Tag Archives: Dragon Ball Z Movies

Dragon Ball Z Movie Wrap-up – The Rankings

teaser gokuWell I hope you’ve enjoyed the summer feature this year at The Nostalgia Spot – Dragon Ball Z Movie Monday. We’ve taken a look at all 13 original Dragon Ball Z films in chronological order, run-through their plots, dissected what they did well and not so well, and now we’re going to rank them. It should be noted that this ranking is going to be rendered obsolete in just a few short months as on the way is the first Dragon Ball Super movie:  Broly! Yes, Broly. He’s coming back for a fourth movie appearance, but this time it’s different. Those Dragon Ball Z films he was in are technically not canon. Yes, series creator Akira Toriyama designed the character of Broly and the general back story, but he was never intended to be a “real” character, so to speak. With the 14th and 15th DBZ films, things started to change. Both Battle of Gods and Resurrection ‘F’ are now canon and were adapted for Dragon Ball Super. Since Toriyama is involved with Broly, it stands to reason that this will be an all new version of the Legendary Super Saiyan and for the first time ever he’ll be an actual part of the overall Dragon Ball plot.

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Broly’s coming back, whether you like it or not.

That’s all well and good, but before we can even think about that movie we need to sort out these other 15, of which 3 feature Broly. The core 13 are what we covered this summer, but I had taken a look at the two most recent films previously and made entries about them. Even though their plots are now part of Dragon Ball Super, they were released as Dragon Ball Z films so it feels right to include them in the rankings. Hopefully the first Dragon Ball Super movie will challenge the best of these, but for now, this is what I think of the fine fifteen:

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Lets kick this one off properly!

15. Broly – Second Coming – It’s kind of funny the first film on my list just so happens to feature the character of Broly. If this version of Broly were returning for a fourth feature, then I would be disappointed. Broly was fine in his film debut, but his return engagements saw the warrior reduced to an even more mindless fighting machine. Broly – Second Coming also stars Trunks and Goten, and it feels like maybe they weren’t ready to anchor a feature. Gohan makes his presence felt in the film’s third act, but he can’t rescue this one. Broly – Second Coming is perhaps the most dull, with the biggest rule-breaking ending, and is thus my least favorite. It’s not without some charm, so I hesitate to call it flat-out bad, but it will be a long while before I revisit this one again.

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Maybe this was a bad idea.

14. Cooler’s Revenge – You will probably notice a trend amongst these bottom entries. The movies that just feel like one long fight do little to entertain me, and Cooler’s Revenge commits the sin of having Goku get taken out immediately only to sit on the sidelines for a large chunk of the film’s duration. No one wants to sit and wait for Goku to show up – not Cooler, and certainly not the fans. And the fights that do occur in this picture aren’t very engaging, but we do get some fireworks from Super Saiyan Goku and the transformed Cooler. It’s also his connection to Frieza that helps move this one past Broly – Second Coming.

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Not the best?! I don’t want to hear it!

13. Lord Slug – Similar to Cooler’s Revenge, this one also has Goku get taken out for a large portion of the film. Unlike with that film though, there’s not a great reason for that to happen. Yeah, he gets hurt a bit, but it doesn’t seem like the type of injury that should knock Goku out of commission for such a long time. Anyways, Lord Slug gets to move past Cooler because at least there’s some interesting visuals here. A lot of fun backgrounds and the enemy designs for Slug’s henchmen are interesting as well. I also think the fight between Slug and Goku is a bit better than the one with Cooler, even if it features that goofy half Super Saiyan thing from Goku. This is also a film I look at and can envision it being better than it is with just a few tweaks here and there.

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Swamp Thing got nothing on Broly.

12. Bio-Broly – It seems like this film is most often cited as the worst DBZ film and I can see why, on the surface, that would be the case. It returns Broly, but in an even weirder form than before that’s somehow even more mindless. There’s no Goku, Vegeta, Piccolo, or Gohan, and overall the stakes are possibly the smallest they’ve ever been. On the other hand, Goten and Trunks get another crack at being the stars and they’re more entertaining here than previously. There’s a good balance of nuanced humor with the childish brand that sometimes rears its head and we also get a good dose of both Mr. Satan and Android 18. Perhaps best of all, there’s no silly rule-breaking ending involving the dead Goku this time and in the end we get a film that’s perhaps not super engaging, but it makes up for it to some degree with humor and charm.

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Trucker hats rule.

11. Super Android 13! – Another extended battle movie, but this one ups the excitement by adding yet another Super Saiyan to the mix – Future Trunks. We also get more androids, which at this point in time felt a little like overkill since we already had five in the main series, plus Cell. Still, the android villains kind of work and given how secretive Dr. Gero was it wasn’t out of the realm of possibility that he’d have even more waiting to awaken. It’s just too bad they all have the same general programming of needing to kill Goku. For the English dub, Funimation actually took some liberties and gave Android 13 a little personality. It wasn’t much, but it was something. The fights are generally satisfying, though the resolution kind of “meh.” More than most, this one is all about spectacle.

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Dragon Ball Z Movie 6 – The Mega Powers Explode!

10. The Return of Cooler – Cooler gets to improve upon his debut by pairing up with a super computer and gaining a shiny, new metallic body. Vegeta also gets to debut in a DBZ film as a Super Saiyan, and for the first time ever, he and Goku team-up to take on Cooler. There’s actually some semblance of a plot here and it’s not bad. There’s a little mystery, and if Funimation didn’t decide to go with such an obvious title the actual re-debut of Cooler would have come as a surprise. The film just kind of loses me in the final act. It’s no Spirit Bomb attack at least, but it is kind of odd.

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In this one, Goku fights a tree.

9. The Tree of Might – If this were a ranking of best looking Dragon Ball Z films then The Tree of Might would be a contender for the top spot. It hits the sweet spot between the very soft, round look of Dragon Ball and early Dragon Ball Z while also bringing in more definition. The characters are all muscled-up and impressive looking, the special effects mesmerizing, and the battles don’t move at a super-sonic pace. More interesting enemy designs, the debut of Icarus, and even a Giant Ape fight! The actual plot is just what holds everything back as a planet devouring tree hardly seems like an interesting adversary. And then there’s the confusing Turles and the lack of a really great fight involving him. If Goku and Turles were able to wage an all-out epic battle then that probably would have vaulted this one up the list, but instead it settles close to the mid-point of our list.

