around his right bicep and a big piece of shoulder armor on the left. There’s a left wrist guard as well and he has shin guards which don’t loop on, but actually have plastic straps that basically function like zip ties. There are some silver bits painted on his chest and wrist as well as a fur trim, which is certainly a choice. The plastic is a lighter shade of purple and it also has that pearl quality that Leonardo’s has.

For some reason, I feel like the Power Rangers Shredder goes better with these guys than a standard one would.

In addition to the armor, both figures come with their own weapons. For Leonardo, he has his own take on He-Man’s sword of power, or whatever it’s called. It has a play feature in that it comes as two swords that can be snapped together into one. It’s cast in a silver plastic, and as one sword looks fine, but as two looks stupid. The handles are too thin for Leonardo to hold reliably and you’re better off just sticking with the one sword. It can slot into the belt on the back of the shell, but it’s tight and it left a weird bubble-looking eyesore on the blade. There must be a coating of some kind on the plastic. Donatello comes with what looks like a big mace. It’s all orange, and the handle is sculpted to resemble wood with tape around it like Donatello’s traditional bo staff. It can connect with Man-At-Arms’ version of the weapon to create one, large, version. There is a turtle shell sculpted into the top of the weapon, but given that it’s not painted it doesn’t really add to the vibe. I don’t particularly care for the look of this weapon, but it’s his only weapon so he’s going to have to make due. It also can slot into the belt loop and does so much easier than Leo’s swords. And as I mentioned before, the shells can come off and function as handheld shields, if you’re a sicko.

When it comes to mashups with other popular toy lines this definitely isn’t TMNT’s first rodeo.

Since this is a throwback line I wasn’t expecting much out of the articulation. Consider me surprised to find out these guys move pretty well. The heads are on double ball pegs so their range of motion is just fine. The shoulders are standard hinged ball pegs, but their range is plenty good as they can be raised up to a horizontal position and rotate just fine. They’re pegged in at a downward angle so rotating them can also raise the arms higher. There is no biceps swivel, but the forearm pegs in at the elbow and features a hinge so it rotates in addition to having the hinged motion. You should get 90 degrees, though this joint was the tightest on my figures. The wrists rotate and feature a horizontal hinge, the only major complaint I have since this is a line of guys wielding melee weapons. Give them vertical hinges!

I should probably toss-in one vintage comparison. This new Leonardo portrait and the shade of blue does give me 2003 vibes.

At the waist is a basic twist and the hips connect via ball and socket joints. They’re probably the most limited, or just tight, but they don’t kick forward as far as I’d like. I suppose this is a line of brawlers and not ninjas so I can’t expect the greatest range. There’s no room for the thigh to pivot on the ball joint, which is unfortunate. The knees are setup just like the elbows so you get a hinge and a rotation point. The hinge is very tight and offers less than 90 degrees of range. There is a shin twist and the ankles hinge forward and back and feature an ankle rocker. Honestly, I wasn’t expecting the ankle rocker so that being there was a pleasant surprise that has colored my thoughts on the articulation in a more positive light. Stepping back from that, the legs kind of suck and there’s no ab crunch to be found. A ball joint at the waist would have been nice to get a little more nuance in there, but perhaps Mattel felt that would break-up the vintage look too much. It would have helped add to the modular nature of the line though as ball joints are usually easy to separate. I haven’t tried disassembling these guys beyond removing the head and the hands. The legs do not look like they’re designed to come off easily so I personally wouldn’t try.

As far as mash-ups go these figures aren’t bad. They’re definitely TMNT figures for MOTU fans first as opposed to vice versa. Some of the stuff I don’t like are just traits of the line and not something I’d expect Mattel to change because it’s attracting a new audience. Incidentally, it’s the modular elements of these figures that don’t go far enough for me that are among my biggest criticisms. I wish Donatello’s helmet was removable and the fur trim of Leo’s harness. I still think the removable shell is bizarre and off-putting, but that could just be me. It never bothered me when Cecil turtle did it in a Bugs Bunny cartoon, but I guess I don’t like seeing Leonardo take off his shell.

“To arms, my turtles!”

The mashup nature of the line is probably what will determine how much someone likes it. Leo essentially crossed with He-Man is a no-brainer, though it looks like Michelangelo is going to be as well. Donatello as Man-At-Arms doesn’t do nearly as much for me and I mostly bought him because I know I’m going to at least want all four turtles. That’s just how these things go. They’re fun figures to mess around with though, and it does make we wish Mattel was in charge of a TMNT Origins line of its own since Playmates doesn’t appear interested in doing such. The quality of the construction is good, the figures have a nice feel, and I think they do a good job of balancing modern design with vintage aesthetic. At 20 bucks a pop, they’re not quite the deal I wish they were. At 15 bucks these would be no-brainers, but there isn’t much occupying that price level anymore. If you’re holding out for a clearance sale, it might be hard to come by. These things appear to be flying off the shelves with only the Target exclusive Mouse-Jaw lingering on the pegs near me (which may have something to do with its $25 price tag) so it may not pay off to wait. If you really want them, get them!

There’s not a lot of Masters of the Universe coverage here, but there sure is plenty of Turtle Talk:

Rad Plastic

I think it was during the summer of 2020 while spending one of the many days of that year inside and isolated that I stumbled upon a Twitter post about an upcoming book titled Rad Plastic. I believe the tweet was from the account The Toys That Made Us, which is (was?) a Netflix series…

by Joe

Masters of the Universe: Revelation (Part 2)

Well, I sat on this one for awhile. Last summer saw the return of the Masters of the Universe to television in the form of Revelation. In somewhat typical Netflix fashion, the show arrived in “parts” rather than seasons though unlike many Netflix shows they’re at least not trying to trick us by calling either…

by Joe

Playmates TMNT The Last Ronin PX Previews Exclusive (Chase)

A few years ago, Mattel launched a new subline of action figures based on their most famous IP: Masters of the Universe. The subline was titled Origins and it basically took the vintage toys of the 80s and updated them with more modern articulation while still preserving that vintage aesthetic. And ever since then, collectors…

by Joe

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March 6, 2024

Gargoyles – The Goliath Chronicles

By Joe

Over thirty years ago, ego and the dollar ruled. It was a world with a changing television landscape. It was the golden age for animation! On one side you had the CEO of The Walt Disney Company Michael Eisner who entered the world of television animation with one goal in mind: to make the best animation television has ever seen (and to make a lot of money doing so). As a rival there was Stephen Spielberg. He too wanted to create animation for television that didn’t look like it was created for television. Neither man was so foolish as to suggest that their output would be as good as a feature film, but it was going to be miles ahead of what had come before it. By the late 90s though, all that was coming to an end. The television boom in animation was over as networks were finding it cheaper to import shows already created. Kids would watch whatever was put in front of them and ego gave way to fiscal responsibility. Such can be seen in the transition from Gargoyles to The Goliath Chronicles.

Yup, we’re finally doing it. After spending years avoiding the third season of the Disney Afternoon show Gargoyles I finally decided to take a look and see what all the fuss was about. If you’re new to Gargoyles, basically the show aired as part of the syndicated Disney Afternoon in the mid-90s. It was one of the later additions to the programming block which started winding down in the years that followed. With that, came the end of all of the shows that were part of it unless they could find a home elsewhere. Gargoyles was one such show and given a stay of execution as it would be moved to ABC’s One Saturday Morning as Disney recently acquired the network. Going from syndication to a network show is a big change behind the scenes as it introduces a whole new round of standards and practices, those things viewers and television producers tend to hate. For reasons not entirely clear to me, basically all of the creative staff on the show was replaced including showrunner Greg Weisman. Some may have left of their own accord as a the third season was a mere 13 episodes and in animation writers like to seek out full-series orders, whenever possible. Weisman did contribute to the third season’s first episode as a writer and was a consulting producer for the third season, but he’s indicated his only contributions were essentially negations.

The third season came with a new intro featuring CG that has not aged well. Perhaps that’s why the Disney+ episodes feature the Season Two intro.

Nevertheless, the show must go on and it’s not like a giant company like Disney would let anything stop them from doing something they wanted to do with a property they owned. The third season was given the subtitle The Goliath Chronicles and ran for 13 episodes. The voice cast returned and each episode was given an introductory monologue by Goliath (Keith David), a mostly pointless addition, but not one without merit since more Keith David is never a bad thing. Carl Johnson returned to handle the music, but beyond that almost everything was different. Eric Lewald (X-Men, Exo-Squad) was brought in as the new showrunner and joining him in the writer’s room were a lot of folks also associated with Fox’ X-Men. Both shows were still in production with X-Men also receiving its own surprise final season order and it’s possible the writers were spread thin. As an added challenge, the new writers were completely new to the show from what was reported. If any had watched Gargoyles previously I couldn’t find confirmation. Perhaps not surprisingly, the third season of Gargoyles shares a lot in common with X-Men as the main, over-arching, plot concerns a KKK-like group called The Quarrymen introduced in the first episode. Taking the gargoyles to a more grounded world where they have to confront human prejudice doesn’t sound like such a bad idea on the surface, but of course it’s the execution that matters most.

