After lending Tuesday to the gargoyles for one week, the turtles are back on Turtle Tuesday and this time it’s for the latest (and final) issue in the The Last Ronin storyline. The Last Ronin is a concept for the final story of the Teenage Mutant Ninja Turtles dating back to the days of Eastman and Laird. It was decided in 2020, after issue #100 of the modern IDW series, that the time was right to tell this story. Despite being only five issues, it took awhile for the series to finish as multiple episodes were delayed with the final issue being the longest such delay. If it’s done to tell the best story though, then who cares? It’s here, and now I’m ready to talk about it.
The Last Ronin tells the tale of the last of the Ninja Turtles. The first issue introduced this dreary future where New York is controlled by a descendent of Oroku Saki and times are bad. We get to see the last turtle on a suicide mission that’s basically a failure, since the villain isn’t toppled and the turtle isn’t dead! Over the next three issues, the plot advances quite slowly as Ronin (yes, I’m still committed to not spoiling anything) acquires some allies, but we also see lengthy flashbacks detailing how each of the brothers fell and the present came to be. The violence is not gratuitous, so while seeing our beloved childhood heroes actually dying is uncomfortable, it wasn’t exploitive in any way. The flashbacks are over though, and the stage is set for the final confrontation.
From that perspective, issue 5 delivers. We see Ronin go after the big, bad, guy of the series with the intent being to kill him or die trying. There is a B plot to the story as well, so it isn’t just straight action, but it’s not the most compelling of B plots. It’s merely a plot device to keep Ronin isolated from his allies. Otherwise, this is a brisk read as it reads almost like how a video game plays with Ronin dispatching of the fodder with minimal challenge before getting to the boss. Roughly half of the book is reserved for that battle and there is a wrinkle tossed in that Ronin needs to overcome in order to actually inflict damage upon his foe, but otherwise it’s pretty straight-forward.
And if that’s all you wanted, you’re probably happy. For me, I found the first issue very intriguing, but every following issue was less interesting. The gravitas of this story demanded something a bit more epic, but we don’t get that. We don’t really get much character development either, only finally getting a glimpse of such at the start of this issue as Ronin tries to banish the “ghosts” of his brothers once and for all. It’s assumed they’re a figment of his imagination, but it was interesting to see how Ronin feels each brother views him. It might be something more interesting for me as someone who has not read the IDW series as I don’t know if it’s a lot of re-tread, but for me, it was the best part of the finale. The ending was very predictable. That’s not necessarily a weakness as many stories have obvious outcomes, but there wasn’t anything special tacked-on to that end to earn it.
What largely remained a strength of the book for all five issues was the artwork within. The Escorza brothers brought it, and not just in a technical sense. I really enjoyed the look of a lot of the characters in this series. The flashback turtles had a neat construction about them that was a bit more modern, but also implied a grizzled lifestyle of battling crime. I love the look of Ronin, and the action in this was easy to follow. The only thing I didn’t care for was the battle armor of the ultimate foe, who looked like the Shredder crossed with a costume from Tron. Eastman gets an art credit as well, though this time it’s not obvious to me which section. It’s possible that credit is just there because some of the variant issues feature a cover by Eastman.
Were my expectations unreasonable? Perhaps. It’s possible they always intended for this to be a very straight-forward tale for how the turtles could end up. There are certainly a lot of similar stories in cinema and television that are much celebrated, but I think all of those do a better job of developing the characters. I’m just left feeling like this could have been one issue, and considering the impact that first issue had, maybe that would have been the way to go? It’s possible I’m in the minority as well. I just wanted this story to elevate itself above other TMNT stories similar to how Logan elevated itself above other X-Men films. It’s certainly not a bad read or anything, it just doesn’t leave a mark on the franchise or the main character. Hopefully for IDW I’m in the minority as the issue ends with a “To be continued…” The story of The Last Ronin is complete after this issue, so I’m left to assume any future stories will center on his allies. Personally, I’m not interested, but others might be.
The Last Ronin #5 is currently on-sale at your local comic book stores. If supplies have already been depleted, rest assured there will likely be a trade paperback collecting all five issues. It also looks like there may be future director’s cut styled issues to come as well. Needless to say, you shouldn’t have to pay 20 bucks or something on the secondary market to experience this issue.
When Mighty Morphin Power Rangers arrived on Fox Kids in 1993 it quickly became a ratings juggernaut. It was the hottest property around aimed at kids and seemingly everything got knocked down a peg as a result. By contrast, Teenage Mutant Ninja Turtles was embarking on its downturn. The third film wasn’t nearly as successful as the first two and the toyline was starting to show its age as it went into a lot of wacky offshoots. The Power Rangers formula became the new thing to imitate. Footage of martial arts shows from Japan edited into something American kids could identify with was both cheap and effective. And given that TMNT had already been successful in live-action before, it’s perhaps not surprising that Saban made one of the first attempts at reinvigorating the franchise with The Next Mutation.
The Next Mutation ended up being a flop. Either kids were sick of TMNT, disliked the cheap costumes, or failed to gravitate towards the new characters. No one can be certain, but during the show’s lone season it did cross over with Power Rangers. Of course, by then the Mighty Morphin era was over so kids who loved TMNT and then jumped to Mighty Morphin had little reason to enjoy the crossover. It wasn’t their preferred take on either franchise, and it seemingly failed to do much to boost either property.
Eventually the turtles would come back to animation, and now more than 30 years removed form the cartoon’s debut it’s a supremely nostalgic, and profitable, property once again. Power Rangers, for its part, has never truly gone away though it has changed hands a few times. Now a Hasbro property, the Power Rangers can still be found on television and there’s always rumors of another movie. And in the pages of Boom! comics, the Mighty Morphin team can seemingly live forever! It was in those comics that the crossover fans wanted to happen finally did. The turtles, basically as seen in the pages of IDW, met-up with the Mighty Morphin Power Rangers. I don’t know why or what the big threat was that caused it to happen, but it did lead to some slick designs which are now being immortalized in toy form by Hasbro.
