Tag Archives: Misfits

May 14, 2025

Super7 Vintage Collection Glenn Danzig – Samhain and Danzig era

By Joe
I’ve got a couple Danzigs coming at you today.

For a guy as tied into comic books and the properties associated with them, Glenn Danzig has had a lot of disinterest when it comes to toys based on his own likeness. It was about 20 years ago that musician and publisher of his own books partnered with Medicom to produce a trio of vinyl figures of his own likeness from his time with The Misfits, Samhain, and the band that bares his namesake. Those figures were very stylized and not exactly what one would call an action figure. It was mostly in-line with the snippets of Glenn’s own collection of toys that are floating around on the internet which seems to focus on Japanese properties and soft vinyl. This approach is in contrast with what his former and now current bandmate Jerry Only has done who had a doll of himself (and then Misfits guitarist Doyle) sold in the early 2000s and has partnered with Super7 to produce a ReAction figure of himself. He also went the Medicom route as well with a figure stylistically the same as what the company did with Glenn.

Previously, the only Danzig toy of any kind I’ve had is this big fella on the left from Medicom. There was a Samhain and a Misfits version of that guy as well.

I don’t know if Glenn Danzig has ever said specifically why there aren’t more toys of him out there. I’m sure he doesn’t mind the income that comes with such deals, but I know he did throw some shade at Jerry for those dolls that wound up in Hot Topic’s clearance section eventually. It was awhile ago, but NECA’s Randy Falk, in response to a question from another user on social media, mentioned he had been trying to get Glenn onboard with the company to do a figure of him, but the singer always brushed him off. NECA tends to do realistic portrayals of music personalities which leads me to think that Glenn just isn’t interested in such a thing. We saw similar sentiment out of actor Elias Koteas when NECA was trying to secure his likeness to do a Casey Jones figure and, for him, he indicated it just seemed weird that people would want a tiny version of himself to mess around with. Maybe Glenn feels similarly about the whole thing, or maybe he knows the internet or a show like Robot Chicken would have too much fun at his expense if such a thing existed?

The style of these Danzig figures is clearly based off of the old Masters of the Universe line. Since I don’t have any of those, here’s an Origins He-Man for comparison.

That hypothesis seems to track with what Super7 has recently released. Brian Flynn of Super7 teased a deal with Danzig years ago in a conversation with The Fwoosh. I didn’t try and look it up again, but I want to say it was in either 2020 or 2021 and may have been part of the San Diego Comic Con at home thing. That deal was apparently not an easy one and Super7 never elaborated on what they were doing, but it turns out they had Danzig in mind for a new line they wanted to launch. It’s possible Glenn said “No,” to ReAction and Ultimates and this came about as a compromise – who knows? Super7 calls the line it’s Vintage line and it’s heavily inspired by the original Masters of the Universe toyline from Mattel. And by inspired by, I mean it’s basically the same thing. They’re 5.5″ figures with super basic articulation in a preposed stance. Glenn was obviously onboard with this depiction of him in plastic, though it still came with more controversy. It was sometime last year that retailers abruptly cancelled the line indicating that word came down from Super7 that they weren’t happening. Super7 blamed it on retailers auto-cancelling items that have been outstanding for too long, which makes no sense since I’ve had stuff on preorder from the same retailers for Super7 product that literally took years to deliver. Danzig, for his part, seemed to be confused by the whole thing so he wasn’t expecting it. The Jerry and Misfits Fiend figures in the same style were not cancelled, so it was definitely an issue with Glenn and Super7. Was the company having an issue with approvals and playing hardball or something? I don’t know, but something fishy was going on. Either way, the figures went back up for preorder eventually and started rolling out at the end of 2024.

Gimme that sword!
Danzig triumphant!

The first two figures in this line to arrive are figures of Glenn based on his appearance with Samhain and one based on his early 90s Danzig look. They’re packaged on a cardback the exact same dimensions as a MOTU figure. There’s even a castle, but instead of it being Castle Grayskull it’s a castle sporting the Samhain/Danzig/Golden demon skull. The Samhain figure, based on the album cover for Initium, has a blister bubble with the shape of a skull blown in while the Danzig one has an inverted cross. The castle on the Initium card is also bloodied. It’s a thin card so it’s not the most sturdy, but I suspect the packaging is nice enough that many will just leave this on card.

On second thought, maybe don’t fuck with He-Man?

And that’s because the figures themselves are not the most interesting to handle. These are faithful interpretations of the MOTU style which is a mold that is over 40 years old at this point. Those figures were designed during a time when action figures were almost exclusively the domain of children. They were engineered to be durable and functional first and foremost. The form was also still really new so there hadn’t been much in the way of innovation beyond some swivel joints. They were also designed for maximum profit so the molds were just used over and over recolored and joined with new accessories and new heads to flesh out the cast of characters.

The form factor you know and love?
The blood continues on the back so that’s cool.

And that brings me to the subject of vintage inspired releases. Super7 very clearly wants to be as faithful as it can to the old toys in this style at the expense of perhaps even saving a few bucks. There is really nothing modern about these Danzig figures, but the molds are not exactly the same. The torso is the only intended shared part between these two. Samhain Danzig has fingerless gloves on while Danzig era Glenn has just wristbands. Since the arms are one piece, that’s an entire new mold. Samhain Glenn also has boots with buckles on them while Danzig era Glenn has long pants that go over his boots. Or he’s supposed to, but my figure has the correct right leg, but the wrong left leg which is the Initium figure’s leg.

Hey, Glenn! You ain’t got no eyes!
“You call those sideburns.”

I find Super7’s approach here kind of interesting, and a bit frustrating. The company could have saved itself some money if its molds for the legs and arms ended at the boot and wrist. This would have also given us another point of articulation if the hands and feet were separate pieces, but then that would break with the original line’s articulation which is just a swivel at the head, shoulders, and waist and a ball-hinge at the hips. How much does the consumer value this slavish adherence to a format from the early 80s? I don’t think many care and would happily trade the inaccuracy for a couple of swivel points. You may be thinking that a wrist swivel or a boot swivel won’t do much, but these guys are packaged with microphones that they can only hold in their right hand and not turn towards their face. It’s kind of dumb looking.

A comparison of tats.
“You need a shower.”

