Tag Archives: christmas

Dec. 10 – Simpsons Roasting on an Open Fire

Original air date December 17, 1989

Today, we return to my best Christmas specials of all-time list with television’s first family: The Simpsons. The Simpsons are the brainchild of series creator Matt Groening who allegedly came up with the idea as a spur of the moment one when he needed something to pitch to the Fox Network. He essentially based The Simpsons on his own family and even borrowed some of the names of his family members for the now iconic characters of the show. The pitch was a success and The Simpsons became a segment on The Tracey Ullman Show. When it gained enough popularity that the Fox Network couldn’t ignore, the segment was spun-off into its own series.

When Fox decided to take a chance on The Simpsons it did so with some trepidation. TV people James L. Brooks and Sam Simon were added to the mix to give it some credibility, but the Fox Network was still young with inexperience at virtually every level of the operation. And the TV guys the network brought in had little experience with animation. Fox wasn’t willing to commit to a full season order, so 13 episodes were ordered for the first season. That inexperience with animation reared its head early when the very first episode, “Some Enchanted Evening,” came back from the overseas animator looking dreadful. Un-airable. The team didn’t understand how long retakes would take in animation nor did they realize how expensive they were. It’s not a big deal to do reshoots in live-action with a set that lives in perpetuity on a studio lot, but for animation someone has to re-draw, re-color, and re-edit the show.

Obviously, those growing pains would eventually pay dividends and The Simpsons is currently airing its 35th season. And it all started here. When “Some Enchanted Evening” came back so bad it called for a lot of changes, the show wouldn’t make its original air date so Fox decided to delay it to give it more time. As part of that delay, the Christmas episode was moved up. Now, The Simpsons could premiere as a Christmas special in December of 1989 with the rest of the season kicking off in 1990. It’s a bit unusual for a show to start with a Christmas episode, but not unheard of. The Fox animated series Life With Louie would do a Christmas special as a pilot a few years later which would turn into a series order for that show. And because today’s episode was the first to air, it’s now just recognized as the show’s first episode even though it wasn’t number 1 in production order.

The first season of The Simpsons is admittedly a little rough. It always takes a show time to find its voice and The Simpsons is no different. For a first episode though, this one is pretty damn good. The show knew it wanted the family to be a bit dysfunctional. So many television families of the past were rather wholesome with little conflict within the family unit that wasn’t just some trivial issue. That was changing in the 80’s and the sitcom Roseanne is often cited as one of the first shows willing to put a more “real” family on TV. Married…with Children went hard into that with a more farcical take while The Simpsons would land somewhere in-between. Being animation, the show could get a little out there when compared with a live-action sitcom while still retaining plot issues like job security and money.

And this first episode of The Simpsons very much deals with money issues. Financial stress around the holidays is definitely not unique to the Simpsons and many families deal with that every year. It’s exacerbated by the presence of Santa Claus who bestows presents on the good boys and girls of the world and coal on the bad ones. When Santa brings the rich kid down the street a new bike while the poor kid settles for a yo-yo, it’s bound to raise some questions on the playground. As a result, all parents feel pressured to shower their children with gifts whether they can afford it or not. I’m guilty of going a little nuts around the holidays, and while I’ve never spent outside my means, I do regret not setting expectations lower. Maybe one gift should be from Santa and the rest from mom and dad. It might not make the kid who gets little feel much better, but at least said kid isn’t left wondering why Santa treats him so poorly while the kid who doesn’t need any help is rewarded.

They must be pretty late if no one is even on the road.

Anyway, the unique flavor of this Christmas episode of The Simpsons is what makes it so endearing for me. It also doesn’t hurt that it has incredible historic significance by being the first of over 700 episodes and counting. Perhaps to give it more of a “Christmas Special” feel, the episode doesn’t begin with the usual show intro. We just get a quick jingle of the main theme (composed by Danny Elfman) with a graphic that reads “The Simpsons Christmas Special” super-imposed over a dark, snowy, backdrop. Homer (Dan Castellaneta), Marge (Julie Kavner), and Maggie are in the car heading for a school Christmas recital. Homer is driving rather erratically as they’re apparently late while Marge urges him to slow down.

“Pardon my goulashes.”

When the family arrives at the recital, late, they’re forced to awkwardly slip in to find seats. As they do so, Homer keeps calling out to other fathers he knows and who could forget Homer’s buddy Norman? Or Fred? Yeah, these are names we’ll never hear again. Even though Homer makes a remark to Norman about “getting dragged here too” he seems pretty cheerful and happy to be present, a far cry from how he feels about attending a thorough re-telling of the life of George Washington in Season Four.

A very odd color choice here.

Once they find their seats, Homer and Marge watch as Principal Skinner (Harry Shearer) introduces the presentations which are by class. Up next, a presentation of Santas from around the world by the second graders. It almost feels like there’s only one second grade class in this school which gives Springfield a very small town feel. I think in my town, a suburb in New Hampshire, we had around 12-15 classes per grade. Up first is possibly a proto-Janie (Pamela Hayden) to talk about German Santa who bestows gifts upon the good children and whipping rods on the parents of bad children to beat them with. We then hear from a proto-Ralph (Nancy Cartwright) who looks a little like Ralph Wiggum, but sounds nothing like him. He’s a Japanese priest who resembles Santa and his main feature is that he has eyes in the back of his head which the child demonstrates with a pair of spring-eyed glasses he’s wearing backwards. The crowd gasps as they fall out of place which feels very quaint by today’s standards. Finally, it’s Lisa’s (Yeardley Smith) turn who will be portraying a Polynesian Santa or something. It too causes the crowd to gasp because it involves a fire dance, or maybe they’re gasping because she looks like she isn’t wearing any pants? It’s an odd coloring choice as she’s wearing a straw skirt with virtually no coverage and her leggings are the same color as her flesh. Everyone applauds when she finishes either because they enjoyed it or because they’re just impressed she didn’t burn the place down.

“He’s the boy you love to hate!”

And now it’s time to hear from the fourth grade class – screw those stupid third graders! This is, of course, Bart’s (Cartwright) class and what’s America’s soon-to-be favorite little hellion going to do to ruin this pageant? Why, nothing more than change the words to “Jingle Bells.” You know the one, that famous school yard parody of unknown origin that turns the yuletide classic into a song about Batman’s poor hygiene. As the camera pans through the crowd of fourth-graders assembled on the stage, virtually none of them are recognizable. I did spot Lewis and Milhouse is in the first row, but the other faces are weird and unfamiliar. Before Bart breaks into his own rendition, Marge gets to comment on how angelic he is. Once he finishes his verse, a hand jumps into frame to yank him out of position. I assume it belonged to Skinner. Homer looks mad, then he looks bored as there’s a dissolve to indicate the passage of time and we can hear Skinner announcing the fifth grade performance. Behind Marge, there’s a woman without a nose which is creepy. Homer mutters aloud “How many grades does this school have?” and we fade out.

Christmas is coming, Simpsons.

We’re now at the home of the Simpson family! It’s decorated for Christmas and there’s a roaring fire. The kids are writing out their Christmas lists while Marge is working on a Christmas letter to send out. We hear her internal dictation to herself as she writes it. She notes that their cat died, but they replaced old Snowball with a new cat – Snowball II. Snowball II can be seen getting tangled in a box of Christmas lights which Homer is trying to untangle. It also should be noted the joke here is that the dead cat was a white one and appropriately named Snowball while the new one is a black cat, but they just kept the name anyway. Marge writes about how Grandpa is still alive and as feisty as ever and boasts about how well Lisa is doing in school. When she gets to Bart she just writes, “…well, we love Bart,” and lets that be it. Homer angrily barks at her asking if she finished that “stupid” letter yet prompting Marge to write “Homer sends his love,” before putting the finishing touches on it.

I tried to get the twister mouth captured, but it was driving me nuts, so here’s this relatively bland image instead.

Homer resumes his demands of Marge as he can’t seem to locate the extension chord. Marge snaps back that it’s where it should be – in the utility drawer. Good for Marge for standing up for herself. Homer softens and apologizes and blames it all on his excitement for the holidays. He then retrieves the extension chord from the drawer and we get a sort of “d’oh!” out of him when he finds it all tangled. Marge then asks the kids for their lists and indicates that she’ll send them to Santa right away. This prompts Bart to mutter, through a classic Simpsons twister mouth expression, “Oh please, there’s only one fat guy who brings presents and his name ain’t Santa.” You can tell the show wasn’t really going after the kid market in the beginning otherwise such a line wouldn’t exist.

This is just the beginning of Homer’s hatred of Patty and Selma.

Marge is then dismayed to see that the only thing Lisa wants is a pony and Bart wants a tattoo. Bart tries to justify his desire by saying they last forever, but Homer tells him he’s not getting one. If Bart wants a tattoo he’ll have to pay for it himself! Well, at least he tried. The phone rings and Homer answers it. On the other line is one of Marge’s sisters who just asks for Marge. Homer tries asking who is calling, but she just keeps asking for Marge as she clearly wants nothing to do with Homer. This just angers Homer, but he finally hands the phone to Marge and we find out it’s her sister Patty (Kavner). She indicates that she and her twin sister Selma (also Kavner) would be delighted to spend Christmas Eve with their baby sister. Marge tells her that she and Homer would be delighted to see them too and Patty, correctly, notes that Homer is probably not very enthusiastic about it. She then starts to complain about Homer as the scene fades out.

Don’t be confused, this is an image of the lights turned on. Nice attention to detail by having Homer’s imprint still in the snow.

When the next scene fades in, we find Homer on the roof in a rather precarious position as he attempts to hang Christmas lights. He does the predictable thing and falls, but there’s a nice pile of powder for him to land on so he’s no worse for ware. Homer then calls the kids over to plug in the lights. For some reason, he’s also wearing a tie now. Maybe this is the next night after work? Anyway, Homer calls for Marge to turn them on and it’s a rather pathetic display as only a couple of lights are working. Lisa adds a “Nice try, Dad,” while Bart can’t even muster up an insult and just hangs his head with a groan. Homer seems pleased though, at least until his neighbor Ned Flanders (Shearer) shouts over to ask him what he thinks of his display? He plugs it in and it’s pretty spectacular compared with Homer’s as all of the lights are working and there’s even an animated Santa on the roof. The kids stare at it in awe while Homer complains it’s too bright and crosses his arms angrily to mutter to himself.

The fabled big jar of money!

The next morning, Marge tells the kids over breakfast that she’s heading to the mall for Christmas shopping, and if they want to go too, they should go get their money. They’re pretty excited about going to the mall because it’s 1989 and that’s where all the action is! With them out of the kitchen, Homer is able to prod Marge about her secret stash of Christmas money. She tells him to close his eyes so as not to reveal her hiding place and when he does we find out it’s a big jar she keeps hidden in her giant hair. Marge must have amazing neck strength. Homer opens his eyes and remarks on how big the jar is this year as it’s full of bills and coins.

These things always seem like such a good idea at the time.

At the mall, Marge and Lisa go off shopping basically leaving Bart to his own whims. He soon happens upon a tattoo parlor and notices a display containing a heart design that says “Mother” on it. Bart fantasizes how such a tattoo would be received by his own mother which confirms to him that she thinks it’s a wonderful present that makes him look dangerous. Since Bart’s imagination is infallible, he heads to the counter and demands “One mother, please.” The tattoo artist curtly asks how old he is and Bart cheerfully responds with “21 my good man!” The guy simply responds with “Get in the chair.” According to the episode commentary, the writers struggled with how to get Bart into the tattoo chair because who would agree to tattoo a 10 year old? This simple line was what they settled on and I think it works. The line delivery by Harry Shearer is also perfect in selling this guy’s “I don’t care” attitude.

A Season One look at the office of C. Montgomery Burns. Interesting that the stuffed bear would remain a mainstay.

We cut to the Springfield Nuclear Power Plant which has a festive banner at the entrance denoting the time of year. We find Homer inside doing something he rarely does: work. He’s looking at some gauges and noting the readings on a clipboard. This is still Homer though and it would appear he’s doing a bad job as one meter rises abruptly and another is flashing red. The intercom comes on and it’s the voice of Waylon Smithers (Shearer) who is set to introduce Mr. Burns (Shearer) for an important announcement. Despite Smithers requesting that all employees continue working through this announcement, Homer puts his clipboard down and starts munching on a donut. He’s soon joined by several other, random, workers as Mr. Burns makes his announcement. He is pleased to report that they have improved plant safety without affecting consumer costs or management pay raises. Unfortunately, for the other “semi-skilled” workers, as he puts it, this means there will be no Christmas bonus this year. Dejected, the other workers disperse while Homer looks pretty distressed and thanks God for the big jar of money.

Lasers: very expensive and not for the groin.

Naturally, this means the big jar of money is in serious plot jeopardy. We go back to the mall and Marge spots her precious little guy in the chair at the tattoo parlor. She storms in and yanks the boy out mid-tattoo turning his intended “Mother” tattoo into one that says “Moth.” She drags him by the arm, his recently tattooed arm, a few stores down which just so happens to be a laser surgery center. I can’t say I ever saw such a place in a mall, but it does make good business sense to have one located near a tattoo parlor. The technician (Shearer) tells Marge they can remove the tattoo, but it’s a costly procedure that requires an upfront, cash, payment. Marge just looks at the big jar of money she’s carrying in despair and adds a “Thank God for Homer’s Christmas bonus.” Oh Marge, you poor fool! With the payment seemingly made, Bart can get the procedure. As the laser warms up, we get to hear one of Bart’s catchphrases, “Aye carumba!” The technician then instructs him not to squirm as you wouldn’t want to get this laser near your eye or your groin. Apparently, getting the word groin past the censors was a minor battle the show won.

Just in case there wasn’t a penny lurking in there, she turns it upside down.

It’s time to head back to 742 Evergreen Terrace (well, technically, in Season One the address had yet to be decided, but you get the idea) where Bart is sitting on the couch watching TV while Lisa pokes his new arm injury. She pokes, he says “Ow! Quit it,” and we repeat. Maggie also gets in on it. I actually really like this gag. Homer comes home to hear the bad news. Lisa is almost too eager to tell her father that the family had to blow the Christmas jar on laser surgery for Bart. Homer takes one look at that empty jar, which Marge turns upside down and shakes for added dramatic effect, and immediately begins wailing about Christmas being cancelled. Marge then assures her husband things will be okay because they still have his Christmas bonus. If you think this is the part where Homer tells the family he’s not getting a bonus this year then you have clearly never watched a sitcom. Homer just acts like he’s just remembering he has that bonus coming and no one in the family appears to pick up on the fact that he’s lying. Homer then exits the house through the kitchen, which is somehow the front door. One of the fun aspects to watching Season One of this show now is how crazy the layout of the house gets. Some shots will just have endless entryways in the background, or even in this past scene, Marge enters into the living room via the den, but when camera cuts back to her it’s the kitchen that’s behind her.

A lot of early episodes of The Simpsons feature Homer and Marge in bed.

Homer takes a sad look at his crappy Christmas decorations and the camera pans to the home of the Flanders so we can get a better sense of how inferior Homer’s Christmas is shaping up in comparison. He can’t even muscle up a “Stupid Flanders,” comment, only hang his head in shame. The scene then shifts to one of Marge and Homer in bed. Marge can tell something is bothering Homer and that he’s hiding something from her as well. When she brings up the subject of his Christmas bonus, Homer gets a chance to come clean, but instead of doing so makes up a lie about wanting to do the Christmas shopping this year. Marge is happy to hand over the list to her husband as that’s one less thing she has to worry about and she rolls over to go to sleep. With the lights out, we can still see the white of Homer’s eyes and his unsure smile.

Can’t be forgetting little Maggie’s Christmas present.

The next day, Homer heads out to do said Christmas shopping. His venue of choice? Not the mall, that’s much too expensive, for he has come to the seldom seen Circus of Values. I don’t think this store ever resurfaces in the future. Homer is monologuing his shopping decisions, which is very convenient for us viewers, as he picks out gifts for the family. Marge is getting pantyhose, Bart some pads of paper, and Maggie gets a squeak toy intended for dogs that’s shaped like a porkchop. Lisa apparently gets nothing. As Homer leaves with his lone bag of “gifts,” he bumps into Flanders outside. Ned couldn’t see him because his arms were piled high with wrapped gifts which are now all over the sidewalk. Ned apologizes then takes note of the mess before them and how tricky it will be to sort out what’s what. As he starts picking stuff up with a “One of mine,” for each, Homer growls back “They’re all yours!” since he has his lone bag in-hand. To add further insult to injury, Todd Flanders (Pamela Hayden, and the credits actually list this as Rod Flanders, but it’s clearly Todd) has picked up Homer’s porkchop and offers it back to him which he angrily snatches from the youth’s hand. Mind you, this looks extra pathetic as the Simpson family doesn’t currently own a dog. The two Flanders then head off to wherever it is they’re off to with Todd telling his dad that this will be the best Christmas ever! Does anybody ever make such a statement unironically in real life?

This version of Moe’s Tavern is basically free of dank.

Feeling pretty low, Homer heads to his favorite watering hole: Moe’s Tavern. Here, the grumpy Moe (Hank Azaria) is sporting a festive Santa hat and is overseeing a pretty well-decorated bar. The Moe of later seasons would never go this far to decorate his place. He also has black hair and a pink apron, two things that will change before the season is concluded. He asks Homer what’s wrong and notes he’s been sucking on a beer all day. He even offers Homer a candy cane to cheer him up – who is this guy?! Barney (Castellaneta) enters and announces drinks all around! Which is just he and Homer. He’s decked out in a Santa suit and Homer prods why. Barney tells him he got a job playing Santa down at the mall as he downs almost an entire mug of beer in one swig. Homer asks if he thinks he could get a job doing that and Barney cautions him by saying “They’re very selective,” before unleashing his classic belch. In case you were unaware, Barney is named after Barney Rubble as the writers thought it would be funny to give Homer a loser Barney as a best friend.

These Santas look more than a little strung out.

We cut to Homer on a job interview for this Santa program. The man conducting the interview (Shearer) wants to know if Homer likes kids and his response is “All the time?” He’s clearly not good at this stuff. The guy just frowns and Homer picks up on it and reassures the man that he does indeed like children. He’s hired on the spot, but is then given the bad news that he has to go through Santa training. This takes us to perhaps one of the more enduring scenes from this episode as a room full of men dressed as Santa are robotically belting out “Ho ho ho,” from desks. The laughter, if you want to call it that, is interrupted by Homer raising his hand to ask the trainer (also Shearer, the guy voices almost everyone in this thing) when they get paid. He’s told “Not a dime until Christmas Eve,” and the men in the room resume their “Ho ho ho” routine only with much less enthusiasm.

There aren’t many bullet-headed characters in future episodes.

Next we find Homer in front of the class trying to recall the names of Santa’s reindeer. He gets the first three right, then guesses Nixon, followed by Comet, Cupid, Donna Dixon. The trainer just curtly tells him to sit down. It then cuts to Homer seated with a smile on his face while the trainer sits on his lap. They’re role-playing how a visit with Santa might go, and when the trainer accuses him of being a fake, Homer’s response is to punch him in the face. The trainer prevents him from doing so and gets him to calm down and instructs him that he’s supposed to just lie to get out of such a sticky situation by saying he’s one of Santa’s helpers. Homer reassures himself that he knew that and this is apparently all the training he’s getting.

Even the kids can’t stand them.

Homer enters the house, exhausted, and Marge is there to ask him why he’s seven hours late. He tells her he doesn’t want to talk about it and is heading straight for the tub. I feel like no one does that anymore, or maybe people with fancy tubs or hot tubs do. I, like the Simpsons, have a pretty basic bath tub and I wouldn’t dream of taking a bath in it. Marge tells Homer that her sisters are here which forces a shudder from Homer. He slinks into the living room to say hi while Bart and Lisa are relieved to see their father as it means getting away from the clutches of their aunts. They both latch onto one of his legs as Homer greets the twins doing a very poor job of masking his dislike for them. When he wishes them a “Merry Christmas,” they both sort of snort in response and point out how you can’t tell it’s Christmas in this house because there’s no tree. Homer angrily responds that he was just about to go get one. Bart and Lisa run after him asking if they can tag along, but their father snaps at them with a “No!” before storming out.

Does Homer always keep a chainsaw in his trunk or did he take it from the garage knowing this is how his night was going to end up?

Homer heads out into the night to the tune of “Winter Wonderland.” We see him drive by lot after lot of Christmas trees all with a posted price that is apparently out of his price range. And with good reason, the first one wants $75 a tree. In 1989, $75 was like $180 today and that’s pretty insane for a tree. I think I paid $65 for my tree last year and it was at one of those farms where you pick out your own tree and cut it down. I haven’t bought a lot tree since I was a kid, so I’m not sure if what I do costs more money or less. As Homer drives, he passes other lots and the price is going down, but not by much. The last one we see is advertising slightly irregular trees for $45 that look like something out of a Dr. Seuss book so Homer does the only sensible thing: he sneaks onto someone’s property and cuts his own tree! We just see him as a shadowy figure with the sound of a chainsaw echoing around him. Dogs are unleashed, there’s some gunfire, but Homer escapes unharmed.

It’s never a bad idea to bribe Santa, kid.

Back at home, everyone is impressed with Homer’s tree while Selma points out there’s a birdhouse in it. Homer just says it’s an ornament, but I doubt he’s fooling his sisters-in-law who are at least kind enough to just drop the subject. We end the scene with Patty asking if she smells gun powder. Now, it’s mall time and Homer is in the big guy’s chair! Some little kid (Cartwright) is asking him for a bunch of stuff, but Homer tells him he doesn’t need all of that junk since he probably has a good home and a loving father who would do anything for him. The kid has no response, so Homer just asks him for a bite of his donut. The scene ends with the photographer snapping a picture of Homer Santa taking a very generous bite out of said donut and the kid doesn’t look too happy.

Oh, that Bart!

From a nearby balcony, Bart, Milhouse (Hayden), and Lewis (Cartwright) are all watching this unfold. None of the kids recognize Homer and they’re poking fun at the kids who actually buy into this Santa grift. Bart dares Milhouse, who appears to be dressed in a Santa suit himself, to sit on his lap, but Milhouse counters with a dare for Bart to yank his beard. Bart, not being one to back down, accepts this dare and makes his way towards Santa. When he’s seated on Homer’s lap, Homer lets out a yelp at the sight of his own kid, but then tries to play it cool by asking him his name. This is where we get another classic Bart line of “I’m Bart Simpson, who the Hell are you?” Homer just growls in response, “I’m jolly old Saint Nick.” Bart declares they’ll just see about that as he gives Homer’s beard a tug and we get another picture shot. This time it’s Homer’s beard being pulled down and a shocked Bart realizing who is in costume here.

This is the most awe Bart will ever have for his father.

Homer scoops up his boy in his arms and angrily storms off to a prop house in the back for a little heart-to-heart. Now is when Homer finally comes clean to someone about his lack of a bonus. Bart is actually impressed with his father and points out how low he’s willing to sink to make sure he and the family have a good Christmas. It’s not the nicest phrasing, but Bart’s smile indicates he’s sincere and Homer seems touched. He then heads back out to resume his duty as the big guy, but after saying “Hi” to all of the children he smacks his head on the door frame and utters some mild profanity which seems to alarm some of the mothers nearby.

Not even in 1989 would 13 bucks get you very far.

With the job done, all that is left to do is collect a big, fat, check! Bart apparently decided to spend the rest of the day at his father’s side as he’s joined him in the line for checks with the other Santas. Homer sees this as an opportunity to teach Bart the value of work, but when he’s handed a check for a meager $13 all of that is ruined. He demands of the teller to explain how his pay was only $13 only to find out they deducted things from his pay like the cost of the suit, training, and other stuff. It was supposed to be a check for over 100 bucks which probably would have done a decent job of acquiring gifts in 1989, but 13 bucks won’t get you anything.

Is Barney Gumble the harbinger of miracles to come?!

Homer, defeated, plops down on a couch while Bart suggests they just head home. Then we hear the voice of Barney offscreen overjoyed at receiving a check for “Thirteen big ones!” Homer doesn’t understand why Barney is so happy only to find out that Barney has plans for this money. He’s heading to the dog track where a can’t miss pup by the name of Whirlwind is fixing to turn this 13 bucks into something more. He encourages Homer to come along, but Homer finds the idea of taking his kid to a sleazy dog track on Christmas Eve rather distasteful. This is when Bart chimes in that this is how all of the Christmas miracles in TV happen. Apparently he’s self aware as he lists off some of television’s miracle benefators at Christmas including Tiny Tim, Charlie Brown, and The Smurfs. Homer seems convinced, and I bet a Season 3 Homer would be enthusiastic about following the lessons taught by TV, but this one just asks “Who’s Tiny Tim?” as they head out.

Well it looks like one Simpsons kid is having a pretty swell Christmas, at least.

At the Simpson house, Patty and Selma are present along with Grandpa (Castellaneta) Simpson for Christmas Eve. They’re watching a Christmas special on TV starring the Happy Little Elves, a sort of parody of The Smurfs seldom seen after the first season. Lisa is reacting to the show in earnest fashion while the adults, mostly Grandpa, can’t stand it. It’s then pointed out by Patty that Homer is late and Marge says he told him that he was going caroling with Bart. This then smash cuts to Barney and Bart singing “We’re in the Money” as they make their way into the dog track. Homer still can’t believe he’s doing this, and that feeling only mounts when he gets a look at Whirlwind and declares the dog a scrawny little bag of bones. Bart, who is now wearing Homer’s Santa hat and looking pretty adorable, points out that all of the dogs are scrawny little bags of bones. There’s also a brief exchange between another father and son where the kid asks if they can open their gifts now with the dad retorting “You know the tradition son, not until the 8th race.” It’s hilariously sad.

Bart’s not a very bright kid, but he still may be smarter than his father.

As Barney makes his way to the counter to place his bet, a voice (Shearer) comes over the loudspeaker to announce that number 8 is being replaced with a new dog: Santa’s Little Helper. Homer hears this name and thinks it’s a sign. He expresses his enthusiasm towards Bart who tells his father it’s just a coincidence. Even when they get the odds on the dog, 99 to 1, Homer still isn’t dismayed. He sees it as an opportunity, but Bart informs him that he has a bad feeling about this. Homer basically begs his son to trust in him because it’s all he has and Bart decides to go along so as to spare his father’s feelings. There’s no changing his dad’s mind anyway as he bets it all on Santa’s Little Helper.

Lisa with a very smart defense of her father. If only he could have been there to hear it.

Back at the house, everyone is still watching (and not enjoying) The Happy Little Elves. Well, Lisa is, that is until she overhears her aunt Patty refer to her father as a “doofus.” When she asks her aunt what she said, Patty just nonchalantly informs her that she’s just trashing her father. Lisa then, rather calmly, sticks up for her father, “Well, I wish you wouldn’t, because aside from the fact that he has the same frailties as all human beings he is the only father I have. Therefore, he is my model of manhood and my estimation of him will govern the prospects of my adult relationships so I hope that you bare in mind that any knock at him is a knock at me and I am far too young to defend myself against such onslaughts.” Patty has nothing to say aside from “Watch your cartoon, dear.” She put that old bat in her place!

Well, at least they’re only out 13 bucks.

It’s race time down at the track and Homer and Bart are up against the railing to take it all in. Homer encourages Bart to kiss the ticket for good luck and then the dogs are off! The two enthusiastically cheer on their chosen champion until it’s announced that he’s currently in last place, and pretty far back at that. Bart just tries to tell his dad that this is when the miracle happens and the two resume their cheering and are hooting and hollering as…Whirlwind crosses the finish line. Bart is dumbfounded and can only conclude that television has been lying to him. Homer bangs his head on the railing, a terrific use of foley, and then says he doesn’t want to leave until their dog finishes. The shot holds for a solid 3 seconds or so before Homer gives up and says they can leave. That’s probably my favorite joke in the whole episode.

So is Daria a girlfriend? Prostitute? Some random girl Barney met at the track?

Out in the parking lot, Homer and Bart are picking up discarded tickets and hoping to stumble upon an accidentally discarded winner. They’re soon interrupted by Barney who comes driving by in a convertible, on Christmas Eve, in a cold climate. It’s a choice, but he’s in the money! He doesn’t seem to know that Homer didn’t follow his advice as he just asks “What did I tell ya – Whirlwind!” He then burps and says to his lady friend “Let’s go, Daria.” For years, many fans insisted that Barney said “diarrhea” instead of Daria, but once the DVDs came out we could see for certain that he was saying Daria. I, for one, always heard Daria.

Welcome to the family, boy.

With Barney gone and no winning tickets found, Homer and Bart hang their heads and presumably start heading for the car. They then hear shouting as an angry voice declares “You came in last for the last time!” We don’t know it now, but the voice belongs to Les Moore (Azaria) and he’ll return in a future episode. For now, all we need to know about him is that he’s the present owner of Santa’s Little Helper and he no longer wants to be. Bart points the dog out as he races across the parking lot and leaps into Homer’s arms! Bart immediately asks if they can keep him, but Homer is still mad at this dog for coming in last. He starts trying to justify why they shouldn’t keep him, “But he’s a loser! He’s pathetic! He’s…” and then the dog licks him and Homer smiles, “…a Simpson.” Gets me every time.

Always deliver the bad new first.

One last trip to 742 Evergreen Terrace is in order. At this point, Grandpa has fallen asleep, the cartoon is way past over, and Patty and Selma are frothing at the mouth waiting to see what state Homer eventually returns in. Marge is just wondering if she should call the police when the door opens and Homer enters. He announces that he has a confession to make, and Patty and Selma get real excited at this. He starts to detail how he didn’t get his bonus, and that he tried to keep it from ruining their Christmas, but he doesn’t get to finish his sad speech as Bart come bursting in with a “Look what we got!”

Aww, he’s kissing the baby!

It’s Santa’s Little Helper, and basically everyone gets excited at the news. Well, except Patti and Selma who seem disappointed that Homer didn’t fail. Lisa declares that love at first sight is real while Bart adds that if he runs away he’ll be easy to catch. Marge adds a “God bless him” in her husband’s direction and tells him this is the best gift that he could possibly give them. Homer can only respond with “It is?” as Marge explains to him that it’s something to express their love. Lisa then asks what the dog’s name is and Homer says, “Number 8 – I mean, Santa’s Little Helper.” The picture gimmick is used for a third time to make a sort of Simpsons Christmas card that reads “Merry Christmas from The Simpsons” and I just love how even Grandpa looks thrilled about the dog.

It may be corny, but I do enjoy the Christmas card ending.

It’s not over though! As the credits roll, the family gathers around to sing “Rudolph the Red-Nosed Reindeer” with Grandpa at the piano. Maggie races back and forth on the back of the new family dog while everyone else sings. Bart, in a callback to how this thing started, does the school yard thing of interjecting comments between the verse. “You would even say it glows – like a light bulb!” This angers Homer, and even Lisa gets in on it. Marge tells Homer to take it away and solo the part of Santa Claus asking Rudolph to guide his sleigh, but Homer doesn’t know the words and makes them up, “Rudolph with your nose over here, so you can guide my sleigh…today.” Grandpa adds a disappointed “Oh Homer.” The song finishes with Bart trying to liken Rudolph to Attila the Hun, but he doesn’t finish the line due to his father strangling him, which we don’t actually see as it’s just a shot of the home’s exterior.

Even Patty and Selma look like they’re having a good time.

That’s how the very first Simpsons Christmas special, and very first episode overall, ends. It’s not just a Christmas Special, but a pretty monumental episode of television because The Simpsons has become such a cultural institution over the years. It’s pretty crazy that it all started here. Showrunner Al Jean has floated the idea of whenever it comes time to do a final episode that it should end where this one begins creating one big loop. That would be appropriate for a show that routinely ignores the passage of time and even changes the past to suit the current era. Homer and Marge began the show as baby boomers and are now considered millennials. I can recall being excited when I reached Bart’s age and now I’m Homer’s. That’s nuts!

As Christmas Specials go, this one borrows a little bit from Christmas Vacation. The patriarch, in this case Homer, wants the family to have a great Christmas, but when his company fails to pay out a bonus that’s become an expected part of his income each year it throws a wrench into everything. For Clark Griswald, it manifests as anxiety throughout the film until the big payoff. The problem is then righted by the bonus getting restored, and then some. For Homer, no such miracle occurs, but he at least falls ass backwards into an unwanted dog which serves as the family’s Christmas present that year. We don’t see the kids wake up to an empty tree on Christmas morning, but they can be assumed to have done so. Well, actually Bart got some paper and Maggie a chew toy which I suppose went to Santa’s Little Helper. It’s probably a good thing that the special ends where it does.

Maybe not a miracle, but this one worked out for the Simpsons thanks to this very good boy.

