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Dec. 8 – Darkwing Duck – “It’s a Wonderful Leaf”

Original air date November 4, 1991.

When it comes to the Disney Afternoon, my mind doesn’t always go to Christmas. I attribute that to my viewing habits of the legendary programming block to mostly coincide with its earliest days. Then, the block consisted of DuckTales, Chip n’ Dale’s Rescue Rangers, and TaleSpin only I tended to just watch DuckTales and Rescue Rangers. Why? I’m not entirely sure, but I’m guessing TaleSpin conflicted with another program I was more invested in (likely The Real Ghostbusters or Teenage Mutant Ninja Turtles). If you’re intimately familiar with Christmas and its association with the Disney Afternoon, then you may know that both DuckTales and Rescue Rangers did not feature a holiday themed episode. I know – it’s crazy. Scrooge McDuck is named after a Christmas icon and his debut occurred in a Christmas story while the Rescue Rangers save Christmas is a story that practically writes itself, but that’s how it was.

Despite my personal viewing habits, it’s not as if I was unfamiliar with what came after the original block. Darkwing Duck is a show I watched some and also liked to a degree. Due to my affection for Batman and other caped heroes, there was a part of me that very much wanted to like Darkwing Duck, though I don’t think it ever came to be. It was a thing that was on and once it started to conflict with shows I preferred, like an actual Batman cartoon, I mostly dropped it. From afar, it feels like Darkwing Duck has a pretty strong reputation these days as a quality children’s cartoon and a high point for the Disney Afternoon. It of course looked great and what essentially amounts to a Batman spoof with ducks is a solid concept for 1991. And that theme song is an absolute banger. Has there been a television block of any kind with as consistently strong theme songs as the Disney Afternoon? Of the first four (and if you want to toss-in legacy cartoon Adventures of the Gummi Bears) only TaleSpin is just kind of okay, though I know even that one has its fans. Goof Troop had a great theme, Gargoyles was awesome, and even Bonkers was okay. Toss-in sister series The New Adventures of Winnie the Pooh and holy cow do you have a strong collection of opening themes.

Darkwing Duck aired from September 1991 – December 1992 totaling 91 episodes.

When it comes to the quality of the show I would say Gargoyles stands head and shoulders above all other Disney Afternoon cartoons. That one is also decidedly different from the rest given that it’s not a comedy. After that though, I won’t fight you if you want to say Darkwing Duck is the best. As such, it would make perfect sense for Darkwing Duck to have the best Christmas episode of them all, but to my surprise I’ve found that isn’t the case. “It’s a Wonderful Leaf” is not a bad episode and if you’re a big fan of this show you probably watch it annually, but is it better than Goof Troop‘s take on the holiday? TaleSpin? Bonkers?! I don’t think so, but maybe after going through it in exhausting fashion as we’re about to do I’ll feel differently.

Before we really get into the nuts and bolts of this thing, allow me to just indulge once again in the theme song. When it comes to Christmas episodes of television shows, I do appreciate when they dress-up the opening title for the holiday. Usually this can be accomplished with some added bells or chimes to the song, maybe an altered lyric here and there, or the addition of falling snow over the animation. Some shows go really far and completely change the performance. Take DuckTales, the reboot, which altered its theme song to that of a crooner performance reminiscent of Sinatra or Crosby. It’s neat, but when I only return to the vast majority of these shows for holiday viewings I tend to enjoy the ones that don’t mess with things if they have a great theme already. Those holiday performances of the DuckTales theme often leaving me wishing I could just hear the regular one instead.

Full disclosure: Disney+ decided it hated my PC when I went to get screens so they’re going to suck for this entry.

Anyway, this one begins with the regular intro with nothing added for Christmas, so that’s both a good and a bad thing. It does have a nice, wintery, title card which dissolves into a snowy scene. Our first location is a mall and it’s quite close to Christmas, by the looks of things. The holiday shoppers are practically ravenous and one guy even gets bit by a little pig girl (I’m not making fun, she is a literal pig). One person out and about today is none other than Bushroot (Tino Insana, who sounds remarkably like Dom DeLuise), the plant-focused villain who is the Poison Ivy stand-in for Darkwing Duck, minus the sexual tension. He’s not exactly happy to be at the mall so close to Christmas, but he put his shopping off until the end. He’s able to avoid the mob by ducking into a plant-focused store. There it’s much quiet, and as he goes over his list of individuals to buy gifts for (they’re all plant-centric names so I don’t think these are people, or ducks, that he’s buying for) he happens upon a display of watering cans. Feeling that will make a suitable gift for someone, Bushroot goes to retrieve one only for the mob to attack the display leaving him with nothing left but a dented watering can.

Bushroot is not your typical villain. He’s pretty easy going and he even takes this in stride, until some yokel (Jim Cummings) yanks it from his hands. Bushroot rather meekly tries to explain that he had the item first, but the guy just whacks him what appears to be a purse (interesting) and sends Bushroot soaring through the air (and out of his trench coat) to land in a barrel. With just his tuft of purple-pink hair sticking out, the young pig girl from earlier mistakes him for a plant and plucks some hair out of his skull. Bushroot objects, though fairly politely, and then the girl (Dana Hill) screams. Her mother (Susan Tolsky) sees Bushroot and does the same crying out that there’s a plant monster in there. Bushroot asks “Where?!” oblivious to the fact that she means him and then he’s forced to retreat as she blasts him repeatedly with a rake. He’s able to avoid the mob that ensues by hiding in a present at an outdoor Christmas tree display. When everyone is gone, he goes into villain mode basically blaming Christmas for his misfortune and deciding that the city of St. Canard shall rue the Christmas it decided to mess with Bushroot!

Gosalyn is your typical excitable kid at Christmas.

At the home of Drake Mallard, we find out hero getting ready to decorate the tree. To do so, Drake (Jim Cummings) offers up a variation on his catchphrase with “Let’s get decorative,” before he aggressively covers the tree with lights. There’s just one problem – Launchpad. Drake’s buddy, sidekick, secret lover?, ended up tied to the tree in the aftermath apparently unable to avoid the speedy Mallard. Once freed, Drake is able to bask in the glory of the season remarking on how peaceful it is, which is just the cue for daughter Gosalyn (Christine Cavanaugh) to come flying down the stairs Kevin McCallister-style on a sleigh. She takes out the tree and most of the family’s living room, but blames it on her excitement at finding the sleigh upstairs. Drake remarks it’s his sled and takes it from her only for it to crumble into dust. Gosalyn is not deterred though as she refers to her rather large Christmas list to confirm she requested a sled this year and assumes there must be one in the mountain of presents before her. Drake has to pry her off the pile to remind her they don’t open gifts until Christmas only for Gosalyn to whine that it’s too far away. Drake tells her it’s tomorrow and she mostly calms down agreeing to wait. Oh, wait, she’s lying as she adds in a “Not!” afterwards! Oh, those plucky 90s kids.

We transition to a new living room scene where apparently everything has been tidied up. Even the tree now stands again with Gosalyn eyeing it from behind the couch via binoculars. She’s joined by Honker Muddlefoot (Katie Leigh) and the two are sporting military-styled helmets as they make their way for the tree. Declaring herself the terror that unwraps in the night, Gosalyn goes to open a gift only for an alarm to sound from the tree. Drake calls from the other room to make sure she’s not peeking and Gosalyn calls back that she was just replacing an ornament. A good save, especially if they have a cat. She’s not giving up though as she stalks over to a present conspicuously far from the tree, only to find her dad hiding inside it (he’s good). She snidely refers to him as a Christmas cop as the scene ends with an iris out in the shape of a star. Interesting choice.

An army of trees – are we scared?

We find Bushroot has descended upon a tree farm. Armed with a star-shaped megaphone of some kind, he puts out the APB “Calling all trees,” which brings the trees to life. I don’t know how his powers work, but I’m guessing he just has an innate ability to command plants. Though these trees were probably already cut so I’m not sure how that works since they should be dead, but it is a cartoon and I probably shouldn’t think about it that much. Bushroot leads the trees out in a marching formation and returns to the mall. There he does the same thing to bring the Christmas trees in the mall under his command. They’re apparently a cheeky lot as one grabs a Darkwing Duck toy from the little pig girl and tosses it into the bag of another shopper. The pig girl cries out to get her mother’s attention who thinks the guy stole it from her (given the behavior of the shoppers we saw earlier, this checks out). She wails on him, and he doesn’t fight back, much to the delight of the little pig girl.

More trees are up to funny business as we find a Santa working a collection pot elsewhere in the mall. As he swings a handheld bell, the Christmas tree behind him snatches it and wallops him over the head with it. Terrible, just terrible. The tree then does like the other one and places the bell in the hand of some old, dog, guy walking the mall. Santa sees it, angrily grabs it, then wallops him with it! Bushroot looks on with satisfaction as we can also see the pig lady is still beating up the other guy too. He remarks it’s time for phase two of his operation. Just what is phase two? It takes place at the Santa’s Workshop location of the mall. A different Santa from before is working this one, but when a kid vacates his lap the trees alongside him basically smother him. It looks like murder, and when the trees pull back we see that Bushroot has taken Santa’s place. Phase Two is apparently all about making Santa look bad as the first kid to sit on his lap asks for a drum for Christmas, so Bushroot tells him to “Beat it,” and boots him away. Time passes and the little pig girl comes running in excitedly waving the Darkwing doll she apparently got back. Bushroot tells her he’s all out of toys and needs her doll for next year. This causes her to run off crying, but it’s revealed that Tank Muddlefoot (Hill) was watching. He’s kind of like the bully character of the show, and he bullies Bushroot by telling him he’s not Santa and yanks on his fake beard, which hurts Bushroot for some reason. The trees give him the boot and we see him soar past his parents, Herb (Cummings) and Binkie (Tolsky).

Herb is a little more than Bushroot expected.

Herb, being a big kid basically, gets all excited at the sight of Santa Claus and practically leaps onto Bushroot’s lap. He is a duck of generous proportions so Bushroot is not exactly appreciative of this display of affection. With Herb inadvertently pinning him down, the angry pig mom storms in to do what she does best and beat up old Santa Root. Bushroot is forced to retreat as a mob forms to start chasing him. He takes refuge underneath a tree only popping his head out after the mob runs past him to deliver a sinister “Ho ho ho,” as he removes his beard. It would seem that sabotaging the good name of Santa Claus was worth the punishment.

Elsewhere, Drake and Launchpad (who he calls D.W. whether Drake is in costume or not, apparently) are doing some last minute shopping of their own. Launchpad has presents piled up in his arms with Drake standing on top of them. When he questions if they’ve gone a little overboard, Drake insists they have not for it is Christmas and it’s the season of giving. Or something. The pair then take notice of the havoc going on around him as many mall-goers complain of stolen items. “This looks like a job for…” is the expected line, only when Drake reemerges he’s dressed as Santa Claus. He seems surprised to not be in his Darkwing attire, but then tries to play it off like he did this on purpose surmising that disguising himself as Santa will help him get the drop on the holiday thief. Only it actually makes him a target as the angry mob looking for Bushroot sees Drake as Santa and immediately goes on the attack!