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Oh yes, that’s the good stuff!

8. Dead Zone – It’s rather appropriate that the debut film, Dead Zone, is right in the middle. I consider it a good measuring stick for all of the DBZ films. It has a simple, but effective plot revolving around the kidnapping of Gohan and a villain out for revenge and immortality via the Dragon Balls. That villain is Garlic Jr., who gets to follow a typical villain mold for this series in that he’s not imposing to look at, but he’s hiding a monstrous transformation. The fight choreography is top-notch and probably the best the series had. Watching Goku dodge the blade attacks of Garlic Jr’s minions is easily the film’s most fun visual. There’s also the odd drunk Gohan sequence that’s pretty amusing by itself, and we even get a pee joke. The film kind of falls apart in the final act, a common occurrence sadly for these films. We’re teased a Goku vs Piccolo fight that never gets going, and Garlic Jr. is defeated in a very anticlimactic fashion by Gohan. Basically, Gohan powering up alone pushed Garlic into the Dead Zone? I don’t know, it’s still a lot of fun though.

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Legendary Super Saiyan? More like Legendary Cry Baby.

7. Broly:  The Legendary Super Saiyan – Broly peeks on our list at number 7, which isn’t half-bad (literally). His debut film was the longest at the time totaling over 70 minutes and it utilizes its time well. It moves at a methodic pace teasing the emergence of Broly and then devotes a sizable portion of its run time to the actual fight. Where it stumbles is with its odd handling of Vegeta and, stop me if you’ve heard this one before, the resolution to the actual fight with Broly. His defeat just feels cheap. I don’t know what would have worked better since they kind of wrote themselves into a hole considering how powerful Broly is, but surely something better could have been utilized. Nonetheless, it’s still fine and this is how a Broly film should function where the plot revolves around him, but doesn’t necessarily require him to do much aside from just being there. The other characters move the narrative and provide the context. Oh, and his origin is great aside from why he hates Goku. I think that aspect of his origin was supposed to be funny, but it just doesn’t fit here.

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You wanna get nuts?! Let’s get nuts!

6. The World’s Strongest – The second DBZ film still feels a bit like an odd duck. It is somewhat rooted in the spirit of the original Dragon Ball, and bringing Master Roshi back into the fold is certainly welcomed by me. The sci-fi nature of the plot is slightly out of place for Dragon Ball Z, but less so when you consider some of what was featured in Dragon Ball. If the villainous duo of Dr. Wheelo and Dr. Kochin were given ties to the Red Ribbon Army then they would have felt right at home. Like Dead Zone, it gets a lot out of its visuals. The fight choreography is again top-notch, and the big finish with the Spirit Bomb works since it hadn’t been done before. I love the arctic location and the humor infused into it. Even the whole premise of the film, a couple of long dormant scientists mistaking Master Roshi for the strongest fighter in the world, is pretty amusing and the Metal Gear-like Dr. Wheelo is certainly an interesting opponent from a visual perspective. This is just another fun DBZ movie that moves at a brisk pace and is able to squeeze everything that’s charming about early DBZ  into it in a satisfying manner.

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When a god asks for pudding you give him pudding!

5. Battle of Gods – The return I had no idea I cared about. Battle of Gods both resurrected Dragon Ball Z as an anime brand and launched Dragon Ball Super. It introduced the God of Destruction, Beerus, and his godly attendant Whis who have become some of my favorite characters across all of Dragon Ball. Beerus is not only an all-powerful god, but a cat. We’ve seen cat creatures before, but Beerus is able to subtly weave in cat-like behavior into his mannerisms that’s so entertaining. The film also brings together basically everyone from DBZ as far as the earthlings go, and it’s heavily reliant on comedy. So much so that it comes at the expense of action, which is where some fans seemed to be let down. That and Goku’s Super Saiyan God form was fairly underwhelming. Still, what action is present is solid and the film looks fantastic when it’s not trying to use CG effects.

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Some cool guys and Yamcha.

4. Bojack Unbound – The first movie that did not try to rely on Goku, Bojack Unbound put Gohan in the spotlight in a bit of rehash of his fight with Cell and the awakening of his Super Saiyan 2 powers. It could have been a bit lame, but it’s anchored by some character development that works and the introduction of one Mr. Satan who never fails to be amusing. The entire film takes place on an island as the Z fighters have entered a tournament for riches. There’s plenty of humor to be found at the expense of both Mr. Satan and Krillin, and also plenty of action. The part of the film I liked most was the little peak at a post-death Goku Vegeta, who is essentially depressed about the loss of his rival. The film maybe could have been better if that had been its primary focus, but instead it chose to just make that a small piece. The actual villain, Bojack, is kind of boring to be honest, but we get a good series of fights out of him and his minions. It’s also fun seeing the Super Saiyan 2 moment rehashed, and the film just looks fantastic.

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Tears in Hell.

3. Fusion Reborn – Probably not surprising, but a film that spends quite a bit of time devoted to exploring the relationship of Goku and Vegeta is going to rank high on my list. These films often don’t go for character development, instead choosing to just capture the essence of the main characters and sticking that on-screen. For Vegeta, that typically means you just get a cocky jerk who is only fighting because he wants to be the one to defeat Goku instead of the villain of the moment. In this one, both fighters are dead, and they need to not only team-up to stop the Buu-like Janemba, but literally become one fighter via fusion. Vegeta can’t stand the thought, but Goku proves persuasive. The two seem to develop an understanding of one another and have a bit of a quiet reckoning leading up to the big moment, and it’s very rewarding and very sweet. In addition to that, the movie combines impressive visual flair with a ton of funny bits including Goten and Trunks taking on a resurrected Hitler. This one distills the qualities of the Buu Saga that I actually like into a tidy 52 minutes and it’s arguably the most “fun” of all the Dragon Ball Z movies.

