Category Archives: Television

Dec. 22 – Eek! The Cat – It’s a Wonderful Nine Lives

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Original air date December 19, 1992

For the second year in a row we are returning to Eek! The Cat, a Fox Kids property that’s probably not remembered by many. At least I never encounter anybody who has anything to say about Eek! The Cat, be it positive or negative. My lack of foresight means we’re working backwards in relation to last year’s post as this episode comes from season one and it’s the first Christmas special the show made.

If you’re unfamiliar with Eek, he’s basically a good-natured character that is always able to look on the bright side. He always tries to do the right thing and is unfailing in his optimism, and since this show existed during the very cynical 90s, it means misfortune befalls Eek at every turn. This is one of those loud cartoons where characters often scream as a result of intense pain being inflicted upon them. For the sake of voice actor Bill Kopp I hope they were able to re-use his screams as Eek for several episodes rather than force him to repeat them. Eek is otherwise a house cat, and his family largely doesn’t seem to care about him. He has a girlfriend named Annabelle who has a pet shark-dog that hates him, even though he tries to befriend the dog whenever he can. It’s a world where animals are able to communicate with humans when needed, though they still remain subservient to them.

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Eek! The Cat had a solid run of 76 episodes on Fox Kids from 1992-1997

“It’s a Wonderful Nine Lives” sounds like it’s going to be a parody of a rather famous Christmas movie, but I’m happy to report it’s not. Instead it’s a story about Eek coming across a gift intended for an orphan named Joey and his quest to make sure it reaches him for Christmas. Along the way he’ll meet some new faces and also lots, and lots, of misfortune.

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The subject of today’s episode, a little green gift bound for Little Orphan Joey.

The episode opens with a narrator. This show is terrible with its credits, so I don’t know who is voicing this narrator as they just list a principal cast at the end of each show. Needless to say, he introduces the story with a few call backs to other classic Christmas tales. The camera then settles on Eek looking up at the sky from inside his home as he sees Santa come speeding by. He has seven reindeer, including Rudolph, which is a Christmas tragedy. He has to swerve to avoid a 747, and as he does so a present falls from his sleigh to land in Eek’s front lawn.

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Eek has a neurotic appearance, but he’s actually a constant optimist who just happens to get hurt a lot.

So far, the narration and dialogue from Eek is following a rhyming scheme. Note to television producers, if you want to make sure your Christmas special is considered annoying and not re-watchable, have everyone speak in rhyme. Eek retrieves the gift, and seeing it’s bound for an orphan named Joey in Dudd City, he sadly imagines the poor lad waking up on Christmas morning to find Santa passed him over. This breaks Eek’s heart and he vows to make sure this present gets to Joey. He tries to go back inside the house first, but finds the window and door locked. When he tries to climb through an open window, Mom (Elinor Donahue) doesn’t notice him because she’s engrossed in some language learning tape and shuts the window on his fingers. At ground level, children Wendy Elizabeth (Elizabeth Daily) and J.B. (Charlie Adler) can’t pull themselves away from the television to notice Eek’s plight.

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Eek winds up on an out-of-control sleigh to get his journey started.

Eek is forced to set off on his own, and immediately he somehow winds up on a sleigh speeding through the snowy streets. He’s going to collide with skiers and attract the attention of a polar bear and even encounter a penguin on a ski jump. It’s an elongated scene meant to soak up time and allow Eek plenty of opportunities to scream. He loses the present for a bit, but it finds him when his sleigh comes to a stop eventually.

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Poor kitty.

Once that business is done, Eek dawns a festive Christmas outfit that’s very Dickens in its style. He boards a train traveling through, but not in a conventional sense and actually ends up on top of the train. The present gets jostled and comes to rest over a box car that is full of shark-infested waters. Why would a train be carrying such cargo? I don’t know – it’s a cartoon, dummy! Eek is forced to tightrope across the opening and, of course, he falls in, but actually jumps out rather unscathed. He retrieves the gift, only to be clothes-lined by a water tower. He winds up on the roof of a traveling truck and wonders where he is. He needs to find Dudd City, which he promptly smashes into a sign for. Unconscious, he slides off the sign to land in the back of a farmer’s pickup on a soft bed of hay.

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Oslo Piggy, who’s plight is far worse than Joey’s.

Eek wakes up in the same truck in a barn, and he overhears a pig playing a sad song on his harmonica. The pig is named Oslo (I think), and he’s pretty bummed that he’s on the menu for Christmas the next day. Eek decides to help him out by fetching the key to the shackles that bind him, but before they can leave the barn they’re met by the farmer himself (Brad Garret, who sounds like he’s doing a Rodney Dangerfield impression) who is brandishing a double-barreled shotgun. He’s not about to let Eek leave with his pig, but Eek takes notice of the farmers torn shoes and offers to trade his boots for the pig. The farmer tries on Eek’s red boots and finds them to his liking, but rather than let Eek leave with the pig, he decides he’d rather have ham the next day and a cat to make a new hat out of. The duo are forced to flee, and Eek pulls on a rope that opens a compartment in the ceiling for hay to fall from and crush the farmer, a rare act of (justified) violence on the part of our protagonist.

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I’m a bit down on the visuals in this show, but that’s a nice looking scream.

Free from the farmer, Eek and Oslo are walking alone on a long, empty, road. Oslo is thankful for Eek’s help and seems interested in Eek’s mission to make sure this gift gets to Joey. Oslo is concerned though that they won’t be able to find this Joey, but Eek assures him that if they have faith, and wish upon the Christmas star, they’re sure to find their way. Oslo alerts Eek that it isn’t a star he’s wishing upon, but the headlights from a truck! It’s the farmer, and he runs the two off the road. Eek comes to land on a block of ice in a fast-moving river. The present for Joey is floating in the same river, and Oslo jumps in to grab it. Eek winds up on the precipice of a waterfall, basically a repeat of a gag with the sleigh on a cliff from earlier, and Oslo and the gift smack into him knocking them over. Eek is able to grab onto a branch, but Oslo ends up in the water below. Wishing him well and a merry Christmas, Oslo tosses Eek the present as he goes over another waterfall. Eek catches it, but in doing so he releases his hold on the branch and ends up in the water too. He’s still rather upbeat, even though Oslo might be dead, as he gets sucked into a pipe and sent through the stinky sewers to arrive in (presumably) Dudd City.

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Worth pointing out that The Simpsons and Eek did share a network.

Once Eek emerges from the sewers, he encounters a mother dachshund who bares a strong, stylistic, resemblance to Santa’s Little Helper from The Simpsons. She has three puppies and a problem. She was supposed to spend Christmas with her sister but lost the address. Now she and her pups are out in the cold. Eek gives them his top-hat and scarf to sleep in, which is more than adequate. He wishes them well then resumes his search for Joey.

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This is where we say good bye to that jerk-ass farmer.

Now naked, Eek seeks out what everyone in the 90s would seek when lost – a phone booth! And lo and behold, Little Oprhan Joey is listed and Eek is overjoyed to finally have an address. When he turns to leave though he’s met by the farmer, who now without a pig because of Eek decides to take the gift instead. He chases him around, and arms himself with a swordfish (they’re on a dock). Things look bad for Eek, as Santa-hat wearing sharks roam the waters below. As the farmer closes in, he’s felled by some garbage and a banana peel. It’s Oslo! And he’s on a garbage barge eating and enjoying being a filthy pig. The farmer winds up in the water, where the sharks apparently gobble him up.

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Are cartoons still doing the rabies gag in 2018?

With that out of the way, Oslo and Eek bid each other farewell at a bus station. Only Oslo is riding in the back of a garbage truck. While Eek waves goodbye, the present goes missing. A line of people waiting for a bus all have gifts that look identical to Joey’s. Eek starts frantically searching each one which attracts the attention of a guard who kicks him out. He is sent flying into a root beer bar and collides with a woman, leaving root beer foam all over his face. She screams “Rabies!” and within seconds Eek is on the streets and fliers depicting his foam covered face are all over the city and the hunt is on. Eek is forced to take shelter in a dumpster where he sadly hopes for a Christmas miracle that gets that gift to little Joey before falling asleep.

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So that’s Little Joey.

Eek is woken when a garbage truck dumps a bunch of garbage on him (isn’t it supposed to work the other way around?) which just so happens to contain the present for Joey! Eek is delighted to be reunited with the package as he sets out for the Our Lady of Really Really Dumped On Children Orphanage. He gets hit by a few cars along the way, but he finds it. It’s Christmas morning though, so he has to be quick. He finds that inside the children have not awoken to find their gifts yet so he sneaks in. He gets caught in the window, and he’ll get squished by a door too, but he succeeds in placing the gift under the tree. He sees all of the children come running in and out like a tornado. One child is left, who looks just like how Eek imagined Joey earlier. Only, it’s not Joey and he calls for the real Joey to come get his gift. Enter Joey (Cam Clarke), who’s not a little orphan boy at all but a rat. He’s in clothes and stuff, so it’s kind of weird how he fits in socially, but whatever. The present ended up containing his family, so he’s not an orphan at all!

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And that’s what was in the present. They’re certainly a colorful looking bunch.

Eek is happy to have brought Christmas joy to Joey. As he readies to leave he runs into the big man himself – Santa Claus! Santa thanks Eek for delivering that gift for him. Now that Eek’s job is done, he succumbs to the trials of his long, long night and falls asleep in Santa’s arms. He then wakes up back at home, and assumes it was all a dream. He mistakenly moves over to the door to the livingroom and the kids Wendy Elizabeth and J.B. slam the door on him (really Eek, avoid doors) as they attack their tree and leave it barren and beaten. Having retrieved their gifts, they head for the TV while Eek notices a gift underneath the tree addressed to him. It has a letter from Santa affixed to it which thanks him once again for his efforts the prior night. Inside the box is another note which orders him to “open the door.” When he does he’s greeted by all of his friends, including Oslo, who are there to wish him a merry Christmas. Eek got what he wanted for Christmas as well, a Christmas with friends and family – how swell!

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We have to give Santa a little screen time.

So that’s Eek! The Cat’s “It’s a Wonderful Nine Live” Christmas episode. The title is certainly misleading, but I suppose Eek went through most of his nine lives during his harrowing night. The rhyming in the episode is certainly annoying, but at least Eek is so likeable it makes it hard to get mad at him or the show. More annoying is the script’s over-reliance on Eek’s catch phrase “Kumbaya!” which I could do without ever hearing again. In comparison with the other Christmas episode from this series, I feel like this one is a lot uglier. There’s not a lot of detail to the characters and everything looks really cheap. The reveal of Joey I suppose is supposed to be both surprising and funny, but I was mostly indifferent. The voice acting is good though, and the show has a real rock and guitar driven soundtrack which is probably its signature distinction when measured with its peers.

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Eek did a good thing and wound up having a merry Christmas. Mission accomplished?

Is this a good Christmas special? Eh. I suppose if you have fond memories of Eek! The Cat then you’ll probably enjoy revisiting it. I was never a regular viewer of the show, though I must be less cynical with old age as I don’t find the character as annoying as I did when I was younger. The show is not available really anywhere and it absolutely will not be shown on television this holiday season. If you want to give this one a look yourself, it’s easy to find on YouTube and elsewhere since no one seems to care about old Eek the Cat.


