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Dec. 23 – The Nostalgia Spot Christmas Special Countdown #31 – 22

We’re kind of setting fire to the whole Christmas thing with some of the selections today.

We’re into the final days! Yesterday, we took a look at one of the most wholesome and pure Christmas specials around in The Snowman. Today, we’re mostly looking at the polar opposite. I’m talking crass, gross, adult animation with some gentle stuff to round things out. This is a tough area of the list as we’re talking about the best of the best. I’ve also ranked the top 25 on two occasions now and there’s a temptation to mix things up, but I don’t like change for the sake of change. As a result, this might not be full of surprises from here on out if you’re familiar with my previous rankings, but we still have a few to get to that were unranked in 2020 when I last did this. One such show is batting lead-off for us today and it’s one that probably doesn’t have mass appeal.

31 – Solar Opposites – A Very Solar Holiday Opposites Special

What is going on here?!

Solar Opposites is a show about a family of aliens who flee their home world to Earth with the goal of terraforming it to suit their needs, but the pull of Earth culture seems to slow down their mission as they grow comfortable with life on the blue planet. This special released on Hulu in 2021 is the sort of Christmas special that really wants to crap on a lot of more popular stuff. Chief among them the movie Jingle All the Way. I think I’m on record as saying that movie is terrible so it doesn’t bother me that the plot is centered around how bad it is, but Solar Opposites doesn’t stop there. We also get shots of one of the characters having sex with Clarice from Rudolph the Red-Nosed Reindeer and plenty of blood, guts, and gore. So what makes it good? Shock value? No, it’s the willingness to have the characters embrace the holiday like only a mad man with an extensive blog on the subject can relate to. This one is all about getting that big, Christmas, boner and then feeling like it’s not good enough. The plot literally causes the main characters to lose their Christmas spirit though sci-fi means, but sometimes in life we can all relate to the feeling of it being Christmas, but not feeling like it is Christmas. And it’s really, really, funny if you like this sort of thing. Not every joke lands, but the volume is there.

30 – South Park – Woodland Critter Christmas

This looks like a nice wholesome Christmas special…

If Solar Opposites is too crass for you then I’m afraid it doesn’t get any better with the South Park episode “Woodland Critter Christmas.” This one was much talked about the second it aired. The first act paints it as a very by the numbers Christmas special starring a bunch of talking animals. Stan is the central figure and he finds them tiresome and it seems like that’s going to be the joke – an unwilling participant in a crappy Christmas special. Then the swerve comes in. Stan helps vanquish a mountain lion that was plaguing the cute, little, critters only to find out that mountain lion was the only thing standing in-between humanity and the birth of the antichrist. The critters are revealed to be a pack of Satan-worshipping mongrels who celebrate immediately with a blood orgy, and the rest is history. It almost doesn’t matter what follows because the episode peaks there with that bit of shock humor. And if that isn’t something that would make you laugh then this very clearly isn’t the Christmas episode for you. I do admit, it’s not as good on repeat viewings as the reveal is a huge part of the episode’s success, but it holds up better than I would have guessed. And if you have had to endure something like The Chucklewood Critters, the climax of the episode is pretty cathartic.

29 – King of the Hill – The Unbearable Blindness of Laying

Hank has seen some thing.

Those first two entries are probably the most perverse of the entire list so you can now exhale if you want something a little more family friendly, though this episode of King of the Hill isn’t quite that. This is the episode where Hank’s mom brings her new boyfriend with her for Christmas at the Hill residence. When Hank forgets his novelty foam finger in the house while on the way to the big game, he returns to witness a horrible sight – his mother getting plowed on his kitchen table by the new boyfriend. The shock of such a sight causes Hank to lose his sight and he has to try and keep it under wraps. He, of course, can’t and then has to come clean about what caused his blindness. His inability to accept his disability and also to just communicate with those around him leads to lots of awkward and humorous situations throughout the episode. It’s the type of humor King of the Hill handles well, but the catalyst for the plot is what really helps it to land.

28 – Shrek the Halls

Prepare to meet Ogre Claus.

Less adult, but still gross in parts, is Shrek the Halls. I’m not much of a Shrek fan. The movies are a little much for me. I can appreciate the fractured fairy tale approach to the original, but can’t really tolerate the soundtrack and the visuals have not aged well. To my surprise, what has aged well is this Christmas episode produced basically in tandem with the third film in the franchise. It builds off a solid premise of Shrek, being an ogre, having no concept of Christmas and trying to figure it out for the benefit of his young family. Only he’s a bit embarrassed by his lack of Christmas knowledge and has to contend with Donkey, who he finds supremely annoying (we all do). Shrek’s little family Christmas turns into a big, unwanted, party that ends in disaster and the ogre has to learn a lesson about what family really is. It moves along at a nice pace and since it was produced with the third movie the production values are actually quite high. The usual voice cast is present and I think everyone is here. I confess I don’t remember anything about Shrek the Third. I also think these characters just work better in a short format. No one is able to overstay their welcome so a very obnoxious character like Donkey is able to remain funny as opposed to annoying. I think Shrek is poised to make a comeback in the not too distant future, but I have a hard time believing it will be as good as this little half hour Christmas special.

27 – The Simpsons – Grift of the Magi

Homer gets to play Grinch in this one which is something he’ll do again in a more obvious manner in a future episode.

This episode of The Simpsons comes after the show’s golden era, but every time I return to it I think I like it a little more. I considered ranking it higher, but I’m sticking with #27 which is no slight. This one begins like a conventional episode where the kids are stuck inside leading to a humorous situation that results in Bart breaking his coccyx. Confined to a wheelchair, Bart has trouble going to school because Springfield Elementary isn’t up to code forcing the school to turn to the mob for help (in reality, the mob forces itself onto the school). This causes the school to go bankrupt and then the Christmas element enters. First via a school play to coax the miserly Mr. Burns into making a donation that fails, and then via a toy company that takes over the school to use it as a testing ground for new toy ideas leading to the creation of Funzo. The episode just keeps rolling from there as there’s no B plot, it’s just one joke after another. It’s a pretty entertaining and unexpected ride with a terrific resolution. It just continues to make me laugh year after year and it’s a no doubt top 3 Simpsons Christmas episode. I just can’t bring myself to rank it above what I consider to be the top 2.

26 – A Flintstone Christmas

I love Fred’s design as Santa, even if it is weird seeing him in boots.

Don’t confuse this placement of The Flintstones one spot ahead of The Simpsons as me saying The Flintstones can even hold a candle to the more recent series. I just have a real soft spot for this hour long special that arrived in 1977. I used to look forward to catching this one on Cartoon Network annually because something about it just works for me, even if I’m not much of a fan of the franchise. This is basically an extended version of the episode “Christmas Flintstone” where circumstances are altered, but mostly it just gets Barney into the mix. Santa falls off of Fred’s roof and hurts his ankle meaning Fred has to fill his shoes. Literally. Barney gets to ride along as Fred’s elf and the pair need to make all of the deliveries for Santa and make it back to Bedrock for a work Christmas party or else Fred risks getting fired. Not only does it recycle some of the plot of a prior episode, it also recycles songs from the Hanna-Barbera production A Christmas Story. I guess the thinking was that special wasn’t a big hit, but why let the songs languish there? The pacing isn’t perfect, but I enjoy the ride and it’s still one I have to come back to every year.

25 – The Simpsons – Marge Be Not Proud

There are so many all-timers in this one when it comes to jokes.

Just sneaking ahead of “Grift of the Magi” is this story about a mother and her son. This is a low key Christmas episode of The Simpsons, though don’t mistake that for unfunny. There are some all-timers in this one like everything surrounding the fictional video game Bonestorm and the ending with Lee Carvallo’s Putting Challenge. In between all of that is Bart stealing a copy of the video game he covets and getting caught, nearly keeping it from his parents, and getting caught again. Marge is left to wonder if her little boy is no longer her little boy while Bart just really wants to make it up to his mom, but the wound he inflicted is just going to take some time to heal. It’s the type of Christmas episode that will make you want to call your mom when it’s over and it gets me every time. Now, buy me Bonestorm or go to Hell!

24 – Bob’s Burgers – Christmas in the Car

The Belchers have big, seasonal, problem.

The best Bob’s Burgers Christmas episode takes place mostly in the family wagon. Linda, unable to contain her enthusiasm for Christmas, put up the tree too early and we get a wonderful montage of her doing so, then having to redo it because it dies. By the time Christmas Eve arrives the tree is well past dead and a fire hazard, but you can’t Christmas without a tree, Bobby! So, the family piles into the car and heads out on Christmas Eve to get yet another tree. Meanwhile, the kids are plotting to set a trap for Santa Claus which snares their buddy, Teddy, who had to go to their house to turn off the oven when the search for a tree stretched too long. Bob runs afoul of a large truck leading to a road rage incident and the Belchers suddenly fearing for their lives. There’s a great guest spot by Bobcat Goldthwait and some nice payoff with a couple of episode-long jokes. My only issue with this one, and it’s one I can’t really hold against it, is that it outs the Santa myth via an exchange between Bob and Tina where he discovers she still believes in Santa Claus. I say I can’t hold it against it because this isn’t a show aimed at kids, but that one, quick, exchange has kept me from sharing this one with my kids. I’m pretty sure they don’t believe anymore, but they haven’t admitted it and I have yet to cop to anything so we’re just all comfortable living a lie for now. When that lie is out in the open, we’ll come together as a family and watch “Christmas in the Car.”

23 – Rudolph the Red-Nosed Reindeer

Baby Rudolph is so damn cute.

Okay, now we can move onto some more traditional Christmas special fair and it doesn’t get much more traditional than Rudolph the Red-Nosed Reindeer. This one is pretty much thought of as one of the original Christmas specials. Mr. Magoo beat him to it, but I don’t care for that one (hence why I’ve never looked at it for this thing) and he hasn’t exactly passed the test of time. The Rankin/Bass stop-motion special has been airing annually since 1964. It’s an institution at this point. You really don’t need me to tell you what it’s all about because you have probably seen it many, many, times. You also already know if you like it or not and right now you’re either thinking I have it too low or too high. I’m not sure how many would actually say it’s in the top 25, but way in the back like I am. And this one is largely carried by nostalgia and tradition, but I do still enjoy it when I sit down and watch it, just only once a year for me. A lot of the other ones up here I’ll watch multiple times because I’m a Christmas junkie, but Rudolph is one and done, but that is also partly because it’s an hour long. It’s an endearing story and the deer puppets hold up better than a lot of the other ones from Rankin/Bass. I’ve already said plenty. It’s a classic – let’s move on.

22 – Frosty the Snowman

This is some evil shit right here.

Did you know that there are several Frosty the Snowman specials that air around this time of year, but this is the only one that’s a Christmas special? Frosty’s Winter Wonderland, Frosty Returns, The Legend of Frosty the Snowman – these all do not mention Christmas at all and nothing suggests that they take place anywhere near Christmas time. It’s fine since the original song isn’t really a Christmas song either, it’s just a wintery song about a snowman coming to life. Rankin/Bass made it a Christmas thing and thus we associate Frosty with the Christmas holiday. This special is another that has endured. It’s pretty much this and Rudolph these days when it comes to network TV. ABC pushes the modern Disney stuff, and some of that is quite good, but only Frosty and Rudolph remain from when I was a kid (and my parents, for that matter). And I love this one. It’s got some great performances, a fun little story, and even a little sadness. I still say the darkest moment in any Christmas special would be what happens offscreen in that green house. Karen literally had to watch her friend melt to death. Does melting hurt? Can Frosty feel pain? We don’t know, but that must have been torture for both. Professor Hinkle, frankly, got off easy in the end.

And that does it for today. Tomorrow, we continue this countdown with 11 entries because it felt weird to end the thing with a top 11 as opposed to a top 10. Just what made it into the top 21? Well, you could probably spoil it for yourself by going back and seeing what I had to say in 2020, but I recommend you don’t. It’s more fun that way.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 23 – CatDog – “A Very CatDog Christmas”

Last year, I made it a point to go through the vast majority of the Nicktoons Christmas specials I was at least somewhat familiar with. My cut-off was basically 1996 which coincided with the premiere of Hey Arnold! That was when I started to fall off of Nicktoons and Nickelodeon in general. I was entering…

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Dec. 23 – Bugs Bunny’s 24-Carrot Holiday Special

Let’s try this one more time for 2023 – can we find a good Looney Tunes Christmas special? And more importantly, a good Bugs Bunny one? We’ve looked at two already that were merely okay. Nothing terrible, but hardly holiday classics. For our final go at this, I’m feeling a little more optimistic and that’s…

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Dec. 23 – Bluey – “Verandah Santa”

When it comes to The Christmas Spot, I have very few rules. I definitely favor animated Christmas specials, but that’s not some rule I’ve created for myself. The programs don’t have to be all ages, they don’t have to be “nice,” and they certainly don’t have to be any good as I’ve looked at an…

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Dec. 17 – The Nostalgia Spot Christmas Special Countdown #73 – 64

Today should be a day of 90s cartoons because we’re taking it all the way to 64 – Nintendo 64! The Christmas gods do not agree for not only does today not include any 90s properties, but it doesn’t even include a Nintendo one. It does include a video game turned cartoon and there are some 90’s adjacent stuff, but that’s as far as it goes. It’s also a bit of a mix in terms of demographic. There’s stuff here that’s definitely intended for kids and some stuff that most certainly is not. In fact, I would say this may be the darkest installment yet of the countdown and the lead-off special is doing quite a bit of the heavy lifting there as it just may be the darkest Christmas special I’ve ever taken in.

