Tag Archives: christmas

Dec. 4 – Doug – “Doug’s Secret Christmas”

“Doug’s Secret Christmas” premiered December 14, 1996 as a primetime special on ABC.

Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to post about 25 Christmas specials a year you really can’t be picky. Plus how many people really want to read about mega babies and chuckling critters who reside in the woods? And it was on December 4th last year that we talked about Doug, the somewhat quiet original Nicktoon that ran for 52 episodes before leaving the network. Doug was supposed to be the big hit, but it lagged behind Rugrats and The Ren and Stimpy Show among the first trio of Nicktoons. I’m guessing Rocko’s Modern Life eclipsed it as well when that showed up a year later. It’s hard to say why Nickelodeon thought so highly of Doug initially to the point where they expect it to be more popular than the other two shows. Maybe because it’s adults that are in charge at any given network and Doug’s coming of age whimsy speaks to an adult more than a show about babies?

Whatever the reason, Doug still had a solid run and I knew plenty of kids that liked it, even loved it. When creator Jim Jinkins entered into a contract to produce the show for Nick the contract was for 65 episodes to be ordered as seasons of 13 episodes. If Nick failed to order all 65, he was allowed to take the show elsewhere. He also retained ownership of the character and, like the other early Nicktoons, was able to run the show via his own production company. Nickelodeon seemed to learn a lot from those initial shows and would retain more control and ownership in the future, but it was a good deal for Jinkins and it allowed Doug to eventually be sold to The Walt Disney Company.

Pretty much everyone is back with only a slight redesign.

That’s how we ended up with Disney’s Doug (and in some places it’s referred to as Disney’s Doug). After a hiatus of over two years between new episodes, Doug made his debut on ABC’s Saturday morning television block in September of 1996. The show was a direct sequel seeing Doug enter middle school (I thought he was already in middle school?) with all of his usual friends. Most of the cast was able to return, save for perhaps the most important member in Billy West as Doug. The show would last another 65 episodes while also spawning a movie. It seems to be generally accepted that the Disney version of Doug is inferior to what we got with Nick. I checked out the new version as a kid when it premiered, but didn’t stick with it. It felt similar, but different, but more than anything I think I had just moved on from Doug. The low stakes and slice of life programming just wasn’t my thing at that point as I found myself aging out of Saturday morning television. Once X-Men was done not long after, so was I.

Now, nearly 30 years later, I’m ready to take another look at the Disney version of Doug. The first season included a new Christmas episode which I had never seen until now. I definitely didn’t stick with the new show long enough to make it there and I actually never even knew another Doug Christmas episode existed until very recently. For me, this is like finding hidden treasure, though it could only be considered such if it’s actually good. Considering this is Doug we’re talking about, I’d be surprised if it’s awful. Doug is what I’d call a high floor kind of show. It may rarely impress, but it’s almost never bad.

That’s a pretty good Grinch parody.

The Disney version of Doug begins a lot like the old one. The song is new, but still very much Doug. And since the show had a new production company, it looks a little different, but still Doug. The lead character received only the most basic redesign in that he has long sleeves now instead of short ones, but he’s still rocking that green vest. Now, if this is the first episode of the Disney version of Doug that you’ve ever watched, you might initially think it looks a lot different. That’s because the episode opens on Doug’s neighborhood looking quite…toony?

Doug?! As the Grinch!

That’s because it’s a Grinch parody! There’s a narrator (sounds like Doug’s dad, Doug Preis) speaking in rhyme as a shadowy figure with an animal companion descends Doug’s chimney. It’s Roger (Chris Phillips), the town bully, only he resembles the Grinch. And with him is his cat Stinky who has a lone antler atop her head a-la Max. He’s here to steal Doug’s Christmas, only there’s a problem: it’s already been stolen! He looks around and finds no tree or decorations of any kind. The interior of the house is drawn and colored to resemble a home from the classic television special and the creative team a pretty nice job. When Roger-Grinch looks around to find out who stole Christmas first, it’s revealed to be Doug himself! He’s all grinchified as well and we fade to black on this shocking revelation!

That’s more like it.

That’s when the title of the episode is presented in the same manner as the Nicktoons version with Doug coming out of a door to turn a light on revealing the show’s logo. Porkchop, Doug’s dog and star of his first Christmas special, comes in with a gift and reveals the title of today’s episode. The episode proper begins with Doug at his journal telling us about Christmas in his town, Bluffington. Right off the bat, I must say I can barely tell the difference between Thomas McHugh and Billy West as Doug. I’m a little surprised by that because I remember noticing as a kid, but I was definitely watching way more Doug back then. Doug basically lists out what people around town do for Christmas including his old pal, Skeeter (Fred Newman), who is addicted to Christmas specials (I can relate). We get a quick cutaway of him sitting down with his family to watch one and I’m expecting another parody of a classic television special, but instead we get a meta joke of Skeeter watching the first Doug Christmas episode. I approve. We also see Mr. Dink (Claude Nicot) who, as you may have expected, is setting up a very extravagant, very expensive, display. A woman walking by stops to check out the Santa he’s setting up, but it pops up from the ground and says “Hubba, hubba,” instead of “Ho, ho, ho,” which offends the woman.

Doug gets meta on ABC.

As for the Funnie family, their traditions seem pretty ordinary. As Doug tells it, he starts putting up decorations in his room the day after Thanksgiving and I guess the rest of the family does as well. On the 20th, they put up the tree and the lights go up outside on the 21st. The 22nd is the last day of school, stockings go up after that, and on Christmas Eve they visit Grandma Funnie’s house for fruitcake. Before all of that can happen though, Doug informs us he must create The List! That would be the Christmas list of things Doug wants, always a major focal point of a kid at this time of year.

I wonder how long he’s had this book?

Doug sets out to seemingly discuss this list with others in the house. As he does, we see his mom and sister (both voiced by Becca Lish) go over breathing exercises in the living room. Apparently, Doug’s mom is pregnant and the baby is expected in about a month. I think that has been a season long arc for the Funnie family. In the den, Doug finds his dad (Doug Preis) who has something on his mind. Doug wants to talk presents, but dad would like to have a man-to-man conversation that he’s been putting off. He picks up a book which is all about the old birds and the bees. Apparently, Mr. Funnie would like to talk about how he and his mom made this new sibling that’s about to enter their lives. He reads from the book and doesn’t even insert Doug’s name where he’s supposed to instead just saying “Blank’s Name.” Doug stops him before things can get any worse and lets his dad know he’s learned all of this in school already. Doug even gladly explains what sex is (he’s even allowed to say the word), but the audio drops and there’s a clear indication of time passing. The two emerge from the den with Doug’s dad sheepishly rubbing his head and thanking his son for the lesson adding they left some stuff out when he was in school. Poor Mrs. Funnie…

They still fight like kids. That must be exhausting.

With the “lesson” concluded, Doug’s dad has some bad news for his son. With the baby coming, Santa isn’t going to have much time for presents and Christmas. Doug looks glum and tries to hide his list behind his back when his dad asks about it. He plays it off as a list of baby names, but sister Judy is there to snatch it from him and laugh at his suggested “names” of in-line skates and dirt bike. She runs up the stairs while Doug gives chase prompting dad to remark to his wife, “Ready to start this all over again?” She responds by throwing a throw pillow at him (so that’s what they’re for).

The new school is a monument to Beebe. I guess if that’s what it takes to get funding from a rich guy in town then so be it.

It’s the next day at Beebe Bluff Middle School, a school literally constructed in the shape of Beebe’s profile. It would seem another ongoing plot of this first season is the construction of the school which wasn’t quite ready for its first day. I think the joke here is they made sure to have the Christmas lights up, while Doug still doesn’t have a rear wall to his locker as he spies a construction worker when he opens it. Beebe (Alice Playten) approaches Doug in the hall to inform him that her family is going away on some SCUBA trip for Christmas and she needs someone to feed her fish (I guess they give the housekeeper the week off, or maybe they travel with all of their staff). Roger walks by and announces that he’d happily do it on account of the fact that they’re neighbors (Roger’s family won the lottery and now he’s rich). Beebe counters she knows he’d feed her fish…to his cat! Doug agrees to do it and they’re interrupted by Fentruck (Newman), the foreign exchange student from the fictional Yakistonia. He’s one of those characters that exists for us to laugh at, “He’s funny because he’s different!” It’s not mean-spirited though, nor is it really well thought out as Fentruck explains Christmas in his country is basically just Halloween. Doug is polite about it all, but Roger comes over to basically tell Fentruck he’s an idiot because what he described is not Christmas. They don’t really use this as a teaching moment as Roger is just left to utter a one-liner, “How international?” as the two walk off.

Doug finds nothing funny about the Funnie family Christmas tree.

We next check-in with Doug as he’s heading home. On the way, he stops by the tree lot of one Mr. Chestnut (I’m not sure who is doing his voice, the credits on this show are terrible) who apparently knows him from last year or does something else in town the rest of the year that puts him in contact with Doug. He speaks with a southern drawl and remarks that Doug got his best tree last year (he probably says that to all of his customers) and asks what’s he going with this year? Doug tells him he’s just stopping by and will come back with his dad in a little bit to get a tree. As he walks home, he imagines he and his family decorating the perfect tree. Only when Doug gets home he doesn’t find a family waiting to go grab a new tree and instead spies some little, tabletop, half-finished tree. Doug can barely speak he’s so shocked as his dad explains that, with the baby coming, he didn’t see any reason to make a big fuss out of the tree. He hands Doug what I assume are the instructions to finish setting up the tree as he and his mom leave for some birthing classes leaving Doug all alone to construct this monstrosity.

I know the last day before school vacation is usually pretty loose, but this is taking things to another level.

It’s now the last day of school and Doug isn’t letting this whole tree business bring him down too much. He still has some hope that it could be the best Christmas ever, because why settle for just a good Christmas? As he heads out for school, we see that Mr. Dink is still messing around with his Santa display. Now it’s talking like a pirate instead of cat-calling the neighbors. At school, Fentruck is providing everyone with a look at a traditional Yakistonian Christmas which involves him dancing in a white sheet while everyone eats cotton candy and bobs for apples. Roger basically thinks Fentruck is trying to pull a fast one on them and, for once, I think I agree with the school bully. This is absurd.

It’s the waffle iron of Skeeter’s dreams.

After school, Doug and Skeeter engage in what Doug describes as traditional last minute shopping at the mall. Doug is looking for a gift for Patti (Constance Shulman), the girl he longs for, but he can’t find anything he likes. Skeeter, on the other hand, has his eyes on a Christmas Tree waffle iron. Apparently, his dad would make the family tree-shaped waffles ever Christmas, until Skeeter used it to create a bunch of trees for a diorama. The waffle iron did not survive the battle, as he puts it. He wants to get this one for his dad, but he doesn’t have the funds. Doug happily offers up his money, though we don’t hear any specifics which is probably smart as it will help keep the episode timeless, to a degree. Even though they’re shopping at a mall, which is pretty dated in some parts of the world. Skeeter is delighted and vows to pay Doug back as soon as he can, only there’s one problem now.

Don’t mind Doug, he’s just cooking some ears.

Doug is broke. He loaned Skeeter all of his money so he could get that waffle iron for his dad and now he’s left with just sixty-three cents to spend on Patti. Hopefully she likes gumballs. Doug, of course, did not let Skeeter know about this detail so he’s not one of those types who is going to then guilt trip someone he just helped out. This is Doug, who is one of the most selfless cartoon characters around. He’s also resourceful and decides he’ll just make something for Patti. We’re treated to a little montage of Doug basically doing some arts and crafts which involve some sculpting and baking. He had previously been looking at earrings at the mall and it would appear that he’s decided to make some instead. When they’re ready, he pulls them out of the oven and retreats to his room. Along the way, his mom asks who is going to finish the tree which Doug left unassembled save for the base. As he walks by it he derisively refers to it as a fuzzy TV antenna.

Earrings that look like ears. That Doug is one clever boy.

The next day is Christmas Eve and it’s Doug’s last chance to see Patti before she leaves for the holidays. They meet-up at the ice cream parlor in town where Doug gives her the gift he made: earrings of little ears. It’s quirky, it’s clever, I approve. Patti seems to as well. She gives Doug his gift, but on the condition that he can’t open it until Christmas. That’s…odd, but okay. They soon part ways, no kiss for Doug or even a hug, as Patti needs to get home and Doug needs to feed Beebe’s fish. We are then shown these fish which have their own indoor pool and eat steak. It would appear that Beebe’s fish are actually piranhas so I’m puzzled why she thinks Roger’s cat would ever be a threat to them. Speaking of, Doug pauses to look out the window at Roger’s mansion where a big Christmas Eve party appears to be going on complete with…clowns? You do you, Roger.

This is Doug’s idea of a good old-fashioned Christmas.

Doug heads for home and on the way passes by fellow schoolmate Chalky’s (Preis) house. He’s like the jock character and he’s playing football with his family in the front year. They’re all in a big pile, save for Chalky, who asks Doug if he wants to get in on this action? Doug politely declines saying he has to get home, but as he nears home it’s starting to hit him that this Christmas isn’t going to be a special one. This triggers Doug’s imagination as he ponders what it would be like to be coming home to a real old-fashioned, family, Christmas. And in Doug’s mind, that’s a cozy log cabin where his dad talks like Bing Crosby. The house opens up like a stage performance and some performers skate around a tree. I kind of recognize the vocalist, I think he was a Ringo Star parody in the original series, though he doesn’t sound anything like the Beatle. If it is his him then I guess his voice is still being provided by Preis.

I guess this interaction exists to show us that even the nerds are down with Christmas.

When Doug snaps back into reality, he is once again trying to convince himself a good Christmas is still possible. He then runs into the twins, Al and Moo (Eddie Korbich). They’re both covered in Christmas lights and when Doug asks them if they’re afraid of getting shocked one of them (I have no idea which is Al and which is Moo) indicates that he is indeed getting shocked. They both have questions about Mr. Dink’s Santa, but also questions about why Doug’s house doesn’t feature any holiday decorations? They seem to assume that Doug’s parents are some kind of holiday haters. Do Jewish people not exist in Doug?

Doug is finally getting a little ticked off with his family and their attitude this year towards Christmas.

Doug returns home and finds his mother and Judy watching television. He asks about going to grandma’s, but his mom stands up somewhat uncomfortably and says they won’t be going this year. Doug’s dad is still at the mall (he’s a department store photographer so I guess he works there) and Judy adds that their mother is in no condition to travel this Christmas. She also sees this as an opportunity to complain about men as she’s a bit of a dated character type – the killjoy feminist. Her convictions are immediately undermined when she asks her mom to get her some coco while she’s up. Doug angrily announces he’ll be in his room.

Well, it’s certainly an improvement over the tree his dad bought. And who can complain at that price?

Once there, we see Porkchop is either sorting cards he received or really procrastinating on his own Christmas cards. Doug is left to ponder that without lights or a tree can they even call it Christmas? He imagines what Christmas morning will be like with his family sitting around the kitchen table in silence until his dad remembers to wish them a merry Christmas from behind his newspaper. Doug doesn’t want that kind of Christmas so he heads out to Mr. Chestnut’s tree lot. He gets there just in time as he finds Mr. Chestnut cleaning up. When he inquires about a tree, he’s informed that he’s only got one left. It’s a small, diminutive, tree, but one that’s far healthier in appearance than what Charlie Brown settled on. When Doug asks how much, Mr. Chestnut tells him it’s free. A more cynical show would have him jack the price up on account of it being Christmas Eve, but this is Doug and Doug is a nice kid who people are happy to treat with the same kindness he radiates.

I can’t tell if he’s embarrassed to be declared the world’s greatest dog or if this is a fake smile implying he hates the mug.

It’s on the way home from the tree lot that Doug and Porkchop vow to have their own, secret, Christmas. They setup the tree in Doug’s room and exchange gifts on Christmas morning. Porkchop got Doug another journal (he can always use more of those) while Doug gifted Porkchop a world’s best dog mug. I can’t tell if he likes it. Doug then turns on the radio and tries to stay positive as we hear a Christmas song which the DJ announces is a dedication to Doug Funnie from his pal…Doug Funnie. Okay, now this is starting to get sad.

Time to meet the little Dirt Bike.

Doug’s attempts at optimism have now run out. He asks aloud where is everyone? And no one answers. He leaves his room to look around the house and finds it empty. His parents aren’t in their bedroom, nor is Judy in hers. The phone rings and Doug answers. It’s his dad who is at the hospital. He tells Doug that “something happened,” but doesn’t elaborate. He seems very serious, even grave, and we cut to Doug walking down a hospital hallway with his dad still perplexed and sounding fearful about what’s going on. Despite that, we know what’s up as it turns out Doug’s mom had the baby. In the rush of everything, they just treated Doug like Kevin McCallister and forgot all about him. Doug enters his mom’s room to meet his new baby sister. He and Judy are surprised when their dad tells them that they decided to use the names they both came up with. Meet Cleopatra Dirt Bike Funnie! The older siblings can only faint in response.

I’m more than done with this B plot.

And of course, Doug is going to get a happy ending. The Funnie family hosts a Christmas party at their house, it’s just a few days late. A lot of people seem to show up, including Skeeter’s family. His dad thanks Doug for the waffle iron, while Roger and Fentruck resume this runner about Yakistonian Christmas. Fentruck, dressed as a vampire, is listening to Roger explain Halloween. When he then explains what Christmas is, Fentruck basically tells him that’s Yakistonian Easter. Roger just drops to the floor and starts throwing a tantrum. Let’s move on.

“It’s not such a bad little tree.”

Doug, seated with his family on the couch, declares they should make this an annual tradition. And by this he means his parents having another baby which earns him a throw pillow to the face from someone offscreen. Judy then chimes in to announce that they’ve run out of diapers, but Doug cheerfully volunteers to run out and get some. As he’s grabbing his coat, Patti approaches with the gift she had given to Doug. It would seem in all of the chaos of the Funnie Christmas, Doug forgot to open it. He notices Patti wearing the earrings he made her and she says she likes them because it looks like someone made them. Doug blushes and says that’s because he did and starts to go into his money problems, but Patti stops him as she doesn’t want to get all mushy and literally says “Shut up and open your present.” Inside is a scarf which Pattie knitted for Doug. He’s touched because apparently Patti hates knitting. It’s not that great since it gets narrow at the end because she ran out of yarn, but Doug doesn’t care. He even gets a hug from Patti. I bet he wishes he wasn’t wearing sweatpants right now.

Come on man, the girl is practically throwing herself at you. Make a move!

Doug and Porkchop then run off into the Bluffington night in search of diapers for little Cleo. He’s sporting his new scarf, naturally, and runs by Mr. Dink who is taking down his decorations (why isn’t he at the party?). Mr. Dink wishes Doug a happy new year while Doug returns with a “Merry Christmas.” It’s at that point, predictably, that Dink’s Santa finally says “Ho. Ho. Ho.” with Dink remarking, “Oh, now you get it right!” Doug then pauses at the next street corner so he can look up at the sky and shout “Merry Christmas everybody!” The camera zooms out to an aerial view of town and we fade to black.

And in the end, Doug gets a merry Christmas. Did you expect anything less?

“Doug’s Secret Christmas” is basically what I expected. It’s a quiet, low stakes, affair with just the right amount of sweetness. It’s a lot different from the previous Christmas special which actually had very high stakes as Doug found his dog on death row. I’m glad they went for something less intense this time. It is a predictable episode as I’m guessing everyone expected Doug’s mom would have the baby by the time it was over. What is less predictable is that our main character never gets spiteful. He shows no hint of resentment towards the baby at all during the episode even though his family is basically allowing the unborn child to ruin Christmas. I would add his dad is pretty bad at managing everything because surely he still could have taken his son to get a tree? It’s understandable though that their belts may have been tightened with the incoming child, but kind of odd to still hear his dad refer to Santa. Maybe he was just being cute? He is the same guy who didn’t think his middle school-aged son knew about sex. I’m guessing the show didn’t want to blow the whole Santa thing since kids were likely to watch this so I’ll forgive them that.

I was a bit surprised that by the time we get to the actual secret Christmas the episode title is referencing that it’s almost over. Doug and Porkchop essentially have a failed secret Christmas and then find out the baby is here. The whole episode moves both methodically, but kind of briskly, because we’re waiting for the premise to kick-in, but the show is in no rush to do so. It does help to setup the ending and I like a holiday episode that covers the run-up to Christmas along with the holiday itself. I liked the subplot of Doug helping Skeeter which lead into his gift for Patti. It’s an example of the show still moving quickly because that potential crisis is averted almost immediately and Patti is happy with her gift. The only subplot I continuously rolled my eyes at was the one with Fentruck and Roger. I just don’t find that type of humor funny. I’m not offended by it because the show isn’t really mocking another culture, I just don’t buy Roger getting all worked up about it. Who cares? It’s just a lazy Yackov Smirnoff joke.

Doug is easy to root for since he’s not after a toy or something, he just wants to have a nice, family, Christmas. That’s not too much to ask.

“Doug’s Secret Christmas” keeps the art style of the first Christmas special by making sure Doug is dressed for the occasion. Such minor details are something I appreciate in animation because who would wear shorts at Christmas in a cold climate? Doug is all bundled up and appropriately so. The town is pretty well decorated and I very much enjoyed the introduction done in a Chuck Jones style. It doesn’t really make a whole lot of sense upon reflection, Doug didn’t steal Christmas, but I guess it’s a lot more engaging to have Doug be the Grinch. It’s not like they could have a baby Grinch. Well, I guess they could have, but it probably would have really confused people and changed the whole tenor of the episode. I also found this to have pretty much the same feeling as the original series. Maybe just toned down a little? Skeeter doesn’t make any weird noises and the only weirdness really comes from Fentruck. I guess Beebe having piranhas is odd, but it’s just a visual joke as we’re left to ponder what kind of fish a rich girl like her would have. They could have been anything extravagant, I suppose.

All that is to say that I can safely recommend “Doug’s Secret Christmas” for anyone who has enjoyed an episode of Doug, be it on Nickelodeon or ABC. I think I actually prefer it to the more popular Christmas episode of Doug as that one is uneven for me. It’s a very serious story, but it’s not really handled in a serious enough manner. Plus it tortures poor Doug and Doug is a character I don’t want to see in abject misery. He can face hardships, but lets not dangle the death of his dog over his head for an entire episode. This one doesn’t do anything spectacular, but it’s an enjoyable watch. The high floor Christmas special.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – Doug – “Doug’s Christmas Story”

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…

Keep reading

Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

Keep reading

Dec. 4 – Family Guy – “Christmas Guy”

In the fall of 2013, beloved family dog, Brian, met his demise. Brian was an extraordinary dog capable of communicating in English with his family members who was often seen walking on two feet. Despite that though, he met a rather ordinary end for a dog when he was unceremoniously struck by an automobile. Life…

Keep reading

Dec. 3 – American Dad! – “Season’s Beatings”

Original air date December 11, 2011.

It feels like it has been a minute since we took a look at an American Dad! Christmas episode. The show can be counted on to produce such an episode almost annually and often times the Christmas episode is among the best of the season. 2024 is also the year we had to say goodbye to actor Martin Mull. It’s possible you don’t immediately conjure up a role for Mull upon hearing his name, but he’s definitely one of those “Hey, it’s that guy!” type of actors that most have encountered. He seemed to get a lot of work in TV in the 90s and I can’t think of a program he was a part of that wasn’t better off for having him. And, to no surprise, he’s great on this episode of American Dad!.

Included a couple of years ago as one of the top Christmas specials of all-time was the season seven episode of American Dad! titled “For Whom the Sleigh Bell Tolls,” so it only makes sense that we return to American Dad! with the season eight episode “Season’s Beatings.” We’ve gone out of order with the show as I wanted to jump ahead to the sequel episode of “For Whom the Sleigh Bell Tolls” with “Minstrel Krampus,” so now I’m here to rectify that.

American Dad! is old news around here so I’m not going to make the usual preamble in this space, just know that you’re getting a subversive Christmas special. It’s not going to be for everyone. I hesitate to use the word “edgy” because it’s too often relied on and seems to be a favored descriptor for those with bad takes, but this episode is probably on the edgier side since it’s going to deal with the main character trying to murder a kid at Christmas. He’s the antichrist though so it’s okay! Still, if your idea of a good Christmas special is something like an episode of Full House or The Little Drummer Boy then this probably won’t be for you.

Roger is here to whip up some good old-fashioned eggnog!

The episode begins in conventional fashion with no Christmas theming added to the opening title. Lame. Once over, we at least are immediately treated with an exterior shot of the Smith household all decked out for the holidays with a fresh blanket of snow. Inside, Francine (Wendy Schaal) and son Steve (Scott Grimes) are making cookies while Roger (Seth MacFarlane) is mixing up a batch of his special eggnog. Steve scolds him for taking so long with the ‘nog and Roger assures him it’s almost ready, but it just needs a final test. His slurred speech would suggest he’s already tested the drink extensively, but just to be sure he pulls out a cage containing two rats. He offers a ladle full of the stuff to a brown rat who sniffs it before taking a few licks. It immediately starts screaming and tares off the head of the other rat in the cage with it. After making out furiously with the severed head, the rat dawns it like a headdress and runs in circles until it stops to vomit out blood until it collapses and explodes sending rat pieces flying. I told you this wasn’t the sort of Christmas special for everyone.

The eggnog may feature some side effects…

After Roger declares his eggnog perfect, Stan (MacFarlane) enters the room with exciting news: Father Donovan is putting on a Christmas pageant at the mall all about the life of Jesus! Fran asks if he’ll be trying out and Stan smugly announces that he’s sure to land the lead role of Jesus for the play because he’s the most devout member of the congregation. Roger drunkenly laughs about the concept of Christianity, referring to it as his favorite deadbeat dad story (comparing it to the real song “Biological Didn’t Bother” by Shaq) as he slurs his speech and somehow manages to not fall off of the stool he’s standing on. Stan angrily slams down the pamphlets he was holding and demands that Roger not insult his religion. Roger, rather calmly, gathers up his jewel encrusted “pimp cup” and stumbles over to Stan as if he’s about to offer some retort, only to point out that Stan as a pimple under the skin of his chin that’s likely to reach its apex in about two weeks. He then saunters off into the living room.

She sure is flexible.

In the dimly lit living room, Hayley (Rachael MacFarlane) and her husband Jeff (Jeff Fischer) are cuddling on the couch watching TV. Hayley asks her husband if everything is all right noting that he cried a lot more than usual during sex this morning. Jeff sits up and announces that he wants to have a baby. He feels they have a lot of love to give plus he also feels broken inside and kids are sure to fix everything! Hayley wants nothing to do with being a mother declaring she has no maternal instincts and only animal ones. She lists off eating and pooping as such instincts and casually tosses in a “laying on the ground ahead of a storm” which she immediately demonstrates by walking around in circles and curling up on the carpet as thunder booms outside. She punctuates the joke by scratching her ear with her foot.

