Tag Archives: x-men 92

Mondo X-Men TAS Wolverine 1/6 Scale SDCC Exclusive Action Figure

Look who finally arrived!

When San Diego Comic Con was cancelled for 2021, many of the entities that would have sold exclusive merchandise at the event pivoted to web sales. And since the 2020 iteration of the famed event was also canceled due to the COVID-19 pandemic, many seemed to expect the same for 2021, or the massive delays experienced by many industries just played a large role in delaying product intended for the event to sometime after. I talked about this in my review of the NECA Toys San Diego Comic Con set for Teenage Mutant Ninja Turtles. The wait for that seemed long, but it wasn’t as long as it was for my most anticipated release related to the event: Mondo’s 1/6 scale Wolverine!

Each box is individually numbered and comes with a slipcase featuring storyboard art for the show’s iconic intro.

Halloween 2022 is going to mark 30 years since the premiere of X-Men on Fox Kids. The animated series was the introduction to the famed superhero team for a generation of fans. It was what helped vault the already popular team of mutants from just a comic book phenomenon to something bigger. Since then, the X-Men have seen their standing relative to other costumed superheroes falter some, largely due to Marvel selling off the film rights to 20th Century Fox leaving them out of the Marvel Cinematic Universe which has turned also-rans, like The Avengers, into some of the hottest properties in the world. Seriously, as a kid if you told me The Avengers would one day dwarf the X-Men in popularity I would have looked at you as-if you had two heads. It was just unheard of at the time that Captain America or Thor would ever have that kind of appeal.

Am I really going to open this?!

Well, 2022 is apparently the year the X-Men will attempt a comeback! In celebration of the animated series turning 30, we can expect a host of new merchandise to mark the occasion including a series of action figures from Hasbro. And it will spill over into 2023 with a new series set to launch on Disney+ continuing the adventures of the animated universe which ended in 1997. The appropriately titled X-Men ’97 is still shrouded in mystery, but we know a lot of the voice cast is returning to reprise their roles and there seems to be an energy about the franchise that hasn’t been there in recent years.

Oh my god, that’s perfect. How can I open this?!

The first of this new wave of merch is now upon us. Mondo’s take on Wolverine from the show was the first such figure I saw announced. I’ve been pounding the drum for a dedicated line of figures based on the show for years now, and seeing Mondo enter the market was a huge development. Mondo is a company I’m not personally familiar with. I certainly know of the company and their wares, I’ve just never owned any as they tend to stick to larger scales. And larger scaled figures come with larger price tags and larger space requirements. Do I necessarily want a sixth scale version of the X-Men? No, but seeing how it’s just the first of what I hope will be more toys based on the property I had to jump in and support it. And to make the package even more special is the SDCC theming which positions Wolverine in his longing pose on a cardboard bed pining over his unrequited love for Jean Grey. It’s a scene, and a meme, brought to life and it certainly put a smile on my face. What didn’t was the hefty price tag of $200 plus $20 to ship it. I wasn’t certain of the price until I got into the website to order it, and by then I was past the point of no return. At least with Mondo charging upfront some of that sting has subsided in the ensuing six months since I ordered this item. Any bruises have been replaced by my own longing to get this thing in-hand and see how it turned out.

I opened it.

First of all, the packaging is quite fetching. It almost feels like a crime to open this guy. It’s an elaborate window box positioning Wolverine on his bed, photo of Scott and Jean in-hand, looking pretty miserable. He’s got himself a nice pillow propping him up, and it’s the type of package that I see many people never opening even though he’s got an assortment of parts for a more traditional display. If the price tag wasn’t so high, I’m sure more would entertain the idea of leaving this figure sealed and buying another for display. This is the SDCC exclusive, while a standard release is expected to follow that omits the packaging and some of the accessories that will cost less. How much less is still unknown as the figure has yet to go up for order anywhere. I am very entertained by this package, but I can’t leave him in place, so out he comes!

He’s out! Though he doesn’t look any happier. Mondo included a stand that is unnecessary, and kind of boring. They couldn’t put a big, red, X, on that base and dress it up a little?

First of all, getting Wolverine out without destroying this box was a challenge, but one I successfully navigated. The ties on his torso aren’t actually twisted, so they can be pulled off once you slide the display out of the window box. Getting at the other stuff was more challenging as it’s under the bed and you need to open it up. I found going at it from the foot of the bed easiest and was able to slide out the inner cardboard box and the bagged accessory piece as well. From there, I found it easiest to just snip at the other ties holding him down to the plastic bubble. Mondo wisely put paper inbetween the ties and the figure so you don’t have to worry about scratching it as you remove them. The hands and picture frames are wrapped in plastic to hold it in place and that has to be just torn off. Once the restraints are removed he lifts out rather easy. The pillow is also tied down and I just left it for now. It’s funny, when the figure is in the box I never noticed that the pillow is basically just suspended in air on top of the plastic bubble, but once the figure is out it’s definitely noticeable.

Wolverine towers over his Fox Kids contemporaries.

