Category Archives: Best of Christmas – TV

Dec. 25 – Prep & Landing

Original air date December 8, 2009

We have reached another Christmas Day! It’s a great time to celebrate and enjoy the moment for tomorrow we mourn the passing of the season. It’s the great come-down every year. For this holiday, I am once again returning to my list of the best of the best when it comes to Christmas specials. This entry will complete that list as I made it a personal mission to revisit the ones I felt had been short-changed by me in the past. There are still some on the initial list of 25 that I bumped off when I revisited the list a few years ago. Maybe I’ll circle back to them – I don’t know! That’s a discussion for next year. For now, lets talk Disney’s Prep & Landing.

Prep & Landing is not number one on my top 25 best of Christmas list, but it probably would be if we were only talking about specials created in the last 23 years. The only one such special I ranked ahead of it was the episode “Last Christmas!” from another Disney property, DuckTales. It was a mere two spots ahead of this one, definitely in the tenuous zone, and I have a feeling if I were to make such a list I’d be inclined to make this particular special number one over a very excellent episode of DuckTales. Why? Because this one is very much a traditional Christmas special in that it’s essentially stand-alone (sequels have followed, but they don’t enhance this one) and adds to the lore of Christmas by focusing on the elves who help get things done to make Christmas, Christmas. We’ve seen plenty of elves hard at work in the toy shop, but never have we seen them entering a home on Christmas Eve to make sure everything is in place for Santa. With his list of houses to visit as big as it is, there can be no wasted time on Christmas Eve. He needs to get in and get out and one misplaced toy or aggressive dog could blow the whole thing up. My approach each year is to save something fairly traditional for the final entry. And this year, I also decided to go in chronological order when it came to my re-rankings on the 5th, 10th, 15th, 20th, and today. We started in 1977 with The Flintstones, and today we end in 2009.

Disney seemed pretty confident it had a couple of stars on its hands in Lanny and Wayne.

Enter Wayne (Dave Foley) and the other elves of Prep & Landing. It’s their job to get in and make sure that anything that could go wrong won’t. Kids staying up trying to catch the man in action? They put them to sleep. Tree has too many low-hanging branches to fit a gift? They trim ’em. Nuts in the cookies? You’re outta here! It’s a big operation that relies on a vast network of elves and even a secret reindeer to get it done and it mostly comes from the mind of Chris Williams, Kevin Deters, and Stevie Wermers-Skelton. Williams is credited with the idea for the special which he pitched as a short. John Lasseter, then in charge of animation at Disney, decided it would work best as a TV special. Unfortunately, Williams wasn’t available to direct because he was assigned Bolt so it was handed off to Deters and Wermers-Skelton to direct. They added their own touches, and the special premiered on December 8, 2009.

When Prep & Landing first arrived on television I paid it no mind. It was 2009 so I was mostly just working and working and working and trying to save money for my own home after renting for a few years. I don’t even recall when I first watched this special, but by the time that I did the sequel was out and it formed a tidy one hour block on ABC each year. For some reason I associated it with Phineas and Ferb, a show I hear is perfectly fine, but not something I need in my life. I guess it was just the similar title that made me think that, but it was actually a recommendation from my mother to watch the two that finally got me to bite. It was love at first viewing. I love Dave Foley going back to his days on Kids in the Hall and by 2009 Disney was good enough at producing CG material that looked on par with what Pixar had been doing for even longer. And I love Christmas! By the time I watched it I think I was stockpiling Christmas specials on DVD because I can’t get enough of them at this time of year and Prep & Landing has been a worthy inclusion on my annual viewing list ever since.

This one has a very traditional vibe to it, though it’s hard to place the era of the setting.

Prep & Landing begins in traditional fashion. We get some lovely shots of a quiet town asleep at night. There’s snow everywhere and Christmas decorations dot the landscape. Nat King Cole’s rendition of “The Christmas Song” is the sound of the season bringing us in. It really is a picture perfect way to begin a Christmas special and a great way to put a capper on the Christmas season. If just one person decides to end their Christmas Day with this special as a result of this entry then I will consider it mission accomplished.

It’s like Mission Impossible, but with elves.

An interior shot of a Christmas tree pans to a lit fireplace. As Cole starts to tell us about folks dressed up like slurs, the music is cut out in favor of an aerosol can sound, a clever way to avoid a potentially offensive word while also crafting an effective scene transition. Someone has put out the fire from above and two little heads with pointed hats come into view. They’re hanging upside down and sporting what looks like night vision goggles since they’re illuminated green. They scan the room and we’re briefly shown a view from their perspective of an inverted Christmas tree. The music has switched to an electronic spy theme, but with a touch of Christmas chimes added to it. The score was composed by Michael Giacchino and it is fantastic throughout, in case I forget to highlight it later (I often do).

If you ever thought your tree looked a little smaller on Christmas morning now you know why.

The elves emerge from the fireplace and stealthily move about the house. The skinnier of the two, Peterson, creeps upstairs to a bedroom where a little girl is asleep. He scans her with a handheld device that’s shaped like a gingerbread man, but functions like an iPhone. It relays to him that there are 0 creatures stirring. They move to the tree where the same device is used to project a laser image of a Christmas present that is 18″ high. They don’t quite have enough space under the tree for a box of that size, so the other elf, Wayne (Foley), descends from a grappling hook and shaves some of the branches back and silently directs Peterson to vacuum up the debris. Foley’s voice, as Wayne, then comes on to narrate the rest of the scene first starting with a question for the audience asking if it has ever wondered how the whole operation gets done? This is our introduction to the operation that is Prep & Landing. As he explains, we see some of the duties carried out including prepping the stockings by blowing air into them to widen them for efficient stuffing, the temperature of the milk is tested, and the cookies confirmed to be nut-free (I bet you didn’t know the big guy had a nut allergy). A dog threatens to mess the whole thing up (his model is the same as Bolt, but re-colored), but Wayne gets a bomb shaped like a Christmas ornament to Peterson which explodes in the dog’s face and puts the canine to sleep. They leave a candy-cane striped dog bone behind as a “Sorry I had to bomb you,” offering.

This one is all about Wayne and his desire to move up in the pecking order at work, but maybe doing so isn’t what he really needs.

The operation moves to the roof where the elves lay down a landing strip of sorts. They direct the sleigh which deploys a hook that grabs the landing strip to pull it to a complete stop, just like how a jet lands on an aircraft carrier. With the job done, Wayne enjoys a snack on the edge of the roof. If they go onto other homes it’s not addressed or implied which means this is a huge operation. Also, not a bad gig to have to prep one house once a year. The voice over tells us that Wayne has been doing this a long time, and it’s illustrated by a sequence of shots of Wayne getting buried in snow each time the sleigh lands on the roof. The last one has the snow resembling hair and a beard as a brief fake-out that he’s looking much older as well, but he just brushes it off. Wayne is clearly ready for a change, and that’s what this special is all about.

Hints of a power trip to come from Wayne, maybe he actually isn’t ready for a promotion despite being on this beat for over 200 years?

It’s Christmas Eve at the North Pole and a very fancy snow mobile has just pulled into a reserved parking spot. It’s a spot intended for the Director of the Naughty List and the attendant elf is not happy with whoever just pulled in. It’s Wayne, sporting a dress shirt and Christmas tree shaped tie and sunglasses, who is apparently not the appointed director. The attendant, Waterkotte (Peter Jacobson), is insistant that Wayne move because he wasn’t informed of his new position, but Wayne assures him that he’s heading inside to speak with a Magee to make it official. Waterkotte tells him to make sure he gets a sticker on his vehicle pronto, and as he does he taps it with his pencil. Wayne spins on his heels to tell him to be mindful not to scratch his car or he’ll have to put Waterkotte on the Naughty List. He lets out a phony sounding laugh and adds a “Just kidding,” but then follows it up with, “but I could,” to reestablish that there is a real threat at play.

Wayne’s smugness throughout this scene threatens to make him too unlikable. He doesn’t know the names of his co-workers and seems utterly disinterested in his potential subordinates.

Wayne heads into the factory with some pep in his step. He’s singing to himself his own version of “Jingle Bells” that’s basically a celebration of his promotion. He grabs the hands of a blonde elf and does a little twirl with the words of his song a reminder to her not to forget their date under the mistletoe. He grabs onto a golf cart to hitch a ride as it whisks him off to Magee’s office like he’s the star in his own musical. Voices call out to him that they’re going to miss him and when he does come to a stop he’s greeted by a pair of Coal Elves. As Director of the Naughty List, Wayne is apparently their boss now. The two elves are dressed line miners and covered in soot. It doesn’t require explanation and it’s actually rather nice that the special lets us fill in the information that these guys are dispatched to the homes of naughty kids where coal is left behind. One of the elves, Gristletoe Joe (Lino DiSalvo), better known as Nancy, has a gift for his new boss – a sooty, brick of fruit cake made by his wife. Wayne accepts it with his thanks and promises good things are coming with him in charge. It would seem Wayne has ether told everyone about this promotion leading up to it, or everyone just expects him to finally get it.

Magee is a great character who we could stand to see some more of.

Of course, that means he’s not. Wayne arrives at Magee’s office and drops the fruit cake on her desk indicating he probably has no intention of actually eating the thing. Magee (Sarah Chalke) is like the CEO of this whole operation (her official title is North Pole Christmas Eve Command Center Coordinator). She’s in the middle of two phone conversations, one via handheld device and the other headset, when Wayne walks in as a small attendant (Tiny) holds a clipboard up to her to get her approval on something. We only ever see the tip of Tiny’s hat because he’s, well, tiny. Magee first asks Wayne if he lost a bet in response to the tie he’s wearing, but Wayne isn’t phased and explains it’s his celebration tie. This is followed with the bad news. Not only is Wayne not getting the promotion, his partner Peterson is. Wayne can’t believe it since he’s been on the job longer and is the one who trained his understudy only for him to get promoted out from under him. This information is all shared by Wayne in a sarcastic manner, but the sarcasm is lost on Magee who just hears the part about being happy for Peterson. She takes a sip of whatever Tiny brought her (I think it’s eggnog) and it’s apparently bad as she dumps it into the pot of her little Charlie Brown tree behind her which causes the needles to fall off of it. It’s Christmas Eve though and there’s no time to be sad as Wayne has a new partner to train – Lanny (Derek Richardson).

Easy there, Lanny, you can’t just go and grab your co-workers like that without consent, buster.

Lanny introduces himself by first struggling with the door to Magee’s office. Seems he thinks it’s a “Pull” door and not a push one and basically opens it by accident. He salutes Wayne and introduces himself, his call sign is Tree Skirt (Wayne’s is Little Drummer Boy), and Wayne seems unimpressed. Lanny doesn’t pick up on the tension at all as he shakes Wayne’s hand with tremendous enthusiasm telling him he had a poster of him on his wall as a kid. He gives him a hug too, and while I do enjoy the performance of Derek Richardson as Lanny, his high voice does make me wish they could have hired fellow Kids in the Hall alum Kevin McDonald for the gig as he would have been perfect.

Thrasher has an effective way of getting his point across.

Magee tells them they need to get a move-on as Thrasher is the last transport waiting. This excites Lanny even more as they head for two big, steel, doors that soon open into a hangar. Thrasher (Hayes MacArthur) is a massive reindeer with gray fur and dark sunglasses. He’s got attitude to spare. Lanny approaches him from the front and remarks that he thought Thrasher was just a myth. He’s then told by the reindeer that he is a myth and that if he tells anyone about him then Lanny will be the one that doesn’t exist. He emphasizes this by turning the candy cane he was sucking on vertical in between his teeth and crushes it.

Apparently, she only liked you when she thought you were getting promoted, Wayne.