Hasbro has been around for ages, but it’s never been able to get its hands on Teenage Mutant Ninja Turtles. I’m not sure if the company has ever put forth a strong bid for the property when it has come up for sale. It seems most times this happens the franchise is in a dry spell which has probably made it easy for Playmates to retain ownership. That ownership has been tested over the years though as we’ve seen TMNT product from NECA, Super7, and even DC Collectibles. Now it’s Hasbro’s turn, but they’re giving us something pretty different.
Released as part of its Lightning Collection, the new Power Rangers x Teenage Mutant Ninja Turtles line is being released as three two-packs and a single carded figure. Each two-pack contains one or two of the turtles as they appear in the comics when morphed. Yes, the turtles become Power Rangers and the end result is pretty cool. Their limbs are pretty much the same as the regular rangers, just beefier, but they seem to all gain the Dragon Shield in the form of a gold shell. The front of which contains the signature white diamond, while the rear looks almost like a sunburst. The helmets are largely the same though, just form-fitted for a turtle head. They also gain red eye-slits in the visors for some reason.
The first two-pack I was able to get my hands on is the Tommy Oliver as Foot Soldier with Raphael as the Red Ranger. When it came to crossing the two franchises, Boom! had to decide what was more important: color or weapon of choice. If going by weapon, Leonardo should have been the Red Ranger since both wield a sword and are the leader, but you can’t make Leonardo red. Instead, Raphael gets the nod here and his sai are just given a Power Sword makeover. As for Tommy, it’s my understanding he goes undercover as a Foot Soldier in the story, but the figure basically doubles as a generic Foot Soldier as well. It’s just a shame he’s sold in a two-pack since some collectors would likely buy multiples. Instead, it’s Shredder as the Green Ranger that gets the solo treatment.
I think most are going to be interested in these sets for the turtles, but lets get Tommy out of the way. He’s basically a standard Lightning Collection release. I believe most of this body is reused from the Putty figure, but I don’t have that figure to say for certain. It’s fairly similar to the Ranger body from the Lightning Collection and contains all of the same articulation points. The Foot Soldier head is obviously new and contains some nice, subtle, details on it to show how the mask separates. I wish there was some dry brushing on it to bring it out, but Hasbro isn’t one for paint. Most of the figure is just cast in colored plastic: purple and gray, with some shiny, steel, bits on the forearms and rear of the hands. It’s a new look for the Foot Soldier, but it’s also pretty obviously a Foot Soldier to anyone familiar with TMNT. It’s solid, though a bit underwhelming. The alternate Tommy head appears to be the same one that came with the Green Ranger figure, but with the bandana tails coming straight off the back of the head and painted purple. There’s also very little paint on it so it doesn’t have the more matte appearance of the Green Ranger release.
Raphael, on the other hand, is basically all new. His body is of the pinless variety, so no pins in the elbows or the knees which is definitely welcomed. The red is basically all colored plastic so there aren’t any harsh variances like there were with the Jason figure I looked at. The joining pieces for the elbows and knees do appear to be a slightly paler red. I don’t really notice it on the knees, but I can see it on the elbows when inspecting the figure closely. It’s no where near as bad as it was with the Jason figure, but still a bummer. The ends of the gloves are painted white with the red diamonds which are pretty clean, but there is some chipped paint near the wrist on mine. The hands, which are cast in white plastic, are also a touch more off-white than the paint which is a little annoying. There’s also some chipped paint on the gold armbands. It’s pretty standard stuff for a Hasbro figure, but still worth pointing out.
The sculpt on Raph is pretty cool though. He’s quite bulky and his limbs are longer than usual. He stands a full six inches putting him on par with Tommy so this is definitely a taller turtle than we’re used to seeing. The change in proportions does give him an undersized head as well. It doesn’t bother me with the helmeted look, but it stands out when swapped with the turtle head (which we’ll get to). I do like how the shell was designed, and since these proportions are more human, it probably shouldn’t come as a surprise that the rear of the shell is a bit more sleek than usual. The white belt is still a floating piece and it has the morpher on the front and a place to store his sai. He doesn’t have a power blaster, but I don’t know if they used them in the books.
As for articulation, both figures are the same, but different. Tommy, as noted, is pretty basic Lightning Collection stuff. He’s got a ball peg in his neck that lets him look up, down, swivel, and tilt. The Tommy head has less range due to the hair, especially if you add in the cowl. The shoulders are ball-hinges with butterfly joints. They go back pretty far, but not forward much which is weird as one would prefer the range be reversed. The elbows are double-jointed and go past 90 degrees. There’s a biceps swivel and the wrists swivel and hinge. The hinges are vertical, which earns Hasbro a big thumb’s up! In the diaphragm is what’s probably a double ball peg. It doesn’t go back really at all, but it does allow the figure to crunch forward a bit, rotate, and tilt. Combine it with the ab crunch though, and you get a lot more forward and back. The legs are on ball pegs and allow the figure to almost do a full split. He can kick forward too, but not back because his buttcheeks get in the way. The thigh can swivel on that ball peg and also below it as there is a thigh cut. The knees are double-jointed and go past 90 there and there’s a boot cut and hinged ankles with good rockers.
As for Raph, he has all of the same including the vertical hinges on his gripping hands. The only differences are his butterfly joints are basically useless and he has a joint in the base of the neck so his up and down range at the head is quite good. He also has no diaphragm joint given that he’s a turtle and all. Hasbro did give him a waist cut which splits the shell in the front. It’s basically just what you see below the belt, and while it does look a little funky to have a turtle in a pose that results in his shell not lining up, it’s worth it to have that extra articulation. Likely owing to his more bulky design, Raph also doesn’t get much out of his double-jointed elbows. He can basically just do 90, and go no farther whether you’re bending with the top hinge or the bottom one. On the plus side, nothing was stuck on my figures and they seem to pose reasonably well. Raph is a bit harder to stand, likely because of the shell, but with a little patience I’ve been able to get him into some dynamic stances.