Now that Wolverine is out, I can tell you he stands at about 10 3/4″ to the top of his head. The “ears” take him to around the 11 1/2″ inch mark. The sculpt is very neat as there’s not a lot of articulation showing. The cel-shading is also done in a manner where it goes from lighter on the figure’s right side to darker on the left. It’s most noticeable on the gloves as the top of the left hand is almost entirely painted in a dark blue while the right hand has just a bit of that on the left side and palm. The head features shading on just the left side of the yellow portions and it’s very subtle from the front. The exposed flesh on Wolverine’s face has some shading on the left side and above the chin. True to the show, the black ears feature no blue accents. The rest of the figure follows the same pattern with the paint getting progressively darker as you move from one side to the other. There are three shades of red and three shades of blue on the belt and trunks to accomplish the effect while a more saturated, honey-like yellow, is used to outline some of the muscles. It looks pretty damn terrific and accomplishes what it set out to do. One could quibble with the chest area as the shading is least pronounced there. Maybe adding in some white would have accentuated that as that was a common tactic in the show, but sometimes less is more.

Bring in a quarter scale turtle though and he’s dwarfed. He’s still got bragging rights on Venom though.

The overall sculpt for Wolverine is also quite nice. His ears really fan out and are a bit narrow in keeping with the show’s look. It stood out in images to me as being a little odd, but in-hand the likeness seems more realized, or I’m just charmed to finally have it. He’s broad-shouldered and the musculature looks rather true to the show and not overdone. I like how they did the hair on his arms entirely with paint which keeps with the somewhat flat look of animation. The X logo on the belt is sculpted and is rather clean which does a fine job of drawing attention to it. Everything looks well-proportioned too, though it will be interesting to see how much taller future figures are in the line given that Wolverine is among the shortest characters on the show. Mondo pretty much nailed the look of the character and it’s nice to see.

As far as I can tell, the “Come here” hand is best utilized to recreate this legendary cover. Too bad he doesn’t have a smiling, unmasked, head.

And that’s just out of the box with the sad face and no clawed hands. Underneath that bed is the other stuff. For starters, Wolverine has an open right hand and a relaxed, sort of gripping, left hand for the packaging setup. In addition to that he has the following: left open hand, left curled index finger hand (maybe for a “Come here” gesture?), a right gripping hand, clawed fists, and clawed fists with the sparking effect arcing between them. The gripping hand is here for the turkey leg accessory, another frequent meme or gif shared on social media, and it could also hold the picture frame if you really want it to. The clawed hands feature long, hard, grey, claws. I think one could argue they should have been white in keeping with the show, or white with some blue shading, but they look okay. The claws on the arcing piece are perfectly straight and it’s a great looking item. The sparking part is a translucent blue plastic and it’s soft and bendy which helps make it easy to pop the hands in place. I’m surprised they didn’t just make the blue part removable, but maybe they feared people breaking the claws when putting it on. Swapping hands is mostly easy, but those claws are tricky to work as it requires some force to remove the hands and you have to be mindful not to break the claws (or stab yourself). I’ll probably display him with the arcing effect for at least a little while. The picture frame is really well done and you can remove the picture from it via a slit in the top. It’s not probably not going to be easy though as it doesn’t seem to move around at all in there. It might be easier to just continue to use photoshop instead.

Of course, it’s a lot easier to swap the clawed hands if you just take the claws off first! I actually had forgot about the teaser images for this figure which featured Wolverine with un-clawed fists or with just one claw extended to carve the turkey. The claws are in there pretty snug out of the box, or at least they were on one hand for me. Maybe swapping hands around caused the other one to loosen, but either way, I was able to pull them out of one hand easily enough while the other I dipped in hot water first. It’s a great idea for a figure at this scale since the claws can be thick and durable enough to withstand such use and they’re not tiny and likely to get lost. All of the channels on Wolverine’s hands feature holes for the claws, but they definitely do not go in easy. I think if I really wanted Wolverine to have claws in the non-fist hands I’d probably have to insert a paper clip or something into the channels first just to widen them and push some of the paint out of the way, but it’s probably do-able. I don’t particularly think he needs to be able to have claws on his non-fist hands, but I do like the option to have his fists without the claws if I want. It also makes it easier to straighten the claws, as they probably won’t look perfectly straight out of the box. Of course, I took most of my pictures before realizing I could even do this, so if you think his claws aren’t straight enough in my images at least you know that’s something that’s adjustable.

Snikt!

Wolverine also has extra portraits to work with. The default one is the sad face which is mostly good for a laugh, but isn’t one you’re likely to display outside of the pose he came in, but it will probably be something fun to use with photography. He also has a neutral head and a teeth-gritting, angry, head. Both expressions work very well for this version of the character and it’s hard to pick a favorite, or would be under normal circumstances, but I’ll explain that in the next paragraph. Wolverine also has an unmasked head that looks…okay. He’s making an odd shape with his mouth and I don’t know what Mondo was going for. Something more neutral would have likely looked better. I do like the shading on his hair though and his mutton chops are on display. It’s not terrible, but hard to imagine many using it.

The hair looks good, but I don’t know about that expression.

Lastly, we have another odd, but welcomed, head in the form of Morph. He’s depicted with his black hair and a slight smile. His facial structure looks good, but the eyes are a bit off. They painted black lines on the bottom of the eyes and then additional lines below that and it makes them look like they’re upside down. I don’t think they needed the added lines for this particular expression and they probably should have outlined the whole eye. Still, it’s something people are unlikely to make much use of since Morph never changed his body to look like Wolverine in the show while leaving his head unchanged. He did the opposite with Gambit, though. I know Magneto is slated to come with an Evil Morph head, but beyond that I don’t know what the plan for the character is. Seems unlikely they’d go full build-a-figure with him at this scale, but who knows? Maybe they’ll just do Morph eventually and he’ll completely different portraits and these will be bonus extras for those all-in on the line.

