The self-professed mall babe is back with a new look.
The television event of 2024 for me was none other than X-Men ’97. I loved that show and I can’t wait for the second season to come around. It’s just a shame we may still be as much as a year away, but to somewhat tide us over until then we have this third wave of Marvel Legends action figures from Hasbro. The first two waves were undoubtedly done based on concept art of whatever Disney and Marvel were willing to share with the toy maker at the time. It seemed to fill-in some of the gaps left behind by Hasbro’s brief dance with the original X-Men cartoon via the VHS style box releases while also getting in a few show specific characters and looks. This third wave feels like a post season one wave. It contains characters we didn’t really know were going to be in it as well as some different looks for those we did know were coming. Up first, is Miss Jubilee.
She’s sized pretty well for what she is.
Jubilee, unlike some other characters, did get a slot in that VHS line based on the original show from 1992. That Jubilee was pretty much a hodgepodge of past Jubilee releases with some half-assed and poorly applied cel-shading. I don’t know if it’s my least favorite in that line, but it’s in contention. This update is based on the end of the first season following a minor wardrobe update. The look, from what I understand, is from the comics when she went through a vampire phase. Yeah, I don’t know. I wasn’t reading and I don’t care to know more than that. It’s basically just an all black, skin-tight suit, with her customary yellow trench coat. It’s not a look I care about, but maybe it has some utility for the ’92 display? Let’s find out!
The stars of the show.
Jubilee is a pretty basic figure. She has a brand new headsculpt that more or less matches the look of the show. I think it’s a little full in the face, but definitely more on model than what we’ve had before. The body is mostly reuse from past Jubilees, but updated with pinless joints. The arms might be new, but I am not certain. I think the upper diaphragm is also new, but it’s basically black plastic with minimal paint near the chest. The arms are yellow plastic while the coat is a thinner plastic. It has some pliability, but it’s also really shiny giving it this very rain coat quality. It’s okay, but cheap looking.
This one is definitely an improvement over the old figure, but not the look I prefer.
Jubilee’s accessories are surprisingly robust. She has a set of open hands, a left fist, and a right C-grip hand. I don’t think any of these are new, but that’s fine. Her C-grip hand is for a soft drink she comes with which looks fine and calls back to her origins as a mall rat. She also has some new effect hands and these are a massive improvement over those little swirly things the 92 Jubilee had. They appear to be a translucent acrylic which ends in star shapes and has this nice transition of colors from purple to blue. They’re permanently affixed to a set of open hands which almost appear to be insert-molded into these things. It’s a bummer because it means it won’t work with other Jubilee figures unless those ones also feature black gloves. And since the fingers of said gloves are inside the effects, it also means that painting them yellow or blue isn’t going to be a perfect solution. They look great for this figure, but only this figure.
This looks better, but that old coat still kind of sucks.
Jubilee’s articulation is pretty basic. She has a double-ball joint at the head, ball-hinge shoulders, double-elbows, bicep swivel, wrist swivel and hinges, diaphragm joint, ball-socket hips, thigh swivel, boot swivel, double-jointed knees, and ankles with hinges and rockers. The lack of a waist twist stinks and the presence of a jacket would have made hiding a butterfly joint fairly easy, but we don’t get either. The double-ball head is okay, but it has that annoying quality where the neck-ball pops out often when removing the head. I had to heat it up and pull that joint out of the head to do it properly. Why did I remove the head? Well…
Ok, yeah, now we’re ready to rock!
Jubilee’s original ’92 look is by far my preference. While I like these new effect parts, I would much rather have Jubilee in her more colorful threads. Swapping heads with the 92 figure is pretty easy. I found the old heads don’t want to go on this new body all that easily, but getting the new head on that old body was a piece of cake once I got the peg out. I also found I much preferred the look of this new coat to the old one. Getting it off was also pretty easy as was putting it on the old figure. Getting the old coat off the old figure was more difficult as that plastic is a bit thicker and less forgiving, but I still was able to do it without popping the arms out at the shoulder. The end result is, for me, a much better representation of Jubilee. She still has the ugly shading on her sleeves, but I could remove that if I so desire. I may yet try to paint the hands in the effect parts, but for now she can continue using the dumb swirly ones. I could also repaint the C-grip hand if I want her to be able to enjoy her soft drink. It’s just a matter of making sure I can match the shade of yellow in use here, but I’m just happy the old sleeves mix well with the new coat.
I obviously bought this Jubilee not intending to enjoy it for the figure it is. If you like the updated look, then it’s fine. The articulation is just so-so and it has a cheaper look than usual, but the new effect parts are nice and she does match the source material well enough. She also makes for a suitable kit-bash if that’s your aim. Do with that information what you will.
If you liked this one then check out these other X-Men ’97 reviews we have:
Previously, on X-Men reviews we looked at Magneto from the upcoming series X-Men ’97. The animated series may have been delayed into 2024, but the action figures from Hasbro are already here. And if you were collecting Hasbro’s line of figures based on the animated series from the 90s, this new line offers a chance…
Everyone can relax – Gambit has returned. Or arrived, since I’ve never reviewed a Gambit action figure in this space, but that’s because I haven’t bought a Gambit figure in about 20 years until now. When X-Men arrived on airwaves in the fall of 1992, hardly anyone on that team could be considered a true…
If you are reading this the day it goes live then Happy X-Men ’97 Day! Today is the day the long-awaited sequel series to X-Men debuts on Disney+. Rather than fast-track a review of the first two episodes to this blog, I decided instead to do what I most often do: review an action figure!…
X-Men ’97 continues on into it’s fourth episode with a bit of a change-up. The first three episodes were rather weighty dealing with the fallout of Xavier’s death, Storm losing her powers, and the whole clone situation of the third episode. And that third episode did reveal a few cracks in the foundation of the show. While I still enjoyed the episode and ultimately gave it a positive review, it did feel rushed and there were some character actions and moments that were head-scratching. Cyclops refuses to abandon his child, so he walks out on his child? The clone Jean realizes what she is and decides to go make a new life for herself and pulls the name Madelyn Pryor out of thin air with no explanation? A bit bizarre.
A new scene added to the intro includes an Iceman cameo, the best X-Man.
That third episode tried to condense a fairly lengthy story from the comics into a single episode and the results were clumsy. This week’s episode is actually inserting two plots into one episode. As evidenced by the title, this episode is like two small episodes. Back in the original series, the second season did end most of its episodes with a little glimpse at a parallel story involving Magneto and Xavier, but those would occupy a minute or two of the episode runtime. This week’s isn’t quite 50:50, but the first sequence, “Motendo,” takes us to about the 18 minute mark while “Lifedeath – Part One” occupies the final 10 minutes or so. It’s also an episode that’s going to dial back the soap opera elements a bit in favor of fan service fun.
That takes me back.
The episode begins with Jubilee giving the “Previously…” line. The opening title has also dropped Bishop’s card since he went back to the future at the end of last week’s episode while the new images thrown in include shots of Mojo, the Inner Circle, and X-Factor. “Motendo” takes place on the 18th birthday of Jubilee. She would like to spend part of the day at the arcade with her fellow X-Men, but apparently headmaster Magneto has other plans. This leaves her upset, and once again, her boy Roberto is just hanging out at the mansion. He’s only somewhat sympathetic to her plight as he thinks video games are for dorks. Jubilee is defensive and insists they play something and it just so happens a mysterious console is present in her room. It looks like a bootleg Sega Genesis and the game pack inside it looks a lot like the first X-Men video game released for the console only with Apocalypse added to the background. Jubilee thinks it’s a gift from one of her teammates and sees no harm in playing it, but once turned on she and Roberto find themselves pulled into a digital world.
