Tag Archives: disney

Dec. 25 – The Simpsons – “‘Tis the Fifteenth Season”

Original air date December 14, 2003.

Well folks, we did it! We made it to another Christmas! These things come faster and faster each year which makes something like an online advent calendar helpful as it attempts to keep the season from going by even faster. It’s cliché, but the years go by even faster the older you get and if you have kids it seems worse. It’s great to stop, breathe, and just try to take it all in for I know if I’m fortunate enough to live to be an old man I’ll probably look back on my life and think it went by in a flash.

That’s the sort of melancholy vibes Christmas brings about for me, but it’s important to remember this is a day of fun. Of revelry! I try to save a good one for each December 25th, or at least a weird one (I did go with Samurai Pizza Cats one year), and this year I felt like turning the day over to America’s real first family: The Simpsons.

Homer is going full Grinch in this one. Well, sort of.

The Simpsons has been featured here before. Many times too. The show has staked its claim to Halloween via the Treehouse of Horror anthology series, but it was Christmas that marked the show’s debut. For years the show avoided the topic as how could anyone hope to top the show’s debut episode? Eventually, that fear subsided and the show started cranking them out. Not quite annually, but there’s certainly plenty at this point. And today’s episode comes from the show’s fifteenth season and is appropriately titled “‘Tis the Fifteenth Season.” At the time, it felt like quite the achievement to be on the air so long that it was celebrated, or at least marked, in the very title of the episode. Now, it almost seems quaint. Fifteen seasons isn’t even half the show’s current total. Will The Simpsons ever end? When I was a mopey teen angry the show wasn’t as funny as I remembered it being I would have said it needs to die, but now I’m just curious to see how long it can go. There’s a comfort in knowing that every fall a new season of The Simpsons debuts. It probably won’t go on forever, but that doesn’t mean it can’t try.

In almost any other episode, I would have liked this couch gag, but this is not the holiday couch gag I’m looking for.

The first episode aired of The Simpsons, “Simpsons Roasting on an Open Fire,” was pretty much a Homer (Dan Castellaneta) story. He was denied a Christmas bonus and Marge (Julie Kavner) spent all of the family’s extra money on getting a tattoo removed off of Bart (Nancy Cartwright). Rather than come clean, Homer takes a part time job as a mall Santa to earn extra money in hopes of providing his family with the kind of gifts he felt they deserved. Or rather, the type of gifts that would make him feel like a successful provider. Following that episode, Homer would take a back seat in future holiday outings. We had episodes centered around Bart, Lisa, and even Marge while Homer was like a sidecar. The kids need his help in the waning moments of “Grift of the Magi” to steal some toys, he and Flanders have a B plot in “Skinner’s Sense of Snow,” and that’s kind of it. In today’s episode, Homer is very much the focal point as he must learn the spirit of giving, then learn to reject materialism, then…become the Grinch? This one ends in a place one wouldn’t have predicted at the start, so let’s jump into it and see how we get there.

How is it that Itchy and Scratchy are able to exist in this space?

This holiday episode of The Simpsons begins with the standard, abbreviated, opening where we just jump right to Marge almost running Homer over in the driveway. The couch gag isn’t even holiday themed, it’s anime, which is a surprise. We’re not off to a good start here. The episode proper then begins not with Christmas, but Thanksgiving. The family is watching a Channel 6 holiday broadcast featuring Krusty (Castellaneta), Sideshow Mel (Castellaneta), Mr. Teeny, and a large woman dressed as a ballerina. Am I supposed to know who she is? Kent Brockman is appearing via cardboard cutout which Krusty informs us he’s contractually allowed to do because he’s in rehab. Again. Oh, and Itchy and Scratchy are present too which is really confusing. Are they someone in costume? Are they animation and we can’t tell because the whole show is animated? Anyway, Krusty informs the viewers for every dollar spent on Krusty merchandise he’ll be nice to a sick kid. And that hookers with a cold count as sick kids. Never change, Krusty.

Homer no like sweater.

It’s now time for Christmas decorating, and set to “It’s the Most Wonderful Time of the Year,” we see Homer and the kids putting up the decorations. Bart and Lisa (Yeardley Smith) twirl some string lights like a lasso and fling them on the bushes outside. Homer tries to do the same with a tree and inadvertently kills two birds in the process which he slyly covers with snow and walks off. Inside, the stockings are being hung with care one by one until we get to Grandpa (Castellaneta) who hangs an IV bag instead. Marge is shown putting the family dog, Santa’s Little Helper, in a festive sweater which he predictably hates. We pan over to Snowball II who is already in a sweater and doing her best to get it off. The camera continues it’s pan to find Homer also in a sweater and also desperately trying to remove it with his teeth like an animal. Never change, Homer.

Looks like someone forgot Lenny’s present.

We now are taken to the Springfield Nuclear Power Plant where it’s apparently already time to exchange Secret Santa gifts. Carl (Hank Azaria) is Homer’s Secret Santa and he has quite the present for the big guy: a new DVD player and the first season of Magnum P.I. Homer is quite happy with this extravagant offering (come on Carl, there had to have been a limit you blew by), but there’s a problem. No one has a present for Lenny (No, not Lenny!) and that’s because Homer is his Secret Santa. Realizing he forgot, Homer runs offscreen and we get to hear him battle with a vending machine. Lenny (Harry Shearer) can tell what’s going on and a scowl crosses his face before Homer returns with his gift: a roll of Certs. Homer seems pleased with himself, but Lenny doesn’t hold back and tells him that his gift flat-out stinks. Carl piles on too telling Homer he’s the most selfish man he knows (then why did you go all out on Homer’s gift, Carl?). Homer appears offended and tries to defend himself by saying Mr. Burns is the most selfish man around. He starts to bad mouth him, and Skinner, only for Burns to sidle up behind him without him knowing.

I’m surprised this hasn’t been utilized for a current plot.

Burns (Shearer) hears the insults, but laughs startling Homer. He declares that Homer’s very obvious description of him describes “Cathy in personnel” to a tee. Who is this mystery woman? No time for that, for Burns is here to hand out Christmas bonuses. This feels familiar. The bonus this year? A five dollar voucher to the plant cafeteria which no one is happy with. I guess it’s better than the series premiere when they got nothing? Burns has something special for Bart though, I guess because he knows Homer has a son? They’ve obviously crossed paths many a time, but I don’t get the sense that he’s giving Bart a gift because of any of that. The gift is, as Burns puts it, a confectioner’s card of a current baseball player. The way he phrases it he clearly doesn’t place any value on this card, but it’s a Joe DiMaggio card and a pretty famous one in card collecting circles at that. Not that Homer is aware. Burns refers to DiMaggio as a rookie for the New York Nine and when Homer says the name in disbelief (likely because he knows that Joe DiMaggio has long since passed his rookie days) Burns confirms it’s him and adds, “It seems they’re now letting ethnics into the big leagues.” He then turns away from Homer and is surprised to see Cathy (Tress MacNeille), from personnel! She looks exactly like Burns and he asks her how things in personnel are she has a one word response for him: Excellent.

Oh no! He must deftly lick it off!

Homer may not know how valuable the card is, but he knows it’s worth something so he takes it to the only place in town he’d logically go: The Android’s Dungeon. Homer finds Comic Book Guy (Azaria) eating some nachos from his usual perch atop his stool and asks if he can get any money for the card? Comic Book Guy takes one look at it and nearly has a heart attack as he turns up his cash register and empties its contents onto the counter. He greedily snatches the card from Homer, but then immediately begins to fret because he got nacho cheese on it. He reasons the only solution is to deftly lick it off, which he does. Homer just grabs his armful of cash and walks off remarking “Freak,” under his breath. We don’t know how much Homer just got, but probably not a substantial amount? Most stores only keep so much money on-hand, though I suppose a business that buys and sells might have more than usual. Either way, he probably didn’t get full value since that’s a card worth tens of thousands of dollars, but at least he’s happy.

Jesus was a prune? I guess I’ve learned something today.

We return to 742 Evergreen Terrace to find the rest of the family seated in front of the TV. A common past time for the Simpson family. They’re watching the 1986 “classic” Christmas with the California Prunes. Obviously, this is a parody of the 1987 sorta classic A Claymation Christmas which featured the California Raisins, a special I probably should have covered by now, but just have not. This could almost barely be considered a parody as we get to see some of this special which features claymation characters that look almost exactly like the California Raisins. There’s a soulful rendition of “Oh Holy Night” being played (and possibly sung by Karl Wiedergott since he’s listed in the credits, but not assigned a role), but with words adjusted to better fit prunes like “We are the fruit that your grandmother eats.” It’s also a nativity scene so if you ever wanted to see what Jesus would look like as a prune, well now you have. I think this is actually really close to the actual segment it’s parodying so if this seems ridiculous, there’s a more sincere version out there. Lisa declares it offensive to Christians and prunes. You know what it’s not offensive to? Animation fans, because this segment looks way too good to just be a quick gag on an episode of The Simpsons.

Comic Book Guy sure keeps a lot of cash in his register.

Homer then comes bursting into the room with his hands and pockets overflowing with cash. He declares they’re going shopping at the Springfield Heights Promenade. Marge jumps up with excitement declaring “That’s the rich people’s mall! Let’s shop till we droop!” Lisa corrects her to say it’s drop, but Marge just scolds her with “That’s a very violent image, Lisa.” Burl Ives then whisks us into Springfield Heights with his version of “Silver and Gold.” The tagline for this place is “Our prices discriminate because we can’t.” It’s basically a fancy outdoor marketplace. I’m not sure if it’s based on anything specific, but it has a similar vibe to Boston’s Quincy Market and there’s a hint a little ways in that might give that away. For a sight gag, we get an Abercrombie and Rich store and there’s a cart that will put your image on a Rembrandt. Moe is clearly pictured on such a painting. Seems almost too tacky for this place, but if it is anything like Quincy Market then it’s also a tourist trap and tourists buy all kinds of stupid stuff.

Cameos of Christmases Past.

Homer is handing out wads of cash to everyone in the family to go buy Christmas presents with. And when they’re done, he also promises to get a glorious Christmas tree for the home. In fact, he declares it will be so large that its absence from the forest will cause mudslides and flooding. Everyone cheers this except Lisa. That’s some nice attention to detail. We cut to Bart and Lisa shopping together and Lisa has stumbled upon a toy store called The Prodigy Barn. Very quickly there’s a cameo of the rich happiest kid in the world and his mom from “Marge Be Not Proud,” though his hair is now blond instead of brown. Inside, Bart is playing a video game console clearly modeled after the original PlayStation as he’s blasting state capitols on a map of the United States. He soon realizes that this game is trying to teach him stuff and reacts angrily tossing the controller at the screen and declaring “That’ll teach you to teach me!”

This may be more of a gift for Marge.

We jump to Marge shopping at Victor’s Secret, an obvious pun on Victoria’s Secret, where she’s looking to buy a present for her beloved Homie. She’s picked out some very large underwear that’s sort of tiger striped, but she needs the clerk to help her figure out if it’s the right size for Homer. Make that two clerks as they both easily fit into the underwear and Marge is delighted that it’s the right size. They (Castellaneta) then offer to gift wrap it for her and in order to do so they have to fold it like a flag. They stuff it into a tiny box and hand it over to Marge warning her to stand back when she opens it.

This episode is from before everything had Wi-Fi capabilities. I bet that astrolabe was obsolete in less than five years.

Outside of a store called Things Unnecessary, Homer is rummaging through his bag of goods with a contented look on his face. We then find out he’s bought the family all key rings. Cheap, stupid, key rings. He drops his gifts though when he catches a window display for a talking astrolabe. He immediately goes inside where a clerk with a British accent shows it to him. He wants to make it a gift for himself and notes how it is so unnecessary. The clerk (Shearer) laughs and remarks that he has excellent taste then lists the features which include a pad of paper and pen for writing upside down. Homer is pretty much sold, but then he looks at the price tag: 500 bucks. If he buys this he won’t have anything left for a tree. The astrolabe (I think it’s Azaria, but it’s not listed in the credits on IMDB) then announces that today is the birthday of comedian Margaret Cho, which makes this December 5th. We can also see the current coordinates for the location of this device which online sleuths discovered long ago point to Boston, hence my Quincy Market theory. “That’s the birthday I’m always forgetting, I must have it!” And with that, Homer has bought an extremely unnecessary and extremely expensive gift for himself.

What is it with sitcoms and their Christmas suicide jokes? I feel like I should apologize for how many there have been this year.

We cut to the car and the family is on the road. Bart asks if they can get their big tree now and Homer laughs nervously and confirms that they can as he also inspects the cash he has left which totals 2 bucks. He still insists that they’ll get a tree from the finest lot in town as he proceeds to lead the family to a rather unsavory part of town. Lisa is the first one to remark that she doesn’t like this neighborhood, but Homer just tells her to lock her door and avoid eye contact while he turns on the radio. It’s a version of the song “Convoy,” which was part of the plot of “Radio Bart” way back when, only now it’s “Christmas Convoy.” It’s our soundtrack to the sights which includes Gil preparing to hang himself with Christmas lights, some hobos roasting pigeons over a flaming drum, and a bloody snowman with an axe in its head.

Well, sufficient is certainly one way to describe it.

Homer pulls into a pretty sad looking tree lot and buys the best tree 2 bucks will get you, which is pretty brown and lacking in fullness. Homer presents it to the family as a great tree, but Marge points out that it looks a little dry. Homer tries to insist it just needs a little love, but when he rubs it the tree bursts into flames. I’m betting Homer thinks the tree will magically transform when decorated into a glorious one, like it did for Charlie Brown. We cut to the house and the partially burned tree is up. Homer remarks, “Isn’t it sufficient?” and pats it again once again causing the tree to go up in flames. He’s ready with a fire extinguisher and quickly puts it out, but Bart is left to wonder why they couldn’t afford a good tree? Marge asks Homer if there’s something he’s not telling them and right on cue we hear the astrolabe announce that it’s 6:31 PM in Montreal.

A man sobs alone with his astrolabe at Christmas time. Is there a sadder sight?

Marge rightly asks where that voice came from, but Homer tries to play it off as Maggie finally talking. She finds the astrolabe all wrapped up with a tag on it that says “To: Me, From: Santa.” Marge exchanges the gift for Maggie, who Homer was holding, and confronts him on the fact that he wasted their money on an extravagant gift for himself. Homer tries to reason with her that there’s a trickle down theory at play here: If he’s happy then he’s less abusive to the rest of the family. I should try that the next time I buy an expensive action figure. Lisa is the one to inform him that this time he was just plain selfish as sad music plays and the family leaves Homer with his toy. The astrolabe then announces “I am not returnable,” causing Homer to start sobbing. It then announces it will begin testing its smoke alarm for the next three hours which causes Homer to sob louder and announce, “This is sadder than Tuesdays with Morrie.”

Marge has opted for pettiness and I for one support her.

Where do Homer and Marge often settle their disputes? In bed, of course, as we find Homer trying to defend his selfish act. He tries to suggest that she is in fact selfish too for choosing to get her haircut at Supercuts instead of Regular Cuts, the joke being Supercuts is a pretty cheap place to get a haircut. And whoever does Marge’s hair deserves a lot. Marge is obviously not taking the bait and just points out to Homer that Christmas is the time to think of others, but he only cares about himself. He denies this accusation pointing out that he cared what they thought when they found out. She informs him that he can sleep on the couch tonight, but Homer just wants her to yell at him now and get it over with. Marge refuses instead opting to parcel out her anger over the next few days and weeks so she can jab at him when he seems most content. Homer can only groan as he grabs his pillow and flees.

This doesn’t seem like much of a punishment for Homer.

Homer has decided to stay up late watching Christmas specials with his selfish purchase. He’s also opted to unwrap it early as well and even declares that he doesn’t need Marge since he has the astrolabe. It responds to him by telling him that Columbia’s chief export is coffee. On television is The Year Santa Got Lost starring Jimmy Stewart (Castellaneta) as the voice of the mailman. It looks like another claymation piece and the characters all resemble toys from Rudolph the Red Nosed Reindeer, except for the mailman who just looks like a mailman. I guess he’s a nod to Special Delivery from Santa Claus is Comin’ to Town. It’s a very boring story that Jimmy is telling and Homer taps out insisting that Jimmy Stewart as a puppet is just wrong. On the next channel is Mr. Mcgrew’s Christmas Carol, a parody of Mr. Magoo. It’s sort of like the California Prunes from earlier in that this parody is so similar to the thing it’s parodying that it’s almost indistinguishable. Upon stumbling on this, Homer declares he loves that blind, senile, old man! He’s then interrupted by his father knocking on a window in his bathrobe claiming he can’t find his way back to the nursing home. Homer shouts at him, “I heard you the first five times!” then throws his shoe at the window. A bunch of snow falls off the roof and poor Grandpa is buried.

Oh that Magoo McGrew, that’s not a woman, you silly, old man!

We get to see some of McGrew (Castellaneta) which looks a lot like the actual Mr. Magoo’s Christmas Carol, the very first animated Christmas special made for television. I’ve never covered it because it’s, well, terribly boring. We get to watch McGrew mistake a potbelly stove for a pregnant woman which somehow leads to him sticking his head into a roaring fire. Homer laughs for, once again, old McGrew has mistaken something for something. As the special moves along, Homer comes to realize that McGrew is just like him. Well, except for the rich part. When it gets to the climactic scene at the cemetary, Homer is on the floor in front of the TV begging the ghost to spare McGrew and to take Tiny Tim instead! The ghost gestures to the headstone which reads Ebenezer McGrew. Homer then sees it as reading” Homer Simpson – Unloved by All. He cries out “Unloved by Al? No!” then the ghost gestures again and he reads it correctly and yells even louder.

Marge wanted to see more of this Star Trek Christmas Carol and I think I’m with her.

The next morning, Homer is still in the midst of a fretful sleep moaning on the couch “I’ll be good.” Lisa wakes him up with some concern in her voice and Homer just asks her what day is it? She tells him it’s Saturday, December 6h and Homer jumps up saying “Good! There’s still four more days till Christmas!” No one bothers to correct him. We next find the family at breakfast where Homer is talking about the amazing cartoon he watched the night before. He describes it and Lisa has to point out that what he watched was A Christmas Carol by Charles Dickens and that it’s been around for 160 years. Bart points out that television has been mining that thing for decades and he is certainly not wrong. What’s sort of implausible here is that someone who watches as much TV as Homer would be unfamiliar with it. Bart gets to prove his point by turning on the TV (there sure has been a lot of the family watching TV so far in this one) to reveal an Urkel parody and a Star Trek one. Marge thinks the Star Trek one looks pretty good. Homer then announces that TV and nightmares have joined forces to convince him to be a less selfish man. He vows to become the least selfish man in town and Marge reminds him that he’s made this promise before. Homer points out that this time he’s sober…ish. That’s a bit alarming since it’s only breakfast.

It really is the perfect gift for someone always getting stuff in his eye.

Time to see Homer put his words to action. We find Flanders (Shearer) and his two boys, Rod (Pamela Hayden) and Todd (Cartwright), taking some boxes of old clothes and lima beans to an area frequented by the homeless, only Homer beat them to the punch. He gave them his old clothes and we get to see a whole bunch of unhoused men dressed like Homer. One comes over to remark that these new pants smell worse than his old ones, but Homer just says “You’re welcome.” To the Nuclear Power Plant where Homer owes Lenny a present. A real present. Homer presents Lenny with a photo cube that’s full of pictures of them (and Carl) which Lenny seems to appreciate. And there’s another surprise, Homer filed down all of the corners so it won’t hurt if it comes into contact with Lenny’s frequently injured eye. He demonstrates by jabbing Lenny in the eye and he smiles uncomfortably and announces it only stings a little.

Marge has been waiting fifteen seasons for this.

Back at the house, the family is finishing up dinner when Homer goes to eat the last porkchop, catches himself, and then walks the platter over to Marge. He offers her the last porkchop and Marge is so overcome with emotion she doesn’t know what to do. Homer has never offered her the last porkchop and she happily accepts. She is super emotional about it as she’s basically sobbing while she eats it remarking that his thoughtfulness tastes so good and that tears are the sweetest sauce. She’s not even bothering to use utensils, just her hands, and all the rest of the family can do is stare at her. Homer also adds that she’s starting to creep him out.

I feel like we’ve been here before.

We then cut to the family at church where Ned and Homer are in charge of the collection plates, though they’re really more like baskets on poles. Homer gets to Burns who just deposits a coin into the basket so Homer jabs at him. He drops another coin in, but Homer is still not satisfied so he keeps jabbing him in the face. Burns finally relents by emptying his entire wallet into the basket, including his credit cards and eventually the wallet itself. He then angrily suggests that Homer take his blood too and pricks his finger, but only dust comes out which Burns acknowledges by saying “Yes, I’m old.” Ned happily empties his basket into a sack held by the Reverend Lovejoy (Shearer) who is only too happy to inform Ned that this week he came in a distant second to Homer who has a rather impressive haul. Homer announces he’s not looking for glory, he’s just trying to buy that stairway to Heaven Jesus sang about. When Ned corrects him that it was actually Led Zeppelin who sang that song, he just scoffs and tells him to get back to his bong, hippy! He and the reverend then smugly walk off leaving Ned to stew in anger. His kids come over and Todd asks him if he’s jealous of Homer with some shock in his voice. Ned confesses that he is a little jealous. To try and cheer him up, Rod confesses he’s jealous of girls because they get to wear dresses and Ned angrily responds with “One problem at a time, boy.” This was the era where Ned Flanders became a more bigoted Christian. I know some people don’t like this turn for Ned, but when a show is on for as long as The Simpsons characters are going to change with the times.

Homer: a man of many talents. Or maybe just this one?

We return, yet again, to the Simpson master bedroom only now things are far less frosty. Marge is delighted in Homer’s transformation and he has come to view being unselfish as a natural high like hiking or paint thinner. And he’s not done! Homer then unveils to Marge his latest gift to the town: an ice skating rink in the Simpson backyard. How he built that without Marge’s knowledge is not specified. Similarly, how could he, the man who couldn’t afford a Christmas tree, manage to buy all of the materials needed for a rink? I should stop asking questions. It’s a hit though as numerous people are skating on it. Comic Book Guy demonstrates he’s pretty nimble for a man of his generous waist even though his leap results in a fall. A fall that splits his pants. With a declaration of “Activate cloaking device,” he ties his coat around his waist, only for that to rip too. Overcome with depression, he chooses to engage candy bar sadly.

Nelson is showing off and giving Flanders the business here. What a guy.

Ned is shown making his way to the Springfield Men’s Mission singing “Here comes sandwiches,” to the tune of “Here Comes Santa Claus.” He has a plate of cheese on bread for the homeless who dwell here, but because this is Season 15 Ned we have to get a little peak in his head as he refers to this as Boozy Bum Lane. In other words, this is the Ned who partakes in charity not because it’s right or just a nice thing to do, but because he just wants to get into Heaven. He’s shocked to find the place empty, so shocked he even spells out the H word (no, not that one). And he soon realizes that everyone is at Homer’s where they can rent skates for free (how did he come into possession of all these skates? Shut up, Joe, just go with it) no matter how gross and black their feet may be. Ned is frustrated and dismayed to hear Gil (Castellaneta) refer to Homer as the nicest guy in town. Nelson (Cartwright) is also there to deliver his customary “Ha! Ha!” and add a dash of “Your position has been usurped!” He also makes a couple more passes to rub it in even laughing “You’re sad at Christmas!” While he does he demonstrates some really fine tandem skating with Sherri or Terri. Sometimes a guy surprises you.

Great sight gag, I approve!

After an act break, we return to the TV! Man, this episode has a lot of old Simpsons tropes between the bedroom scenes and the plot-advancing television spots. It’s the nightly news with Kent Brockman (Shearer) delivering a breaking news report on the nicest guy in town: Homer Simpson. He has to deliver it in his Brockman way though by first shocking and horrifying the viewer with the announcement that Santa Claus is dead! This gets a scream out of Bart and Lisa who are, strangely, the only ones watching the news in the house. Bart didn’t seem to believe in Santa way back in the first episode, but I guess he’s had a change of heart? Or maybe it’s just a part of him he can’t let go? This was all a clever setup by Brockman to declare that Santa might as well be dead, because Homer Simpson has stolen his spotlight. They then show a photo of Homer strangling Bart in front of Marge and Lisa, but it’s been digitally altered to replace Bart with an image of a bouquet of flowers.

Ned, you’re starting to freak me out a little bit.

