Tag Archives: catwoman

August 8, 2024

Batman: Caped Crusader

By Joe

In the far off land of 2021 we received word that a new animated Batman series was in development and attached to it was none other than Bruce Timm. Timm was one of the main creative minds behind Batman: The Animated Series and the DC Animated Universe it spawned so this news was met quite enthusiastically. Then Warner stepped in and muddied things up. The series was originally pitched as an HBO Max/Cartoon Network joint affair, but corporate reshuffling nixed that idea. Still, Caped Crusader is actually here now in 2024 which some other projects can’t say the same. It was shopped around for much of 2022 eventually landing with Amazon. This past Friday, the entire first season was dropped all at once on the Prime service ensuring talk of it will likely be ancient history once this goes live, but we should talk about it, nonetheless.

Caped Crusader is said to have come about as a result of Timm not wanting to continue with the universe he helped create starting with Batman. That’s understandable since a lot of that cast has either retired or unfortunately passed on and trying to recreate the magic of that series seems like a fool’s game. Timm instead used the opportunity of a new animated Batman to do things he couldn’t do with the other shows. This was to be a younger Batman set in a distinctive noir setting, not some time-locked version of an otherwise contemporary Gotham. It would not be beholden to any past era of the character, but would also be free to draw from the classic comic run. It could be more mature with its action and plots since it wouldn’t be airing as part of a network television kid’s programming block.

One of the most dramatic redesigns is that of The Penguin, which I rather enjoyed.

Alongside Timm is a host of other executive producers: J.J. Abrams, Matt Reeves, Ed Brubaker, James Tucker, Daniel Pipski, Rachel Rusch Rich, and Sam Register. Brubaker was hired as the head writer and directors Christina Sotta, Matt Peters, and Christopher Berkeley split the 10 episode series (4, 3, 3 respectively). Abrams’ Bad Robot Productions would handle much of the animation with DC Studios and Warner Bros. Animation also credited. Amazon MGM Studios is also listed, though I don’t know if that’s more branding or if that studio did actual work on the show. Frederik Wiedmann was brought on as the composer for all ten episodes.

Wiedmann had some big shoes to fill taking over for Shirley Walker, but equally as large is the role of Batman himself. Kevin Conroy left one hell of a mark on the character, but he had essentially retired from the role when the show was announced and would sadly pass away before this show could be completed. Dawning the cape and cowl this time is Hamish Linklater. He is joined by Jason Watkins who serves as loyal butler Alfred Pennyworth. This is a story of a Batman just starting out. We can assume he has been at this whole crime fighting thing for a little while because he has the costume, the car, and the cave all in place. What he doesn’t have are connections just yet within Gotham’s police department and other legal institutions. Most of the citizens seem to regard him as a myth and over the course of this first season the Batman will become more established and will be known to people like Commissioner Gordon (Eric Morgan Stuart) and his daughter, Barbara Gordon (Krystal Joy Brown).

Two characters featured quite a bit in the first season are Barbara Gordon and Harvey Dent.

I will say upfront that I came away from the first season of Batman: Caped Crusader with mixed feelings on the show. The design is definitely one of the elements I took issue with the least. Batman resembles his original design of black and gray with those tall, wide-splayed, ears on the cowl. He does not have the purple gloves, which is probably a solid choice. Alfred has a younger, rounder, build while Jim Gordon seems noticeably younger than usual while Barbara is noticeably older. She’s a career woman who is a public defender in Gotham. I don’t know how that is supposed to work, her being a public defender for those whom her father essentially locked up, but I suppose it makes for good conflict in a TV show. I just know I wouldn’t want the police commissioner’s daughter representing me if I were to find myself in trouble with the law.

The desire for a noir atmosphere is captured in the setting quite well. Technology is of the 1940’s with old style vehicles, phones, and televisions. There isn’t much technology on display in the rogue’s gallery, possibly to keep the show firmly locked in its setting, though it does give way to more supernatural elements. Batman has always encountered such and the 90s show had villains like Clayface, the Man-Bat, and others, though I can’t recall him fighting an actual ghost at any point like he does here. There are still villains who are very much of the gangster type. The first we meet is The Penguin, who has been gender-swapped to a female crime boss voiced by Minnie Driver. The first screenshot I saw of this version of the character looked a bit silly, like it was just the classic Penguin in a wig and lipstick, but the character model is much better in the show. I actually liked this change and found that bird-influenced appearance suited a female quite well. Another villain, Clayface (Dan Donohue), was redesigned to more resemble a Dick Tracy villain while the eventual Two-Face (Diedrich Bader) appearance was surprisingly simple.

I was routinely disappointed in the lighting in the show.

I could take or leave certain character designs, but what I found myself most disappointed in consistently was the animation on display. Characters have very stiff, sometimes robotic, movements. Walking animations with a character in full frame are surprisingly ugly for a 2024 show. Did Warner really cut the budget on this once it was no longer going to appear on one of their platforms? The lighting also isn’t always up to task. The very first shot in the series is a classic police interrogation scene under a single light. It looks awful as there’s a real lack of shadows being cast by the light. It’s a huge downgrade as far as I’m concerned. There are a few shots where more effort was put into it, but also plenty where it doesn’t even feel like the episode is taking place at night. It was never going to come close to matching the efforts from the 90s, but compared to X-Men ’97 this one leaves a lot to be desired.

The voice cast is a mixture of recognizable names as well as talent that is new to me. Most of them are quite good in their role. The only one I was left disappointed by was, unfortunately, Linklater’s Batman. Like a great many to do it before him, Linklater plays Bruce Wayne and Batman differently. Bruce is more personable, more perky, while Batman is curt and speaks in a lower voice. There’s an art to voicing Batman and I think Linklater needs more time in the role to really get it. His Batman is stiff to the point of sounding robotic. It’s possible he was receiving direction to play a character still trying to figure out his tough guy persona. Linklater is a talented actor so I’m assuming he’ll grow into the role, but it’s a little disappointing since a perfectly good Batman, Diedrich Bader, is right here on the cast already.

I don’t mind some supernatural elements in my Batman stories, but this guy is a little too Scooby Doo for me.

The ten stories of the first season are mostly stand-alone, but with some connecting tissue between them. The final three episodes are more purposefully connected and I suppose it can be considered serialized, but you wouldn’t miss a whole lot by mixing up the first 7 episodes. One villain, Harley Quinn (Jamie Chung), is introduced as her therapist persona first before the villain shows up and that’s one of the few aspects of the early episodes that wouldn’t work out of order. Speaking of, Quinn appears here in an origin separate from The Joker which was a somewhat bold choice. She’s her own thing this time around and I thought the show did a solid job with her. The tone of these stories is also allowed to be more mature. We see lots of people get shot, though gratuitous violence isn’t present. Batman is also free to punch guys in the face and sometimes the show feels a little preoccupied in pointing this out. There’s alcohol and even some romance making the show feel like it’s something akin to a PG-13 rating.

Other episodes were just okay. Few felt like they had heavy stakes and I found it hard to establish an emotional connection to any of the villains of the day. The best Batman episodes found something interesting to say about their bad guys, but this show struggled there. There’s even a kid villain in one episode that I think the episode wants us to have a response to at the end, but it just didn’t do enough to earn it. It at least does a good job of getting us to hate its crooked cop characters, but I think it also mishandles the character of Harvey Dent. We all know what Dent’s fate is to be when he’s first introduced, but this is an unlikable Dent. He’s arrogant and far more consumed with making the jump from District Attorney to Mayor of Gotham than actually doing his job so when the thing we all know is coming does, there’s no emotion. Plus there’s no one close to him to be affected by his transformation that we can feel something for instead. The Bruce/Harvey friendship is shoehorned in too late to make much of an impact, but I will give the show credit for finding another angle to play that at least puts Batman and Alfred at odds with each other. That’s also probably the only real character development we get out of our lead. We spend a lot of time with Gotham’s finest, but not a whole lot of time with Bruce or Batman. The show needs to find a way to make its lead more interesting.

When the show really wants to look good, it can. It gives me hope that a second season will be stronger.

I went into Batman: Caped Crusader not expecting to find something on par with Batman: The Animated Series. That would be an unfair expectation. I did expect to find something good and the product I got was at least approaching that. Caped Crusader is not a bad television series, but is it exceptional? No, not really. It’s a pretty easily digestible 10 episode season that mostly just gets credit for existing. Most of its “bold” choices for the Batman universe are just doing gender and career swaps with its characters. A lot of the story beats felt too predictable, too ordinary. The best episodes of the season were the ones that felt like stories that hadn’t really been told before, but they were few. I don’t expect it to make much of a mark on pop culture and I don’t know if a second season is even a sure thing. The show definitely expects one and it does the predictable thing of teasing a major villain at the very end to try and drum up some excitement, but it all feels a bit played out. Amazon did order a second season back in 2023, but if the streaming numbers are bad then nothing is stopping them from going back on that and getting one of those highly coveted tax write-offs. If it does come back then I’ll probably watch it, and if it doesn’t I probably won’t even notice.

Here’s more Batman content if you’re in search of such:

Batman – The Adventures Continue #50: Batman

If you’re a repeat visitor here at The Nostalgia Spot, then you’ve probably noticed that around here there is a high opinion of the television show Batman – The Animated Series. I did a re-watch of the series that spanned more than two years and also checked out the various films based on the property.…

Keep reading

by Joe April 12, 2021April 8, 2021

Batman: The Animated Series Wrap-Up

One-hundred and nine episodes plus three features leading to one-hundred and twelve blog entries have been devoted to the subject of Batman: The Animated Series. It started as a celebration of the show turning 25 and then as a curiosity piece. Since its premiere in 1992, the show had become much celebrated and praised all…

Keep reading

by Joe December 31, 2019December 13, 2019

Dec. 18 – Batman: The Brave and the Bold – “Invasion of the Secret Santas!”

Come 2008, the DC Animated Universe had been dead for 2 years. Justice League Unlimited aired its final episode in 2006 bringing an end to something that had been ongoing since 1992. As I touched on earlier in this year’s countdown, the DCAU wasn’t something I was particularly invested in so it’s end went unnoticed…

Keep reading

by Joe December 18, 2023December 13, 2023

Leave a comment | tags: batman, batman caped crusader, batman the animated series, bruce timm, catwoman, detective comics, ed brubaker, harvey dent, joker, penguin, two-face | posted in Television

January 17, 2020

The Batman TAS Episode Ranking – Part 2

By Joe

Z_34_-_Batman_and_Zee Welcome back for the second installment in the Batman: The Animated Series episode ranking. This week, we’ll be taking a look at entries 79 through 60. As a reminder, this feature encompasses all of the episodes produced under the banner of Batman, The Adventures of Batman & Robin, and The New Batman Adventures which are collectively referred to as Batman: The Animated Series. If you wish to view my thoughts on the episodes as a whole each episode here is linked to the write-up. If you prefer to explore more, simply head on over to the index page for all things BTAS. Now, lets take a look at the episodes coming in at number 79:

runaway bomb 79 – Time Out of Joint

The return of the Clock King! Yeah, I’m not sure many were looking forward to that one, but we got it anyway. I was really down on the Clock King when I was a kid, as an adult I still really don’t care for him. There’s some fun time-lapse business here, but it’s still not an episode I care to return to.

78 – Birds of a Feather

Penguin’s attempt at redemption didn’t go too well for him, but at least he got to fly through the air with a Viking helmet! This was actually a fun story that just didn’t have a satisfying resolution.

77 – Terror in the Sky

Another return, this time it’s the Man-Bat from the first episode. We didn’t need another dose of this character, but I wasn’t opposed to the idea. This show sometimes stumbles with the supernatural, but the Man-Bat is the rare exception to that. This is a solid episode with a little bit of deja vu holding it back.

76 – The Clock King

The debut of the Clock King was low on my list of favorites as a kid. I did warm to it a bit as an adult because it’s just so silly. The Clock King is full of dubious puns and the image of him with his clock face glasses and cane does make me smile. The thing I disliked about this one though is how Batman plays down to his competition and that’s something I could never reconcile in my brain.

seenoevil1 75 – See No Evil

This is one of those early episodes of the show with a very grounded premise. An ex-con father wants to see his kid, but the law has wisely stripped him of that right, so he’s resorting to other means. This time it’s via an invisible suit which allows him to get close to his estranged daughter, whom he eventually kidnaps. It’s a good story, but I felt like it may have wanted me to feel a touch of sympathy at times for the bad dad when it really should have been more forceful to show him as in the wrong. This one earns bonus points for featuring the fun visual of Batman riding on the roof of an invisible car.

74 – Be a Clown

This one is actually rather similar to “See No Evil” as it once again involves an adult assuming a friendly persona to dupe a minor. In this case, it’s Joker who befriends the mayor’s son in a bid to get back at the mayor for saying some mean things. This one could have been a classic Joker episode if it went a bit further. It also included the somewhat annoying character of Jordan. Joker just wasn’t intimidating enough to make me, as both a kid and adult, fearful for Jordan while he was in Joker’s presence. I think this is the rare first season episode that may have been better served had it aired during the WB days.

thomas-wayne-2 73 – Nothing to Fear

The third episode of the show is mostly remembered for some wild visuals, including a giant skeleton harassing Batman, and for that early look at Scarecrow with the teardrop shaped mask. It ends up feeling a bit too by the numbers when examined with the rest of the material. As the third episode, it’s pretty good though.