Walt Disney Animation Australia certainly tries hard, I guess that’s all we can ask.

Perhaps the biggest change for an animation lover such as myself is on the production end. As covered in the opening paragraph, by 1996 there was little appetite at Disney to keep raising the bar for what was being shown on television when it came to animation. Gargoyles was taken from Walt Disney Animation of Japan and handed over to Nelvana which in turn outsourced a lot of the episodes to Akom and Hanho Heung-Up Company, neither of which carries the reputation of some of the studios that worked on the first two seasons. The final episode of the season was given to Walt Disney Animation of Japan and it’s a noticeable improvement, though perhaps still not on the level of prior seasons. The penultimate episode, “Seeing Isn’t Believing,” looks over-animated with a lot of exaggerated character movements like someone was trying really hard to impress. That was done by Walt Disney Animation Australia so perhaps it was like an audition of sorts. Most of the episodes use simpler lighting, flatter models, and less demanding staging. The addition of network censors means you’ll rarely see a character throw a punch and instead there’s lots of pouncing and the old animation standby move of a character on their back flipping an adversary off of them.

Given the amount of censorship on this season, it’s a bit surprising they got away with this pseudo gargoyle crucifixion.

Censorship and lesser animation are but a disappointment, but not something that should necessarily doom an animated series. When people cite the third season of Gargoyles as being just plain bad, I have to believe it’s largely due to the approach being quite different. The first two seasons were, more or less, serialized. One plot beget another and during many chapters of the show one episode lead into another. Networks hate that sort of thing because one delayed episode can ruin everything. Many also believe it makes it hard for viewers to jump in and out of a series and if you’re alienating first-time viewers then you’re not growing your audience. Either there was a mandate to end that, or having a bunch of new writers necessitated lore taking a backseat to stand-alone episodes. And it’s not as if the show’s first 65 episodes were all bangers, it’s just that filler episodes tend to get lost easier when a show is airing on week days as opposed to week ends. Much of this third season feels like filler. Some of these episodes could perhaps slide into the first two seasons without much trouble, and some would still stick out as poor.

When it comes to the poor outings, most of them come back to scope. Take “And Justice for All” where Goliath actually gets captured and arrested and put on trial. The recent run of from Dynamite Comics undertook such a plot and it needed the better part of 9 issues to resolve it. The Goliath Chronicles tries to do it in one episode, and while I wouldn’t expect the show to get all of the legal system accurately conveyed in a children’s show, this one still turns out like a mockery of the whole thing. I have my issues with the plot in the comics as well, so in this case neither medium hit it out of the ballpark, but one is clearly inferior and it’s among the least enjoyable episodes of the season. Another episode I strongly disliked was “To Serve Mankind” where Goliath is brainwashed into attempting to murder a peace activist on an international visit to New York. He gets as far as yanking the man from his limo which leads to a rooftop showdown with the non-brainwashed members of the clan and the police. It’s all resolved in the end, but with absolutely no repercussions for the gargoyles and nothing carries over.

Most of the season just feels like it could have been filler, which is how you end up with plots like Broadway goes Hollywood.

There are other episodes that are fine. Lexington (Thom Adcox-Hernandez) taking an interest in the son of Xanatos (Jonathan Frakes), Alexander, leads to a somewhat cute story in the season’s second episode, “Ransom.” We also get to see Hudson (Ed Asner) deal with his own diminishing eye sight by seeking the help of his friend, Jeffrey (Paul Winfield), who also happens to be blind. He’s a returning character and there are other episodes dealing with members of The Pack, the clones, and Demona. Nothing is overly consequential though giving their appearances more of a “Villain of the Week” vibe as opposed to furthering character growth. There seems to be a deemphasis on the magical component of the show in favor of something more grounded. Again, I don’t necessarily find fault with exploring how the gargoyles relate to the humans and their chosen city, but perhaps this was too drastic a change for most.

We also need to talk about Xanatos. The chief rival and villain of the series was basically turned into an ally at the end of the second season. The new writers can hardly be blamed for that turn, but it feels abnormal to see how much of an ally is he is to the gargoyles in this third season. He is often relied upon to save the day and there are moments where I expected a return to the Xanatos of old, but it never comes. He is, as far as I can tell, completely earnest with his reform and consumed with being a father to Alexander and a husband to Fox (Laura San Giacomo), who too is completely reformed. I don’t know that I really wanted to see Xanatos pull another 180 and go full villain once again, but some nuance would have been nice. There’s really no conflict to speak of between he and the clan, though some distrust is still felt. There is a moment where conflict could arise in “Ransom,” but Xanatos squashes it immediately. I don’t love what the later stages of the show’s second season did with Xanatos, but this third season did nothing to rectify that either and instead represents a doubling-down.

The Quarrymen aren’t a bad addition to the show, but are perhaps too on the nose.

There’s a lot that doesn’t work with The Goliath Chronicles, but I suppose there is some time to say what does. I liked the approach of introducing a racist group of gargoyle haters and making that a season-long conflict. I wish there was something done to differentiate The Quarrymen more from the very similar Friends of Humanity as well as real world inspirations. It’s not as if X-Men is the only show that can utilize KKK-adjacent hate groups, but it does feel like there was some obligation on this show to find another way. I did enjoy the episode “The Dying of the Light” and it’s one I felt could have been transported to the second season with relative ease. “Ransom” was enjoyable, though perhaps misplaced as the second episode of the season, and I did like catching up with the clones in a meaningful way in “Genesis Undone.” The season finale does a good job of wrapping-up the season. It even uses a runaway train in much the same manner as the movie Spider-Man 2. Perhaps it was an inspiration? If it was, it’s probably the most meaningful contribution the show made to pop culture.

What drove me to finally watch The Goliath Chronicles after all these years was essentially the fact that there are only so many episodes of this show, of this cast, that it felt silly to dismiss some out of hand. Is the third season bad? In a vacuum, no. It’s a perfectly cromulent season of children’s television. Is it up to the standards of the first two seasons? No. I do think over the years the first two seasons have become deified to a degree because the high points are so high and the show is limited to 65 episodes. I’m not even sure if the show’s worst episode exists in Season 3, but I honestly haven’t given that particular subject much thought. Talented writers worked on this season and, in general, they delivered C-average work. It’s certainly not spectacular, but it’s hardly a trainwreck.

What fans seem to dislike the most is that nothing in this season feels essential. Subplots like Goliath and Elisa’s romance are stuck in neutral with no advancement. Broadway and Angela do get established as a couple though, so there’s that.

Does all this mean that I’m actually giving The Goliath Chronicles a recommend? Well, not exactly. It’s disposable television and there’s an abundance of that out there to the point where it feels like one doesn’t have the time to waste on anything that isn’t wonderful. I do think if you’re a Gargoyles fan who has never watched it and dismisses it as trash then you do owe it to the show to actually watch it and see for yourself. It’s probably hard at this point to not go into it with an objective mind, but for those that do I think most would come away with a half-hearted “It’s all right.” If you just want to know the main story of Gargoyles and are only interested in the aspects of the story considered canon, then you don’t need to watch this. Even if this season were considered canon, really nothing happens that would have made it difficult to jump into a hypothetical fourth season. It’s all pretty disposable. You can safely stick to the first two seasons, the SLG comics, and the current Dynamite run for the core story. If you just want some new adventures with a familiar cast then at least The Goliath Chronicles might have something new to offer if you’ve been ignoring it for almost 30 years.

Interested in more Gargoyles content?

NECA Gargoyles – Ultimate Goliath

It was nearly 6 months ago that NECA unveiled one of its newest licenses for 2021: Gargoyles! I was incredibly pumped at the time to see that NECA had acquired Gargoyles because the license had so much potential. The show was basically a cult hit in the 90s often characterized as Disney’s answer to Batman:…

by Joe

NECA Gargoyles – Ultimate Hudson

Happy Boxing Day! It’s been a minute, but we’re back with another figure in NECA’s line of action figures based on the 90s cartoon/property Gargoyles – Hudson! Hudson, who was wonderfully brought to life by the late Ed Asner, was always my favorite character in the show. He’s basically the old veteran of the group.…

by Joe

NECA Gargoyles – Ultimate Broadway

We are getting oh so very close to assembling the original Manhattan Clan in action figure form! Disney’s take on gothic beasts originally included the following gargoyles: Goliath, Hudson, Bronx, Brooklyn, Broadway, and Lexington. The clan would grow from there, but those six are still the first that come to mind for me when I…

by Joe

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February 28, 2024

Final Fantasy VII Remake – Intergrade

By Joe

It took a long time for it to be realized, and a long time for me to play it. It’s debatable which Final Fantasy title is best and nostalgia will always play a big role. For many, Final Fantasy VII was the first Final Fantasy game they played. Previously, only three titles had made it to US shores, but it seemed like each new game was more popular than the last. I know for me personally, I had quite a few friends who were into what we then knew as Final Fantasy III so whatever was next in the franchise would be on my radar and the radar of many I knew. When the company then known as Squaresoft pivoted from Nintendo to Sony, it felt like one of the first major “gets” for the new PlayStation console. And when images started circulating in gaming magazines of those initial summons it basically blew everyone away. I’m guessing a lot of people just saw the media and bought into the hype based on that and were pretty damn confused when they actually sat down to play it. No matter, the hype was real as Final Fantasy VII was a big seller for Square and Sony catapulting both the company and franchise into new heights.

