We’re getting closer, ever closer to the Christmas specials that are most worth watching every year. That’s not necessarily a bad thing that we’re still kind of in the weeds considering today’s entry covers entries 180 through 171. It’s a reminder that there are a lot of Christmas specials out there. Yesterday’s entries on short subjects is so far the outlier in that some of them are worth watching just because they’re so brief. And there’s some historical value. Today’s entries are not so brief and not so old so they need to get by on entertainment value and nostalgia. And, for me anyway, there’s not a ton of nostalgia to be found in this cast of Christmas specials. Oh, there is some, including one that I pretty much watch every year because of how I know it, but there’s a lot of “filler” here as well. These are mostly from children’s entertainment and if there was a theme I suppose it would be Christmas episodes from cartoons that are not well-remembered. There are a few exceptions and as I look over my list and the days to come I can see some that I could have flip-flopped out of here. Though in the case of many, it’s more an issue of seeing a special yet to come that I really don’t think is all that good and wondering why it’s not here, but then I look at what we’re talking about today and it starts to make more sense. I could tinker with this list all month and never feel like it’s perfect so let’s just move on, shall we?
Donkey Kong managed to elevate himself above his more popular genre-mates Sonic and Mario, but let’s not pretend like his Christmas episode is all that great. For me, it’s most memorable for being the kind of show I had very low expectations for going in and it managed to exceed them. That doesn’t mean it rose to the level of something I’d consider good, but it’s not terrible. There’s some silliness to be found with the long lost brothers plot to the point where it kind of works. What does not and never will are the visuals. If this ranking was purely on visual quality, Donkey Kong might be in last place. It’s hideous. Those early 3D CG shows have not aged well.
This is a Christmas episode that was always going to have to really knock it out of the park to be placed higher in the rankings. That’s because it’s a Christmas in July episode and in it our monstrous protagonists find themselves trapped in the mall after hours. The Christmas element is purely visual as the mall is decorated for a big summer sale, but there’s a lot of actual Christmas episodes that don’t do much more than add a visual element as well. This one is also short since it was only one segment from a half hour television spot and judged strictly on the quality of the entertainment it’s probably better than where I have it. It’s just not very Christmassy. Plus, I’ve never liked the visual style of this show.
This is the one I teased as being a special I watch annually, even if I don’t really like it that much. It was featured on my beloved Christmas tape growing up so I saw it all of the time and I still see it quite often. As a kid, it was the spot on the tape where I was most likely to drop-off. Thankfully, it had Rudolph backing it up so that’s what usually got me through. Had it been last on the tape then I probably would have seen it far less. If you somehow have not seen this Rankin/Bass production, it’s the origin story for Santa Claus and Mickey Rooney’s debut as the character. The story is pretty silly with a local ruler outlawing toys, but the approach isn’t silly. There’s a lack of fun here and it’s just so long and plodding. None of the songs are particularly good either. Sure, “One Foot in Front of the Other” can get lodged in your head, but that doesn’t mean I want it there. For nostalgia’s sake, I’ll sit through this one at least once this month, but that’s all I’m giving it.
For a little while, there was an attempt at making the Flintstones into some sort of holiday tradition in the 90s. There was a A Flintstone Family Christmas and there was this, A Flintstones Christmas Carol. Now, I have some affection for The Flintstones. I never actively sought the show out, but if it was on I’d often watch it as a kid. I do like A Flintstone Christmas and the episode of the show “Christmas Flintstone” it was based on, but that’s sort of my limit. And when you take a dated franchise like The Flintstones and pair it up with one of the most overused Christmas tropes on record by adapting A Christmas Carol, well, you don’t really end up with anything remotely special. I’ll give it some credit in that the special tries to blend a meta component by having it be a production in-show, but Fred lets stardom get to his head to the point where he starts acting like Scrooge. It’s for serious fans of The Flintstones only, the rest need not apply.
There have been many attempts at melding Halloween with Christmas. The most famous is obviously The Nightmare Before Christmas and it’s also probably the most successful. On television in the 90s though, we had stuff like Little Dracula. It’s a cartoon where the cast is basically all monsters, but the approach to the macabre is so tepid that it tends to undermine any real spooky element it could have. In this one, the goal is to capture Santa Claus. I guess that’s what vampires do. It’s very by the numbers for such an unusual plot as we just get a lot of setup where the entertainment is supposed to be seeing how monsters decorate for the holiday, but nothing is particularly clever. The villain of the show, Garlic Man, wants to pose as Santa to enter the house or something, even though he knows they’re trying to capture the big man. And, of course, the real Santa shows up and we all learn something. Or not? It’s not very memorable.
Make way for Don Coyoooooote! Don Coyote hails from a mostly forgotten Hanna-Barbera cartoon and rightly so. The main character is incredibly annoying and he just bumbles his way through adventure after adventure in a model similar to Inspector Gadget, only Don Coyote didn’t have a niece and a really smart dog looking out for his well-being. The only saving grace for the show is that most of the other characters see Don Coyote for what he is: an idiot. The villagers in the town he tries to help in this one all think he sucks and it’s a bit humorous to see. It’s not a big Christmas vibes sort of episode either, it just takes place at Christmas and the bell referenced in the title has some meaning for the holiday. There is a light faith element to the plot, so if you like your Christmas to appeal more to that aspect of the holiday as opposed to Santa and Rudolph then maybe you can appreciate this on that level. Maybe. It’s still not very good.
Heathcliff may have originated close enough to Garfield that the two can be considered peers, but he’s mostly lived in the fat, orange, cat’s shadow in my lifetime. And that’s despite sounding like Bugs Bunny! Heathcliff did have a solid run on television in the 80s getting two similar, but separate, cartoons and around 100 episodes of entertainment. His grand finale is a Christmas episode in which his letter to Santa is returned so he and Spike (all dogs were required to be named Spike in cartoons) head to the north pole to investigate. There they encounter a jerk of an elf who is hell-bent on destroying Christmas, but as is often the case, things work out in the end and it turns out the elf isn’t such a bad guy after all. There aren’t any memorable gags to find and this one does something I hate. It has Santa literally tell the audience that a year of bad behavior can be redeemed at the last second to get on the Nice List. What a crock! I get needing to give kids something to reach for, but to come out and say it like that is just wrong.
Okay, I really didn’t know where to rank this one. Visually, it’s offensive to my eyes. It’s cheap and ugly. It’s also Ace Ventura who is a pretty annoying character. On the big screen, at least the physical acting of Jim Carrey can help make him tolerable, but as an ugly cartoon the charm is gone. This one does have a somewhat clever plot though and it feels pretty original. Since the character is a detective (which allows them to make liberal use of the term dick), there’s a mystery component and it’s not bad. Santa’s reindeer have gone missing, and Ace needs to get them back. It’s a good setup for a pet detective. It’s just…a lot. I can only handle so much of this character. I do think if you really like the character then you’ll like this a lot more than I do. It’s the sort of Christmas episode where I’m glad I did experience it, but once is enough.
The Nickelodeon Christmas special by Ralph Bakshi that doubled as a pilot for a show that never was, Christmas in Tattertown is quite possibly the most uneven special in this countdown. There are moments in this one that look terrific. There’s a throwback quality to the character designs and animation of the 1930s and it mostly works. There’s also moments where the quality dips and then there’s just the uneven performances. This is especially seen in the character Muffet, who is at times sympathetic and at times a horrible villain. She is a doll that doesn’t really want to be a girl’s doll and she’s frustrated that her life has seemingly been decided for her. She just decides to go full villain in response to that. The voice work is also so up and down that watching this is like experiencing whiplash. I wanted to like this because the premise is solid, but there are too many moments for me where I questioned if I actually hated it. It’s exhausting to watch, but it looks so interesting that I think it’s something everyone should see once. At least, everyone who has ever been enchanted by a cartoon.
Our last entry for today comes courtesy of that other children’s cable network, the Cartoon Network. I Am Weasel was a spin-off from Cow and Chicken which in turn was born out of the What a Cartoon workshop. I have no idea why I Am Weasel was chosen to be spun-off. I liked Cow and Chicken to a certain degree, but I did not care at all for I Am Weasel. It’s a setup where the weasel is basically an ideal character and does everything right and he’s juxtaposed with I.R. Baboon, a selfish, stupid, jealous character. He basically tries, and fails, to undermine the weasel and steal the spotlight for himself. In this Christmas edition, Baboon is surprised by his family when they show up for Christmas. He is ill-prepared, so he runs out to get a tree and all the trimmings, but leaves his family out in the cold. Weasel then comes by and notices the frozen solid group of baboons and invites them into his palatial estate. They become rather enamored with Weasel which just makes Baboon jealous when he finds out. He then tries to sabotage Christmas. It has a happy ending, and it’s actually a lot of plot for what is a short cartoon. It’s a solid setup and premise for the show, it’s problem is it’s just not very funny. Maybe I’ve aged out of this era of visually loud humor, but I didn’t really laugh. If you have fond memories of this or Cow and Chicken then maybe you’ll get more out of it.
And that does it for today’s entries. Tomorrow, we take a break from the countdown to spotlight a forgotten Christmas special. I think it’s a bit of a crowd favorite, but maybe the winds have changed for it over the years and I’m mistaken. Or it’s just become properly rated since we are talking about entry #169. What is it? Well, you’ll have to come back tomorrow and find out. Unless you’re not reading this on December 4, 2025. In that case, you can just click the little button for the next entry. I hope you were surprised!
Can’t wait until tomorrow for more Christmas? Check out what we had to say last year on this day and beyond:
Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to…
Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…
Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…
Today, we move on with our Ultimate Christmas Special Rankings starting with number 199. As you can probably guess, we’re going to generally stick to 10 a day in order to have this neatly conclude on Christmas, but we’ll have a couple spots where we’ll have to do more. This isn’t one of those spots as you just get 10 today. Like yesterday, these specials are what I would consider to be genuinely bad, for the most part, but we’re working our way to the “meh” part of the rankings. We’re also going to kick things off with one I probably dislike more than most. There is a part of me that feels like I’m being unreasonable, but I pretty much loathe number 199.
Hah! It’s a snowman with a nut right where…his nuts…you know…
The Ice Age franchise had a nice run for itself, commercially speaking, during the 2000s. I can’t say I really loved any of it, but my memory of the movies I did see are that they were fine. Decent family entertainment that I never have to see again. For some reason, I hate this Christmas special. Maybe I was just in a bad mood when I went back to it last year for the countdown, but I just hate-watched the damn thing. Every plot point irritated me, it was so predictable, cliche, and talked down to the viewer. The attempts at humor were supremely irritating. I think this style of humor just didn’t age well. The competent CG doesn’t come close to rescuing it and I get no feels from it other than white, hot, rage. I honestly expect most people to see my take and not quite get it. Most probably see this as a pretty by the numbers, ho-hum, Christmas special. Let’s move on though as I’m already sick of talking about Ice Age.
Okay, this is a bad Christmas special. Very bad. It’s also entertainingly bad and it helps that I didn’t make my parents spend $30 on a VHS of this thing when I was a kid. It’s brief which helps. If this was your more typical hour long special then it would likely be intolerable. The only bummer for me with this one is that it’s the only Teenage Mutant Ninja Turtles Christmas special from this era. The ’87 cartoon had an episode where the turtles met the freakin’ Easter Bunny, but no Christmas episode. Instead we got this: repurposed live show costumes with unrecognizable voices and actors. It’s bad, and the budget must have been almost nothing. The songs suck in such a way that they’re funny, and the special is so well known now that we even got some NECA toys last year based on it. What a time to be alive.
He’s laughing, but there’s nothing funny about this one.
This one is barely a Christmas episode as it’s a made-up version of the holiday by Mario to supplicate some cave people he deems as lesser than him. Poor, misguided, cave, people, if only they had a holiday to believe in? Mario the missionary brings them Christmas and it just turns one cave person, Oogtar, into a spoiled brat. He almost ruins Fake Christmas, that little Ratgoo, but everything turns out fine in the end. It’s just phenomenally stupid and the Super Mario World cartoon was pretty terrible. There’s a reason why Nintendo wants nothing to do with it or its predecessors these days.
In this holiday special, the Smurfs are tasked with saving some kids from Satan. Yes, you read that correctly.
Oh boy, this one took a pretty surprising turn. The Smurfs holiday themed episodes manages to be both forgettable and also get mixed up in my brain. The other Smurfs holiday episode I covered is a better Christmas special, but so unmemorable. This one? This is the one where the Smurfs have to take down the god damn devil! What other conclusion is there to draw from the villain? Every other plot point here is pure corn, just garbage, Christmas, stuff. The Smurfs are a pretty terrible franchise that has somehow endured – I guess people really like little, blue, men?
Another video game mascot with a Christmas special, and it’s not much better. This is a cheaply thrown together episode of The Adventures of Sonic the Hedgehog, the wacky cartoon and not the more serious Saturday morning one. I hate the visual style and the plot is nonsense, plus an unspeaking Sally Acorn role? They did her wrong. It just manages to be memorable because of the wild turn at the end. Spoilers if you haven’t seen it, but Santa Claus retires! Yes, the big man hangs them up, but don’t worry as he has a successor ready: Sonic the Hedgehog. In the world of Sonic, he is now Santa Claus. It’s canon and I’ll hear no argument against it, I’m just patiently waiting for one of the video games to acknowledge this fact.
Pretty convenient all of these video game cartoons landed so close together, eh? It’s by design. This list has a subjective element to it where I did try to group things together to some degree. Especially when it comes to kids specials and the more subversive adult comedy ones. And spoiler alert, tomorrow very much has a theme to it. Anyway, this is another lousy Super Mario Bros. cartoon that takes place during Christmas and this one has a more conventional holiday plot. Koopa is out to take over Christmas and Mario and the gang have to save Santa. Toad learns a lesson and Luigi gets to help out. It’s all pretty conventional. There’s some awful animation and if you watch the full episode this is from you get some live-action stuff that has nothing to do with Christmas. Seriously, what a wasted opportunity. The only redeeming element to this one is basically the same as the Super Mario World cartoon: Koopa. I find him entertaining. Oh, and it’s also really short.
The Mighty Morphin Power Rangers had one Christmas episode and it came during the White Ranger era post the departure of the original red, yellow, and black rangers. In other words, it’s from an era of the show I didn’t watch as I fell off during the second season. I came back for the White Ranger mini series falling for the hype, but didn’t stick around. This one is pretty damn stupid. The Rangers have to go to the North Pole and stop the forces of Lord Zed who have taken it over. It’s an episode that was clearly conceived of on the US side because we don’t get a single shot of the Rangers in action. They stay in their teen persona so there’s very little action. Instead, there’s lots of bad acting that wouldn’t even be passable for a soap opera. The storyline back at Angel Grove with the sad kid or whatever? Terrible – no one cares. I wanted to see the Megazord slice and dice some massive reindeer monster or something and this did not deliver.
I have to admit, I don’t remember anything about this one. Or rather I didn’t until I went back to it before writing this. And yeah, it’s not very memorable. It’s from an era of cartoons on television where budgets were very small and the animation was very limited. This thing is capital U Ugly and I find nothing charming about the character designs. The audio quality is poor as well, though that may be a preservation problem and not something that was apparent at the start. It’s very similar in tone and quality to Tennessee Tuxedo, but shorter and therefore better. And for a character named Krazy Kat, she’s not very crazy. The craziest thing about her is her choice in grammar.
It’s big, beefy, dino-men in Santa hats – did you expect something else?
When it comes to cartoon dreck, there isn’t much lower than the direct-to-syndication cartoon that only exists to sell toys. And it gets even worse when that toyline is just a blatant rip-off of a more popular one. That’s Extreme Dinosaurs for you, which was an extension of Street Sharks. It’s terrible. It is the sort of cartoon where it can look okay in still shots because the character designs are big and colorful, but once things start moving around it turns to shit. I hate all of the attempts at “extreme” language or whatever and this is the sort of show that somehow makes dinosaurs seem lame. As for a Christmas special, it’s another let’s help Santa plot. Not a full-on The Santa Clause, but yeah, dinosaurs are going to help save Christmas.
Mickey does not subscribe to the whole “love thy neighbor” thing.
Around the turn of the millennium, Mickey Mouse tried to make it again in shorts and the results were mixed at best. Mickey’s Christmas Chaos is one of those shorts and it’s tonally kind of a mess. Mickey behaves more like a Warner Bros. character here as he goes to war with his neighbor Mortimer as each tries to one-up the other with their Christmas decorating. The animation is so flat that it limits the impact the gags can have. Plus, there’s really nothing new here. There are no pieces of physical comedy that feel original or offer a new twist on an old concept. I get trying to redefine Mickey or show a different side of him, but this isn’t it. Paul Rudish would figure it out much later. At least this one has a nice ending for best boy Pluto, and if you’re someone who disagrees and actually likes this one then good news! There are a pair of Christmas episodes from the House of Mouse series full of crap like this!