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Play nice you two.

2. Resurrection ‘F’ – The most recent film may actually be the only one more fun than Fusion Reborn and that’s because it’s very much a fan-servicey kind of movie. It brings back Frieza, the most hate-able of all of the villains, for another round. Now he’s powered-up to a new form, but so are his chief rivals Goku and Vegeta. Debuting their new Super Saiyan God Super Saiyan (Super Saiyan Blue, for short) forms, the two Saiyans are basically on equal footing for the first time since their inaugural fight way back on Earth during the Saiyan Saga. In addition to watching them pummel Frieza, we get to see the other, lesser, fighters square off against Frieza’s minions including Master Roshi! Krillin shaves his head, Gohan gets angry, it’s basically all here. Beerus and Whis also return and they’re just as amusing as before and the film’s visual style is truly stunning. This may be the best looking DBZ film so far as it dials back on the crude CG from Battle of Gods. I think I still prefer The Tree of Might’s look to this one, but it’s close. Ultimately, this one works because we get to see that jerk Frieza get bested once again, and Vegeta even gets a little revenge. It also further adds to the Goku/Vegeta dynamic in a worthwhile way, something that Dragon Ball Super will continue to explore.

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This is a sweet one, right up until a child is asked to execute his buddy.

1. Wrath of the Dragon – I guess when it comes to these movies, I’m more of a “plot guy” than an “action guy.” Wrath of the Dragon doesn’t feature a ton of fighting, but it does spend a long time on the quieter things. I enjoyed the introduction of Tapion and his story, and seeing a different side of Trunks felt very rewarding. We’ve seen Goku take on all kinds of crazy beings, so it was nice for a change to just spend a lot of time looking at a character that’s mostly been underserved by both the films and the series. It gives the film a different mood. It’s a bit sad, but also endearing, and it still packs in some moments of triumph. Some of the early plot machinations are a bit silly, and the almost total absence of Vegeta felt puzzling, but Wrath of the Dragon still manages to tell the best story of all 15 films and that’s primarily why I placed it here.

In truth, the top 5 films felt pretty interchangeable for me. Bojack Unbound is really watchable because of the action pieces, while Battle of Gods feels the most dense because of all of the new lore introduced. Fusion Reborn and Resurrection ‘F’ bring a lot of humor and silliness to the table, making both very re-watchable, while Wrath of the Dragon just seemed to strike a nice balance for me. Hopefully, the upcoming Broly can match the best Dragon Ball Z put out. It’s basically guaranteed to look amazing, and I’m sure we’ll get some flashy action sequences no matter what. I’ve had fun revisiting these films. I never held a high opinion of them, but I think I had more fun with them now than I did when I was younger and a bit more cynical. They are what they are and they exist simply to entertain for 45 minutes or so (and make money) and as long as they don’t betray what the series stands for then that’s good enough for me.


Dragon Ball Z: Cooler’s Revenge

DBZ_Movie05Japanese Title:  The Incredible Mightiest vs. Mightiest

Original Release Date:  July 20, 1991

English Release Date:  January 22, 2002

Directed by:  Mitsuo Hashimoto

Screenplay by:  Takao Koyama

Running Time:  47 minutes

This seems as good a time as any to talk about the titles of these movies. The direct translation from Japanese is right at the top of each of these entries I’m making, and taken in that sense, they’re usually pretty crazy. They’re often very descriptive or kind of comical. This one, The Incredible Mightiest vs. Mightiest, is one of the more comical ones. When dubbing and releasing in English, Funimation basically gets to come up with whatever title it thinks makes the most sense. In this case they went with Cooler’s Revenge, which feels like one of the more boring titles they came up with. For one, we don’t know who Cooler is going into it so why in the world would he be out for revenge? I guess we’re supposed to watch and find out, but it just seems kind of lazy. In this case, the directly translated title sounds like something I’d want to watch! Incredibly Mightiest? – I want to know who that guy is. A cooler seeking revenge? Sounds like a beverage container got mad that it’s being used as a bait bucket on a fishing trip or something.

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We get to watch poor Bardok get smoked again at the start of this one.

Anyways, if you didn’t guess on your own, Cooler is related to Frieza. He’s his brother, to be exact, and he’s come to Earth seeking a battle against Goku to redeem his family name. He has no love for his deceased brother making it clear this quest for revenge is more about honor than anything. This is also one of the few movies that could have conceivably been fit into the actual Dragon Ball Z timeline given that a lot of time passes offscreen between the Frieza and Androids Saga. Not that it matters in the grand scheme of things, but it’s an interesting aspect of the picture.

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Cooler, who spends the bulk of the movie in his fourth form which resembles Frieza’s.

The movie begins with a recounting of Frieza destroying the Saiyan home world:  Planet Vegeta. We’re shown the events from the perspective of Cooler (Andrew Chandler) and his small army of loyal men. He scoffs at Frieza’s (Linda Chambers) carelessness and at how childish he’s behaving. One of Cooler’s men, Salza (Michael Marco), picks up a Saiyan Space Pod on their radar escaping the destruction. He suggests they destroy it, but Cooler refuses saying it’s Frieza’s problem. They apparently have their own areas of the universe to dominate, and there’s an aspect to his personality that would probably welcome the destruction of his brother. We then jump forward for a quick recap of the Goku and Frieza battle and witness Goku, as a Super Saiyan, defeat the evil tyrant.

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Like most of the big bad guys on in this show, Cooler has a group of loyal henchman. Salza, pictured here, appears to be his right-hand man.

In the present, Cooler is on his way to Earth, like so many villains before him. On Earth, Goku (Sean Schemmel) and his friends are camping (this sounds really familiar) when Cooler and his men show up. Goku isn’t looking for a fight, but he’s obviously ready to defend his friends and family. Cooler and company obviously seek something else, and they begin their attack. They overrun the earthlings, and a blast intended for Gohan (Stephanie Nadolny) is taken by Goku inflicting a near mortal wound on the warrior. They’re able to escape, and Krillin (Sonny Strait) sets Goku up in a cave to rest while Gohan agrees to head to Korin’s tower for some senzu beans. He takes Icarus so that he doesn’t have to expend any energy that would be picked up by Cooler, and off he goes.