You gotta get with the season, D.W.

Darkwing, now in his regular attire, and Launchpad are able to give the mob the slip fairly easily setting up for some monologuing. Darkwing speculates that a sinister force is behind all of this, but Bushroot sticks his head out from behind a Christmas tree to correct him that he’s not sinister, just misunderstood. Darkwing immediately seizes upon the moment to declare he should have known Bushroot was behind this! After a few plant-based puns and some alliteration from Darkwing, Bushroot summons his “boys.” A trio of bushy trees back him up which is just too much for Darkwing. He is positively disgusted that Bushroot would use Christmas trees to attack Christmas. It’s a new low. Bushroot isn’t exactly phased by this as he leaves arm and…limb…with a pair of trees leaving three behind to take care of Darkwing and Launchpad. I’m not really sure how this is supposed to work, but Darkwing and Launchpad are certainly playing it up like they’re scared. Darkwing whips out his gas gun and fires unleashing a burst of ornaments and tinsel at the unsuspecting tree. It’s now fully decorated, much to Darkwing’s surprise, and someone even whistles at it like they find it sexy. I don’t know if that came from one of the heroes, or one of the trees. It’s enough of a distraction for Darkwing and Launchpad to beat it forcing the trees to give chase. Once again, Christmas decorations are used as cover as Darkwing and Launchpad hide in some gifts until the trees pass. Once they’re in the clear, Darkwing ponders how they can track Bushroot down while Launchpad helpfully suggests they just follow the pine needles. Is Launchpad the smart one in this relationship? It’s been awhile since I’ve watched this show.

Bushroot is now onto phase three of his plan, Operation Bah Humbug, which involves a flatbed truck and his little intercom/wand thingy. He’s doing his calling all trees bit while driving through a neighborhood and as he does so the trees in the homes come to life. Their objective? Steal all the presents! Bushroot soon sees that he missed a tree so apparently the trees only come to life if they have the star on top of them. I probably should have picked up on that earlier, but I just thought they were decorations. The tree with the missing star is of course Darkwing’s and when Bushroot activates it he also sets off the tree alarm that had been installed to keep Gosalyn at bay. She and Honker come storming in to find the tree snatching gifts, which she naturally does not take kindly to. The tree shoves a wreath around the pair to subdue them, then runs off which only further enrages the small duck.

You better not be messing with presents on Christmas, tree.

The trees all emerge from the various homes with limbs full of presents. As they make for Bushroot’s truck, the plant-duck basks in a plan well-executed. That is, until he spies Darkwing Duck speeding up from behind him! Apparently, Darkwing’s motorcycle can also become something akin to a snowmobile as it has a big ski on the front instead of a tire. He rides up along side Bushroot’s truck and decides to spring into action…right in front of the truck. I’m not sure what the thinking was here, but the predictable happens which is Darkwing gets run over. He gets to mug for the camera with a busted smile singing “All I want for Christmas is my two front teeth,” clearly concussed. Gosalyn hops over to him, still wrapped up in the wreath with Honker, to inform her dad about the obvious. Launchpad pulls up in the bike to check on his buddy, who is now fine because he’s surprisingly resilient. The three hop onto the bike and Darkwing declares, while brandishing a massive axe, that it’s time to do some Christmas tree chopping!

It’s also time to kill a little time with a chase scene. Well, kill some time for the writers, the animators have to do some heavy lifting here as they chase after Bushroot’s truck which is now loaded with trees. Everyone is safely wearing helmets on the bike, but apparently not seatbelts. Yeah, I know, motorcycles don’t typically include such, but you would think the sidecar might? Regardless, a big hill tosses Darkwing and Launchpad from the bike leaving just the kids behind. No problem for apparently Gosalyn is pretty good with this thing. Darkwing and Launchpad have, painfully, landed on a Santa decoration of Santa in his sleigh with two reindeer leading his team. Gosalyn, in a bid to be helpful, lassos the sleigh and proceeds to pull her father and…uncle?…all through downtown St. Canard in pursuit of Bushroot. Darkwing and Launchpad obviously get the worst of it, and are soon shot into the sky where they pass before the full moon giving us a different take on the whole Santa moon shot thing.

That’s a weird looking Santa.

It sure seemed like they were going to soar right out of the city, but apparently not. Bushroot comes to a stop outside a tree farm, possibly the one from earlier, and remarks how he was finally able to rid himself of Darkwing Duck. Which, in cartoon speak, means he absolutely has not. Darkwing and Launchpad come soaring in and crash into Bushroot’s vacated truck. That is apparently the least of their problems as soon Gosalyn comes racing in on the bike declaring she doesn’t know how to stop. Understandable considering she’s…what? Eight? She crashes into her dad, but everyone seems more or less fine. Plus they’re surrounded by stolen presents which Gosalyn is eager to open, but her father stops her. He tosses the trio (is Honker actually going to speak in this episode?) some Santa beards and informs them that they’re going to return all the presents while he goes after Bushroot. Since he brandished an axe before, now he’s sporting some sinister looking hedge clippers because we have to keep the puns coming.

We catch up with Darkwing as he prowls rooftops with an elaborate looking magnifying glass narrating his search for Bushroot. Unbeknownst to him, Bushroot is well aware and lurking about. He lassos Darkwing’s beak with a string of Christmas lights and pulls him close. At first, it seems like a bad play as he doesn’t have a weapon or anything to face Darkwing with who quickly pulls out his gas gun. He then informs the heroic waterfowl that he best put the weapon away unless he wishes to invoke the wrath of his good pal Douglas. Darkwing naturally asks who Douglas is and he soon meets him. Douglas Fir is Bushroot’s new best friend – a massive Christmas tree one might find in a town square. Darkwing is swatted away, which happens a lot in this show, and lands behind a fire hydrant. Viewing it as some sort of saviour, he actually makes the very poor decision to kiss it. Do duck beaks stick to metal in cold temperatures? Apparently so, for Darkwing is stuck as Bushroot calls in more trees and orders them to “Deck the duck with everything you’ve got!” It’s a lovely little number, but the trees are still only armed with Christmas ornaments and other fixings so it doesn’t seem as bad as Darkwing makes it out to be. Still, he can’t get unstuck as he frantically pulls at his own beak eventually ripping the hydrant from its moorings.

Meet Douglas.

Once again, we find our hero in a pile of snow this time duck butt up. There’s also a snowman beside him so you know that’s going to play a role soon. Darkwing emerges from the snow with the hydrant still attached to his head. It’s an odd piece of animation as he appears to be wearing it like a helmet, but his face is drawn on it. I think something might have been lost in translation here. He removes it and soon finds himself under assault again from the trees. He ducks (heh) behind the snowman for cover. He then basically wears the snowman like armor as he withstands the pummeling from the trees which seems to enrage Bushroot. The snow falls away, but Darkwing is left holding a large snow shovel which the snowman had been posed with. He runs over to the water main which is gushing thanks to the damage done to the hydrant and uses the shovel to direct the spray at the trees. The water basically freezes on contact and Bushroot is soon forced to make a hasty retreat. Only he can’t outrun Darkwing and his directional water and he too becomes a frozen vegetable. Darkwing slaps some cuffs on the now inanimate Bushroot and declares this another sinister plot that’s been nipped in the bud. Clever.

Bushroot is put on ice and we still have several minutes left of this one.

Darkwing returns to the neighborhood and finds Launchpad, Gosalyn, and Honker seated on the flatbed looking rather glum. Darkwing is surprised to see such long faces, but Launchpad informs him they returned all of the presents, but the gifts for Honker’s family were no where to be found. There’s a massive mountain of gifts on the flatbed, but apparently they’re all for Gosalyn. Damn, she’s spoiled. Darkwing doesn’t really know what to do and apologizes to Honker who says “It’s okay,” (he speaks!) and then suggests that the real Santa Claus will surely bring his family something. As he heads into his house, Darkwing remarks, “Poor little guy,” but Gosalyn corrects him to say you can’t be poor when you have friends and she thrusts one of her gifts into his hands with a smile. I see where this is going.

Inside the Muddlefoot residence, the family is sound asleep until the sound of sleigh bells awaken them! Tank is the first downstairs for he has a trap for Santa – a bear trap! It’s in the fireplace so he’s pretty annoyed when Santa enters through the window. He runs over to admonish Santa for this untraditional entrance, but when Santa spins around he accidentally whacks him with his sack full of gifts. Tank ends up landing on his own trap the pain of which causes him to shoot up and get lodged in the top of the chimney. The rest of the Muddlefoots enter the room and Santa, who is obviously Darkwing, dispenses with the gifts. Honker gives him a big hug in return which seems to touch old D.W.

Santa always comes through.

With that task done, the Mallard clan makes the short walk home. Darkwing tells Gosalyn how proud of her he is for giving her gifts to the Muddlefoots and gives her an affectionate noogie to punctuate it. She seems unphased, but is soon delighted when she finds her Christmas present on the stoop of their house: a new sleigh. It has a tag reading “To Gosalyn, From Santa,” which Launchpad reads aloud for our benefit. She grabs the sleigh and dives into the snow leaving Launchpad to ask Darkwing when he found time to get her that. He indicates he thought Launchpad did, and they go into a whole routine you’ve probably seen before until there’s only one solution. Darkwing remarks that “He is a Christmas tradition,” as the pair look up to the sky and we see the real guy fly by with a proper moon shot to boot. Tank, still stuck in the chimney, cries out to Santa for help and promises to be good from now on, but his cries fall on deaf ears as the camera zooms out on a snowy St. Canard to end it.

“It’s a Wonderful Leaf” is far from a bad episode of Darkwing Duck. It has a decent premise with the plant-based Bushroot using Christmas trees to wage ware on the holiday. It also tosses in a materialistic Gosalyn subplot in which she’s forced to do something selfless, it’s just that neither plot really lands beyond that. Bushroot is more annoying than truly disruptive and an army of marching trees isn’t particularly threatening. There are puns galore, as the show often deals in, but few are truly clever. Some of that is by design as Darkwing is like an amateur poet, but the only one I really liked was Bushroot ordering the trees to deck the duck.

When are they going to get him down?

Gosalyn and her plotline just isn’t really given enough time to land. It’s not the best plot anyway as the audience rarely feels anything extensive for a character that has to give up material goods. We don’t see her longing for some specific item that she then in turn gifts to Honker, all of the gifts just exist in the abstract. I feel like the episode wants the ending to land with more of a thump, but it’s a whimper at best. It was a nice attempt at invoking some Christmas feels, but not enough. I also am slightly annoyed with the dismissal of Santa Claus throughout the episode. All of these people just put the gifts under the tree already? They’re just a bit too casual in their disbelief right up until the end. This is a show for kids, and sort of like my feelings on other Disney Afternoon Christmas specials (Bonkers, TaleSpin) they’re too eager to show unbelieving adults. It’s a fantasy world inhabited by talking ducks – can’t Santa just exist? Admittedly, that’s more of a pet peeve I have where I prefer shows aimed at children to not put doubt in the minds of viewers because I want the Santa myth to last as long as possible with children, even if it’s a losing battle.