That’s all for now. Come back tomorrow as we move into the bland and the meh that also happen to be free and easy to view. We’re going into the public domain, folks!
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of…
In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…
In 1994, Nintendo and developer Rare Ltd. released unto the world Donkey Kong Country for the Super Nintendo. It was a pretty big deal because with Sony prepping its 32-bit PlayStation console for release, and Nintendo no where near ready to unveil the Nintendo 64, the company needed to eke out a few more years…
Lego and Nintendo have teamed up on another iconic console.
It was five years ago that Lego released its brick version of the Nintendo Entertainment System. The scaled-down replica of the famous video game console came with a buildable game cartridge of Super Mario Bros. as well as a controller and a television. It was a fun set that was released in tandem with the roll out of a much bigger Lego and Nintendo collaboration. When I finished that set, I was wondering where Lego would take the license next? Obviously, I knew the company was focused on creating interactive sets for its Super Mario figure that had some built-in electronics. That, being more for the kids, was only so interesting. What really got my brain turning was how Lego would continue to celebrate Nintendo games and hardware?
I do not have an original Game Boy, so this comparison will have to do.
It hasn’t gone as expected. The Lego NES seemed like the sort of thing that was primed for add-ons or even reissues. The company could have easily sold stand-alone controllers for those who want their console to resemble a two-player experience and they could have done more game cartridges. The challenge there would be in mocking up the television to accommodate them. The mechanism that scrolls the first level of Super Mario Bros. isn’t quite so simple as being something that can be dropped in and pulled out. It would have been fun to be able to change it to Zelda, Metroid, or some other classic title, but Lego was apparently content with what it had done for it hasn’t gone back to the concept in five years. Until now.
The Nintendo Game Boy was first launched in Japan in 1989. I guess to celebrate its 36th anniversary, Lego has decided to release a near 1:1 replica of the handheld device in Lego form. Considering that it’s one of the best selling consoles of all time, it makes sense to honor the Game Boy in this fashion. It’s original, blocky, design also lends itself rather well to the Lego form factor. The set was unveiled during the summer of 2025 and has since been released. It appears it was to have a street date of October 1st, but a few outlets broke street date either purposefully or by accident. Mine arrived on September 25th and gave me something to do with my morning coffee the next day.
The set comes with two “games.”
The Lego Game Boy is a breezy build consisting of only 421 pieces. It’s much smaller than the NES and also far less expensive as it will set you back around $60. Since the Game Boy was a handheld device, it didn’t make sense to include something like a television to expand the experience and brick count. You get a Game Boy, two games, a stand for the Game Boy, and a stand for the game not in use. Pretty simple and also pretty expansive. There’s not much else that Lego could have included aside from more games. No one needs a Light Boy or Lego versions of the cords an original might require. They could have made Lego versions of attachments like the camera or printer, but since those came much later I don’t think it would have made sense. This set is a tidy one and it accomplishes its goal in celebrating the original hardware.
Games swap in and out, but if you want to change the screen you need to remove the battery cover.
The dimensions of an actual model 1 Game Boy are H5.875″xW3.5″xD1.25″ while its Lego counterpart is 5.5×3.5×1.125. I do not own an original Game Boy, the only Game Boy I currently own is the Micro, but it does feel similar to what I remember in-hand. It’s not as heavy as I recall, but the chunkiness of the device is quite close. The look is also impressive. From a distance, a savvy gamer would be able to tell there’s something a bit off just by looking at it, but a casual person might confuse it for the real thing. Up close that’s obviously not the case as the seem lines are apparent and the directional pad is clearly a Lego piece. Lego did a great job approximating the colors of the original device and the button placement. It has the one rounded corner and the gray border around the screen follows a similar shape, as it should. Even the faux screen looks like the old yellow-green screen from the original hardware.
The set also comes with stands for both the unit and games.
For the presentation, Lego opted to forego stickers entirely for the Game Boy. All of the graphics you see in the pictures are printed onto actual bricks including the vent on the front and the “battery compartment” on the rear of the system. It’s definitely appreciated, especially for something people will want to hold. Lego also prioritized making the Game Boy have a tactile presence as well. The directional pad is only partly held down by bricks and is floating atop some rubber pieces so it actually pushed in when pressed. The Start and Select buttons are Lego, rubber, tires and the A and B buttons have some depth to them as well. For the volume and contrast, a Lego gear was inserted. It looks the part, and provides more immersion. Even the on-off switch was done with a sliding piece that really clicks into place.
A comparison between games from the Lego NES and this Game Boy set.
Included with the Game Boy are two build-able “games”: Super Mario Land and The Legend of Zelda: Link’s Awakening. This is where we encounter our only stickers in the entire set as both game labels are done with decals. They’re large compared to most Lego stickers I encounter which helps to make them easy to apply. The top of the game with the Nintendo logo is another printed brick. Assembling them is a breeze, but made fun by having you build a replica of the circuit board that would appear inside the game. There’s some great attention to detail with Zelda, in particular. I wish I had an original Game Boy cart for comparison as the shape seems to be just a touch off. It feels like the proportions are off just a slight amount. It still looks pretty good, all things considered.
Each game has its own screen.
In addition to the buttons, the play feature here is the screen. Lego included three lenticular screens to swap in and out of the system. The basic one is the Game Boy start-up screen which simply reads Nintendo. In addition to that, there’s a screen for each game if you want to get specific. For Super Mario Land, it’s Super Mario bouncing into a question mark block. For Zelda, you get an image from one of the “cinematic” moments in the game of Link and a girl (I forget who this girl is, I don’t think it’s Zelda) seated on a log. The games are easy to remove and insert as is the screen. You do have to pop the “battery compartment” off to access the screen, but it’s not particularly cumbersome or tricky. The stands are a very basic construction using all black pieces. The Game Boy one is a bit sturdier and seems to work just fine. The game stand includes a slot for the unused screens and Lego assumes you will always have one game in the system at all times.
What are the chances a Super NES is added to this display in the not too distant future?
The Lego Game Boy is a fun addition to this small assortment of Lego video game consoles. It makes for a nice display piece amongst your game collection and visitors are likely to be tickled by it if they pick it up and mess around. The generous amount of printed bricks really helps sell the look of the device and the included games are nice to have. While some would argue the most impactful games were Tetris and Pokémon, Super Mario Land was pretty important in the early days of the console’s life and Link’s Awakening is the best game for the system. And both are wholly owned by Nintendo so no additional licensing fees required. Lego could easily continue this with other iterations on the Game Boy with different games. There was the Game Boy Pocket, Game Boy Color, and multiple versions of the Game Boy Advance. Considering what we saw out of the NES, I wouldn’t expect much to follow, but it’s likely only a matter of time until we see a Lego Super Nintendo.
Enjoyed this look at the Lego Game Boy? Here’s some other stuff that might interest you:
There’s something almost cathartic about assembling a Lego set. It can be hot and sticky in my house in the middle of the summer, but if I’m fiddling with a Lego set I almost don’t even notice. Considering how unbearably hot and humid it’s been in the north east this summer, it’s a shame I…
If you read this blog even semi-regularly, you’ve probably seen me talk about the NES Classic already. When it came out I ranked the 30 games bundled with the device and also speculated on what could be included on a likely SNES Classic. What I didn’t do was actually come out and review the device.…
So the SNES Classic is out and has been for a week. As expected, it’s been rather difficult to get one if you weren’t fortunate enough to land a pre-order (which was also rather difficult to obtain). Scalpers are out in full force, and based on the few bits of feedback I’ve received from some…
In 1994, Nintendo and developer Rare Ltd. released unto the world Donkey Kong Country for the Super Nintendo. It was a pretty big deal because with Sony prepping its 32-bit PlayStation console for release, and Nintendo no where near ready to unveil the Nintendo 64, the company needed to eke out a few more years from the SNES to bridge that gap. Sega had tried to do the same with its Genesis console by releasing expensive add-ons that ultimately failed forcing it to rush the Saturn console to market around the same time. Nintendo felt the SNES still had something to say, and Rare had just the thing up its sleeve: 3D.
Three-dimensional graphics had already been done on the Super Nintendo in 1993 with Star Fox. That game used 3D polygons to create a style of flight sim pretty foreign to console gamers. It was unquestionably impressive and the game was a lot of fun to play, though unsaid at the time was that the game was pretty ugly. Actual pleasant visuals were sacrificed in order to achieve three-dimensional gaming and it was a trade-off that felt necessary at the time in order for advancements to be made. That’s why it was so shocking when Rare unveiled Donkey Kong Country which featured 3D models of the game’s characters: Donkey Kong and Diddy Kong, making his debut. The two looked like a pair of cartoon apes and their many allies and foes featured the same level of detail. It was stunning and left jaws on the floor when it was first shown. Even today, the game is hardly an eyesore and many would argue it’s aged better than a lot of the games that followed on more powerful hardware.
Not just a popular series of video games.
Just how did Rare pull off the impossible on the Super Nintendo? With trickery, of course. Rare rendered the characters in 3D on (for the time) powerful computers and then converted those models into 2D sprites. In doing so, Rare was able to preserve the 3D aesthetic even if the game itself wasn’t technically 3D. Does that matter? No! If gamers were convinced they were experiencing a game rendered in 3D then that’s all that matters. Of course it helped that the gameplay was restricted to just two planes as Donkey Kong Country, at its heart, is a fairly straight-forward 2D platformer. I’d even argue it’s a merely average one as I personally never found a lot of enjoyment in playing the game, even if I was impressed by how it looked.
To no one’s surprise, Donkey Kong Country was a big hit for Nintendo and two sequels followed on the Super Nintendo, pretty good for a console everyone thought was at the end of its life when the original came out. The game was popular enough that an animated series was commissioned by Nelvana for 1997. Working on season one was Medialab Studio L.A. which switched to Hong Guang Animation for season two. WIC Entertainment had a hand in the production as well and the show was broadcast around the world totaling 40 episodes. In the US, it was one of the original Fox Family Channel cartoons and was also seen a bit on the broadcast network. And since the video games were “3D,” so was the animated series. Being a 1997 show, it’s obviously pretty limited and as a result it was something I didn’t particularly care for. The only 3D show I even gave a passing glance at was Beast Machines and only because that one seemed to be far and away the best looking of the bunch. And not being a big fan of the game, I also had little reason to check it out, so I didn’t!
For some reason, the opening shot is the only one in which the hut is decorated with Christmas, excuse me, Kongo Bongo Festival of Lights lights.
The first episode of the second season is where our pull for today comes from. “The Kongo Bongo Festival of Lights” is one of those Christmas, but not Christmas, episodes some shows do which makes this similar to last year’s Super Mario World episode. The Festival of Lights is essentially Donkey Kong Christmas. The only thing missing is a stand-in for Santa Claus. There’s obviously lights, but there’s also gift-giving and the capper is a fireworks display at night, which is a part of some Christmas celebrations around the world, though certainly not a requirement. It qualifies for The Christmas Spot, and since this is a show I’m barely familiar with I’m actually a little eager to give it a go so let’s see what Donkey Kong has to offer.
Cranky is terrific. Easily the best part of the show.
The episode begins with Cranky Kong (Aron Tager) reading ‘Twas the Night Before the Festival of Lights to Donkey Kong (Richard Yearwood) and Diddy Kong (Andrew Sabiston). I have no idea if this show follows the lore of Donkey Kong Country with Cranky being the original Donkey Kong from the arcade games and the current Donkey Kong his son, Donkey Kong Jr. If it does, it doesn’t feel like it. Cranky sounds appropriately old and, well, cranky, while Donkey Kong sounds far more refined than I was anticipating. I thought he’d have a gravely voice, but instead it’s young and hip, for lack of a better word. Diddy sounds like Yoshi from the Super Mario World cartoon, which makes sense since Andy Sabiston also voiced that character. It too was unexpected, but doesn’t feel inappropriate for the character.
Somehow they look worse here than they do in a Super Nintendo game.
When Cranky finishes the story he inquires with his two pupils what their favorite part of the festival is. Donkey Kong claims it’s the bananas, which is apparently the only thing he ever cares about. Diddy Kong, who is clearly the kid character here, says it’s the presents and mouths off about wanting some monkey bar toy. Cranky remarks that’s what he wants too just to mess with him, though surprisingly doesn’t admonish the young monkey for focusing on the material aspect of the holiday. He then shares that his favorite part of the holiday is the part most important to our plot: the truce between apes and lizards. The main bad guy is the crocodile King K. Rool (Benedict Campbell) from the video games and apparently this holiday is the only time he’s agreed to leave the apes alone. Why does he typically bother them? Because he wants the crystal coconut, which is literally a crystal coconut. If it has any sort of magic powers that’s not covered here.
General Klump salutes his king.
After that revelation, the setting shifts from Donkey’s treehouse to a pirate ship out on the seas. The water looks terrible and the camera zooms in on an obvious pirate sail, but then dissolves into a cave or mine. In there we find the lizards, or crocs, or whatever, barreling down the tracks in a mine car. They stop beside General Klump (Adrian Truss), a chubby croc in an army helmet that looks like a model from the game. He gives the cart full of subordinates info on how to get out as he’s clearly preparing for all operations to be suspended for the holiday. King K. Rool then shows up in the next cart and he’s pleased to find out that everything is going smooth in preparation for the holiday. The king inquires where Krusha (Len Carlson) is and Klump informs him he’s in the back looking for something. Krusha, a big, dumb, blue, gator, then emerges excited that he found some “candles.” The candles are clearly dynamite and as the two intelligent gators recoil in horror the sticks explode and Krusha is left standing charred and confused.
Pictured: not candles.
Klump corrects my assumption and refers to the dynamite as fireworks. He then hops up and down excitedly as he shares that the fireworks are his favorite part of the holiday. King K. Rool then shares with Klump his typical holiday plans as he’s looking forward to spending the holiday with family playing “Gator Games” and enjoying bog nogg. As he does, the camera zooms in on Klump’s eyes and it’s clearly trying to convey something, but the animation is too limited to make it clear. It almost looks like longing? Is Klump like Smithers to King K. Rool’s Mr. Burns?
Elton Klump.
No. Turns out we were supposed to notice that Klump was sad. That becomes apparent after the king departs and we can see Klump’s full face. Apparently he’s all alone for the holidays because he has no family and this is typical for him each year. He hangs his head and slumps off only to wind-up at a grand piano that appears out of no where. He then sings us a song, and seeing how there’s songs attached to every episode in the episode guide, I’m guessing this is fairly typical of the show. “No Family Tree” is a sad little piano number that then adds drums and guitar magically. The lyrics are actually kind of clever and we learn some more about gator food: pizza mud pies, beetle sandwiches, rotten turtle egg soup. The song ends on a literal high note out of Klump, followed by a bout of pathetic sobbing. Poor guy.
Poor Klump can’t remember his poem, even though the words literally call on him to remember someone.
Klump is then shown standing in the mine talking aloud to himself. He recalls a poem someone taught to him that he should recite when he is sad. Only, he can’t remember how it goes. It starts off as, “Whenever you’re sad, lonely as can be, just remember me…” and that’s where he’s left literally scratching his head. As he recites what little he knows, he does so with a melody and piano music filters in to go with it. It’s pretty corny, but also pretty clear that we’ll know the rest of the poem come the episode’s end.
We leave the lonely Klump to wallow in his sadness and rejoin Donkey Kong and Diddy. They’re both walking along a dock and Donkey Kong is excited to show off his fireworks display. He’s carrying a giant barrel which he has effortlessly placed upon his shoulder. Diddy is still focused on the presents and he wants to know what Donkey Kong got him. Donkey Kong is happy to share, and as he hypes it up, Diddy starts doing backflips until Donkey Kong reveals it’s a banana – the same thing he got everyone else. Diddy falls over laughing as he thinks this is a joke causing Donkey Kong to look at the camera and sadly go along with Diddy’s assumption. Donkey Kong’s face is so weird looking in this show because his brow is the same color as his mouth, but he has brown fur under it and around his eyes. The brow flops all over the place to convey emotion and it’s pretty ugly, but that’s how the character looks in the game so I guess the animators felt they had to retain it.
Yikes! Candy Kong isn’t looking too hot.