Next door, Ned is practically steaming watching this report. He starts tugging on his moustache and assuring himself “Pain is the cleanser,” in an attempt to banish his jealous thoughts. Mel Gibson would approve. A ring of the doorbell gets him off the couch and it’s a pregnant woman (Hayden) who needs help with her car. An overzealous Ned offers to jump the car, rotate the tires, and even fold the map she’s holding. This just turns her off and, calling Ned a creep, the woman says she was looking for Homer Simpson. That is apparently the last straw as Ned vows to show the whole town that he’s nicer than Homer. That he can be the nicest man who ever lived! He then looks at a picture of Jesus on the wall and tells him he said nicest man, not man-god, and to keep his pants on. I don’t think Jesus wore pants, Ned. Hah!

Skinner and his mother asking the important questions here.

To make good on his boast, Ned has decided to go door-to-door dressed as Santa Claus handing out presents to everyone in town. His first stop is the Skinner residence where Seymour (Shearer) is flabbergasted by Ned’s mission. Agnes (MacNeille) barks at him, “What’s your angle, pervert?” and Ned is actually honest by answering “Giving in this world, living in the next!” In other words, he just wants to get into Heaven. When Skinner asks how he can possibly afford this on a widower’s salary, Ned informs him he rented out his house to a fraternity. We cut back to Ned’s home and there are Greek letters (Sigma, Chi, Sigma? I’m not up on frat business) above the door and a keg goes flying through the front window. We hear an agitated Rod also shouting “Stay out of our medicine cabinet!”

That’s quite an imagination you’ve got there, Homer.

Homer takes note of Flanders’ good deeds and scoffs at them. We see he’s already been to the Simpson house and gifted Bart a Krusty-branded version of Operation. We hear the toy groan when Bart “tweezes my wang.” I feel like they’re usually more subtle than that? Homer, apparently taking Ned’s bait, wants to outdo him and thinks the best way is to buy everyone a car. Lisa, ever the voice of reason, is there to tell her father that he doesn’t need to outdo Mr. Flanders and to remind him to remember the theme of the season. Homer seems to think it’s despair and Lisa goes on to share her feelings on the matter of gifts as a Buddhist. She thinks people would be better off without presents, which gets Homer thinking. We see a car, a Christmas sweater, and then an image of Budai (smiling fat dude often mistaken for Buddha), and they all combine into an image of Budai (Azaria) driving. He offers Homer some sage advice, “[…]attachment to material goods kills the soul.” Then, for some reason, Budai gets pulled over by the cops in Homer’s imagination and vows to never return to jail. Homer is satisfied now and decides he needs to take away everyone’s presents! He then thanks, Buddha which brings back his brain cloud to show Budai getting arrested and threatening the cops that they’re in trouble if he ever gets out.

Look at Santa’s Little Helper! He’s cuter than Bradford II!

And now it’s time for an extended Grinch parody! Homer, with assistance from Santa’s Little Helper, is going to go house to house stealing all the presents under the tree in town on Christmas Eve. And as he does so, he’s going to sing about to the tune of “You’re a Mean One, Mr. Grinch” which goes something like this: You’re a hero, Homer Jay. You’re as crafty as a skunk. They’ll thank you in the morning for stealing Flanders’ junk, Homer Jay! You’re a double-bacon genius burger, and just a little drunk!” As he does, we see clips of him walking like the Grinch, slithering like the Grinch, cutting down stockings like the drink, and chloroforming a toddler like the Grinch. Wait! That’s all Homer and not a good look for the big guy.

This sort of thing didn’t work out all that well for the Grinch, but maybe it will for Homer.

At dawn, Homer is seen driving the family station wagon into the center of town with a massive sack of stuff tied to the roof. He hops out of the car and douses the bag in gasoline before hopping onto the ground to put a hand to his ear. There he waits to listen to the thanks coming from the folks of Springfield. It’s a rather clever inverse of the Grinch. He wanted to hear sadness and anger over his stealing Christmas, but heard singing instead. Homer wants to hear the singing, but he just hears anger. First from Lenny, then Dolph (MacNeille), and then we start to jump around. Snake (Azaria) is shown shocked and saddened by the fact that he’s been robbed at Christmas and reflects, “Man, so this is how it feels.” In a season of Simpsons repeating Family Guy gags, I feel like I have to point out that Family Guy did a very similar joke where an inmate stabs himself to see how it feels. We then jump to a rather sad scene at Nelson’s house. He wonders if his dad came back in the night to steal their presents while his mom (MacNeille) just gruffly says “I wouldn’t put it past him.” She references the night he left and Nelson gets defensive insisting he just went to the store and when he gets back he’s going to wave those Pop Tarts right in her face! Poor, delusional, Nelson.

Definitely not a gracious mob.

Homer then pulls back a little disappointment in hearing anger, but he points out happily that a mob is approaching shaking its fists in anger! The show decides to let Cookie Kwan (MacNeille) and Drederick Tatum (Azaria) get some lines in before the mob begins pummeling a confused Homer with snowballs. Even the Simpson family joins in on the beating. And who comes to Homer’s aid? Why, it’s Ned Flanders, of course. He stands protectively between Homer and the mob to tell them what Homer did was wrong, but that maybe he was also wrong to give everyone those gifts? Ned gets bombarded with snowballs for suggesting such and knocked to the ground.

Well, I hope this hurts less than a football to the groin, Hans.

Now, it’s Homer’s turn to rise to Ned’s defense. He shouts out for everyone to wait and look to the sky for there is the Christmas they need. And in the sky high above Springfield is a brilliant, shining, star. Everyone is transfixed with Selma (Kavner) even declaring it a miracle. We cut abruptly to find out that it isn’t a star, but a flare fired by Hans Moleman (Castellaneta) who appears to have gone off the road and is stuck chest-deep in the snow. It’s his last flare too, but don’t worry, for rescue dogs have come to his aid! Oh, actually those are wolves and the McGrew-like Moleman is blind and confused and sure to die.

Homer’s big speech is a thing of beauty. Bravo to writer, Michael Price, who penned this one.

Back in the center of town, Ned is finishing up reading from the Bible, the same passage old Linus referenced in A Charlie Brown Christmas. Before he can finish though, Mayor Quimby (Castellaneta) buts in to say that Ned can’t pray on city property. Homer takes it from there, “Let’s just say that on this day, a million years ago, a dude was born who most of us think was magic, but others don’t, and that’s cool. But we’re probably right. Amen.” The crowd returns with an “Amen” as well, and I just love that summation by Homer. It sums up that Christian smugness so prevalent in American society since that’s the majority opinion.

He’s such a good boy!

Homer then decides, with Ned’s help, to return all the gifts! As the two toss gifts to the mob, we get the expected animation of Santa’s Little Helper doing his Max impression as well. To sneak in an extra joke, we also get to see Professor Frink (Azaria) open his present and find it’s a brassiere (his choice of words), but in the spirit of Christmas, decides to make pretend that he has boobs. Bart is shown sharing his sentiments that this is a great Christmas and that not even Moe’s (Azaria) annual suicide attempt can bring him down. We then cut to Moe on top of City Hall threatening to jump and no one taking him seriously. Moe vows to jump and that they’ll all be sorry, but then laughs and confesses he’s not going to do it, but slips and falls anyway.

And as for Moe…who did NOT die!

No one was paying attention to old Moe for they were busy launching into a rendition of “Hark! The Herald Angels Sing,” because we need to tie this back to Peanuts one more time. Moe actually gets to deliver the “Peace on Earth and mercy mild,” line so we see he’s not dead, just really, really, hurt. As the crowd sings, we cut back to the wrapped astrolabe on the roof of Homer’s car. We hear it say that today is the birth of Jesus, and also the birthday for singer Barbara Mandrell. Snake then steals it for good measure, a nice way to bring the whole story back around to the beginning. We fade out on the crowd singing. Merry Christmas!

I like that they got the astrolabe into the end somehow.

As far as Simpsons Christmas episode go, that is one of the most joke-heavy ones they’ve done. There are tons of one-liners and just silly moments for the sake of comedy. Yeah, there are plenty of holes one can go poking through it, especially if past episodes are brought up. I’m always a little surprised when this turns into a “Homer Loves Flanders” redux in the second half thus leading into the Grinch parody. It’s quite a ride considering where we started. There’s really no B plot as the plot of the episode just moves from one stage to the next. I like that about it and it is reminiscent of “Grift of the Magi,” another Christmas episode that just moved from one situation to the next. The difference there is that one morphed into a Christmas episode where as this one was pretty much committed the whole way through.

The stop-motion segments are great and really help to give the episode a “special” sort of feel.

As I mentioned during the write-up, there are a ton of moments where TV is used to advance the plot. I’m pretty much okay with it though as there was some great comedy to be found there. The Christmas special parodies were all well done, even if some played it mostly straight. The extra surprise of stop-motion utilized was pretty damn cool too and shout out to Chiodo Brothers Productions, Inc. for producing those segments. Some of the jokes could be described as easy or layups, but I found they worked. And try to keep in perspective that some of this stuff was still pretty novel back in 2003. Now, a Grinch parody feels a bit more played-out, though I’m struggling to think of many Magoo parodies so The Simpsons was and is still ahead of the curve there.

“‘Tis the Fifteenth Season” may honestly be the funniest Christmas episode of The Simpsons. That doesn’t mean it’s the best, but there’s a solid amount of laughs to be found. Some don’t like the portrayal of “Jerk Ass” Homer like we see in the first act and I also know folks who don’t like what Flanders morphed into in the 2000s. Such opinions are valid, but for me, it works. This is funny television. It’s not trying to make much of a statement, just lampoon Christmas specials. There isn’t really a cynical message either so if you don’t care for those types of Christmas specials then I don’t think this one qualifies. It’s just a bunch of stuff that happened at Christmas.

Merry Christmas from me and the Simpsons.

And that’s it for the 2024 edition of The Christmas Spot! If it’s the last time I do this 25 specials in 25 days thing then I feel like I went out with a pretty solid selection of Christmas episodes. There was some good, even some great, and some stinkers, but those are fun to read and write about. It was a lot though as I finish writing this one on December 23rd, possibly the latest I’ve taken to finish one of these. That’s partly why I feel like I need to take a step back because it’s become harder and harder to find the time (and material) to keep this up. Whether you read one or 25 of these things this year, thank you, and I hope you had some fun. Merry Christmas, Happy Hanukah, joyous Wednesday, and good luck in the new year!

That’s a wrap on Christmas 2024, but if you must have more here’s what we had to say on this day last Christmas and beyond:

Dec. 25 – Prep & Landing

We have reached another Christmas Day! It’s a great time to celebrate and enjoy the moment for tomorrow we mourn the passing of the season. It’s the great come-down every year. For this holiday, I am once again returning to my list of the best of the best when it comes to Christmas specials. This…

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Dec. 25 – Rudolph the Red-Nosed Reindeer

Welcome to Christmas Day 2022! We made it another year and another long year is ahead of us until we make it back, but right now, it’s time to celebrate! And in keeping with the theme of this year’s countdown, we are once again looking at another much beloved Christmas special on this day. Before…

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Dec. 25 – Mickey’s Christmas Carol

We made it! Another year in the books, and another Christmas has come. Indulge in it. Bask in it, for it only comes once a year, and not to get too dramatic, but you never know how many you’re going to get. And we’re ending this year’s edition of The Christmas Spot with another throwback…

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Dec. 22 – Prep & Landing: Naughty vs. Nice

Original air date December 5, 2011.

Ok, so I know we did Prep & Landing last year, and we already did Operation: Secret Santa this year, but I just had to complete the trilogy. Not to be a downer, but I don’t know if I’m going to do this next year so I need to make sure that I feel good about the list of Christmas specials I’ve covered here at The Nostalgia Spot. And Prep & Landing, being perhaps the best series of Christmas specials since the days of Rankin Bass, needs to get the full treatment. Well, all except for Tiny’s BIG Adventure. It’s not that the cartoon short starring the diminutive elf is bad, it’s just not essential. There’s a reason why it’s the only one not on Disney+.

Operation: Secret Santa felt like a little treat for fans of Prep & Landing when it landed in 2009, but Naughty vs. Nice is the true sequel to the original special. It’s maybe not the very next Christmas for our heroes Wayne (Dave Foley) and Lanny (Derek Richardson), but it is another Christmas that sees them sort of on the job. As was the case with Operation: Secret Santa, Lanny and Wayne won’t be asked to actually prep a house in this one. Instead, they’re tasked with saving Christmas from another threat, the dreaded jinglesmell1337! Yeah, it ups the stakes as sequels often do. In the first one, Wayne had to realize the value of his job and preserve Christmas for just one little boy. In this one, the villain threatens to take down the entire Santa Naughty and Nice list grid throwing the entire operation into pure chaos. The kind of chaos that not even Santa can solve quickly putting the entire holiday in jeopardy. Look what technology has done to Christmas!

Like the original, Naughty vs. Nice was essentially created to give the ABC network a Christmas special it could turn to year after year. And since it was the second half hour length cartoon in the series, it gave the network a solid hour of programming it would return to year in and year out. With the creation of Disney+, that network timeslot has probably lost some value, but it still aired this year back on December 10. Apologies for not getting to this one sooner in case you were hoping to go and watch it after this, but at least you still have streaming options.

The coal elves were mentioned in the original special, but now we get to see them in action.

This one begins like the previous one with a licensed Christmas song. This time it’s “Santa Claus is Comin’ to Town” as performed by Bing Crosby and The Andrews Sisters over scenes of an idyllic Christmas town. We move into a home and the camera settles on a fireplace with stockings hung with care about it. Then the music cuts out as a puff of black smoke filles the area and out comes The Coal Brigade! We saw a brief glimpse of the Coal Elves in the first special, but they weren’t elaborated on. Not that any was really needed. They were dirty and covered in soot and one could surmise these guys were in charge of delivering coal to the bad kids.

You don’t want to find one of these in your stocking.

As the elves emerge from the fireplace, one cocks his “gun” like a break-action shotgun, though it more resembles a gatling gun made out of roman candles. The other elf takes out his “fruitcake,” a little handheld device from which the elves communicate and document. They spy a drawing on the wall with crayons on the floor around it and the way the shot is framed it’s like they’re two crime scene investigators coming upon a corpse. Wayne’s voice fills our ears explaining the nature of these two as they spy other elements of naughty behavior including a broken lamp and a bad report card. They document everything and then send it back to HQ via a satellite in space. An elf there reviews the findings and confirms the naughty behavior. A supervisor elf then does the same to check it twice. A naughty rating is then relayed back to the elves via the fruitcake and they print out a ribbon that says “Try harder next year.” It’s affixed to a lump of coal and loaded into a gun which is then fired into one of the stockings.

Casey Jones? As a Storm Trooper?

As the elves make their way for the fireplace, they’re intercepted from behind by a masked figure. It’s clearly a child based on their stature sporting a “Not Storm Trooper” mask and towel for a robe. The child activates a toy, robotic, dog which comes running down the hallway at the elves. The elf with the gun unloads on the dog, but it does nothing since their ammo appears to match the sleep grenade we’ve seen the elves use and a robotic dog isn’t going to succumb to that. They scramble to get back up the chimney as the dog bites at them eventually escaping. However, our assailant pats the dog on the head and it opens its jaw to reveal the fruitcake! The child laughs in a distorted voice for it seems that was the goal all along.

Magee is back to coordinate another Christmas and her tree is still dead.

We are taken to the North Pole and a message on the screen alerts us that it is December 22nd, the following year. Magee (Sarah Chalke) is in her office coordinating the lead-up to Christmas and giving Tiny her order for what I assume is eggnog. She grabs the phone to place a call to Mr. Thistleton (Chris Parnell), the elf we saw in the prior scene checking the list twice. He appears to be the head tech elf when it comes to the Naughty and Nice list and coordinating of presents. Magee requests he deliver some good news “baby,” and he responds by calling her “baby” too, but catches himself and immediately seems regretful about it. Hey man, Magee created the hostile work environment first by calling you baby so don’t feel bad about returning with the same.

This kid is up to something. Something very naughty.

Thistleton does, however, have some good news to relay. It’s looking like this year will produce a record number of names on The Nice List and as he explains we see old pal Timmy Twerlep on said list. He’s getting a football. We also get a glimpse at the assembly line for toy production, though it’s mostly gift wrapping. They have conveyor belts of stuff and tubes to suck up the finished product and deposit them in a massive sack already loaded onto Santa’s sleigh. Suddenly, an image in red flashes across the monitor of one of the elves. The image is unmistakably the child we saw in the opening scene, mask and all, and for a moment the assembly line shuts down. It then resumes operation and the elves mostly shrug it off, all except Thistleton. He has the image on every monitor in front of him seemingly preserved as he narrows his gaze and remarks that someone is being very naughty.

Wayne is out doing some Christmas shopping for his favorite elf: himself.

Smash cut to old pal Wayne who appears to be driving a snow mobile while saying he’s been very nice this year. It’s a demo for a new model of snow mobile called a Natalé and it would seem that Wayne intends to get himself a rather expensive Christmas present this year. As he disembarks the floor model, Lanny (Derek Richardson) enters the showroom with his arms full of gifts. Lanny has been out shopping for others while Wayne is shopping for himself. I’m sure there will be no comeuppance later for such selfish behavior. Lanny gets slammed in the automatic door and doesn’t appear to have the wherewithal to just step out of it as he asks Wayne if he wants to come trim the tree with his family. Wayne tells Lanny that this shiny new Natalé is all the family he needs. He even asks the sales elf if he can remove the passenger seat. I guess he no longer has the same girlfriend he had in the prior special.

A Christmas ornament shaped gondola – makes sense.

Lanny’s fruitcake then flashes a dire sign: Cranberry Red. He holds it up to Wayne who springs into action ordering the sales elf not to sell the snow mobile as he’ll be right back. We cut to the pair on a gondola as we hear Magee apologizing for pulling them away from their holiday shopping spree. The gondola is basically a Christmas ornament and inside is like a mobile command center. Thistleton is appearing via hologram while Tiny drives. He informs the pair that someone has acquired a fruitcake conduct calculator and is attempting to hack the Naughty List, which they obviously cannot have. The person is known only by their online handle: jinglesmell1337. Lanny seems particularly taken aback by the image of the perp and their disgusting handle. Thistleton tries to humble brag following the disclosure of this information, but Magee ends transmission. Wayne then attempts to cut to the chase as he’s got this figured out: the big guy wants THE Prep & Landing elf to infiltrate the home of jinglesmell1337 and retrieve the stolen fruitcake. He announces that he will indeed undertake this mission, but Magee has some apparent bad news for him. She relays that the big guy does indeed want he and Lanny to get this item back, but also that he thinks they need the help of someone with expertise in the field of naughty children. In other words: a coal elf.

Either Lanny has a big thirst or the bartender is thirsty for Lanny.

Magee drops the two off in the Coal District and slips in a quick apology towards Wayne before ordering Tiny to floor it. Lanny thinks working with a coal elf is going to be pretty tinsel while Wayne doesn’t see the point. We then head into a coal elf bar. A more rock n’ roll type of song about naughty children (“Naughty Naughty Children (Better Start Actin’ Nice)” by Grace Potter) is played against a backdrop of coal elves shooting pool, tossing axes, and riding a mechanical bull. Because they’re covered in soot, the animation team can get away with making the bar cloudy and smoke-filled like a bar occupied by a bunch of cigar-chomping miscreants. At the bar, Wayne notes that their so-called expert is fifteen minutes late as the bartender delivers their drinks: hot chocolate. Wayne receives a pretty standard sized mug with a single marshmallow while Lanny receives an oversized one with several marshmallows and even some candy canes. He says “Thank you, sir!” as the bartender slides a piece of paper his way. It says Carol and there’s a phone number. Lanny then feels embarrassed as he realizes he just called a woman “Sir” and we finally pan to the bartender who is indeed a rather large, muscled, female elf. She seems unbothered by the slip-up and gives the elf a wink and moves along leaving Lanny to feel rather embarrassed. I say go for it, man.

Wayne, who very much wanted out of Prep & Landing in the first special, is now enjoys being the big shot of the department.

Wayne then looks to his left and sees an old coal elf (the credits would seem to suggest that this is Crumbles, voiced by Phil LaMarr) reading a newspaper. The headline is “Who Will be Elf of the Year?” and Wayne has no inhibition about offering up to the fella that he will be named Elf of the Year. The old guy puts down the paper and appears transfixed as Wayne confirms that he’s THE Prep & Landing guy. The elf has apparently heard of him, but mistakenly calls him Dwayne. He calls out to the other elves that Dwayne from preps and landing is in their presence and that he’s going to be Elf of the Year! Wayne basks in the attention modestly remarking how he’s here to save Christmas and all that while also remarking that their so-called expert is late.

Here’s an elf who knows how to party!

He’s interrupted by the sound of a novelty car horn as we hear an engine being revved. A voice cries out “Jingle Bam!” as a snow mobile comes barging into the bar in a cloud of coal dust. A large, rowdy, coal elf with big sideburns emerges from the snow mobile firing off finger guns to the adoration of all in the bar. He quickly apologizes to Carol for the mess, who shrugs it off indicating that she’s unbothered by his entrance. By the bar, Wayne looks horrified while Lanny is excited as he suspects this is their expert. Wayne just says “Noel” as this elf explains how he just dropped some serious coin on a brand, new, Natalé – it’s a turbo! Lanny notes it’s a lot like the one Wayne was going to buy, but he just says “Noel” again with disbelief. The elf explains that the dealer had another buyer, but he was able to sweet talk him into letting him take it. He then announces that he’s here to save Christmas and repeats his “Jingle Bam!” catchphrase again. The old coal elf then calls attention to Dwayne since he said he was going to do the same. Noel takes one look at “Dwayne” and calls him by his real name, Wayne, but the old elf corrects him and adds “No one ever listens to me.” Noel then orders Wayne to come and dispense with some hugging, but when Wayne doesn’t move Noel tackles him and puts him in a headlock. Through a collapsing wind pipe, Wayne is able to croak out an explanation to Lanny: this is Noel, his little brother.

Ooo, are we going to get some fireworks between these two?!

Lanny is understandably shocked to hear that Wayne has a brother as we next catch up with the trio at headquarters. Noel is in a good mood and happy to be finally teaming up with his big brother, who is in fact much smaller in stature than the coal elf, but Wayne does not seem to share in his brother’s enthusiasm. As they approach the hangar where Thrasher (Hayes MacArthur) resides, Wayne warns his brother that the secret reindeer can be pretty irritable and that it’s best he just doesn’t say anything. When he catches a glimpse of Thrasher, Noel’s face hardens. He marches over to him shouting out “Hey! Bambi! I told you if I ever saw you again I’d put your head on my wall!” Thrasher responds with a snort at him and a threat, but when Noel whips out a box of candy canes, the two erupt with laughter. It would seem they’re old friends making Noel one of the few creatures Thrasher actually likes. He does not feel the same way about Wayne.

Aww, kid Wayne and Noel were so adorable!

As the crew heads for their target, Noel is teaching Lanny how to properly utter a “Jingle Bam!” of his own. He’s having some trouble, but Noel encourages him to keep at it. He then takes a seat by Wayne who is reading a brochure for snow mobiles since he needs to find a new one. Noel informs Lanny that he was Wayne’s original partner, though not in Prep & Landing. We see a flashback of Wayne and Noel playing superheroes as kids. Wayne was Captain Avalanche and Noel was his sidekick Snowball. The flashback is shown like an old 8mm film and it’s a nice effect as we see the two playing to Noel’s narration. He then brings up a toy associated with the product, the Commander Avalanche Super Sled, and how Wayne wanted it so bad, but that Peterson kid (Peterson was also the elf who got the promotion Wayne wanted in the first Prep & Landing) got it instead. Wayne was enjoying the flashback until Noel got to that part and he especially doesn’t like Noel bringing up how he cried like a baby when he didn’t get that toy. Noel sighs wistfully as he says “My big brother, the big baby.”

Okay, this guy might be a little nuts.

Wayne angrily hops off the bench and reminds everyone that they have a mission to do. He asks Thrasher over the intercom how soon until they hit the drop zone, but Thrasher just snaps back, “Do not question me, Wayne! I tell you when we’re over the drop zone!” He then kindly informs Noel that they’re over the drop zone, much to Wayne’s annoyance. He even tosses in some words of encouragement about saving Christmas to old Noel. Wayne then summons Lanny for an equipment check, but Noel interrupts him to say the only thing they need is his big, freakin’, gun. Lanny is impressed with the weapon as Noel chuckles about the two still using parachutes. He then saunters over to the exit, and with a “Jingle Bam!”, jumps out. Wayne angrily removes his hat which contains his parachute and hands it to Lanny as he follows his brother. The two head for land, but as Noel lands on his feet with relative ease, we see Wayne completely miss the roof. Crashing sounds and a car alarm are heard as Lanny comes into frame safely via his parachute.