Since we did get two moon shots in this one I’ll forgive them for only doing six reindeer.

My conclusion here is that it’s not really funny enough to be a classic episode of Darkwing Duck. The Christmas element isn’t clever enough, and there aren’t enough Christmas feels to produce that lump in one’s throat. It’s just kind of okay at everything which is why I’m ranking it back here behind other Disney Afternoon Christmas episodes. And I probably am penalizing it a touch as I didn’t expect much out the likes of Bonkers so I was pleasantly surprised with that one. With Darkwing, I just expected better. The animation is at least still great for the most part so it’s not like I feel as if I waste my time when I watch this one, but I also start to tune it out about halfway through and struggle to get reinvested come the end. If you like it more than me I won’t say you’re wrong or anything, but maybe you love the idea of a Darkwing Duck Christmas episode more than the reality.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 8 – Prep & Landing: Operation: Secret Santa

Last year, Prep & Landing was given the prestigious slot at The Christmas Spot of Christmas Day. I try to reserve a really good special for the big day each year and Prep & Landing is one of the best. In fact, I have declared it the 9th best Christmas special of all-time. That’s no…

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Dec. 8 – The Looney Tunes Show – “A Christmas Carol”

I’ve been known to be a bit critical of Warner Bros. for not creating more Christmas shorts. The most notable one is Gift Wrapped starring Tweety while Bugs Bunny and Daffy Duck basically had to wait until after the Golden Era to give Christmas a whirl. And those weren’t really that great. Low key, the…

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Dec. 8 – The Soulmates in The Gift of Light

It was around Labor Day of this year that Will Sloan (@WillSloanEsq) took to Twitter to uncover the origins of an image that had confounded his girlfriend and him for the past five years. It was actually a return plea as he had posted the same image 3 years prior. The image in question was…

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Dec. 3 – The Nostalgia Spot Christmas Special Countdown #189-180

There’s going to be a lot of toys in these ones. And some are very familiar looking.

I mentioned yesterday that my rankings of Christmas specials are by quality and personal preference, but also by genre. When it makes sense, I’m trying to keep similar specials together when it comes to the general vibe and the vibe today is public domain shorts. The domain of the short used to be the movie theater and seemingly every major studio had a series of cartoon shorts. Some were bigger than others and a lot of the less popular ones have slipped into the public domain. Most of these shorts fall into that category, but not all. And most of these are going to have a very similar plot. A lot of these shorts liked bringing Christmas to poor kids. And almost all of them have something racist in them which is just incredible from a modern perspective. It got to the point over the years of doing this where it stopped being surprising. Even Mickey gets in on the action. It’s nuts. Anyway, let’s get to it.

189 – Santa’s Surprise

Little Audrey and a diverse group of kids want to leave a surprise for Santa.

This is a Little Audrey cartoon who was a rip-off of Little Lulu and probably less successful. Maybe I’m being a little tough on this one by ranking it last because it does have a unique premise. Audrey and her friends decide Santa deserves some presents of his own on Christmas so they sneak into his sleigh and try to do something nice for him. It’s cute. I just don’t care at all about Little Audrey. The group of multi-cultural children that accompany her on this quest are also not the most sensitive depictions of such one is going to find. Usually, stuff like that is what helps get cartoons into the public domain because the companies that owned them originally don’t want to re-release them and if they’re not going to re-release them then they’re worthless.

188 – Gifts from the Air

He may not look like much, but this toy soldier is pretty special.

Here’s our first one where a poor kid gets a visit from Santa Claus. In this one, it’s a kid who lives alone in a shack with his cat. On the way back to his home, he finds a discarded toy soldier in the street and brings it home. When he goes to bed, the toy becomes sentient and uses the radio to call for Santa who shows up and does his thing. Most of the short is just toys doing stuff, the sort of thing we’re going to see a lot of. The kid eventually wakes up, is happy to have toys (and food) and that’s pretty much it. The short looks okay and it is in color. It’s also been re-released since my entry and there is a much better looking version out there now. It’s still a pretty boring short, but at least it will look nice.

187 – The Captain’s Christmas

Pirates and Christmas? Sure, why not?

Another one that would probably rank a little higher if I cared about the property. The Captain and the Kids is a series I don’t know much about, but it had a brief run of shorts and among them is a Christmas one. It’s basically a Captain character who takes care of some orphans and he’s harassed by the pirate John Silver and his crew. This one is interesting because the Captain is going to dress as Santa to surprise his boys, but John Silver and his crew get to him first. Silver takes the Santa suit for himself and they proceed to enter the dwelling and mess everything up. Because it’s Christmas, the bad guys feel terrible about what they did and eventually make it right. A large portion of the short is dedicated to a song that’s not very good performed by the pirates. It’s not terrible or anything, and the version I was able to find actually looked great, so there are worse ways to kill 8 minutes.

186 – Mickey’s Orphans

Mickey has had many goes at this whole Christmas thing.

Mickey Mouse’s first Christmas cartoon is among his worst. I rank this ahead of Mickey’s Christmas Chaos mostly out of respect, but that mediocre short might actually be more entertaining than this one. Mickey and Minnie wind up with some orphans in their care and try to give them a decent Christmas, but they’re also jerks. The little orphan cats just destroy the place and don’t seem to care that Mickey made the effort to give them a decent Christmas by playing Santa. There’s no real message here, no lesson to be learned, the kids just destroy everything until the short is over. It’s very bizarre in that aspect. It is in black and white, but the animation is pretty smooth, so it has that going for it.

185 – The Shanty Where Santy Claus Lives

Santa has a special surprise for this little boy.

This is an early Merrie Melodies short. It’s very similar to Gifts from the Air in that it’s another poor boy who seemingly lives alone. It begins almost exactly the same way with the poor kid walking through the snow on Christmas Eve getting progressively more upset over the sounds of other people enjoying Christmas. Only with this one, when the kid gets back to his shack he gets a visit from Santa before he goes to sleep! And not only is Santa there to bring Christmas cheer, he actually takes the kid back to the workshop and that’s where the toy antics come into play. It’s pretty crazy how similar the toy antics are from one short to another, and not just this and Gifts from the Air, but this and other shorts we’ll talk about shortly. This is another that ends abruptly, a fire breaks out and the kid is able to put it out and that’s it. Did he stay at the North Pole? Did he become the next Santa? Is he Santa’s slave? Is this where elves come from?! No one knows.

184 – The Night Before Christmas (Silly Symphony)

It’s hard to find parking for eight reindeer.

This one is a sequel to the Silly Symphony short Santa’s Workshop. If you like the part of that one where Santa just demoes the toys and laughs at them then this is for you. Santa delivers some toys to a house and we get to see him play with them. There’s even a Mickey Mouse cameo! Santa just laughs at everything and it gets real obnoxious. Eventually, he has to run and the kids come down and find their stuff. One cute kid gets a puppy. There’s a blackface gag, which is probably why it’s never been added to Disney+ to join its predecessor. It’s fine.

183 – The Pups’ Christmas

A couple puppies do cute stuff.

We have a lot of cartoons of kids finding toys under the tree, but not many of puppies finding toys under the tree. We do have this one from Hugh Harman and Rudolf Ising and it’s about what you would expect. Santa has made his delivery and the children are up in the middle of the night to check it out. Among them are two puppies who get into all kinds of mischief when it comes to the toys. In particular, there’s a toy tank that apparently has a personality all its own and it battles it out with the puppies. No puppy is seriously harmed, and they are cute. It does run a little long, which is an odd thing to critique a short for doing, but if you’re a dog person then you’ll probably enjoy this on some level.

182 – Christmas Comes but Once a Year

Man, does that look cool or what?

This is one of the oldest Christmas specials in color out there. And it was also recently restored to look as best as it possibly can. And it is a good looking short. It’s a Fleischer Studios production and there’s some use of live-action references including a spectacular Christmas tree spot at the end, but the cartoon itself is pretty similar to everything else here. Grampy wants to bring Christmas to an orphanage, but since he can’t just will a bunch of toys into existence, he uses household objects to make toys and distribute them. The kids have a good time, and it’s a reasonably merry Christmas. Worth a watch to appreciate the impressive restoration, if anything.

181 – Mickey’s Good Deed

Mickey is going to experience some hardships in this one, but it works out in the end.

Stop me if you’ve heard this one before, a character wants to bring Christmas to some poor kids and so they do. In this case, it’s Mickey Mouse who is very poor as well. He wants to help a family of cats (again), but in order to do so he needs money and the only thing of value he owns is his dog, Pluto. Some rich asshole’s kid wants Pluto so Mickey reluctantly sells him thinking Pluto will have a better life with the wealthy man than he would on the streets with him. He takes the money, buys a bunch of stuff, and makes a Christmas delivery to the kids. Unfortunately, that spoiled, rich, kid really sucks and is abusive towards Pluto who eventually gets away, but not before he makes off with a turkey. He finds Mickey all alone in the snow and there’s a happy reunion in the end. Thankfully. I get the idea of having a character sacrifice to make Christmas better for the less fortunate, but I don’t want to see them give their dog away! At least it all works out, and the animation is really nice. It was made in black and white, but there is a color version out there if you’re adverse to that.

180 – Santa’s Workshop

This one takes place way up north.

The more popular Christmas themed Silly Symphony short. This one takes place at the titular workshop where we see toys being made, inspected, and tested. That’s it. I just rank it this high because I think it looks just lovely. There’s a whole bunch of gags similar to other ones we’ve already seen and it also had its own racist gag (which the Disney+ version omits), but at least it doesn’t have any orphans! Seriously, I’m getting a little sick of that trope. And seeing Santa prepare for Christmas is just more interesting to me than the process of infiltrating homes and the aftermath.

That concludes the public domain theatrical shorts category. Not all of those are in the public domain, but they all have a very similar feel to them, and as we saw, similar plots. There isn’t much separating the worst from the best in this case, I mostly ranked them on visual quality as that’s what appeals to me most. And not just how well it’s animated, but the emotive aspect of the characters since we get a lot of inanimate objects doing interesting things. They are all indeed short though and also pretty damn old. The historical aspect makes them worth watching, in my opinion. And they won’t take up much of your time. I bet they’re all on YouTube or Daily Motion too so they should be easy to find. It will give you something to do until tomorrow when we move onto the next group of 10. In looking ahead, there isn’t much of a theme in our next group other than it’s all stuff made for kids and almost all of it is comedic in nature. There might be one surprise in there, but we’re still firmly in the realm of mediocre and not quite to the point where we’re hitting on some essential viewing type stuff.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 3 – American Dad! – “Season’s Beatings”

It feels like it has been a minute since we took a look at an American Dad! Christmas episode. The show can be counted on to produce such an episode almost annually and often times the Christmas episode is among the best of the season. 2024 is also the year we had to say goodbye…

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Dec. 3 – Animaniacs – ‘Twas the Day Before Christmas

Children’s cartoons often take to Christmas when the season rolls around. The holiday is usually ripe for parody or just direct adaptations so it’s easy for the writers to kind of phone it in. What’s not customary is for a cartoon series to feature two dedicated Christmas episodes in a single season! That’s what Animaniacs…

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Dec. 3 – Popeye the Sailor – “Mister and Mistletoe”

Last year for the Christmas Spot we took a look at the 1960’s TV series Popeye the Sailor and its Christmas episode “Spinach Greetings.” There are a lot of Popeye fans in the world and my assumption is that most would not put Popeye the Sailor above the theatrical shorts that helped catapult Popeye to…

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Dec. 2 – The Nostalgia Spot Christmas Special Countdown #199-190

Sorry folks, but today’s gifts are stinkers.