This is actually a Morph figure with a bunch of Wolverine heads.
Hey, another use for sad Wolverine and the Morph head!

Where things do come apart at the seems a bit with this figure is with the overall paint job. Bigger figures mean more opportunities for shading, and also more opportunities for things to go off the rails. The main figure is largely good, but there are parts where the paint gets a little iffy. The black teeth, or claws, on the torso aren’t always sharp. The worst spot is on the figure’s right just below the pectoral where the yellow and black meet to form a little green. There’s also a little paint rub on the left thigh where it meets the blue trunks. Yellow is tough to work with as any little instance of rub is going to show, but it’s still disappointing. By far though the worst is with the neutral expression head. That has a bunch of the black paint mixing with the yellow over Wolverine’s left eye. It looks like what happens when you go from using a black watercolor and dip it into yellow without cleaning the brush well enough. It’s terrible looking and renders that head unusable, as far as I’m concerned. I did reach out to Mondo in hopes of getting a replacement because it’s not acceptable for any figure to have that bad a paint app, and certainly not one that cost 200 bucks. All of the other paint imperfections I can live with and find acceptable, even at this price point, but not that head. I haven’t heard back as of this writing, save for an automated response, but I’ll update this post accordingly should I hear from them. UPDATE – not five minutes after this post went live I was contacted by Mondo to say a replacement was on the way and should arrive within five business days. Nice!

UPDATE Part 2A week and a day following my initial reach out and I had my replacement. Only, Mondo didn’t replace the one head I had an issue with, they replaced the whole thing! Yes, they sent me a whole other, unopened, still sealed, unit. It’s kind of crazy and I don’t know what I’m going to do with it. I want that head, but do I want it enough to open another one of these or should I just keep it sealed and deal with the initial crummy one? I did take the bad head out of the baggie it came in to find it’s more like a glue that is on the head. I don’t know if I can remove it without damaging the head further. I’m tempted to try and then paint it, or I could just open the new one and see if it has a better neutral expression then ship it off at cost to someone I know would like to have this and might not care about a bad head. Regardless, that’s certainly good customer service, even if I think Mondo is kind of crazy to not just have some spare parts on-hand.

Well, that’s not good.

The articulation for this figure might be the only other area collectors are likely to find fault with. Mondo likely prioritized the overall aesthetic for Wolverine with articulation taking a back seat. Personally, I’m happy with that decision and I think it’s the right choice as the animation was pretty stiff. Wolverine’s head sits on a double ball-peg so you get rotation and the ability to look up and down slightly. There’s also some tilt. Some of the heads seem to have more range than others as I could get sad Wolverine to look up a bit, but angry Wolverine not really at all. The unmasked heads are a pain to get seated properly on the peg and sit quite deep so their range isn’t any better. At the shoulders are standard ball-hinges and you will want to take care not to rub the shoulder pads. They come out to the side a decent amount, but not 90 degrees. There’s no biceps swivel with Mondo instead opting for a swivel just above the elbow hinge. It works okay and I admittedly like the look of his arms so I’m fine with the trade-off. This does mean the elbows are single-jointed so that’s a bummer as you’re not going to do better than 90 there. The hands are on ball joints so they at least move around just fine. Removing the default ones was a little scary and I did dip them in hot water just to air on the side of caution, but I have not had any issues swapping them.

Posing isn’t going to be this figure’s strong suit, but he does balance really well.

In the torso, Wolverine has a diaphragm joint and a waist twist. The diaphragm joint is quite noisy so there’s a lot of rubbing going on so do be careful. It lets Wolverine tilt back a fair amount, but he doesn’t crunch forward hardly at all. You do get some twist too, but again, lots of rubbing and you have that black paint right underneath. The waist twist is just a twist and doesn’t feel like a ball joint. The belt and trunks are also all one piece so, again, be mindful of potential rubbing. At the thigh, it feels like we just have a simple ball and socket joint. Again, and I sound like a broken record, lots of rubbing on that crotch piece so how far forward he can kick is largely dependent upon how far you want to push it. There’s a twist there too which works fine and the knees are double-jointed, but really just present a 90 degree bend. At the ankles we mostly have a pivot, or rocker, joint as there’s very little up and down because of how deep into the foot the joint was set. He stands just fine, though Mondo did include a stand, but doing a running pose or something similar would be a challenge for Wolverine. The joints are all at a good tolerance. Nothing is loose, and none felt scary to move out of the box. It’s just not the most dynamic assortment of articulation, but it is very low profile. And really, the only thing that would have made him more exciting for me would have been butterfly joints so he could really reach out with those claws. Those tend to be ugly though so I understand why they aren’t present. Others may feel differently though.

Ultimately, this just looks like Wolverine from the show and I think that will make a lot of people very happy. Plus, that packaging! They even included the reference art on the back of the box!

