Episode Number: 23 (108)
Original Air Date: November 7, 1998
Directed by: Dan Riba
Written by: Rich Fogel
First Appearance: The Creeper
As we rapidly approach the end of The New Batman Adventures I find myself having some expectations of how the final episodes will go. I, of course, have watched all of these before, but I’m certainly thinking about them differently as I engage with them this time around. Last week’s episode, “Chemistry,” gathered a bunch of old faces from the first two seasons of Batman: The Animated Series for one giant cameo. That’s the sort of thing I would expect a show to do near its end. Next week’s finale is going to reexamine a villain who is very much associated with the program. That also seems like a thing to do. What does not is introducing a new face to the mix, but that’s exactly what this week’s episode, “Beware the Creeper,” is aiming to do.
There is a bit of a long game at play here. It’s not an obvious one though, but if you’ve been paying attention during the show’s run you may have noticed that Jack Ryder has essentially replaced Summer Gleason as Gotham’s go-to news anchor person. He’s appeared in multiple episodes, though he’s never played much of a role in any. He’s just been there. A long game designed around him doesn’t feel like it was in play, but today’s episode some-what rewards viewers for noticing him as he’s going to assume this new persona of The Creeper. And tied into it all is Joker, making his final appearance on the show.
The episode opens at a familiar location: Ace Chemical Plant. This is where I remind you that the lore of this television show has largely been adapted from Tim Burton’s Batman from 1989. At least as it relates to Joker, anyway. Unlike in the comics where Joker’s origin is non-committal, in this series he was indeed born at this chemical plant. He was a mob hitman, as outlined in the film Mask of the Phantasm, who went by the name of Jack Napier. He encountered Batman one fateful night at this plant, and the resulting fight caused him to fall into a vat of chemicals and become disfigured leading to his current persona as The Joker.

Joker and his gang are here to supervise the television special and make sure it’s accurate.
Jack Ryder (Jeff Bennett) is hosting a special on the Joker titled “The Madness Behind the Laughter” from this location. It feels like one of those docu-series programs or an episode of Dateline, with the peculiar distinction that it’s being broadcast live. As Ryder walks across the scaffolding above the chemicals, he takes the viewer through Joker’s creation complete with dramatization. Interestingly, we find out this all happened a mere seven years ago, though Batman is depicted in his 1940s costume in the re-telling. Bruce Wayne is watching rather intently from home and Tim gives him some grief for being interested in hearing about how Joker was created.

The reenactment of when Joker met Batman.
As Ryder goes about his business, high above in the rafters lurks Joker himself. The camera catches him in frame, and Wayne notices him right away as he and Tim race out of there. Harley Quinn (Arleen Sorkin) is with Joker (Mark Hamill) and asks him if he thinks Batman saw him. Joker responds in the affirmative (and quotes Tweety Bird in the process) as Batman is his biggest fan – there’s no way he’d miss this! Also with Joker today are his henchmen Mo, Lar, and Cur (Billy West) whom we haven’t seen since the first episode. It’s nice to see they’ve been doing well.

Joker and Ryder just having some laughs.
Joker was going to wait for Batman, but he’s a bit bored. To make sure he’s noticed, he bombs Ryder and his crew with gas-filled rubber chickens. The crew starts laughing as Ryder barks at them that they’re on live TV. When Joker hops down he starts shouting for the viewers that this isn’t part of the show, but soon the gas gets him as well and he begins laughing uncontrollably. Joker then gives him a shove and he flips over the railing and into the same vat of chemicals that created Joker.
The Batmobile comes barreling in and Batman and Robin emerge. Harley and the boys hop down to take them on as she blows a whistle signaling the beginning of the fight. As Batman and Robin tangle with the big men, Ryder tries to climb out of the chemicals. He’s looking no worse for ware, but still laughing and Joker promptly kicks him back in. He again emerges and this time Joker shoves a cigar in his mouth. It’s a gag cigar that soon explodes. The image shifts to reveal a sign that says No Smoking and warns of explosive chemicals. Director Dan Riba apparently didn’t trust viewers to see the sign so the camera even zooms in on it to make sure.