Today, we move on with our Ultimate Christmas Special Rankings starting with number 199. As you can probably guess, we’re going to generally stick to 10 a day in order to have this neatly conclude on Christmas, but we’ll have a couple spots where we’ll have to do more. This isn’t one of those spots as you just get 10 today. Like yesterday, these specials are what I would consider to be genuinely bad, for the most part, but we’re working our way to the “meh” part of the rankings. We’re also going to kick things off with one I probably dislike more than most. There is a part of me that feels like I’m being unreasonable, but I pretty much loathe number 199.

199 – Ice Age: A Mammoth Christmas

Hah! It’s a snowman with a nut right where…his nuts…you know…

The Ice Age franchise had a nice run for itself, commercially speaking, during the 2000s. I can’t say I really loved any of it, but my memory of the movies I did see are that they were fine. Decent family entertainment that I never have to see again. For some reason, I hate this Christmas special. Maybe I was just in a bad mood when I went back to it last year for the countdown, but I just hate-watched the damn thing. Every plot point irritated me, it was so predictable, cliche, and talked down to the viewer. The attempts at humor were supremely irritating. I think this style of humor just didn’t age well. The competent CG doesn’t come close to rescuing it and I get no feels from it other than white, hot, rage. I honestly expect most people to see my take and not quite get it. Most probably see this as a pretty by the numbers, ho-hum, Christmas special. Let’s move on though as I’m already sick of talking about Ice Age.

198 – We Wish You a Turtle Christmas

Good God that’s terrifying!

Okay, this is a bad Christmas special. Very bad. It’s also entertainingly bad and it helps that I didn’t make my parents spend $30 on a VHS of this thing when I was a kid. It’s brief which helps. If this was your more typical hour long special then it would likely be intolerable. The only bummer for me with this one is that it’s the only Teenage Mutant Ninja Turtles Christmas special from this era. The ’87 cartoon had an episode where the turtles met the freakin’ Easter Bunny, but no Christmas episode. Instead we got this: repurposed live show costumes with unrecognizable voices and actors. It’s bad, and the budget must have been almost nothing. The songs suck in such a way that they’re funny, and the special is so well known now that we even got some NECA toys last year based on it. What a time to be alive.

197 – Super Mario World – The Night Before Cave Christmas

He’s laughing, but there’s nothing funny about this one.

This one is barely a Christmas episode as it’s a made-up version of the holiday by Mario to supplicate some cave people he deems as lesser than him. Poor, misguided, cave, people, if only they had a holiday to believe in? Mario the missionary brings them Christmas and it just turns one cave person, Oogtar, into a spoiled brat. He almost ruins Fake Christmas, that little Ratgoo, but everything turns out fine in the end. It’s just phenomenally stupid and the Super Mario World cartoon was pretty terrible. There’s a reason why Nintendo wants nothing to do with it or its predecessors these days.

196 – The Smurfs Christmas Special

In this holiday special, the Smurfs are tasked with saving some kids from Satan. Yes, you read that correctly.

Oh boy, this one took a pretty surprising turn. The Smurfs holiday themed episodes manages to be both forgettable and also get mixed up in my brain. The other Smurfs holiday episode I covered is a better Christmas special, but so unmemorable. This one? This is the one where the Smurfs have to take down the god damn devil! What other conclusion is there to draw from the villain? Every other plot point here is pure corn, just garbage, Christmas, stuff. The Smurfs are a pretty terrible franchise that has somehow endured – I guess people really like little, blue, men?

195 – Sonic Christmas Blast

That’s Santa Sonic, if you please.

Another video game mascot with a Christmas special, and it’s not much better. This is a cheaply thrown together episode of The Adventures of Sonic the Hedgehog, the wacky cartoon and not the more serious Saturday morning one. I hate the visual style and the plot is nonsense, plus an unspeaking Sally Acorn role? They did her wrong. It just manages to be memorable because of the wild turn at the end. Spoilers if you haven’t seen it, but Santa Claus retires! Yes, the big man hangs them up, but don’t worry as he has a successor ready: Sonic the Hedgehog. In the world of Sonic, he is now Santa Claus. It’s canon and I’ll hear no argument against it, I’m just patiently waiting for one of the video games to acknowledge this fact.

194 – The Super Mario Bros. Super Show – Koopa Klaus

And I bet you thought Frosty was the fastest.

Pretty convenient all of these video game cartoons landed so close together, eh? It’s by design. This list has a subjective element to it where I did try to group things together to some degree. Especially when it comes to kids specials and the more subversive adult comedy ones. And spoiler alert, tomorrow very much has a theme to it. Anyway, this is another lousy Super Mario Bros. cartoon that takes place during Christmas and this one has a more conventional holiday plot. Koopa is out to take over Christmas and Mario and the gang have to save Santa. Toad learns a lesson and Luigi gets to help out. It’s all pretty conventional. There’s some awful animation and if you watch the full episode this is from you get some live-action stuff that has nothing to do with Christmas. Seriously, what a wasted opportunity. The only redeeming element to this one is basically the same as the Super Mario World cartoon: Koopa. I find him entertaining. Oh, and it’s also really short.

193 – Mighty Morphin Power Rangers – I’m Dreaming of a White Ranger

This is the extent of the action in this one.

The Mighty Morphin Power Rangers had one Christmas episode and it came during the White Ranger era post the departure of the original red, yellow, and black rangers. In other words, it’s from an era of the show I didn’t watch as I fell off during the second season. I came back for the White Ranger mini series falling for the hype, but didn’t stick around. This one is pretty damn stupid. The Rangers have to go to the North Pole and stop the forces of Lord Zed who have taken it over. It’s an episode that was clearly conceived of on the US side because we don’t get a single shot of the Rangers in action. They stay in their teen persona so there’s very little action. Instead, there’s lots of bad acting that wouldn’t even be passable for a soap opera. The storyline back at Angel Grove with the sad kid or whatever? Terrible – no one cares. I wanted to see the Megazord slice and dice some massive reindeer monster or something and this did not deliver.

192 – Krazy Kat – Krazy’s Krismas

These are some ugly-ass character designs.

I have to admit, I don’t remember anything about this one. Or rather I didn’t until I went back to it before writing this. And yeah, it’s not very memorable. It’s from an era of cartoons on television where budgets were very small and the animation was very limited. This thing is capital U Ugly and I find nothing charming about the character designs. The audio quality is poor as well, though that may be a preservation problem and not something that was apparent at the start. It’s very similar in tone and quality to Tennessee Tuxedo, but shorter and therefore better. And for a character named Krazy Kat, she’s not very crazy. The craziest thing about her is her choice in grammar.

191 – Extreme Dinosaurs – Holiday on Ice

It’s big, beefy, dino-men in Santa hats – did you expect something else?

When it comes to cartoon dreck, there isn’t much lower than the direct-to-syndication cartoon that only exists to sell toys. And it gets even worse when that toyline is just a blatant rip-off of a more popular one. That’s Extreme Dinosaurs for you, which was an extension of Street Sharks. It’s terrible. It is the sort of cartoon where it can look okay in still shots because the character designs are big and colorful, but once things start moving around it turns to shit. I hate all of the attempts at “extreme” language or whatever and this is the sort of show that somehow makes dinosaurs seem lame. As for a Christmas special, it’s another let’s help Santa plot. Not a full-on The Santa Clause, but yeah, dinosaurs are going to help save Christmas.

190 – Mickey’s Christmas Chaos

Mickey does not subscribe to the whole “love thy neighbor” thing.

Around the turn of the millennium, Mickey Mouse tried to make it again in shorts and the results were mixed at best. Mickey’s Christmas Chaos is one of those shorts and it’s tonally kind of a mess. Mickey behaves more like a Warner Bros. character here as he goes to war with his neighbor Mortimer as each tries to one-up the other with their Christmas decorating. The animation is so flat that it limits the impact the gags can have. Plus, there’s really nothing new here. There are no pieces of physical comedy that feel original or offer a new twist on an old concept. I get trying to redefine Mickey or show a different side of him, but this isn’t it. Paul Rudish would figure it out much later. At least this one has a nice ending for best boy Pluto, and if you’re someone who disagrees and actually likes this one then good news! There are a pair of Christmas episodes from the House of Mouse series full of crap like this!

That’s all for now. Come back tomorrow as we move into the bland and the meh that also happen to be free and easy to view. We’re going into the public domain, folks!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Dinosaurs – “Refrigerator Day”

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of…

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Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

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Marvel Legends X-Men ’97 Cable

Say “Hello,” to the Wild Man of Borneo.

Today we finish our look at wave 3 of X-Men ’97 Marvel Legends action figures and I think I saved the best for last. Cable was one of the non-members of the X-Men to play a pretty substantial role in the original animated series. He showed up in multiple episodes in both the first and second season and was a key player in what was to be the show’s big finale, “Beyond Good and Evil.” It wasn’t a surprise to see him return in X-Men ’97 where he once again was a soldier displaced by time, only this time the show actually showed interest in explaining just who the heck this guy is.

They fed him well in the future.

In the episode “Time Fugitives – Part 2,” there’s basically a blink and you miss it moment where Jean Grey mentally probes the mind of Cable. We see images of Cyclops and Jean when she does, but the show doesn’t bother addressing that at any future moment leaving most of the characters in the dark, save for Jean, apparently. Obviously, if you’re a fan of the comics then you probably knew all that, but he must have been a pretty confusing character for those who were only exposed to the X-Men via the cartoon. In X-Men ’97, we finally find out that Cable is the son of Cyclops and Jean from the future. Only there’s a twist as Cable is actually the son of Cyclops and the clone of Jean, who decided to adopt the alias Madelyne Prior. Cable plays a large role in the back-half of the first season and appears to be set to play a big role in the upcoming season. Might we finally see him form X-Force? I kept waiting for him to do that in the old show so it would be long overdue if he does.

I suspect we’ll see something like this in season two. Only Apocalypse will be much taller.

This depiction of Cable is his traditional look. It mostly conforms to what we saw in the ’92 series as well as the first chunk of X-Men ’97. By the finale, Cable (like everyone else) gets a costume change meaning X-Men ’97 is perhaps the most action figure friendly show we’ve ever had. We’ve already seen one of those finale outfits via Jubilee in this wave while others have been reserved for some two-packs that I didn’t pick up. I’m most interested in figures that fit in with my ’92 display and this Cable accomplishes that.