73 – Moral Orel – The Best Christmas Ever

Will it be the best Christmas ever?!

Moral Orel is a stop-motion animated show that aired on Adult Swim about a good-natured boy named Orel and his quest to live life in God’s image. It’s very much a subversive take on Davey and Goliath, just minus the talking dog. Orel, being a young kid, is completely oblivious to his surroundings in which all of the adults in his life are selfish and miserable and there basically isn’t one genuine person in his life. His father is an abusive alcoholic, his mother a bitter adulterer, and even his priest is a sexual deviant. “The Best Christmas Ever” was actually the show’s premiere, though it was never intended to be. If you caught it in the proper order, the episodes started off as a Davey and Goliath parody with Orel misunderstanding some church teaching and doing the wrong thing leading to a trip to his dad’s study to get taught a lesson. Physically. By the time the show reached this season finale, it just got depressing as his dad slipped further into the bottle and was forced to confront the fact that one of his children isn’t even his. And since Orel overhears the discussion between his parents, he gets the idea that his little brother was conceived immaculately and is actually the second coming of Jesus. In reality, the kid is terrible and his own parents regret not getting an abortion. It all ends with Orel and his brother smashing a nativity scene, because he thinks his Christ-brother is bringing about the Apocalypse, only for his mom to tell him that: He’s right that his dad isn’t his brother’s father, and they’re getting a divorce. Orel tracks his dad down at the local bar where his track coach is hitting on him and Orel comes to the conclusion that this is not the best Christmas ever. He notes there’s still two minutes left though and he has faith in the Lord to turn things around! And that’s how the episode ends which just feels even more bleak. This is definitely a very cynical look at the idyllic Protestant family and not the sort of special that’s for everyone. There’s a bit of an “edgelord” vibe to the humor, but the audacity of it all worked on me and it’s one of those specials I return to just to see if it’s as dark as I remember. And, yeah, it pretty much is. The only thing missing is a suicide joke.

72 – American Dad! – Season’s Beatings

That’s not going to go over well.

This episode of American Dad! pairs rather well with Moral Orel as it’s another cynical take on Christmas with some sacrilegious displays of violence. It’s also far more lighter in tone due to the more slapstick nature of the show when compared with Moral Orel. In this one, Stan gets passed over as Jesus for his church’s play only for Roger to get the part. When Stan loses it and beats up Roger on camera over the alien’s disrespect towards his religion, he finds himself excommunicated from his church. Lucky for him though, his daughter and her husband just so happened to adopt the antichrist and if Stan can just kill his toddler grandson it will get him back into God’s good graces! It’s quite the farcical Christmas plot with numerous funny moments and some pretty strong animation from the show. It doesn’t advance the overarching Christmas plot the show has with the Smith family and Santa Claus, but it’s fun.

71 – Smiling Friends – Charlie Dies and Doesn’t Come Back

Ever wonder what the toilets in Hell are like?

Smiling Friends is a much celebrated animated show in the circles I frequent mostly for its brand of humor and rough animation. It’s the latest in what appears to be cheaply produced animation for Adult Swim that turns into a hit. I confess it’s not as big of a hit with me as it is others. I don’t think it’s bad, but the show is just so damn ugly. I feel like I’ve hit my limit with ugly adult animation – why can’t we get stuff that looks nice? This is another Christmas episode from Adult Swim that’s not exactly packed with feels. Charlie dies while out looking for a Christmas tree with his friends and co-workers only to wander through Hell and find himself face-to-face with Satan. If he helps the guy out, he can go back, and since he’s one of the main characters I don’t think it’s a spoiler to acknowledge that the title of this one is a bald-faced lie. The humor is mostly dark, and even though I called this show ugly, there are some spots in Hell that are pretty inventive and surprised me. As I think about it, I probably should have switched this with Moral Orel, but it hardly matters when we’re talking two positions on a 200 episode countdown. This one fits in with a lot of the other subversive Adult Swim Christmas specials so if that’s something you like then you can easily make yourself a solid marathon of content.

70 – Teen Titans Go! – Second Christmas

Second Christmas looks pretty sweet, but of course Robin hates it. He’s no fun.

Here’s one that’s a bit more lighthearted. Our second installment of Teen Titans Go! just confronts what we all hate about the holiday – it’s end. To stave off those post Christmas blues, the Titans invent Second Christmas complete with its own Second Santa and customs. It’s basically just good-natured fun, though at the expense of Starfire who is ignorant of Christmas, and no one really learns a lesson or anything. Instead, they all fall victim to a horrible accident when Starfire is denied a Second Christmas miracle and they get to spend much of the following year in a coma which is actually a happy ending because they get to basically skip right to Christmas again! Take that, Arbor Day!

69 – Spectacular Spider-Man – Reinforcement

Are Spidey and Santa teaming up?!

Spectacular Spider-Man was a short-lived animated series that really did an excellent job of condensing a lot of Spider-Man material into something new and fun. Unfortunately, the Marvel acquisition by Disney seemed to kill it as the House of Mouse wasn’t interested in boosting characters it didn’t have film rights to or that were animated on deals outside of their usual reach. Disney would make its own Spider-Man shows and none of them could hold a candle to Spectacular Spider-Man. In this one, Peter tries his luck at courting not one, not two, but three different women and kind of strikes out with all three (Pete, it’s never a good idea to let a woman feel like she’s not your first choice, pal). It ends up being the least of his worries as he’s soon set upon by the show’s version of the Sinister Six. It’s a lot for Peter to deal with, but he’s Spider-Man so you know he’ll figure it out. It’s basically an episode full of action and holiday puns from our hero and it’s pretty entertaining, just not really a self-contained Christmas special. You definitely won’t get as much out of it if you haven’t watched the episodes leading up to it, but even if you haven’t, it’s still the best Christmas episode any Spider-Man show has had up until now.

68 – All Grown Up! – The Finster Who Stole Christmas

Chuckie and his dad do not see eye to eye when it comes to Christmas trees.

This Rugrats spin-off arrived when I stopped caring about the franchise. I wish it had come earlier as I think I would have enjoyed it in those early teen years where I was still kind of watching Nickelodeon, but not sure if I should still be. The show surprised me in the little bit of time I spent on it as it took Rugrats, a show about babies going on wacky adventures, and made it a teen drama. I wasn’t sure that could work, but what do you know? It kind of does. And the result isn’t a show as reliant on Tommy. He almost feels like an afterthought, but this is a Chuckie centric episode as he mistakenly steals a Christmas tree and feels horrible about it. There are some inconsequential B-plots as well, but the meat and potatoes is Chuckie trying to do the right thing and finding it difficult. It mostly works out in the end and Chuckie gets to learn a lesson about the importance of family or something and it will leave you feeling pretty good about things. It’s sweet and I was charmed by the conflict between Chuckie and his dad. I considered ranking this one ahead of the Rugrats Christmas episode, but nostalgia kind of won out there.

67 – X-Men Evolution – On Angel’s Wings

Sure they are.

We already looked at the Christmas episode from the better, more popular X-Men animated series. Now, we’re looking at the better Christmas episode. That other X-Men special is a “so bad it’s good” kind of special while this one is mostly just plain good. It’s a more grounded episode even though it’s all about a guy with actual wings and dudes with laser eyes and such. It’s more teen drama with the orphaned Cyclops and Rogue being left behind by their peers at the X-Mansion for Christmas. While that does kind of suck, it forces them to bond a bit which is good for Rogue who has a crush on Summers that’s unlikely to go anywhere since he’s all about Jean. Since Wolverine was too old in this show to shoehorn into that love triangle I guess Rogue is a decent consolation. The two end up in the city investigating tales of an actual Angel, which is of course just another mutant. It turns into something of an arm’s race as Magneto wants to recruit him, but so do the X-Men, and the two battle over the reluctant mutant until finally he’s allowed to have a say of his own. It’s just a good-natured Christmas special with some nice action tossed in. It’s not as reliant as Spectacular Spider-Man on the audience being up to date on what is happening in the show and basically all you need to know is contained in this one. It also mostly avoids the slapstick elements of the show and plays it straight. There’s a nice little montage at the end showing how the others spend Christmas and there’s that nice touch of melancholy present in so many Christmas episodes and it’s just the right amount. If you thought the older X-Men Christmas episode was just too silly, this one will likely please you more.

66 – Futurama – A Tale of Two Santas

It just wouldn’t be Xmas without a brutal rampage!

Enough of that sentimental bull crap, let’s cause some mayhem! Futurama is unique in that it turned Santa into a villain. Well, it was unique until American Dad! and Teen Titans Go! came along, but their murderous robot Santa is still his own brand. In the follow-up to the first Xmas special, the Planet Express crew is tasked with finally putting an end to Santa’s murderous rampage and they’re actually successful! A problem arises when they take it one step further and have Bender serve as a new Santa, one that will actually deliver presents to all the good girls and boys. After generations of growing up with an evil Santa, the people of Earth aren’t so willing to accept this reformed Santa and Bender is put through the ringer. He’s eventually jailed and sentenced to death for being Santa and the only way to save him is to free the real Robot Santa whom the crew trapped in the ice of Neptune. Do you believe in Xmas miracles? Well your faith is rewarded! Robot Santa is freed and saves Bender and the two are able to inflict carnage and mayhem on the world just as Jesus intended. Merry Xmas everyone!

65 – American Dad! – Minstrel Krampus

Who could forget such classic characters as these?

If you’re a show that likes to do an annual Christmas episode and you’re on for many seasons, chances are you’ll eventually wind up doing a musical. I wouldn’t call this episode of American Dad! a full blown musical, but it has multiple musical numbers most of which are pretty damn fun (Haley’s is not though, that one sucks). In this episode, we get to further the plot of Santa and the Smiths by having Stan accidentally free the demon of Christmas, Krampus, whom his father had trapped in a copper pot many years ago. Krampus immediately kidnaps Stan’s bratty son, Steve, and demands he send his father to save him. Stan’s dad is a jerk though and ditches him so Stan has to seek the aid of Santa himself. The two form an unlikely alliance and go after Steve who is basically in a parody of Disney’s Beauty and the Beast where he gradually warms up to Krampus and becomes a better kid. There’s a wild battle to end things and a new part of the lore is established in the process. It’s a rewarding episode in that respect for longtime viewers of American Dad!, but for anyone else it’s just an absurd Christmas story that will probably elicit some laughter.

64 – The Cuphead Show! – A Very Devil Christmas

Is it possible for the Devil himself to get on Santa’s Nice List?

This second Christmas episode of The Cuphead Show! dares to ask the question “What does Satan want for Christmas?” Turns out it’s a choo choo as this show’s version of the Devil tries to get onto Santa’s Nice List in order to get what he wants, but the only way for him to do so is to make a deal with the big man and take his place! The Devil as Santa? That’s a worthwhile spin on what is essentially a take on The Santa Clause and the end result is pretty funny. It barely features the titular character of Cuphead, but that’s okay because the Devil is a great character on his own. It’s also really well animated and just looks fantastic for a modern piece of animation. It’s also much longer than a typical episode of The Cuphead Show!, but it doesn’t feel bloated. I was really entertained by it and it’s snuck onto my annual viewing list as a result.

