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Batman: The Animated Series – “Batgirl Returns”

batgirl returns cardEpisode Number:  85

Original Air Date:  November 12, 1994

Directed by:  Dan Riba

Written by:  Michael Reaves and Brynne Stephens

First Appearance(s):  None

We have reached the end of the series. Episode 85 is the last produced episode of Batman:  The Animated Series, though it aired as the 8th episode of the third season. It’s not surprising then that this wasn’t aired as the series finale since it’s missing a pretty important ingredient:  Batman. Yes, that’s right. For the first time in this show Batman is going to sit on the sidelines. There have been episodes with smaller doses of Batman in the past, but none where he was absent. Bruce Wayne has a brief appearance to explain his absence, but that’s it. There is some screen time for Batman, but it’s right at the beginning and is part of a dream sequence, so technically he’s in it, but technically he’s not at the same time.

This last episode of production season two brings us another fairly major return, and it’s Batgirl. We last saw Batgirl in the two-parter “Shadow of the Bat” in which she helped to clear her father, Commissioner Gordon, of criminal charges. She’s kept quiet since as Barbara returned to her life as a college student. The ending of the episode made me wonder if Bruce and Dick knew who was under the cowl of Batgirl, and if they did, they sure don’t act like it here. In fairness, Bruce doesn’t get to react much to her presence, but Robin will. It seems hard to believe that Batman, who is pretty damn good at this sort of thing, couldn’t figure out who Batgirl is. On the other hand, we’ve seen a lot of Robin in this season and he hasn’t always looked too sharp so I am able to at least go along with him not knowing, and Bruce is under no obligation to share. I am not at all surprised we’re getting another Batgirl episode as her first appearance was well received, as far as I know. It’s just a little surprising it was reserved for the last episode in the production schedule.

batman batgirl steamy

It makes sense that she wouldn’t be into Robin.

The episode begins in a darkened museum. Someone has their eyes set on stealing a jade cat statue, but Batman is there to stop them. He’s soon struck with a laser of some kind, and we see it’s being fired by The Penguin! Batman is pressed up against a wall as a playing card comes flying in. In comes Joker followed by Two-Face. Given the events of past episodes, it seems odd for these three to be working together again, but when you have a common foe I guess it’s easy to look past old grudges. When all hope appears lost, help arrives. It’s Batgirl! She drives the crooks away and races over to check on Batman. He’s injured as she helps him up. He says her name, but appears too groggy to say much more. Their eyes meet as their capes billow in the wind. From afar, we see their silhouettes in the moonlight as they lean in for a kiss.

The sound of Dick calling her name wakes Barbra Gordon (Melissa Gilbert) from her dream. She’s surrounded by textbooks and homework and looking a little annoyed that her lovely dream was interrupted like that. She heads over to the window, and surprisingly Dick is right outside it. The way his shouts sounded seemed to indicate that Barbara’s dorm was not at ground level, but his head is literally less than a foot below her window. She yells to him as well, which makes me think when these lines were recorded the direction was that they were yelling to each from a much higher vantage point for Barbara, making this scene rather awkward. Dick just wants to know if Barbara is willing to take a pizza break, but she says she can’t as she needs to ace these midterms or her dad will lock her up. Dick doesn’t put up a fight and leaves her to her studying mercifully putting an end to this exchange. As she heads back for her books, the newspaper is delivered and slid under her door. The front page is covering the theft of the jade cat statue, which seems to give Barbara an idea.

the cat vs the batgirl

Time to tango.

The university museum has been broken into by none other than Catwoman (Adrienee Barbeau). However, it appears she’s the second person to enter as the lock on the skylight was melted away. She drops inside to inspect the case where the cat statue once stood and is surprised to be met by Batgirl. Batgirl accuses Catwoman of returning to the scene of the crime, but Catwoman is quick to point out the methods utilized by the actual thief before demonstrating how she would have done it with her claws. The two exchange silly superhero banter with Batgirl insisting she tell her tale to the police (she’s so like Batman). Robin drops in to interrupt the two, and Catwoman uses the distraction to her advantage and escapes. As Robin grabs Batgirl to help him chase after Catwoman, he ignores her protests.

batgirl unconvinced

Batgirl is going to need some convincing.