Cable, like Morph, is an all new sculpt. Initially, I thought he might share some parts with the Bishop from the first wave, but if he does I can’t find them. He’s pretty tall as well standing a little over 7″ making him the tallest in the line thus far. His sculpt is pretty intricate with lots of straps, pouches, and other assorted details pulled from the show. He has that animated look to him via a lot of flat colors, but there’s also a slight touch of realism to the face like Hasbro knew comic collectors would want to add this Cable to their display. Cable has a pretty distinct face in the show and it’s not quite captured here. It’s almost like it’s halfway between the ’92 version of the character and the ’97 one.

This is the “little gun.”

As is the case with most of the wave, there isn’t a lot of paint to be found on Cable. It’s mostly reserved for his face which looks good. Hasbro elected not to go with a glowing eye which is fine. The X-emblem is painted onto the collar as well as the red lines on his suspenders (I guess that’s what they are). Perhaps the best paintwork and nicest little detail is the dark blue piping on his chest and abdomen. A lot of the other colored parts are just plastic. The green straps are bands of plastic and they even run under the chest which is an odd look. The arm band on his left arm is plastic as are the thigh straps. The dark gray on his shoulders pads is paint as are the yellow rectangles on the boots, but they’re not that clean. There’s no slop, but they don’t quite reach the edges of the piece. He looks pretty good, all things considered. Obviously, more paint is best, but this muted color palette works better in plastic than some of the brighter offerings. The only aspect of the presentation that bothers me is the left arm. For that, we get Hasbro’s swirly, twirly, silver plastic. It would look so much better if it had a painted finish and since it’s such a small area it’s disappointing that they didn’t go that extra mile, but not surprising.

And this is the Big Gun.

Cable further blows the budget by having some unique accessories as well. I could be wrong, but I don’t think even his hands are recycled, but I also don’t buy every Marvel Legend release that comes out. He has a trigger hand for each arm plus a right fist and a wide, gripping, left hand. That one is intended to support his big, freakin’, gun. It’s a big hunk of plastic with some nice, sculpted, detail and a little bit of red paint. He also has more of a sidearm which too has that futuristic look to it and a little bit of red paint detail. Both guns can utilize a blast effect and Hasbro so kindly provided two. They’re yellow with some red at the base giving it a nice transition. These are recycled from many releases, but they work just fine here and they’re nice to have.

It too has its own blast effect.

The one area that may leave collectors disappointed with this Cable is the articulation. Big guys don’t always articulate the best, but Hasbro made some curious choices here. He does have a double ball peg at the head and a single joint at the base of the neck. Maybe Hasbro is finally figuring these joints out because his range there is terrific. It goes south pretty fast from there though as the arms feature your basic, Marvel Legends, articulation with no butterfly joint. That’s not the problem though, what is are these shoulder pads. Hasbro made no effort to work them into the articulation. Like Emma Frost’s cape, you just have to deal with it. Only in this case, you can’t remove them if you so desire. Cable can raise his arms out to the side, but he can only raise them out front so far. The shoulder pads are a softer material, but not soft enough to just get out of the way. It makes it hard for Cable to hold either gun out straight. For the big one, he has to hold it across his chest while the smaller one is always going to be pointed out at an angle.

“The name’s Cable, Apocalypse, remember it!” “I shall not forget this IMPUDENCE!”

It’s a shame, because the rest of the articulation is solid. He has a ball-jointed diaphragm that provides some forward and back, tilt, and rotation. The straps don’t get in the way because they’re separate pieces between the chest and the abdomen. There is a waist twist and it’s basically hidden by the belt. The legs are pretty standard with the thigh swivels hidden behind the straps on his legs and the only other shortcoming really is the lack of a boot swivel. You don’t really need it, but since he has such big boots that are clearly a separate piece why not have it there anyway?

Is the poor articulation at the shoulders a deal-breaker? For me, no. I like the look of this Cable and it’s a character I’ve wanted to add to the collection for a long time so I’m mostly content. The sculpt and the accessories are great by Marvel Legends standards and I can finagle the figure into a pose that suits me. More than the shoulder range, I think I’m more disappointed by the lack of weapon storage.. All them pouches, but not a single holster for either gun. I know in the show he wore the big gun on his back most of the time, but I don’t know if he actually had a holster like Bishop or if it just attached via cartoon magic. I couldn’t spy one in any of the screenshots I looked at, but Hasbro could have at least given us a peg hole or something. At any rate, Cable is the standout of X-Men ’97 wave three. If you like the show and you’re collecting the figures, then you probably already have him. If you’re someone more into the comic-based figures then I’d still give this one a look. If Cable is missing from your display I think this one works just fine as more of a classic Cable, but that’s just me.

For more action figure reviews from X-Men ’97 look no further:

Marvel Legends X-Men ’97 Logan

I knew who the X-Men were when the show premiered in 1992, but I didn’t know much about them. That show really was the proper introduction to the franchise for me and one thing I couldn’t wrap my head around as a kid was that these were heroes who didn’t really have a secret identity.…

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Marvel Legends X-Men ’97 Morph

I’m always going to have a soft spot for Morph. It was rare to see a character killed off in a children’s show, but that was the fate of old Morph who didn’t make it out of the show’s second episode. I wouldn’t call it traumatizing, but there was definitely a haunted quality to that…

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Marvel Legends X-Men ’97 Emma Frost

If you have seen the first season of X-Men ’97 then you may be wondering why Emma Frost, aka the White Queen, is receiving an action figure in the show’s companion toy line. She didn’t play a big role in the show having a speaking role in just one episode and then what amounted to…

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Marvel Legends X-Men ’97 Emma Frost

Enter the White Queen.

If you have seen the first season of X-Men ’97 then you may be wondering why Emma Frost, aka the White Queen, is receiving an action figure in the show’s companion toy line. She didn’t play a big role in the show having a speaking role in just one episode and then what amounted to a cameo in a later one. I think she was among the characters shown off in concept art before the show’s premiere so that could be a contributing factor here. Or, she’s set to play a bigger role in the show’s second season. As of this writing, only one trailer has been shown for X-Men ’97 season two and Emma Frost was not present in it. At least I think she wasn’t. It was only shown to attendees of New York Comic Con and for non-attendees we’re left with essentially bootleg cell phone videos from the panel. If she was in it and I missed it that certainly wouldn’t surprise me. Hasbro did use the event to unveil a massive made-to-order Apocalypse figure from the show and we definitely know he’s a big player in season two based on how the first season ended. Could the same be true for Emma?

Those heels means she towers over someone like Jean.

It’s also possible this figure exists because it’s a relatively cheap release for Hasbro. Yes, like Wolverine, this Emma Frost is basically the same Emma Frost we’ve received before in the Legends line, but with minor updates that last year’s Goblin Queen benefitted from as well. The basic formula for this X-Men ’97 line is to take existing molds, add an animated head, and call it a day it would seem. Emma mostly follows in that direction, but she does have a new corset that is slightly less revealing this time around. I don’t have the older Hellfire Club release, but I have seen pictures and I do not like it. She looks like the sort of person who had some bad plastic surgery. This Emma, while the details of her face and hair are toned down to match the animated style, looks like a young Sharon Stone. As such, I think that comic book fans may take more of an interest in this release than some of the other ones in this wave.

That’s a bummer.

Emma is not much to talk about aside from the appearance. The hair is a soft yellow and her face is well painted. Her default portrait has a slight smugness to the expression which suits her. The body is fairly clean and composed mostly of colored plastic – flesh and white. There is some paint on the corset strings and a line running down the front of her boots that’s applied well. The cape is also nice with white on the outside and blue on the inside. My figure does have a splotch of gray paint on the back of her default portrait which I’ll have to try and remove. The figure isn’t as detailed as comic versions, but it works for the source material very well and I think there’s enough here that it can appear on a comic shelf.

The cape makes her harder to stand, but she looks kind of ridiculous without it.

The rest of the figure is basically nothing to write home about. We get one extra portrait which features a smile and a windswept sculpt to the hair. I do like it, but I wonder why Hasbro doesn’t make the hair swappable between the two heads? For hands, we get a set of fists and a set of open hands. No power effects, though more important is no stand. Emma sports some high heels and as a result can be a pain to stand. Without the cape, it’s fairly easy to find a neutral stance to get her to stand in. With the added weight of the plastic cape though it becomes more of a challenge. It’s do-able, but don’t expect to get much use out of her articulation as a result.

These things are going to drive you crazy if you want to get her into any kind of semi-dynamic pose.

And speaking of, the cape plus the heels makes her articulation functionally useless. The head can barely rotate because of the large fur trim on the cape and it locks her shoulders down. Her right arm is more exposed than the left so you can get something out of the elbow, but not much. There is a joint inside the corset, but it’s useless. They way Hasbro did the heels means she has more of an ankle swivel than an ankle rocker. If you want to ditch the cape then, yeah, you’ll get more. Standard arm, hips, thigh, and knee articulation is present, but she looks a little goofy without the cape on account of her long neck. I suppose the real play here is to get a third party soft goods cape, but that can be just as expensive as the figure itself.

This is the maximum amount of nuance I could get out of her legs. And she fell over shortly after.

Emma Frost is basically a barely functional action figure. It looks good in the limited poses available, but it’s not a figure you’re going to want to mess with. Maybe swap the portraits here and there, but that’s it. I thought she looked nice and since she’s a classic X-Men villain I decided to grab her, partly out of fear she’ll sell out. And she did initially and may be one of the harder figures to find in the wave. Mostly, I did worry I’d like her in season two and wish I had purchased the figure, though if she does show up chances are she’ll have a different look. Do I regret my decision? Yes and no. It’s not a great figure, but it’s also not one likely to end up on clearance. And if I just want a White Queen to look good on my shelf, she does accomplish as much. If that’s all you care about then you may be fine with this one. As long as you know what you’re in for.

If you like X-Men ’97 and are interested in more action figure reviews then check these out:

Marvel Legends X-Men ’97 Jubilee

The television event of 2024 for me was none other than X-Men ’97. I loved that show and I can’t wait for the second season to come around. It’s just a shame we may still be as much as a year away, but to somewhat tide us over until then we have this third wave…

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Marvel Legends X-Men ’97 Logan

I knew who the X-Men were when the show premiered in 1992, but I didn’t know much about them. That show really was the proper introduction to the franchise for me and one thing I couldn’t wrap my head around as a kid was that these were heroes who didn’t really have a secret identity.…

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Marvel Legends X-Men ’97 Morph

I’m always going to have a soft spot for Morph. It was rare to see a character killed off in a children’s show, but that was the fate of old Morph who didn’t make it out of the show’s second episode. I wouldn’t call it traumatizing, but there was definitely a haunted quality to that…

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Marvel Legends X-Men ’97 Morph

At long last, the era of Morph is here!

I’m always going to have a soft spot for Morph. It was rare to see a character killed off in a children’s show, but that was the fate of old Morph who didn’t make it out of the show’s second episode. I wouldn’t call it traumatizing, but there was definitely a haunted quality to that scene, “Wolverine! Fall Back!” Come on, Morph, don’t you know that Wolverine has a healing factor? He’s the toughest, most unkillable, son of a bitch around! You didn’t need to take that Sentinel blast for him! Why, Morph? Why?!