Those are my thoughts on the approach here, as for the figures themselves they look about as good as you could get out of this form factor. These are exaggerated, hulked-up, takes on Glenn Danzig from two different points in his life. The Initium head has the old devilock hairstyle which obscures the face while the Danzig era figure has the side part long hair and sideburns. The face on the Danzig era figure does look like Glenn, albeit it looks more like an older Glen to me than an early 90s one. He’s got some of that modern grump to him. The Samhain Glenn has no facial features to really take in. Even his eyes are unpainted. His selling point is the blood paint job which does look pretty damn cool. Both also feature Glenn’s tattoo on his left bicep. I’m honestly not sure if it was finished when the Initium album cover was shot, but I don’t really care. The batwings on the Fiend in the middle is a little smooshed looking, but it’s fine considering the size we’re dealing with. I think he also had some other skulls added to it for Unholy Passion and November Coming Fire. I don’t know when they were added, but they’re featured on the Medicom figure.

“Did he just say he wants to kill a baby?!”
“Sorry, bud, it’s not adjustable.” “This is bullshit!”
“I’m calling my lawyer!”

The only accessory each figure comes with is a microphone that has a bit of wire trailing off of it. The Danzig era figure does have the skull-cross pendant which is affixed via a plastic wire. It’s not a bendy wire and has a tendency to want to float. I’m curious if I heat it up if I can get it to lay flat on his chest, but I think it’s just not heavy enough. That figure also has the skull belt buckle which is painted silver and looks decent enough. The presentation across both figures is pretty clean and the paint kept to a minimum. I wish the Samhain figure had a little paint on the buckles of his boots or something, but I’m definitely not surprised by the omission.

“Hey man, what’s up with the bear?” “I vibe with this bear.”

Are these stylized takes on Glenn Danzig worth adding to your collection? I guess it all depends on what your initial reaction to them is. If your first thought is “These look pretty cool,” then you’ll probably like them. If you’re buying them to keep on card then you’ll be even more pleased since they don’t really do much out of the box. I personally wish they were engineered like a MOTU Origins figure, but that’s just me. These will set you back about $30 so they’re not exactly cheap. A MOTU Origins figure is about half that and a much better figure, but none of them are Glenn Danzig. For the price, I do wish they had more stuff. Maybe a dagger for Danzig era Glenn and that weird mask he sometimes wore for Samhain performances? The mic makes sense, but is kind of lame. That said, I have a rather extensive Danzig collection so I had to add these and I’ll be adding the Misfits ones soon as well. If I have anything to say about them you know I’ll say it here, but I could have saved myself a lot of words by just saying what you see is what you get. If you like it then cool, and if you don’t you probably won’t regret passing on them.

Here’s a look at some related figures you may find interesting:

NECA Misfits Ultimate Fiend Action Figure

When Glenn Danzig and Jerry Only reached a settlement over who owned the rights to The Misfits in the mid 90s (resolution: they both did), it set off a wave of new merchandise plus a new version of the band. What had once been a logo found mostly at punk and metal shows, the visage…

by Joe

Super7 Ultimates! Ghost Papa Emeritus IV

If you’re reading this the day it went up then you should know April 25, 2025 as Skeleta day! This is the day that Ghost unleashed its latest album upon the masses and there’s a lot of hype surrounding this one. It’s arguably the band’s first release since it saw its popularity explode in recent…

by Joe

MOTU – Turtles of Grayskull Skeletor

When it’s come to the Turtles of Grayskull line by Mattel, I have mostly stayed in the Teenage Mutant Ninja Turtles side of the pool. I have all four turtle boys plus Sla’ker, who is more Slash than Faker if you ask me. The one exception has been Mouse-Jaw, but the classic Masters of the…

by Joe

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September 5, 2023

NECA Misfits Ultimate Fiend Action Figure

By Joe
The Fiend is back in Ultimate form.

When Glenn Danzig and Jerry Only reached a settlement over who owned the rights to The Misfits in the mid 90s (resolution: they both did), it set off a wave of new merchandise plus a new version of the band. What had once been a logo found mostly at punk and metal shows, the visage of the Crimson Ghost began showing up at malls all across the country. And not just on t-shirts, but shoelaces, lunchboxes, and even light switch covers. Within the anti-establishment culture of punk rock, this type of merchandizing could be seen as selling out. “Sell out” was the dirty name artists didn’t want to hear coming from its fanbase, but it almost always followed when a small act jumped from an indie label to a major one and started putting its name on everything and anything. Old fans mocked and looked down on the new ones, but usually the money would keep on rolling in so it’s hard to say if any of this licensing actually hurt a band’s reputation.

As a teenager, I would fall into those traps and look down on the “Newfits” fans with their American Psycho t-shirts and Jerry Only dolls. Not that it bothered me to buy a Misfits shirt with Glenn Danzig’s evilive logo in the fine print or a skull-printed wallet. I was applying a double standard at the time, one I can freely admit to now because as one gets older they tend to care less and less about that stuff. A guy’s gotta eat, and if your fanbase wants shoelaces and light switch covers with your band on it then why not give it to them? For a price, of course. And today, The Original Misfits is now a cash a cow for Danzig and Only. They can sell out a few large venues each year, play for a couple of hours, and laugh all the way to the bank until they’re ready to do it again. By not doing full tours, they even get to avoid waring out their welcome. I get the impression that once (if?) the well starts to run dry and these Misfits shows can’t support a large venue anymore then they’ll stop and I don’t begrudge them that at all.

The retro cloth is in a different scale, so while some parts look similar, they at least had to be re-tooled to make them smaller.

Because of my one-time avoidance and outright disdain for anything Misfits-related released by Jerry Only’s Cyclopian Music, I never acquired much in the way of toys and such baring the likeness of the band’s mascot: the Crimson Ghost. Or is it The Fiend? Or, as Danzig referred to it, simply the Misfits Ghost? Only goes with The Fiend, and I guess neither uses the character’s original name of The Crimson Ghost for legal reasons, even though there’s likely little chance of a lawsuit at this point. The character is from an old film serial shot in black and white, hence why it’s often shown as a black-robed skeleton, though in reality the robe was crimson and the face was more of a blue. I’m not sure if it was blue for stylistic reasons, or just to get it to show better on film. Regardless, most fans of the band were introduced to the character via the Horror Business 7″ which featured that smiling, skull, face with arms folded across its chest. From there, its appeared on other records and inserts and has been a major part of the band’s marketing and presentation.