On the accessory front, things were a bit surprising. The few Hasbro figures I buy seem to be of the bare bones variety, but maybe since half of this release is an in-house brand it helped to get more accessories into the box. For Tommy, we get the Foot head and the Tommy head. The Tommy head also has two extra pieces, a cowl to go around his neck and a facemask that can slide over his chin and mouth creating a cool look. He has gripping hands equipped in the box and a set of fists to swap to. He has a katana which can slot into his belt or be gripped in either hand. There’s also not one, but two, effects pieces. A translucent, blue, punch effect and a translucent, yellow, lightning effect for the sword. You could give the lightning effect to Raph too, if you prefer, though the blue punch is tough to get on Raph’s hands.
As for Raph, he has three sets of hands: gripping, fists, and open. The open hands are great for posing or for holding his helmet and I do wish Tommy had a set as well. The gripping hands have the correct hinges, as noted before, and are also just barely wide enough for Raph to grip his sai with the center blade through his fingers. If you’re worried about paint rub, warming Raph’s hand first makes it even easier to achieve such a pose. As for the sai, they’re pretty cool and look just like mini Power Swords, but with extra blades. They slot into his belt just fine and the sculpt and paint look pretty terrific. There’s a yellow slashing effect piece that can fit onto the center blade of one which looks decent. If you wish, you could give that to Tommy, but it looks a little silly on his much longer blade. Lastly, we have the unmasked head which features a battle ready expression from Raph. On its own, it looks fine, but on the figure it creates a real pinhead situation. It’s not as bad looking as the promo images made it seem, but I’m still never going to use it. I want to display these guys in morphed mode so even if I loved the alternate head I likely still would never use it.
Overall, this is a pretty solid two-pack. Admittedly, I don’t care that much about Tommy and if Hasbro had just paired the turtles up across two two-packs then I’d probably skip Tommy (and April, who comes with Michelangelo). Having him in hand though takes away some of that sting as he’s a solid release. It would have been awesome if he could have been given pin-less arms and legs, as the elbow joints are my lone sore spot with the figure, but it’s not a big deal to me. Raph is the real star though and I’m pretty happy with how he turned out, which is definitely a good thing since the other turtles figure to be the same figure just in different colors. Better yet, I got these guys from GameStop where they were on sale for $42, which is a very nice price in 2021 for an action figure two-pack. Now my real problem is figuring out where the hell I’m going to put these guys until the rest show up.
IDW recently dropped the third issue in the Teenage Mutant Ninja Turtles mini series The Last Ronin; the flash-forward, what if, story about the last of the turtles and his quest for revenge. I have so far enjoyed this series and have shared my thoughts here. The first issue was like a big introduction as it was largely about the hero infiltrating a future New York controlled by the Foot on a suicide mission that wasn’t successful, in more ways than one. In that issue, we saw that our hero is haunted by the ghosts of his brothers, possibly literally, but likely not as he interacts with them like they’re still alive. Issue number 2 was the first issue where the story is only partially in the present, and largely took place in the past as the writers and artists on the book started to peel back the layers of what happened to get us to this point.
In that second issue, we saw the death of one of the ninja turtles, as well as the death of a major villain. When that happened, I hypothesized that this would be the format for the next few issues. Plot developments in the present would be kept to a minimum, while much of the books would be devoted to showing us the death of a turtle. Sure enough, issue three is more of the same as we see a little bit more of what happened following the death of the first turtle and how we ended up where we are.
Seeing one of my childhood favorites killed off was actually a lot harder than expected. Even though the story begins with three of the four turtles deceased (and other allies unaccounted for), I didn’t really consider how I felt about these characters being dead. Nor did I really think about what it would be like to see their last moments, and it turns out, it’s hard! As such, I had a slight feeling of dread walking into this one as I pretty much knew what was coming. In some ways, I guess I’m happy to say it wasn’t that tough a read after all, but that’s also disappointing as well.
The confrontation we see this time around concerns a character’s rise to power in the Foot and how that individual orchestrated this whole thing. Much of the book is spent in the past showing what happened, but when it gets to the “hard” part, the story takes an easy way out. I was left holding the book and saying to myself, “That’s it?!” as I flipped back and forth to see if I missed something. Everything leading up to the moment was fine and compelling, but the payoff just wasn’t really there. I don’t expect to see any of the turtles brutally murdered on the page, but this death was a bit confounding and the presentation almost Saturday morning cartoon-like. Some additional mileage is spent on the present time, and the story there moves a bit further than it did in issue #2. Things are moving, but the end game isn’t in sight yet, which is fine as I like the pace this story is setting.
As was the case with the first two issues, the artwork here is great. Esau and Isaac Escorza do a fantastic job bringing this world to life. The colors are muted and dingy befitting the subterranean setting throughout. I like the look of the turtles as they’re uniquely designed for this story. The human characters are a bit ho-hum by comparison, but it all looks fine so I’m not complaining. As was the case with the previous issue, there is a layout done by Kevin Eastman. It’s another flashback presented in black and white which is just a fun throwback to the original Mirage issues. I suspect that will continue at least into the next issue when we should see how the third turtle was dispatched.
The Last Ronin #3 is a minor stumble for the series. I am enjoying the overall story, I was just less satisfied with this entry and less moved by what transpired within the pages. I still have high hopes and great expectations for the fourth issue, and I’m genuinely curious to see how this is all wrapped up. That conclusion is still many months away as I’m not even sure if the goal is to finish it before 2021 ends. The fourth issue is scheduled to ship in August, and I’ve got it on my pull list at the local comic book store. With the world coming back to life, I heartily recommend you not only check this series out, but support your local comic book stores in the process!