With that point across, Lanny heads around back to the pod that Thrasher will be pulling. Wayne is already inside looking thoroughly miserable along with some other elves, but Lanny is oblivious as he ponders what Thrasher’s stop speed is and remarks, “This is so tinsel!” Wayne, who looks barely put together with his coat open and gut hanging out, asks Lanny a rhetorical question in response (“Does the phrase silent night mean anything to you?”) and then smiles at the blonde seated next to him. I’m not sure if this is the same blonde elf from earlier or not, but she is all business now as she turns on her goggles and turns away from Wayne.

I don’t think Wayne’s heart is in it this year.

Thrasher takes the elves to the drop zone, 18,000 feet over Sector 7. Lanny and Wayne hop out of the pod and deploy parachutes from the tips of their pointy hats. They descend to the roof of their assigned home as skis deploy from their shoes. Lanny remarks that the neighbor’s house looks like a winter wonderland because of all of the decorations on their lawn. It seems an innocuous comment at the time, but it’s going to play a role later. We cut to the fireplace where the glowing logs indicate that the fire has been out for some time, but are still hot. That doesn’t stop Lanny from spraying them repeatedly as he’s clearly getting no feedback from his partner. He soon emerges from the fireplace and quickly takes cover behind a potted plant of poinsettia. Wayne descends with far less enthusiasm, feet first, just dangling from his candy cane grappling hook.

There’s some great facial animation on Wayne throughout this special.

Wayne then gets the idea to set Lanny free. He proposes he go solo, which Lanny doesn’t think he’s ready for, but Wayne remarks that he’s highly trained and ready for the challenge so Lanny accepts promising to check-in at regular intervals. He heads upstairs to check for stirring creatures while Wayne puts himself on cookie duty. This just means he’s picked up a frosted, Santa-shaped, cookie for himself and set his sights on the kitchen. Lanny confirms the lone child, Timmy, is asleep then gets to prepping the stockings. Wayne, on the other hand, is raiding the fridge. He’s made himself a cup of hot chocolate and is using his tools to grind up more chocolate for it. As he does so, he speaks to the Santa cookie in a taunting fashion pointing out his naughty behavior and encourages the cookie to tell Peterson to put him on his list.

That outlet sure looks like a fire hazard. A reference to A Christmas Story, perhaps?

Lanny, left to himself, has to lean his gingerbread gadget against a toy train to measure the space needed for Timmy’s gift under the tree. It’s a big one, a bicycle, so some trimming is needed. Wayne has settled into a recliner with his coco, cookie, and can of whipped cream which he blasts into his mouth. He uses his grappling device to recline the chair and demonstrates that the gingerbread thing is also a universal remote. He turns the TV on and we’re immediately blasted with Clarence Nash belting out “Merry Christmas!” as Donald Duck. It’s Mickey’s Christmas Carol, 2021’s final entrant in The Christmas Spot, and Wayne asks the Santa cookie if it wants to watch a Christmas Special? Apparently it does, because Wayne just says “Too bad!” and changes the channel. It sounds like a non-copywrite infringing A Charlie Brown Christmas (Hey, Futurama just did something similar a few days ago) and he keeps changing the channel until he gets to something that sounds less seasonal. As for Lanny, unfortunately for him he’s used a side table as a boost to get high enough to make his tree cuts, but when he jumped the gingerbread device tilted causing him to cut off way more tree than is necessary. He starts nervously vacuuming up the excess as he tries to get Wayne on the radio for some help and advice.

This image pains me because I have definitely been there.

Wayne just tells Lanny to go with his gut as he unfastens his own belt and lets himself go. Lanny does basically the only thing he can do and spins the tree around so the front at least looks good. Wayne then decides it’s time to eat the cookie. He holds it up before him and says “Merry Christmas!” before biting into it. Since it’s one of those heavily frosted cookies, it’s hard as a rock. Seriously, those cookies are the worst. Wayne struggles to bite through it, but eventually manages to snap off the pom pom at least. Unfortunately, the cookie had all of his attention and he didn’t notice that his belt device detected a creature stirring. Little Timmy (Mason Cotton) then appears over the back of the chair, much to Wayne’s surprise. He’s also armed with a camera and has Wayne dead to rights.

This dangling elf’s job is to rev-up the reindeer.

At the command center in the North Pole, Magee is getting ready to launch the sleigh. The music is very dramatic and would feel right at home in a Marvel film. The sleigh is summoned and Magee gives the order to rev up the engine. A lone elf descends from the ceiling and psyches the lead reindeer up which is a pretty good bit. Magee then calls for the partridge to enter. That’s apparently Santa’s (William Morgan Sheppard) call sign as the big guy emerges to take his position in the sleigh. Magee then signals to each unit in the command center and they all return with “Dash away,” to indicate their unit is ready for launch. Magee gives the final command, “Dash away all,” and pushes the button to open the hangar. The reindeer start running in place as a countdown appears and they float above the track with sparkles about their feet. When the countdown reaches zero, it’s Santa’s turn to give a “Ho, ho, go!” and pushes the button to launch and Christmas is on! After we see Santa circle the tower to much celebration (no moon shot, sadly) Magee informs the crew that this is what all the planning was leading to. She takes a sip of the nog then assumes a sort of meditative posture as she assures herself nothing will go wrong. She’s quickly informed of a major storm over Sector 7 and she can only utter an “Oh, frostbite,” in response.

I know we’ve only just been introduced to this whole Prep & Landing operation, but I’m pretty sure interacting with the kid is a big no-no.

Back at the Terwelp residence, Timmy has decided to try and converse with his discovery. He’s moved onto the armrest of the chair and Wayne is basically in shock. Timmy remarks he’s surprised at how small Wayne is and guesses that he must be a baby elf, which insults the veteran. As Timmy picks up Wayne to examine him, Lanny comes in to inform his partner there’s a creature stirring, which Wayne is very much aware of at this point. Lanny screams when he sees Timmy and quickly fumbles with a sparkle bomb before tossing it in the kid’s face. He falls to the ground asleep and Lanny picks up the camera to delete the pictures, but before doing so sees a pic of Wayne and one of the Big Guy’s cookies. Wayne is ready to bail, but Lanny reminds him of Section Code 808 which dictates all children will be snug in their beds and Wayne lets out a groan.

All of those fancy gadgets, but not one of them is useful in hauling a kid up some stairs.

We cut to the pair hauling Timmy up the stairs to his room with Lanny in front and Wayne picking up the rear. It’s now that Lanny decides to confront Wayne on his behavior and we find out that Wayne has been at this gig for 227 years. He’s tired of it, but Lanny, being a fresh-faced rookie, gestures to Timmy as the reason for what they do. He views this gig as the best in the world and can’t imagine letting a kid like that down. Timmy does his part by looking cute sucking his thumb in his sleep, but Wayne just tells Lanny he’ll lose his enthusiasm too some day. Lanny tells Wayne he thought he was the Prep & Landing guy, but now he’s sad to find out that he’s really just a lump of coal. Never meet your heroes, ladies and gentlemen. This seems to hurt Wayne, but he shakes it off and tells Lanny that “sometimes we don’t get what we want.”

That’s bad.

As they put Timmy in his bed, Wayne gets a call from Magee. She mentions how Wayne must have noticed how bad the storm is outside to which he responds with “Well, I am now.” She explodes on him as Wayne’s admission of not being aware of the weather means he’s not on the roof which means the house isn’t prepped. He tells her they had a coal in the stocking, but assures her everything is fine because they’re putting him to bed. Everything is not fine as Magee radios to Eight Maids a-Milking which is the call sign for the reindeer. Dasher (Nathan Greno), acknowledges that he hates that call sign before taking Magee’s call. He and Dancer (David DeLuise), who is basically freaking out, report back that they have no visibility and things look bad. Magee has no choice but to radio the Big Guy and inform him the house isn’t prepped and suggest they do the unthinkable – Figgy Pudding. Santa indicates it’s never come to this before, but Magee reminds him it’s one house, one kid, and he’s needed at many more. He reluctantly agrees and the command is given to skip Timmy’s house.

Now it’s time for Wayne to start feeling a bit of empathy.

The commands comes over Wayne and Lanny’s handheld device. Suddenly, Wayne feels horrible. And to make him feel worse, the comatose Timmy reaches out and mistakes him for a stuffed animal. Or not, as he calls him by name and remarks that this will be the best Christmas ever. Aren’t they all? Wayne finds his resolve and extricates himself from Timmy’s grasp and puts his hat back on. He races out of the room and jumps on the banister as he demands Magee patch him through to the Big Guy (they actually never call Santa by name). Magee at first refuses, but then Wayne threatens to tell everyone about her and Tiny. At the suggestion, Tiny’s hat shoots up straight and Magee smiles nervously and responds, “Patching you through.” It would seem an inappropriate work relationship exists between Magee and her subordinate.

See, I told you Lanny’s winter wonderland would bare fruit in the end.

Magee comes through and Santa picks up on the other end. Wayne introduces himself as if Santa wouldn’t know who he is, but Santa informs the elf that Magee has already rerouted him. Wayne insists that he has a plan to land him safely and that there is time. He implores with the big man to let him do his job because he can’t let Timmy down. Santa responds, “I was hoping you would say that. Let’s give it a shot, my boy!” He directs the reindeer back to the house as Wayne and Lanny make for the roof, but not before Wayne remarks to his understudy that this is the most tinsel job around. They hit the roof and throw down the landing strips, but the wind is blowing much too hard and before it can be secured the landing strip is blown away. Lanny remarks that you can’t see anything in this storm, but Wayne points out one thing that’s still visible: Lanny’s winter wonderland.

A little elf ingenuity on display.

The pair make for the neighbor’s house as fast as they can go skiing across the rooftops. Wayne zeroes in on a giant, inflatable, Santa Claus in a snow globe while instructing Lanny to gather some rope. Wayne fastens his gingerbread man to the globe and tapes his hat over it. When he turns around, Lanny is there with basically every Christmas light from the house and asks “Is this enough rope?” Wayne is both surprised and impressed and the two head back to Timmy’s house with their Santa globe and “rope.” Lanny is able to plug the lights in by the mailbox while Wayne inflates the Santa with his stocking stuffer gun. He deploys the parachute on his hat and the wind pulls the inflatable high into the sky with the lights trailing behind it.

This is how they “cut” the engines.

Wayne offers some praise to the young Lanny and the two make for the roof. Wayne gets up no problem via his grappling device, but Lanny hooks an ice damn which gives way causing him to fall. As he drops he cries out that he’s going to die and is pleasantly surprised when he does not. His grappling hook finds his head though and knocks him for a loop as some icicles threaten to do even greater arm. Wayne spies them and swings down like Spider-Man to snatch his apprentice and take him to the roof. He props Lanny by the chimney as Santa radios in about not having a visual on the landing strip. Wayne assures him it’s coming and uses Lanny’s gingerbread device to activate the lights on the floating Santa globe. The reindeer confirm visual, and Dasher gives the command to “cut the engine.” This just means the reindeer stop “running” and tuck their legs, a great visual gag. These two, Dasher and Dancer, are low key the MVPs of this special.

It’s definitely going to take more than two elves to stop a sleigh containing a legendarily large fellow and eight reindeer.

With Santa rapidly approaching, it’s up to Wayne to make the landing a safe one. As he prepares to guide the sleigh in he remembers the tail hook. He dives out of the way firing his grapple gun at the chimney, but it clangs off. All hope seems lost, but don’t forget about Lanny! Lanny awakens from his stupor to grab the other end of the rope! Except, how are two elves going to stop Santa’s sleigh? They can’t, not on their own, but some quick thinking from Wayne as the sleigh pulls the pair like water skiers gets him to deploy Lanny’s hat-parachute to stop the sleigh. Timmy’s house has become impossibly long by this point, but it all adds to the suspense of the moment which is increased with quick cuts to the command center as they watch this somewhat reckless descent. Once the sleigh comes to halt with Dasher and Dancer staring over the edge of the roof, Dancer acts like he’s going to be sick, but keeps it together while the command center rejoices and the two Prep & Landing elves drop from the sky with a thud.

