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DuckTales (2017) – “The Last Adventure!”

Original air date March 15, 2021

The return of DuckTales came at a really good time in my life. When it was announced, I had just become a dad not that long ago and even had another kid on the way (a bit earlier than planned) and it seemed like the kind of show that would lineup well with my family when it premiered in 2017. I had grown up with The Disney Afternoon and the pre-Disney Afternoon shows, like DuckTales, and they were a formative experience for me. While DuckTales was never my favorite show, it was still appointment viewing and my sister and I watched it daily and stayed with it into the Disney Afternoon days through the release of the movie in 1990. Leading up to the premiere, I purchased the original series on DVD and would most often turn to it to amuse my kids on long car rides. We had a DVD player for the car, and for awhile it was the only show my son thought was available to him in the car. I can still remember his little voice saying “Go in the car, watch DuckTales!” The first thing he watched on YouTube, was the DuckTales intro and when the new intro was unveiled on YouTube it became a nightly ritual for him to sit at the table, eat his dessert (usually M&Ms), and sing along to the video.

Grab some tissues and get ready to say “good bye.”

When the show finally premiered in August of 2017 I had it in my head that this would be a show I could watch with my children and we would all enjoy it. Things didn’t quite work out the way I had planned. My son was only 2 and my daughter was still a month shy of her first birthday. They loved the song, but the episodes themselves were a bit hard to reach. The premiere, “Woo-oo!,” was a brief hit in my household with my son requesting to watch it quite often for a period of a few weeks. As he often did, he would latch onto a piece of media, consume it over and over for a period of time, and then move on. And move on he did. Eventually, they got older and to the point where they could sit and watch it with me and sort of enjoy it. My son seemed to like it more than my daughter, who remained way more into the opening song than the rest of the show, but at least it provided for a bit of quiet time on a Monday evening.

Webby gets to be the star in this one, which is only fair since they use her birthday party as a cover for their FOWL trap.

Even though they didn’t grab onto DuckTales like I had hoped, I’m still going to miss those Monday evening viewings for DuckTales just aired its grand finale last night. Appropriately titled “The Last Adventure!,” the finale truly was a grand undertaking as it spanned 90 minutes of broadcast space. It is my understanding that it will be broken up into three separate episodes with three distinct titles in the future, but as a finale it was pretty special. We knew DuckTales was not coming back for a fourth season as the news broke before the end of 2020. The creators of the show, Frank Angones and Matt Youngblood, were at least informed by the network that the show was ending after three seasons with enough advance notice that they could plan for a true ending. This is in stark contrast to the Disney Afternoon shows of old which were almost cynically constructed to air over and over in syndication with no apparent end. Viewers like finales though. We may hate to see a treasured program end, but if it’s got to, we want some closure. And DuckTales has always approached story telling in a big way. This is not the Disney Afternoon of old where the vast majority of episodes are just one-off, self-contained, stories that anyone can just drop in and out of. This show has arcs, it has continuity. It’s not to the point where it’s unapproachable for a newcomer, but it’s very rewarding for those who take it all in. Had it been denied a true finale, that would have been a television tragedy. Instead, viewers of DuckTales were treated to one of the best television finales in recent memory, and maybe even history!

Donald and the boys have one last adventure in them!

“The Last Adventure!” is centered around the nefarious organization, FOWL, and Scrooge McDuck (David Tennant) and his family have laid a trap for the organization to finally put a stop to it. It’s been somewhat simmering in the background for a few episodes, so it’s great to get back into this plot for the finale especially knowing that we’re going to spend 90 minutes on it. Naturally, the trap laid out by Scrooge and the gang isn’t much of a success, because we need this thing to carry on for awhile. The show introduces two new characters in the process, May (Riki Lindhome) and June (Noël Wells), who should be familiar to longtime duck fans or viewers of The Legend of the Three Caballeros. They’re really the only new characters as the rest of the show is going to be devoted to essentially bringing everyone back. Most just show up for a cameo or to hang out in the background of a shot, but it’s pretty cool to see everyone back. And chances are, if you think someone was missing they were probably there and you just missed them.

Della gets to play the audience surrogate this time as she declares she doesn’t want their adventures to end! There’s a lot of meta stuff in this one.

The theme of the episode is going to be that family is the greatest adventure of all. Della (Paget Brewster) is going to find out early in the episode that her brother Donald (Tony Anselmo) is planning on running off with his new love Daisy (Tress MacNeille) after their business is concluded and she is not happy about it. That’s our first little taste of family, while the rest is largely reserved for the character Webby Vanderquack (Kate Micucci) and how she fits into this eclectic clan.

Webby giving one of many lessons on family in this one.