Dec. 21 – Rick and Morty – “Anatomy Park”

img_2952Rick and Morty is Adult Swim’s latest hit. Premiering in December 2013, it appeared to be just another Adult Swim cartoon, but come the season 3 premiere it seemed to really take off. That was the episode, you may have heard, that involved a certain flavor of discontinued McDonald’s McNugget sauce that went viral. It caught the attention of McDonald’s, who seeking to capitalize on the spotlight, re-released this sauce in limited quantities and geeky fans did what geeky fans do – they went nuts.

As a result of that debacle, Rick and Morty seems to have engendered a bad reputation. Or rather, its fan base has. Some of that is due to lead character Rick, a super scientist of extreme, almost god-like, intelligence who also happens to have real character flaws. He’s a user and an abuser, but he’s almost always right and the victor of each episode causing some fans to view him in a positive light. He’s really not supposed to be though and viewers should be laughing at him, not with him, as the saying goes. He’s kind of like a Walter White, or if you want to get real nerdy, a Raistlin Majere before that character had his redemption arc.

Is it the show’s fault when its fans act stupid in its name? Yes and no, but I lean more towards the “no” side. Ignoring the drama, Rick and Morty is just a really fun, inventive show created by Dan Harmon and Justin Roiland. It’s ugly, cynical, gross, and strangely captivating. It took me a little while to get into it, but that was mostly because the Rick character and his constant burping and drooling just kind of grossed me out. I don’t know what it is about his constant burps, but it just makes me queasy and I’m not usually the type who is turned off by gross humor. I got over it though, and once I did I got pretty well hooked. This is the kind of show I can just drop in and out of and usually have a laugh. There is some connective tissue between episodes, but in general you don’t need to keep up with it to know what’s going on and to enjoy an episode by itself.

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Are you ready for a Jurassic Park parody at Christmas?

At its core, Rick and Morty is like a deranged Mr. Peabody and Sherman with a touch of Back to the Future. Rick is the old man and a super genius. Morty is his neurotic grandson. Together they go on interdimensional adventures where sometimes Morty learns a lesson, and sometimes he does not. Sometimes they stay home and watch television and don’t even bother with the adventure. They have a some-what combative relationship. Morty is a need for Rick and the why is a bit of a deep dive I don’t want to go on right now. For Morty, Rick is a presence who exerts controls over him. Sometimes he’s a means to an end, and usually his ends are like most teenaged boys, and sometimes he wants to go on crazy adventures, but usually he does not. Do they love each other? It’s hard to tell. Sometimes the show will tease genuine affection on the part of Rick only to reveal it was a farce and sometimes it does but leaves the interpretation open. He’s probably not a truly repugnant grandfather, but he’s certainly not the best.

Rounding out the cast is Morty’s family. Rick lives in their garage and the home is owned by his daughter Beth (Sarah Chalke), a failed doctor who had to settle for veterinary work. She embodies some of her dad’s poorer qualities, like alcoholism and likely depression, and she’s in a rather loveless marriage to Jerry (Chris Parnell). She and Jerry got pregnant young and had a shotgun wedding and never really figured out if they were even in love, though they seem some-what dependent on one another. Jerry is a meek and insecure individual and he loathes Rick and the influence he has over their son. Summer (Spencer Grammer) is Morty’s older sister and is a fairly typical teen. She tries to ignore the dysfunction of her home life, but sometimes she gets pulled into one of Rick and Morty’s adventures.

“Anatomy Park” is the show’s third episode and it’s lone Christmas episode to this point and it originally aired on December 16, 2013. What starts off as a fairly conventional sitcom plot, turns into an outrageous Jurassic Park parody. It also gets rather dark and uncomfortable for a sitcom Christmas special, but that’s Rick and Morty for ya!

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Jerry’s parents have arrived and they’ve brought an unexpected guest.

The episode opens with Jerry, dressed in a festive sweater, getting angry at his family for being too attached to their various electronics on Christmas. He makes them all put their tablets and phones into a stocking, and when Summer refuses he threatens to create a Facebook profile. He tells them his parents are due over any minute for Christmas dinner and it’s revealed they haven’t been by in several years. The rest of the family seems indifferent. Meanwhile, Rick shows up with a gross looking Santa. When Gerry questions who this guy is Rick says his name is Ruben (Jess Harnell) and every Christmas Rick takes him in and gives him a full check-up as some kind of charity case. Jerry isn’t buying it, and the only thing Ruben can say is “Pearl Harbor” while the rest of the family seems charmed. Rick and Ruben disappear into the garage and Jerry’s parents then turn up with an unexpected guest. Leonard (Dana Carvey) and Joyce (Patricia Lentz) have brought Jacob (Echo Kellum), a young african american male, along for Christmas dinner. They don’t really explain who Jacob is, and when asked they explain they’ve had a spiritual awakening of some kind and are focused on experiences and living while in the twilight of their lives. This seems to please Summer and Beth, but Jerry is just confused and anxious.

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Rick also has a festive surprise guest.

Rick pops back in to greet Jerry’s parents, but mostly to take Morty with him to the garage. Once there we see Ruben, naked on a table save for his tattered Santa hat, who Rick says is in bad shape. He’s speaking rather hastily and pushing Morty along who is growing increasingly concerned and panicked as Rick outfits him to look like a poor man’s astronaut. Rick doesn’t explain what’s needed of Morty, and only barks out important instructions as he shoves him into a device and then shrinks him into a tiny syringe. As he jabs the syringe into Ruben, Beth pops in to ask where Morty went and Rick explains he’s busy.

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The episode is a parody of Jurassic Park, but Anatomy Park is also clearly a parody of Disneyland. And the show is not above going for the easy jokes here.

Morty finds himself injected into Ruben’s body and there he finds Anatomy Park. Rick has constructed a microscopic amusement park inside the man’s body and he introduces it in grandiose fashion as Morty walks around and takes it all in. He seems impressed and strangely not panicked, until he arrives at the liver. It’s a scary place, and Rick fills him in on Ruben’s alcoholism and mentions you have to be in a pretty bad place to let someone build an amusement park inside of you. Rick needs Morty to find Dr. Xenon (John Oliver) as something has gone wrong. He first encounters Poncho (Gary Anthony Williams), a crazed military man who freaks him out. Dr. Xenon, some kind of a sentient germ or something, shows up though and welcomes Morty and also introduces his fetching young assistant Annie (Jackie Buscarino) whom Morty takes an immediate liking to. With them is Roger (Harnell) who resembles Steve Irwin. Dr. Xenon explains the security systems have gone haywire as a giant, yellow, xenomorph-like creature bursts onto the scene.

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Our “heroes” of Anatomy Park. Most of them will die.

Back home, the rest of the family is seated down for dinner. Everyone seems to be enjoying themselves except Jerry, who is still really thrown off by the presence of Jacob. When he pushes the issue, his dad fesses up to what’s going on. Seeing as they’re getting older, Leonard and Joyce are focusing on the connections that will last beyond their years: their spiritual one. Less important is the physical, which is what brought Jacob into their lives. Jerry gets rather worried and asks if Jacob is their lover and is relieved when his dad says, “No.” That was a bit of a fake-out though as he explains that Jacob is actually his mother’s lover, he just likes to watch and often while wearing a Superman costume. Jacob acts like this is not the least bit awkward and the rest of the family seems amused by it, except Jerry.

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Beth and Summer seem to enjoy the hearing the truth about Jacob.

Inside Anatomy Park, the others run from the creature and flee into the lungs. There they’re joined by a cast member of the park dressed like a dog (Rob Schrab). When he removes his mask he is immediately chastised by Dr. Xenon; apparently breaking character is forbidden. As they look around the lungs, Morty decides to bounce around and have some fun, until they’re attacked by tuberculosis. The little black beings descend like spiders and Poncho opens fire, which rips holes in the lungs causing Ruben to cough. The dog-guy gets caught in a cough, but Morty grabs his hand and requests his name (it’s Alexander), but another cough causes him to go shooting out of Ruben peeling the skin from his bones. He splatters as phlegm on Rick’s face.

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Fare thee well, Alexander.

Rick then starts to pass along advice to our adventurers and prepares to cure Ruben’s TB, until he flat-lines. Proclaiming he can’t cure death, Rick starts to advise Morty that things are going to get dark so he should try riding Pirates of the Pancreas, which is a ride he designed and is really proud of (he insists it wasn’t white-washed and the pirates get really rapey). He also adds that getting them out of the dead man alive is the priority, but why not treat yourself too? Morty is not amused by Rick’s logic.

After the business with Rick is concluded, Dr. Xenon seems ready to eulogize his beloved park, but Morty shuts him up and insists they find a way out. Dr. Xenon explains, rather frankly, the way out is through the digestive tract and Morty insists they head there while Poncho is annoyed he’s supposed to listen to “some 12-year-old.” Dr. Xenon then warns Morty that what has happened to Anatomy Park is the work of an inside job, and cautions him about Annie in particular who was written up for her work at the churro stand. Undaunted, Morty tries talking to Annie where he awkwardly tries to explain he’s not 12, but 14, and it doesn’t go well prompting Rick to make a comment at his expense.

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Dr. Xenon is the only one who seems to enjoy this endless ride.

The group is then shown on the digestive tract ride, which is styled after It’s A Small World and apparently goes on for miles. They’re then set upon by gonorrhea, which rises from the brown water in a rather threatening manner. Dr. Xenon cautions that if they don’t move it won’t see them, then says “whoops” as he mistook gonorrhea for a T-Rex. Their boat is soon capsized, and they’re forced to swim away in the nasty looking “water.” They arrive “on shore” while the penile gonorrhea looms. Poncho then recalls Dr. Xenon saying the chamber was filling with gas and lights a match. With a cool parting line about a burning sensation, he tosses the match at the grotesque monster causing an explosion and destroying it.

At home, the family is gathered in a drum circle all except Jerry who is moping in the corner. Beth offers some consoling his way, but he knows she’s enjoying this. A teenaged boy then shows up and we find out it’s Ethan (Daniel Benson), Summer’s boyfriend. He’s pissed that Summer hasn’t returned any of his texts, but that’s because Jerry took her phone. Summer gets angry in return while Jerry demands to know if he is indeed Summer’s boyfriend which just causes Jacob to step in and defuse the situation suggesting that Jerry needs to get closer with his family.

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You don’t want gonorrhea. You really don’t want gonorrhea.

Back inside Ruben, the “heroes” of our story have reached the end of the digestive tract. They need to gain access to the enlarger ray or whatever it is that gets them out. Before that happens, Morty notices a weird, black, slime creature poking out of Poncho’s backpack. It’s bubonic plague, and it turns out Poncho is the traitor who released the TB virus earlier. He grabs Annie as a hostage and explains he hates working for Dr. Xenon and a lot of people would pay for the plague if he smuggled it out (damn, Ruben had a lot of shit going on in his body). Morty attacks, likely wanting to impress Annie, and Poncho tosses him aside but he does release his hold on the girl. The plague breaks free though and bites him. He loses his balance, and plunges to his death off of the catwalk they’re all standing on. Roger then lets them know they need to go, as the retaining wall they built for Ruben’s bowels is about to burst. As they run, Roger’s foot gets caught. He tells them not to worry, then goes into a long-winded speech about telling his wife what happened to him as the damn breaks and he’s killed by poo.