If you can’t wait until tomorrow for more Christmas check out what we had to say on this day last year and beyond:

Dec. 17 – A Cosmic Christmas

If you watched a lot of cartoons in the 80s and 90s then you probably remember Nelvana. Their cartoons, like many others, would end with their own production logo which was a polar bear, I think. It was all one color and white and since Nelvana is Canadian it would certainly make a lot of…

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Dec. 17 – We Bare Bears – “Christmas Parties”

This year, I’ve taken some time out to watch Christmas episodes of shows I’m pretty unfamiliar with. This is yet another one of those posts, only with this show I did make an attempt to get into it. A mild one. We Bare Bears is a show created by Daniel Chong that aired on Cartoon…

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Dec. 17 – Peace on Earth (1939)

Hugh Harman was one of the early stars in the field of animation. In fact, we talked about one of his shorts already this year, but perhaps his most famous and most celebrated is the 1939 anti-war film Peace on Earth. According to Harman, the short subject was nominated for The Nobel Peace Prize, but…

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Dec. 9 – The Nostalgia Spot Christmas Special Countdown #146 – 137

December 9th brings us perhaps the most eclectic part of the countdown yet. As I mentioned in an earlier entry, I tried to group similar specials together when it came to tone and audience. I didn’t want to create too much whiplash going from Mickey Mouse to Eric Cartman. That doesn’t mean I’d stick to that approach at all costs because the rankings are what they are. I’m not going to elevate a bad Christmas episode of a show just to slot it into a friendlier place on the list or do the opposite to a good special. Sometimes, there’s just no way around it. Today is one of those days, but I’m going to frontload it with the adult comedy specials before transitioning to the more general audience stuff. And sure, maybe I’m more likely to watch one of these adult cartoons over one from The Flintstones on a given day, but they’re so close together that the rankings are purely subjective. I could say that for any entry, if you want to reorder these ten I wouldn’t fight you on it, but let’s get to it.

146 – Family Guy – The Frist No L

There was no other choice for this one.

Family Guy is making its first appearance on this list, but it has a few to contribute and plenty more I never covered. This episode is one of the more recent ones and it’s also the most recent episode from the show I took a look at. It appealed to me because the plot, a frustrated Lois ditches her family for Christmas, felt very similar to the show’s first Christmas episode which remains my favorite one it’s done. The main difference is in that episode Lois goes to great lengths to be a beacon of positive energy who wants her family to have a great Christmas and then she eventually snaps because her family just isn’t willing to help her at all. This one, being many years later, is more typical of modern Family Guy where there’s a mean-spirited energy throughout. Lois experiences basically the same thing, but rather than have a nervous breakdown she just leaves and hopes to watch her family fall apart without her. When that doesn’t happen, she returns to steal Christmas in a very Grinchy segment which ends up being the highlight. It’s all right, but it all has a feeling of “Haven’t we done this before?” Doing a Grinch parody in this day and age also doesn’t help. We somehow managed to go decades as a society with doing The Grinch before the floodgates just suddenly opened in the 2000s.

145 – The Futurama Holiday Spectacular

This one only has a little bit of Xmas.

During its Fox run, Futurama gave us two excellent Xmas episodes centered around a murderous robot Santa. This one from the Comedy Central era decided not to go all-out on Xmas and instead gave us an anthology style episode with a segment on Xmas, Hannukah, and Kwanzaa. It’s…okay. None of the segments are really long enough to feel substantial, but they’re also not good enough to feel like we were deprived anything. Some of the jokes are too reliant on callbacks, a frequent problem for the show when it came back, and the Xmas segment in particular is rather weak. Recently, Futurama added another Xmas special to its bank of episodes and it’s a lot better than this one. I considered doing an entry on it this year, but decided against it. Maybe some other time. This is the Futurama holiday episode I usually skip.

144 – South Park – Merry Christmas, Charlie Manson

This Christmas, you’ll believe Charlie Manson can be reformed.

South Park‘s second season is somewhat maligned. It lacked the novelty the first season brought with it, but wasn’t quite the satirical force it would become in later seasons. “Merry Christmas, Charlie Manson” is pretty much emblematic of that. It’s not as shocking as the debut of Mr. Hankey in the first Christmas episode, and it’s not as brilliant as “A Very Crappy Christmas,” an episode I probably should have covered at some point. I only did this one because no one talks about it, but that is with good reason. Making Charlie Manson a central character in your Christmas special is certainly subversive and having the spirit of the holiday save him sounds like a decent South Park premise on paper, but they just don’t really pull it off. Maybe because it takes awhile to get Charlie into it? The payoff just isn’t all that funny and once the family of Cartmans runs its course the episode just limps to the finish line. If I’m throwing on the Christmas Time in South Park DVD I’m not skipping over this one, but I’m also not going out of my way to watch it annually.

143 – The Ren and Stimpy Show – A Scooter for Yaksmas

Want to fall out of love with Stimpy? This episode will try and make it happen.

Ren and Stimpy feels like a good transition from the adult section of our countdown to the more family friendly stuff to come. I actually wasn’t sure what I wanted to do with the show’s second holiday episode. I very much enjoy The Ren and Stimpy Show. For a long time it was my favorite Nicktoon, but I think now I’d rank Rocko’s Modern Life ahead of it. That’s still pretty good and the show is funny, but I don’t love their Christmas episodes. There are aspects of this one that I think work a little better than “Son of Stimpy,” and I considered ranking it ahead of that one, but ultimately settled on this spot. In this one, Stimpy really wants a scooter for Yaksmas and is not subtle about it. He always gets his buddy Ren thoughtful gifts, while Ren takes Stimpy for granted. That’s what happens here and it drives Stimpy crazy to the point where he basically steals the scooter and is on the run for a lot of the episode. It has its moments and it’s full of the Games era hallmarks of subversive jokes and misdirection, but it’s yet another episode that’s just brutal to Stimpy. He’s a sympathetic character and it’s just not fun to see him in so much distress and the jokes just aren’t frequent enough, or clever enough, to rescue this one.

142 – A Christmas Story

Nope, not the movie about the kid and the BB gun, but the Hanna-Barbera stand-alone Christmas special about a mouse and dog trying to get a letter to Santa. This special is mostly interesting to me because it must not have made much of an impact. I don’t know if I ever saw it as a kid. I definitely didn’t remember it when I returned to it for the blog, but I’m sure Cartoon Network would have aired this thing in the 90s. I conclude it made little to no impact because most of the original songs were lifted and repurposed for A Flintstone Christmas a few years later. It’s like if The Little Mermaid bombed so they had Aladdin sing “Part of Your World.” As for the actual special, it’s animated and produced competently enough and the story is a bit syrupy sweet. Daws Butler voicing another mouse is cute and it’s kind of amusing to hear Paul Winchell lend his Tigger voice to a dog. And it’s an original story for a stand-alone Christmas special so I’m giving it some bonus points for that. It’s not great, and I may be overrating it, but for whatever reason I just don’t hate this one and I think it’s more deserving of your time than a lot of what I ranked behind it.

141 – Inspector Gadget Saves Christmas

Police brutality in action – and against Santa!

The character who put Dic on the map in the 1980s made a brief return in the early 90s for a proper Christmas finale. Inspector Gadget is the comically inept detective who is some sort of cyborg or something. He’s got lots of gadgets, as the name implies, and they’re built into his body. Are we sure he’s a cyborg and not just a robot? Anyway, he gets all the credit for thwarting Doctor Claw when in reality its his niece Penny and her super smart canine Brain getting the job done while also keeping Gadget out of harm’s way. In this one, Doctor Claw overtakes Santa’s workshop and Gadget is deployed to put a stop to it, but in the process assaults the real Santa Claus because he’s incredibly dumb. Dic was able to get the voice cast back for the most part and even spent a little money to make this thing look good. There’s some musical moments that don’t really work for me, but otherwise this is a pretty good episode of Inspector Gadget that also happens to be a Christmas episode. If you liked the show then you’ll probably enjoy this.

140 – The Sylvester & Tweety Mysteries – Feather Christmas

When Warner Bros. (R.I.P.) had a new network to stock with children’s shows they turned to some old stars: Tweety and Sylvester. Joining the adversaries is Granny and the dog, Hector, who I don’t think ever had a name in the golden era, but maybe I’m mistaken. The plot then required this group to become a detective agency of sorts because why not? It worked for Hanna-Barbera all those years so why not a pair of Looney Tunes? The Sylvester & Tweety Mysteries is a pretty mid-tier animated series. It’s well put together, but not very inventive, the kind of show you leave on if you can’t find anything better to watch (or can’t find the remote). “Feather Christmas” is also a fairly benign episode of the show. It occupies one segment, so roughly 11 minutes or so, but it also lacks what the title promises: a mystery. In this one, a bratty girl has a pet bird her parents hate so they snatch it in the middle of the night. They have their butler or something (they’re rich) return the bird, but come to regret it. Since the help is on vacation for Christmas, they need Granny and her animals to find the store the bird was returned to. Meanwhile, Sylvester is trying to be extra good so he gets something better than a rubber mouse for Christmas. There’s some slapstick, pee jokes, and Sylvester ultimately makes the right choice and the bratty little girl has a Merry Christmas while Sylvester gets…another rubber mouse. The cat can’t win.

139 – Future Worm! – Lost in the Mall

Future Worm! is a show I had never heard of until it popped up on Hulu one day as a recommend. I looked through the episodes, found a Christmas one, and then had to get acquainted with this interesting series. I’m not going to rehash the nonsensical plot and setup, but all most likely need to know about Future Worm! is that it’s Rick and Morty for babies. The look and tone is so similar to the more popular adult animated show that it kind of blew my mind. That had to have been the premise, right? As in, someone at Disney wondered if they could adapt a popular show like Rick and Morty for a more general audience. It’s the only explanation. And the crazy thing is it mostly works. This episode isn’t laugh out loud funny, but it’s clever. The main family gets lost in the mall, the patriarch (who is such a Gerry) falls in with some goths, and it turns out the villain is Mrs. Claus with a head made out of gingerbread. It’s weird, though maybe not as weird as it’s trying to be. If you ever wondered if Rick and Morty could work with a PG rating, then maybe give this show a look.

138 – A Flintstone Family Christmas

Fred is going to learn the true meaning of Christmas the hard way.

Yes, another 90s Flintstones holiday special. This one is much better than the franchise’s take on A Christmas Carol. This is a made-for-primetime television special so it has the production values and it’s also an original story. In this one, a juvenile delinquent comes into contact with the Flintstone family and it’s upon them to reform this Stony. He’s legitimately a bad seed at the start, but he’s also a product of neglect. The kid then tries to repay the Flintstones for their kindness, but he’s not equipped to do so and his bad decisions just create more problems for Fred and the family. It’s a very sitcom-type premise with the typical sitcom results. I confess that I’m still somewhat charmed by The Flintstones so this one probably works a little better for me than it would someone who doesn’t care about the show, but it’s a perfectly fine Christmas special.

137 – ‘Twas the Night Before Christmas

I may have liked this as a kid, but I never liked how Santa looked.

The Ranken/Bass animated special closes out our ten for today. Is this one a classic? It was in my house so I guess that’s all that matters for this countdown. And it was a favorite of mine as a kid. I naturally gravitated more towards the hand drawn stuff over the puppets so that probably played some role and I’m a sucker for the “Will Santa Claus come?” plot and the payoff always hits me. I feel like I frequently cite the songs in a lot of these things as being bad, but this one has some bangers. I think the big song, “Christmas Chimes are Calling (Santa, Santa)” is great and it’s kind of a shame it never made the jump to radio or something. I like the animation, I like the voice work. The special gets a little long and the plot is kind of goofy. Is Santa really so thin-skinned? If he’s omnipresent, how does he not know one editorial in the newspaper was the result of some kids? You can really pick this one apart if that’s your aim, or you can just be along for the ride. My kids don’t really like it, but it still charms me.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 9 – South Park – “Merry Christmas, Charlie Manson”

It was a few years ago that South Park creators Trey Parker and Matt Stone gave an interview to Entertainment Weekly in which they picked their favorite and least favorite episodes of the long running show. I couldn’t find an active link for that interview, but it’s covered in various other places on the web…

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Dec. 9 – Hey Arnold! – “Arnold’s Christmas”

Come 1996 the Nicktoons were an established brand. Launched in 1991, Nickelodeon had tremendous success with the likes of Rugrats and The Ren & Stimpy Show and soon more shows followed. Nickelodeon seemed to be a bit stingy with their in-house shows when it came to renewals as when a network looks to renew a…

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Dec. 9 – The Smurfs Christmas Special

If the 70s were defined by Scooby Doo when it came to Hanna-Barbera, then the 80s belonged to The Smurfs. The little blue creations of Pierre Culliford, better known by his pen name Peyo, had an animated series that basically spanned the entirety of the 80s totaling an insane 258 episodes. And once the 80s…

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Dec. 20 – Futurama – “A Tale of Two Santas”

Original air date December 23, 2001.

It was right here in this spot one year ago today that Futurama‘s “Xmas Story” was inducted into the very prestigious Christmas Spot Top 25 Christmas Specials of All-time. Well, it was named as such a few years prior, but last year is when it got the full write-up treatment. And while I selected that Christmas episode for inclusion, it really is a toss-up for me over which Futurama Christmas special I enjoy most: “Xmas Story” or its sequel “A Tale of Two Santas.”

“Xmas Story” is our introduction to Christmas in the year 3000. Philip J. Fry (Billy West), the time-displaced protagonist of the series, gets to learn how much Christmas has changed over a thousand years and we, the viewer, get to experience the same. Turns out, a robotic Santa Claus had been invented several decades prior to that story which went crazy. Its standards for niceness were too high and thus everyone was deemed naughty. Santa, apparently no longer content to hand out coal to naughty children, decided that it would prefer to kill the naughty instead making Christmas one of the worst days of the year.