The video game visuals are a ton of fun.
As the title of the episode alludes, this is the work of Mojo (David Errigo Jr.). It would seem he’s swapped television for video games and he’s decided to make Jubilee the star of his game. The visuals from here on out will switch from the usual to something pixelized. It’s very reminiscent of the classic Konami arcade game and it’s pretty fun seeing how Jubilee might have looked had she been included. The two have to figure out a way out, but they’ll get help from a mysterious woman seemingly trapped in the game who is basically another bit of fan service for those who loved the original animated series. It’s a very low stakes sort of plot, but it does further Jubilee and Roberto’s relationship so it’s not as if the show is completely spinning its wheels. It does contain a message for Jubilee that she can’t avoid growing up and just live in the past, a somewhat bold declaration for a series relying on a great deal of nostalgia for success.
There’s definitely a lot going on down in Texas.
The last chunk of the episode takes us back to Texas where Storm and Forge (Gil Birmingham) are working on a way to restore her powers. We got a little taste of this pairing at the end of the third episode and if anyone is going to be able to whip up a device to cure Storm of what ails her it’s going to be Forge. It’s a bit clumsy given the time constraints placed upon it. Why is Forge in Texas? What happened to X-Factor? We see an image of the team so the show isn’t ignoring it and I guess it’s something we’ll learn in time. There is some drama inserted into this plot as Forge harbors a secret, and while it does feel a little rushed, I was relieved that this plot wasn’t as rushed as I thought it might be. There are some more horror elements at play with this story, and following some of the visuals in last week’s episode, it makes me wonder if our writers (Beau DeMayo and Charley Feldman, who was also a co-writer on last week’s episode) have an affinity for that genre.
Forge is hard at work at trying to restore Storm’s powers.
“Lifedeath” is the part of the episode meant to further the main, overarching, plot of the season and it also ends on a cliffhanger. It’s probably a confusing one for most, though this is yet another plot pulled right from the comics. It’s a plot I have not interacted with in decades so my memory is hazy on the subject which I see as a good thing for my viewing of the show. There’s not a ton to chew on this week, but I do wish to point out how Alison Sealy-Smith has established herself as the best of the returning cast from the old show. Not because her voice has been less touched by age, but just in her performance. She really gets her role. I used to find her Storm a bit wooden, but there’s a lot more depth to her this time around. It’s amazing what a better script can do for a character.
I guess the fate of X-Factor will have to wait for another day.
“Motendo/Lifedeath – Part One” is a solid piece of X-Men entertainment. When all is said and done on this first season I doubt many will be citing it as their favorite episode of the bunch. Some may feel the video game inspired visuals marked a high point on their own, but a large chunk of the episode is more disposable than others. It’s a classic come down episode, one where we get to reset a little bit before the show dives headlong into its next arc (or not, as the next episode is titled “Remember It” and the one following that is “Lifedeath – Part Two”). There was no Cyclops or Jean in this one so no fall-out at all from the third episode for them was explored, but since they weren’t present it’s not like everything went back to status quo. I’m guessing that’s being saved for either next week or later on as the final, parting, shot we had of those two was pretty heavy. The show will get back to them eventually, for now, enjoy this kind of goofy throw-back to classic video games and wonder what the future holds for Forge and Storm.
It used to be that when a show got cancelled that was it. It simply ceased to exist as a new product. If there were enough episodes it could last in syndication on both broadcast and cable for a good while, but rarely was it accessible to the point where a fan could have the…
The first episode of X-Men ’97 left me grinning from ear to ear and eager to see what would happen next. I’m happy to say, the show’s second episode left me feeling very much the same. “Mutant Liberation Begins” starts off right where the previous episode ended. Magneto, has revealed that it was the wishes…
Well, that was a long wait! After the two episode premiere of X-Men ’97 on March 20th I was ready for that third episode. The week long wait felt both excruciating and exhilarating. It’s been a long time since we’ve had an X-Men show to get excited about, or really an X-Men anything, and it’s…
Let’s welcome young Jubilation Lee to the world of sixth scale action figures!
When one hears the phrase “mall babe” it implies a certain visual. Probably a short, young, girl with intentionally messy, short hair. There’s a certain confidence the phrase exudes so she has to have style. Maybe hot pink, bright blues, and certainly a long yellow coat with gloves to match! There has to be an attitude present in anyone deigning to call themselves such a thing so shades are a must. Boxy, hot pink shades would do best and we might as well toss some bubblegum for added effect. And just what part of the mall does a self-proclaimed mall babe setup shop? The food court – where else?! Any mall babe worth her weight in quarters needs a steady supply of chili fries and soda to wash it down. It’s a staple of the mall babe’s diet.
If what I am describing does not meet your own personal definition of a mall babe then clearly you weren’t watching X-Men in 1992. That paragraph describes Jubilee, the self-proclaimed mall babe of the team who was our gateway to the world of Marvel’s most famous superhero team (well, before The Avengers became a household name). This role as the audience surrogate is perhaps what has made Jubilee so popular, or at least, why both Mondo and Hasbro perceive her as popular enough to introduce her relatively early in their respective action figure lines. Jubilee had the privilege of being the second figure and second member of the X-Men introduced in Hasbro’s line of Marvel Legends based on the animated series and Mondo has essentially bestowed upon her that same honor. The only difference is Mondo went to a villain for its second release where as Hasbro held off on the villains for a little longer. For me personally, I always found the kid characters in shows as more patronizing than anything. Jubilee didn’t offend me though, and it was a great choice to use her as a way to introduce the audience to the X-Men, but she was never a favorite of mine. And with the price of Mondo’s figures being north of $200, I thought Jubilee was going to be one for me to skip. Then I saw the full reveal of her and found myself sucked in, and you know what, I don’t regret it one bit!
In addition to being an expert at blowing stuff up, as she puts it, young Jubilee is also an accomplished bubble blower.
Jubilee arrives in the same style of packaging as Magneto before. Mondo partnered with storyboard artist for X-Men, Dan Veesenmeyer, to adorn the box with actual model sheets production art of Jubilee from the show plus a brand new illustration by Veesenmeyer to shine on the front. It’s a five-panel, window box design though Mondo packages their figures very carefully so opening the Velcro front flap basically just reveals a bunch of tissue paper concealing a figure behind it, but it’s still nice. On the inside of the flap is a profile of Jubilee from X-Men showrunner Eric Lewald and his wife and fellow writer Julia which just adds to the overall atmosphere that this figure is a labor of love by those involved, something the Hasbro releases most certainly don’t possess.
“Wow! You’re so small and sucky!”
Jubilee stands at approximately 9.25″ once removed from the packaging. She’s close to 9.5″ factoring in her hair and if I pull out the handy-dandy reference art from the show, I can see that Jubilee is supposed to be right at 5′ to the top of her hair making this figure a little small if we’re talking true sixth scale. It’s not a big deal on its own, but it is going to compound things a bit when she’s placed beside Wolverine who came out a little tall if we’re talking true sixth scale with him. My assumption is that Mondo isn’t taking a literal approach to the scale and it’s more subjective. It’s one of those things that I think most won’t care about that much, but I do have to point it out as part of a review.
Attitude to spare.