On the rooftop, Catwoman uses a bola to entangle Robin and make her ultimate escape. Batgirl, knowing she didn’t steal the statue, lets her flee while Robin sarcastically remarks how much help she ended up being. She tries to tell him what she knows, but Robin isn’t listening. He tells her to stay out of his way and leaves. Some men…

The next day, as Barbara appears to be leaving the campus gym, she spies a cat-shaped card on a bulletin board addressed to “The Winged Mouse.” She reads it and finds an address and instructions to meet there tonight. Barbara does as she’s told, and that night Batgirl heads to the spot to find Catwoman waiting for her. Catwoman remarks she was impressed the prior night with Batgirl and proposes a team-up to find the real thief. Batgirl appears hesitant, but then naively agrees on the condition that if it turns out Catwoman is up to no good that she’ll turn herself in. Catwoman agrees, and the two shake hands forming their partnership.

At the Batcave, Robin is shown talking on the phone. He’s speaking with Bruce who is in France for an important meeting that he can’t bail on. He cautions Robin when dealing with Selina Kyle as she likes to play games. After their conversation ends, he openly remarks that he hopes Batgirl isn’t in over her head.

bat cat teamup

They’re basically the only two major female characters in this show so of course they have to team up.

Catwoman leads Batgirl to a dive bar called The Stacked Deck. Batgirl is disgusted to be there declaring it the sleaziest bar in Gotham, which is why Catwoman says they’re going to check it out. If anyone knows anything about that stolen statue, they’ll likely be in here. The two stroll in and the gathering of basically all men turn to admire the women. Catwoman narrows her focus on a guy who looks like a stereotypical scientist and begins interrogating him. This guys goes by the name of The Chemist (Scott Valentine), and Catwoman thinks he would know where the acid used in the robbery came from. He lists off a couple of possible locations in a hushed voice, one of which being the chemical plant that gave birth to The Joker, before making a run for it. The bar then erupts in violence forcing Batgirl and Catwoman to battle their way outside.

the chemist

If Hugo Strange combined with Professor Farnsworth you would end up with The Chemist.

Once there, Catwoman commandeers a motorcycle (really guys, why leave your keys in the ignition at a bar where criminals frequent?) and Batgirl jumps on the back of it. The two speed away just as the cops show up. One squad car goes after them and Catwoman leads them on a chase onto a freeway that’s still under construction. Conveniently, the overpass is complete except for a six-foot gap that the bike can easily clear, but a police car cannot.

bike escape

I’m legitimately surprised they were able to do this scene without helmets.

Catwoman declares she has a good idea who is behind the robbery and takes Batgirl to an old abandoned factory. Batgirl recognizes it as a building once belonging to Roland Daggett and it’s the same building where Clayface was born. Catwoman confirms this while also adding it’s the same place where a virus was developed that nearly killed her (“Cat Scratch Fever”). The two head inside and Catwoman easily locates the jade cat statue. Too easily, as soon a flood light clicks on and the two find themselves staring down the gun of Roland Daggett (Ed Asner) himself, along with some of his men.

captured by daggett

Nice of Daggett to save his first appearance of season two for the final episode.

Apparently not willing to risk getting shot, Catwoman and Batgirl are then shown with their hands bound and Daggett’s men around them. They’re on a catwalk which is running over some imposing looking vats of green, bubbly, acid. Daggett explains his legal fees relating to his last encounter with Batman have bankrupt him. He needs money from the sale of this cat statue to start life, and business, somewhere else and stealing it provided the perfect cover since everyone in Gotham would assume Catwoman was behind it. Batgirl then notices Catwoman is keeping them talking because she’s using one of her claws to cut through her restraints. Batgirl does the same and tries to guess at the death trap awaiting them. Daggett corrects her though:  there’s no trap, he’s just going to have his men shoot them. Before they can react, Robin swings in to take out some of Daggett’s goons. Catwoman then frees herself and goes after another while Batgirl is forced to fight with just her legs. Catwoman even tosses a man over the railing, but he lands on a pipe running over the acid bath, sparing himself a rather nasty end. Batgirl winds up in a precarious position when it looks like one of the crooks is going to toss her overboard, but Robin makes the save by cutting her restraints with a batarang which is enough for Batgirl. As the two congratulate each other, they realize Daggett and Catwoman are missing.

batgirl needs saving

It’s a bit annoying how often Batgirl needs saving, hopefully she improves for the next series.

Daggett, with the jade cat statue in hand, is shown running across a darkened catwalk. Catwoman calls out to him, and he spins and fires at shadows not realizing the voice came from above. She uses her whip to disarm Daggett before dropping in on him. She retrieves the cat statue and while regarding it Daggett finds a metal hook lying around and tries to take her out. She easily avoids the old man and lets him tumble over the railing catching his foot in a chain. As he dangles over the acid, Catwoman seems content to let him fall as payback for the whole virus thing. Batgirl arrives and uses the classic super hero line of “You’re just as bad as him if you let him go,” and Catwoman basically laughs her off and lets go. Batgirl makes the save by grabbing the chain, but is having a hard time hauling Daggett up which allows Catwoman to flee once again. Robin then shows up and the two pull Daggett to safety.

catwoman daggett

Yeah, he’s not getting away from her.