Centering the finale partially on Webby is a brilliant choice. In the original series, Webby was basically everyone’s least favorite character. She was there because someone felt there needed to be a girl equivalent to Huey, Dewey, and Louie, which is fine. Unfortunately, she was made this annoying, baby-like, character and it was borderline offensive that someone thought this was the right choice for a character that young girls were supposed to relate to and enjoy. It felt like she was put upon the viewers, and viewers generally don’t like that. For the reboot, Webby was turned into the audience surrogate. She’s the outsider within the McDuck family and is constantly in awe of Scrooge and his exploits. When Della Duck has her emotional return, the camera pans to Webby to show her overcome with emotion and sobbing uncontrollably because the show knew that’s what we were doing! This Webby is fully embraced by the other characters in the show and she’s a ball of energy and insight and this show quickly became one that was largely about Scrooge and his nephews as well as his surrogate niece.

Despite being the finale, this one does make time for some new faces.

That is how I will remember DuckTales. It’s a show about Scrooge McDuck, but it’s mostly told through the children of the show. It was able to take time for other things as well, and the Della Duck plot was definitely one of the most rewarding the show touched upon. It was rewarding almost to a fault as once she was brought into the fold, Della kind of just slipped into the background. The show probably could have done more with her and Donald, as it felt like that was held back initially, but then never truly paid off. This finale rectifies that to a degree, but if the show had one missed opportunity it was in not doing more with the duck siblings.

The only thing missing is a, “DuckTales! Assemble!”

That may be a criticism of DuckTales on the whole, but it’s not applicable for the finale. FOWL’s plan will be revealed and it’s appropriately silly, but not to the point where the cast can’t take it seriously. There’s also quite a bit of fan service and pretty much every classic Disney Afternoon show gets a call-out of some kind. Favorite characters get their moment to shine, all the while the show practically beats us over the head with its theme of family being the greatest adventure. And when it’s starting to get too corny, the show basically calls itself out via one of the characters which is a good laugh-out-loud moment. A show centered around a family of adventuring ducks should get ample opportunity to get a little Full House at times. And it is truly impressive how such a massive cast of secondary characters were brought back into the fold so well. The episode doesn’t lag at all, even with it being triple the runtime of a normal episode. It makes me wonder what this team could do with an actual feature-length project set in this world.

So long and thanks for the memories, McDuck family!

Ultimately, DuckTales may not have been exactly the show I had hoped it would be for me and my family. My kids did sit and watch this one with me, but once 8 o’clock hit they checked out. In our house, 8 o’clock means tablet time and the kids get 30 minutes to do whatever they want on their tablets before we read a book and go to bed. And right when the clock struck 8, my son asked for his tablet (sigh). It wasn’t a total loss though for we got a late start to the show because it takes my kids forever to eat dinner, so at 8:30 their tablets went off and I gave them a choice of book then bed, or DuckTales then bed, and they chose DuckTales. We watched the last 20 minutes or so as a family and they were pretty into it, for what it’s worth. As for me, while the show didn’t become appointment viewing for my kids like I had hoped, it very much was everything I could have hoped a new version of DuckTales would be. The finale was fantastic, and I am not the sort who is prone to hyperbole in the moment, but this really was one of the best television finales I’ve had the pleasure of viewing. It was funny, exciting, full of action, and packed with plenty of emotional moments as well. The show set out to solve some mysteries and rewrite history, and boy did it ever deliver!


Dec. 1 – DuckTales – “Last Christmas!”

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Original air date December 1, 2018

It’s that time of year once again! Every day goods are a little pricier, egg nog is invading the dairy case at every grocery store, and red and green versions of every candy in existence flourish in the seasonal section of department stores. Yes, it is Christmas time and it would be obnoxious if it weren’t temporary. Does it come too soon? Maybe, but here the season officially starts now and lasts through the holiday.

Welcome to The Christmas Spot! If this is your first time here then let me tell you what you’re in for. Every day through Christmas, we’ll be spotlighting a Christmas special or holiday themed something advent calendar style. Will we talk about a good special? A poor one? Something in between? We’re quality agnostic, which is a damn fine motto. The only thing this site won’t touch are those made for TV Hallmark movies that are basically shown year-round now. I have no interest in them, plus I like to stick to things that are a half-hour format or less to keep things tidy. After all, this is no small task to find time in my day-to-day life to make 25 blog entries in 25 days for the sheer joy of it. So I encourage you to start your day right here. And if one blog entry isn’t enough, well then may I recommend our Christmas archive? It’s a great companion to that first cup of coffee in the morning, or that first visit to the restroom – don’t forget the peppermint scented toilet paper!

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The opening credits get a festive makeover as well.