The conversation is interrupted by the aroma of banana cream pie. Donkey Kong follows his nose to a steaming pie left out on a barrel which doesn’t look like any banana cream pie I ever saw. Candy Kong (Joy Tanner) then pops out of the nearby hut to greet her boyfriend, I think? Donkey Kong, lost in the fragrance of pie, mistakenly calls her Creamy at first then corrects himself which doesn’t seem to bother her. If you don’t like the Donkey Kong model in this show, you’ll probably hate Candy as she looks pretty terrible. Her clothing doesn’t appear to be modeled separately and has that painted on quality that makes me think of old wrestling games on the PlayStation. I think the show is trying to make her conventionally attractive to the viewer too, even though she’s an ape, sort of like some of the female characters from a show like Goof Troop which just look like women, but with brown noses. Candy though looks horrid and I think it’s because she basically has no nose.
Candy then boasts about the gift she got for Donkey Kong, but teases he has to wait until later to get it. If you think this is suggestive, she is actually holding a wrapped present, but I suppose it could contain something naughty. As she walks back inside, Funky Kong (Damon D’Oliveira) strolls by. He speaks with a Jamaican accent and he too boasts to Donkey Kong about the awesome gift he got him. As he walks away, the implication is he got him a surfboard since he’s carrying a yellow one with an image of Donkey Kong’s tie painted on it. As he takes his leave to deliver the present to Cranky, Donkey Kong laments that everyone got him something great with his sadness implying he doesn’t have anything in return. Diddy then reassures him that Cranky surely got him a terrible gift since he gets him the same thing every year: glow-in-the-dark pajamas. The two share a laugh, and then Diddy makes Donkey Kong feel worse when he assures him that his gift for DK will make up for Cranky’s. This reminds him that he still needs to wrap it. He reminds Donkey Kong to finish setting up the fireworks or else the only thing glowing tonight will be the pajamas as he walks off leaving DK standing there looking depressed.
Apparently DK seeks advice from a creepy statue often.
Donkey Kong is shown setting up the barrels far out on the dock for the fireworks. He bemoans that he doesn’t know what to do about the gifts, then we see a slot machine graphic that spins and displays three bananas indicating that DK has figured out a solution. We then head to some big, stone, idol that Donkey Kong refers to as Inka Dinka Doo. He reminds me of Olmec from Legends of the Hidden Temple. It’s apparently some kind of idol that can impart wisdom as Donkey Kong seems to think it knows what to do. As he pleads with the statue to provide a solution, the top spins as it’s kind of like an 8-ball. It switches to a smiling portrait and then a disembodied voice (Lawrence Bayne) echoes “Look into the heart of your enemy to discover the greatest gift of all.” Donkey Kong is clearly perplexed, but that’s all he’s getting out of the statue.
An alliance is forged!
We then see Donkey Kong running through the jungle complaining that Inka Dinka Doo wasted his time. He soon smashes into Klump knocking the two of them off their feet. At first Klump is startled, but then the two remember the truce and they rather easily put their differences aside. Klump seems rather happy to find another person alone for the festival, but then Donkey Kong informs him he’s not alone and will be celebrating with a bunch of friends at a party. This just makes Klump sad again. When Donkey Kong inquires what he’s doing behind enemy lines, he tells him he just came to see the fireworks. Donkey Kong then breaks the bad news to him that there won’t be any this year because he still needs to find presents for all of his friends. This crushes Klump as the fireworks are all he has. He’s not so crushed that he isn’t resourceful though as he offers to help DK find gifts for his friends in exchange for a front row seat at the fireworks. Donkey Kong agrees to the terms and the two shake on it.
Why would a crocodile have nipples?
We’re then back at the dock and that pirate ship – remember that seemingly innocuous pirate ship we saw for all of two seconds – is shown docked. Here we meet Kaptain Skurvy (Rob Rubin) who is basically a palette swap of Klump only he’s orange and wears a pirate hat instead of an army one. He has two pirates with him, Kutlass (John Stocker, another veteran of the Super Mario cartoons) and a nameless green croc voiced by Richard Newman. Skurvy has decided that today is the perfect day to steal the crystal coconut, so apparently crocs other than King K. Rool want that thing, on account of there being a truce so it won’t be expected. Kutlass thinks this is a great idea, but Skurvy then gets a little sad and reveals there’s only one thing he wants more than that coconut and it’s something he lost long ago. I’m sure we’ll know soon enough what that is. Since he can’t steal what he lost though, he’s taking that coconut and he leads his men in a cheer that’s just “Steal booty!”
I’m sure the animators appreciated not having to show us the contents of King K. Rool’s vault.
Klump has taken Donkey Kong back to the mine lair where the ape is rummaging through what’s left there for gifts. He’s in some kind of vault and Klump instructs him to take whatever, though he tells him he should leave the clown costume behind. DK is enthused by the stuff in there, though none of it is depicted on screen so we’re left to wonder just what’s so great. Klump then starts into his sadness routine again as he openly wishes he had someone to give gifts to. The music for his poem then re-enters as he tries to recite it again, but still can’t remember the last part. Donkey Kong inquires about that last part and Klump says he can’t remember, it was just something someone sang to him when he was little. Donkey Kong then tells him he found the perfect gift – candles! It’s the dynamite, or fireworks, from earlier. As Klump shouts “No!” we’re shown an exterior shot of the mine as the stuff explodes and what looks like real fire is shown onscreen. We then jump back into the mine to see a blackened Donkey Kong and Klump seemingly no worse for ware.
If Donkey Kong has trouble properly identifying fireworks then he really shouldn’t be in charge of the festivities later.
Back at Cranky’s place, the old ape is wondering what’s taking Donkey Kong so long to setup the fireworks. Diddy assures him that DK wouldn’t goof off on today of all days and sets off to find him. In the mine, Donkey Kong is shown racing around in a mine car. He declares that he wants to gift everyone a mine car, but is soon distracted by a lever (that looks more like a button), but just as Klump shouts out to not pull the lever Donkey Kong does and the cart is sent soaring through the air. As Donkey Kong recovers from his impromptu flight he suggests that maybe a mine car isn’t such a good gift.
I have no idea what makes this thing so special.
At Cranky’s, Diddy returns to report the bad news that he can’t find DK anywhere. Cranky gets pissed as he finds out that the fireworks haven’t been setup, but Diddy reports it gets worse. Skurvy and his boys then show up and announce they’re here for the crystal coconut. Diddy and Cranky don’t even bother putting up a fight nor do they seem particularly aggrieved by the pirates not respecting their truce with King K. Rool, but maybe there was no expectation that pirates would place value on such a thing. Skurvy mentions once again there’s something he wants more than the crystal coconut, but since it’s not here he’ll have to settle for the artifact. Diddy remarks that at least they’re not taking the presents, which just causes the pirates to take the presents.
I know he’s a bit thrown off by the theft of the crystal coconut, but shouldn’t DK be a bit more concerned about the fact that Cranky’s hut is apparently full of enemy cameras?
Back in the mine, Donkey Kong is going through King K. Rool’s books and seems intent on gifting all of his friends a book from the king’s assortment. An image then pops up on Klump’s security system and it’s of the pirates making off with the crystal coconut. Apparently the crocs have cameras around Cranky’s hut? Anyways, when Donkey Kong sees the pirates he knows he has to abandon his pursuit of gifts to stop them while Klump is ticked off that they’re not respecting the truce, but DK informs him that pirates never honor truces. Klump reveals this is bad news for him as King K. Rool will have his hide if someone other than him steals the coconut, so he agrees to help Donkey Kong get it back.
Yeah, Cranky! Give that stupid ape a good tongue-lashing!
Donkey Kong shows up at Cranky’s place only to get chewed out for not being around all day. Cranky is not at all sympathetic to DK’s gift dilemma, but DK tells him he brought help in the form of Klump. That just causes Cranky to momentarily panic as he barks out to protect the crystal coconut, which Diddy has to remind him has already been stolen. Then, shaking with anger, he orders everyone to go retrieve it from Skurvy. I do like Cranky, he definitely has the most energy of all the characters here.
I like how Skurvy just wields a cannon like it’s a gun.
At the docks, the heroes hide behind the barrels of explosives Donkey Kong had placed there earlier and survey the scene. Kutlass and Green Croc (that’s apparently his actual name) are positioned on the dock while Skurvy is somewhere else. Klump then very loudly asks what they’re looking at and DK shushes him before telling him he’s to be on lookout for Skurvy. Klump agrees and heads over to the beach rather loudly. The two apes start talking loudly like pirates to put the notion into the heads of the underlings that there’s more booty on the beach. It’s a bit confusing, I’m not sure if they’re supposed to think Donkey and Diddy are Skurvy. The two apes then retreat to the bushes and things just get more confusing as the two crocs pick up the barrels of explosives and start loading them onto the ship. Those barrels were clearly not on the beach. Diddy giggles and exclaims to DK that his plan is working perfectly, but the sound of a gun cocking interrupts their giggles. Skurvy is shown pointing his miniature cannon, which has no working action on it that would make a gun cocking sound, in Donkey Kong’s face.
If those are the only presents they had then it doesn’t seem like a tremendous loss, honestly. Certainly not worth this kind of aggravation.
We banana-wipe to a scene on the ship and Skurvy informs the pair that their plan was as stinky as bilge water – a good boat insult. Skurvy then guesses that their plan was to trick the pirates into stealing the fireworks only for the apes to bargain for the coconut with the threat of blowing the ship up. How they were to light the fireworks is a bit of a mystery. And it must be to Skurvy because he announces he was planning on stealing the fireworks anyway! He then whips out the crystal coconut to declare it’s the only booty he ever wanted. Diddy then reminds him that he mentioned something else, and Skurvy’s eyes grow soft as he concedes, “Aye, there be.” Klump’s poem music then starts playing and Skurvy mentions he has a long lost brother. He then starts singing the poem revealing that the missing part is, “…your big brother – Skurvy!”
It’s a sing-along time.
Donkey Kong is predictably stupid and doesn’t immediately remember that he heard Klump singing the same thing. Skurvy orders his men to set sail for shark-infested waters so they can be rid of the apes, but gets interrupted by Klump who has come aboard armed with a weird looking gun. He declares he’s here to fight to the death, which catches everyone off-guard including Skurvy who declares that even pirates don’t fight to the death. Klump is forced to concede that he’s never actually had to fight to the death, he’s just bound by lizard law to say it. He does inform the crew that he has experience blowing things to bits and orders the skum-sucking sea dawgs to hand over the crystal coconut. Skurvy retorts by calling Klump a skum-sucking swamp-sucker. There sure are a lot of sucking accusations being tossed around. Skurvy picks up his cannon weapon. As the two hurl verbal barbs at each other, Diddy remarks to DK how stupid the pair look and Donkey Kong admits it’s pretty sad. Just saying the word “sad” causes him to remember the poem. When Diddy Kong asks “What poem?” Donkey Kong sings it for him. In doing so his voice drastically changes as the singing voice is provided by Sterling Jarvis. He sounds lovely, but the change is super distracting.
These guys are a lot faster than they look.
As DK sings it, Klump and Skurvy finish the last line. Klump confirms that’s it, that’s the rest of the poem, then, like a dope, asks Skurvy how he knew that part. Skurvy, apparently none brighter, questions how Klump knew it at all. Finally, Skurvy shouts “Little brother!” and Klump returns in kind, but in his excitement he tossed his gun over his shoulder and it goes off. We get a clip of a bullet shooting through the air for the barrels of fireworks which cuts to the gang running (with the crystal coconut) on the dock. Somehow they managed to get off of the boat and down the dock while the bullet was in-flight – and I thought Sonic was fast!
The brother reveal might have come as a surprise if Klump and Skurvy didn’t look exactly alike.
The ship explodes taking all of the gifts with it, which is sad for Diddy Kong, but good for Donkey Kong as now he doesn’t have to match the gifts everyone was planning on giving him. As the gang admires the fireworks, Skurvy mentions he loves them. When Klump says the same, Skurvy remarks “Of course!” Apparently, it was Klump’s love of fireworks that caused him to set their whole swamp on fire. Skurvy took the blame for his little brother, and in return was banished to the high seas. Harsh, but fair.
Time for Donkey Kong to explain the lesson he learned.
That night, the Kong clan still has fireworks, but no gifts. Cranky gives him a backhanded compliment on the fireworks job, but then declares this the best festival ever. When Donkey Kong laments the lost presents, Cranky finally chimes in with the long-expected reminder that today isn’t about presents, but family. Donkey Kong then declares that’s what Inka Dinka Doo must have been trying to tell him (see, it’s all coming together now!). Candy, Funky, and Diddy then arrive with Candy reenforcing the message that the holiday is about spending time with family and DK adds that even villains need family. Cranky then wonders what those lizards are up to.
Aww, don’t they look cute together?
On cue, we check-in with those lizards as Skurvy is spinning some tall tale about his time at sea to his little brother. Krusha then comes rolling in, but says nothing, followed by the king himself. He does not seem happy to find a pirate in his lair, but Klump is eager to share the news about his discovery. King K. Rool then surveys the area and sees a bunch of luggage nearby and declares that there’s no way Skurvy is moving in, but Klump corrects him by informing him that he’s actually leaving to set sail with his brother. This makes the king even madder and he and Skurvy end up nose-to-nose trading insults with each other. As for Klump, the sight of the two gators fighting over him brings a tear to his eye causing him to declare this the best Kongo Bongo Festival of Lights ever! The camera pulls out on the the bickering reptiles as fireworks fill the night sky over the island.
This is all Klump has ever wanted for Not-Christmas: two reptiles fighting over him.
And that is apparently how apes (and lizards) celebrate not-Christmas. Donkey Kong Country is a rather ugly show by today’s standards, and I’m not convinced it wasn’t ugly even by the standards of 1999 when this episode aired. The animations for each character are very limited and it’s obvious they try to stage and work around those limitations as much as possible. The characters really don’t move their lower half much and instead rely on their arms and faces to convey action and emotion. For the apes, this works okay even if I don’t love the look of some of those characters. For the alligator types it’s much harder as their mouths just don’t have the range of motion one needs forcing the animators to rely almost solely on their eyes. At least the scaled textures on those characters looks okay, better than the fur on the apes, anyway.
This one is pretty goofy, but it does sneak in a generic holiday lesson at the end.
The story for this one is also not terrible. I found Klump sympathetic and he was easily the character I liked the most after Cranky. The set piece for his song early on surprised me and was something I found rather amusing. The poem was okay as a plot device, though how terrible is Klump’s memory that he completely forgot he had a brother? That plot twist was pretty easy to see coming since Skurvy and Klump are literally the same character model. If they’re any different I didn’t notice. I don’t know if Skurvy was a regular on the show prior to this episode or not so I can see the reveal at least being fun for longtime viewers. The other plot concerning Donkey Kong’s gift dilemma was far less interesting, but it at least scores some points for being a bit original. I liked that Donkey Kong also wasn’t some jerk intentionally giving bad gifts, he’s just an ape who really likes bananas and doesn’t realize his friends expect something a little more thoughtful than that. A truly selfish character wouldn’t even be concerned about it. It was an unusual resolution to just have the other gifts get destroyed before they could be given. That’s definitely one way to write DK out of his problem.
Ending a special with fireworks is certainly a sound decision that I can get behind.
Donkey Kong Country is almost by default one of the better video game adaptions I’ve watched simply by virtue of it not sucking completely. I don’t know that I’d necessarily recommend this one, but if you like the games then I suppose you’ll enjoy this. It’s also entirely possible that this is one of the lesser episodes in the series so maybe the rest of the show is even better. I won’t be finding out, but again, I was never a big fan of the games to begin with. If you want to watch this one it can be found online with minimal to no effort for free. I think the free stream on YouTube is even “legal” and not piracy unchallenged, so have at it guilt-free! It’s also streaming on Tubi and episodes are available on Prime. Some of the show has been released on DVD, but I do not know if this one of them. In short, it’s not hard to find.
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
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Before Nintendo was a famous game developer and console manufacturer, it made toys. Some were electronic, and some were not. On the electronics side, the first video games the company released were the Game & Watch handhelds. The first of these devices looked similar to what would become the Nintendo Entertainment System’s controller. It was a horizontal layout with a directional pad on the left and a command button on the right. In the center of the device was an LCD screen capable of displaying simple games. It also had a clock on it which is where the “Watch” part of Game & Watch comes into play. Over the years, the games would grow in complexity and some even necessitated a second screen and a clamshell design which is pretty similar to what the Nintendo DS would adopt many years later. Come the early 90s, the Game Boy was already available and a hit and the Game & Watch had seemingly outlived its usefulness, but it’s a part of Nintendo’s past that the company seems to enjoy celebrating.