72 – Beware the Creeper

This one is very much a mixed bag. The character of The Creeper is pretty entertaining as sort of a Loony Tunes character existing in this world. There’s also some gross stuff with Harley though which was growing tiresome at this point nearing the end of the show. I guess ultimately I was okay with never hearing more from The Creeper.

71 – Holiday Knights

It was a bit of a surprise that The New Batman Adventures began with a Christmas/New Year’s episode. It was even more surprising it was better than the previous Christmas one, “Christmas With The Joker.” This little anthology episode is fine. It features a vicious (yet ugly) Joker, a fun romp with Harley and Ivy, and ends with a nice moment between Batman and Gordon. That’s not bad.

On_Leather_Wings_50_-_Batman_bleeds 70 – On Leather Wings

The first episode of the series is more a feast for the eyes and ears than a great episode of Batman. It has a simple mystery with an obvious red herring, but the thriller aspects of the episode give it almost a horror vibe. The Man-Bat is a cool spectacle though and the sound effects may be the best in the entire run of the show. Solid action, great visuals, maybe I should actually put this higher?

69 – Avatar

The return of Ra’s al Ghul was a bit underwhelming. I was looking for a scheme on par with “The Demon’s Quest,” but we ended up with something lesser. Worse, it also had a feeling of retread with the Talia/Batman relationship. Batman is a world class detective and has to be one of the smartest men alive, but I guess he’s still a sucker for a pretty face. He’s only human.

68 – Read My Lips

The premise of this episode shouldn’t work, but it pulls it off. A ventriloquist gives life to a dummy that ends up taking charge. Scarface is the bad guy, not the “dummy” with his hand up his ass. The animators have some fun, as do the writers, with the premise. There’s still a ludicrous aspect at play to the plot, but it makes it work.

67 – Zatanna

One of the few team-up episodes of the show. In this case, it’s Batman and the sexy magician Zatanna. There’s some interesting character building in this one with it being revealed that Bruce studied under a magician to learn techniques that could benefit him as a crime fighter, namely the art of the escape. We already saw Batman get out of a dunk tank trap so this helps make that more believable in hindsight. Aside from that, the episode is a bit ho-hum.

Kyodai_Ken_subdues_Batman 66 – Night of the Ninja

Kyodai Ken’s debut episode is a solid one. It posits that Batman is more Samurai than Ninja in his training, even though ninjas were considered pretty damn cool in the 90s. It fleshes out a bit how Bruce came to be such an accomplished fighter and gives him a win over an old rival. The Ninja might have been more interesting a villain had he bested Batman in one-on-one combat, but since he only came back once I guess it doesn’t matter.

65 – Vendetta

Killer Croc’s debut in the series portrayed him as a vengeful murderer, which is probably the persona I prefer as opposed to the dim-witted goof he sometimes embodies. The episode itself is a fun little mystery at first and it puts Batman in the position of helping Bullock, someone who is arguably more foe than friend to Batman. That part is arguably more interesting than Batman vs Croc, who while at first appears to be a villain Batman can’t just take on head-to-head, he still gets the job done with minimal suspense. This one does lose some points for featuring perhaps the dumbest scene in the entire show’s run. Bruce, looking to figure out who is after Bullock, is shown visiting a crocodile exhibit at a zoo and when the exhibit gives him a piece of on-the-nose info he turns (almost to the camera) and says “Of course!” If the episode were poking fun at shows that do this sort of thing that would be one thing, but it plays it totally sincere.

roxy vs batman 64 – The Ultimate Thrill

This episode is certainly something. Roxy Rocket is a fun addition to the show, even if it can be hard to take her seriously. One could argue her motivations aren’t much different from The Terrible Trio, the villains of the most disliked episode of the bunch. At least she’s entertaining though, and the surprising innuendo of her encounter with Batman is shockingly funny for what is ostensibly a children’s cartoon.

63 – Love is a Croc

An odd couple paring and one I would have never dreamed up returns Baby-Doll and introduced a new version of Killer Croc. Croc is reframed as a manipulator with an appetite for cash and women. He’s basically your garden-variety sleaze ball now who just so happens to resemble a crocodile. Baby-Doll has a severe case of arrested development now as she appears to be in worse shape emotionally than before. As a result, she ends up being even more sympathetic. I think if the episode leaned into that harder it would have been better, but it also wants to be funny and feels it needs an exciting climax in the form of a confrontation between the heroes and villains. It’s solid, but I prefer her debut episode to this one.

62 – Cold Comfort

The third Mr. Freeze episode is the most uninteresting. Unsure of what to do with the villain, but feeling like he needed to return for The New Batman Adventures, the writers basically just returned him to how he was when we first saw him: a cold, uncaring, villain. Only now his motivation was lost. His wife is alive and well, but no longer with him. Given how SubZero ended, we were to assume this was okay for him, but now Freeze is just generally ticked off at the world because he had it so bad. He wants to make others feel the same. It’s a motivator that keeps him in the role of a villain, but removes the sympathy that made him so special.

61 – Batgirl Returns

Batgirl made her debut near the end of season one, so it made sense she would be brought back in season two. She even got the prestigious role of closing out the show in a solo adventure where she was paired up with the most famous female character in the show: Catwoman. By now, Catwoman was back to a more villainous role and much of the episode has fun with the notion of how trustworthy can she be. Robin is also tossed in as one part voice of reason, and one part smug jerk who tries to hold Batgirl back. To her credit, Batgirl is still decisive in her decision-making and self-confident, but not to a fault. The pairing is fairly fun, in a disposable way. After her father’s framing being the motivating factor to get her to take on this new persona, it’s a little disappointing something on that level didn’t get Barbara to bring back Batgirl in this one, but at least she’s back.

catwoman alone 60 – Catwalk

This is basically the re-debut of Catwoman. After toeing the line of thief and vigilante in much of the first season, this one returns her to the role of a thief. Nothing of significance causes that change, Selina is mostly just bored living the straight life. Predictably, she gets into some trouble that requires some help from Batman who naturally tries to implore her to change her ways. It’s a bit lacking in drama this time around, but I mostly rank this one as highly as I do because it ends on the right note.

Leave a comment | tags: batgirl, batman, batman the animated series, catwoman, joker, killer croc, kyodai ken, mr. freeze, robin, the new batman adventures, the scarecrow | posted in batman the animated series, Comics, Television

January 10, 2020

The Batman TAS Episode Ranking – Part 1

By Joe

batman and selina We have arrived at the ultimate end game of our feature on Batman: The Animated Series. After doing a blog entry on all 109 episodes, plus each film, it is time to determine just what is the best of the best. This is always an exercise in futility as people are going to disagree on what is ostensibly a subjective exercise. Still, it feels like a worthwhile way to put a bow on the coverage here as it was the biggest undertaking this blog has done.

To arrive at these rankings I basically added a subjective score to each episode. At first, I started with a 5 point scale, but found that lacked nuance. Inevitably I ended up with a lot of 3 and 3.5 grades without a tidy way to arrange those episodes. I then switched to a 10 point scale and found that much easier to work with. I’m not going to include these ratings with the episode as I don’t think they’re really worth much. It was just a way to make arranging 109 data points in a more manageable fashion. And ultimately, what separates an episode with a rating of 8 with one awarded a rating of 8.5? I don’t really know, it just felt right. Mostly it was me going over the episodes and comparing them. Maybe I did score two episodes the same, but in isolating them I felt one deserved to be ranked higher than the other and thus the 8.5 rating was born. In that, I felt like an old professor I had in college who explains how he approached grading on a curve. If he awarded one student an A and another an A-, but felt they both demonstrated the same knowledge of the material in an equal fashion, he bumped the A- recipient to an A. And there are quite a few episodes of this show that I felt were pretty much equal to one another in terms of quality and enjoyment.

Mostly, this ranking was about separating the episodes I liked from the ones I loved. That doesn’t mean there aren’t some bad ones, but none managed to receive a rating of 0 from me. It also ended up being a bit of a Bell curve in the end as I had three episodes with a perfect score and three with a score of 1 or less. I didn’t do that on purpose, but it amused me to see it play out that way.

Anyway, if you disagree with my list then that is totally fine. I would not expect anyone’s list to match mine. I did not consult any other publications to see what they felt was the best and worst episodes of the show and it has honestly been a long time since I did view such a list. And since there are so many episodes, it didn’t make sense to cram this all into one post as I want to provide a sentence or two to justify my ranking for each one as opposed to just presenting a list. I’m also just doing the episodes and not the films as it hardly seems fair to weigh a feature-length subject against a 23 minute television episode. And if you’re curious, I’d rank the moves in order of release anyways with Mask of the Phantasm being the clear cut best of the three. Let’s get this show on the road though with my pick for worst episode of Batman: The Animated Series.

There’s a trio to fear.

109. –The Terrible Trio

So this episode basically sucks. I hate to be so negative right out of the gate, but I’m not going to say that often so I feel fine with it for now. Basically, three rich kids decide life is boring and turn to crime to get their kicks. It’s not very compelling, nor is the animation particularly enjoyable. Not every episode needs a marque villain, but it needs something better than these clowns. Let’s move on.

108. – Prophecy of Doom

A con artist dupes Gotham’s wealthy into handing over their money as part of a doomsday cult. It’s pretty incredible, and why should Batman care if a bunch of rich people get taken for a ride? A fool and his money are soon parted.

107 – The Underdwellers

This one felt like the show pandering to children. It almost feels like it started with the notion of Batman admonishing a child for handling a firearm and then the episode was created around it, and rather haphazardly. This is the one where Batman has to go into the sewer to beat up a jerk who dresses like a pirate and has pet crocodiles. It is one of the most “anime” looking episodes which at least makes it visually interesting at times.

106 – The Forgotten

If you had asked me to name my least favorite episode of Batman when I was a kid, I probably would have named this one. As an adult, it’s merely the fourth worst episode. Batman spends much of the episode with amnesia trapped in a slave labor camp being run by a morbidly obese man who seems to always have food in his mouth. It’s just not a compelling story and the payoff of Batman getting this guy doesn’t make up for it. Plus, I really dislike the music in this one which is a criticism I can really only say about this particular episode.

Cape_and_Cowl_Twist 105 – The Cape and Cowl Conspiracy

Batman is lead through a series of traps by some joker named Josiah Wormwood who wants his cape and cowl to give to some other jerk. It ends up being a long con by Batman himself to basically entrap the guy which makes it feel rather pointless in the end.

104 – The Worry Men

Another one of Gotham’s wealthy is victimized once again, this time it’s Veronica Vreeland who brings back little dolls from a vacation she recently returned from. They end up being mind control devices created by the Mad Hatter, so this is the first appearance of what I would consider a noteworthy villain on this list. Once again, it’s just not a very compelling plot, but at least it does an okay job of holding back on the reveal of the plan’s mastermind, something even the good mystery-based episodes fail to do.

103 – Moon of the Wolf

Steroids are bad, kids, which seems to be the message in this one. Anthony Romulus seeks an edge and winds up a werewolf courtesy of Dr. Milo, one of the worst of the reappearing villains. There’s also some animation gaffes and some odd visual choices which further hurt this one.

102 – Fire From Olympus

Another one I detested far more as a kid than I do now. At least I can find humor in this one which depicts Maxie Zeus as a guy basically out of his mind. He thinks he’s the actual Zeus from Greek mythology with Batman serving as Hades. It’s almost too ludicrous though for an episode of Batman. Some laughs can be had, but little else.

A new look for Catwoman.

101 – Tyger, Tyger

Batman does The Island of Dr. Moreau, only here it’s Catwoman who serves as a victim. This one may be a favorite of those who identify as Furries considering Catwoman is essentially nude throughout it and covered in fur, but for the rest of us it’s just merely a dud.

100 – Lock-Up

This episode has a solid premise, but the execution is just so-so. Lock-Up is a more extreme vigilante who views himself as judge, jury, and executioner which obviously doesn’t mesh with Batman’s world view. It does a good job of laying the groundwork before falling apart in the second act. It also contains one of Batman’s sillier “transformation” techniques when he uses a briefcase full of smoke to hide so he can change into his Batman costume.

99 – The Lion and the Unicorn

This is basically an Alfred solo episode, and no disrespect to the world’s most famous butler, but he’s a bit out of his element. It also marks the return of lesser villain Red Claw, someone no one needed to hear from again. The story takes our characters over to London though which at least makes for some new backgrounds.

klarion in control

98 – The Demon Within

Our first appearance of The New Batman Adventures. In short, if you’re a fan of Etrigan the Demon then you’re mad at me right now. If you’re like me and you care not for the character, then you’re probably in agreement that this is one of the lesser episodes in the series. Batman doesn’t do supernatural real well, and there’s a lot of that going on here. It’s just not an episode I was ever able to get into.

97 – Eternal Youth

The episode where we are introduced to Alfred’s friend, or girlfriend, Maggie. She will not be heard from again and I suppose that was for the best. They get lured to a resort being operated by Poison Ivy and wind up turned into trees. Yet another episode where a villain preys on the stupidity of Gotham’s wealthy. At least Batman has a personal stake this time and the rich aren’t just being extorted out of their money, but also their lives, unless you consider existing as a tree living.