On the rooftop, Catwoman swings from building to building with the aid of her whip, but soon finds Batgirl on her tail. Batgirl uses a bola of her own to catch the cat burglar, and the two then have a little chat. Catwoman confesses that it was always her intention to steal the statue, causing Batgirl to remind her of their deal. Catwoman proposes the two team-up, but Batgirl is sticking with the law. The police arrive on the scene and Catwoman surprisingly agrees to the terms of the deal as she lets the arriving officers place her in handcuffs. While they lead her away she tells them Batgirl is innocent, which is apparently good enough for them.

robin bargirl celebrate

Robin with the premature celebration.

Batgirl and Robin observe as the two officers place Catwoman in their squad car. They take off while the two basically have a moment to congratulate each other again. As they watch the car speed away, it begins to swerve. Soon the doors open and both cops are tossed. They run over to help the officers, who rise to their feet and realize their guns are missing. Catwoman then yells from the car that she agreed she’d let the police take her, but she never said how far. As she takes off, Robin starts to go after her, but Batgirl grabs him by the cape insisting there will be another time. She must have been really certain there was going to be a season three!

And that’s how the series comes to an end, with Batgirl and Catwoman having a cheeky little romp through Gotham. Catwoman, due to her playful nature, is as good a villain as any for this type of story. She’s returned to her life of crime following the events of “Catwalk” (which would awkwardly air after this episode) so no explanation is needed for her ulterior motives. It’s interesting that this was the first chance for her to interact with Robin as one could see her using her feminine charms on him, but they have few interactions. The episode also serves as a curtain call for Roland Daggett, a pretty big player in season one who will never be seen again. I guess the in-universe explanation would be that since he’s no longer wealthy he couldn’t afford a good attorney to keep him out of prison this time.

batgirl returns pose

Batgirl may still be new at all of this, but she’s definitely got the poses figured out.

This is another directorial effort from Dan Riba, who was given an expanded role back when Dick Sebast left the show. Unlike the directors for the past two episodes, Riba will stay on for the next iteration of Batman. Joining him will be Dong Yang Animation which will animate all of the episodes of The New Batman Adventures save for five. This isn’t their best work as some of the animation seems a bit stiff. Perhaps it’s due to animating the more slight female characters as opposed to Batman. This is the final appearance of Melissa Gilbert as Barbara Gordon/Batgirl. She’ll be replaced by Mary Kay Bergman in Batman & Mr. Freeze:  SubZero and then by Tara Strong in The New Batman Adventures. This is also Dick Grayson’s last appearance as Robin in an episode of the show, though he’ll be in the upcoming movie.

As a series finale, “Batgirl Returns” is miscast, but it’s not a bad episode by any means. This is a fun, entertaining, reintroduction for Batgirl. She’s painfully naive throughout, but since she’s new at this I suppose I can overlook it. Robin and the police both overlooking Catwoman and her ability to escape are less forgivable as this episode really puts an exclamation point on how inept the Gotham PD is. And Robin, for that matter.

Even if the series finale isn’t what one would have expected, it doesn’t diminish what Batman:  The Animated Series meant for children’s cartoons and Batman as a whole. It’s the show that helped re-legitimize the character for a new generation which had grown up on reruns of the 1960s show. The show arguably gave us the best Batman (Kevin Conroy), the best Joker (Mark Hamill), and absolutely the best Mr. Freeze and Two-Face. When I decided to revisit the show in this format as a celebration of the show’s 25th anniversary there was some skepticism on my part. I didn’t think the show would hold up as well as it did. I knew “Heart of Ice” and other select episodes would be great still, but I was surprised to find that most of the episodes I didn’t remember fondly I ended up having a more positive reaction to this time around. There’s still a few duds, but by and large the show is very consistent and very entertaining. It gives me hope for The New Batman Adventures as I don’t have great memories of that show so I’m hoping I’ll like it more now than I have in the past. One thing I do know though is that it isn’t as good as the original two seasons. This is still my favorite portrayal of Batman, and I doubt that will ever change.