Mondo’s first foray into the X-Men animated universe is mostly positive. Objectively speaking, this figure has some problems. The articulation isn’t great and certainly the paint on one of the heads is not acceptable. I also assume the more minor paint issues will vary from figure to figure and there are more subjective things to critique like some of the shading choices or the expression on the non-masked head. For me personally though, this figure is a ton of fun to both look at and handle. He looks like the character from the show I loved as a kid and I couldn’t be happier that this exists. Certainly, I wish he didn’t cost 200 bucks as this line will get very expensive if all of the figures are priced at that level. This is the San Diego version, but also the brown costume variant was priced at 200 so who knows what the going rate is going to be? On the other hand, if they only put out one or two per year then that certainly makes it a lot easier to budget.

Wolverine is lonely though. Imagine Sabretooth at this scale?!

This version of Wolverine was a convention exclusive limited to 3,250 pieces. If you want him, you’ll have to go to the secondary market or hope that Mondo does indeed release a stripped down version in the future. Again, Mondo has been pretty quiet about that release and future ones so I don’t know if that’s still the plan. The secondary market is basically you’re only source for this one now where it will likely cost more than the $200 Mondo charged. How much more remains to be seen. Right now, the listings are pretty high, but I don’t know if they’re actually selling. This is a rather niche item because of its scale and there’s a very real possibility that those hoping to make a buck have to settle for far less than they expected. Over three-thousand units isn’t a small number for this sort of thing so keep your eyes open if you want him. As for me, I can’t wait to have a more robust X-Men collection to display. Between Mondo and Hasbro, it figures to be an eventful 2022 for the almost 30 year old show.

That was a long one, I could really go for something to eat. Who wants turkey?!

Take My Money, Hasbro, Give Me X-Men Animated Series Legends!

 

x-men animated group shot

Let’s talk some X-Men!

It’s been probably 13 or 14 years since I’ve purchased a Marvel-branded action figure. This is somewhat shocking to me because from the age of 7 to around 25 I spent who knows how much money on Marvel action figures. I was there for the inaugural Toy Biz line of Marvel Superheroes and X-Men action figures and I continued buying Toy Biz figures well past the age of when it was considered “appropriate” by my peers. And even after I stopped actually playing with my toys I still kept them on display in my room. Two pieces of old countertop on milk crates served as my makeshift shelves. Good guys on one side, bad guys on the other. As characters changed allegiance in the comics, so did their placement on my shelf. Aside from that, I didn’t like to mess with them and the dust would grow thicker and thicker and probably contributed to my constant sneezing. I didn’t care though, because I really loved my toys.

When action figures grew up with me I grew extremely excited. There were a few dedicated collector lines, most memorably one based on the Onslaught mini series, but things really changed with Marvel Legends. I was a bit tepid at first with them, mostly due to the absence of X-Men, but eventually I got into it. I started with just a figure here and there, and soon enough I found myself buying entire waves. I also added the occasional Diamond Select figure which at the time prioritized sculpt over articulation making some of the toys little more than glorified statues. I even got into Mini Mates for a period, since they initially focused on the Ultimate X-Men which was a comic I grew attached to pretty quickly.

Eventually, I stopped collecting. Part of that coincided with the dissolving of Toy Biz by Marvel which chose to instead license its properties to Hasbro. Those first few Hasbro waves weren’t very strong, and with the build-a-figure shrinking down to more normal proportions it failed to really motivate me. I think the last wave I bought to completion was whichever one featured The Blob. And even with that, I think I had to buy some figures based on X-Men: The Last Stand which did not sit well with me. That also happened to coincide with me moving out on my own trading the confines of my old bedroom for a small apartment. I didn’t want to have to lug a bunch of toys around with me every time I moved, and once I got settled into my own home that I purchased the itch had passed. I had moved onto other hobbies and comics just didn’t appeal to me like they once did. Sure, there have been a few figures over the years that tempted me, but the rising cost in standard toys makes it pretty easy to just focus on the things that really bring me joy.

That could change though, and if Hasbro wanted me back (and who wouldn’t?) there is one thing the company could do that would guarantee it many of my dollars and it has to do with my favorite show as a child:  X-Men.

xmen three pack

This recent action figure three-pack is what put my brain into this mode. These almost work as animated versions, but they’re different just enough to not be perfect. And I’m not just referring to Wolverine’s bone claws.

Nostalgia currently has me hooked via NECA’s line of Teenage Mutant Ninja Turtles toys based on the old cartoon series. That show may not be particularly good, but I loved it as a kid and it’s something I can’t let go of. Similarly, I have a huge amount of affection still for X-Men. That show was my life for a few years and unlike TMNT, the show is still watchable today even if it doesn’t hold up as well as Batman or possibly even Gargoyles. And I know I am not alone. There is a lot of love out there for that show and that has been preyed upon via action figures based on the costume designs of the Jim Lee era X-Men from the comics. There was a recently announced three-pack featuring Wolverine, Jean Grey, and Cyclops which is what really got my juices flowing. Those characters bare a strong resemblance to their animated counterparts, but the figures are also clearly aiming to capture the look of the comics and not a cartoon.

What gives me hope that such a line could work is because animated versions of these characters are not far off what is already out there. Take your standard Wolverine action figure, for instance. To make him better resemble the cartoon, Hasbro basically just needs to reduce detail. No stubble on his face, not much hair on the arms, and less muscle definition. DC has done a great job bringing Batman: The Animated Series to plastic form in terms of aesthetics, so why not do the same, Hasbro?