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Gohan is sent for senzu beans but runs into some trouble.

Gohan is able to make it to the tower without detection where he encounters Yajirobe (Mike McFarland) and Korin (Mark Britten). Korin tries to play a bit with Gohan while Yajirobe isn’t in the mood for games and orders the cat to just give up the beans. Gohan thanks them and takes off, but on his way back to the cave he is unable to avoid Cooler’s men. They shoot down Icarus and rough up Gohan, but just before they can deliver a mortal blow (and stop me if you’ve heard this one before) Piccolo (Christopher Sabat) shows up! He tangles with Cooler’s men, allowing Gohan to slip away. Piccolo takes care of two of Cooler’s men, Dore and Neiz, and seems capable of taking out Salza as well when Cooler arrives. He uses his Death Beam attack to neutralize Piccolo and orders Salza to track Gohan.

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Piccolo gets a brief moment to shine in this one, emphasis on the word brief.

Gohan makes it to the cave, but before he can hand over the pouch of senzu beans Salza arrives and fries them. Krillin heads outside to buy them some time, when Gohan remembers that Yajirobe tossed him an extra which he stored in his sash. He gives it to his dad, who immediately starts to feel better. While his strength is returning, Gohan and Krillin team-up to take on Salza but find themselves overmatched pretty quickly. Goku emerges from the cave to even the odds, when Cooler shows up baring an unconscious Piccolo. He provokes Goku further by blasting Piccolo through the chest and letting his body fall to the Earth. Goku takes his anger out on Salza, sending him soaring out of the picture, and then turns his attention towards Cooler.

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Cooler – not a nice guy.

Goku and Cooler square off and the two appear to be evenly matched. That’s when Cooler breaks off from the fight momentarily to tell Goku his story, because that’s what villains do. Goku doesn’t really care, and then Cooler unveils one final trick – a fourth transformation! Cooler was in his fourth form, the result of his third transformation, as Frieza was when Goku killed him. Cooler long ago unlocked yet another form, and he’s more than willing to utilize it in order to destroy Goku. He goes through the process, which makes him bigger and results in lots of protruding spikes and a new grill for his mouth. He kind of reminds me of Super Shredder from the 1991 Teenage Mutant Ninja Turtles II movie, but since they came out the same year he’s pretty clearly not influenced by that character.

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Cooler’s Super Shredder form. It’s fine.

In his new form, Cooler proves to be Goku’s better. Everything Goku tries fails, and he soon finds himself getting beaten down. That’s when he resorts to his old motivation techniques – thinking of those who depend on him, recalling the bad deeds of his opponent, etc. Apparently, Cooler injuring a bird is his breaking point this time and Goku goes Super Saiyan. As a Super Saiyan, he proves to be Cooler’s better forcing him to resort to the same tactic his brother did by trying to destroy the whole planet with his Death Ball technique. Goku is able to counter it with his Kamehameha wave and literally blasts Cooler into the sun. As his body breaks apart, in one last bit of poetic justice, Cooler makes the connection between Goku and the fleeing Saiyan Space Pod thirty years ago. With Cooler taken care of, the only thing left is Salza, and a certain big green guy gets some momentary revenge and the last word in this one, which is kind of nice for a change. Though how he recovered from what appeared to be multiple mortal wounds is left unexplained.

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Ouch.

Cooler’s Revenge is perhaps the simplest of all of the Dragon Ball Z movies thus far. It follows the exact same script as the past two movies essentially, with an evil invader coming to Earth seeking something and getting into a fight with Goku. In the case of the Saiyan Turles, he at least had the Tree o Might to add some spice to his invasion, while Lord Slug essentially sought the same thing as Turles, but found the Dragon Balls too. Cooler is just here to kill Goku, and in some respects I appreciate that the movie gets right to it, but then it betrays its fast start by taking Goku out of commission and forcing us to wait for his reentry into the fight. Because of its simple nature, this is the shortest film since Dead Zone and it would be even shorter if they took out the flashbacks to the main series.

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The film debut of Goku’s Super Saiyan form.

The movie’s biggest strength is its reliance on the story began in the actual series with Frieza. Connecting Cooler to Frieza is a good move as it gives him credibility. And it’s not like Toriyama didn’t experiment with Frieza’s family history as well by introducing King Cold shortly after Frieza’s defeat. It’s conceivable that he could have had a brother roaming the galaxy as well, and also not surprising that they wouldn’t exactly have any strong affection for each other. It is kind of strange that he would have never been mentioned by anyone during the events of the show given that he’s apparently more powerful than his brother, but then again no one ever talked about King Cold either. That additional transformation is kind of the obvious move, but at least it looks a little different from the others and its visually interesting. Goku having to transform in a similar manner to how he did against Frieza was kind of tired, but when you consider that a lot of these films seem to exist to condense a main plot point from the show into a short run time then I suppose it’s more forgivable.

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The film ends with a classic beam struggle, which I’ll give it credit for doing so as I was getting really sick of the Spirit Bomb.

As one of the earlier Funimation dubs, the original version of this film’s English dub was full of terrible nu-metal music within its soundtrack. It’s actually kind of amazing Funimation fit so much of it into such a short film, but wow can I not recommend avoiding that initial dub strong enough. I guess if you enjoy bands like Disturbed and Drowning Pool you might like it, but I can’t think of worse torture. This one is also visually the most bland film so far as the settings are just boring planes and forests that offer little spice. The fight choreography is also less than stellar as it suffers from the same issue as Lord Slug in that seemingly every confrontation is between two individuals with vastly different power levels, and that’s just not entertaining. It would have been nice if Goku’s Super Saiyan transformation had put him on more equal footing with Cooler for a more interesting fight.