Jubilee is depicted in her traditional show attire: pink shirt, blue shorts, blue boots, yellow gloves, and that big, yellow, trench coat. It’s a style that could only come out of the 90s and I can honestly say I have never in my life, 90s or any other decade, seen a person sporting such a look. It’s always been something that’s amused me about Jubilee. The sculptor for this figure is Alex Brewer and I think he did a great job of nailing Jubilee’s proportions. Her sunglasses are part of the headsculpt which I think is the right call to preserve the look of the character as she appeared in the show. The coat has her sleeves rolled up and the strap on the back. She also has those little rings by the collar which really captures the details present in the show. The coat is all plastic, no soft goods, but it is soft and pliable. She also has her yellow gloves, instead of the blue she had in the comics, and it looks like Brewer took a bit of a creative license with her face as more of her Chinese ancestry is reflected in her eyes. Jubilee, as presented in the show, was mostly white-washed, though I don’t think it was for any nefarious reasons.
I love that Mondo seems committed to spotlighting the opening title of the show as much as possible.
As was the case with Magneto, what really stands out with Jubilee is the paint work. Credited to Tom Rozejowski, the cel-shaded paint job on Jubilee really makes the figure pop. I’ve admired Tom’s work as a customizer for years so it’s great getting to see him show off with an official release. It starts at the hair where streaks of gray-blue are added for shading, a common tactic for cartoons and comics when dealing with black hair. I love the light pink streaks on her glasses and the black linework all throughout the coat and rest of the clothing. Three shades were used for the coat as the primary shading color is orange with a more brownish yellow for the interior of the coat. The direction of the shading is with purpose and follows the curves of her body and the flow of her coat. It looks fantastic and the paintjob is very clean across throughout the figure. About the only nitpick I can offer is that the orange on her coat is perhaps too orange when the show used more of a marigold to shade her coat. It would also often use a very light yellow in places that was almost white. Yellow is a hard color when dealing with paint and I will say this looks much better than that mustard color Hasbro utilized.
All you need is a spark.
In keeping with the other releases in this line, Mondo saw fit to include plenty of extra parts and accessories with Jubilee. For hands, she gets a set of fists, open hands, and clenching hands. She also gets two sets of effect hands and a pointing right hand with a couple of sparks at the end of her index figure, probably a callback to breaking out of her restraints. The effect hands are terrific. The first set has her hands in an open pose with stars shooting out in a nod to her appearance in the show’s opening. The effects are attached to the hands and done with red, translucent, plastic with painted, gold, stars at the end. The other effect hands have her powers coming from her palms in a big, conical, blast with stars shooting off the ends. It has a metallic paint job that does a great job of capturing the color spectrum to mimic Jubilee’s powers as best as can be. These ones are a tad on the heavy side, but I was able to get Jubilee posed with her blasts going forward so they can be worked around.
And now you know why she has the shades.
Jubilee also comes with a variety of heads to choose from. I did get the deluxe version of the figure, so I will have some extra stuff the standard version does not come with. Her default portrait is a neutral expression that very much looks like Jubilee to me. She can swap to an open-mouthed smile that works for a Jubilee getting in a quip type of expression and it would be my guess that this one gets the most use out of those who buy this set. She also has a glasses-down head with teeth-gritting and her hair is a touch more wild, good for use with her blast effects. For something more fun, there’s a bubblegum blowing head where the bubble is sculpted and painted pink with a couple swashes of white.
This one is here if you want it. Only putting it on once resulted in a little scuff on the neck of my figure. Would not recommend.
The “deluxe” edition of Jubilee includes two additional heads and another accessory. The first is a head depicting Jubilee as she looked in the episode “Jubilee’s Fairytale Theater” from the show’s final season. That season featured a redesign for the characters that gave Jubilee long hair and ditched her sunglasses. For this particular episode, Jubilee tells some kids a fairytale where she puts herself and fellow X-Men into the roles of the heroes. Jubilee was some sort of elf Robin Hood, so the head features her with long hair, a headband, and oversized elf ears. It looks fine, but since she featured an entirely different costume during the story, it’s not a particularly useful addition and more like an in-joke. I would have preferred just a normal Season Five head with long hair, though admittedly I would not have been likely to use such for display purposes either so I guess it doesn’t matter.
A sidewalk surfer.
The other bonus head features Jubilee with her shades down and a skateboarding helmet on. This is from the episode “Red Dawn” where she’s briefly seen skateboarding. To complete the look, she also has a pair of purple kneepads which are made out of a very soft, rubbery, plastic and fasten over her knees pretty easily. A skateboarder obviously needs a skateboard and she has one of those as well. It’s all blue with some shading and it features sculpted wheels. I’ve seen some gripes out there that the skateboard doesn’t have real wheels, but I don’t need my $200 action figure to roll around and potentially fall. It does not have peg holes either so I am hesitant to actually display her standing on this thing without some support. She stands on it fine though, and overall this is a pretty fun look and one that I think will see some use from me.
Jubilee is never far from her chili fries and soda. That’s, like, her thing, right?
Lastly, Jubilee has a couple of “mall babe” accessories. One of her first scenes, and possibly her best, features her accidentally nuking an arcade machine and sarcastically responding with “Yeah, a quarter,” when the manager asks her how much she thinks that machine cost. She gets a cup, and it’s modeled after that scene and it says “SLUR-P” on it and has some bubbles or something. It looks really cool for what it is and there’s even a bubble on the top that’s been pushed in to indicate what flavor she selected. One of Jubilee’s other lines from the show was “Does a mall babe eat chili fries?” which she says in response to her foster parents asking her if she’ll come visit them now that she’s going to live with the X-Men. Jubilee does indeed consume chili fries and she has a tray of them and they too were featured on the arcade cabinet she demolished by accident. It’s a yellow fast food tray and the fries inside have a red-brown sauce slathered over them. It’s not super detailed, but it’s from a cartoon that couldn’t be super detailed itself so I think this works just fine and it’s a really fun inclusion. Between the heads, hands, effect parts, and accessories, it’s going to be a lot of fun switching up Jubilee on the shelf. She also comes with the standard Mondo action figure stand. I consider it pretty useless, but maybe others find some use with these.
“Me and Wolverine can take on anyone!”
Okay, last and maybe least, we should break down Jubilee’s articulation. The articulation for this line has been adequate. It’s not really a homerun, but the designs are also limited and the articulation can’t interfere as much with a sculpt at this scale, plus there’s paint to be considered. Jubilee, for her part, has basically all of the points of articulation one would expect, save perhaps one area. And I think she moves about as well as could be expected. It starts with a double ball peg for the head so she can move around quite well up there. She doesn’t look up really at all, but everything else is fine. She at least doesn’t rub the collar of her coat with most of her heads and it’s really only the elf head that introduces any paint rub concerns, but we already established that few are likely to do much with that accessory.
“Did you say ‘anyone,’ girl?!” “Gulp.”
At the shoulders, we get the standard ball-hinge setup. They’re very tight and getting Jubilee’s arms out to the side takes a little work. Her biceps swivel where the arm meets the cuff of the jacket and that works fine. The elbows are single-hinged and will get pretty close to a 90 degree bend, but it’s basically that one area I mentioned before where some may have been hoping for more via a double joint. The hands are on ball-joints and Jubilee’s work much better than Wolverine and Magneto’s. I had some QC issues with Magneto, but Jubilee’s hands have been free and easy out of the box. The peg goes in and out of the forearm very easily and the hands will spin on the ball to allow you to line her hands up however you wish. Some of the effect hands aren’t as easy to move, but I’ve mostly left them alone as I want them to be on the tight side considering the heft they present.