Cloud is back, which means so is Sephiroth.

Back in 2005, Squaresoft created a demo for the PlayStation 3 and opted to use familiar characters in order to demonstrate the power of the new console. Bad move. Did they learn nothing from Nintendo and their Gamecube demo? When fans saw Cloud and Sephiroth battling like never before it just created more hunger for a remake. Fans clamored for one for years, but Square Enix was mum on the topic or would flat-out say there are no plans. The call for a remake eventually became too impossible to ignore and it was finally announced that one was on the way in 2015. It would still be another 5 years before the game was released, and it turned out, only one third of the game was made and released. Sort of like how the original had 3 discs, the remake will be 3 separate games. It’s disappointing, more because we are now on the eve of the second game being released and it’s been four years, but that’s the reality of modern game design. It’s expensive and time-consuming and Square Enix knows it has a hit on its hands so it’s going to extract every dollar it can. I guess the story will finally be concluded in 2028 when we’re all wondering when the PlayStation 6 will be released (or apparently already playing it if Sony is to be believed).

To create the remake, Square turned to a lot of the folks responsible for the original game. Tetsuya Nomura, who was a writer and character designer on the original, was given the title of director for the remake. This came as a surprise to him since he was knee deep in the long-delayed Kingdom Hearts 3 at the time, which probably explains why Naoki Hamaguchi and Motomu Toriyama alse receive a direction credit. Kazushige Nojima returns as writer and Toriyama receives credit for that as well. Legendary composer Nobuo Uematsu returned to write the main theme while Masashi Hamauzu and Mitsuto Suzuki are primarily responsible for any new compositions.

Get ready to experience the game again, only much flashier this time.

As someone who fell in love with Final Fantasy VII back in 1997, I have been on team re-make for decades now. The original is still very playable and quite good, but the visuals are supremely dated in a mostly not-quaint way. I have far more affection for classic sprite-based game design from the 16 bit era than I do the chunky polygons of the PSX era. Even in ’97, it felt like we were all lying to ourselves when we said these games were a definite visual upgrade to what we had before. They definitely were when looking at the cinematics, but those are essentially just CG movies inserted onto the disc. As video game visuals, they’re kind of fake. The battle engine graphics were fine though. Some quality of life improvements certainly couldn’t hurt either.

Square also seemed to feel that Sephiroth was going to need to have more presence this time around. It’s not a bad thing.

Square Enix apparently felt that a straight remake wouldn’t work. Gamers today don’t want traditional, turn-based, role-playing experiences according to whatever market data they have. I disagree, and it sure seems like the Persona series is doing quite well for itself with a more traditional battle system, but it is what it is. FFVII Remake takes a more action-oriented approach to its gameplay. Before release, there was some talk of the game being able to be played in both ways, but it was over-stated. In battle, which still restricts the player to a team of 3 party members max, you’re free to move around the field, attack, block, and dodge. The only relic of the original game is there is still an Active Time Battle system in place. Basically, you can do basic actions all of the time, but in order to perform other functions you need to wait on that ATB meter. Each character has two reserves of ATB and most abilities, spells, or items need just one store, but a few require two. Summons still exist, but they can only be used in certain fights and are basically restricted to boss battles. You know you can use one because a Summon Meter will just appear on screen. Once filled, any member of the party can initiate a summon provided they have the materia equipped (each character is limited to one summon and said summon can only be equipped to one character). Once summoned, the creature stomps around the battle field and any character can use one of their ATB stores to make the beast attack. Once it’s timer runs out, it then unleashes the ultimate attack we know and love from the original game and takes off.

Get ready for a new action-oriented experience.

Speaking of materia, that system is back and works mostly in the same fashion as before. Each character can equip a weapon and one piece of armor which may have one or more slots for materia. Materia is how characters equip spells and abilities and successfully defeating enemies in battle will earn players both experience and AP. AP is what materia uses to “level up,” and doing so will allow the Fire materia to learn Fira and ultimately Firaga, the best version of the fire spell. Once mastered, materia no longer spawns another version of itself which is a disappointment so players will have to scour the region for freebies or purchase additional sets if they want multiple characters to equip the same set.

The weapon system has been overhauled to add its own level-up component. Each weapon a character uncovers has a special ability tied to it and using that ability allows the character to eventually learn that ability. Once learned, the character can use that ability with or without the weapon. It’s a bit like the old Job System in that learning the abilities associated with a certain job would allow the base version of the character to make use of them, only now you don’t have to pick and choose which abilities to equip, but instead have access to all. The weapons also earn their own ability points which can be spent to unlock features for the weapon like Attack +3 or critical hit modifiers and such. This helps keep even the earliest weapons viable throughout the game as their attack, defense, and other stat modifiers can continually improve. And every weapon earns “experience” even when not in use. It’s not the Sphere Grid though, so each weapon still has a specialty and basically every character will have a weapon that’s more conducive to defense or magic use, though nothing radical enough to change a character’s obvious archetype (i.e. Aerith will always be more suited to magic and healing than physical combat).

One aspect of the remake most are likely to appreciate is the expanded role of characters like Biggs and Wedge.

The story of the game is essentially an expanded version of the Midgar portion of the original. You’ll be exposed to more regions of the city and there will be lots of little quests (yes, many of the “fetch” variety) for the player to take part in for one of the dwellers below the plate above. You’re still Cloud (Cody Christian), ex-Soldier and merc for hire by the eco-terrorist group Avalanche. Its Midgar chapter is spearheaded by Barret (John Eric Bentley), a fiery single father willing to go to great lengths to topple the Shinra Corporation which he blames for killing the planet. Tifa (Britt Baron), Cloud’s childhood friend, is part of the group as are non-player characters Jessie, Wedge, and Biggs. During their journey they’ll meet Aerith (Briana White), a flower sales person who belongs to an ancient race known as, appropriately enough, the Ancients and of course there’s the villain, Sephiroth (Tyler Hoechlin).

Sephiroth didn’t play a huge role in the original game’s Midgar portion, but he does here. I suppose from a practically standpoint, Square Enix didn’t want to force players to wait a dozen years to tangle with the legendary swordsman so inserting more encounters into the early part of the game isn’t as crazy as it sounds. What is a bit more crazy is that this FFVII Remake is not a direct remake of the original game. If you haven’t played it and don’t want any sort of spoilers then STOP READING! I intend this review to be both a review of the game and a reaction piece, so you have been warned.

This is a remake of the Midgar portion of the original so all of the familiar faces you would expect to find will be found, but oddly the game doesn’t make them all playable like Red XIII here.

The game is more like a remake of assets, but it exists in conjunction with the original game. For those completely new to Final Fantasy VII, it might be more confusing, but also possibly less. That’s because it takes awhile for the game to more explicitly tell you that the original story (game) already happened, and this story is Sephiroth trying to change the outcome. Throughout the game these shadowy ghosts will keep appearing and it’s unclear what it is they’re doing, but is later explained that they’re the shadows of destiny and they’re fighting to maintain the proper timeline. Sephiroth is trying to destroy them since he, and I guess it’s another spoiler for a 27 year old game, is defeated in the end of that game. Approaching the remake this way does have a practical element at play in that players who did play the original will have something new to look forward to. Whether this is the approach those players wanted is a matter of debate, or more like discourse.

The debate used to be Aerith or Tifa, but after Remake Jessie has inserted herself into the conversation!

Aside from those new plot elements, the game is quite linear in nature. That was true of the original, especially the Midgar portion, so I suppose it’s not a surprise here. It still doesn’t change the fact that it feels restrictive and there are definitely portions of the game that feel like padding. Square Enix was trying to turn what was 7-10 hours max into a full, gaming, experience so some padding was bound to happen. When I finished the game I was at the 42 hour mark and I felt like I had squeezed everything out of the game that I could in one playthrough. As an experience, there were times I was quite invested, and times when I was not. The fact that I had a 7 month gap between sessions at one point probably doesn’t bode well, but in the game’s defense, that gap was primarily due to Tears of the Kingdom so it’s not a massive insult to be sidelined because of that game.

Yuffie is the star of the Intergrade portion and I think I might like playing as her more than Cloud.

Since I am reviewing the Intergrade version, I should say a few words on that. This version primarily adds a new intermission starring Yuffie (Suzie Yeung) which sees her journey to Midgar in order to hook-up with Avalanche to steal some materia from Shinra. She is still her young, plucky, self and is a pretty true to her origins portrayal. It’s referred to as an intermission, but it’s set pretty early in the events of the main story so the title is a bit misleading. It’s essentially more of the same though and provides players an early glimpse at a character they otherwise would not have encountered until the sequel. The game does add a new mini game via a sort of board game Yuffie can challenge folks to called Fort Condor. It’s more like a real-time-strategy/tower defense game in practice with the “board” just affecting how many units the player can have and what magic is available. The game uses an ATB system and the units available have their own cost. They’re not finite though as you have 4 available units at any one time and using one just sends it to the back of the line. There’s a triangle strategy element applied to the units, and the first player to destroy the other’s main base is the victor. There’s also a timer for each game and if it hits zero then the first player to take out an outpost (each player has a base and two outposts) wins. It’s fine, and the games are pretty quick, but it’s also frustrating because once you place a unit that’s it. It does what it wants and sometimes you just want your units to concentrate on the base or an outpost, but they’ll get distracted by enemy units.