That tidbit about Santa is basically just a third act story in that episode. Prior to that, the episode is a bit more light-hearted with some conventional Christmas episode drama and it’s purposefully done that way to highlight the drastic change in tone once Santa shows up. This sequel episode, which took a long time to see the air, doesn’t dawdle and instead gets right to Santa. Seeing that the robot is the big source of conflict for the holiday and the most unique aspect of Future Xmas, the episode doesn’t see a reason to delay the robot’s arrival until the final act once again. Though Santa is going to be put on ice, as it were, for a sizable portion of the episode.

“There were no survivors.”

The episode begins in a typical manner. Our tagline is “This episode performed entirely by sock puppets.” which is a damn lie! The snippet of an old, public domain cartoon just before the Planet Express ship crashes is some screaming, black, dog character (Bosko? – Yes, according to Wikipedia it’s Box Car Blues which is a Bosko short). When the episode begins, we find the Planet Express crew watching television, a familiar sight on Futurama. The news is on and our lovely anchor, Linda (Tress MacNeille) is sharing a story about a futuristic version of a Polar Plunge. You know, those charity events where people dive into frigid waters at Christmas time sometimes dressed in festive attire? Well, in this version the people are jumping into a river of ammonia and we get to see it happen live on television! As Morbo (Maurice LaMarche) informs us after, there were no survivors.

Lock your kids in the closet and say goodbye to your pets – there’s no stopping Santa’s brutal rampage each year.

It’s now time to hear a holiday message from the head of Walter Cronkite (Frank Welker). He is here to offer up a warning about Santa Claus. As he details the danger this menace presents, we’re treated to images of the robot’s exploits from the prior episode. The message is concluded with Cronkite telling the viewer, “Remember, I told you so.” And as he finishes, the screen gets covered by planks of wood. Hermes (Phil LaMarr) is apparently pretty frightened by the prospect of Santa to the point where he feels the need to cover the television. Fry is fine with it since he’s tired of this wood show. We cut to the crew trying in vain to install the fireplace cover to keep Santa at bay. The Professor (West) is there to scold them for taking too long saying he only has a few years left to live and doesn’t want to spend them dead! Leela (Katey Sagal) encourages Fry and Bender (John DiMaggio) to push harder prompting Bender to say, “Oh? Push!” Once the robot is pushing instead of pulling the giant shield slams into place causing Fry and Leela to get tossed aside.

This basically the “Season’s Greetings” of the year 3001.

With the shield in place, the Professor seems no happier. Declaring they’re doomed, he takes a seat and remarks he’s thankful that he installed some blast shields for shutters. He presses a button on the chair and we see his idea of defensive shutters are more like the shields on the 1989 Batmobile. Steel plats cover the entirety of the Planet Express building. Unfortunately for Amy (Lauren Tom), no one told her the Professor was going to be activating them as she was busy boarding up the windows. The blast shields knock her off of her ladder. There were no survivors. Actually, she’s fine, I just couldn’t resist going back to Morbo for a second. Once the shields are in place, we can also see the Professor’s holiday greeting spelled out in Xmas lights on the roof of the building: Trespassers Will Be Shot.

Naturally, the crew has to undertake a mission that will surely endanger their lives.

The Professor shouts a challenge to Santa calling him a cadaver junkie in the process. Even so, with the shields in place the Professor surmises that they’re all likely to make it through the holidays alive so long as they’re not dumb enough to leave the very spot they occupy. Fry, Leela, and Bender all cheer at this declaration, until the Professor remarks that they have a delivery to make: letters to Santa addressed to his death fortress on Neptune. We cut to the Planet Express ship leaving the building, getting some of its landing gear stuck in the blast shields which are very eager to close up. On the ship, the three seem to be in decent spirits and Fry is even reading some of the letters to Santa. One is from a little girl (credit to MacNeille, but I would have guessed it was Lauren Tom) expressing her desire to not want Santa to bring her any gifts this year because the bicycle he shot at her from his bicycle gun really hurt. She’s still sporting a cast in the cutaway. Leela remarks, “How awful! Let’s read another!” The next one is from a little boy (MacNeille) and he’s writing to ask Santa for a coffin for his grandfather. He goes on to point out that Santa choked him with a chestnut last year and his corpse is really starting to stink. The camera even pans to poor, dead, grandpa in a shadowy corner.

These elves are a pretty sorry looking bunch.

Fry is dismayed at all of these letters. Xmas was a time for bringing families together in the 20th century and he wants to bring that kind of Xmas back for the people of this era. Bender questions who would be willing to do such a thing and Fry confirms that they are! Leela is in agreement as the ship speeds towards the north pole of Neptune. Upon landing, we meet the Neptunians of Jolly Junction which looks more like a war zone than a happy, Santa, village as the sound of gunfire and barking dogs fills the air. The Neptunians are dressed like elves and seem to always come in pairs which are always holding hands. A welcome party, as Leela dubs it, comes over to greet them. The first one (West) offers to sell them a kidney while his companion (David Herman) invites Fry to punch him for a buck. Leela refers to them as elves which is when they explain they’re Neptunians (I think Elzar is one too, a four-armed alien race, basically) that are just small because Santa doesn’t feed them. His companion then grabs Fry’s hand and makes him slap him demanding a dollar in return.

At least they have something to look forward to.

As the gang walks through Jolly Junction we get to see how the elves live. It’s not pretty. Some are being massacred by wolves while another pair is trying to stab each other with broken bottles. When the crew walks past a house with two Neptunians each holding a baby (the babies are in turn holding hands) they beg for any morsel of food that they could provide. When Fry points out that they live in a gingerbread house, one of the elves retorts “Hey! It’s food or shelter – not both.” Fair enough. Bender calls them lazy and assumes that they should have money from all of the toy making that goes on. Just the mention of toys causes all of the elves within earshot to gasp and raise their heads. A helpful one points out that the toy factory has been closed for years since Santa judges everyone to be naughty. We see the closed toy shop which has a “Coming Soon: Crack House” banner on it. Fry has his blood angried up at this and vows to shove his foot up Santa’s chimney! He informs the elves that he just needs directions on how to get into Santa’s ice fortress. The first elf to greet them volunteers and his companion takes one look at their hands which are joined together and remarks, “Aww, phooey!”

On Neptune it’s eat or be eaten.

The eager elf and his unwilling companion lead the crew into Santa’s fortress as promised. They’ve hidden them in the sack of letters they’re to deliver and stuck them in a sleigh. This allows the elves to transport their guests past Santa’s traps, which are basically buzzsaws designed to take out anyone taller than an elf and some guard dogs (Welker) who bark “Jingle Bells.” A poor, wayward bird comes into lethal contact with one of Santa’s lasers which drops at the feet of the elves. The pessimistic one remarks, “An omen?” while the more cheerful of the two just shouts, “Dinner!” and stuffs the carcass into his pocket.

He seems excited to bask in the world’s naughtiness.

We cut to inside the fortress to find Robot Santa (DiMaggio, taking over the role from John Goodman) seated at a large console. It’s apparently his way of spying on the people of Earth to see who is being naughty and who is being…naughty. He’s viewing two robots from the robot mafia wailing on some poor guy in the street. Santa declares that beating up a shop owner for protection money is very naughty, but that not paying the mobsters their protection money is equally as naughty! Satisfied with himself, Robot Santa changes the display and it’s Scruffy, the janitor, seated on a stoop doing nothing. He runs his finger across the underside of his nose and Santa accusingly shouts “I saw that!” and appears to write Scruffy’s name on the naughty list. His standards really are set too high, there wasn’t even any nostril penetration!

Leela is the type to think she has the solution to a problem that’s plagued humanity for generations.

Santa is interrupted by the elves delivering the sack of letters. Santa is angry they failed to knock reminding them he could have been watching something really naughty on his device (“I get New Orleans on this thing!”). The elves, clearly terrified, apologize and run off before Santa can say anything else. Inside the letter sack, Leela informs the others of her plan to confuse Santa with a logical paradox and issues a warning to Bender. The three emerge from the sack and Santa is understandably surprised. He whips out a very large gun preparing to blow them away, but surprisingly responds in kind when Leela asks him to stop. He listens as she introduces her paradox (while Bender covers his ears and hops up and down) which claims that Santa is designed to punish the naughty, but is too naughty, and therefore he should have to destroy himself. The robot’s head begins to smoke and spin before finally exploding. Wow, that was easy. Why didn’t anyone think of that before?

Maybe all of the explosive stuff was in the back?

Because Santa had a head built with paradox absorbing crumple zones – that’s why! A new head just pops up to take the old one’s place forcing Fry and Leela to bail. Bender, because he was covering his ears, is a bit slow to pick up on what’s going on, but upon seeing Santa pointing his massive bazooka his way he gets the right idea to run. Santa fires as the trio duck into an elevator and the doors close right on the missile. It’s stuck there, blinking and beeping, while the elevator goes down. The tip of the warhead gets cut off, but we soon see Fry, Bender, and Leela emerging from the elevator at the base of the mountain, only Leela is carrying the explosive for some reason. She pauses, remarks “Wait! This is what we’re running from!” then tosses it back into the elevator. Fry hops onto a toboggan with Bender behind and Leela in the rear. They just sit in place with Fry shouting “Faster! Faster!” The bomb in the elevator then explodes and the force of the explosion sends the crew shooting down the mountainside.

No one gets away from Santa Claus!

The trio go fast enough down the mountain that they’re able to avoid the many security towers raining gunfire down upon them. They zoom through the elf town even passing by the pair that helped them sneak in tossing a bunch of snow up in their wake which covers them. At least the bird they were roasting on a spit was spared! The crew crashes into the Planet Express ship and frantically races abord to try and get the hell out of there. As Leela tries to take off, the ship refuses to respond. She doesn’t understand the problem, but we soon cut to outside the ship and see Santa has a grasp of the rear thrusters. The situation seems dire, but the burning engines cause the ice below Santa to melt. He slips into the water and when Leela powers down the engines the water immediately refreezes burying Santa up to his chin in ice.

Looks like they fall ass backwards into a way to imprison Santa.

The crew comes out to survey the situation, as do the elves. With Santa literally on ice, Xmas can go on as it was always intended! Fry announces that he can be the one to deliver the presents, but Santa scoffs at him and points out that no human could deliver billions of toys in a single night. Fry objects and argues Evel Knievel could, but Bender chimes in that only a robot could do it. Then he realizes that by pointing that out he’s basically volunteered himself and regrets it immediately. The elves, for their part, all cheer in unison tossing all manner of clothing into the air in celebration!

These guys need a better union.

After a break, we find Bender with Santa’s hat on outside the ship still. Santa declares that Bender can’t do the job since he wasn’t built to Yuletide specifications. Bender retorts that he wasn’t built to steal Leela’s purse either, but that didn’t stop him. He produces her purse from inside his jacket and Leela immediately grabs it from him. Bender then orders the elves to bow before their new master, which they seem happy to do. This takes us into a musical section where the elves, along with the Planet Express crew, sing a song welcoming the elves back to work. It’s a rather cheerful sounding melody with dark and bleak lyrics. The elves proudly announce they’ll do the job for free and expect to be horribly maimed in the process. One elf gets a toy lodged in his brain. There’s a spot where Leela sings about turning up the controls to super speed, which she does, causing even the song to get faster in response which is pretty clever. The elves make some pretty shitty toys while Bender gets spray-painted red to look the part of Santa Claus. When the song is over, it’s time to get Xmas underway!

Bender knows what to do with a flying sleigh.

The song concludes with the elves getting their drink on celebrating their adequate gorillas. Bender takes flight and passes by the moon before circling the area and dropping gifts that explode like fireworks. Poor Robot Santa can only issue threats from his icy prison. Bender arrives on Earth and encounters his first home. The chimney has a grate across it which Bender bends easily before entering. Upon landing in the fireplace, he comes face to face with a mother and her kids. She (MacNeille) declares that this is the end and frantically instructs her children to take their suicide pills. Bender stops her telling her he’s the good Santa and he comes baring gifts – at reasonable prices! This is when the father (Herman) pops his head up telling his kids not to believe Santa for he is the father of all lies and the uncle of all tricks. Not even Bender producing a box of Tri-Ominos can sway them and he’s forced to bail. As he does, the entire family wails on his legs with fireplace tools. Bender is able to escape though quite the worse for ware.

You have to admire the woman’s confidence to think she could seduce a robot.