Noel is packing some serious heat.

It’s time to enter the belly of the beast, as Noel calls it. It must be he that extinguishes the flames of the fireplace for a large plume of smoke emerges before we see Noel and Lanny enter. Noel cautions Lanny that this is a dangerous mission and that one of them might die. He matter-of-factly states “Probably you,” which unnerves Lanny even more. Wayne then pops up between them stretching and cracking his back following that tremendous fall from Thrasher. He tells Noel to stop being dramatic and for the pair to follow his lead saying “Stealth is my middle name.” Lanny whispers to Noel “I thought it was Frances,” who nods in acknowledgement. Wayne then creeps over towards the tree and calls attention to an ornament on the floor. Standing beside it, he says that Noel would have stepped on it and blown their cover, but as he picks it up to put it back on the tree Noel cries out for him to stop!

Wayne, in his attempt to show up his brother, is just sloppy.

That’s because the ornament is connected via string to an iPod dock. Yes, this is from 2011 when an iPod dock could be found in many living rooms across the country. It activates and we get another lively, licensed, Christmas song (“Nuttin’ for Christmas” performed by Plain White T’s) which is sure to alert the residents in this house that someone is lurking downstairs. A quick cut to a teddy bear placed on a staircase with a glowing red light suggests a camera is in place. We then cut quickly to jinglesmell1337 at their computer as further traps are unleashed. A dump truck full of ornaments pulls up beside the trio and unloads on them. Noel gives the order to run and to “Serpentine! Serpentine!” as toys from the hallway fire Nerf-style darts. They reach the stairs with Noel and Wayne seemingly unscathed, but poor Lanny is loaded with darts.

It’s like the mini boss of the mission, the dreaded Hop With Me Bunny!

We cut back to jinglesmell1337 as they handle a video game controller. As the brothers reach the top of the stairs, they’re met by a purple, stuffed, bunny with a voice like Elmo. Hop With Me Bunny (Kevin Deters) is just a toy that hops in place and Wayne thinks he’s up to the task. He runs at the doll, but it drop kicks him back into Noel and Lanny. Noel announces that he’s got this, much to the annoyance of brother Wayne. He tackles the toy and puts it in a headlock. Wayne, ever defiant and determined to prove he’s as tough as his brother, tries to join in, but the rabbit kicks him again. Noel then pins it to the floor and with a mighty yell reaches into the beast’s chest to rip out its heart! I mean battery pack. The bar, gunplay, and now this apparent Mortal Kombat style fatality are all possible thanks to creative use of coal, sleep aids, and toys. Wholesome Disney is marketing violence to your kids, parents.

Lanny is doing his best, but I don’t think he’s cut out for these type of missions.

While this melee is taking place, Lanny decides to go for the fruit cake. We see him nervously darting and rolling towards the lair of jinglesmell1337. The kid is seen just sitting in front of their PC as Lanny removes the pin from a sleep grenade and nervously approaches. He spins the chair around and the head of the kid rolls off and to the floor. Lanny thinks he killed the naughty kid, and in his moment of panic basically forgets that he’s holding a live grenade. It goes off with a puff of sparkles in his face as Wayne and Noel come running down the hall. The bedroom door slams shut trapping Lanny inside as he tries to fight off the effects of the grenade. He rises to his feet as a figure approaches. He asks “Jingle Smell?” and the child emerges from the shadows. It’s a girl sporting a pink Disney Princess sweatshirt and a sour expression. Lanny can only look at her say, “but you’re so adorable!” before he passes out.

Behold! Jinglesmell1337!

After an act break, we find Lanny stuck to the wall being held in place by adhesive give tags. We’re also properly introduced to Grace Goodwin aka jinglesmell1337. Grace (Emily Alyn Lind) wants the password to the fruitcake so she can take her name off the Naughty List, but Lanny isn’t going to be too cooperative. He’s also loopy from the sleep grenade which essentially means he’s drunk. He’s coherent enough to question why he would ever help a kid remove themself from the Naughty List which is when Grace reveals him: Gabriel. Gabriel is her little brother and he’s revealed by her opening a door to his room where he slumbers peacefully in his crib. A connecting door between two kid rooms is rather unusual, but it works for the reveal. Grace says that ever since he was born, she’s essentially been getting blamed for his naughty, toddler, behavior. She details how he destroyed her favorite plush and I guess we’re to assume he’s responsible for the writing on the wall, busted lamp, etc. I’m not sure that we can totally blame the poor grades on the little guy, but maybe that alone isn’t enough to land Grace on the dreaded Naughty List.

Not a cameo I was expecting.

As Grace details her arguments towards Gabriel, Wayne and Noel can be seen lurking in the ductwork above. We also see some of Gabriel’s actions via a cutaway which includes a scene of Grace waiting to see Santa at a mall. A misbehaving Gabriel causes her mother to pull her away before she gets her turn and behind her is a clear reference to A Christmas Story of Ralphie waiting in-line to see Santa and that weird kid in the pilot gear is staring uncomfortably at him. Grace adds that no one notices her ever since her brother was born nearly two years ago (in case you were thinking he wasn’t the cause of her landing on the Naughty List the prior year) and she really needs Lanny’s help to get the password to allow her to access the fruitcake. Unfortunately, Lanny tells her that what he needs is a pizza! Dismayed she turns to her computer, but Lanny then suggests that maybe all she needs to do is say the magic word.

Umm, mission failed?

Grace giddily races to the computer and enters “Please” as the password and is instantly granted access to the fruitcake. She changes her entry on the Naughty List and does a celebratory dance in response. Noel, who has now moved under the bed amongst some stuffed animals, warns us that we don’t want to see what happens next as he basically cocks his gun while Wayne begins his descent from the ventilation – and gets his hat stuck in the grate. As the change is uploaded to the network, we see quick cuts of the satellite and Thistleton as things start beeping and a red image of Grace in costume appears on a screen. This is not good.

Do you even know how to use that thing, Wayne?

Noel decides to make his move as he army crawls across the floor. Unfortunately, he’s spotted by Lanny who calls out to him, “Noel! We’re getting pizza!” Grace then whirls around to see the elf, but Wayne intercepts Noel and yanks his gun from his hands. Declaring this is his mission, Wayne attempts to fire at Grace while Noel cries out a warning, and with good reason. Not only does Wayne miss, but the recoil of the gun sends him flying backwards where he lands in a tackle box full of makeup and has the lid shut on him. Noel then lunges for the fruitcake, but Grace does as well. They fight over it with one grabbing the fruitcake and the other the cable it’s connected to. It ends up getting sent soaring through the air where it smashes through a window to land down in the street. Grace may have been able to blame a lot of naughty stuff on her baby brother, but that broken window is pretty much all on her.

Don’t worry everybody, Noel has saved the day!

Noel springs into action as Wayne calls for him to stop. He tells his brother not to worry, he’ll get the fruitcake. He jumps out of the window and sees the device in the middle of the street. Unfortunately, a snowplow is heading right for it. Noel steals himself and makes a run for it deftly avoiding the plow and snatching up the fruitcake all in one motion. He then places a call to Magee to inform her mission accomplished, they have the fruitcake. She is, of course, delighted and even tells Noel he’s likely to win Elf of the Year for this! She’s interrupted by an emergency call from Thistleton and has to disconnect, but Noel is left feeling pretty good about himself.

Noel has picked up on his brother’s hostility towards him so he isn’t as dense as you might think.

An individual who is not feeling too good right now is Wayne who has followed his brother and is shown staring at his little brother from the sidewalk. When Noel announces to him that Magee said he’s likely to get Elf of the Year is when Wayne seems to feel totally deflated. He seems almost numb as he makes sarcastic quips as he slams his head into a nearby trash barrel causing a pile of snow to fall on him. Noel then finally asks his brother if he’s all right indicating that he’s been getting kind of a vibe from him so he’s not completely oblivious to his older brother’s hostility.

That is not the look of someone happy to see their brother.

From beneath the pile of snow, we see Wayne’s eyes laser-focused on his brother. He shakes the snow off and, despite the obvious cold, he’s steaming like a tea kettle. He starts yelling at Noel and throwing snowballs at him about how his problem is, and has always been, Noel. He accuses him of showing him up all of the time as he chases after him. Noel, to this credit, doesn’t stand his ground even though he could probably wipe the floor with Wayne. He apologizes for “Dolores” and swears he never knew there was mistletoe there. Wayne is apparently still mad about this so-called Dolores, but also the mission, the turbo, and pretty much everything. Grace comes running outside to witness the last of Wayne’s volley. As Noel tries to appeal to him by saying how great it is they got to go on this special mission together, Wayne reveals that he not only didn’t want to have Noel along for this, but he also wishes he never had a brother!

Words hurt, Wayne. Words hurt.

That one cuts deep. Noel stops running and lets the snowballs strike him harmlessly as he stares up at his brother from the street as he’s perched on a car. He has a serious expression his face, one we haven’t seen on the jolly elf yet, and tells Wayne he knows he didn’t mean that as he finally fires a snowball in retaliation. The blast of snow knocks Wayne off the car and to the ground as Wayne tells his brother to tell him he didn’t mean what he said. Wayne says nothing as he dusts himself off and won’t even look at his brother his face still simmering with rage. Noel’s face softens to one of hurt as he details that he always looked up to Wayne and thought of him as a hero, until now. The writers even slip a joke into this otherwise weighty moment by having Noel mention that Wayne taught him how to write his name in the snow. I don’t think we needed that, let the moment be.

I hope you didn’t forget about the sled, because Wayne sure didn’t.

Wayne still doesn’t turn around as Noel produces a gift from behind his back. Where he was concealing it no one really knows. He tosses it at Wayne’s feet with a half-hearted “Merry Christmas.” The box opens and out falls the Captain Avalanche Super Sled. No wonder why Noel mentioned it during their transport, he needed to get his brother fired up to finally get one. Wayne picks it up with awe and looks it over. It’s just as awesome as he remembered it. Now, it’s Noel’s turn to turn his back on his brother as he gathers up his hat. Wayne says the sled is even better than he remembered and adds that Captain Avalanche was nothing without Snowball – never have been, never will be. Noel stares a dagger over his should to quip “You got that right,” seemingly expecting more. Wayne then apologizes and somewhat sheepishly says “Jingle Bam?” Noel turns around with a smile, returns the “Jingle Bam!,” and pulls Wayne in for a great, big, bearhug.

There’s no more time for family drama, they need to get that device to that tower or Christmas is ruined!

Grace has been watching the whole time and a look of relief crosses her face to see the brothers makeup. Behind her, Lanny has apparently broken free to stumble out the front door asking if the pizza is here yet. Grace’s parents must be very heavy sleepers. Wayne gets a jingle in his earpiece and answers with a “Hello, beautiful,” so these elves really need a crash course in workplace etiquette from HR. It’s Magee, naturally, and they have a crisis. She asks if Wayne is in possession of the fruitcake and he indicates that he is. Something is wrong though as they now have a glitch in the system that is placing every child in the world on the Naughty List! Thistleton indicates it’s an issue originating from the fruitcake, but he can’t seem to interface with it. That would be because the antenna is broken. Thistleton instructs Wayne that he needs to basically find a new antenna, but not just any antenna, the most powerful antenna he can source. The elves are dumbfounded when they hear this, but the still drunken Lanny happily points out a giant antenna on a nearby building. Perfect!

These elves have abandoned all notions of stealth at this point.

Grace, who understands this is all her fault and would like to make amends, begins rewiring the fruitcake so that it can accept the new antenna. As the crew races over to the building, we see Lanny is riding in Grace’s backpack. As she finishes what she’s doing, she tosses the device to Wayne and also apologizes for being so naughty. Wayne just encourages her to always be her brother’s hero while Lanny tries to insist that he’s coming with them, only to suddenly pass out. At headquarters, the Naughty List has consumed about 75% of the world’s children and it’s climbing. The implication here is that if it hits 100% there’s somehow no way to undo it because we need some real stakes here, people.

Spider elves, spider elves…

Wayne and Noel race up a tree outside the building and use a cable attached to the building like a zipline. Now they’re actually working together in a functional manner with Wayne using his silly, curled, elf shoes as the zipline handle and Noel grabbing onto his hands. When they reach the side of the building they’re met by a series of lighted snowflakes which have been mounted to the side of it. Noel notes it looks like the lair of Professor Permafrost prompting Wayne to toss him one of those candy cane grapnel launchers with a “Race you to the top, Snowball!” The two elves move with lightning speed up the obstacles like Spider-Man, but a new obstacle awaits them at the top.

Jingle Bam!

When they reach a landing the pair is met by grating above them that they can’t simply scale. There’s also some high voltage warnings indicating that they might not want to go any further even if they could. Noel asks Wayne what they’re to do now, but Wayne has an idea: the Captain Avalanche Super Sled! With it’s suction cup grappling hook and zipline action, they can shoot it through the grating with the fruitcake attached! Wayne then wisely hands the sled to his brother noting that he’s the better shot. Problem is, Noel can’t get a clear view of the tower because of the grating and some flags. Wayne, with Magee chirping in his ear, has one final solution: holiday hug. He tackles his brother off the landing and activates his parachute. The parachute allows the pair to float above the grating clearing the way for Noel to fire the Super Sled at the antenna and activate the zipline feature to bring the fruitcake where it needs to be. Parachutes don’t really work that way, but maybe there was some giant fan below them that wasn’t shown?

And not a speck of mistletoe in sight.

With the fruitcake in position it’s able to sync with the computer at the North Pole. Almost instantly, the Naughty List comes down replaced with a record number of Nice List occupants. Maybe this even worked out for some kids who were supposed to be on the Naughty List? A celebration breaks out up at the North Pole and Magee is so overjoyed that she plants a wet one on Thistleton. This is a full blown HR crisis at this point. Wayne and Noel celebrate as well and a crisis would appear to be averted.

Love your siblings, folks. That’s the message here.

We’re then shown a clip of Christmas morning. Grace, who did not make the Naughty List, receives a brand new Miss Whiskers, her favorite toy her brother destroyed. She’s so happy that she even hugs the little guy and wishes him a merry Christmas. We’re shown this via Santa’s magic snow globe as the big guy is here to put a bow on this thing. The moral of this story is that family is everything. Wayne thanks Santa (W. Morgan Sheppard) for pairing them up with Noel adding it was the best Christmas present ever. Santa then notes the time, 4:30, and how they don’t want to be late.

Oh good, I’m so relieved they got to share the award. Nice dress, Magee.

And what don’t they want to be late for? Why, the Elf of the Year presentation! And wouldn’t you know, the award is being shared this year by both Wayne and Noel. Lanny and Magee are there to celebrate with them as the pair triumphantly hold up their award. The credits then enter with Crumbles, the old elf, looking at the newspaper about it still insisting that Wayne’s name is actually Dwayne. Carol is also present and she reprises the song from earlier seemingly revealing that she is the vocalist of this group? Good for her.

Carol apparently has a set of pipes to go with those biceps.

And that’s the end! A kid mistakenly placed on the Naughty List finds her way onto the Nice List while Wayne the elf learns to appreciate his family above things, glory, and so on. Noel gets celebrated as co-Elf of the Year and demonstrates he’s a very forgiving elf while Lanny is basically just along for the ride. Naughty vs. Nice has a lot of the elements that made the original Prep & Landing so much fun. We get sneaky, super specialized elves who have to overcome personal problems for the greater good. There’s a race against time and Christmas is in jeopardy, but it all works out in the end.

It’s just that Naughty vs. Nice is a bit messy compared with the first special. How is Santa’s Naughty and Nice system so bad that kids are getting blamed for the misdeeds of a baby sibling? That seems like quite a flaw in the system that would impact a lot of children, not just Grace. She also went about addressing her problem in a pretty naughty manner that I guess is just forgiven since she ends up helping Wayne and Noel solve the problem she created, in response to a problem caused by Santa, which was caused by her brother. It’s certainly a thing.

Wayne really didn’t deserve his brother’s forgiveness.

Where this special really doesn’t work as well for me as the original is with Wayne. In the first Prep & Landing, Wayne basically flirts with the Naughty List himself. He maintains some sympathy though in doing so because he feels overlooked and unappreciated. Again, a problem caused by the top of the North Pole hierarchy. What’s that big man do all year? In this one, Wayne is just plain hostile towards his loving, adoring, brother out of pure jealousy. Even before Noel enters the picture, Wayne can be seen downplaying the importance of family and overinflating his own ego with boasts of winning Elf of the Year and being THE Prep & Landing guy. He’s a total dick not just to Noel, but to Lanny who he completely dismisses. And as for Lanny, the special basically treats him the same. He’s basically sidelined in this one. Sure, he gets a couple of funny lines and basically gets to be drunk, but he should be pretty pissed with Wayne too and he gets nothing.

Basically what I’m saying is that Naughty vs. Nice has an unlikable protagonist. We went from moments of frustration with Wayne in the first special to outright detesting him here. He’s basically the villain and he gets off easy. He gets the present he’s always wanted, the award he coveted, and all he had to do was say “I’m sorry.” Noel would have been justified in refusing that apology and maybe he should have? Wayne should not have been rewarded with Elf of the Year. I think it would have been a much better arch for him if he was forced to humbly congratulate Noel for receiving the honor.

Poor Lanny had a tough time in this one. Hopefully the new special is a better experience for him.

In spite of all of that, is Naughty vs. Nice worth a watch? Yes, it’s still entertaining, just a bit frustrating. I think it really needed one more pass by a script doctor or someone who had been separated from the pre-production process who would have recognized that Wayne was awful and needed refinement. It’s similar to the original Toy Story which had to do the same thing with the Woody character when it was realized that he was far too villainous initially and needed refinement. I can excuse the sidelining of Lanny because there’s only so much room in a 23 minute cartoon, but the Wayne character is a tough pill to swallow. There’s still a relatively fun story here and the action is well done. There’s humor, and Michael Giacchino’s score is as excellent as ever. It’s just not as enjoyable an experience as the original Prep & Landing.

If you would like to view this or the first one, Disney+ is the easiest way to do so. The specials are also likely being shown on Freeform if you have cable and may even still have an airing scheduled this late in the game. The special was also released on DVD and Blu Ray with the first one and isn’t terrible expensive should you wish to go that route. And if you love these characters then be on the lookout for a brand new Prep & Landing coming in 2025. I honestly thought the franchise was dead when Disney+ was launched without the promise of a new one, but I’m happy to see it’s going to continue. Hopefully, the next one let’s Lanny do something.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 22 – Future-Worm! – “Lost in the Mall”

I realize we just did a Christmas post the other day set in a mall, but at least this one is actually set at Christmas! And we’re pivoting from Nicktoons to Disney toons (which surprisingly don’t have their own fun branding) with the short-lived cartoon Future-Worm! I’ll be honest, before doing this post I had…

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Dec. 22 – Santabear’s High Flying Adventure

As we’ve maneuvered through the countdown for 2022 the theme of The Christmas Tape has stayed strong. And today, I am going down a rabbit hole because of that tape. If you read the first entry this year, you may recall I talked about a Cinnamon Toast Crunch commercial that contained a contest for kids…

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Dec. 21 – TaleSpin – “Jolly Molly Christmas”

Original air date December 20, 1990.

Kids who did a lot of their growing up in the 90s likely have fond memories of The Disney Afternoon. There were a lot of programs competing for eyeballs in the weekday afternoon timeslot and Disney put forth a pretty compelling block of animation, even though the actual launch wasn’t that exciting. It included two series that had already been on television for sometime: DuckTales and Chip ‘n Dale: Rescue Rangers. Both shows were already in the weekday afternoon timeslot, but Disney wanted to market an entire two hour block so they took those shows, paired them with an even older show in Adventures of the Gummi Bears and added a new show: TaleSpin.

TaleSpin was my least favorite of all the Disney Afternoon shows. I usually checked out when it came on. It’s possible that it conflicted with the airing of another show I would have rather watched (like Teenage Mutant Ninja Turtles or The Real Ghostbusters), or maybe I just plain wasn’t interested despite my enjoyment of the other programs in the block. I was aware of, and had seen, the Disney adaptation of The Jungle Book, but it wasn’t a favorite of mine. I didn’t have much of a frame of reference for Scrooge McDuck going into DuckTales, and I just plain liked the characters of Chip and Dale, so those two shows were easy sells for me. The lazy and irresponsible Baloo is now the pilot or a cargo plane? That just seemed too out there for me. And it certainly didn’t help matters that I did not like the introductory theme song. DuckTales and Rescue Rangers have absolute bangers of intro songs, as did Adventures of the Gummi Bears, but that call and response setup of TaleSpin just didn’t do anything for me. I usually didn’t make it past that.

I can accept giant turtles wielding swords but I draw the line at Baloo the pilot.

With the benefit of time, I can look at TaleSpin as just a really bizarre concept. It’s basically The Jungle Book plus Tales of the Gold Monkey plus Cheers with a dash of Casablanca. That is a bananas setup for an afternoon cartoon series aimed at kids. I watched some of Cheers as a kid with my parents, but I never made the connection despite the TaleSpin character of Rebecca (Sally Struthers) being an almost exact duplicate of the character of the same name on Cheers. I also probably didn’t watch enough TaleSpin to make that connection, but that is one crazy pull. Does that eclectic mix all add up to something that works? I can’t say since I haven’t dived into TaleSpin as an adult, but there are plenty of people whose opinion I respect that go to bat for the series.

Ironically, my love of Christmas didn’t extend to the original Disney Afternoon shows that I actually watched. Of the four, only TaleSpin dedicated an episode to Christmas. These were all shows designed to be direct-to-syndication for a weekday slot. Programmers don’t really like holiday episodes because they have to schedule around them since most networks don’t want a Christmas episode popping up in June. I think that’s largely the reason why those shows didn’t address the holiday despite Scrooge McDuck first debuting in a Christmas comic. That attitude would wane though starting with TaleSpin as several Disney Afternoon shows would do a Christmas episode. Perhaps someone saw the appeal of being able to sell a block of cartoons that could also be seasonal? Kids like holiday episodes, for the most part. I know it would get my attention when a network would advertise a bunch of Halloween or Christmas episodes coming my way. And when one show in the programming didn’t follow the theme (snow episodes do not count as Christmas episodes, people) it would bother me. Usually, it was my beloved X-Men that wouldn’t join in on the fun, but even that show gave-in eventually.

Rebecca would like to see it snow for Christmas, but all it ever does is rain in Cape Suzette.

After the opening song that I still don’t care for, I’m surprised to see an honest to goodness title card for this episode. I have no idea if that’s a regular thing, but I applaud any show that invests in title cards for its episodes. When it fades, we’re treated to images of a snow-covered little town. Rebecca is speaking over the images about her memories of Christmas choosing to really zero-in on said snow. We zoom out and realize she’s been staring into a snow globe while holding her daughter, Molly (Janna Michaels). Rebecca wishes it would snow for Christmas for that’s what she misses most about the holiday. Presumably, she grew up in a part of the world where it snowed regularly. Molly suggests there’s still time for snow as they observe the pouring rain outside, but Rebecca kind of laughs off the suggestion noting that it never snows in Cape Suzette. I think they’re located somewhere in the Caribbean where it has quite possibly never snowed period.

Rather than simply replace the candy cane, Baloo decides to enchant young Molly with a story about a Peppermint Fairy. It’s going to backfire in spectacular fashion.

Rebecca has to leave and basically tells everyone to be on their best behavior since Santa’s watching, and all that stuff. Baloo (Ed Gilbert) chuckles and agrees to be good or whatever. A pet peeve of mine is cartoon characters who chuckle and laugh as part of their line delivery for no good reason. Someone decided that Baloo needed to sound extra jolly or something. Nearby, Wildcat (Pat Fraley) is decorating a Christmas tree and Baloo compliments him on his work as he fires an ornament from a slingshot onto the tree. Molly hops up and begins working on a letter to Santa Claus, which we find out from Kit Cloudkicker (R.J. Williams) is actually her second letter for Santa. I have to believe this one is about what her mom wants for Christmas, but as she’s working on it Kit is bouncing around on a pogo stick stringing some garland on the tree and making everything bounce. Molly’s candy cane rolls off the desk and shatters on the floor, drawing a sad reaction from the little cub. Baloo comes over to inspect the mess and share some good news: if Molly puts part of the candy cane under her pillow tonight, the Peppermint Fairy will replace it with a new candy cane! Molly seems dubious, but Baloo insists she’s the cousin of the Tooth Fairy or something. Molly accepts this as true and takes off while Baloo ties a little string around his finger so he doesn’t forget to make the switch later.

Panic has set in for Baloo forgot he was supposed to play a fairy the night before.