Batman: The Animated Series – “Heart of Steel: Part II”

Heart_of_Steel_Part_II_Title_CardEpisode Number:  39

Original Air Date:  November 17, 1992

Directed by:  Kevin Altieri

Written by:  Brynne Stephens

First Appearance(s):  None

 

When we last saw our hero, Batman was being attacked by his own Batcave after it had been hacked by Randa Duane and H.A.R.D.A.C. The situation seemed some-what dire when the previous episode ended, but I mean come on, there’s no way Batman is being done in by his own devices. He extricates himself and gets the Batcave back under his control without too much fuss, and immediately his attention turns to Duane who is no where to be found. He had left her in the mansion alone and she works for a man who creates robots, and Batman is smart enough to realize the sabotage at his own home and her profession probably overlap.

Batman_TAS_Heart_of_Steel_27

Barbara gets to play detective in this one.

Meanwhile, Karl Possum (William Sanderson) is feeling some heat from the police and decides to have second thoughts about how much free will he programmed H.A.R.D.A.C. to possess. When he says this out-loud and starts to fiddle with the super computer’s innards, H.A.R.D.A.C. (Jeff Bennett) decides he’s not onboard with this and Rossum is soon incapacitated. This is the beginning of H.A.R.D.A.C.’s next phase as he communicates wth the imposter Commissioner Gordon about taking out Bruce Wayne. He also deploys a copy, which the show canon refers to as a duplicant, of Mayor Hill (Lloyd Bochner) who brazenly marches into the real mayor’s office to take his place.

Batman_TAS_Heart_of_Steel_29

Bullock’s been working out.

Caught up in all of this is Barbara Gordon (Melissa Gilbert). She knows something is up with her dad, and Detective Bullock (Robert Costanzo) gave her a tip about Rossum. Barbara does what I assume most people would want to do in this world when they have a problem, but maybe don’t have the means – she calls Batman. Activating the signal on the roof of Gotham PD summons the caped crusader who is surprised to find it’s the younger Gordon who called him this time. He’s concerned about what’s been going on in Gotham, but before they can get too into detail they’re confronted by Bullock. Now, Batman and Bullock have not had a particularly warm relationship in this show. Bullock is openly hostile towards Batman, probably some-what because he’s jealous of the fact that Batman gets to operate outside that pesky thing called “The Law” while he’s held to a higher standard. He also just plain doesn’t trust a guy in a mask, and who can blame him? Even though the two share no love for each other, they’ve worked together in the past and have never really appeared close to coming to blows or anything.

Heart_of_Steel_Emerge

It’s crazy what we look like on the inside.

That has all changed. Bullock approaches Batman this evening with the aim of instigating a fight. He’s ready to go, and much to Batman’s surprise, he’s pretty damn powerful. Batman is reluctant to fight at first, but is forced to defend himself. With a little help from Barbara, Batman is able to toss Bullock into the Bat-Signal which brings the fight to an end. Since this is a cartoon, tossing a body into anything electrical means it gets lit-up in a blaze of electricity! When this occurs, Bullock’s skin hardens and falls away revealing an android body underneath. In a move right out of a sci-fi movie, the robot crawls towards Batman fighting until the very end, forcing Batman to cut its head off with a shuriken. Seeing the imposter Bullock is enough evidence for Barbara to make the assumption that her father has been replaced with a robot as well. Batman, of course, knows what’s going on now and advises Barbara to go stay with a friend. She grabs his cape and tries to pull a power-move in announcing she’s coming with him, but Batman is having none of it.

Bruce Wayne has an appointment at some sort of rich person’s social club. He arrives and is greeted by Mayor Hill who possesses some tell-tale glowing red eyes, along with everyone else at the club. Randa Duane (Leslie Easterbrook) shows up with her little stun gun and tries to take out Bruce, who is able to get away and jumps into an elevator – a handy place for a quick costume change. Other robots pursue and pry the door open, but Batman is gone. He snuck out the top of the elevator car and cuts the cables, sending the robots to a smashing end.

HS_II_41_-_Batman

Robots are kind of goofy.

Barbara, not willing to take Batman’s advice, shows up at Cybertron’s lab and is able to cleverly sneak in past security. Unfortunately for her, she couldn’t have anticipated that basically everything in the lab is a robot, and a wastebasket takes notice of her intrusion, sprouts legs, and begins to follow her. Before she finds anything juicy, the robot transforms into a more humanoid machine and subdues her. Rossum and Duane then confront her and give her the cliche line of “You’ll be joining your father soon.”