His next stop sees him popping out of the chimney to a well-lit room which startles him. It’s the home of the, shall we say, loose old lady character? She (MacNeille) is perched in a doorway rather seductively, though her charms are unlikely to affect Bender. She saunters over to the mechanical man and offers him a cookie from her cookie jar. Bender is receptive to the idea and sticks his hand in only for an old-fashioned mouse trap to snap across his fingers. As he regals the trap, he asks “What’s in these things?” The old lady them suggests he slip into something…fiery, and she pulls out a flamethrower and lights him up. Poor Bender is then shown emerging from the chimney charred and broken.

Poor Kwanzaa-bot.

We next catch Bender flying in the sleigh his body reflecting the punishment he has endured this evening. He is soon approached by Kwanzaa-bot (Coolio) who is in some sort of rocket powered canoe. He’s alarmed to see “Kringle,” as he calls him, in such a sorry state, and Bender just bemoans the fact that everyone hates him. Kwanzaa-bot counters with an at least everyone understands you. Bender asks if he wouldn’t mind helping him out with these toys, but Kwanzaa-bot has his own work to do tonight: handing out the traditional Kwanzaa book “What the Hell is Kwanza?(sic)” Kwanzaa-bot then hangs his head and sighs, “I’ve been giving these out for 647 years.”

Fry should probably look more disgusted than he is here.

It’s time to check-in on the rest of the Planet Express crew at their headquarters. Amy, looking no worse for ware following her earlier accident, is using a jetpack to spray Xmas lights onto the traditional Xmas tree. They come out of a can like silly string. Leela is decorating a bush with candy canes which Nibbler promptly eats off. Fry has moved an old-fashioned clawed bathtub into the living room to make eggnog in – just liked Grandma used to drink (even though in the prior Xmas episode we found out his idea of eggnog was just bourbon and ice cubes)! Hermes looks on as Fry tastes it immediately spitting it out declaring it’s gone sour. Zoidberg (West) then emerges from the nog requesting privacy while he takes a scented bath. Leela is at the side of the Professor’s chair reminding him that Bender is Santa so they don’t have to hurt him. He angrily shouts back at her “Yes! Yes! Yes! You sound like a broken mp3!” and waves her off.

It’s hard being Santa Claus.

At that moment, Bender drops in with an unenthusiastic “Ho. Ho. Ho.” The Professor immediately produces a shotgun and blasts the poor robot in the chest knocking him down. Leela cries out, “Professor! Don’t you remember what I just told you?” He just shouts, “No!” in response and blasts Bender again who had been assisted to his feet by Amy and Hermes. We cut to the roof Planet Express HQ where Bender is seated crossing off the Professor’s name on his list. He moans that there’s got to be a better way. We then cut to a street view with a Toys for Tots bin in clear view. Bender walks by it with his sack of toys and then just dumps them in the sewer. He declares himself a genius then walks off laughing his usual evil laugh. A sewer mutant (Vyolet, voiced by Tress MacNeille) pops up waving one of the Barbie-like dolls Bender just dumped in the sewer crying out that it creates an unfair standard of beauty.

What a world.

With the toys “delivered,” Bender ducks into an alley to unscrew his present – a bottle of booze. As he enjoys it, New New York’s finest beat cops Smitty (West) and URL (DiMaggio) happen upon him. They both reason that bagging Santa on Xmas Eve would do wonders for their careers, earning URL a promotion and getting Smitty back onto the force (he’s apparently not an actual cop in this moment). They approach Santa Bender who looks alarmed to see them. There’s no struggle, apparently, as there’s a camera shutter and then a copy of the New New York Post is superimposed on the screen with a picture of Bender and the headline “Suspect Nabbed in Santa Case!” And below that, “Chanukah Zombie Still at Large.”

The Professor is now a man who just carries a shotgun everywhere he goes.

We then find our defendant at Famous Original Ray’s Superior Court where Bender is being brought before the Honorable Judge Whitey (West). His crime? Being Santa Claus! When the judge asks him to enter a plea, Bender stands up and announces “Not Santa,” at which point the Professor rises from the crowd to shout, “There he is again!” and blasts him in the back with his shotgun. The Hyper-Chicken (LaMarche), a frequent lawyer character on the show, is addressing young Premula on the witness stand. He tells her she need not fear him and then promptly pecks at her. He apologizes for mistaking her as corn, then politely asks her to point at Bender. She does, the crowd gasps, and the Hyper-Chicken has no further questions. Bender, apparently representing himself, then gets his chance to cross-examine the young girl (who appears to be the same girl injured by the bicycle gun from earlier). He points out that she was paid for her testimony today. She confesses that it’s true as Bender gave her a dollar and some candy causing Bender to scream back at her, “And yet you haven’t said what I told you to say! How can any of us trust you?!” The girls breaks down into tears causing the judge to order Bender to stop badgering the witness. The mere mention of a badger gets the Hyper-Chicken all flustered as he starts looking about for danger.

Maybe one day he’ll be a judge.

Judge Whitey gavels the room to get the Hyper-Chicken to stop freaking out over imaginary badgers. He’s apparently heard enough as he tells everyone in the court he has a ham dinner with mayonnaise waiting for him back at his mansion, so he finds Bender guilty. He sentences him to death which will take place at sundown (wow, the future moves fast). Bender is lead out in handcuffs while Leela is left to remark she hopes that dumb chicken feels bad about what he’s done. We cut to the chicken at the top of the courthouse crowing to the heavens.

He apparently gets a lot of the same messages.

After a break, we find our hero (villain?) Bender being lead to his cell by Smitty, URL, the mayor and the robot preacher while Smitty calls out “Deactivated robot walking. We’ve got a deactivated robot walking.” When Bender comes to a cell with some gangster looking robot in it, he (DiMaggio) calls out to Bender that when he sees the Robot Devil to tell him he’s a coming for him! One cell down the hallway is where Bender finds the Robot Devil (LaMarche), but before he can tell him what the other guy said he just says “I heard him!”

That wasn’t part of the plan.

Fry and Leela apparently aren’t going to give up without a fight. We find them on Neptune where the elves are dressed in summer casual attire and happy to see the two return. Leela doesn’t care about them though as they’re here for one thing and one thing only: Santa. Leela reasons that if they return to Earth with the real Santa the courts will have to spare Bender. She uses a chainsaw to free him from the ice while still leaving him stuck in a cube. Santa taunts her the whole time over who will get the last “ho.” Once Santa has been extracted, everyone soon realizes that they have a problem. The heat from the factory has caused a greenhouse effect and the cube starts melting immediately. Santa is soon free forcing Fry and Leela to bail on this idea. There’s a brief chase sequence through the toy factory which includes on animation goof where Santa suddenly has his hat back on, even though Bender stole it. He also gets his ass impaled on a toy solider. Fry and Leela reach the ship without much trouble and as they fly away trying to devise another way to free Bender, the camera pans to find Santa clinging to the ship and hitching a ride to Earth.

Bender already hates magnets so this is probably the absolute worst way for him to die.

Back on Earth, Bender has been strapped to a table in-between two gigantic magnets. Mayor Poopenmeyer (Herman) is there to explain to Bender how these two magnets will rip him to shreds in the most humane way possible. When Bender points out how that doesn’t sound very humane, the mayor confirms that it is for the witnesses since it’s not boring! He then dawns an executioner’s hood and takes his place by the switch. When a random number generator hits zero, he’ll throw the switch. Since the number generator is random, it just spits random numbers that aren’t zero, for the time being.

Jesus must have been their ace in the hole in case the Spartacus routine failed.

This allows the others to attempt to free Bender. Leela comes running in ordering the mayor to stop the execution on account of the fact that he has the wrong Santa. He just keeps calling out numbers though while the “real” Santa is brought in. It’s Fry dressed in a Santa suit which causes the witnesses to all gasp and the mayor to cry out “What?” Then Hermes enters in a Santa suit declaring that he’s the real Santa, followed by Amy (in a much more revealing outfit) and the Professor. And in the rear is Santa’s friend Jesus, which is Zoidberg in a Jesus costume. Fry tells the mayor that he’ll have to execute all of them. The mayor tells them they’re not Santa and points out that they’re not even robots, then gets in the line of the episode, “How dare you lie in front of Jesus!”

Is Santa looking out for a fellow robot? Or does he just need something from Bender?

The random number generator then hits zero and the mayor gleefully throws the switch. Bender immediately feels the effects of the magnets, which as you may or may not know, causes Bender to sing folk songs, “Swing low sweet chariot coming forth to carry me home!” Fry can’t bare to see Bender suffer, while the Professor happily points out that at least it’s not boring! At that moment, the real Santa finally comes crashing through the wall in his sleigh. Doing so destroys one of the gigantic magnets though Bender still appears to be in some distress since he is attached to the board he’s on. Santa also has his hat back, so I guess he found a spare somewhere. Santa opens fire on everyone in the room and destroys the other magnet. The mayor cries out to Jesus for help, but Zoidberg informs him that he helps those who help themselves and then makes a retreat.

Is Robot Santa going to turn over a new leaf? Is this the heartfelt Xmas special conclusion we’ve been waiting for?!

Santa then approaches Bender who immediately thanks him for saving his life then begs him not to kill him. Santa laughs and tells Bender he’s not here to kill him, but he does need his help to save Xmas. Sappy music chimes in and Bender remarks, “Gee whiz, Santa, you want me to help you save Xmas?” Fry then cries out, “Don’t do it! He’s evil,” and it’s Santa who turns to Fry and says “I know he is, but I have no choice!” Robot Santa needs Bender to help him complete his brutal rampage, because without that it just wouldn’t feel like Xmas. He the turns to Bender and says, “Bender, won’t you join my slaying tonight?” All Bender can muster is a, “Well, ’tis the season!”

Of course not! Now there’s two of them for twice the carnage and mayhem!

It’s time for a holiday montage! It begins with Santa and Bender flying through the city streets while Bender smashes light poles with a baseball bat set to the tune of “Jingle Bells.” Santa then fires a missile into a diaper truck, one that apparently picks up dirty diapers? It rains diapers on the people of New New York causing Robot Santa to cry out, “Let it snow!” Bender then gets to hurl dolls through windows and brick walls and poor, little, Premula gets shot with a bicycle gun once again. It just wouldn’t be Xmas without that poor girl getting shot with a bicycle gun.

Fear: The Magic of Xmas.

At Planet Express HQ, fire is raging all around while the crew is huddled in the darkened living room. Leela is miserable because all of the trouble they went through just lead to an Xmas just as horrible as before. Then it dawns on Fry that this terrible future version of Xmas still does retain some of the magic of the one he left behind for it’s fear that has brought them together. The Professor is ready to tell him how stupid he thinks that sentiment is, then an explosion goes off and he meekly requests, “Hold me!” The whole crew are then left embracing each other in terror on the sofa as somber music plays.

Bender doing his best Hans Gruber.

We’re not done though, as we need to check-in with Bender and Santa one more time. We learn that Santa’s reindeer are Smasher and Thrasher as Bender calls out to them while also whipping them. Kwanzaa-bot pulls up alongside them to inform them Chanukah Zombie is throwing a party and they should come check it out, Bender just responds with “Word.” With Kwanzaa-bot gone, Santa tells Bender he wanted to give him something for covering for him while he was trapped in the ice. Bender greedily accepts the present, but is surprised to find that the box is empty. When Bender informs the big guy he made a mistake, Santa turns to him and says “Oh it might appear empty, but I think the message is clear: Play Santa again and I’ll kill you next year!” And with that, Santa swats Bender out of his sleigh where he falls to a fiery end. Laughing, the robot turns and heads off towards a gold-tinged moon laughing all the way. Merry Xmas, everyone!

Merry Xmas, Santa!

I’ve watched my fair share of dark or bleak Christmas specials over the years. I tend to find most of them funny when they’re done well. As a result, I’m pretty used to them and sometimes it takes me doing one of these write-ups to notice just how bleak an episode like this one is. Santa is a murderer. He inflicts violence upon children and misery upon the “elves” of Neptune. I can see why some at Fox would find this depiction of Christmas distasteful. There’s a perverse message in it that Xmas is supposed to bring people together in fear and we see our beloved main characters all in a fetal position grasping at each other. The darkest joke may have been the family Bender drops in on and the mother ordering her children to take their suicide pills. Does that count as a suicide joke? I suppose not in the traditional sense, but there’s no way to frame a mother ordering her children to kill themselves in order to spare them a long, torturous, death as anything but bleak.

Was the darkest joke in this one the family suicide pact? The little girl getting repeatedly attacked with a bicycle? The kid asking Santa for a coffin for his grandfather’s rotting corpse?!