The sound of a rooster would seem to indicate morning has come. Baloo and Kit appear to have passed out in front of the television, but are awoken by a panicked Rebecca who comes racing down the stairs. Apparently, the store where she bought a gift for Molly for Christmas gave her the wrong item and she needs to get there and exchange it in time for Christmas (it’s Christmas Eve). Baloo is pretty groggy as he takes his marching orders which are to keep an eye on Molly and to make sure a shipment of soap gets loaded onto the cargo plane. When Rebecca races off, Baloo notices the string on his finger and immediately it dawns on him that he forgot to make the switch. He starts panicking and kind of does a Humphrey Bear impression in the process as he moves back and forth desperate for a candy cane. There just so happens to be two on a wreath directly behind him and he grabs one in hope that he isn’t too late. Assuming that candy cane is real and not plastic, that thing probably has pine needles stuck all over it. I don’t think Molly will be too impressed.

Not only has Baloo destroyed the child’s belief in fairies, but also in Santa Claus as well!

Baloo, rather loudly, exclaims he has a candy cane and runs upstairs to Molly’s room. Then, the big oaf decides to be quiet as he listens for any sounds coming from inside the room. Hearing nothing, he creeps in and we see Molly asleep in her bed with a portion of the broken candy cane peeking out from under her pillow. As Baloo gently reaches in to make the swap, Molly’s eye pops open and she asks, “Did the Peppermint Fairy forget something?” Baloo recoils with a sheepish grin and tries to come up with an explanation, but he can’t get much out as Molly accuses him of lying to a kid! The worst crime of all. She then draws a connection between the Peppermint Fairy and Santa Claus. If the Peppermint Fairy isn’t real, then all of that Santa stuff Baloo told her must be bologna! Wildcat interjects to say Santa hates bologna, but no one seems to be paying attention to him. Baloo tries to recover and insists that there is a Santa Claus, and not only is he real, he’s going to take Molly to see him at the North Pole so she can hand deliver her new letter! As he makes these vows, we see Kit wincing in pain indicating he knows that what Baloo is promising is impossible. Baloo tells the kid to get her coat and then leaves the room whispering under his breath how they need to pull this off before Rebecca gets back. Kit asks him what he’s doing, but Baloo just runs down the stairs and insists he has a plan.

Louie may no longer be a king, but he seems to be doing well for himself.

We then cut to Louie’s Place. It’s basically a giant bar built into a massive tree which is run by the former King Louie (Jim Cummings) from The Jungle Book. I don’t know if he was a king at any point in time in the show, but he seems to have a lot of monkey hirelings so he might as well be. As for how he can get away with running a bar in a kid’s show, I’m guessing it’s referred to as a juice bar. We even see him taking a phone call and stuffing a bunch of fruit into a blender, I suppose making his breakfast. Maybe it’s for punch and we just don’t see him add the rum? At any rate, it’s quite clear that the person on the other end of this conversation is Baloo, and he needs Louie’s help to pull this whole Santa thing off. And Louie is an integral part to the scheme as he shouts “You want me to dress up as who?!” as the blender basically explodes juice all over him. Get ready for Louie Claus, I guess.

Poor Wildcat gets left behind. He just wants to see Santa too.

Back on Cape Suzette, Baloo and the others are getting ready to leave for “The North Pole.” This means that Wildcat doesn’t get to load the cargo of soap flakes onto the plane like he’s expected to. As Baloo and the others run by knocking him over, he calls back to them and his voice actor, Pat Fraley’s, Krang voice sneaks out which sounds really funny to me (he voices the alien brain in the original Teenage Mutant Ninja Turtles cartoon). Poor Wildcat would like to go with them, but Baloo and the others basically ignore him after he crashes through a crate of soap. They take off, leaving Wildcat to beg for them to bring him along from the end of the dock to no avail. Molly would like it to snow, Wildcat has a shipment of soap flakes…I think I see how these two things will fit together.

Louie really went all out here.

Baloo takes the kid and Kit to Louie’s Place, which now is all decked out for Christmas with a sign indicating it’s now Santa’s Place. Not that any of this is needed for Baloo has decided to blindfold Molly and she’s just going along with it for some reason. I have no idea if she’s ever been to Louie’s Place, doesn’t seem like the kind of place a kid should frequent, but it shows up a lot in the show and this is episode 43 or something. An attendant answers the door sort of like the guy from the Emerald City in The Wizard of Oz. It’s a monkey dressed as an elf, and he promptly lets Baloo and the kids in. Once inside, Baloo removes the blindfold and Molly looks around. These monkeys have done a good job decorating the place and have even thrown together a work shop where they appear to actually be making toys. Louie must have owed Baloo some favor. Molly even sees antlers passing by a window and assumes they belong to reindeer, but it’s just a monkey with a lone horn Max style running by the window over and over.

If I didn’t know any better I’d say he seems to enjoy playing Santa.

Kit then encourages Molly to listen for he hears the sound of jingle bells. There’s a commotion by the fireplace and soon a body drops in. It’s Santa Claus! Only, it’s Louie in a Santa suit with black sunglasses. He saunters over to the gang singing like he normally would which prompts Baloo to whisper to him “Ix-nay on the ive-jay!” You can’t take the soul out of this orangatang, Baloo! He’s a different kind of Santa. He does his best to tone down his personality and puts Molly in his chair and whips out his list. Finding “Molly” on it, he insists she’s going to get everything she wanted! He’s got a sack full of all kinds of stuff and starts listing it off as he goes through it all assuming whatever she wants must be in there. She may like some of that stuff, but it mostly appears to be instruments from the bar so that expectation may have been dubious, at best.

Louie didn’t have to go through with the trouble of making toys out of bar wares, she just wanted to give him a letter.

Molly, of course, doesn’t want any of that. She just wants to deliver her letter. Louie finally stops yapping and takes a seat with Molly on his lap ready to scope out this letter of hers. I guess up until now, Baloo and Kit hadn’t noticed that Molly’s wish was for snow to make her mother happy so when Waldo (uncredited, could be Richard Karron) reads the letter out loud spelling out her wish Louie can do nothing except tell her that her wish is his command! Louie then excuses himself to have a chat with a shocked Baloo. He tells him he was asked to play Santa, not Jack Frost! How are they going to pull that off? In a backroom, Baloo tells Louie he just needs to keep up the Santa ruse for a little while longer so he can put Molly’s wish into action. Louie is quite reluctant and is also worried about his customers who are bound to show up eventually. Baloo just tells him to invite them into this little game and sing Christmas carols to entertain the kid while he and Kit take off. Louie reluctantly goes along with Baloo’s suggestion and returns to Molly instructing the other monkey-elves to sing “Jingle Bells.”

Not your typical holly, jolly, bunch.

Baloo and Kit make for the plane and take off to the sound of monkeys singing “Jingle Bells.” Elsewhere, some other folks lurking in a cave are singing the same song, but far worse. It’s the crew of Don Karnage (Cummings), the pirate wolf, and he’s none too happy with his crew for keeping him awake. The only ones credited as speaking are Mad Dog (Charlie Adler) and Dumptruck (Chuck McCann). They’re in a dank cave around a Charlie Brown style tree and looking rather miserable. Karnage, one of the chief villains of the show who speaks with something akin to an Eastern European accent, decides to give his men what they want. They’re pirates, so why not head out and steal their own Merry Christmas? The crew likes this idea as they all make for their planes.

I think Baloo may have a date for under the mistletoe.

Back on Cape Suzette, Rebecca has returned carrying a lot more than the nutcracker she was supposedly on the hunt for. She has a stack of presents so high she can’t even see where she’s going, and her cab driver decided he must hate tips since he doesn’t offer to help. Once she’s able to look past the pile of gifts, Rebecca is pretty surprised to see Wildcat all by himself on the dock with the crates of soap flakes and no seaplane. She asks him where everyone is and, through sobs, Wildcat explains that Baloo took Molly to the North Pole without him! He’s also apparently been trying to get Molly’s snow globe to work and is having a hard time. He’s not a very bright cat. The seaplane then returns and Baloo and Kit race off of it and onto the dock to grab a couple of crates of soap flakes. As they do, they say “Hi!” to Rebecca, then “Bye!” to Rebecca, then finally stop as if they just realized who they were talking to. She’s a bit pissed, but once Kit explains that Baloo is trying to make Molly’s Christmas wish comes true she softens immediately and flashes some rather hungry eyes the big bear’s way (play your cards right, Baloo, and you just might have a very merry Christmas yourself), but there’s no time to bask in Rebecca’s affection. It’s started to rain and Baloo can see his plan going all up in…suds.

The bar flies have arrived and they’re not happy about being denied their booze.

Back at Santa’s, I mean, Louie’s, “Jingle Bells” has apparently been going on for quite some time. Don’t they know more Christmas songs? Worse, the regulars have shown up and they don’t like being left out in the rain. They’re pretty ornery, but Waldo isn’t letting them in. These guys definitely all have the look of alcoholics who need to get their Christmas buzz going on. This show is more like Cheers than I realized. Inside, Louie looks tired and bored as he conducts this deteriorating performance until Molly interrupts him. She politely asks if he’s going to make it snow soon and he can do nothing except answer in the affirmative and hope Baloo comes through.

This doesn’t look good.

A voice comes over a nearby CB radio. It’s Baloo calling for “Santa” as he pilots the seaplane to Louie’s. Louie is relieved to hear him, though I’m curious how they expect to pull this off in the rain. Unfortunately for them though, Don Karnage and his band of pirates are also sailing these unfriendly skies and overhear their conversation. Karnage thinks Baloo is transporting something special by the sound of the conversation and he intends to steal it. Unfortunately for him, it’s just soap. Louie tells Molly to get ready for some snow and as the two share a hug Don Karnage moves in!

Disney allows its villains to fire actual bullets. Take that, Spider-Man!

Baloo gives the order to stand ready to Rebecca and Wildcat who open up two boxes of soap flakes in preparation. I guess they’re just going to go through with this idea and hope it looks like snow even in the driving rain, though this seems rather foolish. Could lead to a fun suds rave at Louie’s though! Before they can start dispensing with the soap, bullets rip through the hull of the SeaDuck. Rebecca and Wildcat are able to duck just in the nick of time to avoid getting their heads ripped apart. I’m a little surprised that this show was able to arm its villains with actual machine guns. Maybe there’s something quaint about the weapons originating from old school airplanes? Looney Tunes had dogfighting in its cartoons and even Snoopy mimed it in Peanuts cartoons. I guess it’s just one of those things deemed acceptable when it came to children’s cartoons, but don’t even think about arming Bebop and Rocksteady with realistic shotguns! Or, this is just Disney doing whatever it wants and no network is going to tell the House of Mouse what to do.

This “I love it,” delivery is so over-the-top both vocally and as animation that I too love it.

Don Karnage announces himself over the radio to Baloo who ordinarily is not happy to run afoul of pirates when doing deliveries, but is really unhappy here since this is messing up his whole plan. Don Karnage does offer Baloo a way out: give him the cargo and he won’t shoot him down. Baloo does not dignify that with a response as Rebecca makes her way into the cockpit to tell “Don Garbage” (hah, nice one!) that this plane is carrying a present for her daughter and he can’t have it! Karnage indicates that there’s a price on her head, I’m not sure if he means Rebecca or Molly, and reasons that this will be like taking candy cane from a baby. Then, in true, silly, villain, fashion he shouts “I love that!” with an overexaggerated smile. The animation here is pretty fluid and is by Wang Film Productions, not the best animation studio to work on the show, but a solid one.

Oh no! Bubbles!

The pirates continue to rip through the hull of the SeaDuck, but somehow it stays aloft. There’s even one shot where the bullets seem to go right through the propellers but the only damage reflected are holes in the hull, which don’t seem to bother the plane one bit. Kit informs Baloo that they have no chance of outrunning the pirates in this storm, but Baloo has no intention of running. He tells the crew to give Karnage and his boys what they want. Rebecca, Kit, and Wildcat all dump a crate of soap flakes out of the cargo bay door. As they do, each one shouts “Merry Christmas” because we have to stay on brand here. Karnage is at first excited to see the doors open, but then is less so when a bunch of bubbles start blowing in his face. Impossibly, these bubbles cause all of the airplanes the pirates are piloting to malfunction. Don’t ask me how, they just do. They all plummet from the sky to crash in the sea below. No one appears harmed, or even bewildered, Karnage just looks pissed as his plane begins to sink. His associates, on the other hand, are delighted by the bubbles and even refer to it as snow. They’re not too bright. They’re also sinking, possibly to their demise (but probably not).

These guys have a serious drinking problem.

Aboard the SeaDuck, Baloo asks if they were able to save any soap for Molly. Wildcat proudly holds up one box, but then realizes it’s basically empty. Baloo mutters “Now, what are we going to do?” as their plane flies through the sudsy skies with ease. Back at Louie’s, the monkeys have seemingly regained their vigor and are putting on an at least passable performance of “Jingle Bells.” Louis is seated on a stage with Molly on his knee as he assures her she’ll get her wish any minute now. He also promises it will be so white she’ll be able to clean her clothes with it, which is true, as far as he knows. Waldo then wanders over to direct Louie’s attention to the front door. Despite a board being laid across it, the door is swelling with banging from the other side. The patrons are beyond restless, they need their booze, and they break down the door!

Aww geez, you guys went and made the kid cry!

When the drunks come barging in they’re surprised to see everyone in costume, especially Louie. One of the guys immediately addresses him by his actual name, and even though he’s trying to get them to shut it, it’s to no avail. Molly has heard, and seen, that this Santa is not he. Her eyes begin to well up with tears as the patrons laugh at the sight of Louie in a Santa suit. They pull off his beard for added affect and we see Molly’s point-of-view as her eyes dart from the various, unsettling, sights. Eventually, she jumps up and runs to Louie and it looks like she’s giving him a hug, but really she just wanted to pull her letter from the imposter’s pocket. She then runs off as Louie calls out to her, but she slips away. He can do nothing but turn around and ask the patrons, “Now, what did you guys go and do that for?”

No, Molly! Don’t lose your faith in Christmas!

Molly runs down to the beach and up a cliffside to a bluff overlooking the sea. She’s in tears, and still in her pajamas from the morning, and clutching her letter to Santa. The rain has at least stopped, but it’s dark and as she ascends to the top of the cliffside she looks down at her letter. Calling it a lie, she tosses it down to the sea then collapses at the base of a tree to sob. Meanwhile, the letter gets caught by the wind and we see it nearly hit the water before soaring high into the air. Almost like a Santa Claus moon-shot, it passes by a full moon and disappears into who knows where?

This whole setting is really reminding me of the intro to The New Adventures of Winnie the Pooh.

Molly is soon awakened by the calls of her mother. She rises to her feet, and to her credit, she’s not upset about the whole Santa thing being ruined for her, she’s just sad she doesn’t have a gift for her mom. We then see Rebecca, Baloo, Kit, Wildcat, and Louie come up the hill to find Molly bathed in moonlight. She’s just staring at the sky as her mom approaches her and wraps her in her coat and fusses over her wellbeing like a mother should. Then she realizes her daughter is transfixed by something. She asks her what’s going on, and Molly just whispers “I saw him!”

I wonder what’s going to happen next…

Rebecca looks up to the sky and is soon joined by Baloo. Both are acting like they see something, but in the quick shots of the sky we’re treated to, we just see stars. The camera focuses on the sky until a single snowflake flutters down and lands on Rebecca’s nose. Louie remarks, “crazy,” because he apparently has to always be doing something. The snow starts to fall a little heavier and Kit catches one on his tongue while Wildcat seems to hardly notice because he thinks he got the snow globe working. They’re all in awe as Louie approaches Baloo. He quietly asks how he pulled this off and Baloo confirms he didn’t. When Louie inquires who did, he can only say “If I told you, you wouldn’t believe me.” Rebecca scoops up Molly in her arms and Molly looks directly in the camera and softly says “I would.” Her mom gives her a smile and Molly says “Merry Christmas, mom.” The camera zooms way out to show Cape Suzette covered in a blanket of snow as the episode fades to black.

And here comes the snow!

I started this post off saying that, as a kid, I didn’t much care for TaleSpin, but I enjoyed this. Maybe I’d enjoy more episode of TaleSpin, or maybe this is just Christmas working its magic on me? There aren’t any surprises in this one. Once the plot is in motion it’s pretty easy to guess where the story is going to take us. It’s almost like the main plot of Miracle on 34th Street condensed into a 23 minute cartoon about bears and jungle animals. Molly is disillusioned and Baloo sets out to prove to her that Santa Claus is real, only she has a mostly impossible ask of the would-be Santa Claus. The only difference is that Louie is not, in fact, Santa and instead he just kind of comes in at the last second to deus ex machina this thing, and it’s okay! Santa has such powers and could do stuff like that. I like that we don’t actually see him (even though I’m wondering what Santa in this world looks like, and if DuckTales (2017) would have stuck with the look) and we just see the awe struck faces of the protagonists. It’s enough.

“I would.”

The animation in this one is quite good with some very nice character work. Louie and his monkey minions are rather emotive and I really feel a cohesive approach to the material with other Disney Afternoon works, especially Adventures of the Gummi Bears. Molly practically looks like an unused design from that show at times and the work done with her when she realizes that Louie isn’t who he said he is was fantastic. My heart broke for her, even if I knew it was coming. And I really liked that the carefree Louie was shown to be pretty broken up by it too. He was too sad for Molly to really get mad at the bar flies, though they could have handled that whole situation better. Just tell them if they want to come in and drink they need to sing Christmas tunes for the kid – no problem!

The animators did a great job translating Molly’s heartbreak during this sequence.

I may not have covered all of the Disney Afternoon Christmas episodes in this space, but I think I have seen them all. And of them all, to my surprise, TaleSpin might be the most enjoyable. It’s between this and the Goof Troop one. That one tries a little too hard to tug on the heart strings where as this episode is pretty simple and effective at doing so. Even though I knew it was coming, I still got a little teary eyed when Molly ran off into the night because it was handled well. The whole diversion with Don Karnage was a brief bit of comedy, for the most part, that tried to be a little suspenseful. It mostly existed just to make sure Baloo failed to deliver on Molly’s wish himself, though I think the soap flakes rapidly turning into suds might have accomplished that too, but at least we spared Baloo the embarrassment.

Merry Christmas had by all.

If you want to check out this episode of TaleSpin before the holidays come and go then the easiest way to do so is via Disney+. There you will find it as the 43rd episode of the series. The show was also released on DVD if you prefer to go physical. I can’t vouch for the series as a whole, and I still think it’s theme song is mid, but this is a damn fine Christmas episode that I enjoyed quite a bit.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 21 – RoboCop: Alpha Commando – “Oh Tannenbaum Whoa Tannenbaum!”

It’s been said that the 80s were pretty wild, and it’s not much of an exaggeration. At least where children’s media is concerned. After years of the government getting involved in what was okay to broadcast to children, the Reagan administration basically said “Eh, kids deserve to have everything and anything marketed towards them.” There…

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Dec. 21 – A Muppet Family Christmas

This year we’re celebrating two things at The Christmas Spot. Well, 3 things if you count Christmas by itself, which I suppose you should. Every fifth day, we’re celebrating the best of the best which is why yesterday was A Charlie Brown Christmas. If you read the feature on December 1st for this year, then…

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Dec. 21 – Count Duckula – “A Christmas Quacker”

In the 1980s, Nickelodeon didn’t have a lot of animated content. That’s probably surprising for today’s adolescents, but that’s how the network was in the old days. That was due in large part to the network first prioritizing educational content, and then wanting to make sure whatever it aired couldn’t be found on another channel.…

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Dec. 11 – Mickey’s Good Deed (1932)

Original release December 17, 1932.

This year we’re doing not one, but two classic Mickey Mouse shorts set at Christmas time. The first one, Mickey’s Orphans, was a cartoon I had failed to mention years ago when doing a scattershot look at Mickey-related Christmas specials. Today’s subject, Mickey’s Good Deed, was mentioned in that post and is the second Mickey Mouse Christmas cartoon released just a year after Mickey’s Orphans. In that it’s fascinating to see how much the look of the shorts has changed in just a short time. The animation is sharper and Mickey’s features are more rounded making him resemble the corporate overlord he would become. It’s also still in black and white as Mickey’s first color toon was still years away though a colorized version has been released for those who just can’t bare to watch a cartoon devoid of color.

Mickey’s Good Deed has some additional notoriety attached to it. When Disney started releasing its Walt Disney Treasures line in the early 2000s, it wanted to make sure it included all of the short form cartoons that spanned a given era. The problem there is that some cartoons have not aged particularly well when it comes to what is acceptable and what is not. The Donald Duck World War II era shorts are the most famous and most obvious of these as they depict Japanese men with yellow skin and offensive accents. Disney’s solution for its more controversial material was to place them in “The Vault,” which just meant they were sectioned off on the DVDs with a mandatory video explanation from film critic and historian Leonard Maltin. And sure, it’s a little annoying for the adult collector that might have preferred to just watch all of the shorts in chronological order, but in the grand scheme it’s not a big deal. Kids like these cartoons too and if a parent doesn’t want them to see it then that’s fine.

Why do I bring up the subject of this virtual vault? Because today’s subject exists in that very vault on Mickey Mouse in Black and White Volume II. It’s a bit crazy to think of the Mickey Mouse of today doing anything controversial, but he’s had his dances in the past. And with this cartoon the issue that landed Mickey in the vault is a fairly common one for this era: black face. Just look at any of the old cartoon shorts featured here at The Christmas Spot and, more often than not, there’s a black face joke in them. From a modern perspective it’s pretty nuts how prevalent it was with Christmas cartoons and they’re almost all found with toys. On the other hand, this particular instance is almost comical to the point where I didn’t even notice it on first viewing. I had to watch the cartoon again and really pay attention to some of the details. I won’t make you do the same. And I suppose it goes without saying, but just in case, I’m using the original 1932 release in black and white. The colorized version is fine as far as that type of thing goes. It’s not the worst I’ve seen, but it still looks unnatural. Black and white is beautiful too, folks.

Depression era Mickey is not the rich, corporate overlord he is today.

The cartoon begins with Mickey (Walt Disney) playing his cello with his dog Pluto (Pinto Colvig) on a snowy, city, street. There’s a Christmas tree in the background among the subtly lit homes, though the streets are surprisingly absent of life. Mickey is playing “Oh Come, All Ye Faithful” on his cello and soon the streets show some signs of life with horse-drawn sleds zooming by in the distance and people passing by on the sidewalk who appear to be finishing up some Christmas shopping. As they walk past Mickey, they flip a coin into a tin cup Mickey has at his feet. Pluto howls along to the melody pausing to chew on his own ass which causes a flea to get tossed into the snow. Pluto resumes his “singing” while the flea eagerly jumps back into the warmth of Pluto’s fur.

Who is out there stiffing Mickey Mouse?!

Mickey, apparently content with his haul, stops his playing and shakes the cup enthusiastically to excite his dog. They march off to a nearby restaurant and the pair gaze inside at the food on display. Pluto barks his approval at Mickey’s intended purchase, but when Mickey dumps the contents of the cup into his hand he finds nothing but nuts and bolts. He angrily tosses the worthless scraps in the snow and drags his cello behind him as he walks off. Pluto starts to follow, then turns around and returns to the restaurant to lick the window. There appears to be a large ham behind the glass that Pluto is dreaming of enjoying.

Get ready to hate a child!

If it wasn’t clear yet that Mickey is poor in this short, it’s driven a home a little more when we see him turn and face the window of a home. His shorts feature a patch on the back, a telltale sign of a poor character in a cartoon, and the ends of his shorts are little rough looking too. It’s clear Mickey needs to keep performing in order to earn money enough to eat. Mickey looks inside a large home, and then turns around with a smile as he resumes playing the cello with Pluto at his side. Inside the house, we see a wealthy pig (I mean that literally) who is trying to entertain his kid (Disney) with toys, but the kid just keeps crying. The house looks massive with a big central staircase and a large Christmas tree. A butler stands nearby ready to assist his employer with whatever he needs.

Rich people always think they can get their way with a little cash and a little violence.

The guy (Colvig) and the butler (uncredited, but I assume it’s Pinto Colvig) keep handing toys to the little swine who just keeps howling. Apparently, nothing will satisfy him. Nothing, that is, until a sound gets the kid to jump on his feet and run to the window. Outside, he hears Pluto barking and upon seeing the dog declares that he wants it. He immediately goes into a tantrum and his father grabs a wad of cash from his pocket, slams it in the palm of his servant, and demands him to get that dog! The butler does as he’s told and exits the home and calls for Mickey. Mickey, thinking he’s in some sort of trouble, immediately stops playing and goes into a run. The butler chases after him trying to tell him he just wants to buy his dog. Mickey yells back that the dog is his pal and he’s not for sale. The butler, likely knowing that rich guys don’t take “No” for an answer, grabs Mickey by the tail and continues chasing him thinking that this will surely get the mouse to sell his best friend. Pluto helps out his pal by biting the butler on the ass forcing him to let go of Mickey and allowing the two to escape.