Not the role Stan was anticipating.

At the mall the next day, some parishioners are setting up for the play while Father Donovan (Martin Mull) looks on with a lit cigarette casually placed between his fingers. Stan comes into frame to enthusiastically confirm that he’s willing to play Jesus in the play, but Donovan shoots him down immediately. Stan can’t believe it and points out that he’s the most devout member of Donovan’s flock, but Donovan just laughs him off and informs him the role has nothing to do with devotion – it’s all about the abs, baby! Jesus is shredded, and Stan is, well, not. Stan tries to convince him other wise by laying on the cross that’s being worked on at the moment, but it snaps in half under Stan’s weight causing the female worker who was painting it to declare, “Now what am I going to burn on my ethnic neighbor’s lawn?” Father Donovan assures Stan he has the perfect role for him and holds up a red jacket and pants. Stan thinks this is a reference to Fireman Jesus, but Donovan confirms for him that he wants him to play Santa. To try and convince him how great a role is he produces some Bratz dolls that Santa gave him – for free – last Christmas! He then darkly adds that he can’t believe this is the suit Earl died in.

The Smith family has added a new member, and he’s an orphan! Maybe this will be a wholesome Christmas special after all?

Back at the Smith home, we see Jeff’s van pulling into the driveway and then cut to the living room. Jeff has an announcement to make – he’s adopted a son! He has named the little guy (who I would guess is 2 or 3) Nemo, after his favorite character from his favorite book: the novelization of the movie Finding Nemo. Hayley is outraged that Jeff went and did this while Francine is shocked and delighted. She can’t believe she’s a grandmother and felt her only chance at becoming one was if Steve got raped by a confused lesbian. She runs to Nemo and scoops him up covering him with kisses. Jeff says he wanted a son to carry on his legacy – his Suburu Legacy, so maybe this is going to be a running joke with him. Hayley is confused because adoption should be a lengthy process and asks Jeff how he pulled this off. He’s dumbfounded and chalks it up to an end of month clearance event while adding that the orphanage seemed real eager to get rid of this kid. Nemo then walks over to Hayley who backs away declaring “Eww, get it away from me!” He grabs her hand and nuzzles it which triggers Hayley’s maternal instincts to kick in times ten. She starts sobbing uncontrollably and wraps Nemo up declaring him her baby. Aww! Stan then comes down the stairs in full Santa costume and demands to know who Nemo is. Francine declares they’re grandparents, and he just responds, “Steve was raped by a confused lesbian?”

“Don’t worry about it.”

Back at the mall, Stan is apparently not playing Santa in the play, he’s just playing the part of Santa for the mall. There’s a kid sitting on his knee and Stan curtly asks him what does he want? The kid, in a deep, gravelly, voice, replies with “Umm, let me think about it?” Upon hearing how deep his voice is, Stan demands to know if he’s even a little boy, but the guy just tells him “Don’t worry about it.” After telling him he can’t be here, the not kid says “Come on, I waited in line let me just sit here a minute.” Stan doesn’t agree to that and tells him to get off, but the not kid assures him he’s almost done. When Stan asks what he’s almost done with, he just responds “Don’t worry about it.”

I’m sure Stan will have a rational reaction to Roger landing the role of Jesus.

The performers in the pageant then enter and Stan declares he has to see this. Tossing the not kid from his lap, Stan hurries over to the stage to find out who is playing Jesus. It’s Roger, who is wearing a wig and a loincloth and has some impressive abs on display. Stan is outraged to find Roger as Jesus and demands to know why he would want to do this. He says that Stan made it sound like a big deal and notes it gave him an excuse to work on his abs and his…savior bulge, as he gestures to his groin. Stan can’t believe it and when he finds out that Roger is also drunk he loses it. He punches Roger in the face and climbs on top of him to rain blow upon blow upon this false idol. Roger gets away momentarily and crawls to one of the female performers. He doesn’t ask her for help though, just calls her ugly. He’s definitely not Jesus material.

Looks like I was wrong.

We return to the Smith home as Stan pulls into the driveway. Inside, Nemo has Jeff’s hat on which I’m assuming everyone finds cute. Hayley is filming him and still sobbing uncontrollable prompting Francine to remark that her “bitch crying” is ruining the home movie. Stan then enters still in his Santa suit only now it’s covered in blood. Francine jumps up and asks him what happened. His cover? He was sitting on the bus next to Courtney Love and she sneezed. Even if that were believable, it’s ruined by good old television which Jeff points out as a news story covering the beating at the mall is played. Stan insists it’s not what it looks like and that he was defending Jesus while the anchor describes the beating as an unprovoked attack on Christianity. It’s not helped by the soundbite of Stan shouting at Roger as he wails on him “You can’t play Jesus you lazy, wine-loving, bisexual!” We then pull out from the TV to reveal a female priest is watching the coverage. She picks up the phone which cuts to another priest type doing the same and this goes on until it reaches the pope who asks “Are you watching this shit?”

Very wrong.

Stan insists to his family he wasn’t slandering Jesus, but Roger. The news then alerts the viewing audience that the mall Santa has been identified as none other than Stan Smith. The phone rings immediately and Steve answers informing his father that it’s Father Donovan, and he sounds punitive. We cut to the church where Stan is having a face to face with Donovan who has some bad news: he’s being excommunicated from all of Christianity. Stan can’t believe it and asks how he can get back in. Donovan tells him there are only three ways: find the Holy Grail, kill the antichrist, or donate ten million dollars to charity adding that’s how Jared Fogle from the Subway ads got back in (this episode was made before Fogle was arrested and jailed for being a pedophile so this joke reads quite dark now). Stan points out that he can’t do any of those things, but Donovan can only offer his apologies. He demands that Stan turn in his badge and he apparently does have a gold, Christianity, badge that he places on Donovan’s desk. As he goes to leave, Father Donovan calls out to him to wait! He doesn’t have anything to add, he just wants Stan’s opinion on if he should grow a mustache or not further asking, “What do hookers like?”

Klaus doesn’t get a line this entire episode, but at least he looks cute.

The only thing for Stan to do is go home and cry in front of his family about being excommunicated. Roger is still nursing his injuries from his encounter with Stan at the mall (and really seems to be taking it all in stride, probably because he achieved orgasm during the fight which he confirms to Steve) while Klaus, the goldfish, can be seen wearing an adorable little Santa hat in his fish bowl. Steve tries to suggest to his dad that he just get a new religion and Francine remarks it worked for Mohammed Ali and thinks he changed religions, and his name, to Kareem Abdul Jabar. No, Francine, those are two different people. Stan doesn’t want to change religions, so he just sobs instead.

That’s quite the discovery, Stan.

In his office, Stan is grabbing all of his kitschy religious items and tossing them into a box. As he does, he cries some more until his wails are interrupted by little Nemo who comes walking into the room doing the same. Stan seems to have taken to his new grandson better than I would have guessed as he picks him up and goes in for some snuggles. He then notices a mark on the boy’s head. It reads 6…6…2, phew! Wait! Below the 2 is a “+4” and then under that is the number 666! Nemo is the antichrist! Roger then enters with one of those tins filled with caramel corn. He claims to Stan that he made it just for him, but there’s a card on it indicating it was a gift to their neighbors Terry and Greg from someone named Trevor. We then get a quick cutaway of the pair looking for the gift under their tree while an angry Trevor, who thinks they regifted it, looks on. Trevor declares that they’re worse than Connor and everyone, including Trevor, gasps at the outburst. Connor must be pretty bad. Back in the study, Stan tells Roger to forget the corn because he has found a way back into Christianity and all he has to do is murder his grandson! And I thought they were bonding.

I’d call Father Donovan out on this boast, but I’m afraid he’ll try and prove it.

It’s nighttime and Father Donovan is pulling up to the Smith house in a car that features a license plate which reads “12 Inches.” Sure, buddy. Donovan enters the house and Stan shows him Nemo’s mark as the kid sleeps in a crib in the living room. Donovan tells Smith that he better make sure he knows for certain that Nemo is the antichrist before he kills him. Apparently, he’s made some mistakes in the past. Roger and Jeff then enter the house with Roger remarking that was some of his worst caroling, but best tagging, ever. We get a quick cut to someone’s garage door which features an image of Santa and what looks like strippers. Stan informs Jeff that he needs to take them to the orphanage where he got Nemo so that he can find evidence that proves he’s the antichrist so he can kill him. Jeff just says “Okay,” either not grasping what’s going on here or he just doesn’t care. Roger tells Stan to give the cutest orphan a crisp bill of some kind and the ugliest one a…he backhands Stan for dramatic effect. Stan then informs Roger that he’s coming too since he got him into this mess. Roger is fine with that, but informs everyone that before he can go anywhere he needs to…wipe…better. Gross.

This probably doesn’t bode well for the priest.

Outside the burned down remnants of the orphanage, an old groundskeeper is there to tell the gang the place burned down last week, the day after Jeff adopted Nemo. He also shares with them that was the day he got his cholesterol test results back which no one seems to care about. The group split up and look amongst the wreckage for any clues they can find about Nemo. Only Father Donovan seems to have found anything as he looks over a manilla folder and calls Stan to tell him to meet him outside. As he waits for the others to come out, a crow observes Father Donovan pacing back and forth. Its eyes glow red and we cut back to Nemo who is playing with blocks with his mother. His eyes glow red and then in slow motion he knocks his little block tower over which causes the orphanage to shake and collapse on Father Donovan.

This is probably something the orphanage should have shared with Jeff.

Stan and the others race outside seemingly avoiding catastrophe, but Father Donovan is not so lucky. His torso is sticking out of a pile of flaming rubble. He tells Stan he can’t feel his legs and asks if they’re okay. We pan over to see the man’s severed legs on fire prompting Stan to deadpan “They’re fine.” Donovan hands over what he found which is Nemo’s file confirming that he is indeed the son of Satan with a jackal for a mother. There’s even a nice family portrait of Nemo, a jackal, and a Satan that resembles Tim Curry from Legend. It’s at this point that Jeff realizes that Nemo spelled backwards is Omen, but Roger is quick to point out that doesn’t make sense since Jeff was the one who named him. They choose not to dwell on it as Father Donovan outlines what it means for Nemo to be the antichrist. He tells Stan that he needs to retrieve the sacred daggers from the Vatican as they are the only items that can kill Nemo. When Stan asks if he’s sure, Father Donovan says “Yes, I read it on Wikipedia.” He then goes into a long history on musician Jon Bon Jovi which he also read about on Wikipedia. As he does this, he’s clearly struggling to breathe, but he manages to finish the lesson before finally passing. Stan informs Jeff and Roger that they need to hurry to the Vatican, but Father Donovan wakes up and continues his history lesson. His last words are “Kenny…Loggins.” Stan seems afraid to say anything else in fear that it will prompt Father Donovan to share more last words. Godspeed Father Donovan. I hope there are hookers in Heaven waiting for you and they don’t care if you have a moustache or not.

Something tells me Steve will not enjoy this.

Our next scene reveals that Stan has apparently managed to utilize CIA resources to get a plane and head to the Vatican. Stan calls home to let his family know what’s going on and he gets Steve. Steve immediately starts to share the results of his latest eye exam, but Stan obviously doesn’t care. He just blurts out the Nemo is the antichrist. Steve pauses, looks annoyed, then resumes sharing the details of his exam. At the next pause, Stan just shouts what they’re doing and passes on a warning to beware of Nemo before hanging up. Steve, clearly agitated, puts the phone down only to be startled by the presence of his nephew on the couch beside him. Nemo’s eyes glow red once more and Steve shivers beside him until his eyes turn red in response. He drones that he is here to serve him as his buddy Snot (Curtis Armstrong) enters the house. Steve’s head spins around with a snapping sound and Snot rightly is freaked out and makes a hasty retreat.

What did Seth do? I don’t think I want to know what Andy Dick did.

Stan, Roger, and Jeff arrive at the Vatican. Roger is already bored and complaining of thirst while Stan ignores him and outlines the plan. They need to gain access to the catacombs in order to find the daggers they seek, but when they arrive at the gate the two guards inform Stan he’s not allowed to enter. We get a close-up shot of a flier of banned persons. One is Jared from Subway with an “OK” stamped over him. Stan is there and below him it looks like maybe Christian Slater and Andy Dick? The one that looks like Slater might just be Seth MacFarlane, I don’t know. It is! When the camera zooms out we can clearly see his name below. Odd that they didn’t include it in the frame for the close-up. Anyway, Stan informs Jeff and Roger that they’ll have to retrieve the daggers, but Roger doesn’t want to. Stan then asks him why he can’t just assume a persona that’s eager to do this? Roger likes the suggestion and morphs into Roland Chang – Super Positive Asian! He basically wears a wig and smiley face hat and gets slanted eyes. It’s kind of racist? Roger is certainly not PC.

We know what this means…

The catacombs are pretty creepy as we see Jeff and Roger walk amongst some dusty, old corpses. Roger tells Jeff to be on the lookout for the daggers and empty boxes since he has a friend that needs boxes in preparation for a move. A rat emerges from a hole in the wall to spy the pair and its eyes immediately turn red. We cut back to Nemo who is seated in a highchair with a sippy cup and army men splayed before him on the kitchen table. His eyes in turn glow red and he removes the lid to his cup and dumps it upon the army men. In the catacombs, Roger asks Jeff if he does coke and gets no reply so he just says “Yeah, me neither.” Suddenly, a rush of water comes surging in and Jeff and Roger are forced to try and get to safety. Roger manages to get onto a ledge, but the water sweeps Jeff away. Roger cries out, “Jeff!” in response to this only for Jeff to shout back “What?”

That is just a fantastic nut shot. Look at how the eyes go cross.

We then see Roger emerge from a floor vent into an ornately decorated sanctum. A group of cardinals, or bishops, or whatever they’re called are just standing around a bit surprised to see a super positive Asian fellow emerge from their basement. Roger has to break the bad news to them that they have a bit of a moisture problem in the basement. He then spies the ceremonial daggers right there on the wall! He informs them he can prepare an estimate for repairs, but then just kicks the first bishop in front of him right, square, in the nuts. We cut to Stan waiting outside as Roger comes running out shouting “We’ve got the daggers Jeff died run, run, run!”

Well, at least in this state Steve should be more helpful when it comes to stringing lights and such.

We now return to the Smith household where Hayley is tossing a football with Nemo while Steve looks on speaking in tongues. Francine is on a ladder and hanging lights when she scolds Steve to stop speaking in Aramaic – it’s a dead language. Stan and Roger come speeding in and Francine demands to know where they’ve been. Stan asks her if she got his message, but as illustrated by Steve crawling around on the roof in some kind of a reverse crab walk pose, she did not. When Stan points out that Nemo turned Steve into an apostate of Satan, Francine confirms he’s been a pill all day. They also find time to slip in casually that Jeff is dead which shocks Hayley. When Stan tells her that they have to kill Nemo, he tries to use Steve like a club of sorts to telekinetically beat back Stan. Francine still doesn’t buy into this and just thinks Steve is hungry. She tells him she just made a Trader Joe’s run and lists off a bunch of digs at Trader Joe’s ending with something about a mushroom flatbread pizza that smells like nutsack.

Get ready for an extended brawl as our main character tries to kill a toddler!

Hayley, despite all of this, isn’t willing to let her father murder her son. She grabs him after Stan gets tossed into the ladder Francine was on forcing her to grab onto the lights to stop herself from falling. Roger leaps into action to stop Hayley from taking off, but Francine comes inadvertently swinging in and knocks Roger to the ground. The lights end up causing a fire which provides a distraction for Stan to grab Nemo and run. Hayley tackles him through the living room window of Terry (Mike Barker) and Greg’s (MacFarlane) and they roll around their house destroying a bunch of stuff in the process. Stan kicks his kids out of the house, but Nemo uses his telekinetic powers to throw Stan through the ceiling. He dangles for a second, then falls and resumes chasing after Nemo. Terry realizes this is the perfect opportunity to destroy some figurines of Greg’s he hates so he awkwardly swats them off an end table, well after the Smith’s have vacated their home, and does a pretty poor job of acting like it was an accident.

Did we really need to mock the blind here? This one was a little too dark for me to be funny.

Back outside, Hayley pounces on her dad and demands he not harm her Satan baby indicating she’s accepted the reality of the situation, but still would prefer to not have her son murdered. A menacing looking dog leaps to Nemo’s defense so Stan pulls out his gun and shoots it. A blind man then wanders over asking if they’ve seen his dog, Clancy. Hayley and Stan don’t move or say a word and just let the poor guy pathetically call out for his service dog while receiving no response. He decides to move on, and is promptly run over for his efforts. That was just unnecessarily cruel.

It’s all come down to this. Is American Dad! really going to show toddler murder on network television?!

With the blind man dead, Hayley and Stan resume their brawl only to be interrupted by Steve. He jumps on his father, still speaking in tongues, but Roland is here to put him down! He sprays Steve with some bug killer that causes him to fall off and act like a spider that just died. Roland tells Stan now they can kill that boy together and punctuates his optimism with a hearty thumb’s up. Stan grabs the daggers while Nemo tries to flee through the backyard. He uses his mind powers to chuck a charcoal grill at Stan, but Roland grabs him and pins him to a patio table. Stan goes in for the kill, and misses Nemo stabbing Roland in the hand. Roger immediately snaps back into his standard persona and begins to insult Stan, but then has to remind himself that’s not who Roland is and instead offers words of encouragement. Stan regathers the daggers and looks to try again, only for Hayley to pull his own gun on him. He gives her one look, then decides to kill the kid.

Don’t worry, this isn’t The Wizard of Oz.

The screen goes white as we hear the sound of a gunshot. We’re at the hospital and Stan is waking up in his hospital bed surrounded by his family – including Jeff! If you’re thinking this whole episode was a dream, well you’re wrong. All of that stuff really happened, and Hayley did shoot Stan! It’s not explained how Jeff survived, he just did. Nemo was not murdered, but the family has good news regardless. Turns out, Roger’s pimp cup from act one was actually the Holy Grail so Stan has been readmitted into Christianity! As for Nemo, Hayley sent him somewhere far from Stan where he’ll be safe. We then cut to someone tucking little Nemo into bed – it’s Sarah Palin (Schaal). She offers up some encouragement about sleeping in the White House soon and then leaves the boy because her new issue of Highlights magazine has arrived. With his new mother gone, Nemo pops out from under the covers. He takes off his onesie pajamas, which are covered with crosses, and puts them on upside down. He then speaks in a shrill voice threatening Stan Smith that he’ll see him at the Rapture! His head spins around and he vomits a whole bunch while a voice over lets us know that Baby Antichrist wants to wish us a Merry Christmas! The screen is then covered in green vomit and the credits roll.

Merry Christmas to you too, Baby Antichrist!

I told you it wasn’t going to be one of those warm, fuzzy, Christmas episodes. American Dad! knows how to deliver the subversive, and since its main character is a devout Christian it makes it pretty easy to craft a Christmas special. There are probably some uncomfortable images in this one for those who take their religion seriously, but there isn’t much here truly mocking Christianity. Father Donovan isn’t really a wholesome take on a priest while the suggestion that anyone with money can buy their way into the good graces of the Pope could certainly be taken as a jab at the faith. On the other hand, Donovan did say “charity” when mentioning how Stan could pay his way out of trouble so it’s not like he was enriching any one person had he been able to go that route.

Sarah Palin jokes were pretty dated in 2011. They’re even more so now.

No, what’s really the aim of this episode is just to fashion a Christmas episode around a grandfather seeking to kill his newly adopted grandson. That’s pretty messed up, especially because Stan seems completely fine with the whole thing. Then again, Nemo is pretty clearly the antichrist and I suppose a good Christian would want to kill such a creature. And it’s not as if Nemo had been around all that long. I find it funny, and the episode is chock full of Christmas theming which I do so enjoy. We get lots of decorations and fun Christmas outfits for most of the family. I definitely could have used a bit more of Father Donovan so I was a bit sad to see him killed off about halfway through, but at least he didn’t overstay his welcome. The Palin joke at the end wasn’t very good. They insulted her intelligence with the crack about Highlights magazine, but it’s a pretty toothless joke. And Nemo did leave us with a taunt, but he would not return. There’s even a later Christmas episode about The Rapture, but no Nemo. I guess he’s still biding his time up there in Alaska, but he should probably ditch Palin and hitch himself onto another wagon if he wants to get into Washington.

Bless you, Father Donovan. Hopefully, you’re in a better place.

Should you wish to partake in this non-traditional Christmas special the easiest way to do so is via Hulu. If you’re outside the US, then Disney+ will have it. TBS is still the cable home for American Dad! and you can probably find this one playing throughout the month there as well. It’s not my favorite American Dad! holiday episode, but it’s up there. Maybe even number two, so I give it a strong recommend with the caveat that it’s not for everyone. Now let’s all strive to be a little less like the antichrist this holiday season and a little more like Roland Chang – Super Positive Asian!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 3 – Animaniacs – ‘Twas the Day Before Christmas

Children’s cartoons often take to Christmas when the season rolls around. The holiday is usually ripe for parody or just direct adaptations so it’s easy for the writers to kind of phone it in. What’s not customary is for a cartoon series to feature two dedicated Christmas episodes in a single season! That’s what Animaniacs…

Keep reading

Dec. 3 – Popeye the Sailor – “Mister and Mistletoe”

Last year for the Christmas Spot we took a look at the 1960’s TV series Popeye the Sailor and its Christmas episode “Spinach Greetings.” There are a lot of Popeye fans in the world and my assumption is that most would not put Popeye the Sailor above the theatrical shorts that helped catapult Popeye to…

Keep reading

Dec. 2 – Dinosaurs – “Refrigerator Day”

Original air date December 11, 1991

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of the world celebrated a different sort of holiday and it was one centered around the refrigerator. Think about it for a second – the refrigerator really is an amazingly transformative invention. Prior to its creation, there was no way to keep food from spoiling when the outside temperature was above 50 degrees or so. People would have root cellars where they would store things like apples and cheese in the winter because they were hearty. Apples could be turned into apple sauce or pie while cheese would spoil from the outside in. Those moldy parts could be discarded, or consumed if you like that sort of thing. That’s why in a society that apparently doesn’t really worship a god a refrigerator can seem like a truly miraculous thing.

Dinosaurs was an ingenious idea that lead to a pretty great show.

On this blog, I tend to stick with cartoons when it comes to the daily Christmas post, but it’s not a hard and fast rule. And Dinosaurs is kind of like a live-action cartoon. It was often compared (sometimes negatively) to The Simpsons during its heyday and it’s fairly apt. Both shows are sitcoms that just go about the whole medium thing different. Where as The Simpsons is a bonafide animated production, Dinosaurs is a costumed one with advanced puppetry. The show was created by Mike Jacobs and Bob Young and receiving a “developed by” credit is the infamous Jim Henson. Henson died before the show’s premiere, but it’s he who is credited with the idea of doing a sitcom about a family of dinosaurs. The costumes for much of the cast are very similar to what the company made for the Teenage Mutant Ninja Turtles films. You basically have an actor in a big, rubber, suit, with animatronics built into the face that are then operated by a puppeteer. I can’t imagine how miserable these costumes must have been to wear, but the technology on display is truly amazing. These characters are as alive and expressive as most sitcom stars and the show became an overnight success when it debuted in 1991.

The Sinclair family is a fairly typical family of four at the beginning, but made five before the first episode ends.

Dinosaurs was considered an expensive production, but despite that it ran for four seasons totaling 65 episodes, an important number if syndication was going to be in its future. It’s also a show that has become infamous since it left the air because the final episode basically kills everybody off. I mean, it’s a show about dinosaurs – how else could it have ended? The Sinclair family doesn’t literally die, but the ice age is essentially about to begin and it’s pretty bleak. Their doom was brought about by their own society’s ills and in that regard it’s even less of a surprise the show ended in such a fashion. Dinosaurs is a sitcom and a funny one at that, but it’s also a pretty biting satire of 90s culture. The show was very critical of war during a time when most of the country was consumed by Gulf War patriotism and the show even tackled religion in a pretty savage way for network television. In my experience, the show burned bright and faded quickly with most only remembering it for the baby and his infamous “Not the mama,” routine, but once the show hit Disney+ I gave it a complete rewatch and was kind of blown away by how well it holds up.

The enduring image from the show.

If you are new to the show, Dinosaurs is about the Sinclair family. Earl (Bill Barretta as the suit actor, Stuart Pankin the voice) is a typical sitcom dad in that he’s a blue collar worker with a mean boss who just wants to be left alone when he’s not on the job. He’s not stupid, but he is pretty ignorant which leads to some stupid decisions. His wife, Fran (Mitchel Young-Evans, Jessica Walter) is the typical moral center of the family and a stay-at-home mother to a pair of teenagers, Robbie (Leif Tilden, Jason Willinger) and Charlene (Michelan Sisti, Sally Struthers). Both kids have pretty typical teenaged problems dealing with popularity, the opposite sex, puberty, and so on. In the very first episode, Fran lays a surprise egg which hatches into Baby Sinclair (a more conventional puppet operated by Terri Harden and Kevin Clash with Clash providing the voice) who basically throws their world for a loop. Earl and Fran, already having teenaged children, certainly weren’t looking to start over with another baby, but life is funny like that.

This will be Baby’s first Refrigerator Day.

“Refrigerator Day” is the 12th episode of the show’s second season. It originally aired on the ABC network on December 11, 1991. The episode begins with everyone in the Sinclair household decorating for Refrigerator Day. Basically, it looks like Christmas with a different name. Fran has just finished baking a traditional mold pie while Baby asks his grandmother Ethyl (Brian Henson, Florence Stanley) what Refrigerator Day is. She dryly informs him she already told him, but he asks if he was listening. The humor in this show is very much in-line with The Muppets. Ethyl explains that before there were refrigerators life basically sucked. Fran chimes in as well, but the whole thing is lost on Baby who doesn’t understand their explanation, but does perk up when Charlene mentions it includes lots of presents.

Instead of having to introduce a new item to the home and decorate it, the dinosaurs just trim-up their fridge. It’s a sound method.

Robbie asks his dad if he’s basically going nuts on gifts this year and Earl is happy to tell his son that he indeed is. He gets in a dig at his own expense when he points out that it’s easy to blow all of their money on presents with his salary, but he’s in a very jovial mood so his dead-end job as a tree pusher isn’t going to bother him. He does bring up the dreaded Refrigerator Bonus, so you know he’s either not going to get one or its going to be miniscule. He reaches into that holiest of appliances, the refrigerator, to pull out a snack. It’s a living, small, mammal which gives the show an almost Flinstones vibe as most of their food is seen alive first and is often sarcastic. Fran comes over to lecture him about the true meaning of the holiday. And wouldn’t you know, it’s basically all of the same stuff as Christmas with the noted exception that this holiday is preceded by two days of fasting. Fran snatches the little vermin away from Earl who also gets to make a fat joke at the expense of the megalosaurus.