This year, we’re kicking things off with a relatively new entry to the world of Christmas specials. DuckTales has been around for quite some time. The original run included 101 episodes, but strangely no Christmas one. This is surprising because future Disney Afternoon shows would often feature one. Plus, the star of DuckTales is one Scrooge McDuck. Not only does Scrooge share a name with another individual associated with Christmas, but the character actually debuted in a Donald Duck Christmas story which we covered for last year’s countdown. Well, the new version of DuckTales launched in 2017 would rectify that, though not in its first season.

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We get to learn about Donald’s enthusiasm for Christmas, Scrooge’s hatred of Santa, and that Launchpad is actually Jewish.

“Last Christmas!” premiered, appropriately enough, last Christmas (December 1, 2018 to be exact) and was a late scratch from that year’s list. See, I don’t actually have time to make a post every day for this thing. What really happens is I keep a master list of any and all Christmas specials I know of. Then I arbitrarily pick and choose which to cover each year, and I make posts in my down time and schedule them to go up when they need to. Did that ruin the magic for you? Hopefully not, as this is actually a fun way to get a little dose of Christmas spirit throughout the year. I’m also the type of person that keeps a Christmas countdown going all year long. Anyway, when I found out there would be a DuckTales Christmas special it was pretty late in the game. I almost squeezed it in, but decided maybe it would be best to save it for 2019. A year’s removal would allow me to better put it in perspective. Is it the type of special that deserves to be revisited year after year? Well, this is where we find out.

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Scrooge is predictably grumpy around the holidays.

When DuckTales made its return in 2017 it wasn’t without some controversy within the fanbase. That’s because Disney made the call to recast all of the characters from the original run with new actors all voicing these characters for the first time. This is different from what Disney usually does with its classic characters where a voice actor is paired with a character or characters and serves in that role basically for life. It’s something though that has apparently fallen out of favor with Disney in the past few years. There are currently two(!) voice actors for Mickey Mouse right now, and probably my most popular post ever concerned the handling of Donald’s Duck’s voice when veteran Tony Anselmo was recast for the pre-school show Mickey and the Roadster Racers. When I wrote that I wasn’t aware that Anselmo had the role actually taken from him, as opposed to passing on it. Thankfully, he was returned to voice Donald in DuckTales, but he’s basically the only member of the main cast to return. Alan Young obviously could not return as Scrooge (R.I.P.), but Russi Taylor was basically not allowed to return as the voices of Huey, Dewey, and Louie.

And that’s what makes “Last Christmas!” so special, in a way. Maybe Disney was right to recast the roles of the nephews as now they are individual characters as opposed to a hive-mind, basically. I think they could have all shared the same voice still, but I guess I’ve made my peace with the series concerning this. Still, that doesn’t help Russi Taylor at all, but this episode allowed her to return in a pretty creative fashion. And we have the magic of Christmas to thank for that!

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Webby is a talented trimmer of trees.

This episode opens with a little extra Christmas spice. I love it when holiday episodes do stuff like this. The lyrics are changed slightly to reference the holiday (“Life is like a candy cane,”) and they’re sung by a Frank Sinatra sound-a-like (could not find a credit, so apologies) and accompanied by snowflakes and happy Christmas scenery. The episode then opens at Scrooge’s mansion where Donald (Anselmo) is looking resplendent in a Christmas sweater as he decorates Scrooge’s lawn. Scrooge (David Tennant) then appears on the front step to admonish Donald for covering his lawn with those “inflatable abominations.” Donald points out that Scrooge has the perfect piece of property for a festive Christmas display, but soon sees the error of his ways when Scrooge points out that he also has a pilot who mistakes Christmas lights for runway lights.

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Webby, just waiting for Scrooge to say “Bah! Humbug!” and he will not disappoint.

Scrooge leaves Donald to apparently suffer an awful fate as Launchpad approaches. Inside, Webby (Kate Micucci) is swinging around a massive Christmas tree dressed as a reindeer as she trims the tree while Huey (Danny Pudi) supervises decked in a stocking cap – I so love the holiday attire. Scrooge storms around looking grumpy while Louie (Bobby Moynihan) makes out his Christmas list which begins with an apology to Santa. Mrs. Beakley (Toks Olagundoye) gives Scrooge the rundown of decorations and the night’s schedule (which includes a reading of Christmas on Bear Mountain) which Scrooge suffers through. He then scolds everyone from a balcony before destroying a polar bear dressed in a Santa costume decoration before retreating to his room. Scrooge apparently has some kind of vendetta against Santa.

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There’s a scene like this in most Christmas specials.

Alone in his own room, Dewey (Ben Schwartz) is reading by the light of the Christmas star in a classic “Christmas Wish” setting. He’s looking a little down and Donald takes notice from the hallway, but sports a curious smile. Dewey is clearly missing the mother he never met, but is roused from his room by an odd sound. He approaches a green-lit door cautiously, unsure of what’s behind, and given this is the home of Scrooge McDuck any manner of spook or spirit could be in there just waiting to curse him for all eternity!