96 – The Cat and the Claw – Part II

The follow-up to the show’s premiere was…okay? Batman and Catwoman team-up to stop Red Claw from basically nuking Gotham. A Batman/Catwoman team-up could have been appointment television, but it happened way too fast killing the novelty. Plus Red Claw just wasn’t up to the task of being the big baddie who gets the pair to cooperate anyway.

95 – Joker’s Wild

Our first appearance of the Joker! His episodes are usually pretty good, but this was a rare dud. Joker gets lured into attacking a casino baring his likeness in what amounts to an insurance scheme. It’s a bit amusing to see Joker get played, but this sort of thing would be executed far better in a later episode. It’s also a real low point in terms of animation as this episode basically lead to Akom Production Co. getting fired from the show after producing several other season one episodes.

94 – Chemistry

Poison Ivy’s lone solo outing in The New Batman Adventures comes in at 94. She basically just repeats her cloning trick from “House & Garden” only this time she creates a spouse not for herself, but for (you guessed it) Gotham’s wealthy singles. Bruce is part of the scheme and he ends up getting married to a plant lady. There are some interesting choices in this one, but mostly the plot just isn’t believable which ruins the whole mystery of it all.

bruce mantis

93 – Critters

A much derided episode that Paul Dini is at least willing to stand up for. He can like whatever he wants to like, but I’m just going to have to disagree here. I never wanted to see Batman battle giant bugs or anything similar. The humor the episode aims for also just doesn’t really land.

92 – Sideshow

Killer Croc’s redemption story might have turned into a worthwhile episode if it was ever believable. Instead, we know he’s just a bad guy and it’s only a matter of time until Batman finds him among the circus folk he falls in with. There’s a solid fight scene though, and I like the logic of Croc being declared completely sane and thus deserving of jail as opposed to being placed in Arkham. It’s too bad that didn’t stick though.

91 – I’ve Got Batman in my Basement

A surprisingly divisive episode. Bruce Timm seems to despise it, and with some good reason. This one really talks down to its audience, and it also makes The Penguin look completely incompetent. There’s some fun bits in it though that make it hard to hate. I actually know some folks who think this is one of the best of the series! I disagree, but I can at least see what they might find appealing about it. Basically, if you like it when the show doesn’t take itself seriously, or ever wanted to save Batman as a kid, then you probably rank this one higher than I do.

90 – Girl’s Night Out

I want to like this one, but the character of Livewire just doesn’t do anything for me. She’s annoying and a bit overpowered for the likes of Batman, not that he’s in this one really. This is the one that features the Batgirl/Supergirl team-up and unfortunately that just isn’t nearly as interesting as the villainous ladies. Poison Ivy and Harley are along for the ride and their chemistry keeps this thing from floundering. They’re so much more interesting than the heroines that I wish the episode focused entirely on their perspective and eventual clash with Livewire rather than presenting something a bit too conventional in the end.

Let it snow!

89 – Cat Scratch Fever

Dr. Milo’s other outing. I think I have this one too high because it’s not among my favorites, by any means. It once again puts Catwoman in the role of the victim as Dr. Milo and his annoying goons target Gotham’s strays. I do give this one bonus points for all of the snow though as it is a great deal of fun to look at. I still think I could have ranked this one closer to 100 though.

88 – The Cat and the Claw – Part I

The premiere episode of the show put Batman and Catwoman at odds. It’s a solid episode, reminding me that once we got past #95 or so the episodes actually became fine, just nothing to write home about. As a stand-alone episode, there’s just not a ton to work with though, and it’s too bad the setup created by this episode had such woeful payoff. The episode is at its best when we get to see Catwoman and Batman play off each other and Adrienne Barbeau really nails the role of Catwoman.

87 – P.O.V.

This was an experimental episode in which three cops are forced to recount the events of the evening to Investigative Affairs and we’re left to figure out whose account is the most accurate. It’s written pretty well, but the nature of the beast means it’s also repetitive and I don’t think it quite manages to remain compelling for the entire duration. I like that the show tried something like this though and other episodes would attempt similar things and really knock it out of the park.

joker02 86 – Christmas with the Joker

Maybe my most disappointing episode. I love Christmas so I want to love this, but it’s just okay. Joker at least gets to sing the popular alternate version of “Jingle Bells” and be genuinely amusing, it’s just the action spots that are a bit weak. Plus there are some awful puns and Robin really adds nothing in his series debut. Even though it’s not great, I still think it’s worth watching around the holidays.

85 – Day of the Samurai

The rematch few wanted, but most were fine with. Batman takes on the Ninja only this time it’s in Japan and we get a silly Touch of Death plot device added to raise the stakes. There’s a fun Bat-death fake-out and a fight around an erupting volcano which is pretty cool.

84 – Animal Act

The Mad Hatter returns only this time he’s decided to control the minds of animals rather humans to some degree of success. Nightwing gets to return to the circus which is cool, and Tim literally shovels poop. It’s also one of the better mystery plots the show did, which is worth something.

batman catwoman smokestack

83 – Cult of the Cat

Catwoman gets herself caught up in some cat worshiping cult that you just know is bad news. This puts her at odds with her masculine counterpart which just feels incredibly corny. I was definitely sick of victim Catwoman by the time this one came around which probably prevented me from enjoying it more. It’s basically just another average episode.

82 – Torch Song

A celebrity has herself a violent stalker in the form of Firefly. It’s a different setup from what we’re accustomed to, but a more worthwhile one than rich person gets extorted. I wish Firefly was just a better adversary though. It feels like Batman got scaled-down to be on more equal footing with him, but that’s a criticism I could level at a great many villains on this show.

81 – Deep Freeze

The much anticipated return of Mr. Freeze saw him team-up with the Walt Disney wannabe, Grant Walker. This one marked an extremely contrived way to bring back one of the show’s breakout stars. It nailed the motivation for Freeze, but the rest was a bit lacking. The film SubZero ended up being really similar and a much more suitable way to bring back Mr. Freeze making this episode feel nonessential as a result.

the condiment king strikes 80 – Make ‘Em Laugh

Joker’s finale from the original run of the show had him seeking revenge on some comedians who dared to suggest he wasn’t funny once upon a time. It’s silly, but Joker is insane so I can’t say the plot doesn’t make sense. This has some of the funniest moments from the show in it such as the debut of The Condiment King. I think if the final act was more satisfying this could have been a classic, instead it’s just merely good.

This is where I’m going to cut-off Part I of this feature. This will be the longest entry in this series in terms of episodes covered with the rest spanning 20 episodes each until we spotlight them all. It seems only right to make this the Friday feature going forward as that’s what Batman was for the better part of two years on this blog. Check back next week for episodes 79 through 60. Same Bat-time, same Bat-blog.

Leave a comment | tags: batman, batman the animated series, bruce timm, catwoman, dr. milo, maxie zeuss, paul dini, the condiment king, the joker, the mad hatter, the new batman adventures | posted in batman the animated series, Comics, Television

September 20, 2019

The New Batman Adventures – “Cult of the Cat”

By Joe

cult of the cat Episode Number: 15 (100)

Original Air Date: September 18, 1998

Directed by: Butch Lukic

Written by: Paul Dini, Stan Berkowitz

First Appearance: Thomas Blake

For the one-hundredth episode of Batman: The Animated Series we’re getting a special team-up. As Batman has spent much of this season working alongside the likes of Batgirl and Robin, this episode will feature neither and at his side will be the seductive rogue, Catwoman (Adrienne Barbeau). Catwoman started off as a thief with a heart of gold in the first iteration of this show, but by its conclusion she had returned to her roots as just a thief with a fixation on cat-themed jewels and artwork. In The New Batman Adventures she has held onto that while sporting a new all black costume and matching black hair. In “You Scratch My Back,” she unsuccessfully tried to drive a wedge between Batman and Nightwing, but all that got her was another trip to jail. She’s out, and how she got out is a mystery, and up to her old tricks once again. Only this time she gets in a little over her head.

The episode begins with Catwoman fleeing someone through a hedge maze. She has just stolen a golden cat idol and seems quite pleased with herself, but she’s made a few new enemies in the process. Her pursuers basically resemble ninjas, only their all black attire includes cute little cat ears on top of their masks. They don’t look particularly fearsome, but they make up for that with weaponry. They carry fully-automatic guns and also sport claws that function just like Marvel hero Wolverine’s, they even pop-out with a little “snikt” sound too.

Have I mentioned I really hate Catwoman’s redesign?

Catwoman does her best to avoid these individuals, but their affection for cats goes beyond their costumes and artwork as they also employ a big ass panther. Catwoman comes face to face with the big cat in what would normally be an uncomfortable situation, but not for Catwoman. She sweet talks the feline and it soon abandons her to go after one of the cat-ninjas.

Catwoman has some Wolverine-like problems in this one.

Catwoman appears to be home free as she’s made it out of the compound and into the city, but gunfire soon drives her from the safety of Gotham’s buildings down to the street where she winds up surrounded. Deciding that living is better than possessing a priceless artifact, Catwoman offers to return the statue, but one of the ninja informs her the statue has been defiled now and only her blood can erase that. He menacingly does a Wolverine pose as Catwoman seems to shrug off the threat and returns to fleeing.

There are worse things one could find hiding in their car.

Elsewhere, Batman is doing his usual thing and has some crooks suspended from a street light ready for Gotham PD to come pick them up. He heads for the Batmobile and opens it up and is surprised to find a lounging Catwoman inside. She is her usual playful self while Batman plays the role of the stiff and drives off with Catwoman riding shotgun. She tells him she needs some help dealing with a problem, but Batman would rather take her to prison to ride out the heat. Some gunfire on the roof of the Batmobile indicates the severity of Catwoman’s predicament. Batman agrees to help her out, but only if she agrees to surrender everything she’s stolen. Catwoman is unwilling to make such a commitment, but Batman coaxes it out of her by slowing down the Batmobile.

The duo escape the cat people and make it to Catwoman’s hideout which appears to be a cat food factory. She’s got a computer set up inside and Batman uses it to show her just who wants her dead. It’s some cat cult which traces its roots back to ancient Egypt. They won’t rest until she’s dead. Catwoman seems unimpressed, but a red dot flashes across her head forcing Batman to pull her to safety. With the cultists descending upon the factory, Catwoman leads Batman to a way out via a furnace which is connected to a smokestack. Batman fires a grappling hook to escape, while Catwoman elects to use her claws to scale the brick wall. As she does so, Batman slowly retracts his rope to stay alongside her – how cute.

Maybe next time Catwoman won’t be so chatty when trying to escape.

The cultists break into the factory and rather easily figure out where their prey went, despite Catwoman thinking they’d never guess. One of the cultists orders another to turn on the gas and fire up the furnace. They do so, and Batman is forced to grab Catwoman to speed up their escape. As they emerge from the smokestack, the explosion causes Batman to lose Catwoman. He recovers on the roof and looks down to see the cultists placing an unconscious Catwoman on one of their motorcycles. They take off, save for one, who looks up to see Batman descending upon him which is where the episode cuts to commercial. I cannot recall another episode that cuts to commercial with Batman on the attack like that, usually that’s a play reserved for the villains.

Catwoman wakes up to find herself chained to an altar. Her captor emerges and we meet Thomas Blake (Scott Cleverdon), the leader of this cult. In the comics, Black is the villain known as Catman because every gendered hero and villain needs an opposite. Here he doesn’t appear to go by that name, but since he wears one of those dorky cat ninja suits I suppose the intent is there. Blake seems to admire Catwoman a bit, while a nameless female cultist (Tasia Valenza) clearly does not. She thinks they should dispose of the thief, though that doesn’t phase Catwoman. What does bother her is when the woman refers to her as a common thief which Catwoman corrects. Despite the protests of this woman, Blake thinks Catwoman can be converted to their side given her affection for the feline species and Catwoman is happy to go along with this.

I bet you didn’t know X-23’s first appearance was in a DC cartoon.

At the Batcave, the cultist Martin (Jim Piddock) wakes up on a ledge. Batman’s taunting voice booms from some nearby speakers demanding answers. Martin keeps quiet, causing Batman to share his favorite animal with the cat-lover. I’m assuming you can guess what that is. Batman’s deployed bats cause Martin to fall, but a grappling hook snares him by the ankle to prevent certain death. It’s at this point that Martin agrees to cooperate.

Back at the cult, Catwoman is shown to her quarters. It’s a spacious room that’s well-decorated. Blake seems interested in getting some alone time with Catwoman, but she indicates that she needs some rest and he takes his leave. Catwoman then grabs a pillowcase and starts filling it with some of the goods in the room, but she’s interrupted when Batman shows up. Batman wants to get her out of there, but Selina insists she’s got it under control. When he notices she’s casing the room, he starts to reprimand her and Catwoman goes into a dramatic routine where she plays the victim, crying that she needs help so that she’ll stop stealing. She even finishes the routine with a kiss, but Batman just seems irritated and asks if they can go now. And when he turns his back on her, Catwoman wallops him in the back of the head with her pillowcase full of goodies.

Thomas Blake has some Dr. Evil vibes.

