Tag Archives: star wars

Star Wars The Black Series Mandalorian Warrior (Holiday Edition)

Straight from my Christmas shelf, it’s the holiday Mandalorian Warrior!

We’re getting to Christmas coverage at The Nostalgia Spot one day early this year with this look at one of the latest in the Holiday Collection from Hasbro’s Star Wars line of action figures referred to as The Black Series. I have previously looked at a figure from the very popular streaming show The Mandalorian from Hasbro’s The Vintage Collection. That’s a line of Star Wars figures that basically takes the old Kenner form and adds a whole bunch of articulation to it. I found that particular figure exceedingly charming and I’m a bit happy that I’m not a huge Star Wars fan or else I’d end up with a bunch of them (I’ve since only bought one more which I didn’t bother to review). Despite my preference, the clear most popular line from Hasbro in regards to Star Wars is the 6″ line known as The Black Series. I guess Star Wars collector wanted to see their favorite characters in a larger scale, or Hasbro simply ran out of 3.75″ figures and going to a new scale was an easier way to get someone to buy yet another Luke and Vader. Since I’m not a huge collector of Star Wars, it’s a line that’s never appealed to me. I always found the smaller scale for Star Wars as something that made the brand unique, plus it works way better for vehicles.

Special holiday figures demand special holiday packaging.

One way for Hasbro to get someone like me to buy a figure from its Black Series is to simply add some Christmas to it! Hasbro has been doing Christmas versions of Star Wars characters for a couple of years, if I’m not mistaken. This year’s lineup was actually supposed to drop last year, but delays at the factory or port, or both, caused them to miss Christmas 2021. Rather than drop them after the holidays, Hasbro simply held onto them to release later. There are a handful of these and they’re basically all just re-paints and re-decos of previously released figures to give them some holiday appeal. It’s been a desire on my end to add more Christmas toys to my annual display, so naturally this caught my eye. While I didn’t care for most of them, the holiday version of a Mandalorian Warrior stood out as being quite striking and festive so I decided to track it down. If you’re unaware, Hasbro arranged for each figure to be sold via a different retailer with this one landing with Target. It actually took me 4 tries to get this guy as I’d see him pop up on the app and I’d place an order for pickup only for it to be cancelled due to lack of stock. The fourth time was the charm though, and I even spied a couple on the pegs last time I was in there, so they appear to be shipping in some relative abundance. Perhaps the delay helped to make sure there would be enough product to meet demand. Nevertheless, lets rip this sucker open and give it a look.

“Fly away, Rodney!”

The Holiday edition of figures comes in a window box that’s desiged to resemble a wrapped present. The other benefit of these being delayed so long is that they retain the old window box packaging instead of the plastic free stuff Hasbro has switched to. I’m generally in favor of the move to eliminate needless plastic, but concede the window box is more attractive. I guess enjoy it while you can. It provides a straight-forward look at the figure inside and the accessories and if you’re an in-box collector it probably looks okay. Once removed, our nameless warrior stands a tick over 6″ at around 6.25″ and looks rather resplendent in his green and red attire. The helmet is rather striking at it’s predominantly red and green, but there’s a bit of shading applied in a dark red and, of course, we have the black visor. The shoulder pads, gauntlets, jet pack, and boots are done in green with red being applied to the belt, trunks, kneepads, and weapon holsters on his thighs. The rest of the figure is a reddish brown though his shin guards are white with thick, green, stripes. Much of the figure is done in molded, colored, plastic with the paint reserved for the helmet, shoulders, and shins. The only major deco is applied to the chest which has a festive, ugly, Christmas, sweater design applied to it. It’s the strong part of the figure and what basically ties it all together. The other colored parts look a bit cheap as a result, especially the trunks/belt and the jetpack. I’m left wishing they hit it with an enamel or clear coat that gave it a hard candy appearance. Just anything to apply a texture really would have helped.

I’m still working on acquiring Christmas figures, so it felt appropriate to pose him with some red and green figures from Hasbro for the time being.

As for the sculpt, this one is apparently an old one. I am not a collector of The Black Series, but my understanding is this was reworked from an old Jango Fett release from the earliest days of the line and it does show in places. I mentioned the finish as being cheap, but that’s more an issue of paint than sculpt. The feet are a bit odd as they’re very small. This guy looks like he’s wearing Crocs rather than boots. Maybe he’s supposed to and the feet are new? I’m not sure, but I suppose it doesn’t matter. By far, the worst offense this figure commits is featuring some sculpted wires that connect his biceps area to his forearms. Assuming it’s true that this is based on a Jango Fett figure, I suppose there was nothing Hasbro could do about the awkwardness involved in connecting two parts of the arm via wires, but here we have a fantasy creation that doesn’t need to be held down by that. Surely they had other arm molds without these annoying things they could have utilized? As it stands, we have two pieces of the figure joined by plastic. It can bend and flex, but stress marks appear rather quickly and I assume anyone that poses this frequently will eventually find these broken in short order. Hasbro must have determined they were too small to implement them like they do the cables on Apocalypse where they’re separate pieces that can be removed effortlessly. Not so here.