Cooler’s Revenge is a movie with a solid premise – the brother of an evil tyrant is out to avenge his family’s loss by confronting a man he allowed to live long ago. After that though it pretty much botches everything else. It takes one of the least appealing aspects of the show, waiting on Goku, and incorporates that into a movie. It also doesn’t offer any great action pieces, and it even lacks in another aspect of the series we’ve all come to enjoy – the humor. It’s a drab film, and as a cliff notes version of how Goku became a Super Saiyan I guess it’s fine, but it’s my least favorite Dragon Ball Z movie so far. Hopefully it stays that way.


Dragon Ball Z: Lord Slug

lord_slug2Japanese Title:  Son Goku the Super Saiyan

Original Release Date:  March 9, 1991

English Release Date:  August 7, 2001

Directed by:  Mitsuo Hashimoto

Screenplay by:  Takao Koyama

Running Time:  52 minutes

Going into this, I didn’t have the highest opinion of Dragon Ball Z movies. They’re good fun and all, but they’re so simple and derivative that they hardly seem worth praise. In spite of that though, I’ve very much enjoyed revisiting the first three films. They vary in quality to some degree, but all three have made for some good entertainment. When it comes to the fourth Dragon Ball Z feature, Lord Slug, I’m actually just now sitting down and watching it for the first time. Back in the Toonami days, the first three films were shown on Cartoon Network often so I saw quite a bit of them. It was a long while before Funimation resumed dubbing the films, so most fans outside of Japan had to resort to the dreaded fansub. Basically, fans would take episodes of anime and subtitle it themselves then hawk them on the internet for a not insubstantial sum. A kid in my neighborhood went through the effort of purchasing a VHS tape of Dragon Ball Z movies from one such source and was happy to share the wealth when it actually arrived. Most charged for the tape plus the movies, so the incentive was to cram as many movies onto each tape as possible. Lord Slug had a reputation online as being one of the worst Dragon Ball Z movies, so this kid didn’t include it and instead opted for the consensus better flicks. I borrowed that tape and watched the movies on it, and by the time Funimation actually put out the movies officially I had moved onto other things.

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A new enemy for Goku – a runaway planet!

For this feature of mine, Lord Slug was actually a movie I was really looking forward to despite its reputation considering it would be entirely new to me. Even though it has a reputation, I didn’t really hold that against it. These movies may not be high art, but they’re so simple that it seems hard to totally botch it. Plus the villain seemed interesting to me considering his ties to Piccolo, one of my favorite characters. It was my hope going into it that because of that connection a certain Namekian might actually get to do something other than show up and get obliterated.

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The others are forced to watch as Goku and Krillin go to work.

The movies opens in familiar fashion, perhaps too familiar at this point, with Piccolo (Christopher Sabat) quietly meditating by a waterfall. Gohan (Stephanie Nadolny) shows up with his dragon pal Icarus (Sabat), making his second appearance, wearing his old school traditional attire from the very first movie and episodes of the show. Gohan is apparently excited to unveil some sort of song and dance routine he’s been working on with Icarus. It’s kind of cute to see Gohan acting like a child, even if it feels like an atypical scene for Dragon Ball Z. When Gohan starts whistling Piccolo starts to freak out. Apparently the high-pitched noise of Gohan’s whistling bothers Piccolo’s super sensitive ears. Oddly enough, Piccolo seems surprised by it so apparently he’s never heard a human whistle before (which is actually believable since he’s basically been a hermit his whole life).

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Lord Slug begins he film as a pretty old, and decrepit looking individual, but he won’t stay that way.

After that episode is concluded, Piccolo notices something heading towards Earth. We get a cut-up of a bunch of folks picking up on the same thing. Instead of the usual, a super-powered being only the Z Fighters can sense, it’s actually a giant, frozen, planet that’s on a collision course with Earth. As the whole world prepares for Dooms Day, Goku (Sean Schemmel) and Krillin (Sonny Strait) fly up to meet it. They unleash twin Kamehameha attacks that entwine and then combine into one super Kamehameha wave, but it seems to have little effect on the onrushing planet. Goku and Krillin are thrust aside and it looks like the planet won’t be spared a direct impact. As the others at ground level take cover, the Earth’s atmosphere goes to work. The giant, ice ball is melted away revealing a colossal spaceship underneath that lands on the surface. Even though the majority of the planet melted away, it still caused a ton of damage.

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Chi-Chi gets in on the action, for a moment.

Bulma (Tiffany Volmer), Oolong (Brad Jackson), Chi-Chi (Cynthia Cranz), and Gohan race toward the downed spaceship along with hordes of onlookers to see what happened. A bunch of soldiers emerge and declare that the Earth now belongs to Lord Slug (Brice Armstrong). Interestingly, everyone laughs at them except Oolong, who rightly identifies them as a threat. The soldiers inform the onlookers that Lord Slug intends to “terra-freeze” the planet to use as a new ship, the why of that is never really explained, and then they start firing on everyone. Gohan decides to spring into action and proves himself more than capable of handling these low-level grunts.

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Random minions never fare too well in Dragon Ball Z.

Meanwhile, inside the ship Lord Slug and his handlers look on. We get the usual display of tyrannical power as Slug kills a few minions that displease him in some minor way. They watch what’s happening outside the ship via a video link and Slug notices the Dragon Ball atop Gohan’s hat and recognizes it for what it is. They head outside where Gohan is fleeing with his mother in his arms after she took a rather nasty gut punch. He lost his hat in the melee, and Slug scoops it up lovingly. Bulma stupidly comments on the Dragon Ball, and Slug realizes she knows more than she’s letting on. He grabs ahold of her and demonstrates one of his abilities – the power to read minds. In seconds he knows all and steals Bulma’s dragon radar. Without much of a time jump, Slug is shown on the roof of his ship with all seven dragon balls. Slug, who is green of skin and some-what elderly looking, summons Shenron (Sabat) and wishes for eternal youth. Shenron, apparently being kinder than most wish-granting beings in other media, restores Slug to his physical prime much to his delight. They soon begin the terra-freezing process and the Earth rapidly cools.