Batman is also snooping around Cybertron and slips inside the building. H.A.R.D.A.C. has been waiting for him though so there’s no sneaking for The Dark Knight this evening as some robot security robots pounce on him. He battles his way to the main lab where the massive H.A.R.D.A.C. is stored only to find that Barbara is the latest person to be captured by the super computer. Even though H.A.R.D.A.C. is not human, it demonstrates it’s still susceptible to pride and gleefully boasts (well, as gleeful as an emotionless robot can) about his grand plan to replace humanity with robots. Humanity is imperfect, and in H.A.R.D.A.C.’s estimation robots are superior because they don’t make mistakes. This idea was implanted in him by Rossum, who first created robots as a result of losing his daughter in a car accident. He felt he could improve upon humanity for some actions, but H.A.R.D.A.C. is taking that premise many steps forward. In some respects, it’s not really any different from our society’s own desire for self-driving vehicles.

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I’m pretty sure there’s a rule in entertainment that if you have humanoid robots you must include a shot where one loses half its face.

H.A.R.D.A.C. may be willing to replace humanity, but for some reason he’s not willing to destroy it. It reveals that the individuals who have been replaced are still alive, being kept in a sort of suspended animation floating in some water tank (why is it always a water tank?). Seeing the captives springs Batman into action, and he’s able to smash the tank freeing the likes of Gordon, Bullock, Hill, and the real Rossum. Batman is forced into conflict with the various robots while Barbara and the others try and escape. Rossum knows the ins and outs of his own lab and is able to lead everyone out, but when Batman doesn’t soon follow, Barbara races back in to help.

Heart_of_Steel_Save

Batman’s going to need some help here, and that lazy, good-for-nothing, ward of his is no where to be found.

Batman is forced into a fight with Randa, and it’s finally confirmed that she too is a robot. Batman is able to maneuver her under an elevator, which drops down and crushes her (kind of odd that they used the same method of an elevator crushing robots more than once). Batman is a little worse for ware following the fight, but Barbara shows up to aid him in getting out. H.A.R.D.A.C., feeling it has no other alternative, initiates a self-destruct mechanism to kill Batman and Barbara, but of course they make it out.

Following their escape, Barbara and her dad get to have a proper reunion while Rossum laments his role in all that happened. A surprisingly cheerful Mayor Hill comforts him and lets him know the resulting investigation will almost certainly clear him of any real wrong-doing (good luck dodging lawsuits, though). The usual “let’s go home,” line is uttered and the camera gets ready to pan out. Commissioner Gordon remarks he’s getting too old for this line of work, while Barbara says she enjoyed herself tonight. She might as well have winked at the camera after that one.

“Heart of Steel – Part II” does a good job of building off of the first episode in a satisfying way. The two-parters have demonstrated a strong ability to setup a story with a very methodical first half, but sometimes the second doesn’t really deliver. This one does as it relies a lot on action sequences. It saves answering the questions raised in Part I almost entirely for this second act, even though some of the questions had fairly obvious answers. It’s still satisfying though, and the writers and animators seem to have a lot of fun with giving Batman robotic enemies to destroy. Since they’re not living, Batman gets to act a bit more ruthlessly and does things he normally would not do, similar to the Captain Clown fight from way back in episode 4. Most importantly, the episode foreshadows the vigilante Barbara Gordon will become. It’s a far more satisfying way of introducing the character rather than immediately jumping to the Batgirl plot. The groundwork has been laid, so it will have more weight behind it when the change inevitably does come. The Barbara character is also handled exceptionally well. She’s smart and crafty and doesn’t pull-off anything in this episode that feels far-fetched. She comes off as natural and genuine and viewers likely wanted more of her following the events of this episode.

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And everybody’s happy in the end.

The episode is obviously influenced by films like The Terminator, as Terminator II was pretty popular around this time. The duplicants, which share a nod to Blade Runner’s replicants, function very similarly to the Terminators from that franchise with the only thing missing being time travel. H.A.R.D.A.C. is basically Skynet, a sophisticated A.I. gone rogue, with a logical motivation. It could have felt out of place in a Batman story, but the writers made it work. And if you enjoyed H.A.R.D.A.C. then I am happy to report that it will make one more appearance in the series before all is said and done.