We jump to later in the day and Earl is on the job. His friend and co-worker, Roy (Pons Mar and Julianne Buescher as puppeteers, Sam McMurray voice) is puzzled by Earl’s lack of lunch who is then forced to explain the whole fasting ritual. Roy, being a bachelor, doesn’t have a wife to enforce such things. Earl isn’t too bummed though, because he soon hears the summons of his boss B.P. Richfield (Leif Tilden and Steve Whitmire, Sherman Hemsley) which can only mean one thing: bonus!

“Toddy.”

Earl heads into his boss’s trailer in a very good mood which is unusual for him as heading into the boss’s trailer is usually a terrifying experience for Earl. Richfield is apparently in the Refrigerator Spirit as he’s decorated his trailer with lights and tinsel and even installed a fireplace so his workers could come in out of the cold. He offers Earl a hot toddy and even takes time to remark what a funny word “toddy” is. Earl is very much enjoying this as his boss produces three envelopes. They each contain a Christmas bonus and when he asks Earl to guess which one is his he surprises him by saying “All of them!”

Now that’s the Richfield we know and love (?).

If this all seems too good to be true it’s because it is. Earl is having a pretty sad fantasy about getting love and respect from his boss, which is shattered by the screams of said boss to get in his trailer. The actual trailer is just as cold and miserable as usual. No fireplace, no hot toddy, no offers of an embrace, and perhaps not unexpectedly, no bonus. Earl actually gets handed four pencils, not to keep, but to sharpen. When he prods his boss about a bonus he’s met with an angry stare and confirmation that there is none. They do a little Looney Tunes bit where Earl tries to say there will be one, while Richfield says otherwise, but Earl being a dinosaur and all has never seen a Bugs Bunny cartoon so he doesn’t know how to turn the argument around in his favor. When Earl protests that he depends on the bonus, Richfield tells him that’s why he isn’t getting one. When you expect a bonus, it’s just salary. When Earl tries to tell him that he isn’t expecting one now, Richfield just remarks, “Good! Now you won’t be disappointed!” As Earl leaves dragging his tail behind, Richfield tells him not to tell anybody else about the no bonuses this year. He wants to tell them himself and describes it as a little holiday treat. I love Sherman Helmsley as Richfield, he is just so damn good at being a terrible boss.

At least Earl doesn’t try to hide his lack of a bonus from his family.

If you’re worried that this means we’re about to embark on an A Christmas Carol like plot involving Richfield then worry not. He’s beyond hope. Instead, Earl heads home with the bad news. We first find Charlene and Robbie preparing more decorations while watching TV. There’s a commercial about celebrating Refrigerator Day by giving paint which Robbie finds distasteful, but Charlene seems more open to Refrigerator Day commercialism. It’s followed up with a holiday greeting from the We Say So corporation about deregulation and corporate freedom. Wow, does it ring true in 2024. Following that is when Earl enters to summon the family to share the bad news. At first, Baby won’t let him share the bad news as he keeps interrupting to talk about his new found love of Refrigerator Day which involves drawing a refrigerator, drawing on the refrigerator, drawing on the walls, etc. Earl is finally able to get it out that he’s not getting a bonus and that they’re broke. Charlene sees no problems here because Earl already bought the presents. When her mother points out that they have no money to pay the bills she still fails to see a problem. Earl tries to reassure everyone that they’ll be okay. It’s the holiday season and everyone is more charitable at this time of year and more willing to wait for their money.

Avert your eyes, dear reader, it’s too gruesome!

We smash cut to the family’s refrigerator getting repossessed in front of a distraught Earl. Larry the repo dinosaur informs him he’s half a day late with his payment so the fridge has got to go. Earl tries appealing to the guy by pointing out his children and that it’s Refrigerator Day. Baby has even latched into his leg, but his mother pulls him away. Larry informs the family that his boss demands that they take the appliance that leaves the biggest mark and puts them under the most pressure, hence why the fridge goes. Earl refers to the guy’s boss as an evil man, which Larry confirms also while adding that he did give them all a nice holiday bonus. With the fridge gone, Earl is left to confront his own failure. He declares himself lower than dirt and despite his family trying to console him he announces that this will be the worst Refrigerator Day ever!

Earl is not coping well.

Earl rises the next morning and, out of habit, saunters over to where the refrigerator would normally be. When he discovers it gone, he becomes delirious and basically starts sobbing. The rest of the family retreat to the living room where Fran shares an idea she has with her kids: they take the presents back to the store, get their money back, and use it to buy back their fridge! Charlene is so disgusted by the suggestion that she can’t even form a proper analogy to describe what it would be like to have no presents on Refrigerator Day, but one look at their father singing to himself while holding ice trays is enough to convince the others. It’s here we find out that the concept of returning purchased goods to a store is a completely foreign concept in dinosaur society. Fran acknowledges it’s an odd thing to do, but thinks they have to try. Meanwhile, Earl seems to be getting even more delirious and cries out that they’re starving. Fran reminds him that they’re fasting, but Earl points out that fasting is a choice. They have no food and therefore are starving. He’s pretty logical when he wants to be.

These two just can’t wrap their heads around the idea of returning bought merchandise.

We next find the family at Kave Mart, a pun that is generic enough to still work today, but is obviously a pun on K-Mart which no longer exists or barely does. Fran and the kids carry in their wrapped gifts and approach a clerk about returning them. He seems puzzled, but says okay and tells them to just put them whereever. When Fran explains that she also wants her money back he gets real confused. He calls in his co-worker Hank to try and figure this out. It’s basically a very straight-forward discussion on logic: why would a store, which already has enough product, buy back its own merchandise? And why would someone like Fran try to sell something without making a profit? This is what it’s like to have a discussion with a libertarian. The two clerks get a bit angry with Fran thinking she’s trying to pull a fast one before declaring that the only way they would be willing to buy merchandise would be if they paid wholesale. Fran reluctantly accepts despite the protests of Robbie who rightly points out that they’ll get practically nothing for these items. What kind of fridge could they possibly get selling these items back to the store for far less than what they paid?

Refrigerator Day is saved?

A Styrofoam cooler, that’s what. We smash cut to the not-fridge while Ethyl takes a gander as Fran informs her mother it was all they could afford. Earl enters to wish everyone a happy Refrigerator Day, but in a very gloomy manner. He informs them he wanted to give them the presents he bought, but it seems they’ve been stolen so he’s going to head to the garage to hang himself. Fran intercepts Earl’s suicide march to tell him the gifts weren’t stolen and they returned them to the store to buy back their fridge. Earl can hardly believe it and nearly becomes overwhelmed with emotion, until he sees the new fridge. He’s back to feeling suicidal as he apologizes to Baby for ruining his first fridge day and implores him to take a whack at his dome with a pot as he so often does. Baby declines which makes Earl feel like an even bigger failure. Ethyl is there for him though as she strikes him across the belly with her cane reminding him that she’ll always be here for him, “Fat boy.”

And now Earl’s own son has rejected the proposal of inflicting violence upon his skull. Could this day get any worse?

It’s at this point that Fran feels inclined to remind everyone what Refrigerator Day is all about. She reminds them all the day is for them to reflect back on their ancestors who have nothing and appreciate all that they have today. She tries to throw it back at Earl by declaring them blessed, but he’d still rather head to the garage and hang himself. Fran stops Earl to inform him that they are going to do the annual Refrigerator Day pageant. Earl replies, “At the risk of sounding immature – I don’t want to!” and stamps his feet. Fran pushes past him to say then they’ll do it without him as the kids follow along behind her. I’m finding it hard to believe that teenagers would go along with a family pageant, but they are a different breed from me.

Now here’s a custom I can do without.

We cut to Ethyl reading from a book, “And now it can be told…the True Story of Refrigerator Day.” It’s essentially a parody of A Visit From Saint Nicholas/Twas the Night Before Christmas. Come to think of it, that’s what this holiday is lacking. A cosmic being who spreads presents and good cheer. Actually, the story is more like the first Thanksgiving complete with pilgrim-like costumes. Earl reluctantly takes part while the rest are fairly enthusiastic. We learn the story of the holiday is that the patriarch of this story heard a voice demanding he build a box that’s cold inside. The dinosaurs stopped migrating and constructed their box. They do, and the family has a little, prop, fridge for their story. As its told, to make it cold they were going to toss it in a lake, until the daughter discovered it had an electrical plug. The play ends with the family singing a “Fridge Carol” that sounds like “The Feast of Stephen.” It’s a crazy holiday, but when you get right down to it, Christmas is pretty wacky too. And don’t get me started on Easter!

It’s a Refrigerator Day miracle!

Performing in the pageant has done wonders for Earl’s mood. He declares his love for the pageant while someone is at the door. It’s the guys from Kave Mart! They’ve brought back their fridge and all the presents from before. Refrigerator Day hadn’t been stolen, it came just as before! Actually, there was no change of heart or visit from three ghosts. The store just figured out that a return policy like the one Fran proposed is a huge, money-making, idea and to buy off the Sinclair family from claiming credit for it they’re being bribed with their old refrigerator and gifts. Earl even gets his bonus and the store also installed snow machines on the roof for ambience. All they have to do is sign away all rights to the return policy idea which Earl is happy to do.

With everything all wrapped up in a neat, Refrigerator Day, package, there’s nothing left to do but celebrate. The children gather around the refrigerator while Earl and Fran reflect on what they have. The image is framed like a greeting card with the cast and crew of Dinosaurs wishing us all the happiest of Refrigerator Days!

The Sinclairs get a happy ending, but they’re also swindled out of a million dollar idea.

It’s not exactly Christmas, but it’s just Christmas with a different name. Dinosaurs took a conventional plot, oddly one also utilized by The Simpsons which Dinosaurs was sometimes accused of ripping off, but they found a way to turn it on its head. The concept of a return policy is completely off the wall in this consumerist society. The world of Dinosaurs is one dominated by We Say So which basically has a monopoly on everything. Do they own Kave Mart? Probably. The bit at the store is great and the show has several expertly crafted cuts to drive home its own brand of satirical, sometimes dark, humor.

It’s that dark humor that can possibly rub some the wrong way. We have multiple suicide jokes and the Richfield character is truly detestable. I find it all pretty damn hilarious, but that’s just me. The characters emote really well and this episode contains a rare additional set in the form of the department store. The one criticism I have of the show is it often takes place in very familiar locations, but that’s because new sets are really expensive. The extras, like the clerks and repo man, are basically stock costumes that get used and reused constantly throughout the show. Sometimes they change up the voices and sometimes they stick with the same ones. It’s almost like a fourth wall situation where the dinosaurs are just actors in this show we’re watching and they play the roles expected of them.

Every Christmas episode should end with a faux greeting card.

Dinosaurs is a terrific little 90s gem of a series. If you remember it somewhat negatively as “The Baby Show” then know that your memories are inaccurate. While Baby was a breakout star, he wasn’t relied upon to do a lot of heavy lifting outside of an episode here and there. It really is a family sitcom, but one that’s not at all sweet or mild and it really leans into the satire. It has a lot of Muppets-styled timing with some of the jokes, but it’s far more focused and lacks that intentional corn of its more famous predecessor. If you have never watched it definitely give it a try especially if you’re a fan of other Jim Henson productions. It’s a pretty unique show and it’s all available on Disney+ so it’s pretty accessible by today’s standards. And remember, while you’re drinking down your nogg and opening presents, think about those who made our refrigerator possible and thank them. If you want to know their names, go check Wikipedia or something. I’m busy decorating for Refrigerator Day.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

Keep reading

Dec. 1 – Mickey’s Orphans (1931)

Original release date December 5, 1931.

It’s December 1st and you know what that means – time for Christmas specials! Not to “well, actually,” myself, but the Christmas special viewing season began before today in my house as it’s annually the day after Thanksgiving. What you may call Black Friday, I dub the start of the Christmas Special Season. And this year, it’s a shorter than usual one since Thanksgiving occurred on the 28th of November which is the latest the holiday can take place which means we have less time than usual to squeeze in some favorite seasonal viewing.

Not that any of that has any impact on this year’s edition of The Christmas Spot. It’s always 25 days of 25 festive topics which most often take the form of a holiday special walkthrough. It’s actually been years since I did something other than a holiday special on one of the 25 days of Christmas (sorry Family Channel/ABC Family/Freeform/Whatever you’re called now, I’m stealing your bit) – will this year change that? I don’t know! I just know I have my work cut out for me.

It’s always a Mickey Mouse cartoon, never Mickey and Minnie. Poor Minnie.

To kick things off this December I am righting a wrong. It was many years ago I made a post about Christmas specials staring Mickey Mouse. You know that guy, right? He’s often celebrated as the first global cartoon star following his debut in 1928. I have no idea if that is accurate or not, there were a lot of cartoon characters that came before Mickey, but when you’re a company as big and powerful as The Walt Disney Company and you’ve lasted longer than many of your competitors you basically get to write your own history. I think we can all agree that Mickey is pretty damn popular and recognized around the world even to this day as the brand ambassador of a mega-corporation. He’s even still starring in current Christmas specials and probably will continue to do so long after many of us expire.

Oswald got to do Christmas first where he tried to bring Christmas to some poor kids. Only in his cartoon, it was the home of the children that got wrecked, not Oswald’s.

Back when I did that post though, I failed to mention Mickey’s first ever Christmas cartoon: Mickey’s Orphans. Released in 1931, it stars Mickey (Walt Disney), Minnie (Marcellite Garner), and Pluto and features the characters taking in some orphaned kittens (mice taking care of kittens – how absurd) on Christmas. The Wikipedia entry for the cartoon states it’s a remake of an Oswald the Lucky Rabbit cartoon (that guy who was famous before Mickey) titled Empty Socks. Well, I’ve watched Empty Socks and I don’t see how it could be classified as a remake. That cartoon features Oswald playing Santa for some orphans (who also happen to be feline) and they’re basically brats and they actually end up burning down the house. This one has the orphans coming to Mickey’s house and, yes, they’re pretty destructive. I can see how the Oswald short influenced this one, but calling it a remake seems like it goes too far.

This being a short from 90+ years ago, it should come as no surprise that it’s in black and white and the audio and visual quality isn’t exactly pristine. Mickey cartoons are often cited as being technically great, but not as entertaining as the stuff from Warner Bros or even the later cartoons from Disney staring Donald Duck. As someone who has watched a lot of cartoons from that era, I can mostly go along with that. Mickey cartoons tend to feature a lot of just singing and dancing. There are some that are quite entertaining though, and on a technical level even the oldest ones can often impress in some way. Mickey became more of a bland every man character much later into the 30s when he could play off of his more comedic sidekicks, Donald and Goofy. In ’31 he was allowed to be a bit less polished, more of a rascal, though this being a Christmas cartoon in which he takes in orphans don’t expect a whole lot of that stuff. He’s actually just going to roll over and take it in this one.

This individual isn’t even going to bother with the church, apparently.

The cartoon begins with a robed figure walking through the snow at night. The wind is howling and it’s whipping the individual’s ragged clothing around. The figure is carrying what looks like a picnic basket with its right arm. It’s a nice shot that doesn’t rely on a repeating background and “Silent Night” is helping to set the mood as a somber one. The individual then comes to a warmly lit house and we hear Minnie Mouse before we see her. The individual looks through a window to find Minnie playing “Silent Night,” but not singing it (she just keeps saying “La la la” because I guess she has trouble with lyrics), at a piano. I think? I don’t know, it has two large pedals that she’s working over. Nearby, we see Mickey decorating the Christmas tree. Each time he places an ornament we hear a little chime. He grabs two candy canes and then taps the ornaments in time with the music. We pan over to see Pluto asleep by the fire. He’s looking well fed as he snores.

I guess two mice can be parents to a cat. Why not?

Outside, the ragged figure runs over to the front door and lays the basket down in front of it. The person picks up a bundle from inside it, kisses it, then places it back in the basket and rings the doorbell. They take off as Mickey opens the door. An eager Pluto runs out and returns quickly with the basket. He sniffs at it, and from inside pops out a little kitten. Pluto doesn’t seem thrilled, but Mickey happily scoops up the little fella and brings it over to Minnie. She thinks it’s adorable, though it’s oddly hostile towards Mickey as it bites him on the finger. He’s such a good-natured man-mouse though that he laughs it off. Meanwhile, Pluto is still sniffing around that basket and soon another kitten pokes its head out and whacks him on the nose. Then an impossible amount of kittens burst forth!

That must have been some kind of magic basket to fit all of these kittens in it. Maybe they have a future as a gang of clowns?

The kittens soon overrun the place swinging on clocks, bouncing on pianos, and pulling on poor Pluto’s ears and tail. Another kitten has displaced the couple’s parrot in its cage while another group ride a chandelier like an amusement park ride. Mickey gets his tail tied around his ankles and there’s a long shot of the kittens just going nuts in the living room. To their credit, Mickey and Minnie seem unphased by all of this as they continue to smile. Minnie whispers an idea into Mickey’s ear, who in turn does the same with Pluto. The two soon depart, but not before Mickey grabs a deer mount from the wall. I wonder what they could be up to?

Hey! It’s food or a fashion accessory, not both!

With Mickey gone, it means Minnie has to look after all of the kittens. One needs help blowing its nose while another is tugging her skirt and seems anxious about something. I thought maybe it dirtied its diaper, but apparently the little tyke is just hungry. Minnie does what any responsible adult would do and gives the hungry toddler a candy cane. The little cat licks it all over then starts strutting around using it like an actual cane. That thing is going to get real gross real fast.

There was no way Mickey was going to star in his first Christmas cartoon and not play Santa.

Minnie then takes a seat at the piano once again. The pedals have strangely disappeared. She starts playing “Jingle Bells” which is apparently Mickey’s cue to come bursting through the front door. He’s dressed like Santa Claus and being pulled on a sleigh by Pluto who’s sporting the deer head like a helmet. Mickey is whipping him, which seems a bit cruel, and he’s apparently enjoying it since he has that same big, dopey, grin plastered on his face. When the sleigh comes to a stop, Mickey hops off with a big sack of presents, but the little monsters don’t even wait for him to start handing out gifts. They run him over and all dive into the sack. Each one comes running out with something until there’s nothing left, just a final kitten clutching the sack itself. It stops to ask Mickey, “Are you Santa Claus?” Mickey smiles and nods and the kid responds by blowing him a raspberry and tugging on his beard so hard that he topples over. Ungrateful brat!

This doesn’t even resemble playing anymore, they’re just hacking stuff to bits.

With the gifts distributed, the children return to their path of destruction. A series of them start a marching band and some have actual instruments while others are just banging on household items. The music is livelier now too and kind of sounds like it could be a version of “Ain’t We Got Fun.” Whatever it is, it doesn’t sound Christmassy. A bunch of the kids somehow got ahold of saws and hammers and we get to see them destroying Mickey and Minnie’s furniture. A bunch are also smashing other objects with more conventional toys while a trio of kittens wielding pop guns use them to break some stuff and blast Mickey in the bum. Meanwhile, the construction crew of kittens has moved on from the living room to the piano and they’re hacking that thing up. I guess they weren’t a fan of Minnie’s playing?

Mickey got to enjoy himself for maybe three seconds.

More destruction ensues as the kids smash windows and basically anything else of value in the house. A kitten comes riding by on a train (did you ever hear how Walt loved these things? Of course there’s a toy train in this picture) and smashes into Mickey. He does a flip and ends up seated on the caboose. He waves to Minnie as they drive by and she’s up on a sofa like she’s trying to escape the carnage, but the two happily wave to each other like their house isn’t getting demolished. I guess Walt pays them well. The kitten conductor drives the train under an end table so the back of Mickey’s head smashes into it and knocks him from his perch. Another kitten is shown shooting Pluto in the butt with a toy canon and when the dog runs into the wall the deer head he was wearing pops off and lands on his butt creating some weird chimaera of a creature that frightens the kid.

That’s…unsettling.

Mickey seems like he doesn’t know what to do, which just makes him more of a target. A kitten operating a toy steam shovel uses it to scoop coals out of the fireplace and drop them down Mickey’s pants. He starts hopping around which alerts the kitten fire brigade to come to his rescue. Two kittens come riding in on a toy fire truck and blast Mickey in the butt. He enjoys the relief it brings and just sort of stands there soaking it all in. Quite literally. On all fours. It’s an odd sight to be sure.

Oh, what a lovely tree! Surely those orphans will appreciate it!

Minnie then gets everyone’s attention with a little horn. She’s standing by a curtain and Mickey comes over to help her reveal what’s behind it by playing a drum. After a vintage drum roll, the curtain is pulled back to reveal the Christmas tree. It’s quite a lovely sight as it’s full of ornaments and lit with several candles. These things must have been extreme fire hazards back in the day. The kids all cheer and then attack! The tree has some more gifts under it, but the kittens cover the tree by climbing all over it and as they disperse what’s left behind is a standing, old, stick. Mickey and Minnie can only look on with shock and awe and for the first time there appears to be a twinge of sadness on their faces.

This is the shot we go out on. I don’t think it’s going to be a merry Christmas for the Mouse family.

If you think this is where the kittens realize they’ve been a naughty bunch and have treated these mice poorly, think again! Nope, there is no moral here as that’s the end. Mickey and Minnie can only stare at what’s left of their tree and are left to ponder what their Christmas might have been like if these wretched orphans hadn’t been dumped on them.

What a weird cartoon. It is similar to the Oswald short I mentioned coming in as in both some orphans just act like rotten kids and there’s no comeuppance for them. They just spread destruction at Christmas and that’s it. We’re supposed to laugh at their wickedness, I suppose, and that’s enough. We’re not really supposed to care about Mickey and Minnie and what’s left of their house. I suppose making sure orphans are in a safe environment at Christmas is something to aspire to. Minnie and Mickey’s physical possessions aren’t really that important, but these two take these kids into their home, go to great lengths to give them a special Christmas, and get nothing in return. It’s definitely not the kind of cartoon you would see starring Mickey Mouse in 2024.

Mickey is Mr. Nice Guy in this one, but he just gets crap for it.

There isn’t a whole lot to this one. There are some visual gags, but they’re not inventive or creative. It’s just kids being destructive in pretty standard ways. Mickey’s makeshift Santa entrance had a little cleverness to it, but it’s not like he used household objects to create toys like Grampy did in Christmas Comes But Once a Year. Visually, it’s a nice looking black and white short. Disney has always been on top of the animation game and that was true back then just as it so often has been throughout the decades since. The music is probably all public domain stuff. There’s a few Christmas numbers, and I think I even heard Beethoven, and it’s fine. There’s almost no dialogue save for the little kitten asking Mickey if he’s Santa and a few remarks by Minnie. The audio always comes across as more dated to me than the black and white visuals and that’s true here.

Mickey’s Orphans is a pretty unremarkable Christmas cartoon from the famous mouse, which is probably why it’s quite forgettable. There weren’t any scenes from this used in the broadcast of Mickey’s Christmas Carol like we saw with On Ice and Mickey’s Good Deed. Like a lot of what makes up the legend of Mickey Mouse, it mostly just gets credit for being first and not much else. Still, at only about seven minutes it’s hardly much of an investment of your time if you want to check it out. It can be found on YouTube and other free streaming platforms with ease as Disney isn’t very protective of its old black and white cartoons. If you want to own it then that’s a different story. This was released in the Walt Disney Treasures line on the very first Mickey Mouse in Black and White set, but it’s now long out of print and quite expensive. It’s also the only set I didn’t buy back when they were more affordable and that’s because these cartoons can be hard to sit through. Do I really want to spend all of that money just to say I own them even if I’ll never watch them all? The answer has, so far, been “No.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 1 – Christmas Comes But Once A Year (1936)

We’re back with another year of The Christmas Spot! And to kick things off this year we’re taking a look at a bonafide Christmas Classic. Christmas Comes But Once A Year may not be the household name that Rudolph and Frosty are, but for Gen X and millennial kids it’s probably familiar because it was…

Keep reading

Dec. 1 – 35 Years of The Christmas Tape

Welcome back to another year of The Christmas Spot! This year we’re kicking things off with a post I’ve been sitting on for a few years now. When I utter the title “The Christmas Tape,” I’m curious what comes to the minds of readers. It sounds both generic and specific and I suspect a few…

Keep reading

Dec. 1 – Frosty the Snowman

Welcome back, lovers of Christmas, to the 7th edition of The Christmas Spot! If you missed the introduction a few days ago, we’re doing things a little differently this year. Yes, you’re still getting a dedicated write-up each day through Christmas about a beloved or not-so-beloved holiday special, but this year we’re also going retro…

Keep reading


NECA TMNT Dimension X-Mas Vacation

Oh God, they’re back!

If you know anything about me then you probably know that I like collecting Teenage Mutant Ninja Turtles action figures and I like Christmas. Strangely, those two things have not come together all that often. Most of the television shows featuring the famed four opted not to feature the holiday in an episode. And without much Christmas stuff to go off of, the toys have not broached the subject all that often. There have been a few instances though and one infamous example is the 1994 release We Wish You a Turtle Christmas. Utilizing assets from the stage show that had been touring the country, the direct-to-video special saw the Teenage Mutant Ninja Turtles prepare for the holiday while seeking out a gift for Splinter. It was a musical event and one I never watched as a kid. Sure, I saw the tape available for rent, but those hideous costumes were a huge turn-off. Plus, by 1994 I had moved off of TMNT and onto Marvel and video games. There was no going back.

It’s a logical way to reuse these ugly, old, turtles.

In 2020, NECA Toys released a set of action figures based on the old stage show. They called the Musical Mutagen Tour and it brought those ugly ass turtles to the world of plastic in a rather convincing manner. It was a convention exclusive that was also made available at Target since it was the summer of 2020 and conventions weren’t happening. Ever since that release though I had wondered if a set of figures based on that terrible Christmas special were in the cards. NECA likes to do holiday themed releases and we’ve seen Gremlins get more than a couple. They’ve also done Misfits and Elvira and there’s probably more I’m forgetting or choosing not to remember. TMNT is their biggest seller these days and it was dying for a Christmas release of some kind and 2024 ended up being the time for it.

“Hey dudes! You wanna sing carols about pizza?!”

The Dimension X-Mas Vacation is that set. It may not say it on the box due to licensing, but this is basically We Wish You a Turtle Christmas the action figures. It’s NECA repurposing assets from its movie line of TMNT figures along with the heads of those Musical Mutagen Tour figures. Joining the package are some accessories pulled from that special and it’s all presented in a very lovely package meant to simulate a VHS release. There’s even a new story created for this non-existent special that’s summarized on the box itself and it sounds rather plausible for a TMNT release of that era. The set was kept under wraps until San Diego Comic Con of this year and has been made available through Walmart for the not so low price of $150. Because of that price and the niche appeal here, this is probably going to appeal to a smaller audience than usual, but I am most definitely that audience.