A devastating development for a poor street performer.

As Mickey and Pluto share a smile, they hit an icy patch in the road. It looks more like a frozen pond and it causes both to drop to their rears and slide across the ice. Mickey loses his grip on his cello which slides off the ice and into another street where a horse drawn sleigh is there to crush it. Mickey races over to inspect what remains of what was likely his most prized possession as some kids from the sleigh (also pigs) shout a “Merry Christmas!” Read the room, kids.

A far more accurate vision on Christmas than sugar plums.

Mickey barely has time to mourn the loss of his cello as the sound of a woman weeping gets his attention. In a nearby shack, a mother cat (Marcellite Garner) has her head buried in her arms at a kitchen table as she sobs. On the wall is a picture of a cat in jail with the word “Father” below it. The breadbox is empty and crawling with vermin while a fish that’s entirely bones swims circles in a bowl. On the fireplace, there hangs 12 mostly ratty looking stockings and a “Deer (sic) Santa” pinned to the mantle. Above the mantle is a calendar alerting us that it’s Christmas Eve. The camera continues to pan and we see a bed full of nine sleeping kittens. Above them, images of Santa play above. He appears to be a human and his sleigh contains just four reindeer.

What’s a poor mouse to do when confronted with such a sad sight?

Outside, we find Mickey who has witnessed this sorry state. He too is crying and Pluto looks pretty sad as well. He knows that there’s no Christmas morning coming to these kids, at least not the one they’re dreaming of, but what can a poor mouse do about it? One look at Pluto and a smile returns to his face. He grabs the dog and takes off down the street. Oh no, Mickey, don’t do it! Don’t sell your dog to the rich pig with the spoiled son! He’s your best pal! And you would just be helping out a family of cats – your mortal enemies!

Mickey, your heart is in the right place, but don’t sell your best friend!

Despite my pleading, Mickey does just that. He rings the bell at the rich pig’s house and the butler answers the door. Before he does, Mickey gives Pluto a kiss on the nose and then tells the butler he’s willing to sell provided he gives his dog a good home. The butler enthusiastically hands over a few bucks. Mickey then looks at his dog with sadness in his eyes, he starts to tell him “Good bye,” and moves in for a hug, but the butler snatches the dog before he can and slams the door in Mickey’s face causing a bunch of snow to fall off the roof and bury the mouse. He pops his head out and immediately smiles at the fistful of dollars he now possesses and races off.

Don’t fall for it, Pluto, that kid is evil!

Inside, Pluto is introduced to his new master. The little pig is excited for the dog and gestures for him to come close, only when Pluto does the kid wallops him on the head with a mallet. The little shit laughs and then smacks the likely concussed dog in the face with the same mallet causing him to roll backwards. Pluto winds up on some toy train tracks with his head clearly still spinning for the double shot inflicted upon him by the little pig. Laughing, the twerp walks over and switches on the train which crashes into Pluto’s rear causing him to jump. It’s a fairly sizable train which just keeps on truckin’ forcing Pluto to run from it. If you’re thinking the kid’s dad is going to step in and discipline his son well you would be wrong. We instead see him cheerfully shake the hand of the butler for now that the little porker has a doggy to abuse he’ll presumably no longer annoy them.

That little balloon poking out of the top of this stuff is the reason for the controversy. What little there is.

We then cut back to Mickey who is walking through the streets with his arms overburdened by boxes and decorations, including a fully decorated Christmas tree. Emerging from the top of the pile is a single balloon and it would appear to be the reason why this cartoon landed in the dreaded vault. It’s a round balloon that appears to be a blackface design with little, curly, bits emerging from the top for hair. It’s not the most obvious blackface gag I’ve seen in a cartoon. Actually, it’s probably the least obvious. Some of that is due to it being in black and white. If the nose weren’t black one could maybe convince themself it’s a clown, but it is what it is. And if you’re wondering, it’s presented exactly the same way in the colorized version.

I hope you’re prepared for this amount of children, Mickey.

Mickey takes his bundle of gifts and such to the dilapidated little shack. Inside, the mother cat is still at the table crying seemingly resigned to the fact that her kids aren’t waking up to toys and food on Christmas. Mickey, dressed in a Santa hat and false beard, slyly opens the door to the dwelling and quietly drags his bundle into the home. He creeps over to the bed and lifts the covers to find a whole lot more kittens underneath than previously thought. He doesn’t seem dismayed about it as he’s still smiling that trademarked Mickey smile.

Animators back then just loved Jimmy Durante.

Mickey lays the blanket back down and creeps over to the fireplace. Along the way he kicks a little duck toy which quacks and he has to stifle the sound quickly. He steps on the tail of some weird cat creature toy that squeaks which gets Mickey to jump a little and drop the duck toy. He puts a toy cow in a stocking which lets out a moo and it’s clear these kids are heavy sleepers. Or their mom cries really loud and often and they’re used to sleeping through that. A toy doll cries out “Mama” while a Jack-in-the-box pops out to reveal a caricature of comedian Jimmy Durante who gives a “Ha cha cha cha” as Mickey tries to stifle it. Durante got around during this era.

It’s party time, kids!

There’s a pan back over to the kittens and they’re somehow still sleeping. Mickey’s eyes are on them as he creeps away, but naturally slips once again on another toy and crashes into the wall causing a bunch of pots and pans to land on his head. He scrambles out the front door and turns to look through the window as the kittens jump out of bed. They gleefully start playing with their toys and Mickey looks on with a smile. They mostly seem to be playing with the toys as intended with only one appearing to be mildly destructive with a drum. Meanwhile, back at the rich pig house, Pluto is raising Hell because the little brat (I’m assuming) has tied a bunch of stuff to his tail causing him to rampage through the house. On his tail is a whole, roast, turkey, a kettle, fork, and some other stuff I can’t quite identify. The kid is on a counter throwing whatever he can find at the dog while the father stands off to the side with a scowl on his face as he’s clearly lost control of this situation.

I think this is going to hurt the kid more than the father, honestly.

The kid grabs an entire bowl of fruit and hurls it at his dad’s face knocking him to the ground. Pluto beats it into the living room where the butler is standing on a ladder and placing an ornament at the top of the tree. It’s not a star, one of those gaudy, pointy, tree toppers that probably has a proper name, but I don’t know it. Pluto runs by though and knocks the guy off the ladder while the kid picks up a massive cake and lobs it at his father. He’s a pretty good shot as he nails the elder pig in the face and has a good laugh. He then sets his sights on the dog again while Pluto retreats to the top of the tree. The kid grabs some garland and yanks on it, but it causes the tree to rebound and send Pluto flying into the father pig along with the decorations from the tree. The aforementioned pointy tree topper finds its way into the pig’s rather large rear end which has to hurt. He angrily jumps up and orders the butler to throw the dog out. The butler does as he’s told, while the kid starts screaming “I want doggy!” The father pig has had enough though and grabs his son and lays him over a knee and starts wailing on his bare ass. The butler stands by approvingly. Maybe this is part of the reason why this cartoon landed in the vault?

Pluto enjoying the sounds of capital punishment.

Pluto, in a snowbank outside, pops his head out and hears the cries and slapping sounds coming from inside. He smiles and laughs clearly enjoying this display of child abuse. He doesn’t have time to relish in the child’s agony though as he starts sniffing the snow-covered ground clearly in search of his best friend. His sniffing takes him right into a curb though and the poor dog whacks his head again. He’s going to have some permanent damage.

A sad, beautiful, shot of Mickey Mouse.

We cut to Mickey sitting by a fire in the cold snow roasting a sausage on a stick. He must have saved a little money for some food, but he doesn’t look happy. On the other side of the fire, a snow Pluto sits as a reminder of the friend he’s missing. Mickey looks positively miserable, and I suppose he should considering it’s Christmas, he’s alone, and has no home. Pluto’s nose leads him to his pal and he burrows into the snow to climb the hill to where Mickey sits. Mickey pulls his hot dog from the fire to take a bite, then holds it out to the snow Pluto as if to offer it a bite as well. At the same time, Pluto emerges from the snow popping out of the snow effigy of himself and gleefully takes a massive bite of the hot dog. The music quickly shifts from somber to jaunty as Mickey cries out “Pluto!” and the dog leaps into his arms. If you were worried about Mickey going hungry after Pluto ate the rest of his sausage, worry not, for Pluto still has a whole turkey tied to his tail. Mickey sees the turkey and scoops it up. He rips a drumstick off and hands it to his best friend who gobbles it up bone and all while Mickey takes a bite out of the rest of the bird. He says “Merry Christmas, Pluto!” who barks in return, though there’s no audio for his bark so it’s kind of weird.

At least Mickey is not alone (or hungry) for very long.

And that’s the end! A bummer we ended on an audio hiccup like that, but at least it’s a happy moment. I don’t know how I feel about his one. Mickey does do a good deed by helping to give some poor kittens a happy Christmas. They get a lot of toys, but they definitely need some food. I guess we can assume Mickey included some food among those packages too. At least, I hope he did. It’s more of the cost of the deed that I take issue with. Selling your dog, your only companion, just to buy toys for some kids? It’s noble, but shortsighted. I guess we can reason it that by selling Pluto to a rich pig Mickey thinks he’s doing right by his pal. He has a hard enough time providing for himself, let alone a dog too. Maybe it’s the responsible choice to give the dog a good home. After all, he has no idea how terrible that home will turn out to be for Pluto.

Enjoy that meal, fellas, because who knows when you’ll be having another?

The other aspect of this short that’s a downer is thinking about what’s next for Mickey and Pluto. They have no money, no home, and no cello to make money with. Sure, they have a turkey, but that’s only going to last so long. I guess Mickey has that Santa hat and beard still so he can sell it, but there’s probably not much of a market for that on December 25th. I guess the simple solution here is to not think about what would come next. And as a Christmas short, it’s fine. I just think the feel good aspect of Mickey’s good deed is undermined by the tragedy of him having to sell Pluto to make that deed happen. It all worked out in the end way better than Mickey could have predicted, but the ride to get there doesn’t work that well. Perhaps because this was released during the Great Depression, the studio couldn’t make it too syrupy. They apparently wanted to keep this semi-realistic by not having a mythical being like Santa Claus provide for these kids. He doesn’t exist in this cartoon. I guess it’s bad for the kids of 1932, but perhaps more era appropriate as delivered.

At least visually I think this short still holds up. There’s plenty of good character animation as this one goes more for that than outright gags. It’s actually short on those and they’re mostly limited to Mickey and the toys. None of the gags are memorable and there’s not really a laugh out loud moment. There’s satisfying moments with the most satisfying being perhaps the spoiled kid getting spanked. I’m not ashamed to admit I enjoyed seeing that kid get what was coming to him even if I’d never strike a child myself. Maybe a more elegant form of comeuppance could have befallen the kid that wasn’t so direct. The climactic embrace between Mickey and Pluto is probably as equally satisfying. It’s an embrace I’ve seen countless times as it was featured as a clip in the NBC broadcast of Mickey’s Christmas Carol back in the 80s. I think this was the last cartoon from that broadcast featured in clip form that I had to track down. It was a mission of mine once upon a time to see all of the cartoons featured there so mission accomplished.

Mickey’s Good Deed is not a Christmas classic, but it is a better Christmas cartoon than Mickey’s Orphans. As a short form, it gets a recommend from me just because it doesn’t require much of an investment in time and I enjoy the visuals. The snow, especially, looks so cold and appropriately miserable. There’s no real cozy moments to be found, instead this one is just harsh. The warm confines of the rich guy’s house are juxtaposed with chaos and animal cruelty making them anything but cozy. And if you want to watch this cartoon you can easily do so via YouTube. Disney is not protective of its classic shorts, especially those in black and white that will never be added to Disney+, so you have options. Even the colorized version can be found easily enough. If you prefer to go legitimate, it is on the set Mickey Mouse In Black and White Volume II, but that’s probably not cheap since it’s been out of print for about 20 years now. It was also released on VHS way back in 1986 on Jiminy Cricket’s Christmas and the colorized version was released on DVD in 2005 as part of Holiday Celebration with Mickey & Pals collection. That last one is not a bad collection of shorts, but few of them are actually Christmas cartoons. And it too is long out of print, but if you’re a collector of classic cartoons, it might be worth owning just to have the colorized version of this cartoon even if it doesn’t look as good. And if you like Mickey, be sure to keep coming back each day because we’re not done yet with the famous mouse this year!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 11 – Be Cool, Scooby-Doo! – “Scary Christmas”

I don’t think there’s much debate that the most popular and enduring character churned out by the Hanna-Barbera factory during its hey-day is none other than Scooby Doo. About the only franchise that even competes with the big dog is The Flintstones, which hasn’t been relevant for ages. Scoob has basically had an omnipresence ever…

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Dec. 11 – The Berenstain Bears’ Christmas Tree

When I was a kid growing up in the 80s The Berenstain Bears was a popular series of books that usually imparted a simple, clear, message. I seem to recall a fire safety book being a go-to in school for fire safety week and I know I got a copy of one about not eating…

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Dec. 11 – One Ham’s Family (1943)

Tex Avery is one of the most influential animators in cartoon history. Beginning his career at Universal, he would make the jump to Warner Bros. when he famously convinced producer Leon Schlesinger he was an animation director when he actually had little or no experience at such. While working under Schlesinger, Avery was influential in…

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Dec. 8 – Prep & Landing: Operation: Secret Santa

Original air date December 7, 2010.

Last year, Prep & Landing was given the prestigious slot at The Christmas Spot of Christmas Day. I try to reserve a really good special for the big day each year and Prep & Landing is one of the best. In fact, I have declared it the 9th best Christmas special of all-time. That’s no faint praise and I suppose that means it’s a good thing that Disney wasn’t content to make Lanny and Wayne, the Christmas Elves, one and done. The original special debuted in 2009 and hot on the heels of that was the short Operation: Secret Santa.

The first instance of Prep & Landing was produced as a half hour television special. It’s sequel was not. Coming in at a tidy 7 minutes, Operation: Secret Santa is more like a theatrical short than a television special. I don’t know why they took this approach. The sequel that’s actually a half hour special arrived in 2011 in Naughty vs Nice. Did they fast-track the shorter one to have something ready for 2010? Maybe, but a seven minute short still takes a lot of work and given the short window in which all of them were released (not to mention the other short, Tiny’s Big Adventure, which is even shorter than this one by a lot) it stands to reason that development was taking place concurrently. This special doesn’t require a lot of backgrounds or new assets and maybe Disney just figured they could combine it with one of their many other shorts of a similar length to fill out a half hour of television. Regardless, it was only an issue for one year as once Naughty vs Nice arrived in 2011 there was a reliable hour of television content for ABC pushing Operation: Secret Santa to physical media and digital.

In the first Prep & Landing, we were introduced to Wayne (Dave Foley) and new his partner Lanny (Derek Richardson). The two elves are part of the prep and landing team which is tasked with getting a house ready for Santa’s visit. Wayne was in a rut and not really feeling the job after 227 years, but by the end of the night he and Lanny basically save Christmas for one kid and it restores his faith in his job. In this short, the stakes are lower and there’s no real internal conflict. Wayne and Lanny are going to be put to a different task, but one that takes advantage of their skills. And the job is coming from an unlikely source.

You didn’t forget about Magee, did you?

The short begins with an image of a cozy fireplace at night in a very scenic home which is just used to display the title card. There’s no big intro or anything since this is a short one, or a “Stocking Stuffer,” as it’s branding would indicate. We’re then shown an exterior shot of Santa’s work shop at the North Pole while some text over the screen informs us that it’s December 21st like this is some episode of 24 or something (it was 2010). We soon find our leads, Lanny and Wayne, as they’re walking in a shadowy hallway and discussing a meeting through whispers. Lanny seems especially on edge, but both jump when Magee (Sarah Chalke) emerges from the shadows. She tersely informs them of their tardiness and quickly gets to the point. She is merely the facilitator of this meeting as it’s not with her, but someone else. Someone in a big sleigh, with a red coat, and white gloves.

Everybody is really on edge to start this one.

Magee rings a little bell and the robed one returns with the same. As Wayne and Lanny begin the long walk to the chair, Magee lets Wayne know that if he doesn’t come back from this she’s claiming his snowmobile. This is some heavy stuff! The two elves approach nervously likely anticipating a face-to-face with the big boss, Santa Claus, but are surprised to see who their real contact is: Mrs. Claus. It would seem their trepidation was unwarranted, as Mrs. Claus (Betty White) quickly shows us that she’s a kind woman and not someone to be feared. She gives the boys some hot chocolate and goes into why she summoned them. She needs to call upon their special skills to retrieve an item for her, an item that’s being kept in Santa’s own personal office.

I don’t need a fancy cookie to tell me that guy is asleep.

What do you do when Mrs. Claus requests a job of you? You do it, of course! Wayne and Lanny take the intel Mrs. Claus relayed and head out for Santa’s office. She let them know that he takes a nap everyday just before 3 o’clock so that’s their chance, but he only takes a very short one so the window is tight. As the two approach the chimney to Santa’s office, Lanny is clearly unnerved and unsure about this one. Wayne gives him a pep talk, the old stuff your worries in a hat bit (I thought it was a sack?) and the two begin their descent down the very long chimney. They go via cable with their night vision goggles on. At the bottom, they find a roaring fire which they quickly extinguish. Wayne can see that Santa is asleep at his desk and the two enter. Even though the room is very well lit, they still keep their goggles on. We get some nice espionage music from Michael Giacchino and the sequence is very reminiscent of the first special right down to Wayne using his gingerbread man device to note the lack of stirring creatures. The two start sneaking around and Lanny looks up at the clock which show it’s currently 2:45. The minute hand then jumps five minutes and the coocoo function engages!

Well this took a dark turn.

Santa (W. Morgan Sheppard) jumps from his desk as alert as if he had never been sleeping. Immediately, Lanny and Wayne are discovered. He picks up a sheet of parchment which contains the worst punishment imaginable: The Naughty List. Their names are jotted down, they’ll be on it forever, and Wayne can only faint in response. Santa shoves a lump of coal in Lanny’s hands, then his pants fall down for added shame. We cut quickly to Lanny getting kicked out the door and into the snow where he’s forced to take shelter in an igloo. Freezing and clutching his knees, it would seem there’s nothing left for hm to do except wait for the icy hand of death to claim him. That’s right, Lanny is doomed. Or not, as he quickly snaps out of it and we find out he’s just having a minor panic attack at the base of Santa’s desk.

I love these ceramic trees. I actually have a Disney one in my house, but it kind of sucks.

Wayne grabs his own head and sends Lanny a signal to resume putting his worries in his hat. Lanny just responds he thinks his hat is leaking. They move on and synchronize their watches to Santa’s clock. They have five minutes to pull this off. Wayne takes out the “doohicky” Mrs. Claus gave them which creates a 3D projection of a ceramic Christmas tree. There’s audio as well from the old gal informing them this is to be found on a shelf nearby. The elves locate it, but they have to lock it in position to advance further. Wayne is unsure of what to do, but he remarks he was never very good at trimming the tree which seems like a little motivational bait for Lanny to take. It works, as Lanny realizes that since it’s a tree it should be oriented so that the most festive side is facing out. He spins the tree parts into place and a soft click indicates that what he did was a success.

With how on edge these two have been this whole time I’m starting to wonder if they’re expecting to uncover some weird secret Santa sex dungeon.

The tree lights up and on Santa’s desk, a button emerges. It’s red and glowing – what do you do with a red and glowing button? You press it! Wayne and Lanny climb up onto the desk and push the button. The desk rumbles and shakes and the two elves do their best to hide amongst the clutter in case Santa wakes up, but the look of concern on their face suggests they know they’re boned should that happen. The floor opens beneath the desk and the whole thing descends down into the basement, or rather, Santa’s secret work shop.

Instead it’s more like Santa’s junk storage.

All fear of getting caught seems to melt away at the sight of the work shop. Some lights automatically flicker on and we can see some of Santa’s other wardrobe such as robes of green and a longer red. We hear the voice recording of Mrs. Claus in the ears of the elves explain the nature of this work shop, how it’s basically just a place for Santa to basically tinker and get some alone time. She also gets to try out some material as she warns the pair to watch out for a giant nutcracker. Naturally, Lanny bumps into it and Wayne has to help him keep it from falling over. Mrs. Claus goes on to explain it used to be in their foyer and she’d bump into it a lot suggesting it should have been called a hip-cracker. Her joke doesn’t get a response from Lanny or Wayne, better luck next time Mrs. C.

A little gift exchange is in order.

Mrs. Claus directs the boys to a pile of what she describes as “manly clutter.” The target, a small, ornate, box, is indeed amongst such clutter. It’s on top of a bunch of more conventional boxes with several more on top of it. Getting it out without making a sound is going to be like playing a game of Jenga, but apparently these elves are pretty good at Jenga. The two elves play Batman and fire off their grapnel guns into the ceiling. Then, both dangling by their belts, Wayne informs Lanny they’ll be using the Gift Exchange maneuver. Lanny seems enthusiastic as Wayne basically gives him a slap on the behind to get him swinging. As Lanny swings towards the clutter, he grabs a gift from the top. Wayne then swings in and pulls out the target. Lanny quickly swings in behind him and slots the box he grabbed into the spot vacated by the target. Piece of cake.

I thought about doing a suspended train or monorail in my kid’s room when he was little. Yeah, didn’t happen, but I bet it would have looked cool!

Or not. Unfortunately for Lanny, the force of shoving the replacement box into place caused the whole pile to shift slightly backwards. It contacts a switch which activates a toy train, the track for which is suspended from the ceiling. It’s pretty cool actually, but as Wayne congratulates Lanny on a task well done he’s struck by the train and knocked onto the top of it. Lanny snaps out of his momentary high and out from his wrist springs his mini saw. Normally, this is used for trimming a tree to accommodate presents under it, but now it’s used to slice the cable holding him from the ceiling. Lanny drops onto the track and chases after Wayne. Meanwhile, Wayne comes to after some momentary grogginess to see that the box they’re after is stuck in front of the train and is getting pushed down the tracks. A bend is coming up which is right in front of Santa’s desk. Wayne runs across the top of the train and jumps, too late. The box falls and Wayne soars through the air after it. He catches up to it, but a lot of good that did as he’s currently on a path that will see him land in Santa’s beard.

Save him, Lanny! Save him!

Lucky for Wayne, he’s got Lanny! Lanny jumps off the track after him, grabs Wayne, and fires off another grapnel. The two swing out of harm’s way and Santa’s beard stirs ever so slightly due to the rush of wind as they pass over him. They’re not quite out of harm’s way though, as they have to swing back. Lanny lets go of Wayne and the cable and they both tumble onto Santa’s desk in a somewhat sloppy manner. He still doesn’t wake, but with only 15 seconds left on their timer Lanny requests permission to panic. Wayne grants him that as he presses the button, but the desk is moving way too slow for them to have any hope of getting out of there undetected.

Come on, Lanny, you’ve made it this far without a “leak,” you can do it!

The desk reaches the top floor, but there’s only five seconds for the elves to go back up the chimney. As they run, Lanny announces they’re out of time. Wayne has one final trick up his sleeve though: a snowflake shuriken! These guys are armed with saw blades and shurikens? Seems a bit extreme for a couple of Christmas elves, but I’ll allow it. Wayne tosses the snowflake at the clock striking the second hand and knocking it back another five seconds. He catches the shuriken as well so this guy is pretty damn talented. The two quickly flee up the chimney and drop their little fire sparkle on the logs causing it to burst into flames. The clock hits three, and a little figurine pops out to ring the quietest of bells. Santa jolts from his slumber seemingly refreshed by his cat nap and none the wiser about what took place in his secret work shop that afternoon.

If you were wondering (I really wasn’t, which is a bit strange), it’s a wooden wheel.

We cut quickly to Mrs. Claus opening the box the two elves retrieved as they look on. Inside is an old, worn, wooden, wheel. Mrs. Claus explains that this thing has been tucked away for ages, but she finally found the toy it goes to. We cut to December 25th, 09:00 hours, and a bunch of elves are watching Mrs. Claus give Santa his Christmas present. We can only see the elves while Santa and the Mrs. are shadows on the wall. Turns out, the toy is a little wooden duck. It was the first toy Santa built and he sounds pretty emotional upon receiving it from his wife. Lanny, with moist eyes, nudges Wayne and remarks, “Mission accomplished, partner.” Magee then leans in to say she really wanted that snowmobile as we iris out.