As an episode of The Simpsons, this very early episode contains some of the sarcastic elements we’d find in later seasons, but the pacing is definitely slower. Scene transitions are mostly of the fade in and fade out model and very little of what we see would be deemed outrageous. There are still plenty of hallmarks in place though that will remain so for the show’s duration. Homer tends to respond with violence towards his son and there’s never been any love lost between he and his sisters-in-law. Other stuff is changed though like Ned Flanders being more of a rival to just a true annoyance with a religious component. Principal Skinner is also a rather poor public speaker as he mixes up words and that was going to be a gimmick for him that was dropped. And obviously the overall look of the show has changed quite a bit over the years.

I do love all of the Season One oddities, like this lady with no nose seated behind Marge.

I do love this one, partly because I love The Simpsons, but also because it’s a relatable look at a lower middle class Christmas and how easy it is for the holiday to go wrong. I mentioned how it’s a bit surprising that the show is willing to essentially confirm that Santa isn’t real and that’s because the show became such a hit with children in the months that followed. And the show has never gone back on that either. While the show did avoid Christmas for years after this episode feeling they couldn’t really top it, when the show eventually got back into the Christmas Spirit the subject of Santa was never really addressed. Bart doesn’t see Santa as a way to get Bonestorm, we don’t see evidence of him being there and delivering a fire truck, and so on. And that’s fine, not every show need pander to the children, but it does cross my mind every time I watch this episode with my own kids who are still, just barely, in the believe zone.

If you would like to view this holiday classic this year then the easiest way to do so is via Disney+. The Simpsons is on-demand there and Disney even organizes all of the Christmas episodes in one spot. I believe the show also still airs on FXX or FX which will show all of the Christmas episodes this month. The episode is also part of the fist season which is available on DVD and usually for pretty cheap since it’s no one’s favorite season. There’s also an out of print Simpsons Christmas DVD out there that also usually isn’t too expensive. Society agrees that this one is a classic so getting it on your TV should be rather painless.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 10 – A Chipmunk Christmas

Alvin and the Chipmunks is one of the oldest, family-owned, pieces of intellectual property left in the world. And it might not be for much longer as the franchise is reportedly up-for-sale and has been since last year, but as-of this writing nothing has been agreed upon. The Chipmunks date back to the 1958 novelty…

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Dec. 10 – It’s a SpongeBob Christmas!

For December 10, we are returning to the theme of this year which is to revisit the best of the best. When I originally ranked my favorite Christmas specials, I had the recently released It’s a SpongeBob Christmas! ranked at #19. The years have been kind to this throwback Christmas special as last year I…

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Dec. 10 – The Town Santa Forgot

Come the 1990s, the cartoon juggernaut known as Hanna-Barbera was fading. It’s said the company once had control of approximately 80% of the children’s programming on television and even come 1990 it was still around 20%. The studio’s last big hit had been The Smurfs which set all kinds of Saturday morning records despite few…

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Dec. 9 – Hey Arnold! – “Arnold’s Christmas”

Original air date December 11, 1996.

Come 1996 the Nicktoons were an established brand. Launched in 1991, Nickelodeon had tremendous success with the likes of Rugrats and The Ren & Stimpy Show and soon more shows followed. Nickelodeon seemed to be a bit stingy with their in-house shows when it came to renewals as when a network looks to renew a successful show, it often has to pay more per episode to bring everyone back. That may have been why there seemed to always be new shows in the pipeline. The original block of 3 shows soon became 4 when Rocko’s Modern Life was added, and then gradually more shows were added and some would be dropped from the Sunday morning timeslot.

I kept up with Nicktoons for the first several years, but I started to drift away as I entered my teens. The last Nicktoon I remember being excited about was Aaaah! Real Monsters which launched in 1994 and I probably only followed the first batch of episodes from that show. I was moving towards the edgier stuff and sleeping in on Sundays so Nicktoons were no longer appointment viewing for me. One show I really only experienced through osmosis was Hey Arnold! Hey Arnold! premiered in 1996 and was a far more grounded show than the Nicktoons that had preceded it. Doug was the only direct comparable as that too centered on just some kid of middle school age trying to navigate adolescence. Only Doug was interested in tooning things up as the character Porkchop was a true cartoon dog in that he possessed unreasonable intelligence and communication skills. Plus Doug was always dipping into his imagination which allowed the show to go places a typical school setting couldn’t provide. With Arnold, we really don’t get any of that. Arnold is just a kid who lives with his grandparents who run a small apartment building in the city. He has friends, kids he’s not on good terms with, and mostly the show could be described as a slice of life piece.

Where Arnold distinguishes himself is via his good nature. He is a very empathic individual without a mean bone in his body. He can get angry with others, but he’s not retaliatory or mean-spirited. He’s comfortable voicing his concerns and mostly he seems to just want to make the world a better place in any way that he can. The character is a creation of Craig Bartlett and he actually originated in a pretty foreign place compared to this show: Pee-Wee’s Playhouse. Bartlett created the character for that show which may explain his unusual design featuring the football-shaped head. He liked Arnold enough to retain control of the character and centered a show around him, which Nickelodeon picked up. The show itself seeks to portray a modern, urban, setting and how kids in the city behave and interact with each other. There are certainly some more “wacky” premises to certain episodes, but my overall impression of the show always came back to that it’s very grounded compared to its contemporaries.

The real question is: did Arnold make that snowman, or Helga?

I say I experienced Hey Arnold! largely through osmosis because it was never a show I sought out. My sister liked it and if I was using our family computer it meant she had control of the television in the same room so that’s how I saw a lot of this period of Nickelodeon. I don’t know how much of the show I saw. I certainly saw enough to know who Arnold was and who his best friend was. I knew Helga was the school bully with a bad homelife who harbored a secret crush for little football head. I knew Arnold didn’t have parents, but I don’t know if it was ever explained why. And I knew the show had a Christmas episode in its first season. It’s one of the few episodes I can recall with any specificity as it was surprising in how moving it was. I say surprising, but for anyone who watched the show regularly, I don’t think it was. For me coming at it as just another Nicktoon, I wasn’t expecting to be moved to tears by its resolution. Because it wasn’t a favorite show of mine, I kind of lost track of it resulting in “Arnold’s Christmas” being something close to a one and done for me as opposed to an annual viewing. When I compiled my updated list of the 25 best Christmas specials, it was one I considered, but ultimately declined to include. Consider this entry a re-appraisal of “Arnold’s Christmas” as I know many people younger than me absolutely consider it among the best of the best and likely the best Christmas special produced by Nickelodeon.

Helga is about to drop some Christmas wisdom on poor Phoebe.

Like many Christmas episodes, this one foregoes the usual opening title for a more festive one. We see many scenes of kids playing in the snow and some of the tenants of the apartment building are skating over frozen streets. There’s an Arnold-shaped snowman and the whole sequence is set to an original instrumental by series composer Jim Lang that sounds vaguely “Christmas” without actually sourcing some public domain music. As the music fades out, we see the kids running in the street and the camera soon finds Helga (Francesca Marie Smith) walking on a sidewalk with her only friend, Phoebe (Anndi McAfee). Phoebe is delighted by the presence of Christmas all around them, but when she asks Helga what she likes best about this time of year she gets the very Helga response of “Presents, dummy!” Well, not exactly, but that’s her tone as she details her feelings on the holiday which can be distilled to getting as much stuff as possible before it’s all over.

Nancy Spumoni is like some sort of living Barbie?

Soon, Helga’s gaze finds a store display advertising Nancy Spumoni snow boots.This is apparently her version of the Red Ryder BB gun as she details all of the features of the boots as she circles the display practically drooling over them. Another kid, Rhonda (Olivia Hack), chimes in to remind Helga that this is the hot item basically all of the girls their age wants this year and they’re hard to come by. Helga dismisses her take as she’s feeling confident she’ll get what she wants this year. And if she doesn’t, it sounds like she intends to make sure her parents pay somehow. Possibly physically.

Gerald and Marge Simpson could probably share stories on hats.

We then cut to Arnold (Toran Caudell) walking with his best friend Gerald (Jamil Walker Smith). Gerald is carrying a shopping bag which makes it look like they just got done with some Christmas shopping. Arnold is asking Gerald what he got each member of his family and Gerald responds that he got a tie for each one, including his four-year-old sister. Arnold tells him he can’t just get ties for everyone on his list and shares his philosophy on gift-giving which is that each gift you give should mean something and come from the heart. Gerald appears to be moved by this and decides he can give the tie he got for his sister to his grandfather and find her a toy or something. He then takes off and when Arnold asks where he’s going he tells him to the store to return the present he got for Arnold. Arnold just smiles, and as he walks off we see Helga had been eavesdropping on the conversation. As Arnold walks off, she goes into her usual routine of listing off the things about Arnold she despises before a switch seems to flip in her head and she does a 180 and lists off all of the things she adores about him. She vows to get him the perfect gift for Christmas, something that will cause him to pine for her the way she does him, and as she wraps an arm around a lamppost a delivery truck passes by splashing mud all over her.

This guy Oskar is kind of a dick.

We shift to the apartment building Arnold resides in and get a peek at Mr. Hyunh (Baoan Coleman) ascending the stoop to enter the building. He pauses and looks over his shoulder just before he enters and the wind appears to whisper something. He enters and walks into a festive setting. Arnold’s grandmother, Gertrude (Tress MacNeille), appears to be finishing up decorating the tree and shouts “Happy Thanksgiving!” to all of the tenants present in the common area. I don’t know if it’s a joke that she says Happy Thanksgiving or if it actually is Thanksgiving. The events that follow don’t appear to last a month, but I suppose there could be a big time-jump that’s not explained. Arnold’s grandpa, Phil (Dan Castellaneta), announces they can now draw names for their annual secret Santa. Oskar (Steve Viksten) passes around a bowl and everyone pulls a name, only they’re all Oskar. They call him on his bullshit and he just laughs it off before they pass out the real names. From what little I remember of this show, I do recall Oskar being a selfish d-bag who mostly gets away with it due to his cheerful disposition. Phil requests Gertrude play some Christmas music as they start over and she starts playing “Yankee Doodle” on the piano which is a lowkey funny joke as no one reacts to it. I’m starting to think grandma is just a wee-bit senile. They all take a name, including Arnold, who gets Mr. Hyunh. He looks at the older fellow with a look of disappointment, but one that clearly stems from him being at a loss as to what he could get him for Christmas.

Mr. Hyunh has no shortage of sweaters.

We find Arnold and Gerald in the middle of a snowball fight. Arnold has told Gerald about his problem, but Gerald doesn’t see it as any big deal and tells him to just get Mr. Hyunh a tie. Arnold reminds him how he feels about gift giving, so Gerald makes the logical suggestion: go talk to him. Arnold brightens up immediately at the suggestion and doesn’t even seem to mind the snowball that smashes into his head. We cut to Arnold seated on Mr. Hyunh’s couch as a somewhat uncomfortable Mr. Hyunh sits across from him and asks Arnold what he wanted to ask him. The apartment seems rather sparse and has bananas on the wall paper, which I wonder if that was Mr. Hyunh’s doing or Arnold’s grandparents? Arnold says he just wanted to check-in with him, and at this point it must be obvious to Hyunh that Arnold is his secret Santa for why else would he be so inquisitive all of a sudden? They make some small talk where Arnold learns that Mr. Hyunh dislikes candy and has a whole bunch of sweaters. He has so many that even offers one to Arnold who declines and Mr. Hyunh almost looks hurt by the rejection.

Crushing.

Mr. Hyunh then reveals that this time of year is always hard for him as it causes him to think about his long lost daughter Mai. Arnold asks about her and we’re shown a flashback. Mr. Hyunh apparently hails from Vietnam, though the show never says this. He describes his former home as being a place torn apart by war. He had a baby daughter there, and when things were getting rough he was able to flee his home and is shown amongst a bunch of other citizens at what appears to be the US embassy trying to get to safety. The helicopter though is full, but Hyunh makes the hard decision to hold his small daughter up in the soldier’s face who accepts the child. As the helicopter takes off, he shouts out the name of the city where his daughter will be taken so that Hyunh can hopefully find her. Unfortunately, this all took place 20 years ago. Hyunh only somewhat recently was able to get out of Vietnam and to the US and he’s so far been unable to track down his daughter. It’s a heartbreaking story, and one that certainly has parallels to real world events. Relations between the US and Vietnam were rather frought for understandable reasons and they didn’t normalize until 1995 so it tracks that Mr. Hyunh would not have been able to arrive where he is until relatively recently. For the viewer, that real world connection is mostly irrelevant as the show gives enough information on its own to understand the situation Mr. Hyunh finds himself in and certainly enough to feel empathy for him, but it sure does underscore the pain for those who understand the inspiration here.

I can’t decide if Arnold’s optimism is infectious or frustrating.

Following that tale, Arnold is able to walk away from the encounter knowing what Mr. Hyunh wants for Christmas most. The only problem is, how does one go about finding a proverbial needle in a haystack? He must have shared this desire with Gerald, because we cut to the two of them walking through the streets with Gerald calling Arnold crazy. He even refers to Mr. Hyunh as the “monkey man guy” so apparently his unique wallpaper is well known. Arnold doesn’t think he’s crazy though and knows Mr. Hyunh is just a guy who wants to be reunited with his daughter and if there’s anything Arnold can do to help make that happen he’s going to try. Gerald then reminds him of the impossibility of the situation and we also find out that it’s already Christmas Eve! He tells Arnold that the only way he can hope to find Mai is via a miracle, but this doesn’t get Arnold down as he points out that Christmas is the most likely time of year for a miracle to occur. Touché, Arnold.

There’s a lot of Christmas Eve shopping going on today.

We then smash cut to Helga angrily digging through a bunch of toys in a department store. She’s still looking for a gift for Arnold and is frustrated by her lack of ideas. She wants something big and flashy. A train catches her fancy, but she dismisses it as too juvenile. She cries out “What would Arnold want for Christmas?” and we hard cut to Arnold saying “Here it is!” Only he isn’t eyeballing some shiny toy, but standing outside of a government building with Gerald. Arnold tells Gerald he called a bunch of government offices today and they all pointed him here, which is some office of records or something. He’s convinced that the information they need is in this building, they just need to find it.

Well they’re certainly having a good time.

The two enter and find it sparsely populated upfront. That’s because it’s Christmas Eve and there’s an office party taking place. There’s no visible alcohol, but it’s pretty clear that the attendees are enjoying some spirits as one is wearing a trash bucket on his head and laughing. Recognizing this as a lost cause, the two head further into the building and find one, middle-aged, man working on his own in a darkened room. He is Mr Bailey (Vincent Schiavelli), the department supervisor, and he’s a busy man who doesn’t want to be bothered. Arnold explains the situation to him, and Gerald chimes in as well, though the whole time Bailey doesn’t break his concentration and continues typing away. Once they’ve finished their pitch, Mr. Bailey tells them he’s touched by their story (which reads as sarcasm, on his part), but informs them that what they’re asking would take hours and resources he doesn’t have right now. He basically tells them to beat it, and even suggests checking out the party down the hall, and the two boys look defeated as they head for the door.

Mr. Bailey: the rough around the edges bureaucrat with a heart of gold.

As they walk out, Bailey gets a phone call. It’s his wife, and when he informs her that he hasn’t done the Christmas shopping yet Arnold perks up. They listen in on the phone call, and when he’s through Arnold has a proposition for Mr. Bailey: he’ll do his Christmas shopping for him in exchange for Bailey’s help in tracking down Mai. Bailey seems understandably reluctant to entrust his money (300 bucks) and shopping to two kids he’s never met, but concedes he really doesn’t have time to do the shopping so he agrees to Arnold’s proposal, but on one condition: Arnold has to get everything on the list by closing time, or no deal. Arnold happily agrees and he and Gerald take a wad of money and Bailey’s shopping list and set out to accomplish this fairly tall order. It’s Christmas Eve, and not particularly early in the day, so they have their work cut out for them. Unsurprisingly, Arnold is not dismayed at all, but quite the opposite. He’s certain they’ll fill the list and Mr. Bailey will find Mai and Mr. Hyunh will have a merry Christmas!

Look at this kid! You’re supposed to walk in the aisles, Stinky!

The first stop on the shopping spree is a store called Budnick’s. Is this a reference to another Nickelodeon show? Maybe, or maybe it’s a coincidence, but I’m going to go with “yes” because it makes me happy. Before we can get a glimpse at this list though, we first need to check-in with Helga. She’s contemplating a skateboard for Arnold and talking up the gift to herself to the point where it seems like she’s found the perfect gift. Then another kid pops up, Stinky (Christopher Walberg), to tell Helga that it is a great gift. How does he know? Because Arnold has one just like it! The kid’s a bit odd as he’s tall and gangly and actually steps over the display of skateboards to enthusiastically tell Helga all about it. A dismayed Helga returns the skateboard to the rack and slinks off, but hey, at least she didn’t get Arnold something he already had!

Mr. Bailey’s list, in case you were curious. I’m not seeing a typewriter.

We then get a glimpse of Arnold and Gerald shopping nearby. They’re grabbing some clothes off the rack, Arnold selects a watch, and they take all of their stuff to gift wrapping. Once done, we see them running back out onto the city streets where they head for another store: Tildales. Inside, they purchase what looks like a Walkman before running off to another store to get a typewriter (these bags they’re carrying just got a whole lot heavier). They race out of there and actually take a breather by sitting on a bench. There they can take stock of what they have left to buy and it turns out they’re down to one last item: Official Nancy Spumoni Snow boots. It’s clear judging by Arnold’s optimism that he has no idea how sought after these silly boots are, and if Gerald is aware, he has no immediate reaction.

Gerald is about to lay some reality on Helga.

We cut back to Helga who has, once again, found the perfect gift for her beloved Arnold. It’s some video game called The Frozen Tundra Death Warrior 7000! It doesn’t sound like the sort of thing Arnold would like, but what do I know? Helga disagrees as she thinks it’s flashy and something Arnold will be delighted to find underneath his Christmas tree. As she convinces herself of the gift’s majesty, she vocalizes her desires and wishes which include an admission of love for Arnold and the hope that this gift will inspire him to feel the same way about her as she does him. She even declares that this must be the truest meaning of Christmas. Worth noting, the price tag on this game is 100 bucks so Helga is really throwing some coin around to impress Arnold. As she clutches the game to her chest, she’s startled when she turns around to spy Arnold and Gerald on their mission for those fancy snow boots. She quickly hides the game behind her back. She addresses the pair in her usual bully fashion, referring to Arnold as football head and Gerald as tall hair boy (she’s very creative). She pokes fun at them for their last minute shopping, but when Arnold asks what she’s shopping for she’s happy to whip out the video game. She boasts how anyone receiving that for a gift would be really impressed, but Gerald takes a look at it and corrects her by noting it’s expensive and flashy, but not exactly personal. Apparently he really did take Arnold’s message to heart when it came to gift giving. Helga basically has a defeated look on her face as Gerald hands the game back with a “No offense,” that likely doesn’t help salve her wounds.

I’d call them jerks, but since they’re working retail at Christmas this is probably the only chance at laughter they’ve had since Thanksgiving.

Arnold reminds Gerald that they have to get going, but takes the time to wish Helga a, “Merry Christmas,” before departing. After he leaves, Helga fumes and slams the game into a shopping cart that just rolled up out of no where behind her. She then notices that Arnold dropped something. It’s the list that Mr. Bailey gave him and Helga picks it up and sees the Nancy Spumoni snow boots written on it and her face begins to glow. She then follows the pair as Arnold asks a clerk (Maurice LaMarche) if they have any of the boots in stock and the guy calls over his co-workers and makes Arnold ask again so they can all laugh at his expense. He tells Arnold how sought after they are and offers a waiting list that may pay dividends by the fourth of July, but that won’t work for Arnold. As Arnold leaves the store, Helga looks on with curiosity.

Helga should consider a career as a ninja.

A montage follows that shows Arnold and Gerald dashing to the subway and to various stores around the city. Each one just contains more clerks and more laughter from them when Arnold asks if they have any snow boots in stock. When the montage is over it’s nearly 6 o’clock and Gerald reminds him they need to get back for closing time. They’re just going to have to tell Mr. Bailey that there just aren’t any boots out there. Arnold, in a defeated voice, just voices disbelief that there isn’t one pair of the boots out there in the city. They return to Mr. Bailey lacking the snow boots, but not exactly empty-handed since they did get everything else on his exhaustive list. If you thought Mr. Bailey would be an understanding guy well then you’re as naive as Arnold. No snow boots, no deal, is what they get from Bailey who seems more angry than appreciative of what the boys did for him. Arnold and Gerald are forced to leave and they sulk on a bench outside. Helga is lurking behind a tree as she has apparently been following them this whole time. Arnold conveniently summarizes the plot of this episode for Helga to hear as she now knows that Arnold is after those boots just so some guy will help him locate a missing person. Arnold thanks Gerald for sticking with him through all of this and notes that he needed a miracle to pull this off, but just came up short. Gerald tries to cheer him up by letting him know that what he did is more than anyone would do to help someone and even tosses in a “That’s what Christmas is all about, Arnold.” Arnold is still pretty downtrodden by the whole thing, though he seems almost too tired to be truly sad or angry. As the two walk off, the camera lingers on Helga as she now knows the whole story.

The Pataki family having a good old time without their 9-year-old daughter who they apparently don’t keep track of.

At the Pataki house, Helga’s family is belting out their own drunken rendition of “Jingle Bells.” The thing with Helga’s mom (Kath Soucie) is she’s always shown drinking something in the show, usually coffee, but her mannerisms imply she’s basically drunk. And here, she seems to be drinking eggnog. Actually, it’s quickly confirmed to be eggnog. Basically, she’s an alcoholic, but the show must not have been allowed to spell it out so plainly so they have to tiptoe around it. Her father, Bob (LaMarche), is just a boisterous asshole who pays no attention to Helga and both parents are far more invested in Helga’s older sister, Olga, who they view as the golden child. Helga comes into the house with her shoulders slumped as she heads into the living room and collapses on the couch. Her mom comes over and asks where she’s been all day and Helga replies curtly, “Out, Miriam.” She always addresses her parents by name as she seems to think they aren’t worthy of being called mom and dad. Miriam does note that her daughter looks depressed, but doesn’t actually ask her anything or attempt to investigate why. Instead, she just hands over a Christmas present. Helga opens the box and finds one of the things she had been longing for: Official Nancy Spumoni Signature Snow Boots! She immediately brightens up while her mom tries to tell her how long she had to wait in line just to get them.

I could have gone with a sad Helga picture, but let’s have a look at happy Helga since she doesn’t experience much pure joy in this episode.

After giving her mom a quick hug, Helga throws them on and races outside to bask in the afterglow of the perfect Christmas present. As she spins her way through the snowy streets, a realization hits her. Arnold’s list has fallen out of her pocket and is staring up at her. Her shoulders immediately slump once more as she regards it as she whines out loud, “Not another moral dilemma!” She then goes over her emotions, how she’s happy because she got what she wanted which typically would be enough for her; more than enough, really! Then she notes how Arnold is not happy because he won’t be getting what he wanted this Christmas, which involves these silly snow boots. She finally knows what it will take to get Arnold the perfect Christmas present, the other thing she’s been longing for. It also means giving up what she refers to as really boss snow boots, which will end up with her getting nothing. One could interpret this scene as the show talking down to its audience by so explicitly laying out the stakes for Helga and Arnold, but I think it’s a worthwhile exercise so we stop and think about how this is all going through Helga’s head in the moment. She was on the wrong end of Christmas at the episode’s start, so in order for her to undertake the selfless act we all know is coming, we really need to see her internal dilemma before us so that it’s believable. And the fact that the scene ends with Helga once more slumping her shoulders and then dropping to her knees really helps to sell it. She’s arriving at the right conclusion, but she’s not happy about it, and she even admits out loud that she’s going to end up with nothing. No boss snow boots. No affection from Arnold. Nothing.

Honestly, if I’m in Bailey’s shoes I’m not sure I care about some random kid’s belief in miracles.

In Arnold’s room, we find the little guy laying in bed just staring at the ceiling. He imagines what it must have been like for Mr. Hyunh to watch his daughter fly out of his life as he just lays there. We then cut to the government building and Mr. Bailey is shown locking up. Helga comes running up and tosses the wrapped snow boots into his arms and orders him to get back in there because they have a missing person to find! If you thought Bailey would be delighted to get the sought after boots he needed, well you were once again mistaken. He tells Helga to go home and hands her back the box. It’s Christmas Eve and he wants to get out of there. Helga tries pleading with him, but he just keeps heading for his cab and reiterates to her that he just wants to go home. Helga then makes one final plea, “For pity’s sake, are you really that cold? Look in your heart. We’ve got a choice here, either you and I work all night to find a certain lost daughter, or you can leave now. But if you leave now, that little football-headed kid will never believe in miracles again.” Mr. Bailey says nothing, but he turns away from his cab and he has a frozen, almost emotionless, look on his face as the scene fades to black.

That’s not the usual, optimistic, Arnold we’re used to.

The next morning, Gerald shows up at the apartment house to wish Arnold a merry Christmas. Arnold still looks defeated as he’s seated in a chair while others seem to be basking in the merriment of the holiday. He returns Gerald’s gesture, but has the look of someone who didn’t sleep a wink last night. Across the room, the gift exchange is underway and Oskar opens his gift to find a bag of coal. He asks who could do such a thing, and Ernie (Dom Irrera) smiles and in an unconvincing manner states “Wasn’t me!” Grandpa Phil then announces that’s the last of the presents, but Ernie points out that Mr. Hyunh didn’t get one. Arnold’s shoulders slump further as his grandfather looks under the tree to make sure he didn’t miss any. Mr. Hyunh states it’s okay and he doesn’t need a present and would seem to prefer just staring into the fireplace. Arnold then drags himself off of his chair to go talk to him, but is interrupted by the doorbell. As Grandpa Phil angrily goes to see who would bother them on Christmas, Arnold seems to just stare at Mr. Hyunh who isn’t looking in his direction. Gerald comes to stand beside his friend as I’m assuming he expects Arnold to tell Mr. Hyunh what they attempted to do the prior day, but Arnold just can’t seem to bring himself to do so.

I don’t think the next few images require captions…

Without saying anything, Grandpa Phil comes back into the room with a big grin on his face and brings a young woman into the room with him. She’s smiling and is clearly of asian descent, but she just continues to smile in the direction of Mr. Hyunh and waits for him him to turn around. A whisper of “Mai” can be heard and I think the implication is that it’s Mr. Hyunh’s daughter’s name echoing in his head, as it did early in the episode when was climbing the stoop, but it also seems to get him to turn around. She continues to smile at him while Mr. Hyunh just looks on with a stunned expression on his face. The moment is allowed to linger for a beat, before Mai finally breaks the silence by asking “Father?” He returns her question with “Mai?” and the two quickly embrace as Mr. Hyunh declares “I can’t believe it!” Arnold looks on with shock while the others mostly smile. Ernie can be seen quietly crying in the background. Mr. Hyunh then introduces Mai as his daughter to everyone. Arnold offers up a “Merry Christmas, Mr. Hyunh,” while Phil attempts to put a bow on the whole thing by declaring that Mr. Hyunh got his present after all.

Arnold then confesses to Gerald that he basically can’t believe this happened and questions how it could have? Gerald just matter-of-factly declares it a miracle, the one Arnold had been counting on, and there’s really no explaining a miracle. He then suggests that maybe Arnold has a Christmas angel looking out for him, and Arnold almost seems receptive to the idea. We’re then shown through the window that Helga is standing in the street looking on. She’s in her socks too, so she apparently did end up surrendering those boots to Mr. Bailey, as expected. She looks happy though and nearly overcome with emotion as she whispers softly to herself, “Merry Christmas, Arnold.”

A sweet ending for a sweet story. It’s obvious that Mr. Bailey and Helga returned to his office after their encounter outside and were able to find Mai and somehow connect with her to orchestrate this meet-up. If she was escorted to Arnold’s house by Helga or not is unclear. What is a touch confusing about the final scene is we see Gerald arrives and it’s clearly daylight, probably late Christmas morning. When we cut to Helga the sun is much lower and it’s approaching dusk. I’m going to chalk it up to an artistic choice that the director just felt it would look better for Helga to be standing outside on a darkened street than a busy one in broad daylight, because hours definitely did not pass between when Gerald arrived and when we pan to Helga. No matter, as the impact of the moment is still felt. Mr. Hyunh’s reunion with his daughter is sweet and tear-jerking, and Helga’s almost silent offering to Arnold is just as tender. There’s a touch of sadness as well since Helga gave up a lot to orchestrate this, and not just snow boots, but her own Christmas with her family even if her home life isn’t ideal. She also likely will get in a lot of trouble for giving those boots away, but we also know she won’t tell anyone what happened to them. She’ll probably tell her mom they were stupid and she sold them. Or her mom won’t even notice, because they usually don’t pay much attention to her. And Arnold is likely never to know what Helga did for him this Christmas which adds a touch of tragedy to the scene, but in looking at Helga’s expression, it would appear she did not end up with nothing after all.

Ok, I’ll caption this one because I think it’s so cute that Ernie is moved to tears.

The story told through Mr. Hyunh is probably still the main takeaway. Even if Arnold and Helga are at the center of the show, it’s hard to argue that Hyunh’s story didn’t steal the episode. It’s pretty crushing, and frankly impossible, for me as a father to put myself in his shoes and the shoes of many real life people who had to make that terrible choice to give up their child in the hope that it would provide them a better life. Knowing there are many real life Mr. Hyunh’s out there who probably never found their child in the end is equally heartbreaking and for a show like Hey Arnold! to shine a light on the refugees of Vietnam is a noble cause. This isn’t something I ever saw touched upon by another show in this demographic and it’s that aspect of it that has really helped it to endure over the years since its premiere.

It’s a sweet image, but I have to point out that Helga was wearing her normal shoes when she confronted Mr. Bailey and probably should be wearing them, but the socks drive home that she did in fact swap her boots for his help.

One watch of this episode and it’s easy to see why so many people adore it and why it is worthy of being considered among the best. Am I ready to reorder my list from a few years back to include it? No, but if I should return to that list I’ll certainly consider it. As a Christmas special, it is a bit formulaic and predictable. On the surface, a bratty kid learning the true of meaning of Christmas via a selfless act is pretty by the numbers, but the show found a new and captivating way to approach it. It’s also handled expertly and I love how several scenes are allowed to just linger and breath for maximum effect. The reunion of father and daughter is a clear example of that, as is all of the monologuing conducted by Helga throughout to really illustrate what she’s thinking as her emotions are a bit more complex than they appear to be on the surface. I also really liked the score utilized throughout and felt the show did a great job of not spreading itself too thin. Hey Arnold! is a show with a vast assortment of supporting characters that the episode really could have been bogged down by, but the writers involved knew we didn’t need to see how every kid in Arnold’s class is spending Christmas this year and the episode benefits from that.

Merry Christmas, Helga.

If you would like to catch this episode of Hey Arnold! this holiday season then I would say you’re in luck as it’s a pretty available show. It’s presently streaming on both Paramount+ and Hulu and there’s always the possibility one of the Nickelodeon channels airs it this month. It’s also available to rent digitally if you don’t have a subscription to either service or cable and it’s been made available on DVD. If you’re like me and have a pretty substantial collection of physical media due to a love of Christmas specials, then this one is definitely worth owning.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 9 – The Smurfs Christmas Special

If the 70s were defined by Scooby Doo when it came to Hanna-Barbera, then the 80s belonged to The Smurfs. The little blue creations of Pierre Culliford, better known by his pen name Peyo, had an animated series that basically spanned the entirety of the 80s totaling an insane 258 episodes. And once the 80s…

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Dec. 9 – Space Goofs – “Holiday Heave Ho”

Come the late 90s I was definitely losing track of what was airing on Fox Kids. X-Men came to an end, as did Spider-Man and The Tick. They were replaced with Silver Surfer and a new Spider-Man cartoon that was pretty awful. There was also that live-action Teenage Mutant Ninja Turtles show called The Next…

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Dec. 8 – The Looney Tunes Show – “A Christmas Carol”

Original air date December 4, 2012.

I’ve been known to be a bit critical of Warner Bros. for not creating more Christmas shorts. The most notable one is Gift Wrapped starring Tweety while Bugs Bunny and Daffy Duck basically had to wait until after the Golden Era to give Christmas a whirl. And those weren’t really that great. Low key, the best Christmas anything featuring a Looney Tunes character might be the episode of Taz-Mania. Tweety’s old short is fine, and we’ve seen some decent Christmas episodes of The Sylvester and Tweety Mysteries, but it is a shame that we don’t have a great Bugs Bunny Christmas.

Could this episode of a forgotten series more than 10 years old be the Bugs Bunny Christmas special I’ve always wanted?!