A mistletoe hat, Lanny? My kids would call that very “suss.”

It’s now 9 AM Christmas morning and the whole North Pole is celebrating another holiday completed. It’s just one big party, but one elf has some making up to do. Wayne nervously approaches Santa’s secretary, Miss Holly (Kasha Kropinski) who is typing away at something (apparently the lyrics to “Jingle Bells”). Wayne says he doesn’t have an appointment, but before he can finish Miss Holly instructs him to head inside and that the Big Guy has been expecting him. Wayne is surprised to hear this apparently forgetting that Santa is basically all-knowing and all-seeing. Before he can head in though he’s interrupted by Lanny who wants Wayne to come join the party. He’s wearing a blue sweater with a stocking on it and a Christmas tree hat that looks like a glass-blown decoration. It also has a mistletoe dangling from it and Lanny is covered in lipstick marks. I thought he was cute, but now he seems like a creep. Then again, what do I know of elf culture? Maybe this party isn’t what I imagine?

Time for some groveling?

Wayne assures his partner that he’ll catch up later then nervously enters. He coughs to get Santa’s attention who then beckons him to come in. Wayne goes right into full apology mode for what happened and indicates he understands if Santa wants to fire him, but he implores his boss to make sure Lanny is taken care of as he’s a good elf and not responsible for what happened. Santa seems surprised, and I suppose now is as good a time as any to point out that we never see his face. I guess it adds to the mystique. He tells Wayne not to worry, he’s not going to bite his head off (Wayne winces at this since this is essentially confirmation that Santa knows everything that went down in that house), but acknowledges that every once in a while everyone slips onto the Naughty List. He then gives Wayne a gift – a snow globe. Inside it is a house, and I don’t know if it’s intentional, but damn does it look like Kevin’s house form Home Alone. It’s not actually his house, of course, but Timmy’s and when Wayne looks into it he sees a happy kid on Christmas with his new bike.

It turns out, Wayne is a Prep & Landing guy after all.

Wayne thanks Santa for the gift (and by name, at that, marking the first time an elf addressed him as Santa in this special) and the reminder that comes with it about their job. Santa then adds, “One more thing.” We don’t hear what that is as we cut to the exterior of the office and Wayne coming out. Lanny has been waiting for him and he’s a bit alarmed since Wayne has a shocked look on his face. When he asks him what’s wrong, Wayne explains that Santa just offered him a promotion: Director of the Nice List. Lanny looks disappointed, but still congratulates his former mentor. Wayne then adds he turned him down, “I’m more of a Prep & Landing guy.” He shakes the snow globe as the camera zooms in on the swirling contents and we see Timmy hugging his mom as he has the best Christmas ever. Just before the credits, we also get to see Lanny open his gift. It’s the fruit cake from the Coal Elf, but Lanny is excited to get it and he declares that this is the best Christmas ever!

The special does a good job of selling Wayne’s plight in a believable manner.

And it is a great Christmas and damn fine Christmas special! Prep & Landing has just the right amount of heart and Christmas wholesomeness. It’s mixed with a tale of self-destruction on the part of Wayne’s, but it does a solid job of providing some motivation for Wayne’s actions. It might be hard for kids to empathize, but for an adult it’s pretty easy. And it’s that sentiment that keeps Wayne from becoming unlikable, something the sequel struggles with. At least for Wayne, he has the sort of job that is designed to make kids happy and that’s something that’s easy to play up for an audience. And it’s pretty easy to get Wayne to come around as well. I suppose a very cynical person might not be moved by Timmy potentially missing out on a bike, but that sort of person probably isn’t watching many Christmas specials to begin with. I suppose another negative read would be that this is corporate America telling folks to know their role and be happy in their place, but I’m going to cut it some slack and and assume that isn’t the message here.

These two are a terrific pair. Is it too late to get a special starring them?

The story is dressed-up by the lore. I like seeing this side of the holiday, even if it makes no attempt to explain how it could be plausible. Santa needs help to make these deliveries, but if each team only preps one house them he needs billions of elves, which means billions of Thrasher types to make this a go. And there’s no attempt at explaining how he can still move fast enough, but that’s not unique to Prep & Landing. Most ignore that stuff because it is impossible, so I suppose it’s something the audience shouldn’t be too concerned with. Magee is a great character though, this tightly wound director type just trying to keep a huge operation running smooth. And Dasher and Dancer are terrific as a pair. I want to see more from them. They get some of the best lines in this one and I particularly like when Dancer asks how they’re going to pull this landing off and his response is “Laughing all the way.”

Great use of I.P. I also love this old panel television -what year is this supposed to be?

This is a special with lots of references in it as well. The most blatant being the Charlie Brown tree in Magee’s office and the shot of Mickey’s Christmas Carol on television. The latitude and longitude of Timmy’s house, and he himself seems like a reference to Tiny Tim, correspond with the same for The Walt Disney Company’s headquarters in Burbank (which has quite possibly never seen snow like that of Timmy’s house). Timmy’s nightlight is Goofy from the short How to Hook Up Your Home Theater which is the short the directors of this special worked on previously. There are other references and easter eggs in here that I won’t spoil, but this is one that’s fun to pause repeatedly during a viewing to try to get them all.

I didn’t point it out, but we did get a moon shot very early in this one as Wayne gives the overview on his gig. And it’s a pretty unique one at that.

Most importantly, this special just sticks the landing and I find myself rooting for Wayne and Lanny. And I also want more, which is great because there is more out there. And if you want to spend Christmas with the appointed Christmas Elves, the easiest way is via Disney+ which has this and more from the pair. There have been rumors that more was coming from this franchise, but those rumors are from 2011 so it seems like that’s unlikely. And that’s okay, since this special is more than enough as it is. It’s a great addition to the massive stockpile of Christmas specials out there and deserves to be counted among the greats.

If you have been reading all month long, then I thank you for doing so. And if this is the only entry of mine you’ll ever read – thanks! I do this for me as it’s a way to really make sure I enjoy the Christmas season, because you never know how many you’ll get to experience. Thanks again, and more importantly, merry Christmas!

Can’t wait until next year for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 25 – Rudolph the Red-Nosed Reindeer

Welcome to Christmas Day 2022! We made it another year and another long year is ahead of us until we make it back, but right now, it’s time to celebrate! And in keeping with the theme of this year’s countdown, we are once again looking at another much beloved Christmas special on this day. Before…

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Dec. 25 – Mickey’s Christmas Carol

We made it! Another year in the books, and another Christmas has come. Indulge in it. Bask in it, for it only comes once a year, and not to get too dramatic, but you never know how many you’re going to get. And we’re ending this year’s edition of The Christmas Spot with another throwback…

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Dec. 25 – Sonic Christmas Blast

It’s Christmas morning, and if you woke up to a tree packed full of presents you have only one person to thank for that – Sonic the Hedgehog! What? You didn’t know that Sonic took over for Santa back in 1996? Oh, well find yourself a comfy chair and a plate of chili dogs while…

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Dec. 20 – Futurama – “Xmas Story”

Original air date December 19, 1999

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama‘s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the holiday can still bring people together. They just huddle together in fear rather than comfort and joy. No matter, this is but one possible future and it’s not like anyone reading this is going to be around in the year 3000 anyway so don’t sweat it.

The Fox Broadcasting Company was a fledgling network in the early 90s. Two things are credited, primarily, with turning things around for Fox: Football and The Simpsons. Fox got into the animated sitcom market, one that was pretty barren in 1989, with Matt Groening’s The Simpsons. We talked about that show already this year just 10 days ago so there’s probably no need to rehash that. To sum it up though, Fox took a chance on the show and it paid off big time. In hindsight, it’s surprising that it would take Fox another decade after the premiere of that show to premiere another Matt Groening animated sitcom: Futurama. Along the way, there were some attempts at Simpsons spin-offs that went no where and I don’t think any even got very far along. Still, it’s pretty incredible that Fox wouldn’t turn to Groening for another show as it struggled to pair The Simpsons with other content. Eventually, the network would find another hit with Mike Judge’s King of the Hill and that apparently gave the network more confidence in the genre. Now, it seems they’ll greenlight anything for their “Animation Domination” block of content on Sunday night and sometimes a show sticks. Sometimes it has to get cancelled first, as it were with Family Guy, but these days that block is essentially The Simpsons, Bob’s Burgers, Family Guy, and whatever else Fox is taking a swing with.

Let’s celebrate the holidays with the whole gang! And some robots we’ve never seen before.

Futurama was given the greenlight around the same time as Family Guy. Unfortunately for it, Fox would change leadership at the network during development and the new regime was much higher on Family Guy than Futurama, probably for cost reasons, so it got the coveted post Super Bowl premiere while Futurama had to settle for the less prestigious March 28, 1999. The network would air 9 episodes that spring while holding the rest of Season One until the fall where it could air as part of the broadcast Season Two. Included in that second season was “Xmas Story,” an episode supposedly deemed a bit controversial at the network. For some reason, network heads were uncomfortable with a Christmas episode about a murderous, robot, Santa. The trepidation at Fox had little impact on this episode, but when Robot Santa returned in a sequel episode it would be delayed by about a year until the show was in a later timeslot.

This particular episode was originally conceived by Groening and series co-creator David X. Cohen around the same time as the pilot. I suppose when crafting a world set one thousand years in the future one would naturally wonder what Christmas might look like. It’s actually rather nice they didn’t just decide to go all-in on some sort of super commercialism as the plot. I feel like we have enough satire directed at that aspect of the holiday. A murderous Santa? That’s fresh enough. While we do have horror movies featuring killer Santas, this one is different in that it makes Santa a robot and has a plausible introduction for the character. And that he’s saved until the final act also helps to build suspense. This is also one of those early episodes of the show where it can utilize the time-displaced protagonist, Philip J. Fry (Billy West), as an audience surrogate in giving us a look at this futuristic yuletide celebration.

Fresh Hare, the closest Christmas came to Bugs Bunny for an entire generation.

The episode begins with the usual intro and music. The tag-line is “Based on a true story,” and the cartoon snippet at the end of the opening credits is one of the few Bugs Bunny cartoons in the public domain, Fresh Hare, which contains an image of a Christmas tree and Elmer with snow all over his head making him resemble Santa Claus. I had that cartoon on VHS when I was a kid along with a handful of other public domain toons. It has an abrupt ending with Bugs Bunny before a firing squad and I would learn years later that’s because it goes into a blackface gag which had been cut from my copy. And that is likely why it’s in the public domain now. Aside from that, it’s actually a pretty funny cartoon directed by Friz Freleng.

I’m surprised it took them until Season Two to get Conan on.

The cartoon opens on an idyllic lodge in the snowy mountains. The Planet Express crew is apparently going skiing and it will be Fry’s first experience of such in the year 3000. The skiing will have to wait though as the crew is all in attendance watching comedian Conan O’Brien (voiced by himself) performing stand-up. And since it is the year 3000, he’s just a head in a jar and the sight gag here is his head is so big that his hair extends beyond the jar. He makes a reference to his long-time band leader, Max Weinberg, but he’s just a skull in a jar. Apparently someone forgot to feed him. They eat like fish which is revealed in another episode.

Who knew the robot desired freckles?

Conan goes into his routine which begins with a Y2K joke. Bender (John DiMaggio), in the role of the heckler, yells out they fixed that problem a thousand years ago. O’Brien, slightly exasperated already, urges Bender to bare with him. His next setup has him recite “So, I was walking into work,” and Bender shouts out, “I doubt it!” Conan then tries to rip into Bender by saying that he may have lost his freakishly long legs, but he has something Bender never will – a soul! This doesn’t phase the robot in the least, but when he follows it up with, “And freckles!” Bender begins to weep. Get used to these sort of setups. Also, how am I going to get through this write-up without just typing out all of the jokes? This show is packed with so many and there are so many good ones contained in this episode.