“Heart of Steel” is a dark-horse contender for best two-parter in the show’s history. It moves along at a good clip and contains a fun, and interesting story. Perhaps it’s not all that unique given the obvious nods to other popular franchises, but the story is executed in a manner that feels fresh and is ultimately rewarding. The introduction of Barbara Gordon is icing on the cake. I am not much of a fan of Batgirl (or Robin, for that matter), but this episode at least makes me forget that. I don’t know if I’ll feel that way when Batgirl ultimately does show up, but for now I am not down on the character. I like that the show was willing to give Karl Rossum a tragic motivation for his inventions in the death of his daughter. It’s a plot device that works, I only wish they had delved into it a bit more, but maybe they felt that would be too heavy for a kid’s show. There are some moments of obvious corn. The resolution for the episode feels abrupt and a tad lazy given the bow put on everything. It also doesn’t make much sense for H.A.R.D.A.C. to have kept his captives alive, but I understand they don’t want to off a whole chunk of the supporting cast. And I’m still shocked that Batman defeating robots with an elevator on multiple occasions in this one episode made it past the storyboard stage. The short-comings are forgivable though and I can safely recommend “Heart of Steel” as a two-part episode that is very much worth watching.


Batman: The Animated Series – “Heart of Steel: Part I”

Heart_of_Steel_Part_IEpisode Number:  38

Original Air Date:  November 16, 1992

Directed by:  Kevin Altieri

Written by:  Brynne Stephens

First Appearance(s):  Barbara Gordon, Karl Rossum, H.A.R.D.A.C.

 

There’s quite a bit to unpack in this one, which may seem odd since this is an episode that does not feature a “name” villain. Debuting in this episode is H.A.R.D.A.C. (Jeff Bennett), a clear nod to HAL2000 from 2001:  A Space Odyssey who’s existence in this cartoon probably owes a lot to James Cameron’s Terminator franchise which was red hot in ’92. H.A.R.D.A.C., which stands for Holographic Analytical Reciprocating Digital Computer, is basically an A.I. like Skynet capable of integrating with the machines around it, as well as able to construct robots that resemble humans. H.A.R.D.A.C. will obviously appear in the second part of this two-part story and will also make another appearance in the series, but the big debut this week is none other than the someday Batgirl, Barbara Gordon (Melissa Gilbert). Up until this point, we have seen nothing of Commissioner Gordon’s home-life, but anyone who grew up with the comics or watched the 60’s television series knew that Gordon had a daughter named Barbara and she is Batgirl. What we don’t know about this version of Barbara is where she is at currently in her life. We also don’t know anything about her mother, but it would seem Gordon is a single father and I honestly can’t recall if that’s ever addressed in a future episode. The episode is also written by Brynne Stephens, who now goes by Brynne Chandler and at one point as Brynne Chandler Reaves. You may recognize that surname if you’ve been paying attention to the writing credits in this show as her former husband, Michael Reaves, is also a writer for this show. Stephens is interesting because she was given the role of basically being the Barbara Gordon writer as she is the main writer for all of her appearances. They must have felt she had a good grasp on the character, and maybe the show runners were just smart enough to realize it’s a good idea to have a woman write their most important female character. In addition to her credits here, she also contributed to some other stellar (and admittedly some not so stellar) shows like Gargoyles and Teenage Mutant Ninja Turtles (the good episodes, trust me).

Heart_of_Steel_Briefcase

Meet the newest addition to Batman’s rogues gallery:  Briefcase Robot!

The episode opens at Wayne Enterprises. A blond woman in a white dress is shown walking in from behind and starts chatting with the officer at the security desk. She places a briefcase on the floor and just walks out. Now, if this was done in 2018 security would likely notice it and call in a bomb squad, but in 1992 they probably would just consider it a lost item. That night, the briefcase reveals itself as some kind of a robot by sprouting legs and producing a little camera that kind of looks like an eyeball. It sneaks into a restricted area and produces a laser to cut its way into a safe to vacuum out what look like fairly large microchips. At the same time, Bruce Wayne is heading home and he needs security assistance to make sure he doesn’t trip the alarm as he leaves. As he’s being lead out, the alarm goes off and they see the odd device on a security camera. The guard ushers Wayne into a safe room and tells him to remain there, just to be safe, which of course Wayne has no intention of doing. He activates some sort of revolving corner in the room vanishing from sight.

Batglider

He really does have some wonderful toys.

As the little robot tries to escape, Batman emerges from an elevator armed with a trusty Batarang. Batman chases it to the rooftop where the robot fires off a rocket towards the beach. Apparently disabled, Batman retrieves a Bat-glider from a storage shed on the roof and takes off in the direction the rocket was fired. Meanwhile, the rocket touches down on the beach and the same woman from earlier is there to retrieve it. She picks up the stolen microchips and hops into a car with no traditional steering implements. She simply orders it “home” and the car obeys. Batman sees the vehicle speeding off from above. The woman notices, and the vehicle begins firing on Batman and strikes his glider knocking him from the sky.