Last year, to celebrate the anniversary of Super Mario Bros. Nintendo released a special edition Game & Watch. Nintendo has seemingly found a market for simple, nostalgia, devices like the Classic series of console releases and the Game & Watch feels like an extension of that. The unit was priced at $50 and came bundled with the original Super Mario Bros. and Super Mario Bros. 2 (the Japanese version) while also including a classic LCD game, clock, and timer. It was a novelty device and one I wasn’t particularly interested in. I loved the original Super Mario Bros. as a kid, but once Super Mario Bros. 3 came out I effectively had no use for the original and it’s a feeling I still have today. The unit did eventually hit the clearance rack, so I wasn’t sure if anymore should be expected, but lo and behold Nintendo did have a release for 2021: The Legend of Zelda.
Pay no mind to the gargoyle lurking in the rear.
The Legend of Zelda edition of Game & Watch is meant to celebrate the original game’s 35th anniversary. It’s essentially the same, but different, when compared with the Mario edition from 2020. The device itself is rather small and very light, measuring about 4 3/8″ x 2 5/8″ with a color scheme more appropriate for Zelda. The front faceplate is gold while the outer case is green and all of the buttons on the face are ringed with green plastic. The area around the screen is raised and it’s a pretty attractive looking piece, though once handled the toy nature of it all becomes obvious due to the weight and overall feel. The D-pad feels largely like one would expect, but the B and A buttons are rather gummy, like a key on a calculator as opposed to a game controller.
Watch Link conquer Ganon every day!
What hasn’t been compromised is the screen. It’s not particularly large, but it is vibrant and certainly a lot better than the old LCD screens on the original Game & Watch devices. It only measures about 2″ x 1.5″ making it comparable to the Game Boy Micro, but still larger. It needs to only display 8 bit games, so it’s not as if the screen is being asked to do much, but it can render all of the games just fine in their native aspect ratio with no compromise to the color palette or resolution. The sound chip is also just fine for these classic games and is even capable of outputting the superior audio found in the Japanese version of these games, as they were Famicom Disk releases outside of the US, so if you’re sick of playing through the original Legend of Zelda you can switch it to Japanese and get a different experience.
One neat, little, touch is this light-up Triforce on the rear of the system.
Which brings me to the games – just what is included on this thing? Well, you get three games this time around: The Legend of Zelda, Zelda II: The Adventure of Link, and Link’s Awakening. The first two play as you would expect them to as they’re simply emulated versions of the NES and Famicom versions of the games. The third one, and a bit unexpected, is the original Game Boy release of Link’s Awakening. It is a shame that Nintendo didn’t include the DX version released for the Game Boy Color which looked better and also featured an extra dungeon. There’s certainly enough room on the hardware for it which leads me to believe it was a value issue and not a hardware limitation. Nintendo doesn’t want to give too much away at the $50 price tag, but considering that Link’s Awakening has already received a full-fledged remake I don’t think Nintendo would be harming its bottom-line by including the DX version. Oh well.
A size comparison with the first gen 3DS and a Game Boy Micro.
The games play fine though as Nintendo did add the Select button which was missing on the Mario edition. I read some complaints of the device being too small and cramped for a platformer like Super Mario Bros. to be played comfortably, but for Zelda it’s more than adequate. Especially the original game and Link’s Awakening. Zelda II is a bit more of a stretch as that required more twitch movements. It’s still not on the same level as a platformer or run and gun game, but it is noticeably less pleasant to experience. That also could be due to that being the weakest game on this set and what folks are likely to miss is the ability to utilize a save state feature. Exiting a game at any point does essentially pause the game and save your progress, but there’s no way to reload when you die. This is really only an issue with Zelda II as I don’t find the other two games terribly difficult so long as you know where to go, but Zelda II is an all-together different beast. It’s a hard game that I don’t find particularly enjoyable since the player is heavily penalized for dying in a most annoying manner. As such, I don’t intend to play much of Zelda II, it’s more chore than game, but I will play and finish the other two games, one of which I’m nearly finished with as of this writing. One other presentation note is that Link’s Awakening features the ability to toggle between the original aspect ratio and one that fills the screen. It doesn’t look too terrible stretched to fit the screen, but I definitely prefer the original look when playing it.
Since this is a Game & Watch, I should mention the other aspect of the hardware which is the watch. When not playing a game, the unit functions like a clock. Nintendo included a display base with this one that looks pretty slick, but is just made out of cardboard. I question how well it will hold up over time. The clock though displays it over The Legend of Zelda and when left alone Link will roam the screen battling enemies gradually progressing through a modified version of the game over 24 hours. Come noon, he’ll best Ganon and save Zelda which is pretty neat. If at any point you want to control the action you can, and leaving it idle for a few seconds will revert back to AI control. It’s a fun thing to have on a desk or workspace, though it can get mildly distracting.
Zelda will now be saved on a daily basis.
There’s also a timer, or stop watch, function. It’s pretty self explanatory, but like the clock it displays Link in action. This time, the sprites are from Zelda II and it does function like a game all on its own as you try to defeat as many enemies during a given duration. Or, if you just need it to be a timer, you can let the AI duke it out. It’s definitely not a feature I plan to take advantage of, but it’s fun to have it. Also included is the Game & Watch game Vermin. It’s a game where you just slide a character across the screen as it tries to stop some vermin from advancing past. In the original, the player character was Mr. Game & Watch, but it’s been changed to resemble Link for this release. It’s a simple game that has its moments, but largely feels like it’s included as both an homage to the classic handheld and as a reminder of how far we’ve come.
The unit runs on an internal battery and I’m honestly not sure how long it can last. Most these days seem to last anywhere from 2 and a half to 4 hours. I haven’t come close to draining it in my play sessions, but my sessions have been more of the half hour to an hour variety. Nintendo included a USB cable to charge it, though it’s pathetically short. I’ve had it plugged into my laptop since getting it which means the clock will only run while my laptop isn’t in sleep mode. When not connected to a power source, the screen turns off after 3 minutes, but when it does it displays a piece of vintage art from the old game manuals which is pretty cool. There are some other Easter Eggs as well that I won’t spoil, but if you’re curious, they’re not hard to find online. I should note, the unit is capable of keeping track of the clock when powered down, though I assume if you ran the battery down to nothing and left it like that for a bit it might need to be reset like a console would.
This one also has a few surprises up its sleeve.
The Legend of Zelda edition of the Game & Watch is a perfectly fine, novelty, handheld. Nobody needs this and these games are all readily available in probably more convenient options at this point, but if you find yourself charmed by this little device then I think it’s worth the 50 bucks Nintendo is asking for it. Yes, I wish it had proper A and B buttons and the DX version of Link’s Awakening, but those are nitpicks. The absence of save states is more of a bummer because these games don’t have a robust, built-in, save feature so it is more challenging than it needs to be to do something as simple as switch profiles within the games. It’ll save one action session per game, but if I want to let my son play The Legend of Zelda I need to end my game first and I don’t want to go all the way back to the beginning on the map if I was in the middle of a dungeon or had paused my session right outside of one. I also would have gladly paid an extra 10 – 15 bucks for a better display stand. I love how this one looks, being all black with a gold Triforce logo, but it only looks good from a distance as once up close it becomes apparent the thing is a glorified box.
I suspect if you’re interested in this then you have already made up your mind. It’s for the Zelda fan or nostalgic Nintendo fan. It’s also priced on the fringe of impulse buy territory, and if 2020’s model is any indication, it will eventually find itself on sale. I had no issue tracking a unit down for purchase and I’ve seen them on my weekly trips to Target so, for now, this one’s easy to come by. I suspect once it’s gone then it’s gone and it will gradually rise in price on the aftermarket. You’re probably safe to play the waiting game if you want to take advantage of a sale price, though if units start to disappear before that day comes then you may want to just jump on it at $50. I’m happy to have it, and while I don’t know if it will live forever beside my laptop, but I would like to find a permanent home for it because it’s a fun clock to have around. And hey, there’s some good games on it too!
Last year, we took a trip to the Mushroom Kingdom (kind of) and watched the Super Mario Bros. save Christmas from the evil King Koopa. Since Koopa failed, it would make sense for him to attempt the same trick at a later date, especially since he would go on to become “King Dad” and Christmas presumably got a lot more expensive around Koopa Castle (or should it be Kastle?). Well, he apparently did not agree as he’s left Christmas alone ever since, but Cave Christmas? Now that, is apparently appealing!
In the early 90s, if anything was popular either in toy aisles or on gaming consoles it had a cartoon, and Mario was at the forefront of that. He first had The Super Mario Bros. Super Show followed by The Adventures of Super Mario Bros. 3, and concluding with the Super Mario World cartoon. Other popular Nintendo, or Nintendo-adjacent, properties had to settle for a cameo on Captain N The Game Master, but Mario was able to front his own toon. None of these cartoons were any good, and as the franchise marched forward it feels like the budget set by DiC just got smaller and smaller. The live action segments hosted by Danny Wells and Lou Albano were dropped, and the voices of the Mario brothers were replaced with Tony Rosato and Walker Boone, respectively. John Stocker, who saw his character Toad written out for Super Mario World, got to keep working by voicing new addition Oogtar while Tracy Moore (who came onboard for the Super Mario 3 show) and Harvey Atkin (the only one to voice the same character from start to finish) continued to voice Princess Toadstool and King Koopa, respectively.
How do we feel about Yoshi’s portrayal in this show? Love it? Hate it? I can’t decide!
Super Mario World, like the video game it’s based on, is set in the fictitious Dinosaur World. Mario and his friends are vacationing there, only to find King Koopa and his many Koopa kids have followed them. They make friends with the cave people, and Princess Toadstool more or less throws her weight around as royalty to take over, and take-in a young dinosaur named Yoshi (Andrew Sabiston). Each cartoon is little more than 10 minutes in length and DiC wisely dropped the use of song parodies so the syndicated cut and retail releases were able to retain the original music this time around. The show was bundled with Captain N to air as a block and both shows mainly exist to sell video games. There’s not much to the plot of each episode, characters experience little or no growth, and most episodes can be drilled down to a simple formula. Only 13 episodes were produced airing from September 1991 into December of that year. The show didn’t seem to find much success following its initial run as the episode count was likely too small to interest most cable networks. It did receive a DVD release from Shout Factory, and the show today is mostly remembered as being pretty bad with certain aspects of it being enjoyed mostly from an ironic perspective as the character of Yoshi is both annoying and ridiculous, which I guess makes him a tad charming?
The fifth episode for the show is titled “The Night Before Cave Christmas.” It aired before Halloween, but since Cave Christmas is a made-up holiday by Mario I guess it didn’t need to air during the Christmas season? As mentioned before, this is the second, and final, Christmas episode from the Mario universe of cartoons as DiC declined to do one in The Adventures of Super Mario Bros. 3. I’d say it’s a shame we didn’t end up with 3 Christmas cartoons, but considering the first one was pretty terrible, and this one might actually be worse, I guess it’s no real loss.
It looks the show is simply titled Super Mario World, but it’s actually “Super Mario-Super-Mario Super Mario….World.”
The cartoon begins with a brand new theme song. The previous cartoon cheeped out by forgoing a traditional theme for just narration over some video game inspired music, a severe downgrade following the greatness that is “The Plumber’s Rap.” This new theme is a bit of an ear worm, despite not being great. It’s full of tribal drums and has a Caribbean feel to it, though I’m skeptical DiC paid for an authentic singer and probably just had some white dude fake an accent. Mark Mothersbaugh is credited as composing the theme, but I don’t know who actually sang on it. The lyrics are a bit lacking as the song closes by rhyming the word blast with…blast! I’m getting flashbacks to the “Wrap Rap” from last year!
Poor little mammoth…
When the cartoon begins, we find Yoshi and Oogtar fighting over some barbecued mammoth ribs, which are pretty small for mammoth ribs (maybe they picked off an infant). Mario starts complaining to Luigi and the Princess about how Oogtar is a pain in the ass who spends all day getting into fights with Yoshi. Luigi points out it’s not just Oogtar, as we pan to see other cave people fighting with each other. One poorly animated boy and girl pair are just hitting each other like Itchy and Scratchy, minus the mallets. Mario then hatches up an idea based on the notion that people start acting really nice to each other around the holidays. Luigi asks if he means Christmas, because it’s currently the middle of August so that doesn’t make much sense. Mario basically responds by reminding him that cave people are stupid and will believe anything they tell them. This cartoon really shines a light on what’s awful about colonialism.
It’s a sparsely populated village.
Mario then goes over to the squabbling Yoshi and Oogtar and starts telling them about Christmas. Mostly, he wants to convey the message that good boys and girls are rewarded with treats and presents, and Oogtar immediately becomes nervous because he knows he’s a little piece of shit. Mario christens it Cave Christmas and hangs a big wreath on one of the stone huts and announces, “Merry Cave Christmas!” to all of the onlookers. Nearby, Koopa pops his head out of what I guess is a trash can fashioned out of a stump. Referring to Mario as a “pipe-squeezer” (which got a chuckle out of me), he questions the plumber’s sanity by noting it’s the hottest day of the year before closing the lid and returning to his hiding spot.
The smell of freshly cut evergreen should help cover the smell of body odor and dinosaur shit.
The gang then sets to making the place look like Christmas. Mario and an unnamed cave person cut down a tree, while Oogtar and Yoshi help the Princess collect nuts from nearby trees. Koopa and his son Bully (Dan Hennessey) watch and Bully informs his dad he wants a Christmas tree too. We then go back to town where Princess Toadstool is trying to hang candy canes on a tree (that has a creepy face), but Yoshi keeps eating them as she hangs them. She reminds him about how he needs to be good if he wants presents from Santa, and the dinosaur promptly regurgitates the candy canes back onto the tree. It’s not made to look as gross as it could have. Bully and King Koopa pop out of the garbage stump and Bully takes note of the Princess’s description of Santa and calls the guy a wimp. His dad agrees, but then the garbage dinosaur shows up and tosses the whole stump (which seems very inefficient) into a stone dumpster strapped on his back.
Looks like someone is getting a savage beating for Cave Christmas!
Since there is a severe lack of toy stores in a prehistoric setting, the Marios have to make the toys for Cave Christmas. In a dome, they’re hard at work building shadow boxes and jack-in-the-boxes. Luigi’s emblem on his hat is miss-colored, a frequent occurrence in this show. Oogtar has snuck in though and is trying to get a peek at the presents. Luigi catches him hiding in a jack-in-the-box. He bolts and attempts to hide in a box of dolls, but Luigi picks him up by his shirt and tosses him out the door.
Even the Flintstones had sense enough not to make their sleigh out of stone
The Princess is then shown piling gifts into Santa’s sack while Mario appears to be constructing the sleigh out of stone and wood. Good luck getting that thing to fly! The Princess remarks how she can’t wait to see all of the kids react to the presents on Cave Christmas morning (she makes sure to include the Cave distinction), but lurking just outside the window is King Koopa once again. He laughs to himself and remarks that the Princess won’t get to see any of that because he plans on stealing the toys so his kids can have a jolly Koopa Christmas (Kristmas?). Considering he is mean and green, I suppose it makes sense for Koops to play the Grinch in our story.
The one true king.
The next day, Mario and Luigi are seen shoving their stone sleigh out the door. Mario expresses joy that its Cave Christmas Eve and prods Luigi by remarking it’s just like being back home, Luigi isn’t buying it though. As they head back inside their makeshift toy factory, Oogtar slips in and heads over to the sack of toys. With an evil look on his face, he lets the audience know he intends to cherry-pick the best toy out of the sack early leaving the crummy stuff for the goody-two-shoes. When he hears someone coming back in, he panics and dives into the sack of toys to hide. He seemed to think it was one of the Mario brothers that were coming, but it’s actually Koopa! Because DiC thinks its audience is stupid, Koopa has to explain out loud that he’s stealing the toys for Koopa Christmas and casually strolls out with the sack of toys and Oogtar inside.
Laughing at Luigi’s hateful gay joke. Apparently, Luigi plays the role of drunk, racist, uncle back in Brooklyn for the holidays.
Mario, who this whole time was just standing mere feet away from the cave-napping, is trying on his Santa costume (What? Did you think he’d actually let Luigi play Santa?!) which consists of a hat, white beard (his black moustache is still visible) and a red toga-like garment worn by the cave people which is worn over his red overalls and looks stupid. When he asks how he looks, Luigi tells him he wouldn’t get away with wearing that in Brooklyn. Mario gives a knowing chuckle and I have no idea how I’m supposed to interpret this joke. This is from the early 90s, so it reads like a homophobic joke. Would they attempt such in a kid’s show? Koopa did refer to Mario as a pipe-squeezer earlier…
How dare Koopa steal fake Santa’s present on fake Christmas!