Intergrade also introduce this tower defense/RTS mini game that’s not too bad.

The actual sequence with Yuffie adds a little something to the story. Mostly, it brings in some elements from Final Fantasy VII‘s expanded universe and I’m not sure how well that will be received since most of those games were bad. It’s also a vehicle for the villainous Scarlet (Erin Cottrell) as she gets more facetime. Playing as Yuffie is a bit different, and she has one party member who works in tandem with her. I found playing as Yuffie to be mostly entertaining. There are things to figure out about how she attacks and how her abilities play a role in her actions. It’s probably a 5-6 hour experience and is, once again, pretty linear. Actually, it starts off more open than it finishes which is a bit odd. Completing it will unlock an additional epilogue to the main game so it’s worth experiencing, though the epilogue doesn’t contain anything essential so no worries about feeling lost if you don’t play it. There are undoubtedly going to be references to Intergrade going forward, but probably not anything that can’t be explained quickly in the games to come.

There’s no doubt the game improves upon the scope of the original, but some changes (like summons being the domain of boss battles only) feel restrictive and lacking in creativity.

I feel like I’ve told you a lot about how this game operates, but I don’t think I’ve really told you how I feel about it. It’s taken me a long time to figure that out. The initial demo left me feeling almost more perplexed than before, and after spending over 40 hours with this one I still can’t say if I even like this battle system or not. I like RPGs of all varieties and I like action games, but I like my Final Fantasy to be traditional. And I really like my Final Fantasy VII to feature a traditional, turn-based, battle system. I fell off of the series with Final Fantasy XII and that game’s battle system made it a chore. I finished it, but I never wanted to play it again. Since then, they’ve become more action focused and thus more vapid. Yes, you can take a less action approach with this game, but it’s essentially just putting the game on auto-pilot while you interrupt it here and there to cast a spell or something. It does not make the game a turn-based experience and it will likely drive you to just interact with it more because the AI is mediocre. More than anything, I just find it frustrating how non-committed Square Enix has been to just giving fans the remake they wanted. They resisted for years to even consider it, but then when they finally did, decided to do something else. It’s not as bad as a bait and switch just using the name Final Fantasy VII to sell a brand new game, but it sure is annoying.

Barret is still a foul-mouthed bad ass, as he should be.

There are things that I like about the game that have been improved upon. We get to see a lot more of Avalanche and the characters are given time to show nuance. That aspect of the remake has been well-served by the expanded approach. The visuals are obviously terrific and I think these redesigns for the main cast are superior to what we got in every other piece of Final Fantasy VII media. The score is still catchy and there’s an epic feel to a lot of the major moments of the story and it’s the music that really helps sell that. The voice acting is great and overall I feel like I have a much larger attachment to these characters than I did back in ’97. That might make a certain moment to come more impactful, if it happens at all. The odd approach to the narrative means we don’t know what’s next. We have an idea, but we don’t know for certain. I don’t know how I feel about that. I’m not someone totally resistant to change and mixing up the story a bit is okay, but basically doing it like a multiverse story feels almost played out at this point. I know this one was in development for a long time so it might just be bad luck that we’ve been inundated with multi-verse angles in media, but it is what it is. I just hope the story doesn’t turn out like Kingdom Hearts where it becomes so convoluted and up its own ass that I end up ceasing to care. And if a certain death gets undone it will feel cheap.

One piece of legitimate criticism of the game would be that if it wants to be an action game it could be a lot better in the action department.

Final Fantasy VII Remake is a hard game to assess. It should be able to stand on its own merits, but Square Enix chose not to allow it to by tying it to the original game in the way that it did. It’s one part remake, and in a way one part sequel, or parallel story. Complete newcomers to Final Fantasy VII won’t have the same experience as those who played the original. They can read about it on a wiki or something, but it’s not exactly the same. Their enjoyment will hinge more on the battle system and other mechanics – and you either like them or you don’t. There’s definitely an element of style over substance here. My major critique of this era of Final Fantasy is that these action-oriented battles aren’t on par with actual action games. They just feel like mediocre action titles with some RPG window dressing. Some of that is due to the RPG nature of the game where enemies, bosses especially, can unleash attacks for which there’s no real defense. They’re just going to happen. The best moments of the game’s battle system, for me, was when these were kept to a minimum and I felt like I had more agency over what was going on. There’s a boss battle late in the game which does a good job of incorporating the environment and provides for cover. More of that, please.

Where will the story take our hero? Normally with a remake we’d know, but not this time.

If you’re a big fan of Final Fantasy VII, you’re probably going to play this. You actually probably already have since it’s four years old. I waited for the PS5, and when the original came out in 2020, I was also hopeful the sequels would come faster and that I could just hold out for the complete experience. When it became obvious that was going to take somewhere in the neighborhood of 10 years, I abandoned that notion. At least I waited long enough to get the Yuffie story. I do plan on playing the next game, Rebirth, and unless I absolutely hate it I can’t see myself skipping the finale whenever it arrives. Hopefully the chances Square Enix is taking with the story at least pay off, but I know there’s no way to shake the feeling that every time I play this I’ll just be lamenting what could have been?

I did a lot more video game posts, and Final Fantasy especially, in the early days of this blog. Here’s a few, hopefully they haven’t aged horribly:

Final Fantasy VII Remake – Demo Impressions

It’s been a long time since I discussed the possibility of a Final Fantasy VII remake. After mentioning it here and there in other posts, I made a dedicated post on the subject six years ago. And six years ago isn’t even the start of all of this hype, so it’s safe to say this…

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by Joe

Final Fantasy VII – To Remake, or Not to Remake?

In the gaming community, a popular topic of conversation seems to always stem around remakes.  They’re fairly popular and have become more so due in large part to the rising price of game development and the profitable business known as nostalgia.  Games cost a ton of money these days to develop, and with little change…

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by Joe

Final Fantasy X HD Remaster

Over the years I’ve talked a lot about Final Fantasy but I’ve never posted a game review for any of the numeric titles in the long-running series. Well that ends today as I post my thoughts on the somewhat recently released Final Fantasy X HD Remaster. One opinion I have stated on more than one…

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by Joe

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February 26, 2024

S.H.Figuarts Dragon Ball Z Super Saiyan Son Goku & Super Saiyan 2 Son Gohan Exclusive Edition

By Joe
Time to do this father-son style.

We are now past Valentine’s Day and I’m ready to close the book on San Diego Comic Con 2023. The last action figure exclusive to look at is the two-pack of Super Saiyan Goku and Super Saiyan 2 Gohan. Dragon Ball Z has been around for a long time and has given birth to many iconic images whether it’s Goku and Vegeta squaring off or Goku’s initial transformation into a Super Saiyan or any others. One of the top ones is definitely Gohan finishing off Cell with what has been dubbed the Father-Son Kamehameha. Gohan, bloodied and with his left arm just hanging limp at his side, summons the strength to muscle-up one last blast with his father urging him on from beyond the grave. Goku appears as a spirit behind him as if he’s providing his own blast alongside his son. Whether it’s to be taken literally or not has never been really clear to me, but it’s a dramatic moment and definitely a fan favorite.

Did you think I was going to make you wait until the end?

For Comic Con 2023, Bandai released a two-pack that has shockingly never happened before. A battle damaged Super Saiyan 2 Gohan and a “ghost” Super Saiyan Goku so collectors can essentially reenact that moment as part of their collection. It comes in an oversized box with a black and purple deco and the photography on the box makes it obvious what moment this represents. The window only shows Gohan which almost makes Goku feel like it’s a surprise, or a glorified accessory. Both figures are re-releases of past ones. We’ve seen this base Goku body many times before across several iterations of the character. Gohan is also a re-release, though it’s an older figure and one I’ve never interacted with before. Initially, I was only going to get the event exclusive Raditz, but this release just looked too cool and it earned my $95.

I’ve suddenly found myself with many Gohans.

Let’s talk Gohan first since, as I mentioned earlier, Goku feels more like an accessory here even though he’s a full-fledged action figure. Gohan is, as the box states, in his Super Saiyan 2 form and his purple gi is all tattered and torn. There’s some battle damage painted onto his flesh in places, but no blood. He’s a young teen so he’s much smaller than his father and stands about 4.25″ to the top of his face. He follows some past event exclusives by featuring translucent, yellow, plastic for his hair which has been brushed over with a pearlescent, gold, paint. It’s a pretty heavy coat of paint so it’s actually hard to tell that there’s any translucency to the plastic, but it’s there and it looks pretty nice. I don’t know if I prefer it to painted, yellow, plastic, but it’s fine. The face printing looks sharp and is likely updated from the original release of the figure. Bandai did a good job matching colors the rest of the way, and it helps that the upper body is cast all in flesh-colored plastic. The only painted flesh are the exposed knees. The rest of the paint is fairly minimal. The gi is painted and there’s a darker purple for the inside portions of the torn parts. There’s a little shading around the knees, and then there’s the battle damage. It’s limited to the chest, face, and left arm and I’m surprised there aren’t any cross-hatches on his right arm, but it looks good and at least it isn’t overdone.