Though I suppose he could just battle Krampus.

I suppose that’s a good springboard to talk about the articulation. Here the figure shows its apparent age as well as this isn’t one to write home about. The head is on the typical Hasbro ball and hinge combo, but the boxy nature of the helmet means he basically can rotate and do little else. The shoulders feature the shoulder pads which prevent his arms from coming up to horizontal, but they can rotate around. The biceps do swivel, but as mentioned before, you need to be mindful of those sculpted wires when utilizing that function. There’s just a single hinge at the elbow, and the range is rather abysmal as he can’t even hit a 90 degree bend. The forearms swivel, which helps to keep those wires in-line, and the wrists swivel and hinge horizontally, not vertically as would be better. The armor means he does nothing in the torso and the waist is just a twist. The hips let the figure kick forward, but not back, and he can spread his legs far enough. There is a thigh cut and the knees are double-jointed. The ankles feature a hinge and rocker, but the range forward on the hinge is poor. The rocker is okay, but the feet are rather small so he can be tough to stand and pose. In addition to that, he’s a bit loose and floppy in the lower half which is unpleasant. The figure feels rather basic as a result, and it rears its head with the accessories as well.

You also get this little guy in the box. Cool?

As for those accessories, the Mandalorian Warrior comes with few. He has no extra parts, but his hands are trigger finger hands so he can hold his weapon in either hand. And that weapon is a long rifle, the Amban blaster, which can fit in either hand, but he can’t really hold it properly. I was amused when Target’s solicitation shot even featured him holding the weapon in an unnatural manner. He can basically just carry it, but the lack of butterfly joints and the proper wrist range means he can’t hold it as if he’s firing it. He also can’t holster it anywhere and it’s a shame the two holsters on his thighs can’t store anything. The deco of the rifle is a bit interesting as it’s primarily brown, white, and orange which was done to make it resemble the Nerf version of the same. It’s a bit of a deep pull so many who get this might wonder why they didn’t give it more of a Christmas deco, but it seems appropriate to make it a “toy” version of the gun. The only other accessory is a small bogling, which is done in all white with blue feet. It’s cute, I suppose, and it frees up Grogu for a separate holiday release which is probably what Hasbro wanted to get casuals like me to buy two. And that other figure is the Walmart exclusive Scout Trooper which I may or may not get. I suppose the jetpack can be considered a third accessory since it is removable. It just plugs into the back and, as I mentioned before, is rather plain looking given the lack of paint.

“Well little guy, we’re pretty mediocre, but at least we’re Christmas!”

The holiday edition of the Mandalorian Warrior presently retails at Target for $26.49. That seems really high for a figure that is, as far as I know, just a re-paint. It probably has a smaller run than some other figures which may account for some of the increase, but I’m guessing the added price is mostly to take advantage of people like me who will impulse buy a Christmas Star Wars figure. As an annual decoration, I think it’s okay. It stands out on a shelf because of the color combo and the Mandalorian design, which is basically just Boba Fett, is pretty timeless and distinct. As an action figure, it’s pretty mediocre though as the paint is scarce, the articulation poor, and the accessories lacking. I would have preferred pistols that actually fit in the holsters to the rifle, and they must have done a Mandalorian figure that can holster the rifle like the Vintage Collection version, no? I don’t understand why they would reuse this old mold when better ones exist. Maybe because if they just did the actual Mandalorian it would be even more obvious that they wanted to separate Grogu off for another release? If that’s the reason then that’s lame. Ultimately, I don’t necessarily regret my purchasing decision here, but it doesn’t endear Hasbro to me either. It certainly drives home that Hasbro is a big company out to make as much money as possible, and I’ve helped them out in their quest for that. If you want what is essentially a Christmas Boba Fett, then this might do it for you. If you’re expecting what is the current level of quality of a Black Series release with a Christmas surcharge then this might disappoint you. And if you never needed to see Star Wars characters dressed for Christmas, then you can certainly skip this.


Star Wars: The Vintage Collection – Din Djarin (The Mandalorian) and The Child

The wholesome content you come here for.

Today we are celebrating ten years of The Nostalgia Spot! It’s not ten years to the day, the actual anniversary was about a week ago, but it’s close enough. In those 10 years, there have been 750 posts here on a variety of subjects, pretty much all of which could be labeled as nostalgic to someone my age. One such topic though has never been broached, and it’s Star Wars. I have nothing against Star Wars and actually consider myself a fan. The first Star Wars film I ever saw was The Empire Strikes Back when my dad was watching a television broadcast of it in the early 90s and beckoned me to watch it with him. I enjoyed it, even though I thought Darth Vader looked like a rip-off of The Shredder, and my dad made sure to rent The Return of the Jedi for me shortly after our viewing. I don’t think I’d see the original film for a year or so though, and that inaugural viewing was a broadcast television airing too.