Sometimes he get a little “stabby.”

NECA has done multiple versions of the character as an action figure, but up until now, they’ve been in the company’s retro cloth line. The retro cloth, as the name implies, is basically a throwback brand similar to Mego figures sporting soft goods clothing. Two standard versions of The Fiend (we’re going to go with that name for the rest of this post since that’s what is on the box) were released: one in black and one in red. I passed on both as the retro cloth line isn’t really my thing, but I could not resist the third version which was a Christmas variant with Santa hat and sack. It’s a fun display piece, though the quality of the figure did nothing to sell me on the retro cloth line. After only a year of owning the figure, displaying it Christmas time then putting it back into its box for the rest of the year, the ball joint in the neck basically deteriorated and crumbled like Play-Doh left out in the sun. It was bizarre, and the head just fell off when I put the figure out last Christmas. I glued it back on, but it was a bummer and now I’m afraid to touch it.

Other times he just needs the knife to feel safe when the power goes out.

NECA apparently decided that another retro cloth release would no longer suit the property, so it gave the figure an upgrade. NECA’s Ultimate line of action figures is basically their flagship format. A five-panel window box, upgraded articulation, and lots of accessories and optional parts. That was the format chosen for this new take on The Fiend and I figured I’d give it a whirl. It comes in a simple, but attractive, black box with the skull face dominating the front. The band’s logo plus The Fiend from the Horror Business cover are on both spines with product shots on the back and inner flap. The figure is viewable through the window as well as the accessories included. Did fans of the character need yet another version in plastic? Time to find out.

The head sits real low and it’s due to the jaw being far below the opening for the ball joint.

The Fiend stands a tick over 7″ and sports a soft goods hood and robe. The robe is sleeveless as the arms of the figure feature sculpted sleeves. The legs are sculpted to feature work pants and shoes while the torso is completely blank since its always hidden by the robe. The hood clasps under the figure’s chin and it’s a bit of a pain to undo, so I wouldn’t bother. By keeping the hood separate from the robe, it’s easy enough to pop the head off and remove it from the hood if desired. The hood and the material extended off of it that drapes over the shoulders is wired and poseable as is the hem of the robe. It feels like good quality soft goods, but is a bit frumpy. I don’t think anything is reused from the retro cloth figure, so it’s not an issue of NECA shoe-horning old soft goods to suit this figure, but the robes are so frumpy that the figure basically loses its neck. He looks like a shriveled up old guy, and maybe that’s what NECA was going for since it is a skeleton, but I wish the head appeared to sit higher.

The shaded portrait is basically the same as the retro cloth one, only smaller.

As for the face, NECA opted to exercise some of its creative license. They basically did it a full skull and retained the eyes recessed deep in the sockets. It’s scratched up and dingy looking and sculpted in a bone white covered in gray paint with a black wash. It’s certainly not bad looking, and the teeth and “smile” basically match the source material, but this is very much a “what would this character look like if it was real?” It juxtaposes with the hands, which still look like black gloves with bones painted on them, and I don’t know that this is the approach I wanted. As an alternate head – sure, but for a standard head I’d have preferred the retro cloth approach which is a black head with the face painted on in white. And if they were going for this more realistic approach, why not include boney hands? And it may only be me, but for some reason, when I look at this face I see Rudy Giuliani. I think it’s the eyes, I don’t know, but if you see it now then I apologize because what has been seen cannot be unseen.

There are additional heads and accessories to play off of them. The second head, is basically the same as the first, but with the eyes shifted to the right. It’s fine, but I’ll never use it. The third head is closer to what I wanted, but has some weird shading on it that ruins it for me. It’s very similar to the retro cloth head that came with the Christmas figure I have, just smaller to suit the scale of this release. It’s all black and the face is painted on with white, but it has gray and crimson shading over the left eye and in the teeth. I’d use it if it wasn’t for the shading which does nothing for me. The whole appeal of the character, for me, is how the white face appears to be floating in darkness in the hood and obscuring the face with shading destroys it. If you like it though, then it’s here.

“You’re getting a little too close to my likeness with that face paint, Papa!”

For hands, we get two sets: relaxed and gripping. The gripping hands have the superior vertical hinge which comes in handy for the two daggers included. The daggers are identical, except that one has some blood painted onto the tip. The blood is basically just there, it doesn’t stand out on a shelf, and I’m left wishing they had included a dripping effect piece instead. There’s also a lit candlelabra which looks fine, but it strikes me as a nod to American Psycho and I could not care less. Mine is also slightly warped, though I bet I could straighten it out with some hot water. The flames are painted on and I think it would have looked better if done with translucent plastic. We also get a tombstone with the Fiend’s face on it and the band’s logo plus their born year and Lodi, NJ. No death year yet. It’s fine, though it looks and feels like a 3D print so it feels a bit cheap in hand.

Who could have anticipated some cardboard inclusions would steal the show?

By far, the best accessories included with this figure are the LPs. NECA included three, cardstock, LPs that I guess The Fiend can just hold and admire. They are based on actual releases by the band and include Horror Business, Earth A.D./Wolfsblood, and Die Die My Darling. As a longtime fan of the band, I do feel it is my duty to point out that the Horror Business here is inaccurate. That was never released in a 12″ format, but I’m going to give NECA a pass because doing an in-scale 7″ jacket would be a lot harder. And what they did here turned out way better than I could have expected. The track-listing is even readable on the rear of the release and the little details pass the eye test. The only thing missing are the actual records which would have really put them over the top. Even without that, I still dig these and they render the other accessories irrelevant for me because there is no way my figure isn’t going to be holding one, or all, of these in my display.

By moving The Fiend to the Ultimate format, we should see a benefit to the articulation and that’s mostly true here. The head is on a double ball peg, and even with the hood, there’s little in the way of restrictions there. You won’t get a ton of range up and down, but there’s probably enough. The shoulders are hinged ball pegs and since the robe lacks sleeves they’re not hindered by the soft goods. The elbows are NECA’s special, unusual, double hinged peg that swivels above and below the elbow. They bend past 90, but the figure does lack the range in the arms to do a proper arms-crossed pose. I feel like that pose is so iconic and important to the character that NECA should have found a way to make that happen, maybe with a separate arms piece like the cross-arms pose we get from Bandai all of the time.

This is the shot you came here for.