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These aren’t the spirits you’re accustomed to seeing.

When Dewey opens the door he does indeed find some mythical creatures, but not in a setting he was expecting. Three ghost-like bodies surround Scrooge. Dewey assumes the worst, but comes to find out they’re not here for any nefarious purpose. They’re cheering Scrooge on, who’s sporting a mistletoe headband, as he chugs what appears to be egg nog. It’s from a carton, so I guess that’s all the censors required to make it appear like this is an alcohol free activity. Scrooge quickly explains to Dewey these ghosts are actually his friends and they visit him every Christmas Eve. They’re also familiar to anyone who’s seen a Dickens adaptation. There’s a mute Grim Reaper like ghost that’s obviously the Ghost of Christmas Future and a chubby pig who is the Ghost of Christmas Present (Bill Fagerbakke). He’s dressed in attire that is almost identical to Willy the Giant’s from the best version of A Christmas Carol – Mickey’s Christmas Carol. And the third ghost is even more reminiscent of that classic short as he’s a little cricket in a suit, an obvious homage to Jiminy Cricket.

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Past is quite obviously an homage to Jiminy Cricket.

The ghosts explain that one year they confused this Scrooge with another who shares a name with him, but finding this one more fun, they now visit him every year for a good time. Scrooge then explains his whole hating Christmas thing is just an act to keep people away around the holidays so he’s free to spend his evening with these old chaps (the Santa hating thing isn’t an act though, he really detests that jolly old elf). This, he explains, is his one night to cut loose and have fun and it’s especially true of this Christmas now that he has Dewey and his brothers to look after.

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Time for a journey into the Past.

Dewey seems pretty confused, but surprisingly receptive to the story. With that business out of the way, the group decides it’s time to take a trip through time courtesy of the Ghost of Christmas Past (Jack McBrayer) in search of some holiday fun. Scrooge grabs onto him just as his predecessor did 35 years earlier and the cricket even pops open a tiny umbrella and the four fly out of the window and soar over Duckburg. The scenery begins to change as they journey back in time, but the setting surprisingly does not as the ghost leads them right back to Scrooge’s mansion. Only now they’re in the past and will be attending Scrooge’s first big Christmas party at his home. Scrooge likes the idea and he acknowledges his past self as they enter the premises, his past self saluting back without question (apparently he’s expected this).

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Scrooge’s home on Christmas. Note the painting on the wall appearing to depict Scrooge’s first appearance from Christmas on Bear Mountain.

Inside, Scrooge’s home is filled with guests and assorted easter eggs for those with keen eyes. They soon spot a young Mrs. Beakley on the dance floor and Present takes an immediate liking to her. Unfortunately for him, she’s more interested in Future and hauls him out onto the floor. Scrooge tries to make merry himself, but a still alive Duckworth (David Kaye) mistakes him for his younger self and scolds him for trying to act so juvenile in front of many potential business partners. He escorts him to a group of buzzards who are essentially the opposite of fun.

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Scrooge is not really enjoying himself.

Eventually, Scrooge notices Goldie making an entrance and his demeanor perks up. Before he can confront her though he’s accosted by a potential partner who wants to show him some cube he’s got. He makes references about a job that’s another easter egg, this time a reference to a Carl Barks story, but Scrooge pays him no mind. Then another interruption occurs when Grandpappy Beagle (Eric Bauza) barges in with the lesser-known members of the Beagle Boys. They’re here to rob everyone, and Scrooge is officially over this whole thing.

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That would be Grandpappy Beagle and his Beagle Boys.

Informing Past that his idea was a dud, the chipper cricket informs Scrooge he has a better idea. The two depart, apparently leaving Present and Future behind, and end up in a much more quiet setting. It’s a campsite in the woods, and Scrooge recognizes it as his first Christmas in Duckburg, before he was rich. He seems quite nostalgic as he takes a seat on a log beside a roaring campfire and looks contented, until he’s not. Declaring this is boring, he wants to go elsewhere, but Past has other ideas.

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Past takes Scrooge to an even earlier Christmas – his first in Duckburg.

Past chooses this moment to make his heel turn. He apparently doesn’t like this once a year arrangement with Scrooge and wants to spend the whole year having fun with him. His job of showing bad people their past transgressions has apparently worn on him. Scrooge doesn’t want to remain here though, so he goes on the offensive. The two have a spirited sword fight of sorts; Scrooge wielding his cane and Past his umbrella. The two tire themselves out and collapse in the snow, both apparently enjoying this little sparring contest. Scrooge expresses a desire to do it again and suggests they travel back in time the five minutes or so needed to do it over. Past is thrilled by this suggestion and enthusiastic, but when he goes to do the deed he realizes he lost track of his umbrella.