Blake then comes storming in with some other cult members. He heard the commotion and is surprised to find an unconscious Batman on his floor. Catwoman explains what happened, and Blake is pleased. Telling her they need blood for their ritual, he orders his men to take Batman downstairs. Catwoman is confused and inquires about her own initiation and Blake says that won’t be necessary now claiming she’s proven her loyalty by supplying Batman. When she asks what will happen to him, Blake is coy and simply remarks that she’ll see.

Batman wakes up in a pit. It’s like a small-scale gladiator arena and the cultists are able to look down on him. Catwoman has swiped the seat of the female cultist who dislikes her, which seems to please Blake. Blake taunts Batman by displaying the caped crusader’s utility belt. He then introduces Batman’s opponent, a rather large genetically engineered saber-toothed cat.

She has a way with cats, big and small.

We’ve seen Batman dispatch of sharks, alligators, and other wildlife before, so this doesn’t seem that bad, but evidently I’m wrong. The cat lays into Batman tearing up his costume while exerting its dominance. It’s enough that Catwoman does the predictable thing and jumps in to help her sometimes foe. Batman is able to get on top of the beast, and with Catwoman’s help, steers it into a column which gets smashed up pretty well. The beast then gets in Catwoman’s face, but just like before, Catwoman is able to seemingly tame the critter and it licks her. At Catwoman’s command, it jumps out of the pit to go after the cultists, forcing them to run. Catwoman asks Batman for help in getting out of the pit, but he’s not in a trusting mood. She insists she’s trustworthy and that once out she’ll help him out and Batman is forced to go along with it. After he gives her a boost out, the camera lingers on Batman just long enough to put doubt into his mind, before a rope comes dangling down.

This is quite possibly the most beat up we’ve seen Batman get in this series.

With Batman free from the pit, the two make a run for it, but Blake jumps out from behind some cover and slashes at Batman’s back with those Wolverine claws. Batman turns and we can see his costume has been ripped open, but no blood has been spilled. He then engages with Blake while the female cultist emerges with a torch and tries to attack Catwoman. She’s able to deftly parry the cultist causing her to plummet into the pit and fall unconscious. Batman is also able to get the upper hand against Blake, but the big old cat from earlier re-emerges. Batman looks around and can’t find Catwoman, so he instead uses a commanding voice to halt the beast. Whether it worked or not is hard to say, but the cat turns its attention on Blake. The two fall back into the pit with the cat landing on Blake. Batman looks down as the two slip into unconsciousness.

Another hard night’s work has come to an end.

The police are then shown rounding up the other cult members while Blake is being wheeled around on a stretcher hooked up to a ventilator. Batman is seated in the back of an ambulance all bandaged up as Commissioner Gordon (Bob Hastings) returns his belt. Gordon remarks that the big cat is going to the zoo while the cult members are off to jail. Batman supposes there’s enough stolen goods in the place to convict them, and Gordon agrees but also remarks that there’s less in there than would be expected. Batman reacts subtly to this statement indicating he knows why the haul may be a bit light. We then cut to Paris, and Selina Kyle is shown surrounded by jewels as she presents her beloved cat Isis with a couple of dinner choices. She stretches out on her large bed as she remarks to Isis that being on the side of the virtuous has its perks.

And that is the last we’ll see of Catwoman in this one. She’ll resurface in the short “Chase Me” which is basically just a fun little piece of animation that’s free of dialogue. It’s an interesting exit for Catwoman as she’s one of the rare villains who seemingly got away with one and is leading a happy life of crime far from Gotham. She has a hard to shake compulsion though so it’s safe to assume she’ll one day return to Gotham to mess with Batman and his allies, we just won’t be there to see it. It closes the book on her character though, which went from villain to anti-hero back to villain again. The ending here with her musing about being an ally to the law in a small way I suppose opens the door to assuming she might return to the anti-hero persona, but I think it’s just the playful side of her character coming out. She’s a thief and proud of it and nothing is going to change that. I definitely prefer the playful thief to the directionless Selina we saw for much of BTAS, and if any villain was going to get away, it makes sense for it to be Catwoman.

“Cult of the Cat” is an entertaining team-up between Batman and Catwoman that remains logical throughout. Batman never really allows himself to get duped by Catwoman, though he does make the mistake of turning his back to her in that one scene. Even though he gets her to agree to his terms in order to assist her, I never got the impression he expected her to actually abide by such. Had he been able to keep better track of her during his fight with Blake, I get the impression he would have either just arrested her or tailed her to her hideout where the goods are kept. It could have been interesting seeing Batman deceive Catwoman, but he basically already did that in her last appearance so it may have felt too similar.

As for Blake and the others, we’ll never see them again either. The cat cult was pretty silly, but not offensively so. I’m surprised their claws were made so similar to Wolverine’s as it’s impossible to separate the two, though ultimately it matters little. The female cultist is revealed at the end of the initial chase sequence and when she pulls off her mask I wasn’t sure if I was supposed to know who she is. She resembles Red Claw a bit, which made it more confusing, but in the end she’s a nobody. When she’s sporting those claws though she’s a dead-ringer for Marvel’s X-23 character, so much so that I’d have called her a rip-off if she didn’t predate that character’s first appearance by several years.

This is the last we’ll see of Selina in the main series. I think she did all right for herself in the end.

“Cult of the Cat” may be remembered for being Catwoman’s final appearance, but it’s also quietly a contender for best Catwoman episode. Her episodes are not the greatest, so the competition is surprisingly light. I think I prefer “You Scratch My Back” to this one though, and she’s actually pretty fun in “Batgirl Returns.” Obviously, if we consider a Catwoman episode to being any episode in which she makes an appearance then the clear answer is “Almost Got ‘Im,” but I don’t think of that as a Catwoman episode. Given this one is even in the discussion though makes it a worthy exit for the femme fatale. I think the show could have done more with the character which is why I’ll miss her.

And I would be remiss if I didn’t point out that this is not only the 100th episode of Batman but also post number 600 for this blog. If you actually count all of the published entries you would find it totals less than 600, but that’s because you’re not reading them in the order written. A weekly Batman post plus 25 days of Christmas coming in December means I have to schedule things in advance. And while I initially planned on doing something special to mark the occasion of 600 blog entries part of me felt it made sense for it to be a Batman post given the presence the show has had on this blog for over two years now. And then when I saw it matched up with the 100th episode of the show it became a no-brainer, so thanks to those who have read and continue to read these things. I do it for fun and welcome any who want to take this journey with me.

1 Comment | tags: 100th episode, adrienne barbeau, batman, catman, catwoman, dc comics, scott cleverdon, tasia valenza, thomas blake | posted in batman the animated series, Comics, Television

July 12, 2019

The New Batman Adventures – “You Scratch My Back”

By Joe

you scratch my back Episode Number: 5 (90)

Original Air Date: November 15, 1997

Directed by: Butch Lukic

Written by: Hilary J. Bader

First Appearance: Nightwing

After briefly checking in with Dick Grayson (Loren Lester) at the end of the second episode we now get the official introduction of Nightwing, Grayson’s new alter-ego. We’re still going to have to wait to find out what happened to cause the former Boy Wonder to break away from his mentor, but at least we’ll get a look at how Nightwing operates. We’ll also be reintroduced to a certain femme fatale in the form of Catwoman (Adrienne Barbeau). This episode is going to play up the tension that exists between Batman and Nightwing as well as the tension between he and his old adversary. Catwoman is going to be happy to squeeze her way in between the two. Also caught in the middle, but less eager to be, is Batgirl who is the frustrated bystander who just wants to see everyone get along.

Some people just always like to invite themselves to the party.

The episode opens with Nightwing on a water tower scoping out some shipping docks. He apparently expects something to go down with some gun smugglers, and Batman and Batgirl soon arrive on the scene. Nightwing is not particularly happy to see them, rebuffing Batgirl’s friendly vibes while being rather straight with Batman. Once a forklift is deployed, Nightwing jumps into action. His suit is similar to a wing suit or the classic Spider-Man costume with the webbed under-arm portions. He glides in effortlessly, which looks ridiculous because the wings are far too small. Also, he now has a mullet. Aside from that, the simple black suit with blue logo and domino mask looks fine, better than that garish old Robin costume. In addition to the new threads he also has his own theme song which feels bright and upbeat (similar to Superman’s) which stands in contrast with Batman’s moody tunes. It’s a nice touch, but it almost feels corny. It’s a tad overused in this episode and I hope it’s not something that’s repeated a lot.

Nightwing gets the drop on the bad dudes and gets to work. He demonstrates he’s still plenty good at this crime fighting thing, and even shows off some new shurikens (Wing-a-rangs? Night-a-rangs?) of his own making. He tangles with one goon in a forklift, impossibly dodging bullets and depositing said forklift into the harbor. As he dusts himself off he fails to notice another thug closing in on him from behind with ill intentions. Batgirl swings in for the save, but Nightwing hardly seems grateful for the help. The two have a little argument that’s interrupted by a fleeing thug. He runs among some stacked shipping crates and finds Batman just casually leaning against some of the crates. He ignores the thug, who seems shocked, but eventually continues on his way.

Must be his night off.

Nightwing comes through the same way and seems irritated with Batman’s inaction, though he was recently agitated with Batgirl for the opposite. Batman gestures which way the perp ran with a “He’s all yours,” and Nightwing goes after him. Before he gets to him he can hear a commotion. Nightwing races around the corner to find the crook bound and gagged, and the person responsible is Catwoman. Sporting a new all black attire, Catwoman immediately acts cozy with the young Nightwing by blowing a kiss his way and goes into her backflip routine as she fades from view leaving Nightwing to wonder what that was all about.

Nice crib, Dick.

The next night, Barbara pays Dick a visit at his loft to warn him not to trust Catwoman. Surprisingly, she never brings up her prior partnership with the same villain. Dick’s loft is rather fancy, making me wonder what he ended up doing for work or if this is all Wayne money. It has a dojo-like vibe to it as well, suggesting maybe Dick has sought out some teachings similar to what Bruce did before becoming Batman. Anyways, he has a cool motorcycle now and when Barbara points out there’s room for two on that bike he declines leaving her to lock-up.

Catwoman knows how to get close to a man.

Seeking to follow a lead on the same drug-smuggling ring, Nightwing arrives in position where he can spy on a penthouse. Catwoman soon arrives and reveals she knows a thing or two about these guys. The guy they’re after goes by the name of Ricky the Hook (Sal Lopez) on account of his hook hand. Nightwing is reluctant to engage her, but she insists she’s on his side. When Nightwing allows for a slight opening in this job, thanks to some distractingly flirtatious behavior on the part of Catwoman, she takes it and the lead and heads over to the penthouse forcing Nightwing to pursue.

Enrique El Gancho, aka Rick the Hook.

The two infiltrate the penthouse and uncover some shipping schedules. As Nightwing downloads the information, he’s confronted by The Hook and some of his men. Worse, Catwoman has apparently left him high and dry. As The Hook confronts an irritated Nightwing though, Catwoman reappears to take out the hired help. As The Hook reels from the surprise appearance of the feline, Nightwing takes the opportunity to hit the man as hard as he can in the face. It seems to only stun him. Catwoman takes a whack at taking him down as well, but to similar results. The gunmen gather themselves and force the two to flee. They leap through a skylight and into an indoor pool. The gunmen fire from their vantage point down into it forcing Nightwing to take out the lights allowing for their eventual escape, but not before they engage in some slight slapstick by using pool equipment on the thugs.

Now out of danger, the unlikely partners go over what just happened. Catwoman pushes the idea of the two teaming up, and this time Nightwing is receptive to the proposal. This job clearly requires more than one person, and maybe he’s being seduced by Catwoman’s innate charms. Nearby though, Batman is watching and listening and he doesn’t look too happy.

Sometime later, or another day, Selina Kyle is lounging in her apartment amongst her cats. She’s apparently done well for herself since returning to a life of crime as this apartment appears to be every bit as nice as her old one. She’s also cut her hair short and dyed it black, in keeping with her comic look at the time (the prior blonde look was likely done to resemble Michelle Pfeiffer). Batman soon appears in her apartment and this isn’t a friendly visit. He warns Selina to stay away from Nightwing. She seems amused and opines that the Man Wonder can make his own decisions, implying that it must be common knowledge that Robin has grown up and transitioned to this Nightwing persona. Because drama demands it, Nightwing too shows up. He’s not at all pleased to see Batman sticking his nose in his business, but rather than get into an argument, Batman chooses to leave quietly. As he does, Nightwing looks up to see Batgirl watching and a brief, pained, expression crosses his face as she too departs.

Selina is feeling frisky after ditching the bat.

With him gone, Nightwing informs Selina that he analyzed the files they took from Ricky the Hook and knows where the next big shipment will take place, and that it’s to take place tonight. Selina seems pleased and moves in closer to Nightwing causing him to stop her. It’s not that he’s rejecting the affectionate advance, but he’s spotted something: a bat-shaped tracking device on Selina’s whip.

A last ditch effort to keep the Man Wonder on her side.