I thought Star Wars was pretty great though, and while it never really threatened Teenage Mutant Ninja Turtles for number one in my heart, I would eventually become a bigger fan later in the 90s. The special edition of the trilogy was heavily marketed as was the novel Shadows of the Empire. Kenner re-launched its Star Wars action figure line and I dabbled in it. I had versions of all of the main cast, as well as a few vehicles, some Micro Machines, and other assorted toys. I got into the Expanded Universe and read quite a few books during that time and also played the video games. I even unironically enjoyed Masters of Teräs Käsi for the PlayStation and sunk several hours into it. And when the prequel trilogy was announced, I was pretty pumped and my family and I made sure to see The Phantom Menace as soon as we could.

Hasbro knows nostalgia.

Ever since though, my fandom has certainly waned. The prequels turned out be rather poor, and when I moved on from toys I largely left Star Wars behind as well. I never stopped liking the original films, but the fandom certainly became exhausting and I’ve never been able to bring myself to care about the franchise in the way a self-described “fan boy” would. To me, it’s just a fun world and fun collection of movies. I have made no grand plans on how to introduce my own kids to it or anything, I’ll just show it to them when they finally show enough interest to care. And so far, they’re fine with not really interacting with it outside of the Disney Infinity game. On the subject of this blog though, I’ve just never felt like I had anything important to say about Star Wars that hasn’t been said somewhere else. It’s a huge topic with a lot of opinions and you can find Star Wars blogs and YouTube channels in astronomical numbers. Anything I post here would just wind up in an echo chamber. I haven’t been actively avoiding the subject, I just haven’t really found anything worthwhile to say on the subject.

If you don’t like the modern stuff, there’s a Luke to keep you happy.

In celebration of ten years blogging though, it felt fitting to finally tackle something related to Star Wars. And today, we’re looking at a toy! The Star Wars: Vintage Collection from Hasbro is a throwback line of action figures meant to remind collectors of the Kenner days. And since Hasbro owns Kenner now, they can even toss the logo right onto the package! The Kenner line was a 3.75″ scale line, though it might be more accurate to say that was really the height and not the scale as the characters did not scale well with each other. They were also articulated in a simple manner with just five points of articulation: head, shoulders, and legs. It was limited, but not in a manner that stood out for the era as a lot of lines offered little articulation. A Toy Biz X-Men figure, for example, often only had four more additional points of articulation at the elbows and knees. I think the line is actually more memorable for just having some amusing sculpts and oddball characters. The original Luke, based on his appearance in Star Wars, had a massive, barrel, chest on him that looked ridiculous. There were also numerous peg warmers of characters no one wanted as the line went on as long as it could often pulling background characters into the limelight. It was a flawed line of figures to be sure, but I had a lot of fun with it and even still have all of my figures to this day.

And with him, as always…

For The Vintage Collection, Hasbro wisely did not just emulate Kenner. These are not ReAction figures. This is a 3.75″ scale line of figures with modern articulation and a lot of the bells and whistles collectors today are used to. I do not collect anything Star Wars today, but it looks to me like this line works largely in tandem with Hasbro’s The Black Series, a 6″ scale line, with these figures just being scaled-down versions of figures from that line. I do not know if that’s true of every figure, but it certainly appears to be the case with Din Djarin, better known to most as The Mandalorian.

This is awesome.

The Mandalorian has been a big hit for Disney and its streaming service, Disney+, pretty much since day one. The second season just finished at the end of 2020 and a third season is expected later this year along with a spin-off series concerning Boba Fett. Like basically everyone with a Disney+ subscription, I have watched The Mandalorian and I’ve found it pretty damn enjoyable. It’s probably the best Stars Wars thing Disney has done and I think that’s due to it keeping things simple. Some of the episodes get a little too formulaic and feel like video game quests or missions, but for the most part the show is anchored by the relationship between its title character and The Child, a toddler of sorts who bares a strong resemblance to Yoda, hence why many just refer to him as Baby Yoda. The Child was given a name in Season Two, but I’ll refrain from including it here since it’s not printed on the package and because I don’t need to spoil it for anyone. This set features both characters and appears to be partly inspired by the final episode of the first season and is very similar to a set from The Black Series that also includes both. And because Hasbro needs to please all retailers, that Black Series set is exclusive to Target stores while this one comes from Walmart. I don’t know if any of these have actually made it to physical stores as it seems everyone who got one did so via Walmart’s online store where this set was made available as a pre-order (which Walmart cancelled many orders of). I did not get a preorder and was actually hooked-up by a fellow collector whom I met on Twitter via the #CollectorsHelpingCollectors group so a special shout-out and thanks go to Jay (@TMNT_MOTU_RGB)!