The Professor is an incredible skier, provided he’s unconscious.

Conan announces he’s out of material and he’s taken away. Before he departs, he encourages everyone to enjoy their breakfast so Conan has apparently been reduced to breakfast entertainment. Considering how short and dated his set was, that seems appropriate. With Conan’s moldy old antics over, it’s time for some skiing! It looks pretty similar to skiing in the 21st century only the chair lift features hover chairs and no one uses actual ski poles. They’re basically just handles that impart balance somehow. Fry notes how beautiful the snow looks and thanks the lord that global warming never occurred. Leela (Katey Sagal) tells him that it actually did, but nuclear winter cancelled it out. When the two exit the chair lift they ski up to Bender, Fry says “Hi,” and Bender (who is wearing a funny, jester-like, hat) snaps at him, “Enough of your mindless chatter!” On another chairlift, Hermes (Phil LaMarr) and Dr. Zoidberg (West) are stuck and as Zoidberg applies another glove to his mouth appendages the two take notice of Professor Farnsworth (West) who is skiing like an Olympian. We then cut to a close-up of the Professor to find out he’s actually asleep standing up as he makes a flurry of fantastic moves.

I hope that in a thousand years they found a cure for tree to the groin.

Fry and Leela are skiing together and Fry begins to panic as they approach some thickly settled trees. Leela tells him to relax and then commands, “Trees down.” A robotic voice(West) repeats the command and the trees are retracted into the ground. Foolishly, Fry asks what they do when they want the “Trees up,” which predictably causes them to re-emerge from the ground slamming into Fry’s crotch. As he’s stuck in a tree, he meekly commands “Trees down,” and gets slammed into the snow. I should point out, these trees appear to be some sort of pine tree, which is important for later. With Fry laying helpless in the snow, Bender skis by and taunts him with a “Looking good, meatball!”

What a lovely setting for a Christmas special, surely nothing will come along and spoil this image.

As Bender has a laugh at his quip, a fellow skier warns him that he’s heading off the trail. Bender, who is in quite a mean mode so far this episode, just tells the guy to lick his frozen, metal, ass in response. He is immediately punished for his hubris as he plunges off of a cliff. We see him fall from behind, but then it cuts to a frozen pond where some kids are skating listlessly. A non-copywrite infringing song that sounds vaguely like “Christmas Time is Here” from A Charlie Brown Christmas plays and the image lingers just long enough to make us wonder if this is a setup going no where. It’s not, as Bender comes flying through the scene and crashes through the ice taking the children with him. According to the commentary, none survived.

Hermes is apparently not much of a bobsledder.

Zoidberg is shown skiing and he has an unusual way of going about it. Since he’s some sort of crab monster, he puts both feet in one ski and his claws in another and goes down the hill sideways. It’s a cute visual. He stops abruptly though when he comes upon the bobsled track and finds Hermes, the Jamaican accountant of Planet Express, preparing to race down the ice sled. He laughs at the sight, but Hermes is quick to counter that a thousand years ago there was a legendary team of Jamaican bobsledders. Fry is in attendance and he confirms this fact, but then adds “They came in last at the Olympics and then retired to promote alcohol.” This is a pretty consistent setup for a Futurama joke as one would expect Hermes to have a negative reaction to Fry’s statement, but this show’s writing staff loves misdirection so he instead responds with, “A true inspiration to the children.” The countdown sequence then finishes and the gate opens and rather than go forward, Hermes just slowly tips over until he’s upside down. He calls out for some help and Zoidberg just pushes him down the course upside down. He has a laugh at the misfortune of his co-worker (an uncharacteristic turn for Zoidberg, but the writers are still still feeling him out), but like we just saw with Bender, he gets his comeuppance almost immediately as he slips and falls down the course. Fry has a laugh at Zoidberg’s expense, and then decides “What the Hell?” and jumps down the course after him. We hear him crash into something at the end, but are deprived the visual.

I love the Professor’s prescription sunglasses.

At the lodge, we find Amy (Lauren Tom) getting cozy with someone who busted their leg skiing. He(DiMaggio) starts to detail what happened, but then Amy immediately loses interest as she’s spied someone who is even more injured (this is apparently a kink for her). It’s some guy in a full body cast and she pounces on him and suggestively says, “Hello there.” The Professor then comes skiing in still asleep, but he wakes up and is perplexed to find a medal draped around his neck. He finds the rest of the crew sitting around a roaring fire in the lodge and all appear to be damaged to some degree except Leela. Bender remarks there’s nothing like a warm fire and a Super Soaker full of cognac. He pumps it and then blasts it into his mouth. Fry says it really puts one in the Christmas mood and everyone gets confused by his statement. When Fry clarifies what he’s talking about, he does so by trying to spell Christmas, but he spells it as “X M A S.” This alerts everyone that he means Xmas, which they pronounce as X-Mas, and note that Fry must be using an archaic pronunciation like when he says “Ask” instead of “Axe” which sets off a running joke the rest of the series must abide by.

There, there, Fry. Everything is going to be okay.

Fry doesn’t seem bothered by the change in pronunciation, but he is bummed that this will be his first Xmas away from home. Leela then seeks permission to “axe” him if it would make him feel better if they went and cut down an Xmas tree. This causes Fry to perk right up, but we do a hard cut to him being disappointed when he finds out that their idea of an old-fashioned Xmas tree is a palm tree. When he points out that an Xmas tree is supposed to be some kind of pine tree, the Professor tells him that the pine tree is extinct, “Gone the way of the poodle and your primitive notions of modesty.” He then lets his fur coat drop to the ground revealing he’s completely naked underneath, “Ah, brisk!” Fry then starts to fret that everything has changed, and apparently not for the better, but the Professor is there to soothe him still naked. I love that Fry is not phased in the least by the casual nudity. Leela argues that Fry is being ridiculous as she holds an axe over her head to line up a strike, only for another patented Futurama misdirection joke to reveal itself as a laser shoots from from the axe handle and fells the tree unnaturally. And this is the part where I remind you the characters were just skiing amongst a forest of crotch-hunting pine trees.

You don’t see Bender cuddling with Nibbler too often. That’s the magic of Xmas!

The Planet Express ship cuts into view with the palm tree tied down to the roof as an instrumental of “Joy to the World” chimes in the background. The ship enters the Planet Express building and we soon find the dwellers inside decorating for Xmas. A calendar on the wall shows that it’s December 24th. Zoidberg is opening a box, Fry and Leela are by the fireplace looking miserable, and the Professor and Amy are wrapping lights on the tree. Adorably, Bender is in a rocking chair with Nibbler (Frank Welker) on his lap rocking back and forth and singing “Oh Xmas Tree” while Nibbler adds his own little inflections. Fry laments all of the things he is now missing, like his mom getting a goose for goose burgers and his dad whipping up his famous eggnog which was just bourbon and ice cubes. In the background, Amy is struggling with a jet pack which has already caused her to hit her head on the ceiling while trying to place the star on the tree and then sends her careening into the wall.

Thankfully, the sweet flower of the office has returned.

Fry suggests they stop talking about Xmas, which is the cue for Hermes to come barging in shouting “Xmas cards are here! Xmas!” He hands them out which includes a mighty hall for Bender. When he gets to the last of them he sets Leela up for her cards, but it’s actually himself he is referring to as the sweet flower of the office. Leela is upset, but Fry doesn’t notice and instead asks her for a little sympathy which causes her to cry and run off. When Fry asks what upset her, Amy reminds him that she’s an orphan with the Professor adding she’s also the only known member of her species which must make her the loneliest person in the galaxy. Bender then comes over to try and cheer Fry up, but as he does a little dance Fry starts sobbing causing Bender to ponder if he needs to work on his act.

Just like a classic episode of The Simpsons, the TV will tell us where the plot goes.

We cut to Fry seated on the couch all hunched over and sad. He declares he feels like a rat for sitting around whining like a pig while Leela was as lonely as a frog. He then adds he could kick himself, but Amy says she’ll do it for him and does. The Professor scolds him for being blind to Leela’s plight, which just cuts to Hermes telling him that Fry is “over there.” Bender is unphased though as he relaxes in a chair drinking booze and remarks how Xmas Eve is just another pointless day where he accomplishes nothing! Clearly, he needs his own plot then which is why we’re interrupted by a news broadcast. It’s hosted by Linda (Tress MacNeille) and the alien Morbo (Maurice LaMarche), the usual anchors for these broadcasts. Linda sets up her story by noting that Xmas is the time of year where we acknowledge the suffering of others, which is just Morbo’s cue to add “Earthlings do not yet know the meaning of suffering – muahahaha!” That’s his schtick.

First, Bender is snuggling with the office pet and now he’s off to do some charity work? This is too much!

Linda segues into a story about homeless robots who lack the necessary alcohol needed to power their circuits. She’s at a shelter which is basically a soup kitchen, but one that deals alcohol instead. She gestures to the scene and rhetorically asks, “Is there anything sadder? Only drowning puppies, and there would have to be a lot of them!” Bender turns off the TV and heads for the door. Apparently, our cold-hearted mechanical man has found the Xmas spirit for he tells the others that he’s going to volunteer at the shelter. They’re all skeptical and Hermes asks when has he ever done anything charitable? Bender counters there was that time he gave blood and when Fry asks, “Whose blood?” he comes back with “Some guy’s.” With Bender gone, Fry resumes his sulking so Zoidberg suggests he get down on his claws and do the apology dance to make it up to Leela. Fry pays attention to the demonstration miming the movements, then gets the idea in his head that he can just buy her an Xmas present. As he heads for the door the others caution him to be back before sunset. Fry indicates he likes to haggle, so he isn’t making any promises, which alerts the others that Fry doesn’t know about Santa Claus! Fry confirms that he does with a knowing wink, but the Professor is here to fill him in: In 2801 the Friendly Robot Company built a robotic Santa to distribute presents, but a programming error caused Santa to have too high of standards so everyone is on his Naughty List. Amy tells Fry if he gets caught that Santa will kill him while Professor Farnsworth adds “Nice knowing you!”

That’s better.

Time to check-in on Bender who has arrived at the liquor kitchen, only he’s not there to volunteer, but to score free booze. He’s dirtied himself up and put on a knit cap and some torn gloves and tells a volunteer he’s one of those lazy, homeless, robots he’s been hearing about and asks where the free booze is? The guy gestures in the proper direction and Bender is in. We then check in on Fry who is at the mall in search of a gift. He’s at a counter and explains his situation to the clerk, who suggests a nice, traditional, Xmas gift: a surface-to-Santa rocket launcher outfitted with jolly-seeking missiles. Fry laughs at the suggestion which causes one of the missiles to arm itself and point in his direction prompting a word of caution from the clerk.

Tinny Tim, the most pathetic robot you’re likely to see.

At the shelter, Bender is downing another bowl of booze and seems quite satisfied. He then tells the robot next to him who is modeled after an old hobo that someone is trying to steal his handkerchief full of crap. The robot turns to make sure his bindle is still there allowing Bender to steal his booze. A small, pathetic, robot approaches the counter. He’s wearing a flat cap and has a crutch for an arm. This is Tinny Tim (MacNeille), though right now he’s doing Oliver Twist as he politely asks for a bowl of booze, only to find out it’s all gone. As he sadly hobbles away, Bender says to himself, “My God, that poor kid,” and then laughs. Misdirection!

Decisions, decisions.