In the livingroom once again, Jacob is trying to counsel Ethan who is a very angry and troubled young man and the source of his anger is Summer. Jacob works his magic and of course the scene ends with Summer and Ethan in tears making an uncomfortable display of affection in front of everyone. Everyone is pleased, and Joyce is apparently turned on as she and Jacob begin making out while Leonard ducks into the closet to observe from a distance. This causes Jerry to finally blow and declare he hates this, and he’s immediately reprimanded by his mom. Declaring he hates Christmas, Jerry takes his leave.

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Ruben is going to go for a little ride.

Inside Ruben, the three living beings are for some reason taking in a show. It’s a parody of Great Moments with Lincoln, only it’s hosted by an animatronic Ruben. Dr. Xenon is enjoying it while Morty and Annie make out. Rick asks Morty to shut the radio off so he doesn’t have to listen in when Jerry bursts into the garage. Apparently they can’t get out via the digestive tract any more, and something Jerry says about his relatives gives Rick an idea. He has Jerry get him some dynamite and as he cuts open Ruben and shoves the explosives inside him Jerry decides to leave. Rick then tosses the cadaver in his spaceship and takes off, telling Morty he needs to get to the left nipple.

Dr. Xenon explains they can take the bone train and goes into a bit about it that Morty gets irritated by. When they get to the platform Dr. Xenon explains that one person will have to stay behind because the train doesn’t have an autopilot. He lets that hang in there an uncomfortable length of time before conceding he was a dick for doing that. Since Anatomy Park was his responsibility, he’ll be the one to stay behind. Before they can say good-bye they’re beset by ecoli and Morty and Annie jump into the train. As Xenon releases it he realizes it does actually posses an autopilot, but then claims he wanted to die heroically, but he’s not convincing.

The train takes Morty and Annie to where it needs to, while Rick deposits Ruben into space. There he enlarges the body well beyond its normal proportions (he’s a super scientist, after all) and Ruben floats over the United States. There the news picks up on this giant Santa and we see how everyone is reacting with relative calm at a giant, naked, Santa in the sky. All except a poor lumberjack who had the misfortune of being where Ruben’s penis made land.

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Saved by hepatitis!

Morty and Annie are preparing to flee through the nipple duct, when they’re attacked by the big yellow guy from early in the episode. Before it can get to them though they’re saved by Hep C in true Jurassic Park style. It gives the duo a thumbs up, which just confuses Morty as the two are rescued by Rick who can only admonish Morty for losing Dr. Xenon Bloom as Ruben explodes.

On earth, the explosion causes blood to fall from the sky. The family was preparing to head out for some holiday fun, without Jerry, but instead are forced to retreat in terror. There Jerry gets to comfort them assuring everybody things are going to be all right because the TV said so. He returns their tablets and phones and encourages them to relax. In the garage, Rick is a bit down that Dr. Xenon is dead claiming he was the only one capable of building an amusement park inside someone. Annie then chimes in that she thinks she learned enough from him and that she could possibly do it. Rick, apparently convinced, immediately shrinks her and puts her away for later use, which disappoints Morty. Rick assures him he dodged a bullet citing a “floppy vagina” but Morty doesn’t see the problem there. The two then head into the living room and find the family absorbed in their electronics. Rick goes on a rant about it being Jesus’s birthday and they’re all being self-absorbed, but no one cares and Jerry mugs for the camera. In a post credits scene, Rick is on speakerphone with Annie and her new team of developers as they build a new Anatomy Park. They question Rick’s design for Pirates of the Pancreas, causing Rick to hang up on them. The camera pans and we see it’s Ethan they’re inside and when he questions what’s going on, Rick goes on a rant how they’re building a monument to compromise inside of him. The episode ends when Ethan asks who’s paying him.

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It’s kind of like the Macy’s parade, but bigger and with more penis.

“Anatomy Park” is a vehicle for awkward humor that ties in the Christmas holiday. It wants to turn the holiday upside down, and is fairly successful at doing that. The holiday gathering with Jerry’s parents is basically a B-plot. After the reveal of Jacob’s relationship with Jerry’s parents is out-of-the-way, it’s fairly typically paced with the beloved outsider sort of usurping the holiday spotlight from the disgruntled patriarch. It runs out of steam, but those scenes are few and brief so it doesn’t overstay itself. The Jurassic Park parody is where the meat of the story lies, and it’s punctuated fairly well. The plot points aren’t afraid to “go there” with the poop jokes and such, but it’s really driven by the dialogue more so than the actual comedy bits. There are so many little jokes interwoven into the dialogue and I would be doing it a disservice by regurgitating them all here. Suffice to say, while this isn’t as outlandish an episode as it appears at first blush, it’s still very entertaining and I always like it when Christmas gets a little dark.

“Anatomy Park” should be an easy special to come by this holiday season. Adult Swim will likely show it multiple times, so if you were keeping up with the various holiday viewing guides you probably have seen it by now. And if you like waiting until the last minute (or first), Adult Swim is running “Anatomy Park” at midnight on Christmas Eve/Christmas morning. If you prefer to watch without commercials, Adult Swim streams it and it’s also available as part of season one on Blu-ray. I recommend just getting that as the whole season is full of laughs and it’s definitely worthy of a purchase.


Dec. 20 – The Garfield Show – “Caroling Capers”

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Original air date December 15, 2009

Back in the 1980s, Garfield was pretty damn popular. His presence was pervasive in pop culture, so much so that younger people today would probably be surprised. He originated as a comic strip by Jim Davis, but his popularity grew enough to pave the way for some prime time animation specials. These proved popular, and were the springboard for his own show:  Garfield and Friends. Of those old specials, one of the most celebrated was A Garfield Christmas. It’s one of my personal favorite holiday specials and I included it in my countdown a few years ago as one of the 10 best holiday specials of all-time. It premiered in 1987 on CBS (my mother, who liked Garfield, somehow missed it when making our Christmas tape VHS that same year) and would be shown every holiday season for a few years, though it quietly disappeared in the 90s. Maybe audiences grew sick of Garfield, but I’m a bit surprised just how fast it fled from the annual network rotation. Later on in the 90s you could sometimes find it on cable, but now the special is seldom shown.

the garfield show

The Garfield Show ran from 2009 to 2016.

What’s not really remembered too fondly is the second cartoon series based on the fat cat. Simply titled The Garfield Show, it premiered on Cartoon Network in November of 2009 and would run for over 100 episodes, eventually making the move to Boomerang in 2015. The Garfield Show is a CG animated program executive produced by Davis and it actually returned a lot of the cast and creative group behind Garfield and Friends. It was a half-hour based program in which each episode was split into two cartoons. It’s not a show I am that familiar with. I was aware of its existence when it originally aired, mostly just from seeing it on the channel guide and mistaking it for the old cartoon. It’s not something I was supposed to be aware of though since I didn’t have kids at the time and few of my friends did. It was created to coincide with the 30th anniversary of the character and I assume it was to re-introduce the characters to a new audience. Since it ran for so long I’m left to assume it was fairly successful.

“Caroling Capers” is the show’s first Christmas episode and it aired during the first season on December 15, 2009. It features the main cast of characters. There’s Garfield (now voiced by Frank Welker as Lorenzo Music passed away in 2001) whose personality is unchanged from his other iterations. Odie (Gregg Berger) the dim-witted mutt with a heart of gold. Jon (Wally Wingert) is just as awkward as always and is constantly being pestered by his cat for more food. And in this episode we also have Nermal (Marc Saez) the vain kitten from next door who annoys Garfield to no end.

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“Caroling Capers,” like most Garfield stories, is all about Garfield trying to get some free food.

The episode opens with Jon decorating his Christmas tree and having a difficult time with the star. He remarks how Christmas is his favorite time of year and that it feels like just yesterday he took down the Christmas decorations from last year. Garfield, watching television and looking quite relaxed in a lounge chair, remarks that’s because he probably did and that Jon rarely gets to taking them down before Halloween. Odie is watching TV as well and seems very into the Christmas special they’re watching. He angrily glares at Garfield who won’t shut up about his growling stomach (the sound of which also seems to annoy Odie). On television, Garfield takes note of some carolers in the program Odie is watching. They sing for an old woman, who then gifts them some treats. Garfield, after being informed the Christmas turkey is still hours away from being ready, decides that this may be the solution to his tummy trouble.

Putting on a festive hat and scarf, Garfield hits the neighborhood hoping to score food in exchange for Christmas carols. He first shows up to the front door an old man whom he interrupts while cleaning the floor. He sings a carol and his performance is quite terrible prompting the grumpy old man (Welker) to toss a bucket of water on Garfield and slam the door in his face. Undeterred, Garfield goes to another house and its the home of some bachelor who I have seen featured in other episodes (and is also voiced by Welker, who basically voices everyone, it seems). Garfield again performs for this guy and he’s just as awful as before so the man fetches a spray bottle to get Garfield the Hell off his property.

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Garfield’s singing fails to impress.

Odie has been watching this whole time and laughs at Garfield’s misfortune. Nermal then shows up to offer his 2 cents and also to demonstrate how to properly carol. Nermal invites Odie to be his backup singer and the duo perform for the same man that just sprayed Garfield. He falls for the two and offers them a prime rib dinner and figgy pudding. Garfield faints in shock while the two chow down, with Nermal remarking you either got it, or you don’t.

Garfield rises from the ground and gives chase, proposing they share some of that delicious food in keeping with the holiday spirit. Nermal shoots him down pointing out that Garfield never shares his food with them, which Garfield is forced to concede. He then suggests he could be their vocal coach, and Nermal seems to find the idea absurd. Garfield demonstrates his singing once more, and a Christmas ornament on a decorated tree in someone’s yard shatters (which makes no sense, since Garfield is singing low, not high). When Garfield tries again, the needles fall off the tree. Even after such a poor demonstration, Nermal offers to let Garfield in on their caroling if he can hit a high C note. Garfield explains the best way to do that is to yank out a nose hair, which he does and then (mostly) hits the note while running around in pain. Nermal lets him in, and Garfield explains he’ll be the conductor at the next house. When they begin their caroling for an elderly woman, Garfield stops them and demonstrates how he wants them to perform, prompting the woman to dump a bucket on his head. Nermal and Odie then resume their duet for food as he reminds Garfield he’s just not adorable enough.

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Garfield is about as good at conducting as he is at singing.

Garfield decides he needs to find a way to be more adorable if he wants to score food with this idea. He peeks in on a gentleman watching the same special Odie had been watching and notes that the carolers all sing rather high. Garfield decides he needs to sing higher if he wants to impress, which strikes me as a bad idea. Garfield tries some warm-ups, that sound terrible, then tries again on the next guy. He seems startled to see this bulky gentleman in the doorway, but he goes through with his performance. Singing so high he sounds like Welker’s version of Slimer from The Real Ghostbusters, it’s not much of an improvement, but it certainly is higher. The gentleman at the house is not impressed though and thinks Garfield is making fun of his unusually high voice. As the high-voiced man glares down at the cat, Garfield runs away suggesting maybe he needs some back-up singers.