The torso of the figure features a diaphragm joint that basically just allows for some rotation. Strangely, there’s no waist joint of any kind. The hips are ball and socket joints and since there is no need for a diaper piece the range is terrific and your Fiend can kick forward, back, and do splits. There’s a thigh twist as well and at the knees we get a single hinged joint that can swivel a bit. I have no idea why they decided not to use a double-joint. Is it something we’ll need? Probably not, but why not have it anyway? The ankles hinge and there is a rocker so standing this guy is easy enough. And we do have the aforementioned wired robe which does work well.

I don’t know if this figure is worthy of the term “ultimate,” but it sure isn’t bad.

Is NECA’s Ultimate take on The Fiend a much needed upgrade over the retro cloth release? Yes and no. I prefer this action figure to the Christmas one I have in almost every way, but I have to concede, if you just want a Fiend that looks like the character depicted on the box art then you may be better off with the retro cloth version. That’s entirely due to the approach taken with the figure’s head. It’s a shame NECA didn’t account for this. We get three heads, but not one of them is just a simple black and white? That aspect of the figure annoys me, but doesn’t entirely ruin it. It’s possible this is just capitalism at work and NECA plans on including such a visage with the next version of the figure that is almost guaranteed to come. It will probably have a red robe and maybe it will come with different record jackets. I don’t really want a red-robed version, but would I get one if it came with the accessory I want? That remains to be seen. For now, we have this one and it’s okay. To my surprise, I find myself liking the Super7 Ultimates! release of Papa Emeritus a little more so now I’m wondering if Super7 will give The Fiend the same treatment. At least this one is cheaper at around $36-$38 so even if Super7 does give it a shot, I don’t feel confident they’ll get $55 out of me.

Interested in more NECA or rock n’ roll stuff?

Misfits Holiday Fiend Figure from NECA

2020 will be remembered for a lot of things, many of them not good. One non-negative aspect of 2020 that will be memorable for me was that it was the year I really got back into toy collecting. Most of that was courtesy of NECA toys and their various Teenage Mutant Ninja Turtles lines. Those…

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by Joe

Super7 Ultimates! Ghost – Papa Emeritus I

I feel like I have a pretty interesting relationship with the band Ghost. They came to my attention in 2010 with their album Opus Eponymous and came at the recommendation of one of my friends. It wasn’t so much a recommendation based on quality, but more of a “You have to hear this,” because it…

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by Joe

The Misfits – Ultimate Song Ranking

Happy Halloween! I don’t know about you, but for me Halloween is synonymous with The Misfits – the horror punk band out of New Jersey fronted by Glenn Danzig from approximately 1977-1983. It has been that way ever since I discovered the band when I was in middle school thanks to a revival in the…

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by Joe

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July 27, 2023

The 2023 San Diego Comic Con Reaction Post

By Joe
It’s the second most wonderful time of the year!

You probably heard, but Hollywood is essentially on strike right now. Two large unions are fighting for better pay, benefits, and assurances that they won’t be replaced by artificial intelligence while major studio heads like Bob Iger are tossing stones from their golden mansions. I am firmly on the side of labor when it comes to most strikes, but this isn’t a strike post. It’s a comic con one as the just recently wrapped San Diego Comic Con of 2023 had a decidedly different feel to it in light of the work stoppage. Unions frown upon any of their members even promoting their projects right now, and with good reason. Without the glitz of Hollywood, it meant Comic Con could go back to being about comics for at least one year. Though for me, every year is all about the toys!

I don’t know when it started, but Comic Con has become a huge spot for toy producers to show off what’s coming in the next few months to a year and 2023 was no exception. I sat glued to my phone once preview night started and fought with myself to put it down all weekend since I couldn’t be there in person. Now that it’s over, I’m going to tell you what I think because my opinions are very, very, important and the fate of the companies involved, nigh the entire industry, is dependent upon securing my approval.

NECA TMNT

That is one big ass Krang! Photo: Pixel Dan

Let’s start with the old standby – NECA and their many versions of Teenage Mutant Ninja Turtles. In some respects, this year’s display felt slightly subdued, but I think that’s because NECA has really branched out beyond just the cartoon and movies. They basically showed off a little bit of everything and undoubtedly they’ve held stuff back for the conventions to come. And that’s fine by me, I was kind of happy that I took one look at the new TMNT toon stuff and didn’t feel like I necessarily needed any of it. And some of that is tempered by the fact that I know I have a major expense in the sewer lair diorama to look forward to. On the toon side though, I’m definitely in for the street turtles. While I prefer the season one street looks to these, I’m still happy to have what they showed. That’s it though. I’m probably going to get more, and the giant Krang was certainly the show-stealer, but I’m definitely in more of a wait and see how I feel mode when some of this stuff starts becoming available.

These wrestling turtles so perfectly nail that Archie aesthetic I love. Photo: The Fwoosh

On the movie end, we just had some new Secret of the Ooze figures to look at. There was kick-boxing Keno, some new Foot, and two versions of Professor Jordan Perry. Is that too much of the professor? For me, yeah, and I can probably ignore all of these. Oh, and there was a pretty neat Shredder throne on display, but that’s another thing I don’t need. The comics end was far more exciting with a bunch of new figures based on The Last Ronin shown. They all look pretty damn good, but I may be out on that subline for the simple reason that I can’t buy, and display, everything TMNT from NECA. The Mirage line is getting some new figures as well, with the big one being Rat King who looked fantastic. That is definitely going on the “must buy” list. As for Archie, that may have stolen the show with a brand new Mondo Gecko unveiled and the much demanded Wrestling Turtles! Even if the models shown for the turtles were so early that they didn’t feature any articulation, I couldn’t have been more excited! I’ve wanted that black suit Raph ever since I was a kid and my dad bought me TMNT Adventures #10. I must have read that thing cover-to-cover at least a dozen times.

As for disappointments, there wasn’t much to be found. All of the new stuff looked good, so any disappointment was likely just the result of something not being shown. And the big one, for me, is Tempestra. I thought there was a very good chance we would see her from the toon line, especially after the profile boost given to the character thanks to Shredder’s Revenge, but she remains the elusive final member from the Night of the Rogues. I feel confident she’s coming though, so I’m not that broken up about it. I’d also like to see a new toon Shredder, or an Archie one, but again that’s probably coming, we just don’t know when. And hey, that Turtle Van is looking pretty sweet!