This set features figures of the turtles: Leonardo, Donatello, Raphael, and Michelangelo, as they were depicted in We Wish You a Turtle Christmas. It’s basically four identical figures where the only difference is the color of the bandanas. They’re all “naked” as compared with the tour turtles save for their usual belts, pads, and shoes. Yes, shoes, as these costumes decided making turtle feet was way too hard so they have black sneakers and leg warmers. It’s ridiculous. They also each come with a Santa hat which gently rests on the bandana knot on the back of their head. There are two styles of Santa hats between the four turtles and the only difference is which way the pom pom is going: 2 left and 2 right.

“Leo! You’re supposed to put the lights on the tree! On the tree!”

Most of the components of the bodies are reused from the prior tour set which means this is the dated 1990 movie body. The hips are the old pin joints, which is the main tell. The elbows are NECA’s own double-jointed setup and these ones were clearly cut to accommodate the much larger elbow pads of the Musical Mutagen Tour set. Here, they cut for the pad is too generous resulting in uglier looking elbows. The shell and plastron are new though and a better match for the source material compared with the other releases of these bodies. I’m not sure why we couldn’t get updated hips, but it is what it is. Paint across the board is mostly fine. The white of the Santa hats features numerous blemishes across the four while the bodies themselves are pretty clean. There is an overall harder plastic feel to these guys compared with other movie figures. Making use of the gripping hands is going to be harder than usual and there’s some flashing in the elbow joints. It gives the figures a slightly cheaper feel. These costumes are supposed to look cheap, but the figures don’t need to be. The paint around the teeth is at least an improvement over the tour turtles I have with less bleeding of the pink paint onto the teeth.

“Check it out – a tree stand!” “Donnie, this ain’t your best work.”

Articulation for these guys is essentially the same as the tour turtles, which is to say it’s basic. The articulated jaw is a welcomed edition and one of the aspects of these designs that stands out the most in my memory. They’re so ugly and NECA really captured that. Most of the joints are pretty stiff, some almost to a worrisome degree. These guys aren’t going to pose all that well to begin with so I’d advise not forcing anything if it’s fighting you. A hair dryer or hot water will be your friend. The shoulders and hips are especially tight for me while the elbows varied from figure to figure. The elbow joint almost looks like it wants to split which obviously isn’t good, but I haven’t had any breaks. I’ve also been pretty gentile. The ankles are also pretty useless so it’s too bad they didn’t figure out a better way to do the sneakers. The ankle joint really just needs to be visible with this design and it’s not the case. I’m sure the soft goods leg warmers aren’t helping.

“Come on, Mikey, no peeking!”

These turtles aren’t intended to mix it up with the Foot and instead are supposed to just look ugly and festive on your shelf. And to do so NECA included a bunch of Christmas themed accessories. In addition to the hats, each turtle also has a scarf. It’s a soft goods, white, fabric with a wire running through it so it can be posed rather well. One of the four in my set is frayed a bit, which sucks. There’s also a string of Christmas lights to drape over the head of one turtle. They’re sculpted in a soft plastic so it works reasonably well and makes your chosen turtle look like some sort of hideous Christmas tree. There’s also the framed pizza from the special which is just a plastic square with a pizza in the center. The lack of a glass pane means it’s also pretty easy to have a turtle hold it even with the really tight hands. There’s a little hand bell and also a manhole cover, because every TMNT universe needs one, I guess. There’s a skateboard with moving wheels and a nice deco on it and then we also get a whole bunch of presents. They all feature different wrapping paper and help fill out the display. To round out the release there’s also the customary set of optional hands. Each turtle comes with gripping hands, then we get a set of open, thumbs up, pointing, and loose gripping hands for the four to share. I wish we could get a full complement of at least the open and loose hands for the turtles, but this selection is pretty standard at this point.

“Check it out dude, the perfect gift for Splinter!”

Since these are the singing and dancing turtles from a Christmas special, we definitely did not need the usual weapons so NECA did not include them. What I think we definitely did need though is a tree! No Christmas tree in the set makes it feel pretty light. For my pics, I used the Figura Obscura tree, but since it’s not decorated it only works so well. And at $150, that’s unfortunate. There’s a lot of reuse here as well as some reuse potential with the gifts considering all of the Christmas stuff NECA does. For all I know, some of these gifts could even be from other sets, just not ones I have. I like the hats and I like the scarves. I’m a bit torn on if I would have preferred soft goods Santa hats to the molded ones we got. Normally, I’m for molded stuff, but since these were live action characters I think soft goods might have worked. We could have also got a stocking for each turtle. It feels like we should have got more and I question how well this thing will sell because it’s already pretty niche and the price won’t attract many impulse purchases.

“Whoa! No way! He does exist!”
“Huh? I thought I heard something…”

Criticisms aside, if you want some Christmas themed TMNT figures your options are pretty slim. It’s basically the ReAction figures Super7 did a few years back (which I have, but kept on card) or the Christmas plush of Raphael from back in the day. Maybe we’ll get a figure in the future from NECA based on the Michelangelo one-shot which took place at Christmas. And since Super7 is going down the 2k3 rabbit hole, maybe we can get Christmas turtles from the episode of the show based on that one-shot. What I’m saying is this set is fine, but we need more Christmas turtles! And while I think this set is too expensive for what it is, I am glad it exists. Figures based on an obscure and pretty terrible Christmas special is something I find fun and action figures should be fun. Now, if you’ll excuse me Christmas is coming and I need to deck the halls with pepperoni.

“Check it out Santa-dude, something way better than milk and cookies!”

Do ugly turtles and Christmas interest you? Perhaps you’ll enjoy reading these:

NECA TMNT Musical Mutagen Tour SDCC Set

Awhile back, I decided to rank the various incarnations of the Teenage Mutant Ninja Turtles from worst to best. Occupying that dubious last place spot were the Turtles featured in The Coming Out of Their Shells tour. That may sound like the title of a TMNT sex tape, but it was something else entirely. If…

Keep reading

Dec. 11 – We Wish You a Turtle Christmas

Several months ago, I reviewed a product called The Musical Mutagen Tour Action Figure Set. It was a set of toys based on the Teenage Mutant Ninja Turtles stage show, Coming Out of Their Shells, from 1990. Back then, the Turtles were so unbelievably hot that they could sell out a terrible stage show in…

Keep reading

Teenage Mutant Ninja Turtles (4Kids): The Christmas Aliens

In 2003, Fox and 4Kids Entertainment launched a brand new Teenage Mutant Ninja Turtles cartoon series.  This series was the first re-launch for the TMNT after a long hiatus from both film and television and was an attempt at introducing the Turtles to a whole new generation.  One of the consultants for the show was…

Keep reading

Naughty or Nice Father Frost & Mall Santa

Two very different Santas.

Fresh Monkey Fiction is back with Naughty or Nice Wave Two and just in time for…(checks calendar)…Valentine’s Day? Okay, so things didn’t go quite as planned with this line. In 2021, Fresh Monkey Fiction partnered with Big Bad Toy Store for this line of action figures based primarily on Santa Claus. That preorder took about a year to fulfill, but the first wave arrived just in time for Christmas 2022. It was around that same time that FMF put wave two up for preorder. I’m sure they tried their best, but FMF is a small shop and probably doesn’t have much sway when it comes to overseas factory priority. I suppose I could have waited and put this review on hold until we get closer to Christmas 2024, but there’s this flying, naked, guy in my house pointing a bow and arrow at me so I guess we have to do it now.

The new figures are basically the same as the old ones, just with new heads and a longer coat for Father Frost.

The Naughty or Nice Collection is essentially one figure modified for each separate release. Both figures we’re going to look at today utilize the same body as the two figures I looked at in 2022. I’ll link to that review at the bottom of this entry, but essentially if you liked those figures then you’ll probably like these ones provided you like the aesthetic they’re going for. Obviously, I’m not all-in on this line as I have need for only so many Santas in my collection, but these two appealed to me. Both figures come packaged in a window box display and it’s been modified from the first wave. Where wave one had more of a “Hasbro” shape, wave two is rectangular. There’s more red incorporated, the character name is now on the bottom of the front of the box instead of the top, the cross-sell has been updated, and the side panels feature images of other figures from wave two. I have no idea which design in-box collectors will prefer, but both seem fine to me.

Father Frost is managing better up top than his Santa brothers.
They don’t all have to be red and green.

Let’s talk Father Frost first. This is basically blue, wizard, Santa and it’s not based on any specific folklore that I’m aware of. I think of it as a combination of Santa and Jack Frost. Frost stands at about 6.5″ to the top of his head, slightly taller with the hat, and the only thing different about the sculpt from the Santa figures I looked at from wave one is that this figure has a longer coat which necessitated a different belt overlay. The head is different from the traditional Santa to feature a longer beard and hair on top and a face that is less full. What attracted me to this design is the blue and white deco. There’s a lot of red, white, and green in my Christmas display so any chance I have at adding some blue is welcome. I do like how the figure turned out, though I will say the shade of blue has a touch more yellow to it than the promotional shots and even the images on the box where it’s a darker blue. I would have preferred that, or even a more powder blue, where as this is almost in between.

And he apparently has some rather gnarly powers.
Translucent powers – activate!

The paint job on Father Frost is an improvement over wave one in some respects, but also not perfect. The head portrait is done very well. I like how he has blue eyes with a touch of white inside them. Upon very close inspection the left ear isn’t perfect nor is the transition from beard to right cheek, but it’s nothing you would see even at an arm’s length. The white portions of the coat have been dirtied with a paint wash that makes the robe look more lived in. The belt buckle is painted silver as are the buckles on the boots and it’s pretty clean. Based on the box, it looks like the end of the belt was supposed to be painted silver, but it was missed by the factory on mine and I’m guessing it will be on most. The only paint detail that bugs me a little is the hem of the coat isn’t painted all the way to the edge. It’s worse on the back, but at least it’s the back. For this wave it does look like all of the hinges are cast in the best color so when paint flakes off of them there won’t be a miscolored piece beneath it.

He comes with the same naughty and/or nice list we’ve seen a whole bunch, but in his hands I like to think of it as a spell scroll.

Father Frost comes with a solid assortment of accessories and optional parts. He comes with a set of blue gripping hands, but also has four ungloved hands: trigger right, gripping left, left fist, pointing right. Basically, if you don’t like the look of the blue, gloved, hands you have bare hands instead. He has an alternate head which is the same sculpt as the default, but it’s cast in translucent blue plastic. This was added after solicitation on the suggestion of someone in the Facebook community (if I’m not mistaken) so that Father Frost could match one of the elves in the wave and it’s a good idea and pretty cool that it was added. It looks nice, but it’s hard to get onto the ball joint. And you want to get it all the way seated so that you can’t see the painted neck. They also wisely added some gray paint to the top of the neck ball so there isn’t an odd blob of color inside the head. Father Frost’s main accessory is his staff which is topped with a translucent, blue, crystal. It looks like the sculpted rope was supposed to be painted a different color to differentiate it from the staff, but that didn’t happen. Still, it looks fine. The other accessories are reused: a present which opens, a nice list, and a stand. There’s also a little locomotive toy which fits inside the present. The present has a white and blue deco to coordinate with Father Frost.

Totally not Willie from Bad Santa.

Father Frost is the magical interpretation of Santa, Mall Santa is the opposite. This guy seems to be clearly inspired by the movie Bad Santa, but he’s kept legally distinct. He’s basically a worn down, drunken, cynical, Santa just trying to make a buck. He features a balding portrait with a lit cigarette hanging out of his mouth. He has a five o’clock shadow and a look of almost sad indifference in his eyes. His left eye is supposed to be a black eye, but the paint there is a bit lacking and it doesn’t make it as obvious as the promotional images. His beard is part of the sculpt and I kind of wish they sculpted it in such a way to make it look more obvious and pathetic that it’s a false beard. Maybe a gap between the chin and beard or hooks around his ears would have done the trick. There appears to be a paint wash on his face to dirty him up which has been applied to the body as well. His suit is a deeper red than the other Santas and the whites are all dirty. There’s even a stain in the middle of his chest, which is a nice touch. The look the figure is going for is obvious, but I do wish he could have been on a skinnier base, but I know that’s not really what this line is designed to do.

“What the fuck am I supposed to do with a cookie?!”

Mall Santa does not come with any alternate hands or portraits. His default hands are gloved, gripping, hands and I’m torn on if I prefer those to ungloved hands. The good news is if you do want different hands then you could always borrow them from another figure. Mall Santa’s main accessory is his bottle of whisky. It’s a translucent amber with a black cap with prints on both sides to let you know that it is indeed whisky. The cap doesn’t come off, and the articulation is limited in that he can’t really “drink” it. The cap also isn’t removable, so while I like it, the accessory is a bit limited. There’s also a handheld bell in case he’s more of a donation seeking Santa. He comes with a crushed, red, present with silver ribbon which is pretty neat and makes for a good pillow should you wish to display him passed out. He also has a gingerbread man cookie with a bite taken out of the head and a teddy bear toy. There’s nothing cynical about the bear, it’s just another toy for the display. He also comes with the customary stand, should you wish to use it.

“Ohh Krampus, I have another one for your naughty list.”

Both Father Frost and Mall Santa arrive as expected. Obviously, since they were based on the same molds as last year’s figures it makes sense. The articulation is completely the same, which is why I’m not doing a rundown on it for this space. I would like to see some improvements to the upper body to get better range out of the shoulders since these figures should be able to eat cookies and drink milk (or booze) and they can’t do that. Father Frost basically is what I wanted. Some of the paint could be better and I would have preferred a darker blue, but he looks fine with the other figures and will make for a nice addition to the Christmas display. Mall Santa is also mostly as expected and any disappointment I have with it is basically the same as when it was solicited. I would have loved a passed out, second, portrait and more booze. A crumpled beer can, six pack, empty bottles, something else to go with the whisky would have been cool. His paint is clean though, actually better applied than Father Frost, and the figure works for me. I also count Bad Santa among my favorite Christmas movies and I understand it’s not for everyone.

“Look out, kids, Santa needs to empty his stomach.”

If you’re looking to add more Santa figures to your Christmas action figure collection in February, then I can certainly recommend these two. The others are probably just as good and it all comes down to if you like the design. This line is exclusive to Big Bad Toy Store and everything from wave two is in-stock as of this writing. Each Santa will set you back $37 which isn’t a small amount. They are from a smaller company and not produced in the same volume as a bigger toy company, but it’s probably still a little more than I think most would want. I compare the price to original IP from other small shops where their figures come in at the 30 dollar mark. Still, with the amount of paint and overall feel of these figures I would say you’re getting something better than Marvel Legends quality so it’s reasonable to me. Just don’t ask me about those reindeer they’re currently soliciting for wave three.

Who doesn’t want to read about Christmas toys in February?!

Naughty or Nice Classic Santa and Cyborg Santa

It was looking like we were in for a photo finish this year. Last year, toymaker Fresh Monkey Fiction partnered with online retailer Big Bad Toy Store to launch the Naughty or Nice collection. Structured similar to a Kickstarter campaign, FMF posted several action figures for preorder with a minimum order quantity needed for the…

Keep reading

McFarlane Toys Gold Label Batman Santa (Blue Suit)

Ho! Ho! Ho! It’s the jolly one – Santa Claus! Oh, wait, no, it’s the somber, moody, one: Batman Santa! Yes, it’s our first Christmas themed post of 2023 and it’s an action figure review – shocking, I know. McFarlane Toys has held the DC license for several years now, but this is my first…

Keep reading

Figura Obscura – The Ghost of Jacob Marley

Four Horsemen Studios is back with another holiday release in its Figura Obscura line of action figures. This sister line of their more famous Mythic Legions property launched two years ago with Krampus and continued with last year’s Father Christmas. Many fans, myself included, expected another holiday figure this year, though if you had asked…

Keep reading

Dec. 25 – Prep & Landing

Original air date December 8, 2009

We have reached another Christmas Day! It’s a great time to celebrate and enjoy the moment for tomorrow we mourn the passing of the season. It’s the great come-down every year. For this holiday, I am once again returning to my list of the best of the best when it comes to Christmas specials. This entry will complete that list as I made it a personal mission to revisit the ones I felt had been short-changed by me in the past. There are still some on the initial list of 25 that I bumped off when I revisited the list a few years ago. Maybe I’ll circle back to them – I don’t know! That’s a discussion for next year. For now, lets talk Disney’s Prep & Landing.

Prep & Landing is not number one on my top 25 best of Christmas list, but it probably would be if we were only talking about specials created in the last 23 years. The only one such special I ranked ahead of it was the episode “Last Christmas!” from another Disney property, DuckTales. It was a mere two spots ahead of this one, definitely in the tenuous zone, and I have a feeling if I were to make such a list I’d be inclined to make this particular special number one over a very excellent episode of DuckTales. Why? Because this one is very much a traditional Christmas special in that it’s essentially stand-alone (sequels have followed, but they don’t enhance this one) and adds to the lore of Christmas by focusing on the elves who help get things done to make Christmas, Christmas. We’ve seen plenty of elves hard at work in the toy shop, but never have we seen them entering a home on Christmas Eve to make sure everything is in place for Santa. With his list of houses to visit as big as it is, there can be no wasted time on Christmas Eve. He needs to get in and get out and one misplaced toy or aggressive dog could blow the whole thing up. My approach each year is to save something fairly traditional for the final entry. And this year, I also decided to go in chronological order when it came to my re-rankings on the 5th, 10th, 15th, 20th, and today. We started in 1977 with The Flintstones, and today we end in 2009.

Disney seemed pretty confident it had a couple of stars on its hands in Lanny and Wayne.

Enter Wayne (Dave Foley) and the other elves of Prep & Landing. It’s their job to get in and make sure that anything that could go wrong won’t. Kids staying up trying to catch the man in action? They put them to sleep. Tree has too many low-hanging branches to fit a gift? They trim ’em. Nuts in the cookies? You’re outta here! It’s a big operation that relies on a vast network of elves and even a secret reindeer to get it done and it mostly comes from the mind of Chris Williams, Kevin Deters, and Stevie Wermers-Skelton. Williams is credited with the idea for the special which he pitched as a short. John Lasseter, then in charge of animation at Disney, decided it would work best as a TV special. Unfortunately, Williams wasn’t available to direct because he was assigned Bolt so it was handed off to Deters and Wermers-Skelton to direct. They added their own touches, and the special premiered on December 8, 2009.

When Prep & Landing first arrived on television I paid it no mind. It was 2009 so I was mostly just working and working and working and trying to save money for my own home after renting for a few years. I don’t even recall when I first watched this special, but by the time that I did the sequel was out and it formed a tidy one hour block on ABC each year. For some reason I associated it with Phineas and Ferb, a show I hear is perfectly fine, but not something I need in my life. I guess it was just the similar title that made me think that, but it was actually a recommendation from my mother to watch the two that finally got me to bite. It was love at first viewing. I love Dave Foley going back to his days on Kids in the Hall and by 2009 Disney was good enough at producing CG material that looked on par with what Pixar had been doing for even longer. And I love Christmas! By the time I watched it I think I was stockpiling Christmas specials on DVD because I can’t get enough of them at this time of year and Prep & Landing has been a worthy inclusion on my annual viewing list ever since.

This one has a very traditional vibe to it, though it’s hard to place the era of the setting.

Prep & Landing begins in traditional fashion. We get some lovely shots of a quiet town asleep at night. There’s snow everywhere and Christmas decorations dot the landscape. Nat King Cole’s rendition of “The Christmas Song” is the sound of the season bringing us in. It really is a picture perfect way to begin a Christmas special and a great way to put a capper on the Christmas season. If just one person decides to end their Christmas Day with this special as a result of this entry then I will consider it mission accomplished.

It’s like Mission Impossible, but with elves.

An interior shot of a Christmas tree pans to a lit fireplace. As Cole starts to tell us about folks dressed up like slurs, the music is cut out in favor of an aerosol can sound, a clever way to avoid a potentially offensive word while also crafting an effective scene transition. Someone has put out the fire from above and two little heads with pointed hats come into view. They’re hanging upside down and sporting what looks like night vision goggles since they’re illuminated green. They scan the room and we’re briefly shown a view from their perspective of an inverted Christmas tree. The music has switched to an electronic spy theme, but with a touch of Christmas chimes added to it. The score was composed by Michael Giacchino and it is fantastic throughout, in case I forget to highlight it later (I often do).

If you ever thought your tree looked a little smaller on Christmas morning now you know why.

The elves emerge from the fireplace and stealthily move about the house. The skinnier of the two, Peterson, creeps upstairs to a bedroom where a little girl is asleep. He scans her with a handheld device that’s shaped like a gingerbread man, but functions like an iPhone. It relays to him that there are 0 creatures stirring. They move to the tree where the same device is used to project a laser image of a Christmas present that is 18″ high. They don’t quite have enough space under the tree for a box of that size, so the other elf, Wayne (Foley), descends from a grappling hook and shaves some of the branches back and silently directs Peterson to vacuum up the debris. Foley’s voice, as Wayne, then comes on to narrate the rest of the scene first starting with a question for the audience asking if it has ever wondered how the whole operation gets done? This is our introduction to the operation that is Prep & Landing. As he explains, we see some of the duties carried out including prepping the stockings by blowing air into them to widen them for efficient stuffing, the temperature of the milk is tested, and the cookies confirmed to be nut-free (I bet you didn’t know the big guy had a nut allergy). A dog threatens to mess the whole thing up (his model is the same as Bolt, but re-colored), but Wayne gets a bomb shaped like a Christmas ornament to Peterson which explodes in the dog’s face and puts the canine to sleep. They leave a candy-cane striped dog bone behind as a “Sorry I had to bomb you,” offering.

This one is all about Wayne and his desire to move up in the pecking order at work, but maybe doing so isn’t what he really needs.

The operation moves to the roof where the elves lay down a landing strip of sorts. They direct the sleigh which deploys a hook that grabs the landing strip to pull it to a complete stop, just like how a jet lands on an aircraft carrier. With the job done, Wayne enjoys a snack on the edge of the roof. If they go onto other homes it’s not addressed or implied which means this is a huge operation. Also, not a bad gig to have to prep one house once a year. The voice over tells us that Wayne has been doing this a long time, and it’s illustrated by a sequence of shots of Wayne getting buried in snow each time the sleigh lands on the roof. The last one has the snow resembling hair and a beard as a brief fake-out that he’s looking much older as well, but he just brushes it off. Wayne is clearly ready for a change, and that’s what this special is all about.

Hints of a power trip to come from Wayne, maybe he actually isn’t ready for a promotion despite being on this beat for over 200 years?

It’s Christmas Eve at the North Pole and a very fancy snow mobile has just pulled into a reserved parking spot. It’s a spot intended for the Director of the Naughty List and the attendant elf is not happy with whoever just pulled in. It’s Wayne, sporting a dress shirt and Christmas tree shaped tie and sunglasses, who is apparently not the appointed director. The attendant, Waterkotte (Peter Jacobson), is insistant that Wayne move because he wasn’t informed of his new position, but Wayne assures him that he’s heading inside to speak with a Magee to make it official. Waterkotte tells him to make sure he gets a sticker on his vehicle pronto, and as he does he taps it with his pencil. Wayne spins on his heels to tell him to be mindful not to scratch his car or he’ll have to put Waterkotte on the Naughty List. He lets out a phony sounding laugh and adds a “Just kidding,” but then follows it up with, “but I could,” to reestablish that there is a real threat at play.

Wayne’s smugness throughout this scene threatens to make him too unlikable. He doesn’t know the names of his co-workers and seems utterly disinterested in his potential subordinates.

Wayne heads into the factory with some pep in his step. He’s singing to himself his own version of “Jingle Bells” that’s basically a celebration of his promotion. He grabs the hands of a blonde elf and does a little twirl with the words of his song a reminder to her not to forget their date under the mistletoe. He grabs onto a golf cart to hitch a ride as it whisks him off to Magee’s office like he’s the star in his own musical. Voices call out to him that they’re going to miss him and when he does come to a stop he’s greeted by a pair of Coal Elves. As Director of the Naughty List, Wayne is apparently their boss now. The two elves are dressed line miners and covered in soot. It doesn’t require explanation and it’s actually rather nice that the special lets us fill in the information that these guys are dispatched to the homes of naughty kids where coal is left behind. One of the elves, Gristletoe Joe (Lino DiSalvo), better known as Nancy, has a gift for his new boss – a sooty, brick of fruit cake made by his wife. Wayne accepts it with his thanks and promises good things are coming with him in charge. It would seem Wayne has ether told everyone about this promotion leading up to it, or everyone just expects him to finally get it.

Magee is a great character who we could stand to see some more of.

Of course, that means he’s not. Wayne arrives at Magee’s office and drops the fruit cake on her desk indicating he probably has no intention of actually eating the thing. Magee (Sarah Chalke) is like the CEO of this whole operation (her official title is North Pole Christmas Eve Command Center Coordinator). She’s in the middle of two phone conversations, one via handheld device and the other headset, when Wayne walks in as a small attendant (Tiny) holds a clipboard up to her to get her approval on something. We only ever see the tip of Tiny’s hat because he’s, well, tiny. Magee first asks Wayne if he lost a bet in response to the tie he’s wearing, but Wayne isn’t phased and explains it’s his celebration tie. This is followed with the bad news. Not only is Wayne not getting the promotion, his partner Peterson is. Wayne can’t believe it since he’s been on the job longer and is the one who trained his understudy only for him to get promoted out from under him. This information is all shared by Wayne in a sarcastic manner, but the sarcasm is lost on Magee who just hears the part about being happy for Peterson. She takes a sip of whatever Tiny brought her (I think it’s eggnog) and it’s apparently bad as she dumps it into the pot of her little Charlie Brown tree behind her which causes the needles to fall off of it. It’s Christmas Eve though and there’s no time to be sad as Wayne has a new partner to train – Lanny (Derek Richardson).

Easy there, Lanny, you can’t just go and grab your co-workers like that without consent, buster.

Lanny introduces himself by first struggling with the door to Magee’s office. Seems he thinks it’s a “Pull” door and not a push one and basically opens it by accident. He salutes Wayne and introduces himself, his call sign is Tree Skirt (Wayne’s is Little Drummer Boy), and Wayne seems unimpressed. Lanny doesn’t pick up on the tension at all as he shakes Wayne’s hand with tremendous enthusiasm telling him he had a poster of him on his wall as a kid. He gives him a hug too, and while I do enjoy the performance of Derek Richardson as Lanny, his high voice does make me wish they could have hired fellow Kids in the Hall alum Kevin McDonald for the gig as he would have been perfect.

Thrasher has an effective way of getting his point across.