I also now have a pair of Super Saiyan 2 boys.
Gohan is a wee bit small for the aura effect.

For optional parts, Gohan has four portraits: stoic, teeth gritting, yelling, and an even bigger yell. The two yelling are certainly pretty similar, but it’s hard to argue anything is missing. For hands, Gohan has a set of fists, open, relaxed, Kamehameha, and Kamehameha hands with pegs on them. And if you get those blast effect hands with pegs, that usually means you get some kind of blast effect and that is true of Gohan. He comes with the charging, Kamehameha, effect. It’s done in translucent, light, blue plastic and consists of a small sphere with slots in it to accommodate seven, acrylic, posts. It’s an effect we’ve seen a few times and it seems like it’s becoming a favorite of Bandai as I think I have four of them now. This one seems lighter in color from the one that came with Orange Piccolo and doesn’t feature any shading. It felt a little softer too and the posts are more finicky, but it’s still a useful accessory.

“G-Gohan?! Is that really you?!”
This Gohan has proven really fun to mess around with. Too bad he’s going to just occupy one pose on my shelf.

When I ordered this set I didn’t really think much about Gohan as a figure because, like I’m guessing most people, he only needs to hit one pose and that’s it. To my surprise though, this is a wonderfully engineered little figure. I’m finding myself really charmed by it and if I didn’t want him on my shelf in his iconic pose he’d make for a great desk figure to fiddle with. His head is on a hinged ball peg, which isn’t my favorite setup as you need to keep track of which way that hinge is going to make use of it. I didn’t mention it in the aesthetics, but I love that the faceplates do not include the sideburns so the fit is seamless. The heads get some tilt, rotation is fine, and there’s a joint at the base of the neck that lets him look up and down, though if you want him to look as far up as he can it will create a gap at the base of the neck. The shoulders are hinged ball pegs and the range is terrific. Gohan’s arms go up past horizontal. The ball peg in the shoulder allows for the arms to come forward and across the chest pretty far. It’s not a true butterfly joint, but since the figure’s chest is so small the clearance is fine. There isn’t much in the way of a floating piece or cap to hide the joint which might turn off some, but it doesn’t bother me at all.

He’s coming for you, Cell!

In the arms, we get the usual biceps swivel and double-jointed elbows which go past 90 degrees. The hands are on hinged ball joints and they work fine. The diaphragm has what feels like a single ball joint that lets Gohan tilt a bit to each side. It only pivots rather than provides for rotation and there’s no forward and back. The waist has a ball joint which rotates and goes forward and back enough. The legs will kick forward past horizontal and kick back almost as far. They don’t go out to the side for full splits, but it’s better than 45 degrees. There is a thigh swivel in each leg and the knees will go a little past 90 degrees. The sculpted tatters interfere a bit. The ankles are the only articulation point I dislike. I think it’s just a ball peg, but Gohan has these sculpted boots that Bandai apparently didn’t want to break up so they’re one, solid, piece except for the toe hinge. They’ll go forward a bit on the ball joint, but not back very far. The ankle rocker is pretty poor, but the toe hinge is at least done well.

Technically not the first dead Goku figure in this line. Or even the second.

That’s Gohan, which means we’re only halfway through this one because we still have to talk about Goku. This Goku is essentially the Super Saiyan Full Power Goku, only now he’s sculpted in blue, translucent, plastic. There’s some darker blue paint for things like his boots and shirt and his face is printed on as well. Some parts of the body are more transparent than others as there’s some air-brushing over his pants. It’s a cool looking figure though and puts any Marvel Legends Iceman to shame. The only parts that aren’t translucent are joints like the knees and the inner part of the butterfly joints, but they don’t stand out in an ugly fashion. He looks great. It’s a figure I never felt like I needed and I still feel that way, but if you’re going to do it it’s hard to imagine it being done better than this.

The translucent effect is pretty neat, but you will want to hide the few non-translucent parts, like the elbow joint, if it can be helped.
This Goku may look different, but he’s still plenty familiar.

Like Gohan, this is a figure that basically only needs to do one thing, but Bandai still outfit him like a full figure. Goku comes with three portraits: stoic, yelling, and teeth-gritting. The printing looks pretty good considering it’s on translucent plastic. If anything the white of the eyes are too opaque, but it’s good that they stand out. For hands, he has the usual Goku assortment: fists, Kamehameha, open, martial arts posed, and a set of Instant Transmission hands. All of the extras are probably good for those who want to have a little fun with their toy photography, but he only needs those Kamehameha hands for me. Articulation is the same as all of the other Goku figures. It’s fine, with some areas showing their age, but he can do what he needs to. The joints are all nice and firm, but not overly tight.

Don’t worry guys, Goku will be watching over you. Always watching…

Like I said, this set just needs to be able to hit one pose and it does. It actually does it even better than I would have expected. This is a great release as an event exclusive. It’s a variant of two of the most popular characters in Dragon Ball Z and it’s centered on an iconic moment. It’s a wonder that Bandai hasn’t done more of this, but I wouldn’t be surprised if there’s more to come. There are plenty of other spots they could look to, and in a way they’ve already started by including certain extra parts and accessories with some figures. They orchestrated Vegeta defeating Android 19 by including a new portrait with 19 and the upcoming full power Frieza comes with a new face for Legendary Super Saiyan Goku. I’m curious to see how far they go with this and it’s a natural path considering they’ve released damn near every major character at this point. As for this release, it was an event exclusive that Premium Bandai put for preorder on its website. It’s been made and distributed, but they may unload extra stock on another retailer so keep your eyes opened if you missed out. I like it enough to recommend it even at a mark-up, but certainly don’t sleep on it because it’s only likely to go up.

We’ve got plenty more from the world of Dragon Ball to talk about:

S.H.Figuarts Dragon Ball Super: Super Hero Orange Piccolo

When Akira Toriyama set out to draft the plot for Dragon Ball Super: Super Hero his original goal for the film was to take a favorite character of his and give him an upgrade. That character was Piccolo who had basically been left behind by the likes of Goku and Vegeta way back at the…

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by Joe

S.H.Figuarts Dragon Ball Super: Super Hero Son Gohan Beast

Last summer, fans of Dragon Ball were treated to a new movie: Dragon Ball Super: Super Hero. The intended purpose of the movie seemed to be to take two somewhat forgotten characters in Piccolo and Gohan and give them a makeover. The manga and anime Dragon Ball Super has basically been a story about Goku…

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by Joe

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February 21, 2024

Super Saiyan God Super Saiyan Vegeta – S.H.Figuarts 15th Anniversary Ver.

By Joe
Here come the Vegetas!

To celebrate the 15th anniversary of the Bandai/Tamashii Nations action figure line, S.H.Figuarts, Bandai turned to the fans. There was a large roster of releases eligible for re-release to mark the occasion, and anyone who wanted to could cast a vote for their five favorites. The winner was, not surprisingly, Vegeta. And in particular, it was the Super Saiyan God/Super Saiyan God Super Saiyan (yeah, I know) version of the character that had been released with the film Dragon Ball Super: Broly. That movie actually marked the first time we saw Vegeta use the Super Saiyan God form in animation (he used it in the manga) so it made sense to finally do a figure of that version. Rather than make it a dedicated Super Saiyan God figure, Bandai included a second head so he could also show off his Super Saiyan Blue look.

He has a snazzy slip cover and a disc stand. Those are the only additions.

When that movie and figure debuted, I was still feeling my way through this line. Did I need such a release? Yeah, I kind of did, but it took me awhile to figure that out. As a result, I never got it so this figure was indeed among the five I selected when I made my voice heard. It wasn’t my number one choice though (that would have been the Dragon Ball Super version of Future Trunks), but at least it was a choice. This was to be a special edition too, but all that meant is we were getting a fancy slipcover and a disc stand. For me, someone who never bought this figure before, it seemed worth it. Was it worth it for those who already had it? That’s a much harder question.

Assemble the blue-haired Saiyans!

Vegeta comes in the standard S.H.Figuarts box with the usual assortment of artwork. I don’t know if the photography is the same or not, but the name printed on the box does acknowledge the anniversary edition. There’s also a slipcover that goes over it with an image of the figure posed on the included “stand” with a timeline in the background and “2019” in a larger font since that was the year this one was originally released. The font and printing on the sides is surprisingly plain though. Like bootleg plain. If you’re an in-box collector you may be underwhelmed. If you’re not then you probably don’t care.

This figure will likely feel pretty familiar, whether you bought the first release or not.