Despite all of that, the episode is very funny. There are way too many lines in this one to quote them all. I might as well just post the script. Some of them don’t even read as well as they come out like the Professor’s “No!” in response to Leela asking him if he remembers what they just talked about. Billy West’s delivery is just so perfect. Pretty much every line the Professor has in this episode gets a chuckle out of me and it’s largely because of the performance of West. John DiMaggio does a lot of heavy lifting as well voicing Bender and some of his usual incidentals while also taking over the role of Robot Santa. He sounds surprisingly similar to John Goodman’s version of the character enough so that if you weren’t watching these close together you may not even notice the change. DiMaggio would continue to voice Robot Santa in his various appearances on the show. None of which really compare to the first two. I enjoy the other Futurama holiday specials to some degree, but the first two stand head and shoulders above the pack.

Professor Farnsworth is my pick for episode MVP. Every line he has is gold.

If you’re interested in this dystopian Xmas of the future then you can check out Futurama on either Hulu or Disney+, depending on your subscription and residency. Futurama still airs on cable in syndication as well and this episode is probably airing somewhere, perhaps even right this very minute! The series has also been released on physical media and is available to purchase digitally. Futurama is an easy show to find, and a worthwhile one as well.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – Futurama – “Xmas Story”

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama’s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the…

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…


Dec. 20 – Futurama – “Xmas Story”

Original air date December 19, 1999

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama‘s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the holiday can still bring people together. They just huddle together in fear rather than comfort and joy. No matter, this is but one possible future and it’s not like anyone reading this is going to be around in the year 3000 anyway so don’t sweat it.

The Fox Broadcasting Company was a fledgling network in the early 90s. Two things are credited, primarily, with turning things around for Fox: Football and The Simpsons. Fox got into the animated sitcom market, one that was pretty barren in 1989, with Matt Groening’s The Simpsons. We talked about that show already this year just 10 days ago so there’s probably no need to rehash that. To sum it up though, Fox took a chance on the show and it paid off big time. In hindsight, it’s surprising that it would take Fox another decade after the premiere of that show to premiere another Matt Groening animated sitcom: Futurama. Along the way, there were some attempts at Simpsons spin-offs that went no where and I don’t think any even got very far along. Still, it’s pretty incredible that Fox wouldn’t turn to Groening for another show as it struggled to pair The Simpsons with other content. Eventually, the network would find another hit with Mike Judge’s King of the Hill and that apparently gave the network more confidence in the genre. Now, it seems they’ll greenlight anything for their “Animation Domination” block of content on Sunday night and sometimes a show sticks. Sometimes it has to get cancelled first, as it were with Family Guy, but these days that block is essentially The Simpsons, Bob’s Burgers, Family Guy, and whatever else Fox is taking a swing with.

Let’s celebrate the holidays with the whole gang! And some robots we’ve never seen before.

Futurama was given the greenlight around the same time as Family Guy. Unfortunately for it, Fox would change leadership at the network during development and the new regime was much higher on Family Guy than Futurama, probably for cost reasons, so it got the coveted post Super Bowl premiere while Futurama had to settle for the less prestigious March 28, 1999. The network would air 9 episodes that spring while holding the rest of Season One until the fall where it could air as part of the broadcast Season Two. Included in that second season was “Xmas Story,” an episode supposedly deemed a bit controversial at the network. For some reason, network heads were uncomfortable with a Christmas episode about a murderous, robot, Santa. The trepidation at Fox had little impact on this episode, but when Robot Santa returned in a sequel episode it would be delayed by about a year until the show was in a later timeslot.

This particular episode was originally conceived by Groening and series co-creator David X. Cohen around the same time as the pilot. I suppose when crafting a world set one thousand years in the future one would naturally wonder what Christmas might look like. It’s actually rather nice they didn’t just decide to go all-in on some sort of super commercialism as the plot. I feel like we have enough satire directed at that aspect of the holiday. A murderous Santa? That’s fresh enough. While we do have horror movies featuring killer Santas, this one is different in that it makes Santa a robot and has a plausible introduction for the character. And that he’s saved until the final act also helps to build suspense. This is also one of those early episodes of the show where it can utilize the time-displaced protagonist, Philip J. Fry (Billy West), as an audience surrogate in giving us a look at this futuristic yuletide celebration.

Fresh Hare, the closest Christmas came to Bugs Bunny for an entire generation.

The episode begins with the usual intro and music. The tag-line is “Based on a true story,” and the cartoon snippet at the end of the opening credits is one of the few Bugs Bunny cartoons in the public domain, Fresh Hare, which contains an image of a Christmas tree and Elmer with snow all over his head making him resemble Santa Claus. I had that cartoon on VHS when I was a kid along with a handful of other public domain toons. It has an abrupt ending with Bugs Bunny before a firing squad and I would learn years later that’s because it goes into a blackface gag which had been cut from my copy. And that is likely why it’s in the public domain now. Aside from that, it’s actually a pretty funny cartoon directed by Friz Freleng.

I’m surprised it took them until Season Two to get Conan on.

The cartoon opens on an idyllic lodge in the snowy mountains. The Planet Express crew is apparently going skiing and it will be Fry’s first experience of such in the year 3000. The skiing will have to wait though as the crew is all in attendance watching comedian Conan O’Brien (voiced by himself) performing stand-up. And since it is the year 3000, he’s just a head in a jar and the sight gag here is his head is so big that his hair extends beyond the jar. He makes a reference to his long-time band leader, Max Weinberg, but he’s just a skull in a jar. Apparently someone forgot to feed him. They eat like fish which is revealed in another episode.

Who knew the robot desired freckles?

Conan goes into his routine which begins with a Y2K joke. Bender (John DiMaggio), in the role of the heckler, yells out they fixed that problem a thousand years ago. O’Brien, slightly exasperated already, urges Bender to bare with him. His next setup has him recite “So, I was walking into work,” and Bender shouts out, “I doubt it!” Conan then tries to rip into Bender by saying that he may have lost his freakishly long legs, but he has something Bender never will – a soul! This doesn’t phase the robot in the least, but when he follows it up with, “And freckles!” Bender begins to weep. Get used to these sort of setups. Also, how am I going to get through this write-up without just typing out all of the jokes? This show is packed with so many and there are so many good ones contained in this episode.

The Professor is an incredible skier, provided he’s unconscious.

Conan announces he’s out of material and he’s taken away. Before he departs, he encourages everyone to enjoy their breakfast so Conan has apparently been reduced to breakfast entertainment. Considering how short and dated his set was, that seems appropriate. With Conan’s moldy old antics over, it’s time for some skiing! It looks pretty similar to skiing in the 21st century only the chair lift features hover chairs and no one uses actual ski poles. They’re basically just handles that impart balance somehow. Fry notes how beautiful the snow looks and thanks the lord that global warming never occurred. Leela (Katey Sagal) tells him that it actually did, but nuclear winter cancelled it out. When the two exit the chair lift they ski up to Bender, Fry says “Hi,” and Bender (who is wearing a funny, jester-like, hat) snaps at him, “Enough of your mindless chatter!” On another chairlift, Hermes (Phil LaMarr) and Dr. Zoidberg (West) are stuck and as Zoidberg applies another glove to his mouth appendages the two take notice of Professor Farnsworth (West) who is skiing like an Olympian. We then cut to a close-up of the Professor to find out he’s actually asleep standing up as he makes a flurry of fantastic moves.

I hope that in a thousand years they found a cure for tree to the groin.

Fry and Leela are skiing together and Fry begins to panic as they approach some thickly settled trees. Leela tells him to relax and then commands, “Trees down.” A robotic voice(West) repeats the command and the trees are retracted into the ground. Foolishly, Fry asks what they do when they want the “Trees up,” which predictably causes them to re-emerge from the ground slamming into Fry’s crotch. As he’s stuck in a tree, he meekly commands “Trees down,” and gets slammed into the snow. I should point out, these trees appear to be some sort of pine tree, which is important for later. With Fry laying helpless in the snow, Bender skis by and taunts him with a “Looking good, meatball!”

What a lovely setting for a Christmas special, surely nothing will come along and spoil this image.

As Bender has a laugh at his quip, a fellow skier warns him that he’s heading off the trail. Bender, who is in quite a mean mode so far this episode, just tells the guy to lick his frozen, metal, ass in response. He is immediately punished for his hubris as he plunges off of a cliff. We see him fall from behind, but then it cuts to a frozen pond where some kids are skating listlessly. A non-copywrite infringing song that sounds vaguely like “Christmas Time is Here” from A Charlie Brown Christmas plays and the image lingers just long enough to make us wonder if this is a setup going no where. It’s not, as Bender comes flying through the scene and crashes through the ice taking the children with him. According to the commentary, none survived.

Hermes is apparently not much of a bobsledder.

Zoidberg is shown skiing and he has an unusual way of going about it. Since he’s some sort of crab monster, he puts both feet in one ski and his claws in another and goes down the hill sideways. It’s a cute visual. He stops abruptly though when he comes upon the bobsled track and finds Hermes, the Jamaican accountant of Planet Express, preparing to race down the ice sled. He laughs at the sight, but Hermes is quick to counter that a thousand years ago there was a legendary team of Jamaican bobsledders. Fry is in attendance and he confirms this fact, but then adds “They came in last at the Olympics and then retired to promote alcohol.” This is a pretty consistent setup for a Futurama joke as one would expect Hermes to have a negative reaction to Fry’s statement, but this show’s writing staff loves misdirection so he instead responds with, “A true inspiration to the children.” The countdown sequence then finishes and the gate opens and rather than go forward, Hermes just slowly tips over until he’s upside down. He calls out for some help and Zoidberg just pushes him down the course upside down. He has a laugh at the misfortune of his co-worker (an uncharacteristic turn for Zoidberg, but the writers are still still feeling him out), but like we just saw with Bender, he gets his comeuppance almost immediately as he slips and falls down the course. Fry has a laugh at Zoidberg’s expense, and then decides “What the Hell?” and jumps down the course after him. We hear him crash into something at the end, but are deprived the visual.

I love the Professor’s prescription sunglasses.

At the lodge, we find Amy (Lauren Tom) getting cozy with someone who busted their leg skiing. He(DiMaggio) starts to detail what happened, but then Amy immediately loses interest as she’s spied someone who is even more injured (this is apparently a kink for her). It’s some guy in a full body cast and she pounces on him and suggestively says, “Hello there.” The Professor then comes skiing in still asleep, but he wakes up and is perplexed to find a medal draped around his neck. He finds the rest of the crew sitting around a roaring fire in the lodge and all appear to be damaged to some degree except Leela. Bender remarks there’s nothing like a warm fire and a Super Soaker full of cognac. He pumps it and then blasts it into his mouth. Fry says it really puts one in the Christmas mood and everyone gets confused by his statement. When Fry clarifies what he’s talking about, he does so by trying to spell Christmas, but he spells it as “X M A S.” This alerts everyone that he means Xmas, which they pronounce as X-Mas, and note that Fry must be using an archaic pronunciation like when he says “Ask” instead of “Axe” which sets off a running joke the rest of the series must abide by.

There, there, Fry. Everything is going to be okay.

Fry doesn’t seem bothered by the change in pronunciation, but he is bummed that this will be his first Xmas away from home. Leela then seeks permission to “axe” him if it would make him feel better if they went and cut down an Xmas tree. This causes Fry to perk right up, but we do a hard cut to him being disappointed when he finds out that their idea of an old-fashioned Xmas tree is a palm tree. When he points out that an Xmas tree is supposed to be some kind of pine tree, the Professor tells him that the pine tree is extinct, “Gone the way of the poodle and your primitive notions of modesty.” He then lets his fur coat drop to the ground revealing he’s completely naked underneath, “Ah, brisk!” Fry then starts to fret that everything has changed, and apparently not for the better, but the Professor is there to soothe him still naked. I love that Fry is not phased in the least by the casual nudity. Leela argues that Fry is being ridiculous as she holds an axe over her head to line up a strike, only for another patented Futurama misdirection joke to reveal itself as a laser shoots from from the axe handle and fells the tree unnaturally. And this is the part where I remind you the characters were just skiing amongst a forest of crotch-hunting pine trees.

You don’t see Bender cuddling with Nibbler too often. That’s the magic of Xmas!

The Planet Express ship cuts into view with the palm tree tied down to the roof as an instrumental of “Joy to the World” chimes in the background. The ship enters the Planet Express building and we soon find the dwellers inside decorating for Xmas. A calendar on the wall shows that it’s December 24th. Zoidberg is opening a box, Fry and Leela are by the fireplace looking miserable, and the Professor and Amy are wrapping lights on the tree. Adorably, Bender is in a rocking chair with Nibbler (Frank Welker) on his lap rocking back and forth and singing “Oh Xmas Tree” while Nibbler adds his own little inflections. Fry laments all of the things he is now missing, like his mom getting a goose for goose burgers and his dad whipping up his famous eggnog which was just bourbon and ice cubes. In the background, Amy is struggling with a jet pack which has already caused her to hit her head on the ceiling while trying to place the star on the tree and then sends her careening into the wall.

Thankfully, the sweet flower of the office has returned.