Magee tells them they need to get a move-on as Thrasher is the last transport waiting. This excites Lanny even more as they head for two big, steel, doors that soon open into a hangar. Thrasher (Hayes MacArthur) is a massive reindeer with gray fur and dark sunglasses. He’s got attitude to spare. Lanny approaches him from the front and remarks that he thought Thrasher was just a myth. He’s then told by the reindeer that he is a myth and that if he tells anyone about him then Lanny will be the one that doesn’t exist. He emphasizes this by turning the candy cane he was sucking on vertical in between his teeth and crushes it.

Apparently, she only liked you when she thought you were getting promoted, Wayne.

With that point across, Lanny heads around back to the pod that Thrasher will be pulling. Wayne is already inside looking thoroughly miserable along with some other elves, but Lanny is oblivious as he ponders what Thrasher’s stop speed is and remarks, “This is so tinsel!” Wayne, who looks barely put together with his coat open and gut hanging out, asks Lanny a rhetorical question in response (“Does the phrase silent night mean anything to you?”) and then smiles at the blonde seated next to him. I’m not sure if this is the same blonde elf from earlier or not, but she is all business now as she turns on her goggles and turns away from Wayne.

I don’t think Wayne’s heart is in it this year.

Thrasher takes the elves to the drop zone, 18,000 feet over Sector 7. Lanny and Wayne hop out of the pod and deploy parachutes from the tips of their pointy hats. They descend to the roof of their assigned home as skis deploy from their shoes. Lanny remarks that the neighbor’s house looks like a winter wonderland because of all of the decorations on their lawn. It seems an innocuous comment at the time, but it’s going to play a role later. We cut to the fireplace where the glowing logs indicate that the fire has been out for some time, but are still hot. That doesn’t stop Lanny from spraying them repeatedly as he’s clearly getting no feedback from his partner. He soon emerges from the fireplace and quickly takes cover behind a potted plant of poinsettia. Wayne descends with far less enthusiasm, feet first, just dangling from his candy cane grappling hook.

There’s some great facial animation on Wayne throughout this special.

Wayne then gets the idea to set Lanny free. He proposes he go solo, which Lanny doesn’t think he’s ready for, but Wayne remarks that he’s highly trained and ready for the challenge so Lanny accepts promising to check-in at regular intervals. He heads upstairs to check for stirring creatures while Wayne puts himself on cookie duty. This just means he’s picked up a frosted, Santa-shaped, cookie for himself and set his sights on the kitchen. Lanny confirms the lone child, Timmy, is asleep then gets to prepping the stockings. Wayne, on the other hand, is raiding the fridge. He’s made himself a cup of hot chocolate and is using his tools to grind up more chocolate for it. As he does so, he speaks to the Santa cookie in a taunting fashion pointing out his naughty behavior and encourages the cookie to tell Peterson to put him on his list.

That outlet sure looks like a fire hazard. A reference to A Christmas Story, perhaps?

Lanny, left to himself, has to lean his gingerbread gadget against a toy train to measure the space needed for Timmy’s gift under the tree. It’s a big one, a bicycle, so some trimming is needed. Wayne has settled into a recliner with his coco, cookie, and can of whipped cream which he blasts into his mouth. He uses his grappling device to recline the chair and demonstrates that the gingerbread thing is also a universal remote. He turns the TV on and we’re immediately blasted with Clarence Nash belting out “Merry Christmas!” as Donald Duck. It’s Mickey’s Christmas Carol, 2021’s final entrant in The Christmas Spot, and Wayne asks the Santa cookie if it wants to watch a Christmas Special? Apparently it does, because Wayne just says “Too bad!” and changes the channel. It sounds like a non-copywrite infringing A Charlie Brown Christmas (Hey, Futurama just did something similar a few days ago) and he keeps changing the channel until he gets to something that sounds less seasonal. As for Lanny, unfortunately for him he’s used a side table as a boost to get high enough to make his tree cuts, but when he jumped the gingerbread device tilted causing him to cut off way more tree than is necessary. He starts nervously vacuuming up the excess as he tries to get Wayne on the radio for some help and advice.

This image pains me because I have definitely been there.

Wayne just tells Lanny to go with his gut as he unfastens his own belt and lets himself go. Lanny does basically the only thing he can do and spins the tree around so the front at least looks good. Wayne then decides it’s time to eat the cookie. He holds it up before him and says “Merry Christmas!” before biting into it. Since it’s one of those heavily frosted cookies, it’s hard as a rock. Seriously, those cookies are the worst. Wayne struggles to bite through it, but eventually manages to snap off the pom pom at least. Unfortunately, the cookie had all of his attention and he didn’t notice that his belt device detected a creature stirring. Little Timmy (Mason Cotton) then appears over the back of the chair, much to Wayne’s surprise. He’s also armed with a camera and has Wayne dead to rights.

This dangling elf’s job is to rev-up the reindeer.

At the command center in the North Pole, Magee is getting ready to launch the sleigh. The music is very dramatic and would feel right at home in a Marvel film. The sleigh is summoned and Magee gives the order to rev up the engine. A lone elf descends from the ceiling and psyches the lead reindeer up which is a pretty good bit. Magee then calls for the partridge to enter. That’s apparently Santa’s (William Morgan Sheppard) call sign as the big guy emerges to take his position in the sleigh. Magee then signals to each unit in the command center and they all return with “Dash away,” to indicate their unit is ready for launch. Magee gives the final command, “Dash away all,” and pushes the button to open the hangar. The reindeer start running in place as a countdown appears and they float above the track with sparkles about their feet. When the countdown reaches zero, it’s Santa’s turn to give a “Ho, ho, go!” and pushes the button to launch and Christmas is on! After we see Santa circle the tower to much celebration (no moon shot, sadly) Magee informs the crew that this is what all the planning was leading to. She takes a sip of the nog then assumes a sort of meditative posture as she assures herself nothing will go wrong. She’s quickly informed of a major storm over Sector 7 and she can only utter an “Oh, frostbite,” in response.

I know we’ve only just been introduced to this whole Prep & Landing operation, but I’m pretty sure interacting with the kid is a big no-no.

Back at the Terwelp residence, Timmy has decided to try and converse with his discovery. He’s moved onto the armrest of the chair and Wayne is basically in shock. Timmy remarks he’s surprised at how small Wayne is and guesses that he must be a baby elf, which insults the veteran. As Timmy picks up Wayne to examine him, Lanny comes in to inform his partner there’s a creature stirring, which Wayne is very much aware of at this point. Lanny screams when he sees Timmy and quickly fumbles with a sparkle bomb before tossing it in the kid’s face. He falls to the ground asleep and Lanny picks up the camera to delete the pictures, but before doing so sees a pic of Wayne and one of the Big Guy’s cookies. Wayne is ready to bail, but Lanny reminds him of Section Code 808 which dictates all children will be snug in their beds and Wayne lets out a groan.

All of those fancy gadgets, but not one of them is useful in hauling a kid up some stairs.

We cut to the pair hauling Timmy up the stairs to his room with Lanny in front and Wayne picking up the rear. It’s now that Lanny decides to confront Wayne on his behavior and we find out that Wayne has been at this gig for 227 years. He’s tired of it, but Lanny, being a fresh-faced rookie, gestures to Timmy as the reason for what they do. He views this gig as the best in the world and can’t imagine letting a kid like that down. Timmy does his part by looking cute sucking his thumb in his sleep, but Wayne just tells Lanny he’ll lose his enthusiasm too some day. Lanny tells Wayne he thought he was the Prep & Landing guy, but now he’s sad to find out that he’s really just a lump of coal. Never meet your heroes, ladies and gentlemen. This seems to hurt Wayne, but he shakes it off and tells Lanny that “sometimes we don’t get what we want.”

That’s bad.

As they put Timmy in his bed, Wayne gets a call from Magee. She mentions how Wayne must have noticed how bad the storm is outside to which he responds with “Well, I am now.” She explodes on him as Wayne’s admission of not being aware of the weather means he’s not on the roof which means the house isn’t prepped. He tells her they had a coal in the stocking, but assures her everything is fine because they’re putting him to bed. Everything is not fine as Magee radios to Eight Maids a-Milking which is the call sign for the reindeer. Dasher (Nathan Greno), acknowledges that he hates that call sign before taking Magee’s call. He and Dancer (David DeLuise), who is basically freaking out, report back that they have no visibility and things look bad. Magee has no choice but to radio the Big Guy and inform him the house isn’t prepped and suggest they do the unthinkable – Figgy Pudding. Santa indicates it’s never come to this before, but Magee reminds him it’s one house, one kid, and he’s needed at many more. He reluctantly agrees and the command is given to skip Timmy’s house.

Now it’s time for Wayne to start feeling a bit of empathy.

The commands comes over Wayne and Lanny’s handheld device. Suddenly, Wayne feels horrible. And to make him feel worse, the comatose Timmy reaches out and mistakes him for a stuffed animal. Or not, as he calls him by name and remarks that this will be the best Christmas ever. Aren’t they all? Wayne finds his resolve and extricates himself from Timmy’s grasp and puts his hat back on. He races out of the room and jumps on the banister as he demands Magee patch him through to the Big Guy (they actually never call Santa by name). Magee at first refuses, but then Wayne threatens to tell everyone about her and Tiny. At the suggestion, Tiny’s hat shoots up straight and Magee smiles nervously and responds, “Patching you through.” It would seem an inappropriate work relationship exists between Magee and her subordinate.

See, I told you Lanny’s winter wonderland would bare fruit in the end.

Magee comes through and Santa picks up on the other end. Wayne introduces himself as if Santa wouldn’t know who he is, but Santa informs the elf that Magee has already rerouted him. Wayne insists that he has a plan to land him safely and that there is time. He implores with the big man to let him do his job because he can’t let Timmy down. Santa responds, “I was hoping you would say that. Let’s give it a shot, my boy!” He directs the reindeer back to the house as Wayne and Lanny make for the roof, but not before Wayne remarks to his understudy that this is the most tinsel job around. They hit the roof and throw down the landing strips, but the wind is blowing much too hard and before it can be secured the landing strip is blown away. Lanny remarks that you can’t see anything in this storm, but Wayne points out one thing that’s still visible: Lanny’s winter wonderland.

A little elf ingenuity on display.

The pair make for the neighbor’s house as fast as they can go skiing across the rooftops. Wayne zeroes in on a giant, inflatable, Santa Claus in a snow globe while instructing Lanny to gather some rope. Wayne fastens his gingerbread man to the globe and tapes his hat over it. When he turns around, Lanny is there with basically every Christmas light from the house and asks “Is this enough rope?” Wayne is both surprised and impressed and the two head back to Timmy’s house with their Santa globe and “rope.” Lanny is able to plug the lights in by the mailbox while Wayne inflates the Santa with his stocking stuffer gun. He deploys the parachute on his hat and the wind pulls the inflatable high into the sky with the lights trailing behind it.

This is how they “cut” the engines.

Wayne offers some praise to the young Lanny and the two make for the roof. Wayne gets up no problem via his grappling device, but Lanny hooks an ice damn which gives way causing him to fall. As he drops he cries out that he’s going to die and is pleasantly surprised when he does not. His grappling hook finds his head though and knocks him for a loop as some icicles threaten to do even greater arm. Wayne spies them and swings down like Spider-Man to snatch his apprentice and take him to the roof. He props Lanny by the chimney as Santa radios in about not having a visual on the landing strip. Wayne assures him it’s coming and uses Lanny’s gingerbread device to activate the lights on the floating Santa globe. The reindeer confirm visual, and Dasher gives the command to “cut the engine.” This just means the reindeer stop “running” and tuck their legs, a great visual gag. These two, Dasher and Dancer, are low key the MVPs of this special.

It’s definitely going to take more than two elves to stop a sleigh containing a legendarily large fellow and eight reindeer.

With Santa rapidly approaching, it’s up to Wayne to make the landing a safe one. As he prepares to guide the sleigh in he remembers the tail hook. He dives out of the way firing his grapple gun at the chimney, but it clangs off. All hope seems lost, but don’t forget about Lanny! Lanny awakens from his stupor to grab the other end of the rope! Except, how are two elves going to stop Santa’s sleigh? They can’t, not on their own, but some quick thinking from Wayne as the sleigh pulls the pair like water skiers gets him to deploy Lanny’s hat-parachute to stop the sleigh. Timmy’s house has become impossibly long by this point, but it all adds to the suspense of the moment which is increased with quick cuts to the command center as they watch this somewhat reckless descent. Once the sleigh comes to halt with Dasher and Dancer staring over the edge of the roof, Dancer acts like he’s going to be sick, but keeps it together while the command center rejoices and the two Prep & Landing elves drop from the sky with a thud.

A mistletoe hat, Lanny? My kids would call that very “suss.”

It’s now 9 AM Christmas morning and the whole North Pole is celebrating another holiday completed. It’s just one big party, but one elf has some making up to do. Wayne nervously approaches Santa’s secretary, Miss Holly (Kasha Kropinski) who is typing away at something (apparently the lyrics to “Jingle Bells”). Wayne says he doesn’t have an appointment, but before he can finish Miss Holly instructs him to head inside and that the Big Guy has been expecting him. Wayne is surprised to hear this apparently forgetting that Santa is basically all-knowing and all-seeing. Before he can head in though he’s interrupted by Lanny who wants Wayne to come join the party. He’s wearing a blue sweater with a stocking on it and a Christmas tree hat that looks like a glass-blown decoration. It also has a mistletoe dangling from it and Lanny is covered in lipstick marks. I thought he was cute, but now he seems like a creep. Then again, what do I know of elf culture? Maybe this party isn’t what I imagine?

Time for some groveling?

Wayne assures his partner that he’ll catch up later then nervously enters. He coughs to get Santa’s attention who then beckons him to come in. Wayne goes right into full apology mode for what happened and indicates he understands if Santa wants to fire him, but he implores his boss to make sure Lanny is taken care of as he’s a good elf and not responsible for what happened. Santa seems surprised, and I suppose now is as good a time as any to point out that we never see his face. I guess it adds to the mystique. He tells Wayne not to worry, he’s not going to bite his head off (Wayne winces at this since this is essentially confirmation that Santa knows everything that went down in that house), but acknowledges that every once in a while everyone slips onto the Naughty List. He then gives Wayne a gift – a snow globe. Inside it is a house, and I don’t know if it’s intentional, but damn does it look like Kevin’s house form Home Alone. It’s not actually his house, of course, but Timmy’s and when Wayne looks into it he sees a happy kid on Christmas with his new bike.

It turns out, Wayne is a Prep & Landing guy after all.

Wayne thanks Santa for the gift (and by name, at that, marking the first time an elf addressed him as Santa in this special) and the reminder that comes with it about their job. Santa then adds, “One more thing.” We don’t hear what that is as we cut to the exterior of the office and Wayne coming out. Lanny has been waiting for him and he’s a bit alarmed since Wayne has a shocked look on his face. When he asks him what’s wrong, Wayne explains that Santa just offered him a promotion: Director of the Nice List. Lanny looks disappointed, but still congratulates his former mentor. Wayne then adds he turned him down, “I’m more of a Prep & Landing guy.” He shakes the snow globe as the camera zooms in on the swirling contents and we see Timmy hugging his mom as he has the best Christmas ever. Just before the credits, we also get to see Lanny open his gift. It’s the fruit cake from the Coal Elf, but Lanny is excited to get it and he declares that this is the best Christmas ever!

The special does a good job of selling Wayne’s plight in a believable manner.

And it is a great Christmas and damn fine Christmas special! Prep & Landing has just the right amount of heart and Christmas wholesomeness. It’s mixed with a tale of self-destruction on the part of Wayne’s, but it does a solid job of providing some motivation for Wayne’s actions. It might be hard for kids to empathize, but for an adult it’s pretty easy. And it’s that sentiment that keeps Wayne from becoming unlikable, something the sequel struggles with. At least for Wayne, he has the sort of job that is designed to make kids happy and that’s something that’s easy to play up for an audience. And it’s pretty easy to get Wayne to come around as well. I suppose a very cynical person might not be moved by Timmy potentially missing out on a bike, but that sort of person probably isn’t watching many Christmas specials to begin with. I suppose another negative read would be that this is corporate America telling folks to know their role and be happy in their place, but I’m going to cut it some slack and and assume that isn’t the message here.

These two are a terrific pair. Is it too late to get a special starring them?

The story is dressed-up by the lore. I like seeing this side of the holiday, even if it makes no attempt to explain how it could be plausible. Santa needs help to make these deliveries, but if each team only preps one house them he needs billions of elves, which means billions of Thrasher types to make this a go. And there’s no attempt at explaining how he can still move fast enough, but that’s not unique to Prep & Landing. Most ignore that stuff because it is impossible, so I suppose it’s something the audience shouldn’t be too concerned with. Magee is a great character though, this tightly wound director type just trying to keep a huge operation running smooth. And Dasher and Dancer are terrific as a pair. I want to see more from them. They get some of the best lines in this one and I particularly like when Dancer asks how they’re going to pull this landing off and his response is “Laughing all the way.”

Great use of I.P. I also love this old panel television -what year is this supposed to be?

This is a special with lots of references in it as well. The most blatant being the Charlie Brown tree in Magee’s office and the shot of Mickey’s Christmas Carol on television. The latitude and longitude of Timmy’s house, and he himself seems like a reference to Tiny Tim, correspond with the same for The Walt Disney Company’s headquarters in Burbank (which has quite possibly never seen snow like that of Timmy’s house). Timmy’s nightlight is Goofy from the short How to Hook Up Your Home Theater which is the short the directors of this special worked on previously. There are other references and easter eggs in here that I won’t spoil, but this is one that’s fun to pause repeatedly during a viewing to try to get them all.

I didn’t point it out, but we did get a moon shot very early in this one as Wayne gives the overview on his gig. And it’s a pretty unique one at that.

Most importantly, this special just sticks the landing and I find myself rooting for Wayne and Lanny. And I also want more, which is great because there is more out there. And if you want to spend Christmas with the appointed Christmas Elves, the easiest way is via Disney+ which has this and more from the pair. There have been rumors that more was coming from this franchise, but those rumors are from 2011 so it seems like that’s unlikely. And that’s okay, since this special is more than enough as it is. It’s a great addition to the massive stockpile of Christmas specials out there and deserves to be counted among the greats.

If you have been reading all month long, then I thank you for doing so. And if this is the only entry of mine you’ll ever read – thanks! I do this for me as it’s a way to really make sure I enjoy the Christmas season, because you never know how many you’ll get to experience. Thanks again, and more importantly, merry Christmas!

Can’t wait until next year for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 25 – Rudolph the Red-Nosed Reindeer

Welcome to Christmas Day 2022! We made it another year and another long year is ahead of us until we make it back, but right now, it’s time to celebrate! And in keeping with the theme of this year’s countdown, we are once again looking at another much beloved Christmas special on this day. Before…

Keep reading

Dec. 25 – Mickey’s Christmas Carol

We made it! Another year in the books, and another Christmas has come. Indulge in it. Bask in it, for it only comes once a year, and not to get too dramatic, but you never know how many you’re going to get. And we’re ending this year’s edition of The Christmas Spot with another throwback…

Keep reading

Dec. 25 – Sonic Christmas Blast

It’s Christmas morning, and if you woke up to a tree packed full of presents you have only one person to thank for that – Sonic the Hedgehog! What? You didn’t know that Sonic took over for Santa back in 1996? Oh, well find yourself a comfy chair and a plate of chili dogs while…

Keep reading

Dec. 24 – Animaniacs (2020) – “How the Brain Thieved Christmas,” “Santamaniacs”

Original air date February 17, 2023.

It feels like, at this point in time, we have hit peek 90s nostalgia. I can recall when it felt like 70s nostalgia hit pretty hard and then the 80s arrived not too far after. It’s inevitable whenever a generation that spent much of their adolescence in a given decade hits adulthood. And by adulthood I mean post-grad, rank and file, done with my 20s, sort of adults. They’re usually folks with some disposable income to spend on things that take them back or they’re willing to just sink time into old TV shows. And that’s where a lot of nostalgia used to reside. Programming blocks like Nick at Nite would literally air old television shows its target audience likely enjoyed when they were younger and a whole bunch of small television stations picked up similar shows to fill their programming schedules. Now, with an abundance of television and streaming platforms, the same still takes place, but now more than ever it seems companies are turning to new content with old IPs and that’s fueled a different kind of nostalgia-boom for 90s kids.

Netflix is partly credited (blamed?) for this rise in nostalgic programming as when the platform pivoted from DVD on-demand to streamer it needed a lot more content to pad things out. And when the network found certain things were popular, it was used as a springboard into new content. That is how we ended up with a brand new Animaniacs in 2020. The old episodes were popular enough on Netflix that it convinced Steven Spielberg and Warner Bros. to explore bringing the show back. Either Netflix wasn’t interested, or they were simply outbid, because the show would come back as Hulu’s first original programming for families. The funny thing is, when Hulu made that announcement way back in 2018, a large portion of the company was owned by 20th Century Fox. Fox would famously sell that entire sect of its business to Disney in the ensuing years giving the company majority ownership of Hulu making it a de-facto Disney+ for broader audiences (and they’ll apparently be merging in 2024). Suddenly, Disney was financing a Warner cartoon, and for animation nerds that was kind of amusing. And not only was a new version of Animaniacs bound for the platform, the legacy Warner cartoons were added to Hulu where they resided for a few years before the agreement eventually expired.

I thought we weren’t going to get a Christmas special out of the reboot, but thankfully I was wrong.

Now, if you’re a regular reader of this countdown, you may be thinking “Didn’t we already do Animaniacs this year?” We did, back on the 3rd, but the recent shakeups with Warner have made me a bit uneasy. Since those classic cartoons were dropped from Hulu they’ve failed to show up elsewhere. HBO Max has become just Max and it’s been dropping shows left and right. I don’t know how long Hulu has the Animaniacs reboot for, but I assume it’s not indefinitely. Once it’s removed from Hulu it may be gone for awhile, maybe even forever. Do I want to chance that Animaniacs (2020) will be around next year? Nope, so I figured we might as well double-up on the brand this year. And since we did look at the first iteration of the show early in the countdown, it feels like a nice bookend to come back to it on Christmas Eve. Plus, this episode is more of a Pinky and the Brain episode that feels like an unofficial sequel to the fantastic A Pinky and the Brain Christmas. In short – who cares? This is worth looking at in 2023 just as it would be in any year.

The new Animaniacs is a lot like the old Animaniacs except only five of these characters came back.

If you haven’t caught up on this new version of Animaniacs, it’s essentially the same as the old, just slimmer. The original Animaniacs was an ensemble and much of that ensemble has been left in the 90s. Some of that makes sense – do we really need a Goodfellas parody or a Rainman one in 2023? Probably not. On the other hand, a character like Slappy Squirrel, who was basically a retired Golden Age character in the original show, could have worked in this show as well, but she wasn’t returned. Imagine if she had been updated to be a retired 90s toon? Or better yet, Slappy got older, but now Skippy was a 90s toon out of his era? At any rate, outside of some cameos basically the only characters brought back were the Warner siblings and Pinky and the Brain. There were a few new segments added, the most prominent being Starbox and Cindy, but that one was limited to only 5 segments across 36 episodes and was still the most frequent outside of the returning characters. Also not returning is series creator Tom Ruegger. No reason was given for it, it seems he just wasn’t asked to come back. I get the sense that Spielberg and others at the company viewed their involvement as the most important essentially slighting Ruegger in the process, be it intentionally or not. He was asked to contribute as a writer, but he turned it down claiming it felt like he was auditioning for the show he created.

Ruegger may not have come back, but the original voice cast did. Which was definitely the right move as it’s hard to imagine Yakko, Wakko, and Dot being voiced by anyone other than Rob Paulsen, Jess Harnell, and Tress MacNeille, respectively. Maurice LaMarche also returns as Brain. And I’m happy to say, that despite the 30 year lay-off, everyone sounds pretty damn great. Paulsen is a wonder as a voice actor as he’s seemingly ageless. I wasn’t surprised his Yakko sounded basically unchanged, but was floored by how he can still handle the manic Pinky with apparent ease. Harnell sounds largely the same as Wakko, while LaMarche will probably be able to execute his Orson Welles impersonation flawlessly from his deathbed. The only one who sounds different is MacNeille, but she also had the hardest task voicing the very high pitched Dot. She seems to play Dot with more of a low voice that’s closer to her natural speaking voice. Sometimes Dot would go low for emphasis in the original run, but she mostly stayed pretty high. Now, it’s more like the opposite and it’s most noticeable with the singing portions. I’m not blaming the actress for getting older or anything, it’s just something that’s likely to stand out for those who watched the show in the 90s.

These three at least came back basically unchanged.

The penultimate episode for the series is the one devoted to Christmas. Hulu originally ordered a batch of 26 episodes spread over two seasons which began airing in November of 2020. A second order was then placed for a 10 episode third season which is apparently the end for Animaniacs. A lot of these direct-to-streaming shows seem to include a Christmas episode, so I was a little surprised (and disappointed) when the first two seasons did not feature one, but at least we had the third season to pick us up. Though it did arrive in the unseasonable month of February meaning a lot of viewers have probably used this holiday season as an excuse to watch it for the first time or revisit it. The other two seasons dropped in November which would have made so much more sense. And one of them featured a Halloween episode after Halloween. Go figure.

The show begins with its version of the classic Animaniacs opening. The song is almost unchanged, but it was re-recorded by the voice actors for this one. Some lyrics have been altered, most notably Dot is no longer defined by cuteness but by her wit, they’re gender-balanced, pronoun neutral, and their careers have made comebacks! And in keeping with the holiday tradition, there’s snow falling over the opening and there’s some subtle chimes added as well. The animation is obviously no longer ink and paint, but what they created looks pretty good. This is probably as good as Animaniacs could possibly look in 2023, and the character designs are basically unchanged. They’re a little less rounded, the Warner faces are slightly off-white instead of pure white, and that’s pretty much it. For you kids reading this, these basically are your father’s Animaniacs. Credit goes to Titmouse, Inc. for making the show look as good as it does.

It’s tough to be a mouse.

After Dot discovers she’s getting “Socks a-gainy,” we go right from the title into the title card of the first segment: How the Brain Thieved Christmas. It’s obviously a Pinky and the Brain segment and basing the title off of the best Christmas special is definitely a promising start. We forego the usual Pinky and the Brain opening and jump straight into the plot. At Acme Labs, a holiday party is underway and all of the researchers are singing “Deck the Halls” and getting toasted on eggnog. The Brain is soon seen lurking behind the water cooler and he whips out a grappling hook and pulls himself towards the door to the lab and a sleeping security guard. The door is locked with a palm reader, and Brain has to struggle to lift the guard’s hand up to the scanner. When he realizes he can’t do so without assistance, he calls out “Who wants eggnog?” and the sleepy guard raises his hand in the affirmative allowing Brain to slap it on the palm reader granting him access to whatever is hidden inside.