I think Ryder is going to be okay…
As the place starts to go up in flames, Batman is finally able to confront The Joker. Unfortunately, Joker has opened a valve on the chemical tub which is ejecting all of the chemicals into the ocean, including Ryder. Joker points this fact out to Batman and he’s forced to go after Ryder as opposed to Joker, completely forgetting he has a partner in Robin who could have probably tended to the reporter. When the two head to where the chemicals are being ejected, they see Ryder’s shirt which is on fire floating in the chemicals, but no Ryder. Assuming he’s dead, the two climb back into the Batmobile to presumably try and catch the Joker or alert the police of what transpired. As the Batmobile races away, a manhole cover opens and Ryder emerges. He’s still got a serious case of the giggles and a crazed grin to go along with it. His hair is green like Joker’s and his skin slightly yellowed. He basically mugs for the camera before running off.
Ryder then bounces around the streets of Gotham laughing to himself. It’s apparent these chemicals have really heightened his agility and strength as he effortlessly leaps from street level to the top of a street light. He tries to slow down and encourages himself to think logically about the situation. The sound of a coocoo clock going off is played and Ryder grimaces as if he has a headache. He jumps to a nearby ledge as he sees a woman inside. She is frightened and runs off and Ryder gets even more cartoonish by quoting Mindy from Animaniacs (“Okay-I-love-you-Buh-Bye!”) and bounds into a clothing store named Ditko’s, an obvious nod to Steve Ditko who created the character of The Creeper. Inside there he scares all of the patrons away, but a clearly bored store associate (E.G. Daily) just hangs around and even gives him fashion tips. She suggests green and hands him a little pair of green and black undies that he puts on along with some fashionable red gloves and boots. To complete the ensemble a large red boa is draped over his shoulders.

She puts so much effort into her relationship with Joker and what does she get in return?
Batman and Robin are driving around in the Batmobile when they receive a call from Alfred. It would seem Ryder actually paid for his new threads with his own credit card, and Alfred is relaying the tip. Meanwhile, Joker is heading back to his hideout in a bit of a rage as word on the street is someone is stealing his act. When he enters the hideout he finds a surprise waiting for him. Harley emerges from a giant cream pie. She’s covered head to toe in whipped cream, but the presence of her headdress seems to suggest she’s not nude underneath it all, but I suppose she could be. Joker is rather stunned and Harley kicks an oversized cherry his way. It would seem she wants to celebrate the anniversary of Joker’s creation and beckons her puddin’ to come play with her. She playfully informs him that he’ll enjoy her “pie” and probably want seconds. It’s yet another risqué joke the show somehow managed to get past standards and practices.
As was the case in “Mad Love,” Joker is in no mood for play. Once again, Harley is shown being thrown out on her ass and comes crashing down between her beloved hyenas who start licking the cream off of her. Joker tastes some of the filling stuck to his coat and recoils with dissatisfaction remarking she’s a good kid but a not so good cook. He also orders her to find the plagiarist stealing his act.

He’s not here to play pool.
We return now to another location we haven’t seen in awhile, the Stacked Deck club on Gotham’s waterfront. Mo, Lar, and Cur are inside playing pool when Ryder comes busting in. They refer to him as a creep, which Ryder likes and uses to create a new name from himself: The Creeper! He then tangles with the trio, and Billy West voices Lar with his Stimpy voice which is both weird and funny. A mopey Harley then walks by and is nearly hit with a flying pool table. Above, the shadows of Batman and Robin are seen arriving as well.
Inside the club, Creeper mostly has things under control. He’s been made much stronger than a normal person, but he still has the same “appetites” as normal men. When Harley enters he’s immediately taken by the pale-skinned woman. The camera lingers on her sexualizing her in a very obvious manner, much as it did when she was covered in pie. He starts hitting on her, and Harley soon realizes he’s the one Mr. J is after. As the two stand and talk, Batman tries walking up behind Creeper who casually uppercuts him without taking his eyes off of Harley. Batman crashes into a pool table and soon Mo opens fire on he and Robin as Harley and Creeper take things outside.