Fry suggests they stop talking about Xmas, which is the cue for Hermes to come barging in shouting “Xmas cards are here! Xmas!” He hands them out which includes a mighty hall for Bender. When he gets to the last of them he sets Leela up for her cards, but it’s actually himself he is referring to as the sweet flower of the office. Leela is upset, but Fry doesn’t notice and instead asks her for a little sympathy which causes her to cry and run off. When Fry asks what upset her, Amy reminds him that she’s an orphan with the Professor adding she’s also the only known member of her species which must make her the loneliest person in the galaxy. Bender then comes over to try and cheer Fry up, but as he does a little dance Fry starts sobbing causing Bender to ponder if he needs to work on his act.

Just like a classic episode of The Simpsons, the TV will tell us where the plot goes.

We cut to Fry seated on the couch all hunched over and sad. He declares he feels like a rat for sitting around whining like a pig while Leela was as lonely as a frog. He then adds he could kick himself, but Amy says she’ll do it for him and does. The Professor scolds him for being blind to Leela’s plight, which just cuts to Hermes telling him that Fry is “over there.” Bender is unphased though as he relaxes in a chair drinking booze and remarks how Xmas Eve is just another pointless day where he accomplishes nothing! Clearly, he needs his own plot then which is why we’re interrupted by a news broadcast. It’s hosted by Linda (Tress MacNeille) and the alien Morbo (Maurice LaMarche), the usual anchors for these broadcasts. Linda sets up her story by noting that Xmas is the time of year where we acknowledge the suffering of others, which is just Morbo’s cue to add “Earthlings do not yet know the meaning of suffering – muahahaha!” That’s his schtick.

First, Bender is snuggling with the office pet and now he’s off to do some charity work? This is too much!

Linda segues into a story about homeless robots who lack the necessary alcohol needed to power their circuits. She’s at a shelter which is basically a soup kitchen, but one that deals alcohol instead. She gestures to the scene and rhetorically asks, “Is there anything sadder? Only drowning puppies, and there would have to be a lot of them!” Bender turns off the TV and heads for the door. Apparently, our cold-hearted mechanical man has found the Xmas spirit for he tells the others that he’s going to volunteer at the shelter. They’re all skeptical and Hermes asks when has he ever done anything charitable? Bender counters there was that time he gave blood and when Fry asks, “Whose blood?” he comes back with “Some guy’s.” With Bender gone, Fry resumes his sulking so Zoidberg suggests he get down on his claws and do the apology dance to make it up to Leela. Fry pays attention to the demonstration miming the movements, then gets the idea in his head that he can just buy her an Xmas present. As he heads for the door the others caution him to be back before sunset. Fry indicates he likes to haggle, so he isn’t making any promises, which alerts the others that Fry doesn’t know about Santa Claus! Fry confirms that he does with a knowing wink, but the Professor is here to fill him in: In 2801 the Friendly Robot Company built a robotic Santa to distribute presents, but a programming error caused Santa to have too high of standards so everyone is on his Naughty List. Amy tells Fry if he gets caught that Santa will kill him while Professor Farnsworth adds “Nice knowing you!”

That’s better.

Time to check-in on Bender who has arrived at the liquor kitchen, only he’s not there to volunteer, but to score free booze. He’s dirtied himself up and put on a knit cap and some torn gloves and tells a volunteer he’s one of those lazy, homeless, robots he’s been hearing about and asks where the free booze is? The guy gestures in the proper direction and Bender is in. We then check in on Fry who is at the mall in search of a gift. He’s at a counter and explains his situation to the clerk, who suggests a nice, traditional, Xmas gift: a surface-to-Santa rocket launcher outfitted with jolly-seeking missiles. Fry laughs at the suggestion which causes one of the missiles to arm itself and point in his direction prompting a word of caution from the clerk.

Tinny Tim, the most pathetic robot you’re likely to see.

At the shelter, Bender is downing another bowl of booze and seems quite satisfied. He then tells the robot next to him who is modeled after an old hobo that someone is trying to steal his handkerchief full of crap. The robot turns to make sure his bindle is still there allowing Bender to steal his booze. A small, pathetic, robot approaches the counter. He’s wearing a flat cap and has a crutch for an arm. This is Tinny Tim (MacNeille), though right now he’s doing Oliver Twist as he politely asks for a bowl of booze, only to find out it’s all gone. As he sadly hobbles away, Bender says to himself, “My God, that poor kid,” and then laughs. Misdirection!

Decisions, decisions.

We are then whisked away to Joe’s Ark Pet Store, Formerly Noah’s Ark Shoe Store, where Fry is still in search of a gift for Leela. He pleads with the clerk as this is his last shot at finding the perfect gift. Following that is a series of gags where Fry is looking at some weird, futuristic, version of a pet and deciding it’s not good enough. Among them is an eight-legged dachshund and Bongo, the one-eared rabbit-like creature from Groening’s Life in Hell. Dissatisfied with his options, Fry asks the clerk what the best pet in the shop is and he points to the electric snail as his favorite pet. Fry declares it a stupid animal and calls the clerk stupid for suggesting it. He’s been hanging out with Bender too long. The clerk is understandably eager to get out of there before sundown and urges Fry to make a choice. Fry then zeroes in on a parrot that apparently costs 500 bucks. He remarks it’s a damn good parrot, but then spies stink lizards which are a buck each. He asks the clerk what women prefer: parrots or swarms of lizards? He’s instead urged to make a choice because the shop is closing setting up a gag where Fry goes back and forth agonizing over his decision as he basically narrates his thought process: “Okay, okay, I’ll take the 500 lizards. No! Wait! Yes! No! Yes! Yes! Yes! The parrot!” Every time he said “Yes” he inches closer to the lizards, a true misdirection if ever there was one.

Well, that took a turn rather quickly.

With that decision made, Fry leaves with his parrot satisfied that Leela will like it. The parrot (Welker) squawks in response and Fry cheerfully remarks how it’s quite the talker. It squawks again and Fry gets angry yelling “Shut the hell up!” The parrot is able to bite his nose through the cage causing Fry to drop it. When it hits the ground it breaks open and the parrot flies off. Fry raises the cage over his head and shouts “I know where you live!” Back at the Planet Express headquarters, Amy is wrapping gifts with Zoidberg as Nibbler bounces around and Hermes and the Professor play chess. Naked. There’s even a nice opening in the chair Hermes is seated in so we can see his butt crack. Leela enters looking for Fry, only to find out that he left to go get her a present. She’s alarmed given the hour and the others act like they have no idea why, but it’s so they can setup a joke for Leela to say “I’m telling you why – Santa Claus is coming to town!”

This is just a tremendous visual gag.

We find Fry at the base of a very tall building with a giant digital clock that reads 4:24 on the front of it. The parrot has apparently found a perch atop it and Fry is going after him. He states, “All right bird, you thought you could beat me in a game of wits, but you just met your equal.” At least he isn’t modest. Fry emerges at the top of the building where the parrot is perched atop the big clock face. There isn’t much room so Fry inches out with his back against the wall. He scoots along, and as he does so does the parrot until it runs out of real estate. Fry thinks he has the bird cornered, but it just does what birds do – it flies. In trying to grab it, Fry loses his balance. He appears to regain it for a second, but then abruptly falls. He’s able to grab onto the number 2 of the clock face, but he’s at the end of it and the number represents seconds that are elapsing. It’s apparently a tangible digital clock that changes to 3, but when it changes to a 4 the top disappears and Fry falls again grabbing onto the middle “bar” of the digital number. He’s safe only until it becomes a 7, then there are no more bars to grab onto.

Looks like everything is going to be just fine.

Lucky for Fry, Leela is there to grab him! Fry is so happy to see her that he declares he’s going to buy her so many lizards! Leela smiles and we cut to the pair walking out of the building. They have a heart-to-heart where Fry apologizes for ignoring her feelings and only focusing on himself. Leela accepts and suggests that at least this Xmas they can be lonely together. The two hold hands and this is probably the second big advancement of their romantic subplot following “A Flight to Remember.” As the two wish each other a “Merry Xmas,” they’re interrupted by a loud banging sound. They turn around and Fry is immediately excited to see Santa Claus! The robot gives a jolly “Ho Ho Ho,” but as it does, it’s U-shaped eyes rotate upside down into a frown as we head into an act break.

Oh, right, we forgot about the killer Santa.

After the break, Fry and Leela do not look at all happy to see the murderous robot as it approaches. Santa (John Goodman) informs the two that they have both been very naughty this year for neglecting each other’s feelings. When they tell Santa that they made up, he counters by asking if either of them had bothered to think about the feelings of their co-worker, Dr. Zoidberg? Fry quickly responds, “No! I swear!” in an early indication of how Zoidberg is to be treated going forward. Santa then tells the two he has something very special for them in his sack. As he reaches in, there’s a quick cut to Fry’s face and he’s smiling like he thinks Santa has a present for him, but he just pulls out a laser tommy gun and starts firing madly!

Clearly, Xmas is just the time of year where people make it easy for Bender to do crimes.

Fry and Leela are forced to run for their lives and rather than watch that we cut to Bender and some homeless robots singing Xmas carols outside an old lady’s (MacNeille) home. We get a piece of the future’s version of “Here Comes Santa Claus” which strikes a very different tone from the present, “So lock the door and hit the floor ’cause Santa Claus comes tonight.” The old lady applauds the group, which includes Tinny Tim, the robot with the bindle, and another, then tells them to go away. Bender stops her by suggesting it’s customary to invite carolers in for a traditional glass of hard cider. She surprisingly agrees and the gang heads in. The door closes and the camera stays outside the townhouse as we can hear them guzzling the stuff down and the old lady tell them that’s enough. The sound of empty bottles being discarded follows along with a command from Bender to get her purse. Suddenly, this is more like A Clockwork Orange than any Christmas special I know.

So did he have the spiked pom pom on his hat before or after he turned evil?

The scene shifts abruptly to Fry and Leela running towards the camera as Santa flies behind them. His sleigh is being pulled by two robotic reindeer as apparently eight weren’t needed. It does speak to humanity’s efficiency that in a thousand years they were able to devise a sleigh only in need of two reindeer to power it. As Santa continues to fire away at the two, Fry begs for their lives and promises to set out milk and cookies for the robot. Santa pauses, but only to remark how shocked he is that they would try to bribe him. That’s just another naughty deed and Santa vows to shove coal so far up their “stockings” that they’ll start coughing up diamonds! In the 90s, we were very fond of jokes that involved something going up the rectum and resulting in something hilarious occurring at the mouth region.

Sorry kids, this is no time for romance!

Santa tosses a grenade in Fry and Leela’s direction which is shaped like a traditional Christmas ornament. The two avoid it by ducking into an entryway to a building, but as Santa circles and prepares to come straight at them, they also realize they have no where left to run. As the two say their goodbyes to each other, Fry notices they’re standing under the mistletoe. The two lean in for a kiss, but the mood is disrupted by Santa declaring that their mistletoe is no match for his T.O.W. missile! He pulls out a massive rocket launcher and fires away, but as the missile heads right for the screaming Fry and Leela the parrot happens to fly by. It ends up taking one for the pair and as the feathers rain down in front of them Fry tells Leela her Xmas present may require some assembly.

I applaud Santa’s commitment to keeping some things old fashioned.

We jump back to Bender and his crew following their heist. Bender leads the group in his own version of the “Twelve Days of Christmas” which goes: “On the fourth day of Xmas I stole from that lady, four family photos – three jars of pennies – two former husbands – and a slipper on a shoe tree!” Each member of the gang sings their own line and the former husbands are urns. It’s pretty clever. Tinny Tim then spies Fry and Leela running in their direction and points them out as potential next victims, but Bender tells the gang he knows them – they got nothing. Santa is close behind the two and when he spies Bender he’s got some words to share. It would seem Bender is very high on Santa’s Naughty List, and when he tells Bender this he tries to finger the kid. Santa is so appalled that Bender would frame an orphan for his misdeeds that he feels compelled to update his list. Despite the fact that he can perform 50 mega-checks per second of his list, updating it is rather time consuming and as Santa does so the others run away.

“Finally, I look as pretty as I feel!”

At Planet Express HQ, the decorations are all in place and the clothes are back on. Hermes, Zoidberg, Amy, and Professor Farnsworth are seated all wearing Santa hats as the gift exchange begins. Zoidberg gifts Amy a set of combs, which is ironic because Amy sold all of her hair to buy a set of combs for Hermes. He too sold his hair to buy a set of combs for…Zoidberg? The bald crustacean accepts the gift and announces it will go splendid with his new hair! He takes his hat off and one side of his head features the hair of Amy and the other the hair of Hermes. No one apparently got the Professor anything, but he’s their boss so why should they? This obvious Gift of the Magi parody is very Futurama in that it sets up the joke, then goes beyond it in a way the audience should not have expected.

He’s on the roof!