The actual figure is basically the same Super Saiyan Vegeta figure that’s been released multiple times. This is my third version, personally. He has the same Cell Saga style of Saiyan armor only now it’s painted gray with a brighter yellow on the straps, abdomen, and lower back. The body suit is a very dark navy that’s almost black while the gloves and boots are more of an off-white. The only difference with this figure for me are the feet which feature a more rounded toe. I think they’re from the Resurrection F version of Vegeta? I’m not positive though.

I don’t have an all blue aura so this one will have to do.

It all means that this release of Vegeta has the same pros and cons as the other ones, only with more paint means more room for error. The paint on the abdomen, actually not a new spot to be painted, sucks. It doesn’t come all that close to the edges considering we’re dealing with a premium collectible here. At least the brightness of the yellow obscures that to a degree, but in-hand it’s pretty noticeable. The gray parts are okay and I like how it contrasts with the white piping. There is a scuff under my figure’s right arm and there are a few spots where it doesn’t properly fill the area.

The face printing on this release is not on par with the recently reissued Super Saiyan “Awakened Super Saiyan Blood” Vegeta. That one cost $35 at Target, this one cost $70 with a $10 shipping charge.
The Super Saiyan head looks pretty good on this body too.

The two portraits are the defining feature of this Vegeta. You basically get two hair pieces: one metallic magenta and the other a metallic blue. The sculpt is different from Super Saiyan Vegeta. It’s more narrow and less spiky, though still plenty spiky. I literally poked holes in the skin on my fingers swapping all of these heads as I moved them around the different bodies I have to figure out which combination I liked most since I intend to display all three versions. Nevertheless, I prefer the more full version of the Super Saiyan head’s hair, but this is fine. What’s not fine is the lack of options. Yeah, it’s great we get both the red and blue hair, but we only get one faceplate for Super Saiyan God (cocky smirk) while Super Saiyan Blue gets three expressions (stoic, teeth baring, and yelling). This is a re-release with 100% reuse sold at a fairly high price, why not just toss in more expressions? I feel like both looks need the cocky smirk, that’s just a Vegeta necessity, while the God head should at least have an angry look too. And perhaps more disappointing is that the face printing isn’t all that great. It’s not up to the new standards of the line and I don’t know if they’ve been improved at all since I don’t have the original release. Last year’s re-release of Super Saiyan Vegeta looks way better than the original release when it comes to the faces, it’s a shame the same can’t be said of the prestigious Premium Bandai 15th anniversary version.

For the God head you only get the one face. At least it’s the right one.
The stand is pretty lame, and hard to photograph since it’s so glossy.

Other than the heads, you get the usual assortment of Vegeta hands: fists, open, clenching, martial arts posed, and a lone right thumbs up hand. The crossed arms piece is also included and is just as annoying to fiddle with as it’s always been, but it does also look pretty good once you manage to get it into place. That’s it though as there are no effect parts or anything like that. You do get a special stand, but it doesn’t really earn that title of “special.” It’s just a black disc, the same that came with the event excusive stands a few years ago that featured Goku’s insignia as well as Whis and a Saiyan Space pod. Now it’s just all black with a 15th anniversary logo printed on it in metallic blue. It doesn’t say Vegeta or even Dragon Ball. It has slots that can be punched out for an action stand, but one wasn’t included.

This one is going to articulate just like the past iterations, which is pretty good.
I do think I prefer the red hair on the darker body.

The articulation for this guy is the same as the old one, so you can check the link down below if you want the full rundown. This figure is supposed to be a celebration of the line and it should have appeal to longtime collectors of the line because of that, but I don’t know if many would agree. Simply put, if you have the first release of this figure there’s really no reason to get this one. The extra stand sucks. It’s cheap and lazy. There are really no extra bells and whistles that I can see with the figure itself and the paint job is lackluster and not really reflective of the price point. If you’re like me and you wanted a version of Vegeta in these forms then it’s fine. It’s still a good figure despite the flaws, it’s just as a special release it seems phoned in. There’s nothing special about it.

“Yawn! You Saiyans bore me.”

Can’t get enough Vegeta? Here’s some things you may enjoy:

SH Figuarts Super Saiyan Vegeta

He’s the Prince of all Saiyans. The last survivor to have laid eyes on Planet Vegeta, home world of the mighty warriors and birthplace of the legendary Goku. And he’s also a pretty fine toy. Vegeta, arguably the most popular character to emerge from Dragon Ball Z, has seen his likeness cast in numerous forms…

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by Joe

Dragon Ball Super: Broly

The first movie under the Dragon Ball Super umbrella is one that sets out to take what was previously non-canon and adapt it into the main series. The most recent two Dragon Ball Z films; Battle of Gods and Resurrection ‘F’, ended up being the start of Dragon Ball Super which is now well over…

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S.H.Figuarts Dragon Ball GT Super Saiyan 4 Vegeta

We’re back with another action figure review from everyone’s favorite version of Dragon Ball: Dragon Ball GT! And really, the only thing people remember from Dragon Ball GT is the Super Saiyan 4 transformation. Designed to bring the Saiyans back to their more primal roots, the Super Saiyan 4 transformation is pretty much on an…

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by Joe

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February 19, 2024

S.H.Figuarts Dragon Ball Z Event Exclusive Raditz and Son Gohan

By Joe
The beloved nephew and uncle duo.

I’ve been getting a little taste of July of late in the dead of winter as not one, not two, but three action figure exclusives from San Diego Comic Con have arrived at my door. That’s because the nature of the exclusive has changed over the years. Why make a limited number of something and sell it at one location when it’s something a lot of people want? As a company, you’re just denying yourselves more sales and letting resellers reap the rewards. That is why Bandai has been making its event exclusives available to non-attendees when it comes to most conventions. The lone exception thus far as been last year’s World Tour version of Son Goku Awakening Super Saiyan, a re-release of Super Saiyan Goku from the moment where he first transformed. And I think the only reason why that one was kept exclusive to the events and store fronts it was sold at is because shortly after a similar, but new, version of Super Saiyan Goku was put up for preorder (we’ll be talking about that one in due time).

Vegeta: ”I’m surrounded by idiots.”

When I first got into Dragon Ball action figure collecting I intended to only get my favorite characters. This was back in the early 2000s when Irwin Toys had the license. One of their earliest figures was Raditz, and since he wasn’t a favorite of mine on par with the likes of Vegeta and Piccolo, I passed. Then as more figures came along I got caught up in the frenzy and just started buying everything and only passing on the figures I felt turned out exceptionally poor. I regretted not getting that Raditz in the end and for some reason I didn’t consider that when it came time for Bandai, via the Premium Bandai route, to do its own Raditz. I hemmed and hawed, but at the time I was (stop me if you’ve heard this) just getting my favorites. Fast forward a few years and my collection is bigger than I intended. While I have never gone full completist or anything, I do have my favorite arcs and such from the manga/anime and Raditz represents a hole. The same was true of Nappa and thankfully he got a re-release via the convention route. Now, it’s Raditz’s turn.

Raditz is a pretty big boy. Here he is between some Piccolos.

Raditz comes in the event exclusive packaging which is just the standard package, but with a two-tone approach. In this case, it’s orange on black. This version also comes with a buddy, or rather a foe, in nephew Gohan (more on him when we get to the accessories since that’s essentially what he is) though it isn’t a moment specific release since at that point in the fight Raditz had some battle damage. And since Premium Bandai is intended to be a one and done affair, Bandai couldn’t just re-release Raditz with some new accessories. No, he necessitated a new color scheme. In both the manga and anime, Raditz had black armor with dark brown shoulder pads. When Bandai made its first Nappa figure, it featured the same color scheme as that’s how he appeared in the manga and his first appearance in the anime. When the event version came around, it meant Nappa could have his anime colors from when the Saiyans land on Earth. Raditz, unfortunately, has no real other look so he’s recolored to have light brown shoulder pads. It’s not accurate to the show or manga, but beggars (i.e. me) can’t be choosers.

Raditz could really mess with some folks if he dyed his hair blond.

Raditz stands a tick over 6″ to the top of his portrait and considerably taller when you factor in that giant mass of hair he’s got going on. He has his scouter, which features a blue lens now, and the muted brown shoulder pads and other plating over dark navy, almost black, armor. The scouter is removable, but only so you can swap the faces. There’s no replacement ear if you want to go without the Scouter look since Raditz never took it off. The hair is pretty damn huge, as expected, but done in a more simpler manner when compared with Super Saiyan 3 Goku. It’s thinner and lighter so it isn’t the impediment to standing that it is with Goku, which I guess is why we don’t get a flight stand for Raditz. In addition to the color change on the armor, the bands Raditz wears on his left arm and left thigh are now silver instead of red. It does pair well with the white piping of the armor, though I wish they had just left it red. One advantage this release has over the original is that the faces are using the new printing process recent DBZ figures have featured so they look very nice. My lone complaint is that they didn’t do the portraits in the same manner as they’re done for Vegeta with much of the front hair part of the face. This means there is an unsightly gap between the hair and sideburns. It’s a small thing, but we are talking about an $85 figure.

I think this cocky expression is going to wind up being my preferred look.