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Got your umbrella.

Scrooge gives him a sly look and produces the diminutive object. He pops it open and with a flash of green light he vanishes, leaving Past sitting there on the log all by himself. He’s cheerful, and assumes Scrooge is just messing with him. As he sits there though the camera zooms out and Scrooge never reappears.

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Dewey was not going to allow Scrooge to go on some Christmas adventure without him.

We then jump back to the future, but 11 minutes in the past. Time travel can be confusing. The important thing to know is we’re back to when Scrooge and the spirits left the mansion. Only now we can see they had a stow-away. Dewey grabbed ahold of Future’s robes as they flew out, but wasn’t able to hold on for very long. He falls down into a snowbank below. Looking up, he sees the mansion and bemoans he’s still in the same boring place, but then notes the “when” may have changed. Congratulating himself on his expert time travel pun, he runs off into the house.

Dewey is obviously interested in finding out how far back in time he’s gone, because if he’s gone back far enough then someone very important to him may be located in this mansion. He races to what I assume is his room in the present and finds, as he describes it, some emo kid.

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Ladies and gentlemen, I present to you adolescent Donald!

The emo kid is wearing a flannel shirt over a black t-shirt with a Nirvana-like logo while strumming a bass guitar. He sings a rather drab song that’s humorous to anyone who remembers grunge and it soon becomes obvious who this kid is. It’s a young Donald Duck, and he’s voiced by none other than Russi Taylor! He appears to be about Dewey’s age, and is annoyed that Dewey has interrupted his playing. He angrily grabs him by the collar and demands to know how much he heard and also demands to know if it was any good. Dewey lies and says it is, makes up a story about being a long removed cousin, then moves on to more pressing matters – where is Donald’s sister, Della?

Donald informs Dewey that Della is where she always is – out back setting a trap for Santa. When Dewey asks why Donald isn’t with her he explains he’s too old for that stuff and thinks Christmas is stupid, a far cry from the holiday obsessed Donald he’ll become. He tells Dewey he can’t go out to look for her because he was close to a breakthrough with his song. Dewey informs him he was not, and cheerily grabs the bass and hops out the window forcing Donald to follow with a “What’s the big idea?”

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Donald doesn’t understand why Della brought so much food and such a large tent. He’ll soon find out why.

Out back, they find a family-sized tent that’s collapsed and the trees are covered with a red goop. Dewey is alarmed, but Donald just views the scene as a sign of Della’s incompetence. He tastes the red goop splattered on the tree and informs the disgusted Dewey it’s just jelly (“What would you have done if it wasn’t?”) before moving on to inspect the tent. He determines Della gave up at trying to put it together and then attempts to fix it, but has just as much luck as his sister. Dewey notices some tracks in the snow clearly belonging to Della, and some that do not. They decide to investigate, but unknown to them some ominous glowing green eyes are watching from the bushes.

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Huey isn’t the only Junior Woodchuck.

As Dewey and Donald trace Della’s steps, Donald is whacked with seemingly every branch Dewey pushes aside. The creature stalking them soon reveals itself as a large, goat-like being:  the Wendigo. Dewey and Donald are forced to run as the creature chases them, and they wind up right in one of Della’s traps.

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Captured by Della Duck.

Now suspended upside down in a large net, Dewey and Donald are greeted by Della who scolds them for ruining her Santa trap. She wants to trap the red guy as a present for Scrooge and now will have to reset it. Donald demands she release them, calling her “Dumbella” as in Dumb Della, but it’s also a reference to her original name. She demands Donald apologize before she sets the two free, even though they can hear the roars of the Wendigo approaching. Donald apologizes for the insult, but it’s not enough. He then lists other things he’s sorry about, like using her toothbrush to clean his combat boots, things Della wasn’t even aware of. Donald is frustrated that his apologies aren’t good enough, forcing Dewey to point out the obvious:  the giant tent, the vast assortment of snacks, Della just wanted to spend Christmas with her brother on her Santa stake-out but he blew her off. Della is angry with Donald for just wanting to sit alone in his room on Christmas rather than spend time with his family, forcing Dewey to also realize he’s guilty of the same back in his own time. Donald acknowledges that Dewey is right and apologizes to Della for not wanting to spend time with her on Christmas and she in turn lets them out.

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Now that the duck siblings have made up, they can turn their attention to more pressing matters.