And the wooden wheel belongs to this duck. I’m guessing there really weren’t any stakes here, just Lanny and Wayne potentially blowing Mrs. Claus’ surprise for Santa.

Operation: Secret Santa is a fun little Christmas cartoon. The production values are on par with the longer special that came before it, it’s just a lot tidier. It’s also a cartoon willing to let us just enjoy the Wayne and Lanny pairing. There’s no drama there, they’re happy to be working together, and they have a somewhat unusual task to perform. It makes sense though and is an extension of the original Prep & Landing which shined a light on how the job of Santa and his elves is a bit like a spy movie. This just leans full into that by having the Christmas Elves essentially steal something, rather than help to deliver a present. And if you want to portray the elves as sneaky, little, thieves, they need an altruistic task.

These specials are committed to not showing us all of Santa, though we see quite a bit of him in this one. Mrs. Claus cannot be shown about the neck.

Enter Mrs. Claus and her wish to get something from her husband’s work shop without him knowing. We can poke holes in this, of course, like why didn’t she just do it herself when he’s out delivering presents? She is old so maybe she didn’t think she was physically capable of getting that box. And since she knew where the thing was, maybe it indicates that she’s tried. No matter, it’s a lot more fun to watch Lanny and Wayne swing and sneak about to accomplish the task. They get to demonstrate their skill for the camera and the fake out was pretty fun too. It all leads to a syrupy sweet ending, but an appropriate one. It’s not long enough for the viewer to get all that invested in the object the elves are after and the structure of the short also allows it to move very quickly. It’s faster than its 8 minute run time, but it works pretty well. It’s a shame we haven’t received more.

Lanny is overselling this one a bit, but it’s a fun little cartoon.

Operation: Secret Santa was a cute little short when it came out. Now, it’s a nice little palette cleanser if you’re watching all of the Prep & Landing specials in a single session. They’re a little weighty, dramatic, and there are some actual stakes in them. This one, by extension, is far more low stakes. There’s a bit of tension, but it becomes clear that nothing save for the clock can wake Santa. After the fake-out, it pretty much feels like clear sailing, and that’s okay. We don’t need every holiday special to put Christmas in crisis and it’s also nice that we get to just like and enjoy Wayne when the longer form specials are not so accommodating.

If you want to check out Operation: Secret Santa the easiest way to do so is via Disney+. The short has also been released on physical media a couple of times, once as part of a collection of other Disney shorts and also on the Prep & Landing Blu Ray which includes the rest. Disney+ has kind of made that release superfluous, but it is definitely worth buying if you want a physical back-up.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 8 – The Looney Tunes Show – “A Christmas Carol”

I’ve been known to be a bit critical of Warner Bros. for not creating more Christmas shorts. The most notable one is Gift Wrapped starring Tweety while Bugs Bunny and Daffy Duck basically had to wait until after the Golden Era to give Christmas a whirl. And those weren’t really that great. Low key, the…

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Dec. 8 – The Soulmates in The Gift of Light

It was around Labor Day of this year that Will Sloan (@WillSloanEsq) took to Twitter to uncover the origins of an image that had confounded his girlfriend and him for the past five years. It was actually a return plea as he had posted the same image 3 years prior. The image in question was…

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Dec. 4 – Doug – “Doug’s Secret Christmas”

“Doug’s Secret Christmas” premiered December 14, 1996 as a primetime special on ABC.

Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to post about 25 Christmas specials a year you really can’t be picky. Plus how many people really want to read about mega babies and chuckling critters who reside in the woods? And it was on December 4th last year that we talked about Doug, the somewhat quiet original Nicktoon that ran for 52 episodes before leaving the network. Doug was supposed to be the big hit, but it lagged behind Rugrats and The Ren and Stimpy Show among the first trio of Nicktoons. I’m guessing Rocko’s Modern Life eclipsed it as well when that showed up a year later. It’s hard to say why Nickelodeon thought so highly of Doug initially to the point where they expect it to be more popular than the other two shows. Maybe because it’s adults that are in charge at any given network and Doug’s coming of age whimsy speaks to an adult more than a show about babies?

Whatever the reason, Doug still had a solid run and I knew plenty of kids that liked it, even loved it. When creator Jim Jinkins entered into a contract to produce the show for Nick the contract was for 65 episodes to be ordered as seasons of 13 episodes. If Nick failed to order all 65, he was allowed to take the show elsewhere. He also retained ownership of the character and, like the other early Nicktoons, was able to run the show via his own production company. Nickelodeon seemed to learn a lot from those initial shows and would retain more control and ownership in the future, but it was a good deal for Jinkins and it allowed Doug to eventually be sold to The Walt Disney Company.

Pretty much everyone is back with only a slight redesign.

That’s how we ended up with Disney’s Doug (and in some places it’s referred to as Disney’s Doug). After a hiatus of over two years between new episodes, Doug made his debut on ABC’s Saturday morning television block in September of 1996. The show was a direct sequel seeing Doug enter middle school (I thought he was already in middle school?) with all of his usual friends. Most of the cast was able to return, save for perhaps the most important member in Billy West as Doug. The show would last another 65 episodes while also spawning a movie. It seems to be generally accepted that the Disney version of Doug is inferior to what we got with Nick. I checked out the new version as a kid when it premiered, but didn’t stick with it. It felt similar, but different, but more than anything I think I had just moved on from Doug. The low stakes and slice of life programming just wasn’t my thing at that point as I found myself aging out of Saturday morning television. Once X-Men was done not long after, so was I.

Now, nearly 30 years later, I’m ready to take another look at the Disney version of Doug. The first season included a new Christmas episode which I had never seen until now. I definitely didn’t stick with the new show long enough to make it there and I actually never even knew another Doug Christmas episode existed until very recently. For me, this is like finding hidden treasure, though it could only be considered such if it’s actually good. Considering this is Doug we’re talking about, I’d be surprised if it’s awful. Doug is what I’d call a high floor kind of show. It may rarely impress, but it’s almost never bad.

That’s a pretty good Grinch parody.

The Disney version of Doug begins a lot like the old one. The song is new, but still very much Doug. And since the show had a new production company, it looks a little different, but still Doug. The lead character received only the most basic redesign in that he has long sleeves now instead of short ones, but he’s still rocking that green vest. Now, if this is the first episode of the Disney version of Doug that you’ve ever watched, you might initially think it looks a lot different. That’s because the episode opens on Doug’s neighborhood looking quite…toony?

Doug?! As the Grinch!

That’s because it’s a Grinch parody! There’s a narrator (sounds like Doug’s dad, Doug Preis) speaking in rhyme as a shadowy figure with an animal companion descends Doug’s chimney. It’s Roger (Chris Phillips), the town bully, only he resembles the Grinch. And with him is his cat Stinky who has a lone antler atop her head a-la Max. He’s here to steal Doug’s Christmas, only there’s a problem: it’s already been stolen! He looks around and finds no tree or decorations of any kind. The interior of the house is drawn and colored to resemble a home from the classic television special and the creative team a pretty nice job. When Roger-Grinch looks around to find out who stole Christmas first, it’s revealed to be Doug himself! He’s all grinchified as well and we fade to black on this shocking revelation!

That’s more like it.

That’s when the title of the episode is presented in the same manner as the Nicktoons version with Doug coming out of a door to turn a light on revealing the show’s logo. Porkchop, Doug’s dog and star of his first Christmas special, comes in with a gift and reveals the title of today’s episode. The episode proper begins with Doug at his journal telling us about Christmas in his town, Bluffington. Right off the bat, I must say I can barely tell the difference between Thomas McHugh and Billy West as Doug. I’m a little surprised by that because I remember noticing as a kid, but I was definitely watching way more Doug back then. Doug basically lists out what people around town do for Christmas including his old pal, Skeeter (Fred Newman), who is addicted to Christmas specials (I can relate). We get a quick cutaway of him sitting down with his family to watch one and I’m expecting another parody of a classic television special, but instead we get a meta joke of Skeeter watching the first Doug Christmas episode. I approve. We also see Mr. Dink (Claude Nicot) who, as you may have expected, is setting up a very extravagant, very expensive, display. A woman walking by stops to check out the Santa he’s setting up, but it pops up from the ground and says “Hubba, hubba,” instead of “Ho, ho, ho,” which offends the woman.

Doug gets meta on ABC.

As for the Funnie family, their traditions seem pretty ordinary. As Doug tells it, he starts putting up decorations in his room the day after Thanksgiving and I guess the rest of the family does as well. On the 20th, they put up the tree and the lights go up outside on the 21st. The 22nd is the last day of school, stockings go up after that, and on Christmas Eve they visit Grandma Funnie’s house for fruitcake. Before all of that can happen though, Doug informs us he must create The List! That would be the Christmas list of things Doug wants, always a major focal point of a kid at this time of year.

I wonder how long he’s had this book?

Doug sets out to seemingly discuss this list with others in the house. As he does, we see his mom and sister (both voiced by Becca Lish) go over breathing exercises in the living room. Apparently, Doug’s mom is pregnant and the baby is expected in about a month. I think that has been a season long arc for the Funnie family. In the den, Doug finds his dad (Doug Preis) who has something on his mind. Doug wants to talk presents, but dad would like to have a man-to-man conversation that he’s been putting off. He picks up a book which is all about the old birds and the bees. Apparently, Mr. Funnie would like to talk about how he and his mom made this new sibling that’s about to enter their lives. He reads from the book and doesn’t even insert Doug’s name where he’s supposed to instead just saying “Blank’s Name.” Doug stops him before things can get any worse and lets his dad know he’s learned all of this in school already. Doug even gladly explains what sex is (he’s even allowed to say the word), but the audio drops and there’s a clear indication of time passing. The two emerge from the den with Doug’s dad sheepishly rubbing his head and thanking his son for the lesson adding they left some stuff out when he was in school. Poor Mrs. Funnie…

They still fight like kids. That must be exhausting.

With the “lesson” concluded, Doug’s dad has some bad news for his son. With the baby coming, Santa isn’t going to have much time for presents and Christmas. Doug looks glum and tries to hide his list behind his back when his dad asks about it. He plays it off as a list of baby names, but sister Judy is there to snatch it from him and laugh at his suggested “names” of in-line skates and dirt bike. She runs up the stairs while Doug gives chase prompting dad to remark to his wife, “Ready to start this all over again?” She responds by throwing a throw pillow at him (so that’s what they’re for).

The new school is a monument to Beebe. I guess if that’s what it takes to get funding from a rich guy in town then so be it.

It’s the next day at Beebe Bluff Middle School, a school literally constructed in the shape of Beebe’s profile. It would seem another ongoing plot of this first season is the construction of the school which wasn’t quite ready for its first day. I think the joke here is they made sure to have the Christmas lights up, while Doug still doesn’t have a rear wall to his locker as he spies a construction worker when he opens it. Beebe (Alice Playten) approaches Doug in the hall to inform him that her family is going away on some SCUBA trip for Christmas and she needs someone to feed her fish (I guess they give the housekeeper the week off, or maybe they travel with all of their staff). Roger walks by and announces that he’d happily do it on account of the fact that they’re neighbors (Roger’s family won the lottery and now he’s rich). Beebe counters she knows he’d feed her fish…to his cat! Doug agrees to do it and they’re interrupted by Fentruck (Newman), the foreign exchange student from the fictional Yakistonia. He’s one of those characters that exists for us to laugh at, “He’s funny because he’s different!” It’s not mean-spirited though, nor is it really well thought out as Fentruck explains Christmas in his country is basically just Halloween. Doug is polite about it all, but Roger comes over to basically tell Fentruck he’s an idiot because what he described is not Christmas. They don’t really use this as a teaching moment as Roger is just left to utter a one-liner, “How international?” as the two walk off.

Doug finds nothing funny about the Funnie family Christmas tree.

We next check-in with Doug as he’s heading home. On the way, he stops by the tree lot of one Mr. Chestnut (I’m not sure who is doing his voice, the credits on this show are terrible) who apparently knows him from last year or does something else in town the rest of the year that puts him in contact with Doug. He speaks with a southern drawl and remarks that Doug got his best tree last year (he probably says that to all of his customers) and asks what’s he going with this year? Doug tells him he’s just stopping by and will come back with his dad in a little bit to get a tree. As he walks home, he imagines he and his family decorating the perfect tree. Only when Doug gets home he doesn’t find a family waiting to go grab a new tree and instead spies some little, tabletop, half-finished tree. Doug can barely speak he’s so shocked as his dad explains that, with the baby coming, he didn’t see any reason to make a big fuss out of the tree. He hands Doug what I assume are the instructions to finish setting up the tree as he and his mom leave for some birthing classes leaving Doug all alone to construct this monstrosity.

I know the last day before school vacation is usually pretty loose, but this is taking things to another level.

It’s now the last day of school and Doug isn’t letting this whole tree business bring him down too much. He still has some hope that it could be the best Christmas ever, because why settle for just a good Christmas? As he heads out for school, we see that Mr. Dink is still messing around with his Santa display. Now it’s talking like a pirate instead of cat-calling the neighbors. At school, Fentruck is providing everyone with a look at a traditional Yakistonian Christmas which involves him dancing in a white sheet while everyone eats cotton candy and bobs for apples. Roger basically thinks Fentruck is trying to pull a fast one on them and, for once, I think I agree with the school bully. This is absurd.

It’s the waffle iron of Skeeter’s dreams.

After school, Doug and Skeeter engage in what Doug describes as traditional last minute shopping at the mall. Doug is looking for a gift for Patti (Constance Shulman), the girl he longs for, but he can’t find anything he likes. Skeeter, on the other hand, has his eyes on a Christmas Tree waffle iron. Apparently, his dad would make the family tree-shaped waffles ever Christmas, until Skeeter used it to create a bunch of trees for a diorama. The waffle iron did not survive the battle, as he puts it. He wants to get this one for his dad, but he doesn’t have the funds. Doug happily offers up his money, though we don’t hear any specifics which is probably smart as it will help keep the episode timeless, to a degree. Even though they’re shopping at a mall, which is pretty dated in some parts of the world. Skeeter is delighted and vows to pay Doug back as soon as he can, only there’s one problem now.

Don’t mind Doug, he’s just cooking some ears.

Doug is broke. He loaned Skeeter all of his money so he could get that waffle iron for his dad and now he’s left with just sixty-three cents to spend on Patti. Hopefully she likes gumballs. Doug, of course, did not let Skeeter know about this detail so he’s not one of those types who is going to then guilt trip someone he just helped out. This is Doug, who is one of the most selfless cartoon characters around. He’s also resourceful and decides he’ll just make something for Patti. We’re treated to a little montage of Doug basically doing some arts and crafts which involve some sculpting and baking. He had previously been looking at earrings at the mall and it would appear that he’s decided to make some instead. When they’re ready, he pulls them out of the oven and retreats to his room. Along the way, his mom asks who is going to finish the tree which Doug left unassembled save for the base. As he walks by it he derisively refers to it as a fuzzy TV antenna.

Earrings that look like ears. That Doug is one clever boy.

The next day is Christmas Eve and it’s Doug’s last chance to see Patti before she leaves for the holidays. They meet-up at the ice cream parlor in town where Doug gives her the gift he made: earrings of little ears. It’s quirky, it’s clever, I approve. Patti seems to as well. She gives Doug his gift, but on the condition that he can’t open it until Christmas. That’s…odd, but okay. They soon part ways, no kiss for Doug or even a hug, as Patti needs to get home and Doug needs to feed Beebe’s fish. We are then shown these fish which have their own indoor pool and eat steak. It would appear that Beebe’s fish are actually piranhas so I’m puzzled why she thinks Roger’s cat would ever be a threat to them. Speaking of, Doug pauses to look out the window at Roger’s mansion where a big Christmas Eve party appears to be going on complete with…clowns? You do you, Roger.

This is Doug’s idea of a good old-fashioned Christmas.

Doug heads for home and on the way passes by fellow schoolmate Chalky’s (Preis) house. He’s like the jock character and he’s playing football with his family in the front year. They’re all in a big pile, save for Chalky, who asks Doug if he wants to get in on this action? Doug politely declines saying he has to get home, but as he nears home it’s starting to hit him that this Christmas isn’t going to be a special one. This triggers Doug’s imagination as he ponders what it would be like to be coming home to a real old-fashioned, family, Christmas. And in Doug’s mind, that’s a cozy log cabin where his dad talks like Bing Crosby. The house opens up like a stage performance and some performers skate around a tree. I kind of recognize the vocalist, I think he was a Ringo Star parody in the original series, though he doesn’t sound anything like the Beatle. If it is his him then I guess his voice is still being provided by Preis.

I guess this interaction exists to show us that even the nerds are down with Christmas.

When Doug snaps back into reality, he is once again trying to convince himself a good Christmas is still possible. He then runs into the twins, Al and Moo (Eddie Korbich). They’re both covered in Christmas lights and when Doug asks them if they’re afraid of getting shocked one of them (I have no idea which is Al and which is Moo) indicates that he is indeed getting shocked. They both have questions about Mr. Dink’s Santa, but also questions about why Doug’s house doesn’t feature any holiday decorations? They seem to assume that Doug’s parents are some kind of holiday haters. Do Jewish people not exist in Doug?

Doug is finally getting a little ticked off with his family and their attitude this year towards Christmas.

Doug returns home and finds his mother and Judy watching television. He asks about going to grandma’s, but his mom stands up somewhat uncomfortably and says they won’t be going this year. Doug’s dad is still at the mall (he’s a department store photographer so I guess he works there) and Judy adds that their mother is in no condition to travel this Christmas. She also sees this as an opportunity to complain about men as she’s a bit of a dated character type – the killjoy feminist. Her convictions are immediately undermined when she asks her mom to get her some coco while she’s up. Doug angrily announces he’ll be in his room.

Well, it’s certainly an improvement over the tree his dad bought. And who can complain at that price?

Once there, we see Porkchop is either sorting cards he received or really procrastinating on his own Christmas cards. Doug is left to ponder that without lights or a tree can they even call it Christmas? He imagines what Christmas morning will be like with his family sitting around the kitchen table in silence until his dad remembers to wish them a merry Christmas from behind his newspaper. Doug doesn’t want that kind of Christmas so he heads out to Mr. Chestnut’s tree lot. He gets there just in time as he finds Mr. Chestnut cleaning up. When he inquires about a tree, he’s informed that he’s only got one left. It’s a small, diminutive, tree, but one that’s far healthier in appearance than what Charlie Brown settled on. When Doug asks how much, Mr. Chestnut tells him it’s free. A more cynical show would have him jack the price up on account of it being Christmas Eve, but this is Doug and Doug is a nice kid who people are happy to treat with the same kindness he radiates.

I can’t tell if he’s embarrassed to be declared the world’s greatest dog or if this is a fake smile implying he hates the mug.

It’s on the way home from the tree lot that Doug and Porkchop vow to have their own, secret, Christmas. They setup the tree in Doug’s room and exchange gifts on Christmas morning. Porkchop got Doug another journal (he can always use more of those) while Doug gifted Porkchop a world’s best dog mug. I can’t tell if he likes it. Doug then turns on the radio and tries to stay positive as we hear a Christmas song which the DJ announces is a dedication to Doug Funnie from his pal…Doug Funnie. Okay, now this is starting to get sad.

Time to meet the little Dirt Bike.

Doug’s attempts at optimism have now run out. He asks aloud where is everyone? And no one answers. He leaves his room to look around the house and finds it empty. His parents aren’t in their bedroom, nor is Judy in hers. The phone rings and Doug answers. It’s his dad who is at the hospital. He tells Doug that “something happened,” but doesn’t elaborate. He seems very serious, even grave, and we cut to Doug walking down a hospital hallway with his dad still perplexed and sounding fearful about what’s going on. Despite that, we know what’s up as it turns out Doug’s mom had the baby. In the rush of everything, they just treated Doug like Kevin McCallister and forgot all about him. Doug enters his mom’s room to meet his new baby sister. He and Judy are surprised when their dad tells them that they decided to use the names they both came up with. Meet Cleopatra Dirt Bike Funnie! The older siblings can only faint in response.

I’m more than done with this B plot.

And of course, Doug is going to get a happy ending. The Funnie family hosts a Christmas party at their house, it’s just a few days late. A lot of people seem to show up, including Skeeter’s family. His dad thanks Doug for the waffle iron, while Roger and Fentruck resume this runner about Yakistonian Christmas. Fentruck, dressed as a vampire, is listening to Roger explain Halloween. When he then explains what Christmas is, Fentruck basically tells him that’s Yakistonian Easter. Roger just drops to the floor and starts throwing a tantrum. Let’s move on.

“It’s not such a bad little tree.”

Doug, seated with his family on the couch, declares they should make this an annual tradition. And by this he means his parents having another baby which earns him a throw pillow to the face from someone offscreen. Judy then chimes in to announce that they’ve run out of diapers, but Doug cheerfully volunteers to run out and get some. As he’s grabbing his coat, Patti approaches with the gift she had given to Doug. It would seem in all of the chaos of the Funnie Christmas, Doug forgot to open it. He notices Patti wearing the earrings he made her and she says she likes them because it looks like someone made them. Doug blushes and says that’s because he did and starts to go into his money problems, but Patti stops him as she doesn’t want to get all mushy and literally says “Shut up and open your present.” Inside is a scarf which Pattie knitted for Doug. He’s touched because apparently Patti hates knitting. It’s not that great since it gets narrow at the end because she ran out of yarn, but Doug doesn’t care. He even gets a hug from Patti. I bet he wishes he wasn’t wearing sweatpants right now.

Come on man, the girl is practically throwing herself at you. Make a move!

Doug and Porkchop then run off into the Bluffington night in search of diapers for little Cleo. He’s sporting his new scarf, naturally, and runs by Mr. Dink who is taking down his decorations (why isn’t he at the party?). Mr. Dink wishes Doug a happy new year while Doug returns with a “Merry Christmas.” It’s at that point, predictably, that Dink’s Santa finally says “Ho. Ho. Ho.” with Dink remarking, “Oh, now you get it right!” Doug then pauses at the next street corner so he can look up at the sky and shout “Merry Christmas everybody!” The camera zooms out to an aerial view of town and we fade to black.

And in the end, Doug gets a merry Christmas. Did you expect anything less?

“Doug’s Secret Christmas” is basically what I expected. It’s a quiet, low stakes, affair with just the right amount of sweetness. It’s a lot different from the previous Christmas special which actually had very high stakes as Doug found his dog on death row. I’m glad they went for something less intense this time. It is a predictable episode as I’m guessing everyone expected Doug’s mom would have the baby by the time it was over. What is less predictable is that our main character never gets spiteful. He shows no hint of resentment towards the baby at all during the episode even though his family is basically allowing the unborn child to ruin Christmas. I would add his dad is pretty bad at managing everything because surely he still could have taken his son to get a tree? It’s understandable though that their belts may have been tightened with the incoming child, but kind of odd to still hear his dad refer to Santa. Maybe he was just being cute? He is the same guy who didn’t think his middle school-aged son knew about sex. I’m guessing the show didn’t want to blow the whole Santa thing since kids were likely to watch this so I’ll forgive them that.

I was a bit surprised that by the time we get to the actual secret Christmas the episode title is referencing that it’s almost over. Doug and Porkchop essentially have a failed secret Christmas and then find out the baby is here. The whole episode moves both methodically, but kind of briskly, because we’re waiting for the premise to kick-in, but the show is in no rush to do so. It does help to setup the ending and I like a holiday episode that covers the run-up to Christmas along with the holiday itself. I liked the subplot of Doug helping Skeeter which lead into his gift for Patti. It’s an example of the show still moving quickly because that potential crisis is averted almost immediately and Patti is happy with her gift. The only subplot I continuously rolled my eyes at was the one with Fentruck and Roger. I just don’t find that type of humor funny. I’m not offended by it because the show isn’t really mocking another culture, I just don’t buy Roger getting all worked up about it. Who cares? It’s just a lazy Yackov Smirnoff joke.

Doug is easy to root for since he’s not after a toy or something, he just wants to have a nice, family, Christmas. That’s not too much to ask.

“Doug’s Secret Christmas” keeps the art style of the first Christmas special by making sure Doug is dressed for the occasion. Such minor details are something I appreciate in animation because who would wear shorts at Christmas in a cold climate? Doug is all bundled up and appropriately so. The town is pretty well decorated and I very much enjoyed the introduction done in a Chuck Jones style. It doesn’t really make a whole lot of sense upon reflection, Doug didn’t steal Christmas, but I guess it’s a lot more engaging to have Doug be the Grinch. It’s not like they could have a baby Grinch. Well, I guess they could have, but it probably would have really confused people and changed the whole tenor of the episode. I also found this to have pretty much the same feeling as the original series. Maybe just toned down a little? Skeeter doesn’t make any weird noises and the only weirdness really comes from Fentruck. I guess Beebe having piranhas is odd, but it’s just a visual joke as we’re left to ponder what kind of fish a rich girl like her would have. They could have been anything extravagant, I suppose.