Garfield is then shown conducting in a shed. It sounds fine, and it’s revealed he’s leading a trio of performing mice. The mice agree to join Garfield’s troupe so long as they get first dibs on any cheese gifted their way. With that, Garfield leads his new band to the next house which happens to be inhabited by a young woman. She sees the cat and his three mice performing and immediately freaks out. She grabs a broom forcing the critters to run. The lead mouse tells Garfield they’re out.

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Nermal and Odie actually make for a fun pairing.

While Garfield is wearily walking down the street, Nermal and Odie are performing for the first house Garfield hit. They have a wagon full of food at this point, and the old man who once dumped water all over Garfield happily gifts them a pair of hams. Garfield can’t believe it, and angrily kicks a can that was sitting on the sidewalk which lands in a nearby wheel barrow. The pinging sound catches Garfield’s ear, and he gets an idea. Rummaging through a nearby trash can, he comes out with some sticks and more cans. The sound of steel drums are then heard and they attract Nermal and Odie who find Garfield drumming on the cans which he placed in the wheel barrow. They both look at each other as if to suggest they have an idea, and soon we get a montage of the two caroling while Garfield plays “drums.” The people they visit all react favorably and hand out more food, and Garfield finally gets to share in the festivities.

The montage ends at the Arbuckle residence with Jon setting out the turkey and calling for Garfield and Odie. Odie drags the wagon into the room with Garfield laying in it, patting his full stomach. Nermal is there as well and they’re all too stuffed to consider eating dinner. Jon remarks that Garfield not being hungry must be a Christmas miracle, which causes Garfield to rethink his fullness. He smiles at the turkey while remarking that maybe he can handle a few bites as the episode ends.

jon turkey

Jon is also still around and still making way too much food for a bachelor and his pets.

The Garfield Show, for one, really shows its age. I don’t think it looked particularly good when it aired, but the CG looks pretty dreadful in 2018. The show basically looks like a Playstation 2 game with very simple textures and backgrounds. There’s obviously some other limitations at work as Garfield and his buddies keep hitting the same houses throughout the episode instead of showing us new faces. Garfield’s mouth also moves this time, implying he (and Nermal) are actually talking though the mouth movements aren’t particularly good. There’s also lots of animation shortcuts as we usually see the aftermath of the water being tossed at Garfield, or the needles falling off of the tree, rather than seeing those things actually animated. I would not call the show ugly, but it’s definitely not as charming as the original specials and cartoon. I will say the Christmas decor looks fairly nice, and I like the festive clothing worn by the characters in this episode.

As the voice of Garfield, Frank Welker is obviously trying to do a Lorenzo Music impression and he mostly does a decent job. It’s sort of odd that someone with Welker’s background would feel the need to imitate another voice actor, but maybe he just also felt this was the most appropriate voice for the character. Garfield is a low energy character, and the sleepy quality of his voice is part of his charm. The other music in the episode is kind of weird and sounds like an episode of Rugrats. For the carols, the characters just say “La-la-la” or “meow-meow-meow” to the tune of “Deck the Halls” which is fine. The sound design on Garfield’s drums is quite nice though.

One thing this episode does get right is the humor of Garfield. It’s not a laugh out loud kind of show and is more of an understated brand of comedy. It fits with the character, it’s the limitations of the technology behind the show that ultimately hold it back and keep it from being a true holiday classic. I’d much prefer to watch the classic holiday special, which in addition to being funnier is also rather sweet and does a better job of getting that Christmas message into the show. This one is just fine though, and as a 12 minute cartoon the caroling scheme works well with the character. Garfield just wants to get fed while doing as little as possible.

If you want to watch this one this Christmas, then you have several options. While I don’t expect Boomerang to air it, the entire show is on Netflix. There was also a holiday themed DVD of the show released titled Holiday Extravaganza which may or may not be easy to come by. There’s also an official YouTube channel for the show, so I feel comfortable actually linking you to this episode since it’s apparently official. It’s also free!


Dec. 19 – Stitch and Santa!

StitchAndSanta

Originally aired in Japan on December 24, 2008

Stitch, of Lilo & Stitch fame, is apparently quite popular in Japan. Disney is popular in general over there, but it seems like Stitch struck a chord. He has a lot of Japan exclusive merchandise and his popularity has extended well past the movie from which he originated. In the US, Stitch and his pal Lilo did get an animated series as well as multiple direct-to-video films so it’s not as if he isn’t popular domestically as well. He’s just so popular in Japan that he’s received multiple anime series that ran from 2008-2011. Following that, a series of specials aired with the newest released as recently as 2015. Since then, Stitch has actually switched markets in Asia and gone to China, where a new series launched in 2017.

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Stitch! premiered just over 10 years ago in Japan.

The first of these anime was the Madhouse produced Stitch!. It premiered on October 8, 2008 so happy ten year anniversary to Stitch!. Unlike the American cartoon series, Stitch! is not a continuation of the story started in the film but a reinterpretation. Stitch (Ben Diskin) fell to Earth and is accompanied by Dr. Jumba (Jess Winfield) and Pleakley (Ted Biaselli). He ended up on the island of Izayoi which is near Okinawa where he encounters The Spiritual Stone. He befriends a young girl named Yuna (Eden Riegel), the Lilo of our story, and is promised by The Spiritual Stone to be made the strongest in the universe if he can complete 43 good deeds. Stitch is quite mischievous though, so completing these deeds will not be easy because a bad deed takes away from his total. Pleakley crafts him a counter to keep track of his deeds, and together with Yuna, they set out to complete the task.

Standing in Stitch’s way are other experiments of Dr. Jumba gone rogue. The main villain is Dr. Jacques von Hamsterviel (Kirk Thornton), who looks like a cross between a hamster and a rabbit. He attended college with Jumba and seems to just want more power and he sees a way to attain that via Stitch’s good deed counter, or something. He’s also not a new villain as he premiered in the direct-to-video sequel to the original movie, Stitch. Gantu (Keith Silverstein) from the film works for him after he was dishonorably discharged from the Galactic Federation for bad karaoke and he’s rather incompetent. He has an obsession with an Earth soap opera called The Young and the Stupid, in particular with its lead actress. Also joining them is Reuben (Dave Wittenberg), Experiment 625, who basically just makes comments and sandwiches. He loves sandwiches and he also previously debuted in Stitch.

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Stitch is quite excited about this whole Christmas thing.

Stitch! was first run in Japan, but was also dubbed in English for other regions, though surprisingly the US was not really one of them. Only five episodes aired in the US on Toon Disney before the show was abruptly pulled. It’s possible Disney just felt it was too different from the franchise that is featured here and didn’t want to confuse audiences. Or someone just didn’t like it. The main English cast also was not utilized for the show, but that’s not surprising. As you can imagine, the show has not been released in the US as a result.

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That’s quite a Christmas tree.

The episode opens with Yuna getting ready for Christmas. Stitch has no idea what Christmas is, but Pleakley is happy to inform him since he is an Earth expert and all. He confuses basically all of Earth’s holidays as one and even thinks part of Christmas is the consumption of red-nosed reindeer, which gets Stich quite excited. Venison and presents! His excitement messes up Yuna’s tree decorating, but he refashions it into a facsimile of himself. It’s an improvement. Pleakley did at least get the Santa stuff mostly right, giving Stitch something to look forward to that night. Yuna also gifts her alien friends stockings of their own so that Santa can leave them a present tonight.

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The villains of the show with really only Hamsterviel being an actual villain. Gantu only cares about a soap opera while Reuben is just really into sandwiches.

In space, Hamsterviel is plotting to utilize Christmas to get rid of Stitch. He is planning on masquerading as Santa Claus to gain the trust of the Earth children and Stitch, and launch a plan from there. Reuben and Gantu are expected to help, with Gantu to just seeing this scheme as a means to stop his favorite actress on The Young and the Stupid from getting married. On Earth, Yuna receives a letter from Santa instructing her to meet him in the forest for her Christmas present. She and Stitch are so excited they don’t notice the obvious Hamsterviel stamp on the envelope.

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These kids want their present!

Turns out, more than just Yuna received a letter from Santa as the island’s children are shown heading for the designated spot. Along the way they talk amongst themselves trying to figure out why Santa would change things up. A particularly bratty girl named Penny (Meghan Strange) is the most vocal. When they arrive at the area, Hamsterviel is there floating in an egg-like device dressed as Santa. Gantu is dressed as a reindeer and is playing music while Reuben is just there making sandwiches. Santa Hamsterviel offers the children a cookie, and when they eat it they grow whiskers and buck teeth. It becomes clear they’re under Hamsterviel’s control, but he does still give them presents – sandwiches and plush versions of he and Gantu.

hamster claus

These kids aren’t very smart if they think that’s Santa.

Not present at the gift ceremony is Yuna, who with Stitch is running late. They’re hopeful that all of the presents aren’t gone. They’re intercepted by Kijimunaa, a little yokai who’s basically a mouth and a pair of nostrils with a mop of hair on top. He witnessed what happened with the kids and warns Yuna and Stitch that it isn’t Santa who’s giving out gifts. They confront Hamsterviel and see the transformed children who threaten to bite them and tickle them with their whiskers. Seeing there isn’t much they can do, Yuna and Stitch retreat to seek the help of Jumba. He’s irate to find out Hamsterviel stole his idea for mind-control cookies so he’s happy to help foil his scheme. He quickly builds a little, golden, cat idol that spits out cookies. These cookies should reverse the mind control Hamsterviel inflicted upon the children.

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Yuna and Stitch are not putting up with this crap, especially not on Christmas Eve!

Armed with the statue, Stitch and Yuna return to the forest where apparently Hamsterviel was content to just hang out and have the kids massage his feet. Stitch jumps around and fires cookies out of the idol at the children who consume them and return to normal. With the spell on them broken, Hamsterviel and company are forced to retreat. As the kids walk back to town, they’re all a bit dismayed they fell for such a scheme. It leads them back to the topic of Santa Claus, and Penny is that kid who wants to spoil everyone’s fun and insists that Santa is their fathers. Stitch is shocked to hear such a thing, but Yuna insists Santa is not their dads. Penny’s response is to point out that of course Santa isn’t Yuna’s dad because her dad is never home (unlike Lilo, Yuna’s dad is alive, he’s just always working so while this is a vicious burn it isn’t as vicious as it would be if she and Lilo shared the same origin) which upsets Yuna and causes her to stop dead in her tracks. She then sadly remarks, mostly to herself, that’s how she knows Santa isn’t her dad because he is never around.

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Santa apparently doesn’t dress lighter when delivering gifts in Hawaii.

At home, Yuna is a bit more upbeat than she was following her encounter with Penny. She writes a letter to Santa, but won’t tell Stitch what’s in it, that she places beside her pillow as she goes to bed. Stitch seems a bit thoughtful, but he too lays down to sleep but is soon awoken by a sound on the roof. He heads outside to find the big man himself, Santa Claus (Dave Wittenberg), on the roof. He thanks Stitch for what he did in stopping Hamsterviel earlier and also asks for his help. Stitch is very eager to help Santa, and the jolly old elf outfits him with his own Santa suit (Stitchy Claus!) and a tiny, one-deer, sleigh. Stitch surprisingly doesn’t seem tempted to eat his lone reindeer and Santa hands him a sack of toys to deliver throughout the island.