At this point though, the Wendigo is on top of them. When they ask him what he wants, he roars back with a “When did go?! Scrooge?!” prompting all three to deadpan “Of course.” Donald and Della, demonstrating they’re used to this sort of thing, jump the beast and start wrestling with it while Dewey looks on. They’re tossed from the creature and Della comes to land beside Dewey. She looks at the remnants of the net from earlier and gives Dewey a knowing look. Meanwhile, Donald too is thrown from the monster causing the bass strapped to his back to break. He looks at his beloved instrument and goes into a classic Donald rage. He attacks the Wendigo, and the opening created by his offense allows Dewey and Della to wrap the beast up in the net.

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Problem solved.

The three ducklings drag the beast back to the front steps of the mansion. The whole time Donald and Della maintain a posture that this is all ordinary to them. When Della finally asks just who Dewey is, all he can do is respond with a big, awkward, hug. He almost lets on that he’s her son, but recovers and maintains his story about being a long distant cousin. Della sees right through it and states “You’re a relative from the future.” Dewey tries to deny it, but Della assures him this is only the fourth weirdest thing to happen to them on Christmas. Donald also expresses knowing the whole time he wasn’t who he said he was. Dewey then comes clean about being a relative from the future, but doesn’t elaborate further, and tells Della he should warn her about her future and she refuses to hear him out. The two then head into the house to fetch their uncle leaving Dewey alone with the Wendigo.

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Dewey can’t stop himself from giving his some-day mom a hug.

This is apparently not a good thing, as the beast soon breaks free from its restraints. It looms menacingly over Dewey, but before it can attack Scrooge appears from the sky and gets the drop on him. He pogos off of the beast’s head, just like the Nintendo game, knocking it out. Past and Future then appear and Dewey questions how he found him. Scrooge says he was heading back to retrieve those two when he saw Dewey below. Dewey gives him a hug and tells him he just wants to go home. Scrooge gives him a smile and tells him he just has something to do first.

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Scrooge is always ready to make a save.

They then turn their attention to the Wendigo, which turns to stone and crumbles. From its head emerges a sad looking Past. Scrooge explains, repeating an explanation Della gave earlier, that a Wendigo is a lost soul driven mad by despair. When he left Past back at the campsite, it forced the spirit to just sit and wait for Scrooge to come back, but he never did. Past went crazy every Christmas looking for Scrooge, until he showed up now. He then says he has a Christmas present to deliver and returns Past’s umbrella to him. He then cheers up, and taking hold of the umbrella the group is whisked away back to the future – I mean present.

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The true identity of the Wendigo is revealed.

Everyone is now where they’re supposed to be – gathered around a grand piano in Scrooge’s living room. Launchpad (Beck Bennett) is manning the ivories wearing a blue Hanukkah sweater. The ghosts are hanging around too to join in on the fun. Dewey, now ready to make merry with his family, sees his uncle Donald and gives him a big hug. Donald lets on that he’s been waiting for this for many years, but before Dewey can confirm he’s referring back to Dewey’s trip into the past, he’s pulled away by his brothers into the celebration. We’re also treated to a cut-away of young Della and Donald exchanging Christmas gifts and we see that’s how Donald got his festive Christmas sweater and likely why Christmas came to mean so much to him. While the gang butchers The Twelve Days of Christmas, we also get to see Mrs. Beakley give Future a rather suggestive glance.

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It’s time to celebrate!

As the celebration wraps up, we’re then taken to a much quieter setting. On the moon, Della Duck looks longingly at Earth and at a picture of Scrooge, Donald, herself, and the eggs she left behind. With tears welling in her eyes, she wishes her boys a merry Christmas then resumes work on her spaceship vowing to return to them soon.

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Young Della and Donald exchanging gifts.

“Last Christmas!” is a tremendously fun ride of a Christmas special and a great way to kick things off this year. Time travel stories are often a blast and the show really has fun with it via numerous puns and by introducing a paradox of sorts. Past’s motivations for trying to trap Scrooge with him in the past is a bit rushed, but the results are so entertaining that it doesn’t matter much. It’s a fun twist to put on the Scrooge character, and I’m quite happy to see the writers elected to acknowledge the character’s connection to A Christmas Carol by turning the concept on its head as it would have been supremely disappointing if the show had just done a conventional re-telling.

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Donald and Dewey’s embrace at the end is a nice callback to the look Donald featured at the start of the episode when he was looking in on Dewey.

The first half of the episode is pretty fun, but the second half is where the show finds its emotional core. Dewey going back in time to meet his mother for the first time, but also a younger version of his uncle Donald, was quite sweet. Through their relationship he comes to understand his own with his family. It’s simple, but so effective here as the characters feel so honest, even though they’re cartoon ducks. Russi Taylor being given the role of young Donald is genius and I practically cried when I first heard her voice. It almost takes away from the humorous visual of young Donald. It also makes so much sense that I’m disappointed with myself for never thinking of it on my own. Even though this is a young version of Donald, it puts Ms. Taylor in rather exclusive company as being one of the few to officially voice Donald Duck for a Disney production. A well-deserved honor. It’s sadly all the more poignant too since we lost Taylor to cancer in 2019. Thankfully, we have hours upon hours of her voice to enjoy and to help keep her memory alive for generations to come.