Maybe that is about to change. In the 2010’s, Warner Bros. was interested in reviving the Looney Tunes brand. There were some new shorts made for television, but they didn’t make a tremendous impact. Something different was seemingly required which is what lead the company down the path of creating a sitcom featuring the Looney Tunes characters. Conceived by Sam Register, Spike Brandt, and Tony Cervone, The Looney Tunes Show was the result of that premise and it premiered on Cartoon Network in 2011 and ran for two seasons. The show was an animated sitcom starring Bugs Bunny (Jeff Bergman), Daffy Duck (Bergman), Lola Bunny (Kristen Wiig), Porky (Ben Bergen), and all the rest. In it, Bugs was a pretty well-off rabbit as the result of some carrot peeling invention he cooked up. He lives with his best friend, Daffy Duck, who is basically a mooch. He’s very much the Daffy of the Chuck Jones era in both appearance and personality, though his antagonism towards Bugs is dialed down since the two do consider each other friends. Lola is Bugs’ romantic interest, though it’s more of a one-sided deal as she’s basically obsessed with the rabbit who is a bit put off by her manic personality. Bugs is somewhat oddly cast as the straight man in the show, though I suppose this isn’t all that different from how Tiny Toons used him. Other stars from the Golden Era are featured and most have a suburban type job. The only one that’s really odd is the Tasmanian Devil who is now a pet of Bugs. Yeah, you read that right.

A sitcom starring the Looney Tunes. I’ve heard worse ideas.

The concept of using these characters in a sitcom has some appeal, but it definitely needs to be a high energy sitcom. There should be more physical comedy present than say The Simpsons if these characters are going to be utilized, otherwise what’s the point? A show should be judged on its own merits, but if there isn’t going to be a “looney” component to the show then it’s just trying to coast on the reputation of the characters rather than utilize them as best as can be. I say that all going in, but I don’t know if those things are present or not. I have no memory of this show and it’s likely because I really wasn’t paying attention to what Cartoon Network was doing at the time. Somehow I’d catch wind of them prepping a new Teenage Mutant Ninja Turtles show for 2012, but apparently I missed this one. I’m guessing I must have heard about the Looney Tunes being turned into a sitcom and probably had a negative reaction to such news, but obviously I don’t remember. It didn’t set the world on fire or else it likely would have been around longer than it was, but I’m guessing it also wasn’t a total trainwreck since it did earn a second season and no one was ranting about how bad it was. We were early in the smart phone age and I’m guessing if the show had launched just a couple of years later it would have made more noise, for better or worse.

The subject of today’s post is the second season episode “A Christmas Carol.” Before you get too worked up, no, this one isn’t a direct adaptation of that venerable story. Rather, the timeless classic is just part of the subject as Lola Bunny wants to stage a performance of the play at the local theater. That doesn’t excuse the lazy title, but this is not Bah, Humduck!, a special I kind of want to look at some day, but also don’t if that makes sense.

Well there’s an idyllic, Christmas setting, though it does kind of look like a toilet bowl.

The episode begins with a narrator ushering in the Christmas season. We’re getting a bird’s eye view of wherever it is this show takes place and the local scenery is covered in snow and decorated for Christmas. Then the deadpan delivery of the narrator notes it’s 104 degrees out and doesn’t much feel like Christmas. All of the snow vanishes and so do the decorations before we head into the home of Bugs Bunny. Bugs Bunny is in his home reading a newspaper in which the heat wave is front page material. I might as well talk about the look of the show now. Bugs looks like Bugs, but he’s been restyled and simplified. There’s more straight lines and his head is a different shape from the classic versions we know and love. His nose is far more prominent and honestly if it wasn’t for that I’d probably like the look well enough. Instead, it just makes me miss the old Bugs. The rest of the cast appears far less stylized to me with some being really no different than what Warner was using as stock art in the 90s (which all seemed to be heavily influenced by the Chuck Jones aesthetic – that’s what happens when you outlive nearly all of your peers). Some characters, like the suddenly rich Foghorn Leghorn, had room for more of a redesign, but as we’ll see in a bit, he’s still a big, naked, rooster.

Meet Lola. She’s basically nothing like the Lola you know from Space Jam.

Bugs is interrupted by a ring of the doorbell and we can see that it’s Lola on the other side. When he opens the door he finds the female rabbit covered head-to-toe in Christmas fashion, the kind of fashion one might wear if it was -2 outside, not 102. Lola inquires if Bugs is excited for the coming holiday, but when he notes how the weather is sapping his Christmas spirit, Lola acts like she’s going to faint. Bugs reminds her that she’s wearing a parka and that’s more likely the cause of her sudden dizzy spell. Lola rather matter-of-factly acknowledges this detail and simply removes the heavy garment including the mittens she was wearing over her usual gloves, an interesting choice. She stands for a moment with a frozen expression on her face that’s mildly unsettling before asking Bugs what they were talking about. I’m sensing a bit of Ralph Wiggum in Lola, which is not something I was expecting. When he reminds her the subject was his lack of Christmas spirit, she finally faints. Bugs mugs for the camera for a second before the opening credits begin.

This is low key a wonderfully staged shot of a couple just lounging around casually.

The opening title is rather brief and features a remixed, and very brassy, rendition of the classic theme and provides for quick glimpses of the redesigned characters. When the episode returns, Elmer Fudd (Billy West) is on the telly giving a news report on the heat wave. In this world, he’s apparently a news anchorman and basically looks like the Elmer of old. We see a shot of the town from last Christmas when there was snow on the ground juxtaposed with this year where Yosemite Sam (Maurice LaMarche) can’t sell a tree because no one has any Christmas spirit. One catches fire during the broadcast due to the dry conditions which leads to Sam suffering what are likely horrible injuries. Bugs is laying on the couch and Lola is casually laying on him still bemoaning the lack of Christmas spirit in the town. She jumps up and decides she won’t stand for it as she puts her heavy parka back on along with her knit hat which has bells dangling from it that chime every time she moves her head. She thinks a play will help put everyone back in the Christmas spirit and Bugs asks if she’s going to do A Christmas Carol? Lola has no idea what that is and confesses she was going to do Cats. Bugs has to hand her a copy of the book and she thanks him by calling him “Bun Bun” which is kind of adorable. After she leaves she only makes it to the stoop before expressing, “Damn, it’s hot,” and passes out again.

Nice, they’ve got purple stuff!

Bugs then heads into the kitchen looking rather hot himself. In there he finds Daffy rummaging through the fridge and pulling out a bunch of stuff. When Daffy tells him he’s making room for something, Bugs snaps back it better not be for a turkey because he’s not cooking one of those this year on account of the heat. Daffy corrects him by saying he’s making room for a duck as he intends to climb into the fridge and out of the heat. Bugs tells him he’ll suffocate and yanks him away from the fridge. Daffy retorts that suffocation is the most pleasant way to go and Bugs doesn’t appear interested in arguing. He grabs a can of something Daffy had pulled out of the fridge and starts rubbing it on his forehead as he heads back into the living room leaving Daffy to ponder if he got it wrong and suffocation is the worst way to go? He decides he should probably do some research before crawling into the freezer. Bergman’s Daffy for this show is far more subdued than usual. It’s actually a little bizarre to hear such a low key Daffy Duck.

Foghorn Leghorn is very rich and also very serious about Christmas.

Daffy joins his friend in the living room and Bugs remarks that Daffy’s buddy is on the television. That buddy is Foghorn Leghorn (Bergman) who is apparently a billionaire. He’s giving a press conference titled Operation Save Christmas to a group of reporters. Interestingly, everyone else in the room is a human except Foghorn. He shares his plan to restore the Christmas spirit in town by traveling to the North Pole to install a giant fan that will blow cool air down to them. Upon hearing this ridiculous plan, Bugs remarks he’s surprised that Daffy isn’t going with him which just causes Daffy to confirm “I am!” A beep from a car outside is apparently the ride north as Daffy gets up and heads out. Upon encountering Lola still passed out on the stoop he calls back to Bugs that his girlfriend fainted again. He then hops into a stretch limo and heads off. At least this will get him out of the heat.

Lola demonstrating her range as an actress for the group while the animators demonstrate their desire to have relations with a cartoon rabbit.

The next scene begins with a shot of a marquee for Lola’s A Christmas Carol. Below that it is prominently advertised that the theater is air-conditioned. Inside, Lola is handing out scripts to those who are to participate in her play. There’s Sam, the Goofy Gophers Tosh (Jess Harnell) and Mac (Rob Paulsen), Speedy Gonzalez (Fred Armisen), Porky Pig, and Bugs. All of them are said to be there for some noble reason (per Lola), except for Bugs, who she needed to drive her there because her nail polish wasn’t dry yet. Sam also informs her, delicately, that he’s also there for the money, but when Lola has no reaction to this he just sheepishly suggests he is indeed there due to his love of the theater. I very much doubt that Lola is paying any of them. Lola then starts handing out the scripts and notes she’s made some adjustments. When she tells Bugs he’s playing Santa Claus, the cast finds out she didn’t make adjustments, she re-wrote the whole thing. Bugs rhetorically asks if she rewrote a beloved classic and Lola shares her opinion that a play about some greedy old man isn’t going to restore the spirit of Christmas. Sam is to play nightclub owner Rick Evans while the gophers will play elves (and they politely disagree on who will play which elf, much to the annoyance of Sam), while Speedy is playing Manu Ginóbili who Speedy points out is a basketball player. That one definitely dates this production. Porky is dismayed to find out he’s playing a pet pig named Hambone who has no lines, probably a good idea for a stuttering pig. Lola then remarks how they don’t have anyone to play Carol, the title character of her play. When it’s suggested that she play Carol, she displays an abundance of false modesty as she describes the role and all of the complexities that go into it while displaying her ability to capture them all. Bugs looks on with boredom like he’s seen this routine out of Lola before while the rest just seem perplexed, or in the case of the gophers, indifferent as they’re still trying to settle on which elf they’ll play. I’m curious if they’re brothers or if this show is allowing them to be the gay couple we always assumed they were?

Oh Daffy, you think you’re cold now…

We then head to the skies as the narrator sets the tone for Daffy and Foghorn’s mission up north. They’re in a large plane and preparing to parachute down to the North Pole which makes sense as there aren’t any airports way up there. Daffy does not seem thrilled to find out they’re jumping, but Foghorn Leghorn isn’t bothered one bit. He sends the giant crate containing the enormous fan out first, then helps give Daffy a nudge out the cargo door. Both scream as they fall to Earth and it looks like Daffy has a camera mounted on top of his helmet. Foghorn’s screams are also those of excitement as he doesn’t seem too scared about the freefall.

Porky is apparently down for doing nude scenes for unpaid community theater performances.

We’ll have to wait until the next scene to see if anyone accidentally grabbed a backpack containing utensils instead of a parachute as we’re taken back to the theater. The gang is in costume now and Sam can be heard remarking that he read the script and it isn’t worth the air conditioning. Lola comes strutting over wearing an elaborate, Victorian era gown and calls for their attention. She has to whistle to get it and then tries to boost everyone’s morale by telling them they need to perform this unrecognizable version of A Christmas Carol flawlessly if they want to save the town. No one seems moved as rehearsals begin with Porky disrobing and turning his red bowtie around before laying on a rug. Lola, as Carol, takes a seat in a large chair by a fireplace and says her line which Porky oinks in acknowledgement upon its completion. Lola then looks at him with disapproval and passive-aggressively asks “Is that how you’re going to do it?” Porky just smiles sheepishly and adds a second “oink” and Lola just tells him they’re going to have to work on that. Are we supposed to like Lola? So far, this episode has depicted her as a passive-aggressive, uncultured, moronic, scatterbrain who is also very self-absorbed and has a high opinion of herself. She’s also the only female so far and it kind of sucks that the lone woman is pretty terrible. This isn’t going very well.

For the second time already in this episode, Daffy is contemplating suicide.

At the North Pole, the parachuting apparently went fine as both Daffy and Foghorn are walking through the snow. Foghorn is pulling the massive container for the fan while Daffy is just marching behind looking rather worse for ware. He then stops and announces his sense of adventure has been usurped by his tiredness and out-of-shapedness (sic) before collapsing. Foghorn Leghorn stops to reprimand him pointing out he’ll freeze to death which Daffy remarks “It’s the most pleasant way to go, according to my research.” That must be how Daffy passed the time during the flight. Foghorn just grumbles about the situation and everyone’s give up attitude which in the process should serve more as a demotivational technique since it includes the factoid that they have to pull a six-thousand pound fan another seventy miles before they’re through. Despite that, Daffy ends up popping up with a smile on his beak and starts pushing the crate from behind while Foghorn pulls from the front. That’s definitely not the Daffy I know. Maybe the hypothermia is making him delirious and extra-agreeable, because there was really no reason for him to suddenly jump up and resume their journey. Unless this is one of those show’s going hard into “random” humor as Daffy’s change of heart was certainly random, though the narrator attributes it to “the Christmas spirit.” Even the Grinch at least needed to hear a song.

Bugs seems to have utter contempt for his girlfriend. He’s not as bad as Al Bundy, but he only had to do this for two seasons.

Back at rehearsals, Tosh and Mac are shown in their adorable elf costumes as they answer Carol’s door. Carol is surprised to find Santa’s helpers at her door, but they’re there to deliver an important message: Santa is missing, and they need Carol to take his place! When she asks, “Why me?” the gophers drop a bombshell: she’s Santa’s daughter! Carol is pretty much floored by this news and as she builds up to an important declaration she’s forced to call out “Line?” when she’s supposed to announce her intentions to go with the elves. Bugs, still sporting his annoyed face, tells her the line “I have to go with you to the North Pole.” Lola responds with “Right,” then says “I have to go with you to…line?” Bugs clues her in, but when she goes to deliver the line she can only get out “The North…” and Bugs just finishes it for her. Lola points out she didn’t ask for a line and plays it off like she knows her lines. Bugs does not look amused while Speedy, in his basketball attire, just sits beside him with a look of wonder on his little face. We then end the scene with Lola once again calling for her line. This show really wants us to hate her.

Hey, someone gets to be happy int his thing!

At the North Pole, our two heroes are still dragging that crate through the snow until Foghorn announces they made it! The two start celebrating by dancing and yelling until Daffy remarks “I always knew we’d make it! Except for that one time I laid down in the snow to die, but all the rest of the time I knew we’d make it! Well, not that one time when I tried to kill you so that I could climb inside your carcass for warmth, but then realized how hard it would be to clean out your carcass so then I just laid a second time in the snow to die! But every other time I always knew we would make it!” This confession from Daffy is the first time I’ve audibly chuckled at this episode as he delivers it rather cheerfully and with a matter-of-fact manner while Foghorn Leghorn looks on with some distress. When he finishes, there’s a slight pause like Foghorn is still processing what Daffy said, but then the two just resume their celebration. More of this, please!

Happiness is fleeting.

We then jump ahead and find Foghorn putting the finishing touches on the giant fan’s assembly. Unfortunately, now that the fan is ready there’s just one problem: where to plug it in? Daffy is pretty incredulous at the realization that he followed his friend up to the North Pole on this ridiculous expedition when Foghorn Leghorn didn’t even come up with a way to power his massive fan. While Daffy essentially freaks out, Foghorn just keeps repeating, “W. W. S. D.” over and over while looking thoughtful. Daffy finally bites and Foghorn confirms that he’s wondering “What would Santa do?” Apparently, he always asks himself that question when he needs guidance making Foghorn Leghorn some sort of Santa worshipper. He then has a eureka moment and declares they’ll just plug the fan in at Santa’s workshop! Daffy is not thrilled with this suggestion and when he points out how Foghorn intends to just wander around a frozen wasteland in search of Santa’s workshop the rooster just asks “What could possibly go wrong?” We smash cut to Daffy covered in ice and snow his teeth chattering together as a result of the cold. Foghorn Leghorn doesn’t look any better as the two march through the snow in search of the workshop.

Santa shows up out of no where and that’s how the play ends. I’m guessing something similar happens here too.

At the theater, Lola is setting the mood for the next scene which is Carol and the elves confronting Sam’s Rick Evans character over the disappearance of Santa while Speedy dribbles a basketball in the background. As the scene begins, Carol marches into the nightclub and asks if Evans kidnapped Santa. He denies any involvement and that’s apparently good enough for Carol. She flubs another line and Bugs provides the correct one. Lola notices he doesn’t have a script and asks “Bugs, did you memorize the entire script?” to which Bugs responds, “Unfortunately.” It’s time for Santa to make his grand entrance and Bugs is lowered from the ceiling in a sleigh. When Carol asks where he’s been, Bugs gives a wooden performance as Santa and suggests he lost track of time then remarks that he knows what he needs for Christmas: a watch. Carol laughs at the remark and playfully says “Oh, Santa!” She then gasps, and wrapping her arms around Santa says, “I mean, Dad.”

Lola then enthusiastically shouts “The end!” and throws up her hands triumphantly! Lola expresses her enthusiasm for the play as she walks off stage leaving Porky, Bugs, and the gophers alone on stage. Bugs tugs off his Santa hat looking somewhat exhausted while the others come closer. Tosh then carefully asks “Is it just me, or is this play bad? Like, really, really bad?” When he finishes his line a basketball comes rolling by them as a means of punctuating how terrible this play is.

What Daffy thinks happened at the North Pole.

We return to the North Pole where Daffy seems to think their journey has reached its end. A cave up ahead could be Santa’s workshop, but Foghorn Leghorn tells the duck he has hypothermia and is hallucinating as he digs through his backpack for a first aid kit. Daffy refuses the suggestion and grabs the plug and heads for the cave. Inside, he finds a warmly lit, festive, room that must belong to Santa! His suspicions are soon confirmed when a voice calls out to him. He turns and sees the fat man himself, Santa (Barry Corbin), who beckons him to come sit on his lap by the fire. In doing so, we also find out that Santa has been the one narrating this episode. Daffy then sets his helmet down and does as suggested remarking how Santa is so snuggly. He delightfully sips on some hot chocolate provided by an elf and the scene dissolves to another back at the press conference room.

And here we see what really happened at the North Pole. It’s not explained how Daffy survived this encounter unscathed.

Foghorn Leghorn has just finished recounting their journey and a reporter confirms that the two went up to the North Pole and plugged in a giant fan that will bring cool air to their town. Foghorn Leghorn just says “Yup,” to the worn out looking reporter and Daffy takes it from there. He tells the audience they had a little help from the big man and tells them it’s all on film. He picks up the helmet he had been wearing with the camera on it and plugs it into the monitor positioned behind the podium, only the video he plays does not feature Santa. We see Daffy entering a cave inhabited by a massive polar bear and its two cubs. Daffy sits on the polar bear’s lap and embraces it as he did Santa before. Foghorn Leghorn looks on with a smile and tells him he told him he was hallucinating. Daffy then has the realization that he must not have actually plugged the fan in and Foghorn confirms as much, but then says next time he’ll make it battery operated. Daffy can only stand there with a horrid expression on his face as he asks, “Next time?” I have to feel for the writers and staff at this point if any of them saw the Sponge-Bob Christmas special that aired less than two weeks before this one which featured the exact same bit with the Santa hallucination into a polar bear.

Well, Elmer sure seems to be enjoying it. That other dude who’s smiling is definitely high.

It’s opening night of Lola’s play and it looks like the turnout is going to be pretty robust. Lola is excited, naturally, and gives her cast a little pep talk before the play begins. As she welcomes them all in for a group hug, they unfortunately do so on the trapdoor Lola just installed and they all fall below the stage. Lola, ever cheerful, explains how the trapdoor will make their entrances and exits that much more dramatic. Porky is concerned that they’re trapped now and will suffocate causing Tosh to continue the runner for this episode of saying “Oh, I’ve heard that’s the most pleasant way to go.” Lola says she’s heard the same, but then tells them they’ll be fine since Bugs can get them out. As they all shout for Bugs, he comes walking onto the stage asking where they are? When he finds out they’re behind a trapdoor, Lola relays the unfortunate piece of information that she may have neglected the “door” functions of the device over the trap. It makes no sense since we saw the thing swing open to welcome them all inside, but whatever. Lola declares they’ll have to cancel the play forcing Bugs to remark “But you worked so hard on it.” Our narrator returns to inform us that this is the moment that Bugs realized the true meaning of Christmas. The play then begins with Bugs in the role of Carol seated in the large chair talking to her pet pig. When it’s Hambone’s turn to oink, Bugs slides out of the dress and to the floor to play the part of the pig as well while the audience looks on with confusion. Remember, they’re all there for A Christmas Carol, after all, so it’s not even the rabbit playing two roles that’s truly confusing them here.

And the trapdoor claims another victim.

Outside the theater, Foghorn and Daffy come upon the play. Foghorn is pretty enthused to see a production of A Christmas Carol in town and informs Daffy that this is the best way to get the Christmas spirit. Daffy just responds that he’s never heard of it. The pair enter and we find Bugs playing the part of Manu Ginóbili and dribbling a basketball on stage. He then vanishes and reappears as Carol calling out for Santa before turning into the Rick Evans character and then back to Carol. After delivering the line about wondering where Santa could be if Evans didn’t kidnap him, the trapdoor springs open and sucks Bugs in. He lands on everyone else and Lola points out he wasn’t supposed to use the trapdoor. Speedy wonders what they’ll do now since they don’t have an ending, but it appears someone is going to bail them out.

All right, he didn’t exactly come out of no where since Daffy and Foghorn did journey to the North Pole, but it’s close.

The audience looks on with stunned expressions on their faces before the theater doors burst open and in comes Santa Claus! He soars in on his sleigh pulled by eight, pretty small, reindeer and lands on the stage. He then addresses the crowd, “I know what you’re all thinking, this is the worst Christmas play ever, and I can’t say I disagree. But it took a lot of effort to put on a play this bad, and if there’s one thing that’s worth the effort, it’s Christmas.” As he says this, the camera lingers on Lola and Bugs in the trapdoor looking up at the stage both dressed as Carol. Lola cups her hands together with a contented expression on her face at Santa’s declaration and the jolly, old, elf continues, “Look, I know it’s a lot of work tying the tree to the roof of your car and then dragging it inside – pine needles going everywhere! Packing up the car and driving six hours to grandma’s house, but these are the things that bring us all together. Even this utterly unrecognizable version of A Christmas Carol. I mean, look around you! The whole town is here! Yes, I know that Christmas isn’t easy, but nothing worth doing ever is.” As he says that part, Foghorn Leghorn gives Daffy a nudge who had been looking on with rapt attention.

I bet Santa kind of enjoys sitting on others for a change.

Santa then finishes, “Now, if you’ll excuse me, I’ve got to deliver presents to every boy and girl on Earth! You think that doesn’t take a lot of effort? Ho! Ho! Ho! Merry Christmas, everyone!” As Santa picks up his sack and goes to get back in his sleigh, the trapdoor claims another victim and he falls inside to land on top of the others. The audience rises and gives Santa a standing ovation and we see Santa laying on everyone at the bottom of the trap. He looks to Lola and remarks, “Nice trap door.” He then turns to his sack and pulls out some gifts and starts handing them out. He addresses the Goofy Gophers as just “Gophers,” and tells them to sort out who gets what. Sam is told “Better luck next year,” as the scene fades out with Santa handing out more gifts.

Oh yeah, we’re getting in a moon shot!

The crowd is then shown dispersing and Daffy and Foghorn Leghorn are shocked to find it’s snowing outside! As they look around, a jolly greeting from the sky prompts them to look up. It’s Santa, who tells the two he plugged their fan in for them. As he belts out his signature laugh one more time, we get a delightful Santa moon shot! Bugs then walks into frame sporting a festive scarf and starts singing. It’s an original song and this musical outro is basically a chance to see the rest of the regular cast if only for a moment. It’s also an opportunity to get in some more slapstick styled humor like Daffy freezing his ass to a bench and Lola throwing up in a sack. We get to see Elmer in his underwear afflicted with seasonal depression and also get a look at Daffy’s girlfriend in the show, an original creation named Tina (Annie Mumolo). Taz is briefly shown and it’s weird to see him seated on all fours as the pet of Bugs and Gossamer is also featured and he’s apparently voiced by a kid (Kwesi Boakye) which is a bit jarring. There’s a fun bit where Daffy mentions a Christmas wraith and when Bugs asks if he meant “wreath” he says no and gestures to a horrifying wraith flying through the sky on an undead dragon.

This is apparently who Daffy worships in place of Santa.

The whole sequence ends with the gang atop a bus designated the Karaoke Bus driven by Foghorn Leghorn. It’s covered in lights and there’s a Rudolph head for a hood ornament. The song ends with the bus apparently driving out of town and we cut to credits. I definitely didn’t ticket this as the sort of holiday special that would end with a song, but it did. And it wasn’t bad and probably featured some of the funnier moments in the whole thing. Unfortunately, it also serves as a reminder of what most people like about Looney Tunes thus shining a light on the fact that this show doesn’t have much of that in it.

Things that do work for me are Bugs and Lola. They have a fun dynamic where Lola is just an exhausting sort of girlfriend and Bugs is kind of just going with it. I enjoyed Wiig’s performance as Lola and she was an easy character to poke fun at as she’s also made of Teflon apparently and nothing phases her. She’s still unlikable, so it’s impossible to actually care about her play getting cancelled. Bugs works for me as a foil to that, but it is a bit of a bummer to see him so neutered. He carries himself as if he’s above everything that’s going on around him, but without his usual cleverness. He’s just resigned to this position and such a passive attitude from him is so out of character. Daffy is also similarly neutered with his anger basically cut out from his personality. It’s understandable that he’d be toned down to fit into this setting, but it was hard to feel like I’m watching a Daffy Duck performance. About the only characters seemingly unaffected were Foghorn Leghorn, who despite being fabulously wealthy now, is still mostly the same though also reeled in a bit. Porky is also very much still Chuck Jones era Porky where he was often Daffy’s sidekick. He’s meek and just sort of there which honestly feels like the right place for him.

Taz as a pet probably takes some getting used to.

Everyone else is mostly underserved, but I can’t critique the show for not having enough time to flesh out the cast in one episode in the middle of the second season. As such, I don’t feel like I can really comment on Speedy, who is present for much of this one, but has no actual presence. Yosemite Sam is sort of hinted at, but this episode doesn’t do anything to illustrate why he’s on the dreaded Naughty List. I don’t know if he behaves more villainous in other episodes, or if we’re supposed to just know him as classic era Sam who would absolutely be on said list.

Similar to how I can’t judge the characters too much based on one episode, I can’t really judge the performance of the voice cast either. They’re asked to be so toned down compared with how these characters are normally portrayed that I have to basically put any criticism on the direction and producers. Subjectively, I kind of hate the performance of Maurice LaMarche as Yosemite Sam, for example, but I don’t think it has anything to do with LaMarche who most know as a terrific voice actor. The tone of the character, as likely dictated by the creative staff, is just so bland compared with the raving mad version of Mel Blanc.

It all brings me back to what I was basically wondering at the start of all of this: Is there any point to doing a sitcom starring the Looney Tunes that basically omits most of the looney business? Sure, the plot of this one involves some stuff they wouldn’t have done on Friends or Home Improvement, but I don’t know if this thing even goes beyond The Simpsons as far as breaking reality goes. It’s not laughably bad, like Lola’s play, and I’m sure a lot of people worked hard on it, like Lola’s play, but this show didn’t land for me and I don’t know if watching more is in the cards.

This show is more interesting on paper than in reality.

As a Christmas episode of a sitcom, it’s at least passable. We get a clever enough plot and I like that the show did acknowledge the existence of Santa Claus. I wasn’t sure if this more “grounded” reality would do such a thing especially since the show is apparently aimed at an adult audience and didn’t need to pander to children. Sort of like every animated sitcom though, children are a reality of the audience so I guess they didn’t want to alienate them in the process. The parts featuring Daffy and Foghorn were probably my favorite and it was a bit tighter of an experience. The play scenes were a bit repetitive and featured jokes that didn’t get funny with repetition, like Lola’s constant flubbing of her lines and the bit at the end with the trapdoor. Speaking of which, how did they get out of that thing? Must have been Christmas magic. The big guy’s speech also went on way too long, and yet when the thing ended there was still time to tack on a song. This is a slow watch, definitely something foreign to the traditional Looney Tunes experience, though I wouldn’t call it torturous. You’re just likely to be ready for it to end.

If you would like to catch this holiday themed episode of The Looney Tunes Show then the easiest way to do so is via HBO Max which has the entire series streaming as of this writing. With that platform, you never know when something may vanish, but if it does I’ll try to make sure I update this for 2023. If you’re reading this after 2023 then you’re on your own.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 8 – The Soulmates in The Gift of Light

It was around Labor Day of this year that Will Sloan (@WillSloanEsq) took to Twitter to uncover the origins of an image that had confounded his girlfriend and him for the past five years. It was actually a return plea as he had posted the same image 3 years prior. The image in question was…

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Dec. 8 – TV Funhouse – “Christmas Day”

When someone hears the title TV Funhouse they probably first go to Saturday Night Live and The Ambiguously Gay Duo, a cartoon Batman and Robin parody that hypothesizes the relationship between the two heroes is more than just friendship. What many aren’t aware of is that the comedic short starring Steve Carell and Stephen Colbert…

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Dec. 7 – Fox’s Peter Pan & the Pirates – “Hook’s Christmas”

Original air date October 29, 1990.

When two billion dollar organizations butt heads, it can be hard to know who to root for. Take Disney, somewhat of an “evil” overlord when it comes to content, which seemingly owns everything these days and likes to throw its weight around when it comes to copyright claims. And then there’s Fox, owned by the legitimately evil Rupert Murdoch, which bares responsibility for a lot of the political discourse and genuine cesspool that is right-wing media. Back in the late 80s though, perceptions were a little different. Disney had been scorned by years of bad box office returns on its animation only recently dusting itself off with the likes of The Little Mermaid. And Fox, that was the plucky, underdog, network trying to compete in an arena that was seemingly built only for three, but they were determined to make it one built for four! Few gave them a chance, but the Fox network carved out a niche for itself by targeting a younger demographic than the likes of CBS and NBC and they weren’t afraid to try new things or get a little blue.

We know today that Fox was pretty successful in creating a fourth major network for broadcast television. A lot of that success is attributed to The Simpsons and the teen dramas that followed like Beverly Hills 90210 and Fox Sports, which is still a titan in the sports world thanks to its contracts with the NFL and Major League Baseball. I would argue another important part of the rise of Fox was cornering the younger demographic via the Fox Kids Network. In some respects, it’s said the Fox Kids brand was born out of Disney pulling back DuckTales, a popular show for Fox affiliates to carry, in order to sell its new syndicated Disney Afternoon programming block. Rather than shell out a bunch of money to Disney for the right to air its shows, Fox went out and sought other programs. Some it would simply license, others it would fund, and the Fox Kids Network would eventually become the must see block of programming in the kid world every Saturday morning and week day afternoon. Why would I, an adolescent boy, want to spend my afternoons with the cutesy Disney characters when I could be watching Batman?! Fox definitely got my eyeballs and I basically only tuned to what Disney had to offer if Fox had nothing on which made it hard to keep up with shows like Darkwing Duck and Gargoyles, shows I admittedly liked, but not always enough to ignore what Fox was showing.

I guess you won’t forget what network you’re on.

One of Fox’s earliest cartoons was Fox’s Peter Pan & the Pirates. The show was originally going to be a CBS program, but once Disney got wind that another network was preparing a show based on Peter Pan they got litigious. Or at least, they threatened litigation since they had previously made the film Peter Pan and seemed to view the character as Disney property, despite never actually buying the work of author J.M. Barrie who purposely made sure to never sell the rights to a major corporation like Disney. Still, the mere threat of the House of Mouse lawyering up gave CBS pause ultimately deciding it wasn’t worth the effort to pursue. Enter Fox, who was still stinging by the removal of DuckTales from its networks and seemed to welcome Disney’s wrath. Oh they still tried to convince Fox it was a bad idea to pursue, but Fox essentially told them to pound sand. They would file suit, but eventually they withdrew it. Part of the suit was the accusation that Fox wasn’t allowing its affiliates to purchase the Disney Afternoon for air and was having the Fox Kids Network forced upon them. To try and save face, Disney would claim when withdrawing the suit that the Disney Afternoon had worked out fine for them and Fox had found similar success with its programming so both parties needn’t feel animosity towards the other. In reality, Peter Pan had fallen into the public domain and Disney didn’t have a leg to stand on. Just because many people associated the character with Disney and it’s 1953 film didn’t mean they owned it. And since the Fox cartoon contained characters that bore no resemblance to their counterparts in the Disney film, they were pretty safe.