The Creeper has found himself a new target and Harley is not having any of it.
Creeper keeps advancing on Harley like, well, a creep while she shows no interest. She soon realizes she can use this attraction to her advantage though and beckons Creeper to come forward. As he does, she releases the restraints on some cargo dangling precariously over Creeper’s head which drops on him. Satisfied, she flips away as Batman and Robin race over. Batman tells Robin to help him check on Creeper and Robin suggests they get a mop. They tare down the walls of the battered crate and find a huge statue was inside. The head then breaks off and inside is Creeper. He jumps out and when Batman asks who he is he informs him that he is “…Yellow-skinned Wacky Man! But I prefer The Creeper!”
Creeper is not at all interested in chatting with the Dynamic Duo. He seems to desire revenge on Joker and Harley’s affection, possibly in that order, and he bounds away. Batman and Robin follow and they come across him sniffing around an alley like a dog. It’s at this point it dawns on the two that this guys is Jack Ryder, and Batman reasons that the combination of Joker’s laughing gas with the chemicals in the plant are what caused this odd mutation.

Joker coming face to face with his latest creation.
Creeper apparently locks on Harley’s scent and runs off causing Batman and Robin to lose him. Harley went running back to Joker’s hideout and she busts in on him while he’s refilling his boutonniere which nearly causes an explosion. She frantically tells Joker someone is after her, when Creeper busts in. He approaches and quickly lives up to his name by grabbing Harley and licking her face. She tells Joker he’s the guy stealing his act and swears she didn’t lead him on. He believes her, remarking he knows she’s a one man loon. He then asks Creeper if he’d like to head on a one-way trip to Metropolis and waves a vial threateningly.
Batman and Robin are perched on a clocktower searching for Creeper. An explosion lets them know where he is and the two race to find Joker’s hideout. The explosion did little to discourage Creeper and Joker and Harley flee via a large parade float. Creeper races after them and hops into Joker’s convertible forcing Batman to grab onto the bumper. Robin hits it with a grapple gun and ends up on a dolly being pulled behind it.

He just can’t stop from acting like a creep at all times.
Joker leads the Creeper on a chase through the streets of Gotham and onto the freeway. Creeper is close behind the uncharacteristically fast parade float with Batman hanging onto the bumper and Robin being pulled behind. The parade float has a giant castle on it with a massive glove above which Joker knocks off. It crashes into Creeper’s car and smashes into pieces. Creeper starts fiddling with the various devices in the car and inadvertently fires off a bunch of rockets which nearly roast Batman and Robin and likely kill some unfortunate motorists offscreen. He then finds the rocket ejector seat which launches him onto the parade float.
Creeper crashes into Joker which knocks the both of them into Harley, who is trying to drive. This sends them careening off the overpass and into a waste disposal plant also conveniently owned by Ace. As they fly through the air, Creeper continues being a creep by gleefully chewing on one of Harley’s tassels from her costume. The car Creeper was once driving goes flying off the overpass as well and Batman is able to grab Robin and keep the two of them relatively safe. High above them, the other three have come to rest atop a giant heap of garbage. Creeper has Joker in a reverse chin-lock and eventually tosses him down to Batman. Joker, bleeding and on his knees, pleads with Batman to save him from the lunatic and Batman responds by slapping some bat-cuffs on him.