Because I’m such a generous guy, I’m even going to provide a road map for Hasbro. I envision six figures per wave with a build-a-figure bringing the total to seven. Adhering to modern times, the extra buildable figure is not some titanic character, but something closer to a standard sized figure. It would be a good fit for those figures that would need to be 7 or 8 inches as opposed to 5-6, which is what I imagine most figures would fall into. They could be done, and really should be, in scale with Marvel Legends and I would prioritize characters from the first two seasons. If the line’s a success, then sure go for more. If the series happened and worked out as outlined below, then I would definitely buy every figure and really annoy my wife as I hunted for more space to display them.

Series 1

  • Wolverine
  • Cyclops
  • Rogue
  • Morph
  • Mystique
  • Magneto
  • Build-a-Figure:  Sabretooth

This mix would get some fan-favorite good guys out early and also a few villains to pose them against. Wolverine is an obvious must for the first series as he was the most popular character. He should come in his standard uniform and additional hands, some with claws in and some with claws out. A second, unmasked, head would complete the look. Cyclops should also just have his normal look. If a removable flight jacket could be added without harming the sculpt, then all the better, but not necessary. Similar to modern Cyclops figures, he should have a second head with a blast effect and probably an extra set of hands including one with two fingers extended on his right hand to activate his “X” communicator. Morph, on the other hand, should have his flight jacket since he was most often depicted wearing it. He should also have black hair as he did in seasons one and two and an alternate “evil” head. Mystique would need few additional accessories, making her the likely landing spot for a larger piece of the build-a-figure. Magneto would need a helmeted and un-helmeted head to properly capture his long hair. A nice, heavy, fabric cape would also look great, but soft plastic wouldn’t be bad either. Sabretooth, being featured in episode one, makes for a good choice as the first build-a-figure given his size relative to the other characters.

X-Men (FOX) [1992-1997]Shown from left: Wolverine, Morph, Beast

That’s how I want my Wolverine to look, bub.

Series 2

  • Gambit
  • Bishop
  • Storm
  • Cable
  • Pyro
  • Avalanche
  • BAF:  The Blob

Wave Two would be anchored by the next most popular character after Wolverine, Gambit. He’d just need various hands and his bo staff to be authentic. Storm would be the other character from the team, and in the interest of “keeping them wanting,” would be the only other from the main team. Bishop and Cable both played large roles as guest characters and lend themselves well to action figure form. Cable should probably have his season two look which featured a metallic left arm, a more common look than the season one version. Bishop should also feature a removable time bracelet to go along with his really big gun. Pyro and Avalanche would serve as the villains with the BAF being their comrade Blob. A desire to assemble Mystique’s troop would hopefully help drive sales.

x-men_L48

Everyone can relax, Gambit is in series two.

Series 3

  • Beast
  • Jean Grey
  • Archangel
  • Civilian Wolverine
  • Graydon Creed
  • Mr. Sinister
  • BAF:  Apocalypse

Series 3 would be the one that nearly completes the main team. Beast, unlike most figures based on the character, should have a cheerful disposition as opposed to an angry one. Jean Grey would need her cartoon-accurate costume, something Toy Biz never delivered on when the show was popular, which was blue and orange as opposed to blue and yellow. She should also probably come with a Cerebro helmet. This would also be a good time for a second Wolverine figure. Since he was so often featured in plain clothes (yellow flannel with a brown jacket), a figure based on that look makes sense. He should have two pairs of clawless hands, ones that look like normal fists and ones that have the steel ports on his hands as he was incorrectly portrayed in season one. Diehard fans of the show, such as myself, really appreciate little details like that. Creed was a big player in season two, and he warrants a figure as a result. Of course, Sinister was the main big, bad, guy of that season and series three feels like a good spot for him. Lastly, Archangel should be included (with a masked head and unmasked head) to pair with the BAF Apocalypse who would be depicted in his animated purple and blue color scheme.

apocalypse cartoon

I don’t know why they made him purple, but the toy better follow in the same footsteps!

Series 4

  • Jubilee
  • Colossus
  • Omega Red
  • Forge
  • Civilian Cyclops
  • Professor X
  • BAF: Juggernaut

Series 4 would finish the main squad by including Jubilee and Professor X. Xavier would be the tough one to include as he would need his hover chair. Recently, Hasbro did a Professor X that I think retails for more than a standard Legend. The company could save money by retooling it and if it has to retail for more then so be it. Colossus guested a couple of times and is deserving of a figure himself. He should be clad in his blue pants and white tank top to match his appearance in the show. If a second, non-transformed, upper torso could be done then that would be really neat. Omega Red is a villain with a great, 90s, design, and even though he’s a bit bigger than other characters, I don’t think he’s so large that he would need to be a BAF. Cyclops had enough non-costumed appearances to be the second main cast member worthy of a civilian look. And Forge had multiple appearances as well. He should come with an alternate head so he could be depicted as main timeline Forge and future Forge. The Juggernaut is the last character that serves as an obvious choice for a BAF and would be a sought after one helping to make sure fans buy the entire wave. That only challenge with him is I think he would need two heads as well, one masked and one unmasked, because it’s hard to make a good-looking Juggernaut figure that features a removable helmet.

colossus 92

Colossus proved you didn’t need a real costume to be a hero.