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All right, that’s pretty damn cute.

Stitch sets forth and the action unfolds as a montage. He visits most of the kids we saw earlier and places a gift in their stocking, which most seem to hang from their bed (a Hawaiian tradition?). He even gives that jerk Penny a gift, and saves Yuna for last. In the morning, the kids are gathered at Yuna’s house to show off their presents. Yuna got exactly what she wanted, while Penny got a book on how to be nice. Even Hamsterviel is shown as having received a gift – a giant hamster wheel because he’s out of shape. Gantu received a costume from his favorite soap opera, which brings him to tears, while Reuben has decorated their tree with nothing but sandwiches. On Earth, Kijimunaa asks Stitch what Santa got him, which causes Stitch to realise he didn’t receive a gift! He heads back to his room and finds a letter from Santa thanking him for all he’s done. Stitch then checks his good deed counter and watches it increase by five deeds. This excites him quite a bit as he looks to the heavens and the episode ends.

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But this is actually cuter.

“Stitch and Santa” was a pretty charming way for me to get acquainted with this series. Prior to this, I knew it existed but had never sought it out. It looks like a fairly typical anime, while the character designs of the characters we know from the films largely look the same. The voice cast is fine and Hawaii is still a lavish setting. I enjoyed the design of Hamsterviel who is so cute he isn’t threatening and it was interesting to see the new interpretation of Gantu. A lot happens in the 20 minutes the episode lasts to build up to the climax of Stitch helping Santa. There’s something really charming and cute about that whole sequence making it a really nice pay-off following the rather breezy scheme plot.

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Stitch saying “Thank you, Santa” is also pretty adorable. I can’t handle the cuteness!

Since the lore of the show is so different from the film it makes it a bit difficult to just drop-in. Stitch being friendly with Jumba and Pleakley isn’t too odd since that’s basically how the movie ended, though the presence of Yuna is confusing. I at first thought she was just an anime version of Lilo, but obviously I was mistaken. I had no idea about the deed counter though, so Stitch’s ultimate present was a bit of a head-scratcher until I read-up on the series. I’m a little disappointed this didn’t get a US broadcast and release as it seems like it has potential. Because it wasn’t released, it would seem Disney doesn’t care about protecting its asset so this was exceptionally easy to find streaming online. If you like Stitch and want to see a different take on him, go ahead and check it out. There’s enough Christmas feels here to make it a worthwhile holiday viewing experience.


Dec. 18 – I Am Weasel – “Happy Baboon Holidays”

happy baboon holidays

Original Air Date September 30, 1997

For today’s installment, we’re taking a trip back to Cartoon Network of 1997 and the animated short I Am Weasel – “Happy Baboon Holidays.” I Am Weasel originated as a segment as part of the Cow and Chicken show, which was part of the second wave of Cartoon Cartoons to become a full-fledged show. Like Dexter’s Laboratory, Cartoon Network asked the show’s creator, in this case David Feiss, to pair off the characters with another original character to provide some variety for the show. Feiss’s creation ended up being I. M. Weasel, a heroic weasel (voiced by Michael Dorn) who is beloved by all and always does the right thing. As an antagonist, there’s I.R. Baboon, a moronic and mean-spirited baboon who refuses to wear pants and hates Weasel. The pairing of a weasel and a baboon was inspired by the classic nursery rhyme/song “Pop Goes the Weasel,” and Feiss just thought it would be funny to have a heroic weasel instead of the typical weasel character which is usually scheming and selfish.

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I Am Weasel ran from 1997 to 1999.

I Am Weasel ended up being popular enough to get spun off into its own show. The old segments from Cow and Chicken were also packaged together making the broadcast order of the show a little confusing. It technically spanned five seasons, though it really only had one 27 episode season as its own show. “Happy Baboon Holidays” was part of the first season and originally aired with episode 12 of the Cow and Chicken show which first debuted on September 30, 1997. None of the other shorts appeared to be Christmas themed, and I don’t know why a Christmas I Am Weasel was inserted into a Cow and Chicken episode before Halloween. As we saw with Johnny Bravo last year and Dexter’s Laboratory earlier this month, Cartoon Network didn’t seem to think it mattered if Christmas episodes premiered out of season.

The comedy of I Am Weasel is largely slapstick in nature, and it also relies on the dichotomy of the two leads. It also, like Cow and Chicken and many 90s cartoons, thinks butts are inherently funny. I. R. Baboon’s bright red rump is almost always in frame when he’s present and there are plenty of close-ups on it. It’s probably the most detailed aspect of the character too. The audience is also expected to laugh at how poor and miserable Baboon is justified by the fact that he’s stupid and mean. The squeaky clean Weasel is actually rather boring as he’s pushed into the straight-man mold. He speaks intelligently and is often accompanied by a heroic theme. The series was aware of the fact that Baboon was really the star, since the humor flows through him, and he basically overtakes Weasel in the fifth season.

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Of course, he exits butt-first.

This episode opens with I.R. Baboon (Charlie Adler) in his dilapidated trailer doing laundry. Baboon is too poor to own an actual trailer that one would live in and actually lives in something closer to a camper. There’s a knock on his door and he peers through the peephole to see his family:  mom, dad, and sister. His mom (DeeDee Rescher) announces they’ve decided to surprise him for Christmas, and Baboon goes into panic mode because his home is not prepared to host for the holiday. He jumps out the window, leaving his family outside in the snow, to go fetch a Christmas tree.

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Weasel’s tree actually isn’t much better than what Baboon ends up with.

As Baboon goes off tree-hunting, time passes and snow falls causing his family to freeze. Weasel sees them and drags them into his lavish home which towers over Baboon’s trailer and thaws them out. Once free from their icy prison, the Baboon family is quite taken with Weasel’s home and find him quite charming. Mom even seems tickled by Weasel, but concedes she’s married and offers up her rather large daughter (Marabina Jaimes). Weasel is much too polite to decline the young baboon’s affection, though he’s clearly not interested.

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Easily the episode’s best visual.

Baboon returns home with a gigantic tree that he shoves through his front door and through the back of his trailer. It basically just lays there looking ridiculous. He notices his family is gone, but looks up and sees them singing carols with Weasel from his balcony. This enrages Baboon and he takes his wrath out on Christmas. He smashes the inside of his home and totally trashes it, destroying anything resembling Christmas. He even rips all of the needles off his freshly harvested tree, but he’s not done, for he needs to take revenge on Weasel. He seals Weasel’s chimney so Santa can’t come and covers the roof of his house with explosives to ensure his Christmas is ruined. After his trap is laid, he seems to lose his enthusiasm for mayhem. He returns to his ruined home to cry.

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Baboon’s rather large sister really takes a liking to Weasel.

Weasel takes note of Baboon’s sad state, though his reaction feels a bit detached like he doesn’t even know who this Baboon is. He realizes that Baboon needs to be cheered up so he puts on a Santa costume and stuffs a giant sack into Baboon’s home. Baboon looks upon this “Santa” with cautious eyes as the sack is opened to reveal Baboon’s family. He snaps out of his depression and is now happy to have his family in his home for Christmas.

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Baboon revolts against Christmas.

Unfortunately, he fails to tell Weasel about the trap he left for the real Santa. An explosion rockets Santa (Bruce McGill) off the roof and plunges him into a snow bank outside of Baboon’s trailer. Weasel frees him, but finds Santa is feeling a bit blue as this is apparently not the first trap-laden roof he has come across this evening. To help reinvigorate Santa’s Christmas spirit, Weasel directs him to look in on the Baboon family where he sees the four happily exchanging Christmas gifts. This seems to warm Santa’s heart, and all is right on Christmas as the brief short concludes.

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Weasel does get to play Santa in this one.

“Happy Baboon Holidays” is fairly low-key for an episode of I Am Weasel. There aren’t even many butt jokes, save for Baboon’s boxer shorts containing a hole to display his prized rear end. Baboon’s tantrum is rather brief, but I suppose the most entertaining part of the episode. It’s kind of sad to see him smash his meager possessions, though I think it’s supposed to be funny to see him stupidly harming himself. The Baboon family doesn’t offer much, and the giant, ugly, sister isn’t really funny either. I don’t think I actually laughed at this show, though I did find the visual of Baboon stuffing a full-sized tree into his trailer kind of amusing.

Visually the show is pretty simple. Backgrounds are rather sparse and the show has a very flat look to it. Baboon is designed with a lot of corners and straight lines and is meant to be rather ugly, though Weasel doesn’t exactly look pretty either. The snow looks nice though and I did get a sense of cold from the visuals. The depiction of Santa is kind of ugly though, not as ugly as George and Junior‘s Santa, but definitely not as nice as the Flintstones/Dexter’s Laboratory one. He comes flying in on a sleigh pulled by four reindeer, which earns instant demerits from this reviewer.

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A nice, warm, ass-exposed, hug makes any Christmas worth having.

“Happy Baboon Holidays” is not really worth watching. I suppose if you liked Cow and Chicken it might be worth it to watch the entire half-hour block this segment first aired in. I did enjoy that show when it originally premiered, but I doubt I would now. It was a very 90’s show so it was rather loud and obnoxious. It struck me as the type of show that reveled in appealing to children at the expense of their parents. The show was actually pretty popular and one of Cartoon Network’s most successful. Despite that though, I Am Weasel has not received a proper physical media release. Seasons 1 and 2 were released in Thailand for some reason, while season one was also released in Region 4 (Australia/New Zealand). For US audiences, only sparse releases exist of a few episodes at a time on VHS and DVD. If you want to see this particular episode, you’re actually in luck as it was part of the 2005 release Cartoon Network Christmas 2:  Christmas Rocks. That DVD will likely only set you back around 5 bucks making this special one of the cheapest, and easiest to obtain that we’ve covered. If you’re dead set on not acquiring more physical media though, Cartoon Network is pretty lax when it comes to these old cartoons so free versions are not hard to come by online.


Dec. 17 – Metalocalypse – “Dethmas”

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The boys of Dethklok (left to right):  William Murderface, Skwisgaar Skwigelf, Nathan Explosion, Pickles, and Toki Wartooth

A show that felt like it was made for, Metalocalypse was an animated show on Adult Swim about a fictitious death metal band and their misadventures. And yet, it was a show I could never get into. It began in 2006 as I was exiting college and heading into “the real world” in which I had a brutal commute and long working day. As a result, I was forced to abandon my night owl lifestyle which meant I missed out on a lot of the Adult Swim programming that began during this era. Even when things calmed down for me and I attained some normalcy, I never really returned to Adult Swim for no particular reason and I slept on this show, despite numerous friends telling me it was something I needed to watch. I saw an episode here and there, it just never stuck. It was also kind of annoying to watch on cable since the script for each episode is loaded with profanity so there’s a constant stream of bleeps when shown on television. This is a show best enjoyed on either home video or via an uncensored streaming platform.