Fox added it’s name to the title of the show either to exert its own dominance or to further make sure no one would think this show was a work of Disney’s. The Pan of this program (voiced by Jason Marsden) was decked out in earthy browns and sported a cape. Tinker Bell (Debi Derryberry) had butterfly wings and wasn’t a blond jerk like the Disney version and the Darling characters were different enough. Also sporting a much different look was the villainous Captain James Hook, voiced by the incomparable Tim Curry. Hook’s design was quite different from the slender, mustached, villain from the Disney film as he was now a barrel-chested, clean-shaven, powdered wig wearing behemoth of an antagonist for Pan. And just to keep things even more different, his hook was moved from his left hand to his right. As far as tellings of the same story go, the show couldn’t have been more different from Disney’s film and it received a 65 episode order and was a foundational piece for the Fox Kids Network.

It’s like a Charlie Brown tree, but for pirates.

I had little interaction with the show in my youth. Something about Peter Pan struck me as a bit lame and not something I had much interest in seeking out. It’s entirely possible the show ran up against a show I was already invested in, and while I was firmly in camp Fox Kids come the fall of 1992, I wasn’t quite there in 1990. I was definitely watching the Disney Afternoon and Peter Pan wasn’t going to pull me away at that point. I also have memories of the show airing weekday mornings when I didn’t watch television as I had to get ready for school, and since I wasn’t much of a morning person, I couldn’t even flirt with the idea of watching cartoons while eating breakfast. Most of my memories of this show are just ads for it. I likely also saw it as an imposter version of Peter Pan since Disney had convinced me and millions of other kids that their Pan was the real Pan. It was also around the same time that my parents had me watch a stage play re-telling of the story that aired on television and was just dreadful and something I hated every moment of. I had given Pan a shot outside of Disney once and felt burned, I wasn’t going to do it again. Well, not until the likes of Robin Williams and Steven Spielberg, anyway.

In the quest for more Christmas though, I was reminded that this show existed. During that lone run of 65 episodes was the episode “Hook’s Christmas.” Generally speaking, direct-to-syndication shows like this try to avoid holiday episodes since networks like to be able to just throw them on at anytime without consideration for something as annoying as a season. Fox apparently didn’t care though as many of their shows would delight in doing Halloween and Christmas episodes. I feel like I’ve looked at almost all of them at this point. A show that’s all about kids wanting to remain kids seems like a show that could do Christmas. Then again, I don’t know that Peter and his fellow lost boys are necessarily “Nice List” candidates, and there are no parents to play Santa in Neverland. I guess the staff on the show agreed since this episode centers on Captain Hook and is an adaptation of A Christmas Carol. I tend to avoid such fare like the plague, but my curiosity for this show outweighed my hatred for the trope. Did I miss out on a hidden gem? The possibility was there given the voice cast and the fact that TMS contributed animation to this show. It was not a cheap cartoon and I suppose that makes sense since Fox likely wanted to impress out of the gate. Plus, Disney was spending a lot of money on its animated programs and no one at Fox wanted to look inferior next to Disney, so let’s see what Fox’s Peter Pan & the Pirates has to offer.

Just a bunch of pirates having a festive sing-a-long.

The opening title for this one is a lyric-less piece set to clips from the show, the most boring of intros a cartoon can have, but the score isn’t bad. It sounds like a poor man’s John Williams. When the episode begins, we’re on the ship of one Captain Hook and the pirates are making merry. It’s Christmas Eve so there’s cause to be jolly. Unfortunately, they’re singing a rendition of the worst Christmas song ever written: “The Twelve Days of Christmas.” Now, since I didn’t watch this show growing up, I have to try to figure out who’s who among the gang of pirates. It would seem Gentlemen Ignatious P. Starkey (David Shaughnessy) is the one leading the crew in song. He has repurposed the song to make the captain the generous one handing out gifts on Christmas. It would seem he wants a new ship that’s bilge free? All of the versions of this episode that exist online have some audio degradation and deciphering song lyrics is not easy. Eucrates Cookson (Jack Angel) is playing an accordian while Smee (Ed Gilbert) is decorating a rather pathetic looking tree. They’re all chiming in with gifts for the other days, but they only manage to get to day 4 before Starkey has trouble remembering the lines.

No one is allowed to be merry when this guy is around.

It’s at that point Captain Hook makes his entrance. He towers over the lot as he heads down into the brig to reprimand his men for their joyful demeanors. Tim Curry practically snarls his lines, but maintains his rather dignified accent, making for a rather compelling character. His vocabulary is also impeccable and I rather like this depiction of the famed captain quite a bit. Starkey is literally shaking in his boots as Hook enters demanding to know why an irredeemable twit like him would have reason to be merry. When it’s suggested to him by the men that Christmas is the reason, Hook rejects the notion that the holiday is an excuse to behave like fools. I would say he’s angered by the suggestion, but he just seems plain angry all of the time so it’s hard to say just what ticks him off the most. He’s definitely channeling his inner Scrooge as he refers to Christmas as a “humbug,” which causes Smee to reply with, “But I thought it was a holiday?” He further illustrates his feelings on the matter by suggesting those who celebrate should be boiled in their own pudding and have a stake of holly shoved through their heart! This dude is vicious.

That’s not going to work, man.

Smee can’t take a hint as he asks if this means they won’t be exchanging gifts. Scrooge, I mean Hook, looks almost pained by this question, but rather than respond verbally he kicks over their makeshift tree and stomps on the reindeer ornament one of the pirates made. Hook storms off into his own quarters still seething at the fact that his men are just trying to use Christmas as a way to get out of a dishonest day’s work! He takes a seat at his harpsichord and goes to play something, apparently this is how he settles down when the world angers him, only the instrument begins to play by itself! And it’s playing “The Twelve Days of Christmas,” which has Hook looking all kinds of angry (it’s basically his only facial expression). A voice then calls out to him using his first name. It’s a woman’s voice, and Hook looks startled as he whirls around and even asks “Mother?” How sweet? An apparition comes floating in baring the resemblance of Wendy Darling (Christina Lange) which actually excites Hook. He declares he’ll capture her which is surely to rile up that Peter Pan fellow. Unfortunately for Hook, this is basically not-Wendy, but the Ghost of Christmas Past. You know how this is going to go from here. Hook tries to dismiss her as some sort of product of indigestion and even declares he doesn’t believe in her, like that will make her go away.

Never ask a man to choose between love and being a pirate.

It won’t. The Wendy ghost takes Hook back in time to another version of the Jolly Roger. Or maybe just a ship that looks like it. A gang of pirates has recently overtaken this UK vessel and hoisted their own flag. Their leader? A pirate named Jasper – Jasper Hook! A voice calls out to him from offscreen and we see it belongs to a young James Hook. The two brothers clasp hands to draw attention to the lack of a hook as Jasper pulls him aboard and they’re positively giddy about this score. At least that is, until James sees who this ship belonged to. It’s a woman named Cecilia (sounds like Lange) whom James is betrothed to. Present Hook seems a bit wary of watching how this plays out. Through their conversation we find out she was under the impression that James was a merchant, but it’s the life of a buccaneer that he’s chosen instead. He thinks this changes nothing between the two, but Cecilia begs to differ with tears in her eyes. James can’t be bothered and has the men haul her away like a prisoner. Captain James Hook, who has been watching alongside the Ghost of Christmas Past, questions why she means to torment him so? He demands she take him back to his ship, but she informs him they have one more “shadow” to visit first.

You dare pay the future Captain Hook as much as the rest of the crew?!

Past snaps her fingers and we’re whisked away to the interior of a pirate ship. If it’s the same one, I don’t know, but it is following a score as Jasper is handing out gold from a chest to each crew member. When he goes to give James his cut, the younger Hook balks for his brother is giving him the same as everyone else. Jasper reminds him who the captain is, but James declares that maybe it’s time for a new captain. Drawing his sword, with his right hand mind you, he challenges his brother who seems angered by this disloyalty. The two start clanging swords and end up back on the deck. The elder Hook, fighting with sword and dagger, disarms his brother and his sword winds up stuck near the top of the mast. He tells James to surrender and he’ll spare his life, but James refuses and instead climbs up the mast to retrieve his sword.

Sword fights seem to always end up way up here when it comes to pirates.

Now the two brothers are battling atop the sail, which seems like the most dangerous place to have a sword fight on a pirate ship. It looks cool though, and now it’s James’ turn to disarm his brother. He informs the captain that, unfortunately, he does not believe in taking prisoners and declines to extend the same offer to his brother that he just made him. Jasper isn’t about to let himself be cut down and instead makes a jump for it by grabbing on one of the ropes affixed to the sail. He is able to get down to the deck and retrieve his sword, but James is in hot pursuit. He takes a mighty cut at his brother which shatters his sword. Jasper, backpedaling, gets his feet tangled in some rope left on the deck and falls onto his rear. As James approaches, he has a wicked grin upon his face and his sword held high as his brother looks up at him with a terrified expression.

Time for ghost #2.

Before we can see the gruesome aftermath of this confrontation, Hook demands the spirit cease this vision. He then wakes up in his chair in a sweat with a look of distress upon his face that is soon replaced with his usual, grumpy, demeanor. He apparently believes that he did indeed see the past via the magic of some sort of spectre for he calls out to her in defiance. He taunts her by asking aloud if she thought she could really stir feelings of guilt and remorse within him over, as he terms it, relieving his brother of his eye. Apparently, he did not kill his brother that day, only maimed him. He takes a seat at his desk and begins to question if he really did see what he saw. As he settles down to read from a book, the voice of Smee calls out to him. This only further irritates Hook, who turns his head and sees a ghost version of his first mate. He correctly deduces that this is not really Smee, but another apparition, and the ghost confirms that he is indeed the Ghost of Christmas Present causing Hook to question if he is forever to be bedeviled by Christmas. Smee, which we’ll just refer to the ghost as such to make it easier, tells Hook that Christmas normally doesn’t concern itself with a villain such as he which enrages Hook for some reason as he shouts “blast your incorporeal hide!” The writing for Hook is just phenomenol. I normally am far too charmed by old VHS recordings to care much for quality, but in this case, I wish the audio quality were better on my source so I could properly make out every word this show has Tim Curry spit out. He is fantastic.

Hey! Did you know this is a show about Peter Pan?!

Smee informs the captain that he’ll be coming with him and blows a whistle of some kind to whisk the pair away. They’re in a lovely glen and in the center of which is an enormous Christmas tree. Children are singing “Deck the Halls” and it’s quickly revealed that this tree belongs to Peter Pan and the Lost Boys. The children finish their song and we see Tinker Bell come flying in to apparently take on the role of a star atop the tree which will surely get old fast for the fairy. Smee and Hook then come into view and Hook seems more than a little irritated to have been brought here by this “woebegone wraith.” Smee tells him that he just wanted to show Hook how the Neverland-lubbers celebrate Christmas. Hook is positively annoyed and basically calls Smee an idiot declaring he has no appetite for seeing how the unwashed celebrate the holiday. His utter disdain for everything is truly impressive.

I wasn’t expecting snow in this one.

Hook expresses his irritations with ghost Smee, and while the two converse I noticed a curiosity. I watched multiple versions of this episode, and in some the background changes to what’s coming in the next scene while in others it remains consistent. It would seem they had an issue and must have actually paid to have it fixed for rebroadcast. Anyway, we pivot to Wendy and Peter having a conversation about the decor. She thinks something is missing and Peter soon realizes it’s snow, but he also seems to have forgotten what snow is (this forgetfulness is foreshadowing something to come). Tinker Bell (Debi Derryberry) remarks how humans have such short memories before tossing some pixie dust all over the place which makes it snow. The top of the tree also still features a glowing orb so maybe Tink just cast some sort of spell to create a makeshift star? Snow soon collects on the tree and the kids are happy. Pan even nails John with a snowball who is happy to fight back. Hook has seen enough and demands that Smee evacuate him from the area, but not before he gets his bearings so that he may return to the lair of Pan and raze it to the ground! Smee informs him he will be doing no such thing and instead toots his whistle again.

A toast to Captain Hook!

Now we’re in the lair of Pan and The Lost Boys and they’re all preparing for a Christmas feast. A platter appears via Tinker Bell’s magic upon the table and the kids are all excited. It looks like they eat real food and not junk food as seen in the film Hook. When Wendy lifts the lid on the dish the kids are dismayed to find a single acorn. If you think this is a Tiny Tim situation you would be mistaken as Tinker Bell informs them it was just a little holiday jest and quickly magics up a turkey. Before the kids can dig in though, Wendy says they should offer up a toast. Peter is in agreement and toasts to…himself. He quickly adds “And everyone else,” rather awkwardly, but the others seem to pay it no mind. I’m guessing they’re used to this sort of thing out of Pan. Michael (Whit Hertford) then questions if he really means everyone and specifically mentions Captain Hook. Wendy comes over to confirm that even Hook is deserving of such a toast. Pan snorts and remarks that if Hook were there he’d cut off his other hand and give it to him as a Christmas present. How violent! Wendy scolds him for his boast and Pan reluctantly concedes that she’s right. He stands up and gives a somewhat half-hearted toast to Captain Hook which the other kids share in.

No matter who is Captain Hook, it would seem Smee always gets the worst of it.

Hook then questions what’s the point of all this? Smee informs him that he just wants to show him that even bitter enemies lay down their arms on Christmas. Hook indicates he has no stomach for this “sentimental tripe,” which Smee says is unfortunate because he has more to show him. We’re then taken to the bowels of the Jolly Roger where the rest of the crew resides. The pirates are still sore from how Hook treated them and they seem to be ready to mutiny over it. As they draw their weapons, it’s Smee who pops in to declare they’ll be doing it over his dead body. He starts clashing swords with Mullins (Jack Angel) and tries to defend his captain’s honor. Hook remarks to the ghost Smee that he intends to put these jackanapes in their place, but the ghost tells him that’s not why he chose to show him this. Suddenly, the material version of Hook comes swaddling in demanding to know what’s going on. Smee informs him it’s a mutiny and Hook misunderstands him and seemingly thinks that Smee is declaring a mutiny, not trying to stop one. He picks Smee up by his shirt utilizing his hook while the little guy tries to tell him he had his best interests at heart. Hook puts him down seemingly understanding, only to double-down on his accusations by demanding Mullins chain Smee and toss him in the brig. As the first mate is hauled away he tells him this will be his last Christmas! This is really clumsy considering this is supposed to be the present, but it features Hook! Why didn’t we see this earlier?

“So brother, you’re looking well these days.”

Hook, the viewing Hook, is politely reprimanded by ghost Smee for his misjudgement. Hook seems unphased and remarks that Smee should basically be killed on principal anyway. The ghost, seemingly admitting defeat, informs Hook he’ll be returning him to his ship now. Hook then materializes outside his cabin door and is immediately sent into a rage for he can hear someone playing his harpsichord inside his chambers! He smashes down the door, which was a really lovely piece that will now have to be replaced, and barges in demanding to know who possesses the temerity to play the harpsichord of Captain James Hook! Why, it’s his brother Jasper now acting as the Spirit of Christmas Yet to Come. Hook has apparently still not grasped the situation for he mistakes the ghost for his actual brother and attempts to cut him down with his blade only for it to pass harmlessly right through him. The ghost, sporting an eye patch as the real Jasper must, smiles wickedly at Hook and informs him who he really is, and isn’t. Hook sarcastically asks him of what concern is all of this to him only for the spirit to float above him and angrily call out his misdeeds. He’s lied to his loved ones, betrayed his own flesh and blood, and condemned the one man who showed him loyalty. Flipping up the patch over his eye, the spirit promises to show Hook the bitter harvest yet to come.

Upon seeing his ship in ruins, Hook reacts like a dad who just found out his kid snuck out in his sports car and nailed a fire hydrant.

We’re taken to the wreckage of a ship I assume to be Hook’s Jolly Roger. It is indeed his as he immediately starts ranting and raving about the condition of his ship. We then see Mullins stealing food from Cookson as the two emerge from a cave with the captain nowhere to be found. Hook is displeased by this showing, but the spirit has more to share. He flips up his patch and we’re transported to a swampy lagoon. A disheveled and seemingly delirious Smee is walking through the ankle deep water carrying something under his arm and shouting out to his captain not to worry for he’s coming. He approaches a large, hollowed out tree and declares “There ya be captain, a fresh covering of moss for yee,” revealing that the garbage under his arm is apparently a bunch of moss. The ghostly Hook is confused by this and declares he’d retire to Bedlam before he’d let someone like Smee take care of him. Still refusing to realize what story he’s in, we watch as Smee goes to enter the tree only for the shadow of Peter Pan to pass over him. He runs calling out a warning to his captain as he disappears into the tree, but the somewhat sullen Pan doesn’t seem like he’s here for a fight.

Aww, Peter misses Captain Hook.

It’s at this point that Hook utters a version of the famous line asking the spirit “Are these the shadows of the things that will be, or are they the shadows of the things that maybe?” The spirit ignores the question and instead points out to Hook to gaze upon his final resting place. The captain looks a tad frightened as he beholds his unmarked grave which Peter Pan has knelt beside. The spirit refers to it as unmarked, but the grave is indeed marked by the presence of his famous hook on a stick of some sort, he just doesn’t get a tombstone. Peter then pulls out his dagger and remarks he has no need of it now. He seems a bit sad as he’s clearly lost his purpose in life without his adversary and ponders if he should finally grow up and leave Neverland. Now this puts a smile on Hook’s face as he declares this perfect! He laughs heartily and declares that in death he has finally defeated Peter Pan! The spirit then cautions him not to act so hastily and flips up his eyepatch once again.

Here comes the meltdown.

Now we’re transported to a more colorful and bright setting. The Lost Boys are seated by the edge of some trees until Peter Pan comes soaring in. He excitedly calls out to them to “Look what I found!” It’s the hook of one Captain Hook, and Peter acts like he has no idea where it came from, but now they can play pirates! The boys fly off with Peter Pan declaring that he’ll be the pirate leader: Captain Claw! Hook is bewildered at the sight and the spirit is happily able to inform him that the kids quickly forgot all about him once he was dead. This basically destroys Hook who falls to his knees and starts raking the earth with his hook hand. Crying out, “Hear me brother: I am not the man I was! I will change! I swear it! I swear it!”

It’s celebration time, men! Debauchery, murder, looting, you name it!

As he cries out, we transition back to Hook’s quarters and find him raking his hook hand over his mattress essentially destroying it in the process. He soon realizes that he’s back in his room, and even his door is intact! He calls out for Mullins who enters immediately for the captain to ask him to confirm what day is it? “Why, it’s Christmas, sir!” he replies on cue. Hook declares this excellent and orders him to assemble the men on the deck immediately. This also comes with an order to release Smee from the brig. Once everyone is gathered on the deck, Hook informs the men that he’s changed his mind that they will observe the Christmas holiday after all. The men are dumbstruck with Starkey remarking the captain has lost his senses. Hook corrects him to say he has not lost his senses, but rather found them. He then orders the men to arm themselves as he dumps a pile of weapons on the deck and informs them that they will be going ashore to celebrate Christmas with a raid on Peter Pan!

Merry Christmas, indeed.

Hook, with his arms outstretched, then clarifies what has taken place. He says he swore he’d change, and he will, for the worse! “I’ll redouble my attacks on Pan. I’ll triple them!” It’s hard to make out precisely what he says following that, but he basically declares that Peter Pan will never forget the name of Captain James Hook! He then cries out “Merry Christmas, Peter Pan,” as his cape bellows menacingly in the wind, “and prepare to meet thy doom!” He then walks off laughing his evil laugh which is the lasting image for this holiday affair.

“Hook’s Christmas” is not a very interesting episode as it relates to Christmas. It adapts what some may call a tried-and-true Christmas staple, but what many would also just call a tired plot. A Christmas Carol is beyond overdone and it was in the early 90s just as it was today. This one does have a bit of a wrinkle in that it’s Scrooge character, one Captain James Hook, is truly irredeemable. There’s no changing who he is. Sure, many a villainous character have had their Christmases interrupted by a gang of spirits and it was enough for them to at least do one nice thing, but not Hook! It has the opposite effect, which is really the only outcome that could have come of this since he’s quite clearly an evil man and there are many more episodes to follow. They could have had him just be a little nice to his crew and let that be it, but I do like that the writers on this one wanted none of that and fully held onto this characterization of Hook.

For regular viewers, it was probably fun to see a young Hook and his brother in this one.

That’s not enough to rescue the plot from this droll retelling, but the depiction of Captain Hook just might be. I was totally smitten with this take on the character by Tim Curry. He is wonderfully written with just a delicious vocabulary. This is not some rough and tough pirate covered in grime and ill-spoken. This Hook is dignified and above everyone else in his mind. He carries himself like royalty and he’s clearly well-educated. He’s just vile and despicable and he loves that about himself. Curry is just absolutely wonderful in the role and I hung on every word he said. Adapting A Christmas Carol may not have been the soundest decision this show made, but putting an entire episode on Hook’s shoulders absolutely was. Combining the performance with the twist ending basically does the impossible: I was entertained by A Christmas Carol. I mean, the classic story is fine and entertaining on its own, but I can’t think of many episodes of television that went in this direction and actually succeeded. Years ago, I somewhat praised The Real Ghostbusters for putting their own spin on the tale, but I still wouldn’t call that episode good and it’s not something I ever return to. And I’m not saying I’m ever going to return to “Hook’s Christmas” either, but I may consider it. If I had any nostalgic attachment to the show it’s from then I probably would, but lacking that, it’s more just a fun little diamond in the rough one discovers when doing such an exercise as this and I’m feeling satisfied. Usually, most of the uncovered Christmas episodes I come across leave me feeling the opposite.

It’s a shame this performance isn’t more celebrated than it is. Tim Curry is my Captain Hook.

If you wish to view Fox’s Peter Pan & the Pirates you sadly have few options. Remember that whole story to begin this about Disney not wanting this show to exist? Yeah, well, now they own it. Disney acquired this alongside a whole bunch of other Fox properties years ago with the acquisition of Fox Kids Worldwide. Disney has released some of those shows on DVD and licensed others for streaming, but not this one (aside from a select few episodes in the UK) and they likely never will. They would fear that consumers would think this ties into their own take on Peter Pan even with the title being what it is. And it’s a shame, because if nothing else the show appears to have some solid animation. This particular episode wasn’t impressive in that regard, but other clips I’ve seen look quite nice. And people are missing out on this fantastic version of Captain Hook. I don’t know if the show itself is really worth watching, but it would be nice if it were available for those who did grow up watching it or who are just curious. The only good thing is that Disney doesn’t seem at all interested in enforcing its trademark here so the show can be found scattered across the internet in varying states of quality. You don’t have to look hard, though you will if you want to find the best quality version possible. As you can tell by the images in this post, I had trouble doing just that (the best I found was on the channel Cartoon Archive), but what I did find was certainly watchable. It’s just a shame most cut out the commercials.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 7 – Santa Claus is Comin’ to Town (1970)

In 1964, Arthur Rankin and Jules Bass unleashed a Christmas Classic upon the world in the form of Rudolph the Red-Nosed Reindeer. The special basically put the company on the map and put it on the path to holiday domination for decades to come. Despite that, few of the specials that followed Rudolph truly hit…

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Dec. 7 – Bedtime for Sniffles

Not every Looney Tunes or Merrie Melodies star had to be inherently funny. Sure, most of them were and that’s often what many cartoon enthusiasts will point to the Warner catalog of cartoons as having over Disney, but it wasn’t some hard and fast rule. That’s why when a guy by the name of Chuck…

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Dec. 7 – SuperTed Meets Father Christmas

When it comes to British imports and the subject of bears is brought up, most probably immediately think of Paddington or Winnie the Pooh. Few probably recall SuperTed, the Welsh teddy bear brought to life by a spotted alien and given super powers by Mother Nature. SuperTed is similar to Mighty Mouse in that he…

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Figura Obscura – The Ghost of Jacob Marley

“Tonight, you will be visited by three spirits…”

Four Horsemen Studios is back with another holiday release in its Figura Obscura line of action figures. This sister line of their more famous Mythic Legions property launched two years ago with Krampus and continued with last year’s Father Christmas. Many fans, myself included, expected another holiday figure this year, though if you had asked me a week ago what that figure would be I would have been pretty stumped. The line seemed to target characters of folklore, and while there are certainly some more out there for Christmas, none seemed as obvious as Krampus or a version of Santa Claus. I probably would have guessed some kind of yeti, or maybe Jack Frost, but Four Horsemen Studios surprised me with an action figure of the ghostly Jacob Marley.

Marley comes from the pages of the Charles Dickens classic A Christmas Carol. If you have never read the original source you have almost certainly encountered the story as told by someone else be it Mickey Mouse or Gonzo. Marley doesn’t immediately strike me as a folklore type of character, but then again, we’re talking about a story that’s been ingrained in Christmas since 1843 so perhaps I may need to rethink my personal definition of folklore. Regardless, a spectral figure draped in chains with its jaw held in place by a knot sure sounds like something that would lend itself well to what Four Horsemen does. The character was teased with an image of chains and locks, a dead give-away, and then finally unveiled and put up for order on December 2nd. I thought it looked cool enough to warrant a purchase, and it was in my hands a mere three days later so now I’m going to interrupt the Christmas special posts to tell you what I think.

The detail on this figure is incredible, though I wish this harness had a better way to fasten.

Marley arrives in the standard window box for the line with a wrap-around backdrop held in place by magnets. It’s a terrific way to include a backdrop as the cardstock is nice and heavy. On the front is an image of Marley as a doorknocker from the novella and on the reverse is an interior painting of Scrooge’s bed chambers (the artwork is credited to Nate Baerstch) complete with a terrified Scrooge by the fire. Scrooge being present in the image makes me wonder if that means he’s not a candidate for a figure of his own down the line, but I guess we’ll see in the years to come. There’s a description of Marley on the back as well and Four Horsemen even included a small (4.125″ x 5.25″) copy of Stave 1 of the story with more illustrations inside. The actual box depicts various specters from the story from when Scrooge looks out his window initially. I’m assuming some are based on the descriptions Dickens provides, though I haven’t read the original text in probably 25 years to recall specifics. I do plan on reading this first stave before the season departs.

There’s a lot going on here.

Marley himself stands 7″ tall and out of the box he does not have his chains affixed to him. This design is credited to Eric Treadaway, one of the three founders of Four Horsemen Studios (I’m guessing there is a reason why there are three, but the name implies four), and Marley certainly looks the part of a dead 1840s rich guy. He has an aged and weathered face with long hair and thick sideburns. He’s sporting a long coat and a rather fancy looking vest beneath that with a kerchief around his neck. The figure is basically all done in tones of blue and gray. His skin is painted in a shade similar to periwinkle and shaded with cyan blue. The hair and interior of the coat are more of a gray blue and the buttons on his coat are a faint silver. I have always considered the strength of Mythic Legions to be the sculpt and paint combo and Marley does not do anything to dissuade me from that manner of thinking. There’s some great texture on the coat, he’s got a missing chunk of flesh on his rather large forehead, and all of the buttons and pockets look real. The coat is a pliable plastic as opposed to soft goods and I think that was the correct route to go. It hangs well, has a good form to it, and could fool someone from the shelf.

To fly, or not to fly?

Marley looks, in a word, awesome. This figure is phenomenal when it comes to the presentation, and I’ve barely scratched the surface. The coat appears to be a clear plastic that’s been painted. It must be, since the hem of the coat is where the paint starts to fade out so we can get a translucent effect. I’m amazed at how well the paint looks on this thing given the amount needed to pull this off. The boots below the cuffs are also done in transparent plastic and the paint fades out on them as well as it moves down leaving the actual foot portion completely transparent. I don’t think it takes much imagination to come up with such a paint scheme, but it takes talent and skill to pull it off and man does this figure ever pull it off. He looks great standing, but I’m really tempted to put him on a flight stand to draw attention to the transparent parts.

You’re in some serious shit, Scrooge.

Of course, Marley wouldn’t be Marley without his many shackles and chains. Even Goofy was forced to drag those things around. The chains are all connected to a soft, plastic, harness that is designed to go over Marley’s torso. The harness looks nice, has a big lock on the front, but is a challenge to get on. I wasn’t sure how I was supposed to do so and thought I may need to pop the arms off in order to get it in place. Instead, the bottom rear came apart as I examined it and I think it’s supposed to do that? There’s no tab, nor is their any glues residue to imply it came apart by accident, but it did allow me to get the harness on. It, like the belt that came with last year’s Father Christmas, doesn’t fasten well though which makes me wonder if it was supposed to come apart. I wish it had a tab to hold it in place, because it will repeatedly come apart when handling the figure and might even do so when not. I secured it with a tiny amount of gray mounting putty since it was driving me nuts.

That annoyance aside, the harness and chains really bring some added drama to the presentation of this one. He has quite a few chains of varying lengths and design. They’re all a muted copper or a dingy brushed nickel and there’s padlocks and skeleton keys throughout. Three chains end in a lockbox while two in a ledger and they’re all unique designs so not one box is the same as the other. The boxes also all open from the top in case you want to hide anything inside. There’s also a large safe at the end of another chain and that can open as well. Inside you’ll find a bonus, unadvertised, accessory that does fit the mood of this figure, but could also be used with another Mythic Legions release. Since it’s a surprise, I’ve declined to take a picture of it, but know that it is pretty cool and I like it better than the surprise inclusions with Father Christmas.

“If you’re gonna scream, scream with me!”

The chains are not Marley’s only accessories as he does also come with various hands and a second portrait. He has gripping hands out of the box, but also has a set of gripping hands with a vertical hinge, style pose gesture hands, and a set of clawing hands. The second portrait depicts Marley with his headwrap removed which causes his jaw to droop and hang slightly askew. It’s appropriately unpleasant to look at, but the large mouth opening does sometimes come off as a bit cartoony. It’s really well painted and looks amazing, but I don’t know if I’ll ever actually use it. Marley also has a pair of door knockers featuring his visage, one shows him in a stoic fashion while the other has him wailing. There’s a slot on the back if you want to hang them on a nail, though they’re not so heavy that mounting putty wouldn’t work. The knocker portion also moves and the paint job and sculpt are terrific. Lastly, there’s also a small pouch of extra skeleton keys. There are multiple designs, though I have not bothered to count how many actual keys are in there, but know that it’s a lot. You will never have need of more. Four Horsemen also tossed in a greeting card featuring the cover art, as they did for the past two releases which is cool.

Even these door knockers are impressive as they have little, flecks, of green to show age and weathering.

The Ghost of Jacob Marley is an action figure, so it stands to reason that he should articulate rather well. Mythic Legions strikes me as a line that is focused on the aesthetic at the expense of articulation. That doesn’t mean the articulation is bad, but certain styles of joints are basically off the table. For the head, we have a simple ball joint. There’s no hinge or double-ball, but it seems adequate for the figure. Marley’s hair prevents him from looking up anyway, and the scarf has to be worked around to look down, but he gets some range in doing so. There’s a little tilt as well, and it seems suitable enough. The shoulders are hinged ball-pegs, and on my figure they were pretty stuck. The figure was delivered to the northeast in December, so it was quite cold to begin with. I let it warm up for an hour or so, but still needed to apply hot water to get the hinge to work. Once free, the arms raised out to the side to pretty much a full horizontal position. Rotation is fine, but there’s no bicep swivel. Instead, we get single-hinged elbows that can also swivel. We see this a lot with Super7 (and Four Horsemen Studios designed a lot of their early figures), but with this figure the cut is better so the range on the swivel is fine and it also looks pretty good. Hands rotate and hinge and we have gripping hands with both a horizontal and vertical hinge – perfect!

In the torso, there’s no joint except for the waist. There we have a ball joint, and it allows for a reasonable amount of forward and back with plenty of tilt and rotation. Obviously, once you put the harness on the figure it’s a little trickier to work with, but nothing is truly hindered. The hips are hinged ball-pegs and Marley can hit a split reasonably well. He can’t kick forward quite all the way, nor can he kick back very far. There is a thigh twist which is well-hidden, and the knee is a single hinge with twist like the elbows and it’s well cut. There is a boot swivel below the boot cuff, while the ankle also swivels. There’s a hinge which lets the foot go forward and back basically as far as you’d ever want it to go, and there’s also an ankle rocker. The peg that goes into the shin, likely due to the nature of transparent plastic, is a little loose and the foot may pop off on occasion. The figure doesn’t have any issue standing and all of the other joints are suitably tight. Only the shoulders were overtight for me, and swapping hands and heads wasn’t an issue.

Marley may not pair all that well with what’s come before him, but it sure sounds like he will with what’s to follow.