As covered here about a month ago, The Last Ronin is a lost Teenage Mutant Ninja Turtles story from the late 80s/early 90s that has just now been finally realized in the pages of IDW’s ongoing Teenage Mutant Ninja Turtles comic. Conceived originally by TMNT co-creators Kevin Eastman and Peter Laird, The Last Ronin tells the story of the last ninja turtle and, as a bit of a callback to the Teenage Mutant Ninja Turtles #1, his quest for revenge. The fully realized story is not shaping up to be some sort of Kill Bill clone, but as a referendum on vengeance and its fleeting nature. The story is one I compared with the classic X-Men plot Days of Future Past as it does contain a dystopian future where hope is either lost or nearly gone and most of the characters we know and love are either dead or in a position to envy the dead.
It should go without saying, but I’m going to say it anyway, that if you have any interest in the The Last Ronin then you should definitely read the first issue before even sniffing the second. I will not spoil anything in this mini review, but it would be easy to be spoiled even with just glancing at this book or by reading other reviews as I’m sure many are only concerned with spoiling the contents of this book, and not the preceding one.
And the main thing that can be spoiled is what was revealed on the final page of issue #1: the identity of the last turtle. In that first issue, we saw our hero infiltrate New York and have a tough go of it. Along the way we realized he’s possibly just clinging to sanity as he constantly talks with the spirits of his dead brothers. In this issue, he’ll even argue with them and debate strategy going forward. He is aware that this behavior may be off-putting to others, as he tries to hide it from his allies. And who might those allies be? Well, that’s kind of a spoiler too, but let’s just say some are familiar, and some are not.
The main purpose for this book is to advance the story of our hero ahead just a little, while also fleshing out what brought him here. In what is likely to be a theme going forward, this issue primarily tells the story of the death of one of the ninja turtles via flashback. In doing so, we learn the catalyst for what created this current reality while also seeing what the hero has been doing ever since. As someone who grew up watching the cartoon and movies, seeing the death of one of my childhood heroes is definitely upsetting. It’s not gratuitous, but it is visceral. When I was a kid, I so much as never even saw the turtles bleed and thus I never could comprehend them befalling a gruesome injury or death. I’ve been exposed to the more violent side of the Mirage books since, but it’s still quite a thing to bare witness to.
As I said before, the main plot for the last turtle does not advance much in this book. The time spent with him is more quiet. It’s a time to reflect, recuperate, and ultimately regroup. I’m curious how the next book balances the flashbacks with the current period arc. The flashback is so full that nothing feels like padding. Even though the story doesn’t advance much, I don’t get a sense that the writers and artists are stalling because they want this to hit a specific amount of issues. It’s just a story that has taken 30 years to tell so it’s not going to rush anything.
As was the case with issue #1, the artwork in this book is fantastic. The Escorza brothers are on top of their game and the fight scenes are drawn really well. They don’t hold back, but they also do not do a disservice to the quiet scenes or the more distressing scenes. Kevin Eastman breaks out his pencil to illustrate the flashback sequence of the last ronin character and his original escape from New York. It’s a fun touch to see Eastman’s rougher art juxtaposed with the super slick work of the Escorzas and it’s an appropriate part of the story for Eastman to add a personal touch. I’m curious if we’ll see more from him in issue #3.
The third issue should be arriving around the end of the month, and based on the cover, it looks like we’re going to learn the fates of a few more important characters. I think that is going to be the formula for at leas the next pair of issues before we get a big blow-off in issue #5. It’s been an interesting, if a bit uncomfortable, ride through these first two issues so I am looking forward to the next, and yet dreading it at the same time. I also appreciate though that I’ve been made to care about these characters enough over the decades that a story like this both entertains and upsets me. If you’ve ever loved Teenage Mutant Ninja Turtles, you owe it to yourself to hop aboard this runaway train.
I don’t read a lot of comics these days. Actually, I suppose I never truly read a lot of comics even when I was very much into X-Men and Spider-Man. Back in the 90s, I received most of my comic lore from trading cards. They were cheaper and fun to collect. When it came to actual books, I was rarely allowed to get one though I certainly would try to get my mom or dad to buy me one when at the grocery store. The most comics I read probably came when I was in college and I had the money to buy trades of all of the famous stories I had heard about growing up: The Dark Phoenix Saga, Watchmen, Death in the Family, etc. I also got into modern stories and for awhile I kept up with Marvel’s Ultimate Universe until I either ran out of money or grew bored with the hobby.
One of the last comic storylines I really dove into was the inaugural Mirage Studios Teenage Mutant Ninja Turtles. IDW Publishing started handling the property following the sale of the franchise to Viacom and the company put out these massive, hardcover, collections of the original Eastman and Laird run on Teenage Mutant Ninja Turtles. I blogged about all five volumes here, if you want to search for them, and I mostly jumped into them because I grew up a big TMNT fan and I had never really checked out the original books. I certainly knew of them, and I think I had read the inaugural issue on more than one occasion, but I had never gone deep. It was pretty fun, though when I was finished checking those out I found I had little curiosity in the other TMNT stories, be they more older ones like the Archie comics or the new ones published by IDW.
Late last year though, a lot of TMNT fans started singing the praises of a new TMNT story titled The Last Ronin. It’s basically a future “what-if?” styled story that could best be described as the TMNT version of the classic X-Men story “Days of Future Past.” I really didn’t know much about it, only that there was some really cool artwork based on the story being circulated online. I decided it was something worth checking out, though by the time I had done so the first issue had sold out. Thankfully, it was still attainable via online shops with only minimal markup. I eventually ordered a copy, and I also subscribed to the rest and even grabbed the Director’s Cut reprint of the first issue recently and I’m glad I did.
The Last Ronin tells the tale of a lone turtle in the future. He’s bundled from head to toe in robes and armor and is outfitted with the weapons longtime turtle fans know and love: katana, sai, nunchaku, bo. He sports a black mask and he’s a bit paunchy compared with other versions of the TMNT I’m used to, but that wasn’t something I read much into beforehand. Once I had the first issue in hand though, it was obvious this was an older turtle and when we meet him he’s sneaking into New York City which is now a Hell hole because this is a dystopian future story. High walls surround the city and massive skyscrapers have created a dual class system where the wealthy live above the city and the poor are left to fend for themselves at ground level, and below. The Foot run the show, though we don’t know who leads them, while our protagonist narrates to himself (and the reader) what’s about to go down.