“Dethmas” originally aired December 6, 2009. Unlike a lot of these simply animated programs on Adult Swim, Metalocalypse is a half hour formatted show (for season 3 only). It was the brainchild of Brendon Small, a musician himself who is probably best known for the show Home Movies, and Tommy Blacha. Only someone familiar with the European metal scene could dream up this show, and it’s pretty incredible that it received a green light from Cartoon Network given how niche the subject matter is. It ended up being one of the longer running shows for the network, finally coming to an end in 2013 with a one-off special. In total there were 63 episodes produced, and this episode was part of the show’s third season.

Dethmas tree

Christmas is coming for Dethklok.

The show opens with the band watching television. They’re watching the news (and the anchor is voiced by Mark Hamill) coverage of their “friend” Dr. Rockzo (Tommy Blacha) who has been arrested for stealing from a homeless charity to fund his cocaine addiction. Dr. Rockzo looks like an 80’s David Lee Roth if Roth were a clown strung-out on cocaine. Toki (Blacha) is given some grief by his band mates over his friend’s relapse, but Toki is quick to point out he’s severed all ties with the clown. The conversation then shifts to the upcoming Christmas holiday, and William Murderface (Blacha) wants to put on a Christmas special, but the rest of the band tells him that’s lame. He gets pretty pissed off and vows to go it alone. Nathan Explosion (Brendon Small) reveals that their moms sent them a DVD for Christmas, and the band reluctantly watches it. It’s pretty easy to tell which woman on the video is related to which band member, with the most obvious being Murderface’s grandmother who looks exactly like him except she’s obese and rides a scooter. Murderface is quite taken by Skwigelf’s mother, a buxom blonde who briefly exposes her undergarments Sharon Stone-style. The video ends with the revelation that the moms are coming for Christmas, and the band is not happy.

dethklok moms

The Dethklok mothers, and one grandmother.

The band is then shown lounging in a hot tub still complaining about their mothers and Christmas. We’re shown a brief montage of what happened last time the ladies visited, which apparently included a drunken game of Twister. They vow to not let their moms drink this time. Murderface then meets with his business partner, Dick Knubbler (Small), and he’s not happy that the rest of the band won’t be joining them. He informs Murderface that he won’t have any creative input, and when asked why, he lists out other failed business ventures by Murderface which included exploding pyro devices and a cologne of his own urine. They need to secure some financing though, and it’s going to be hard with just Murderface.

rockzo claus

One horrifying Santa.

Dr. Rockzo is also shown being released on bail. He’s told to stay out of trouble and get a job. Conveniently, Toki, being the only member of the band who seems to love Christmas, heads off to the mall to see Santa and that’s just where Dr. Rockzo ended up getting a job (as Santa). Rockzo is able to get Toki to take him back to the home of Dethklok where he continues to go through cocaine withdrawals. Murderface also receives a phone call from Knubler letting him know his proposed ideas for the special (he wanted tits and murder) have been rejected. Worse news, they only found one sponsor:  The Christian Church. When Murderface questions if aligning himself with the Church would be considered selling-out, the various yes-men on the line suggest it’s fine and he cheerfully goes along with it.

The mothers have also arrived, and no one is happy. The moms want the boys to take them shopping, and we get a brief sequence of Explosion trying to find a parking space at the mall which ends in a car accident. Meanwhile, Dr. Rockzo has escaped and has managed to score some cocaine. He happily prances around the park announcing his score to the world while waving his drugs around in a plastic bag until he runs into a cop.

murderface view

Murderface doesn’t seem to mind at least one of the Dethklok moms being there.

Murderface and Knubbler are forced to meet their sponsor, an unnamed priest voiced by Small. He wants to put on a very Christian production and Murderface appears more onboard than Knubbler who can’t stop swearing in the priest’s presence. When he returns to the homestead, he finds his band mates in Christmas sweaters completely miserable. This allows Murderface the chance to convince his bandmates to join the special with him as it’s something they can do with their mothers to get them off their backs. He also claims it will be brutal, which is a blatant lie, but is needed to get Explosion onboard. We then get a montage, framed by Rockzo’s coke habit, of the band and their moms getting ready for the special. A lot of the images show the band forcing their moms into manual labor to get the set constructed.

murderface special

This will not go well.

When the special arrives, it’s actually a fairly wholesome experience. Hosted by Murderface and Knubbler, they do the nativity in which the baby Jesus defecates repeatedly and the audience seems to enjoy the impromptu poop jokes. The priest seems pleased as well, and the scene shifts backstage where Murderface’s grandma is on the hunt for booze. She finds a door comically chained and locked and claims to smell alcohol behind it. Rockzo is also there, and he’s managed to gain access to the backstage area. Toki, getting ready for his prized Secret Santa portion of the special, finds all of his gifts are gone and he immediately blames Rockzo. Meanwhile, the rest of the band is watching the special unfold on live television from the green room, and Explosion sees who the sponsor for the show is and immediately gets pissed.

rockzo job

At least Dr. Rockzo got to enjoy himself.

On set, Murderface and Knubbler are dressed in tuxedos and are seated in a living room setting. A knock on the door prompts them to speculate on what surprise awaits them on the other side, in true corny Christmas special fashion. It’s the mothers, and now armed with booze are completely smashed. They stumble onto the set rather clumsily. Explosion is next, and he simply punches Murderface in his murder face and drops an f-bomb, which does not go over well with the priest. The other band mates storm in and they’re just as pissed, and Dr. Rockzo is there as well. He collapses onto the couch and Skwigelf’s mother begins giving him a handjob. Toki also gets crushed by a giant cross on set along with Murderface’s grandmother, which Murderface seems to enjoy. With the whole special in disarray, the priest attacks Murderface and begins choking him out as Knubbler is forced to hastily wish everyone a Merry Christmas.

“Dethmas” is a silly Christmas special, which you probably expected. It seems absurd for this show to even have a Christmas episode, but the setup works and it’s amusing to see the band get suckered into a Christmas production. It’s a very crass special, with tons of profanity and even the other F-word is used at one point, which surprised me. The context was that Murderface and Knubbler looked “sissy” while hosting their special. It makes sense in that context, since it’s coming from an aggressively macho metal band member, though I do wonder if it would have been used if recorded today. Rockzo and his cocaine addiction also gets a lot of play for laughs, though by the end of the episode I was mostly over that. Him getting a handjob during the special though made up for it, as that visual was quite amusing. I’m guessing Adult Swim wouldn’t let them get away with animating anything more salacious, such as oral sex, as the positioning of the characters suggests maybe that’s what they originally intended to have happen.

dethmas ending

Not the ending shot the Christian Church was banking on.

I did enjoy the portrayal of each band member and their response to the holiday incoming. Toki was the cute one who genuinely likes Christmas and Santa and all of that stuff. He just wants to give his buddies gifts and be merry. Meanwhile, Nathan Explosion hates Christmas, but he also keeps finding a silver lining in the holiday suggesting the Christmas Spirit could be a murderous ghost or something. Pickles (Small) and Skwigelf mostly can’t be bothered with the holiday, though their attitude towards it is closer to Explosion’s. Murderface just wants to make money off of it and enhance his star. As the least charismatic member of the band, it makes sense that he always has an inferiority complex and is willing to sell-out for additional fame.

If you think your holiday needs a satirical dose of Heavy Metal, then “Dethmas” should do fine. It’s actually fairly light on music, but the atmosphere is still there. It’s also easy to come by. If you just want to stream it, Adult Swim will let you watch it on YouTube for a couple bucks. You can also pick it up with the rest of Season 3 on DVD. If you go that route it will probably set you back around $25 if you want it new, less if you’re willing to go used. You can also purchase it digitally through Amazon for $2.99 an episode. There’s also the chance Adult Swim airs it this month. The network is usually pretty good about airing its Christmas Specials though it favors shows still in production so it could get passed over. If you want to see this one though, you have no shortage of options.


Dec. 16 – Mickey’s Christmas Chaos

christmas crisisAlternatively known as Mickey’s Christmas Crisis, Mickey’s Christmas Chaos is a Mickey Mouse Works cartoon from 2000. If you’re like me, you were probably “too old” for The Disney Channel around the turn of the millennium and are not too familiar with the Mouse Works toons. This was basically Disney’s attempt at creating a new series of cartoon shorts starring its classic characters. They’re 2D animated and usually run around 7 minutes and were shown on television as opposed to being a theatrical short. They vary in quality, and while very few measure up to the classic shorts, I’m happy they exist.

These shorts originally aired in blocks, but were eventually repackaged as part of the House of Mouse series which launched in 2001 as part of ABC’s One Saturday Morning programming block. House of Mouse basically packaged these shorts, and select classic shorts, together with a wrap-around animated segment taking place at the actual House of Mouse which was basically a club owned by Mickey and all of the animated characters would show up for the party. Again, it’s not a show I’ve seen a lot of and what I have seen never really wowed me, but I still think it’s great some attempt was made to keep these characters in a starring role.

mickey mouse works

Mickey’s Christmas Chaos originally aired as part of the Mickey Mouse Works shorts.

Mickey’s Christmas Chaos first aired September 16, 2000 alongside Mickey’s Mix-Up and Whitewater Donald. It was then included in episode 44 of House of Mouse, “Clarabelle’s Christmas List,” where it was re-titled for some reason as Mickey’s Christmas Crisis. That episode aired December 2, 2002. As the title implies, this is a Mickey Mouse cartoon that takes place around Christmas and features Mickey’s loyal dog Pluto and adversary Mortimer Mouse.

house of mouse

The short was re-packaged with other Mouse Works cartoons as Mickey’s Christmas Crisis for the House of Mouse program.

The episode opens with Mickey (Wayne Allwine) emerging from his home to decorate his house for Christmas. Pluto (Jim Cummings) is alongside him and we learn that Mickey is aiming to win a local decorating contest. He decorates his house as only a cartoon character can affixing some garland to a toy airplane which flies around the house spreading the garland around while Pluto (in a sort of nod to Pluto’s Christmas Tree) flings ornaments from his tail to decorate as well. Next door, Mortimer Mouse (Maurice LaMarche) emerges from his house to mock Mickey’s decorating. He seems to think tacky is good as he brags about his electronic talking Christmas wreath while looking down on Mickey’s more traditional wreath. They then engage in a game of one-upmanship, as they each keep making their wreath more extravagant until Mortimer slips a toilet seat into Mickey’s box which he affixes to his wreath then reacts with horror.

mickey decorating

Mickey and Pluto have a deocrating contest to win.

The two mice then turn to one-upping each other via lights. Mickey has tastefully outfitted his house with Christmas lights, while Mortimer just throws a bunch of traditional lights onto his house such as lamps and bulbs. It’s hideous, but he seems to like it. Mickey counters by turning on his lights, which like Clark Griswald, causes a brown out across town. The heat from the lights even gives Mortimer a sunburn.

mortimers power

I think it’s fairly common knowledge now, but Mortimer was originally the name for Mickey but Walt’s wife Lilian disliked it. The character Mortimer was later created for Mickey’s Rival and designed to resemble Walt Disney.