He’s got a spot for his rifle.

This set comes packaged on a retro-inspired blister card. The card itself is really attractive and features a shot from the series and a cross-sell on the rear. It looks so nice that I almost hate to open it as this is a classic blister and not something that can be resealed, but this wouldn’t be much of a review if I kept it mint-on-card. Once freed from his plastic confines, Mando stands almost right at that 3.75″ mark coming in a tick over. This makes sense as he appears to be a character of approximately average height for the setting. He’s in his beskar armor and he looks like he’s been in a fight as I think this is modeled on the Season One finale. There’s a nice graphite quality to the beskar with just a hint of a pearl finish on it. Black scuff marks and dirt smudges provide the distressed quality the figure is going for while the rest of the figure is mostly an earthy brown and gray-blue. He’s quite detailed for such a small figure and it’s incredibly rewarding to just sit an admire all of the little touches sculpted into the belt, armor, gloves, and boots. The amount of paint on him is rather impressive as there’s lots of little touches, especially on the belt or the shells strapped to his right calf. And it’s remarkably clean for the most part. The only areas I have some paint slop are the fingers and inside of the glove. The trigger finger of his right hand has some turquoise on it that I don’t think is supposed to be there, and it’s the only paint slop I’d consider an eyesore.

Or if you prefer, a jetpack!

Like the detail work on the sculpt, the articulation is rather impressive for such a small figure. His head is on a ball peg and has great range of motion. He can look up and down and tilt as well as rotate. The cape doesn’t really get in the way too, which is surprising. The shoulders are ball-hinged and he has single-jointed elbows with swivel right above the hinge. Even without a double joint at the elbow, he can still bend his arm a bit past 90 degrees. The wrists swivel and his left hand is a gripping hand while the right is in a trigger position. There’s a ball-joint in the torso with some nice range of motion that affords forward and back bends and plenty of twist and side-to-side action. The bandolier across his chest is loose enough that it doesn’t restrict the torso at all. His legs are on ball hinges which is certainly different. You can get him to kick forward and back as long as you line that hinge up the way you want it to go. This means he can swivel at the top of the thigh, plus he has a thigh cut just above his armor so you can finagle a kicking pose, for example, by spinning the top joint to orient the hinge properly and then twisting the thigh so his leg doesn’t look like it’s been contorted in an impossible fashion. I don’t know why they don’t just use a ball-joint, but this is okay. He has a single hinge in each knee and can swivel below the knee for an effective boot cut. The ankles are hinged and can rotate, but don’t appear to have an ankle rocker of any kind. And really, that’s probably the only thing I miss. An ankle rocker just adds stability for more spread out stances, but this guy stands pretty well and I am just impressed that Hasbro got as much articulation into this one as they did.

The best I could do with the rifle. Note how his jetpack can stand on its own though!
The ever important beskar.

Since this is Mando, he needs to come with some accessories. And obviously, important to him are his weapons and tools. He comes with a blaster holstered at his hip which fits snugly in there, but is also easy to remove. The sculpt on it is quite nice, but the paint is understandably simple. It’s just gray with a brown hilt, but there is a touch of pearl in the finish on the gun metal. He also has his rifle which he can either hold or have pegged into his back. The sculpt of the rifle is great and it’s painted or sculpted in that same graphite gray nearly matching his beskar armor. The stock of the rifle is more of a copper than brown and there’s some gold portions where the scope is fastened to the barrel. It looks rather nice, though there is a couple of spots of missing paint on the stock that I don’t believe I caused when trying to pose him with the rifle. His articulation means he can hold it in a ready position, but struggles to hold it in a firing position, but that’s common for six inch scale figures as well. He also comes with a container that probably has a special name, but I don’t know it. It opens at the front with a hinge and the top can also come off. It’s off-white with a little gray paint and looks like something from Star Wars. It’s mostly here to store his stash of beskar. He has a single brick he can hold in his left hand and a molded stack of bricks to put in this container. It might sound stupid, but even this little, plastic, brick is sculpted rather well as it even has the Galactic Empire insignia stamped into it. The finish is the same graphite color as his armor. He also comes with his jet pack, and it’s done in the same graphite color. I’m not sure if this is painted or just the plastic used, but it’s nice. It pegs into his back just fine too.

A canister, some space metal, and a kid.
“I love you, little buddy.”