We are then whisked away to Joe’s Ark Pet Store, Formerly Noah’s Ark Shoe Store, where Fry is still in search of a gift for Leela. He pleads with the clerk as this is his last shot at finding the perfect gift. Following that is a series of gags where Fry is looking at some weird, futuristic, version of a pet and deciding it’s not good enough. Among them is an eight-legged dachshund and Bongo, the one-eared rabbit-like creature from Groening’s Life in Hell. Dissatisfied with his options, Fry asks the clerk what the best pet in the shop is and he points to the electric snail as his favorite pet. Fry declares it a stupid animal and calls the clerk stupid for suggesting it. He’s been hanging out with Bender too long. The clerk is understandably eager to get out of there before sundown and urges Fry to make a choice. Fry then zeroes in on a parrot that apparently costs 500 bucks. He remarks it’s a damn good parrot, but then spies stink lizards which are a buck each. He asks the clerk what women prefer: parrots or swarms of lizards? He’s instead urged to make a choice because the shop is closing setting up a gag where Fry goes back and forth agonizing over his decision as he basically narrates his thought process: “Okay, okay, I’ll take the 500 lizards. No! Wait! Yes! No! Yes! Yes! Yes! The parrot!” Every time he said “Yes” he inches closer to the lizards, a true misdirection if ever there was one.

Well, that took a turn rather quickly.

With that decision made, Fry leaves with his parrot satisfied that Leela will like it. The parrot (Welker) squawks in response and Fry cheerfully remarks how it’s quite the talker. It squawks again and Fry gets angry yelling “Shut the hell up!” The parrot is able to bite his nose through the cage causing Fry to drop it. When it hits the ground it breaks open and the parrot flies off. Fry raises the cage over his head and shouts “I know where you live!” Back at the Planet Express headquarters, Amy is wrapping gifts with Zoidberg as Nibbler bounces around and Hermes and the Professor play chess. Naked. There’s even a nice opening in the chair Hermes is seated in so we can see his butt crack. Leela enters looking for Fry, only to find out that he left to go get her a present. She’s alarmed given the hour and the others act like they have no idea why, but it’s so they can setup a joke for Leela to say “I’m telling you why – Santa Claus is coming to town!”

This is just a tremendous visual gag.

We find Fry at the base of a very tall building with a giant digital clock that reads 4:24 on the front of it. The parrot has apparently found a perch atop it and Fry is going after him. He states, “All right bird, you thought you could beat me in a game of wits, but you just met your equal.” At least he isn’t modest. Fry emerges at the top of the building where the parrot is perched atop the big clock face. There isn’t much room so Fry inches out with his back against the wall. He scoots along, and as he does so does the parrot until it runs out of real estate. Fry thinks he has the bird cornered, but it just does what birds do – it flies. In trying to grab it, Fry loses his balance. He appears to regain it for a second, but then abruptly falls. He’s able to grab onto the number 2 of the clock face, but he’s at the end of it and the number represents seconds that are elapsing. It’s apparently a tangible digital clock that changes to 3, but when it changes to a 4 the top disappears and Fry falls again grabbing onto the middle “bar” of the digital number. He’s safe only until it becomes a 7, then there are no more bars to grab onto.

Looks like everything is going to be just fine.

Lucky for Fry, Leela is there to grab him! Fry is so happy to see her that he declares he’s going to buy her so many lizards! Leela smiles and we cut to the pair walking out of the building. They have a heart-to-heart where Fry apologizes for ignoring her feelings and only focusing on himself. Leela accepts and suggests that at least this Xmas they can be lonely together. The two hold hands and this is probably the second big advancement of their romantic subplot following “A Flight to Remember.” As the two wish each other a “Merry Xmas,” they’re interrupted by a loud banging sound. They turn around and Fry is immediately excited to see Santa Claus! The robot gives a jolly “Ho Ho Ho,” but as it does, it’s U-shaped eyes rotate upside down into a frown as we head into an act break.

Oh, right, we forgot about the killer Santa.

After the break, Fry and Leela do not look at all happy to see the murderous robot as it approaches. Santa (John Goodman) informs the two that they have both been very naughty this year for neglecting each other’s feelings. When they tell Santa that they made up, he counters by asking if either of them had bothered to think about the feelings of their co-worker, Dr. Zoidberg? Fry quickly responds, “No! I swear!” in an early indication of how Zoidberg is to be treated going forward. Santa then tells the two he has something very special for them in his sack. As he reaches in, there’s a quick cut to Fry’s face and he’s smiling like he thinks Santa has a present for him, but he just pulls out a laser tommy gun and starts firing madly!

Clearly, Xmas is just the time of year where people make it easy for Bender to do crimes.

Fry and Leela are forced to run for their lives and rather than watch that we cut to Bender and some homeless robots singing Xmas carols outside an old lady’s (MacNeille) home. We get a piece of the future’s version of “Here Comes Santa Claus” which strikes a very different tone from the present, “So lock the door and hit the floor ’cause Santa Claus comes tonight.” The old lady applauds the group, which includes Tinny Tim, the robot with the bindle, and another, then tells them to go away. Bender stops her by suggesting it’s customary to invite carolers in for a traditional glass of hard cider. She surprisingly agrees and the gang heads in. The door closes and the camera stays outside the townhouse as we can hear them guzzling the stuff down and the old lady tell them that’s enough. The sound of empty bottles being discarded follows along with a command from Bender to get her purse. Suddenly, this is more like A Clockwork Orange than any Christmas special I know.

So did he have the spiked pom pom on his hat before or after he turned evil?

The scene shifts abruptly to Fry and Leela running towards the camera as Santa flies behind them. His sleigh is being pulled by two robotic reindeer as apparently eight weren’t needed. It does speak to humanity’s efficiency that in a thousand years they were able to devise a sleigh only in need of two reindeer to power it. As Santa continues to fire away at the two, Fry begs for their lives and promises to set out milk and cookies for the robot. Santa pauses, but only to remark how shocked he is that they would try to bribe him. That’s just another naughty deed and Santa vows to shove coal so far up their “stockings” that they’ll start coughing up diamonds! In the 90s, we were very fond of jokes that involved something going up the rectum and resulting in something hilarious occurring at the mouth region.

Sorry kids, this is no time for romance!

Santa tosses a grenade in Fry and Leela’s direction which is shaped like a traditional Christmas ornament. The two avoid it by ducking into an entryway to a building, but as Santa circles and prepares to come straight at them, they also realize they have no where left to run. As the two say their goodbyes to each other, Fry notices they’re standing under the mistletoe. The two lean in for a kiss, but the mood is disrupted by Santa declaring that their mistletoe is no match for his T.O.W. missile! He pulls out a massive rocket launcher and fires away, but as the missile heads right for the screaming Fry and Leela the parrot happens to fly by. It ends up taking one for the pair and as the feathers rain down in front of them Fry tells Leela her Xmas present may require some assembly.

I applaud Santa’s commitment to keeping some things old fashioned.

We jump back to Bender and his crew following their heist. Bender leads the group in his own version of the “Twelve Days of Christmas” which goes: “On the fourth day of Xmas I stole from that lady, four family photos – three jars of pennies – two former husbands – and a slipper on a shoe tree!” Each member of the gang sings their own line and the former husbands are urns. It’s pretty clever. Tinny Tim then spies Fry and Leela running in their direction and points them out as potential next victims, but Bender tells the gang he knows them – they got nothing. Santa is close behind the two and when he spies Bender he’s got some words to share. It would seem Bender is very high on Santa’s Naughty List, and when he tells Bender this he tries to finger the kid. Santa is so appalled that Bender would frame an orphan for his misdeeds that he feels compelled to update his list. Despite the fact that he can perform 50 mega-checks per second of his list, updating it is rather time consuming and as Santa does so the others run away.

“Finally, I look as pretty as I feel!”

At Planet Express HQ, the decorations are all in place and the clothes are back on. Hermes, Zoidberg, Amy, and Professor Farnsworth are seated all wearing Santa hats as the gift exchange begins. Zoidberg gifts Amy a set of combs, which is ironic because Amy sold all of her hair to buy a set of combs for Hermes. He too sold his hair to buy a set of combs for…Zoidberg? The bald crustacean accepts the gift and announces it will go splendid with his new hair! He takes his hat off and one side of his head features the hair of Amy and the other the hair of Hermes. No one apparently got the Professor anything, but he’s their boss so why should they? This obvious Gift of the Magi parody is very Futurama in that it sets up the joke, then goes beyond it in a way the audience should not have expected.

He’s on the roof!

The screaming of Fry, Leela, Bender, and the robot hobos puts an end to the lovely atmosphere in the room. The others see the crew from the window as they try to outrun Santa. The Professor notes they’ll be killed on their doorstep – with no trash pickup until January third. The door opens behind him and the group comes running in. They scramble to try and close the fireplace with this giant gear-like contraption, but it’s only Fry and Leela who try to push it while Bender urges them to use teamwork. Santa sticks a candy cane in front of it just before it locks into place and effortlessly forces himself inside along with his two reindeer minions.

Looks like it’s all over for this crew.

Santa menacingly descends from the ceiling and announces to the group before him that they’ve all been very naughty, very naughty indeed! Except Dr. Zoidberg who Santa gifts with a pogo stick. As the crab bounces merrily, Santa resumes his threats by indicating he’ll tare their skin off like wrapping paper and deck the halls with their guts – not his most clever threats. Bender gets an idea and tells everyone gathered that if they don’t believe in Santa then he can’t hurt them! Santa smacks him upside the head with his sack forcing Bender to cry out “Oh, God, the pain!”

This episode could have also been called “How Zoidberg Saved Xmas.”

Santa then commences with his punishment as he starts to laugh. Leela warns his belly is shaking like a bowl full of nitroglycerine while Amy and Fry point out Rudolph’s blinking nose. They’re clearly going to explode which will likely kill everyone in the process. When all hope is lost, the only one on the Nice List springs into action – literally! Bouncing on his pogo stick, Zoidberg snips one of the strings of lights which swings down and contacts Santa electrocuting him in the process. As he fries, Leela jump-kicks him back into his sleigh while Fry, Amy, Hermes, and the Professor (who is dangling off the tree and not really helping) carry the Xmas tree like a battering ram and slam Santa and the reindeer into the fireplace. The robots close the barrier and an explosion goes off behind it that rockets Santa and his reindeer into the sky leaving everyone else safe at last.

Oof, that’s an unfortunate sight.

With that out of the way, it’s time to serve Xmas dinner! The robots have stayed for dinner (and the wife of Hermes, LaBarbara, is suddenly present but not their son, Dwight) as Bender brings out a platter which contains…the charred remains of Leela’s dead parrot. Fry asks Bender where he got the bird and he says he got it where he gets all of the food he serves them – lying in the street. He starts carving the bird, which no one appears interested in eating, and puts a toenail on Tinny Tim’s plate. Nibbler then puts everyone out of their misery by eating the rest and then snatches the toenail from Tinny Tim’s plate. Bender is bummed, which prompts Fry to say the food isn’t important, but before he can continue Tinny Tim sadly moans to himself that he’s so hungry. Fry continues by saying despite being surrounded by robots, monsters, and old people, he’s happy to be among them all at Xmas. Everyone seems to share the same sentiment and the Professor announces that it’s time to shut up and sing!

Merry Xmas, everyone!

The whole gang gathers at the piano where Hermes leads them in a traditional Xmas song. Here we get a larger sample of this universe’s “Santa Claus is Comin’ to Town” which goes: He knows when you are sleeping(Amy). He knows when you’re on the can(Farnsworth). He’ll hunt you down and blast your ass from here to Pakistan(Leela)! Oh, you better not breath, you better not move(Hermes). You’re better off dead I’m telling you, dude(Bender). Santa Claus is gunning you down(Fry)!” Professor Farnsworth then steps into frame to announce “Merry Xmas!” as he disrobes into his birthday suit and takes his place beside his employees.

We can’t forget the moon shot. Too bad the credits are over it.

The camera zooms out through the window and pans up to the sky. We can see the skyscraper Fry dangled from earlier which now reads 8:57, which in the show’s original broadcast coincided with the actual time of day it would have been. Santa then comes flying by with a threat, he’ll be back when we least expect it – next Xmas! He laughs his evil laugh and flies into the sky and we end this one on a proper moon shot. Bravo, Futurama, bravo!