If you have any of the Figura Obscura figures released up until now, then you’re likely not surprised to find out that this one is fantastic. It’s not going to articulate as well as some other figures out there, but it can do everything it needs to and the articulation choices feel well thought out. The presentation is what sells this guy, and while the harness isn’t the tidiest thing to work with, there’s no denying how terrific it looks in practice. My only real gripe is with how said harness fastens to the figure as I feel like almost anything would have been better, but it’s something I can work around. I’m never going to take it off so I could even glue it if I want to, though I typically refrain from permanently modifying any of my figures. The end of the included Stave 1 booklet includes the message, “You will be haunted again. The ghosts of Christmas shall return,” which sure seems to imply that we’ll be getting more from A Christmas Carol next year and beyond. Will they stick with Past, Present, and Christmas Yet to Come, or maybe some of the other, unnamed, ghosts on the packaging will get figures? And what about Scrooge? He’s on the backdrop, so maybe Four Horsemen Studios thinks that will be enough, but I bet fans would like to see an actual Scrooge as well. Only time will tell, but I bet whatever comes next will look awesome.

If you would like to add The Ghost of Jacob Marley to your collection then I’m afraid I have some bad news. The initial stock has sold out, so right now the figure is only available on the secondhand market. The MSRP was $60, but expect to pay considerably more if buying from a reseller. Both Krampus and Father Christmas had variant releases, so it seems likely that Marley will as well. Maybe with more of a spectral green coloring? Or something closer to fully transparent? Four Horsemen also had the original version of Father Christmas available for purchase this year, so perhaps this version of Marley could even come back next December. If you missed out and absolutely have to have it, then by all means do as you please, but I do think the patient will be rewarded at some point.

Missed out on some other past Christmas releases? Check these out:

Figura Obscura – Krampus

Over the years, I’ve acquired quite a few action figures designed by the good people over at Four Horsemen LLC. They’ve been designing figures for companies for awhile now. My first exposure to the company was via NECA’s inaugural line of Teenage Mutant Ninja Turtles based on their appearance in the Mirage Studios comics. Lately,…

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Figura Obscura – Father Christmas

It was just last year that Four Horsemen launched a subline of its popular Mythic Legions brand of action figures called Figura Obscura. Practically speaking, there’s little difference between the two lines as Mythic Legions seeks to serve as a modular line of toys based on myth and legend and that doesn’t feature licensed characters.…

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Naughty or Nice Classic Santa and Cyborg Santa

It was looking like we were in for a photo finish this year. Last year, toymaker Fresh Monkey Fiction partnered with online retailer Big Bad Toy Store to launch the Naughty or Nice collection. Structured similar to a Kickstarter campaign, FMF posted several action figures for preorder with a minimum order quantity needed for the…

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Dec. 6 – The Sylvester & Tweety Mysteries – “It Happened One Night Before Christmas”

Original air date December 16, 1995.

We touched on it a bit just a few days ago when we talked about The Justice League, and we’re going to do it again! What is “it?” Why, the launch of The WB, of course! The network fronted by Warner Bros. was a newcomer in the mid 90s and was here to challenge the other broadcast channels, mostly Fox. Unfortunately for Warner, a lot of their intellectual property was unavailable to start because they had signed agreements with other networks. Again, mostly Fox. In order to launch some original programming aimed at kids, they basically had to come up with some new ideas for some old characters which is how we ended up with The Sylvester & Tweety Mysteries. This show would pair the often adversarial characters of Sylvester and Tweety (both voiced by Joe Alasky) in a mystery solving plot, something that felt more Hanna-Barbera than Warner Bros. With them was Granny (June Foray) who was in charge of basically steering the whole ship and also along for the ride was Hector (Frank Welker) the bull dog, because you need a dog apparently. Plus, it’s reminiscent of Gift Wrapped to have him along.

The show got its 52 episode order and occupied some air space in the 90s without sucking. It did its job.

This isn’t our first dance with the show as we covered the episode “Feather Christmas” a few years back. For that reason, I don’t feel a long preamble is needed this time around. We’ll just jump right into today’s episode which is a parody of It’s a Wonderful Life, but not in the way you think. Many shows have gone that route over the years and they almost exclusively run with the plot of George Bailey who has to learn a lesson about how much the world would suck without him. Or suck more, anyway. This time, we’re rolling with the Uncle Billy character. You remember him, right? He’s the idiot who mistakenly lost two thousand dollars when trying to one-up old man Potter. It was his screw-up that nearly drove George to suicide since losing that amount of money back then could cripple a business like a savings and loan. Now, I’m not a huge fan of the film. It’s fine and a genuine classic, I just don’t feel the need to watch it on an annual basis like my parents and probably most boomers. One thing though that always bothered me when I did watch it is that Potter never gets his comeuppance. Uncle Billy mistakenly hands over that two grand to the old man and he just pockets it, basically. This episode of a cartoon starring a canary and a cat is going to try to make Potter answer for his deceit by solving the mystery of what happened to the money.

He’s the spitting image of Thomas Mitchell’s Uncle Billy.

The episode begins with a cold open. Sylvester is narrating the story and it takes us to the town of Bedspread Falls, instead of Bedford Falls. Sylvester begins his narration as-if he’s going to tell us about Paul Revere’s midnight ride, but corrects himself and switches to a ‘Twas the Night Before Christmas styled rhyme. A gray-haired man of generous proportions is currently fretting about a missing sum of money in the Daily Bros. Loan & Building Building. It was established in 1946, which even if you were unaware could probably guess is the year It’s a Wonderful Life was released. This older fellow has apparently misplaced eight thousand dollars, because we need to up the amount here to make it a little more painful. While he tosses papers aside from the floor a familiar duo looks on. That would be the mice Hubie (Jim Cummings) and Bertie (Jeff Bennett). They feel for the poor guy who is just throwing himself on the floor in despair and want to do something to help him. A Christmas card gets their attention and it would appear it has an answer for them. The old man has since taken a seat at his desk with his head in his arms and the mice place the card in front of him. When he looks at it, we get to see it’s a card from Granny, who signs her cards Granny because that’s just her name apparently. Overjoyed, the fellow grabs his old-timey phone and makes a call!

This seems very unnecessary, Granny. And who is her hook-up for this stuff? Bruce Wayne?!

The opening title then enters and it’s underwhelming considering how good the WB shows on Fox were at the time, but not terrible. When it ends, we find Granny riding through the street in a car with giant, metal, legs. It’s like an AT-ST from The Return of the Jedi. Her animal companions are riding in the car with her and everyone is decked out in some holiday attire. Sylvester continues his narration to inform us that they’re heading to Bedspread Falls and shouts out to Donna Reed. When Granny slams on the breaks to this contraption, the occupants (except her) all go flying out of it because it’s a topless vehicle which makes so much sense to ride around in during the winter. They smash into a snowman so we get a tiered look at all three occupying one of the three segments of the snow creature while Granny admonishes them for playing in the snow and wasting time. Someone needs to narc on Granny for animal cruelty.

An early indicator that Willy isn’t too bright.

We then head into the Daily Bros. and meet the old guy again. It turns out his name is Willy (instead of Billy, naturally) and he’s Granny’s brother (his voice is also uncredited, but I think it’s Bennett). That explains why he got a Christmas card from the old gal. She happily introduces him to her pet canary, Tweety, but he slams the door on poor Sylvester and Hector. He hears the door contact them and mistakes it for a knock, opens it, and the two waddle in flat as a pancake. Granny introduces the pair and Sylvester has to blow himself back up to return to his normal shape. Willy then introduces them to his pets, Hubie and Bertie, and Sylvester is happy to meet them as he gobbles them up immediately. Seriously Willy, why are you waving your pet rodents in the face of a cat? Granny turns him upside down and smacks his bottom until the two mice are set free all the while admonishing Sylvester for trying to eat family. The mice roll over to Tweety’s cage where the little bird chirps, “Been there, done that.”

The Minah bird is a memorable gag from classic era Looney Tunes in that once you see it you’ll immediately recall seeing it before, but maybe without specifics. His routine in this episode is basically exactly the same as it was back then.

Granny wants to get down to business and asks Willy what’s wrong? He tells her he misplaced the weekly deposit, which happened to be 8 grand. He explains he put it in a yellow envelope and brought it to the bank, but when he got there, the money was gone! She basically just pats him on the shoulder to comfort him. Meanwhile, Hector is nosing around and comes to a file cabinet. It jiggles, then opens, and he barks a whole bunch until a disinterested crow pops out (Uncle Billy had a pet crow in the film). It just casually hops with its head down like it’s not paying attention to much of anything until it reaches a waste basket which it hops into. Hector barks some more and then inspects the waste basket only to find the crow is gone! I call it a crow, but it’s actually the Minah bird and this routine is straight out of classic Looney Tunes. The character first appeared in the short The Little Lion Hunter. Elsewhere, Hubie and Bertie question Tweety about the intelligence of Sylvester. Tweety shares his very low opinion of Sylvester, which just riles the cat up. He charges, but the mice jump out of the way and onto a window sill. When Sylvester pounces again, he goes out the window. Poor, stupid, kitty. He lands in the street and leaves behind a Sylvester-shaped crater in the snow. When he pops out, Granny and Willy are there to praise him for finding Willy’s tracks in the snow. Sylvester doesn’t seem to feel much pride in his “discovery.”

This guy hates Willy, and I’m kind of the same mind.

We then cut to the gang following the footprints and Sylvester narrates some more to inform us that old Willy’s memory is apparently failing him in his old age. Despite telling Granny he went straight to the bank, the footsteps lead them to a drug store. Bower is the name, and he’s not happy to see Willy. Mr. Bower (Cummings) complains (in what sounds like a drunken stupor) that Willy came in and ruffled through all of his magazines getting subscription cards all over his floor. He didn’t buy any of them, but he did buy a sasparilla and a newspaper which Bower notes he placed a yellow envelope inside. Granny thanks him for the info while he continues to just rant wildly. Upon leaving the store, the shopkeep follows them to tell Willy he has his keys which he apparently forgot earlier. During the rant, we are also treated to Hector teaming up with Hubie and Bertie to pulverize Sylvester. When Willy and Granny walk off, the others follow with Sylvester taking up the rear in a clearly concussed state. Bower also lets us know he hates keys for some reason. That’s sort of his thing, he hates everything. He’s also loosely based on the alcoholic drug store clerk from It’s a Wonderful Life, Mr. Gower, hence why he sounds vaguely intoxicated.

It’s a slightly off-model Cool Cat that arguably more resembles the Pink Panther. I’m going to stick with the assumption it’s Cool Cat, though it’s a bit odd that anyone would make the effort to try to find the lamest of the Looney Tunes characters.

Sylvester stumbles in the street and informs us the search continued “While visions of burly dogs danced in my head.” He slips on an icy sidewalk and finally goes down. Meanwhile, Willy is shown walking directly into a pole and it would appear a missing person sign on the pole contains an image of Cool Cat. It’s been there awhile, which makes sense since no one would actually look for Cool Cat. Granny tells her brother he needs to watch where he’s going. Sylvester chimes in to tell us that Granny’s patience is wearing thin while Willy dusts himself off. Out from his coat floats a piece of paper. It’s a ticket for a movie theater and Granny waves it in his face since he never mentioned anything about seeing a movie before the bank. Willy corrects her to say it wasn’t just a movie he saw, but a whole film festival! The subject of which was apparently Curly of The Three Stooges and Willy does his best Curly impression. Granny seems to be growing tired and demands to know if he went to the bank next or not. He didn’t. Instead, he mailed out his Christmas cards and gets mildly defensive about it when Granny shoots an angry glare his way as if it’s the cards she’s mad about.

Why does Granny insist on bringing her pets everywhere? It’s clear that Sylvester only cares about eating Tweety. Seems like it would just be easier to leave the cat at home.

The gang then heads to the mailbox that Willy apparently utilized to send out his cards. A mailman is there and is opening the base of the mailbox and out pops the Minah bird from earlier. He does his little walk-hop-shuffle once again and Hector follows. The bird disappears behind a lamp post leaving Hector more confused than ever. Willy and Granny were apparently granted permission to sort through the mail and Willy gets excited for a moment. Did he find his missing yellow envelope? No, he just found the Christmas card intended for Granny. She seems disappointed, but before she can say anything a passing cab stops to say “Hi” to Willy. The driver (sounds like Bennett again) thanks Willy for the tip he gave him this morning. Granny is once again angry with her brother for leaving out more important information and then asks the cabbie if it happened to be an eight-thousand dollar tip? He laughs and says “More like 8 cents,” before sharing with Granny that he drove Willy over to Rossi’s.

This horse thinks its hilarious.

We then cut to Rossi’s (I guess a play on Martini’s from the film) after Granny angrily demands they get in the cab. This time, the driver gets a twenty cent tip and sarcastically remarks how these two are going to spoil him. The fare was only $1.80 so twenty cents is honestly not that bad. I wouldn’t know what to tip on such a fare, though I can’t imagine $1.80 would get you very far in 2023. The cabbie then tells Willy he nearly forgot to remind him that he left something in his cab earlier. Willy is hopeful it’s his missing money, but it’s actually his horse. Yes, you read that right, he forgot a horse. And to add a little extra comedy to the whole thing, no one apparently noticed the horse during their most recent ride. The horse just a gives us all a good laugh and apparently no one has any reaction to this gag because we’re heading inside. Now let’s never speak of the horse again.

At least those feet are clean.

Rossi’s is an italian restaurant and Willy and Granny are greeted by the manager. He’s a tiny, italian, stereotype voiced by Jim Cummings and he asks Willy if he’s back for another hot chocolate. He’s not, but while the humans chat, Sylvester sets his sights on revenge. Hubie and Bertie see it coming though and they fling some sugar cubes at the cat which get lodged in his eyes. Rossi then remarks that Willy left something there earlier and gestures to it: a full, hot, steaming, bath tub. This guy has some tremendously deep pockets. The bath tub also has a rubber ducky floating in it and Hector pops up to get a closer look. The ducky then pops out of the water to reveal that the Minah bird was in there taking a bath. Hector finds this rather shocking and just sits there looking dumb-struck as the bird hops onto the edge of the tub, walks over Hector’s head, and off the screen to the right.

Stupid cat.

We now finally find ourselves at the bank where Willy supposedly lost his money. Again, no one is apparently going to address the crazy fact that this guy misplaced both a horse and a bath tub as well. They head into Totter Bank (instead of Potter Bank) while Granny insists that Willy tell her he’s sure that this was his last stop of the day. The two head inside and we’re introduced to old man Totter. He, rather predictably, resembles Potter from the movie. He’s small, bald, and wheelchair bound. Totter (Welker) races over to Willy, running over the foot of his handler in the process, to taunt Willy when he enters and asks if he’s back to try and score a free coaster without opening an account. Granny just declares he’s not a nice man which Totter seems to relish in. Outside, Sylvester goes back to chasing Hubie, Bertie, and Tweety referring to them as his little sugar plums. They duck into an alley and Sylvester races in to find snow depictions of the three. The stupid cat thinks the three are frozen with fear and gobbles them up, only to realize he was wrong. He looks at the camera with a pained expression, then reveals that all of his teeth have shattered. I’m not really sure why eating three snow versions of two mice and a canary would shatter his teeth, but okay. The camera pans up to show Tweety and the two mice enjoying Sylvester’s pain allowing Tweety to remark, “See? This is what happens when you don’t floss every day!”

Gasp! Totter had the money the whole time!

Back inside the bank, Willy shares with Totter the reason for their visit. If they think this man is truly one of wicked nature, I’m not sure telling him that eight-thousand dollars have been misplaced is really a good move. Totter just reacts angrily at the thought of Willy being in his bank to make a deposit with no money. He tells him it’s against the law and orders the two to leave immediately! Back outside, Sylvester is freezing while his foils look on. They apparently aren’t very interested in Sylvester’s misery and instead turn their attention to what’s behind the window they’re in front of. It’s an office, and Tweety notes a newspaper on the desk. In comes Totter being pushed in his wheelchair by some oversized goon even though we saw in the last scene that his wheelchair is motorized. He comes to the desk and opens the paper to reveal Willy’s missing envelope. He flashes the contents of it – a big wad of cash, then cheerfully places it in a desk drawer. Tweety and the others note that they have to do something about this and Tweety gives the camera a concerned look to serve as the act break. I’m assuming the animals can communicate with themselves, but not the humans. I didn’t watch enough of this show to know if it had rules or not, but those are pretty much the same rules as the classic shorts.

Totter is either not very bright or needs to see an optometrist.

We then cut to a rooftop at night and some individuals are making some serious grunting noises. It’s Tweety, Hubie, and Bertie and they’re holding onto a rope. The other end of which is in a chimney. At the end of that rope is Sylvester, and if you’re wondering where Hector is, he soon appears from between Sylvester’s robes. Robes? Yeah, they’re dressed as Santa Claus and Sylvester wonders aloud how they let the others talk them into this. The expression on Hector’s face would seem to indicate he feels the same way (he doesn’t talk, for some reason). The two get rather close to the fireplace, before the mice and canary predictably lose their grip. They crash to the ground in a heap of smoke, which gets the attention of old man Totter who is seated at his desk. He demands to know who is there, but upon seeing Sylvester’s disguise takes the bait. He asks “Santa” what he brought him and Sylvester looks a bit puzzled before apparently getting an idea. He reaches into his coat and comes out with a fitting gift: a dog collar. Totter is quite pleased with the kinky gift and even remarks that it matches his eyes. While he oggles the item, Hector reaches his hand out from the coat and grabs a stamp on the desk. The newspaper from earlier is still there, and the dog stamps it to indicate it came from the desk of Totter.

I had a feeling this bit would show up eventually.

Hector then grabs the paper and Sylvester gives out a “Ho ho ho” and a tug on the rope to indicate it’s time to go. On the roof, we see that the diminutive creatures have a plan for getting them back up the chimney: they’ve tied the rope to an anvil. They push it off the side of the building and it gets the job done, painfully so for Sylvester. As for Hector, he’s left behind in the office. He just smiles sheepishly at Totter, grabs his collar, and runs out the door. On the ground, Sylvester is shown with visions of Santa Claus flying circles around his head as he calls out the names of the reindeer, eventually getting them wrong because he’s suffered a pretty severe head injury. Hubie, Bertie, and Tweety come to check on him and when they open an eyelid we get the predictable “Do Not Open Till X-Mas” gag printed inside his eye. Tweety then scolds Sylvester for laying down on the job for they need to get that paper over to Granny and Willy. Hector then comes running by and grabs Sylvester by the tail and keeps on running forcing the little guys to chase after them. For such a big, beastly, dog, Hector sure seems scared of an old man in a wheelchair.

Well, I guess it is good that she brings all of the animals along since they’re the ones who cracked the case.

We find ourselves in the park where Willy and Granny are seated on a bench. Willy thinks the money is a lost cause while Granny tries to keep his spirits up telling him the answer isn’t going to just hit him in the face. It then does when Hector smacks him with the paper. Granny is happy to see them while Willy is confused since he’s looking at a story about aliens or something. Granny grabs it and notes a sarsaparilla stain, followed by cab grease, and more indicators that this paper belonged to Willy. They think they’re onto something, but when Willy spots the stamp with Totter’s name he just gets mopey again and assumes it’s not his paper. Granny, thankfully, isn’t so dumb.

And let us not forget the importance of the bird in all of this.

We then cut to Totter’s office and Granny is waving the paper in his face and accusing him of knowingly taking her brother’s money. Totter plays dumb at first, but then his desk bounces and shakes and a drawer opens. I bet you can guess who pops out: the Minah bird! He does his little walking routine as he hops onto the desk and marches over to Willy with an envelope in his beak. He hops onto Willy’s shoulder and he takes the envelope, the whole time everyone looks perplexed to see this bird. They then turn their angry gazes on Totter, who again tries to play dumb. Granny accuses him of taking the money to put Willy out of business and Totter cracks. Declaring “So what if I took the money?” He then goes into a rant about starting his own Totter-Ville and he’ll own everything. The cop that Granny and Willy apparently convinced to come along then starts wheeling the old man out as he starts wishing “Merry Christmas!” to everything he sees, George Bailey style, including the fireplace and Sylvester.

The second instance of something circling Sylvester’s head in this one. The gags just lack imagination.

With the old man wheeled off to jail, Willy goes to put the money away, only for Granny to wisely snatch it and promise to hold it for him. He then notices they still have time to make Christmas dinner at his nephew’s house, so he deposits the Minah bird under his hat and they make haste. Sylvester notes he’d like a drumstick or two and eyes Tweety who takes on the form of a roasted turkey to better illustrate what the cat is thinking. He takes off and Sylvester gives chase and the pair end up back in the alley. Sylvester dives and grabs ahold of the bird as they slide through the snow and end up in a pile of the white stuff. Sylvester pops his head out, then produces Tweety and goes to drop the bird in his mouth only to be met with a boulder-sized snowball. Somehow, Hubie managed to throw that thing at Sylvester and it looks like he added some bricks too since the dazed cat has one in his mouth. Tweety comes over with a tiny, silver, bell and rings it delivering the famous line “Every time a bell rings, an angel gets its wings.” Sylvester sits up and angel versions of himself are circling his head. He remarks, “Look at me, I’m giving out wings!” in a punch-drunk manner before collapsing once again as we close with an iris shot. Before the credits roll there’s an “In memory of Isadore “Friz” Freleng” which I believe appeared at the end of every episode in the show’s first season. Freleng was the originator of the Sylvester and Tweety shorts and passed away shortly before the premiere of the show at the ripe, old, age of 88. A fitting tribute for the animation legend.

If you really like the characters pictured above, then have at it. There’s a lot worse out there, but there’s also a lot better.

The Sylvester & Tweety Mysteries is a bit of an unremarkable series. The animation is okay for the era, though not as good as Animaniacs or Tiny Toon Adventures. It’s fluid though, it just lacks some of the flourishes of those shows and the gags aren’t especially novel. There’s basically no shading on the characters and it looks especially bad when Totter gets wheeled off to jail as he passes by a lightsource, but nothing on his character model changes. The premise still strikes me as a bit forced, but it works okay and was used as a means of getting in some cameos as we saw here with Hubie and Bertie and the Minah bird. It’s a show that’s not bad enough to be memorable as some abomination brought to television, but it’s also not really good enough to be remembered fondly as a classic from the 90s. And as a Christmas special, it’s kind of the same. I do think it’s an interesting premise and a useful way to work in It’s a Wonderful Life. Other applications are basically hack at this point and this one manages to be unique nearly 30 years later. It just doesn’t do anything special beyond that. There were no laugh-out-loud moments, no truly witty remark from any of the characters, and there’s also no heart to make up for the lack of comedy. It just exists and in this day and age it’s the type of Christmas special one comes to after they’ve exhausted all of their favorites. I suppose the real question is do I prefer this one to the show’s other holiday episode? I guess so? I don’t know. They’re both rather unremarkable, but I suppose the parody nature of this one makes it slightly more enjoyable. They work in plenty of references to the film, including snippets from the soundtrack, so if you really love that movie there’s some added enjoyment here. If not, then it just becomes a pretty haphazard mystery that doesn’t ask much of its audience. I don’t think this was the type of show that tried to be thoughtful with the mystery component. It’s just sort of “there” as a framing device and nothing more.

You could obviously do far worse with your time this year than spend it with Sylvester and Tweety. I would say if you only need one holiday themed short from the duo then you’re better off seeking out Gift Wrapped. If you have more fond memories of this show from the 90s then sure, go for it. I didn’t watch this one as a kid so I don’t have any attachment to it which is definitely something that’s working against it. I just never found the show interesting and often there was something better on. The show can be streamed on Max, whatever is left of it come publication of this piece, and I think it’s a part of Boomerang as well. The first season was also released on DVD way back in 2008 so it’s no longer in print, but can be found secondhand. The prices are fairly reasonable should you want to go that route, but if Warner dumps this from Max then it could see a bump.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 6 – Silly Symphony – “Santa’s Workshop” (1932)

Back in 1929 Walt Disney launched the Silly Symphonies series of cartoon shorts. Unlike the Mickey Mouse shorts that were growing popular at the time, Silly Symphonies did not center on just one character or even a group of characters, but rather were fairly self-contained. Some shorts that became popular, like The Three Little Pigs,…

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Dec. 6 – Christmas in Tattertown

Nickelodeon in the late 1980s was a network on the rise. Cable was expanding to more and more households each and every day and Nick was able to seize the youth market almost from the get-go. Prior to that, broadcast networks dominated children’s programming, but restricted it to certain parts of the broadcast schedule. And…

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Dec. 6 – Christmas Flintstone

The Flintstones have a well-established relationship with Christmas at this point. There have been a few specials, some even prime time, and plenty of home video releases. For that reason it’s a bit interesting that the show actually waited until its fifth season for its first Christmas episode. At that point, the show had been…

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Dec. 5 – A Flintstone Christmas

Original air date December 7, 1977

It’s the fifth of December so that means we are returning to one of the 25 Greatest Christmas Specials (as decided by me because it’s my blog) to take a deeper look than what was done some 8 years ago. When I re-evaluated my Top 25, one of the biggest fallers was A Flintstone Christmas. It dropped from number 9 all the way down to 25! I attribute that drop to some of the shine waring off. When I did that countdown in 2015, I had probably only had the DVD for A Flintstone Christmas a short while. Prior to that, it was a thing I felt like I had to get lucky to catch on TV as a kid. It was the sort of special I only saw once a year, if that, so it never had a chance to ware out its welcome. Now that I own it, I’ve easily more than doubled my viewings over the years from when I was a kid, and while I still enjoy it, I do see more of the flaws. And at approximately 48 minutes, it gets a bit long. Had I known I was going to revisit all of these specials in the future in more detail, maybe I would have dropped it all together? Doing these write-ups for a broadcast hour-long special is pretty tiresome. I could have saved myself a whole lot of time if I just kept Morel Orel, but that would also be cheating! I think this one still belongs, even if just barely, so lets get to it.

A Flintstone Christmas was released in 1977 by Hanna-Barbera as one of the first post The Flintstones television specials. For all of the comparisons that we used to see between The Flintstones and The Simpsons, The Flintstones never had nearly the kind of run The Simpsons is still having. That’s true of a lot of shows, but I can still recall when passing The Flintstones was an important milestone for The Simpsons so it’s always a bit surprising to be reminded that The Flintstones aired from 1960 to 1966. This special came out more than ten years after the show had ceased production. It obviously aired seemingly endlessly in re-runs and there were spin-offs, but the show proper had a somewhat short existence. This special was apparently pretty successful though and the franchise gained new life via a series of specials in the early 80s. These cave people refused to die, though now they’re mostly cereal and vitamin pitchmen.

During the show’s run, there was the episode “Christmas Flintstone.” We’ve already covered that one extensively here, but to summarize, Fred ends up taking on the role of Santa Claus to basically save Christmas. For A Flintstone Christmas, the same plot is recycled and expanded upon with some differences. Perhaps most notably, Barney is now along for the ride. And since this was a television special, the running time is doubled and we get some songs tossed in. Perhaps most notably these days, is the circumstances for Fred taking on the Santa role have been altered. In “Christmas Flintstone,” Santa has a cold and has his elves track down the guy he thinks is best at playing him which turns out to be Fred. In this special, Santa falls off of Fred’s roof and gets hurt so he needs Fred to take over. It’s a plot that’s pretty damn close to a certain movie starring Tim Allen. Of course, in The Santa Clause old Saint Nick actually kicks the bucket. That movie was more interested in showing how some jerk can basically turn into Santa Claus and assume that identity permanently. A Flintstone Christmas just wants to put Fred in a sled.

The Flintstones are probably a safer bet than this drugged-out dog and mouse.

Something I did not talk about when first covering A Flintstone Christmas was its relation to another Hanna-Barbera Christmas special: A Christmas Story. That special about a mouse and a dog trying to deliver a letter to Santa doesn’t share any plot details with this one. It doesn’t even feature any popular characters. The only thing it does share with this special is the music. Multiple songs from the 1972 special are recycled and repurposed for this one. It’s pretty odd, and I can’t find any account for why that took place, but I have some thoughts. A Christmas Story, not featuring any recognizable Hanna-Barbera characters, may have been viewed as a dud. It’s a lot easier to market Fred and Scooby-Doo than it is Goober and Gumdrop. That special was also written by Ken Spears and Jack Ruby, the former top duo at Hanna-Barbera who would leave to form Ruby-Spears animation. That duo is credited with creating Scooby-Doo and they left Hanna-Barbera in 1977. Ruby-Spears was created to compete directly with Hanna-Barbera, so maybe burying their Christmas special and using some of the assets to create this new one was a shot at them? Considering the timing, that seems unlikely, but it is more juicy to think of this one as born out of a grudge between the aging duo of Hanna and Barbera waging war with their former proteges.

I suppose it’s time we just dive into this one since this is going to be a rather lengthy write-up. For A Flintstone Christmas, most of the case of The Flintstones was able to return. One person who was not was Alan Reed, the original voice of Fred Flintstone. He passed away in 1977 opening the door for Henry Corden to assume the role. This was not Corden’s first time voicing Fred, but it was probably the most exposure his Fred voice had received as previously he was doing things like records and wrap-arounds on package shows as the character. He had also already been Fred’s singing voice in The Man Called Flintstone as singing was something Reed either couldn’t do or disliked doing. As for the rest of the cast, both Mel Blanc and Jean Vander Pyl were back as Barney and Wilma. Gay Hartwig voices Betty Rubble and she had been doing the character since 1970, though she had never voiced Betty on the actual series. Also returning is John Stephenson as Mr. Slate and Hal Smith as Santa Claus. Smith was basically the Hanna-Barbera Santa. Making her debut as Bamm-Bamm Rubble, is Lucille Bliss, a prolific voice actor who, to my surprise, didn’t voice Bamm-Bamm much. He and Pebbles (voiced by Vander Pyl) are basically kids in this one and I don’t think there is a ton of Flintstones productions where they are at this age so that might explain things.

Betty and Bamm-Bamm are just along for the ride, I guess.

The special begins with a snowy setting. Dinosaurs are peering around and some serene music fills the air. The song is “Sounds of Christmas Day,” our first piece of recycled music from A Christmas Story. After we’re shown the title, a sleigh comes into frame. It’s being driven by Wilma and she’s joined by her daughter Pebbles, friend Betty, and her son Bamm-Bamm. The sleigh is being pulled by a blue mastodon and they’ve just picked out their tree for Christmas. Curiously, only Wilma and Pebbles have selected a tree and it would seem the Rubbles are just along for the ride. They’re rather content with their selection though as they head towards Bedrock.

I’m a little jealous of Fred and Barney’s relationship. I wouldn’t mind having a buddy to do my Christmas shopping with.

In the snowy town below, Fred and Barney are roaming the streets. They’re dressed as they always are, but they’ve added a scarf to fight the cold. They still have not invented shoes, apparently, so they’re just walking through the snow in bare feet. Barney remarks how another Christmas is upon them which allows the two to reminisce a bit as they look at toys through a shop window. Already, the special has committed a sin against The Flintstones brand by depicting a toy train that’s just moving on its own without any explanation for how it could be powered. I’ll overlook the lighting in the street, but come on, at least have it being pulled by a mouse or something!

A lot of people get in on the Santa act this time of year, but I can’t say I’ve ever seen this many in one spot.

As the two walk through town, Barney keeps casually tossing coins into the collection buckets manned by bell-ringing Santas all about town. Fred makes a crack about Barney going Bro-bro-broke this holiday season if he keeps this up, but Barney confesses he has a weakness for Santa. And since there are so many, he has to keep donating just in case one of them happens to be the real Santa! This leads us into our first song break of the special, “Which One is the Real Santa Claus?” This is another of the recycled songs from A Christmas Story and it’s basically the same, only now Fred and Barney get to interject here and there as they look over these Santas. The premise of the song is just to show us a bunch of different people playing Santa, and Fred and Barney get to point out the inaccuracies like the one with his whiskers tied to his head or the one with a belly full of straw. The recording sounds like its exactly the same from A Christmas Story, and even Fred and Barney’s comments are the same as Gumdrop’s remarks. It’s amusing to me that they apparently didn’t bother to re-record it, but I guess they liked it as-is. I will say, the animation is more lively for A Flintstone Christmas and not as repetitive. And it’s a good observation for a Christmas special to base a song on.

When the song is finished, Fred and Barney resume this town crawl they’re on. I assume they’re Christmas shopping since Fred does have a gift under his arm. Their meandering leads them to a pet shop where the two look at a bunch of little dinosaurs that look in Dino. Fred thinks one looks like his boss, I guess because it’s small? Barney ponders the thought of getting Bamm-Bamm a pet for Christmas (I thought they had Hoppy?) and theorizes that one could double as a guard dog. When Fred laughs and points out how little the pup is, he gets bitten on the finger for underestimating the runt.

Since it’s the morning of Christmas Eve I guess they didn’t wait until the last minute.