Series 5 and 6

  • Phoenix
  • Gladiator
  • Nightcrawler
  • Dazzler
  • White Queen
  • Sebastian Shaw
  • Henry Gyrich
  • Bolivar Trask
  • Dark Phoenix
  • Banshee
  • Fabian Cortez
  • Empress Lilandra
  • BAF:  Sentinel

I’m grouping these two together because I have a radical idea for the BAF. It would be a sentinel and the pieces spread between both waves. The piece loadout would be like Giant Man from the Toy Biz days which did an oversized wave of Marvel Legends as a Wal-Mart exclusive. This would allow Hasbro to do a bigger figure to do the sentinel justice, because we need a sentinel for such a series since they were so important in that first season. The desire to have a cartoon sentinel would help move some of the less exciting, but still essential, characters contained in this wave. Trask and Gyrich, specifically, would be unsexy figures, but they had such a large presence over the first season that it feels wrong to exclude them. Much of these waves would also be devoted to the Phoenix and Dark Phoenix Sagas. Doing both regular Phoenix and Dark Phoenix would also save Hasbro money since they’d basically be the same figure, different head. For Lilandra, I’d also go with the Empress version of the character as that would just make for a more striking visual. Cortez is the only character from a later season, but I see more opportunity for villains and I just happen to like him more than someone like Erik the Red or D’Ken.

sentinel 92

I don’t see how you could have a toy-line dedicated to the X-Men cartoon and not feature a sentinel somehow.

If the line was a success, it wouldn’t have to end there. I completely ignored Sinister’s Nasty Boys and all of the mutates from the Savage Land. They would really help to bolster the ranks of the villains, but it might be hard to convince people they’re more deserving of plastic than some of the others. An entire Savage Land wave could even be done, though I don’t know if that would be a big seller. Another big bad guy I left out is Mojo who would probably work best as a BAF. If he was done, then he would need to be paired with a Longshot.

As for heroes, there are alternate versions of other characters that could pad things out. Civilian versions of Storm, Rogue, Jean and Jubilee (or her in a flight suit) could be added. Beast and Gambit had other looks as well, but nothing really drastic (though Beast with his Howard the Duck shirt is pretty tempting). Archangel also briefly appeared as Angel in season one and returned in season four sporting his white and blue Angel costume. Wolverine had other looks as well, though my personal favorite would probably be the alternate timeline Wolverine from “One Man’s Worth” which also featured a mohawked Storm. Other guest heroes included Iceman, Psylocke, Alpha Flight and X-Factor so there are certainly more characters to mine from, I’m just not sure any really need a dedicated figure based on their look in the cartoon.

Hasbro missed its chance to honor the cartoon with a line of figures to celebrate the show’s 25th anniversary. There’s still time though to recognize the 30th in 2022 and a toy-line near then would be an appropriate way to do so. If 2022 seems too far away right now it could be timed to end that year. The show is also about to gain new exposure via Disney+ where it and other X-Men cartoons will be available day one. And with Disney acquiring 20th Century Fox it stands to reason that the X-Men will soon join Disney’s Marvel Cinematic Universe bringing even more of a spotlight to the brand. The time is right, Hasbro, make it happen!

 

 


Previously on X-Men: The Making of an Animated Series

previously

by Eric Lewald, published by Jacobs Brown Media Group LLC

A lot of cartoons made an impact on me as a child. My first love was The Real Ghostbusters. Its goofy cast of characters and excitement were plenty of fun and there were interesting toys to supplement the series with, which was pretty much the goal of all cartoons in the 80s. The Teenage Mutant Ninja Turtles would come along and supplant Ghostbusters for me. For several years I was all about the Turtles, with a flirtation with Bucky O’Hare mixed in, though sadly the funky fresh rabbit never made it past 13 episodes.

In 1992 things changed, in more ways than one. My family had just been uprooted moving from the cozy confines of New Hampshire to what felt like a different world down in Virginia. For the first time ever, I was a fish out of water. As I was gearing up to start 3rd grade in a new state, a new town, a new school, I would be tasked with forming all new friendships either at school or in my new neighborhood. It’s not a task I’ve ever been particularly good at. Shy and a tad awkward, I wasn’t outgoing, nor was I particularly talented in anything so I had few ways of attracting people. As a result, my television was sort of my best friend for a time and thankfully I had a new friend in Batman who had just debuted on week day afternoons on Fox Kids, a network I really only knew of thanks to The Simpsons. Batman was all fine and good, and I consumed every episode as it aired (and have since gone on to write about, if you hadn’t noticed), but it never hooked me like Teenage Mutant Ninja Turtles, even though that was a program I found myself outgrowing. What did resonate with me almost immediately though was the cartoon that premiered not long after Batman, I’m talking about X-Men.

The X-Men were known to me in basic terms before the animated series premiered on Fox. About a year prior to the show debuting Marvel had launched a toyline complete with TV spots, even though there was no companion television series to pair it with. I suppose the toys could have been developed in conjunction with the Pryde of the X-Men pilot that had premiered and failed in 1989. The roster was pretty similar, though then relative newcomer Archangel replaced Dazzler in that initial run of toys. Aside from that though, I don’t think I had ever picked up an X-Men comic book and I may or may not have played the side-scrolling beat-’em-up arcade game that was also based on Pryde of the X-Men. And I didn’t even actually catch the sneak peek preview, which aired on Halloween of 1992. I had seen all of the television spots leading up to it and was very interested in the show, but I had tricks or treats to get and wasn’t good at working a VCR.