This is going well. Too well…

As Brain enters a long corridor, we see another researcher show up in the background and promptly pass out. Clearly, by making this show direct-to-streaming it allowed them to bypass the usual censors that probably would not have allowed for such flagrant drunkenness to exist in a kid’s show. Brain makes his way to a pedestal containing some form of anti-matter that he desires. It’s basically a small, floating, ball of light and he apparently needs to extract it from its confines in a very delicate manner to avoid total annihilation. He plays it up for dramatic effect, but seals the ball in a jar with relative ease.

That Pinky, always fouling things up for The Brain!

As Brain stands and basks in his success, he ponders aloud why something hasn’t suddenly startled him to foil his plans as so often happens? On cue, Pinky emerges from basically out of no where singing very loudly his own version of “Deck the Halls,” “Check the stalls for hanky-panky. Narf-narf-narf-narf-narf, narf-narf-narf-poit!” Again, more stuff the Fox censors definitely wouldn’t have allowed. Pinky does indeed startle Brain with his singing thus causing him to drop his jar and spoil his plans for world conquest once again. Brain is understandable angry, but as he tries to articulate what Pinky has just done he fails to grasp at the words he’s looking for because Pinky (and the other lab denizens) have started singing “The Twelve Days of Christmas” which is essentially breaking Brain’s brain.

This meltdown by Brain should have probably happened long ago.

All of this leads Brain to the conclusion that Christmas is an obstacle for his ambition, and when he asks Pinky the question, “Are you pondering what I’m pondering?” Pinky gets to come back with “Yes, but where I’m going to get you – FIVE GOLDEN RINGS!…in this economy?” Brain has to correct him and inform Pinky that he must thieve Christmas, and we have our plot. I was sort of wondering how stealing Christmas was going to factor into Brain’s larger goal of global domination, and now we have our answer. We’re basically taking a night off from the usual in order to setup another quest for conquest that will have to wait until Boxing Day, at the earliest.

According to Brain, these are the best Christmas toys of all time.

We next find Brain and Pinky back in their usual spot in the lab where Pinky is enjoying a thimble full of popcorn while Brain details his plan. In order to steal Christmas, Brain intends to create a toy so popular that it will end up under every Christmas tree. On Christmas Eve, he will activate the toys which will then steal all of the presents under the tree and bring them to he where they will be destroyed. The obstacle before them is how to create a toy of such popularity? Brain then decides he must examine the most popular toys of all time: the Slinky, Silly Putty, the yo-yo, hula hoop and the fidget spinner. As he runs them all down, he demonstrates their simplicity and most also harm him in some way in the process.

This is unlikely to end well for Brain.

Brain concludes that all of these toys share three things in common: they are simple, pointless, and incredibly irritating. I’m not sure I agree on the irritating thing as I can think of a lot of toys far more irritating than these, but we’ll go with it as it leads him to the next plot point. As Brain ponders what embodies those three attributes, Pinky continues to eat his popcorn but in a very loud, irritating, manner. As Brain paces back and forth trying to devise a toy that includes all of the features he identified, he grows more and more frustrated with Pinky before eventually shouting at him to chew with his mouth closed! Pinky then chokes, gags, and spits out the popcorn in his mouth all over Brain. Brain is about to blow a gasket when he has his eureka moment and declares that Pinky is by far the most simple, pointless, and irritating thing in all existence! Pinky thinks this is a compliment and Brain gets right into the design phase of his toy.

Pinky is one confident mouse, despite what he hears from Brain.

Now, I had mentioned this episode felt a bit like a sequel to A Pinky and the Brain Christmas and this is partly why. In that episode, Brain created a doll that looked like him that was supposed to hypnotize the world into viewing him as its leader. This time, Brain is creating a Pinky doll that he’s hoping will carry out his plan. We head into a bit of a musical number featuring Brain designing the toy. It’s a bit of a pseudo-montage as the characters are going to pause to speak and make jokes during this otherwise quick passage of time. Brain is first shown drawing the toy, but has to scold Pinky for posing too seductively. We’ll also see Brain working at a sewing machine, much like the Grinch did before him, but instead of catching Pinky’s tail in the device, he picks up a ratty looking garment and discovers that Pinky is chewing on his finished work. We also get to see Brain inspecting his handiwork, but he’s irate when he finds the Pinky doll he designed has the body of a world class body builder. Pinky was apparently in charge of inserting the stuffing and Brain demands he “De-swolify” the doll immediately causing Pinky to lament “Hot Mouse Summer ended before it even started.” Pinky has become quite the sexual being in this reboot of the show.

This show has always been willing to get meta.

Brain then moves onto the programming stage. He beams the program over a modem to the first doll and tests it by asking him the fateful question, “Are you pondering what I’m pondering?” The doll returns with a “I think so, Brain, but perhaps try Javascript for my base code?” causing Brain to conclude, “Too smart.” He then makes a modification and the Pinky doll responds with, “I think so Brain, but if we evolved from monkeys how can there still be monkeys?” This is apparently too stupid and Brain gives it another try, “I think so, Brain, but didn’t we already do a Christmas-based plot in the Emmy Award-winning special A Pinky and the Brain Christmas?” Brain looks at the camera and concludes, “Too meta” following that one. And there’s the acknowledgement I needed.

At long last, the perfect plan to steal Christmas is upon us!

Frustrated and out of options, Brain unplugs the doll and does something he never expected to do: call for Pinky’s help. Pinky does as he’s told and we soon find him getting plugged into some sort of brain scanning device. Brain tells Pinky to prepare for a long, arduous, process as scanning a rodent’s brain can take months, but before he can even finish his sentence the computer beeps to indicate it’s done. Chalking that one up as a “freebie,” Brain uploads the scan of Pinky’s brain to the doll and asks it once again what he’s pondering. Both Pinky and the Pinky doll come back in unison with, “I think so, Brain, but if love is all we need then why do I still have to go to the bathroom?” Brain smiles a somewhat menacing grin and simply responds with “Yes, why indeed?” as he launches into a fit of maniacal laughter complete with lightning strikes in the background. Pinky then claims he “gets it” and starts laughing too and is soon joined by his duplicate. Brain can only stare dumbfounded so he unplugs the doll from the computer which shuts it down. Pinky looks at it a moment, then agrees that this is a good idea as Santa won’t come if they’re awake. He then wraps himself in the power cord and puts himself to sleep. Brain saunters over and declares they have a Christmas to thieve as he grabs Pinky by the snout and drags him off somewhere. We close with an iris shot of the deactivated doll ending part one of this two part story.

It’s not uncommon for a Christmas show to feature an extra long segment, but it is a bit uncommon to break it up with an intermission.

The show is going to take a break from the main plot with what could basically be described as an intermission. “Santamaniacs” is a lot like the Christmas special we looked at earlier this year. It’s a parody of A Visit from Saint Nicholas/‘Twas the Night Before Christmas and uses a narrator (Lesley Nicol) who informs us it’s the day before Christmas at the WB lot. Everyone is working because the company slashed vacation days in a bid to raise productivity. There’s not much to detail as the narrator admits it’s all boring, so we pivot to see what’s going on in the Warner Tower. There we find the Warner siblings all a snooze in their bed…at quarter past 1 in the afternoon. Yakko interrupts the narrator to explain that they’re trying to sleep as much as possible so that Christmas Day arrives faster. The narrator offers to whisper to accommodate their sleeping and Dot pops up to indicate that’s fine as long as she doesn’t get “too ASMR” with it.

Wakko sleeping with a slice of pizza is a life goal for me.

The clock then moves faster to indicate the rapid passage of time and we find the Warners waking up at the dark and early time of 2:23 AM. They spring from their beds to find…nothing under the tree. Wakko is confused as he confesses they’ve been naughty before and always got presents. Yakko adds they’ve been exceptionally less naughty of late due to the disappearance of Hello Nurse and Minerva Mink. He holds up 8x10s of both for emphasis (they weren’t brought back for this series). Dot grabs the pictures and crumples them up indicating she knows what they must do now. Wakko tries to finish her thought by suggesting they need to learn that the true meaning of Christmas isn’t presents, but love, generosity, and good will to all. Yakko and Dot stare at each other a moment with confused expressions before all three Warner siblings collapse in a fit of laughter indicating that Wakko’s suggestion is preposterous and meant as a joke. Dot then decides to get serious and informs her brothers that they’re going to go annoy Santa until he gives them presents.

No toys under your tree? Thankfully, the Warners are on it!

Stuffing themselves into an envelope, the Warners mail themselves to the North Pole with tremendous speed and arrive at Santa’s work shop. There they find a mailbox overflowing with letters that are apparently being ignored. They knock on the door of the home and a gruff voice inside tells them to go away unless they’re the mailman with his reindeer wee-wee pads. Dot wonders what’s stuck up his chimney as the three peer in to investigate. There they find a Santa (John DiMaggio) that’s absolutely jacked and downing peppermint whey protein shakes to generic sounding heavy metal music. The room is being heated by burning Christmas letters, but as Santa sits down to read from an old man magazine, he soon finds himself accosted by the relentless Warner siblings.

That is not a body that eats nothing but milk and cookies.

They go through a “better not pout,” routine ending with Dot asking if he wants to tell them why he’s about to cry? He relents and tells them he’s basically depressed because for centuries he puts in all of this work, but gets nothing but complaints in return. He dumps a bag of letters on the Warners for emphasis as he rattles off some of the complaints he gets. When Dot points out they’re just the complaints of dumb, entitled, kids he responds with “That last one was from you!” He’s done, but when Wakko asks who is going to deliver all of those presents (an elf peeking from behind the door to the work shop proper closes it in a creepy sort of way) the big man just mutters “I don’t know. Why don’t you do it?”

He must go through lots of reindeer.

The Warners look at themselves for a second and then Yakko decides to use this opportunity to launch into a song. The premise of which is that without Santa’s magic they couldn’t possibly hope to accomplish what he does in a single night. Yakko, through song, points out how long it would take to travel around the world and points out they’d need to move at 12 miles per second which would obliterate the reindeer’s bodies in the process. As he sings, he loads Santa into a sleigh and they all fly as the lead reindeer’s nose catches fire. There’s only five reindeer, which is a damn shame.

Now that’s a body that eats mostly milk and cookies.

There’s a break in the song where Santa resumes sitting in his chair and tells the Warners that exploding reindeer is a risk he’s willing to take. We then get a callback to the wee-wee pad remark as Prancer is fixing to piss all over Santa’s tree and he has to jump up to stop him from doing so (I realize the reindeer are supposed to be female, but he was clearly about to pee like a male dog would). Wakko then takes over song duties from his brother and his portion of the song is focused on all of the milk and cookies they’d have to consume throughout the night. The end result of such a caloric intake would make them larger, and denser, than the sun and would destroy the Earth itself. That doesn’t seem possible since the milk, cookies, and the Warners have to exist at the same time to begin with and matter can neither be created nor destroyed, but I’m probably thinking about this too much.

I bet you didn’t expect to see these guys here.

Santa then concedes they may have a point, but he’s not allowed to come around just yet because Dot still has to sing her part! She hops on his lap and goes into her part which concerns trying to figure out which kids were naughty and which were nice. She concludes they would need to create a system of mass surveillance, but the load would be intense since 5 moms give birth per second in the world. She determines this whole thing would run afoul with the FBI and they’d likely wind-up with an elf version of Edward Snowden who would find asylum in Russia and the Warners would land in prison making their conclusion “We could try to do it Santa, but we’re not the NSA!” It ends with the Warners now in festive Christmas attire singing in front of a massive Christmas tree with dancing elves, presents, and agents in reindeer costumes.

They do like their big musical numbers.

The top of the tree opens up and presents start blasting out which land all around Santa standing in front of the remnants of his home. Apparently, the events of the song destroyed it at some point. Santa then asks the Warners if he agrees to deliver the presents will the three of them shut up? Yakko offers no promises, then adds they need a ride home. Santa pulls a lever causing a large pedestal to arise from the ground with his sleigh atop it. The Warners cheer and run for it as Santa drags behind them. The narrator returns to wrap the story up and in the process lets us know (through rhyme) that Prancer still needs to pee. They take to the sky and we get ourselves a Santa moon shot while an “S” searchlight shines overhead. The narrator sets Santa up for the fateful closing line of the poem, but he goes off-script with a “Happy Christmas to all and will you three stop singing?!”

Pinky loves himself some Pinky. Brain should probably give them space.

Thus ends “Santamaniacs” returning us to “How the Brain Thieved Christmas.” A massive assembly line is underway assembling Poity Pinky dolls for consumption. Pinky tries to convince Brain to let him keep one for himself, but Brain just takes the box from Pinky and chucks it down a chute while the doll, and rat, declare they’ll never forget “me.” This cuts to a news broadcast and it would appear that Brain did succeed in creating a toy that everyone wants. And it’s in such demand that the reporter (Kimberly Brooks) on TV gets jumped because she happens to be holding one of the dolls.

Brain is very Mr. Burns-like in some of these shots.

Brain is mighty pleased at what’s unfolding. He goes into his own rendition of ‘Twas the Night Before Christmas, which feels a bit redundant after the last segment if I’m being honest. His version is just to setup the realization that 122 million of his inventions are stirring this night ready for action. He holds a remote control to the heavens and sends out the signal, presumably to the other side of the world where Christmas has already settled under the tree. The dolls rise out of their boxes like zombies and begin stealing everything in sight to the sound of “Dance of The Sugar Plum Fairy.” One doll is spotted by a toddler, a very poor one it would seem since her tree makes Charlie Brown’s look nice, and when she asks “Santa?” it almost ruins the whole thing as the doll starts looking for the jolly, old, elf, but another blast from the remote and it resumes its mission.

The plan is working, but something has to go wrong, right?

A whole army of dolls are marching on ACME Labs and Brain is looking on with glee. He gets to parody the Grinch now with, “All those fools soundly slept while their gifts, I retrieved. Hark, Pinky! They’re about to learn Christmas is thieved!” He looks at his partner rather smugly and waits for the reception. You can probably guess how this is going to go. At a nearby tree, not unlike the one erected in Who-Ville, a little girl approaches. To the cries of people (Kari Wahlgren, Danny Jacobs) realizing Christmas was stolen, the girl begins to sing “Silent Night.” Pinky declares this to be his favorite carol while Brain looks on curiously. He opines that this could be bad if it leads to some anti-commercialism sing-a-long, but the shouts of others witnessing this act of “It’s choir or bust for me,” gives Brain some confidence that this will go no where. Of course, then the girl is joined by another – Pinky!

Brain should have foreseen this problem, it’s exactly what foiled the Grinch!

With both Pinky and the girl singing, Brain looks a bit concerned. Then he spies the Poity Pinky dolls returning and a smile spreads across his face. With the dolls there to destroy what has been thieved the singing will be rendered moot. As the dolls approach a burning furnace, they hear the singing, and since they’re all copies of Pinky, they can’t resist. Despite the protests of The Brain, the dolls all stop what they’re doing and run to join in on the sing-a-long. All Brain can do is watch as soon other people join in. His attempt at thieving Christmas went as well for him as it did for the green guy. “I stole all of their presents. I robbed them of cheer! I ruined the happiest day of the year! But now thanks to Pinky’s pig-ignorant brain, they’re caroling louder, and Christmas still came!”

I feel like we’ve been here before.

Brain starts angrily disposing of the gifts himself. As he does, he makes mention of the name on the gift and basically taunts the poor kid as he burns their desires away. He then gets to one that is to “The Brain.” Brain pauses and mutters it’s probably another mug with Pinky’s face on it, but his curiosity gets the best of him and he opens it up. It’s not, and instead Brain is shocked to find a perfectly stable particle of antimatter, the very same he destroyed at the beginning of the story. It’s a gesture that moves the mouse to tears.

Ah yes, even Brain is not impervious to the Christmas Spirit.

As the song outside builds to a climax, Brain approaches. Pinky encourages him to “Bring us home, Brain!” He seems a bit reluctant for a moment, but then belts out “Sleep in heavenly peace!” much to the delight of Pinky. The rest of the crowd seems confused, but then cheer alongside Pinky and we get a quick glimpse at a swole Pointy Pinky doll that apparently made it through production. This story isn’t over yet though as Brain needs to do as the Grinch and give back all of the presents. He pulls out his remote and activates it. A rumbling can be heard, and then a massive, robot, sleigh bursts through the walls of ACME Labs overflowing with presents. Little robot arms pop out and start tossing presents to the onlookers, some more forceful than necessary, causing Pinky to declare this the best Christmas ever! He credits that to Brain, but Brain corrects him and says it’s thanks to Pinky. As Pinky embraces Brain, it’s time for him to get his present. A taped-up box drops from the sleigh and Pinky approaches it with nervous energy. He unwraps it to find – what else? – his very own Poity Pinky doll!

Well, Brain, better luck next year.

Brain then decides to share what he’s learned this Christmas, but as he does we see the sleigh has gone haywire and people are running from it screaming. Brain starts to tell Pinky that he’s shared something with him, but the doll he just gifted Pinky bursts from the box and interrupts him causing him to drop his container of antimatter. It shatters upon the ground and is, once again, lost to Brain. The Pinky dolls all break out into song once again, and it’s the same version of “Deck the Halls” concerning hanky-panky in the bathroom. Brain looks positively dejected, but he turns it around quick. Declaring that it wouldn’t be the holidays without depression and feelings of hopelessness, he commands Pinky to return with him to the lab in preparation for tomorrow night. When Pinky and the dolls ask what they’re going to do tomorrow night, Brain responds, “The same thing we do every Boxing Day, Pinkies. Overdo it on the nog before it expires, and then try to take over the world!” Pinky and his buddy laugh as they skip along behind Brain while we get to see a legless doll crawling after them through the snow with “Happy Holidays” written in spent oil behind it.

Quite possibly the most unsettling “Happy Holidays” I’ve ever seen.

And so ends this episode of Animaniacs which is perhaps the last holiday episode any of these characters will be a part of. The third season ends with the following episode and as of right now there are no plans for a fourth. It’s likely this is the last of this version of Animaniacs and if another is to come about it’s probably far off and likely to be a true reboot with an all new cast and creative staff. And if that is the case, at least the original group had a nice send-off as the new version of the show was pretty good!

It’s Pinky. It’s Brain. It’s Christmas. It worked so well before that I’m not surprised to see them try it again.

As for this holiday episode, it’s fine, but lives in the shadow of A Pinky and the Brain Christmas. That is one of the best Christmas specials produced so it’s not like it’s a true negative for this one to not be as good. I was surprised at the similar plot though, but that was clearly intentional as a bit of an in-joke. I do think it was a mistake to have Brain once again find the Christmas spirit via a gift from Pinky. It just doesn’t land with any real emotional impact the second time around. I’m curious how it would play to someone who never saw the original special, but I’m guessing it still comes up a bit short because it just isn’t setup in a sincere fashion. We know it’s coming because we’re watching a Grinch parody so there’s no surprise here, no gut punch, no feels.

This one does deliver a moon shot, though with only five reindeer.

That doesn’t mean the special is a failure, because it most certainly is not. Instead, this one succeeds as a comedy. Just a straight-forward satirical takedown of Christmas. It doesn’t quite set its fangs into the holiday, but it pokes fun at its expense. The middle segment starring the Warners is solid, but I did think the musical number felt flat. The idea was good, and the animation that accompanied it was entertaining, but the song itself lacked the usual polish the show is known for. It lacked a fun melody and as a result the actors felt like they were just reading off a piece of paper. Were the song’s lyrics too complex? Perhaps, but it’s not up to the show’s usual standards.

Pinky is terrific in this one. Hopefully he got that Hot Mouse Summer he was dreaming of.

It’s a relatively minor critique as the gags still functioned well in telling the story. I’m not sure why Santa was some buff dude as it appeared to be a gag that only existed to subvert expectations that didn’t add any layers. I did enjoy the more “adult” situations and jokes like Pinky’s song about sex in a bathroom stall, his desire to be seductive, and his affection for muscular mice. I guess I just really liked all of the Pinky stuff.

I hope all who read this are as happy on Christmas morning as Pinky.

This one may not be as good as A Pinky and the Brain Christmas, but it holds up very well compared to the other Animaniacs Christmas episodes. I’d even entertain an argument that it’s the best one. And if you want to check it out for yourself you can find it on Hulu. It’s also available for rent and purchase via other means if you don’t want to sign up for the service, it’s just too bad the older series isn’t still on there. And if you can’t tell, I think you should! Especially if you’ve ever considered yourself an Animaniacs fan.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 24 – Shrek the Halls

2021 marked an important anniversary in animation: Shrek turned 20. The animated film from DreamWorks is credited as really helping to launch the company as a viable competitor to Disney’s Pixar. Prior to Shrek, DreamWorks had found success at the box office with Antz and Chicken Run, but Shrek was the first to really explode…

Keep reading

Dec. 24 – The SpongeBob Christmas Special

When I listed out the best Christmas specials over a week ago, I included the stop-motion A SpongeBob Christmas. And I stand by that as that special is pretty great. Before there was A SpongeBob Christmas, there was The SpongeBob Christmas Special. Confused? Well, there are only so many ways to title a Christmas special.…

Keep reading

Dec. 23 – Bugs Bunny’s 24-Carrot Holiday Special

Original air date December 3, 2020.

Let’s try this one more time for 2023 – can we find a good Looney Tunes Christmas special? And more importantly, a good Bugs Bunny one? We’ve looked at two already that were merely okay. Nothing terrible, but hardly holiday classics. For our final go at this, I’m feeling a little more optimistic and that’s because we’re jumping to the world of Looney Tunes Cartoons. Looney Tunes Cartoons resulted from a meeting between Uncle Grandpa creator Pete Browngardt and Warner Bros. for an unrelated project. That meeting with Warner Bros. apparently didn’t go all that well as Browngardt wasn’t interested in whatever project Warner was selling. Audrey Diehl, the executive leading the meeting, apparently wanted to try to salvage something from it and asked Browngardt if there was a project that might interest him and I bet you can guess what his response was. Looney Tunes Cartoons was born out of that meeting in 2017 and Browngardt was put in charge of basically bringing back the classic characters in a format befitting them. He would team-up with artist Jim Soper and many other talented writers, artists and voice actors to create the show which finally premiered in 2020 on HBO Max.

The timing of the premiere kind of sucked some of the wind from the sails of Looney Tunes Cartoons. Not because the show was poorly received, but because it came during the great lockdown that was brought on by COVID-19. Locking the cartoons behind the HBO paywall also didn’t help matters and despite myself being pretty plugged into the world of animation, I didn’t see much of these new shorts until the next year. At that point, Cartoon Network had begun airing the first season as a means of promoting Space Jam: A New Legacy. If you want kids to go see a new movie based on the Looney Tunes characters it pays to make them accessible to today’s kids. When those episodes did land, I watched them with my kids and we all pretty much enjoyed them. Eric Bauza is probably the best Bugs Bunny since Mel Blanc and the characters both look and feel like Looney Tunes. They’re certainly different from the golden age and no one would look at one of these and mistake it for a classic short, but they can exist alongside it. My kids have also been raised on this stuff so that helped, and there was a period of time in my house where the new cartoons were preferred to the originals (that has since passed).

Part of that first season, but exclusive to HBO Max, is the show’s lone Christmas special titled Bugs Bunny’s 24-Carrot Holiday Special. It uses the star power of Bugs in its title, but it’s an ensemble piece like most television episodes of Looney Tunes with Bugs leading a segment alongside Porky, Daffy, Elmer, and others. A holiday special formatted for a half hour based on Looney Tunes is a bit concerning going in. These characters and shorts work best in quick hits, but as I said before, I’m cautiously optimistic going in as the shorts I’ve seen have been pretty good, but I’ve been burned before so I’m still going to keep my guard up.

A cozy holiday setting to set the mood.

The cartoon begins with a shot of the show’s logo covered in snow. The orchestra sounds like it’s warming up, and we smash to the classic WB shield, also covered with snow, and the familiar sting of “The Merry-Go-Round Broke Down.” An image of Bugs Bunny’s visage is shown like this is the start of a Bugs Bunny short, but it fades to be replaced by the title of the special over a warmly lit house like a classic holiday special of old. And orchestral version of “We Wish You a Merry Christmas” has replaced the usual Looney Tunes fair and as the logo fades the camera starts to zoom in until we find ourselves inside this cozy home. It appears to be an actual set, though with modern CG I suppose it’s possible I’m being fooled. I’m thinking it’s probably a combination as there’s a lit fireplace that looks a little off so maybe that’s being CG generated while the set is real. There’s a picture of Bob Clampett on the far wall and opposite him is Mel Blanc. There’s a very full and well decorated Christmas tree and a narrator chimes in to set the mood. He muses on the tradition of decorating the Christmas tree as the camera finds a wooden ornament of Daffy and Porky dressed as elves. The ornament is titled “Santa’s Little Helpers” and it’s a hint at the short to come.

Looks like Santa is having some labor issues up north. We’re going to need some scabs to save this Christmas!

That short begins without a title card, but according to Wikipedia it’s called Elf Help. We’re at the North Pole, and an announcer informs us that not all is well up here. The elves are on strike, and Santa can’t make Christmas happen without them as we see him attempt to wrap a gift and it bursts into flames. This is a news broadcast we’re watching and we’re transported to the home of Porky Pig (Bob Bergen) and Daffy Duck (Bauza) as they react to this news. Daffy is horrified at the thought that Christmas might be cancelled this year since he won’t be receiving any presents! His design is a noodlelike bowling pin and he’s more in-line with the Clampett Daffy personality wise, though his selfishness is a bit more from the Chuck Jones mold. Daffy is worried that he and Porky won’t be getting their usual delivery of Christmas coal, as he opens a closet to reveal a whole bunch of the stuff. He loves it though as it keeps their house warm and Porky seems to be of the same mind. Daffy then proposes that he and Porky head up there and help Santa turn things around. Porky wants nothing to do with crossing a picket line, but Daffy has no shame. And it also doesn’t take much convincing on his part to get Porky to agree to go and save Christmas.

And apparently these are just the scabs for the job.

We return to the North Pole and find a family of penguins just hanging around. The little penguin is basically the same character model as the penguin from the Bugs Bunny short Frigid Hare (he’s apparently named Playboy Penguin). An elevator comes shooting up out of the ice and dispatches the penguin family – just what are penguins doing at the North Pole anyway? Daffy and Porky emerge to “Jingle Bells” from the elevator. Daffy is full of enthusiasm while Porky is freezing. He probably should have put something on since he’s just wearing his blazer and bowtie. Daffy soon spies the striking elves and decides to show them a strike of his own. Gathering up his friend into a bowl, he hurls Porky towards the elves who get knocked out of the way with relative ease. Porky smashes through a window and gets lodged in something gray and squishy.

Santa is apparently a traditional, inept, corporate overlord.