In the torso, Jubilee has a diaphragm joint that lets her tilt to the side a bit and grants some rotation. You have to work around the coat to do so, but it’s not too difficult. There’s a ball joint at the waist that provides for some forward and back and rotation. At the hips, we get some big ball and socket joints. They’re done at an angle, so it limits her ability to do splits by quite a bit limiting her to about 45 degrees out to the side. Kicking forward is only a little better as she can’t get her leg all the way up into a horizontal position. I’m also backing off as the “diaper” piece gets in the way and those willing to push it could probably scratch out a little more. There’s a little play on the ball joint at the hips in the form of a thigh twist, but it’s minor. I’m surprised they didn’t sneak a cut into the thigh itself where her shorts meet her legs. The knees are double-jointed and are very smooth. She bends past 90 degrees there without effort. There’s no boot cut that I can see, and at the ankles we get a hinge and an ankle rocker. The hinge is pretty tight and seems to only go back one “click” and doesn’t really go forward at all. The ankle rocker is not steep at all and is more for adjustment purposes. Lastly, the little rings coming off of the collar of her jacket do move. They’re pegged in so they can be positioned slightly. I think this was done to prevent them from snapping off accidentally when posing her arms and they’re not really intended for anything else.
This figure is just a lot of fun. I’m even going to make use of this silly look!
Jubilee’s articulation is basically as expected. She’s going to be able to hit plenty of Jubilee poses on your shelf and she has enough range to cooperate well with her accessories. I do wish she could do wider stances a bit better than she can, but even that’s fine and it’s more her feet won’t stay flush on the surface due to the limitations of the ankle rocket. I’m mostly happy that it seems a lot of care was taken to try to prevent paint rub as there’s plenty of clearance at the head for her to look around without fear of rubbing on the collar. The angled hip joints are a bit weird, but they also have the benefit of reducing rub at the joint so I don’t think it’s a bad trade-off. She probably moves as well, if not better, than Wolverine which is impressive considering she has the big coat to work around. Magneto has a similar handicap with his cape, but came out far more limited than Jubilee.
The animated series shelf didn’t even exist a little over a year ago. Now it’s looking mighty crowded and we need to make some room for Gambit!
At the end of the day, the only thing stopping more people from buying this figure of Jubilee is price and scale. Some people just don’t collect sixth scale figures and I get it – they take up a lot of real estate. Even Jubilee, who is small for a sixth scale figure, still takes up more space than a Marvel Legends Build-a-Figure and you do have to be more thoughtful about where to ultimately place her since shelf dives are likely to be far more destructive considering the amount of paint present. Excepting those two hurdles, it’s hard to imagine someone making a better figure of Jubilee from X-Men than what Mondo has produced. She just looks fantastic and has so many useful accessories and optional parts that just adds to the enjoyment. I loved the Magneto release, but even I have to admit I’m likely to never use most of the heads he came with while with Jubilee I’m having a hard time picking one. Which is why I have to remind myself that what she looks like on my shelf today doesn’t have to be what she looks like tomorrow. It goes without saying, this figure absolutely blows the Hasbro one out of the water and it should considering the price difference. At the same time, it’s easier to tell that Mondo set out to make the definitive Jubilee from the cartoon. The attention to detail is present in almost every facet of this release where as the Hasbro one always felt like a cheap cash grab. If you love X-Men and want the characters from that show on your self in the best way possible, then you’ll be pretty content with this Jubilee.
I purchased Jubilee direct from Mondo which included the extra parts. A dedicated retail version is expected to follow at other locations and is supposed to be priced at $195 (you can still preorder that version direct from Mondo right now). It’s pricey no matter what version you get, but in my opinion she’s worth it. And up next is sure to be another fan-favorite as the cajun himself, Gambit, is expected before summer’s end and I cannot wait to see how he turned out.
Interested in the rest of what Mondo has to offer for X-Men, or maybe you want to check out a smaller scale? I’ve got you covered:
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There’s a belief when it comes to children’s entertainment that the young audience needs a surrogate on screen, someone who they could believably place themselves in the role of. For the animated series X-Men, that character was Jubilee. The role was of such importance to the property that the earlier pilot, not affiliated with the…
Today, The Christmas Spot temporarily alters it’s name to The X-Mas Spot. As a sort-of celebration for the animated series X-Men turning 30 this past Halloween we’re going to look at the show’s lone holiday special – “Have Yourself a Morlock Little X-Mas.” The show X-Men was a pretty serious affair as far as kid shows go. It wasn’t very jokey or gimmicky and it technically didn’t even have a tie-in toy line. Sure, ToyBiz had an X-Men line of figures, but it was technically a tie-in with the comic book. The show undoubtedly influenced the line, there was a Morph figure after all, but the point is this wasn’t a show that went for the cheap hits so when a Christmas special was announced during the holiday season of 1995 I was pretty damn surprised.
Why does a show like X-Men then feature a holiday special? As is the answer to most things that seem unexplainable from afar when it comes to television – it was the network. Fox wanted a Christmas special from the show so it delivered one. It’s not a fan favorite and writer/showrunner Eric Lewald basically admits they made it intentionally campy to reflect other cheesy Christmas episodes of popular shows. They even got in a “Not on Christmas!” line into it. The episode is what it is, a shoe-horned concept into a show that probably shouldn’t feature such an episode, but perhaps there is still some value here. Besides, who doesn’t want to spend Christmas with Wolverine?
This is the story of Jubilee’s first X-Mas with the X-Men, which means it probably shouldn’t be assumed that we’ve been watching their lives unfold in a linear fashion or else they’ve had one hell of a year.
The episode begins at the home of the X-Men. Cyclops (Norm Spencer), Rogue (Lenore Zann), and Jubilee (Alyson Court) are decorating a massive tree in the mansion’s foyer. As they do, they’re joyously singing “Deck the Halls” and Cyclops sounds particularly awful, but seemingly intentionally so as he calls attention to his bad singing and suggests the other two carry on without him. Brooding off by the fireplace is old Wolverine (Cal Dodd) who predictably wants nothing to do with the holiday festivities despite the insistence of Jubilee for him to do so. It’s her first Christmas with the X-Men, which would seem all of the events up until now that have occurred in the show have taken place within a year, and she seems a little hurt that Wolverine won’t participate, but Rogue is here to reassure her and even lifts her up to the top of the tree to put the star in place.
Gambit is apparently impervious to boiling water.
Off in the kitchen, Jean (Catherine Disher) is preparing a Christmas dinner, but she has to contend with Gambit (Chris Potter). Despite her being the appointed chef, Gambit is sporting an apron and togue and appears to view himself on equal footing here. He rudely inquires what she’s preparing and Jean angrily retorts “It’s called food, Gambit. Normal, Christmas food.” Gambit, being from Louisiana and a connoisseur of cajun cuisine, seems to disagree strongly with whatever is boiling in a pot. When he goes for some seasoning, Jean uses her telekinetic powers to keep the spice on the counter despite how hard Gambit pulls on it. She also adds “The day that I need your help in the kitchen is the day that I stop cooking!” It’s a fine line, but Wolverine just used a similar one on Jubilee (“The day that I sing “Jingle Bells” is the day pigs fly”) so it’s a little redundant. She releases her psychic hold on the seasoning sending Gambit tumbling into the stove. He falls on his rear and the pot of water that was boiling lands on him, but seemingly does no harm. Jean gets a little laugh out of this while Gambit still insists she knows nothing about cooking a proper Christmas dinner.
In the lab, Beast (George Buza) is suspended from the ceiling mixing something in a beaker. It turns from red to green while Beast recites a poem by a “Sir Walter” that sounds festive enough. I only know the poem’s author because when Beasts tastes his “goo” he declares it worthy of the poem though he’s sure to point out this concoction is non-alcoholic (wouldn’t want the kids to think otherwise). We then cut to Professor X (Cedric Smith) and Storm (Alison Sealy-Smith) watching the goings on via the security monitors. It’s a bit creepy, but I guess someone is always watching these things for security reasons. Xavier notes that Storm seems a little blue and she remarks that seeing Jubilee makes her reflect on her own childhood. She grew up poor on the streets of Cairo, in case you were wondering as they don’t have time to discuss it further since alarms start blaring. Xavier thinks they’re under attack and Storm gets the first very, sweaty, Christmas special line “Could we be under attack – on Christmas Eve?!”
Beast is always so festive.
Cyclops receives a transmission about the alarm via his usual belt insignia. The “X” on everyone’s belts in this show were like two-way radios. The funny thing here is that Cyclops is not wearing his field uniform so rather than pressing a button on his chest he’s just touching his shirt. The X-Men race to the alarm’s origin which turns out to be Beast’s lab. They bust in only to find Beast in the process of shutting down the alarm. He’s covered in a red sauce and when Cyclops asks if he’s okay he indicates that he is, but his cranberry glaze is not. Wolverine is the last to arrive and he’s disappointed they weren’t under attack. He decides he’s had enough of this Christmas stuff and indicates he intends to go somewhere else for a bit. Jubilee then asks him if he’ll go shopping with her and Storm and Wolverine is right to point out how terrible shopping on Christmas Eve sounds. He makes a lame joke about having better luck fighting Sabretooth, but Jubilee does the whole “Please? For me?” and Wolverine responds with “Turn it off, kid.”
I’m going to have to agree with Wolverine here, the mall on Christmas Eve is something to be avoided.
Despite all of that, Wolverine does indeed accompany Jubilee and Storm to the mall against his better judgement. We see them walking around a department store and Jubilee’s face is hidden by the amount of boxes in her arms. She’s trying to talk to both Storm and Wolverine, but can’t see, and Wolverine kindly removes the top box so she can do so. She thanks him for coming and he gives her a “Don’t mention it,” but also reiterates his desire to leave. Jubilee is pretty amped up for Christmas, but also worried she’s not doing it right as she reminds us again that she’s never had a Christmas with a family before. Storm is reassuring, and as the trio makes their way out Wolverine is accosted by a sales woman pitching cologne. She sprays it in Wolverine’s face and informs him it’s sure to make women act like animals (rather risqué for a kid’s show), but Wolverine informs her he’s about to turn into an animal before Storm intercedes.
I feel like we’re missing a conversation here: How did Jubilee convince Wolverine to go ice skating?
Storm gestures towards freedom and encourages Wolverine to make a break for it. He does looking almost feral in the process. We then shift to an outdoor scene and the crew is doing some ice skating presumably at Rockefeller Center. Storm is watching from a bench as Jubilee and Wolverine skate. Jubilee tries to get Wolverine to cheer up and encourages him to have fun, but he just tells her she wouldn’t want to know what he finds fun. He then hears some sirens and goes on alert, but since Jubilee doesn’t have a super sense of hearing she dismisses him at first until Storm hears them as well.
Ape (left) can basically turn himself or his limbs into whatever he can come up with, but often his imagination seems to be lacking.
An ambulance comes crashing onto the ice and we soon see it’s being driven by Morlocks. Ape (Ross Petty) and Annalee (Kay Tremblay) emerge from the ambulance and start taking supplies from it. Wolverine comes skating up ready for a fight and calls their actions low by their standards. He grabs Ape, who had transformed his hands into paddles that look like duck feet to carry supplies. I feel like he could have morphed them into something far more useful. Anyway, Wolverine is ready for a fight, but Storm arrives and brings a blizzard with her to conceal their actions. Annalee informs her that they’re taking supplies to help Leech, a juvenile Morlock who is apparently very sick. They didn’t know what to do as they already tried a hospital, but they couldn’t care for the mutant boy. She takes this opportunity to also remind Storm that she is the leader of the Morlocks, something established way back in season one of the show, and that she’s never around when they need her. Storm agrees to help them and she uses her powers to thwart the approaching police and to provide cover for their escape. Wolverine indicates he’s not helping sewer rats, while Jubilee is worried about her presents. Storm tells the child to leave them, but she scoops them up anyway before following.
Callisto (left) and Storm have to set aside their differences for poor Leech who is afflicted with a severe case of plot sickness.
We then see the group walking through ankle deep water in the sewer. It would seem Wolverine decided to join them after all while Jubilee is worried that they’re supposed to be home in an hour for Christmas dinner. When they arrive at Leech, Callisto (Susan Roman) is there to “welcome” them. She gives Storm a bunch of sass for not being around when they need her which gets Wolverine riled up, but Storm tells him to back off as she seemingly accepts the criticism. She does inform Callisto that they can settle their differences later, for right now Leech needs their full attention. As for the child, he’s laying on a table under a blanket apparently unconscious. Storm, citing Wolverine’s experience with field medicine, instructs him to prep the child as she wants to take him to Beast. Wolverine walks over and checks the kid’s pulse and just says, “Uh oh…”
I think this is Marianna’s only appearance in the show.
Seated against the wall, Jubilee watches with concern on her face. She soon hears something behind her and it turns out to be a small, Morlock, girl who bares a strong resemblance to Leech. Jubilee greets the little, green, girl who then emerges from the shadows to come sit with Jubilee. Meanwhile, Callisto is frustrated that Wolverine isn’t preparing Leech for transport and grabs Storm insisting she order him to do something. Storm fights back until Wolverine shouts “Shut up!” at both of them. He then delivers the bad news that Leech isn’t going anywhere. His pulse is dropping too fast and there’s no way he would survive the trip back to the mansion. This leaves Jubilee to get another sweaty Christmas special line in of, “No, he can’t! Not today! It’s Christmas Eve!” as she hugs the small girl and we pan to a tiny, Morlock, Christmas tree that basically looks like Charlie Brown’s tree, only the lone ornament is broken.
Wolverine apparently has some PTSD in his past related to trying to heal people with his own blood.
As the adults discuss what to do, it’s Jubilee who says “Please Wolverine! You’re so good at healing yourself, can’t you help Leech?” Storm seems to like this train of thought and inquires with Wolverine about a blood transfusion. He refuses, while the others persist. Storm thinks it’s because Wolverine hates the Morlocks, but he shouts back at her “Don’t you think I want to help the kid?!” He then explains he’s tried it before and it didn’t work. It was a group of 20 individuals and the last one to die was a kid younger than Leech. Still, when Storm initially asked he said “Maybe” to it working and Wolverine explains it did work once and the large group was the second time he attempted the feat. He doesn’t know why it worked once, but not again, and seems reluctant to try it here.
It turns out, Wolverine isn’t racist, he just doesn’t want to see another kid die!
Storm doesn’t really care and asks Ape if he acquired a transfusion kit from the ambulance. He just looks at her in confusion and she tells him to never mind. She finds what she’s looking for amongst the supplies and informs the others that she’ll contact the mansion to have Rogue fly Beast to them. As she does she hands the transfusion kit to Wolverine and tells him he knows what he must do. He angrily responds “You don’t know what you’re asking,” and she snaps back, “I am asking you to show the courage needed to save a child’s life!” “He wouldn’t be dyin’ if you looked after these people!” Woo! There’s some dramatic stuff right here! Wolverine’s words appear to cut Storm deep which calms her down.
The moment Ape has waited his whole life for!
Storm concedes Wolverine’s point, but then calmly tells him that even if the odds are one in a thousand, he needs to try. She tops it off with a “Ask yourself, if he were your child, would you refuse?” Wolverine just looks at the kit in his hands and the scene cuts back to Storm’s face, but it’s clearly just a single cel that they’re holding on and it looks pretty goofy. I wonder if the episode came in short and they had to find cheap ways to extend it? It cuts back to Wolverine who just silently shakes his head indicating that he wouldn’t refuse if the situation was different. Storm just says, “Good,” then tells Ape that Wolverine needs a flat surface beside Leech to lie on. You would think this is a command to get a table or something, but no. Ape walks over and turns himself into a table for Wolverine to lie one! Were they planning to eat Christmas dinner off of the guy too?
All right, I need to know more about larva guy over here. Does he do anything or does he just look like that worm that creates Slurm?
Over by the wall, the little Morlock girl asks Jubilee if Leech will be okay? Jubilee responds with a question of her own and in the process we find out the little girl’s name is Marianna (her voice is uncredited, but it’s presumably from the main cast). She asks her if she believes in miracles, but Marianna has no idea what a miracle is. Jubilee tries to sniff back some tears and holds the girl close telling her “Maybe in a little while, we’ll see.”
Good thing Cyclops is here to use his powers to make sure the stalk of celery Jean threw at Gambit didn’t connect. This is the most danger anyone on the X-Men is put into during this episode. Well, Storm and Jubilee are probably in danger of catching something walking around in a sewer.
At the snowy mansion, Jean and Gambit continue their kitchen feud. Gambit apparently did something to the ham and Jean is not happy. She demands Gambit’s removal from her kitchen and in the process refers to him as a swamp rat. Cyclops thinks they’re both acting like children, but before things can get any worse, Professor X enters to inform them of the emergency in the Morlock tunnels. Lucky for him, Rogue already ditched the holiday attire and is in her normal X-Men uniform and ready for action.
This is basically Charlie Brown’s tree, only it’s one that doesn’t magically become full and beautiful once decorated.
Back in the sewers, the transfusion has begun and the rest can only look on while Wolverine urges Leech to pull through. Marianna is still rather cheerful and asks Jubilee if Leech is better yet. She wants to show Jubilee their Christmas tree and takes her over to the pathetic, little, tree which is using a tin can as a tree stand. She’s proud of it though since Leech found it and Jubilee calls it the most beautiful tree she’s ever seen. Marianna then takes Jubilee to their Christmas feast and wants Jubilee to partake. It’s some kind of stew and probably smells awful. Marianna assures Jubilee she can have some of hers as she really wants Jubilee to share the experience. Storm them enters and Jubilee asks about Leech, but it’s too soon to tell. She then asks Storm how the Morlocks can go on having so little and she gets a little dose of Christmas wisdom. Storm tells her they have each other and that’s all they need to feel loved. She tops it off with another one, “As long as you are part of a caring family, every day is Christmas!”
Beast, I don’t think you’re using that properly.
Over by Leech, Callisto is growing impatient and Wolverine has had enough. He angrily rises from his “table” and rips the IV out of his arm defiantly shouting “I told you it wouldn’t work!” Storm tries to calm him down, but before she can Rogue and Beast arrive. Wolverine tells Beast he’s got to work fast and the blue one heads for the patient. For some reason, Leech is now fully clothed and not under a blanket and apparently the animation budget wasn’t high enough to have Beast check the kid’s vitals in a logical manner so he just starts running a stethoscope over the kid’s jacket. As he does so, he explains that Wolverine’s powers are not something that modern, medical, science understands and he doesn’t know what the end result will be.
This kid probably just thinks Jubilee cries all the time at this point.
As Callisto uselessly demands that Beast “Do something,” he continues to examine the child while Wolverine can’t bare to watch. Leech’s eyes soon flutter though, and we get a shot from his point of view as he focuses on Beast. He lets out a cry of surprise which causes Beast to laugh as he notes he doesn’t have the most reassuring of faces. This whole time, Leech has been depicted with yellow eyes and I have to assume it was an error since we see he has eyelids for his waking up shot. Or, it’s not an error and they just decided to give him eyelids for that one shot to make it more obvious that he was waking up. Jubilee is sobbing with Marianna in her arms and tells the girl that Leech is okay and she just matter-of-factly responds with “Of course he is!”
Leech is all better and seemingly over his fear of Beast. Hooray!
Storm then demands Callisto hand over the ceremonial scepter of power. She’s reluctant to, but Storm asserts her authority as leader of the Morlocks and offers no explanation. She then forces the woman to kneel before her, which she probably enjoys humiliating her one last time before announcing she’s transferring her title as leader back to Callisto. Callisto says nothing but rises and takes the scepter. Wolverine then strolls over to break the ice and asks what a guy’s gotta do to get some orange juice and a cookie around here? Leech (John Stocker), who is seated in the large arm of Beast, then announces he’s hungry too which produces a laugh out of Beast who then prescribes food for the patient. Wolverine then thanks Leech “for making it,” while Storm offers her apologies to Wolverine for not treating him with the same compassion he showed Leech, adding that she should have known better than to question his heart.
She’s just handing over a few gifts, Storm, let’s not turn this into something bigger than it really is.
Callisto announces that all X-Men are welcomed to join them for Christmas dinner, though adding they don’t have much to offer. Jubilee then announces that most of the presents she’s been dragging along contain food and offers those. Storm double-checks that she’s all right with doing so since it meant a lot to her to give these gifts out back at the mansion, but she’s totally cool with it because she learned her important, Christmas, lesson. She then encourages the kids, Leech and Marianna, to help her open them.
All right, I have some questions. Number one, which member of the X-Men was in-line to get a toy plane for Christmas?!
Jubilee then gets the customary “You have done something noble,” from Storm acknowledging her Christmas lesson, even though her act of nobility is just giving stuff away. She lives in a freakin’ mansion, for crying out loud. She gives Wolverine a hug as she says “I learned from the best,” and he gives her a reassuring pat on the back and a “You’re a good kid.” Beast then summarizes the events of today by reminding us this wasn’t the Christmas Jubilee had envisioned, but it will be a memorable one. Rogue gets to have a little chuckle here adding “So will a couple of cooks I know.”
Jean is enjoying this. I’m surprised they can’t still eat some of the dinner since there’s still 4 of them there, but Jean probably refuses and I’m guessing Cyclops is in the doghouse if he partakes in Gambit’s meal. Xavier is wise to stay out of it as well.
We cut back to the mansion where Jean has seemingly ceded control of the kitchen to Gambit who has prepared what he feels is a flawless Christmas dinner. Word comes down that the others are having Christmas dinner with the Morlocks, and Gambit does not take the news well that the whole crew won’t be getting together for Christmas dinner. Jean gets to suggest that they can heat it up tomorrow which just irritates the cook further. Gambit retorts in the third person with “Gambit does not make TV dinners!”
Oh no! He’s melting!
By the fire, we see Xavier taking a phone call from Jubilee who is concerned that he’d feel hurt that they’re not spending Christmas together. Xavier assures her that’s not the case, and while their presence will be missed, he’s proud of their actions today. He even refers to her action as a “generous sacrifice,” which seems to be quite the exaggeration here! He tacks on a whole thing about how she’s giving him the best gift of all by acting like a true X-Man in recognizing that she is where she’s needed most. We pan outside the mansion to the giant tree out front where the camera holds and the message “Merry Christmas from all the X-Men” appears to announce that this one is over.
Wolverine wished me a merry Christmas, you guys!
In the intro, I mentioned how out of place it felt for a show like X-Men to do a Christmas special. Now that it’s over, I don’t feel any different, but I do have to commend the show for just going for it. It’s a very dramatic show with a lot of heavy-handed line readings and this episode is no different. Except that this one gets to play with the overly dramatic Christmas special motif we’ve seen in other shows. It almost feels like an episode of Full House as a result, only with mutants, and it takes place mostly in a sewer. It has all of the usual holiday staples though in that we have a character excited for Christmas and the pageantry that accompanies it. Jubilee isn’t portrayed as a selfish child, but she is consumed by the act of Christmas and not its message, but it comes from a healthy place as she reminds us more than once she’s never really had a traditional, Christmas, experience. And she’s forced to adjust on the fly to her first Christmas with a family changing its setting, and even some of its participants.
Wolverine’s heart grew three sizes that day…
We also get the tried and true “some kid is sick at Christmas and needs a Christmas miracle to survive” via the Leech plot. Wolverine, who naturally functions as a Christmas antagonist of sorts, is brought into the story that way and it makes sense that the show would want to involve its most popular character in the plot. It finds a role for him, and we get the added drama of Wolverine being sort of racist against the Morlocks, but forced to save one. That angle isn’t really played up though. Wolverine just assumes the worst of the group, and he’s not entirely unjustified in doing so based on their prior interactions, and also gets in some cheap insults before they come upon Leech. It’s enough for Storm to assume the worst though and adds to the drama. Her and Wolverine’s argument is definitely the height of the special as far as the drama is concerned and the line readings from Sealy-Smith and Dodd are very much over-the-top, but in an earnest way.
Fans of the show probably weren’t asking to spend Christmas with the Morlocks, but the fact that they’re a poor family does lend itself well to a Christmas story.
And then, of course, we get the comedic B plot at the mansion involving Jean and Gambit. I feel like we actually could have used one more scene between the two as clearly Jean just gave up on preparing her idea of Christmas dinner at some point to let Gambit go full steam ahead with his oyster loaf and other foods. It’s fine and we actually get to see a different side of Jean in these scenes, who is normally rather buttoned-up and, frankly, boring. It also allows the whole team to get some presence in this one which is probably an important thing since Christmas is traditionally about family and it’s not like the show was planning on ever doing another Christmas episode.
At least we get to see how the X-Men decorate for Christmas. And they certainly go big.
As an episode of X-Men, this one is a bit of a failure. It’s plot feels out of place and the corny Christmas lines stand out far too much. It also doesn’t get to redeem itself with any special production values. The Christmas décor looks fine, and some of the characters are in outfits we’re not accustomed to seeing, but that’s about it. As a Christmas special though, it’s not that bad. Admittedly, there’s a ton of terrible Christmas specials out there so the bar isn’t exactly high. The messaging in this one is fairly simple and it really doesn’t beat you over the head with it since it’s largely contained to the show’s final minute. Xavier lays it on a bit thick right before the credits roll, but that’s hardly unusual for a Christmas special. It gets bonus points for having actual stakes, and while Leech is basically afflicted with “plot sickness,” the miraculous capabilities of Wolverine’s healing powers mean he could have legitimately been sick with something awful and Wolverine’s powers are just that good. There’s no Santa or anything like that, but it does have a human mutant story at its heart so that helps give it a solid foundation. Plus, it features the X-Men and you don’t get that too often in a Christmas story.
“Have Yourself a Morlock Little Christmas” gets a tepid recommendation from me. I suppose you have to be a fan of X-Men to get the most out of it, but at the same time, hardcore fans are possibly more likely to have a strong negative reaction to this one since it feels a bit silly to see the characters in this setting. This one is basically searching for the overlap on the Venn diagram of X-Men fans and fans of corny Christmas fair. At the end of the day, it’s only 23 minutes so you’re not sacrificing much to give it a look. And it’s fairly easy to find since the whole show is streaming on Disney+. It’s also available on DVD if physical media is still your thing. At worst, maybe you’ll be inspired to try some new dishes at your own Christmas dinner?
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
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There’s a belief when it comes to children’s entertainment that the young audience needs a surrogate on screen, someone who they could believably place themselves in the role of. For the animated series X-Men, that character was Jubilee. The role was of such importance to the property that the earlier pilot, not affiliated with the 1992 Fox Kids program, “Pryde of the X-Men” had the exact same role written into it. Only with that would-be series, the character would have been Kitty Pryde. Kitty was the kid X-Men character of the 80s, but come the 90s she had been aged out of that role in the comics and even moved to a different team of mutants in Excalibur. When it came time to create the same character for the 92 show, it was Jubilee who the writers ultimately settled on.
It’s easy to see why such a role was envisioned for the show. Both versions of X-Men were presenting the super hero team as something already established with a large roster of heroes. By introducing a kid character just coming into contact with the X-Men it would mean the kids watching at home would learn about them along with the character. And even though the comic was white hot in 92, the cartoon was still likely to hit a wider audience of kids who had never even looked at a comic book.
The getup looks okay, but that doesn’t really look much like the Jubilee I know from the toon.
Young Jubilation Lee, played by Alyson Court after a lengthy search to find the right voice for the character, is introduced in the show’s first episode and has the distinction of being the first X-Men character we really meet, even if she isn’t technically a member of the team yet. Her origin was changed to be an orphan in foster care and her well-meaning foster parents recently signed her up with the Mutant Control Agency. Her foster dad thought they would help her and her budding mutant powers, but man, why would anyone trust an organization with such a name would be helpful? Jubilee refers to herself as a kid, though her actual age is never given. Eventually we’ll see that she’s being taught how to fly a plane and drive a car, so I guess she’s around 15 at the start of the series though she looks younger. After her initial arc, she mostly fades into the background popping up here and there to head a plot, often paired with Wolverine who is like a big brother to her.
Decisions, decisions…
When Toy Biz was making action figures in the 90s based on the X-Men, two characters from the show seemed to get short-changed: Jean and Jubilee. Perhaps Hasbro considered that when it decided to make Jubilee the second character in this series of Marvel Legends based on the cartoon. Or it’s because Jubilee was released not that long ago as a Marvel Legends figure and the tools were on-hand to make this one. Either way, this figure is similar to the Wolverine one in that it’s mostly reused from past figures. In this case, two different versions of Jubilee were utilized to settle on this one. Unlike Wolverine, basically nothing new was created here as Hasbro mostly just updated the sunglasses. There’s also no show specific accessory included. Instead, we get some effects parts to go along with the VHS packaging featuring new art by Dan Veesenmeyer. Is that good enough?
Transparent on the left, solid pink on right. I think I prefer the ones on the right, but it’s nice to have choices.
Jubilee is depicted in her show accurate costume: pink shirt, blue shorts, blue boots, yellow gloves, and her traditional yellow trench coat. Is it supposed to be a rain coat? I don’t know, Jubilee’s style has always been bizarre and unique to her. She also has her pink sunglasses and the only inaccuracy about her look here is that her earrings are gold instead of red and black. And yet, this one misses the mark. Jubilee’s portrait makes her look much older than she was in the show and the hair style is wrong. Standing at 5.75″ she’s also too tall to be an animated Jubilee. Mostly though, I think it’s her coat that makes her look off the most. In the show, she’s practically swimming in the thing, but for her figure it’s lovingly tailored to fit her physique. When I hoped for a series of Marvel Legends from Hasbro, my fear was that Hasbro would just repackage it’s existing Jim Lee era figures and call them animated versions and that’s basically what’s happening here and it’s a bummer.
If you don’t like either set of glasses, there’s the alternate head with the glasses molded above the eyes. This is from a prior build-a-figure Jubilee.
The main change with this figure from past ones is obviously the paint. Jubilee is cel-shaded like Wolverine, though it’s not as noticeable. I suppose that’s due to the coat as it hides most of the shading on her torso which is also just limited to a block of red paint on her right side and a streak by her neck. There’s also very little shading on the coat which is limited to the sleeves and the area around her collarbone. It’s strange to see none on the creases of the coat. They also used that same mustard shade of yellow that was used for Wolverine which doesn’t look right. There’s not much rhyme or reason to the shading on her though. With Wolverine, there was more shading on one side of him than the other which is how most characters are colored for animation. With Jubilee, it’s just haphazard and the shading on the coat especially is rather ugly. I suppose I’d rather the shading be present than not at all and her boots and shorts look fine, ignoring that her boots aren’t the proper shape. There’s no shading on the flesh portions of her arms and legs which is true of Wolverine so I guess that’s going to be a thing going forward. There is some shading on her sunglasses which turned out okay, but like basically everything with this figure, could have been better. It’s the sort of shading I wanted to see on the windshield pieces of Super7’s Optimus Prime.
While I prefer this look for young Jubilee, that head is just so sleepy and boring. Where’s the smile?
Jubilee doesn’t nail the look of the character from the show, and unfortunately, her accessories don’t sweeten the package much. Her default look is a head with her hair trimmed short and no glasses. She has two pairs of shades that can slip over her eyes: solid pink, and translucent pink. Both feature the shading on the front and both fit on the character’s head just fine. I prefer the solid pink ones as that looks more like the character from the show, but she also rarely wore her sunglasses in a traditional manner. And because of that, Jubilee has a second head with the glasses permanently above her eyes. This look is more faithful to the show and her hair looks better, but she still looks like an older version of the character. Plus she’s missing her earrings – come on, Hasbro! I’m torn on which head I’ll ultimately display, and it sucks that I’m trying to decide which is the least worse. Lastly, we have two effects parts cast in translucent pink plastic. They would be fine if they at all resembled her powers from the show (or comic), but they don’t. These look like the same parts released with Scarlet Witch and Negasonic Teenage Warhead just colored differently. I didn’t love them then, and I like them less now since they don’t make sense. There had to have been better effects parts for Hasbro to recycle, right? Dazzler’s parts would have worked better than this.
These effects pieces seem inappropriate for the figure. There were better options out there.
One, final, bone I have to pick with this figure is the articulation. Hasbro, for whatever reason, seems to always shortchange the female characters when it comes to articulation. For some reason, they think double-elbows and ab crunches can’t work with them and Jubilee is no exception. Her head is on a ball hinge that lets her look up, down, and around with some tilt. The shoulders are ball-hinged and they’re fine. There’s no butterfly joint or biceps swivel as the top of her arms have the sleeves sculpted on. She does get a swivel at the elbow and single hinges that let her bend her arms at a 90 degree angle. Her wrists swivel, and interestingly, one wrist has a horizontal hinge and the other vertical. It’s not necessary, but I kind of like it. In the torso, we have a ball joint in the diaphragm that does little. It gets almost no range forward, back, or tilt and it’s mainly just a swivel point. No waist twist, and we have ball-jointed hips. She can kick forward, but not back, and her legs go out to the side an acceptable amount. There’s a thigh cut just below the shorts which looks good, and double-jointed knees. The hinges at the knees feel a bit gummy and the top one is quite tight, but if you get both to move properly, she can bend past 90 degrees. There’s a boot cut below that and the usual ankle hinge with rocker that works very well. Jubilee is pretty conventional for a female Marvel Legend. The elbows are okay and the torso stinks, but at least she’s not worse than usual.
Jubilee should get used to finding herself behind better looking figures.
As a final bone to pick, we have to talk about value. This figure is $27 and sold exclusively through Hasbro Pulse and Shop Disney, so you have to order it. There’s no brick and mortar option, so tack-on the cost of shipping to that 27 bucks, or the cost of a Pulse Premium subscription (which is what I ended up doing as I figured this line would pay for itself through the free shipping perk) unless you happen to catch her on Disney during a free shipping promotion (otherwise you have to order $75 worth of merch to trigger that perk which you actually could right now just by ordering the three figures from this line currently available – Wolverine, Jubilee, and Mr. Sinister). That’s not cheap, and to illustrate that I have the below picture. All four figures were released or solicited around the sound time so there’s no COVID impact to the price of one that wouldn’t affect the other, and in comparison this figure is just not a great value. Let’s go left to right:
Not included is the DC Collectibles Batman from the animated series I reviewed previously. It’s a better value than Jubilee and features good cel-shading, but I don’t know if it was available to purchase around the same time so I left it out.
NECA Turtles in Time Raphael – the cheapest at $26, not sold exclusive to any retailer. 100% reuse from a past figure save for the new sais and hoverboard (though the mold for that is used for other figures). He also has his own unique deco via the pixel shading. It’s a reissue of a figure from 2020, but so is Jubilee basically.
Jubilee, who is $27 plus the cost of shipping because she’s not available at retail. 100% reuse, bad paint job where the cel-shading is concerned.
NECA Groundchuck – This guy is sold in a two-pack for $65, so he’s $32.50 and found at Target and pretty comparable in price to Jubilee. And unlike Jubilee, there’s no reuse with this guy and likely won’t be any future use for these tools unless NECA does a variant. Tons of paint, tons of hands, and a gun. Terrific value. And if you think I’m cherry-picking from the set I’d say his box-mate Dirtbag is just as good and actually has more accessories.
Bandai/Tamashii Nations Goku Black – this guy is the most expensive, but he’s $35 and sold at Target. It’s a reissue with a new paint application on the hair. This is Bandai reissuing an older figure and giving the consumer a discount as a result. Jubilee is a reissue of an old figure, but more expensive. Plus this is an S.H.Figuarts release, a much higher quality product than Marvel Legends. Normally the comparison would be unfair and ludicrous, but it’s $35 so it’s very much comparable to what Hasbro is giving us.
Value is a subjective concept, but I don’t see a strong argument for this Jubilee being comparable to those other 3 where value is concerned. Basically we have two companies offering up a reissue or variant of an older figure and giving the consumer a price break, while the third figure is all-new and just so happens to be right around the same price. They’re also all licensed figures and not an in-house brand for any of the companies above. I don’t doubt that the Marvel license is more expensive than TMNT or Dragon Ball, but that is meaningless to the consumer since we’re just judging the product for what it is and how it compares elsewhere. Unfortunately, Marvel is exclusive to Hasbro in this scale so there’s no alternative unless a non-US company like Medicom wants to start doing animated X-Men. If this were down at 20 or even 22 bucks then I’m not making this comparison, but if Hasbro wants to charge a premium for this line then we’re entirely within our rights as consumers to expect better. If they have to charge more to do these figures justice then charge more, but don’t repackage old figures at a mark-up and expect people to just smile and accept it. If this line fails it’s going to be because collectors saw it for what it is and not a reflection of the desire out there for a line based on the cartoon X-Men.
I think it’s pretty clear which figure Hasbro sunk more money into.
Jubilee as just another Marvel Legends release would be fine. Probably a little on the subpar or average at best scale, but ultimately fine. The sculpt is okay and the paint effects are applied well with minimal slop. It’s as a representation of the Jubilee we know and love from the classic animated series that this figure fails. This just doesn’t look like that Jubilee. She’s too tall, the proportions aren’t right, the cel-shading on the coat is bad, and she looks much older. Had Hasbro at least given her a more show accurate head-sculpt, like it did for Wolverine, I would be satisfied and able to overlook the other inaccuracies. And if they gave her more expressive effects parts that would have helped too. Instead, we have a figure destined to lurk behind the other figures in this line. Hopefully, she ends up being the least accurate of the bunch (though that Jean isn’t looking too hot) and all future figures are better because I’d hate to see one that’s worse. Hasbro has its hooks in me though, and as long as they’re the only ones giving us a line of figures based on the animated series, I’ll probably keep on buying. Not enthusiastically, but I guess if Hasbro is getting my money regardless that’s all they care about.
The Nostalgia Spot 