All that is to say that I can safely recommend “Doug’s Secret Christmas” for anyone who has enjoyed an episode of Doug, be it on Nickelodeon or ABC. I think I actually prefer it to the more popular Christmas episode of Doug as that one is uneven for me. It’s a very serious story, but it’s not really handled in a serious enough manner. Plus it tortures poor Doug and Doug is a character I don’t want to see in abject misery. He can face hardships, but lets not dangle the death of his dog over his head for an entire episode. This one doesn’t do anything spectacular, but it’s an enjoyable watch. The high floor Christmas special.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – Doug – “Doug’s Christmas Story”

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…

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Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

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Dec. 4 – Family Guy – “Christmas Guy”

In the fall of 2013, beloved family dog, Brian, met his demise. Brian was an extraordinary dog capable of communicating in English with his family members who was often seen walking on two feet. Despite that though, he met a rather ordinary end for a dog when he was unceremoniously struck by an automobile. Life…

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Dec. 2 – Dinosaurs – “Refrigerator Day”

Original air date December 11, 1991

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of the world celebrated a different sort of holiday and it was one centered around the refrigerator. Think about it for a second – the refrigerator really is an amazingly transformative invention. Prior to its creation, there was no way to keep food from spoiling when the outside temperature was above 50 degrees or so. People would have root cellars where they would store things like apples and cheese in the winter because they were hearty. Apples could be turned into apple sauce or pie while cheese would spoil from the outside in. Those moldy parts could be discarded, or consumed if you like that sort of thing. That’s why in a society that apparently doesn’t really worship a god a refrigerator can seem like a truly miraculous thing.

Dinosaurs was an ingenious idea that lead to a pretty great show.

On this blog, I tend to stick with cartoons when it comes to the daily Christmas post, but it’s not a hard and fast rule. And Dinosaurs is kind of like a live-action cartoon. It was often compared (sometimes negatively) to The Simpsons during its heyday and it’s fairly apt. Both shows are sitcoms that just go about the whole medium thing different. Where as The Simpsons is a bonafide animated production, Dinosaurs is a costumed one with advanced puppetry. The show was created by Mike Jacobs and Bob Young and receiving a “developed by” credit is the infamous Jim Henson. Henson died before the show’s premiere, but it’s he who is credited with the idea of doing a sitcom about a family of dinosaurs. The costumes for much of the cast are very similar to what the company made for the Teenage Mutant Ninja Turtles films. You basically have an actor in a big, rubber, suit, with animatronics built into the face that are then operated by a puppeteer. I can’t imagine how miserable these costumes must have been to wear, but the technology on display is truly amazing. These characters are as alive and expressive as most sitcom stars and the show became an overnight success when it debuted in 1991.

The Sinclair family is a fairly typical family of four at the beginning, but made five before the first episode ends.

Dinosaurs was considered an expensive production, but despite that it ran for four seasons totaling 65 episodes, an important number if syndication was going to be in its future. It’s also a show that has become infamous since it left the air because the final episode basically kills everybody off. I mean, it’s a show about dinosaurs – how else could it have ended? The Sinclair family doesn’t literally die, but the ice age is essentially about to begin and it’s pretty bleak. Their doom was brought about by their own society’s ills and in that regard it’s even less of a surprise the show ended in such a fashion. Dinosaurs is a sitcom and a funny one at that, but it’s also a pretty biting satire of 90s culture. The show was very critical of war during a time when most of the country was consumed by Gulf War patriotism and the show even tackled religion in a pretty savage way for network television. In my experience, the show burned bright and faded quickly with most only remembering it for the baby and his infamous “Not the mama,” routine, but once the show hit Disney+ I gave it a complete rewatch and was kind of blown away by how well it holds up.

The enduring image from the show.

If you are new to the show, Dinosaurs is about the Sinclair family. Earl (Bill Barretta as the suit actor, Stuart Pankin the voice) is a typical sitcom dad in that he’s a blue collar worker with a mean boss who just wants to be left alone when he’s not on the job. He’s not stupid, but he is pretty ignorant which leads to some stupid decisions. His wife, Fran (Mitchel Young-Evans, Jessica Walter) is the typical moral center of the family and a stay-at-home mother to a pair of teenagers, Robbie (Leif Tilden, Jason Willinger) and Charlene (Michelan Sisti, Sally Struthers). Both kids have pretty typical teenaged problems dealing with popularity, the opposite sex, puberty, and so on. In the very first episode, Fran lays a surprise egg which hatches into Baby Sinclair (a more conventional puppet operated by Terri Harden and Kevin Clash with Clash providing the voice) who basically throws their world for a loop. Earl and Fran, already having teenaged children, certainly weren’t looking to start over with another baby, but life is funny like that.

This will be Baby’s first Refrigerator Day.

“Refrigerator Day” is the 12th episode of the show’s second season. It originally aired on the ABC network on December 11, 1991. The episode begins with everyone in the Sinclair household decorating for Refrigerator Day. Basically, it looks like Christmas with a different name. Fran has just finished baking a traditional mold pie while Baby asks his grandmother Ethyl (Brian Henson, Florence Stanley) what Refrigerator Day is. She dryly informs him she already told him, but he asks if he was listening. The humor in this show is very much in-line with The Muppets. Ethyl explains that before there were refrigerators life basically sucked. Fran chimes in as well, but the whole thing is lost on Baby who doesn’t understand their explanation, but does perk up when Charlene mentions it includes lots of presents.

Instead of having to introduce a new item to the home and decorate it, the dinosaurs just trim-up their fridge. It’s a sound method.

Robbie asks his dad if he’s basically going nuts on gifts this year and Earl is happy to tell his son that he indeed is. He gets in a dig at his own expense when he points out that it’s easy to blow all of their money on presents with his salary, but he’s in a very jovial mood so his dead-end job as a tree pusher isn’t going to bother him. He does bring up the dreaded Refrigerator Bonus, so you know he’s either not going to get one or its going to be miniscule. He reaches into that holiest of appliances, the refrigerator, to pull out a snack. It’s a living, small, mammal which gives the show an almost Flinstones vibe as most of their food is seen alive first and is often sarcastic. Fran comes over to lecture him about the true meaning of the holiday. And wouldn’t you know, it’s basically all of the same stuff as Christmas with the noted exception that this holiday is preceded by two days of fasting. Fran snatches the little vermin away from Earl who also gets to make a fat joke at the expense of the megalosaurus.

We jump to later in the day and Earl is on the job. His friend and co-worker, Roy (Pons Mar and Julianne Buescher as puppeteers, Sam McMurray voice) is puzzled by Earl’s lack of lunch who is then forced to explain the whole fasting ritual. Roy, being a bachelor, doesn’t have a wife to enforce such things. Earl isn’t too bummed though, because he soon hears the summons of his boss B.P. Richfield (Leif Tilden and Steve Whitmire, Sherman Hemsley) which can only mean one thing: bonus!

“Toddy.”

Earl heads into his boss’s trailer in a very good mood which is unusual for him as heading into the boss’s trailer is usually a terrifying experience for Earl. Richfield is apparently in the Refrigerator Spirit as he’s decorated his trailer with lights and tinsel and even installed a fireplace so his workers could come in out of the cold. He offers Earl a hot toddy and even takes time to remark what a funny word “toddy” is. Earl is very much enjoying this as his boss produces three envelopes. They each contain a Christmas bonus and when he asks Earl to guess which one is his he surprises him by saying “All of them!”

Now that’s the Richfield we know and love (?).

If this all seems too good to be true it’s because it is. Earl is having a pretty sad fantasy about getting love and respect from his boss, which is shattered by the screams of said boss to get in his trailer. The actual trailer is just as cold and miserable as usual. No fireplace, no hot toddy, no offers of an embrace, and perhaps not unexpectedly, no bonus. Earl actually gets handed four pencils, not to keep, but to sharpen. When he prods his boss about a bonus he’s met with an angry stare and confirmation that there is none. They do a little Looney Tunes bit where Earl tries to say there will be one, while Richfield says otherwise, but Earl being a dinosaur and all has never seen a Bugs Bunny cartoon so he doesn’t know how to turn the argument around in his favor. When Earl protests that he depends on the bonus, Richfield tells him that’s why he isn’t getting one. When you expect a bonus, it’s just salary. When Earl tries to tell him that he isn’t expecting one now, Richfield just remarks, “Good! Now you won’t be disappointed!” As Earl leaves dragging his tail behind, Richfield tells him not to tell anybody else about the no bonuses this year. He wants to tell them himself and describes it as a little holiday treat. I love Sherman Helmsley as Richfield, he is just so damn good at being a terrible boss.

At least Earl doesn’t try to hide his lack of a bonus from his family.

If you’re worried that this means we’re about to embark on an A Christmas Carol like plot involving Richfield then worry not. He’s beyond hope. Instead, Earl heads home with the bad news. We first find Charlene and Robbie preparing more decorations while watching TV. There’s a commercial about celebrating Refrigerator Day by giving paint which Robbie finds distasteful, but Charlene seems more open to Refrigerator Day commercialism. It’s followed up with a holiday greeting from the We Say So corporation about deregulation and corporate freedom. Wow, does it ring true in 2024. Following that is when Earl enters to summon the family to share the bad news. At first, Baby won’t let him share the bad news as he keeps interrupting to talk about his new found love of Refrigerator Day which involves drawing a refrigerator, drawing on the refrigerator, drawing on the walls, etc. Earl is finally able to get it out that he’s not getting a bonus and that they’re broke. Charlene sees no problems here because Earl already bought the presents. When her mother points out that they have no money to pay the bills she still fails to see a problem. Earl tries to reassure everyone that they’ll be okay. It’s the holiday season and everyone is more charitable at this time of year and more willing to wait for their money.

Avert your eyes, dear reader, it’s too gruesome!

We smash cut to the family’s refrigerator getting repossessed in front of a distraught Earl. Larry the repo dinosaur informs him he’s half a day late with his payment so the fridge has got to go. Earl tries appealing to the guy by pointing out his children and that it’s Refrigerator Day. Baby has even latched into his leg, but his mother pulls him away. Larry informs the family that his boss demands that they take the appliance that leaves the biggest mark and puts them under the most pressure, hence why the fridge goes. Earl refers to the guy’s boss as an evil man, which Larry confirms also while adding that he did give them all a nice holiday bonus. With the fridge gone, Earl is left to confront his own failure. He declares himself lower than dirt and despite his family trying to console him he announces that this will be the worst Refrigerator Day ever!

Earl is not coping well.

Earl rises the next morning and, out of habit, saunters over to where the refrigerator would normally be. When he discovers it gone, he becomes delirious and basically starts sobbing. The rest of the family retreat to the living room where Fran shares an idea she has with her kids: they take the presents back to the store, get their money back, and use it to buy back their fridge! Charlene is so disgusted by the suggestion that she can’t even form a proper analogy to describe what it would be like to have no presents on Refrigerator Day, but one look at their father singing to himself while holding ice trays is enough to convince the others. It’s here we find out that the concept of returning purchased goods to a store is a completely foreign concept in dinosaur society. Fran acknowledges it’s an odd thing to do, but thinks they have to try. Meanwhile, Earl seems to be getting even more delirious and cries out that they’re starving. Fran reminds him that they’re fasting, but Earl points out that fasting is a choice. They have no food and therefore are starving. He’s pretty logical when he wants to be.

These two just can’t wrap their heads around the idea of returning bought merchandise.

We next find the family at Kave Mart, a pun that is generic enough to still work today, but is obviously a pun on K-Mart which no longer exists or barely does. Fran and the kids carry in their wrapped gifts and approach a clerk about returning them. He seems puzzled, but says okay and tells them to just put them whereever. When Fran explains that she also wants her money back he gets real confused. He calls in his co-worker Hank to try and figure this out. It’s basically a very straight-forward discussion on logic: why would a store, which already has enough product, buy back its own merchandise? And why would someone like Fran try to sell something without making a profit? This is what it’s like to have a discussion with a libertarian. The two clerks get a bit angry with Fran thinking she’s trying to pull a fast one before declaring that the only way they would be willing to buy merchandise would be if they paid wholesale. Fran reluctantly accepts despite the protests of Robbie who rightly points out that they’ll get practically nothing for these items. What kind of fridge could they possibly get selling these items back to the store for far less than what they paid?

Refrigerator Day is saved?

A Styrofoam cooler, that’s what. We smash cut to the not-fridge while Ethyl takes a gander as Fran informs her mother it was all they could afford. Earl enters to wish everyone a happy Refrigerator Day, but in a very gloomy manner. He informs them he wanted to give them the presents he bought, but it seems they’ve been stolen so he’s going to head to the garage to hang himself. Fran intercepts Earl’s suicide march to tell him the gifts weren’t stolen and they returned them to the store to buy back their fridge. Earl can hardly believe it and nearly becomes overwhelmed with emotion, until he sees the new fridge. He’s back to feeling suicidal as he apologizes to Baby for ruining his first fridge day and implores him to take a whack at his dome with a pot as he so often does. Baby declines which makes Earl feel like an even bigger failure. Ethyl is there for him though as she strikes him across the belly with her cane reminding him that she’ll always be here for him, “Fat boy.”

And now Earl’s own son has rejected the proposal of inflicting violence upon his skull. Could this day get any worse?

It’s at this point that Fran feels inclined to remind everyone what Refrigerator Day is all about. She reminds them all the day is for them to reflect back on their ancestors who have nothing and appreciate all that they have today. She tries to throw it back at Earl by declaring them blessed, but he’d still rather head to the garage and hang himself. Fran stops Earl to inform him that they are going to do the annual Refrigerator Day pageant. Earl replies, “At the risk of sounding immature – I don’t want to!” and stamps his feet. Fran pushes past him to say then they’ll do it without him as the kids follow along behind her. I’m finding it hard to believe that teenagers would go along with a family pageant, but they are a different breed from me.

Now here’s a custom I can do without.

We cut to Ethyl reading from a book, “And now it can be told…the True Story of Refrigerator Day.” It’s essentially a parody of A Visit From Saint Nicholas/Twas the Night Before Christmas. Come to think of it, that’s what this holiday is lacking. A cosmic being who spreads presents and good cheer. Actually, the story is more like the first Thanksgiving complete with pilgrim-like costumes. Earl reluctantly takes part while the rest are fairly enthusiastic. We learn the story of the holiday is that the patriarch of this story heard a voice demanding he build a box that’s cold inside. The dinosaurs stopped migrating and constructed their box. They do, and the family has a little, prop, fridge for their story. As its told, to make it cold they were going to toss it in a lake, until the daughter discovered it had an electrical plug. The play ends with the family singing a “Fridge Carol” that sounds like “The Feast of Stephen.” It’s a crazy holiday, but when you get right down to it, Christmas is pretty wacky too. And don’t get me started on Easter!

It’s a Refrigerator Day miracle!

Performing in the pageant has done wonders for Earl’s mood. He declares his love for the pageant while someone is at the door. It’s the guys from Kave Mart! They’ve brought back their fridge and all the presents from before. Refrigerator Day hadn’t been stolen, it came just as before! Actually, there was no change of heart or visit from three ghosts. The store just figured out that a return policy like the one Fran proposed is a huge, money-making, idea and to buy off the Sinclair family from claiming credit for it they’re being bribed with their old refrigerator and gifts. Earl even gets his bonus and the store also installed snow machines on the roof for ambience. All they have to do is sign away all rights to the return policy idea which Earl is happy to do.

With everything all wrapped up in a neat, Refrigerator Day, package, there’s nothing left to do but celebrate. The children gather around the refrigerator while Earl and Fran reflect on what they have. The image is framed like a greeting card with the cast and crew of Dinosaurs wishing us all the happiest of Refrigerator Days!

The Sinclairs get a happy ending, but they’re also swindled out of a million dollar idea.

It’s not exactly Christmas, but it’s just Christmas with a different name. Dinosaurs took a conventional plot, oddly one also utilized by The Simpsons which Dinosaurs was sometimes accused of ripping off, but they found a way to turn it on its head. The concept of a return policy is completely off the wall in this consumerist society. The world of Dinosaurs is one dominated by We Say So which basically has a monopoly on everything. Do they own Kave Mart? Probably. The bit at the store is great and the show has several expertly crafted cuts to drive home its own brand of satirical, sometimes dark, humor.

It’s that dark humor that can possibly rub some the wrong way. We have multiple suicide jokes and the Richfield character is truly detestable. I find it all pretty damn hilarious, but that’s just me. The characters emote really well and this episode contains a rare additional set in the form of the department store. The one criticism I have of the show is it often takes place in very familiar locations, but that’s because new sets are really expensive. The extras, like the clerks and repo man, are basically stock costumes that get used and reused constantly throughout the show. Sometimes they change up the voices and sometimes they stick with the same ones. It’s almost like a fourth wall situation where the dinosaurs are just actors in this show we’re watching and they play the roles expected of them.

Every Christmas episode should end with a faux greeting card.

Dinosaurs is a terrific little 90s gem of a series. If you remember it somewhat negatively as “The Baby Show” then know that your memories are inaccurate. While Baby was a breakout star, he wasn’t relied upon to do a lot of heavy lifting outside of an episode here and there. It really is a family sitcom, but one that’s not at all sweet or mild and it really leans into the satire. It has a lot of Muppets-styled timing with some of the jokes, but it’s far more focused and lacks that intentional corn of its more famous predecessor. If you have never watched it definitely give it a try especially if you’re a fan of other Jim Henson productions. It’s a pretty unique show and it’s all available on Disney+ so it’s pretty accessible by today’s standards. And remember, while you’re drinking down your nogg and opening presents, think about those who made our refrigerator possible and thank them. If you want to know their names, go check Wikipedia or something. I’m busy decorating for Refrigerator Day.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

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Dec. 1 – Mickey’s Orphans (1931)

Original release date December 5, 1931.

It’s December 1st and you know what that means – time for Christmas specials! Not to “well, actually,” myself, but the Christmas special viewing season began before today in my house as it’s annually the day after Thanksgiving. What you may call Black Friday, I dub the start of the Christmas Special Season. And this year, it’s a shorter than usual one since Thanksgiving occurred on the 28th of November which is the latest the holiday can take place which means we have less time than usual to squeeze in some favorite seasonal viewing.

Not that any of that has any impact on this year’s edition of The Christmas Spot. It’s always 25 days of 25 festive topics which most often take the form of a holiday special walkthrough. It’s actually been years since I did something other than a holiday special on one of the 25 days of Christmas (sorry Family Channel/ABC Family/Freeform/Whatever you’re called now, I’m stealing your bit) – will this year change that? I don’t know! I just know I have my work cut out for me.

It’s always a Mickey Mouse cartoon, never Mickey and Minnie. Poor Minnie.

To kick things off this December I am righting a wrong. It was many years ago I made a post about Christmas specials staring Mickey Mouse. You know that guy, right? He’s often celebrated as the first global cartoon star following his debut in 1928. I have no idea if that is accurate or not, there were a lot of cartoon characters that came before Mickey, but when you’re a company as big and powerful as The Walt Disney Company and you’ve lasted longer than many of your competitors you basically get to write your own history. I think we can all agree that Mickey is pretty damn popular and recognized around the world even to this day as the brand ambassador of a mega-corporation. He’s even still starring in current Christmas specials and probably will continue to do so long after many of us expire.

Oswald got to do Christmas first where he tried to bring Christmas to some poor kids. Only in his cartoon, it was the home of the children that got wrecked, not Oswald’s.

Back when I did that post though, I failed to mention Mickey’s first ever Christmas cartoon: Mickey’s Orphans. Released in 1931, it stars Mickey (Walt Disney), Minnie (Marcellite Garner), and Pluto and features the characters taking in some orphaned kittens (mice taking care of kittens – how absurd) on Christmas. The Wikipedia entry for the cartoon states it’s a remake of an Oswald the Lucky Rabbit cartoon (that guy who was famous before Mickey) titled Empty Socks. Well, I’ve watched Empty Socks and I don’t see how it could be classified as a remake. That cartoon features Oswald playing Santa for some orphans (who also happen to be feline) and they’re basically brats and they actually end up burning down the house. This one has the orphans coming to Mickey’s house and, yes, they’re pretty destructive. I can see how the Oswald short influenced this one, but calling it a remake seems like it goes too far.

This being a short from 90+ years ago, it should come as no surprise that it’s in black and white and the audio and visual quality isn’t exactly pristine. Mickey cartoons are often cited as being technically great, but not as entertaining as the stuff from Warner Bros or even the later cartoons from Disney staring Donald Duck. As someone who has watched a lot of cartoons from that era, I can mostly go along with that. Mickey cartoons tend to feature a lot of just singing and dancing. There are some that are quite entertaining though, and on a technical level even the oldest ones can often impress in some way. Mickey became more of a bland every man character much later into the 30s when he could play off of his more comedic sidekicks, Donald and Goofy. In ’31 he was allowed to be a bit less polished, more of a rascal, though this being a Christmas cartoon in which he takes in orphans don’t expect a whole lot of that stuff. He’s actually just going to roll over and take it in this one.

This individual isn’t even going to bother with the church, apparently.

The cartoon begins with a robed figure walking through the snow at night. The wind is howling and it’s whipping the individual’s ragged clothing around. The figure is carrying what looks like a picnic basket with its right arm. It’s a nice shot that doesn’t rely on a repeating background and “Silent Night” is helping to set the mood as a somber one. The individual then comes to a warmly lit house and we hear Minnie Mouse before we see her. The individual looks through a window to find Minnie playing “Silent Night,” but not singing it (she just keeps saying “La la la” because I guess she has trouble with lyrics), at a piano. I think? I don’t know, it has two large pedals that she’s working over. Nearby, we see Mickey decorating the Christmas tree. Each time he places an ornament we hear a little chime. He grabs two candy canes and then taps the ornaments in time with the music. We pan over to see Pluto asleep by the fire. He’s looking well fed as he snores.

I guess two mice can be parents to a cat. Why not?

Outside, the ragged figure runs over to the front door and lays the basket down in front of it. The person picks up a bundle from inside it, kisses it, then places it back in the basket and rings the doorbell. They take off as Mickey opens the door. An eager Pluto runs out and returns quickly with the basket. He sniffs at it, and from inside pops out a little kitten. Pluto doesn’t seem thrilled, but Mickey happily scoops up the little fella and brings it over to Minnie. She thinks it’s adorable, though it’s oddly hostile towards Mickey as it bites him on the finger. He’s such a good-natured man-mouse though that he laughs it off. Meanwhile, Pluto is still sniffing around that basket and soon another kitten pokes its head out and whacks him on the nose. Then an impossible amount of kittens burst forth!

That must have been some kind of magic basket to fit all of these kittens in it. Maybe they have a future as a gang of clowns?

The kittens soon overrun the place swinging on clocks, bouncing on pianos, and pulling on poor Pluto’s ears and tail. Another kitten has displaced the couple’s parrot in its cage while another group ride a chandelier like an amusement park ride. Mickey gets his tail tied around his ankles and there’s a long shot of the kittens just going nuts in the living room. To their credit, Mickey and Minnie seem unphased by all of this as they continue to smile. Minnie whispers an idea into Mickey’s ear, who in turn does the same with Pluto. The two soon depart, but not before Mickey grabs a deer mount from the wall. I wonder what they could be up to?

Hey! It’s food or a fashion accessory, not both!

With Mickey gone, it means Minnie has to look after all of the kittens. One needs help blowing its nose while another is tugging her skirt and seems anxious about something. I thought maybe it dirtied its diaper, but apparently the little tyke is just hungry. Minnie does what any responsible adult would do and gives the hungry toddler a candy cane. The little cat licks it all over then starts strutting around using it like an actual cane. That thing is going to get real gross real fast.

There was no way Mickey was going to star in his first Christmas cartoon and not play Santa.

Minnie then takes a seat at the piano once again. The pedals have strangely disappeared. She starts playing “Jingle Bells” which is apparently Mickey’s cue to come bursting through the front door. He’s dressed like Santa Claus and being pulled on a sleigh by Pluto who’s sporting the deer head like a helmet. Mickey is whipping him, which seems a bit cruel, and he’s apparently enjoying it since he has that same big, dopey, grin plastered on his face. When the sleigh comes to a stop, Mickey hops off with a big sack of presents, but the little monsters don’t even wait for him to start handing out gifts. They run him over and all dive into the sack. Each one comes running out with something until there’s nothing left, just a final kitten clutching the sack itself. It stops to ask Mickey, “Are you Santa Claus?” Mickey smiles and nods and the kid responds by blowing him a raspberry and tugging on his beard so hard that he topples over. Ungrateful brat!