It’s Santa! Daffy comes running in to find the big man miserable and his face covered in cookie crumbs. He’s in his long underwear and seems to be pretty deflated over this whole strike thing. When Daffy asks him where his usual jolly-ness went, Santa (Fred Tatasciore) confirms it died when his elves went on strike. Daffy tells him not to worry as he and Porky are here to help him get ready for Christmas. Santa somewhat sarcastically asks if they’re going to make all of the presents for Christmas and Daffy confirms that’s the intent. Santa then surprisingly jumps up and seems okay with this! He decides they’re the Christmas miracle he was waiting for, and he belly bumps them across the room to smash into the wall and slide down through some elf outfits hanging on said wall.

Looks like they’ve got this covered.

We cut to the two dressed in their elf attire almost giddily building toys. It’s set to a very cheery rendition of “Deck the Halls” and as the boys work on their toys Santa comes into view. He starts laughing almost hysterically until they ask what’s so funny? Santa then gestures to the toys they’re building, which include a wooden duck and other traditional trinkets, and tells them kids don’t want that crap anymore. What they want is high-tech video games! He slams a console down in front of the two that’s like a hodgepodge of an X-Box and a Super Nintendo which makes some futuristic type noises. He then ushers them along into the room where those are to be assembled: it’s a dark, windowless, cold room with posters on the wall of “Santa is Always Watching” that portray the jolly fat man more like the dreaded overlord the elves are protesting against. He encourages Porky and Daffy to have fun with it as he urges them in, but adds in a threatening voice, “Or else!”

Maybe I spoke a little too soon?

With the door slammed shut behind them, Porky and Daffy are left to figure out how to construct a game console. Porky is basically freaking out as he views this task as an impossible one. Because he is a good-natured ham, he’s actually worried about letting Santa down when I’m starting to think he isn’t deserving of any sympathy. He walks into a bookcase and a bunch of books fall out on top of him. Daffy tells him to cheer up as he picks up just the book they need: A Total Nincompoop’s Guide to Building a Video Game System. Daffy hands the book to Porky and instructs him to read while he makes adding the obviously fateful line of “This video game stuff can’t be that complex!” Porky starts reading off instructions while Daffy sets himself up at a conveyor belt. The camera focuses on a classic cat clock, only this one is dressed like Santa with a candy cane tail. I kind of love it and want one. Also of note, the calendar in the background suggests that the present date is December 3, which just so happens to be the day this went live on HBO Max. We hear Porky read out the instruction number as he stammers along finally reaching step one-thousand two-hundred seventy-six, which is basically final assembly. When he looks up from the book, he just sees Daffy with a pile of unrelated junk that he’s covering in glue.

Boy, that sure looks painful.

Porky is ready to freak out as this monstrosity does not resemble a game system in the slightest. It even features tentacles and what appears to be a giraffe’s knee. Daffy tells him to calm down and yanks on a pull chain which triggers a hydraulic press that smashes the two into each other with the…game console…in between them. The resulting collision reduces Porky and Daffy to a paper like consistency as they float to the floor, but it surprisingly turns Daffy’s stuff into something! Daffy declares they’ve done it, and at first we get a shot of an actual game console. Porky then adds it looks more like a killer robot to him and as the camera zooms out it’s hard to find fault with the pig’s assessment. The game console is on top of what is otherwise an intimidating machine. It’s boxy, purple, and on tank treads with spikes sticking out of it. It is indeed a killer robot as it reaches out an arm to grab Daffy while uttering “Destroy! Destroy!” Porky winds up getting smacked by the robot (wielding Daffy like a club) onto a conveyor belt and when he realizes he’s not moving as he runs he lets out this hilarious scream that sounds so convincing. It’s clear the pig thinks he’s about to bite the big one. The robot lifts Daffy and aims the duck’s rear at Porky. Cocking the duck like a shotgun, it then makes Daffy start firing eggs at Porky from Daffy’s…well, you can probably figure that part out for yourself.

He apparently had no built-in defense for a duck wielding a pig like a bowling ball. So long, killer robot!

The robot tosses the spent duck after assaulting Porky and closes in for the would-be kill. Porky begs the robot to spare them, which triggers an idea in Daffy’s brain. It’s either a callback to how he dealt with the elves, or just a repetitive gag, but Daffy declares “Why settle for a spare when you can have a strike?” and scoops up Porky once again and rolls him like a bowling ball at the robot. The robot was readying a bunch of missiles to kill the pair, but once struck by the Porky bowling ball they get deflected into the air above the robot. As they crest and begin their descent, the robot meekly pulls out a cocktail umbrella to shield itself which obviously results in a rather large explosion.

The sticking point for them was apparently their dental plan…dental plan…dental plan…

The rumble wakes up a napping Santa who heads to the factory to investigate. When he gets there, we find the robot has been destroyed, but the actual game console that was a part of its head has been left intact! Daffy presents it to Santa who seems rather impressed. He suggests they test it out and when he presses the power button on the device it, well, explodes. The explosion does nothing to Daffy and Porky, but Santa looks rather worse for ware. His face was nearly blown off and he’s covered in soot and as he fumes over the explosion he just keeps repeating “Why I oughta…” as he inches in ever closer to Daffy and Porky. Only after the third one, he returns to his usual demeanor and finishes his thought with “I oughta hire those elves back!” It’s very reminiscent of the gag where Ren of The Ren & Stimpy Show threatens Stimpy and Sven (“I gotta take a whiz!”), which was almost certainly referencing something from Looney Tunes that I’m not recalling off the top of my head.

There are some terrific screams in this cartoon. My hat is off to Eric Bauza and Bob Bergen.

Santa heads outside, and rather coyly, restarts the bargaining process with his striking elves. He ends it by offering a 20% raise if they return to work, but the apparent union leader just gestures for him to come up higher. Santa them grumbles and adds, “Plus dental,” and the elves all cry out with glee revealing mouths full of horrendous teeth. With the elves back to work, it would seem Christmas is saved which prompts Daffy to mosey on over to Santa and suggest that he and Porky deserve a present for kind of, sort of, saving Christmas. Santa agrees and hands the duck a gift. Daffy removes the top to find a game console and Porky seems delighted with the gift. The console then lifts up to reveal the killer robot the pair had crafted and both characters utter some terrific screams in horror. They run right through the wall and the robot chases after them and the cartoon ends with the pair racing over the snow-covered hills of the North Pole with the killer robot hot on their heels.

Taz just wants to spread holiday cheer in the old-fashioned way, but the world is apparently against him.

Our next segment stars Taz (Fred Tatasciore), everyone’s favorite ever hungry creature from down under. It’s a bit where Taz is out caroling, but something keeps interrupting him or otherwise causes him to flub what he’s doing. We start with an interior shot of a front door and the sound of someone knocking. The door opens and we see Taz with his book of carols in hand and a Santa hat on his head. He informs us that he’s going to sing a carol, but when he opens his mouth to sing we hear the cry of a cat. A surprised look crosses his face and he reaches down his throat to pull out a soaking wet orange kitty. Taz chuckles and remarks, “Cat got tongue,” and the owner of this dwelling slams the door in his face. The bit continues at different homes, but they all start the same way. At the next house, he tries to sing “Angels Heard on High” but the sound of police sirens keeps interrupting him until he eventually gets so mad that he destroys the police car. At the next house, he never even gets to his song as he’s enraptured with ringing the doorbell. The following house sees him disappointed in the handheld bell he brought with him for “Jingle Bells,” so he blows a raspberry at it and takes off only to return with a giant church bell which the occupant of the home apparently wants nothing to do with. The next door opens to reveal a trio of kids singing “It Came Upon a Midnight Clear” and they sound lovely. Then Taz sees them, and viewing them as threats, chases them off. He returns with a scarf hanging out of his mouth that he sucks up like a string of spaghetti. I’m guessing he ate those kids. The door slams shut and the occupant locks all of the locks on it. Taz then peers through the mail slot and says “Taz know you’re still in there,” so the guy nails a 2×4 over the slot. The next house finds Taz looking grumpy, but he whips out his book and goes into a warm-up routine. When he finally starts singing, it’s the closing part of “Silent Night” and he has the voice of a woman who is an accomplished singer. The position of the camera then finally changes to an angled shot and we see the occupant of the house is Granny (Candi Milo). She just says “What?” and asks him to speak up as she pulls out one of those old-fashioned horns for hearing. Poor Taz looks utterly defeated.

Sylvester will experience much pain in this one, as he should.

We return to the Christmas tree and the narrator which started this whole thing. There’s an egg-shaped Taz ornament on the tree and we pan to one featuring Sylvester and Tweety in a shopping cart. The image dissolves onto a department store being ravaged by shoppers. Granny and Tweety (Bauza) come strolling up to take part in the big holiday sale and the pair have no trouble simply walking through the mob clogging the entrance. Emerging from a garbage can nearby is Sylvester (Jeff Bergman)who shares what he wants for Christmas – a delicious, yellow, bird. He has a much harder time getting through the mob as he first tries to push his way in, only for his arm to get sucked into it. He tries to run, but eventually his whole body gets sucked into the mob and flung through the store where he crashes into the hardware section and a circular saw splits him in two for a “Half Off” gag.

Where’s my Sylvester nutcracker, Warner?!

Granny and Tweety are off shopping and Tweety pulls out a sock from a bin of clearance, left, socks. He wears it like a stocking hat and prompts Granny to check him out, who ignores him. Sylvester emerges from the bin of socks, but before he can grab Tweety a clerk puts a 90% off sign on the bin and a mob of people descend upon it. They clear out the entire bin leaving behind just Sylvester’s nose and eyes. Tweety then tosses his “hat” back, declaring it too big, and one last person snatches it up along with the remains of the cat. Tweety and Granny then head to the nutcracker section and Granny instructs Tweety to pick out a good one. Tweety hops onto the shelf and draws Granny’s attention to a big, ugly, one. It’s Sylvester in disguise, and Granny scoops him up and declares they need to put it to the test. Sylvester is sweating profusely as Granny shoves a handful of walnuts into his mouth. She then uses his tail like a lever and Sylvester tries to crack the nuts, but all he does is crack his teeth. Granny keeps tugging to no effect prompting Tweety to smash Sylvester in the head with a novelty candy cane. The nuts fall out of his mouth, along with the remains of his teeth. Granny then nervously tries to put the defective merchandise back without anyone noticing and urges Tweety to come look at the Christmas trees. Sylvester emerges from the shelf, and with a pan and dust broom, sweeps up his shattered teeth and dumps them back into his mouth. The clinking foley on his teeth is most unpleasant.

And for that matter, where’s my Sylvester Christmas tree?!

In the Christmas tree section, Granny and Tweety survey their options. Tweety notes the trees are rather skinny, but Granny demonstrates they work like umbrellas as she opens one. Tweety then poses on top of another pretending he’s a star, but above him Sylvester is waiting to strike. He sings the opening verse to “The Twelve Days of Christmas” substituting the partridge for a yellow canary. He dives at Tweety, but the little bird flutters away leaving Sylvester to land mouth first on the tree. It goes all the way to his tail and Tweety, seemingly totally aware that Sylvester is trying to get him, tells Granny he likes this tree declaring it funky. Granny regards the cat tree curiously and then opens it up. Sylvester becomes a full blown Christmas tree, but Granny thinks he looks a bit scraggly. Tweety just thinks they need to plug it in, so he does, and Sylvester gets a good jolt as his eyes and nose turn into Christmas lights which promptly explode to an instrumental rendition of “The Twelve Days of Christmas.” Sylvester with his face missing a nose is giving me my second The Ren & Stimpy Show impression of this special as his face has a very Stimpy-like appearance.

Sylvester always looks extra pathetic when naked.

We next find Granny and Tweety in the electronics section. Granny is occupied looking at the sales while Tweety is playing with a remote-controlled car. Sylvester, lurking behind a display television, tries to grab Tweety, but he moves out of the way just in the nick of time. Sylvester then picks up the TV and tiptoes after the bird using the television to keep himself hidden, only for the bit to repeat. After the third attempt, Sylvester turns the TV on to reveal himself looking quite angry before he turns it off. When he next places the TV down he has the misfortune of finding himself in a sale section with arrows and signs declaring the item is free. A mob descends upon Sylvester once more leaving him battered and furless. He remarks “It’s black and blue Friday,” before collapsing. We now cut to Sylvester in a wig tying some mistletoe to the end of a fishing rod. It would seem he’s going to give the old mistletoe routine a try as he casts the rod over a display where Tweety resides on the other side. The little bird looks up to see the flowers over his head and then Sylvester emerges in drag to point out the obvious. He declares that, by the laws of Christmas, they must kiss and as the cat puckers up Tweety concedes he doesn’t want to break the law. He also does not look at all thrilled about kissing Sylvester, but he closes his eyes and prepares to do just that, only for Sylvester to snap his jaw shut over him. Contented, Sylvester relaxes a little, until smoke starts escpaping from his mouth. He sticks out his tongue to find a lit menorah, and a cheerful canary wishing him a happy Hannukah.

Sylvester seems so touched by this gesture that I feel kind of bad for him that this will not end well.

Tweety hops down, but Sylvester is done playing around. He simply scoops the bird up in his hands apparently done with the little game they’re playing. As he tells Tweety what he’s about to do, Tweety informs the “puddy tat” that if he eats him then he won’t be able to give him his Christmas present. Sylvester is taken off-guard as Tweety produces the wrapped box. He takes the gift as tears well up in his eyes declaring that no one has ever given him a Christmas gift. He’s bathed in an angelic light and Tweety urges him to open it. Sylvester at first refuses for what would Santy Claus think of him? Tweety flirtatiously says “I won’t tell,” and that’s all the convincing Sylvester needs. He rips into the gift and pulls out a little catnip mouse. He says it’s what he’s always wanted and looks genuinely touched. As he gives it a squeak, the fur falls off revealing a stick of dynamite. Sylvester is then blown up and comes to rest on a pile of fruitcake in a fruitcake-like shape himself. Tweety sticks a sign designating the fruit cake as costing a mere fifty cents and the mob returns. Only this time they stop short, turn up their nose at the sight of fruitcake, and leave. This allows Tweety to do his customary mugging for the camera routine which has closed many a Tweety short previously. He declares that no one likes fruitcake, or puddy tats, and leaves us with a big, exaggerated, smile.

As was the case with Sylvester, much pain is ahead for Wile E. Coyote.

You may have expected this one to return to the Christmas tree, but we’re not ready to do that just yet. Instead, the iris shot which closes the preceding cartoon opens on a fairly familiar looking desert landscape. Only this time, it’s dotted with patchy snow. A trail of smoke ends with the familiar sight of a speeding road runner. He looks pretty much like the road runner of old, only with a more saturated blue tone. Nearby is the ever hungry Wile E. Coyote scoping out the road runner through a pair of binoculars. He also looks like the coyote of old, but with a floppy snout that adds a touch of ugliness to his design. He has a festive trap planned for his would-be dinner: a gift addressed to the road runner from Santa Claus. The gift is placed in the center of the road, and above it lurks a large boulder being supported by a small stick. It’s tied off with a red ribbon secured to a rock at ground level and when the road runner snatches his gift it should pull the stick free and cause the boulder to come crashing down upon him. How the coyote will consume the squashed remains is a problem for later. When the road runner comes upon the gift, the coyote braces for impact, which never comes. Instead, he looks to the road and sees another gift, this one addressed to him! He’s quite touched by the gesture and it’s hard not to feel like we just saw this exact same scenario play out with Sylvester a moment ago. It makes me think these were all produced independently. He cheerfully opens the present and inside is a stick. Not just any stick, mind you, but the stick that had been keeping the boulder at bay. It lurches forth and comes plummeting down to crush the coyote. It splits in half like an egg, and when the battered coyote emerges he too splits in half.

Who wouldn’t want that card on their fridge?

The next plot involves a phony Christmas picture photo booth. A sign beckons those who come upon it to come get their picture taken with a Christmas tree. We then see how this plan is supposed to unfold as the coyote opens a box for an ACME extra large mace. He puts the heavy, spiked, object on top of the tree and hits it with some yellow spray paint. He then consults his blueprints which shows that the road runner is supposed to stand on the “X” in the road and look at the camera while the coyote chops down the tree sending the mace onto him. The “meep meep” sound of the bird alerts the coyote to hide and as the road runner comes upon the trap, he falls for it! The coyote springs out from behind the tree with his axe and chops at the base. He does a pretty good job, but the tree does not fall. He kicks at it, pushes it, but to no avail as the road runner waits for the camera to go off. A few shoulder tackles finally gets the job done, but as the tree falls, the mace stays in place. It floats in the air a moment, and then falls on the coyote as the camera goes off and we’re treated to a Polaroid of the mangled mutt.

Since Santa and his reindeer are on the screen for a fraction of a second they must have felt like they could get away with only having four reindeer.

The next bit involves an ACME Santa’s Workshop kit. It’s basically a façade with a working door and behind it the coyote places a whole bunch of explosives. He then takes shelter behind a boulder where he keeps the detonator, a plunger styled device, and waits for his prey. The road runner comes upon the trap, looks it over a moment, then runs right through the door! The coyote pushes down on the detonator, and nothing happens. He does it a few times before he decides to investigate, but as he nears the door it swings open and out comes Santa Claus in his sleigh (pulled by only four reindeer – boo)! He leaves the coyote flattened, and the road runner is riding alongside him in the sleigh. As the coyote gets up and watches the two head out of sight, he regards the phony workshop curiously. He approaches with some trepidation, like he knows what’s likely to happen, and just before his hand touches the door it all explodes. The charred and angry coyote just looks at the camera and whips out a “Bah Humbug!” sign in defeat.

And now for the star of the show. Did they save the best for last?

Now, we return to the Christmas tree setting as we move away from a cactus ornament the narrator remarks the holidays are a time for sharing. The camera comes to rest on an ornament that reads “Love thy Neighbor” and the image dissolves to come upon the site of a mailbox beside a hole. This can only belong to one Bugs Bunny (Bauza), and we find the wabbit sitting by a roaring fireplace enjoying a nice cup of hot, carrot, tea. A large amount of snow comes down his chimney to blunt that fire, and when Bugs cries out another clump falls on him. He needs to investigate what’s going on and pops out of his hole as-if it were equipped with an elevator. This Bugs is the more streamlined Bugs as he appeared in his earliest cartoons. He also has yellow gloves, as the prototype Bugs featured, and I’m still torn on if I like the gloves or not. They’re a very pale yellow, but they still clash with the gray of his fur, but at least it’s different.

Elmer may have been forced to give up his shotgun, but otherwise little has changed between these two over the years.

The culprit for this snow storm is Bugs’ neighbor – Elmer Fudd (Bergman). Elmer has a pretty traditional design as well, but with perhaps a bit more exaggeration to his jowls. He’s shoveling his walk and tossing the snow wherever he pleases. Bugs approaches him and, rather politely, requests that he not do that. Elmer just declares it’s his home and he can do whatever he wants demonstrating that he is completely absent of reason. When Bugs, rather flirtatiously, reminds him that he should love thy neighbor he punctuates it with an “And I love you!” followed by a hug. Elmer tells him he hates him, and he hates his house too! He swats a lump of snow with his shovel like a baseball bat that takes out Bugs’ chimney. He then fires up a snowblower and blows the wabbit away. He follows that up by pounding the snow that is now over the rabbit hole, and while dusting himself off, declares that no one tells him what to do. This could quite literally be the hill that he dies on. Elmer then starts thinking about how he’s going to treat himself when he’s done clearing the snow. As he does, he’s oblivious to the snow rising beneath him as Bugs pushes it out of his hole. He tosses it, and Elmer, like a log and Elmer is still thinking about pie as he crashes into his own property. His head bursts out of the snow looking beat up and with some stylish snow hair!

Though I will say, Elmer just being a flat-out asshole in this one is a bit of a change for his character.

We then find Bugs trying to rebuild his shattered chimney, but he keeps getting hammered with more snow! It’s Elmer, who after getting dusted by the bunny needs to re-shovel his walkway and is tossing the snow back in Bugs’ direction. Bugs pops up behind him and casually asks him what he’s doing. He explains the situation, unaware that he’s talking to the wabbit that caused this mess. Bugs sympathizes with him, but then tosses in a casual reminder to mind those walkways this time of year as they can be mighty slippery. He then dumps a bucket of water on the surface Elmer is standing on which freezes instantly. He does a faceplant, and when he lifts his head up we see his face crack and shatter into pieces on the ground. Bugs then smashes him with a refrigerator for good measure.

Come on, Elmer! Usually, Bugs at least hides his ears to fool you, but here it’s like he’s not even trying!

Bugs then walks off thinking that problem is solved, but we still have several minutes left in this short which suggests it most certainly is not. He sings his own version of “I’ve Been Working on the Railroad” to substitute in shoveling the walkway, until a snowball hits him in the back of the head knocking him over. It’s an enraged Elmer, and Bugs confronts him and warns him not to do something he’ll regret. Elmer responds in kind with more snowballs and Bugs just…takes it? He gets repeatedly pelted with snowballs as he cries out in pain before falling face first in the snow. Elmer gets a few more shots in apparently targeting the ass of Bugs. When the camera switches to focus on him, we see an old lady come rolling up in a wheelchair behind him. It’s obviously Bugs, but he lifts off his disguise momentarily to wink at the camera in case there was any doubt. He then shouts “Junior!” and it’s clear he’s playing Elmer’s mother. Convincingly, apparently, as Elmer is fooled. She reprimands him for not dressing in layers before slamming a ton of clothes on him. She then tells him to finish the job and bash that rabbit and hands him what looks like a skinny Christmas tree from the Tweety short. Only it’s the top of an actual tree that Bugs just bent over and when Elmer takes hold of it he lets go sending the man on a trip through the air. He crashes into a funeral home, which explodes on impact, leaving behind a somber looking grave complete with tombstone.

The wreath is one of the few hints of Christmas in this short and it even mysteriously vanishes from the door in the next shot.

We get a nice close-up on the headstone which reads “Here Lies Elmer Fudd, Loved by neighbors (not really)” and his date of birth is just 1940 and date of death 2020. The headstone then splits and an enraged Elmer emerges from behind it. He’s going to bash that wabbit, and his weapon of choice is a lead pipe (I guess found in the rubble of the funeral home?). He goes rushing off to seek his revenge, but is taken aback when he gets to his house and finds all of the snow is gone. There’s a nice wreath on his door and that along with the stocking on Bugs’ fireplace is about the only Christmas this short has. When Elmer approaches the house, Bugs shows up to say he’s responsible. He felt bad about how things had gone down, so he cleared all of the snow. Elmer is overjoyed and invites the rabbit in for tea, but in doing so also declares that he was in the right this whole time and is glad that Bugs came to see that. This might have been a wrong move, though it also seems like the trap was already laid, for when Elmer inquires what Bugs did with all of the snow he’s told it was put in a place that will make them both happy. Bugs opens the front door and a wall of snow is visible which basically explodes from the house, including the chimney! Bugs then walks away content with his work, but the mountain of snow that was Elmer’s house shudders and explodes leaving behind a monstrous snow plow and an angry, little, bald man behind the wheel.

Wait – he’s had this massive plow the whole time he was shoveling?!

Bugs then remarks “Too far?” as he runs for his life while Elmer drives after him, his face purple and red with rage. He chases Bugs to the edge of a cliff and as Bugs finds his back up against nothing but thin air, he uses cartoon magic to get out of the predicament by simply crawling along the underside of the cliff like a gecko or something. He emerges from behind the snow plow as Elmer waits to hear the scream of Bugs as he falls. And since he’s doing so, he’s not actually watching what he’s doing as Bugs encourages him to keep moving “a little further” until he finds himself suspended in midair. Once he realizes what he’s done, the plow falls and explodes upon impact on the ground below.

Silly Elmer, don’t you know the wabbit always wins?

There Bugs finds the unconscious, but still rather put together, Fudd. He resorts to the old painted glasses trick and paints a beach setting onto the lenses and puts them on Elmer’s face before he regains consciousness. Once he does, he’s soon convinced by Bugs that summer is here! He puts on his best green Speedo and sets himself up with a nice beach chair. As he settles in to enjoy some rays and reflects on his apparent victory over the wabbit, we smash cut to Elmer completely frozen like the end of Stanley Kubrick’s The Shining. Bugs emerges from behind him to declare that Elmer’s victory has been frozen in time. He then has a laugh at Elmer’s expense, who can only blink his eyes, and we return to the living room setting.

Bugs gets to do the honors of wishing us a happy holiday, which is fitting.

The narrator then attempts to wrap this thing up. And as he does, we see the arm of Bugs reach out from in front of a lounge chair to grab a carrot and milk. The camera changes to then show Bugs outright revealing that he is, in fact, our narrator. Before he can wish us a merry Christmas, he’s overtaken by a fit of coughing, which once over returns his voice to its natural sound. He waves at the camera and apologizes for his allergies, then ends with a “Thanks for stopping by and Happy Holidays!” Cue the “That’s all folks!” screen, sans Porky, and put a bow on it!

This edition of Looney Tunes Cartoons is, without question, the best half hour of holiday themed Looney Tunes content we’ve ever been graced with. It’s better than the other toons we’ve looked at this year, and probably better than Bugs Bunny’s Looney Christmas Tales. It’s helped by having character designs that are pretty much classic interpretations of the characters with just a touch of added stylizing. The voice acting and sound design are both terrific, and the quality of the animation, while obviously digital, is pretty damn good for what it is. One could perhaps quibble with the length of this one as it’s three standard-length shorts with a pair of smaller segments used to break them up. And yet, I quite liked the bit with Taz trying to carol and the Road Runner segment was rather short and sweet. Of the meatier segments, I think the Daffy and Porky one was probably my favorite of the three. It had a conventional plot of two dim-witted characters chipping in on Christmas, but with the added subtext that this version of Santa is kind of a monster and the helpers are scabs. He’s more like an evil overlord, and while it made him rather unlikable, he at least did the right thing in the end. The Sylvester and Tweety short was fairly typical of the duo with the cat trying to capture the bird, but getting outwitted by him at every turn. It had some solid gags and I rather enjoyed seeing Sylvester as a Christmas tree, but man, I hate fruit cake jokes so it had a bit of a sour ending.

It really is almost..time…for Christmas!

The weak spot for me was the Bugs Bunny cartoon. Not because it was bad, it was actually quite entertaining, but because IT WASN’T A CHRISTMAS SHORT! This whole month I’ve been trying to find not just a good Looney Tunes Christmas special, but a good Bugs Bunny one too and in a way I’m still left wanting. The Bugs Bunny cartoon is basically a snow fight between him and Elmer and the only Christmas I noticed was the wreath on Elmer’s door and some decorations on Bugs’ fireplace. What a bummer. They could have just tossed Santa into the end or something and had him play a role in settling things, but maybe they didn’t want to since that’s how the Road Runner segment ended? Again, not a bad cartoon, just not really a Christmas one.