Batman, failing to stop the thief, returns to the Batcave where Alfred is waiting. Some mechanical arms descend from the ceiling to hoist the battered Bat-Glider above for repairs. As Batman fiddles with it, Lucius Fox (Brock Peters) calls to inform him of what was stolen. The chips are apparently part of what Wayne Enterprises is referring to as wetware, a new advanced type of artificial intelligence. The good news though is that without the accompanying data files they’re useless, and the robot was not able to grab those from the mainframe.

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Bruce getting a little creepy with Barbara.

The next day, Wayne and Fox meet with the Gotham Police at Wayne Enterprises over the theft. Fox informs Bruce that a Cybertron Industries is a competitor in this field, and he thinks they’re the only ones who could possibly make use of the chips. He doesn’t accuse them of being behind it, but it’s enough of a lead that Batman wants to investigate. This is where Barbara also makes her debut as she comes into the room to check on her father, Commissioner Gordon. She just returned home from college, and Bruce sort of pokes fun at the beat-up old teddy bear in her purse. Apparently, her dad always brings it along when he picks her up from the airport. As everyone leaves, Barbara forgets the bear and Commissioner Gordon returns for it in kind of a cute, and humorous moment. The implication being he obviously has more of an attachment to his daughter’s childhood toy than she does.

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Randa Duane, who can blame Bruce for wanting to get to know her a little better?

It turns out, Wayne knows the founder of Cybertron, Karl Rossum (William Sanderson), who apparently taught Wayne about artificial intelligence. Bruce pays him a visit the and Rossum is happy to invite him into his laboratory to show him some of his work. He apparently knows about the break-in from the night before, but basically claims no knowledge of Wayne’s wetware seemingly because he wouldn’t need it. He then shows Bruce H.A.R.D.A.C., his newest A.I. which he seems to have high hopes for. He struggles to find the right words to explain how the colossal device functions, but they’re soon interrupted anyway by Rossum’s assistant who emerges from the machine. Clad all in a tight-fitting silver bodysuit, Wayne seems more than a little interested in Randa Duane (Leslie Easterbrook) and pulls the power move of asking her to dinner right in front of her boss (I mean, come on Bruce, you don’t know what her relationship is to Rossum) and she accepts.

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Judging by Rossum’s expression, it would appear he is not too thrilled with this development.

Satisfied with landing a hot date for the following night, Bruce departs and Duane returns to H.A.R.D.A.C. The A.I. is apparently sentient, and it scolds Duane for not getting it the information it needs to make use of the chips stolen the night before. At this point, Duane removes her hood to reveal herself as the blond woman who orchestrated the theft. She apologizes, as quick cuts to inside H.A.R.D.A.C. reveal he’s constructing a humanoid robot that is to aid them in securing whatever it is it seeks. There’s a bunch of smoke obscuring the robot’s face as it emerges from inside H.A.R.D.A.C., but Duane seems impressed.

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A couple of visitors at the Gordon residence.

We’re then taken to the Gordon residence, where Barbara is working on some homework on the floor while her father is reading the newspaper on the coach beside the grubby old teddy bear. When there’s a knock at the door, Jim goes to see who it is. When he opens the door he’s met by Duane and another individual who looks exactly like him. Duane hits him with some kind of stun-gun device, and soon Jim returns to the living room. Barbara, concerned by what she heard, asks him if he’s all right and he replies curtly that he’s fine. She notices he feels ice cold, and he continues to assure her he’s fine. Then he smacks the teddy bear to the floor and sits down on the couch to resume reading his paper. Barbara is shocked by this action, but says nothing.

The next day, Bruce is back in his office discussing new security measures with Fox when Randa Duane comes waltzing in. She’s clad in her white dress and pulls out a compact mirror to freshen up as Bruce and Fox continue their discussion. When they’re through, they all take their leave, but Randa leaves behind her compact. Just like the briefcase from before, it sprouts robotic appendages and a camera and starts messing around on Bruce’s computer.

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H.A.R.D.A.C. has a continued presence throughout the episode, even though it’s rarely on screen.

At Wayne Manor, Bruce and Randa are enjoying a meal by the fire. Bruce is awkwardly still dressed in a full suit as he lays on the floor with her. He receives a call from Fox about a break-in at Wayne Enterprises, and he leaves to go check it out telling Randa to just sit tight. Once he leaves, H.A.R.D.A.C. contacts Randa (apparently he can communicate directly with her like some sort of robot telepathy) to inform her that the files the little spy robot acquired were false. They deduce together the real files must be at Wayne’s residence some where. She assures her robot overlord that she’ll find them, as Alfred comes into the room with tea. She unleashes that same stun weapon that she used on Gordon on Alfred and begins her search. Wearing some high-tech looking goggles, Randa is able to find the entrance to the Batcave, and lets H.A.R.D.A.C. know about her amazing discovery.