Super7

All right, when can I have them?! Photo: The Fwoosh

Super7 has cast such a wide net these days that maybe I should break their display up, but then again, there wasn’t a ton for me. The biggest though, by far, was the official unveiling of the new line of Misfits figures. These are being done in a retro, Masters of the Universe, style which is pretty cool. It means they won’t be as expensive as Ultimates, but definitely better than ReAction. I’ve felt for awhile that Super7 needed something in between those two lines, and maybe this is it. Would I like an Ultimate Glenn Danzig some day? Sure, as long as it’s good, and some of the figures Super7 has done of real people haven’t turned out so hot. This line, which features Skeleton Danzig, Jerry Only, The Fiend (aka Crimson Ghost), Samhain Danzig, and early 90s Danzig, already has hit on some great designs. We just need a Doyle to round things out. I’m also amused by how Super7 is basically just following the Medicom blueprint when it comes to Glenn Danzig.

On the disappointing side, well, there just wasn’t anything from the other lines I care about at Super7. Well, they did have TMNT Wave 8 on display and that’s looking fine, but there was nothing from the Disney or Simpsons Ultimates or even any new ReAction that I saw for either. Super7 usually doesn’t unveil new Ultimates at Comic Con, and they also don’t always go with a robust display. If they have something anticipated that they just got from the factory or something, they may bring that, but not always. I’m just concerned for both of those lines. The most recent Disney wave based on The Rescuers failed to secure enough preorders to go into production. Is the line in jeopardy? Sort of similar is that The Simpsons Wave 4 is still listed with an ambiguous “TBD” on the pre-order status page. It could be an oversight and they just haven’t updated it, or it could mean that no progress is being made and until it goes into production it should be considered as “in jeopardy,” as far as I’m concerned. It’s not exactly a star-studded wave and features two figures at $65 so nothing would surprise me.

Hasbro

Now that’s a figure worthy of the Master of Magnetism. Photo: The Fwoosh

I am certainly not the biggest Hasbro fan, but the company had my attention going into the convention because we knew that Marvel Legends based on the highly-anticipated X-Men ’97 were likely to be shown. And they were! Coming in Wave 1 is Wolverine, Rogue, Gambit, Storm, Bishop, and Magneto all with new sculpting to make them better resemble the upcoming show. For me, someone who collected the VHS line of X-Men based on the 1992 cartoon, I wanted to see if some of these could be fudged into that line. We have no assurances that Hasbro intends to come back and finish that team, so plucking Gambit and Rogue from this one might be our best option. And, for the most part, they look okay. Rogue has her green jacket and black headband and Gambit has a more “toon” appearance to his face. Neither face-sculpt looks truly like the ’92 show, but Hasbro was unlikely to give us that in the VHS line anyway. There is no cel-shading though, so that might throw off the display a bit, but given how half-assed Hasbro’s approach to that style was maybe it’s for the best? Wolverine is essentially the same as that release too, just now he has an unmasked portrait and pin-less limbs, so collectors waiting on a non-cel-shaded version of that figure should be happy. I personally don’t need it. And with Storm and Bishop featuring new hairstyles, I can pass on them as well. That Magneto though is a must have and I’m happy to see that Hasbro shaded his face. He could use some accessories, but this is Hasbro we’re talking about so that’s hardly a surprise.

I don’t know if I’m as happy as Pixel Dan is about this Crystar, but I’m definitely in “gimme gimme gimme” mode! Photo: Pixel Dan

Hasbro also gets credit for one of the biggest surprises as they showed off a figure of Crystar! Yes, Crystar The Crystal Warrior is coming to Marvel Legends and the figure looks pretty sweet. It’s all done in translucent plastic with a blue hue and he has his sword and shield to round things out. The comic he hails from is pretty forgettable, except for the fact that the iconic Danzig skull was lifted from the cover of issue 8. Naturally, this is one I need for the Danzig collection more than anything.

And that’s pretty much it for me. I did see other great stuff like Jada’s Mega Man line and NECA had some new Gargoyles to show, but the above stuff is what really stood out for me and got me excited. Mondo also unveiled an Omega Red in their sixth scale line based on the X-Men animated series and he looks unsurprisingly spectacular, I just wish they’d slow down a bit as that line is killing me financially. Special shout out to all of those working hard during the convention covering this stuff for people like me who can’t go. I’m talking about The Fwoosh, Pixel Dan, Toy Shiz, Toy Bro, and loads of others. The excitement is now over, we have lots to look forward to, and the next convention or show lurks on the horizon. This golden age of toy collecting appears to be going strong, weap for my wallet!

Teenage Mutant Ninja Turtles: Shredder’s Revenge

In the late 1980s the arcade scene in the US was still going strong. Classic style arcade games like Donkey Kong and Pac-Man were being overtaken by a new genre of quarter-munching pain: the brawler. Or the beat-em-up. If you’ve played one, then you can picture what I’m talking about. It was usually a one…

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by Joe

The Saga of Crystar – Crystal Warrior #8

There’s been a hole in my Danzig collection for quite some time. It was a hole that was easy to fill and actually quite cheap considering most Danzig records fetch well over $100 these days, but an important piece was missing. And that piece is not what one would necessarily expect, but I would assume…

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by Joe

Super7 is Heading to Springfield!

Wednesday, August 18th, ended up being quite an eventful little day in the world of toy collecting. There were some reveals from major toy companies, leaks, and even those long neglected Street Sharks fans got something to get excited about late in the day. Personally, it was a good day for me too as I…

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by Joe

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May 26, 2017

Danzig – Black Laden Crown

By Joe

Cover_of_Black_Laden_Crown_(2017)_by_Danzig

Danzig – Black Laden Crown (2017)

Anytime something new related to Danzig arrives at my doorstep I wonder if this it’s the last. Glenn Danzig, the venerable punk-metal icon, is in his sixties. He’s released around two-dozen records at this point and has already reached the point in his career where he forgoes touring in favor of festivals and gigs located close to his SoCal home. The gap in years has only widened between album releases, and he’s taken time to do more passion projects like a covers record and compilations. Danzig’s last studio album, Deth Red Sabaoth, came out in 2010. Before that was 2004’s Circle of Snakes. Now in 2017, we have the latest from metal’s favorite crooner:  Black Laden Crown.