It would seem this is a turtle on a suicide mission. He wants to sneak in and cause trouble in hopes of taking down whoever leads the Foot now. And as he talks to himself, he talks to the dead. It becomes obvious that this turtle is one of the four Teenage Mutant Ninja Turtles and the rest are dead. We don’t know which one (that’s saved for the end of the first issue), but it almost doesn’t matter as whoever this is he’s undergone a lot of trauma and has changed considerably.
I really don’t want to say anything more about the first issue as I don’t want to spoil anything. It’s a very action-packed issue as our turtle friend encounters trouble pretty much from the onset. It’s in-line too with the Mirage comics of old as there’s a considerable amount of violence and this turtle clearly plays for keeps. He also gives as good as he receives as this isn’t a superhero type of character capable of being a true one-man army. He’s plenty capable, for sure, of causing a ruckus and fending off multiple enemies, but he’s no Superman. It’s a bit of an uncomfortable read for someone who grew up adoring TMNT as it’s really not fun to think of them as dead, but here we are.
The Director’s Cut of issue #1 shows off a lot of the original treatment for this story. This plot originates from the 1980s when TMNT co-creators Kevin Eastman and Peter Laird dreamt up a finale of sorts to what they started. It never got made until now, and a lot was changed in the interim, but it’s pretty cool to see the original vision. Some of the writing can be hard to read, as it’s just scanned notes from 30 years ago, but it’s definitely worth a look. There’s also a look at the concept art for the series with annotations from Eastman that are pretty informative. I wouldn’t call the Director’s Cut essential for those who want to experience The Last Ronin, but if you’re interested in getting a copy of issue #1 I’d recommend it over the standard release.
The story for this one is shared amongst Eastman, Laird, and Tom Waltz with Eastman and Waltz handling the actual script (Laird’s credit appears to stem from the original story and I didn’t get the impression he had much involvement with it beyond that). Layouts were done by Eastman and pencils and inks were done by Esau and Isaac Escorza and the art in general looks terrific with colors by Luis Antonio Delgado. The team does a great job of evoking some of that rough Mirage art from the 80s but with a more refined touch. The colors are mostly muted which suits the grim atmosphere of the story with some of the flashbacks featuring a soft, glow, to them. There are several variant editions out there if that’s your fancy all with different covers. The main cover is by the book artists and the Director’s Cut cover features art by Eastman. The book is printed on thick paper as this is a special release. The cover is also thick and durable and it comes with a slightly higher retail cost of $8.99 per issue with the Director’s Cut coming in at $10.99.
The Last Ronin is off to a great start. It definitely seems to hit the tone it’s going for as this is a downer of a story. There’s a lot to uncover as this five part series moves along and issue #2 is already out with #3 expected in May. If this sounds like something you’d be interested in reading, I definitely recommend checking it out as I think it’s going to be an interesting ride. Of course, you could always wait for the inevitable TPB edition but that may not come until 2022 so why wait? And if there are any action figure makers reading, we need a Last Ronin figure!
It’s been a long break in between posts about this subject. So long that I’d rather not point it out any further! At long last though I have finally finished reading fifth volume of The Ultimate Collection, a line of hardbound, oversized, compendiums of comic books spanning the Eastman and Laird era of Teenage Mutant Ninja Turtles by Mirage Comics. The volumes are published by current TMNT comic publisher IDW and are presented in their original black and white appearance with new artwork by Kevin Eastman used for the back and front cover. Both Eastman and TMNT co-creator Peter Laird provide thoughts and reactions following each issue as they provide insight into their thought process and elaborate on where an idea may have come from.
This fifth volume is essentially the finale to this series, though two additional volumes follow. This one wraps up the City at War arc (issues #56-62) which was basically the grand finale for Eastman and Laird. At this point, they already had stopped drawing and inking the books and had moved onto managing the brand more than anything. These seven issues were originally published in 1993 when TMNT was past its peak, but still very much a money-maker. Artist Jim Lawson had basically taken over all of the pencil duties and was even contributing to the story at this point. Keith Aiken and Jason Temujin Minor handled the inking while Eric Talbot did the tones and Mary Kelleher the lettering.
Karai has arrived and is ready to make her move.
In case you haven’t read my write-up on Volume 4, City at War tells the tale of the Turtles returning to New York to find that the Foot Clan has split into various competing factions with the loss of Shredder. Karai, leader of the Foot Clan in Japan, has arrived to clean things up and she’s targeting the heroes in a half shell who are currently holed up in an abandoned water tower. Splinter is injured and trapped by the Rat King, making his mainline debut. Meanwhile, April is off living in LA with her sister Robyn while Casey is engaged to a pregnant woman named Gabe and trying to start a new life himself after giving up on chasing April.
I found many of the issues in Volume 4 of this collection to be long and slow. It didn’t help that I wasn’t enamored with Jim Lawson’s take on the Turtles and I was badly missing the art of Eastman and Laird. Even though their art was often rough and had an amateurish quality at times, it was a good fit for the property and it was also improving. It was rewarding to see that maturation take place right before my eyes.
For this round of issues, my enthusiasm is much higher. It gets right to the point with the revelation of who is holding Splinter captive and also has Karai spring her Foot ninja on the Turtles early. This sets up the main conflict which is Karai’s wish to take out Shredder’s remaining Foot Elite, and she wants the Turtles to help. There’s a good scene of the brothers debating the merits of jumping back into the fray. They acknowledge, for the first time, that a lot of the violence is the result of their lost master’s quest for revenge. They were born to avenge Splinter, and they were successful, but their actions have not lead to a better New York for anyone. It’s a really introspective look at the Turtles and not something I was expecting. My only disappointment is that it didn’t eventually lead to a conversation on the subject with Splinter himself.
Splinter goes through some real shit in these books.