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The henchmen of Lord Slug (left to right):  Wings, Angila, Medamatcha

Back at their home, Chi-Chi prepares tea and soup for everyone to fight off the cold. She’s still a bit sore from the beating she took earlier. When she goes to give Gohan his soup she finds him gone, and he’s taken his Piccolo attire. The Gohan-Oolong team from The World’s Strongest has been re-formed, with Oolong even sporting the same outfit from their previous arctic journey. Icarus is along too, and they’re spying on the goings-on around Slug’s ship. They soon attract some unwanted attention from Slug’s men, and unable to escape, Gohan prepares for a fight. Per usual, his guardian angel of sorts, Piccolo, shows up to give him a hand just when it seems like he’s about to be bested. Piccolo squares off with a demonic looking henchman named Wings (John Freeman), while Gohan takes on Medamatcha (Kent Williams). Piccolo finds he’s much stronger than his adversary and kind of toys with him a bit, which ends up being a foolish move because Gohan has more than he can handle with Medamatcha, who has a unique ability to sprout four mini versions of himself that are capable of draining energy.

Piccolo finally obliterates Wings, just as Gohan looks like he’s about to go down for the count. As he rushes to help him, Slug’s other henchman Angila (John Burgmeier) takes notice. They try to finish Gohan off, but Piccolo is able to absorb their blasts. The two may be alive, but Piccolo is in bad shape. Without being able to muster a defense, they’ll soon perish.

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Medamatcha is one of the crazier villains we’ve seen thus far.

Goku awakens somewhere nearby and is shocked to see the world is basically frozen. Yajirobe (Mike McFarland) had witnessed what happened from Koren’s Tower and brought some senzu beans to revive Goku and Krillin. They can’t waste time though as Gohan and Piccolo are in need of some aid and they rush to help out. Goku is able to prevent Medamatcha and Angila from killing his son and friends, and offers his usual warning to his foes before getting to it. Medamatcha and Angila at first appear to be doing well in their coordinated effort to take out Goku. Angila is able to stretch his arms out and grab ahold of Goku while Medamatcha sets his mini-me’s to work in draining Goku’s energy. It’s all for naught as Goku easily overpowers the duo forcing Lord Slug to come out and face him.

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Goku taps into his rage to into Not-Super Saiyan mode.

Krillin is apparently unimpressed by the imposing looking Lord Slug and attempts to take care of him all by himself which just results in a comedic moment of Slug batting the fool away about 1,000 meters. Goku correctly notes that Lord Slug has tremendous power, and he even finds himself overmatched. King Kai, who has popped in here and there through-out the film with an anecdote or two, telepathically warns Goku about Slug. When things seem to be at their most dire, Goku is able to summon the strength to battle back. He tries to implore his friends to lend him their energy, but King Kai (Schemmel) lets him know they have nothing left to give. This causes Goku to transform – sort of. He acquires the yellow aura of a Super Saiyan, but nothing else. Since this film came out during the battle with Frieza, but before Goku entered the fray, he’s apparently not quite a Super Saiyan yet making this moment a sort of halfway point. It’s kind of silly, but his form is obviously effective in that he beats back Slug.

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Slug turns the tables by making himself taller than a skyscraper.

Slug, fearing defeat, decides now is the time to unleash his full power. He tears off his arm, which had been broken by this enraged Goku, and regenerates it back confirming what most viewers probably already figured out – Lord Slug is a Namek. Not just any Namek though – a Super Namek! At least, that’s what King Kai calls him. He gives Goku a quick history lesson. Apparently Slug is an exclusive Namek in that he and a small number of others attainted this power. They were evil though, and the other Nameks used the power of the Dragon Balls to banish them from Planet Namek. Slug then grows to a gargantuan size, similar to what King Piccolo and Piccolo Jr. demonstrated in Dragon Ball. They fight, but Goku has seemingly lost the power surge from earlier, or he just can’t match Slug’s.

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“Hey Goku, what do you think of my smile? That Eternal Dragon sure did a good job of restoring my grill.”

As Slug prepares to squish Goku like a bug, Piccolo pops in to grab Slug’s antennae. Echoing something Goku said to Raditz about Saiyan tails, Piccolo suggests grabbing a Namek by the antennae is especially painful. If so, it doesn’t appear to bother Slug a whole lot as he tosses Goku aside and grabs Piccolo instead. Piccolo then does an odd thing – he rips off his own ears. He calls out to Gohan to do his whistling from earlier. Gohan, still laying on the ground half-dead, hears Piccolo and does as he’s told. Slug’s gigantic, Super Namekian ears pick-up on the noise and he starts freaking out much like Piccolo did earlier. He drops Piccolo, who then transfers his energy to Goku, so he can finish the job. Just as he did as a boy to King Piccolo, Goku launches himself directly into Slug’s chest and then through it. Slug isn’t dead just yet though, as Goku flies into the sky to prepare a Spirit Bomb to destroy Slug’s ship, the Super Namek grabs him by the foot forcing Goku to instead use the bomb on him. No harm, no foul though as the bomb is able to take out both Slug and his horrible ship and the Earth is safe once again. The movie ends on a joke, as others have before it, only this one is pretty bad. I won’t spoil it for you if you haven’t seen it though.

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Piccolo at least gets to play more prominent role in this one.

It would seem the consensus on the internet is actually right about this one, at least as it compares with the first three Dragon Ball Z films. Lord Slug is indeed the worst of the three. Alien invaders seeking to freeze the entire planet to use as some sort of vessel is pretty bizarre. Maybe if Toei could have come up with a valid reason for why this was necessary it could have worked, but instead they just let it hang in the air. Worse is the rather lazy writing. Goku and Krillin get taken out by Slug’s ship, but they’re out of action for way too long. At the same time, it takes Slug no time at all to amass the Dragon Balls. Way too much happens between Goku getting knocked out and returning to battle. Furthermore, the Super Saiyan transformation isn’t discussed as a possibility though-out the picture, so when Goku “transforms” it’s not earned. Instead, he just goes from getting pummeled to suddenly dominating.