And that is the story of what Christmas Xmas is like in the year 3000. As an episode of Futurama, it follows the familiar template of Fry getting introduced to something about the future that’s changed from the past. There’s quite a few of these events in the first seasons of the show and this is one of the better ones. I tried not to keep pointing it out, but I love all of the misdirection in this one. So many jokes are just: here is the premise, here is your logical conclusion, but oh wait, that’s not the real conclusion! It’s the type of humor that can fall flat after repeat viewings because the surprises are no longer a surprise. In spite of that, this episode of Futurama remains timeless and it’s so timeless that I consider it one of the best Christmas Xmas specials ever aired.

Poor parrot, we hardly knew ye.

In terms of production, there is nothing special about this episode compared with a normal episode of the show. It looks fantastic, because pretty much all of Futurama from this era looked amazing, but did have the added benefit of being the first time the show really got to play with snow. The early scenes at the lodge look terrific even if there isn’t a ton of creativity on display as far as how a ski lodge in the year 3000 might look. The skyscraper with the giant digital clock is a terrific set piece and an even better gag when it turns out it actually has a physical form that Fry can interact with. And even though he didn’t last long, the parrot was pretty amusing. Poor, little, birdy.

I don’t think of this one as crass as some other Xmas specials, and then I remember the drowning children.

As an Xmas special, this one is surprisingly by the numbers for the first two acts. Two people are coping with the holiday blues brought on by loneliness and the holiday brings them together. It just brings them together in fear because Santa Claus is now homicidal. Fry and Leela nearly share a kiss, which wouldn’t have been their first since they kiss in “A Flight to Remember.” There, their kiss was one of deception and not romance so this one would have landed differently had it been allowed to take place. The show would play up the “will they won’t they” angle for many episodes to come and would eventually pair the two up. The Santa angle is present mostly for shock value, but it’s also entertaining. There are some good one-liners to be found that take a popular Xmas saying and turn it around, though it is the one aspect of the episode that does seem to get weaker as it goes along. Though it does turn things around with that humorous parody of “Santa Claus is Comin’ to Town” that basically takes us out.

In closing, this Xmas episode of Futurama has heart, but it’s also more funny and subversive than anything. I don’t think it has any real commentary to make on the holiday itself, but that’s fine as there’s plenty of space to do that elsewhere. This one just wants to present a ludicrous take on the holiday and give the viewer something to laugh at. If you want a funny Xmas special that doesn’t feature the crudeness of say South Park or American Dad! then this one should more than fit the bill. I absolutely love it, along with its sequel episode, and I think you will too.

Oh, and who could forget the casual nudity?

If you would like to watch Futurama‘s “Xmas Story,” then the easiest way in the US is via Hulu where the show presently resides. I think the show still airs on television as well where this episode will likely air. If you’re outside the US, then it can be found on Disney+. The best way to watch it though is to simply buy all of Season Two on physical media that way yo can enjoy it, and the rest of Season Two, whenever you want.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

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Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…

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Dec. 20 – Inspector Gadget Saves Christmas

Once upon a time, Hanna-Barbera ruled the cartoon television universe. The company was one of the first to prioritize television over film when it came to cartoons, and it was a strategy that worked quite well. Come the 80s, cartoons were a Saturday morning staple and were taking over the weekday afternoon as well. Hanna-Barbera…

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Dec. 13 – The 25 Greatest Christmas TV Specials

Five years ago The Christmas Spot did its first advent calendar countdown to Christmas and the theme was “The 25 Greatest Christmas TV Specials.” With that list, my approach wasn’t entirely forthright. I really had a list of 20 specials that I deemed worthy of such an honor and I devoted the back five to specials I felt were worth spotlighting that might otherwise have been overlooked. What I also should have added at the time was that the list is fluid. It’s going to change as we as a society of holiday consumers reevaluate the old and welcome the new. Seeing as it’s been five years, it felt right to look back on that list, re-arrange a few entries, add some more, and kick out some that have grown stale. I should stress, this is all one man’s opinion on television specials and as someone who loves Christmas I do tend to watch a lot of these specials too much and there’s definitely a fatigue factor. The list of holiday fare I indulge in year in and year out goes deeper than 25, so if your favorite isn’t here don’t sweat it. I probably think it’s fine.

For this exercise, I think it makes sense to just go down the list comparing the original to the revised edition. I’ll list the number and the entry with the previous ranking (if applicable) in parenthesis after and the 2015 entry after that, like so:

25. A Flintstone Christmas (#9) (Moral Orel – The Best Christmas Ever)

I like A Flintstone Christmas a lot, but I’ve also seen it a lot and I think it just doesn’t affect me in the same way now as it did years ago. As for Moral Orel, it’s a fine, dark, Christmas special and not something I need to watch every year.

24. American Dad! – For Whom the Sleigh Bell Tolls (UR) (Winnie the Pooh and Christmas Too)

American Dad! has become one of the titans of Christmas as it has a new special almost every year. “For Whom the Sleigh Bell Tolls” is bloody and insane, which is what makes it the most memorable for me, but there are a lot of contenders from this show. Winnie the Pooh’s foray into Christmas is plenty sweet, but also not very remarkable.

23. Rudolph the Red-Nosed Reindeer (#13) (Robot Chicken’s Half-Assed Christmas Special)

Rudolph is a classic, but let’s not kid ourselves, it’s mostly included on all of these lists because of its classic status. It’s kind of ugly, and I think most of us watch it out of habit as opposed to pure enjoyment. Still, there’s no replicating that warm, nostalgic, feel it’s still capable of conjuring up. As for Robot Chicken, I very much enjoy the marathon sessions Adult Swim will air during December, but it’s designed to be disposable and the jokes are very hit or miss.

22. Olaf’s Frozen Adventure (UR) (Invader Zim – Most Horrible X-Mas Ever)

Olaf’s special wasn’t around in 2015, but it looks like it’s going to be an annual tradition for awhile. It’s funny, warm, and even features songs I don’t hate. He’s quickly become the most charismatic snowman around. Invader Zim is fine, but if you want an absurd Christmas story then I think there’s better out there (like American Dad!).

21. The Tick Loves Santa (UR) (Married…with Children – You Better Watch Out)

In 2020, offbeat and silly superhero stuff is really appealing given how superheroes rule the box office (or would in a normal year). That makes The Tick a series I can appreciate even more now than I did back in 94. And watching The Tick bumble his way through a Christmas story is a great deal of fun. It knocks off the only live-action special from 2015 to be featured on this list. Married…with Children is sort of like the sitcom version of American Dad! because it has a lot of Christmas specials, and most are pretty subversive. It’s still worth watching, but it was always at risk of being dropped for the simple fact that I favor cartoons.

20. Bob’s Burgers – Christmas in the Car (UR) (The Snowman)

Bob’s Burgers and American Dad! are battling it out to be the current king of Christmas since both are prepared seemingly year in and year out. I give the edge to the Belcher family, and while it’s hard to pick a favorite from this crew, I think “Christmas in the Car” is still the reigning champ though I seem to warm more and more to “Father of the Bob” every time I view it. The Snowman is the victim I feel the worst about. It’s not moving up the ranks, but out. I know a lot of folks adore it, but I’ve just never been able to feel the same way about it. Sorry!

19. Frosty the Snowman (#15) (It’s a SpongeBob Christmas)

Like Rudolph, Frosty is skating by on reputation at this point. Unlike Rudolph though, I still feel charmed by this one whenever I watch it. The characters are goofy, some of the plot points make no sense, and that damn song will forever remain catchy. As for SpongeBob, worry not for him, for he will appear later on this list in a more prominent position.

18. Beavis and Butt-Head Do Christmas (#18) (Beavis and Butt-Head Do Christmas)

Hey! One that didn’t change! Spoiler alert, but this one is just the first to not move a spot. This one is wonderfully stupid and subversive. Many confuse Beavis and Butt-Head for just stupid, but there’s a lot of satire to be found with the duo. It’s not for everyone, but it sure is funny.

17. Futurama – Xmas Story (#12) (A Muppet Family Christmas)

Futurama hangs on slipping just five spots. It wasn’t in any real danger to fall off as I love the show and I love it’s take on Christmas. The Muppets, on the other hand, were mostly on the old version for the novelty of their special and nostalgia. Admittedly though, the special isn’t great and has maybe 2 or 3 good laughs during its hour-long runtime. Plus that ending goes on and on…

16. A Charlie Brown Christmas (#4) (Yes, Virginia)

Hoo-boy was I coward in 2015! Charlie Brown is a classic, but it’s also quite dull. It’s quotable, has great music, and the good-bad voice acting is somehow really charming. It’s near the top of many lists because it’s been around so long and boomers love it while younger generations were forced to enjoy it. Top 16 is still good, but we all need to be more honest when it comes to Charlie Brown. Yes, Virginia is super sweet and I love the ending, it’s getting there that’s tough. The special is pretty slow and the CG is downright ugly. This one would have been a lot better as a short, but maybe someone will return to it and do just that. And if you hadn’t heard, A Charlie Brown Christmas is airing tonight on PBS at 7:30 PM local time (6:30 CT) which is big news since It’s the Great Pumpkin, Charlie Brown was frozen out of a broadcast airing in 2020 for the first time ever.

15. A Pinky and the Brain Christmas (UR) (Frosty the Snowman)

This one was just an oversight on my part back in 2015. I had not seen it in years, but when I re-watched it for The Christmas Spot in 2017 I was reminded of how wonderful a viewing it is. That ending gets me every time.

14. The Night Before Christmas starring Tom and Jerry (UR) (A Very Special Family Guy Freakin’ Christmas)

Another one I forgot about and overlooked, Tom and Jerry’s battle under the Christmas tree is full of the usual gags the duo is known for. The animation is gorgeous, especially the backgrounds, and it tops it all off with a really sweet ending. Family Guy was generously ranked in this spot in 2015 and actually was a tough omission this time around. I do still like that special, easily the best Family Guy Christmas episode I’ve seen, but I basically gave it the boot in favor of the superior show, American Dad!

13. Duck the Halls (UR) (Rudolph the Red-Nosed Reindeer)

It’s Donald Duck and it’s Christmas – it was practically made for me! Duck the Halls is hilarious and the animation is great. Sure, it isn’t ink and paint like the old days, but I find it plenty pleasing. Tony Anselmo gives maybe his best performance ever as Donald, and if anything I’m penalizing this one because we have more Donald to come.

12. Rocko’s Modern Christmas (UR) (Futurama – Xmas Story)

I love Rocko, but in 2015 I had all but forgotten about his Christmas special. Well, not this time as I’m putting him just outside the Top 10. The story is fairly simple, but Rocko is so likable and sympathetic that it makes this one instantly charming. And let’s not forget the great gags like the constipated cloud and the living (until it’s not) Christmas tree.

11. It’s a SpongeBob Christmas (#19) (Prep & Landing)

SpongeBob is moving up in the world and actually is the biggest mover, in a positive direction, this time around. My affection for this stop-motion Christmas special seems to grow and grow each year. In 2015 it was still pretty new so a recency bias worked against it, but five years later I’m more than ready to declare this a modern Christmas classic. And the same can be said for the special that once occupied this spot.

10. South Park – Mr. Hanky the Christmas Poo (#8) (A Garfield Christmas)

Mr. Hanky just barely hangs onto a top 10 spot this time out. Is his spot in danger? Yes, considering my love of SpongeBob and Donald Duck. For now though, let’s just reflect on how crazy this special was when it first showed up in 1997 and how South Park used to have a new Christmas special every year. My, how the times have changed.