For April, these issues also bring her back to New York. Her father passes away suddenly forcing her and her sister to come to New York for the services. Once there, she decides to stay, and it’s only a matter of time until her path crosses with her old friends. For Casey, tragedy brings him back as well in a rather bold way. The writing for him isn’t as strong as it is for the Turtles, but it still covers subject matter I wasn’t really expecting. For Splinter, he spends much of his time in a delirium and his sequences are pretty visceral. I am not sure what the overall message is supposed to be with Splinter, I guess they wanted him to embrace his primal side at the expense of his learned humanity. It was interesting though and it was nice to finally care about Splinter.
As would be expected from a title with the word “war” in it, there’s a lot of action across these pages. This is where Lawson gets to shine as an artist. His style seems to improve throughout and by the time I made it to the end I was onboard with his Turtles. He is able to convey movement so well and some of the detail work is gorgeous. This is easily a much nicer book to look at than the previous one, and Lawson is the main force behind that.
I was way more into the artwork this time around and a lot had to do with the brilliant sequencing by Jim Lawson.
The story is a pretty satisfying one, though the ending is a bit unexpected. This is possibly the best arc Mirage ever tackled and much of the good stuff is contained in these issues. I am definitely glad I finally got around to going through it, even if I’ve had it since it was released. Eastman and Laird don’t provide too much in their comments. Eastman is at least good at setting the mood and placing the reader back in 1993. After that, he mostly just gushes about the talent involved in this project. Laird is a bit more critical and willing to point out things that didn’t work, though ultimately he just plain has very little to say.
A sixth volume in this set was released following this one, but it’s just one-shots and short stories not done by Eastman and Laird. A seventh volume is supposedly on the way as well which is basically going to be an art book. If you’re like me and just wanted to experience the original creators’ interpretation of these characters, then the five volumes are the only ones you need to concern yourself with. I’m not sure if any are still in print, but they have yet to become expensive to acquire. This is a good gift for any Turtle-loving person in your life. Though I feel obligated to point out that these stories are intended for mature audiences as these aren’t the pizza-loving dudes from the cartoons, but chances are if you’re even interested in these works you’re well aware of that fact.
It’s been hard for me to find the time to sit down at the computer and contribute to this blog since becoming a dad in the spring of 2015. It has become especially hard as my offspring has learned to crawl, and then walk. Even so, that event occurred well after I posted my review of Teenage Mutant Ninja Turtles: The Ultimate Collection Vol. 3 in January 2013. Hopefully, no one has been sitting around waiting for this post since then, but at long last, I’m finally getting around to reviewing volume 4 of The Ultimate Collection.
For the uninitiated, The Ultimate Collection is a five volume set of hardcover, oversized comic book compilations chronicling the early years for the TMNT and collecting only the works of their original creators: Kevin Eastman and Peter Laird. The comics are presented in their original black and white with new cover art and liner notes by both creators. As someone who primarily experienced the Turtles as a kid via the cartoon and the films, I wanted to get this collection to experience firsthand the genesis of the original Teenage Mutant Ninja Turtles.
If you go back and read my review of Volume 3, you will notice I apparently took a long time in getting to that one as well. That was due to my lack of enthusiasm towards the product. For Volume 4, much is the same, unfortunately. Though I should point out right off the bat that Volume 4 is a better read than 3 as it compiles the last major arc of the original run: City at War. Volume 3 concluded with the re-death of The Shredder and Volume 4 picks up right where that one left off with the two-part Shades of Gray plot commencing in Issue 48. This volume runs in perfect continuity as it contains issues 48-55 as it represents a point in time where Eastman and Laird both had a renewed interest in the comic and a desire to put a finishing touch, of sorts, on everything before going their separate ways.
This encounter ends up making a large impact on Casey Jones.
Shades of Gray focuses on the Return to New York fallout and takes stock of where all of the main characters are presently at, in terms of their frame of mine. The Turtles return back to North Hampton but intend to return to New York after consulting with Splinter. Splinter is not coming with them, and Donatello wrestles with where his place is. Meanwhile, Casey is returning to his vigilante routes and accidentally takes a life in self defense, which gets the attention of Nobody, another vigilante introduced in the Tales of TMNT stories. Casey is spared, with some help from the Turtles, but is a wreck in the aftermath. April is also shown as lost and decides she needs to leave, especially with Casey being so distant. There’s some nice attention paid to Donatello as the story succeeds in giving his character a little more color than usual and he and Casey have a poignant encounter in the woods nearby.
Shades of Gray is basically a setup for City at War as it sets all of the characters out in new directions. April, searching for a fresh start, heads west to LA where her older sister Robyn resides. The Turtles head to New York, and Casey resolves to go after April after he clears his head. City at War also welcomes back Eastman and Laird to the artist’s chair for issue 1. Aside from that though, all of the pencils are handled by Jim Lawson in this collection. Eastman and Laird’s crowded, cross-hatching heavy art lends itself well to the congested city setting and their take on the Turtles is a welcomed return. Their still pretty amateurish when it comes to illustrating the human characters, in particular April, but overall I enjoy their artwork the most in this collection. It’s a shame it’s only for one issue.
City at War Part 1 marks the return of Eastman and Laird as artists.
The City at War arc is primarily focused on the Turtles and their place in the New York community. They take on a Batman like role upon their initial return which frustrates Raph. The other brothers confide in one another that they’re unsure of what their place is and Leo has the hardest time with it and struggles with his role as leader for much of the collection. Meanwhile, the Foot Clan is in disarray and has splintered off into multiple factions. We see a rag-tag group of the ninjas mostly making trouble, but also a more sophisticated faction that targets the others financially via cyber warfare. And then there’s the Japan faction which is teased throughout the entire collection. They’re lead by Karai, who finally reaches New York by issue 55, but her presence isn’t felt until Volume 5. The Foot Elite are also around making trouble, and their allegiance is unclear. One encounter seems to place their allegiance still firmly with their deceased master making them a chaotic force simply out for revenge. It’s also unclear how large their numbers are, but considering they’re the elite force, probably few.