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Della wishing her boys a merry Christmas is the episode’s last effort at inducing tears in its viewers. It’s probably successful.

This episode should also be commended for naturally fitting into the DuckTales continuity. Often holiday specials are a departure from a show’s narrative, sometimes they even feel non-canon. This one is special because it contains Dewey’s first interaction with his mother, even if she is just a child. It also brings the adult version in at the end to remind viewers she’s still out there, and in just a few episodes after this one she’ll finally return to Scrooge and her boys.

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“Last Christmas!” is heartwarming and fun without coming across as cheesy or conventional. Best of all, it doesn’t count if you’re playing Whamageddon! this year.

“Last Christmas!” is one of the best, new, Christmas specials I’ve been exposed to. Not only does it tell a fun and inventive story, it looks fantastic as well and is a supremely rewarding experience for those familiar with the original show and comics. I very much appreciate the obvious nods to Mickey’s Christmas Carol and the meticulous way the episode is crafted. So much of the resolution is hinted at early on, which is a must for any story dealing with time travel. Hopefully the writers of DuckTales return to time travel in future episodes as they appear to have a talent for handling it.

If you want to catch this excellent episode of DuckTales then keep an eye on the Disney Channel. I’m sure it will be shown more than once and may even be On Demand for certain cable subscribers. It’s also available for purchase via streaming platforms and on Disney Plus. Being a relatively new Christmas special in a still-running show, it should be easy to track down. And if this write-up didn’t make it clear enough, you absolutely should track it down this Christmas and every Christmas yet to come.

In one final act of nostalgic bliss, the ending credits are done up in the same style as Mickey’s Christmas Carol.


Della Duck Comes Home

della flashbackIn the 1938 short Donald’s Nephews, Donald Duck received a postcard from sister Dumbella asking him to look after her three boys:  Huey, Dewey, and Louie. Who knew that afternoon would turn into nearly a century? Along the way, sister Dumbella would undergo a name change and the boys would even change guardians, but after many long years, Donald’s sister has finally made her way back to her children.

Airing last week was the episode of DuckTales titled “Nothing Stops Della Duck!” detailing the character’s journey from the moon to Duckberg and into the lives of her children for the first time. Interestingly, prior to the revamped DuckTales, Della had done little of note. She never appeared in a Donald Duck cartoon, nor did she have a meaningful appearance in the comics by Carl Barks or Don Rosa. She was Della in the Sunday strip, but Barks would rename her as Thelma with Rosa reestablishing the name Della years later. She appeared as a child in The Life and Times of Scrooge McDuck, albeit briefly. Aside from that, her most notable appearance is in the often circulated Donald Duck family tree in which she’s just a headshot.

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The infamous postcard, back when Della was Dumbella.

Most of the canon surrounding Della has been recent and has trended towards her being a pilot or astronaut and she’s either missing or presumed dead. This was established in the 2014 Dutch comic 80 is prachtig which was part of a celebration of Donald Duck’s 80th birthday. The story is by Evert Geradts and is drawn by Maximino Tortajada and appeared in a Donald Duck magazine. It’s unknown these days what Disney considers canon, but her backstory there is similar to what has been introduced in DuckTales. The boys have, on occasion, identified themselves as orphans suggesting they believe she’s dead, but for the most part the subject of their parentage has been avoided. It’s likely the characters of Donald’s nephews, first introduced in a 1937 comic strip illustrated by Al Taliaferro from which the cartoon short was based on, were just created to give Donald some juveniles to bounce off of without saddling him with kids of his own. It was the 1930s, so Donald being a single father with three kids out of wedlock was probably too taboo, and having him marry would make him too domesticated. As nephews, the trio could simply come and go, which is largely what they did on film though it became clear in the printed world of Donald Duck these boys were here to stay.

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One of the few canonical images of Della has been confined to a family tree.

Scrooge McDuck would eventually come along and he and his nephews would form a grand, adventuring, team which eventually found its way to television in the form of DuckTales. There Scrooge was in charge of the boys while Donald went off and joined the Navy and the subject of Della Duck was never broached. When the show re-launched in 2017, things were different. The ending of the premiere included the boys stumbling across a painting of Scrooge, Donald, and their mother Della in the midst of some heroics on a pirate ship. Throughout the first season, the boys would search for clues about what happened to their mother, the truth of which nearly driving them away from their Uncle Scrooge. The final shot of the first season revealed that Della was still alive, but trapped on the moon.

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Della’s fate was revealed in the first season finale of DuckTales.