As is customary with S.H.Figuarts releases, there isn’t a ton of paint on Raditz. There’s basically no shading and the paint is reserved for the trim work on the armor and the bands on his arm and leg. What’s there is pretty clean. His skin tone is on the pale side, but I think that is to differentiate it once more from the first run of the figure. It looks good, but it’s also a bit of a shame for those with the old one since I think these faces are a slight improvement, but probably would look off when placed on the old figure. The joints are colored pretty well and don’t feature any extreme differences from the softer parts, a problem we’ll be talking about on another SHF release in the not too distance future.

This face, on the other hand, is definitely the worst.

For accessories, Raditz gets a solid complement of faces. We have a stoic/grumpy face, a smirk where he’s giving a side eye, a yelling face for when he’s angry, and a perplexed/surprised face for when he spies an unexpected power level on his scouter. Unfortunately, my stoic face is not aligned properly and his eyes (in particular, his left eye) is printed partially over his eyebrow which makes his pupil all but disappear. I reached out to Bandai about a potential replacement, but they send the error essentially wasn’t “bad enough” to warrant any action on their part. I guess they don’t take the “Premium” part of their store too seriously. For hands, he’s got a set of fists, open, and clenching. His left hand was a bear to swap as the joint kept coming apart at the forearm, not the wrist, so I had to hit just the fist to get it off. The other hands are also tough to get one snug and may need some heating up.

I like the idea behind the crossed-arms piece, but it just doesn’t work with this figure.

We get two versions of his tail. There’s the “belted” version that goes around his waist and an extended version. The extended version has a bend to it and I suspect that’s so Goku can grab it, provided you have a Goku with gripping hands (I don’t think I do). He also has a crossed-arms piece like many a cocky fighter before him. The arms can disconnect at the bicep and the crossed arms piece can be inserted. It’s a piece that’s never fun to put on, and with Raditz the shoulder pads and his incredibly spiky hair cause some issues. I mentioned that Raditz is easier to stand than Super Saiyan 3 Goku, but he’s still not as easy to stand as other figures in the line. For that reason, he actually has a panel on his back that can pop off and there’s a replacement part that features a port for a stand. We saw something similar with Piccolo, though Raditz required the adapter so it can get around the hair. You basically take any stand, remove the claw, and it can slot into that for easy posing.

This is easily the most paint I’ve ever seen on a SHF figure.

The big accessory Raditz comes with is, of course, his nephew Gohan. Gohan is a mostly static figure and it’s depicting him when he emerges from the Saiyan pod to confront his dear uncle. Unlike Raditz, this little guy is fully painted because he’s basically a slug figure. The paint is done quite well as the emblem on his shirt is clean and there’s even little tears under his eyes. Gohan has an angry expression, but he also has a second faceplate which features his eyes closed like he’s smacking into Raditz. There is a tiny bit of articulation at the head which is on a ball and the ponytail is as well. Now, I lamented that Raditz doesn’t come with a flight stand like Super Saiyan 3 Goku, but there is one in the box. It’s here for Gohan though. Yeah, it probably would have been a little greedy to expect two, but it is what it is. Gohan needs the stand because he literally can’t stand on his own given the sculpt. It would have been cool if he was supplied with a second lower half that you could pop out so he could stand, but if such a thing were at the expense of the stand then I guess I’m fine. If you don’t value the Gohan much, you can just leave him in the box and give the stand to Raditz, but I personally can’t see myself doing that.

Take that, you mean old space man!

Raditz being a bulky character in Saiyan armor isn’t the most poseable of figures. He’s pretty similar to Nappa when it comes to restrictions, only now you have to deal with that big mass of hair. The head is, like SS# Goku, on a hinged ball peg and there’s another ball joint at the base of the neck. This gives the figure solid range at the head looking in all directions, and since the hinge is behind the face plate, you’ll always know which war it’s oriented. The hair curves away from the body in such a way that it provides for more clearance than one might have expected. There’s also a joint maybe a third of the way down the hair to give it a little nuance. The shoulders are hinged ball pegs and they lift out to the side beyond 90 degrees as the shoulder pads are on hinges and lift out of the way. Those shoulder pads are a nuisance with the crossed-arms piece though and getting them to stay flush with the chest armor is damn near impossible (even the glamour shots feature a gap). The biceps swivel and that’s all good while the double-jointed arms are a bit too beefy to go much past 90 degrees. The hinged ball joints in the wrists are pretty standard, but the design of the Saiyan armor restricts the range pretty severely.

If you switch to the extended tail you technically gain another point of articulation.

In the torso, we get a ball joint. I’m not detecting a hinge in there so it just goes forward and back a bit. There’s some rotation and tilt, but do be mindful of paint rub on the abdomen when doing so. The waist does rotate a little bit, but it’s pretty minimal, while the armor bits down here are all hinged as well. There’s a decent chance they’ll pop off repeatedly when fiddling with this guy, but try not to get too frustrated. The hips go out to the side maybe 45 degrees, so no splits for Raditz. They kick forward nearly 90, and go back a bit. There is a thigh swivel and it’s incorporated into the sculpt rather well and the double-jointed knees, like the elbows, only go a little past 90 because of the chunky anatomy. It’s one of the better looking knee joints as a result since there’s no gapping present. The ankles are restricted like the wrists, but you get a bit of a rocker and they’ll move forward, but not much back. There’s also a toe hinge, if that’s something you value. It’s not a good one though as it doesn’t stay flush with the sole of the boot.

“Ah hahahaha! Need a hand, green man!”

Raditz is a bulky figure and mostly moves like one. His biggest issues from an articulation standpoint stem from the design of the Saiyan armor. Bandai hasn’t really come up with a good way of doing it as the hinges just don’t work very well. Yes, they’ll get out of the way for certain poses, but it looks stupid when there’s this big gap between the chest and shoulder. They almost need to be on a track instead so then can slide back and create the illusion that the armor is bending. Or, Bandai should just supply different shapes that plug in. That would probably be the most aesthetically pleasing approach, but it would probably be more expensive. Though given the amount of characters that wear this style of armor, I think they’d be able to make their money back. It would also provide for a reasonable excuse to reissue the Ginyu Force, and since they’d be a little different from the original P-Bandai releases, it’s something they could do without betraying the intent of that service. My figure did have a fairly loose left hip joint. I popped the leg off and found it was drowning in some kind of a lubricant. It wasn’t a clear oil, but more like Crisco as it was a milky color. I ran some dry Q-Tips through the hip and leg and it’s much better now. If yours is loose you may want to take a look for yourself.

“What?! His power level is rising?!”

Despite some qualms I have with this figure, I do mostly like it and I think it’s a great representation of Raditz. Yes, the colors are no longer anime accurate, but they’re close enough. If the armor had been a carbon copy of Nappa’s then it would bother me more, and really the only thing that bothers me are the red bands now being silver. Everything else looks great and the little, in-scale, Gohan is a fun inclusion. I wish we could get more of these slug style figures for the various kids and little guys in the show because the articulated figures of Kid Goku, Krillin, and others are way too big. The bad portrait is a definitely a bummer though. Some could wave it off as not a big deal since he has other display options, but we’re talking about an $85 release. That shouldn’t happen, and for a company in this business to just throw their hands in the air over it does not engender much consumer loyalty. For whatever reason, I’ve always been drawn to the design of Raditz so I’m glad I finally gave in to my own wants and picked up a figure of the character. Maybe this means we’ll now get a new Goku from this fight with a special, snap-on, Special Beam Canon to reenact one of the most iconic shots from the anime? I’m honestly surprised it hasn’t happened yet, but we also still haven’t received a Kamehameha Goku vs Vegeta’s Galick Gun style of release so there’s still plenty of iconic moments left wanting and it wouldn’t shock me if Bandai gets to them all some day.

If you’re interested in more S.H.Figuarts releases then I got you covered:

S.H.Figuarts Piccolo: The Proud Namekian

When the S.H.Figuarts line was launched years ago and Dragon Ball Z was at the forefront, it wasn’t Goku who got to be the first figure out of the gate. Nope, it was Piccolo. That figure caught my attention when it was announced even though I had not purchased a Dragon Ball figure in quite…

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by Joe

S.H.Figuarts Nappa – Event Exclusive Color Edition

When it comes to my S.H.Figuarts collection, I’ve been able to largely keep to just Dragon Ball. And by Dragon Ball, I mean the original anime and manga that centered on a young boy named Goku. Even though that’s my favorite edition of the venerable series, it doesn’t mean my favorite is the one shared…

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by Joe

S.H.Figuarts Dragon Ball Z Super Saiyan 3 Son Goku

I believe I have touched on it before, and it’s also probably common knowledge among fans of Dragon Ball, that the story was supposed to end with Gohan’s triumph over Perfect Cell. Goku was dead and gone having sacrificed himself to save the world, but his son would carry on his legacy in his own…

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by Joe

Leave a comment   |  tags: , , , , , , , | posted in Television, toys

February 14, 2024

Naughty or Nice Father Frost & Mall Santa

By Joe
Two very different Santas.