The wrap-around segments with the uncredited narrator added a little holiday charm, but it also felt a tad derivative. There was no gag, unless you count the Bugs reveal at the end which was hardly a shock, so it felt surprisingly earnest. It very much reminded me of the Mickey Mouse special Once Upon A Christmas and its sequel. It’s an easy way to make a Christmas special feel like a Christmas special so I don’t fault them for doing it, but just wish they did it better.

Even though I admittedly have one rather big problem with this Christmas special, I still think it’s deserving of a recommend. I could recommend the other Looney Tunes specials as a curiosity piece, but this one works as just good entertainment. Which is how I view the whole of Looney Tunes Cartoons. It’s a solid B+ show that’s keeping these characters alive outside of Space Jam, and for that I’m thankful. For now, this one appears to only be available on HBO/Warner’s Max platform, which is unfortunate. Maybe it will get a showing on Cartoon Network, but don’t count on it. It looks like it’s available for purchase digitally, and you may even be able to find it elsewhere. I think it’s worth checking out and there’s a bunch of other Christmas stuff on Max so a one-month subscription might be just the ticket for your holiday entertainment, though maybe not at this point since we’re nearing the end of the season. Hey, there’s always next year!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 23 – Bluey – “Verandah Santa”

When it comes to The Christmas Spot, I have very few rules. I definitely favor animated Christmas specials, but that’s not some rule I’ve created for myself. The programs don’t have to be all ages, they don’t have to be “nice,” and they certainly don’t have to be any good as I’ve looked at an…

Dec. 23 – DuckTales – “How Santa Stole Christmas”

One of my favorite modern Christmas specials is the DuckTales episode “Last Christmas.” I feel like anytime I talk DuckTales I have to specify which era, though in this case I really shouldn’t since the original DuckTales never did a Christmas episode. To make up for that, the 2017 edition of the show did two…

Dec. 23 – The Super Mario Bros. Super Show! – “Koopa Klaus”

During the late 80s Nintendo was on fire in the US. The Nintendo Entertainment System came storming into living rooms, basements, and dens across the country making Mario and Luigi household names. In addition to video games, there were tons of licensing deals for clothing, school supplies, bedding, you name it. If it could be…


Dec. 21 – RoboCop: Alpha Commando – “Oh Tannenbaum Whoa Tannenbaum!”

Original air date October 5, 1998

It’s been said that the 80s were pretty wild, and it’s not much of an exaggeration. At least where children’s media is concerned. After years of the government getting involved in what was okay to broadcast to children, the Reagan administration basically said “Eh, kids deserve to have everything and anything marketed towards them.” There were still some educational mandates placed on broadcast networks, but television producers were basically allowed to make glorified toy commercials that could pass as entertainment on their own. And apparently there just wasn’t enough kid’s content out there because toy producers turned to an unlikely source for inspiration: the R rated movie.

R rated films were suddenly on-brand to market to kids, boys mostly. Rambo got a TV show and the advertising blitz that came out of Terminator 2 at the toy aisle was inescapable. Perhaps the oddest of the bunch though was RoboCop. One look at RoboCop and it’s easy to see how that design could appeal to a kid. He’s a big cyborg with a giant sidearm housed in his leg. Since he’s a cop he can be marketed as a good guy and if one were to just make a cartoon about a robot cop for kids it’s not hard to imagine that working. The reality is that the Paul Verhoeven helmed film was a satirical takedown of the police state, consumerism, and a lot of the vices of the time present in 80s America. A show coming out of that which is just “The cops are your friends now here’s some toys” is about as far from the premise of the film as one could get, but it’s what we got.

RoboCop: Alpha Commando spanned 40 episodes airing in late 1998 and into 1999.

RoboCop premiered in the fall of 1988 and failed to make much of an impact. The show is more famous in animation circles for having its lone season cut from 13 episodes to 12 so that Marvel Productions could take that money and apply it to a pilot for an X-Men cartoon that would never get picked up. Interestingly, just a few years later the same executive producer of RoboCop, Margaret Loesch, would find herself overseeing the Fox Kids Network where she finally had enough pull to get an X-Men cartoon to television. Her chosen showrunner for that project was Eric Lewald who developed the show alongside Larry Houston and a host of others. As fate would have it, when Orion was looking to try RoboCop once again on the small screen in the late 90s, it was Eric alongside wife Julia who were tabbed to develop a new show. Larry Houston was once again on-hand, this time as a producer, and the end result would be RoboCop: Alpha Commando.

Alpha Commando is not a direct continuation of the old show or even the films, but it does sort of feel like one. It was a direct to syndication show and received an initial order of 40 episodes, which when paired with the 12 episodes of the first series, gets you to the magic number of 52 syndicated shows like to have. It takes place 10 years after RoboCop was originally created. Set in the far off time of 2030, RoboCop (David Sobolov) has been reawakened to deal with terrorists and save New Detroit City, America, the world? – once again. He has a new partner in Agent Nancy Miner (Akiko Morison) and the only character from the original movie is Sgt. Reed (Blu Mankuma). . I have zero memory of this show and I can only assume it was airing on cable. It definitely has a USA Network or Sci-Fi Channel vibe about it.

RoboCop is back with a new look and a new partner.

Was it wise to once again try and adapt RoboCop for animation? 1998 was certainly an odd time to try. The film franchise was dead following the poorly received RoboCop 3 in 1993. That film tried to bring the character more in-line with what Orion likely felt was a commercial entity as it was a PG-13 rated film instead of R. I certainly can’t speak for all children of 1993, but I know I wasn’t impressed in the rating moving from R to PG-13. That felt condescending and my kid brain rejected the PG-13 RoboCop. Plus, the movie sucked anyway. Come 1998, if you were 8-10 years old in 1993 then you were now 13-15 and likely aging out of cartoons. Just who was this show going to be for? It mostly feels like the last gasp of a fading franchise, one last shot at a big payday for the relatively small studio, and it doesn’t look like it worked out.

That doesn’t mean the show is bad. It very well might be, but I’ve honestly never watched a moment of it before now and I didn’t even know it existed. At the time, I probably came across it and was aware, but I obviously forgot and never sought it out. We’re here though which means it must have a Christmas episode. “Oh Tannenbaum Whoa Tannenbaum!” sounds like a bad Misfits song, but it’s also intriguing. Maybe not deservedly so as I can’t imagine this show is anything like the original film, but RoboCop setting its sights on Christmas has a lot of potential. Heck, lets see if at age 85 we can convince Paul Verhoeven to essentially come out of retirement and direct a real RoboCop Christmas special. I’d buy that for a dollar!

He’s got roller blades and tentacles and probably a bunch of other stuff now.

This episode of RoboCop: Alpha Commando resides almost right in the middle of the show’s run which means there’s probably some continuity at this point and the audience is expected to know who these characters are. I do not, but we’re going to do the best we can. The show begins with the caption that this is New Detroit City in the year 2030. We get some quick shots of RoboCop being constructed, or awakened, and some techno music from Carl Johnson starts to build. It’s a pretty rad intro, until the vocals come in. It’s just some layered voices chanting “ROBO-COP!” and it sounds so stupid. The visuals have also changed to show RoboCop in action. Apparently, a big metal dude with a gun isn’t cool enough so now he’s more like a bad ass Inspector Gadget. He has pop-out roller blades in his feet, net launchers in his forearms, and he can shoot out cables that wrap up his foes. We even get to see him stopping a train like Superman might. This is not your father’s RoboCop, folks.

RoboCop’s size is going to fluctuate quite a bit throughout the episode.

The episode begins high above the city as snow is falling. A robot floats onto the screen that resembles a fancy trashcan. It’s basically advertising itself as a kitchen aid and wants people to go buy one this Christmas. A blimp sails by with a video advertisement for perfume broadcasting from it and a robotic Santa with a lone reindeer crosses paths with the screen that contains a video message from one Giggles the Elf who wants people to buy him at Hunting Dorfs department store. If Hunting Dorfs is a play on an existing store it’s not landing for me (Bloomingdale’s?). It’s also possible this store is from one of the films, it’s been a while since I watched one. At street level, Agent Miner is stuck in traffic and quite angry about it. She’s pissed at all of the late shoppers clogging the streets, but her partner RoboCop is quick to point out that she’s in the same boat. RoboCop in this show is quite a deal larger than he is in the movie and looks rather absurd in a pedestrian vehicle. I don’t think he could be expected to fit in this thing. He’s also more of a dark gray in color than the steel look he had in the film and prior cartoon. I’m surprised they were able to resist calling this show RoboCop: Xtreme!

Don’t the holidays always bring out the best in people?

Inside the store, we hard cut to Sgt. Reed taking a purse to the face. A pair of older women are fighting over this Giggles the Elf doll. It’s an amusing sight as the doll is basically life-sized so the two women look like they’re playing tug-of-war with a rather short man in place of a rope. A store manager comes to help Sgt. Reed up off the floor as the purse was apparently swung by one of these women. He apologizes for the behavior of the guests as people are getting really upset and claiming that their items are being stolen. We see a group of people basically just bickering with each other and accusing each other of theft. Reed tries to put out the fire with a plea for Christmas spirit, but a rather large, angry, woman is having none of it. She lifts the rather large man off of his feet and throws him back into the other cops! Then the other patrons start wailing on them with all of their various items! This is nuts! If this were a scene in the original film, the cops would be jumping to their feet and blasting away at this mob, but this is a kid’s show. Before the scene ends, we see a bag laying on its side and a red-gloved hand sneaks into frame to snatch the contents of said bag. The hand clearly belongs to one of those elf dolls.

It’s time for RoboCop and Miner to get their special, holiday, assignment.

We switch locations with an exterior shot of the police headquarters. It looks like a giant, domed, stadium so I guess their budget is appropriately large. Sgt. Reed is sitting at his desk and rubbing the back of his head with an ice bag while RoboCop gives him a quick examination. The image is from his point of view and we get to see he’s X-raying the guy without any sort of protective equipment so he’s probably just blasting radiation out into that office. Reed has some superficial injuries to go along with his bruised dignity, as RoboCop puts it, and then the big guy prints out a bill for him. I bet he doesn’t pay it. Officer Miner then sets the plot up for us as she mentions all of the people Reed had arrested at the store were claiming to be victims of a robbery. How like the police to arrest the aggrieved? Reed says the security cameras turned up nothing, and I guess because we need a reminder of what the stakes are here, the giant woman from earlier barges in with cops draped all over her to scream about her rights and that those elf dolls were hers! The police are apparently too busy with crowd control, so Sgt. Reed has no choice but to ask Miner and Murphy to go undercover and catch these thieves. Yeah, you read that right, he wants the giant robot guy to go undercover.

Attention shoppers, please pay no attention to the unusually proportioned snowman in the center of the mall. Thank you.

RoboCop’s answer to such a request is to put on a snowman costume. I’ve seen worse ideas, though the proportions on this snowman are unlike any I have ever seen. He’s stationed inside the mall and some onlookers are understandably curious about this beefy looking snowman. Miner is nearby with an arm full of packages as she pretends to be a rich person without her trusty butler. It’s ridiculous, but apparently her plan works as her purse gets snatched. There’s an animation gaffe as the purse is still there when she tells her partner that they took the bait, then it vanishes. Mr. Frosty springs into action by ditching the costume and running after a beacon that was apparently in Miner’s bag. It’s now in the bag belonging to…grandma? Well, a little old lady, and RoboCop is pretty surprised when he picks her up off of her feet. A little elf then pops out of the bag and it’s that Giggles guy. He aims something at RoboCop that fires oil which lands on his trademarked red visor allowing him to make an escape with his elf buddies.

This doesn’t look like a fair fight.

You think a little oil to the eye is going to stop RoboCop? Hah! He just engages his go-go-gadget wipers and clears that stuff out in a flash! He runs after the elves which number five and manages to corner them in a dead end. It’s rather odd for a mall to feature such a thing, but I’ll allow it. RoboCop is a bit confused at what he’s seeing, but the elves (who are all identical) waste no time in attacking. They take to his ankles with torches and saws and start hacking away while RoboCop…just stands there? I’m getting angry as I watch this thinking RoboCop is about to just crumple into a pile of bolts, but he does start kicking them and tossing them away. They repeatedly smash into the wall and we get another animation error as six elves slam into the wall instead of five. Or, one got up, ran back at RoboCop offscreen, and got tossed a second time. RoboCop seems to think he’s got them, but Giggles here seems to think otherwise as he points out the crowd of onlookers. The group (many of which are reused models from the earlier scene of the cop beatdown and should probably be in jail right now) are all disgusted that RoboCop would attack Giggles like this, and I guess they’re trying to turn the public against RoboCop? The other elves then fall apart as they’re all robots and RoboCop is left holding the last, functional, one.

A lot of these images look pretty weird out of context.

RoboCop was evidently able to extricate himself from that sticky situation as we cut to the laboratory of Dr. Neumeier (Dean Haglund) who is examining the severed head of Giggles the Elf. He’s rather impressed with the tech on display and declares that whoever developed this thing is a genius while Miner thinks they’re a “nutbar.” RoboCop pops out that hand spike of his and connects to the computer system to analyze the head. He finds the security footage from the store there and it’s been edited to scrub out the crimes. Neumeier seems to find this impossible, but then the writer of the episode gets to self-congratulate themselves via Neumeier who sums up the situation with a “Who came up with this?” Sgt. Reed then contacts the group via video chat and he can be seen dodging flying presents as there’s more trouble down at Hunting Dorfs. He needs backup, so RoboCop and Miner depart to assist.

I think I’m supposed to know who this woman is.

As the pair exit the lab, they find a giant gift placed on the stoop just outside. The two seem confused, but Neumeier is psyched as no one ever gives him presents. He drags the heavy item inside as the other two leave. As he sits down to unwrap it he actually hopes aloud that it contains a massive fruit cake because we just had to get a fruit cake mention in here. It does not though and instead contains…a woman?! If you’re thinking something like the classic stripper in the cake bit, you would be mistaken as this woman is very clothed. She’s decked out in holiday attire and appears to be holding a pie. When she bursts out she cries “Newmy!” as the guy falls out of his chair in surprise. These two clearly have a history, but I can’t even tell what her name is. Charlotta?

Most guys are happy to have a horny Christmas woman emerge from a box, but maybe not when they’re homicidal.

After a quick break, we come back to the same scene and Charlotta (I’m reasonably confident that’s her name) is emerging from the remnants of the gift as Neumeier comes to. She asks where RoboCop is as she claims to have something for him, but realizing he’s not there she sets down her pie. Neumeier is apparently so shocked to see her because she’s been in prison for apparently trying to kill Neumeier and the others. They also have some kind of toxic relationship at play because Charlotta seems to like him and she’s also pretty horny after being in jail for what I assume was months. She says she got out for good behavior, but who can be sure? She points out that Neumeier apparently promised to wait for her and vows to make it worth his while. When he mentions the attempted murder, Charlotta responds with an unconvincing, “Oh Newmy! I wouldn’t hurt a fly!” as she strokes his cheek.

Sisters are doing it for themselves!

We’re apparently going to leave those two to their reunion and shift scenes at this point. We’re back at a department store and the place is in chaos. People are fighting, nuns are striking cops, and someone swiped a coat off of a mannequin that looks just like Daria’s friend Jane. Sgt. Reed informs RoboCop and Miner that the place is going crazy because the whole system is down and people can’t use their credit cards. I’ve been in stores when that happens and I can’t say I’ve ever seen a melee break out. The store manager is there to confirm the chaos. When the whole world conspires to keep consumers from consuming the whole thing falls apart. You know, I think I am getting a teeny bit of the original RoboCop‘s vibe in this show after all. And even more so when RoboCop asks who supplied those dolls and the manager confirms it was the same company that installed their security system. When Miner points out how bizarre that is, the manager agrees, but since the dolls were practically free and come with massive profit margins it was a risk worth taking. Spoken like a true capitalist!

Leave Rudolph alone!

Miner directs RoboCop’s attentiont to a store display Rudolph. The world’s most famous reindeer seems intent on watching the two. RoboCop does some sort of analysis thingy and determines the red, glowing, nose is actually a camera. Upon having that out in the open, Rudolph decides to flee. Miner can’t get off a clean shot, so RoboCop has to pursue declaring unenthusiastically that this is his new role: Destroyer of Christmas. I’m thinking we’re about to see these gnarly roller blades he’s got concealed in his feet, but RoboCop instead deploys his grappling hook from his arm to wrap the reindeer up. With the creature subdued, RoboCop is able to hogtie it (deertie?) and shove his fist-spike into an orifice on the creature’s side. The robo-deer doesn’t appear to like this and I feel like RoboCop has some consent issues, and this probably violates a whole bunch of laws too, but who knows what’s been passed in this new fascist state? RoboCop downloads a whole bunch of stuff and poor Rudolph seems rather worse for ware.

This is the part where Charlotta gets all “When Harry Met Sally” on us.

We return to Neumeier’s lab where we find the young scientist backpedaling pleading with Charlotta not to do something. And that something appears to be sex as the woman pursues the clumsy oaf imploring him not to think, but feel. He ends up against a wall and makes a quip about feeling some indigestion brought on by sauerkraut (gross), so his breath must reek. Charlotta tells him not to tease her, then says “You know what I want.” When Neumeier responds with an “I do?” she goes full-blown into fake orgasm mode with a “Yes. Yes! YES!” Before we can have just what she wants confirmed, a light from her box (no, not that one, the box she arrived in you perv) starts blinking and distracts her. She tells Neumeier that what she wants is a snack, maybe some hot cocoa, Lab boy runs off to fetch something for her which allows Charlotta to see what’s going on back in her box. There’s some device that’s basically a big answering machine and when she checks her messages we see a video of RoboCop sharing what he found inside Rudolph with the others. RoboCop has apparently uncovered a signal that will lead them to whoever is behind this prompting Miner to wonder aloud who would be sick enough to do this at Christmas?

I thought it was odd when she asked for a snack after already bringing a pie.

Charlotta, that’s who! She’s understandably pissed and says she knew those two would screw things up for her. Neumeier then returns with two cups of cocoa and Charlotta has to turn off the villainous talk and trade it for her cute voice. She’s aghast at the lack of marshmallows in her cocoa, which may be true, or its a ruse to get Neumeier to leave the room again. With him off looking for the gelatinous desert item, Charlotta pulls out a small vile of gray substance and pours it into Neumeier’s cup. He comes back to announce he’s all out and Charlotta indicates she’s fine with that and encourages him to drink up. A genius like Neumeier should probably see this encouragement for what it is, but he doesn’t and soon collapses into a puddle. Charlotta laughs at him calling him “Nerd-meier!” and then pulls out her pie once more revealing it’s actually a bomb.

These elves are creepy, but I still feel like the two with the guns have the upperhand here.

RoboCop and Miner are shown entering what looks like a warehouse. I assume this is where the Giggles dolls are made. Up on a catwalk is Charlotta and Neumeier who is semi-conscious and bound to a chair. She refers to the pair as a couple of Christmas turkeys in need of stuffing because, remember, she’s still super horny from being in prison. Neumeier sees the two and asks why they’re so tiny which allows RoboCop to tell that he’s been drugged. A bunch of Giggles dolls then surround the two and it’s time for a rumble!

Spoiler alert: she hates Christmas, though maybe not for the reason you would have expected.

Miner reminds Charlotta that this is where the villain speech goes, and the tactic works! Charlotta claims she’s knew to villainy and starts to inform the two of her plans while RoboCop indicates he’s recording the confession. It would seem that in 2030, online shopping has started to die off and this whole scheme was concocted by Charlotta, who is being paid by Big Internet, to make in-store buying a truly wretched experience thus driving people back to the online retailers. RoboCop gets to be the one to ask “Why?” and Charlotta’s response is probably what you’re expecting: she hates Christmas. She hates it because her last name is Tannenbaum and she’s sick of the jokes. She gets to be the one to say the episode’s title and remarks she hates how people will ask her “Can I play with your ornaments?” Is that a boob joke?

Damn, I know it’s a robot, but this is rather brutal. You can even see the fear in its lifeless eyes.

Now that the plan has been been revealed we can get to the violence. Charlotta, I guess, just walks away leaving her minions to attack RoboCop and Miner. They lay waste to the elf robots and these dome-headed robots that look like something out of Lost in Space. If seeing mechanical elf parts thrown around is unsettling, wait until you see RoboCop blast a robot snowman with a flame thrower! And then there’s the reindeer that shoot lasers out of their antlers, which RoboCop destroys with a grenade. It’s Miner who gets to make the remark about being glad her son isn’t here to witness this.

She’s definitely DTF with this guy, but right now she needs a hostage more than a boyfriend.

The robots have been dealt with, so now it’s just Charlotta. She apparently does care about Neumeier as she unties him and carries him to the roof. Or, she just needs a hostage. The cops pursue her as Neumeier comes to. Charlotta may like him, or may not, but she’s willing to dangle him over the edge of the roof in order to keep RoboCop and Miner at bay. Neumeier, not wanting to end up like a bowl of cranberry sauce, tries reasoning with Charlotta. He tells her that he understands what it’s like to be a super genius and have people not “get” you. He says he meant it when he told her that he’d wait for her, and even uses the “L” word. Charlotta starts sobbing and seems to be touched, but when Neumeier suggests she let him go she hardens to tell him that isn’t happening. Then, the kitchen robot from the very beginning of the episode emerges and the thing is huge! I did not get a sense for its scale at the time, but it’s like a spaceship. Charlotta tackles Neumeier into it, and the robot flies away.

I have to say I did not see this coming.

So that’s it? The bad girl gets away and is probably getting some action right now while RoboCop and Miner are forced to look on. Hah, of course not! RoboCop scans the skies and finds the Santa balloon from earlier and declares that they’re hitching a ride! Inside the kitchen robot, a delighted Charlotta is busy making plans for she and her beloved. They’re going to move to the suburbs, build a dog, and clone some kids. Neumeier doesn’t seem unhappy about this. They’re interrupted by a banging from above, and it’s the giant Santa balloon. This thing is also way bigger than I initially thought as RoboCop and Miner are standing on the sleigh’s bench. RoboCop is probably the size of one of of Santa’s fingers. He’s got his jack-in device inserted and he’s controlling the balloon and making it basically bounce off the top of Charlotta’s. She vows not to go down without a fight, and the hatchet arms of her ride start spinning. RoboCop demonstrates that he has a finger laser and he finger bangs the right arm off of the robot balloon, but isn’t able to do the same to the left before it penetrates the Santa balloon and the two begin to do as Charlotta said: go down.

I feel like these two should get a few minutes alone in a holding cell.

Back at Hunting Dorfs, the Giggles dolls are being marched away in handcuffs. Apparently robots have rights? How progressive! Sgt. Reed is standing by with the store manager who indicates he can’t take anymore this Christmas, his nerves are shot. Reed gets to say the fateful line of “It’s over,” when it most certainly is not. The two balloons come crashing through the glass ceiling creating an awful mess. Miner is the first to emerge from the wreckage completely unscathed and apologetic for what just happened to the man’s store. Reed asks where’s Murphy, and that’s RoboCop’s cue to emerge “Upholding the loving spirit of the holiday season.” That’s because Neumeier and Charlotta are basically seated on his palm in a passionate embrace. He sets the pair down and Charlotta seeks to confirm if her beloved will wait for her again. Neumeier just says he’ll email her every day and then goes in for a kiss. We’re denied actually seeing it as Miner tells RoboCop she needs to get out of there before she loses her lunch. RoboCop suggests she needs to get into the holiday spirit as the two walk out and she retorts with a “Don’t push it.” As they exit the building, the few items not completely destroyed in their wake fall apart and we roll credits.

An odd shot to end the episode on. I guess they have no interest in assisting with the cleanup.

That was…not bad? The opening for the episode made the show look rather silly and goofy, but once it got going there was way more RoboCop to be found than I ever expected. Consumers going nuts because they can’t buy stuff is a rather damning indictment of the holiday shopping season. A horned-up villain who wants to destroy Christmas because her name lends itself well to boob jokes? Impressively absurd. And the episode even seemed to make a point that the cops left the world in a worse state after catching the bad guy with that final shot of the crumbling store. The show was rated Y-7, but there was quite a bit of suggestive dialogue between Charlotta and Neumeier that would be way over a sever-year-old’s head and the action scenes make liberal use of the fact that the enemies are mostly mechanical. What other kid’s show is going to have its hero violate Rudolph and incinerate Frosty? That’s Robot Chicken type stuff, not Saturday morning.

The animation was a mixed bag. It was choppy and probably done on the cheap while the characters had fairly intricate designs and a semi-realistic approach to the art style. In that, it’s not unlike Lewald’s other show, X-Men, which was guilty of the same. The voice cast was pretty good, though this is one of those shows that doesn’t list out the roles of who does what. I know who the main cast is, but the secondary characters are a mystery. I think Charlotta was voiced by Elizabeth Carol Savenkoff as she’s the only other female listed, but the rest are unknown to me.

Santa Claus just toppling consumerism here, even though he’s responsible for a large portion of it.

Christmas-wise, we get plenty of background stuff. I’m glad there was no kid character to play to outside of the one girl upset with RoboCop for beating the shit out of Giggles. There was a subtle B plot about RoboCop being unhappy about taking down these Christmas themed bad guys like it was a burden of some kind, but it wasn’t really played up. There were some jokes written into the dialogue, but nothing particularly humorous. Instead the humor is situational and even a touch dark since I think we’re supposed to laugh at some of the violence inflicted upon Christmas. I suppose this was a bit of a tough episode to just jump into as my first one since there was obviously a history with Charlotta, but I didn’t find it to be much of a barrier.

If you enjoy blasting Christmas symbolism with a gun then this just may be the thing for you.

Is this episode of RoboCop: Alpha Commando getting a recommend from me this holiday season? I guess so. There was enough of a satirical element at play that I think it’s worth a look. Plus, it’s easy to find streaming for free so it’s not like it’s going to cost you anything. I am left a bit curious about the show as a whole where as before I was indifferent. I’ve always felt there’s only one good RoboCop anything, the first film, and the rest was trash, but maybe there is at least one exception to be made.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 21 – A Muppet Family Christmas

This year we’re celebrating two things at The Christmas Spot. Well, 3 things if you count Christmas by itself, which I suppose you should. Every fifth day, we’re celebrating the best of the best which is why yesterday was A Charlie Brown Christmas. If you read the feature on December 1st for this year, then…

Dec. 21 – Count Duckula – “A Christmas Quacker”

In the 1980s, Nickelodeon didn’t have a lot of animated content. That’s probably surprising for today’s adolescents, but that’s how the network was in the old days. That was due in large part to the network first prioritizing educational content, and then wanting to make sure whatever it aired couldn’t be found on another channel.…

Dec. 21 – Buzz Lightyear of Star Command – “Holiday Time”

When Pixar set out to create competing, fictional, toys in its debut film Toy Story it settled on cowboys and space rangers. The thought being that once upon a time cowboys were the most popular fantasy toy among boys, but were soon replaced by fantastic space voyagers once real-life space travel became possible. In order…