Now in costume, Catwoman releases her cat Isis into the Gotham night. And on her collar is Batman’s tracking device. He and Batgirl are shown in the Batmobile falling for the ruse, as Catwoman and Nightwing head out to their rendezvous spot with some gun smugglers. Once they arrive at the docks, the two slip onto a ship and start nosing around the shipping containers. Catwoman seems especially eager, and Nightwing will soon learn why. As Nightwing breaks into some crates, he finds a priceless artifact rather than guns. He finds more, and when he goes to share this information with Catwoman he finds she’s rather consumed with her own affairs. It seems that Catwoman was recently in South America and stole an item called the Cat’s Eye Emerald and stashed it on this boat in order to bring it back to Gotham. She’s busy smashing a bunch of statues until she eventually finds it. Nightwing is rightly angry with her, but Catwoman is prepared for this reaction. She tries to smooth things over with her womanly charms resorting to the tired old villain line of pointing out the money she’ll get for this emerald will allow them to go anywhere they want. She tries to seal the deal with a kiss, but Nightwing rebuffs her. Catwoman informs him he can’t blame her for trying, before quickly tripping him and using her whip to drop a cargo net on top of him.

Batman and Batgirl soon burst onto the scene. Batman frees Nightwing from the net, who brushes himself off to tell Batman his hunch was right and that Catwoman led them right to the emerald. Catwoman is surprised to learn the two played her for a fool. As she lets them know how she feels about being conned, The Hook and his men arrive forcing Batgirl to deploy some smoke grenades to allow the three to escape.

The fight you never knew you wanted.

With the smoke obscuring the vision of the gunners, the trio take out the goons with ease. Nightwing gestures to Ricky the Hook informing Batman he’s all for him while he pursues a fleeing Catwoman. The two trade blows with Ricky the Hook even drawing blood from Batman. He eventually gets the upper hand on the Dark Knight, but as he goes to deliver a killing blow with his hook, Batman blocks it with a nearby fire extinguisher. The foam inside the extinguisher gets in Hook’s eyes and he stumbles back getting his hook caught in some chains. This causes a large crate to release from above which crashes down on top of him. For a moment, it looks like he’s going to brush this off as well, but then he collapses in a heap.

From the ship’s deck, Nightwing spots Catwoman attempting to flee via motorboat. He glides after her, but she takes notice and begins firing a flare gun at him. He avoids the projectiles, and as he descends onto the boat Catwoman accidentally hits the vessel causing it to go up in flames. Worse, they’re speeding towards an ocean liner which for some reason has its prop exposed above water. Catwoman tries to drown Nightwing by shoving his head underwater over the side of the boat, which is quite a vicious turn for her, but Nightwing pulls himself back onto the boat. Catwoman is apparently unaware of the impending collision, as Nightwing grabs her and leaps from the boat as it smashes into the ocean liner. The resulting explosion was apparently enough to knock out Catwoman, but not Nightwing. As he clings to a piece of the former motorboat with Catwoman draped on it as well, Batgirl arrives with the Batboat to see if he needs a hand. Nightwing responds by telling her he’s always happy to have some help as the episode ends.

The explosion conveniently knocks out the bad guy while leaving the good guy fully conscious.

“You Scratch My Back” is an interesting episode because it reintroduces us to Dick Grayson by showing us that his relationship with Batman has become strained. And yet, by the end of it we’re left to wonder how much of that was real and how much was just show to keep Catwoman in the dark. It makes me wonder if the show was afraid to make them too confrontational and wanted to have it both ways: a fraught relationship, but also a buddy ensemble. Nightwing was made to be so naive though when it came to Catwoman that it basically had to go this way or else the character would have instantly lost all credibility. It would be one thing if the younger Robin were duped into something like this by a villain, but for Nightwing to fall for it would be absurd.

There appear to be some hard feelings in the past of Dick and Barbara.

The episode does not show any interest in revealing what caused the break-ups that occurred offscreen. We know things could get tense between Batman and Robin, but we don’t know if Dick just gradually distanced himself or if there was one thing that put him over the edge. Similarly, we don’t know what happened between he and Barbara. When we last saw the two together they were a couple, but now they’re not. While Dick is getting into costume, Barbara is shown looking at a picture of the two of them with a look of sadness on her face. And who is Dick’s barber? That hairstyle is brutal.

As for Selina, we can see she’s been living a life of crime and doing quite well for herself. She’s managed to become wealthy again without running afoul of Batman, as evidenced by the fact that she’s not in jail. Is she even living as Selina Kyle or has she adopted an alias? Her new look seems to be even more influenced by her appearance in Batman Returns as her costume is basically identical to the one present in that film, just without the stitching. There’s something very cartoonish about her head though that really takes away from the sex appeal she’s supposed to possess which ultimately hurts the character. Aside from that, I do like how she’s portrayed as she’s very physical and flirtatious which strikes me as very cat-like.

Overall, this is a rather fun story. Sure, it left me with some questions, but it does a solid enough job of not telegraphing the end. The conflict is largely kept to Batman, Nightwing, and Catwoman so it didn’t need an A-list villain to serve as the adversary. Ricky the Hook is at least a physical menace and he gives Batman a good brawl further showing how open to violence this series is. Batgirl is just along for the ride, mostly, and Tim Drake is sidelined which is fine as there’s plenty of characters here anyway. For director Butch Lukic, this is his first time in the big chair after being a storyboard artist for the previous series. He does a good job as the action pieces are well done and the many characters are utilized well. He’ll go on to direct four more episodes of this series, including the much beloved “Mad Love,” as well as many episodes of Batman Beyond.

1 Comment | tags: adrienne barbeau, batgirl, batman, butch lukic, catwoman, dick grayson, hilary j. bader, kevin conroy, loren lester, nightwing, Selina Kyle, tara strong | posted in batman the animated series, Comics, Television

May 31, 2019

Batman: The Animated Series – “Batgirl Returns”

By Joe

batgirl returns card Episode Number: 85

Original Air Date: November 12, 1994

Directed by: Dan Riba

Written by: Michael Reaves and Brynne Stephens

First Appearance(s): None

We have reached the end of the series. Episode 85 is the last produced episode of Batman: The Animated Series, though it aired as the 8th episode of the third season. It’s not surprising then that this wasn’t aired as the series finale since it’s missing a pretty important ingredient: Batman. Yes, that’s right. For the first time in this show Batman is going to sit on the sidelines. There have been episodes with smaller doses of Batman in the past, but none where he was absent. Bruce Wayne has a brief appearance to explain his absence, but that’s it. There is some screen time for Batman, but it’s right at the beginning and is part of a dream sequence, so technically he’s in it, but technically he’s not at the same time.

This last episode of production season two brings us another fairly major return, and it’s Batgirl. We last saw Batgirl in the two-parter “Shadow of the Bat” in which she helped to clear her father, Commissioner Gordon, of criminal charges. She’s kept quiet since as Barbara returned to her life as a college student. The ending of the episode made me wonder if Bruce and Dick knew who was under the cowl of Batgirl, and if they did, they sure don’t act like it here. In fairness, Bruce doesn’t get to react much to her presence, but Robin will. It seems hard to believe that Batman, who is pretty damn good at this sort of thing, couldn’t figure out who Batgirl is. On the other hand, we’ve seen a lot of Robin in this season and he hasn’t always looked too sharp so I am able to at least go along with him not knowing, and Bruce is under no obligation to share. I am not at all surprised we’re getting another Batgirl episode as her first appearance was well received, as far as I know. It’s just a little surprising it was reserved for the last episode in the production schedule.

It makes sense that she wouldn’t be into Robin.

The episode begins in a darkened museum. Someone has their eyes set on stealing a jade cat statue, but Batman is there to stop them. He’s soon struck with a laser of some kind, and we see it’s being fired by The Penguin! Batman is pressed up against a wall as a playing card comes flying in. In comes Joker followed by Two-Face. Given the events of past episodes, it seems odd for these three to be working together again, but when you have a common foe I guess it’s easy to look past old grudges. When all hope appears lost, help arrives. It’s Batgirl! She drives the crooks away and races over to check on Batman. He’s injured as she helps him up. He says her name, but appears too groggy to say much more. Their eyes meet as their capes billow in the wind. From afar, we see their silhouettes in the moonlight as they lean in for a kiss.

The sound of Dick calling her name wakes Barbra Gordon (Melissa Gilbert) from her dream. She’s surrounded by textbooks and homework and looking a little annoyed that her lovely dream was interrupted like that. She heads over to the window, and surprisingly Dick is right outside it. The way his shouts sounded seemed to indicate that Barbara’s dorm was not at ground level, but his head is literally less than a foot below her window. She yells to him as well, which makes me think when these lines were recorded the direction was that they were yelling to each from a much higher vantage point for Barbara, making this scene rather awkward. Dick just wants to know if Barbara is willing to take a pizza break, but she says she can’t as she needs to ace these midterms or her dad will lock her up. Dick doesn’t put up a fight and leaves her to her studying mercifully putting an end to this exchange. As she heads back for her books, the newspaper is delivered and slid under her door. The front page is covering the theft of the jade cat statue, which seems to give Barbara an idea.

Time to tango.

The university museum has been broken into by none other than Catwoman (Adrienee Barbeau). However, it appears she’s the second person to enter as the lock on the skylight was melted away. She drops inside to inspect the case where the cat statue once stood and is surprised to be met by Batgirl. Batgirl accuses Catwoman of returning to the scene of the crime, but Catwoman is quick to point out the methods utilized by the actual thief before demonstrating how she would have done it with her claws. The two exchange silly superhero banter with Batgirl insisting she tell her tale to the police (she’s so like Batman). Robin drops in to interrupt the two, and Catwoman uses the distraction to her advantage and escapes. As Robin grabs Batgirl to help him chase after Catwoman, he ignores her protests.

Batgirl is going to need some convincing.

On the rooftop, Catwoman uses a bola to entangle Robin and make her ultimate escape. Batgirl, knowing she didn’t steal the statue, lets her flee while Robin sarcastically remarks how much help she ended up being. She tries to tell him what she knows, but Robin isn’t listening. He tells her to stay out of his way and leaves. Some men…

The next day, as Barbara appears to be leaving the campus gym, she spies a cat-shaped card on a bulletin board addressed to “The Winged Mouse.” She reads it and finds an address and instructions to meet there tonight. Barbara does as she’s told, and that night Batgirl heads to the spot to find Catwoman waiting for her. Catwoman remarks she was impressed the prior night with Batgirl and proposes a team-up to find the real thief. Batgirl appears hesitant, but then naively agrees on the condition that if it turns out Catwoman is up to no good that she’ll turn herself in. Catwoman agrees, and the two shake hands forming their partnership.

At the Batcave, Robin is shown talking on the phone. He’s speaking with Bruce who is in France for an important meeting that he can’t bail on. He cautions Robin when dealing with Selina Kyle as she likes to play games. After their conversation ends, he openly remarks that he hopes Batgirl isn’t in over her head.

They’re basically the only two major female characters in this show so of course they have to team up.

Catwoman leads Batgirl to a dive bar called The Stacked Deck. Batgirl is disgusted to be there declaring it the sleaziest bar in Gotham, which is why Catwoman says they’re going to check it out. If anyone knows anything about that stolen statue, they’ll likely be in here. The two stroll in and the gathering of basically all men turn to admire the women. Catwoman narrows her focus on a guy who looks like a stereotypical scientist and begins interrogating him. This guys goes by the name of The Chemist (Scott Valentine), and Catwoman thinks he would know where the acid used in the robbery came from. He lists off a couple of possible locations in a hushed voice, one of which being the chemical plant that gave birth to The Joker, before making a run for it. The bar then erupts in violence forcing Batgirl and Catwoman to battle their way outside.

If Hugo Strange combined with Professor Farnsworth you would end up with The Chemist.

Once there, Catwoman commandeers a motorcycle (really guys, why leave your keys in the ignition at a bar where criminals frequent?) and Batgirl jumps on the back of it. The two speed away just as the cops show up. One squad car goes after them and Catwoman leads them on a chase onto a freeway that’s still under construction. Conveniently, the overpass is complete except for a six-foot gap that the bike can easily clear, but a police car cannot.

I’m legitimately surprised they were able to do this scene without helmets.

Catwoman declares she has a good idea who is behind the robbery and takes Batgirl to an old abandoned factory. Batgirl recognizes it as a building once belonging to Roland Daggett and it’s the same building where Clayface was born. Catwoman confirms this while also adding it’s the same place where a virus was developed that nearly killed her (“Cat Scratch Fever”). The two head inside and Catwoman easily locates the jade cat statue. Too easily, as soon a flood light clicks on and the two find themselves staring down the gun of Roland Daggett (Ed Asner) himself, along with some of his men.

Nice of Daggett to save his first appearance of season two for the final episode.

Apparently not willing to risk getting shot, Catwoman and Batgirl are then shown with their hands bound and Daggett’s men around them. They’re on a catwalk which is running over some imposing looking vats of green, bubbly, acid. Daggett explains his legal fees relating to his last encounter with Batman have bankrupt him. He needs money from the sale of this cat statue to start life, and business, somewhere else and stealing it provided the perfect cover since everyone in Gotham would assume Catwoman was behind it. Batgirl then notices Catwoman is keeping them talking because she’s using one of her claws to cut through her restraints. Batgirl does the same and tries to guess at the death trap awaiting them. Daggett corrects her though: there’s no trap, he’s just going to have his men shoot them. Before they can react, Robin swings in to take out some of Daggett’s goons. Catwoman then frees herself and goes after another while Batgirl is forced to fight with just her legs. Catwoman even tosses a man over the railing, but he lands on a pipe running over the acid bath, sparing himself a rather nasty end. Batgirl winds up in a precarious position when it looks like one of the crooks is going to toss her overboard, but Robin makes the save by cutting her restraints with a batarang which is enough for Batgirl. As the two congratulate each other, they realize Daggett and Catwoman are missing.