Wayne and Fox check out the database to see what the robot stole, and Wayne then lets Fox know about the dummy files. He tells him he has the real ones at home, and then calls to check-in on Randa and Alfred. When there’s no answer he leaves immediately. When he arrives home he finds Alfred unconscious. He wakes him up and Alfred is confused by what he happened, apparently not remembering what Randa did to him. Bruce puts on his Batman costume and heads into the Batcave. He quickly realizes his computer system has been hacked as it starts going crazy. The mechanical arms that once held the Bat-glider drop from the ceiling, grabbing Batman by the shoulders and hauling him high into the ceiling as the episode fades to black with the ominous “To Be Continued” emblazoned on the screen.

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Well, that wasn’t supposed to happen.

“Heart of Steel:  Part I” follows the same general formula as the other Part Ones that we have seen so far. It’s very methodical with little action as the main players are all introduced, and since we’re dealing with a lot of new characters, there’s a lot of information to unload on the viewer. There’s a mysterious aura around Rossum and Duane, but a lot of the lingering questions are answered by the narrative, just not explicitly. We obviously know that Jim Gordon has been replaced by a robot, and since he’s ice cold and Wayne made the same observation about Randa, we know she must be a robot as well. What we don’t know is how Rossum fits into all of this. Is he an unwilling participant in the crimes of his A.I.? He seemed almost afraid of H.A.R.D.A.C. when describing it to Bruce, but it’s possible he’s up to something. I’ve, of course, seen Part II before, but I’m purposely writing this before re-watching it as I don’t remember a lot of what happens, just bits and pieces.

Our villains are pretty intriguing though. We don’t know what exactly it is that H.A.R.D.A.C. wants out of Wayne’s wetware. We also don’t know how the issue of robot Commissioner Gordon is going to play out. He hasn’t been called on yet, but he obviously serves a purpose. Barbara also knows that something is up, but we’re not sure what she is capable of. For all we know, she’s already Batgirl, but since we’ve never heard even a whisper about that character we can probably assume that isn’t the case.

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This scene probably bothered me more than it should.

There are some fun little trivia bits in this episode as well. Randa Duane seems to clearly be modeled after Marilyn Monroe, and considering she was likely built by a middle-aged man in 1992, I suppose it’s not a surprise he would want to model her after the actress. Karl Rossum also has a lot built into his simple name. He’s likely a combination of Karl Capek, who is credited with creating the word “robot,” and “R.U.R” is a play of his. That acronym is seen on the license plate of the getaway car early in the episode which apparently stands for Rossum’s Universal Robots. To top it all off, he’s voiced by William Sanderson who played inventor J.F. Sebastion in Blade Runner, the inventor of that film’s replicants. And I don’t know if this was intentional or not, but Cybertron Industries also shares a name with the homeward of the Transformers from that franchise. It’s not uncharacteristic for the show to have a bunch of Easter Eggs in it, but I’m struggling to think of a single episode with this many.

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Crafty or Careless?

There are a few downers as well. This episode features a lot of people just walking and talking, which is notoriously hard to animate and it shows. There’s some awkward animation, and also one really bad image of Batman when he emerges from the elevator early in the episode. He looks really oafish and crude, like a Ren & Stimpy drawing. I also find it silly how many Bat-measures are built into Wayne Enterprises. The revolving corner of the safe room would be clearly visible, and storing a Bat-glider on the roof behind a rickety looking door seems pretty risky. I sort of touched on it in the write-up, but I also really hated the shot of Bruce casually laying on his side when dining with Randa while still wearing his full suit. They’ve shown Bruce in more casual clothes before, they couldn’t use one of those sheets? I suppose in an episode with a lot of new characters and backgrounds, some sacrifices had to be made somewhere.

There’s a lot going on in “Heart of Steel,” and it’s setup is pretty damn good. It somewhat lacks the shock value that “Two-Face” and “Feat of Clay” had at the end of their respective first chapters, but it feels like we’re well positioned for a successful conclusion next week. My main critique of the two-parters so far is that they’ve been really good at the build part, but the payoff has been disappointing. “Feat of Clay” is probably our current champion, but I’m optimistic that “Heart of Steel” can give it a run for its money.

 


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