X-men_pryde_of_the_x-men_cover

The first attempt at bringing the X-Men to television did not go very well.

At school, I would hear about it though. They had cool powers, but people hated them. Why? It seemed like such a foreign concept. One character got arrested and another died! Wow! Perhaps morbidly, I really wanted to see that character death, whom I’d come to know as Morph. Frustratingly, it would be awhile before I finally saw it. Somehow, whenever “Night of the Sentinels:  Part 2” was aired on television I would miss it. I wasn’t allowed to stay home alone, since I was only 8, so if my family had plans on Saturday morning I had little say. My mom even enrolled me in CCD, or church school, which convened at 11 on Saturdays, much to my horror. I think I only went to two of those classes before my mom got sick of the revolt each Saturday, finally freeing me to enjoy my new favorite program in relative peace.

In no time I was obsessed, and X-Men was my favorite show for basically as long as it aired. I still have the many toys I amassed during that period in my life, and though I no longer read the comics, I still enjoy revisiting this cartoon. It’s why when I heard that showrunner Eric Lewald was releasing a book all about his experience in making the show and bringing it to television that I had to get a copy. I received a copy last November, and I’m a bit disappointed in myself since it took me this long to finally finish it and get to writing this post, but life is hectic.

Previously on X-Men is an account of how this unlikely hit came to be. When Fox premiered X-Men and Batman it was still a fledgling network. The Tracey Ullman Show and Married… With Children got the network its initial audience, and The Simpsons would then establish it as a viable alternative to the big 3:  ABC, CBS, and NBC. It was still struggling during the other parts of the day with programming often ending before 11 PM. Recognizing that there was a place for children’s programming, Fox brought together a web of studios and producers in a mostly haphazard manner that somehow led to network dominance. Shows like Bobby’s World and Attack of the Killer Tomatoes were filling out the kids portion of the programming early on, and while it sounds like they did okay numbers, they weren’t going to raise the network’s profile much. It would fall to the superheroes to do that.

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Julia and Eric Lewald

Lewald’s book does a great job in capturing those early days while also contrasting X-Men with its daily counterpart Batman. Batman was a show with tremendous financial muscle behind it in the form of Warner Bros. and DC. It was coming off two successful Tim Burton movies and featured a character recognized around the globe. As a result, it was largely an internal production at Warner and Fox got to enjoy the benefits. And then there was X-Men, the troubled property that seemingly no one believed in. Thanks to so many television failures by Marvel in the past, there was almost zero enthusiasm for a show based on the property. Margaret Loesch, who formerly headed-up television at Marvel and was hired away to run Fox Kids, was one of the few who believed in it. Having failed to get the show going while at Marvel, she knew a producer who she had hired and fired on more than one occasion that could handle the task. That man was Sidney Iwanter, and he produced the show along with many others for Fox Kids. Citing a belief that kids were smarter than network executives gave them credit for, he demanded excellence from the writing staff of X-Men, who were overseen by Lewald. These three probably deserve the most credit in getting X-Men to television and for it being the number one kid’s show when it finally did get there.

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Haim Saban, who is both a hero and a villain in this story.

The first 200 pages of the 400 page book are devoted to the development process and it’s a fascinating read. Lewald, who had no experience with the X-Men before getting hired to run the show, was entrusted with those initial 13 episodes. He had people at Marvel he could go to with questions, but in a pre-internet world that meant a phone call, fax, or worse. It wasn’t like there was a Google equivalent in 1992. Artist Larry Houston is credited with the look of the series, as he was one of the few onboard who was a fan of the comic. Also the Edens brothers, Michael and Mark, were Lewald’s main contributors in the writing department. Lewald’s wife Julia was also a part in the initial season and contributed to the book as well. It’s very interesting to read as Lewald takes the reader through that initial writing process, and it’s easily the most captivating section of the book. Their approach to character showed in the episodes, so a lot of what is said here was previously assumed. Such as the belief that killing off poor Morph in the second episode would create stakes and pull the viewer in.

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The early days of Fox Kids.

If there is an MVP character for the book though it just might be Haim Saban. Saban was a newcomer to television when Fox Kids partnered with him to bring the X-Men to air. Saban collected a fee for those first 13 episodes, but then it was on him to pay the writers and editors. Graz handled the art, while AKOM was contracted to do the animation. Saban is a notoriously cheap man, and reading about all of the accounts of his cheapness is both hilarious and frustrating. It’s well known now, but bares repeating to emphasize how cheap he was that Saban docked the pay for all of the returning writers for season 2. His reasoning? The show was a success, so now more people would want to write for it and therefore he could pay them less. The man is now a billionaire, so obviously he’s pretty good at making money, though he’s also a reminder of a lot of what’s wrong with modern capitalism. The second half of the book is comprised of interviews with the cast, writers, producers, and other executives and almost all of them have a comment about how cheap Saban was, and likely still is.