By pretty much everyone’s standards, Danzig the band has long since past its peak. Some feel the band peaked with 1992’s How the Gods Kill, others (myself included) would consider 1994’s Danzig: 4P as the real high point. Following that album was when the original lineup was disbanded, Danzig left the Def American label, and the direction of the band was forever changed. That was really the end for the band as a popular one, with nostalgia really only bringing the band back into the spotlight (a trend many bands of the 80s and 90s have benefitted from). Creatively though, Danzig has still made worthwhile music, even if it wasn’t always on par with the early days. Deth Red Sabaoth was probably the band’s best effort since 1994 with the only black marks on it being the subpar production (a frequent bane of recent Danzig releases) and the lack of a truly standout track. It would have been a fine album to go out on, but thankfully Danzig decided there was at least one more record left to make.

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Back for the first time since 2002’s Danzig 7 is drummer Joey Castillo (center).

In many ways, Black Laden Crown is similar to Deth Red Sabaoth. The personel involved is largely the same, only this time with more drummers. Tommy Victor is back on guitar, and Glenn Danzig naturally is providing all of the vocals and doing all of the song writing, while also contributing on guitar, bass, piano and drums himself. Johnny Kelly returns to drum on two tracks, while former Danzig drummer Joey Castillo (Danzig 5, 6, and 7) also returned for a guest-spot on a couple of tracks. Karl Rokfist and Dick Verbeuren also contribute drums on a track each. Why so many drummers? Because the album has been in production off and on for years and Danzig would just grab whoever was available when in the studio. This means longtime collaborator Steve Zing is still basically just the live bass player as he is once again denied an album credit.

DZpress

Two things Glenn Danzig loves being photographed with:  porn stars and goat heads.

I’m going to detour away from the music for a minute and take a look at another aspect of Danzig albums that is also past its prime:  the album art. For whatever reason, the album artwork has been on a decline as well since the Def American days, though not always as drastic. I was mostly fine with the artwork for Danzig 5 and 6, the alternative cover for 5 is actually pretty awesome, but Black Laden Crown features some really cheesy artwork (done by the usually excellent Simon Bisley). The reverse cover image of a flaming Danzig head is even worse. There’s a t-shirt bundle being sold on the Nuclear Blast website and the shirt has a different version of the cover artwork (which is also featured on the interior slip-case for the CD) that is light-years better than the actual album cover. It’s sort of similar to the last album where the European version of the single featured superior artwork than the album. It’s not a big deal and it obviously doesn’t have any impact on the actual quality of the music, but as someone who still buys LPs it’s always a drag when the jacket has crappy artwork on it.

Black Laden Crown is best described as an album of mid-tempo, Sabbath influenced, metal. The opening track is a red herring of sorts, featuring a clean-tuned guitar and an uptempo second half, but it also embodies some of the flaws the rest of the album is going to face. And it should be discussed early in this review because there is no getting around it:  the production sucks. Perhaps sucks is too strong a word, but if you were disappointed with the production on Deth Red Sabaoth or the more recent covers record Skeletons, then you’ll be disappointed with Black Laden Crown. What is really unfortunate is that most of the poor production rests on the vocals. As the vocalist for the band, it’s surprising that producer Glenn Danzig doesn’t devote more resources to how his actual voice sounds. Time has obviously altered Danzig’s voice as it would anybody, but some of the songs sound like he just did a one take tracking spot, and decided to use that for the final mix. The lead single, “Devil on Hwy 9,” is especially bad with the vocals sounding dry and wooden. The production on the guitar and drums at least seems noticeably better than what was present on Deth Red Sabaoth. I haven’t seen Danzig discuss how this record was recorded, but the previous one was done with analog. Given that this one was done across so many different recording sessions, it wouldn’t surprise me to find out if it was done digitally since that method is more prevalent and easier.

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If you like buying your albums multiple times, Danzig’s got you covered with all of the editions of this one.

The other main issue I take with the performance of the record is with Danzig’s vocals. The production may not be doing him any favors, but several songs just lack emotion out of the singer. “Eyes Ripping Fire” should be a track that rips, but Danzig sounds like he’s just going through the motions. I’m not sure what he was going for with his performance at times, but he just sounds bored in places. Maybe he thinks his voice isn’t suited for certain styles any longer, though I think it has more to do with a mood he was trying to convey. He may have been looking for a controlled, assertive style to his vocals, but it just comes across as uninspired.

Those are the negative take-aways I have with Black Laden Crown, but in spite of those I actually think the whole of the album is actually pretty good. The vocal production is consistently subpar, but not as varied as the past albums where some songs sounded okay and others like rubbish. I really dig the Tony Iommi-like guitar tones on this record and its a sound I’ve always found more suitable for Danzig than the drop-C tuning featured on some records. There are still some chugging low riffs to be found, but they’re not as prevalent and the album has a more crisp sound. Tommy Victor is perhaps at his best with this record, at least as well as he’s been on a Danzig release. He’s given room to work with the leads, and even gets a few chances to drop a solo. The pinch harmonics that some fans found distasteful on the last album have been scaled back tremendously here.

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I wish they had used the artwork present on this t-shirt as the main cover artwork on the actual LP.

Black Laden Crown is at its best when the band is moving at a methodical pace and letting Glenn Danzig’s presence shine. It’s perhaps no better illustrated than with the album’s second single (and first to receive a video) “Last Ride.” The song evokes a drifter, or maybe even an old cowboy, something very Eastwood-like, with its story and the mood is very Danzig. It’s perhaps comparable to the song “Black Hell” from The Hangover II soundtrack, but more refined and focused. The album’s closer, “Pull the Sun,” is another good track and is probably the high point for Danzig’s vocals on this release. It’s not one of the closing numbers where Danzig goes off with a series of wails, but it’s got a nice vocal melody. The lyrics though make me think of Mr. Burns blotting out the sun on The Simpsons, which gives me a little laugh.