Of course, there is one other accessory and it’s The Child, or Baby Yoda, whatever you refer to him as. He’s in scale with his much taller buddy meaning he stands at just three quarters of an inch. He is tiny, and yet somehow he’s just as cute as he is on television. The face is perfect and his eyes are a shiny black so they really capture the eyes of the actual character. There’s a little paint in his ears, but otherwise he’s kept pretty simple. His robe is two-toned and has some nice sculpted details in it. Best of all, he’s articulated which the Black Series two-pack can’t even boast. His head is on a ball-joint and it can rotate all around. He can look up and down slightly, but the way the robe is sculpted won’t allow much. That’s the only disappointment since he can’t really look up at Mando. The arms are ball-jointed too so he can raise his arms out to the side a bit and rotate forward and back. I don’t think his hands can move, but they look like they could be pegged in. Maybe they were strengthened with glue. He is beyond fantastic as far as I am concerned though. Somehow, Hasbro got more personality into this tiny chunk of plastic than some of the much larger versions of the character I’ve seen out there. The only downside is he lacks his little, floating, bubble (pram?) stroller of a device which would look nice beside Mando. He’s also so small that he basically can’t have his little steel shifter-top from the show.

What’s in the box?!
SHIT!

And one last thing! Mando also has an alternate head. If you prefer your Mandalorian unmasked you can pop the helmeted head off and replace it with this unmasked version. Once again, I am left floored by this figure as the likeness to actor Pedro Pascall on this tiny, piece of plastic is better than a lot of the larger scaled figures out there. It’s also a far better solution than the Black Series which made the helmet fit over the head thereby smooshing the nose of the actor and leading to a slightly imperfect fit. I can’t imagine ever displaying him with his unmasked head, but it’s nice to have the option. It’s also worth noting that this head features no battle damage as one may have expected given the rest of the figure. And I suppose now is as good a time as any to mention that his cape is removable. One you have popped off the head, simply slide it off, if you desire. It’s well positioned though so as not to interfere with the jetpack slot or the rifle slot so I doubt most will want to remove it. Plus, everyone looks cooler with cape!

He’s so small that it’s hard to get a camera to focus on his face.

If you can’t tell already, I am in love with this release. It’s the best Hasbro figure I’ve ever owned. It makes me want to check out more from the Vintage Collection, though presently I am not after any other characters. Instead, maybe I’ll just quietly hope my son or daughter falls in love with Star Wars and wants to start a collection of these or something. I definitely don’t feel the need to acquire other characters based on The Mandalorian, at least not the characters who originated in the show. I can think of one character from the Season Two finale that might tempt me, but otherwise I think I’m all set. We’ll see. Time has a tendency to make fools of us all. For now, I have this awesome set of figures that I’m really excited to find a home for in my house. I don’t know where they’ll be displayed, but it will be somewhere prominent, I suspect. This set is being sold by Walmart and is presently sold out, but considering how popular these characters are I expect a restock is underway. There may even be a reissue that omits the battle damage and is distributed to other retailers, so if you missed out don’t despair just yet. And if you’re not interested in The Child, there are single card editions of just The Mandalorian available. It also should go without saying though, if you’re a fan of the show or a Star Wars collector you absolutely do not want to miss this!

I feel like we should end this on a comparison shot, just in case I didn’t properly convey how small this figure is. Left to right: Lightning Collection Green Ranger, Mando, Funko Scrooge, NECA Leonardo

24 Hours of Disney+

disney+_welcome.jpgIt’s a bit funny to me what we get excited for in our modern era. If you had told me when I was a kid that people would be geeking out over new phones, subscriptions, and chicken sandwiches I probably would have wanted time to slow down even more than I already did. That’s where we are though and on November 12, 2019 the world paused for Disney+, the first dedicated streaming service from the massively popular (and just plain massive) Walt Disney Corporation.

We’re now well into the streaming era for entertainment consumption. The old days of Netflix sending a DVD in the mail feels like the stone age by comparison. Netflix helped push us into this new frontier, with an assist from rapidly rising cable costs and a government-sanctioned monopoly, and the concept of chord-cutting is no longer a radical one as more and more streaming platforms keep coming. Netflix was initially just a means to an end as it licensed content people wanted and then delivered it to them. It’s no surprise that the content producers were taking notice and weighing the pros and cons of licensing out its media to a third party versus just creating the infrastructure to deliver it themselves. Netflix was quick to notice as it got into the content producing business and now has a whole bunch of shows and movies under its umbrella as it battles with other providers for non-Netflix content. Meanwhile, the biggest media creators are striking out on their own.

Disney is no stranger to production and delivery. Gamers will recall when Disney decided to stop licensing its characters for video games instead taking things in-house to create its own product. Eventually, game production grew too costly and Disney shuttered its studios to go back to licensing. With a streaming platform, costs are more fixed and Disney can charge whatever it wants to consumers. Some might question why Disney decided to create Disney+ since it already had a controlling stake in Hulu, but it’s all about branding. Disney+ is now the home for all things Disney. Those 20th Century Fox productions not named Star Wars can go to Hulu. Oh, and don’t forget they also own ESPN which has its own streaming platform as well. Yeah, there really are a lot of options out there now.