It’s a bit annoying how often Batgirl needs saving, hopefully she improves for the next series.

Daggett, with the jade cat statue in hand, is shown running across a darkened catwalk. Catwoman calls out to him, and he spins and fires at shadows not realizing the voice came from above. She uses her whip to disarm Daggett before dropping in on him. She retrieves the cat statue and while regarding it Daggett finds a metal hook lying around and tries to take her out. She easily avoids the old man and lets him tumble over the railing catching his foot in a chain. As he dangles over the acid, Catwoman seems content to let him fall as payback for the whole virus thing. Batgirl arrives and uses the classic super hero line of “You’re just as bad as him if you let him go,” and Catwoman basically laughs her off and lets go. Batgirl makes the save by grabbing the chain, but is having a hard time hauling Daggett up which allows Catwoman to flee once again. Robin then shows up and the two pull Daggett to safety.

Yeah, he’s not getting away from her.

On the rooftop, Catwoman swings from building to building with the aid of her whip, but soon finds Batgirl on her tail. Batgirl uses a bola of her own to catch the cat burglar, and the two then have a little chat. Catwoman confesses that it was always her intention to steal the statue, causing Batgirl to remind her of their deal. Catwoman proposes the two team-up, but Batgirl is sticking with the law. The police arrive on the scene and Catwoman surprisingly agrees to the terms of the deal as she lets the arriving officers place her in handcuffs. While they lead her away she tells them Batgirl is innocent, which is apparently good enough for them.

Robin with the premature celebration.

Batgirl and Robin observe as the two officers place Catwoman in their squad car. They take off while the two basically have a moment to congratulate each other again. As they watch the car speed away, it begins to swerve. Soon the doors open and both cops are tossed. They run over to help the officers, who rise to their feet and realize their guns are missing. Catwoman then yells from the car that she agreed she’d let the police take her, but she never said how far. As she takes off, Robin starts to go after her, but Batgirl grabs him by the cape insisting there will be another time. She must have been really certain there was going to be a season three!

And that’s how the series comes to an end, with Batgirl and Catwoman having a cheeky little romp through Gotham. Catwoman, due to her playful nature, is as good a villain as any for this type of story. She’s returned to her life of crime following the events of “Catwalk” (which would awkwardly air after this episode) so no explanation is needed for her ulterior motives. It’s interesting that this was the first chance for her to interact with Robin as one could see her using her feminine charms on him, but they have few interactions. The episode also serves as a curtain call for Roland Daggett, a pretty big player in season one who will never be seen again. I guess the in-universe explanation would be that since he’s no longer wealthy he couldn’t afford a good attorney to keep him out of prison this time.

Batgirl may still be new at all of this, but she’s definitely got the poses figured out.

This is another directorial effort from Dan Riba, who was given an expanded role back when Dick Sebast left the show. Unlike the directors for the past two episodes, Riba will stay on for the next iteration of Batman. Joining him will be Dong Yang Animation which will animate all of the episodes of The New Batman Adventures save for five. This isn’t their best work as some of the animation seems a bit stiff. Perhaps it’s due to animating the more slight female characters as opposed to Batman. This is the final appearance of Melissa Gilbert as Barbara Gordon/Batgirl. She’ll be replaced by Mary Kay Bergman in Batman & Mr. Freeze: SubZero and then by Tara Strong in The New Batman Adventures. This is also Dick Grayson’s last appearance as Robin in an episode of the show, though he’ll be in the upcoming movie.

As a series finale, “Batgirl Returns” is miscast, but it’s not a bad episode by any means. This is a fun, entertaining, reintroduction for Batgirl. She’s painfully naive throughout, but since she’s new at this I suppose I can overlook it. Robin and the police both overlooking Catwoman and her ability to escape are less forgivable as this episode really puts an exclamation point on how inept the Gotham PD is. And Robin, for that matter.

Even if the series finale isn’t what one would have expected, it doesn’t diminish what Batman: The Animated Series meant for children’s cartoons and Batman as a whole. It’s the show that helped re-legitimize the character for a new generation which had grown up on reruns of the 1960s show. The show arguably gave us the best Batman (Kevin Conroy), the best Joker (Mark Hamill), and absolutely the best Mr. Freeze and Two-Face. When I decided to revisit the show in this format as a celebration of the show’s 25th anniversary there was some skepticism on my part. I didn’t think the show would hold up as well as it did. I knew “Heart of Ice” and other select episodes would be great still, but I was surprised to find that most of the episodes I didn’t remember fondly I ended up having a more positive reaction to this time around. There’s still a few duds, but by and large the show is very consistent and very entertaining. It gives me hope for The New Batman Adventures as I don’t have great memories of that show so I’m hoping I’ll like it more now than I have in the past. One thing I do know though is that it isn’t as good as the original two seasons. This is still my favorite portrayal of Batman, and I doubt that will ever change.

1 Comment | tags: adrienne barbeau, batgirl, batman, catwoman, dan riba, ed asner, kevin conroy, melissa gilbert, robin, roland daggett | posted in batman the animated series, Comics, Television

March 15, 2019

Batman: The Animated Series – “Catwalk”

By Joe

Catwalk title Episode Number: 74

Original Air Date: September 13, 1995

Directed by: Boyd Kirkland

Written by: Paul Dini

First Appearance(s): None

Batman: The Animated Series has done a great job of elevating some of Batman’s lesser known villains. It’s really a big part of the show’s legacy. And the well-established villains like Joker and Riddler did just fine as well. One notable exception though is Catwoman. Perhaps the most famous foil for the caped crusader not wearing clown makeup, Catwoman has struggled when finding herself on-screen. Her debut, which was the show’s broadcast premiere, “The Cat and Claw” established her character as a cat burglar with an animal rights activist bend. She stole to help fund her efforts there, and also for fun. She also instantly fell for Batman, who’s alter ego Bruce Wayne found himself infatuated with Selina Kyle, the alter ego of Catwoman – naturally. This dance played out over two episodes with Batman and Catwoman finding a common enemy in Red Claw before everything ended with Gotham saved, and Catwoman behind bars.

Since then, Catwoman has returned, but really only in the role of victim. She needs to be rescued by Batman in all three of her return engagements, though at least in “Almost Got ‘Im” she can boast that he was only returning the favor. It’s been a rather toothless portrayal for a character that should be able to stand on her own, be she thief or vigilante or something in between. And the show really couldn’t decide what she was. She’s basically another crime fighter in “Almost Got ‘Im” and I hypothesized during my write-up that she was shoe-horned into the role of Robin so that the episode could end with its punchline. Her character is left uninteresting by season one’s conclusion, and it’s clear she needs a fresh approach.

Enter Paul Dini. Dini did not receive a writing credit on any of Catwoman’s prior appearances, though as one of the credited show creators it’s likely he had some input on virtually every episode to air. This is his first real try at course-correcting the character and it’s one that is going to bring Catwoman back to her thieving roots. It’s a sorely needed direction, the only question being is the character worth salvaging at this point so late in the game?

Selina misses her old life.

The episode opens at a museum exhibit. Selina Kyle (Adrienne Barbeau) is staring forlornly at a stuffed leopard and thinking back on her life as Catwoman. She’s basically bringing the audience up to speed while placing some of the blame on her Catwoman-less existence for the first time on Batman, a common sentiment amongst his many enemies. Bruce Wayne and Veronica Vreeland (Marilu Henner) are also attending the same function and approach Selina. Vreeland tries to make small talk by mentioning her grandfather donated much of the display, but that doesn’t sit well with Selina. She accuses Vreeland’s grandfather of hunting many of these animals to extinction. Suggesting this place isn’t for her, she leaves while Veronica and Bruce can only stare with mouths agape. Bruce catches up to her to admonish her for her rude behavior, but Selina seems to feel no shame or need to apologize for the cat in her. She thanks Bruce for inviting her along (Yup, he’s still barking up that tree, or maybe I should say scratching at that post), but tells him she doesn’t fit in here and takes her leave.

The gangster puppet is back again.

As Selina leaves a rather large individual grabs her and tosses her into an ominous black car. It’s Rhino (Earl Boen) who is apparently still in the employ of one Scarface. He and The Ventriloquist (George Dzundza) are free from Arkham. If they were released or escaped, it isn’t explained. Selina is quite amused by the talking dummy, but Scarface has a job for her. Or rather, a job for Catwoman. Scarface wants to steal from the Vreeland family, and he’s apparently aware of Selina’s feelings towards them. Either he was spying on her just now or his intuition is remarkable. Selina is unable to resist the urge to not only get back at the Vreeland family, but also to be Catwoman once again. She takes the job.

Catwoman returns to the museum and is able to sneak in undetected. As she goes for the jewels, a so-called business partner has other plans. It’s Scarface and his crew, and they’re making a brazen assault on the museum by detonating some explosives inside, which not only attract attention, but foil Catwoman’s escape. The security, and eventually police, key-in on Catwoman forcing her to make a daring escape while Scarface and his men have a much easier go of things. It’s obvious now Scarface only wanted to use Catwoman as a cover, but for what purpose we don’t know.

He sure looks smug.

Catwoman is able to make it back to Selina Kyle’s penthouse. There she has a visitor in the form of Batman. Nothing happens in this town without Batman knowing, and he seems concerned for Selina. She makes up a story about wanting to return to the museum to apologize for her behavior earlier, and finding a robbery in progress, she decided to infiltrate the building as Catwoman in a bid to stop the perpetrators. Batman is insistent that she tell her story to the proper authorities and the two return to the museum. Once there, Catwoman notices that some rare extinct animal mounts are missing and assumes that’s what Scarface was really after. Batman can tell she’s not revealing the full truth. And just like that, the old Catwoman is back. She attacks Batman with what may be a kick to the Wayne family jewels, but the angle makes it unclear. It’s a good kick though since it gives her some time to ascend onto what appears to be a blue whale suspended from the ceiling. Batman meets her there, and the two make a pretty big mess and Catwoman ultimately escapes. Batman flees to the roof and pulls out a tracking device – he apparently bugged the Catwoman.

It’s been awhile since we had a good Batman vs Catwoman confrontation.

With Batman out-of-the-way, Catwoman is free to zero-in on her new prey: Scarface. He’s holed up with his men at a sawmill and when we check in on him he’s speaking on the phone to The Penguin about a bird mount he swiped. Also with him is a rare Tasmanian Tiger that is being billed as the last of its kind. Catwoman enters, but not entirely successfully as the guards take her out. She ends up in a cliché, unconscious on a conveyor belt heading towards a whirling saw-blade. This time it’s her cat Isis who makes the save by licking her face to bring her to consciousness. She rolls away just in time, but now has Scarface and his men to deal with. She’s outnumbered and having a tough go of things, but Batman soon arrives to even the odds. He takes on Rhino, while Catwoman goes after Scarface.

The artists always seem to find a way to get a butt-shot into every Catwoman episode.

She corners the maniacal puppet and his “dummy,” The Ventriloquist, in the command room of the mill. Scarface apparently never got around to reacquiring an adorable, tiny, tommy gun because he’s unarmed and unable to really do anything when confronted by Catwoman. She snatches Scarface from The Ventriloquist and tosses him on to the same belt she was on minutes earlier. She seems to enjoy how The Ventriloquist begs and pleads with her to let him help his beloved Mr. Scarface, but she’s not going to let that happen. He turns his back to her and grabs the Tasmanian Tiger and hurls it at Catwoman. When she moves he races in and shuts down the machine sparing his boss’s “life.” This proves to be a brief reprieve as Catwoman just pulls a crane release that drops a bunch of logs onto the machine smashing it, and Scarface, in the process.

The animators at Dong Yang do a great job of making The Ventriloquist look pained throughout his confrontation with Catwoman.

As The Ventriloquist weeps Catwoman smiles gleefully, but then things take a turn. She confronts The Ventriloquist with claws exposed and starts tearing at his clothes. When he insists that he and Scarface are two different people, she just reminds him that Scarface is locked inside him and her thirst for revenge has apparently not been sated by merely crushing the dummy. By now, Batman has finished tangling with the likes of Rhino and is able to put a stop to this. Catwoman insists he cease his actions so she can take her revenge on The Ventriloquist for costing her her freedom. Batman reminds her she did it to herself, and when he asks why she insists because she couldn’t live without being Catwoman. By now, the wreckage of Scarface has caught fire somehow and Catwoman tosses the Tasmanian Tiger into the middle of it (a Hell of a throw). She tells Batman he can’t let it burn because it’s priceless and the last of its kind. He apparently agrees as he swings in and snatches the mount from the flames, but by doing so allows Catwoman to escape. We cut her to her perched on a building and a voiceover from Catwoman declares she’s a cat who walks alone.

I find it interesting that the title card of this episode is essentially a mirror image of its closing shot.