Mario then notices the toys are gone! They run over to the empty place where the massive sack once sat aghast that someone would steal toys on their fake holiday. The Princess announces she knows who is responsible, which is cute of her since we all know who did it. She picks up a scale from the ground and says it belongs to Koopa, and I say, it doesn’t matter. Koopa and his kids are the only bad guys in this entire world! Santa Mario remarks this is somehow worse than what Koopa usually does (I don’t remember enough of this show to know if that tracks or not, but it sure feels like hyperbole) and vows to get them back!
Well, at least this Christmas special got one thing right.
Mario takes off in his one-dinosaur sleigh as poor Yoshi has to pull that stone monstrosity through the air with his wings power-up. They do find time to pass in front of the moon. Meanwhile, Koopa empties the sack of toys back at his “neon” castle and finds Oogtar inside. Oogtar, apparently lacking any sense of danger, is still preoccupied with getting all of the toys and gets into an argument over it with Koopa who intends to give them to his kids. Oogtar grabs one gift and Koops swats him across the room, rather gently unfortunately. Oogtar rips it open, only to find a ba-bomb inside it which he promptly tosses back to Koopa. He shouts he’s glad Koopa isn’t his dad with a gift like that, but aren’t these all gifts Mario and the gang wrapped? Were they trying to murder Oogtar?!
Merry Cave Christmas, Ratgoo!
The bomb predictably explodes in Koopa’s face, even though he tried telling it that it’s not supposed to blow until Christmas. Oogtar tries to book it, but Koopa grabs him. He’s got something special planned for Oogtar as he strings him up with a pulley system. The rope is a vine and Oogtar finds himself dangling over a pit in which a hungry dinosaur waits at the bottom. Koopa places a lit candle under the vine and leaves Oogtar to his certain death rather than stay and watch. I’d think he’d want to see the little twerp get it, but I guess he has other plans. As he departs, he chides Oogtar by reminding him that his name spelled backwards is “Rat Goo,” an actual worthwhile zinger for this show! I like this Koopa fellow.
Probably not the most discrete way to travel.
Santa Mario and Yoshi arrive and hear the screams of that little baby, Oogtar, coming from the castle. Mario runs over with his toolbox and spies Oogtar through a barred window. Seeing Oogtar in danger, he then runs to a different window for some reason and pulls out some little dinosaur from his toolbox that he uses to bend the bars. Yoshi, who seemingly lost his wings despite not taking any damage, is then advised to help Santa squeeze through the opening he just created, but he’s still too wide. We get a predictable diet joke out of Yoshi, and Mario informs him that a diet is not in the cards and that he needs to push harder! As Yoshi backs up to get a running star, he sees a terribly off-model Boo ghost and panics, crashing into Mario sending both tumbling into the castle where a horde of mecha-koopas descend upon them.
I’ve always felt the Santa suit could use a cape!
We then go into the chase segment. I think every cartoon in this show features one where the characters go running through the castle, avoiding enemies, all while a song plays in the background. The song is almost unintelligible. It sounds like the Koopa Kids making up a Christmas song. There’s something about a sleigh in there and I can’t make much out. It’s not good. Mario rides Yoshi through part of the castle avoiding catastrophe until they have a trio of the football guys from the video game chasing them down. Mario is able to conveniently find a super feather in a block and becomes caped Santa! He grabs Yoshi and the two fly through a pipe that leads them to Oogtar.
Look at this stupid, smiling, asshole. Hopefully Yoshi is happy because he’s thinking about how he gets to fill Ratgoo’s stocking with dinosaur droppings.
Oogtar, unfortunately, is still dangling over the hungry dinosaur infested pit. The vine breaks and Oogtar heads for doom, but Mario grabs the end of the vine. As Oogtar rises out of the pit, Mario goes in! Narrowly avoiding the chomping jaws of the dinosaur lurking within, Mario is able to fly out of the pit, catch Oogtar, and safely land outside the pit while the poor, endangered, creature in the pit is left hungry. Mario does a “ta-da” pose and a puff of smoke seemingly indicates his cape power wearing off, but when the smoke dissipates the cape is still there. Only when Mario starts laying into Oogtar is his cape finally removed from his model. Oogtar tries to weasel out of the discussion, but Mario points out that he’s already gone through all of Santa’s presents. Oogtar finally cops to being a little shit and Yoshi calls him bad (his eyes are all over the place in this segment too and it’s really distracting). Oogtar then promises to be a good little cave kid for the rest of his life, but Mario notes he’s got his fingers crossed behind his back. Oogtar, astonished, asks Santa how he knew and Mario gives a chuckle that he was once a little “bambino” too. Cave Christmas magic!
There wasn’t much screen time for the Koopalings in this one, which is tragic because they’re easily the best characters in the show.
Mario then comes running out of the castle with the sack of toys, which looks much smaller than before. They’re apparently just going to “yadda yadda” over how he managed to sneak into the throne room and grab them. With Oogtar in the sleigh and Yoshi hitched up, Mario tells him to take off, but there’s one problem – Yoshi doesn’t have any wings! Mario retreats to a nearby castle wall and just starts punching blocks until some wings pop out – the solution was so easy why bother even creating the problem in the first place? With the wings in place on Yoshi, they can finally leave, and just in time too as the threats of Bully Koopa start echoing from inside the castle. The whole Koopa clan races out as Santa’s sleigh lifts off.
Don’t fall for his bullshit, Santa Mario!
Back at Dome City, Santa Mario tucks Oogtar into bed. Before he can leave, Oogtar grabs Santa’s shirt so he can tell him that he’s been a bad kid and doesn’t deserve any presents. Being saved from the dinosaur is present enough (I bet the town wishes they could trade the presents they’re about to get in exchange for feeding Oogtar to that dino), but if Santa wants to leave Oogtar something it would make him happy. Mario remarks this isn’t like Oogtar, implying this one bit of manipulation on Oogtar’s part erases how terrible he is. Mario, predictably, leaves Oogtar a present before he and Yoshi fly off into the night.
Way to ruin Christmas, Mario.
The next morning, Mario is snoring away in his very uncomfortable looking vine bed still in all of his clothes. As he sleeps, Oogtar slips in with a wrapped gift as he notes Santa didn’t leave Mario anything. He places the gift by Mario’s bed as the plumber wakes up. Oogtar wishes “Mario dude” a merry Cave Christmas. The episode ends with Mario breaking the fourth wall to ask the audience, “Wouldn’t it be nice if every day were Christmas?”
And that is the rare holiday of Cave Christmas. It’s just like regular Christmas, only Santa is a plumber and his stone sleigh is pulled by a winged dinosaur. Also, the toys look pretty lousy. And it’s set in August. I don’t think I thought much of this episode (or this show) as a kid and have almost no memory of this, specific, episode. As an adult, it’s hard for me to ignore the inherent colonialism in the Mario brothers setting up shop in a remote location among the natives and basically brainwashing them in a bid to control them. It’s actually pretty shitty. It’s made worse by the fact that they’re also spreading a religious holiday to these people, though the religious aspect of Christmas is not touched upon at all, for the better.
Get this piece of rat goo the hell away from my holiday!
Even if I accept that I’m reading way too much into this extended video game commercial, there’s no polishing this turd of a Christmas special. Oogtar is unlikable and pretty damn annoying. I really don’t want to see him learn a lesson or have a merry Christmas in the end, I just want him to go away. He also didn’t really learn anything as I get the impression he just goes back to being a shit the next day once Cave Christmas is concluded. He tried to lie to Santa! Beyond that, the episode is poorly scripted, plotted, and paced and almost demeaning to its audience. The good guys have to be stupid in order to not see a giant turtle monster skulking about town stealing their stuff, and they make sure to tell the audience everything that’s happening because no one apparently trusted the kids to understand this stuff. The only positive I can give this thing is Harvey Atkin is still dynamite as Koopa and he even made me chuckle on two occasions.
You got two tries at a Christmas special, Mario, and you blew it! You are hereby cut off! No more Christmas for you!
If you absolutely must journey to Dinosaur World this Christmas then you’ll be pleased to know that all 13 episodes of Super Mario World are available on DVD. And since the show is bad, you can probably find it for very cheap as nostalgia seekers probably impulse bought it when it was new and then were eager to get rid of it. Nintendo also hates these old cartoons and basically just wants nothing to do with them so no one is actively enforcing the copywrite presently and you can find this one streaming online for free. With seemingly every IP under the sun getting locked into exclusive deals with some official streaming service, this one might actually remain free for awhile since Nintendo doesn’t appear interested in even shopping this stuff around. I’m actually a little surprised they aren’t throwing their weight around to wipe this thing from existence, but I guess their inattention to the show is everyone’s gain. Or loss.
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
It’s not often I get to look at a Christmas special from the same year I’m doing The Christmas Spot, but it also helps when that Christmas special premieres in May of the same of year. May?! Yeah, it’s weird, but for the 31st season finale of The Simpsons the show rolled out a Christmas…
Considering how gross a lot of cartoons had become in the 90s, it should come as no surprise that the decade concluded with Mega Babies, a cartoon about literal snot-nosed, super-powered, babies featuring diapers overflowing with excrement in the opening title. Mega Babies was a short-lived production from the Tremblay brothers, Christian and Yvon, who…
Long after the X-Men animated series that originated on Fox Kids had ended, along with basically every other Marvel cartoon at that network, X-Men: Evolution showed up on Kids WB. It’s kind of odd considering WB owned DC and yet they went in on X-Men, but X-Men were still popular and were gearing up for…
I’ve had Super Nintendo under the tree once before, but never on the tree!
As someone who loves Christmas time, the concept of Christmas in July should sound appealing. Instead, I’ve always kind of thumbed my nose at it. Part of what makes Christmas so special is the fact that it only comes once a year. Even though the actual holiday season is pretty lengthy, it still never overstays its welcome, for me anyways. And when it’s over, it’s over. I always put out my Christmas stuff on the day after Thanksgiving and I’m quick to put it away. Sometimes I leave stuff out until New Year’s Day, but if there is some unseasonable warmth between the 25th and the first then I’ll take advantage of that when it comes to the outdoor decorations.
Christmas in July is something that exists because it’s halfway until Christmas, and probably because Christmas is such a strong performer at retail. I’m assuming most of the Christmas in July mindset is driven by corporations looking to make an extra buck during the summer months and for companies like Hallmark, it’s become the time of year to unveil the latest in holiday décor. As a kid, I can recall Cartoon Network also using it as an excuse to tap into the trove of Christmas cartoons and fill some programming blocks during leaner times. Their Christmas in July programming was never appointment viewing or anything for me, but it wasn’t something I was offended by either. Even though in my household growing up we had a Christmas Tape; a VHS of Christmas specials recorded off of TV. That tape was completely off limits between New Year’s and Thanksgiving and it wasn’t as if it was under lock and key, it was just understood that to indulge in such when it wasn’t Christmas was borderline offensive. That tape, by the way, still exists to this day.
As an adult, I’ve softened a bit on the whole Christmas in July thing. The past couple of years I’ve caught Christmas episodes of popular shows on television during this time of year. Just last weekend Disney aired the excellent Duck the Halls, and getting in an early viewing was actually somewhat pleasurable. In 2020, it was positively delightful to take in some Christmas programming during a long year of lockdowns and isolation and catching a show set in the winter time is a bit therapeutic during a heatwave. No, I’m not getting out the decorations and breaking out the Christmas Tape, but a little holiday cheer in July isn’t so bad.
Isn’t it cute? Sadly, the NES ornament from last year is put away with the other Christmas stuff so no comparison shot with that.
One thing that’s good for Christmas lovers during the summer months is it’s a good time to do some shopping. Around the holidays, anything Christmas related is sold at its peak value, but during the rest of the year you can score some deals. I’m always on the look-out for stuff I like that I don’t have, and I’ll share some of my more recent scores shortly. Things that aren’t cheap or on-sale though are Hallmark ornaments. Like a lot of people who enjoy Christmas, I have probably more ornaments than can reasonably fit on an average-sized tree. And with the kids reaching school age, I’m probably due for a lot more homemade ones too that I’ll have to find room for. As a result, I tend to be rather picky these days with what ornaments I invest in, but one I couldn’t turn down was the new Super Nintendo ornament from Hallmark.
Part of me wishes the controllers weren’t glued down, but I’m sure there are some grooves in the sculpt for them so it probably wouldn’t look as good if someone were to pop them off.
Last year, I grabbed the Nintendo Entertainment System ornament from Hallmark and was quite enchanted by it. The sculpt is fantastic and it plays the theme from Super Mario Bros. when you press the power button. Naturally, I had to pair the SNES one with it when I was made aware of it. The SNES one is modeled after the US SNES and it features two controllers and has a copy of Super Mario World in the game slot. When you press the power button, it plays the main theme from the game complete with sound effects as-if you were watching the demo screen. The Super Mario World theme isn’t as beloved as the Super Mario Bros. one, but it’s still an ear worm all its own and an appropriate choice for the ornament considering it was a pack-in game originally (and I originally received my copy and a SNES on Christmas, as I imagine many kids did who had one). It might have been cool to see a different Nintendo franchise get to shine a little, but it’s also hard to fault Hallmark for just sticking with Mario. The ornament was created by artist Jake Angell and retails for a pretty reasonable sum of $20. It comes with the batteries needed to work the music, though Hallmark continues to cheap out on us by not including an ornament hook or ribbon to actually hang the thing from the tree.
Even the backside is accurate. The only question remaining is will this thing yellow over time like the real thing?!
The ornament itself though looks terrific. It’s pretty tiny, measuring approximately 2 and 7/16″ wide by nearly 3″ long. The power, reset, and eject buttons are sculpted and detailed, though only the power button functions. It also presses down instead of slides. Both the Player 1 and Player 2 controllers are sculpted separately and attached to the ornament; one on the left side and one on the top-rear. The attention to detail is, again, superb as the shape of the face buttons are even accurately represented in addition to the colors. The L button on the Player 1 controller kind of words on my ornament as well, though it doesn’t actually do anything and I’m not certain it’s supposed to have this much play. I am left wishing the controllers weren’t glued to the unit though. If the wires had been done to be bendy that would have been pretty near. Especially because the Player 1 chord wraps under the console so it doesn’t sit perfectly flush on a surface should you choose to utilize this as a desk adornment instead of a tree one. The rear of the unit is also accurately represented with really the only thing missing being the 1-800 Nintendo repair sticker.
It even fits in pretty well with your quarter scale action figures!
It should also be noted, the song is loud! I was pretty surprised when I hit the button for the first time that such a small device can generate such a big noise. As stated though, you get the regular theme from Super Mario World with some sound effects of Mario jumping around and finding Yoshi. It then breaks into the victory theme to close it out which is a nice touch. All in all, if you’re a Nintendo fan then you’re probably getting this thing or someone who loves you is planning on gifting it to you in December. It will probably be a big seller if it’s anything like last year’s ornament so it’s actually a good thing that it’s out now so you get several months to try to score one. They’ll be stocked regularly from now until the end of the year and you can pre-order it from some stores right now so anyone who wants it should be able to get it for retail. It might get harder though the closer we get to the actual holiday.
New ornaments are fun and all, but what people really love are novelty, singing, dancing, figurines which is why I invested in a Santa Dancing Homer. This guy comes courtesy of eBay as he’s no longer in production. He features a 2002 copywrite which makes sense as this was when Simpsons merch was still pretty robust. It would fall off not long after and resurface for the 25th anniversary, though surprisingly little seemed to come out for the 30th. Are we as a culture just officially sick of The Simpsons? Maybe, though I’m not. I hope it never ends! There’s just something comforting about there always being new episodes of a show that’s been on since I was a kid and it’s not some dumb news program or pro wrestling. And yeah, I know, it past its peak in 1999 or so, but so what?!
In case you’re wondering, yes, that countdown is accurate.
Homer is festively attired in a Santa suit which has a soft, though somewhat rigid, texture. Not including the base he’s attached to, Homer is about 12″ tall with the base adding roughly 1 1/4″ to that height so he doesn’t require a lot of room for display. The portions of his body that are visible are cast in yellow plastic and the added details, like his eyes and trademark stubble, are painted effects. I suppose it should be noted this Santa suit is a bit nicer looking than the one he wore in the series premiere, “Simpsons Roasting on an Open Fire,” though it’s pretty similar to the much later Christmas episode “Grift of the Magi.” The main difference between the two is the original costume came with a scruffy beard.