Since this is hardly uncharted territory, consumers have expectations of what a streaming platform should look like and how it should function. Disney was able to basically just do what Netflix did before it and give it a new coat of paint. Disney+ is a very boring interface, though hardly ugly, as it just lays everything in front of the user in a familiar form. Users can browse by genre, media type, character, brand, and so on. Everything is accompanied by a thumbnail image and a larger splash image meant to attract eyes. There are trailers for some films and new series and a summary of the program as well.

img_0561

Disney+ means access to classic movies and new shows, but it also means some older shows that never got the DVD treatment are finally viewable in their entirety.

Even though this is all well-trod territory, Disney+ still has a few odd quirks or missing features. For one, it’s not obvious what the runtime is for anything you’re looking at or considering. It’s not a big deal for old television shows which are fairly standard, but I had no idea how long any of the new programs were or some films. I had to start them and then pause them to see the counter displayed on the screen. The app also doesn’t remember where you left off with a given series. This is a standard feature on other platforms and it’s puzzling to see it not present here. Basically, it’s on you to remember how many episodes of a show you just watched and where to go next. You’re probably thinking that’s not a particularly difficult thing to remember, but it’s a lot trickier to remember where you kids left off watching a show you don’t care about. And they typically have no idea until the episode starts forcing you to embark on a series of trial and error until you get it right.

Those are small quirks that I expect will be remedied fairly soon. Others may take longer. By far, the biggest issue consumers encountered on launch day was performance-related issues. Slow buffering, shows disappearing, or the app completely crashing were frequently cited problems across social media. That was to be expected given that Disney didn’t allow users to preload the app before launch and is also giving curious consumers the option to partake in a free trial. Demand was going to be high, though that doesn’t absolve Disney as the company should have been prepared for this and able to address it quickly. Shows disappearing may have been part of that corrective action just to shrink the library temporarily. I saw quite a few complaints from users that Gargoyles wasn’t available for a period of time, though I didn’t encounter this. I did view the new documentary Imagineering and then found it unavailable after viewing when I went to go back and add it to my watch list. Aside from that though, I was actually rather fortunate to not encounter many issues. When I first logged in and got going around 6:30 AM EST I found the app slow to navigate. By 7:30, it was taking so long I gave up, but I was also heading out to work. My wife dropped our kid off at school shortly after and then resumed streaming with no issues. It was on basically all day with no further issues in my household.

I did a little research on social media and asked folks what they went to first upon signing up yesterday and got a variety of responses. A lot of folks were eager to view shows from their childhood, mainly those from the beloved Disney Afternoon. Some were also excited to check out the old Marvel cartoons like X-Men and Spider-Man. Many were eager to check out the Disney+ original The Mandalorian, a live-action series set in the Star Wars universe. There was certainly a lot of enthusiasm for the app, and most respondents had a list of things they wanted to check-out on day one.

img_0566Perhaps not surprising, the most frequent response I received was for The Simpsons. Disney made a pretty big deal about having 30 seasons worth of The Simpsons on Disney+ on day one. Unfortunately, the biggest complaint outside of technical problems from users was directed at The Simpsons. You may recall, when FXX started airing “Every Simpsons Ever” a few years ago they made the controversial call to crop the image on the seasons shot in 4:3 and adapt them for 16:9. The accompanying app did the same much to the annoyance of longtime fans. Eventually, the app was corrected and both versions were able to stream and they even added commentary tracks. As a result, fans expected the same on Disney+ and there were reports that the early seasons would be presented in the correct aspect ratio. Unfortunately, that wasn’t the case. Not having the commentary is not a surprise, but the 16:9 presentation is horrid. If this were the first time those old seasons were being made available it would be temporarily excusable, as it was with FXX, but in 2019 it most certainly is not. I think Disney will correct this, but it’s something the company needs to get out in front of.

As for me, I have had a pretty good 24 hours at this point with Disney+. My first view was for The New Adventures of Winnie the Pooh. As it was 6:30 in the morning and my kids were up, it felt like a good way to start the day. My kids watched a lot of Disney Afternoon content during the day as well as some movies they’re more than familiar with. In the evening, I checked in on some of my own personal favorite cartoons and also was able to check out The Legend of the Three Caballeros, the previously UK only show starring Donald Duck (and it was great). When the kids went to bed, my wife and I checked out The Mandalorian as it easily is the most hyped original program on the platform right now. The production values are high, and while the story and character so far seem conventional and even cliché, it was entertaining enough that I’ll continue to check it out as episodes are added. We also watched the first episode of the Imagineering docuseries which focuses on the creation of Disneyland and goes up to the death of Walt and early concepts for Disney World. It was very familiar territory for me, but still enjoyable. I’m probably looking forward to episode two of that series more than I am for The Mandalorian.