Of course, Morph didn’t stay dead. Turns out, when you kill off a character in a kid’s show the kids who make up the audience want that character brought back. That’s why the character has stuck with me these past 30 years, though I never did take it upon myself to write a letter to Fox Kids to express my sorrow over the death of Morph. Enough other kids did though that Morph tested really high with audiences as a fan favorite so the show brought them back as evil Morph for the second season premiere. Morph had quite the long arc that year that ended with them kind of back to their old self, but the trauma of getting blasted meant that Morph needed some time away. Returning for the episode “Courage” only confirmed that even more and we didn’t see Morph again until the series finale. Now, X-Men ’97 is a thing and really for the first we get to see Morph as a fully functioning member of the team.

Morph is so slender this time around it almost gives them a juvenile look.

The X-Men ’97 version of Morph is similar to the ’92 version, but borrows some from the comics. Morph has a weird history in that the character was originally called Changeling in the comics and began life as a villain. The character would get cancer and have a change of heart offering to take Xavier’s place to basically fake the professor’s death which is why the writing staff for the cartoon decided to use the character as a sacrificial lamb in the first plotline. Changeling was just off the table because of the DC character of the same name, so Changeling became Morph. And since Morph proved popular, Morph got to be a character during the Age of Apocalypse where they sported a new look that included basically a gray, nose-less, face. That’s apparently the visage our Morph now feels most comfortable with in X-Men ’97. It makes sense as it’s like a blank face, and with Morph being a shapeshifter, it seems like a solid choice.

The action figure for Morph appears to be entirely new. Morph is now presented as more slender than the old Morph. That Morph conformed to the Jim Lee era the show was based on where basically all of the guys were jacked and all of the women were bombshells. This Morph still retains the old X-Men blue and yellow training uniform as well as the flight jacket, they’re just slim and slender. This depiction in plastic might be just a touch too slender, but considering it’s all new sculpt, I do wonder if the intent here is to repurpose this as a New Mutants base? The Sunspot, who I didn’t buy, that’s part of this wave also has a New Mutants look which is likely to be reused for more characters, but this Morph is almost a dead ringer for a character like Cypher. I guess we’ll see. There is some clear stylization in the chest which I have mixed feelings on which probably has little utility going forward. It’s almost like Hasbro tried to match the cel-shading on the pecs, but with sculpt instead of paint. It’s odd looking, but the jacket at least takes away from it. The jacket, like Logan’s, is also very plain to conform with the look of the show which I like. There’s not a lot of paint here, but at least there isn’t a lot of mis-matched colors.

Not a lot of paint…

At least, there are no mis-matched colors concerning the base figure and the optional hands. Morph comes with a set of fists, a right open hand, and a left relaxed hand. Morph also has an alternate portrait and it’s their more humanoid look. It’s very stylized conforming to the show, but I don’t like this look for Morph. It doesn’t look anything like the ’92 version which I always found very distinct. Worse though, Morph’s neck is gray to match the default head which causes a clash when using the alternate head. The figure really needed another neck piece, or they could have made the neck part of the head sculpt. On one hand, I’m glad that isn’t the case because the articulation would probably suffer, but it does make the unmorphed head look silly and it’s something I’ll never use.

There is one other accessory and it’s an odd one. Morph comes with the head of Henry Peter Gyrich, the bigot who was spearheading the Mutant Control Agency in the show and is the guy indirectly responsible for Morph’s death so he has some connection here. He’s also in the new show and by including his head here it also feels like a callback to the old Toy Biz Morph which came with a Cyclops, Wolverine, and Evil Morph head to simulate the shape-shifting powers the character possessed. Though here, I think the Gyrich head is much better utilized by placing it on a suited Legends body to create a whole new character. For me, the only suitable body is the Professor X body that came with the hoverchair. And since I also have the Savage Land Xavier, I don’t mind sacrificing him for this new character. For a non-super-powered character, Gyrich is a pretty big villain in the series so having him isn’t bad. It makes me wonder if we’ll get Trask in a fourth wave.

“What was I thinking with that look?”

Morph’s articulation is what one would expect of a Marvel Legends release. The slender frame does mean the range is pretty good in places like the knees and elbows, but there’s also still some limitations. The mediocre ball hinge is in place at the head and I don’t know why any new sculpt would go this route unless getting the figure to look all the way up is really important. The arms feature standard articulation (you really don’t need me to list it all out do you?) while the torso opts for an old ab crunch and waist twist. The belt is keyed in and not floating, but the twist is below it anyway so it doesn’t interfere, but it also means you can’t pull it down to hide the joint. Legs are also fairly typical. The thigh straps hide the thigh swivel okay and there is a boot swivel, something not all figures have.

I look forward to the continuing adventures of Wolverine and Morph.

Morph is probably going to move as much as you want the figure to. It’s just always a shame when Hasbro spends money on a new sculpt and doesn’t put the best articulation it can into the figure. I mostly like the figure. It’s a good representation of the character, but I also admit my soft spot bias for Morph. I had some critiques with the articulation, and the extra portrait is useless, but my biggest complaint would just be it has a cheap look due to the lack of paint. The yellow also hues slightly orange when compared with other blue and yellow outfits. The figure would look a lot better with actual paint, but Hasbro appears to be going to even greater lengths these days to avoid having to paint figures. I guess it’s just something we’re going to have to get used to. If you like Morph’s depiction in X-Men ’97 then this is fine.

If you liked this review and want to see more from X-Men ’97 then check these out:

Marvel Legends X-Men ’97 Nightcrawler

Since we don’t have a post this week for Turtle Tuesday I decided we should have a Mutant Monday. X-Men ’97 has returned the mutant superheroes to the spotlight and one of the main beneficiaries has been Hasbro. Their first wave of Marvel Legends based on the new show arrived last fall and, aside from…

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Marvel Legends X-Men ’97 Jubilee

The television event of 2024 for me was none other than X-Men ’97. I loved that show and I can’t wait for the second season to come around. It’s just a shame we may still be as much as a year away, but to somewhat tide us over until then we have this third wave…

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Marvel Legends X-Men ’97 Logan

I knew who the X-Men were when the show premiered in 1992, but I didn’t know much about them. That show really was the proper introduction to the franchise for me and one thing I couldn’t wrap my head around as a kid was that these were heroes who didn’t really have a secret identity.…

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Mondo 1/6 X-Men ’97 Wolverine – Limited Edition

The best there is at what he does.

Back in 2021, Mondo unveiled for San Diego Comic Con a sixth scale Wolverine action figure based on the X-Men animated series from the 90s. It was a presale to coincide with the 30th anniversary of the show’s premiere and product went out in 2022 closer to that actual anniversary. At the time, Mondo wasn’t planning on doing more, but the response was so enthusiastic that their one-off turned into a whole line. To sculpt the next figure, Magneto, Mondo enlisted the work of Alex Brewer – a fast rising sculptor in the toy world. Alex would go on to knock it out of the park with Magneto which naturally lead to more work for Brewer. It’s basically been his style and vision that has come to define the line, and as it’s pivoted to include X-Men ’97 as well, the need for a Wolverine to fit in with the style of the rest of the line became more apparent.

Wolverine has the unique standing of being the first in the line and now the 9th. Well, technically this is the third attempt at the character as we did get Wolverine in his civilian attire, but that’s pretty different from his business look. When Mondo had that initial Wolverine sculpted, they weren’t planning on more which meant not much consideration was taken for scale. That Wolverine was nearly 11″ tall, and as the line went on it became pretty apparent that he was too tall. This new Wolverine not only allows for a chance for Brewer to do the character, but also to correct that scale issue. And Mondo has for this new one which stands at about 10.33″ to the top of his head putting him in that 5’3″ – 5’4″ range which feels fitting for Wolverine. Even though the box says X-Men ’97 on it, it’s still adorned with production art from the original series with new artwork by Dan Veesenmeyer that portrays the updated look. Tom Rozejowski, a name we see a lot with NECA products, handled the paint for Wolverine and Tommy Hodges also gets a sculptor credit. I’m thinking he may have done the base, but I don’t know for certain.

Mondo has been trying to straddle the line between X-Men ’92 and X-Men ’97 with these more recent releases. This figure definitely has a more ’97 look to it. While the costume is the same, there are some telltale differences and it’s mostly in the body hair. The original series left Wolverine’s chin free of hair for the most part, save for perhaps some close-ups. The hair on his arms was usually done with lines across the shoulders and biceps. For ’97, he has some chin stubble and the hair on his arms is done with several short lines In addition, the angle of the mask fins is slightly steeper and they don’t stretch quite as high. Of course, that aspect of the ’92 series was hardly consistent, but it’s in comparison to the model sheets. The yellow of the costume is also just a little bit darker, a touch more gold, and the same is true of the blue parts. In comparing this figure with the original release, the cel-shading is also less prominent. We have primarily two shades of blue on the new figure compared with three on the original. The same is true of the belt, though the yellow on the old figure only utilized two shades, but there’s more of it. The black portions of the shirt are also sculpted in now. There’s no paint slop, but it doesn’t quite fill the entirety of the sculpted-out area. There is no shading on the flesh, and like the rest of the color palette, it’s a touch darker as well compared with the old figure.

I have mixed feelings on the updates and changes. I find the overall sculpt more suitable for Wolverine. Not only is he shorter, he’s stockier. The original is very leggy and the torso slightly slender. I think the portraits are an improvement as well even if they have a very ’97 style. There is an included ’92 masked portrait, but the only aspect of it that reads ’92 is the shape of the fins. The stubble is still present. I definitely prefer the more vibrant paint job of the original and the approach to the arm hair. The arm hair with the new release is missing something. The show tended to show his arm hair as always breaking his silhouette, regardless of how much of the arm is visible. That makes it hard to translate to 3D so Mondo just went with these dashes that almost look like a dot pattern. I think they would have been better served keeping the same approach as the first figure. The flesh tone also feels a touch too dark. It’s certainly not bad, I just wish he better fit the ’92 style since that’s how the line began. I’m still going to have this one replace the original on my shelf and that one will be returned to his bed box, but I’m definitely always going to see X-Men ’97 when I look at him as opposed to the original series.

If you have the NECA Flasher Gremlin then your Wolverine will have access to a tall frothy one as well.

Am I being unfair? After all, the box does indeed say X-Men ’97 so it’s not hiding what it’s trying to be, but the line is trying to placate both and is not shy about its intentions so I don’t think so, but I’ve said my piece. Not only is the sculpt redone to conform to Brewer’s style, but the articulation scheme Mondo utilizes has also changed since that first Wolverine release three years ago. This figure embodies those changes, some for the better, and some not so much. This is an aesthetics forward line, but Mondo has room for improvement and this Wolverine is proof of that. The joints are all the the same as Cyclops, the most recent release in the line: head, shoulders, double-jointed elbows, biceps, wrists, diaphragm, waist, hips, double-jointed knees, ankles. The original figure used a different style of double-jointed knees similar to what NECA used to make use of with a hinge above and below the knee. This allowed for some swivel at those joints, but it is a little odd looking, though perhaps only odd because we’re so used to the other style. It also used a swivel joint above the elbow in place of a bicep swivel that was ugly and persisted for quite a few releases. The range at all of the joints present is pretty typical, except for a few places that have become an issue recently.