The next morning, the Rubbles approach the Flintstone’s house. Barney is apparently giving Fred a ride to work while inside Fred is decorating the tree Wilma and Pebbles picked out the night before. It seems an odd time to decorate a tree, but maybe it’s an ancient cave man custom? Barney yanks the door bell, which is a monkey’s tail. He’s alerted to ding some bells which are colored red and green for the holidays. When done, he just goes back to sleep. What? No sarcastic remark?!

Fred must have one hell of a tree stand under that tree skirt.

Fred, who is on top of a ladder in a precarious position, seems excited that Barney is here to take him to work. Dino is excited too and his running by caused Fred to teeter. Eventually, the ladder will fall leaving Fred dangling from the tree like an oversized, grumpy, ornament. As the Rubbles enter and admire the tree, Betty quietly asks Wilma if she had a chance to ask Fred about something. She has, twice, and he’s said “No” to whatever this secret request is. Barney and Fred need to have a contest of ornament placement for some reason, with Barney selecting a spot for the final one (they all look like painted rocks) that Fred disagrees with just because they’re men and everything has to be a competition. He then places it in the spot he declares is perfect with predictable results. The tree falls on him pinning him to the floor, but good thing Barney is here to remind us that Bamm-Bamm is the strongest kid in the world and he effortlessly picks the tree up with one hand to free his Uncle Fred.

You know Wilma, he’d probably be willing to play Santa if you stuck up for him every once and awhile when someone calls him fat.

Wilma thanks the lad for his assistance then tells Pebbles to take Bamm-Bamm to go listen to some records because she needs to talk to her father. When the kids are gone, Wilma and Betty try to bring up the topic again. It seems that a local women’s group is hosting a gathering tonight, on Christmas Eve, for the town kids and they want Fred to play Santa. Fred refuses on account of the guys at work will poke fun at him and right on cue Barney wonders where they could find a suit big enough to fit Fred. Fred uses that as proof of what he’s talking about and refuses to discuss it further. Barney kisses his wife goodbye while Fred storms off. He then pops back into frame to give Wilma a kiss as well (on the cheek, these guys are still prudes) which softens her demeanor. They don’t seem too discouraged by Fred’s refusal, likely because they have an ace up their sleeves. Or they would if they wore sleeves.

You have to be close friends to be willing to ride in that together.

We next find Barney dropping Fred off for work. Barney’s car appears to be a hollowed out log on wheels. We only see it from the side, but it sure doesn’t look like a two-seater. That must have been a very uncomfortable ride (or perhaps extremely comfortable, depending on how they feel about each other). Fred heads into work and is immediately told by the foreman, Ed (Don Messick), that Mr. Slate wants to see him. This immediately unnerves Fred, but Ed doesn’t care and cheerfully tells him that he’ll help Fred look for a new job. Nice guy.

The dinosaur being named Otis is a smart touch.

Fred heads inside to the elevator and pulls the lever to take it down. As he does so, he’s just muttering to himself trying to reason why Mr. Slate would want to see him. It’s a reassuring exercise as he’s trying to convince himself there’s no way he should be fired. Once the elevator is engaged, we see it’s operated by a brontosaurus like dinosaur. He’s green and he operates the elevator via a rope in his mouth. When Fred pulls the lever, the guy on his back (voiced by Hal Smith) gives the command to start moving which lets the elevator go down. He then complains the dinosaur is moving too slow and that this is supposed to be an express elevator (it’s only one, maybe two stories at most). The dinosaur just looks at the guy and says “Huh?” and as he does he lets go of the rope causing the elevator to plummet to the bottom. Fred is in such a daze though that he doesn’t even notice and continues walking like nothing happened.

I probably don’t need to tell you what he’s saying. You know.

Outside Mr. Slate’s office, Fred tells the secretary he’s here. She speaks into an intercom telling Mr. Slate that Flintstone has arrived and a little purple bird makes a stereotypical parrot sound and flies off. It lands in another intercom box in Mr. Slate’s office and repeats what the secretary said. Mr. Slate calls for Fred to enter, and the bird flies off and relays the message. After doing so, he mugs for the camera and remarks, “Eh, it’s a living.” I feel like anytime someone makes a joke about The Flintstones in such a way that’s the line they always parrot, pun intended. Family Guy has definitely done this, right? I wonder how many times that line has been delivered by a creature on the show in a similar manner?

Oh Fred, have some dignity.

Fred enters the office and asks Mr. Slate what he wanted to see him about. Mr. Slate starts talking about a new job for Fred which immediately causes him to start groveling. He dives under Mr. Slate’s desk so he can grab his ankles and beg which just annoys the guy. He requests Fred to grovel standing up and Fred does as he’s told. This is so pathetic, Fred. Mr. Slate then tells him that the Women’s Auxiliary Club is hosting an event for underprivileged children and that Mrs. Slate wants Fred to play Santa Claus. This is the exact same gig Wilma and Betty were trying to get him to take, but since it’s now coming from his boss, Fred is more than happy to accept. He shakes Mr. Slate’s hand so hard that it won’t stop shaking. Fred happily scoops up the box containing the Santa suit and assures Mr. Slate he won’t regret this. As he heads out, he exits through a door that is clearly not the one he entered through. He closes it behind him, but then reemerges to wish Mr. Slate a “Merry Christmas!” Slate then orders Fred to get out of his closet and he sheepishly pokes his head out and apologizes referring to him as “Boss” in the process. Pathetic.

Always a popular move to have your main character build a snowman.

With that settled, Fred can now merrily exit the office. He punches in, and we see a tired, worn out, little bird has to chisel the time cards each time someone punches in and out. He’s too tired to offer a quip of any kind. There’s then a time skip and Fred is leaving work much happier than he entered. He tosses a coin to the first Santa he sees before going into his solo song – “It’s My Favorite Time of the Year.” This is Fred just galivanting about town telling us how Christmas is his favorite time of the year. Similar to “Which One is the Real Santa Claus?” Fred will sing a part then interject a comment of some kind like “Every house wears a blanket of snow!” This breaks up the melody, which is a bit jarring and an odd choice. We also get another shot of a toy train, different from before, and for some reason Fred indicates it will soon be his? I may have missed a detail in the song. It ends with him putting his turtle shell helmet on a snowman some kids made before stepping on a sleigh that sends him hurtling towards the neighborhood.

I can’t decide if Dino is being sweet or weird. This goes on for minutes.

When Fred arrives, his helmet has returned to his head and he eagerly heads into the house calling for Wilma. Dino (Blanc) has other plans as the dinosaur practically mauls his beloved master and Wilma has to get him off. She points out that Dino just loves him, and as Fred stands and tells Wilma the now good news Dino has a hand on his shoulder like a supportive lover. It’s both adorable and a little weird. Fred then tells Wilma how Mrs. Slate wants him to play Santa Claus at the party tonight. When Wilma asks what changed his mind, Fred starts to go over the events from earlier, but he retells them in a very different manner. In his version, Mr. Slate called him into the office and started buttering him up and told him he was selected for his fantastic acting ability (Fred already asked Mr. Slate if that was the reason, and the bird from the office confirmed it was because he’s fat). He’s excited now though and Wilma, who likely sees through her husband’s ruse, just lets him have this small victory.

You would think Mr. Slate could afford a better suit.

With Pebbles across the street at the Rubbles’ house, Fred is free to try on the suit Mr. Slate gave him. He’s a bit dismayed to see it’s pretty rugged looking. Wilma assures him he’ll look better with the hat on which seems to work to cheer him up once he places it upon his head. Strangely, there’s no beard with this suit which seems like a pretty serious omission. Barney then arrives and he’s able to get in a bunch of fat jokes at Fred’s expense. Seriously, is Fred really that big? He looks pretty normal for a character on this show. Anyway, Fred even tries to just go along with him this time claiming he’s dedicated to the role, but Barney just keeps going and Fred has to basically threaten him with violence, in a subtle manner, to get him to stop. Fred’s actually a decent guy for not going low with return insults. Barney is both short and also struggled with infertility, those are some easy targets. Wilma then announces she’s leaving to help set up for the party. She blows her husband a kiss and heaps a ton of praise on him for doing what he’s doing. It’s actually really sweet.

Maybe the presence of footwear on Santa indicates that he exists outside of time?

As Fred and Barney muse about what a great “gal” Wilma is, they hear a crashing sound coming from the roof. They race outside and see what should be two unfamiliar objects poking out of a snow bank. They’re boots, and apparently they do know what boots are despite never wearing any. Fred and Barney both give a tug which just causes the boots to come off. When they wonder who they belong to, a voice from offscreen says “They’re mine!” It’s Santa, and he has completely emerged from the snow bank with not a flake upon him. He’s been redesigned since “Christmas Flintstone” and looks far less ragged. Fred is wondering what this guy is doing so far from his street corner while Barney immediately recognizes the guy for who he is. He then complains to Fred about his roof and describes it as an obstacle course up there. The guy’s hurt too, so Fred decides they better bring him inside.

Not many mall Santas have one of those.

Once in the house, Santa requests the use of Fred’s telephone. Fred says okay, but tells him no long distance calls! Santa then flops on the surely comfortable stone couch and asks the operator to connect him with The North Pole. Hey, he said no long distance! Fred hears this and surprisingly doesn’t get mad, instead he tells Barney to go alert the asylum that one of their boys got out. Barney reluctantly does as he’s told, but once outside he hears something which directs his gaze to the roof. Sure enough, upon that roof sits Santa’s sleigh and eight reindeer. Surprisingly, we’re playing it straight with the reindeer and not going with some sort of dinosaur hybrid. Barney shouts out for Fred to come and see this and initially Fred tries to silence him so as not to alarm the neighbors. Fred then finally looks at the roof and sees what Barney sees. Finally, he’s convinced this is the real Santa which excites the crap out of him! He jumps up and does his running in place gag and yanks Barney backs inside the house.

Now they’re starting to look the part.

Now that Fred has been made a believer, the three of them can get down to the matter at hand. Not only is Santa injured, he’s also caught a cold. Fred points out the obvious that Santa is in no condition to deliver presents tonight and Santa is forced to admit that sad truth. He can’t take a day off though, not on Christmas Eve! He then wonders how he could possibly find someone jolly enough, and fat enough, to replace him. Barney is happy to point out that his chubby friend is the perfect fill-in and even volunteers to be Fred’s elf helper. Santa thinks this is a great idea and uses some Christmas magic to outfit Barney with a green tunic with orange stockings and a hat. Fred, in his rather sad excuse for a Santa suit, can’t be seen in public like that so Santa uses his magic to bestow his suit on Fred instead complete with a big, white, beard. Fred is pretty smitten with his new threads, and after Santa thoroughly confuses him with instructions for piloting the sleigh, Fred vows to not let Santa down! He then immediately trips over Santa’s legs and falls flat on his face. Santa seems less than confident about what’s about to take place, but I say cut the guy some slack. This is likely his first time ever wearing boots!

There aren’t a lot of effects shots in this one, but the glittering sleigh is at least a nice touch.

Up on the roof, Fred tries to remember how to start the sleigh. Barney reminds him that he has to call out the reindeer by name and we soon find out that Fred has no idea what their names are. As he embarrasses himself, Barney is left to chuckle and then correct him. He calls out the reindeer’s names and as he does we pan to each one like the animators are showing off that they did indeed draw eight of them. The sleigh rockets into the sky and Fred congratulates himself for remembering. The animation of the flying sleigh isn’t super ambitious, but it is nice looking as there’s a lot of sparkle effects added like it’s running atop a glittering road.

This is going about as well as expected.

Fred and Barney arrive at the first house and Fred dives into the chimney with his customary “Yabba dabba do!” and has a fairly harsh landing. At least the fireplace wasn’t lit. Barney calls down to see if he’s okay and Fred sarcastically tells him he loves falling down chimneys. He then calls for the presents and Barney just dumps them down the chimney burying his friend below. Some helper. We then cut quickly to the party that Fred is supposed to show up at. Mr. Slate is wondering where Fred is while Wilma is there to assure him that Fred will be along soon. We’ll be checking in on this situation a lot tonight. Back at the house, Barney asks Fred if he’s done yet only for Fred to reply that he’s been done for awhile, he just can’t get back up the chimney. Barney suggests the front door and Fred agrees that’s a sensible solution to his problem. He quietly exits the house, but as he does he fails to notice the “Beware of Dog” sign. A little triceratops style dinosaur sneaks up on Fred and bites his foot. He howls, but the pain caused him to jump up onto the roof so I’d say mission accomplished!

Apparently, things have to get worse before they can get better.

At the next house, Fred has decided that it’s Barney who should go down the chimney instead. He has Barney standing on the chimney with a rope around his waist that Fred is holding onto at ground level. He’s wrapped it around the mailbox for added security. Barney has to ask why it’s he who is going down the chimney now and I assume he just wants to hear Fred admit that he’s too fat. With a chuckle, Barney jumps down the chimney, but he does so before Fred can yell “Go!” His descent catches Fred by surprise pulling him up onto the roof and into the chimney as well where he gets stuck with his feet sticking out. I wonder how many more fat jokes we have to endure?

It’s now time for a montage! Clearly, if we were to follow Fred and Barney to every house this thing would last way longer than 48 minutes so instead we just see them fly past obvious, global, landmarks while presents rain down from the sky. It’s set to the main theme of the special in an instrumental fashion, but soon some lyrics come in. “Sounds of Christmas Day” is performed as we see kids receive their presents which fall from the sky. They celebrate Christmas by ice skating, sledding, and doing what kids love to do most on Christmas Day – open presents!

And things were starting to turn around too.

When the song is over we check in with Fred and Barney. They’re feeling mighty good about the job they’ve done and Fred informs us they’re halfway through. Unfortunately, we have about 20 minutes left in this thing still to go so we need some conflict. Enter: The Storm! Turbulence causes things to get pretty bumpy in the sleigh. Fred tries to fly over it, but it’s no good. We see the pair bounce around and then cut to a close-up shot of the sleigh to see that there are no presents in the sleigh! This is a true Christmas emergency, but we back out for a longer shot and see the presents are returned. Phew, it was just an animation error. Wait a minute! They’re bouncing around again, and now the presents have bounced out! Oh, woe be to Christmas, presents for half of the kids in the world just fell out of the sleigh to land who knows where. This is a problem.

Falling off the roof probably wasn’t fun, but this is still a pretty sweet gig for Santa.

Barney soon takes note of a CB radio in the sleigh. He suggests they see if they can contact Santa via that device and Fred jumps onto it calling out for Santa. Barney tells him he can’t talk like that on a CB radio, you have to use CB talk! Barney takes over and calls out “Sky Sled to Big Red, do you have a copy?” which allows Fred to ask “A copy of what?” I’ve definitely never heard that one before. Eventually, Santa does answer and we see him back at Fred’s house where he just pulls the radio out of…lets not speculate. He doesn’t even let Barney explain and tells him he knows that they blew it. Fred then jumps on and tells Santa about the storm and, to Santa’s credit, he sounds concerned for their well-being upon hearing that detail. Fred tells him what happened, and Santa declares there’s only one thing they can do: head back to the work shop for more toys.

If I were William Hanna or Joseph Barbera I would have this background hanging on my wall. I’d also be dead, so maybe it’s not so bad that I’m not one of them.

This is the point of the special where things start to feel a little long. This is clearly a detour that exists to just pad this one out, but it is what it is. Santa phones ahead to alert the shop to expect the two and we soon see Fred and Barney arrive. The exterior of Santa’s place is lovingly painted with the northern lights hovering in the sky overhead. The two head inside and are greeted by Mrs. Claus (Virginia Gregg) who tells the two the work shop is already working hard to fill the order. Barney and Fred take some time to admire the toys and when Mrs. Claus remarks they have the biggest Christmas list in the world, Fred gives her a “Yeah” that sounds so unimpressed, but I think it’s unintentional.

Maybe this sequence exists because someone felt we had to see the work shop?

The two offer to assist in the work shop and Mrs. Claus, either humoring them or admitting they need all the help they can get, leads the pair in. They have to take a tram of sorts to get there and in no time at all Fred and Barney find themselves accidentally on the assembly line. Fred gets painted blue and the two get stuffed in a box by an automatic wrapper. They poke their heads out to take in the sights and see the elves hard at work. At this point, another song has kicked in and it’s called “A Brand New Kind of Christmas Song,” which sounds like the type of song one would write when padding out a Christmas special. It’s fairly unremarkable, but also not offensive or anything, and it has this horn gimmick it returns to frequently. Fred and Barney, predictably, are of no help as they act like kids might if they happened upon a magic toy shop. About the most help they provide is singing the final verse of the song.

Thank goodness these kids aren’t armed.

When the song is over the pair thank the elves and Mrs. Claus and say their goodbyes. Fred tries to recall the names of the reindeer, but can’t get past Dasher without the aid of Barney. He only calls out four names, but the reindeer get the idea and take off anyway. As the two remark what a great lady Mrs. Claus is, we cut back to the Bedrock Hall where Fred is supposed to make an appearance as Santa Claus. At this point the kids are all loudly demanding that Santa show his face and the adults don’t know what to do. Mr. Slate is more than a little irritated and threats of someone getting fired have begun. Wilma wonders where they could be and checks her watch. It’s digital, but it displays time in Roman numerals so…eh? Betty tries to reassure her that they’re probably planning a dramatic entrance, but Wilma is unconvinced and walks off wondering if Fred will lose his job. This leaves Betty to break the fourth wall by telling us that will be a great Christmas present – a pink slip. It’s a common style of delivery for jokes on The Flintstones, but it feels weird without a laugh track.

When the realization hits that you’ve ruined Christmas by saving Christmas.

We then rejoin Fred and Barney as they deliver toys. They’ve solved their chimney problem by having Fred just drop presents from the sleigh down the chimney -that’s convenient! Barney remarks this is like having a party which causes Fred to remember the actual party. He immediately gets knocked off his game since he is sure that Mr. Slate will fire him for being a no-show tonight. With no other thing they can do, they call Santa once again. This time we’re not privy to the conversation and instead we jump forward in time so Fred can tell us that Santa told them to push the super speed button in the sleigh. Now that we’ve deus ex machina’d this little problem it’s time to return to Bedrock Hall.

There’s going to be a lot of stale cookies in the morning out there.

And at the hall, the kids have not let up and Mr. Slate is implying there will be violence the next time he sees Fred. If you thought that meant he and Barney were about to show up then you’d be wrong. The special instead feels it’s important that we jump back to Fred and Barney just to see them make the last delivery. The super speed button is the biggest cheat code in any Christmas special as it allows them to zoom over a village and the presents just fall from the sky like homing missiles. They know where to go apparently, and so does Fred as he commands the reindeer to head for Bedrock!

Pebbles’ idyllic Christmas.

In Bedrock Hall, Mr. Slate is now apparently hiding from this agitated mob of children behind a curtain. He tells Wilma that if Fred doesn’t show up in one minute he need not show up at all – here or at work! Wilma looks rather concerned, understandably, but has to put on a happy face as Pebbles approaches and declares that Santa isn’t coming. Wilma tells her she needs to have hope, which is when another recycled song from A Christmas Story enters – “Hope.” It’s a melancholy little song and it’s really not bad if you’re into that sort of thing. As it’s played, we see images of Pebbles waking up on Christmas morning and heading for the tree. We see Fred and Wilma looking on and exchanging gifts as well. I like the closing line of “Hope believes in Santa Claus,” and it’s a sequence I really want to love, but at this point in the special it’s arriving when we’re firmly in “Get to the fireworks!” mode.

Welcome, Santa!

And we are finally there as we cut to Fred and Barney flying over Bedrock. They basically crash land on the roof of the hall which throws them from the sleigh and down the chimney. They land on their butts, but the kids don’t care about style points tonight as they immediately start cheering for Santa! Mr. Slate looks rather bewildered at the entrance, maybe he’s a bit shocked to see how well the ratty old suit he gave Fred earlier looks on him, and he soon approaches the pair. Betty and Wilma embrace in relief that the two arrived while Mr. Slate angrily gets in Fred’s face. “Ten seconds more and you would have been fired Flintstone!” His face then immediately switches to a smile as he adds, “But not after an entrance like that! Welcome Santa Claus, welcome to Bedrock!”

If Santa can just magic-up presents when he needs them then why did they have to go back to the work shop after losing all of the presents? Why have a work shop at all?!

Unfortunately for Fred, he doesn’t have time to bask in the praise he just received from his boss because these kids are demanding presents. Fred reaches into his sack to retrieve them, only to find it empty. It’s at this point he realizes they got rid of all the presents in the sleigh and have none left. The kids are practically frothing at the mouth as Barney encourages Fred to try and see if he has any of that Christmas magic in him. He concedes that he can try, while Mr. Slate is thoroughly confused at what they’re talking about and demands they produce presents! Fred points his mittens at the bag and it explodes with presents! They land on the floor around them and the kids stampede on over. In yet another sign that we’re stalling for time, the animation cycles twice of the kids running so we see Pebbles and Bamm-Bamm, along with the other random kids, run past the camera twice despite said camera remaining in a fixed spot.

He makes it look so easy.

Fred and Barney bask in the glow of a job well done, but only for a moment as they soon realize they left Santa back at the house. They run out of there and race back to Fred’s house where the jolly old elf has apparently made a full recovery. He thanks the boys for a job well done and even offers that, should he ever find himself in another pinch, he’ll be calling. Santa then takes back his suit and he needs to get out of there because Wilma, Betty, and the kids are approaching. The women are also pretty salty at Fred and Barney for not staying to help clean up so they will have some explaining to do. Before Santa can leave though, Fred has to ask him one thing: how to get back up the chimney? Santa gives a chuckle and apologizes for not telling him how. He then demonstrates by placing a finger beside his nose, and then up the chimney he goes in a cloud of sparkles.

Time for the boys to come clean.

The gang then enters and Pebbles and Bamm-Bamm are still excited from their visit from Santa Claus and his elf. Fred and Barney give a little chuckle as Wilma and Betty storm over and demand to know what happened with them tonight. There’s no sense in hiding it, so they tell the truth: Santa fell off the roof and they had to pitch in and help with the presents. Wilma and Betty laugh and when Fred suggests they don’t believe them Wilma adds “Of course I don’t!” However, they’re still pretty smitten as well following that grand entrance and just can’t stay mad at their boys.

Fred getting bailed out by Christmas Magic yet again!

It’s then proposed that they exchange presents. Betty starts off by giving Barney his and he, in turn, pulls a present out from behind his back. Just where was he hiding that thing? Wilma hands Fred his and Fred reaches into his pocket to find…a hole. It’s implied he forgot, but lucky for him a certain magic man in a red suit owes him a favor. A wrapped present comes floating out of the fireplace and lands in Wilma’s hands. She laughs and remarks what a thoughtful way to deliver her gift completely ignoring the implausible nature of it all. She then does exactly what parents tell their children not to do -she openly speculates that it’s the present she wants most as she opens it. Seriously Wilma? That’s a real dick move! Fred can only cross his fingers that Santa got her the earrings she apparently wanted, but since this is Santa we’re talking about, Fred has nothing to fear. The gaudy sabretooth earrings are indeed in the box and both Betty and Wilma admire them. We don’t get to see what anyone else got.

Safe to say that these two will never lose the Christmas Spirit.

Wilma thanks Fred, and he apparently learned something tonight to not take credit for other people’s work (like he did with Barney all night) and tells Wilma she should really be thanking Santa. The kids then start calling out that they see Santa flying in the sky from the window. Wilma and Betty have a giggle at the imaginations of children while Fred and Barney race over to the window and start waving bye themselves. The women seem stunned a moment, but then laugh again. Wilma remarks that they certainly have the Christmas Spirit and Fred and Barney confirm to her that they sure do. We cut to the sky and are treated to a moon shot as Santa flies by. It’s he who gets the customary last line as he calls out “Merry Christmas to all!” and we close on a shot of Bedrock from sky level.

They sure know how to end a Christmas special.

That is definitely a long one, but a charming one. I wasn’t shy about sharing my thoughts on when things started to feel like they were overstaying their welcome, but I enjoy the final pay-off at Bedrock Hall. Mr. Slate essentially does a Scrooge routine where he acts like he’s about to make life miserable for the protagonist, only to turn the tables on him. It’s effective and I love it here. The overall plot is also a good one. It’s easy to lose sight of that since it is so similar to “Christmas Flintstone,” but having your main characters take over for Santa on Christmas Eve is a good premise. Certainly far better than a parody, which The Flintstones will resort to in the future.

This being Hanna-Barbera, the animation isn’t anything to write home about. It’s better than a typical TV show and at least we get new character models with Fred and Barney in their Santa and elf costumes. They did do all eight reindeer, so I’ll give credit there since so many shows skimp on that detail, and the shots from the sleigh look rather nice. There’s just little to no attempt at special effect shots. Dino tackles Fred offscreen, Santa emerges from the snowbank offscreen, shortcuts like that permeate this one. There’s also a liberal use of recycled animation throughout. The train set from the beginning of the special is the same train set we see at Santa’s work shop, for example. It adds to the padded nature of this one. It definitely didn’t need to be 48 minutes, though I do think having a little extra than a typical episode of The Flintstones helps. A recut would certainly benefit the special. Or, if instead of making it shorter we just got to see more Fred and Barney delivering presents hijinks instead of the North Pole that might have been better. We basically see them deliver gifts at just two houses.

The train set so great we had to see it twice.

The music is rather pleasant throughout. “Sounds of Christmas Day” is essentially the theme of the special and it’s lovely as an instrumental. The special didn’t rely on public domain music, though it did recycle songs from that other Christmas special. It’s kind of funny that they did because those songs weren’t remarkable by any means, but again, it’s probably better than hearing “Jingle Bells” once again. The only song I could have done without is the one from the work shop, but that whole sequence could be dropped, as far as I’m concerned. And even though I said it was weird for Betty’s joke to lack a laugh track, that doesn’t mean I miss one. It’s actually really refreshing to watch The Flintstones and not have to hear one every 10 seconds.

I’m happy with where I have this ranked, but it could have been higher without this needless detour.

Is A Flintstone Christmas one of the top 25 Christmas Specials of all time? For me it is. I’m not really a fan of The Flintstones, but I did watch the show a fair amount growing up. I’ve always liked the premise more than the execution when it comes to the show. I can’t really remember any specific episodes in great detail from my youth as it was one of those shows that was just on. As such, I don’t think nostalgia is playing a huge role in my enjoyment here. I suppose it is in the sense that I did get a little excited when I would come across this special as a kid just because it was something I didn’t see a lot. As someone who watched the same specials over and over year in and year out you can probably see how anything that felt “new” to me could be appealing. And yet, aside from the over reliance on fat jokes, this one charms the hell out of me. If it was just a little tidier it would be better, but as is, I still enjoy it quite a bit and I think you will too.

If you would like to make A Flintstone Christmas part of your Christmas viewing this year, it’s both easy and a little difficult. The DVD is one of those burn-on-demand releases and can still be found for fairly cheap and it comes with A Flintstone Family Christmas, a decent 90s addition to The Flintstone world. The special is available to rent on Prime video and Vudu, but is not presently on a streaming service. It is available for free on The Internet Archive and in great quality at that. It’s also available in other corners of the internet for free, but maybe at a lesser quality and likely with a Cartoon Network or Boomerang logo in the corner.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 5 – A Garfield Christmas

This year, I’m bringing back a feature from last year where I take another look at, what I consider to be, the greatest Christmas specials ever made. I explained my reasoning for doing this in prior posts, but in short, the first time I looked at some of these specials I did just a short…

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Dec. 5 – Pluto’s Christmas Tree

Today we’re doing the second look-back to one of the best Christmas specials ever conceived, as chosen by yours truly, and it’s one of my all-time favorites: Pluto’s Christmas Tree. Despite being titled Pluto’s Christmas Tree, this Jack Hannah-directed cartoon short from 1952 is actually considered a Mickey Mouse cartoon. Mickey apparently had it written…

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Dec. 5 – The Captain’s Christmas

Did you ever wonder where those speech balloons in comic books came from? Maybe you just assumed they were always there, but they actually originate from a comic strip titled The Katzenjammer Kids. The strip was created by cartoonist Rudolph Dirks and it debuted in newspapers in December of 1897. It was incredibly popular for…

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Dec. 4 – Doug – “Doug’s Christmas Story”

Original air date December 12, 1993.

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first of the Nicktoons to go into production. Back when Nickelodeon set out to commission its own animation, the studio didn’t actually have an in-house animation studio, or at least not one capable of producing three shows. This meant the original three Nicktoons were all animated independent of Nickelodeon which would in turn make them more expensive than the shows that followed. Rocko’s Modern Life was the first Nicktoon produced by Nick’s own internal studio, Games Animation, which also took over The Ren & Stimpy Show following the firing of John Kricfalusi. I think it’s because of that aspect of the show’s production that Nickelodeon was always reluctant to order more. The original contract with Jinkins was for 65 episodes which were ordered in chunks and spread out as seasons, a common tactic unique to animation where one production season is treated as multiples by a network. Nick ended up stopping at 52 episodes though as Doug wasn’t the hit they had envisioned. Not that it was a failure, it just wasn’t on the same level as the other two original Nicktoons. Combine that with it being more expensive to produce than some of the Nicktoons to follow meant Jinkins got to take his project elsewhere. Nickelodeon had agreed to let Jinkins retain ownership of the property from the onset which is how it ended up in the hands of Disney where it would be revived in 1997 and run for a few more years.

It’s easy to see why Doug may not have been the success that Rugrats and The Ren & Stimpy Show were. Rugrats was fairly unique in its depiction of toddler life which was ripe for comedy while The Ren & Stimpy Show was just off-the-wall zaniness. Doug was a gentler show that was basically a coming-of-age story about a kid who was actually older than the show’s target demographic. Doug was roughly 11 and a half and said to be in the 7th grade and most of the episodes dealt with Doug facing pretty ordinary problems: allowance, rumors, popularity, peer pressure, etc. The show was able to flex its animation muscle a bit with Doug’s imagination. Doug acted as both main character and narrator for each episode and would often fantasize about a way out of his problems where a superhero, secret agent, or some other product of his imagination would save the day. In the end, Doug would have to figure things out on his own that didn’t involve superpowers or fancy spy gear. Alongside him was always his trusty canine sidekick, Porkchop, who is basically on the level of Scooby Doo or Astro as far as intelligence goes. He’s way beyond a normal dog and he’s a character that helps remind the viewer that they’re watching a cartoon and not something set in the real world.

Jim Jinkins created Doug to not be an education show, but he did want each episode to have a moral of some kind which gave it a decidedly different flavor from the other Nicktoons.

Unlike the other two debut Nicktoons, Doug saved his Christmas episode for what Nickelodeon dubbed Season 4 of the show. Airing in 1993 was “Doug’s Christmas Story,” one of the last episodes of the show to premiere on Nickelodeon. Only three episodes remained from the Nick production run after it with Doug wrapping up on New Year’s Day 1994. And like a great many Christmas episodes from shows that customarily split their half hour block in two, “Doug’s Christmas Story” takes up the full 23 minute runtime for the episode so it can tell a more complete story. It’s one of tragedy and triumph and I don’t think it’s much of a spoiler to say Doug will have an okay Christmas when all is said and done.

Pictured: the kids actually able to afford hockey sticks.

Following the standard opening credits (boo!), we find Doug and his friends doing something familiar for the opening of a Christmas episode: skating. More precisely, they’re playing hockey on a frozen pond, but it’s impossible not to get some A Charlie Brown Christmas vibes from the scene. Doug chimes in as narrator to tell us that basically the worst possible thing that could happen in the lead-up to Christmas is about to happen. He doesn’t actually tell us what that something is, we have to watch and find out. Once he’s done setting the stage, we see the town kids playing hockey. You get a sense of which kids come from money and which don’t. Some have nice gear and actual hockey sticks, while Doug (Billy West) and his buddy Skeeter (Fred Newman) are using a rake and broom, respectively. Apparently, no one owns a hockey puck though as the kids are playing with a pine cone.

This isn’t going to go over well.

Porkchop (Newman) is also present and sliding around on the ice, but he comes to a section marked as a hazard for thin ice and freaks out a bit. As he backs off of the ice, it breaks, and the sign sinks below the surface of the water. A scrum around the not-puck results in the pine cone sliding over in the direction of the area Porkchop just vacated. Beebe (Alice Playten) skates over to retrieve it completely unaware of the thin ice. Despite the pine cone being located near open water, Beebe still heads in the direction to retrieve something that literally grows on trees while Porkchop tries to warn her. Now, I said Porkchop possessed intelligence far beyond a normal dog and compared him to the likes of Scooby Doo, but one thing Scoob can do that Porkchop cannot is actually talk. He communicates with pantomime mostly, and it’s pretty hard to figure out how to get the message of “thin ice” across in such a fashion. Especially when time is a factor, so he does the only thing a dog can do: he bites Beebe. By locking his jaws on her leg, he’s able to pull her away from danger, but to Beebe and any onlooker, it just looks like he attacked her (well, that’s how we’re supposed to read it and thereby ignore the actual open water she was skating towards). Beebe screams and the other kids gather around. As Doug approaches to find out what happened he’s given the bad news: Porkchop attacked Beebe. Doug is rather flabbergasted, but does the normal thing of reprimanding his dog as he has to go off of what the eyewitnesses saw, even if it makes no sense.