Homer runs on double A batteries and is not, by himself, posable. When you have fresh batteries in him, you can either activate him via the yellow button or by a switch on the bottom of the base. The yellow button will make him wiggle and utter one of his many phrases or sing a song. The button on the bottom of the base is for activating the motion-sensing function so you can scare people who walk by him. When he does animate, his lower jaw moves and his hips sway. Sometimes he’ll turn his head too. If he goes into song, his arms will move up and down a bit along with the hip swaying and mouth-flapping. The songs are pretty amusing as Homer doesn’t know all of the words. When he sings “We Wish You a Merry Christmas,” he mostly just says the song’s title over and over and ad-libs a bit all while adhering to the song’s melody. The speaker is a little fuzzy, but Homer can be understood clearly and obviously the lines were recorded by Dan Castellaneta. It’s a novelty Christmas item, so how much you enjoy it probably depends on how much you like Homer Simpson. I love Homer, so this decoration is an easy win. It also wasn’t hard to come by, nor was it super expensive. I think I basically ended up paying retail for it, though he’s used. Another neat feature is that you can use a 6V wall plug to power him if you would rather not use batteries. It’s not a bad idea since batteries being left in a Christmas decoration like this one throughout the year can often lead to leakage and a ruined toy.
The last holiday item we’re going to look at is a simple one: this plush Santa Raphael from Teenage Mutant Ninja Turtles. It was in reading the book Rad Plastic earlier this year that I was reminded about the plush line of TMNT toys from the early 90s and it was the first time I can recall being made aware of this Christmas variant. It pains me that the original Fred Wolf cartoon never did do a Christmas episode, but this plush kind of makes up for that. Well, not really, but hey, it’s Christmas!
There’s not much to say about this guy though: what you see is what you get. The tags on him reflect a 1990 release for this guy and that agrees with the book. It’s basically the same as the regular plush turtles that were available, only this one has Santa pants and boots stitched onto it. He’s about 17″ long from the top of the head to the tip of his toe as his feet are kind of outstretched as there’s no stitching to orient his feet in a standing position. The coat can probably be removed, as I don’t see any stitching holding it to the body, but it has white elbow pads stitched to it that are pretty tight and I don’t want to risk messing this up. The white elbow pads are actually a nice touch and the white cuffs on the boots basically line-up with where Raph’s kneepads normally would end up. It even appears he has his red elbow pads on underneath the jacket, though it’s impossible to say if the same is true for the knees. He also comes with a removable hat that mostly just rests on his head. I wish it was a bit bigger, but it’s all right.
“Aww c’mon, man! You’re embarrassing me and the other Raphs around here with that get-up!”
As you can probably imagine, this was another eBay purchase and yet another inexpensive one. For a 30 year old plush, Raph is in pretty good shape. The whites are still white, and the only sign of ware really is on the eyes which are a bit scratched. This style of plush is definitely assembled on the cheap, so there are exposed seems and I don’t really like the material used for the mask as it’s thin and prone to wrinkling. On the plus side, he has no odor which is always the risk when buying an old, used, plush and he’s still quite soft to the touch. It’s probably helped that he’s a Christmas decoration and whoever owned him before me may have had him put away 11 months out of the year lessening the annual ware and tare. He’s kind of dumb, but what can I say, I like him!
Well, that’s about all of the holiday cheer I have in me at the moment. Maybe I’ve inspired you to hit a Hallmark store or check popular resell locations for some Christmas stuff while the getting is good. It’s a good time to be on the hunt right now, but things tend to change quickly. If you need more Christmas in July though, you could always head on over to The Christmas Spot and check out several year’s worth of Christmas goodness. I’m already at work on the 2021 version and I’ve got some slight changes in store for this year, but don’t worry, you’re still getting 25 posts in 25 days about a Christmas special of some kind. Unfortunately, there will not be anything TMNT related this year, but it’s a safe assumption we’ll be heading back to Springfield, at least. And you know what? Mario may make an appearance this year too. Be sure to check back in December! Merry July, everybody!
During the late 80s Nintendo was on fire in the US. The Nintendo Entertainment System came storming into living rooms, basements, and dens across the country making Mario and Luigi household names. In addition to video games, there were tons of licensing deals for clothing, school supplies, bedding, you name it. If it could be sold to a kid, then it had a Mario on it. This naturally made everything associated with Nintendo desirable for things like cartoons. Other older video game stars made that leap before Mario and found success, so it’s no surprise that Nintendo was willing to take the plunge as well.
Good old DiC was the first to come calling. By now, DiC is practically on top of the cartoon world in the US. The company has had some big hits while the former Hanna-Barbera juggernaut is starting to flounder and will soon be purchased by Ted Turner. Because of their stature in the world of animation, it wasn’t a surprise to see Nintendo go with DiC. Well, it’s not when you ignore that there are plenty of far more talented animation studios in Japan that Nintendo could have turned to, but their cartoon was clearly being targeted towards Americans so that likely explains the choice.
Danny Wells loves being Luigi.
For DiC’s first stab at a Nintendo cartoon it turned to the Super Mario Bros. It handed things over to Inspector Gadget creator, Andy Heyward, and trusted him to bring Nintendo’s mascot to the world of cartoons. That was hardly a surprise, but what was a bit surprising was the decision to include a live-action component in the show. The Super Mario Bros. Super Show! would begin with a segment featuring actors playing the brothers Mario and Luigi. They would have their own plot to untangle that would be setup in the opening act before the show would transition to the cartoon segment. The cartoon featured Mario, Luigi, Princess Toadstool, and her attendant Toad as they traveled through the vast Mushroom Kingdom always crossing paths with the evil King Koopa. When the cartoon concluded, the show would go back to the live-action portion where it’s story would progress and then resolve in the final act.
Why did DiC feel the show needed this live-action component? Well, it probably didn’t, rather DiC just saw an opportunity to knock the costs down. Who knows what Nintendo charged for the license, but my guess is the live-action was a lot cheaper to produce than animation. The actual cartoon in each episode is only 12 minutes or so in length. And the live-action part is just shot on a soundstage. There’s no on-location filming, wardrobe is pretty consistent, and they could probably bang out a few of these things in a day. Plus, it also allowed for the show to have some guest stars when the opportunity presented itself.
Monday through Thursday 1989, little dudes like me were “treated” to a Super Mario Bros. cartoon as part of the Super Show.
To add another wrinkle to the program, is that the show was actually 3 shows in one. It was a direct-to-syndication program that aired on weekday afternoons in most markets. Monday through Thursday featured a Mario cartoon and on Friday the Mario cartoon was swapped out for a Zelda one. During the lead-up to Friday, a sneak peek of the Zelda cartoon would be featured too so that when Friday came it almost felt like a re-run. It was an odd setup, but Mario and Zelda were like a packaged deal during this era, if cereal could be believed.
This is not a show with a large budget.
The Super Mario Bros. Super Show! lasted just the one season before it was replaced with a show based on Super Mario Bros. 3. The show produced 52 Mario cartoons and 13 Zelda ones. It also produced a pair of Christmas segments. One of which is the subject of today’s post, “Koopa Klaus,” in which King Koopa tries to ruin Christmas. The other Christmas segment was the live-action “Santa Claus is Coming to Flatbush.” Why the two weren’t paired up I have no idea. It makes no sense, especially since this one aired before Halloween in 1989 and the other on the more appropriate date of November 29. Instead, this one was paired up with “Little Marios” which is actually one of the more memorable segments for me since it features a ridiculous flashback in which the same actors portray kid versions of themselves. At any rate, it has nothing to do with Christmas so I’m just going to ignore it.
Better than a toilet…
Every episode opens with the very catchy theme song, “The Plumber’s Rap.” There are actually two versions of the rap, the one at the beginning of the show and then a different, much shorter one, that introduced the cartoon itself. Let’s just get it out of the way right now: this show sucks. However, I unironically love “The Plumber’s Rap.” It is perfect for what it is. When the opening credits are done, the episode begins with the first segment in the “Little Marios” plot. Now, I already said I’m going to ignore it, but while we’re here, I’ll just make some observations. For one, Mario is played by former professional wrestler Lou Albano and Luigi by Danny Wells. Both men are, unfortunately, no longer with us. They mostly look the part, I suppose. They’re definitely a little older than how I would have pictured the Mario brothers, but they have the colored overalls, blue undershirt, and big moustache. Albano even shaved his signature beard for the role, which was quite a commitment for him. Their home, which doubles as their place of business, makes no attempt to disguise itself as something other than a set. It’s very open. For some reason, the telephone is always shown in the middle of an actual pizza and it’s covered in cheese and pepperoni. The Mario brothers basically speak in Italian stereotypes and seem to consume nothing but pizza and spaghetti. The show makes very liberal use of a laugh track which makes it feel even more dated than it is.
Behold! Koopa Klaus!
When we get to the cartoon, we get the other opening credits with the modified rap. The lyrics are different and tell the viewer how the Mario brothers came to be in the Mushroom Kingdom (they found the secret warp zone while working on the drain). When the cartoon itself finally begins, we’re dropped into a factory where Koopa Troopas are dumping toys into a machine to grind them up into junk. King Koopa (Harvey Atkin, easily the best part of this show) is decked out in a Santa suit and is delighted to see the toys being smashed. He hates Christmas and he’s made it his mission to ruin the holiday for everyone. The three-headed serpent, Triclyde, approaches and he’s wearing a reindeer outfit. Koopa addresses him as Randolph the red-nosed triclyde. Apparently, Koopa’s sleigh is ready for him and he announces he’s off to Santa’s workshop to bomb it. He takes off with a sleigh full of bob-ombs being pulled by a pair of albatross with bicycle handles for reindeer antlers, a superior solution than what the Grinch settled for.
Mario gets to wear this stupid outfit the whole episode.
Mario and the gang have just popped up out of the ground like fucking Bugs Bunny for some reason in a very cold environment. Mario is dressed for some place much warmer and we find out that Toad (John Stocker) gave him some bad directions which has taken the four to The North Pole instead of Hawaii-Land. It would seem Toad may have done this on purpose for when Princess Toadstool (Jeannie Elias) realizes where they are Toad eagerly suggests they pay Santa a visit. Mario (voiced by Albano, Wells voices Luigi to keep things consistent with the live-action portion) then adds an entry in his “Plumber’s Log” as the gang starts walking towards the work shop. This is an obvious homage to Star Trek, though we never see a physical log book for Mario so maybe he just does this in his head to feel important.
FYI: if you didn’t already hate Toad, you’re about to.
Toad is rather excited about the whole thing with a major focus of his holiday love being the presents. Oh Toad, will you ever learn the true meaning of Christmas? He hopes Santa will give him his present now, which reminds the Princess that she has a gift for the little shroom and pulls it out. It’s a snowboard, and Toad is more than pleased with this development. He zooms around on the thing without so much as a “Thank you,” but the Princess seems to be enjoying this new development that has left her loyal attendant in a more infantile state.
Toad grave. Sadly, it’s short-lived.
The sound of sleigh bells get the attention of the Princess, but when she looks to the sky it isn’t Santa she spies, but Koopa Klaus! He drops some bombs which explode on impact and appear to be a direct hit on Toad. He’s not blown into bits though, he just goes soaring through the air and lands in a pile of snow. His snowboard follows and lands with one end in the ground forming a crude tombstone. When Toad emerges from the snow, he shrieks about his precious present and gives it a hug. The others then surround him and the Princess is rather pissed he doesn’t seem to care about their well-being. When confronted by this, Toad can’t even muster much of a defense aside from “well, it is Christmas” before finally asking the Princess if she’s ok.
This shot of everyone staring angrily at Toad is going to be repeated a lot in this one.
Luigi then rightly forgets about the dumb, little, fungus and wonders what Koopa is up to. Mario realizes that Koopa was flying towards Santa’s work shop which sets Toad off once again. As expected, he’s worried about the toys and the others have to glare at him to get him to add “…and Santa” to the list of things he’s worried about. No one is concerned for the elves.
The icy work shop, and our first animation gaffe of the episode as Mario is depicted in his red overalls.
The gang then comes across Santa’s work shop only to find it encased in ice. I guess somehow Koopa’s bombs can freeze stuff as well as blow up? I don’t know. They’re all pretty shocked at what they see, but worse, there’s no sign of Santa! They then spy Koopa Klaus (and I find it funny they keep calling him Koopa Klaus) flying away with Santa hogtied on the back of his sleigh. Toad starts crying about never getting another present while Koopa (rightfully) laughs his ass off.
That son-of-a-bitch kidnapped Santa Claus!
The Marios give chase as Koopa is heading…to the frozen work shop? I don’t understand his strategy. Mario is also so committed to saving Santa that he’s still in his vacation attire. Anyway, they happen upon a playground and Mario declares it’s a playground for the elves. Usually elves are little old men and women, but okay. Mario especially eyes a teeter-totter, only it’s not what I would call a teeter-totter, but a seesaw. Maybe it’s a regional thing? He tells Luigi to get a block of ice, only it’s too heavy for Luigi to toss over to Mario so he has to hobble it over. Mario then places it on the seesaw and instructs Luigi to jump off of his shoulders and onto the other end. Luigi does as he’s told and the block gets launched through the air and strikes Koopa’s sleigh. He and Santa fall, but Koopa uses his empty bomb sack as a parachute to slow their descent. I guess Mario was counting on Koopa doing that otherwise Santa would have just plunged to his death.
It’s Snoweegi!
When they hit the ground, Koopa keeps a firm grasp on Santa and uses his sack like a wind sail and lets the breeze pull he and Santa across the snow. Mario and Luigi respond with…snowballs. Koopa, who has a big, spiny, shell on his back could probably just weather the storm here, but he actually stops. He catches some snowballs in his sack, then throws it back at the Marios. Mario gets knocked over, while Luigi ends up covered in snow resembling a snow Luigi.
And I bet you thought Bender did it first.
Koopa Klaus carries Santa across the tundra, and it’s at this point I am just now realizing they aren’t leaving footprints in the snow – cheap animation budget! Mario and the others are right behind them, so Koopa does the reasonable thing of using Santa as a taboggan. As Mario and the others watch Koopa race away on his Santa-sleigh, Luigi worries aloud about the potential for thin ice ahead. Luigi, you’re at the North Pole. I’m pretty sure that ice is plenty thick. Toad then says something smart and points out if the ice can hold Santa and Koopa then it must be pretty thick. It must have been standards and practices that demanded they acknowledge the possibility of dangerous ice ahead or something.
This little guy doesn’t have much of a threatening aura to speak of.
The gang slides down on their rumps and crash land on the ice. Koopa then summons his Koopa Flurries, the little ice skating guys from the US version of Super Mario Bros. 2. They enter to the boss theme from the same game and spin-up some ice blocks to toss at the Marios. Their aim sucks, and Mario declares they must fight fire with fire! No, he’s not whipping out a fire flower, but tossing the ice block back at the flurries. Luigi makes the obvious observation that they’re actually fighting ice with ice, while he and Toad help Mario give it a push. All three wind up on top of the block as it whizzes towards the flurries who just…stand there. In tight formation, so we can get a bowling pin joke. No wonder why Koopa always loses.
Looks like certain death awaits you if you go in the cave.
Lamenting the defeat of his flurries, Koopa races into a cave still dragging Santa behind him (Koopa must be absurdly strong considering how easily he yanks this obese man all around the frozen north). The good guys arrive at the mouth of the cave, but hesitate once there. Luigi seems to be afraid of the dark, but the Princess declares the whole world will be a dark place without Christmas! Toad chimes in with a reminder they need to save the presents or some shit, but really this thing is sending mixed messages at this point. It would seem, per the Princess, that there’s no Christmas without Santa. Since Santa is just a jolly fat guy who brings presents, it would also seem that the implication is there will be no Christmas without presents! Hah! Check-mate, Princess!
It’s worth pointing out that it’s only the bad guy who has festive, holiday, attire.
They go after Santa and slide through the cave, though not smoothly. They end up essentially just going through a tunnel and emerge back out on the tundra. Koopa Klaus is above them though with Santa and he’s ready to dump the fat man over a cliff. He also slips into an Edward G. Robinson impression for some reason, as he spells it out. He ends his evil monologue with his catchphrase of the episode, “Bah Hum-koop,” which he shouts over and over until the predictable occurs: he starts an avalanche.
Is the background ice or water? Eh, it’s just a kid’s show.