9. Prep & Landing (#11) (A Flintstone Christmas)

I’m surprised I held Prep & Landing out of the Top 10 last time around, but like SpongeBob, I guess I just wasn’t quite ready to let someone new into the club. The CG still looks great on this one and the story is unique, fun, and even heart-warming. New Christmas specials arrive every year, but rarely does one actually add to the whole Santa Claus lore in a meaningful way, but that’s what Prep & Landing has done. These elves aren’t going anywhere anytime soon.

8. A Garfield Christmas (#10) (Mr. Hanky the Christmas Poo)

The fat cat who loves lasagna gets to move up a couple spots, largely benefiting from folks like Fred Flintstone and Charlie Brown getting kicked further down the line. This 1987 special is still a treat to take in that blends humor with a surprising amount of sentiment. It’s a shame it lost the network timeslot it held for many years.

7. DuckTales – Last Christmas! (UR) (Toy Tinkers)

DuckTales has made a comeback since 2015 and included among the new episodes is the show’s first ever Christmas special, and it’s wonderful! It turns the story of A Christmas Carol on its head, in a way, with a time travel tale all its own and features the first mother-son pairing of Della and Duey Duck. Plus it has a fantastic cameo from the late, great, Russi Taylor. If you have yet to see it, fix that this year. Especially since word has come out recently the show isn’t being renewed for a fourth season. 2020 just refuses to stop sucking!

6. Toy Tinkers (#7) (Simpsons Roasting on an Open Fire)

The Donald Duck/Chip and Dale vehicle moves up one spot this year. It matters little as this is a cartoon all animation lovers and Christmas enthusiasts should make a point to watch every year. The only negative is that the gunplay contained within this one means Disney+ will likely continue to shun it making it a tad harder to come by.

5. A Chipmunk Christmas (#3) (Pluto’s Christmas Tree)

Alvin and the gang spin a fine Christmas tale. I thought highly enough of it to rank it in the top 3 last time, but I’m bumping it down just a couple of spots this year as I basically rearrange some things. This one is becoming a little harder to come by each year as you can’t guarantee a network showing, but DVDs are cheap so grab one if you need it!

4. Simpsons Roasting on an Open Fire (#6) (A Charlie Brown Christmas)

The premiere episode of The Simpsons is still my favorite Christmas special the show has done. Sure, it’s a bit rough to look at these days, but the story is great, classic, Simpsons. I just wish it and the other 80s Christmas specials on this list were celebrated as much as the stuff from the 60s that hasn’t aged so well. Well, most of that stuff has aged horribly, but there’s one notable omission we’ll get to shortly.

3. Pluto’s Christmas Tree (#5) (A Chipmunk Christmas)

Alvin and Pluto essentially switched places largely because I just love this little short. It’s just perfect. The scenery inside the Christmas tree featuring Chip and Dale is just the best. I’ve said it before, and I’ll say it every time I watch this short – I want to live in that tree. The physical comedy is fantastic, and I just absolutely adore this short. Unlike Toy Tinkers, you can find this one on Disney+ 365 days out of the year. I’ll probably watch it at least a dozen times between now and Christmas.

2. Mickey’s Christmas Carol (#2)

Mickey and our number one didn’t move, and that’s with good reason. This is my preferred version of A Christmas Carol, and frankly, we don’t need any more. It’s the only one on this list other than the parody featured in Beavis and Butt-Head (I don’t really consider “Last Christmas!” an adaptation) which is kind of surprising to me, but it also feels right. This one is beautiful and features some phenomenal voice acting. I’ll never not tear-up at the sight of a crying Mickey when he visits Tiny Tim’s grave, ditto for when Scrooge informs him he’s getting promoted at the end. I’m getting misty eyed right now just thinking about it.

  1. Dr. Seuss’ How the Grinch Stole Christmas (#1)

It was number one in 2015, and it will likely remain number one for as long as I’m alive. How the Grinch Stole Christmas is just a perfect Christmas special. It features a story full of heart, humor, redemption, and joy. It’s gorgeously animated with a style unique to both Dr. Seuss and animator Chuck Jones. The music is equally as memorable and the narration from Boris Karloff is the only voice people hear in their heads now-a-days when reading the source material. There’s nothing I’d change about this special, and if I had to pick just one Christmas special to watch annually it would be this one.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 13 – How to Grinch

Christmas has a number of characters that instantly come to mind at the mere mention of the holiday. The big man, good old S. Claus, is likely number one. Whether you know him as Father Christmas, Saint Nicholas, or something else, Santa Claus has dominated the holiday for decades now. Other characters commonly associated with…

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Dec. 13 – Donald Duck in Christmas on Bear Mountain

For these features, I like to do something a little different at the midway point. This year I’m going to take a look at the classic Donald Dock comic “Christmas on Bear Mountain.” Donald Duck wasn’t just a movie star back in the day, but he also starred in his own line of comics published…

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Dec. 13 – Christmas Commercialism Part II

We’re about halfway through our countdown and ever so close to that magical day that is Christmas! And since these posts seem to be getting longer and longer, here’s a nice breezy one to save me some valuable time. We’re often told and reminded over and over by Christmas specials that the spirit of Christmas…

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#1 – Dr. Seuss’ How the Grinch Stole Christmas!

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Dr. Seuss’ How the Grinch Stole Christmas! (1966)

Most people that know me personally are not surprised by my choice for number 1 on my list of the best Christmas specials of all time. Dr. Seuss’ How the Grinch Stole Christmas! is a holiday classic of the finest order. Few films and television shows are able to delight all of the applicable senses like this one does. Allow me to list the ways.

First of all, How the Grinch Stole Christmas! was animated and produced by Chuck Jones, one of the greatest masters of the animated short. Jones is known primarily for his work with Bugs Bunny, and when he was tasked with bringing the Grinch to television he brought his A game. The Grinch exudes personality. He’s angry, grumpy, and is delighted with himself while acting out his schemes. He’s his own biggest fan. And that smile! Probably the most memorable part of the special is that moment when the Grinch gets his wonderful, awful idea. There’s a bit of a cat-like quality to his face (Seuss himself remarked it looked too much like Chuck Jones) but also this sort of odd, plant quality as well. He’s much more interesting to look at here than he was in the original book. In addition to the titular character, the setting of Who-Ville looks great and very Seuss-like. Little was lost in translation, and the whole world really pops when it needs to. Voiceless characters like Max are animated beautifully as well. Even though Max never speaks, we always know what he’s thinking and feeling. He’s also the most empathetic character in the film.

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The money shot.

In addition to the wonderful style and supreme animation, How the Grinch Stole Christmas! also features some excellent voice acting and an iconic score. All of the songs are originals which is quite the rarity for a Christmas special. The flagship song is undoubtedly “You’re A Mean One, Mr. Grinch” song by Thurl Ravenscroft in an uncredited role. The song is stretched to cover the meat of the special and it’s up to the task. The lyrics are suitable and the song is incredibly quotable decades later. The uptempo instrumental when the Grinch and Max are racing down the side of Mt. Crumpet is compelling, and the other songs are catchy in their own right. This is a soundtrack I have no problems listening to around the holidays. Rounding things out, Boris Karloff narrates the tale and provides a voice for the Grinch. His depiction is spot-on for the character as he adds a slight growl to his voice when he reads the Grinch’s line. No voice of the Grinch since has come close to matching Karloff’s delivery. June Foray even pops up once again as Cindy Lou Who. Her presence is a small one, but as usual for her, she’s perfect for the role.

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It’s pretty impressive how many creative sequences can be found in this one short.

The special is flat-out entertaining, but it also has the required good Christmas message needed to be a timeless Christmas classic. And here it’s kept to a simple one, which is that Christmas isn’t about the material things but the time spent with family. The Grinch has no family at the start so he can only see the material aspect of Christmas, which he comes to loathe and attempts to steal. Of course, Christmas can’t be stolen and the Grinch realizes that in the end. It’s an easy concept to grasp and it’s told well.

The animated version of Dr. Seuss’ How the Grinch Stole Christmas! is the best way to experience this classic story. The original book is wonderful in its own right, but is less thrilling than its television counterpart and obviously lacks the musical numbers. The feature film is a piece of garbage in which the Grinch character is reduced to a generic Jim Carrey screw-ball. The unfortunate thing is its title is identical to the short’s so it’s easy to get the two confused when looking at a television listing. Since How the Grinch Stole Christmas! is such a classic, it’s featured prominently on television on both network TV and cable. It’s also readily available on DVD and Blu Ray. Next year will mark the special’s 50th anniversary and hopefully it will be properly celebrated on TV just like Rudolph and Charlie Brown have been recently (and maybe it will receive its own line of stamps from the USPS too). Since it’s now Christmas Day, the Grinch has probably already received his last showing on television for the 2015 season so hopefully you didn’t miss it, and if you did, you have a copy to watch today. There’s no doubt in my mind that Dr. Seuss’ How the Grinch Stole Christmas! is the greatest Christmas special ever made. I doubt it will ever be topped.

Thus concludes this top 25 countdown. I hope you enjoyed it and that my rankings didn’t infuriate you too much. I also hope you had a great holiday season and a very merry Christmas. See you in 2016!


#2 – Mickey’s Christmas Carol

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Mickey’s Christmas Carol (1983)

Mickey’s Christmas Carol marked the return of the most famous cartoon mouse to the big screen for the first time in 30 years. Once a staple of the cinematic experience, Mickey had been pushed aside for other characters (namely Donald Duck) and live-action features. It had been even longer since Mickey, Donald, and Goofy had all appeared in the same short.

Mickey’s Christmas Carol was released in 1983 along with the The Rescuers. As shorts go, it’s actually pretty long, which has helped it over the years in being shown on television because it fits easily into a standard half-hour time-slot. Mickey’s Christmas Carol also goes against one of my personal tenants of Christmas specials which is to avoid adaptations of A Christmas Carol and It’s A Wonderful Life. That’s often the path of the lazy, but Mickey’s Christmas Carol benefits as being one of the earlier adaptations, and for some reason, it just works.

The story is obviously familiar to most people. It’s a pretty straight-forward retelling of the Dickens classic just with Disney characters acting out the parts (only the animal characters though, no humans allowed). The cast features the old popular ones of Mickey, Donald, Goofy, and Minnie while also mixing in cameos from The Winds in the Willow, Silly Symphonies, and Robin Hood, among others. This is also the first short to feature Scrooge McDuck as the character he was born to play. He’s voiced by Alan Young, known to audiences as Wilbur from Mister Ed, who has continued to voice the character even into his 90’s. Another debut is Wayne Allwine as Mickey Mouse, just the third voice actor to portray the character. Clarence “Ducky” Nash also gets a final opportunity to voice Donald Duck, before the character would be passed onto Tony Anselmo. As a result, Mickey’s Christmas Carol feels like a really important short in the company’s history as there’s a lot of historical significance that can be attached to it.

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Gets me every time.

All of that stuff is great, but it wouldn’t matter if the story sucked. Instead, the story is told in a brisk, but not rushed, manner. The shots that need to linger, linger, and the ones that can be hurried along are. The animation is vintage Disney, with Scrooge walking home in the snow from his counting house probably my favorite shot. All of the right emotions hit, and Scrooge’s transformation from miserable miser to benevolent boss is done in a believable way. Just try to suppress the lump in your throat when Mickey is seen crying at the grave of Tiny Tim in the flash-forward. That sight would transform any man!

Mickey’s Christmas Carol has a special place in my heart. It was the lead-off special on a homemade VHS tape my mom made for my sister and I when we were really little. As a result, it’s also probably the Christmas special I’ve seen more than any other. Since Disney is omnipresent on television, Mickey’s Christmas Carol is shown quite frequently around the holidays, so hopefully you didn’t miss it this year. It’s also been released multiple times on DVD and Blu Ray, most recently just two years ago. Though if you really want to own a copy of it, I suggest you pony up the extra dollars for Mickey Mouse: In Living Color Volume 2 so you can also enjoy a bunch of Mickey’s other classic shorts.