Season Two has partly followed Della and her trials on the moon. There she fended off monsters (and lost a leg) and befriended a peaceful race of moon people that aided her in rebuilding her rocket to get back home. Prior to this show’s creation, Della Duck was a character I paid no mind to. I’m sure many others did the same considering how little impact she’s had over the years. DuckTales though has made me interested in her, and “Nothing Can Stop Della Duck!” only amplified that.

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Della is too nervous to knock.

The episode wastes little time in cutting to the chase. The previous episode ended (agonizingly on a Friday) with Della (Paget Brewster) blasting off so she’s outside of Scrooge’s estate when the episode begins. Donald Duck (Tony Anselmo) is waiting for a bus which is to take him away on vacation for a month and he sees the rocket crash and races over to find his sister, but she’s already gone. She quickly makes her way to Scrooge’s front door eager to see her uncle again and finally meet the children she left behind as eggs.

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Scrooge seeing Della will break you.

It’s in the moments outside of Scrooge’s door where the episode shines brightest. Della is eager, but also terrified of what her first impression will be like. She can’t bring herself to knock or ring the bell and instead starts trying out first impressions. It’s partly played for laughs to lessen the obvious tension. On the other side of the door, Scrooge (David Tennant) is armed with some priceless artifact in the shape of a quill that can magically lead him to any treasure if he uses it to sketch a map. He, the boys, and Webby (Kate Micucci) are ready to leave, but when Scrooge opens the door he’s stopped dead in his tracks as the quill falls to the floor shattering into a million pieces.

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The boys appear guarded and unsure initially.

Della then basically cracks a joke of an introduction as we see the tears well up in Scrooge’s eyes. It’s beautifully illustrated and the two share a warm embrace. When the camera pans to the children, they’ve become withdrawn and are looking on cautiously. Webby is casually positioned in front of them just taking everything in and it’s she who first posits that the woman at the door is their mother. Della enters and drops to her knees with tear-filled eyes as Scrooge introduces her. The scene is paced so intelligently as the boys are both excited but also very guarded. Dewey (Ben Schwartz) is the most exuberant and the firs to embrace his mother, while Huey (Danny Pudi) needs to only hear her quote the Junior Woodchuck handbook to know he’s found his mom. Louie (Bobby Moynihan), the most casual and laid back of the three, is also the most hesitant. He justifiably wonders if this is some weird trick and Della is going to turn into a ghoul or monster. He eventually gives in, and the three share a heartwarming group hug.

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Della falling to her knees feels like her succumbing to the weight of the moment. 

The scene dealing with both the joy of an unexpected, but welcomed, reunion coupled with some degree of trepidation and fear of the unknown is handled about as well here as it is in any medium. I was so impressed with the moment, but not surprised, because the bread crumbs this show had laid down gave me the confidence in knowing it could handle this kind of material and do it well. I was so convinced of that going into it that I made it a point to view this one by myself without my children. I love them dearly, but my son especially is at that stage where he asks 20 questions a minute when watching a TV show or movie so it can be trying to actually absorb and enjoy something when he’s around.

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The well-earned payoff.

The rest of the episode remained poignant and clever as Della tries to get readjusted to life within a family she hardly knows. She has to find her place and also figure out how to be a mother overnight. There’s confusion on all sides, and there’s a sense that Della is trying to force affection and a motherly persona onto her boys and all of them will adapt at different speeds. The show is establishing rather quickly that Della and Dewey will be kindred spirits and that bonding with him will come easier than it will with Huey and Louie. Della will have to spend time getting to know her boys and they will have to do the same. They love each other right now out of obligation and duty, but a more natural affection will take time. I think it will be an interesting experience to take in and you know the writers of the show will handle it deftly, mixing in plenty of humor and adventure.

Perhaps well aware that something they setup in the first episode was now being paid off, the writers saved one reunion for later. For when Donald stumbled into his sister’s spaceship he accidentally reactivated it sending himself to the moon. Della left behind a ruler who was scheming a way to motivate his people out of their docile, comfort, zone and into a more aggressive position by portraying Della as a villain to his people upon her departure. As a result, the environment Della found welcoming will not be so for poor Donald. Worse for him is that they all think he’s gone on vacation so they won’t even be looking for him. Eventually, they’ll have to go searching for him or Della will realize her ship is missing, but for now viewers will have to wait for the reunion of brother and sister. It was teased slightly in the episode with a cautiously optimistic and slightly excited Donald looking through the wreckage for Della. Meanwhile, Della has a moment by herself where she looks at a picture of Donald and the boys and thanks her brother for raising them so well (even if he didn’t give them the names she wanted). That moment to come may not be as satisfying as a reunion of mother and child, but I have a sneaking suspicion this show will handle it just fine.


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