3caballeros

We had to wait over a year, but now US audiences can finally (legally) view Legend of the Three Caballeros.

There is some other original content I intend to check out, in time. Lady and the Tramp is one of my favorite films from Disney so I feel obligated to at least give the live-action version a chance. I have low expectations, as it’s not something that needs to exist, but it’s there. There is also a collection of classic Mickey Mouse shorts which have been upconverted to HD that I’d like to see. I’m pretty sure they’re the same as what was present on the Blu Ray compilation released last year for Mickey’s 90th, but I passed on that set (since I have all of the DVDs) and I’d like to see how the conversion came out. I hope more classic shorts will be added, though I doubt that’s a priority for Disney right now. Hopefully we at least get the Christmas ones next month.

Disney+ launched with a few stumbles, but the framework is there for a successful existence. More importantly, Disney is rich in content and should have no issues getting people hooked at least in the short term. Right now, the service is cheap compared to Netflix and if you’re part of a Disney family like I am then you’re probably locked in for the next three years. Disney has been systematically pulling content from cable and streaming providers so my children’s addiction to Disney content will definitely keep Disney+ in my house for awhile. What will spur growth for Disney will be how the original content turns out. The platform is off to a good start, but it might take more to convince people adverse to multiple streaming subscriptions to drop Netflix in favor of Disney+. Disney will also have to make the difficult choice over what it releases on its cable channel versus what it reserves for Disney+. And how will competitors, and cable, respond? Disney+ is undercutting Netflix by quite a lot and I’m curious if Netflix will respond. I suspect it will wait it out at least a year to see if and when Disney ups the monthly rate, but if it starts losing subscribers it may have to do something about it. This is our new reality though and it feels like, if anything, the biggest casualty of all of this may be cable itself.


Disney+ Revealed

Disney+It was only a matter of time until big companies got into streaming. Netflix was allowed to practically monopolize the market for years before facing any sort of real challenge. Now we have Hulu, Prime Video, as well as numerous niche offerings like WWE Network and Crunchyroll which cater to a specific type of fan. Premium channels like HBO can now be subscribed to without a cable subscription as more consumers look to change how they watch television. With Warner Media announcing in November of 2018 that it intended to offer a streaming service, it only made sense that Disney would follow suit. Not only did Disney possess its own vast library of works, it had recently entered into an agreement to acquire 20th Century Fox adding even more volume. And given how much money Disney had paid to acquire Fox’s portfolio, it only makes sense that the media giant would want to find a way to monetize that investment sooner rather than later.

We’ve known for months that Disney+ was coming. We’ve also known it was going to feature the entirety of Disney’s film library. This was notable when announced because it likely means the long-vaulted film Song of the South will be readily available for the first time in decades. Song of the South is a live-action animated hybrid first released in 1946. At best, it’s content was deemed racially insensitive and at worst flat-out racist as it sought to portray a setting of happy plantation workers in a post Civil War setting. Most historians seem to agree that Walt Disney’s heart was in the right place when the movie was made, but also acknowledge it’s very problematic. Today, most fans will just recognize the animated characters from the popular Disney World and Disneyland attraction Splash Mountain. Disney has long sought to distance itself from this film and never released it on VHS or DVD in the west. It has been released in some parts of the world where the issue of American slavery is less thorny. It’s likely appearance on Disney+ will be the first time many Americans are exposed to the film outside of a bootleg.

uncle remus

Disney+ will likely be how a lot of folks will first experience the controversial Song of the South.

A 70-year-old film that’s not very good wasn’t going to drive the success of Disney+ though. Song of the South will probably have high stream counts when the service launches and gradually fade away. The rest of the Disney film library will do a lot of the heavy-lifting, but how much was that going to be worth to consumers? Disney, more so than any other studio, has a pretty loyal following of fans that still buy its movies on physical media. While it’s certainly convenient to have films readily available on a streaming platform, what’s the value to Disney fans that already have most of these movies?

UPDATE:  Apparently “entire film library” does not apply to the controversial ones as it is now being reported that Song of the South will indeed be excluded from Disney+ when it launches this fall. In addition to that, Dumbo will see the infamous Jim Crow scene annexed from its film. Song of the South is not a good film so it’s not much of a loss to not have it on the streaming service. In the spirit of not hiding from one’s past, I would have liked to have seen it included with a disclaimer or even an introduction added on, but I’m also not surprised. Removing an entire scene, a rather pivotal one at that, from Dumbo is more concerning. If they’re going to start chopping up their films to remove questionable content (and there’s more than just Dumbo) then I’d prefer they just not include them on the platform.