Many battles took place to bring X-Men to Saturday morning. Some I knew about before reading this book, and others I did not. It’s probably common knowledge that the first episode from AKOM was utter garbage in terms of animation quality. It’s a big reason why the show had to premiere as a sneak preview because the studio couldn’t get the episodes ready to premiere in the normal Fall window due to all of the animation fixes that needed to take place. A lot of money was spent getting it right, and it almost blew everything up. The original voice cast also had to re-do the initial episodes because the first takes were so bad. Saban, in order to save money, hired Canadian actors to voice the show because they were famously non-union, so casting, supervising, and ultimately editing the audio for the show was cumbersome. Having to send individuals up to Canada in order to re-dub the initial episodes was obviously time consuming as well.

X-Men (FOX) [1992-1997]Shown from left: Wolverine, Morph, Beast

Oh Morph, I still mourn for thee.

And then there was Stan Lee. Stan Lee is a pretty famous guy. I’m not sure if he’s today more known for all of the comic characters he had a hand in creating or if he’s more famous for being that old guy who cameos in every Marvel film. Stan Lee created the X–Men alongside Jack Kirby in the 60s, but after that initial unsuccessful run, he turned it over to other writers and artists so he could focus on other things. As a result, come 1992 he basically knew nothing about the modern X-Men and yet he insisted he knew what was right for the show. Lewald and Iwanter had to fight with Stan on everything in those developmental days. He insisted on narrating the episodes, as he had done with previous Marvel television shows, and his approach was entirely wrong for the show they were trying to create. Supposedly, he even proposed the premise of the show should be a few members of the team driving around and solving mysteries. Imagine Wolverine in the role of Scooby Doo? Who would Shaggy be – Gambit?! They somehow managed to placate him, without really giving him a voice in the show, and eventually he went away as the show moved along through its first season and became a smash hit. The frustration in having to deal with Lee, and the many other challenges, is felt in reading this and I ached for Lewald even though he’s more than 25 years removed from this aggravation.

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The success of X-Men helped pave the way for more Marvel cartoons like Spider-Man.

That first season was only 13 episodes, a far cry from the 65 episode order Batman received. Fox was so unsure about the property that it wouldn’t commit beyond that, forcing basically everyone involved to move onto other shows. Lewald went on to helm Exosquad with the Edens, and thankfully that too only received a 13 episode order so he was available to return to X-Men when it finally received the full episode order. Others did not, because that’s how television works. If a show isn’t in production, you’re not getting paid. That first season’s decision to present itself in a serialized fashion also presented problems for the network, as production delays on one episode messed up the order of everything. As a result, the network demanded that season 2 be more episodic, but Lewald and his talented team of writers still managed to give it a serialized feel with The Savage Land segments and reoccurring villains like Mr. Sinister and The Friends of Humanity. A wise move, since the serialized nature of that first season is a big reason why it’s so special.

Nightcrawler (1)

“Nightcrawler” is frequently cited as a favorite episode of many of the creators involved with the show. The book also contains a deep dive into its creation.

Like the show itself, which I think produced its best work in those first two seasons, the book somewhat suffers from a strong first half that isn’t matched by the second. The many interviews that span roughly 200 pages are informative, but some more than others. The voice cast mostly repeats itself with remarks about how it was fun to work on something that felt different and how they came to understand their roles. The actual writers and producers offer the more interesting nuggets. There’s a lot of praise thrown around which might get tiresome for readers, though they all have reason to praise each other since it’s easy to forget how successful this show was. Especially when taken alongside the production and development hurdles. Of the interviews, I think I actually enjoyed the executive ones the most. Loesch and Iwanter were candid and did a great job of transporting me back to the early 90s and the hurdles they faced in backing this show. It’s fun to read about how close these people were with these characters that meant so much to me as a child. They cared about them, which is ultimately why the show ended up being as successful as it was.

X-Men-92

Marvel has resurrected the 92 X-Men for its comics line, but the results weren’t enjoyed by this blogger.

It should come as no surprise that, as a longtime fan of the show, I fully recommend Previously on X-Men to other fans of the show. Even if you were only a casual fan, but tuned into the animated scene at the time, you might enjoy reading this one. It’s fun to read the comparisons of how this show came to be with the experiences these people had with other shows. X-Men was a production mess, a wonderful, beautiful, mess. It was still garnering good numbers when it was cancelled, and one has to assume it was due to costs. By then, Saban had Power Rangers and was able to bring more stuff in house. X-Men had all kinds of hands on it so a lot of people had to get paid, and as we already covered, Saban wasn’t a fan of paying people. Even so, it’s hard to argue that the show was cut-down in its prime or anything, but reading this book and revisiting the show really made me realize how much I’d love to come back to this world. Marvel did launch an X-Men ’92 comic, but it did not satisfy me nor did it read like an episode of the beloved cartoon, rather it felt more like a parody. Marvel is now under the gigantic Disney umbrella and its films basically print money. With the Fox acquisition though, suddenly the X-Men are back in play. Marvel hasn’t bothered with animated films in awhile, though it’s sort of bringing that back with Into the Spider-Verse. Maybe a direct to video follow-up for the 92 X-Men could one day be in play. Pretty please? At the very least, how about a Blu Ray collection with episode commentaries, Disney? The people who created this wonderful show obviously wish to talk about it and they still have a lot to say.


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