The horribly animated avalanche falls on Koopa and Santa. In order to save Santa, Mario relies on that tool he’s most famous for, a plumber’s snake! Yeah, not a power star or flower or even a Koopa shell, but a plumber’s snake. He uses it like a whip to retrieve Santa, while leaving Koopa Klaus. When he asks what he’s supposed to do, Mario just makes a diving gesture. Koopa refuses, but has no choice in the end, so he jumps into…the ice? The background looks like more frozen tundra, but the animators layer a splash effect on it and Koopa behaves like he’s in water, but it looks ridiculous. Koopa hauls himself out of the water and onto some ice to feel sorry for himself. He asks “What else could go wrong?” and is greeted by an angry polar bear. We now leave Koopa to die.
Koopa’s new friend.
Back at Santa’s work shop, the big guy is pretty happy about being rescued, but things look dire. Santa (Stocker) doesn’t see how he could possibly unfreeze the work shop in time for Christmas. Surprisingly, no one seems concerned about the elves or reindeer encased in ice. They should be pretty dead at this point. Toad doesn’t give a shit though since he has his snowboard. He races around like a show-off, while Santa cries.
That is one punchable face.
Toad the infinite moron, then asks “What’s wrong?” when Santa walks off to be sad. The Princess has to dumb it down for him, and then Toad gets to flip a switch in his stupid little brain. He hands over his snowboard to Santa and tells him to give it to someone for Christmas. Santa, in an extreme overreaction, embraces Toad and tells him he’s never seen anything quite like the gesture Toad just made. His exact words are, “In all my life, I’ve never seen anyone express the true spirit of Christmas quite like you did.” What an astoundingly stupid thing to have Santa say. The little mushroom donated a snowboard, not a kidney!
Toad using Santa’s beard to dry his tears feels way too clever for this show.
Santa starts crying, and then everything melts because of Christmas. The Princess and Santa spell it out for the kids at home, in case they couldn’t figure it out, that the spirit of Christmas has warmed Santa’s heart to the point where the ice is thawing. It’s dumb, and an easy out. The elves and reindeer even seem fine, and Santa is able to prep his sleigh for Christmas Eve.
Looks like they saved Christmas after all.
Santa is ready to depart, and once again gives all of the credit to Toad for saving Christmas. Never mind that the little brat did almost nothing to actually rescue him from Koopa Klaus. That was pretty much all Mario. He then declares he has a special present for the lot of them and invites them to ride with him tonight to deliver presents. Toad gets to sit beside Santa, while the other three get stuck in the back. Santa is running lean too since he only has four reindeer and apparently two elves. They take to the sky and Santa calls out “Mario Christmas to all and to all a good night!” and does a moon fly-by to close it out.
Don’t worry, I wasn’t expecting the show to have an eight reindeer budget so I’m not even mad about it.
That’s how the Mario brothers saved Christmas. This is a profoundly stupid and cheap Christmas cartoon. I hate the Toad character as he’s annoying even when he isn’t acting like a child and he’s also kind of dumb looking, if I’m being honest. His arc is plainly obvious from the get-go and his selfishness at the beginning is just so over-the-top. Santa should just boot him out of the sleigh when they’re over the ocean.
The rest of the characters are fine, though none are particularly entertaining. Mario, who sounds like he was recorded over the phone or something, is the leader with all of the right ideas. Luigi is just there to be a sidekick and question Mario while the Princess is mostly along for the ride. She explains things, I guess, but in a cartoon lacking subtlety explanation is rarely needed. We don’t get any fun Mario power-ups in this one, and there’s a real lack of bad guys outside of Koopa Klaus. I did enjoy the Triclyde and birds with handlebar antlers, at least.
King Koopa, or Koopa Klaus, is the only redeeming part of the show. He’s over-the-top as well, but it works. He’s just an entertaining villain, even if he’s mostly inept, and the voice of the late Harvey Atkin is just so unique in this role. He and Stocker were pretty much the only voice actors that DiC would hang onto for the other Mario cartoons, as everyone else would eventually be replaced.
The Super Mario Bros. Super Show! is a relic of its era, a licensed cartoon designed to simply boost the profile of the main characters leading to sales of other merchandise. It’s not a good show, and this isn’t a good Christmas special. It is a widely available one though as Netflix currently has the streaming rights. It’s also available, cheaply, on DVD if you for some reason need to own this thing physically. You could also just stream it for free too, as it’s available on YouTube without the need for payment. Like I said, it’s not any good, but sometimes you just have to DO THE MARIO!
Swing your arms…
Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:
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It’s been awhile since I’ve done a video game post. In the spirit of the season, being Halloween, I decided to dive into…Mario power-ups? All right, hear me out. I’ve more or less exhausted The Misfits and everyone and their mother will have posts this month about horror themed movies, games, and TV shows. And what is a Mario power-up? It’s a costume! Sure, a costume with often magical properties and no real horror element, but a costume is a costume and not everyone gets dressed up as something spooky for Halloween.
Since the Mario franchise as we know it truly launched, power-ups have almost always been a major feature in the games that followed. The only outlier really is Super Mario Sunshine since the gameplay of that one focused on the user of a water pack. The other outlier is Super Mario Odyssey, but there’s a good reason there as Mario was gifted Cappy for that one which basically turns every enemy into a power-up of their own! A ranking of the various things Mario can turn into in that game is a ranking all its own, so I’m going to ignore that one. I’m also ignoring the power-ups removed from the main Super Mario Bros. franchise (like the RPGs) and the ones trapped in Super Mario Maker. I’m also ignoring the temporary accessory items Mario has been able to pick up, like the shoe or the blockhead thing in New Super Mario Bros. 2. I also excluded the intentional game-breaking power-ups like the Invincibility Leaf which gets offered to the player when they die too much. And lastly, I decided not to treat Yoshi as a power-up so he’s not included, nor all of the Yoshi-specific power-ups. What I’m left with was 34 power-ups, so since this is going to take awhile, we might as well get started. And we’re starting with the worst:
Tubular…
34. Power Balloon – The Power Balloon, or P Balloon, first appeared in Super Mario World and will forever be associated with the bonus level Tubular, the level most cite as the worst in the game (and one of the worst in general). It’s actually not that bad, and Nintendo has put far more annoying levels in its games since, but the P Balloon, which simply inflates Mario like a balloon for a short amount of time, is annoying to control. It’s not particularly enjoyable, and just the sight of it is anxiety-inducing. Sort of like an under water level in a Sonic the Hedgehog game since its effects are temporary and when it wares off there’s a good chance Mario is plummeting to an early death.
Even Mario would rather no bother with this one.
33. Spring Mushroom – This little power-up first showed up in Super Mario Galaxy, a game that unofficially brought the power-up back into style for Mario and oddly made them all mushroom-based. It, like the P Balloon, is ranked so low because actually getting the power-up is done out of necessity, not want. No one wants to control a spring-loaded Mario, just as no one wants him to control like a balloon. The Spring Mushroom sequences in Galaxy were, by far, my least favorite.
They’re no Ghostbusters, but they get the job done.
32. Light Box – The Light Box was brought into the universe via Super Mario 3D World and it serves one singular purpose: to thwart ghosts. And it’s good for that, but nothing else. It works, but it’s boring and honestly I almost didn’t include it.
At least he looks cute.
31. Frog Suit – The Frog Suit was one of the many power-ups found in the classic Super Mario Bros. 3. Getting it in World 3 was pretty exciting, until you actually used it. If underwater, the Frog Suit is great as it allows Mario and Luigi to swim faster and with more precision. On land though, it’s a nightmare and you’ll be searching for an enemy to knock you out of it. Maybe if Mario had been given a tongue attack or something it would have worked better.
The evolved form of Gravel Mario.
30. Rock Mushroom – Another Galaxy addition is the Rock Mushroom. It basically turns Mario into a Mario Golem that can roll around and smash stuff. It’s not particularly fun, but since Mario is nigh indestructible in this form it’s not as annoying to control as the Spring Mushroom.
Look at me! I’m a cloud!
29. Cloud Flower – Introduced in Galaxy 2, the Cloud Flower turns Mario into…Cloud Mario! This allows Mario to create cloud platforms to assist him in reaching new heights. It’s useful, just not particularly sexy. Unless you have a cloud fetish, then it’s very sexy.
All right, Bowser, now I’m-ah gonna fuck you up!
28. Canon Box – Mario has always lacked the fire power of Bowser and his minions, but the Canon Box evens those odds to a degree. It turns Mario’s head into a literal canon and he can blast anything in his way. It’s not particularly refined or cute, but it is pretty damn effective!
Sadly, not T-1000 Mario.
27. Metal Cap – The signature power-up of Super Mario 64. That game was a revelation when it came out, but one thing that it always lacked from the start was interesting power-ups. The Metal Cap turns Mario into Metal Mario, which is basically just good for letting him walk on the bottom of a sea floor without the need to swim. And swimming for the first time in 3D was quite the challenge so the Metal Cap was certainly welcomed, it’s just not particularly fun.
Mario’s got a nice set of cherries.
26. Double Cherry – In Super Mario 3D World, Mario gained the ability to split in two, or more, copies of himself. He’s always had the ability to gain extra lives, but never to live them simultaneously! It’s an interesting concept, but it’s less a power-up and more a method for puzzle solving or to get a star coin or something.
Admit it, you probably overlooked this one.
25. Life Mushroom/Life-Up Heart – A very useful power-up without really any “fun” component, the Life Mushroom in Galaxy just doubles Mario’s health. It’s something I’ll go out of my way to get when playing a level, but it doesn’t give Mario a fun ability or cool, new, look. It just makes him stronger.
Weee!
24. Penguin Suit – The Penguin Suit from New Super Mario Bros. Wii is the opposite of the Life Mushroom. It’s really fun and silly looking, but kind of a pain in the ass to maneuver in. It’s not as bad as the Frog Suit, and it gives Mario the ability to slide on his belly and to fire ice balls. It’s also the type of power-up that gets in the way and you may blame a death or two on this one before the level is over.
Angelic Mario.
23. Wing Cap – Mario had flown before, but the Wing Cap in Super Mario 64 was the first time he flew in 3D. And it was pretty cool to do so the first time, even though controlling Mario was a bit tricky and the level it’s available in feels more like a Pilot Wings demo than anything. It would have been a lot cooler if Nintendo could have integrated it into other levels like a more traditional power-up, but there was just no way to do it without breaking the game. I rank it as low as I do for that reason as it’s mainly just a diversion.
Red Star Mario reminds me of Red Son Superman, who was a communist. Is this Communist Mario?!
22. The Red Star – Basically the Wing Cap, but in Super Mario Galaxy. It drops the wings and just lets Mario fly like Superman. By Galaxy, controlling such a thing was far more refined and thus more fun, but like 64 it’s basically just a reward for players who stick with it and doesn’t feel like a true power-up.
He’s certainly owning this look.
21. The Blue Shell – Introduced in New Super Mario Bros., the Blue Shell is basically the Hammer Bros. Suit without the hammers. Instead, Mario can run and do a slide attack. It’s functional, doesn’t intrude on Mario’s basic controls, but also doesn’t impart much in the way of special abilities. It’s fine.
How small can he get?
20. Mini Mushroom – The Mini Mushroom was also introduced in New Super Mario Bros. and it felt like a longtime coming. We had the traditional Super Mushroom that makes Mario big, so why not have a small one that does the opposite? The Mini Mushroom makes Mario tiny and hard to hit while also seemingly boosting his running speed. He’s also light and floaty which makes him more challenging to control, but does let him run across water. It’s another power-up that has a very specific application usually in order to access secret areas. It’s fun to use though and adds a bit of challenge without making things too frustrating.
You best not get any sick ideas while invisible, Mario!
19. Vanish Cap – This one from Super Mario 64 renders Mario intangible. He can’t be hurt and can pass through certain things. Since it’s from 64 it has very specific applications, but it’s cool. It’s just not exciting to look at since it’s just regular Mario only he’s now transparent.
It’s a known fact that when you die your tongue increases in mass several times over.
18. Boo Mushroom – The Boo Mushroom lets Mario become that which he fears most: a ghost! He gets to float around and pass through fences and read a dead language reserved for ghosts, so it has a puzzle component to it. And it looks cool! What more could you want?
I’m-ah coming for you, Culken!
17. Bee Mushroom – The “big” power-up, I suppose, from Super Mario Galaxy turned Mario into an adorable honey bee. It grants temporary flight, the ability to walk on certain surfaces, and grip to others. It’s actually pretty fun and there’s definitely a rush of excitement when a Bee Mushroom is spotted in a level. The only thing that sucks is it’s from Galaxy, so once the level is done you can’t take it with you.
You can probably hear this image.
16. Super Star – The venerable Super Star, around since the beginning and a staple of 2D Mario gaming. It makes Mario invincible for a short amount of time and in some games augments his jump or running speed. Everyone loves a Super Star and it’s one of those power-ups you’ll run after when it pops out of a block, sometimes recklessly. And the best power-ups are the ones you don’t want to get away when they show.
Mario! Smash!
15. Mega Mushroom – Like the Super Star, the Mega Mushroom makes Mario invincible briefly, but only this time he grows to gargantuan proportions and can smash through pretty much anything. The only downside really is that once you’ve seen it and experienced it once a lot of the fun is removed since you literally just go right the whole time. And yet, if I see a Mega Mushroom pop out of a block I’m going all out to make sure I get that damn thing!
I don’t think I’d eat that…
14. Super Mushroom – The venerable Super Mushroom. What’s not to like? It turns Mario into Super Mario bestowing a precious extra hit point to Mario while often granting him an extra ability or two, like the drill jump in Super Mario World. It may be unsexy, but the Super Mushroom is undeniably useful and it has no negative side effects other than a larger hit box, but that’s hardly a trade-off since it makes Mario stronger.
I already made a testicles joke with the cherries, two would just be gratuitous.
13. Superball Flower – Super Mario Land was the first Mario experience on the Game Boy and it brought along the flower power-up. Only since the Game Boy lacked a color palette, Mario couldn’t easily be depicted tossing fireballs so Nintendo chose to go with Superballs! They do work a bit differently as they fire at an angle and bounce around. It’s the main power-up of Land and Super Mario Maker has given it a new lease on life.
And he was feeling good when just wearing the shell!
12. Boomerang Flower – Way back in 1988 we got the Hammer Bros. suit in Super Mario Bros. 3 and we had to wait until Super Mari 3D Land in 2011 to get the logical complement, the Boomerang Flower which grants Mario the Boomerang Suit. It’s the same thing, only Mario gets to toss a boomerang instead of a hammer. It’s pretty cool, but no hammer.
If this list were purely on aesthetics then this one would rank higher.
11. Ice Flower – Another one that took awhile, we’ve had the Fire Flower since the beginning, but the Ice Flower took it’s sweet time in making it to a game as it first appeared in Super Mario Galaxy. In that game, it was a temporary power-up like a Super Star, but it’s since become a permanent power-up in the New Super Mario Bros. series. It gives Mario the ability to toss ice balls which freeze enemies on contact turning them into blocks of ice which also have their uses. It’s not as good as old reliable, the Fire Flower, but it’s pretty fun to have ice powers and it doesn’t come with the limited movement of the Penguin Suit.
And this one would rank lower.
10. Super Acorn – One of the most recent power-ups, the Super Acorn was introduced in New Super Mario Bros. U and is basically the logical evolution of the Super Leaf. It grants Mario the Flying Squirrel Suit which allows him the ability to glide with a one-time height boost per flight to reach high places. He can also flutter slowly, but he descends quickly when compared with the Super Leaf. He can also cling to a wall when in this suit which has its uses. It’s a fun item to get ahold of, but also kind of terrifying as gliding is really tempting and blindly gliding over a level can end badly, especially if Mario loses his power mid-flight. It’s propensity for introducing trouble is why I don’t rank it higher.
More of these suits and powers should probably include a helmet.
9. Propeller Mushroom/Propeller Box – The flying item for New Super Mario Bros. Wii was the Propeller Mushroom which grants Mario the Propeller Suit. Basically, when wearing this Mario can do a double-jump that rockets him high into the air and allows for a slow descend. It’s a simple way to integrate a flying component into the game that’s not game-breaking, but it’s lack of an extra attack limits its use. The Propeller Box in the 3D games essentially functions as the same thing, only without the cool suit.
Like cats? Well, have I got a Mario game for you!
8. Super Bell – Introduced in Super Mario 3D World, the Super Bell lets Mario live out his dream – as a cat. It’s a simple power-up, but one that is always welcomed as it lets Mario run faster, climb walls, perform a dive attack, and gives him a claw attack as well. It’s awesome! And who doesn’t love Mario and his companions in an adorable cat costume?
Is this maybe too cute?