If you saw my Egon Spengler review, you will note I had issues with that figure at the neck and hips. Mondo textures the ball joints for a more snug fit, but they may have went overboard. The ball joint inside the neck was stuck on that figure and the hips were pretty stuck too. Wolverine has the same issues. I had to use a lot of force to move the double ball peg in the neck, though the hips required a hot water bath. Out of the box, they just wouldn’t budge and I put more force into it than I probably should have. After the hot water bath they moved better. I applied some lubricating oil to the hips and neck and it didn’t appear that any had been applied by the factory, but once the figure cooled down it mostly went back to the way it was out of the box. In addition to that, the diaphragm joint remains useless. With a lot of effort, I can get the torso to rotate there a click to each side, which is hardly much to speak of. There’s no forward or back. Also of a nuisance, the red belt rubs off onto the abdomen very easily and the blue of the trunks will transfer to the thighs as well. I’ve been able to rub these instances off, but I worry if I let it sit that way then it would become more stubborn.

Wolverine is a bit tough to pose as a result, and it’s especially a bummer because he has a lot of stuff to be posed with. For heads, we get that ’92 inspired portrait I mentioned before as well as ’97 masked portraits featuring a neutral, growling, and yelling expression. If that’s not enough, he also has two unmasked portraits: neutral and a teeth gritting/growl. They’re both really similar to the portraits that came with the Logan figure which is kind of disappointing as it would have been nice to get different expressions to share between the two. That figure though was all the ’92 series while this one is updated for ’97. It’s not much of a difference, just stubble and a different approach to the shading. He also has a more pronounced single bang of hair and his ears are fully visible. With how subtle the difference is, it’s kind of shocking they bothered to sculpt new portraits, but they do look good.

For hands, Wolverine is actually a touch light. We have fists, gripping, and his “Come here,” gesture from the cover of Wolverine #1. I’m surprised there are no relaxed hands or pointing hands, but I guess most are likely to keep the fists in place any way. Packaged behind the figure is the traditional Mondo figure stand though this one has the X logo painted on it. I only call this out because I sometimes leave these stands in the box since they’re not really needed, but if you want to find Wolverine’s claws you’ll need to remove it as they’re hidden behind it. Mondo provided 8 claws so you essentially get two extras. They’re just gray plastic and they’re the same as the ones that came with Logan. I wish they were white to better match the show, maybe with a touch of light blue, but this plastic may not take well to paint. They clip in easy enough though and they’re compatible with all of the hands in the box. You also get a set of charged claws as seen in the first episode of X-Men ’97. They’re done with translucent pink plastic and they clip into the backs of his hands in place of the claws. There’s also an included mask for draping over his neck when using an unmasked portrait, a similar accessory to what we saw with the Marvel Legends version of the same. Mondo also through in another picture of Scott and Jean from the episode “Captive Hearts,” only this time it’s an enamel pin instead of a picture frame accessory.

The limited edition Wolverine also comes with even more stuff like an entire second torso. Yeah, this is the first figure I’ve ever bought with a swappable torso as there’s a bare one since Wolverine always seems to get his shirt blown off in a big fight. To help sell the damage there’s a strip of the tattered remains of his shirt included made out of a soft plastic. You just place it over a shoulder to complete the look, or you can have him go completely shirtless which is a look from the show. To accommodate this change, the arms need to pop out easily and they do, which you will want to take advantage of when unwrapping the figure anyway as there are plastic bags over the arm pegs. The shoulder pads slot over the shoulder pegs and are conveniently stamped for left and right, should you get them confused. The torso separates easy as well. Unfortunately, the diaphragm joint on this torso works no better than the regular one. Lastly, Wolverine has some Sentinel parts as well including the remnants of a head that serves as a base and a chunk of a fallen robot with wires dangling from it. It has three claws holes to go over one of Wolverine’s hands to complete the look. The base has two, deep, indentations for Wolverine’s feet which gives him a secure base, though does limit things since his stance is left kind of boring. He can kind of crouch on it, but I can’t decide if that looks more dynamic or if it just makes Wolverine look like he needs to poop. The foot holes are designed for Wolverine, but I did find Gambit can fit in them as well. Cyclops and the original Wolverine have feet that are too big.

This is pretty cool, but I wish they worked in more foot-holes for different poses.

For the most part, this Wolverine redo is much like past releases in this line. It captures the likeness well and certainly comes with enough stuff to help justify the hefty price tag of $245. This one was also solicited before all of this tariff nonsense with has really jacked up the price on subsequent releases, but I’ll complain about that in reviews of figures actually impacted. This Wolverine does capture the look of X-Men ’97 very well, just at the cost of not capturing the original series as well. I like the extra torso and stuff, but I personally would have traded it for more ’92 accurate arms and heads. Mostly, I’d rather the figures seek to emulate the look of the original series and make the ’97 heads the one-off for those that want it that way. The articulation issues with the neck and hips are unfortunate and really something Mondo needs to correct. If they want to charge this kind of money for their products then the quality needs to be there. They’re pretty receptive to feedback, and I do plan on dropping them a line regarding it. If you don’t have the previous Wolverine then this one is worth getting if you’re collecting this line. And even if you do have it, I think it’s enough of an upgrade to consider. It does fit the style of the other figures better, but if you’re happy with that one then maybe you don’t feel this is necessary. The limited edition is sold out, but the standard version is still available. It’s slightly cheaper, but may come with tariff surcharges depending on where you buy it from.

The team is filling out.

We have plenty more from Mondo’s line of X-Men, including a couple of Wolverines at that:

Mondo X-Men TAS 1/6 Scale SDCC Exclusive Logan

Mondo has been absolutely killing it with its sixth scale line of action figures based on the now classic animated series X-Men. The company also really ramped up production in 2023 on the line by soliciting five new figures during the year. At over 200 bucks a pop, it was quite the hit to the…

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Mondo X-Men TAS Wolverine 1/6 Scale SDCC Exclusive Action Figure

When San Diego Comic Con was cancelled for 2021, many of the entities that would have sold exclusive merchandise at the event pivoted to web sales. And since the 2020 iteration of the famed event was also canceled due to the COVID-19 pandemic, many seemed to expect the same for 2021, or the massive delays…

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Mondo X-Men ’97 1/6 Scale Cyclops – Limited Edition

After putting a real hurting on my wallet in 2023, Mondo decided to take it easy in 2024 with its line of sixth scale action figures based on the animated series X-Men which ran from 1992-1997 on Fox Kids. Two figures ended up getting released this year, Rogue and now the leader of the X-Men…

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Marvel Legends X-Men ’97 Logan

“You got a problem with my look, bub?”

I knew who the X-Men were when the show premiered in 1992, but I didn’t know much about them. That show really was the proper introduction to the franchise for me and one thing I couldn’t wrap my head around as a kid was that these were heroes who didn’t really have a secret identity. Yeah, when they weren’t on the job they wore normal clothes, but the characters didn’t have any hang-ups about using their powers out in public if the situation arose. That just seemed so foreign a concept to me as someone raised on Superman and Batman. I didn’t realize super heroes could walk a different path.

All hail the short king.

During the course of the show, I got familiar with the non-costumed looks of the X-Men and by far the most memorable is Wolverine. He would ditch the tights in favor of some work pants, a yellow plaid shirt, and a bomber jacket with a furred collar. I don’t know if this look was directly pulled from the comics, but the show definitely made it iconic. It’s just another of the many classic looks for the character and it was immortalized in plastic way back during the Toy Biz era. And since every wave of X-Men figures could use a Wolverine, it’s hardly a surprise we’re getting the look in Marvel Legends.

I don’t have the 97 Wolverine, but it’s essentially the same figure as the 92 one.

This figure is almost entirely reuse. Past Wolverines have utilized these parts including even the head which is reused from the first X-Men ’97 Wolverine. The clawed hands are from the Weapon X release and feature the slightly longer middle claw which is an odd choice as that’s not something carried over into the show. The coat overlay is probably new and the arms might be as well, but that’s it. Does it matter? Yes and no. The coat has that animated look to it. It’s very smooth and untextured while the pants are textured like denim. This isn’t consistent with the source material and it’s a bit frustrating. Yeah, in the grand scheme of things it’s not a big deal, but it just serves as a reminder that Hasbro is not committed to accuracy with this line. It’s also odd to get the same Wolverine head recycled here, though the complexion is a touch redder which is odd. If you want a new unmasked portrait you have to get the new two-pack with Storm (I passed).

“What am I supposed to do with this?”

The figure is compromised, but looks all right. The accessories, on the other hand, are pretty unimpressive. Wolverine has his clawed hands, as usual, and the claws can actually pop off. They’re unpainted, gray, plastic and pretty bland looking. It can be hard to get them straight too and the claws on my figure’s right fist are kind of driving me crazy. The other options include a left fist without claw holes and an optional right hand that’s in a unique shape. That shape is to facilitate the use of a hand of playing cards which is also recycled from a past release. They’re fine? It might be more fun to give them to Gambit, but they don’t add a whole lot to the experience with Logan here.

“Now this is more like it!”

Articulation is pretty standard. Ball-hinge head, ball-hinge shoulders, bicep swivel, double-elbows, wrist swivel and hinge, diaphragm joint, waist twist, ball-socket hips, thigh swivels, double-jointed knees, ankle rocker and hinge. The cowboy boots that he appears to be wearing are kind of annoying. He’s tricky to stand and the coat limits the torso articulation. The diaphragm joint doesn’t really do a whole lot and the collar of the coat also interferes with the head. You’re going to be hard-pressed to get him into a low, Wolverine, crouch. It’s unfortunate this follows the Gamerverse Wolverine because the articulation in that makes this look like a hunk of crap.

“Logan! This is a school!”

Logan is what he is. The figure is only worth pursuing if you have a fondness for this look. Yeah, the pants and the belt are wrong, but it’s also instantly recognizable as Wolverine’s civilian look from the cartoon. That’s what got me to buy this even if I was a little hesitant. It’s also Wolverine so it might appear in large numbers. If you’re unimpressed, and I mostly am, then it may pay to wait this one out to see if it ever goes on sale. It’s October as I write this so the holiday shopping season is pretty much here and things have a habit of going on sale during this time of year. That might be the approach to take.