The one-sided fights are too frequent in Lord Slug. There are basically no even matches. Either a hero is over-powered or a villain is, and there’s a seesaw effect at play. It makes for boring action sequences. I don’t mind seeing a couple instances of this, but it usually leads to a fight where both competitors are on relatively equal footing, at least it has in prior films so far. As a result, Lord Slug has some of the weakest action sequences so far, and worst of all it also doesn’t look so great in places. In particular, when powered-up Goku goes on the attack the effects look awful. Buildings look like they’re made of cardboard and the debris is all floaty. Even the big attacks aren’t particularly interesting looking, though I did appreciate the nod to Dragon Ball with Goku’s super headbutt attack.

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The movie isn’t the best, but I don’t lay that on the massive shoulders of Lord Slug himself.

As a villain, Lord Slug doesn’t bother me much. He has a solid design, and the slow reveal that he’s a Namekian is kind of fun, though if you were paying attention you probably would have noticed the signs. He wears a helmet throughout the film leading up to the reveal, which is why it isn’t obvious. The whole Super Namekian is kind of cheesy sounding, but I like the little built-in lore, even if I find the King Kai narration bits intrusive. The whole high-pitched sound weakness thing though is pretty stupid. I guess it’s better than having Slug get dispatched in the same manner as so many other villains, but if Namekians really had such a weakness wouldn’t it show up more often?

Lord Slug was under-served by the movie that bares his name (in English anyway). It’s the first, and likely not the last, Dragon Ball Z film that really feels half-assed. Lord Slug is an interesting villain, and it wouldn’t have bothered me to see the other Super Nameks come into play in a future film, though it never happened. They probably would have used that silly whistle thing to topple them anyway, so maybe it’s good this is the last Super Namek we see. Lord Slug is a movie of recycled bits and half measures, it’s entirely forgettable. Is it actually bad though? I suppose it’s like a bad episode of the show – it’s not particularly memorable, and doesn’t have a signature dazzling moment, but it doesn’t feel like a total waste of time. You just likely won’t feel like watching it again for a long time, if ever.


Dragon Ball Z: Dead Zone

DBZmovie1_JapanJapanese Title:  Return My Gohan!!

Original Release Date:  July 15, 1989

English Release Date:  December 17, 1997 (Pioneer/Ocean Productions), May 31, 2005 (Funimation)

Directed by:  Daisuke Nishio

Screenplay by:  Takao Koyama

Running Time:  42 minutes

For the very fist Dragon Ball Z movie I feel like we need to do a little house-keeping before we get into it. When Pioneer tried to bring Dragon Ball Z to North America, they contracted Ocean Productions to dub the first 100 or so episodes as well as the first three movies. As a result of many re-runs on Cartoon Network, English speaking fans are likely pretty familiar with the first three films:  Dead Zone, The World’s Strongest, and Tree of Might. The original dubs were edited and contained some odd choices in terms of translation, though Ocean at least hired quality talent. They held the rights to the films long after Funimation started dubbing the episodes Ocean never tackled, and once the rights expired Funimation went back and re-dubbed the first three films with their own cast that fans are now likely more familiar with. In doing so, they also inserted a new soundtrack that was okay, at least it didn’t utilize a bunch of awful licensed music like their dub of the OVAs, but I’m sure it was frustrating for fans of the Japanese dub. When Funimation re-mastered and re-released all of the movies in 2011 they wisely restored the Japanese soundtrack (though oddly they went with their generic butt-rock opening theme instead of “Cha-la Head Cha-la” for the English dub with Japanese BGM. If you want the original opening music you have to watch the full Japanese audio) while still including the US soundtrack for people who wanted it. There’s also the option to listen to the Japanese audio with subtitles, something that’s pretty much a given these days, but once upon a time was not a guaranteed feature.

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The dreaded Dead Zone, from which the English version of the film takes its name.

Dead Zone, or Return My Gohan!!, is basically set before the events of Dragon Ball Z. If not for the fact that Master Roshi and co. are unaware of the existence of Gohan to start DBZ then this film could be shoe-horned into the canon. It features the villain Garlic Jr. (Chuck Huber), and if you’re wondering who Garlic Sr. is and concerned you may have forgotten about him – don’t worry, he’s never existed in Dragon Ball. The film was originally released theatrically in Japan right after the conclusion of the Raditz conflict, and grossed around 9 million USD. I don’t know if that performance was viewed as positive or not, but for comparison 1988’s My Neighbor Totoro and Grave of the Fireflies is estimated to have grossed around 5 million, so it would seem this was pretty solid. Especially considering that Dead Zone is largely animated in the same manner as the anime series. There’s little in the way of extra flourishes, instead it just looks like Toei utilized their full budget and best team so it looks like one of the ‘A’ episodes of Dragon Ball Z. Stylistically, it also fits right-in with the style of the early episodes of the series with more curved lines and rounded musculature on the characters as opposed to the later, more straight-line heavy look of the series that’s likely the defining style of the show these days.

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Garlic Jr. is our featured enemy. He kind of looks like a cross between Piccolo and Emperor Pilaf (and basically sounds just like Pilaf in the Funimation dub).


Dead Zone
has a cold open, a trend for the films, and starts on Piccolo (Christopher Sabat) quietly training on his own before he’s accosted by some shady characters. They mention Kami and it’s obvious they want to eliminate not just Piccolo but also the Earth’s guardian. Unknown to them, apparently, is that both are linked to the Dragon Balls because the characters mention them as well. Piccolo is overwhelmed and apparently left for dead. We’re then taken to Goku’s house where Gohan (Stephanie Nadolny) is quietly studying in the woods nearby. When his mother Chi-Chi (Cynthia Cranz) calls him in, his Grandpa the Ox King (Kyle Hebert) pulls up and Gohan cheerfully greets him. The same shady characters that accosted Piccolo show up. They quickly dispatch the giant Ox King and Chi-Chi and make off with Gohan before Goku (Sean Schemmel) can return from fishing.

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Garlic Jr.’s somewhat effective henchmen.