It’s then onto the tree, and Mickey sets up a rather nice one in his yard by basically planting a box of Christmas decorations in the ground. Mortimer sets his tree up Grinch-style, opening it like an umbrella and allowing presents to fall out. Mickey then starts spreading items out on his lawn which include a church diorama and Uncle Scrooge and his nephews as carollers. Mortimer starts doing the same and even uses Pete as an angel to decorate his lawn while Mickey has a Goofy Claus. Mortimer swipes Goofy, and Mickey in turn swipes Mortimer’s nut roaster. They then get kind of nasty and even destroy each other’s trees, which also destroys Mortimer’s house momentarily.

mickeys house

Nice job, boys.

Then the two start just stealing each other’s decorations in outlandish fashion. Mickey has some extensive technological implants in the neighborhood which allows him to swap houses with the pull of a lever. Mortimer, to his credit, has a giant bucket-crane to pluck decorations off of Mickey’s house to place on his. Things then take a real Looney Tunes turn. When it appears Mortimer has won, Mickey gives him a wreath. It has a black ribbon on it that reads R.I.P. and when Mortimer sees that he looks over his shoulder at his Christmas tree which is loaded with bombs and TNT. The resulting explosion takes out both houses and leaves both mice covered in soot, but Pluto’s dog house is intact. The decorations fall out of the sky and land on Pluto’s house right as the mayor shows up to judge the contest. Pluto is awarded first prize, and when Mickey and Mortimer are about to come to blows a “Peace on Earth” marquee behind Pluto’s house reminds them what season it is. They then exchange gifts, seemingly putting an end to their feud, but each mouse takes a peek in the gift before opening it. They both angle their box at each other in an unassuming manner and when both open the package a spring-loaded boxing glove shoots out of each one knocking them both out.

mortimer yells

Mortimer’s a jerk, but Mickey gives as good as he gets which is unusual for him.

Mickey’s Christmas Chaos is a screwball cartoon. It’s much more Warner Bros. than Disney with two characters basically taking each other out and trying to raise the stakes with each gag. It’s not nearly as smart or as funny as a Warner Bros. short though. I like the little cameos of other characters including Scrooge and Chip and Dale and Mortimer is a great foil for Mickey. He doesn’t really get nasty enough though and I wish he at least had some good insults, but his dialogue is fairly routine. Same for Mickey, though at least he gets to be a bit more antagonistic than he typically is. This isn’t a perfect Mickey and he gets mad and even a little mean, especially with the bomb-tree. I also like that Pluto gets to be the only good character in the short, and in the end it’s he who is rewarded.

The animation is 2D, but fairly simple. The characters look nice and they animate in a very 90s fashion. Their movements are a bit exaggerated and they have a rubbery look to their limbs. The backgrounds are a bit disappointing though, especially in the long shots. There’s a disconnect between them and the action. As a result, this and basically all of the shorts from this series look inferior to the classic shorts, but I suppose that’s not surprising since those were made for the movie theater and not television. The thing that disappoints me a little though is these shorts aren’t even on par with the late era Disney Afternoon shows like Bonkers. This show came at a time when there was a shift in children’s programming and it wouldn’t be long before some networks pulled out of Saturday Morning all together and it’s reflected in the diminished budget for shows of this era.

mortimers gift

This one surprisingly doesn’t end with the two making up.

“Mickey’s Christmas Chaos” isn’t a bad cartoon, but it’s hardly memorable. That’s the case with most of the Mouse Works cartoons that I have seen. The ones I’m most familiar with are the Donald Duck ones included on the Chronological Donald – Volume 4, and even those I’ve only watched once or twice. As I said before, I’m happy these shorts exist and that the modern character actors got to voice these characters outside of Disney Park exhibits and early childhood shows like Mickey Mouse Clubhouse, but they’re not on par with the classics. Disney also hasn’t done much with these shorts since they ceased airing, but they’re actually pretty protective of them across streaming sites which stands in contrast with their attitude towards their classic shorts. Most have never received a home video release, and this cartoon is no exception (though snippets of it appear in Mickey’s Magical Christmas: Snowed in at the House of Mouse) in that regard. Disney basically stopped airing House of Mouse in 2009, so it’s probably not getting shown on television this month. And as I mentioned, it’s surprisingly tricky finding this online somewhere, but if you’re willing to dig, it’s there. Definitely search for the House of Mouse episode “Clarabelle’s Christmas List” instead of just looking for this cartoon. If you don’t want to look for it though and would rather watch Pluto’s Christmas Tree or Toy Tinkers then I don’t blame you one bit.


Dec. 15 – The Night Before Christmas with Tom and Jerry

tom and jerry xmas

Originally released December 6, 1941

As someone who loves the cartoon shorts produced by Warner and Disney, I sometimes am guilty of overlooking the contributions of MGM from that same era. MGM was a big player back then, and their flagship creation was Tom and Jerry. The cat and mouse pair first debuted in 1940 and were the creation of William Hanna and Joseph Barbera, two folks most associated with television creations through their company Hanna-Barbera. Because the quality of those television productions is largely poor, Hanna-Barbera is more of a punch-line in the world of animation which is why I always try to keep things in scope. Their creation of Tom and Jerry is their crowning achievement and their greatest contribution to the world of animation. They were also responsible for bringing animation to television, which is something we can likely all agree was a good thing, even if we turn our noses up at the likes of Jabber Jaw and Grape Ape.

Tom and Jerry’s third cartoon was the 1941 classic The Night Before Christmas. It was nominated, but did not win, an Academy Award and it was once a Christmas staple on Cartoon Network, but is now relegated to home video and streaming services. It was written and directed by the duo of Hanna and Barbera and even features voice work by Clarence Nash, as Tom, who is most famous for being the voice of Donald Duck. He went uncredited in this short, perhaps because of his association with Disney or perhaps just because a lot of folks initially went uncredited who work in animation.

jerry trap

Jerry’s too smart to fall for that.

The short opens with a narrator (Frank Graham) reciting the opening to A Visit from Saint Nicholas, more commonly referred to simply as Twas the Night Before Christmas. The camera pans through a cozy home all decorated for Christmas and rests on a mouse nook in the wall with a mousetrap outside it. The trap contains a wedge of cheese with a festive red ribbon placed around. Given the cheese is in a trap, I’m thinking this isn’t the work of one Santa Claus. The narrator ends his narration after the conclusion of the mouse line from the poem, which is Jerry’s cue to emerge from his home.

one happy mouse

Jerry is so stinkin’ adorable throughout this cartoon.

Jerry is a happy little rodent who seems delighted by the festive decor. He pays the cheese no mind as he happily skips over to the Christmas tree which is loaded with gifts and treats. He finds a candy cane and licks the stripe off of it and also manages to get his head stuck in the mouth of a stuffed lion. He soon discovers that same lion has a squeaky toy in its belly, and he delights in bouncing up and down on it to make it squeak. The force of his bounce causes him to bounce off of the lion and come to rest on a soft, furry, gray surface. Mistaking this for another toy, he bounces up and down trying to make it squeak, only to come to find he’s actually bouncing on the rump of one Tom the cat.

jerry attacked

I bet I know how this encounter ends…

Upon being woken up by the careless mouse, Tom takes a swipe at him only for Jerry to avoid him and slap a Do Not Open Until Christmas sticker over his mouth. It’s a frequent gag in old cartoons, even in ones not taking place at Christmas (Daffy Duck Hunt). Tom chases Jerry around the Christmas tree and through the various toys where the characters pause for comic hijinks. Jerry uses the various toys to his advantage, and even demonstrates how cartoon science works. Upon noticing a missing bulb in a string of Christmas lights on the tree, Jerry jumps into the exposed socket and immediately glows like an angel atop a tree. When Tom grabs Jerry he’s immediately electrocuted though Jerry is unharmed.

xmas gag

…nailed it!

Jerry is able to escape through more toys and comes to rest atop a model train. Tom is forced to stop when the crossing bar for the train is lowered and Jerry goes on by. He’s a bit careless though as he’s knocked from the train when he fails to duck for a tunnel giving Tom an opening. Jerry hides in a boxing glove and is able to jab at Tom who grabs the matching glove. He gives chase once more and Jerry takes shelter in a box, which turns out to be a jack-in-the-box which belts Tom in the face.

lighted jerry

I’ve seen enough cartoons to know it won’t end well for you, Tom, if you touch that mouse.

After recovering from the blow of the toy, Tom gives chase once more and Jerry arms himself with a piece of mistletoe he plucked from a wrapped gift. He stands there holding it over his head while making kissing faces towards Tom. Tom pauses in his pursuit to fold his arms across his chest and feign indifference to Jerry’s advances. He soon softens and appears to be flattered at Jerry’s proposal, eventually giving in and kissing the little mouse. While Tom is basking in the the afterglow of the smooch, Jerry slips behind him and kicks him in the butt.

tom and jerry mistletoe

Mistletoe:  the only aphrodisiac that works on sight.

Tom, now wounded both physically and emotionally, chases Jerry once more who jumps through the mail slot in the door and escapes outside. From there he’s able to pelt Tom with a well-aimed snowball through the mail slot, but it’s his final act of mischief as Tom simply piles household objects in front of the door to prevent Jerry from getting back in.

concerned tom

Tom soon begins to worry about that adorable little mouse.

Satisfied he’s dealt with the mouse, Tom grabs a fluffy pillow and prepares to lay down beside a roaring fire. As he does so the mournful tunes of “Silent Night” begin to play, and Tom looks over at the blocked mail slot with some concern. Jerry is shown pacing back and forth in the snow outside. The camera jumps between the two as the volume of the music increases. Tom tries to distract himself, but it’s clear he’s experiencing some guilt over trapping the mouse out in the cold. Jerry continues to pace as the snow accumulates around him eventually overtaking him. When Tom can’t stand it any longer, he races over to the door and removes the blockage. He then hides behind a corner and waits for Jerry to come back in. When he doesn’t, Tom opens the door and sees a snow-covered object sticking up from out of the snow. He grabs it and it at first resembles a popsicle. He shakes it to reveal a frozen Jerry and he races back inside.

frozen jerry

A mousicle.

By the fire, Tom thaws Jerry out by the tail and places him on his pillow. As Jerry comes to, he’s at first scared to see Tom but is soon gifted a candy cane from the now softened cat. He happily licks it while Tom goes over to a bowl of milk to indulge himself. Jerry then races over to stop Tom from drinking the milk. He plunges the candy cane into the milk splashing Tom in the process, but also triggering a mouse trap he had apparently hidden in the milk for his adversary. Tom smiles and returns to his milk while Jerry heads for his nook. He pauses outside it and takes note of the wrapped cheese wedge on the mouse trap. Using the hooked end of his candy cane, he safely removes the cheese only for the trap to snap-back and reveal it wasn’t a trap at all, but a music box which plays “Jingle Bells.” As the song plays, Jerry looks to the camera with glee as the short ends.

jerry rescue

Jerry repays the favor, because Christmas.

The Night Before Christmas is a delightful little short starring Tom and Jerry. It contains the chase scenes the duo is known for while also putting a Christmas spin on everything. The layout of the home and the various Christmas decorations creates a very festive setting. It’s a home I want to visit for Christmas. The sweet conclusion of the short is also the right note to strike for a Christmas themed cartoon. It’s interesting that MGM was willing to show Tom and Jerry in such a light after only a few shorts, but it’s still sweet nonetheless and for most people who actually view it today I doubt it feels too soon. There’s plenty of festive music as well, and I’m glad the short didn’t include the entire poem it borrows its title from. This is also the only post this year that is duplicative of acartoonchristmas.com, but it’s so wonderful I think there’s plenty of room for many posts like this.

jerrys happy xmas

Just look at that happy little guy!