Disney was going to have to make Disney+ special, and on April 11th the company at long last laid out what it envisioned for the service. The most important detail, as always, is cost. The service will launch in November 2019 at a cost of $6.99 per month in the US, or $70 per year. Other regions will follow as the company likely looks to stagger the release to get a read on how much their servers will have to work. Presumably, the cost will be the same or roughly the same in other parts of the world. It’s an aggressive price point, not in that it’s too high, but in that Disney clearly looks like it’s trying to undercut Netflix, which just raised its prices. Disney owns a 60% stake in Hulu so it likely doesn’t want to undercut that too much. And with the confirmation that it will be ad-free, Disney+ already looks like one of the better bargains in the streaming world.

disney+ dash

A concept of what fans can expect to see when they login to the service.

Disney+ will also include not just Disney films, but Star Wars and Marvel as well. This isn’t much of a surprise, but there probably were some wondering if one, or both, of those big brands would be sent to Hulu instead. It was also touted that the launch of the service will feature the newly released Captain Marvel, currently airing in theaters at the time of this writing. It’s interesting that Captain Marvel was highlighted, but not Toy Story 4 which is set for release this June. At the time Disney+ launches, Toy Story 4 will likely be heading to home media and digital for the holidays. That film might be the first litmus test for what fans can expect between home video and streaming release. It would be understandable if Disney wants a gap between the two so as not to harm home media sales, but it also needs to make its streaming service attractive in regards to new releases.

Disney knows it will need some original content to compete with the likes of Netflix, and it announced a few new shows destined for its streaming service. The Mandalorian is a Star Wars themed show about a bounty hunter that looks like Boba Fett because that character is inexplicably popular. There will also be an animated show based on Marvel’s What If? line of comics and a live-action show called WandaVision focusing on Scarlet Witch and Vision. Some what of a surprise was the announcement that the “live-action” Lady and the Tramp is going to be a direct-to-streaming film on the service as opposed to a theatrically released film. I suppose Lady and the Tramp isn’t as popular as the likes of Aladdin and Beauty and the Beast, but given how much money these live-action remakes have been making it’s still a bit of a surprise to see it bypass the theater.

Disney-Simpsons

The Simpsons “welcome” their new corporate overlords.

Perhaps the biggest surprise though was reserved for a non-Disney property:  The Simpsons. America’s favorite animated family is coming to Disney+ and all thirty seasons will be available on day one. I think most assumed that The Simpsons was destined for Hulu, but apparently Disney feels the brand is too valuable for that platform. It’s probably right, though this likely spells the end for The Simpsons World, the streaming portion of the FX Now app which currently is home to the entire series for anyone with a cable subscription. That app was limited, though it was still useful to have every episode on demand, with optional commentary no less. I assume the show will still air on FXX, assuming Disney keeps the channel around, but the on demand options to cable subscribers are probably about to decrease substantially.

What wasn’t touched on in as much detail as I would have liked is what is to come of the television properties Disney owns? Specifically, can we expect to see the entire Disney Afternoon collection of shows on this service? The announcement did make mention of Disney Channel programming so it’s expected all or most of the current programs will be there, but it wasn’t elaborated on. I also want to know if the classic theatrical shorts will show up, and if so, will they be remastered in HD? Some packages of shorts are currently available on Netflix, so it wouldn’t surprise me if those make it to Disney+ early on, but I’m really hoping all of the classic animation is included.

pooh and christopher robin

Disney+ could be a place where television shows like The New Adventures of Winnie the Pooh, one that has been ignored by Disney since it ceased airing, could finally find a new home.

Given the amount of content and the low introductory price, I think it’s safe to say that Disney+ will have a pretty successful launch. My household will likely be a day one subscriber as my kids probably average one Disney movie per day and this will save ware and tear on my Blu Ray collection. I suspect the price-point to change much faster than Netflix changed its pricing. The most popular Netflix subscription just increased to $13 per month, nearly twice what Disney+ will cost in November. There’s no way Disney, a company that really loves money, will stay at the low-end for long. It’ll be interesting to see how aggressively the company raises that number, with it likely staying put for a year or so. Disney will probably try to incentivize consumers to subscribe to the service in a package with Hulu and ESPN.

What we’re also likely to discover in the coming years as well is just how large an appetite the consumer has for streaming content. Cutting the chord used to be a radical concept, but now is starting to become pretty normal. It was once a way to drastically reduce the cost of television in the average household, but with more streaming options showing up spreading things around it’s no longer the value it once was. My guess is that consumers will become less loyal to any one brand and will be constantly switching between services on a monthly basis. That is, until the content providers start forcing or aggressively incentivizing consumers to subscribe to deals that last for months, or even years. It’s even possible they’ll be forced to turn to contracts, and then we’ll basically be right back to where we were with cable companies. The cycle will repeat.


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