This doesn’t even resemble playing anymore, they’re just hacking stuff to bits.

With the gifts distributed, the children return to their path of destruction. A series of them start a marching band and some have actual instruments while others are just banging on household items. The music is livelier now too and kind of sounds like it could be a version of “Ain’t We Got Fun.” Whatever it is, it doesn’t sound Christmassy. A bunch of the kids somehow got ahold of saws and hammers and we get to see them destroying Mickey and Minnie’s furniture. A bunch are also smashing other objects with more conventional toys while a trio of kittens wielding pop guns use them to break some stuff and blast Mickey in the bum. Meanwhile, the construction crew of kittens has moved on from the living room to the piano and they’re hacking that thing up. I guess they weren’t a fan of Minnie’s playing?

Mickey got to enjoy himself for maybe three seconds.

More destruction ensues as the kids smash windows and basically anything else of value in the house. A kitten comes riding by on a train (did you ever hear how Walt loved these things? Of course there’s a toy train in this picture) and smashes into Mickey. He does a flip and ends up seated on the caboose. He waves to Minnie as they drive by and she’s up on a sofa like she’s trying to escape the carnage, but the two happily wave to each other like their house isn’t getting demolished. I guess Walt pays them well. The kitten conductor drives the train under an end table so the back of Mickey’s head smashes into it and knocks him from his perch. Another kitten is shown shooting Pluto in the butt with a toy canon and when the dog runs into the wall the deer head he was wearing pops off and lands on his butt creating some weird chimaera of a creature that frightens the kid.

That’s…unsettling.

Mickey seems like he doesn’t know what to do, which just makes him more of a target. A kitten operating a toy steam shovel uses it to scoop coals out of the fireplace and drop them down Mickey’s pants. He starts hopping around which alerts the kitten fire brigade to come to his rescue. Two kittens come riding in on a toy fire truck and blast Mickey in the butt. He enjoys the relief it brings and just sort of stands there soaking it all in. Quite literally. On all fours. It’s an odd sight to be sure.

Oh, what a lovely tree! Surely those orphans will appreciate it!

Minnie then gets everyone’s attention with a little horn. She’s standing by a curtain and Mickey comes over to help her reveal what’s behind it by playing a drum. After a vintage drum roll, the curtain is pulled back to reveal the Christmas tree. It’s quite a lovely sight as it’s full of ornaments and lit with several candles. These things must have been extreme fire hazards back in the day. The kids all cheer and then attack! The tree has some more gifts under it, but the kittens cover the tree by climbing all over it and as they disperse what’s left behind is a standing, old, stick. Mickey and Minnie can only look on with shock and awe and for the first time there appears to be a twinge of sadness on their faces.

This is the shot we go out on. I don’t think it’s going to be a merry Christmas for the Mouse family.

If you think this is where the kittens realize they’ve been a naughty bunch and have treated these mice poorly, think again! Nope, there is no moral here as that’s the end. Mickey and Minnie can only stare at what’s left of their tree and are left to ponder what their Christmas might have been like if these wretched orphans hadn’t been dumped on them.

What a weird cartoon. It is similar to the Oswald short I mentioned coming in as in both some orphans just act like rotten kids and there’s no comeuppance for them. They just spread destruction at Christmas and that’s it. We’re supposed to laugh at their wickedness, I suppose, and that’s enough. We’re not really supposed to care about Mickey and Minnie and what’s left of their house. I suppose making sure orphans are in a safe environment at Christmas is something to aspire to. Minnie and Mickey’s physical possessions aren’t really that important, but these two take these kids into their home, go to great lengths to give them a special Christmas, and get nothing in return. It’s definitely not the kind of cartoon you would see starring Mickey Mouse in 2024.

Mickey is Mr. Nice Guy in this one, but he just gets crap for it.

There isn’t a whole lot to this one. There are some visual gags, but they’re not inventive or creative. It’s just kids being destructive in pretty standard ways. Mickey’s makeshift Santa entrance had a little cleverness to it, but it’s not like he used household objects to create toys like Grampy did in Christmas Comes But Once a Year. Visually, it’s a nice looking black and white short. Disney has always been on top of the animation game and that was true back then just as it so often has been throughout the decades since. The music is probably all public domain stuff. There’s a few Christmas numbers, and I think I even heard Beethoven, and it’s fine. There’s almost no dialogue save for the little kitten asking Mickey if he’s Santa and a few remarks by Minnie. The audio always comes across as more dated to me than the black and white visuals and that’s true here.

Mickey’s Orphans is a pretty unremarkable Christmas cartoon from the famous mouse, which is probably why it’s quite forgettable. There weren’t any scenes from this used in the broadcast of Mickey’s Christmas Carol like we saw with On Ice and Mickey’s Good Deed. Like a lot of what makes up the legend of Mickey Mouse, it mostly just gets credit for being first and not much else. Still, at only about seven minutes it’s hardly much of an investment of your time if you want to check it out. It can be found on YouTube and other free streaming platforms with ease as Disney isn’t very protective of its old black and white cartoons. If you want to own it then that’s a different story. This was released in the Walt Disney Treasures line on the very first Mickey Mouse in Black and White set, but it’s now long out of print and quite expensive. It’s also the only set I didn’t buy back when they were more affordable and that’s because these cartoons can be hard to sit through. Do I really want to spend all of that money just to say I own them even if I’ll never watch them all? The answer has, so far, been “No.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 1 – Christmas Comes But Once A Year (1936)

We’re back with another year of The Christmas Spot! And to kick things off this year we’re taking a look at a bonafide Christmas Classic. Christmas Comes But Once A Year may not be the household name that Rudolph and Frosty are, but for Gen X and millennial kids it’s probably familiar because it was…

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Dec. 1 – 35 Years of The Christmas Tape

Welcome back to another year of The Christmas Spot! This year we’re kicking things off with a post I’ve been sitting on for a few years now. When I utter the title “The Christmas Tape,” I’m curious what comes to the minds of readers. It sounds both generic and specific and I suspect a few…

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Dec. 1 – Frosty the Snowman

Welcome back, lovers of Christmas, to the 7th edition of The Christmas Spot! If you missed the introduction a few days ago, we’re doing things a little differently this year. Yes, you’re still getting a dedicated write-up each day through Christmas about a beloved or not-so-beloved holiday special, but this year we’re also going retro…

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Marvel Legends Deadpool & Wolverine Deadpool

Time to make the chimichangas…again.

Despite the amount of reviews presents on this blog, I still do not consider myself a Marvel Legends collector. That’s because my interests are somewhat narrow when it comes to the Marvel brand. Over the years I’ve developed a fondness for Deadpool as depicted on film by Ryan Reynolds. I think the comic book character is fine, but I really like how the character has translated to live action. Which is unusual for me as typically I don’t care much at all about the live action versions of comic book characters. I enjoy the movies, when they’re good, but when it comes to toys just give me the comic book version.

“Hmm it’s probably a lot easier to hide all of the dried blook with a darker costume…”

Live action Deadpool appeals to me enough that years ago I picked up the Deadpool and Negasonic Teenage Warhead two-pack. I sold the Negasonic figure, but kept Deadpool as that was what I wanted. And it’s one of my, if not the, favorite Marvel Legends figure in my collection. I struggle to think of one I enjoy more. It wasn’t without some flaws, but generally speaking, it’s a fun figure with a great likeness. When it was announced that a new movie was coming I figured I’d be interested in any new Deadpool. If there was one thing about the old figure I wasn’t that crazy about it was the very muted shade of red. The new movie rectified that with a much brighter version of the Deadpool costume and it even added some little gold accents. The only question was how different was the figure itself from the one I already own?

Head is probably a little too big, or the body too small, but the details of the costume are pretty accurate.

Turns out, a lot. I’m guessing Hasbro had the digital files of that old figure still and used them to update the costume and create this new figure, but as far as cutting steel molds go this figure is almost entirely new. I can only say for certain that the hands are old as are the holsters for his swords (and the accessories are reused too), but the rest is different. Most of the differences are subtle as the previous figure had some distress marks throughout the suit and more visible wrinkles which this version has done away with. The chest has a different pattern to the costume as well as do the boots and holsters for the sidearms. It still very much feels like the same figure, but it’s different.

“See, I have swords, which are way less painful than blades that pop out of your fist.”

These differences all help to make this new version of Deadpool look like the one we see onscreen in Deadpool & Wolverine. And that makes a lot of sense since that’s what it’s supposed to do. The figure stands around 6.325″ making it a touch shorter than Wolverine. Jackman and Reynolds are close in height in real life with Jackman the slightly taller of the two, though onscreen they appear pretty damn close to equal. I’ve seen some express dissatisfaction with this Deadpool figure’s height, but I’m not bothered by it. The figure is mostly red plastic with the black and gold parts painted on. It has a better paint job than my old figure as the eyes are clean and there isn’t much overrun with the detail work. Some portions of the black are cast in black plastic. The holsters, for one, as well as the shoulders, wrist straps, and gloves. The feet are black as well with the red painted on and there the finish isn’t the same as it is with the other red. Perhaps it’s on purpose, but the red on the top of the boots is very glossy and a little darker than the rest of the suit.

“Ohhh, I should have seen that coming!”

The overall proportions for Deadpool are solid, certainly better than Wolverine. The head is probably a touch too big, but I like the shoulder placement and the torso shape. Could he be a little beefier? Yeah, probably, but it’s fine. Really, my only gripe with the look of the figure is that the bare plastic does give it a cheap look. This is consistent with a lot of Hasbro releases and even some higher end stuff like S.H.Figuarts. Give this guy a coat of paint and he probably would look a whole lot closer to “premium.” As it stands, he still looks good and the lighting of your display will either help to make the figure look better or look worse.

Oldpool has the edge when it comes to accessories.

Unfortunately, as was the case with Wolverine, this Deadpool figure is lacking some when it comes to accessories. Only in this case it’s made more obvious since we just saw the previous Deadpool get re-released with a bunch more stuff. For weapons, you get what is expected: two katana, one knife, and two sidearms. The sidearms are no longer glued into the holsters and are fully useable. The previous movie Deadpool had them glued in for some reason, but he also came with two additional handguns which were molded to make them appear to be mid-fire, which was cool. We don’t get those here nor do we get the extra hands. This Deadpool just has a set of gripping hands and trigger hands. The previous Deadpool had a set of fists and and a set of open, style posed hands. Deadpool is a very expressive character so it’s a shame to see the extra hands get axed. I’m not disappointed that Hasbro didn’t include the stuffed unicorn accessory again, but why not the hands? We’re also still lacking an unmasked portrait. It’s something consistently missing from movie Deadpool figures. Are companies just cheap and don’t want to pay for the likeness rights? Or is Ryan Reynolds averse to having his likeness (albeit a heavily distorted one via the makeup) cast in plastic for some reason?

“I do not respond well to my own failings!”

The sculpt for this guy may be new, but the articulation is exactly the same. It’s just as functional as before, but also just as dated as Wolverine. The main issue is the lack of a ball joint in the torso. Instead, we get the old ab crunch with a waist twist. It’s more of an issue with Deadpool since he’s basically a ninja and is a character that should be able to hit as many poses as humanly possible for an action figure. His gripping hands also have the wrong hinge for articulation as they’re sporting a horizontal one. The trigger hands have the proper vertical hinge, but they unfortunately are too loose for a satisfactory grip of the swords.

Some effect parts and more hands would have been cool, but honestly this is a pretty solid release.

This Deadpool is basically more of the same when it comes to movie Deadpool figures. If you like the old ones and want to see a deco more appropriate for Deadpool & Wolverine, then by all means go ahead and grab this one. It’s not as good a value, but he probably has the bare minimum, at least. If you don’t like the articulation of the old release or really lament the absence of a Ryan Reynolds portrait then this release won’t solve those problems for you. I ended my Wolverine review from the same film with the thought that while it was a flawed release, it nailed the Hugh Jackman portrait which was something other action figures weren’t providing making it perhaps a worthwhile investment. With Deadpool, the opposite is true as we are likely to receive a superior action figure in the form of the Bandai S.H.Figuarts movie Deadpool which has more hands, expressions, and effects. It’s also more than triple the price. If you only want one Deadpool and aren’t opposed to spending more money, that’s a figure that might make you happier. If cost is more of a priority then this will probably do fine.

We have more Deadpool & Wolverine and just Deadpool in general:

Marvel Legends Deadpool 2 Two-Pack

Look through my various toy reviews and you’ll probably notice that I’m not much of a Marvel guy. That wasn’t always the case for me though as I was huge into Marvel Legends once upon a time. I basically stopped around the time Hasbro was awarded the Marvel license. I felt there was a dip…

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Marvel Legends Series 6 – Deadpool

In celebration of the release of Deadpool 2 I thought it would be a good opportunity to take a look at one of my favorite action figures from the Marvel Legends line – Deadpool! Marvel Legends is a series of action figures that originated with the now defunct ToyBiz and is now owned by Hasbro.…

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Marvel Legends Deadpool & Wolverine Wolverine

It might be hard for the young folk to believe, but once upon a time movies based on comic book characters were treated like box office poison. Unless you were Superman or Batman, you just didn’t belong in cinema. Even those characters weren’t bulletproof. Superman had a nice run, but fizzled out with the fourth…

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Marvel Legends Deadpool & Wolverine Wolverine

“Bet you thought it would never happen, bub.”

It might be hard for the young folk to believe, but once upon a time movies based on comic book characters were treated like box office poison. Unless you were Superman or Batman, you just didn’t belong in cinema. Even those characters weren’t bulletproof. Superman had a nice run, but fizzled out with the fourth flick while Batman basically did the same in the 90s. Still, 1989’s Batman was a massive hit in all of the ways Hollywood dreams up. It not only did well at the box office, but it was a cultural phenomenon with a hit soundtrack, tons of merch, and home video sales to back it up. Because it did so well, studios started to look at Batman as the blueprint for what could work in movie theaters when it came to comic book characters. If you couldn’t fit a franchise into that mold, then why bother? That’s probably why Spider-Man could never get off the ground despite someone always holding the option to start a film franchise. It’s also probably why a little known comic book hero in Blade did manage to sneak into theaters and actually do fairly well. And it meant that when it came time to bring the X-Men to film that franchise needed a dash of Batman.

“Why are you so short?”

This mainly manifested in the film’s look. Audiences weren’t going to believe a bunch of people in blue and yellow spandex could save the world. They’d look stupid, so out with the colors and in with the black. Almost all black, and since the film ended up being a hit I guess the lesson to take from X-Men was that approach worked, but was it the only way? When we finally made it to the now Marvel Cinematic Universe there seemed to be a willingness to just take the costumes people liked in print and just go with it. The Fantastic Four film franchise isn’t celebrated as a massive hit these days, but it made money with blue spandex. Spider-Man wore his traditional costume and faired well, so when Marvel got to Iron Man they basically let him do the same. Along with Captain America and, to some extent, Thor. Fox’s X-Men franchise still tiptoed around the subject, but eventually some of those comic blues made it in, but one thing we never got was Wolverine with the mask, with the yellow (or brown, for that matter), until a little movie called Deadpool & Wolverine.

Is this what we’ve wanted the whole time?

I didn’t do a review of Deadpool & Wolverine here. I probably should have, though it would have been lost in the many other reviews of the same. If I were to summarize it briefly, I’d call it Fan Service: The Marvel Way. It was plenty fun, maybe a little too long, but an overall enjoyable movie-going experience. It sure seemed like a big reason for the movie to exist was just to get Hugh Jackman’s Wolverine into a movie with a proper Deadpool (not that abomination from the Wolverine movie) and in a costume more reflective of his comic book self. Mission accomplished. The only surprise was that Hasbro wasn’t at the ready with Marvel Legends figures at opening. Now, I suspect there’s a good reason for that. Marvel and Disney probably wanted to keep the whole Wolverine look under wraps for as long as possible, at least until that first big trailer, and in doing so froze out action figure makers. They need a long lead time to get product on shelves and it probably wasn’t doable. They did manage a filler wave of older releases to try and placate fans, but now we finally have the first go at proper Deadpool & Wolverine figures and today we’re looking at Wolverine.

And who could forget his trusty sidekick, Deadpool?

Wolverine stands at approximately 6.5″ to the top of his noggin and comes clad in that bright yellow and blue suit you’ve likely seen by now. By default, he’s sporting his cowl which is interesting because this figure depicts a version of the character unseen on the screen. That’s because he has his yellow sleeves. If you’ve seen the movie, and I suppose light spoilers if you have not, then you know he begins the movie with the yellow sleeves, but eventually discards them. Before doing so, we never see him with the mask on. That’s saved for a big reveal later. He could have worn the mask at any time so I guess this figure is sort of like a depiction of the character before we ever meet him when his life was presumably better. And had Hasbro withheld the masked portrait people would have likely complained. They’re complaining anyway, but we’ll get to that.

I hope you like yellow.

What stands out with this figure right away is holy yellow, Batman! Or Wolverine. The yellow is very bright, though not necessarily inaccurately so when compared with the film. It’s just that in the film Wolverine acquires a fair amount of grime pretty quickly which this figure does not reflect. The yellow is also bare plastic which gives it a cheap look. Yellow is a tough color to sell and it would not surprise me if a lot of would-be customizers out there give this guy a wash to dampen that effect. There is a lot of blue on the costume as well which is mostly painted on. It’s fairly clean and Hasbro also painted the little, silver, rivets on the front of the costume which is a nice touch (they’re unpainted on the back, a fairly common tactic utilized by Hasbro). The X emblem on the belt looks nice and there’s black mixed in with the blue on the gloves and boots. The yellow is also all textured so it’s not a smooth figure. It almost has a sandpaper feel to it.

There are good and bad things to be found with this sculpt. The somewhat cheap look is one of those bad things and another would be the almost frumpy look Wolverine has. If you’ve seen Hugh Jackman in the role, then frumpy is probably one of the last words one would use to describe Jackman’s Wolverine. We see a lot of these issues with the comic Legends figures, but it’s largely a matter of proportioning. His chest is very narrow and there isn’t much thickness to it either. It doesn’t taper in like a human’s torso (or superhero’s) should and the head is too big. The legs seem short and he’s got these wide, birthing, hips. Now, this is all an issue when you have the figure just standing straight up and down on your shelf. Widen his stance and the issue is mitigated, but there’s no hiding completely that this body shape is off. And that’s a shame, because I bet we’re going to see most of this figure again at some point in the future. The other noticeable blemish that shows up more in pictures than in-hand is the different shades of yellow. The torso is almost a pale yellow while the limbs are more vibrant. The torso feels a touch harder and it’s thinner which may be the cause of the discoloration because both are cast in yellow as opposed to painted.

That’s a good looking face.

What undeniably turned out well though are the portraits. Well, specifically one portrait, but the masked portrait is solid too. It’s a good likeness of Jackman in the mask from the film which, honestly, looks a little goofy, but this is what we wanted, damn it! The yellow paint on the bridge of the nose is a little dingy, but that’s what happens when you paint yellow over black. The facial hair is a little messy too and there’s some overlap of the flesh on the edges of the jaw opening. It will look okay on a shelf, but up close isn’t all that impressive. And that’s assuming you want to display Wolverine masked and I’m not sure many will because this Jackman alternate portrait is fantastic. I don’t know if any other company at any other price range is going to top this likeness. It’s uncanny how lifelike this looks. Sure, get up real close and you see that almost pixelated paint app that’s a result of the face printing Hasbro uses, but at half an arm’s length it’s going to look awesome. The paint for the beard will probably vary a little from figure to figure and there’s a missed spot near my figure’s right ear, but overall I am very happy with this portrait. It’s the main reason why I decided to get the figure since the import versions look like they won’t even have a Jackman portrait.

The extra set of hands are kind of worthless. Just stick with the claws.

Accessories with Marvel Legends are rarely a selling point these days. Aside from the stellar unmasked head, this figure just comes with a set of clawed fists, a non-clawed right fist, and a trigger finger left hand. He has no gun to shoot so I guess Wade will have to loan him one. The clawed hands are probably what most care about and they’re fine. Claws are fairly straight and look good. The yellow paint on the hands is a little like the yellow paint on the nose, but what are you going to do? My hands did have some excess yellow paint in places, but I got it off with a Magic Eraser sheet. Obviously, the big omission here is the lack of optional arm parts. I mentioned earlier how we only see Wolverine in the film with bare arms while wearing the mask and that was certainly needed here. Was Hasbro not aware of that detail when the figure was designed? It’s possible. Or, they looked at all of this unique tooling they had to do in order to create this figure and decided a double-dip was in order. They can re-release this figure, throw in some arms that may not even need to be tooled, and call it a day. Maybe we’ll get a new head or something. An angry masked head, a yelling non-masked (which they could also repurpose from another figure), or maybe just this figure with bare arms. Personally, the bare armed look is the one I like best. Wolverine just looks weird in sleeves, like he’s wearing pajamas. Because it feels like such a certainty, I definitely don’t blame anyone willing to play the waiting game.

“Oh great, now there’s two of them.”

Wolverine’ articulation is a little different from what we’re used to. The head is a double ball peg and while it’s not executed perfectly, it is better than most Hasbro double ball pegs as Wolverine can look up, down, and there’s some tilt at play. He doesn’t have a neck joint though so those low Wolverine crouches aren’t really in play. The shoulder joints are basically big ball pegs. It’s what a lot of import companies use, but they do it in tandem with other joints to create more range. This one doesn’t. There’s a black, floating, cap and some space cut out of the chest to get a little range going across the chest, but it’s minimal. There’s almost no range going back so I wouldn’t even consider this a butterfly joint of any kind. Perhaps worse is that the shoulder pads just peg onto the shoulder itself. And it’s a big old peg with no play which means the shoulder pads are static and will hinder range at the hinge. He can’t raise his arms out to the side a full 90 degrees and even rotation is a bit cumbersome. The bicep, double-jointed elbows, and wrists are fine. The trigger finger hand has a horizontal hinge which is mostly worthless.

“And I thought Gambit was horny.”

The torso features an old school ab crunch. It goes back basically one “click” and forward two clicks. There’s a little nuance in between clicks, but not much. It’s very limited and the lack of a ball joint there is unfortunate. The waist twist is just a waist twist. The belt is floating so it can get out of the way. The hips are big ball sockets. He can almost hit a split and kick forward about 90 degrees with no room going back. There’s a thigh twist, but it breaks up the pattern on his thighs which is one of those things that may bug me more than most. The double-jointed knees work as expected as do the ankle hinges and rockers. The gloves and boots appear to both be separate pieces, but there’s no rotation to them. Overall, I’d call the articulation mediocre to average. Wolverine not being able to rear back with a fist is pretty disappointing and I don’t know why they let the shoulder pads become such a problem. I’m guessing there was a reluctance to break up the sculpt in the chest, but I personally would have done so for a ball-jointed diaphragm joint as well as a neck joint. I guess we’ll have to look to another company if we want a super-articulated Wolverine.

Friends forever?

Hasbro’s first stab at Wolverine from Deadpool & Wolverine is a bit of a half-baked release. It’s lacking in accessories including a major one and doesn’t hit a homerun with the articulation. It’s sacrificing articulation for sculpt, but the sculpt isn’t exactly deserving of such reverence. It does however deliver an incredible likeness of Hugh Jackman in the form of the unmasked portrait. Even with the limited articulation, it’s still possible to pose away some of the sculpt’s shortcomings. Because fans have been waiting so long to see Jackman in such a costume, it feels a little bit like this is a figure from a company that knows the fans were going to eat it up no matter what. And as a result, they only managed to deliver a satisfactory product. Hey, I’m clearly part of the problem in this instance since I bought this even though I really wanted a version of the character sans sleeves. And I fully expect such a character to come out in 2025. Knowing it’s likely to happen makes this a hard recommend. If you just want an MCU Wolverine right now and the imperfections don’t bother you then I guess go for it. I think the future S.H.Figuarts Wolverine will be a better action figure, but it too appears to lack a set of bare arms and I don’t think it’s even coming with an unmasked head. Plus it costs more than triple the amount of this one so I guess what I’m saying is I understand anyone who decides that this is good enough for now. I clearly did and while I’m not entirely satisfied with the decision, I’m not exactly regretting it either. Maybe I will when and if I replace it with something better, but who knows when that will be? At least for right now I get to enjoy tiny Hugh on my desk.

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