 


#3 – A Chipmunk Christmas

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A Chipmunk Christmas (1981)

Few properties have managed to return from obscurity like The Chipmunks. They originated in song with “The Witch Doctor” and ended up getting an animated television show. That show faded and their popularity waned, but was resurrected in 1981 with A Chipmunk Christmas which celebrated their popular Christmas song “The Chipmunk Song (Christmas Don’t Be Late).” The success of the special lead to a new animated series called Alvin and The Chipmunks and a string of direct to video films. Now the Chipmunks are back as a film property after a long absence and they even have a new TV show. They’re not exactly well received by critics, but kids seem to love them again.

The quality of these various shows and films has never exactly been the best, but the original Alvin Show has some genuine humor which A Chipmunk Christmas gets right. What the Christmas special does better though is add a little heart. The story goes that Dave, the Chipmunks’ guardian and manager, is getting his boys geared up to play a Christmas Eve concert while the boys are more interested in just being boys. That is until Alvin finds out about a little boy Tommy who’s very sick and also a big fan of The Chipmunks. What Tommy wants more than anything for Christmas is a golden Echo harmonica, which Alvin so happens to be in possession of. He sneaks away from a recording session to give Tommy the harmonica, under the guise of saying Tommy won a contest, but Alvin is afraid Dave will be mad at him when finds out he gave away his harmonica. Especially once it’s reveled that Alvin is expected to play it as part of their Christmas Eve show.

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The Chipmunks received a slight redesign for their special, which would be further modified for the TV show Alvin and The Chipmunks.

This is one of those stories where the audience is naturally frustrated because the protagonist has done the right thing but is misunderstood. Alvin becomes consumed with making enough money to buy a new harmonica so Dave won’t know he gave away the original, but Dave just sees Alvin’s schemes from the outside as Alvin being selfish. Since this is a Christmas special, Alvin does eventually find a way out of his predicament when an old woman (voiced by the immortal June Foray, who pops up a lot in Christmas specials) offers to buy him a new harmonica for helping her out. The special culminates with the concert, and the ending has a nice little surprise for the viewer which might be my favorite ending of any Christmas special.

The Chipmunks may have seen their popularity seesaw over the years, but their Christmas special has remained timeless. With their renewed popularity, A Chipmunk Christmas has returned to television after a lengthy absence, though I never came across it this year. The special is widely available on DVD and Blu Ray and can be streamed online for free. This one is a classic that hits all of the right notes by being funny, charming, and has a great Christmas message. Don’t hold those new movies against it.


#4 – A Charlie Brown Christmas

CHARLIE BROWN TRIES TO PERK UP THE FORLORN LITTLE CHRISTMAS TREE

A Charlie Brown Christmas (1965)

Old Chuck has been around for awhile now. No one can say his special has failed to stand the test of time. And even so, the origins of A Charlie Brown Christmas are pretty humble ones. Few expected it to be a success, especially after creator Charles Schulz wanted Linus to recite a passage from The Bible on the meaning of Christmas. The production values were low, and basically every voice actor was an amateur, and a kid.

Despite all of that, A Charlie Brown Christmas has been a monumental success. It has lead to numerous other Peanuts themed holiday specials and television shows. It’s soundtrack has been a best seller and its main theme “Linus and Lucy,” composed by Vince Guaraldi, has become the official theme of the Peanuts brand.

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The soundtrack for A Charlie Brown Christmas is almost as famous as the actual special.

The story goes, Charlie Brown is depressed around the holidays because he doesn’t really understand what’s so great about Christmas. Part of that is derived from the rampant commercialism surrounding him and also by the fact that no one seems to like him. Lucy, in a rare moment of compassion, decides to offer Charlie Brown the position of director for their Christmas play. She seems to think the play will direct itself and Chuck couldn’t possibly screw it up. When Charlie Brown arrives at the auditorium he finds everyone is only interested in dancing around and few are serious about putting on the play. Frustrated, he decides to get a tree which just makes things worse, prompting Linus’s famous speech.

Amongst the specials on this countdown, A Charlie Brown Christmas is easily the most secular. It does so without turning off the unreligious, with the biblical meaning of Christmas serving as a reminder that the holiday isn’t all about getting presents and seeing who has the most lights on their house.  Still, I’m sure the devout Christians out there probably appreciate what A Charlie Brown Christmas has to say since most specials ignore that Jesus fellow.

Now obviously the special has become a bit of an ironic one. The primary message of A Charlie Brown Christmas is that commercialism has distorted the holiday’s message, and yet today, few properties have become more commercialized than Charlie Brown. Especially this year when the special celebrates its 50th year. None of this causes the actual special to be any less charming, and I certainly don’t mind the abundance of Charlie Brown merchandise as it’s an easy fail-safe when shopping for Christmas gifts.

As one of the most popular Christmas specials, A Charlie Brown Christmas is featured prominently on television and is also available on DVD and Blu Ray. It was shown this year along with a one hour special celebrating its 50th anniversary. If you missed that broadcast it will be shown again on Christmas Eve on ABC.


#5 – Mickey Mouse: Pluto’s Christmas Tree

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“Pluto’s Christmas Tree” (1952)

A few days ago we looked at “Toy Tinkers” and today we look at its spiritual sequel, “Pluto’s Christmas Tree.” Despite its title, this one is actually considered a Mickey Mouse short (and fun piece of trivia, this i the theatrical short debut of Jimmy MacDonald as Mickey) and not a Pluto one. Like “Toy Tinkers,” it features the duo of Chip and Dale as they try to move-in to Mickey’s house.

The short opens with Mickey and Pluto searching for a Christmas tree. Chip and Dale see the two and decide to have a little fun with Pluto, who ends up chasing them up a tree. Mickey, of course, settles on that specific tree for his Christmas tree and Chip and Dale, electing not try and elude Pluto, go along for the ride and end up in Mickey’s house. Mickey and Pluto decorate the tree and the chipmunks come to enjoy their new surroundings, especially when they find the bowl of nuts on the mantle. Pluto takes note, and unable to get Mickey to notice, ends up trying to evict Chip and Dale himself which results in disaster.

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Dear Mickey’s Christmas Tree, I want to be inside you.

The setup maybe similar to “Toy Tinkers,” but the gags are separate. Pluto, being unable to speak, is easy to feel for because he’s obviously frustrated by his inability to communicate to Mickey that they have a rodent problem. Chip and Dale, naturally, have no interest in leaving the warm confines of the house and refuse to go without a fight. They’re a bit villainous though, and I find myself naturally drawn to Pluto, though the spirit of the holidays would say everyone should coexist in peace. The artwork is excellent, especially the backgrounds. Seriously, the Disney artists convinced me living in that tree would be bliss. It’s funny and cute, and its more inclusive attitude towards the Christmas holiday helps elevate it above “Toy Tinkers” for me, but both should be considered holiday classics.

“Pluto’s Christmas Tree” is actually rather easy to come by. It’s been re-released many times on various holiday collection DVDs and sometimes is shown on television during the holidays. Most recently it was included as a bonus feature on the DVD/Blu Ray release of “Mickey’s Christmas Carol” which has yet to return to “The Vault.” However you choose to view it, I suggest you make the time to watch it this year and every year after.


#6 – The Simpsons: Simpsons Roasting on an Open Fire

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“Simpsons Roasting on an Open Fire” (1989)

The holiday most often associated with The Simpsons is clearly Halloween, thanks to the annual presence from the Treehouse of Horror series. Which is why I find it funny that the show’s very first episode was a Christmas special (though it should be noted, it was the 8th episode by production order). I can’t think of another long-running show that lead-off with a Christmas special. South Park famously originated as a Christmas short, but that wasn’t its first true episode. “Simpsons Roasting on an Open Fire” also aired a full month before the show’s second episode so that it could air before Christmas. It was also not written by Matt Groening, or any of the other individuals most associated with the show, but cartoonist Mimi Pond. It was also her only contribution to the show and the only episode from the show to air in the 1980s.

“Simpsons Roasting on an Open Fire” succeeds as both a Christmas special and as an introduction for the series. Homer is depicted as a screw-up who wants to give his family a good Christmas, but his miserly boss has decided not to give out bonuses this year. When Marge has to use what little savings they have to get a tattoo removed off of their son, Homer looks to get a second job to pay for Christmas. He doesn’t tell his family and decides to take a part-time job as a mall Santa. This includes a humorous sequence of Homer going through Santa training, learning how to laugh and what to say to bad kids who sit on his lap. His plan blows up in his face though when he receives a meager payout on Christmas Eve. Defeated, he and Bart decide to accompany fellow Santa Barney Gumble to the dog track and wager their bucks on a long-shot, who Homer feels compelled to bet on because of his name:  Santa’s Little Helper. The dog, of course, loses but when his owner kicks him to the curb the Simpsons gain a new pet, and a worthy Christmas present.

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The gang’s all here for the first episode.

It’s a cute story and a good window into what the show is all about when it’s at its best. The Simpsons don’t always catch the best breaks, through some of their own doing, but they find a way to make it work. They’re basically a happy family that cares about one another, unlike a certain other animated TV family. As viewers, we like them, even though we laugh at them. There’s enough pity in Homer’s plight to get a reaction, but not so much that the episode becomes a depressing slog.

“Simpsons Roasting on an Open Fire” is still the best Christmas special produced by the long-running series and can be found on the season one box set. It’s also been released on DVD as part of a holiday collection of episodes and is guaranteed to air this season on FXX, along with the other Christmas specials. Just keep an eye out for it if you wish to catch it that way.

 


#7 – Donald Duck: Toy Tinkers

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“Toy Tinkers” (1949)

For the number seven entry I am cheating a little, but only a little. I spelled it out in the intro to this feature, but I am considering theatrical shorts for this feature as long as they’ve basically been adopted by television. “Toy Tinkers” starring Donald Duck falls under that umbrella as it debuted in theaters in 1949. “Toy Tinkers” came during a time when Walt Disney was moving away from the short subject to focus on feature length films and television productions. Pretty much the only character still receiving shorts was Donald Duck, who had usurped Mickey Mouse’s role as lead character for cartoons. Mickey would receive short films here and there into the fifties, but Donald was the only one receiving consistent work.

“Toy Tinkers” is very similar to a later cartoon, “Pluto’s Christmas Tree,” because both feature Chip and Dale. In this cartoon, Chip and Dale sneak into Donald’s house after seeing him chop down a Christmas tree. When they get in they decide to stay due to its warmth and abundance of nuts. Donald, not being the friendliest duck, sees the duo and decides to have some fun at their expense. He even ends up pulling a gun on them after disguising himself as Santa Claus. Chip and Dale, of course, do not take this laying down and opt to fight back. They’ve had a few battles with Donald over the years, and just like in virtually every other one, they get the better of the duck after turning his living room into a war zone.

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Santa Donald: way better than Santa Claus.

“Toy Tinkers,” as the name implies, features lots of toys and gags centered around them. The tamest moments of the short feature Chip and Dale interacting with these toys in an innocent and curious way. The toys also play a vital role to the combat sequences that follow where pop guns, trains, and wind-up cars are put to use. It’s a clever little short that’s plenty charming. It doesn’t really feature much Christmas spirit, but makes up for it with its use of timeless characters. Seriously, if you can’t enjoy a Donald Duck cartoon then we can’t be friends.

“Toy Tinkers” can be found on the Chronological Donald Volume 3, a collection of Donald Duck cartoons that is long since out of print and mighty expensive on the resale market. There is a holiday DVD from about ten years ago that included it which is much easier on the wallet, “Holiday Celebration with Mickey and Pals,” if you wish to seek it out. The Disney Channel will sometimes slip it into its programming during December as well, especially if they need to fill some small gaps in programming, but you’ll have to keep your eyes peeled to find it. If you wish to make it easy on yourself, pretty much every old Disney short can be found on Youtube. Since the company isn’t actively trying to sell them, they must not care about their availability online.