I do not like where this is going at all!
On the garbage heap, Creeper is continuing to live up to his name as he moves in on Harley. He shoves her down and basically looks like he’s about to commit a rather serious crime. Batman then shows up and prevents the rape by injecting Creeper with a sedative. He remarks he’s getting sleepy and then collapses on Harley his head coming to rest right in between her breasts.
Batman, Robin, and Ryder are then shown at Ryder’s apartment. He’s mostly removed his costume, save for those fashionable green undies, and is a tad distraught that his career is over. Batman informs him no one knows he was The Creeper, and informs him a patch he’s placed on his shoulder should keep him as Jack Ryder. He tells him he’ll supply him with more as he and Robin take their leave. Ryder watches them go from his balcony and seems to act derisively towards the patch, referring to it as “a little piece of cotton.” He then peels it off and walks back into his apartment. The camera stays on the balcony as he vanishes with his laughter soon filling the night air.

Ryder is not a fan of the patch.
It was surprising to see a new face like The Creeper introduced so late in the game. Apparently, there had been a desire to include him going all the way back to the Fox days but it just never came to pass. Paul Dini has also mentioned they thought another season would be ordered so introducing him at this stage probably wasn’t frowned upon since he was clearly being setup to return in a future episode. Eventually, he would be added to the Justice League, but obviously there was no second appearance for the character in a dedicated Batman show. This episode also marks the final appearance of Robin in the show. Mathew Valencia would not return to voice the character in Mystery of the Batwoman, but he did return for the Batman Beyond film Return of the Joker.
For Joker and Harley, this is a rather inauspicious conclusion to their time on the show. A lot of their screen time is a bit derivative of “Mad Love,” in particular Harley trying to woo Joker and failing. It was a bit cute in “Mad Love” to see Harley try and be sexy for her Mr. J, but here it feels more indulgent than anything. It feels like the writers are just horny for Harley at this point, and that’s further driven home when Creeper is given an unhealthy attraction to the woman. It apparently wasn’t enough for Harley to be constantly abused by Joker, now we need to have her be sexually assaulted by another lunatic. Creeper’s licking and groping of Harley is gross and again it feels like we’re supposed to laugh at her constant abuse. Maybe I’m being overly sensitive, but I didn’t find it funny and instead I was left feeling sorry for Harley once again.

There may be some comedic potential in a Batman/Creeper pairing, but this being his only appearance in the show means it was never meant to be, I suppose.
Aside from the fact that Creeper is a downright creep, it was a bit interesting to see Joker targeted by another maniac. His constant giggling and chattiness reminds me of Freakazoid, though less charming. His look is rather goofy, but I suppose it befits the character and was true to his comic book counterpart. I would have preferred to see him remain focused on getting back at Joker than turning into some horn-ball for Harley. I think a better avenue for the episode would have been Creeper trying to use Harley to get at Joker, only to come to find Joker doesn’t actually value Harley thus ruining his plan. That would put Harley in the victim role again, but at least it would force her to again confront that Joker doesn’t care about her and she needs to remove him from her life, which would be a good place to leave the character as it would at least give her some hope.
“Beware the Creeper” is an entertaining episode, though one that perhaps reveals a bit too much about the men working on the show. It’s hard to watch this and not feel slightly dirty with how Harley is portrayed since the camera practically humps her in several scenes. It was fun seeing Joker’s origin reenacted once again, and the show made it a point to reveal that his old alias of Jack Napier was just that, an alias, which is a bit of a departure from Batman. I like an ambiguous origin for Joker and seeing the show maintain some of that ambiguity was nice. Had the show continued, I don’t know that I would have needed to see Creeper again. It would have been interesting to see if he returned with a Joker plot, or if he would have come back in another capacity. He has some sense of justice to him, so it’s possible he would have just returned as a vigilante that Batman encountered and probably would rather not work beside. An odd couple paring for the two has some comedic potential, but it was apparently never meant to be.
January 17th, 2020 at 1:29 am
[…] 72 – Beware the Creeper […]
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November 2nd, 2022 at 3:26 am
Thhis is awesome
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