And so we have Catwoman essentially brought back to where she was when this series started. The only difference is the whole world knows who she is so she can no longer live the swanky lifestyle enjoyed by Selina Kyle. How she’ll manage to get by as a criminal on the run is a tale left for another day. For what this is, it’s successful and I do prefer a Catwoman who is a villain of sorts as opposed to an ineffective vigilante, or whatever she was. It will be a challenge to integrate her further into Batman’s foes, but it’s better than what had become of the status quo. As for Scarface, his use here was suitable. Some liberties were taken this time with his performance as one scene featured The Ventriloquist using both of his hands to manipulate Scarface’s arms, while his mouth continued to flap away. He was seated in The Ventriloquist’s lap so maybe he found a creative way to utilize another appendage? My only real issue with Scarface is the unexplained nature of his arrival on the scene. I get that it would be tiresome to always see how the villains manage to escape Arkham, but a throw-away line about The Ventriloquist getting a clean bill of health would have sufficed.

Batman, once again, proves how poor he is at managing Catwoman. Perhaps it’s an intentional weakness by the writers as even Catwoman points out he lets her get too close. I’m not sure I buy the concluding scene where Batman opts to “save” a dead and stuffed animal rather than apprehend a criminal. My own take on the scene is that Batman really didn’t want to arrest Catwoman, and when given an out, he took it.

Batman always letting Catwoman get too close, and this time she calls him out on it.

This is a good-looking episode for Dong Yang. We get some new backgrounds and the museum is a fun setting for a little skirmish between hero and villain. The fight scene at the mill is perhaps brief, but visually entertaining. Batman and Rhino for a moment take on a slightly rubbery, toon look at times. It’s not a look I’d want for every episode, but when it pops-in here and there it’s a bit fun as most of this show is rather rigid. Best of all though, they did a really nice job during the scene where Catwoman is essentially torturing The Ventriloquist as he watches Scarface near another untimely demise. The Ventriloquist has no pupils, so it’s a challenge to make him convey emotion, but it’s done well here and I almost pity the man as a result. Catwoman, on the other hand, looks positively evil in her enjoyment of the whole thing. It’s actually refreshing to see her embrace her dark side and helps to sell the overall narrative of the episode.

“Catwalk” is a good return to form. It has a few stumbles, but nothing serious. It feels like a stepping stone for Catwoman, though unfortunately I’m not sure it really pays off. Catwoman will make another appearance before this season ends, but from what I recall it doesn’t really refer back to this episode (it doesn’t even feature Batman). The bulk of her additional time will be spent in The New Adventures of Batman where basically everyone feels like they received a reboot. And by then, Catwoman will practically be a different character, but that’s not the fault of this episode. For what it’s worth, this episode is probably the best depiction of the iconic feline the show has.

1 Comment | tags: adrienne barbeau, batman, catwoman, george dzundza, marilu henner, paul dini, scarface, Selina Kyle, the ventriloquist | posted in batman the animated series, Comics, Television

August 10, 2018

Batman: The Animated Series – “Almost Got ‘Im”

By Joe

200px-Almostgotim Episode Number: 46

Original Air Date: November 10, 1992

Directed by: Eric Radomski

Written by: Paul Dini

First Appearance(s): None

It’s quite silly how excited I get when we’re coming up on a favorite episode of mine from this series. Nothing is stopping me from watching episodes like “Almost Got ‘Im” basically whenever I want, but for some reason this feature makes me feel like I’m being given permission to go watch these all over again. “Almost Got ‘Im” is a Paul Dini episode, and his tend to be pretty good. It’s a great concept for an episode that may or may not have been influenced by a series of comics in 1977 entitled “Where Were You on the Night Batman Was Killed?” Basically, we have a group of villains all hanging out and sharing a personal story about a time when they almost killed Batman and rid Gotham of him once and for all. We’re treated to numerous flashbacks recalling these moments (though this isn’t a clip show, these stories are all new) before everything comes together in the end to further a story in the present. Even though it’s an episode light on Batman, since we’re almost always looking at him from a villain’s perspective, I loved this one even as a kid and I still do today.

When the girl walks in…

The episode opens over a game of poker. All we see are the hands of some recognizable villains from the show as they shoot the breeze and make plays. The players are Joker (Mark Hamill), Two-Face (Richard Moll), Penguin (Paul Williams), and Killer Croc (Aron Kincaid). The camera lingers on their hands, from the point of view of the person those hands belong to, and there’s some nice little touches adhering to the personalities of each guy. Joker, for instance, is shown pulling cards out of his sleeve while Two-Face discards two low number cards, but elects to hang onto a deuce (I love this). They’re ribbing each other for the most part, in particular Joker is pretty much all over Two-Face with several puns on his name. They appear to be in some kind of bar, but everything around them is covered in shadows. Soon Poison Ivy (Diane Pershing) comes strolling in and takes a seat at the table and that’s when the conversation turns to Batman.

Joker mocker Ivy for her exploding pumpkins, and yet voice actor Mark Hamill would go on to voice the Hobgoblin who, wouldn’t you know, wields exploding pumpkins.

Poison Ivy is the first to tell her little tale about the time she almost got Batman. Of all of the tales, hers is probably the least interesting as it’s basically just her gassing Batman with a jack-o-lantern. It’s most interesting contribution is a self-driving Batmobile segment and I’ve been a sucker for those ever since Batman ’89. Two-Face is up next, and his tale is a partial adaptation of a story from the comics in which Batman and Robin were tied to a giant penny. It’s a rather fun segment, but since we’ve got a bunch to get through, none are long so we’re mostly going for visual flair. Perhaps best of all, the giant penny in this flashback is going to remain a fixture in the Batcave in later shots as Batman was allowed to keep it for some reason.

Killer Croc is up next and his story is brief and makes me laugh every time. I don’t want to spoil it so I’ll say nothing further on the subject. Penguin goes after him after all the villains seem to agree to ignore Croc from here on out. Penguin’s story takes place in an aviary and involves attack hummingbirds. It’s preposterous, but what isn’t where this show is concerned? Penguin actually escapes at the conclusion of this tale, indicating he hasn’t faced any consequences.

Not a good predicament for our hero.

Saving the best for last is Joker. He actually insisted on going last and he does have a good reason for that. His story is typical Joker – he’s taken the Gotham airwaves hostage and setup Batman in a game show. The game in this case is to make the audience laugh which will cause Batman to be electrocuted. Did I mention Batman was strapped into an electric chair? The story of how he ended up in such a predicament is probably a good one, but apparently not deemed worth retelling by The Joker. Joker first tries to get the audience to laugh via threats, but it doesn’t produce great laughter. His next idea then is to simply fill the studio with laughing gas while Harley (Arleen Sorkin) reads the phone book. It proves effective, but before Batman can be fried to a crisp Catwoman (Adrienne Barbeau) barges in and saves him. Unfortunately for her though, while chasing Joker she’s attacked from behind by Harley and incapacitated. We then jump back to the card game where Joker reveals this all happened last night. He may not have got Batman, but he still has Catwoman and she’s currently about to be made into cat food and served to the cats of Gotham – ha ha ha!

This is actually a good time to be committing petty crimes in Gotham since both Batman and the entire Gotham PD are apparently in this one bar.

It’s at this point one of our villains is revealed to be none other than Batman in disguise. He infiltrated this little game to presumably to find out what Joker had done with Catwoman. And he didn’t come alone as all of the patrons in the bar turn out to be undercover cops. With the villains all taken care of, Batman is free to go after Catwoman. Lucky for her, Harley has been waiting for Mr. J’s arrival before turning on the conveyor belt that will carry Catwoman into a vicious looking grinder. When Batman shows up instead, she does the old ploy of turning on the machine and taking off forcing Batman to choose between saving Catwoman or apprehending her. Batman, it turns out, can do both and it’s actually kind of funny. With that out of the way, Batman and Catwoman share a moment on the rooftop of the factory. When Catwoman tries to go in for a kiss, she’s distracted momentarily by the goings-on at ground level giving Batman an opening to take off on her. As he swings away Catwoman looks on with a wry smile and gives us the line of the show, “Almost got ‘im.”

This seems like a real messy way to make cat food.

This episode is just fun. There’s tons of little details, mostly in the beginning of the episode, that add personality to our rogues gallery. I also really like that there’s an acknowledgement of Two-Face and Ivy’s previous relationship and their shared lines are some-what tense. It’s just a great framing device for an episode to have a bunch of interesting characters just hanging out and shooting the breeze. There are also loads of fantastic one-liners or little dialogue bits in this one.

Not really sure why you’re running from this one, Batman. Maybe those trunks he wears doesn’t hide much?

Where the episode does come up short is mostly nitpicking. Once more we have Catwoman just in a weird spot. What is she? A villain or is she now a vigilante? I think clearly she was used in place of Robin to setup that little bit on the rooftop at the end, but it does feel off. She also should have been able to escape from Harley since she was just tied up and placed on a conveyor belt. Nothing that I can see was stopping her from just rolling off. I also wish the episode played with the concept of the unreliable narrator more. All of these stories are being told from the point of view of the villains and some embellishment on their part would have been fun. Especially since the format of the episode forces those flashbacks to be quite brief. And lastly, this is another episode where a character is probably way too good at being disguised, but that’s nothing new.

This episode is popular enough to have spawned its own card game.

My issues with the episode are rather minor. This is one of my favorites, though I’ve never given it much thought beyond that. Is it in my personal top 25? Top 10? Top 3?! I’m not sure, but I’m at least leaning towards Top 10 and I’d have to do some more work to determine if I’d go further than that. Maybe that’s a feature for when this is all said and done, but we have a long way to go before we’re out of episodes.

1 Comment | tags: batman, catwoman, harley quinn, killer croc, paul dini, poison ivy, the joker, the penguin, two-face | posted in batman the animated series, Comics, Television

July 13, 2018

Batman: The Animated Series – “Tyger, Tyger”

By Joe

Tyger_Tyger-Title_Card Episode Number: 42

Original Air Date: October 30, 1992

Directed by: Frank Paur

Written by: Michael Reaves, Randy Rogel, and Cherie Wilkerson

First Appearance(s): Emile Dorian, Tygrus

A 65 episode order must feel like both a blessing and an unbearable burden. On one hand, that’s a big pay day. Plus 65 episodes also means syndication which is a pathway to even more riches. On the other hand, that’s suddenly 65 stories to be developed, 65 screen plays to be written, 65 story boards to be parsed through, not to mention the actual production. All of this is following what was likely months of work on a pilot and series bible so that everything was good to go for a successful pitch to the network. In the case of a property like Batman, at least there’s over 50 years worth of comic books to go through for ideas and few characters are created from scratch. No one wants to just adapt other people’s work though, so the bulk of the stories are mostly original. And they come with deadlines.

I like the Garth from Wayne’s World better.

Such a daunting task is probably how you end up with an adaptation of The Island of Dr. Moreau in a Batman cartoon. Batman has always been one of the more grounded super heroes. His villains usually don’t possess actual super powers and instead are just mentally deranged individuals with wrestling gimmicks and henchmen. This series did establish right from the first episode that there can at least be room for some science fiction via mad scientist quackery. “Tyger, Tyger” doubles-down on that with Dr. Emile Dorian (Joseph Maher) who is basically a stand-in for old Dr. M. He’s a genetic scientist driven away from society because of his crazy ideas and crimes against nature. He’s also a big-time cat enthusiast, proving you really can’t trust those crazy cat folks (I say this as someone who has only ever had cats as pets). And since he’s a cat person, well obviously we’re going to need to bring in our old friend Catwoman, Selina Kyle (Adrienne Barbeau), to assist with this story.

Selina meet Tygrus, he’s going to be your mate!

The episode opens with Ms. Kyle visiting a zoo at night. It seems an odd thing to do, but she’s kind of an odd person. She’s looking mournfully at a tiger, a rather odd looking tiger at that, when someone from the trees behind her takes aim at her with a rifle and fires. The weapon is armed with some sort of dart, and after striking her the assailant bounds from the trees to claim his prey. He’s an ape man (voiced by Jim Cummings), and Selina tries putting up a fight, but is no match for the brute. A security guard comes to her aid, but he winds up in the tiger pen as a result while the ape-man makes off with Selina.

Old friend Kirk Langstrom gets to make a cameo.

Bruce Wayne is shown waiting at a restaurant and his date is obviously late since he’s checking his watch. He phones home to see if his date, Selina, called Alfred to cancel (apparently Bruce can’t afford a 1992 cell phone). A member of the waitstaff lets him know that Selina called to say she was stopping by the zoo and would be late. He heads over there to find the crime scene. The cops are interviewing the guard who is obsessing over the ape man, and has really nothing to offer about Selina. Bruce finds a spent dart near the tiger pen (once again, the Gotham PD proves its incompetence) and brings it home for analysis.

Selina is shown a prisoner of a mad scientist – Dr. Emile Dorian. He’s all about cats and wants to experiment on her and turn her into some cat-lady. He thinks she’ll like it, but Selina seems less than thrilled.

Batman discovers the chemical compound contained in the dart is similar to the serum that turned Kirk Langstrom (Marc Singer) into the Man-Bat way back in episode number one, “On Leather Wings.” He brings a sample to Langstrom for confirmation, and the good doctor lets him know he’s correct. He hypothesizes that it’s the work of disgraced geneticist Dr. Emile Dorian and even shows Batman one of Dorian’s early experiments he just so happens to keep right there in the lab – a half cat, half monkey creature. He gives Batman a tip on where to find him, and Batman wastes no time in heading off to Dorian’s island.