Our enemy is revealed to be Garlic Jr. and he has a gang of demonic looking underlings by the names of Ginger (Troy Baker), Nicky (Doug Burks), and Sansho (Eric Dillow). Garlic Jr. is collecting the Dragon Balls so that he may wish for eternal life. He also apparently has a score to settle with both Kami (Christopher Sabat) and Piccolo. The gang has kidnapped Gohan not because they have any interest in the boy, but because his hat bares the four-star Dragon Ball, as it does in the earliest episodes of the show. Garlic Jr. immediately notices the boy has hidden strength and decides to keep him on as a ward of sorts. When Gohan says his daddy Goku will rescue him, the gang is familiar with the name as Goku famously toppled Piccolo in the most recently completed World Martial Arts tournament.

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The sight of his defeated wife is enough to anger any man, even Goku.

Goku returns home to find his wife and father-in-law incapacitated, but Chi-Chi was able to tell him what happened. Goku then heads for Kame House where Bulma (Tiffany Volmer), Master Roshi (Mike McFarland), and Krillin (Sonny Strait) are hanging out. Goku needs Bulma’s dragon radar so he can track the Dragon Ball on Gohan’s hat to find his location. He retreves it, and Master Roshi gives him a warning to be careful as he takes off on the Flying Nimbus armed with his power pole to save his son. Along the way, he notices the tell-tale dark clouds forming in the sky indicating that all seven Dragon Balls have been united and Shenron, The Eternal Dragon, has been summoned.

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There’s a very Dumbo-like scene of Gohan eating some kind of apple that is apparently not intended for children which causes him to act like a drunk.

Garlic Jr. is able to summon the dragon, and if you think one of the good guys is going to jump in just in time to prevent him from making his wish then you are mistaken. Garlic Jr. is granted immortality, and his path to ruler of the world appears clear. Goku shows up, unimpressed by the diminutive kidnapper and unafraid of his new power, and takes on all of Garlic’s fiends. Kami also arrives to challenge Garlic Jr. himself, the two apparently having a score to settle. Goku is overwhelmed by the multiple opponents, but luckily for him, Krillin apparently had followed him and shows up to help. Even more of a surprise for Goku, Piccolo comes strolling in and he too has an obvious score to settle (at this point in time, Goku and Piccolo are fierce rivals with Piccolo seeking to end Goku’s life) with Garlic Jr. and his gang.

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This team-up would have been a lot cooler if it hadn’t just occurred in the anime.

With their combined might, a final showdown is imminent and we also get an explanation from Kami about why Garlic Jr. hates him. Apparently his father, Garlic Sr., was a rival to Kami when he sought the role of Guardian of Earth. Kami was granted the title, having bested Garlic in some sort of a trial, and enraged, Garlic tried to take the title by force. Being some sort of demon ruler, he summoned hordes of fiends to aid him but was beat back by Kami and his predecessor and sealed away for eternity, apparently in the place our film is titled after, The Dead Zone. Garlic Jr., therefore wants to avenge his father’s defeat while also usurping Kami. He transforms and goes from being a small, goblin-like creature to a massive one who towers over Piccolo and Goku. He also has a trump card he can play if things go wrong for he is capable of opening a portal to the Dead Zone that once trapped his dear old dad.

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Kami is not match for Garlic Jr.

The final 20 minutes or so of this rather brief feature is mostly fighting, and it’s a lot of fun to witness this old style of DBZ combat. This is before Goku could even fly so the action is quick, but there’s none of that cheap “teleporting” combat that can be rather boring to watch. Garlic Jr.’s minions also have this neat ability to basically pull blades out of their anatomy. There’s some nice swordplay and dodging on display, as the action builds. By comparison though, the actual fight between Garlic Jr. and the duo of Piccolo and Goku is quite short. The ending is a bit odd, and it’s actually better explained later in the anime during the Garlic Jr. Saga (Garlic Jr. being the only movie enemy who got to make a jump into the main series as part of some of Toei’s continuity-busting filler), though the general way it unfolds is somewhat expected.

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In what is commonplace for DBZ, the once un-intimidating villain transforms into something more deadly. Of course, Frieza will eventually take this one step further by going from tame, to scary, and back to tame again.

Dead Zone is a perfectly solid way to kick-off the Dragon Ball Z movie franchise. The story almost fits in with the series, and it’s kind of like an alternate way to introduce the character of Gohan and bridge Dragon Ball and Dragon Ball Z. I like how it tries to kind of upend the status quo by having the villain very early in the picture actually make a wish for immortality. It’s one of those wishes that has been teased and will be teased numerous times in the show, but never feels like something that will actually be attained. Garlic Jr. is also fine as a villain, and it’s nice seeing Kami get a chance to do something since he’s mostly a background character in the anime. It’s guilty of relying a little too much on characters just popping in at the right time to help out, which will become overplayed eventually, but with characters capable of moving at the speed of sound it’s not as glaring an issue as it would be for other franchises. There’s also some nice, very Toriyama-like humor, with Gohan and the bad guys. It is impressive how well Toei is able to maintain the tone of the show without input from its author proving that the company does understand the material quite well. Goku is also less of a doofus and it’s kind of refreshing to see him actually get pretty angry when he finds Chi-Chi defeated and his son missing.

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If you liked Garlic Jr., then I have good news for you! Unlike the other villains we’ll see in these films, he actually gets to appear in the anime series right after the Frieza arc and just before The Androids Saga.

Overall, I enjoyed catching up with Dead Zone after not seeing it for many years. Having previously only seen the Ocean version, it was nice to see some scenes restored (like a funny urination joke) and hear that the dub works well. Dead Zone is available on Blu Ray as a two-pack with the second film, The World’s Strongest, or as part of a five-pack on DVD with movies 2-5. I watches this on the remastered DVD, and it definitely shows its age. The picture is grainy and there’s some film burns here and there as well. I find that aged look, as long as it’s done naturally, kind of charming so it doesn’t bother me. I never saw the HD transfer so that might be superior, but the five-pack can probably be had for 20 bucks or cheaper which is hard to beat. If you only ever saw it on Cartoon Network, it’s definitely worth a re-watch.


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