Following a quick break to introduce the title card, we find Doug and Porkchop at home. Doug is reprimanding Porkchop for what he did by telling him that you don’t bite people, even if it is Beebe. Beebe is basically the spoiled rich girl of the show that is hard to like, so if the viewer was going to enjoy seeing any of the characters in the show have pain inflicted upon them, chances are it would have been Beebe. Or the school bully, Roger, who is surprisingly absent from this one. Anyway, Porkchop tries to pantomime what happened for Doug, but his message isn’t getting across. Doug just tells him to quit goofing off and sends him into his igloo, which is his dog house. After Porkchop sullenly heads inside, Doug’s sister Judy (Becca Lish) pulls into the driveway and beckons Doug to come with her so they can get Christmas presents for their parents while they’re out. Doug seems a bit reluctant to leave Porkchop, but hops into the car anyway.

The former mayor turned disc jockey.

We then cut to a radio station where the former mayor of Bluffington, Bob White (Greg Lee), is hosting a talk show. He’s relaying some recipe that involves cocktail weiners soaked in grape jelly, which just sounds terrible. We also find out that he’s a bit of a sore loser as he lost his re-election bid in an earlier episode to Doug’s neighbor, Mrs. Dink, but he points out on his show that she’s out of town which practically makes him the acting mayor for the holidays (I don’t think that’s how it works, Bob, but whatever). Some of his terminology is eerily similar to some of the stolen election rhetoric that’s become all too common in our current society. Anyway, his caller brings up the incident at the pond and Beebe getting attacked by a dog. Seems like a weird thing to gossip about, but okay, it’s a small town. White is understandably just hearing about this for the first time, but he seems to view this incident as an opportunity to get some much needed publicity.

This seems a little over-the-top for a dog.

Doug and Judy are shown shopping and apparently Judy wants to get their father a new golf club. He needs a 9 iron and she mistakenly thinks getting him a 7 and a 2 iron would be better than just getting him one club! Doug, for his part, has his mind still on what happened earlier and can’t really focus on the task at hand. He does see a hat that he thinks would look great on Porkchop and decides to buy that for him for Christmas. This seems to cheer him up a bit as we find the two driving home, but when they get there they find a huge crowd assembled. White has apparently summoned the media and the police and demands that Porkchop be arrested for what happened earlier. He even brought his back-up singers from his radio show to punctuate everything he says. Referring to Porkchop as a trained killing machine, he orders the dog be taken away where he’ll be put away forever. This is all done in the name of keeping the children of Bluffington safe. Doug is understandably confused and a bit distraught, but there’s nothing he or his family can do to stop the cops from tossing Porkchop in a paddy wagon and hauling him off to the pound.

It’s not visible in this shot, but I like how the animators decided to put pants on Doug instead of his customary shorts considering it’s winter and all. For some reason, he’ll be back in shorts though before this one ends.

We then find the Funnie family in their nicely decorated family room. Doug’s dad, Phil (Doug Preis), is trying to cheer his son up by saying how the spirit of the season should help everyone come to their senses. Judy, on the other hand, is ranting about how unbelievable it is they had a killer in their midst this whole time which earns her a reprimand from their mother, Theda (Lish). Doug’s mom then asks him if he’s sure Porkchop was just trying to play with Beebe and that’s the story Doug is running with as he can’t fathom Porkchop ever actually hurting someone. They’re interrupted by the doorbell and it’s a letter for Doug. He opens it to find out it’s from Beebe’s father, Mr. Bluff, and he’s pressing charges against Porkchop. The family is pretty surprised by this development, but they cheer up when Phil suggests they start a petition that has every signer declare that Porkchop is in fact a good dog. Doug thinks it’s a great idea, but also one that he should undertake by himself since Porkchop is his responsibility. I get the sentiment on Doug’s part, but maybe he’s not taking this as seriously as he should? Four people canvassing the town would cover a lot more ground than one, but his parents don’t object and Doug sets off to do right by his pal.

She is just the worst.

Doug gets started right away on gathering signatures for his petition. He starts with his neighbor, Mr. Dink (Newman), who is happy to provide his name for Doug’s cause. He finds other neighbors in a similar position, but soon runs into trouble. When one person finds out he’s trying to help the dog they saw on the news, he declines to sign it. Others seem to follow suit and one older lady even reprimands Doug for spreading such negativity at Christmas time. The fact that Doug just stands there and lets her lecture him makes him a better person than I for I would have gone off on the woman. Defeated, Doug walks off and ends up downtown. A store display has a television running and Doug happens to catch a news report on what the media is calling the incident at Lucky Duck Lake. A re-enactment is shown which features a particularly vicious looking dog basically maul a young girl which gets Doug’s dander up. Realizing this is all getting out of hand, he decides he needs to talk to Beebe to try to put things in perspective.

Mr. Bluff is almost cartoonishly evil given his indifference, or disgust, towards dogs.

And Beebe is currently in the hospital. Doug races over there and tries to enter her room, only he runs into her father, Mr. Bluff just outside it. When he tells Mr. Bluff who he is the man refuses to grant him access to Beebe. In doing so, we also find out that the Bluffs don’t just want Porkchop put away, they want him killed, though he uses the kid friendly term of “put to sleep.” As Doug tries to reason with him, the man just walks away forcing Doug to follow. When he offers up the excuse that Porkchop was just playing, Mr. Bluff just reiterates that they’ll let the court decide if putting an innocent girl in the hospital is just playing. Doug follows him to his limo where the old man finally states it plainly that it’s no use, he doesn’t like dogs on account that they don’t have any money or even understand the concept of money. Now that we’ve established that this man is cartoonishly evil, we can remove any sympathy we might have felt for him as the father of a girl wounded by a dog. Doug tries to appeal to him once more by stating Porkchop is his best friend, but Mr. Bluff just tells him to get a new best friend. As he drives off, Doug suggests he knows just who to turn to in order to solve this crisis.

You know it’s a special episode when Doug’s personas have to get together to formulate a plan.

If you’ve watched an episode of Doug before then you probably know what’s coming. Doug is going to dip into his imagination and consult with one of his personas. Only since this is the biggest crisis we’ve seen Doug face to date, one persona just isn’t enough. We’re taken to a Hall of Justice like building where Doug’s Indiana Jones rip-off, Race Canyon, comes sliding down a firepole. He’s surprised to find the superhero, Quailman (who is just Funnie with a belt on his head and his underwear over his pants), is there already. He thinks Quailman summoned him, but he did not, and soon enters the James Bond wannabe Smash Adams. He’s brandishing a pair of non-alcoholic drinks that he hands to the others and notes they were all summoned here by someone else over a missing dog or something. And that someone else is: Doug! He spins around in a chair dramatically to announce he’s the one who assembled this collection of the world’s greatest heroes (his definition, not mine) because it’s going to take their combined might to get Porkchop back!

Apparently none of them are wise enough to tell Doug that breaking his dog out of prison is probably a bad idea.

Doug shows the assembled heroes a map of the pound where Porkchop is being held. He solicits a plan from each hero and it goes about as well as you might expect. Quailman suggests flying in and using his super powers to subdue the guards, which Doug can’t do. Next is Race who just suggests beating everyone up, but Doug isn’t about to do that. Smash suggests using high tech gadgetry (as he puts it) which Doug actually thinks is a good idea. He then seeks out the real world help of the Sleech twins (Eddie Korbich), the class nerds capable of inventing stuff, to see if they have a solution. They’re eager to help Doug since he’s likely one of the few kids at school who doesn’t make fun of them for their nerdy ways. And since their dad is a donut maker (a plot of a prior episode), they suggest Doug use subterfuge by hiding a smoke bomb in a cupcake. Apparently, these boys have been spending their Christmas break devising weapons that combine with holiday desserts which is a bit alarming. Doug is right to treat these future school shooters kindly.

Poor Porkchop.

Doug sets off with Skeeter and his cupcake bomb to execute his horrible plan to spring Porkchop from the pound. Only upon entering the premises, they find a No Cupcakes sign waiting for them. I guess the plan was to give the cupcake to Porkchop who would then use the cover of the smoke to escape? Seems like the actual cell is an obstacle Doug didn’t account for. Well, with that obstacle in place, Doug still decides to push ahead and alerts Skeeter that he’s up. Skeeter does as he’s told and fakes an illness, only the cop doesn’t really care. He takes a phone call, and it’s about Porkchop too, and that’s the distraction that allows Doug to slip inside to find Porkchop. At first, Doug can’t find him, but he calls out for Porkchop and a helpful dog points him in the direction of a door labeled Very Bad Dogs. In there, he finds a spiral staircase that leads deep into a dungeon-like setting where Porkchop still can’t be found and that’s because he’s in the section for Very Very Bad Dogs. Meanwhile, the cop tries eating the cupcake despite Skeeter’s warning not to and activates the smoke bomb, which will surely reflect poorly on Doug. He soon finds Porkchop who is basically in solitary confinement. He’s locked in a box which in turn is locked in another room separate from the others. Or not locked, as Doug is able to enter, but he sets off an alarm in the process and is hauled away. We briefly get a glimpse of a teary-eyed Porkchop waving goodbye to his best friend. It’s the saddest shot in the episode.

Aww, look how cute they are!

The guards at the pound must have felt some pity for Doug as he apparently avoided his own arrest. We next find him standing outside of Porkchop’s igloo which is covered in police tape. He’s at a loss as to what he can do next and starts to reflect on his past with his dog. We see a toddler Doug opening a present on Christmas which just so happened to contain Porkchop. We also get a shot of last Christmas when Porkchop gifted Doug the very journal he’s writing in as he narrates this story. We then see a vision of the future and a Doug draped in a black coat standing beside Porkchop’s grave. It’s at this point that Doug finally allows himself to cry for how could he not feel helpless knowing that if he fails his dog is as good as dead?

If things weren’t serious before, they are now.

The next day is the trial, and it starts with Mr. Bluff speaking casually to the judge and refers to him by his first name, Dave (West), and informs him he wants this over with quick so he can get to his office Christmas party. The judge tries to discourage him from being so casual, but lets him know he’s of the same mind, essentially. Porkchop is then brought in, muzzled and tied-up, and apparently Doug will be representing him. I guess the Funnie family couldn’t afford a lawyer? I’m also guessing that since this is essentially a civil matter that they’re not entitled to representation. Bluff’s attorney presents an expert on dog psychology who has predictably decided Porkchop is predisposed to being a killer. While he’s giving his testimony, Porkchop is trying to communicate something about the lake to Doug which the expert just uses against him as further proof the dog is nuts. Then they drop the hammer by bringing in their last witness: Beebe. She’s confined to a wheelchair with her leg wrapped and Doug is legitimately alarmed to see the state she’s in. She looks rather sad, like she doesn’t want to be there, but takes the stand, nonetheless.

With how cavalier everyone is towards Porkchop in this one, I’m guessing dog ownership isn’t that high in Bluffington.

Upon seeing the state Beebe is in, Doug does what he always does when overwhelmed: he retreats into his imagination. This is just further proof that someone else should be representing Porkchop here, but clearly he’s ride or die with Doug. In his head, Doug imagines his three heroes proposing suggestions on what to do next, which Race thinks should be to plead guilty. The three then get into a physical altercation which just forces Doug to realize that the only one who can get he and Porkchop out of this mess is himself. Beebe is then shown finishing her testimony and it’s now made clear she’s not really fully onboard with this charade. As she says what happened she tells the court that Porkchop did bite her leg, but tries to clarify that it didn’t hurt, which her father’s attorney tries to gloss over. When Doug asks if he can cross-examine the witness, Mr. Bluff objects declaring the girl has been put through too much already. The judge apparently agrees as he asks the people present “Isn’t she a brave girl, ladies and gentlemen?” Again, we’re talking about a dog here so apparently the same rules don’t apply. Doug then approaches the bench to try to plead his case that Porkchop should be allowed to tell his side of the story. He explains that Porkchop has been trying to tell him something about the lake and proposes going there, but the judge finds this suggestion ridiculous. He points out that a dog can’t tell it’s side of the story, and since it’s Christmas Eve, they all have families they need to return to.

Finally! Porkchop has a reason to smile! Though I don’t understand why he would suddenly be permitted to remove the muzzle.

Doug takes that as an opening and declares that Porkchop is a part of his family just as Beebe is to the Bluffs. The judge still seems unconvinced, which is when Doug addresses the assembled crowd to point out how Porkchop is a part of the community. It’s at this point the episode goes off the rails a bit for me as we hear about all of the good deeds Porkchop has done. Doug calls out one woman and points out that Porkchop babysat her kids when she had to go out of town to see an aunt. Another family had their house burn down, and Porkchop showed up the next day to help them rebuild. Another person chimes in that he lent them money and a woman stands up to declare that Porkchop fixed her transmission. The capper is that even the judge has encountered Porkchop in his day-to-day life. It seems his daughter suffered an accident and Porkchop actually taught her how to walk again. The judge probably should have recused himself from the case given that, but even so, the dog taught his kid how to walk! This is one absurdly amazing animal. This judge is ready to execute him after that experience?! This dog should be world famous and Bluffington’s number one citizen!

Old Killer is at it again!

After Doug pleads his case, the judge finally allows for Porkchop to do the same and orders everyone to reconvene at Lucky Duck Lake. Once there, Beebe explains what happened to the judge once more and points out where she thought she was at the time of the attack. Doug asks her to point out exactly where she was, but she’s not sure. Patti (Constance Shulman) spots the pine cone they were using as a puck and determines that she must have been there. Of course, there’s open water still present and even the Thin Ice sign is visible floating on it. As Beebe heads over there, Porkchop once again goes into a panic as he tries to warn everyone about the ice. To the onlookers, this just makes Porkchop look like he wants to maul her again and the judge even suggests that he’s seen enough. Doug assures them that Porkchop is just trying to tell them something and he gets on one knee to consult with the dog. It’s too late though as Beebe falls through the ice!

If you want a rich person to care about a poor dog, you basically have to save their life or the life of a loved one. And they better witness you doing it too!

Mr. Bluff immediately cries out for someone to help his daughter, but Doug shouts out a warning about the ice (finally, someone gets it!). Porkchop is able to break free of the guards and runs after Beebe diving into the water as Beebe goes under. He’s able to pull her up and onto the ice and drag her to safety. We then cut to everyone gathered in a hut of some kind as Patti declares that Porkchop was trying to keep Beebe away from the thin ice. Finally, the last horse, or horses, cross the finish line and the people gathered rightly acknowledge that Porkchop is a hero, not a devil. Porkchop is set free and we cut to Christmas morning and Doug looking at a newspaper which declares Porkchop a hero for saving Beebe. Porkchop is gifted the hat Doug bought for him and he seems to like it, though he also has a cold. Doug also narrates that people kept coming by all morning to see Porkchop, including Mr. Bluff and Beebe, whose leg is suddenly all better. Mr. Bluff, who clearly has had a change of heart, wants to know if there’s something he can do for Porkchop as a showing of thanks for saving the life of his daughter. Doug doesn’t know of anything, but Porkchop apparently does.

There’s the happy reunion we’ve been waiting for!

Porkchop is somehow able to communicate that what he would like most is for Mr. Bluff to put on a feast for all of the dog’s at the pound. We then get to see how it all unfolded as it took place in the center of town. The former mayor attended and Doug informs us that he was able to use his radio show to find homes for all of the dog’s in attendance. Mr. Bluff, who apparently has a different outlook on dogs now, offers a toast to all in attendance and a special toast for The Hero of Bluffington – Porkchop! Porkchop is there as well dressed as Santa Claus and he joins the Funnie family for a toast. The camera pans out as the assembled crowd break into “Deck the Halls” which takes us into the credits. As a parting gift, we’re treated to an image of a Christmas card from the Funnie family.

Doug even channels The Grinch with a “He himself,” line in reference to Mr. Bluff.

And that’s how Porkchop went from villain to hero one Christmas. It’s a solid approach to tug at the heart strings, have a dog wrongfully accused of being a bad dog and toy with the emotions of the viewer by suggesting the life of the mutt is over. And while the premise is a bit preposterous, it fits with the setting of the show since Porkchop is a bit preposterous himself. It just takes things too far by making the people of Bluffington look incredibly stupid by not realizing what is obvious to anyone who looks at that lake. And they also look like lunatics for wanting to terminate Porkchop from the start. The dog is amazing! Too amazing as it undermines the situation because no one would assume the worst of Porkchop given what he’s demonstrated in the past. It’s to the point where it’s absurd. Am I taking this cartoon too literally? Possibly, but it did it to itself by going way too far in characterizing Porkchop as a force in the community. We didn’t need all of those incredible examples of the dog’s good nature in the courtroom to be on his side. And if the show didn’t portray the people of Bluffington as being so readily out for blood then it wouldn’t have taken such a speech to grant Porkchop a defense. Sure, heading to the scene of the crime to let a dog tell its side of the story is a bit odd, but the judge was literally denying Doug any kind of defense for his dog. He couldn’t even cross-examine a witness!

Looks like it was a merry Christmas after all, just as I predicted it would be.

This one is clunky, but don’t assume that means I wasn’t still moved by it. Of course I was! I get a little choked up each time I watch that silly dog pull Beebe from the water and I do feel good for Doug and his dog when all is said and done. It’s still a heartwarming story, it just pushes things too far. It tries way too hard to be that kind of story when it didn’t really have to. That’s why a much better Christmas Nicktoon is “Arnold’s Christmas.” That plot needed some pretty crazy things to fall into place as well, but it doesn’t feel like it’s reaching to the degree that “Doug’s Christmas Story” is. Does that make this one bad? No, but I can totally understand someone having more of an eye roll reaction here than feeling truly moved.

Season’s greetings from the Funnie family!

If you would like to see this one for yourself, your best option is to stream it on Paramount+. Doug, being a less celebrated Nicktoon, isn’t assured of finding airplay on cable this year. It’s also a little messy in that Disney owns the character now so Nickelodeon might not be eager to promote this one, even though the company retains ownership of this era of Doug. The episode was released on both VHS and DVD if that’s your fancy, and it can be rented on other streaming services. I give it a bit of a tepid recommend. While I think anyone can enjoy it, it’s probably best enjoyed by those who watched the show as a kid. Anyone else might just find it too ridiculous to take seriously.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

Dec. 4 – Family Guy – “Christmas Guy”

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Dec. 4 – A Christmas Story (1972)

For today’s Christmas post, we’re going to take a look at A Christmas Story. No, not that Christmas Story, the first one. Way before Ralphie started obsessing over a BB gun, the duo of William Hanna and Joseph Barbera brought us a story about a mouse and a dog trying to get a last-minute letter…


Dec. 3 – Animaniacs – ‘Twas the Day Before Christmas

Original air date November 29, 1993.

Children’s cartoons often take to Christmas when the season rolls around. The holiday is usually ripe for parody or just direct adaptations so it’s easy for the writers to kind of phone it in. What’s not customary is for a cartoon series to feature two dedicated Christmas episodes in a single season! That’s what Animaniacs did in 1993 airing the episode we’re about to talk about one week, followed by the episode which featured “A Christmas Plotz” the next week. I’m not sure why this approach was undertaken. Maybe they had too many ideas to settle on? “A Christmas Plotz” is the sort of special I dread as it’s just a re-telling of A Christmas Carol. It’s not bad, but it’s a bit that was stale even come 1993 unless the writers found a way to really upend it, which the show did not. This episode, which features “‘Twas the Day Before Christmas” and is the segment I consider the meat of the episode, is more a scatter-shot type of episode. None of the segments are particularly long, but most tie into Christmas in some way. And they’re a bit more original than a parody of A Christmas Carol, though there’s some DNA from other Christmas specials to speak of.

It doesn’t take much effort, but just adding falling snow to the opening credits really adds to the Christmas feeling.

The episode begins with a short segment called “Slippin’ on the Ice.” The Warners, Yakko (Rob Paulsen), Wakko (Jess Harnell) and Dot (Tress MacNeille) are literally slipping on some ice as they sing about it. It’s very brief and feels like a time-filler, but it’s well animated. It takes us into the opening credits which are the standard ones, only they’ve added falling snow over them. It’s a simple, but effective, way to make the episode feel more special. When the credits end (the credit joke is Yakko singing “Citizen Kaney”) we launch right into the intro for Slappy the Squirrel, only this time, there are no Christmas accents. We then get a title card for the main attraction “‘Twas the Day Before Christmas.”

This framing device is just a way to include Slappy and Skippy as there seemed to be a desire to fit in all of the regulars.

When the cartoon begins we find Skippy (Nate Ruegger) in his room by the window when his aunt Slappy (Sherri Stoner) enters. Skippy is in his pajamas, and Slappy too, and she’s wondering why he isn’t asleep. It’s Christmas Eve, and the kid keeps hearing the sound of Santa’s sleigh bells outside and can’t sleep (Oh, do I know the feeling). Slappy tells him he’s just hearing the LAPD choppers and throws him over her shoulder to dump into bed. Skippy then tells her he can’t sleep and would welcome a story. Slappy remarks “For the love of Al Gore,” which certainly dates this one a bit (the main failing of this show and Tiny Toon Adventures is they both relied on topical references that don’t always age well), but then agrees to provide one story to send Skippy off into Dreamland. He agrees to the proposal, which is followed up with Slappy asking if he wants to hear about the time she stuffed live piranhas down the pants of Sonny Tufts? I had to look up who Sonny Tufts was. Apparently, he’s an actor who did most of his work for Paramount and starred in the film Cat-Women of the Moon. Also, by the time this episode aired he had been dead for 33 years.

Ladies and gentlemen: Sonny Tufts!

Skippy is not interested in hearing about some dead actor’s piranha troubles and insists on Slappy telling him a Christmas story. She still tries to sell him on the Tufts story by saying he was drinking eggnog at the time, but Skippy just hands her a book. Slappy agrees and takes the book, but before she can start reading she has to noisily clear her throat which Skippy responds to with his catchphrase, “spew!” The title of the book is The Day Before Christmas and it’s basically A Visit from Saint Nicholas, or ‘Twas the Night Before Christmas, only it’s going to be about some characters we all know and love: the Warners!

The pattern on those giant ornaments just makes me think of Easter eggs.

Slappy begins reading it, but her narration is only going to be used to get us into the story. From there, the characters present will speak their own lines without the aid of a narrator, but they’ll speak in a cadence reminiscent of the source book. It’s a little annoying, but not overly so. As the story begins, it’s the day before Christmas (as the title implied) and it’s 90 degrees in Burbank, CA. The Warners are busy decorating their water tower so Santa knows just where to deliver the presents. Elsewhere, some characters are fretting though. And those characters are Mr. Plotz (Frank Welker), Dr. Scratchensniff (Paulsen), and Hello Nurse (MacNeille). Plotz is fretting because he needs to find someone to deliver presents to the Warners, but he doesn’t know who is stupid enough to do so. He turns to the doctor first, who refuses on account that he did it last year. They drove him bonkers and kissed him a lot then made him stay up late singing carols and he apparently got creamed in a pillow fight.

I bet the artists loved working on Hello Nurse.

Hello Nurse, and I forgot just how absurdly curvaceous this character was drawn until now, asks Plotz why bother when they can just leave the job for Santa? He informs her it’s because they have a clause in their contract that mandates it and if they don’t they can sue. Plotz understandably doesn’t want to deal with that, but wonders aloud where he can find someone stupid enough to do it? Right on cue, he spins in his chair and spies the security guard, Ralph (Welker), who certainly qualifies as stupid enough. Ralph is one of those characters that I don’t think children’s shows do anymore as he’s one of those “Dahh, okie dokie,” kind of morons that could be read as being an insensitive take on someone with an actual genetic condition.

Come on! It’s Christmas! Can’t we give Buttons a reprieve from crippling pain?

When we’re taken to Ralph, he’s basically closing down the Warner lot and saying goodbye to celebrities as they drive on out. The first to go is apparently Kevin Costner in a limo. The next is a station wagon and when Ralph wishes the vehicle a “Merry Christmas” the window rolls down to reveal it’s Buttons (Welker) and Mindy (Nancy Cartwright). She gets to utter her catchphrase, “Okay, I love you buh bye!” while Buttons has pain inflicted upon him when the car window goes up and catches his snout. It feels almost too cruel and looks especially painful for the poor dog. The hippo characters then walk out with Flavio (Welker) shown following his wife while carrying a mountain of wrapped gifts. He looks exhausted, but his wife Marita (MacNeille) calls out for him to come along as they have more shopping to do. Behind them is the mime character and as Flavio moves along an anvil tumbles out of a gift box from his pile and crushes the hapless mime.

Of course I’m getting in this image of the Batmobile.

Off to the side, Rita (Bernadette Peters) and Runt (Welker) are lurking and seeking a way onto the lot as Rita reasons they may be able to find some unguarded dumpsters. Runt is just along for the ride and by pairing him with the Ralph character it becomes quite apparent that Frank Welker’s voice for each character is essentially the same. Only Runt is doing a Rain Man impression to Ralph’s moron voice. Anyway, they slip in undetected as Ralph waves bye to the next guy to pull up, Michael Keaton, who is driving the ’89 Batmobile which Ralph refers to as a “lovely sedan.” Plotz, from his office, is able to build off of this rhyme by declaring “Give him a Santa suit, Ralph is our man!” as he and Dr. Scratchensniff shake on it.

They would get their own classic Christmas special years after this, but I feel like the show really should have given Pinky and The Brain their own Christmas cartoon.

We cut to later that night and the Warner tower is plastered with signs welcoming Santa and instructing him where to deposit their gifts. Yakko’s voice then comes in reading the start of “‘Twas the Night Before Christmas,” with Dot picking up the line about creatures stirring, only she points out there was a mouse stirring. This is our cue for Pinky (Paulsen) and The Brain (Maurice LaMarche) to enter. Brain is dressed as Santa and Pinky an elf and they apparently have a Christmassy plan to take over the world tonight which involves stealing Santa’s sleigh. Pinky responds by saying “Brain, you’re a genius, you simply astound me,” and as he does he whirls around and knocks Brain off of the water tower. As he goes screaming towards the ground, Pinky looks down and exclaims, “Narf! Brain’s gonna pound me!”

I have to hand it to the Warners, they keep a tidy home.

With Brain a pile of goo on the ground, we head inside the water tower. It’s looking rather festive including a giant tree in the middle. The Warners are gathered at the fireplace hanging their stockings and Wakko’s is the one that’s unusually large. Dot explains, “The stockings all hung so our name’s clearly showed,” and Wakko finishes the line by saying, “In hopes that old Santa would leave a big load.” That sounds gross. Yakko then blows us a kiss and says “Goodnight everybody!” as the three hop into bed. They continue with the poem and Wakko gets the part about sugar plums which appear in a thought cloud that he promptly eats. Yakko continues by saying “We were all feeling tired when we turned out the light,” then clicks the light back on to admit, “Forget it! There’s no way I’m sleeping tonight!”

We can’t forget about The Goodfeathers!

We then go to the part about the kids hearing a sound. They jump from their beds, take a tumble, and throw open the door to the water tower. And lo and behold they spy…a cat and a dog in the garbage – P-yew! It’s Rita and Runt again and they’re nosing around for some grub. Then the Warners hear a different sound – a miniature sleigh and eight pigeons with antlers! It’s Ralph Claus and he’s flying through the air being pulled by, as Yakko just told us, eight pigeons with antlers! This allows the Goodfeathers to sneak in as we see Squit (LaMarche), Bobby (John Mariano) and Pesto (Chick Vennera) struggling along with the other five pigeons to keep the rather large Ralph and his sleigh airborne. Despite his appearance, the Warners still refer to him as a little old driver and we get to see Ralph call out to his pigeons, “Duh, now, Bobby. Now, Squit. Now, Pesto. Now, Vixen. On, Comet. On, Cupid. On Richard and Nixon!”

I feel like Brain isn’t usually subjected to this much abuse.

The little sleigh gets tugged up to the top of the tower where Santa is hurled with Brain (now back on the tower) declaring “As soon as it lands we’ll take over the world!” Only the sleigh lands on the two mice and it’s not a pretty sight. They yank themselves out from under the runner of the sleigh, only for Santa Ralph to step on them as he exits it. Brain remarks, “Pinky, I am in considerable pain,” but Pinky is only able to reply in nonsense words of “Narf! Zoit! Poit! Gake!” before finishing with “I’m with you, Brain.” Inside the tower, the Warners are preparing for Santa’s imminent arrival, but before he can do that Squit has to tell Pesto his antlers look cute so the hot-headed pigeon has an excuse to whack him. With that out of the way, Santa makes his grand entrance by dropping through the ceiling like a sack full of bricks. The Warners inform us he’s likely concussed, and Ralph confirms it by wishing “Happy Easter, you guys!”

Everybody is getting creamed in this one!

The Warners haul him to his feet so that Yakko can make fun of his appearance before Ralph heads over to the tree to unload all the presents. Then it’s time for him to make his exit, but since this is a 90s cartoon he can’t lay his finger beside his nose, but inside it! Yakko tells us the dear network censor finds it totally gross so we don’t actually see him go three knuckles deep and instead we just see him climb the Christmas tree and out the hole in the roof. There Ralph hops back into his sleigh to signal the flock, but when they take off they drop like a rock. Ralph and the pigeons look rather worse for ware on the ground below, but what’s this? Up in the sky! Could it be?!

It just keeps getting worse for Ralph.

Yes, it is! It’s Santa! The real Santa who bellows out “Season’s greetings to all,” as he flies by the moon with all eight reindeer. Rita and Runt are then shown shouting out their thanks as Santa apparently left them some food that didn’t come from the garbage. Santa then circles back to make another pass before the moon while shouting out, “Merry Christmas to Yakko, Wakko, and Dot!” The Warners are shown waving from their tower at the departing Saint Nick as the cover from the book we’ve been reading from closes upon them.

A picture perfect ending.

We’re back in Skippy’s room and his aunt Slappy has apparently fallen asleep. Skippy closes the book and sets it aside and says “And Merry Christmas Aunt Slappy and to you girls and boys. As for me,” he curls up under his covers and closes his eyes. Then they snap open and the little squirrel leaps high in the air to add, “I’m going downstairs to open my toys!” And the little scamp races off while an iris shot closes out the scene.

Go check out that tree, Skippy! I guess he has a tree within a tree?

That’s the end of the main cartoon I want to talk about, but it’s not the end of the episode. A “Good Idea/Bad Idea” segment follows juxtaposing singing Christmas carols at Christmas with doing the same thing on the Fourth of July. The skeleton family gets blown up for their holiday mix-up which seems rather harsh. After that, we go into another cartoon: Jingle Boo. It’s a Chicken Boo sketch with a holiday theme, though it foregoes the usual opening. If you’ve never seen one of these, Chicken Boo is just an oversized chicken masquerading as a man, only he’s really not personified at all. He’s just a chicken. Most of the people in his orbit don’t seem to notice, but sometimes there is one person who does making it feel like a goofy Twilight Zone bit sometimes, which is how this one is going to go.

Just a perfect gift from the perfect Santa Claus.

The short begins with a shot of a Christmas tree positioned on top of a building. “Oh Tannenbaum” plays in the background which is soon replaced with an instrumental version of “Jingle Bells” as the camera pans down to reveal we’re outside of a store named Marcy’s. Inside we find a mall setting and there’s a massive line of children and parents waiting to see Santa Claus. One woman (Gail Matthius) remarks he’s the most convincing Santa she’s ever seen. The other adults, another mom (MacNeille) and a dad (Paulsen) seem to agree as the first woman’s child runs up and jumps on Santa’s lap. She seems to be credited as Sabina (MacNeille) in the credits and she has a real Pistol energy from Goof Troop which makes me wish they had Nancy Cartwright voice her. Anyway, she jumps onto Santa’s lap and we see that it’s clearly Chicken Boo in the suit. Sabina wants a Baby-Go-Burp doll for Christmas and one comes down a chute beside Santa and he hands it to her. It does a very exaggerated burp which the child is happy to show off to her mother by having it belch in her face.

The only smart person in this picture.