April’s adventures in LA are shown and they’re dull by comparison. Her scenarios often retread familiar ground as she still feels lost and without a home even with her sister and her sister’s young son. Robyn is the foil who tries to get April to loosen up, have fun, meet a guy, and so on. She humors her sister, to a point, and shows some genuine enthusiasm in the upcoming Christmas celebration she’ll be able to share with her sister, but not a lot happens.
Casey, on the other hand, gets sidetracked out in New Mexico when his truck gets stolen. He falls in with a waitress named Gabby, and the two quickly become an item. When Gabby confesses to Casey that she’s four months pregnant, he seems to find some new purpose for himself. The scenes between the two are hard to get a read on as Casey becomes consumed by this new role for himself. Does he genuinely have feelings for Gabby or is he too just looking for some new purpose for himself? Someone to take care of and protect?
AC Fairly handles the covers and he prefers a “chunky” kind of turtle that I’m not particularly fond of.
It hurts that Eastman and Laird aren’t the most gifted storytellers or script writers. There’s a lot of groan-inducing dialogue, some intentional as Casey is basically a lunkhead, throughout the two more grounded arcs. The parts with the Turtles have minimal dialogue at times. It is frustrating to see, that after such a strong character-driven opening with Shades of Gray, that the Turtles mostly return to their personality-less roles for City at War. Only Leo and Raph are given room to show-off their personalities, which has become a reoccurring problem for the books as a whole. Mikey is the most criminally overlooked as his comic book counterpart has almost no defining characteristics beyond his weapons. Perhaps it was an unintentional reaction to his oversized personality everywhere else that Eastman and Laird chose to keep the spotlight away from him.
Not to be forgotten, is the Splinter arc which is mostly small, but contains a nice reveal at its end in this collection. Another Tales of TMNT character makes their main-line debut and one that is familiar to longtime TMNT fans. The setup is done well and I really enjoyed the brief depiction of this character. Hopefully it pays off in Volume 5.
Lawson’s version of the Turtles is not one of my favorites.
As I mentioned before, Jim Lawson handles almost all of the pencils in this collection and it was the reason I grew so disinterested in the volume to begin with. I do not enjoy his take on the Turtles. They’re blocky and his art is sometimes sloppy. I’m mostly okay with his April, even if she seems to not have any of the physical traits of the Eastman and Laird version, and his Casey is fine. His backgrounds are a lot less crowded which works for some of the action scenes but sometimes there’s an emptiness to them. Perhaps the over-sized format draws more attention to all of the white space. He does have some awkward transitions where he tries to convey too much motion on one page, but at least he’s not beholden to the traditional panel approach. There’s also an overuse of splash pages in issues 54 and 55 that feel like filler. Even Laird admits in the liner notes he’s not sure why they went with so many. Lawson’s art does shine some in issue 54 when he gets to depict a cloaked Mikey in the snow. For some reason, the snow is abandoned in the following issue. I guess they had a heat wave.
The cover art and some of the interior art is new and handled by Eastman. It’s in line with the other collections, though not my favorite. I think the back cover would have been better off as the front as it depicts the Turtles surrounded by Foot Ninjas which is a nice representation of what’s contained inside. Otherwise though, it’s fine. The liner notes feel more substantial here as well, especially from Laid. Eastman is still too in love with everything they did while Laird is a little more critical. The quality of the set is once again very high and there’s little to complain about there. The pages are nice and thick and the whole set has a nice weight to it.
Teenage Mutant Ninja Turtles continues to be a mostly action-oriented affair. The attempts at actual story-telling work better here than they did in some of the other issues, but a lot of it is also cliche and amateurish. No one picks up a TMNT comic expecting Shakespeare though, and there are some genuinely good bits of character development contained in these issues. I just wish they had a better artist.
Teenage Mutant Ninja Turtles: The Ultimate Collection Vol. 2
There was a time in my life when I thought I was done with the Teenage Mutant Ninja Turtles. They had dominated my childhood, but come the early 90’s I had mostly moved on. I still had a soft spot for them, but their cartoon had become too predictable, the toy lines too ridiculous, and I was already on to my next obsession. When the television show moved to CBS’s new Saturday morning block the studio revamped it, giving it a darker look in an attempt to mature the series to better appeal to changing tastes. It didn’t last long in this new format, and the Turtles began to fade away from the mainstream. In 1997 Fox and Saban Entertainment brought the four-some back for a new live action show, possibly to try to appeal to fans of the Power Rangers, but the show only lasted one season and 26 episodes before being cancelled.
The Turtles mostly vanished from television after the cancellation of The Next Mutation. It seemed like they were now destined to become just a memory of a silly era where anthropomorphic characters were all over the place in children’s programming. Something people in the future would look back on and say, “What were they thinking?” Then a funny thing happened, and the Turtles were suddenly relevant again.
It all started with Fox and 4Kids Entertainment revitalizing the franchise thru a new cartoon developed in collaboration with Peter Laird’s Mirage Studios (by this point in time, co-creator Kevin Eastman wasn’t involved with the TMNT) that premiered on Fox’s Saturday morning cartoon block in early 2003. Simply titled Teenage Mutant Ninja Turtles, this new series adapted the original Mirage comics more faithfully then its predecessors while still keeping the show appropriate for younger viewers. The Turtles had an edgier appearance with blank eyes and a more lean appearance. Each one had a personality mirroring the ones from the original comic. Really, the only holdover from the wildly popular 80’s cartoon was the unique bandana color for each turtle. At times, the show almost directly paralleled the old books before the creators started to branch out and do their own thing, but the show worked and the Turtles were once again relevant. This helped get a new movie green-lit that was eventually released in 2007, titled TMNT, and has helped keep the franchise alive to this day. Now the Turtles are owned by Nickelodeon with IDW handling the new comic book line. A new show and a bunch of new toys (including these awesome retro themed ones) are slated for release later this year in addition to the ongoing comic run now headed by Eastman. Along the way, IDW has chosen to give the old fans some new collections to thumb thru, and my old Turtle-fandom is back in full-force!
Michaelangelo’s solo issue, featuring the debut of Klunk the cat.