Visually the short is near breathtaking. Jerry is so plump and happy and his expressions feel authentic and genuine. I love how happy he is just checking out all of the Christmas toys under the tree and his expression to close short is perfection. Tom has a nice scruff to his appearance, considering he is a tom cat after all, but he too is capable of all manner of expressions. I really enjoyed the back and forth between he and Jerry during the mistletoe scene, and Tom’s anguish over Jerry being locked out in the cold was played well. The characters do not speak, so it falls on the animators to make sure we understand what they’re experiencing in the moment. A particular triumph is when Tom removes the obstruction from the door in hopes that Jerry will return. He hides behind the wall likely because he’s not entirely sure he’s comfortable with Jerry knowing he extended such a courtesy to him, but all the while the look of fear is etched on his face that the little mouse is no more.

Tom and Jerry cartoons may not air on television much anymore, but they’re still easy to come by. This particular short has been released several times on home video including the Christmas themed Tom and Jerry: Santa’s Little Helpers and the Blu-ray release Tom and Jerry Golden Collection Volume One. If you just want to see this short and aren’t interested in purchasing a DVD or Blu-ray, you probably won’t have much trouble finding it online for free to stream. And I totally recommend it as this is right up there with my favorite Christmas shorts from Disney.


Dec. 14 – Olaf’s Frozen Adventure

olaf frozen adventureJust past the halfway point is where our most controversial Christmas special appears:  Olaf’s Frozen Adventure. It’s not controversial for anything fun. No alluring scenes or hints of violence or anything like that. It’s controversial because of how poorly received it was when it was paired last year with the Pixar film Coco for it’s theatric release. Pixar and Disney films often have a short film that leads them off, but usually that short is from the same studio and it’s, well, short! Pixar may be owned by Disney, but the audience doesn’t entirely overlap. Pixar attracts an older audience while Disney still appeals more to children and families. And Coco was a pretty important film for a lot of people. Centered around the Mexican holiday Dia de los Muertos, a lot of people and families of hispanic origin were delighted to see Disney recognize their culture with such a film. That it was attached to a Frozen short that wasn’t very short could have been viewed as the studio not believing in Coco, that it needed the marketing might of Frozen behind it, in order to succeed. I like to think it didn’t, as Coco is one of the finest films ever released by Pixar. The backlash against the Frozen short though was enough to cause Disney to pull it after only a couple of weeks. It was then shown on television shortly after, where it belonged as a Christmas special considering it’s the exact length one would expect a half-hour television special to run at.

It’s possible that Disney didn’t believe in Coco, but I think the placement of Olaf’s Frozen Adventure is a bit less cynical. When Frozen was released in 2013 it was a huge success. Disney probably knew it had a hit on its hands, but you’d forgive the company if it was a bit hesitant. Frozen had a long, tortured, development cycle when it actually began as a 2D feature that ran into lots of problems, technical and with the story. Movies, music, video games – these things happen with art and entertainment that has long development cycles, but usually when a project runs into the problems Frozen did the end result is often underwhelming. Frozen bucked that trend though and it was pretty obvious this was the start of a new franchise. The problem is, no one really put much thought towards the future, so a Frozen sequel would be many years in the making. To try to keep Frozen in the hearts and minds of its audience, Disney commissioned some shorts. First was Frozen Fever, a true short released in 2015 (where it was more logically paired with the live-action Cinderella movie) followed by this one in 2017 (there was also a Lego Friends television special in 2016 called Frozen Northern Lights). This particular short seems to obviously have begun as a television special, but Disney wanted to give it the big-screen treatment, which obviously didn’t go so well. I did see this with Coco and I agree with those who felt it was far too long for that setting. I have no real affinity for the franchise, my kids love it and so does my wife, but I think it’s fine. I imagine those suffering from Frozen fatigue found it hard to sit through this one when they just wanted to see Coco. When are they going to get to the fireworks?!

olaf search

The world’s most popular snowman gets his own Christmas special.

With Disney making the move to television with Olaf’s Frozen Adventure, I’m more optimistic this story can find a home. I’m running it this early in the countdown in hopes that this beats it to air for 2018, if it is to air at all (check the bottom of the post if you’re only interested in that detail). It has the talent of Walt Disney Studios behind it so it looks every bit as good as other animated works to be released in theaters, and even looks better than the feature Frozen. And as the title implies, it’s going to feature a heavy dose of the snowman Olaf (Josh Gad). It’s sometimes dangerous to make the comedy relief character the main attraction, but considering this is a shorter piece than a movie it’s a safer move than say what Cars 2 did with Mater. And while it is a Christmas special, the actual holiday is rarely mentioned as it tries to be a catch-all for all of the winter solstice holidays.

party planning

Anna and Elsa are getting ready to celebrate their first Christmas in forever and are planning a big celebration to kick things off.

The special opens with Olaf trying to surprise various attendants in the castle. They’re setting up for a big surprise party of some kind and the snowman is a little too eager to get the festivities underway. Anna (Kristen Bell) and Elsa (Idina Menzel) soon approach (in new winter attire; gotta think about the real world toys!) to explain to him that the surprise occurs after the ceremony unveiling the holiday bell. The characters break into song, “Ring in the Season,” and if you didn’t assume it let me explicitly state this thing is a full-blown musical. The songs aren’t written by Robert and Kristen Anderson Lopez this time around though, but by Kate Anderson and Elyssa Samsel. The pair manages to capture the sound of the film’s musical stylings, which is actually admirable considering they had less time to work with.

As the pair sing, we see a crowd of people enter the courtyard while Kristoff (Jonathan Groff) and Sven bring in the bell. It’s hoisted to the top of the tower and rung and everyone rejoices. Anna and Elsa then try to welcome everyone into their surprise party, but to their surprise, no one notices as they’re all leaving. When they go running up to individuals inviting them inside they’re basically met with the same response; they all have to return home to tend to their family’s holiday tradition. A sweet old couple even suggests they wouldn’t want to intrude on the royal family’s traditions. Olaf remarks that the surprise was that everyone left.

flemminggrad

Kristoff getting in a little lute time.

Kristoff tries to cheer everyone up with our second song, “The Ballad of Flemmingrad.” In a style similar to his “Reindeer are Better than People” routine from the movie, Kristoff sings about some troll idol you stuff grass into the nostrils of and lick. Anna is almost delighted by the grossness of it, especially when Kristoff unveils the idol itself. Olaf just reminds her that she’s a princess and doesn’t need to settle. Elsa is legitimately grossed out and not at all interested in Kristoff’s tradition, but is at least polite. Kristoff assures them they’ll come around when they try his Flemmy Stew and takes his leave.

dramatic elsa

Elsa never misses an opportunity for drama.

Olaf is left to ask Anna and Elsa about their family traditions, which leads into a reprise of the “Ring in the Season” song in which Elsa remembers the bell ceremonies from their youth, before Anna’s accident. The two realize they don’t have any traditions, as they were never together for Christmas due to Elsa locking herself in her room. She rather dramatically apologizes to Anna for being the cause of their tradition-less solstice, and hastens off to (where else?) her room. Olaf’s a bit downtrodden to see his surrogate family so glum for the holiday, so he decides to set off into town with Sven and a sled to find traditions they can enjoy.

olaf candy cane

Pretty sure that’s a Funko Pop variant.

Olaf then goes door to door to every house in Arrendelle in search of traditions. Like some sort of anti-Claus, he collects traditions to fill his sleigh along his way. The people all seem helpful and cheerful, but I wonder if they fear reprisal if they deny the queen’s loyal attendant? As Olaf does this he breaks out into song, “That Time of Year,” in which Olaf asks what people do at that time of year. It’s a cute way to basically avoid saying Christmas so that they can include families that have obvious Jewish and even Pagan celebrations. This bit is mostly played for laughs as Olaf first receives a candy cane that gives him an intense sugar rush when he replaces his carrot nose with the candy cane. He also gets to comment on the dangers of leaving socks over an open flame and even encounters adorable kittens. Olaf plus kittens is indeed a cuteness overload. There’s also a fun sequence during the song’s climax where the visuals switch to resemble a Christmas sweater.

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Olaf + Kittens in sweaters = adorable

Olaf’s last stop ends up being the home of Oaken (Chris Williams) who invites Olaf into the sauna with his family. Olaf enjoys it, even though it causes him to melt leading to a fun visual of Oaken tossing a bucket of melted Olaf into the chill night air causing him to refreeze instantly. Oaken gifts Olaf a portable, personal-sized, sauna for his sleigh and one of his tastefully revealing towels. Olaf is excited and he and Sven head off back to the castle while Olaf improvises some words to the tune of “Jingle Bells” to show his excitement. While he rubs the towel across his rear he disturbs the sauna behind him, causing a piece of coal to pop out and hilariously find it’s way out of the sleigh, off the cranium of a squirrel, and back into the sleigh where a fire commences. Olaf is blissfully unaware as the flames roar behind him and the sleigh breaks off on one side from Sven’s reigns. As they were about to head down a hill, this poses a problem for poor Sven as the sleigh loops out in front of him and pulls him down. Olaf remains unaware of their predicament, instead remarking how they’re making wonderful time, until the sleigh breaks off from Sven completely and goes off a chasm. Olaf is tossed to the other side, but the sleigh does not make it and the tired joke of the sleigh falling out of sight down a cliff, only to explode upon impact with the ground, is recycled from the movie.

burning sleigh

Of course Olaf’s adventure ends in disaster.

The setting shifts back to the castle where Elsa is approaching Anna’s room to apologize for apologizing earlier about being the cause of their lack of traditions (I guess?). She finds Anna is not in her room proper though, but above it in the attic. She’s rummaging though her old things looking for traditions. They try to make this scene cute and sweet, but it’s not really felt. There’s a joke made at Elsa’s expense regarding her gloves, but the two do find an old jewelry box. Elsa seems hopeful when she finds it and gives it to Anna imploring her to look inside. When Anna opens it she reacts with delight, but the audience doesn’t get to see the contents of the box (yet).

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The girls make a discovery in the attic that’s sure to be heartwarming and convenient.

With Olaf and Sven separated by the chasm, they’re forced to split up. Sven has a direct path back to the castle, but the cheerful snowman does not. Even though he lost all of his traditions, Olaf is at least comforted by the fact that he was able to save one:  a fruit cake. He then cheerfully tells Sven he’ll see him back at the castle, sensing there’s a harmless shortcut lurking in the doom-laden woods behind him. As he disappears into the darkness he exclaims “Oooo, puppies!” before the sound of wolves savaging the poor snowman are heard.

What do we call this Sven-Olaf mash-up? Svolaf? Olen? Maybe just “cute”?

Sven races back to the castle fearing his buddy’s life is in danger. He barges in on Kristoff who is happily finishing his stew. He presents Sven with a bowl, but when Sven puts a carrot in it to make the stew resemble Olaf’s face Kristoff just confuses the gesture for Sven wanting more carrots. