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X-Men ’97 – “A Force to be Reckoned With”

Original premiere date July 1, 2026.

The title of this post says X-Men ’97, but in some respects it should read X-Force ’97 because that’s what the opening title presents. Yes, boys and girls, we have ourselves an X-Force on television. Cable made numerous appearances in the original series, but never as the leader of X-Force. This surprised me as a kid since if you went to a toy store during that era you would find action figures featuring an X-Men cardback as well as those with an X-Force one. Cable was basically the Wolverine of that line as he received quite a few figures, though never as many as the more famous Canadian. The line lasted for a few years, but it always was less popular than the X-Men one. In my home town we had a big warehouse store that was literally located in an old warehouse that was family owned. Even though the place looked like a dump and was most associated with cheap products, the toy section was often pretty current and sometimes they would get stuff before even Toys ‘R Us. However, they would also get some of the more unwanted figures and when it came to X-Men there was a long drought because they couldn’t get rid of their X-Force figures. G.W. Bridge, Gideon, Shatterstar, and Kaine seemed to linger forever. It’s why I had a Shatterstar because he felt like the coolest of the ones available. Cable was rarely there, same for Deadpool and Fourarm. Maybe the stink of that store is what kept me out of X-Force because I think the only other X-Force figure I would own from that Toy Biz line was a later Cable who had Terminator-like tare-away flesh for some reason. And that one was given to me by my friend.

When the first season of X-Men ’97 ended with the majority of the team flung through time, but Cable remaining in 1997, it seemed like the time was now for X-Force to make its animated debut. The first episode ended with a tease as Cable (Chris Potter) is seen in the present telling two familiar faces in Archangel (Christopher Barger) and Psylocke (Naoko Mori) that they need to focus on recruitment. When the second episode, “A Force to be Reckoned With” opens, it comes as a cold open which is unusual for the show. It depicts a group of young mutants on the run being lead by some kind of energy bird to the remains of the X-Mansion. It’s in ruins, and one of the kids has an “I told you so,” attitude about the discovery because everyone knows the X-Men are gone. These kids are just the start of the cameos as this is going to be a big one for those who like to scan the background. There are more cameos in this one than there were during the segments in Genosha from the original series (and from last year’s episode, for that matter) so I’m not going to bother to list them all. These ones are rather prominent as among them are Kid Omega (Thomas Dekker) (sporting a Phoenix shirt) and Penance (Miatta Ade Lebile).

X-Factor has entered the chat.

Who are these kids running from? That would be X-Factor, the government backed version of the team that briefly showed up in the original series episode “Cold Comfort.” There, they were lead by Forge, but now they’re being directed by Val Cooper (Catherine Disher) to round up mutants in a bid to turn down the current temperature where human-mutant relations are concerned. The actual makeup of the team is still pretty much the same as we have Havok (Teddy Sears), Polaris (Carolina Ravassa), Strong Guy (Adrian Hough), Wolfsbane, and Multiple Man, the latter having no lines and thus no credited voice actor at this time. Following that scene, we catch up with Jubilee (Holly Chou) and Sunspot (Gui Agustini) at an arcade, but they’re soon visited by an old friend: Cable. Here we get the recruitment pitch, and when Jubilee asks if this team he’s putting together has a name, we smash-cut to the opening title only it’s X-Force! Each member of the team gets their own segment which is headlined by Cable and there are a lot of similar shots to the standard intro. There are throwbacks to the first season of the show as well as the original series including the scene of Cable encountering Apocalypse in his temple and one of the creation of Archangel. The ending sequence has X-Force colliding with the forces of Apocalypse with the mutant kids caught in the middle. It’s an awesome sequence that is almost sure to put a smile on the face of every viewer, even those not necessarily familiar with X-Force.

This is pretty awesome.

With the fun intro over, the rest of the episode can focus on X-Force chasing leads, the first of which concerns the horseman War (Lawrence Bayne) from the first season of the original show. He was the green guy with the bowl cut who I don’t think has ever been seen again since that episode, but Cable lets everyone know that this guy has been pretty busy spreading death and genocide wherever he goes. Our team is indeed Cable, Psylocke, Archangel, Jubilee, and Sunspot with the latter two getting a costume change. Jubilee now has her longer hair and red Generation X costume while Sunspot is sporting his X-Force blue and orange. Curiously, Archangel is back in the blue and pink which we knew from the trailers and Hasbro figure, but why he ditched his Angel look is not addressed. Psylocke is in her ninja look from the 90s and now sports a British accent despite not having one in the original series. Since this is more accurate, I can let that inconsistency slide. This is a hodgepodge assortment for X-Force, but in the confines of the animated series, I think it makes sense. The cast is already bloated and introducing the likes of Warpath, Shatterstar, and Kaine would just be like adding to the pile.

This group may not scream “X-Force,” to 90s comic readers, but for this show I think this squad makes sense.

The mission to capture and interrogate War reveals to Jubilee just how Cable envisions this squad working which stands in direct opposition of what Charles Xavier would do. Cable rationalizes them as soldiers, not students or teachers, and Xavier’s pacifist methods are not going to cut it. He’s more ruthless, and yes we do get our answer as to why the Marvel Legends Archangel comes with Cable’s gun, though I still think it was a mostly worthless inclusion. From there, the focus pivots based on what Psylocke is able to extract from War’s mind by force and telepathy to an old foe in Emma Frost (Zehra Fazal). This puts our squad on a collision course with X-Factor that also leads to Jubilee getting separated which is where the episode really kicks it into high gear.

It’s time for Jubilee to truly graduate.

During the original series, Jubilee was featured a fair amount, but often as the kid who got in over her head and needed the other X-Men to bail her out. Her most independent episode might have been “Jubilee’s Fairy Tale Theater” in which she keeps a group of students calm with a story we see acted out in animation while they wait for rescue. It’s not exactly the sort of spotlight someone like Wolverine would get. In this episode, Jubilee gets her moment as she’s captured and tasked with not just breaking out, but also freeing all of the captive mutants being held by X-Factor on what looks like a SHIELD helicarrier. It’s set to a very era appropriate song which has Beau DeMayo written all over it, but I don’t know for sure who is responsible. The sequence shows Jubilee really cut loose with her powers and skills and the nice thing was that during the new opening title we were treated to a sequence of Psylocke training Jubilee. It’s just a nice, tidy, way of saying this is something that’s been going on for a little awhile and we’re seeing the fruits of that labor on display. What I really appreciate though is that before Jubilee can bust out, we get to see Sunspot and Cable argue over what to do about her capture. Sunspot, being the heroic boyfriend, wants to set everything aside to rescue her, but Cable tells him to trust her. He knows she can take care of herself, or at least he wants to see if she can. When Jubilee does eventually cause a commotion, there’s a moment where we see Cable smile, but it’s not some cocky, “I told you so,” smile. It’s the kind of smile a teacher might feature when a student demonstrates that they’ve absorbed the material they’ve been taught. And he said they weren’t students.

I didn’t necessarily need to know where this thing came from, but it was pretty cool.

The episode does end back in the future to wrap-up the events of the first episode. In doing so, the origin of Cable’s computer cube (Rachel Kimsey) is revealed in a rather clever way. I have no idea if this is something born from the comics or if it was created for the show (this episode was written by Anthony Sellitti and Mariah Wilson), but I do like it. It also sets up the events for the third part of this season premiere where we will check in on the squad sent to the distant past. Even though this is deliberately woven into other threads, this episode of X-Men ’97 X-Force ’97works really well as a stand-alone adventure. It ties into the core mission of the X-Men through a different lens and putting this X-Force team up against X-Factor is another great way to put the focus on just what the X-Men (and X-Force) are out to do. Jubilee’s escape is a ton of fun and should be a highlight of season two when all is said and done, assuming it’s not overshadowed in the 8 episodes to follow. There is some foreshadowing contained in this one via Psylocke’s observations in the mind of War that are certainly intriguing. I think anyone who watched how the first season ended can guess what’s coming, but it’s still fun to see the show tease it. I just wonder when it will pay off?

Previously…on X-Men ’97:

X-Men ’97 – “Days of Past Future”

At last, X-Men ’97 has made its return to airwaves with not one, not two, but three episodes for the premiere which means there’s a lot to talk about. Truthfully, too much for one post which is why we need to keep things to one episode per entry as is the style of the time.…

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X-Men ’97 – “Tolerance is Extinction – Part 3”

Today, X-Men ’97 dropped the curtain on its first season and what a way to bring it to an end. Last week’s episode was a roller coaster of emotions for me. I couldn’t go into much detail of my review of “Tolerance is Extinction – Part 2” without wading into spoiler territory, so allow me…

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X-Men ’97 – “Tolerance is Extinction – Part 2”

Magneto was right. That was the realization many characters seemed to share at the end of last week’s episode of X-Men ’97. As we roll into the penultimate episode of the show’s first season, a lot is on the line and the show is drawing inspiration from several different sources related to the X-Men over…

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X-Men ’97 – “Motendo/Lifedeath Part 1”

X-Men ’97 continues on into it’s fourth episode with a bit of a change-up. The first three episodes were rather weighty dealing with the fallout of Xavier’s death, Storm losing her powers, and the whole clone situation of the third episode. And that third episode did reveal a few cracks in the foundation of the show. While I still enjoyed the episode and ultimately gave it a positive review, it did feel rushed and there were some character actions and moments that were head-scratching. Cyclops refuses to abandon his child, so he walks out on his child? The clone Jean realizes what she is and decides to go make a new life for herself and pulls the name Madelyn Pryor out of thin air with no explanation? A bit bizarre.

A new scene added to the intro includes an Iceman cameo, the best X-Man.

That third episode tried to condense a fairly lengthy story from the comics into a single episode and the results were clumsy. This week’s episode is actually inserting two plots into one episode. As evidenced by the title, this episode is like two small episodes. Back in the original series, the second season did end most of its episodes with a little glimpse at a parallel story involving Magneto and Xavier, but those would occupy a minute or two of the episode runtime. This week’s isn’t quite 50:50, but the first sequence, “Motendo,” takes us to about the 18 minute mark while “Lifedeath – Part One” occupies the final 10 minutes or so. It’s also an episode that’s going to dial back the soap opera elements a bit in favor of fan service fun.

That takes me back.

The episode begins with Jubilee giving the “Previously…” line. The opening title has also dropped Bishop’s card since he went back to the future at the end of last week’s episode while the new images thrown in include shots of Mojo, the Inner Circle, and X-Factor. “Motendo” takes place on the 18th birthday of Jubilee. She would like to spend part of the day at the arcade with her fellow X-Men, but apparently headmaster Magneto has other plans. This leaves her upset, and once again, her boy Roberto is just hanging out at the mansion. He’s only somewhat sympathetic to her plight as he thinks video games are for dorks. Jubilee is defensive and insists they play something and it just so happens a mysterious console is present in her room. It looks like a bootleg Sega Genesis and the game pack inside it looks a lot like the first X-Men video game released for the console only with Apocalypse added to the background. Jubilee thinks it’s a gift from one of her teammates and sees no harm in playing it, but once turned on she and Roberto find themselves pulled into a digital world.

The video game visuals are a ton of fun.

As the title of the episode alludes, this is the work of Mojo (David Errigo Jr.). It would seem he’s swapped television for video games and he’s decided to make Jubilee the star of his game. The visuals from here on out will switch from the usual to something pixelized. It’s very reminiscent of the classic Konami arcade game and it’s pretty fun seeing how Jubilee might have looked had she been included. The two have to figure out a way out, but they’ll get help from a mysterious woman seemingly trapped in the game who is basically another bit of fan service for those who loved the original animated series. It’s a very low stakes sort of plot, but it does further Jubilee and Roberto’s relationship so it’s not as if the show is completely spinning its wheels. It does contain a message for Jubilee that she can’t avoid growing up and just live in the past, a somewhat bold declaration for a series relying on a great deal of nostalgia for success.

There’s definitely a lot going on down in Texas.

The last chunk of the episode takes us back to Texas where Storm and Forge (Gil Birmingham) are working on a way to restore her powers. We got a little taste of this pairing at the end of the third episode and if anyone is going to be able to whip up a device to cure Storm of what ails her it’s going to be Forge. It’s a bit clumsy given the time constraints placed upon it. Why is Forge in Texas? What happened to X-Factor? We see an image of the team so the show isn’t ignoring it and I guess it’s something we’ll learn in time. There is some drama inserted into this plot as Forge harbors a secret, and while it does feel a little rushed, I was relieved that this plot wasn’t as rushed as I thought it might be. There are some more horror elements at play with this story, and following some of the visuals in last week’s episode, it makes me wonder if our writers (Beau DeMayo and Charley Feldman, who was also a co-writer on last week’s episode) have an affinity for that genre.

Forge is hard at work at trying to restore Storm’s powers.

“Lifedeath” is the part of the episode meant to further the main, overarching, plot of the season and it also ends on a cliffhanger. It’s probably a confusing one for most, though this is yet another plot pulled right from the comics. It’s a plot I have not interacted with in decades so my memory is hazy on the subject which I see as a good thing for my viewing of the show. There’s not a ton to chew on this week, but I do wish to point out how Alison Sealy-Smith has established herself as the best of the returning cast from the old show. Not because her voice has been less touched by age, but just in her performance. She really gets her role. I used to find her Storm a bit wooden, but there’s a lot more depth to her this time around. It’s amazing what a better script can do for a character.

I guess the fate of X-Factor will have to wait for another day.

“Motendo/Lifedeath – Part One” is a solid piece of X-Men entertainment. When all is said and done on this first season I doubt many will be citing it as their favorite episode of the bunch. Some may feel the video game inspired visuals marked a high point on their own, but a large chunk of the episode is more disposable than others. It’s a classic come down episode, one where we get to reset a little bit before the show dives headlong into its next arc (or not, as the next episode is titled “Remember It” and the one following that is “Lifedeath – Part Two”). There was no Cyclops or Jean in this one so no fall-out at all from the third episode for them was explored, but since they weren’t present it’s not like everything went back to status quo. I’m guessing that’s being saved for either next week or later on as the final, parting, shot we had of those two was pretty heavy. The show will get back to them eventually, for now, enjoy this kind of goofy throw-back to classic video games and wonder what the future holds for Forge and Storm.

Previously…on X-Men ’97:

X-Men ’97 – “To Me, My X-Men”

It used to be that when a show got cancelled that was it. It simply ceased to exist as a new product. If there were enough episodes it could last in syndication on both broadcast and cable for a good while, but rarely was it accessible to the point where a fan could have the…

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X-Men ’97 – “Mutant Liberation Begins”

The first episode of X-Men ’97 left me grinning from ear to ear and eager to see what would happen next. I’m happy to say, the show’s second episode left me feeling very much the same. “Mutant Liberation Begins” starts off right where the previous episode ended. Magneto, has revealed that it was the wishes…

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X-Men ’97 – “Fire Made Flesh”

Well, that was a long wait! After the two episode premiere of X-Men ’97 on March 20th I was ready for that third episode. The week long wait felt both excruciating and exhilarating. It’s been a long time since we’ve had an X-Men show to get excited about, or really an X-Men anything, and it’s…

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