The screaming of Fry, Leela, Bender, and the robot hobos puts an end to the lovely atmosphere in the room. The others see the crew from the window as they try to outrun Santa. The Professor notes they’ll be killed on their doorstep – with no trash pickup until January third. The door opens behind him and the group comes running in. They scramble to try and close the fireplace with this giant gear-like contraption, but it’s only Fry and Leela who try to push it while Bender urges them to use teamwork. Santa sticks a candy cane in front of it just before it locks into place and effortlessly forces himself inside along with his two reindeer minions.

Looks like it’s all over for this crew.

Santa menacingly descends from the ceiling and announces to the group before him that they’ve all been very naughty, very naughty indeed! Except Dr. Zoidberg who Santa gifts with a pogo stick. As the crab bounces merrily, Santa resumes his threats by indicating he’ll tare their skin off like wrapping paper and deck the halls with their guts – not his most clever threats. Bender gets an idea and tells everyone gathered that if they don’t believe in Santa then he can’t hurt them! Santa smacks him upside the head with his sack forcing Bender to cry out “Oh, God, the pain!”

This episode could have also been called “How Zoidberg Saved Xmas.”

Santa then commences with his punishment as he starts to laugh. Leela warns his belly is shaking like a bowl full of nitroglycerine while Amy and Fry point out Rudolph’s blinking nose. They’re clearly going to explode which will likely kill everyone in the process. When all hope is lost, the only one on the Nice List springs into action – literally! Bouncing on his pogo stick, Zoidberg snips one of the strings of lights which swings down and contacts Santa electrocuting him in the process. As he fries, Leela jump-kicks him back into his sleigh while Fry, Amy, Hermes, and the Professor (who is dangling off the tree and not really helping) carry the Xmas tree like a battering ram and slam Santa and the reindeer into the fireplace. The robots close the barrier and an explosion goes off behind it that rockets Santa and his reindeer into the sky leaving everyone else safe at last.

Oof, that’s an unfortunate sight.

With that out of the way, it’s time to serve Xmas dinner! The robots have stayed for dinner (and the wife of Hermes, LaBarbara, is suddenly present but not their son, Dwight) as Bender brings out a platter which contains…the charred remains of Leela’s dead parrot. Fry asks Bender where he got the bird and he says he got it where he gets all of the food he serves them – lying in the street. He starts carving the bird, which no one appears interested in eating, and puts a toenail on Tinny Tim’s plate. Nibbler then puts everyone out of their misery by eating the rest and then snatches the toenail from Tinny Tim’s plate. Bender is bummed, which prompts Fry to say the food isn’t important, but before he can continue Tinny Tim sadly moans to himself that he’s so hungry. Fry continues by saying despite being surrounded by robots, monsters, and old people, he’s happy to be among them all at Xmas. Everyone seems to share the same sentiment and the Professor announces that it’s time to shut up and sing!

Merry Xmas, everyone!

The whole gang gathers at the piano where Hermes leads them in a traditional Xmas song. Here we get a larger sample of this universe’s “Santa Claus is Comin’ to Town” which goes: He knows when you are sleeping(Amy). He knows when you’re on the can(Farnsworth). He’ll hunt you down and blast your ass from here to Pakistan(Leela)! Oh, you better not breath, you better not move(Hermes). You’re better off dead I’m telling you, dude(Bender). Santa Claus is gunning you down(Fry)!” Professor Farnsworth then steps into frame to announce “Merry Xmas!” as he disrobes into his birthday suit and takes his place beside his employees.

We can’t forget the moon shot. Too bad the credits are over it.

The camera zooms out through the window and pans up to the sky. We can see the skyscraper Fry dangled from earlier which now reads 8:57, which in the show’s original broadcast coincided with the actual time of day it would have been. Santa then comes flying by with a threat, he’ll be back when we least expect it – next Xmas! He laughs his evil laugh and flies into the sky and we end this one on a proper moon shot. Bravo, Futurama, bravo!

And that is the story of what Christmas Xmas is like in the year 3000. As an episode of Futurama, it follows the familiar template of Fry getting introduced to something about the future that’s changed from the past. There’s quite a few of these events in the first seasons of the show and this is one of the better ones. I tried not to keep pointing it out, but I love all of the misdirection in this one. So many jokes are just: here is the premise, here is your logical conclusion, but oh wait, that’s not the real conclusion! It’s the type of humor that can fall flat after repeat viewings because the surprises are no longer a surprise. In spite of that, this episode of Futurama remains timeless and it’s so timeless that I consider it one of the best Christmas Xmas specials ever aired.

Poor parrot, we hardly knew ye.

In terms of production, there is nothing special about this episode compared with a normal episode of the show. It looks fantastic, because pretty much all of Futurama from this era looked amazing, but did have the added benefit of being the first time the show really got to play with snow. The early scenes at the lodge look terrific even if there isn’t a ton of creativity on display as far as how a ski lodge in the year 3000 might look. The skyscraper with the giant digital clock is a terrific set piece and an even better gag when it turns out it actually has a physical form that Fry can interact with. And even though he didn’t last long, the parrot was pretty amusing. Poor, little, birdy.

I don’t think of this one as crass as some other Xmas specials, and then I remember the drowning children.

As an Xmas special, this one is surprisingly by the numbers for the first two acts. Two people are coping with the holiday blues brought on by loneliness and the holiday brings them together. It just brings them together in fear because Santa Claus is now homicidal. Fry and Leela nearly share a kiss, which wouldn’t have been their first since they kiss in “A Flight to Remember.” There, their kiss was one of deception and not romance so this one would have landed differently had it been allowed to take place. The show would play up the “will they won’t they” angle for many episodes to come and would eventually pair the two up. The Santa angle is present mostly for shock value, but it’s also entertaining. There are some good one-liners to be found that take a popular Xmas saying and turn it around, though it is the one aspect of the episode that does seem to get weaker as it goes along. Though it does turn things around with that humorous parody of “Santa Claus is Comin’ to Town” that basically takes us out.

In closing, this Xmas episode of Futurama has heart, but it’s also more funny and subversive than anything. I don’t think it has any real commentary to make on the holiday itself, but that’s fine as there’s plenty of space to do that elsewhere. This one just wants to present a ludicrous take on the holiday and give the viewer something to laugh at. If you want a funny Xmas special that doesn’t feature the crudeness of say South Park or American Dad! then this one should more than fit the bill. I absolutely love it, along with its sequel episode, and I think you will too.

Oh, and who could forget the casual nudity?

If you would like to watch Futurama‘s “Xmas Story,” then the easiest way in the US is via Hulu where the show presently resides. I think the show still airs on television as well where this episode will likely air. If you’re outside the US, then it can be found on Disney+. The best way to watch it though is to simply buy all of Season Two on physical media that way yo can enjoy it, and the rest of Season Two, whenever you want.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

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Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…

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Dec. 20 – Inspector Gadget Saves Christmas

Once upon a time, Hanna-Barbera ruled the cartoon television universe. The company was one of the first to prioritize television over film when it came to cartoons, and it was a strategy that worked quite well. Come the 80s, cartoons were a Saturday morning staple and were taking over the weekday afternoon as well. Hanna-Barbera…

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#3 Best in TV Animation: Futurama

FuturamaWhen Futurama was first announced I didn’t think much of it. It felt like an unofficial spin-off of The Simpsons with a stupid title. The premise, a 20th century slacker getting cryogenically frozen to awake in the 30th century, probably should have interested me more than it did. As a result, I, along with most of America, mostly ignored the show during its initial run. Only when re-runs started surfacing on Cartoon Network’s Adult Swim block of programming did I truly give the show a chance. And what do you know? – I loved it!

Futurama follows the exploits of Fry, Bender, Leela, and the rest of the Planet Express package delivery crew as they parade around the universe getting into more trouble than a normal package delivery company would expect to. Like The Simpsons, Futurama relies on satire and a diverse cast of characters for its humor, and setting the series a thousand years in the future actually makes the satire come rather easy. It’s almost as if show runners Matt Groening and David X. Cohen watched Back to the Future Part II and decided a show that centers entirely on the future portion of that film would be a great idea. The future is a lot like our present, only America essentially rules the entire globe with President Nixon, now a head preserved in a jar, coming into power early in the show’s life. There’s also the Democratic Order Of Planets, or DOOP, which attempts to police the entire known universe with the incompetent Zapp Brannigan as its leading general. Robots handle a lot of the menial labor on earth with relations between humans and robots tenuous at best.

This picture essentially tells you all you need to know about Bender.

This picture essentially tells you all you need to know about Bender.

The principal cast revolves around the Planet Express crew itself. Fry (Billy West) is the main protagonist who is time-displaced due to a mishap in 1999 and doesn’t seem to mind it all that match. He’s a well-meaning but plainly stupid sort of character. His best friend is the robot Bender (John DiMaggio), who would rather chain smoke and steal than actually do any work around the office. Leela (Katie Sagal) is the pilot of the Planet Express ship and nominal love interest of Fry, a subplot that actually takes quite a while to fully develop. She also happens to be a one-eyed mutant. Professor Farnsworth (also voiced by West) runs the company (mostly incompetently) with the help of Hermes Conrad (Phil LaMarr), Amy Wong (Tress MacNeil)e, and Dr. Zoidberg (West). As you may have noticed, the voice cast is pretty well stocked with talented individuals, some who made a name for themselves with Groening’s Simpsons. West is the obvious star and one of the very best at his craft, but everyone is pretty top-notch making Futurama arguably the most well-voiced program in the history of animation.

Visually, the show is excellent and for most of its run was superior to its predecessor, The Simpsons. Fox clearly was pretty generous with the budget for the show’s first four seasons as traditional hand-drawn animation was blended well with computer-aided visuals where appropriate. The show is bright and vibrant and the setting helps to give it a unique look. As expected, there are some pretty standard tropes of the future setting like transportation tubes and laser weapons to go along the obvious hover cars. The show doesn’t make too many attempts at actually predicting the future, and given the setting is a thousand years away there’s little need to. The various aliens and robots are usually pretty fun to take-in and is where most of the show’s visual creativity ends up being on display.

Billy West lends his voice to many characters on the show.

Billy West lends his voice to many characters on the show.

Most importantly, the show is just plain funny. The characters tend to work well with each other. Fry and Bender are often the ones getting into mischief, and early in the show’s run, Leela was often left to play the straight man (woman). Bender is the unofficial star of the show as his general selfishness and law-breaking ways make him both hilarious and popular in the same way Bart Simpson did ten years prior, only with the debauchery and lewdness magnified considerably. Dr. Zoidberg, likely the universe’s worst doctor, is often a source of humor at the character’s expense considering he is both poor and foul-smelling. Professor Farnsworth is probably my pick for the most unsung hero of the cast. Whenever the show turns to him for a one-liner or a visual gag he seems to always deliver. The simple delivery of his “Tell them I hate them,” from “Fry and The Slurm Factory” gets me every time.

Where the show really found a way to separate itself from others is with its heart. It sounds sappy, but the show is surprisingly effective when it wants to make the viewer experience something other than laughter. The first episode where the show really successfully delivered on such was the Fry-centric “The Luck of the Fryish.” In that episode, Fry finds out his brother essentially stole his identity after he was frozen and basically lived out all of Fry’s dreams while becoming a national treasure. He owed it all to Fry’s lucky seven-leaf clover. Fry, in anger, wants his clover back and will go to great lengths to get it back, even if it means digging up his brother’s corpse. There’s a twist in the end and good luck keeping your eyes dry when it comes about. Of course, the show’s most infamous episode in this style is “Jurassic Bark,” in which we find out what happened to Fry’s dog, Seymour, after he was frozen and left him behind. I still remember the first time I caught the episode on television and the ending really snuck up on me and obviously made an impact. In general, the show does a really strong job of finding the humor in almost any situation. And even when the characters have to do something mean for laughs, the show is able to keep them from straying too far from a moral baseline so that the audience never turns against them. Even Bender has his moments where he does something nice.

Like The Simpsons, Futurama's cast became exceptionally large.

Like The Simpsons, Futurama’s cast became exceptionally large.

Futurama was originally unsuccessful during its initial run on Fox, though it did manage to last for the better part of four seasons. After the reruns performed well for Cartoon Network and DVD sales excelled, the show went the direct-to-video route with four feature-length films. They would eventually be chopped up into episodes that aired on Comedy Central, who picked up the show for an additional three seasons. Having the show come back from the dead was pretty awesome, but you would have a hard time finding a Futurama fan that felt the post-cancellation episodes were up to the same standards of quality as the first four seasons. Still, there were episodes here and there that stood out and subpar Futurama is better than most shows. The show ended with its 140th episode, a healthy run by any standard. In those 140 episodes the show made a bigger impact than all but two others, according to this list, and really stand among all television shows, animated or otherwise, as being among the very best.