Fresh Monkey Fiction is back with Naughty or Nice Wave Two and just in time for…(checks calendar)…Valentine’s Day? Okay, so things didn’t go quite as planned with this line. In 2021, Fresh Monkey Fiction partnered with Big Bad Toy Store for this line of action figures based primarily on Santa Claus. That preorder took about a year to fulfill, but the first wave arrived just in time for Christmas 2022. It was around that same time that FMF put wave two up for preorder. I’m sure they tried their best, but FMF is a small shop and probably doesn’t have much sway when it comes to overseas factory priority. I suppose I could have waited and put this review on hold until we get closer to Christmas 2024, but there’s this flying, naked, guy in my house pointing a bow and arrow at me so I guess we have to do it now.

The new figures are basically the same as the old ones, just with new heads and a longer coat for Father Frost.

The Naughty or Nice Collection is essentially one figure modified for each separate release. Both figures we’re going to look at today utilize the same body as the two figures I looked at in 2022. I’ll link to that review at the bottom of this entry, but essentially if you liked those figures then you’ll probably like these ones provided you like the aesthetic they’re going for. Obviously, I’m not all-in on this line as I have need for only so many Santas in my collection, but these two appealed to me. Both figures come packaged in a window box display and it’s been modified from the first wave. Where wave one had more of a “Hasbro” shape, wave two is rectangular. There’s more red incorporated, the character name is now on the bottom of the front of the box instead of the top, the cross-sell has been updated, and the side panels feature images of other figures from wave two. I have no idea which design in-box collectors will prefer, but both seem fine to me.

Father Frost is managing better up top than his Santa brothers.
They don’t all have to be red and green.

Let’s talk Father Frost first. This is basically blue, wizard, Santa and it’s not based on any specific folklore that I’m aware of. I think of it as a combination of Santa and Jack Frost. Frost stands at about 6.5″ to the top of his head, slightly taller with the hat, and the only thing different about the sculpt from the Santa figures I looked at from wave one is that this figure has a longer coat which necessitated a different belt overlay. The head is different from the traditional Santa to feature a longer beard and hair on top and a face that is less full. What attracted me to this design is the blue and white deco. There’s a lot of red, white, and green in my Christmas display so any chance I have at adding some blue is welcome. I do like how the figure turned out, though I will say the shade of blue has a touch more yellow to it than the promotional shots and even the images on the box where it’s a darker blue. I would have preferred that, or even a more powder blue, where as this is almost in between.

And he apparently has some rather gnarly powers.
Translucent powers – activate!

The paint job on Father Frost is an improvement over wave one in some respects, but also not perfect. The head portrait is done very well. I like how he has blue eyes with a touch of white inside them. Upon very close inspection the left ear isn’t perfect nor is the transition from beard to right cheek, but it’s nothing you would see even at an arm’s length. The white portions of the coat have been dirtied with a paint wash that makes the robe look more lived in. The belt buckle is painted silver as are the buckles on the boots and it’s pretty clean. Based on the box, it looks like the end of the belt was supposed to be painted silver, but it was missed by the factory on mine and I’m guessing it will be on most. The only paint detail that bugs me a little is the hem of the coat isn’t painted all the way to the edge. It’s worse on the back, but at least it’s the back. For this wave it does look like all of the hinges are cast in the best color so when paint flakes off of them there won’t be a miscolored piece beneath it.

He comes with the same naughty and/or nice list we’ve seen a whole bunch, but in his hands I like to think of it as a spell scroll.

Father Frost comes with a solid assortment of accessories and optional parts. He comes with a set of blue gripping hands, but also has four ungloved hands: trigger right, gripping left, left fist, pointing right. Basically, if you don’t like the look of the blue, gloved, hands you have bare hands instead. He has an alternate head which is the same sculpt as the default, but it’s cast in translucent blue plastic. This was added after solicitation on the suggestion of someone in the Facebook community (if I’m not mistaken) so that Father Frost could match one of the elves in the wave and it’s a good idea and pretty cool that it was added. It looks nice, but it’s hard to get onto the ball joint. And you want to get it all the way seated so that you can’t see the painted neck. They also wisely added some gray paint to the top of the neck ball so there isn’t an odd blob of color inside the head. Father Frost’s main accessory is his staff which is topped with a translucent, blue, crystal. It looks like the sculpted rope was supposed to be painted a different color to differentiate it from the staff, but that didn’t happen. Still, it looks fine. The other accessories are reused: a present which opens, a nice list, and a stand. There’s also a little locomotive toy which fits inside the present. The present has a white and blue deco to coordinate with Father Frost.

Totally not Willie from Bad Santa.

Father Frost is the magical interpretation of Santa, Mall Santa is the opposite. This guy seems to be clearly inspired by the movie Bad Santa, but he’s kept legally distinct. He’s basically a worn down, drunken, cynical, Santa just trying to make a buck. He features a balding portrait with a lit cigarette hanging out of his mouth. He has a five o’clock shadow and a look of almost sad indifference in his eyes. His left eye is supposed to be a black eye, but the paint there is a bit lacking and it doesn’t make it as obvious as the promotional images. His beard is part of the sculpt and I kind of wish they sculpted it in such a way to make it look more obvious and pathetic that it’s a false beard. Maybe a gap between the chin and beard or hooks around his ears would have done the trick. There appears to be a paint wash on his face to dirty him up which has been applied to the body as well. His suit is a deeper red than the other Santas and the whites are all dirty. There’s even a stain in the middle of his chest, which is a nice touch. The look the figure is going for is obvious, but I do wish he could have been on a skinnier base, but I know that’s not really what this line is designed to do.

“What the fuck am I supposed to do with a cookie?!”

Mall Santa does not come with any alternate hands or portraits. His default hands are gloved, gripping, hands and I’m torn on if I prefer those to ungloved hands. The good news is if you do want different hands then you could always borrow them from another figure. Mall Santa’s main accessory is his bottle of whisky. It’s a translucent amber with a black cap with prints on both sides to let you know that it is indeed whisky. The cap doesn’t come off, and the articulation is limited in that he can’t really “drink” it. The cap also isn’t removable, so while I like it, the accessory is a bit limited. There’s also a handheld bell in case he’s more of a donation seeking Santa. He comes with a crushed, red, present with silver ribbon which is pretty neat and makes for a good pillow should you wish to display him passed out. He also has a gingerbread man cookie with a bite taken out of the head and a teddy bear toy. There’s nothing cynical about the bear, it’s just another toy for the display. He also comes with the customary stand, should you wish to use it.

“Ohh Krampus, I have another one for your naughty list.”

Both Father Frost and Mall Santa arrive as expected. Obviously, since they were based on the same molds as last year’s figures it makes sense. The articulation is completely the same, which is why I’m not doing a rundown on it for this space. I would like to see some improvements to the upper body to get better range out of the shoulders since these figures should be able to eat cookies and drink milk (or booze) and they can’t do that. Father Frost basically is what I wanted. Some of the paint could be better and I would have preferred a darker blue, but he looks fine with the other figures and will make for a nice addition to the Christmas display. Mall Santa is also mostly as expected and any disappointment I have with it is basically the same as when it was solicited. I would have loved a passed out, second, portrait and more booze. A crumpled beer can, six pack, empty bottles, something else to go with the whisky would have been cool. His paint is clean though, actually better applied than Father Frost, and the figure works for me. I also count Bad Santa among my favorite Christmas movies and I understand it’s not for everyone.

“Look out, kids, Santa needs to empty his stomach.”

If you’re looking to add more Santa figures to your Christmas action figure collection in February, then I can certainly recommend these two. The others are probably just as good and it all comes down to if you like the design. This line is exclusive to Big Bad Toy Store and everything from wave two is in-stock as of this writing. Each Santa will set you back $37 which isn’t a small amount. They are from a smaller company and not produced in the same volume as a bigger toy company, but it’s probably still a little more than I think most would want. I compare the price to original IP from other small shops where their figures come in at the 30 dollar mark. Still, with the amount of paint and overall feel of these figures I would say you’re getting something better than Marvel Legends quality so it’s reasonable to me. Just don’t ask me about those reindeer they’re currently soliciting for wave three.

Who doesn’t want to read about Christmas toys in February?!

Naughty or Nice Classic Santa and Cyborg Santa

It was looking like we were in for a photo finish this year. Last year, toymaker Fresh Monkey Fiction partnered with online retailer Big Bad Toy Store to launch the Naughty or Nice collection. Structured similar to a Kickstarter campaign, FMF posted several action figures for preorder with a minimum order quantity needed for the…

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by Joe

McFarlane Toys Gold Label Batman Santa (Blue Suit)

Ho! Ho! Ho! It’s the jolly one – Santa Claus! Oh, wait, no, it’s the somber, moody, one: Batman Santa! Yes, it’s our first Christmas themed post of 2023 and it’s an action figure review – shocking, I know. McFarlane Toys has held the DC license for several years now, but this is my first…

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by Joe

Figura Obscura – The Ghost of Jacob Marley

Four Horsemen Studios is back with another holiday release in its Figura Obscura line of action figures. This sister line of their more famous Mythic Legions property launched two years ago with Krampus and continued with last year’s Father Christmas. Many fans, myself included, expected another holiday figure this year, though if you had asked…

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by Joe

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