7. Carrot – The somewhat forgotten power-up of Super Mario Land 2 is the Carrot. Not Super Carrot, just Carrot, and it gives Mario…bunny ears? Yes, like the Super Leaf, it gives Mario the power to fly without making much sense, but who cares? Mario can fly! He flaps his new ears to clear large gaps. He can’t go up, but can travel horizontally in the air indefinitely and also slow his descent when falling. It is kind of game-breaking, like a lot of the flying abilities during this era, but undeniably fun to use and the signature power-up from that game.
Super Mario Bros. 3 Fire Mario is the best Fire Mario.
6. Fire Flower – Old reliable! The Fire Flower has been a mainstay and it’s never not useful. It lets Mario shoot fireballs at enemies and most of those enemies are not interested in taking a fireball to the face. It’s certainly been overshadowed over the years by flashier power-ups, but it still remains a hard power-up to pass-up when it shows itself in any given level.
Meanwhile, this look is a bit much…
5. Gold Flower – Everything that is good about the Fire Flower, only it also turns enemies (and a lot of other stuff) into coins and who doesn’t love money?! Sure, New Super Mario Bros. 2 probably went overboard with the whole coin focus, but the Gold Flower certainly fit in and it’s the Fire Flower, but better, so it’s ranked here.
Pure joy distilled into a single piece of Mario art.
4. Super Leaf – The Super Leaf gave Mario a raccoon tail and ears and changed the series forever. For the first time, Mario could fly! It was all anyone wanted to talk about when we first started getting a look at Super Mario Bros. 3. Since that game, the Super Leaf has resurfaced in a neutered form as it often just retains the ability to hover and tail-attack. That original one is still the best as the flying was easy to use and made exploring the levels a lot more interesting than they had been previously.
Mario’s most hug-able power-up.
3. Tanooki Suit/Statue Lead – It’s the Super Leaf, only it makes Mario both more adorable and more destructive! Mario goes full tanooki with the costume and never looked better giving him the same abilities as the Super Leaf. It also has the added ability to allow Mario to turn into a statue making him invulnerable to attack and able to smash stuff. It doesn’t get much better than that which is why it’s at number 3.
Mario! Hammers are for pounding nails, not throwing!
2. Hammer Suit – The most illusive power-up in Super Mario Bros. 3 is the game’s best. It gives Mario the ability to essentially be a Hammer Bro. His hard shell makes him impervious to fireballs when ducking and his hammers do massive damage. If you manage to hang onto the thing all the way through Bowser’s castle you’ll be rewarded with a really easy final battle. If you put it on though and then immediately lose it you’ll be left wishing that old game had a save feature and you could reload. The Hammer Suit is awesome, and if it only had a flight component it would be the ultimate Mario power-up.
All of those years he was calling himself Super Mario when he didn’t even have a cape!
Feather – No power-up for Mario is as powerful as the simple Feather. It gives Mario a bright, yellow, cape and in a video game a cape can only mean one thing: flight. And unlike the Super Leaf, this cape can keep Mario airborne indefinitely once the user gets the hang of it making it the most game-breaking of all the power-ups. It’s probably the reason why power-ups like the Red Star are reserved for just certain areas in its games. And not only can Mario fly, he also gets a cape-attack which is incredibly useful throughout Super Mario World. Useful attack plus unlimited flight? Yeah, the Feather is the ultimate power-up.
There’s something almost cathartic about assembling a Lego set. It can be hot and sticky in my house in the middle of the summer, but if I’m fiddling with a Lego set I almost don’t even notice. Considering how unbearably hot and humid it’s been in the north east this summer, it’s a shame I don’t have more opportunities to mess around with a Lego set. Lego presents its own obstacles in that the sets are often pretty expensive and space-eaters. Even if I want something and can afford it, there’s the very real problem of what to do with it after the fact. As such, I try to just to stick to the Disney stuff, in particular anything modeled after an actual attraction at the park. Since finishing the Disneyland Train Station last year though, things have been quiet on that front, but Lego had something in the works I just couldn’t ignore.
It was earlier this year that Lego announced it had struck a licensing deal with Nintendo. This attracted my attention a bit, but I didn’t necessarily expect anything to come of it that would interest me. What I did expect were some Mario playsets, and Lego eventually showed off just that. It’s also not a straight Lego set with Mario themed mini figures, but a bit of an interactive thing where a brickhead-like Mario makes sounds and plays music depending on what blocks he comes in contact with. It’s different, and my son seems to have an interest in it, but it’s not for me. Then Lego went and unveiled something unexpected: the Nintendo Entertainment System.
A few years ago, the NES Classic proved there’s a lot of nostalgia surrounding the venerable old machine from 1985. Nintendo couldn’t even keep up with demand initially and people were scalping the 60 dollar item for triple the price for a short while. Because of that, I suppose it shouldn’t have shocked me when Lego unveiled this set which is a brick reconstruction of the NES, controller, Super Mario Bros. game pak, and an era appropriate TV to pair it with. And just a few short weeks later the set was launched on August 1st with an MSRP of $229.99. The 2,646 piece set quickly sold out at retail locations and the online stock has since sold out as well. Worry not if you missed out as Lego plans to continue making more and it’s a safe bet this one will be a popular item this Christmas.
Fearing a sell out, I rather insanely stayed up the night of July 31st just to make sure I got an order in at midnight. The set actually went up for sale a few minutes early and I had my order placed before midnight. This actually worked against me as there was supposed to be a free gift related to the Mario set, but I think that didn’t go live until midnight so my set arrived by itself. Not that it mattered that much as I only want the NES. It arrived at my door just a few days later and it was a bit of a long day with work before I could get to it.
It’s here!
The set arrived in a box larger than I expected. There’s an inner box that contains the first 7 bags of the set (which all relate to the NES itself) and two booklets: one for the console and one for the TV. There are only three stickers included which is fantastic as I loathe placing stickers on Lego sets. The only stickers are the labels for the game cartridge and a faux informational label for the rear of the TV. I decided to build the NES first and was able to complete it in one evening of roughly three hours of build time. Some of that was spent with my five-year-old son which probably slowed me down some, but it still felt rather breezy.
The NES under constructions. This mechanism for loading the game is impressive.
The construction of the NES is rather painless. You’re essentially just building a slightly irregular box so it shouldn’t be hard. The mechanism Lego has you construct for the game-loader is a bit intimidating to look at, but it’s actually fairly easy to install. Lego made use of a special spring-loaded piece to get it right and the end result is actually kind of amazing. It works just like the old console: you insert the game, push down, and it stays down. Push down again and the game pops back up for you to remove.
Lego took care to make the outer box look like the real deal. There’s audio and video hookups, a channel changing switch, as well as all of the buttons and cosmetic effects you would expect. There’s the ribbed area of the console’s surface which is an interesting part of the build as well as lots of smooth pieces for the top and sides. All of the logos and words are graphics printed on the piece so they look really sharp. The only thing Lego was unable to hide were the hinges on the front cover, but it’s hardly an eye sore. If anything looks a tad off it’s the front of that cover as it’s done with several pieces so there’s an abundance of seems. It probably could have been done in a cleaner manner, but it’s not as if you’re not supposed to know that this is a Lego creation. Lego also couldn’t perfectly replicate the irregular shape of the NES’s controller inputs, but they did a rather good job with it as-is.
The controller isn’t quite as impressive as the console, but it gets the job done.
The finished product is smaller than the real thing, but not by that much. I had the original NES, in terms of width, height, and depth as: 10.125″ x 3.5″ x 8″. The Lego version measures out as: 8.125″ x 3″ x 7″. The controller is more 1:1 though the Lego one is a touch thinner. It also isn’t a perfect rectangle as the sides and bottom don’t line up perfectly which is perplexing. I guess they didn’t want to engineer a slightly longer, flat, piece? I don’t know why they couldn’t use existing pieces to get it so that it didn’t have such a gap. It’s minor though, but something that I notice. There are also no working buttons on this thing. They look the part, but don’t function, which I expected but it would have been fun if the A and B buttons on the controller at least were able to be pressed.
All of these smooth pieces mean lots of smudges.
The included game pak, or cartridge, is another thing you have to build. It’s a very quick build though as it’s quite thin and Lego didn’t feel a need to put a proper back on it, so it’s just the underside of the flat bricks used to craft it. It looks the part though and is undeniably cute in the hand. It’s also smaller than the real thing, and if you’re curious, no, an actual game won’t fit in the Lego NES. A traditional cartridge is: 4.75″ x 0.75″ x 5.25″. The Lego version is 3.75″ x 0.375″ x 4.125″. The stickers look great too and since they’re applied to a flat, black, piece it gives you some freedom in applying them. The smaller sticker even includes the Nintendo official seal of quality, an important touch.
Sadly, not a good fit.
So if you can’t tell, I’m quite pleased with how the NES and it’s components turned out. Since the old Control Deck, as it were called, came with two controllers I do wish this did as well. Since it’s not a functional gaming console though, I understand why it wasn’t exactly necessary to have two. What a Nintendo does need though is a television, because what good is a video game console without video?
Lego could have probably just done the console, and if it were to include a TV it could have just made a big, brick, box. Lego wasn’t content to do that though and wanted to actually simulate a Nintendo game, in this case Super Mario Bros. That’s how we ended up with this rather ambitious television included in this set. It contains more than half of the bricks in this set and is a longer build than the console. The TV is also modeled after the one that appeared in the original instruction manual for the NES, though I am unsure if it’s to scale or not. Regardless, it looks the part of an old TV and has some interesting functionality.
The TV is separated into various build phases. You first start with the base and the “guts” of the device before moving onto the rear and sides. What’s that is complete, it’s time to take care of the screen. See, Lego wasn’t content to just make an era-specific brick-television set to pair with your NES to form a nice display, rather it chose to make this system “playable.” In order to do that, you need to construct a fairly elaborate rotating mechanism with a picture on it all entirely out of Lego. The final product is essentially like those old racing or flying toys in which a picture rotates on a cylinder to simulate movement while the player has a controller or wand with a car or plane at the end of it to move around avoiding obstacles or just keeping the car on the road.
Treads…
Joiner
Joiners…
The “canvas” pieces
You start by snapping together the treads (image 1), then assemble the joiners (2) and snap them onto the treads (3). Finally, you create these filler pieces (4) to serve as the canvas for what’s to come.
In order to do this, Lego basically has you build tank treads, and it’s the section of the build that is the most tedious. There’s a sequence of bags starting at 14 where you’re basically just making one small thing, but over over. The treads are a bag all by themselves as you link them together to make two long treads. You then need to build 15 joiners which are simple, but certainly do a number on your thumbs. You then need to build the plates to place over them which need to snap into place. They’re not all entirely the same as some need a couple of colored bricks affixed to the end which will work with the Lego Mario figure (sold separately).
Once the track, or canvas as I called it, is finished you can start laying tiles to serve as Mario’s background which is essentially a recreation of World 1-1.
Once you get through all of that (which comprises three bags, or steps), you’re finally ready to construct the image. Using mostly flat tiles, you build the scenery of Super Mario Bros. There’s lots of blue and brown tiles as well as some studs. You could conceivably ad-lib this part if you wanted to and create your own background, but it’s meant to be constructed in a specific way to work with the previously mentioned Mario. Lego is generous with the special pieces like the goomba, turtle shell, etc. as they’re small, flat, pieces that could be easily lost. You have an extra of each. The graphics printed on them look great, though the mushroom and goomba shape are a little off since they use a tiny “pie slice” piece. They’re still easily recognizable and are probably my son’s favorite part of the set. This was also a great part to have him help me with since it’s basically just laying tiles.
Little hands like helping with this part.
This little car is what the scenery wraps around.
The colored tabs work with the optional Mario figure.
He’s so cute!
Once the scenery is constructed it has to be wrapped around a little “cart” the set has you construct which then gets placed inside the TV. It’s a touch challenging to get the scene to hook to itself as there isn’t a ton of give, but it wasn’t as bad as I though it might be. Inserting the finished diorama into the TV was also exceedingly simple even though there’s a lot going on. The only part I didn’t like was the little cap Lego has you build to put on top of it as it’s not engineered as well as it could be. There’s a little gap in the piece itself because of the bricks chosen and when snapping this into place it can come undone. This piece isn’t crucial, and after a few tries I just let it be even though I’m pretty sure one side wasn’t snapped together as well as it should be. It’s basically just a spacer between the mechanism and the top of the TV. Mario is added before the next step and he’s a cute little tile all on his own screen-printed to resemble Super Mario from the original game. He’s affixed to a transparent rod (the same one that came with the Ghostbusters Fire House for the flying ghosts) with a spherical, bubble-like piece behind Mario to guide him over the obstacles.
And we are done!
After that is done, the only thing left was to assemble the front of the TV and the bottom leg supports. This was an enjoyable build that comes together pretty fast. Lego was creative with the television dial by using a gear that just rubs a soft, plastic, green, rod to create a clicking sound when the dial is turned. My kids were quite amused by that and even more amused that this is how a TV was once operated. There are more tiles with graphics printed on them for things like volume control and even a UHF toggle. The last step is to create the TV stand which is rather simple. The finished product rests on top of this with some bricks placed on the bottom of the set used as guides so while it doesn’t snap in place, it fits into a track of sorts so it’s not wobbly.
They go well together.
With the set complete, you’re free to experience what it offers. Turning the crank makes the scenery move and Mario will just slide over it. This means he has only one path and you don’t want to try and force him to go higher than intended or else you risk jamming the mechanism. My son did this as he wanted Mario to stomp more goombas and got it stuck. I had to pop Mario off and some of the other pieces to get it going again. I didn’t have to resort to this, but in hindsight it’s nice Lego includes extra tiles for goombas, turtle shells, etc. in the event one were to pop off and fall into the TV it could just be replaced rather than disassembled to dig out one little tile. It works as advertised though and my kids though it was pretty fun.
If you happen to have one laying around, the Mario figure adds to the fun of the set, though he’s also a bit of an eyesore up there.
Of course, you may be aware that this set contains an additional function. If you purchase the new Super Mario Starter Course set from Lego it comes with a Mario brickhead-like figurine. This figure has some electronics built into it that causes it to change facial expression and also output sound. If you happen to have this guy you can place him on a special tile on top of the television to start him up, then move him to the edge of the screen. When you crank the handle, the colored tiles on the edge of the track alert the Mario figure to what’s happened on the “screen” and he’s supposed to play the proper sound. If Mario stomps an enemy it should make that “pop” sound or if he hits a question mark block that unmistakable sound of a mushroom rising up will play. I went ahead and purchased the set for my son, as it’s more of a toy than a display set. It works as advertised, though I had to update the firmware on the Mario figure via the special app Lego launched specifically for the Mario brand. It’s a neat feature, but not worth $60 for adults who just want to experience the music from the game with this set. The Mario figurine atop the TV doesn’t really complement the aesthetic this set is going for, and the Starter Course is a play set as opposed to a display piece by itself so there’s nothing to gain from owning both aside from getting sound effects into this set. As a result, I cannot recommend it. Though if you want it for your kid, mine seems to love it, so there’s that.
Behold! The Tower of NES! Top to Bottom: Hallmark NES, NES Classic, Lego NES, Original NES.
If you lack the Lego Mario figurine, one substitution for him is the 2020 Hallmark NES ornament which plays sounds from the game. My kids didn’t notice the sounds didn’t sync with the TV and didn’t care as one would turn the handle and the other would hold the Lego NES controller and pretend to play. The console doesn’t physically hook-up to the television, you’re just supposed to place it nearby to complete the look. And this works fine. If the TV didn’t have the image built onto it you could probably fool someone from a distance as Lego really nailed that old school look of a television. And the NES is also quite convincing, especially to people who haven’t looked at a proper console in 30 years.
I am quite tickled by how this set turned out. It was a really fun build, even with the tedious portions of the TV, and was rather frustration-free at that. I love the look and functionality of both the TV and NES. When I first saw this set, and how much it cost, I was a bit grumpy they included the TV as a lone NES would have been much cheaper, I’d wager. However, now that I have it built I’m a little torn on what part is my favorite. The TV is so well crafted and so fun to play with that I can’t imagine the set without it. I’m even curious if Lego will do more with this design. While I have little desire at the moment to build another track, I’d probably have to consider it if Lego released additional games for this thing. Side-scrolling Zelda, or maybe Lego would challenge itself with a vertical scroller? And then there’s the Mario sequels or Duck Hunt with Zapper. I’m not expecting any of that, but it also wouldn’t shock me to see it happen. By itself, this set is a blast for nostalgia junkies like myself. If you can get your hands on it (it’s currently sold out, but it will be back) I wholeheartedly recommend picking it up.
The Nostalgia Spot 