If you like this review then check out these other X-Men ’97 releases:

Marvel Legends X-Men ’97 Bishop

We’re going to keep this Marvel/Mutant Monday thing going for one more week! After taking a look at a trio of figures from Hasbro’s new X-Men ’97 line of figures in its Marvel Legends catalog I’ve decided to do one more: Bishop. The first three figures I looked at were basically all missing pieces to…

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Marvel Legends X-Men ’97 Nightcrawler

Since we don’t have a post this week for Turtle Tuesday I decided we should have a Mutant Monday. X-Men ’97 has returned the mutant superheroes to the spotlight and one of the main beneficiaries has been Hasbro. Their first wave of Marvel Legends based on the new show arrived last fall and, aside from…

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Marvel Legends X-Men ’97 Jubilee

The television event of 2024 for me was none other than X-Men ’97. I loved that show and I can’t wait for the second season to come around. It’s just a shame we may still be as much as a year away, but to somewhat tide us over until then we have this third wave…

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Marvel Legends X-Men ’97 Jubilee

The self-professed mall babe is back with a new look.

The television event of 2024 for me was none other than X-Men ’97. I loved that show and I can’t wait for the second season to come around. It’s just a shame we may still be as much as a year away, but to somewhat tide us over until then we have this third wave of Marvel Legends action figures from Hasbro. The first two waves were undoubtedly done based on concept art of whatever Disney and Marvel were willing to share with the toy maker at the time. It seemed to fill-in some of the gaps left behind by Hasbro’s brief dance with the original X-Men cartoon via the VHS style box releases while also getting in a few show specific characters and looks. This third wave feels like a post season one wave. It contains characters we didn’t really know were going to be in it as well as some different looks for those we did know were coming. Up first, is Miss Jubilee.

She’s sized pretty well for what she is.

Jubilee, unlike some other characters, did get a slot in that VHS line based on the original show from 1992. That Jubilee was pretty much a hodgepodge of past Jubilee releases with some half-assed and poorly applied cel-shading. I don’t know if it’s my least favorite in that line, but it’s in contention. This update is based on the end of the first season following a minor wardrobe update. The look, from what I understand, is from the comics when she went through a vampire phase. Yeah, I don’t know. I wasn’t reading and I don’t care to know more than that. It’s basically just an all black, skin-tight suit, with her customary yellow trench coat. It’s not a look I care about, but maybe it has some utility for the ’92 display? Let’s find out!

The stars of the show.

Jubilee is a pretty basic figure. She has a brand new headsculpt that more or less matches the look of the show. I think it’s a little full in the face, but definitely more on model than what we’ve had before. The body is mostly reuse from past Jubilees, but updated with pinless joints. The arms might be new, but I am not certain. I think the upper diaphragm is also new, but it’s basically black plastic with minimal paint near the chest. The arms are yellow plastic while the coat is a thinner plastic. It has some pliability, but it’s also really shiny giving it this very rain coat quality. It’s okay, but cheap looking.

This one is definitely an improvement over the old figure, but not the look I prefer.

Jubilee’s accessories are surprisingly robust. She has a set of open hands, a left fist, and a right C-grip hand. I don’t think any of these are new, but that’s fine. Her C-grip hand is for a soft drink she comes with which looks fine and calls back to her origins as a mall rat. She also has some new effect hands and these are a massive improvement over those little swirly things the 92 Jubilee had. They appear to be a translucent acrylic which ends in star shapes and has this nice transition of colors from purple to blue. They’re permanently affixed to a set of open hands which almost appear to be insert-molded into these things. It’s a bummer because it means it won’t work with other Jubilee figures unless those ones also feature black gloves. And since the fingers of said gloves are inside the effects, it also means that painting them yellow or blue isn’t going to be a perfect solution. They look great for this figure, but only this figure.

This looks better, but that old coat still kind of sucks.

Jubilee’s articulation is pretty basic. She has a double-ball joint at the head, ball-hinge shoulders, double-elbows, bicep swivel, wrist swivel and hinges, diaphragm joint, ball-socket hips, thigh swivel, boot swivel, double-jointed knees, and ankles with hinges and rockers. The lack of a waist twist stinks and the presence of a jacket would have made hiding a butterfly joint fairly easy, but we don’t get either. The double-ball head is okay, but it has that annoying quality where the neck-ball pops out often when removing the head. I had to heat it up and pull that joint out of the head to do it properly. Why did I remove the head? Well…

Ok, yeah, now we’re ready to rock!

Jubilee’s original ’92 look is by far my preference. While I like these new effect parts, I would much rather have Jubilee in her more colorful threads. Swapping heads with the 92 figure is pretty easy. I found the old heads don’t want to go on this new body all that easily, but getting the new head on that old body was a piece of cake once I got the peg out. I also found I much preferred the look of this new coat to the old one. Getting it off was also pretty easy as was putting it on the old figure. Getting the old coat off the old figure was more difficult as that plastic is a bit thicker and less forgiving, but I still was able to do it without popping the arms out at the shoulder. The end result is, for me, a much better representation of Jubilee. She still has the ugly shading on her sleeves, but I could remove that if I so desire. I may yet try to paint the hands in the effect parts, but for now she can continue using the dumb swirly ones. I could also repaint the C-grip hand if I want her to be able to enjoy her soft drink. It’s just a matter of making sure I can match the shade of yellow in use here, but I’m just happy the old sleeves mix well with the new coat.

I obviously bought this Jubilee not intending to enjoy it for the figure it is. If you like the updated look, then it’s fine. The articulation is just so-so and it has a cheaper look than usual, but the new effect parts are nice and she does match the source material well enough. She also makes for a suitable kit-bash if that’s your aim. Do with that information what you will.

If you liked this one then check out these other X-Men ’97 reviews we have:

Marvel Legends X-Men ’97 Rogue

Previously, on X-Men reviews we looked at Magneto from the upcoming series X-Men ’97. The animated series may have been delayed into 2024, but the action figures from Hasbro are already here. And if you were collecting Hasbro’s line of figures based on the animated series from the 90s, this new line offers a chance…

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Marvel Legends X-Men ’97 Gambit

Everyone can relax – Gambit has returned. Or arrived, since I’ve never reviewed a Gambit action figure in this space, but that’s because I haven’t bought a Gambit figure in about 20 years until now. When X-Men arrived on airwaves in the fall of 1992, hardly anyone on that team could be considered a true…

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Marvel Legends X-Men ’97 Jean Grey

If you are reading this the day it goes live then Happy X-Men ’97 Day! Today is the day the long-awaited sequel series to X-Men debuts on Disney+. Rather than fast-track a review of the first two episodes to this blog, I decided instead to do what I most often do: review an action figure!…

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NECA The Nightmare Before Christmas Ultimate Sally

What’s a Jack without a Sally?

If you buy a Jack Skellington action figure, then you almost have to get him a Sally. That’s exactly what I did, though it proved mildly difficult to track down. I have seen NECA’s Ultimate Jack Skellington around throughout the year as I head into stores that carry NECA products, but Sally had proved elusive. I’m sure I could have ordered her at some point from somewhere, but I wanted to find it in store. And if I didn’t, then it wasn’t made to be. Coming in midway through the Halloween season is that NECA Ultimate Sally which I finally encountered at retail. I wasted little time in selecting my figure as they all looked pretty good and now she’s on my shelf with my Jack enjoying the fall decorations.

Sally comes in the same style of packaging as Jack. It’s an all black box with some artwork done in white. Chris Longo is credited with packaging, but I don’t know if he’s responsible for the illustration or not. Sculpt is credited to Kyle Windrix, Marty Henley, and Andrew Lawson with fabrication credited to Marty Henley. Jon Wardell and Geoff Trapp handled the paint duties.

They look good together.

Sally stands right at the 7″ mark making her noticeably shorter than Jack. The size disparity between the two looks appropriate to me. She only had one look in the film and that’s what she has here. Proportions look really nice as she has a long, slender, physique with tiny hands and feet. Her dress features sculpted stitchwork as does her flesh and a muted color palette. Her skin tone has a blueish tint to it that might be a touch too saturated for my taste. I always had the impression the lighting in the film was more responsible for the blue hue than her actual composition. Or perhaps I have it backwards and it’s the lighting that make her appear more pale in the film. Either way, it looks nice enough. The paint is clean and better than my Jack in that regard. The only thing about the appearance of the figure that is unfortunate is the tie in the packaging left behind a slight crease in her dress. I hate those god damn ties NECA uses and I would outlaw that practice if I could.

Sally is not as expressive as Jack, but still pretty damn expressive.

Sally’s articulation is pretty basic as well as pretty restricted given the character design. She’s composed entirely of plastic, no soft goods, so the dress is going to prevent her hips from doing anything. She does have a ball joint at the head and at the base of her neck so she gets decent range there. Her hair is a long sheet of plastic so it gets in the way a bit, but not enough to stop her from being able to look her beau in the eye…sockets. Shoulders feature ball-hinges, elbows are single hinged with a swivel, wrists rotate and hinge. There’s a diaphragm joint that offers a little tilt, but it mostly works for rotation. Knees are single-hinges and the ankles are hinged and do feature an ankle rocker, but her feet are so tiny it can be hard to use. Articulating her feet feels like wiggling a loose tooth.

Sally isn’t going to do much aside from stand there, but she doesn’t do much in the film nor does she come with a ton of accessories that require her to do anything. For portraits, she comes with five: neutral/smile, open mouth smile looking to the side, concerned looking ahead, concerned side eye, and an angry expression with her eyes narrowed. I like them all, though I wish she had an open-mouth smile without the side eye as well. Her expressions swap via face plates and it’s easy to utilize. She also has two sets of hands which are easy to swap: open palms and gripping. It’s a light assortment of hands, but I can’t think of any gesture she needs to be able to perform not covered by the options included.

NECA is doing a good job of making these NBX figures earn that “ultimate” label.

Sally’s other accessories are mostly tailored to her time in her tower and some other odds and ends. She comes with the basket she brought to Jack when she worried he wasn’t taking care of himself (does a skeleton really need to?). For contents, there are two white bottles one marked with an S and the other P which makes me think salt and pepper, but it would be odd to have those in bottles, no? There’s also a translucent green bottle which is from the movie. Sally also comes with her slotted spoon and the jar of deadly night shade. The jar has some really nice texture and paint work on it to the point where I expect it to feel like a true ceramic every time I pick it up. The black cat is also along for the ride and he has a little plate with fish bones on it. The cat is articulated at the head and no where else. Sally also has a jack-in-the-box with a black cat theme to it as well as a smiling jack-o-lantern. Lastly, she has a stand just like Jack’s which you will need since her feet are so tiny. She stands okay with it, but I did have her take a shelf dive the first night so do be careful.

Sally is a fine addition to NECA’s Nightmare Before Christmas collection. I don’t think she looks quite as good as Jack, but that’s not a slight against this figure as I think that Jack looks pretty damn amazing. This collection should be the final say on this film in plastic form. I can’t imagine ever needing to upgrade on either Jack or Sally. Some might prefer soft goods to the all-plastic approach NECA took, but I am not one of those people. I think this looks great, I don’t need her to come with anything else, and I don’t need her to articulate any better than she does here. I guess she can’t really kneel on the ground as she did in her omen scene, but maybe that’s also why NECA didn’t include a little Christmas tree or burned one. She’s on my shelf with Jack where I suspect she’ll be for many Halloweens to come and I may even let her hang around for Christmas. If you’re a fan of the film I think you’ll be pleased.

Simply meant to be.

If you like this Sally figure, then you may be interested in these ones as well:

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