If there’s one last piece of criticism I could lay at the feet of this record it’s that it is perhaps one track short. At nine tracks and just over 45 minutes in length, it could have really used one more track to round things out. And if that track had been something more up-tempo that would have helped to break up some very similar sounding songs on the album’s back-end. The most up-tempo track is also the album’s worst, “Devil on Hwy 9,” so another really would have helped out. Even still, I’m digging this album. Perhaps part of that is due to my low expectations going in. An album that has been in the works as long as this one has usually doesn’t come out too well in the end, but I think the album took so long to record not because Danzig was tinkering with the material, he just literally only recorded a song or two here and there until he eventually had enough material for an LP. It’s very comparable to Deth Red Sabaoth in terms of quality, and if it’s the last album for Danzig it’s not a bad way to wrap things up. I’m not sure if it’s better than that record though. At first listen I thought it might be, but then I remember the variety of Deth Red with tracks like “Hammer of the Gods,” “Deth Red Moon,” and even “Black Candy” and I start to think this one may end up ranking behind that release. Which isn’t bad, as I dubbed Deth Red Sabaoth Danzig’s best since splitting with Rick Rubin, so if Black Laden Crown is comparable to that record, then that’s pretty good company to keep.

 

Top Tracks

  • Black Laden Crown
  • Last Ride
  • Pull the Sun

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April 7, 2013

The Adventures of Super Mario Bros. 3

By Joe

The Adventures of Super Mario Bros. 3 (1990)

The Adventures of Super Mario Bros. 3 (1990)

It seems to me that video game cartoons are much less popular today than they were when I was young.  Then again, I don’t have any kids so I’m not often watching children’s programming so I could be mistaken.  I’m sure Pokemon is still kicking around some network and Sonic may be running in syndication, but that’s all I can come up with off the top of my head.  When I was young there were several video game adaptations for the small screen.  Just going off the top of my head I can come up with Dragon Lair, Super Mario, Zelda, Captain N (not a strict adaptation of a game, but comprised almost entirely of characters from popular games), Sonic, Battletoads, Mega Man, Street Fighter, and Mortal Kombat.  I’m almost positive I’m forgetting some but that’s still a pretty solid sample for comparison.  Maybe it’s because so many popular games these days seem to be of the M and T rated variety that we don’t see many cartoon adaptations.  Or maybe it’s because companies like Nintendo are still shell-shocked from less than stellar cartoons based on their properties.  If that is the case, then we can lay a lot of the blame on The Adventures of Super Mario Bros. 3.

The Adventures of Super Mario Bros. 3 was, naturally, based on the video game Super Mario Bros. 3.  It was also the sequel of sorts to the more popular Super Maro Bros. Super Show which featured Mario cartoons that took place in a world based off of Super Mario Bros. 2 (the American version).  That show is mostly remembered for the live-action Mario and Luigi and the songs the welcomed viewers and saw them off (Do the Mario!).  The Super Mario Bros. 3 adaptation contained no live actors and no such songs.  The opening is simply a narrator talking over an animated sequence that sets up the series.  There’s no continuity from one episode to the next and each one runs a little over 10 minutes with 26 total episodes.  The retail release is three discs worth of content and I would be surprised if any of the discs is filled to near capacity.  Mario and Luigi had their voice actors recast to Walker Boone and Tony Rosato but the rest of the cast remains intact.  The animation style is also slightly different, most notably Mario is a little trimmer and the Koopa Troopa design from the previous show was scrapped.

The Koopa Kids are probably the best thing going in this show.

The Koopa Kids are probably the best thing going in this show.

The biggest changes from the previous show to this one occurred with the villains and the location.  Location wise, this is a more faithful depiction of the Mushroom Kingdom from the game complete with numerous warp pipes and floating blocks.  For the villains, King Koopa is still the antagonist but now he’s accompanied by his seven Koopa Kids.  The Koopalings resemble their video game counterparts in design but all have different names.  Allegedly, this was due to the series being developed before Nintendo had provided the names.  The characters, for the most part, have pretty stupid and unimaginative names.  Morton Koopa Jr. is now just called Big Mouth, because he has a (you guessed it) big mouth.  There’s a Bully Koopa, Cheatsy, and Wendy is now Kootie Pie.  It’s not very important what their names are but I’ll give credit to the writers for mostly giving each of the seven a distinct personality (with the exception of the twins Hip and Hop, who are basically the same).  The ones that end up standing out include Cheatsy, who’s cunning seems to surpass his father’s as he is often able to manipulate him (usually with flattery).  Cookie is the evil genius of the kids and is definitely the most insane.  And Kootie Pie, being Koopa’s only daughter, is not surprisingly a spoiled brat and her father is a slave to her whims.

Apparently the eyes are fully-functioning on the frog suit. Does that mean Mario can see out of them? I must know!

Apparently the eyes are fully-functioning on the frog suit. Does that mean Mario can see out of them? I must know!

The Koopa Kids are perhaps the only bright spot of this program.  Well, that and the power-ups.  Super Mario Bros. 3 is famous for its numerous power-ups and they’re all represented here, for the most part.  For some reason I get a giddy thrill from seeing them used in the show from the common raccoon tail to the absurd frog suit.  Even Koopa gets in on the action in the series finale which is certainly noteworthy.  The rest of the show though is comprised of tired writing and simple plots.  Not much has changed from the previous show and the majority of the episodes follow the same formula of the Mario Bros. having to foil one of Koopa’s attempts at taking over the Mushroom Kingdom.  There’s usually a chase sequence or montage set to a parody of a licensed song which had to be removed from the DVD release.  There is one exception in the episode “Recycled Koopa” which contains a song called “Trash City USA” (2:05 mark in video link).  It sounds suspiciously like the Glenn Danzig song “Spook City USA” and I wonder if it was intended by someone as a parody of that.  Since the song is so obscure it wouldn’t surprise me if it snuck past the legal team (at the time the episode was produced, the song only existed as a B side to the single “Who Killed Marlyn?” which was not exactly a wide release).  There’s also the requisite episode where things get turned around and Mario and Luigi have to be saved by the Princess and Toad.  There’s also a celebrity appearance by Milli Vanilli in one episode, “Kootie Pie Rocks.”  This may be the most hilarious episode in hindsight.

Koopa is backed, armed with an assortment of magic wands this time around.

Koopa is backed, armed with an assortment of magic wands this time around.

This series also establishes the existence of the home world of the Mario brothers as The Real World.  This means several episodes take place on earth and in places like New York and Venice.  There’s even one episode where each koopaling takes over a continent.  This labeling of this world as The Real World bugs the crap out of me.  This show isn’t like Teenage Mutant Ninja Turtles with characters often breaking the fourth wall, instead that’s how the characters view this supposed real world.  What does that make the Mushroom Kingdom then?  The fake world?  I’m surprised the princess would stand for that!