Another kid (sounds like Nate Ruegger again) follows and he asks for a Mr. Dude action figure complete with polyester power suit and dude accessories. The kid gets handed a figure of a man in a business suit with a cell phone and he seems pleased as he cries out “He is the real Santa!” before departing. Santa’s attention then turns to the next kid, Colin (Colin Wells). He has the same design as the little boy who is used in quick-hitting segments where he comes out of his house to tell the audience a story about some kid named Randy Beemer which always ends with him saying, “K – bye.” Only here, the little kid is terrified and it’s because he’s seemingly the only one who knows that Santa is actually a chicken. The two moms, who are still lingering despite their kids running off, derisively ask the boy’s father “Isn’t he a little old to be afraid of Santa Claus?” The dad seems embarrassed by his son’s behaviour and encourages him to go see Santa, but the kid refuses. There’s a rising hysteria in his voice as he says “He’ll peck my eyes out!” which sounds great.

Chicken Boo has been outed.

The rest of the patrons in line laugh at the kid for thinking Santa is a chicken which doesn’t seem to phase his dad. The other moms remark the kid needs therapy, but the dad just takes him by the hand and leads him to Santa. I’m surprised at the gentle touch being employed by dad here as I was expecting him to get angry, grab the kid, and slam him on Santa’s lap. The kid basically goes willingly, but with some hesitation, and the dad reassures him once he’s seated on Santa’s knee that it’s just jolly old Saint Nick. The kid remarks, “More like jolly old Saint Chick,” and begins tugging on Santa’s beard. It doesn’t come off initially, but a more forceful second tug causes it to come free and the whole stage area basically collapses. When the boy pops his head out, so too does Chicken Boo. The boy screams, Chicken Boo (Welker) clucks a return scream, and the dad finally realizes that Santa was, indeed, a chicken.

I guess he can try putting those wings to work.

The dad grabs his kid and runs off while Chicken Boo emerges from the rubble and shakes off some of the holiday ornaments stuck to his leg. The manager of the store (Welker) then comes storming over while the children scream and demands to know what’s going on. The angry moms then storm off with their kids threatening to never come back to this store again leaving the manager to direct his anger towards Chicken Boo. He fires the chicken on the spot, and then takes a jab at Arkansas by suggesting they may let chickens play Santa down there, but they don’t up here in New York City. He then boots Chicken Boo like a placekicker would a football and he goes crashing through the ceiling of the store and soaring into the air.

He is one lucky clucker.

Because it’s Christmas, there’s someone flying high above to catch the soaring chicken: Santa Claus (Harnell)! Chicken Boo lands in his sleigh and the jolly old elf gives out a hearty laugh and informs Chicken Boo that since it’s Christmas, they’re going to give him a happy ending for a change. Some elves then emerge from Santa’s sack and start singing “Jingle Bells,” but they change the lyrics to better describe the present situation. They soar through the night sky and head for a full moon, and as the elves finish their “Jingle Boo” song, Chicken Boo looks at the camera and clucks before an iris shot signals the end.

If you like moon shots then this episode has you covered. I think this is our third one?

Our next segment is “The Great Wakkorotti: The Holiday Concert” and it’s Wakko just belching the melody to “Jingle Bells.” There’s not much to say about it, but my kids think it’s one of the funniest things they’ve ever seen. It’s followed by yet another “Good Idea/Bad Idea” and this time it’s finding Easter eggs on Easter compared with finding Easter eggs on Christmas. Then we get another short starring the Warners titled “Toy Shop Terror.” It’s a strictly visual short that’s also not really Christmas themed. The Warners don’t speak until the very end, but it’s basically them causing mischief in a toy shop after the old toy maker goes to sleep. They get into a chase sequence with a security robot, which they end up destroying and returning to the old man. It’s okay. Following that is one of Yakko’s song sequences, this one “Yakko’s Universe,” which had been used in a prior episode. They clearly had some time to fill and since it begins with a snowy scene it must have felt appropriate to toss it in.

The toy shop short is fine, just not very Christmassy.

Following that, the episode is over. It’s a bit interesting for a Christmas episode of Animaniacs because it starts out very centered on the holiday, and then it sort of just peters out. It’s a bit of a shame that the main cartoon, “‘Twas the Day Before Christmas,” wasn’t simply longer. It felt like there was more that could have been done with that one which may have allowed for some of the other stuff to get cut. Not that anything that follows is bad, it’s just not entirely onbrand with a Christmas episode. “Jingle Boo” is a solid edition of Chicken Boo so if you like that character you’ll probably enjoy it. I’m a sucker anytime a character that usually just has misery inflicted upon it gets a happy ending, sort of like Barney Rubble finally getting some Fruity Pebbles in the classic holiday commercial. The toy store sequence doesn’t do much for me and belching Wakko makes me feel ill to my stomach. The final segment is pleasant enough though and that line about being tiny specs the size of Mickey Rooney has been stuck in my head for almost 30 years now.

Animaniacs has its own style of humor, sort of a modernized golden age toon, and it either works for you or it does not. I’m mostly charmed by it, but I know some people just can’t get into it. If I had to pick one Christmas themed episode of the show to watch, I’d go with this one as it’s superior to yet another version of Dickens even if it’s less focused as a result. If you would like to check it out, Animaniacs has been made available on DVD over the years and I still see it in big box stores when I’m in them. The show used to be streaming on Hulu, but their agreement with Warner has since expired leaving Yakko, Wakko, and Dot without a streaming home at present. Hopefully, that won’t be forever.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 3 – Popeye the Sailor – “Mister and Mistletoe”

Last year for the Christmas Spot we took a look at the 1960’s TV series Popeye the Sailor and its Christmas episode “Spinach Greetings.” There are a lot of Popeye fans in the world and my assumption is that most would not put Popeye the Sailor above the theatrical shorts that helped catapult Popeye to…

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Dec. 3 – The Simpsons – “The Way of the Dog”

It’s not often I get to look at a Christmas special from the same year I’m doing The Christmas Spot, but it also helps when that Christmas special premieres in May of the same of year. May?! Yeah, it’s weird, but for the 31st season finale of The Simpsons the show rolled out a Christmas…

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Dec. 2 – Justice League – “Comfort and Joy”

Original air date December 13, 2003.

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy seemed to be to go for a younger demographic with its prime time shows, similar to Fox, but even younger. Maybe they felt there was a market for the kids who had outgrown Nickelodeon and were searching for something else to watch. The American household had long since evolved past the one television per home model and kids basically had as much access to TV as adults so I suppose it made some sense. Warner never did leave the little kids behind entirely though as they also programmed afternoon and Saturday mornings tailored to children. Kids WB was definitely meant to challenge Fox Kids who had become the dominant brand for broadcast children’s programming behind the strength of shows like X-Men, Mighty Morphin Power Rangers, Spider-Man, Batman, and Animaniacs. The interesting part about Warner’s decision to launch its network when it did is that a lot of its intellectual property was tied-up in other places, like Fox. They basically had to run out the clock on the likes of Batman and Animaniacs until they could get those rights back which meant in the meantime turning to other characters like Superman and Tweety (seriously, Tweety was somewhat inexplicably popular in the mid 90s).

Eventually, Warner did get those rights back and Batman was able to join Superman on Kids WB with his old collection of episodes from the Fox days as well as some new ones. We’ve already talked about this pretty extensively in the Batman section of this blog, so we probably don’t need to dawdle any longer. That power hour of Superman and Batman would eventually give way to Batman Beyond as the continuation of what was becoming the DC Animated Universe. Bruce Timm, Paul Dini, Dan Riba, and other creators behind those shows would continue to flesh out their world. It seemed obvious to anybody keeping up that the end game was to collect all of these heroes in place for a new Justice League show. The problem with that strategy ended up coming from an unexpected place.

Something that has not aged well is the CG intro. The shoulders on these guys are absurd!

A little known cartoon outside the US called Pokémon made some headlines in the 90s due to it causing a bunch of kids in Japan to have seizures during an episode. It was basically just a peculiar story and I bet a great many folks who read it assumed they’d never hear about this show again. They would be wrong as the game would arrive in the US eventually and the show followed. While it didn’t make a huge splash at first, it would gradually rise in popularity until it became the ratings king of Saturday morning. And it was on the Kids WB Network. The success of Pokémon seemed to convince the powers that be at the network that the future lied in licensing Pokémon adjacent programming for their network essentially forcing out their homegrown stars. Those shows were costly to produce and the only revenue they saw from them was ad revenue. Luckily for fans of the DC shows, there was a new home waiting for them in Cartoon Network, which had found tremendous success on weekday afternoons with its action block Toonami. That network started airing reruns of Batman and they performed well enough that they were willing to make a deal with Warner for new content thus becoming the home of the Justice League.

Justice League premiered on November 17, 2001. It’s another animated series from Warner and DC developed by Bruce Timm with Butch Lukic and Dan Riba returning as directors. Stan Berkowitz and Rich Fogel are the credited head writers, but they received contributions from the likes of Dwayne McDuffie, Paul Dini, and a host of other writers. It would definitely seem that Dini was less involved with this show than past DC animated programs, but he is the writer of today’s episode “Comfort and Joy.” This is, obviously, a Christmas episode and it excludes Batman. Maybe because he already did two Christmas episodes? It’s the only episode of the series, which was one order of 52 episodes, that’s a stand-alone one. Every other episode is either a two-parter or more. The main team consists of Superman, Batman, Wonder Woman, Green Lantern, The Flash, Hawkgirl, and Martian Manhunter. It’s not a show I ever watched so I’m banking on my familiarity with these characters from outside this show to help me through this one. And even so, I mainly know Superman, Batman, and Wonder Woman and both Wonder Woman and Batman aren’t featured. I guess it’s time to get acquainted with Martian Manhunter!

It’s certainly a Christmassy setting.

The episode begins with Martian Manhunter (Carl Lumbly) standing in a snowy environment silently assuring some alien lifeform that they will save their world. Apparently, these aliens (who look like uglier versions of The Snorks) have entrusted the Justice League with some sort of gravitational device. I guess we’re not on Earth, even though the snowy area has evergreen trees on it, and the aliens that Martian Manhunter is communicating with are on a different planet. Superman (George Newbern) and Green Lantern (Phil LaMarr) are assembling the device which is rather massive and ugly looking. This show is digitally animated and the characters and backgrounds mostly look fine and can pass as cel-animated. The device, however, is rendered in 3D and just looks really bad. It’s the type of thing that probably looked bad even back then, but so many shows loved incorporating that sort of thing into their look.

These are the guys the Justice League are trying to save.

As the two super men do their part, we see Hawkgirl (Maria Canals-Barrera) delivering some rope and parts to The Flash (Michael Rosenbaum) who dashes about the assembled device and inserts what looks like circuit boards into a compartment. He indicates that J’onn (apparently Martian Manhunter’s real name, which just sounds like “John” but they had to make it annoying to type since he’s an alien, or whatever) is “beaming the directions” into his head as he goes along. When he’s done, he dashes over to the others who have assembled where J’onn has been standing and we see the device in action. The planet they’re on is some ice planet and it was going to collide with the planet those Snork guys are inhabiting. The device envelops the ice planet with some green beems and basically backs it off. It’s all done with some pretty bad CG. It worked though as the aliens cheer and Superman remarks that the ice planet will never threaten the other one again.

All in a day’s work, I guess.

Show’s over, right? No, because now we can get to Christmas! Flash indicates that this was the best way to start a holiday break, which apparently Green Lantern is no fan of? He immediately bails, I guess he can just fly through space, and Hawkgirl decides to join him. Flash asks J’onn what his plans are for the holidays and he responds, without a trace of emotion in his voice, that these times hold no special meaning for him. He then walks onto the device which apparently doubles as a spaceship, or the this is an unrelated spaceship. Flash remarks that his personality is rather “frosty” and then Superman, with a sly smile, indicates that they’ll have to do something to change that. And that’s our A plot – show Martian Manhunter the spirit of Christmas!

Real creative, GL.

That takes us into the usual opening credits and when they end we’re back on the ice planet. Green Lantern has created a green snowboard using his power ring and is blasting down the side of a mountain with glee. Hawkgirl is there to watch and when Green Lantern comes to a stop she remarks that she thinks it’s odd for a man who can fly through space to get so worked up by snow. Green Lantern tells her it reminds him of his grandmother and how he used to play in the snow as a kid. He offers a “See?” like he’s going to prove to her how awesome snow is and goes on to assemble a snowman with his ring. When Hawkgirl doesn’t heap praise upon him he flops to his back to show her another “secret” and makes a snow angel. He points out his “wings” and Hawkgirl is appropriately unimpressed. What is this? Are we to assume Hawkgirl has never seen snow before or the things that kids do with the snow? When she turns her back to him he nails her with a snowball and when she angrily asks what that was for, he responds with “It’s supposed to be fun.” Predictably, Hawkgirl returns the remark with a smile and uses her mace to conjure up a wave of snow herself and sends it in Green Lantern’s direction. They both then enthusiastically commence what is sure to be an epic snowball fight before we cut to another scene. That might be the worst thing Paul Dini has ever written.

You can’t have Christmas without orphans.

The next scene begins with an exterior shot of an orphanage. It would seem the structure of this episode is going to be “how each member of the Justice League (minus Batman and Wonder Woman) spends Christmas.” And for this one, it’s The Flash. Well, I suppose I ruined the surprise there as the scene begins with a woman (Kimberly Brooks) prepping a group of kids for the arrival of the man in the red suit. We’re probably supposed to think she means Santa, but The Flash comes zipping in to the delight of the kids. I was hoping they’d be bummed it wasn’t Santa, but I guess we’re playing things pretty straight. He mentions he’s there and he’s bringing gifts and questions what the kids want this year. They direct his attention to the TV where a commercial for a DJ Rubber Ducky is playing. It’s terrible, but likely intentionally so, as it’s a rapping duck who shakes his ass at the screen and makes farting noises. I can’t tell if they’re supposed to be farting noises or if they’re just a poor imitation of traditional, animated, duck noises that we see from the likes of Donald Duck or Quackers. Flash seems amused though and promises the kids he’ll get that for them while the woman cautions him about making a promise he can’t keep since the stores are apparently sold out. Flash is dismissive of her concerns setting up this plot for us as Flash needs to supply some orphans with a sought after Christmas toy. This is definitely going to be a low stakes episode.

He’s feeling just a bit out of place.

Next we check-in with Superman and Martian Manhunter. Superman has apparently decided to take his green buddy back home to the farm for a good old-fashioned Christmas. Hey, if it worked for Garfield then it can work for the Manhunter. J’onn is unsure of his presence here, but Clark insists he wasn’t leaving him alone at the Watchtower, which I assume is their headquarters. We also get our one mention of Batman as Clark remarks that he insisted on monitor duty tonight. When they enter the house we’re introduced to Martha (Shelley Fabares) and Jonathan Kent (Mike Farrell) who welcome their son in. Clark tells them he brought a friend, and J’onn introduces himself and lets them know that their son insisted on his coming. He also introduces himself as a martian which naturally doesn’t phase the Kent parents and they welcome him into their home. Once inside, Clark asks where Kara (aka Supergirl) is and we’re informed she’s skiing with Barbara (Batgirl) and won’t be home until New Years. Clark remarks that J’onn can stay in her room then we cut to the big man entering a very, girly, looking bedroom. He indicates to Clark that it’s a bit strange seeing this side of him, but Clark just lets him know that’s because here he can be himself and relax. We then hear his dad call out from the other room that he’s lighting the tree causing Clark to bolt out of the room like a child crying out “That’s my job!” Left alone, J’onn takes a seat on the bed and seems a little sad. A cat saunters in and we actually see the green guy smile and call out “kitty,” but he just gets a hiss in return which seems to wound him more than a scratch would have.

That’s better, much more creative this time around.

We next check in on the snow fight (yay). Green Lantern has magicked up a trio of glowing, green, catapults which sling a volley of massive snow balls in Hawkgirl’s direction. She maneuvers around them through the air and smashes her mace into the ground sending a shockwave in Green Lantern’s direction. He takes a direct hit which knocks him into a tree causing a mass of snow to fall from its branches and bury him. Hawkgirl lands with a cocky grin on her face that soon fades when a dozen, green, hands emerge from the snow all brandishing a snowball. They fire off an assortment of snowballs in her direction causing her to give up. Immediately after her concession a snowball hits her square in the face to add insult to injury. Green Lantern then emerges from the snow to inquire if she’s feeling more festive now. She indicates she’s not and that she just doesn’t get the holidays on Earth. She mentions that on her home world (okay, so she is an alien which makes the last scene slightly less ridiculous) they had a different sort of celebration and that she’s only encountered one other like it on another planet. She apparently can’t get home, but she could get to this other world and Green Lantern seems game. It sounds like we’re going to see an otherworldly holiday when we next check-in with this pair.

Is Flash going to meet Santa?!

Back on Earth, Flash is shown running through traffic pausing for a moment to wave to a little kid riding in a car. He whirls past a Santa on the corner and deposits a dollar into his collection box and helps himself to a candy cane. His ultimate destination though is a toy store which is surrounded by a mob of angry folks. When Flash gets there, one man urges him to do something and accuses the store owner of hoarding this DJ Rubber Ducky toy, but he insists he’s completely sold out as he tries to hold the doors closed. The crowd disperses and we’re shown Flash race from store-to-store and all have a “Sold Out” sign posted regarding the toy. Flash then grumbles how dealing with Gorilla Grodd was easier than finding this thing, but takes notice of a store display featuring Santa’s workshop. He then remarks that’s his solution – to go straight to the source! Is Flash going to visit Santa? No, apparently not. He heads to a factory in China where the toy is made and we see him walking out with the factory’s last DJ Rubber Ducky. A Mr. Hama (Robert Ito) tells him that they’re happy to pass on the last unit to someone like The Flash and we see that this silly toy is freaking huge! It’s basically the size of Flash’s torso.

“You drink from the skull of your holiday idol?”

Next we return to the home of the Kents to see how Martian Manhunter is doing. The family is gathered at the kitchen table and the Kents are telling stories about young Clark at Christmas. Jonathan remarks that they used to have to wrap his presents with lead foil so he couldn’t peek and Clark rather sternly remarks, “You mean Santa wrapped my presents,” and the Kents just go along with that. Meanwhile, Martian Manhunter looks a touch confused and looks down to the steaming mug in his hand which bares the visage of Santa Claus. Martha then informs J’onn that anyone who attends Christmas at their home leaves with a present and she hands over a box to J’onn. He seems surprised, and conjures his inner little drummer boy by pointing out that he brought no gift in return. Martha insists though and J’onn opens his gift to find it contains a rather nice looking sweater, not an ugly Christmas sweater. She says she hopes it fits as he slips it on, over his cape I might add, and then tells her not to worry as he smiles and expands his body to fill the sweater. It’s actually pretty absurd that the sweater was too big in the first place since this guy is a massive man, or rather, a massive martian.

Sometimes you want to go…

We cut to a billboard of a scantily clad woman on a foreign world. I’m guessing Bruce Timm is responsible for this shot. This is the planet Hawkgirl was talking about and we spy she and Green Lantern descending to ground level. Despite that billboard containing a shot of a human looking woman, the streets are largely filled with inhumanoid aliens including one that’s just a big snake scooting about. Green Lantern asks if this is the place she goes to relax and Hawkgirl responds with a no, this is the place she heads to for fun! She leads him to a sleazy looking nightclub and the two make their way to the bar. She orders a pair of drinks that just look like frothy milk in a beer stein. She chugs one and lets out a loud belch when done remarking it’s delicious and slides the other one over to Green Lantern. He gives it a try and promptly spits it out. When he looks at the drink he spies two worms floating in it. I suppose it makes sense that a hawk girl would enjoy such a delicacy. She then turns to him and the background audio drops as she remarks only one more thing is needed to make this evening better. Green Lantern says “Yeah?” and he seems to think she’s looking for a kiss only for her to whirl around and smash this gigantic alien seated at the bar with her mace. She quickly hands the mace to Green Lantern while the monster rages and when he turns to her she gestures to Green Lantern indicating to the creature that he is the one responsible for the pain in his hand. The monster pounces on him and the two roll around the floor. A pair of aliens look at the brawl and then smile at each other before one blasts the other in the face with its mug. This sets off a bar-wide brawl leaving Hawkgirl to sip her drink with a contented smile upon her face. I thought this was the sort of carnage heroes were supposed to prevent, not start.

Finally! Some action!

We find The Flash racing towards Central City duck-in-hand. Upon arrival though he encounters an explosion at a museum and heads over there to survey the damage. As he walks inside he sets the duck down and wonders who would blow up a bunch of priceless artwork? His answer is Ultra-Humanite (Ian Buchanan), a big man-ape in suspenders with a huge cranium indicating he’s rather intelligent, though lacks fashion sense. He apparently finds the use of public money to fund art offensive so he decided to blow it up – makes sense. He’s also armed with a laser gun and starts firing off at Flash who manages to avoid it. He ends up under a suspended sculpture that the villain blasts from the ceiling and it falls on him. He even looks up to see it, but still gets nailed. I thought this guy was fast? Ultra-Humanite then approaches eager to finish him off, but he takes too long for when he blasts he finds no Flash. Worse, his gun won’t even fire as Flash brandishes the giant battery he yanked from it when he ran by and taunts him by suggesting he should have asked Santa for some more. This enrages Ultra-Humanite, but Flash just pummels him. The shot is from behind Ultra-Humanite so we don’t actually see his fists land, but it’s more than implied. Unfortunately though, he lands right on old DJ Rubber Ducky.

No! Not DJ Rubber Ducky!

Flash hears the crack and knows what happened immediately. When Ultra-Humanite gets up to reveal the broken toy, Flash runs over to, I guess, check on it. Ultra-Humanite doesn’t care and just casually strolls away remarking how it’s just plastic and crude electronics. Flash tries to appeal to him by asking him if he can recall having his hopes and dreams dashed when he doesn’t get what he wanted most and Ultra-Humanite just remarks it happens quite frequently and the Justice League are usually the ones responsible. He thinks the kids would be better off with a book, and he’s probably not wrong, though impractical. Flash is pretty heartbroken and as Ultra-Humanite reloads he even suggest he can go ahead and use that gun on him since he couldn’t possibly feel any worse than he already does. When he said this, his back was towards the villain and Ultra-Humanite is happy to oblige! As Flash turns his head he gets smashed in the face with the butt of the gun.

This is an unexpected development.

Flash is then shown waking up from his concussion laying on the floor. He’s in a lab, or work shop, of some kind and as he rubs his head he sits up and finds Ultra-Humanite at a work bench fixing the duck. Ultra-Humanite tells Flash that his words did not fall on deaf ears and in the spirit of the holiday he proposes a truce. Flash is confused, but seemingly accepts the truce by shaking the hand of the man-ape. He’s then told by Ultra-Humanite that he is repairing the toy while also making some improvements. Flash asks him if he’s rigging it with explosives and Ultra-Humanite rather sternly says “Flash, it is Christmas!” Flash then counters with the question we’re likely all wondering, “Then why did you hit me?” “You hit me first.” Okay, seems fair. He then asks Flash to hand him a screwdriver and I guess we’re just all going to forget about that whole blowing up the museum thing?

They always wind up at a church.

We return to Martian Manhunter who has apparently ditched that nice sweater gifted to him by the Kents. He’s just staring out the window, but then goes intangible and passes through the floor. From there he spies the Kents doing the dishes and making out a bit in the process. It’s an odd kink, but we don’t kink shame here. He then moves onto the living room where Clark is placing gifts under the tree. He picks one up and remarks, “Lead,” so he’s not placing gifts, but peeking! Good thing you have a lot of good will built up with Santa, Clark! J’onn then moves outside and into town where he returns to a solid state and transforms his appearance to that of a human. He then sees a couple walking down the sidewalk who wish him a “Merry Christmas,” and he returns the gesture with a polite wave. He observes them head into a diner and then moves on. J’onn finds himself outside a home and he can hear a young girl inside assuring a “Tommy” that Santa is real and she just knows he’ll come and eat the cookies she left out. This seems to stir something in J’onn who smiles a bit. He drops his disguise and flies up onto the roof, the sound of which wakes the little girl up with a start. We see the cookies and milk left out, and J’onn’s hand pops out of the fireplace to snatch one of the cookies. We next find J’onn outside a church and we can hear singing from within. He’s just standing outside in the snow back in his normal, green, appearance listening to the hymn which is “It Came Upon a Midnight Clear.” When the verse ends with “The world in solemn stillness lay to hear the angels sing,” he almost winces and perhaps a look of understanding crosses his face.

This is going well.

Back at the brawl, Green Lantern is still tangling with the big guy while Hawkgirl is now involved smacking around some poor fools of her own. The whole place is in chaos and Hawkgirl is quick to point out that this is way better than a snowball fight! Green Lantern agrees, but I’m detecting some sarcasm here, as he blasts the big monster man away with his ring. He then conjures up a green boot to kick an alien off of Hawkgirl and goes to help her up, only for her to call out “Don’t let your guard down!” He turns and finds the monster has returned and he knocks him into Hawkgirl.

You know what, I like it.

We somewhat abruptly cut back to the orphanage and Flash and Ultra-Humanite’s silhouettes appear on the door as they approach the building. They’re arguing about Ultra-Humanite wearing a costume and Flash points out that he put on the beard and also suggests that the big gorilla guy wouldn’t want to scare the kids, would he? We can tell he’s trying to place a top hat on him, and I’m guessing it’s a Frosty look. Flash then enters the room and declares himself Santa Flash! The prior shot made it look like they were at the entrance to the orphanage from outside, but the entrance shot makes it seem like they were already in the orphanage. I’m guess it’s just an error. Flash is sporting the hat and beard, but that red suit of his could really use some padding. He’s greeted with cheers and then goes on to introduce his helper: Freaky the Snowman! Ultra-Humanite enters to no reaction from the children. He’s clad all in white and sporting the top hat and deadpan expression. He rather curtly instructs Flash to give them the toy and then take him to jail, so I guess we aren’t just going to forget about the arson from earlier.

Time for a Christmas rave!

Flash once more seeks to confirm that it won’t explode and Ultra-Humanite seems offended by the suggestion. He places the toy on the floor himself and turns it on. The kids are then surprised to hear the voice of Ultra-Humanite come from the toy duck as it beckons them to come closer and hear a story. It’s going to tell them the tale of The Nutcracker and Ultra-Humanite rather smugly mentions to Flash how he improved upon the original. Flash doesn’t seem convinced and remarks he preferred the “poopy noises.” He then notices the kids all sitting around the duck with smiles on their faces. They may not have received the duck they thought they were getting, but they seem content with this one. Flash then smiles and agrees that this present is good too. We then fade out to see Ultra-Humanite being lead into prison by two guards. As he enters his cell he remarks “Haven’t I seen enough of you for one night?” He’s speaking to Flash, who was waiting for him. He setup a little Christmas tree in the big guy’s cell and tells him he thought he could use a little Christmas cheer. Ultra-Humanite approaches and observes that it’s an aluminum tree. Flash basically starts to apologize for being corny and all, but Ultra-Humanite stops him by saying he had one just like it as…though he trails off a bit. Flash leaves him to his tree and once out of the cell Ultra-Humanite turns on a floor lamp that projects Christmas lights all throughout the cell. He sits on the bench and a hint of a smile seems to cross his face as Flash looks on with a more obvious smile from outside the cell.

It’s an unconventional relationship, but this is a no judgement zone.

We return to the D plot of the episode where the bar brawl has apparently come to an end. The place is trashed and there’s one, lone, janitor uselessly sweeping the floor which is littered with numerous unconscious bodies. The camera pans over to find Green Lantern and Hawkgirl in a seated position with the big monster guy. His arm is draped around the two of them and it would appear they’re enjoying a post brawl cuddle session. Green Lantern and the monster guy are unconscious, but Hawkgirl isn’t. She’s sporting a very contented smile and plants a kiss on Green Lantern’s cheek and says, “Merry Christmas, John.” Too many John or John sounding names in this show. That’s apparently the end of this one though as she basically returns to the cuddles.

Martha seems to be a little freaked out by J’onn’s singing, but is trying to put on a nice face.

At the home of the Kents, it’s still dark. We find Clark asleep in his bed, but his eyes soon pop open and a smile crosses his face. He hops out of bed and puts on his robe apparently intent on heading for the tree on Christmas morning. He opens his bedroom door and we can see from the window that the sun is just starting to rise, so the tree is fair game at this point. As he walks into the hall he finds both of his parents standing there with smiles on their faces outside the bedroom door where J’onn is staying. We can hear singing coming from within the room, and the melody is similar to “It Came Upon a Midnight Clear” but the words are unintelligible as he’s apparently singing in his native tongue. Clark places a hand on the shoulder of each parent and remarks “And he said he didn’t bring a gift,” so I guess they’re enjoying the song. We then cut to inside the bedroom and J’onn is seated by the window, naked, stroking the cat. He’s in a more alien form than usual and I suppose the takeaway is that he found the Christmas spirit and apparently the cat did too. We get one last exterior shot of the Kent home before the credits roll.

Petting a cat with no pants on is definitely a bold move.

The premise of “Comfort and Joy” makes a lot of sense for this show. If you’re going to do a Christmas episode about a superhero team it would seem the approach is to either have some big, Christmas, mess or just try to show what the holidays mean to each hero. It’s a bit odd to completely exclude Wonder Woman (Batman is essentially excused by Clark and we’re left to assume that Christmas Eve is just another work day for grumpy Bruce, or an act of selflessness on his part since he doesn’t have a family to spend Christmas with), but that’s the issue with superhero teams: it can be hard to find room for everybody. And on the surface, the approach makes sense. For Flash, we just see how he solves a problem that arises from the mere existence of Christmas. For Hawkgirl, she’s from another world and needs to find a way to relate to Christmas and also wishes to share her interpretation of a holiday with her apparent lover. And for Martian Manhunter, who seems to be mostly devoid of emotion, he really has nothing in his past to allow him to relate or identify with the holiday so Clark takes it upon himself to bridge that gap.

This guy is the show-stealer for me. His motivation to educate the children with finer points is both clever and amusing.

The problem lies in the execution. This episode really wants to be profound. It wants to be a feel good story and also likely seeks to ask the audience what Christmas means to them. It’s just overly simplistic with the approach that leaves little room for a genuine emotional response. The first half of the episode is pretty dreadful. I hated that initial scene between Hawkgirl and Green Lantern and honestly their plot never landed for me. There were no stakes and nothing about the resolution was all that fun or interesting. The plot with Flash had some stakes, albeit they weren’t exactly important. I mean, I want orphans to have a nice Christmas and all, but the material possessions aren’t that important. At the same time, I do appreciate it not completely dismissing the material component as we all know kids want to wake up on Christmas morning to find that toy they want. And if it doesn’t happen, they’re going to be pretty bummed. Still, it found its footing once Ultra-Humanite was introduced via the humor he injected into the story. I liked his deadpan delivery and he’s a well-written character in a very literal sense as his words and delivery are quite entertaining. The resolution was corny, as Flash pointed out, but what Christmas episode isn’t?

Hey look, he gets it!

With the Martian Manhunter plot, Dini was really trying to hit a home run, but he only managed a bloop single. There’s some good character animation with Manhunter via his reactions to what is around him and his struggle to find something in the holiday he can relate to is interesting on the surface. I enjoyed the small bits of humor sprinkled into the story via Clark and his attitudes towards Christmas. I love that Superman believes in Santa and he’s very serious about it and his regression to a more childlike state is handled well and not overdone. Manhunter finding some meaning in the song he hears from outside the church feels forced. It’s like Dini was trying to find a unique way for J’onn to find the Christmas spirit, but the manner in which he settled on is just an empty one. The climax of that plot just doesn’t do it for me. I’m not a talented enough writer to offer a suggestion on how to better craft the climax, I just know it doesn’t land for me. And as someone who consumes and enjoys consuming a lot of cheesy Christmas stuff, it’s not hard to move me with such a tale, but I got nothing out of this one. Sorry, J’onn.

If you like your superhero shows to possess some realism and a serious approach, then I suppose this is still worth giving a look since there really aren’t a lot like it. The Christmas episodes for Batman and The New Batman Adventures aren’t particularly strong either, but they are more fun. I would much prefer those to this one, but maybe you’re a Superman or Martian Manhunter fan more than you are a Batman one. If you want to watch it, it’s presently streaming on the Max platform despite threats of removal earlier this year. If this is after 2023 that you’re reading this, then who knows if it’s still there (or if Max is even still alive)? It’s also still available to rent or buy digitally from places like Amazon. The show was released on DVD and they were still reasonably priced at the time of this writing, but if the show were to get delisted, it wouldn’t shock me if aftermarket prices started to rise. I think such an approach is only merited by those who want to take-in the full series as dropping some coin for the full 52 episodes just to experience this one is probably not worth it.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Toy Story That Time Forgot

When the credits started to roll in 2010 signaling the end of Toy Story 3 I think most who were watching it assumed this was “good bye.” The toys which had captured the hearts of movie-goers going on two decades were saying good bye to their former owner and playmate, Andy, and so too were…

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