In this episode, Batman gets to see Selina naked. It’s not what he expected.

Once there, Batman finds a huge citadel-like structure and scales the wall 60s style. He’s met on the roof by Garth, the ape-man from earlier, and the two crash through the ceiling into the lab. It’s there he sees Selina, now in an enclosure. He’s horrified to see that she’s been transformed into a human-cat hybrid. Her entire body is covered in a mustard colored fur and she has claws and cat ears to match. She seems content, but Batman reacts violently and starts smashing the place to get at her. This attracts the attention of Dorian’s prized creation – Tygrus (Cummings). Unlike Selina, Tygrus was created “from scratch” and is a massive cat-man creature with sleek features and a barrel chest. He overpowers Batman, while Selina indicates she still has some humanity within her and reacts to the presence of her old crush.

Dorian informs Batman that Selina’s transformation is not yet complete. It can still be undone, but if Batman wants to do that he’ll have to defeat Tygrus. He sets the two loose, with Batman getting a head start, on his island. Tygrus is instructed by Dorian to kill Batman, and it looks like he has no issues obeying his father. Meanwhile, Dorian and Garth set out to administer the final component of the transformation formula to Selina, Dorian obviously having no intention of playing by his own rules.

Dorian and his “son,” Tygrus.

Batman is forced to duke it out with Tygrus who is a more than formidable foe. He is able to incapacitate the creature long enough to find out it can talk. Since it can talk, it can also be reasoned with. Batman is able to convince the rather dim creature that he’s not his enemy just because his father says he is, and the two return to the lab. By now, Selina has decided she doesn’t want to remain a cat and has broken away from Dorian. This sets up a confrontation where Tygrus is caught in between Dorian and the others. He wants Selina to stay and remain a cat (and he apparently intends to mate with her), but he’s apparently learned enough about consent and he isn’t going to force it upon her. This puts him into direct conflict with his father, and he ends up destroying the lab in a fiery explosion.

Imagine what they could have been.

Batman, Selina, and Garth escape, but there’s no sign of Tygrus or Dorian. At first. Tygrus soon emerges from the burning wreckage with Dorian in his arms. He lays him down at Batman’s feet with the hope that Batman will see to him. He makes one last play for Selina, and when she rejects a life as a cat, he quietly slips the antidote into her hands. She implores him to come with them, but he turns and remarks he doesn’t belong with them, or anywhere, and our episode ends on a somber note with Batman reciting a portion of the William Blake poem “The Tyger” as the episode fades out.

Tygrus bids us all a sad goodbye.

Even with the call back to the Man-Bat, there’s no shaking that this is a weird episode. It’s not an all together bad episode, it’s just not a favorite of mine. The story is kind of rushed, and Tygrus is easily persuaded into a noble role. I also don’t particularly care for his design, though the episode looks fine as a whole. Dorian is a simple villain with no redeeming qualities so the episode doesn’t have to work hard to get us to hate him. I would have liked to see more of his creations, but since what we did see was so visually uninteresting then maybe it’s fine we didn’t. Selina is again kind of mishandled by the show. She’s lost all touch with her Catwoman persona at this point and is in need of some serious rehabilitation. Worse, she’s been pushed into this damsel in distress role which is borderline insulting. Her cat look is kind of stupid, and I have no idea why they went with the color that they chose for her fur. I guess it helps to make her pop against the dark and drab backgrounds and it’s a similar shade to her hair color. It’s also fun to have veteran voice actor Jim Cummings play a large role in an episode, though he isn’t given a whole lot to work with.

What we’re left with is not a particularly good episode of Batman: The Animated Series, and it’s in an odd place as three out of four episodes will feature a genetic engineering subplot. It’s an odd obsession for the show to settle on, but it’s also something that the show leaves behind. We won’t hear from Dorian or Tygrus again, and I’m not particularly broken up about that. Meanwhile, Selina Kyle will finally get to go back to being Catwoman in a few weeks, though once again in more of an anti-hero role as opposed to true foil. It will be awhile before we see her do anything remotely villainous again.

1 Comment | tags: adrienne barbeau, batman, catwoman, emile dorian, jim cummings, Selina Kyle, the island of dr. moreau, tygrus | posted in batman the animated series, Comics, Television

June 1, 2018

Batman: The Animated Series – “Cat Scratch Fever”

By Joe

Cat_Scratch_Fever_Title_Card Episode Number: 36

Original Air Date: November 5, 1992

Directed by: Boyd Kirkland

Written by: Sean Catherine Derek, Buzz Dixon

First Appearance(s): Professor Milo

After watching so many episodes of Batman: The Animated Series some patterns start to become obvious. A typical episode is split into two main parts: the discovery phase and the climactic confrontation between Batman and the villain of the day. Sometimes the episodes are uneven with one end of the episode not able to hold its own weight. Most of the time they’re both perfectly fine, but sometimes you get an episode where neither half really works, which brings me to “Cat Scratch Fever.” Aside from the fact that the title invokes unpleasant thoughts of Ted Nugent, in a Batman context it certainly brings to mind a certain woman, a cat woman, if you will. After a pretty lengthy layoff, we’re finally going to check-in with Selina Kyle (Adrienne Barbeau) and see what she’s up to while also getting a look at Roland Dagget’s latest scheme. This is also a noteworthy episode because it’s the final one animated by Akom. Akom was a frequent player in television animation. Based out of Korea, they would get a contract for work and often outsource it to other studios of varying quality (they famously did some rather shoddy work on X-Men’s pilot) and as a result they’ve produced some great episodes of animated television and some not so great, this episode being of the not so great variety which lead to their dismissal from the series.

Selina facing the music.

The episode opens with Ms. Kyle at a hearing concerning the events of “The Cat and the Claw.” If you need a refresher, Catwoman and Batman foiled the plans of Red Claw who could have unleashed devastation on Gotham City if not for their intervention. Her heroic deeds did not score her many points with Batman however, as following the defeat of Red Claw Batman still placed her in handcuffs for petty burglary. This was a case of the show trying to have Batman be stoic in his attitude towards the law – it’s not for him to decide if Catwoman should be punished, but the court. It’s hypocritical considering Batman breaks the law all of the time with forced entry and witness intimidation. It’s why he’s a vigilante after all, so he can operate above the law. Thankfully our unnamed judge here (played by Virginia Capers) sees things my way as she gives Selina probation on the condition that she never dawn her Catwoman costume to commit crimes (so I guess she’s free to break the law out of costume?).

A friend to cats everywhere.

An elated Selina returns home to her penthouse apartment and her assistant Maven is still there. We don’t know how much time has passed between appearances, but it seems like this is the first time Selina is home even though I would think she would have been able to post bail. Anyway, Maven informs her that her precious kitty Isis is missing and she supposes the cat went out looking for Selina, so Selina goes out looking for Isis. Deciding against dressing as Catwoman, she’s just plain old Selina. While looking for Isis, she stumbles upon a couple of hoodlums out collecting strays. They’re not with the pound, and Selina suspects the worst of them. Jessy (Denny Dillon) and Paunch (who isn’t voiced) are the two goons and they put up a fight. When things look like they’re going bad for Selina, guess who shows up. With Batman’s help, the two are put away effortlessly (the animation is careful to make sure Batman doesn’t strike the female thug, Jessy), but before Selina can thank him properly, Batman runs off as the police arrive. Finding a recently released individual like Selina Kyle in such a situation naturally prompts the arriving officers to bring her to the precinct, but Selina’s other knight in shining armor is there to bail her out.

Bruce and Alfred pick up Selina, who politely declines the advances of Bruce. She mentions the two thugs were quickly bailed out by Roland Dagget, which is a pretty good lead not just for Batman, but Catwoman as well. She somehow figures out that whatever is going on with the stray cat population is coming from a specific Dagget owned laboratory on the outskirts of Gotham. Inside, we get a peek at Dagget (Ed Asner) himself discussing some plans with a Professor Milo (Treat Williams, who I would have bet money on was Rob Paulsen) who has devised a rather nasty toxin. The toxin is placed into an animal which seems to cause the animal to react as if it’s rabid (he demonstrates on a dog). Their plan is to infect the stray animal population, which will in turn cause the disease to spread to humans, and then Dagget can sell the only cure for a rather tidy profit. We also see Isis is among the captured animals, and she’s Milo’s next specimen.

Bad kitty!

When Catwoman enters the lab she finds it’s dark and quiet. She quickly locates her beloved cat and frees her from her cage. Isis at first seems docile, but she quickly turns on Catwoman and bites her, then flees out an open window. The thugs, Jessy and Paunch return along with Milo and Catwoman is forced to flee. Milo takes note of the bite wound she received and lets his cohorts know they don’t need to pursue aggressively as the toxin will do the work for them. And sure enough, Catwoman is rather woozy and off-balance almost right away. She discards her mask and collapses in the snow as Isis runs off.

Paging Dr. Batman.

Elsewhere, Bruce Wayne has done some sleuthing on his own to figure out what the Dagget connection could be. Lucius Fox (Brock Peters) is able to provide some important info about a new drug Dagget is believed to be developing and no one knows what it’s for (the dialogue in this scene is very similar to another Dagget episode “Appointment in Crime Alley,” so much so that it had to be intentional though it could have also just been lazy writing). Batman heads out to investigate, which is a good thing since he finds Selina collapsed in the snow. He takes her to a nearby shack, of sorts, where she gets him up to speed on what happened before taking a little rest.

While Batman is busy tending to Selina, Dagget is getting impatient with the progress being made. He orders Milo to commence with the operation, while he explains he’s just waiting on Paunch to fetch some of the anti-toxin from another lab in case anything goes wrong. Unfortunately for Paunch, he’s going to run into Batman while he’s out doing Milo’s bidding. Batman was hoping to get some info out of Paunch, but he picked the wrong guy considering he’s mute and all. Still, Selina shared enough information with him to figure out Dagget’s scheme, but just in case he didn’t, Dagget and Jessy show up to confirm his suspicions (Dagget, like many villains, just can’t help himself).

Not the most fearsome trio, but left to right is Milo, Jessy, and Paunch.

Batman is going to be forced to deal with the likes of Paunch and Jessy, who are now armed with machine-guns, as well as the infected dog from earlier. The show is careful to not show Batman being too mean to the dog, he’ll use his cape and wits to subdue him before embarking on a “super fun happy slide” of his own through the snow. Paunch and Jessy confront him on a frozen lake, and their guns are able to cause a huge mess of things. Batman goes through the ice, but of course he isn’t down for good and ends up subduing the brutes. He’s able to utilize the anti-toxin on Selina, as well as our poor canine friend.

The episode ends with Selina back at home. Maven informs her that she’s being hailed a hero once again for her part in stopping Dagget’s plot, and this time it sounds like Dagget won’t escape justice as he’s under investigation for his role in the whole thing. Selina should be happy, but she never found Isis and she’s despondent over her still missing cat. As she sees Maven out, a basket is lowered in the background from the roof of her building containing her precious kitty. It would seem Batman knows how to make a romantic gesture, and best of all, Isis has been cured of the toxin. The episode ends with Selina lovingly hugging the cute little cat.

The episode mostly looks rather subpar, but it has its moments.

Your enjoyment of this episode likely hinges on how big an animal lover you are. I like them as much as most people, I suppose. I’ve had a cat all my life and when this episode aired I even had a little black cat like Isis myself. Even so, the whole poisoning of animals does little for me, and Professor Milo seems kind of cartoonishly evil. Jessy is especially annoying, but I suppose that’s by design. The whole scheme seems small and kind of odd, but I suppose it’s unique. The episode also re-establishes that Selina has a thing for Batman and only Batman, while Bruce lusts after her. By the conclusion, she’s also pushed to the sideline with an uncertain role going forward. She’s not really a villain, but does she have it in her to be some sort of vigilante on equal footing with Batman? The show will do a rather poor job with her from here on out, even the show runners have agreed as much.

What really can’t be denied is how crummy this episode looks. Character models are inconsistent and the facial details, in particular with Selina, look off-model at times. The effects on the infected dog are poor as well, with the foam/drool basically being the same color as the dog’s fur. I do appreciate the sort of rugged appearance of Jessy, though Paunch is so cartoonish he almost looks like he’s not from this series. He kind of reminds me of a Popeye character, or something. If I can give the visuals one compliment, it’s the the snowy scenery looks pretty good and it’s a nice change of pace from the usual visuals.

The only real noteworthy aspect of this episode is it reintroduces Catwoman, and also introduces a villain who will at least make a future appearance in Professor Milo. Milo isn’t exactly an A-list villain, but at least the episode does directly deal with the fall-out of a previous episode where Catwoman is concerned. It’s not one I was particularly excited to revisit, and one I won’t likely watch again anytime soon.

1 Comment | tags: adrienne barbeau, akom, batman, catwoman, ed asner, professor milo, roland dagget, Selina Kyle, treat williams | posted in batman the animated series, Comics, Television

Recent Activity
Categories
Categories
Vital Signs
- 611,569 hits
Search
Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 313 other subscribers

The Nostalgia Spot

Tag Archives: catwoman

Here’s more Batman content if you’re in search of such:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Recent Activity

Categories

Vital Signs

Search

Email Subscription