Because of the short run-time, plots are often resolved quickly and haphazardly.  It’s clear the writers had little respect for children as the show is fairly thoughtless.  The animation isn’t anything to get excited over either.  For the most part, it’s fairly typical of its era but there are other shortcuts that bother me.  Most notably, whenever a character morphs into another form there’s no transition animation, it just happens, which is utter laziness.  Unfortunately, the transfers by Shout! Factory for the DVD release are atrocious.  Some episodes are okay while others drop out and look worse than what can be found on the internet.  Supposedly the master tapes for the series no longer exist, so I don’t know what the source was for the DVD, but clearly it sucked and no attempt was made for the episodes that are really bad.  The last two episodes on the set are especially bad and should have never been released in such a state.

I bought this set when I found it on sale and did so only for nostalgic purposes.  I liked the show enough when I was a kid but my memory of it wasn’t strong.  It didn’t last long as it was quickly replaced by a Super Mario World themed cartoon.  Even though the set was relatively cheap, it still wasn’t worth the purchase.  Don’t make the same mistake I did, just let this one pass, as your memories of the show are likely much better than the actual product.

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April 21, 2012

Record Store Day!

By Joe

My target for today.

Today is Record Store Day!  A day that hasn’t been around for too long but intends to celebrate the good old fashioned record store.  As a means of celebration, several labels and bands participate by releasing limited edition twelve and seven inch records (go here for a full list of what’s available today) to get people into the stores which usually are offering sales of their own.  Only independently owned stores are allowed to participate and the organizers of the event take a mostly hands off approach.  This leads to swings in pricing from one store to the next and certain records are only available in certain stores.  Unfortunately, this also leads to some stores forgoing the event and just hawking the limited releases on eBay for inflated prices.  This is also the type of event that attracts scalpers of all kinds only interested in making a quick buck, which takes some of the fun out of it.  It’s become a pretty big deal these past few years and the amount of stuff released each year seems to grow and grow and get more and more interesting.

Last year was my first time taking part.  I was more interested in the spectacle than the actual albums released on that day.  I went over to my local Newbury Comics, one of the few small chains to really break thru and thrive in this day and age.  I got there a little after they opened and found the place pretty packed.  I ended up snatching an Opeth 7″ single released for RSD, “The Throat of Winter,” and picked up some odds and ends taking advantage of the sales.  This year was different though.

There's some black streaks on the record as well, though they don't show up in the picture.

Just a few weeks ago Rhino Records announced that they would be releasing a limited edition of The Misfits’ debut record Walk Among Us to commemorate the 30th anniversary of the release.  This version is limited to 3000 copies:  1250 on red vinyl, 1250 on blue, and 500 clear.  They’re packaged in a blind style, meaning you don’t know what color you have.  Overseas, a purple copy is being released.  The stores that participate in RSD have adopted a 1 copy per person policy to give more people a shot at the record they covet.  This unfortunately means the completist collectors out there either need to round up some friends or take to eBay to get one copy of each.  I was content to get just one, but I had to have it!  Given the vast number of retailers participating and the limited nature, I figured each store would only receive two or three copies, meaning I had to get there early if I wanted one.  Complicating things is the fact that not every store gets a copy of every release.  My local shop didn’t know what it was getting as of Thursday so I was taking a shot in the dark this morning when I jumped in my car and headed over.

I got there early; 7:15.  The store is located in a shopping mall and the doors for the mall open at 8 while the store doesn’t open until 10.  I was going to sit in my car for awhile but became too eager to just sit there so before 7:30 even hit I was up in front of the door just waiting outside.  Once the mall opened its doors I was the first to the store (ended up walking in with the manager) and took a seat right outside to begin the 2 hour wait.  It wasn’t too bad as I brought my Vita with me and had my phone too.  By the time 9:30 came around I was too excited to play games any longer and stood and waited anxiously.  I was the first one there, but by the time the doors opened I was one of 50+ and the first inside.  The manager knew what record I was after and made sure to point it out to me before the doors even opened.  I snatched the first copy and then proceeded to mill around poking at the other exclusives.  A wave of people washed over me with hands darting and grabbing at each release.  It was frantic, but fairly orderly.  No one was pushy or rude at all and it seemed like the crowd was mostly record enthusiasts just hoping to score something from a favorite artist.

Side A of the Nightwish disc.

I ended up grabbing the Nightwish picture disc as well, along with a super cheap copy of Batman:  Sub-Zero since it was the only Batman film I didn’t own (other than the wretched Schumacher films I want no part of).  My purchases came with a tote bag and a ton of freebies I have yet to go thru.  They’re mostly CD samplers and some stickers and stuff.  I don’t know if there will be anything good on them, but it will be fun to find out.

Once I got home I was pretty eager to check out my new Misfits record to see what version I ended up with.  This release is designed to mimic the original first edition release right down to the insert it comes with.  It’s pretty cool, and I actually don’t have a first edition of Walk Among Us as I have so far stuck to the 7″ releases.  I didn’t really care what version I got, but certainly I was hoping for the more limited clear, especially since I don’t own any clear vinyl.  My elation was certainly audible when I did indeed pull a clear piece of vinyl from the packaging.  My day could not have gone any better!

And side B.

The Nightwish picture disc is also quite nice too.  Titled Trials of Imaginaerum, it’s a 10″ release and contains four demo tracks from their last album.  It also comes with a download code to get an .mp3 version of a fifth track.  Currently, the web address doesn’t appear to be up and running yet so I’ll have to try again later*.   The artwork is nice and this release is limited to 1500 copies.

*I tried the download address on Sunday with no success, but it worked tonight(Monday).  It took me to a page that asked for my email address, and then a download link was sent there.  The fifth track is titled “The Heart Asks Pleasure First” (previously released on the single “The Crow, The Owl, and The Dove”) and it’s a folky little number that’s quite pleasing.

All in all, a good day to hit the record store!  Record Store Day is fun, but the getting up early to wait in line for hours does sap a little fun out of it.  I don’t mind it when there’s something I really want, but I certainly wouldn’t do that for most releases.  Turns out I probably could have strolled in at 10 and have been fine, though I probably wouldn’t have ended up with the clear version of Walk Among Us.  I encourage everyone who’s into  vinyl to check out their local record store today.  You might stumble upon something truly special!

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