I already talked about IDW’s first release of collected works, and now I’m ready to talk about Volume 2. Volume 2 is another high-quality release and contains issues 8-11 of the original run, plus the micro issue one-shots for Michaelangelo, Donatello, and Leonardo. The cover contains new artwork done by Eastman, though it confusingly includes the Triceratons and Fugitioid who don’t appear in this collection, but looks nice. The interior has been enhanced to a larger size, like the first volume, and is kept in its original black and white. Each issue is followed by reflections from both Eastman and Laird. For this collection, Laird has contributed more thoughts and it looks like he was a more active participant. It’s particularly interesting to read the comments for the later issues when the two discuss their fraying relationship with each other. Neither guy takes shots at one another, and both come across as sincere when they express their disappointment for how things turned out.
The issues covered by this collection essentially wrap-up the original run of the books. After issue #11, more people were brought on board and Eastman and Laird didn’t really work together any longer. The Turtles were also exploding on television and the first movie was in production for a 1990 release. The issues bring the Turtles back to earth following their exploits in space, and outside of a couple of issues, the story-lines are more reality based this time around (when one ignores the fact that the protagonists are walking, talking, fighting turtles, of course).
The first few issues have a sort of one-shot feel to them as the plot-lines do not tie in with any of the previous narratives. Issue #8 was a collaborative with Dave Sims’ Cerebus the Aardvark, a comic at the time Eastman was said to be particularly fond of. It’s some wacky time-travel thing that sees the Turtles accidentally warped to Cerebus’s medieval setting where the two join forces. There’s some decent humor here, but for someone who isn’t a fan of Cerebus, the cross-over appeal was lost on me and I was interested in getting back to the New York setting. Issue #9 is a flash-back of one of the Turtles’ earliest outings that sees Splinter switch bodies with a dying master in Japan. While still containing a supernatural element, I enjoyed this one more than issue #8 as it felt more like a traditional TMNT adventure and it was fun seeing the younger Turtles do their thing. Design wise, Eastman and Laird gave the Turtles full bandanas that covered their heads which was kind of a cool look.
The micro series for Mike, Don, and Leo are interwoven throughout the collection. Mike and Don’s are more of the one-shot variety, while Leo’s directly ties into the next arc for the comic. In Mike’s, we get to see the youngest of the Turtles foil a robbery on Christmas and make a new friend out of a stray cat he dubs Klunk. It’s a fun chance to see Mike go off on his own and adds depth to the character. The issue would eventually be used as inspiration for an episode of the 2003 cartoon titled “The Christmas Aliens.” Donatello’s one-shot, “Kirby and the Warp Crystal,” would also be adapted for the cartoon as “The King.” This issue was Eastman and Laird’s tribute to the legendary Jack Kirby. Initially, the two wanted to rasie money for Kirby who was in a legal battle with Marvel Comics over licensing fees. In the old days, writers who worked for Marvel worked under a work-for-hire agreement and anything they created was the property of Marvel and Marvel alone, meaning they saw no royalties for other works using the characters they created. Kirby and his family refused to take Eastman and Laird’s money, but the sentiment was likely still appreciated. The story is kind of fun, and it’s obvious the two had great affection for Kirby’s work as his influence is all over the series.
The Leonardo one-shot is probably my favorite from this collection as it kicks off the plot that re-introduces The Shredder. This book and the following ones would be adapted in part for the first film. In Leo’s book, he gets attacked by the returning Foot clan and eventually overwhelmed (in the film, it’s Raphael in place of Leo). The encounter spills over into April’s apartment as the issue ends with Leo crashing thru the window and warning his brothers that The Shredder is back. The full-page illustration is one of my favorites from the series.
From here, the Turtles are attacked by the Foot and the action takes them into April’s antique shop. When things are looking bad, Casey Jones shows up and aids in their escape but Shredder sees to it that April’s store (and home) is destroyed in the process. From here, the story takes us to Northampton, Massachusetts where Casey’s grandmother has an old farm house. Issue #11 is told mostly thru the eyes of April as she writes in her journal about how the Turtles cope with defeat and how she deals with the loss of her father’s antique shop. I’ve been critical of Eastman and Laird’s writing in the past, but here they do a nice of job of presenting their theme for the story with care and levity, making this issue (and arc) their best yet. The overall theme of issue #11 ends up being to appreciate what is most important in life, and not to place too much importance in material things. The issue ends with the Turtles coming together as both April and the gang arrive at that same conclusion simultaneously.
Overall, I think I enjoyed Volume 2 more than I enjoyed Volume 1. The writing is tighter and more focused, and the micro issues really do a good job of adding depth to the characters. Eastman and Laird are also able to bring out the individual personalities for each turtle in the other issues as well, and they’ve all finally had their traits firmly established by the end of the collection. I’m still a bit surprised that the Leo/Raph rivalry hasn’t been hinted at yet, though perhaps I’ve been misled and that is a dynamic that was added to the group by outside sources before Eastman and Laird considered exploring it. It’s also a lot of fun seeing the stories for the first time that ended up making it into the movie I saw so long ago as a kid. It makes me appreciate that film even more. And while most of the books were lifted in a more thematic sense for the film, the scene where Don and Casey work on the old truck even had some of the dialogue lifted word for word. Only in the comic it’s Raph in place of Don and some of the insults are different. There is a sense of finality at the end of the collection, especially in the write-ups from Eastman and Laird, but a volume 3 is on the way that will cover issues #12, 14, 15, 17, and 19-21 which contains the “Return to New York” story-line. Following that arc, Eastman and Laird had little direct involvement with the comics so it figures that volume 3 may be the last for the The Ultimate Collection. It is possible a fourth volume could be produced covering the massive “City at War” arc that spanned 13 issues and was co-written by the original creators. Volume 3 is currently due out in July, though don’t be surprised if it gets delayed as both of the previous collections were. I’ve really enjoyed the fist two volumes, and already have volume 3 pre-ordered! For longtime fans, I suggest you do the same.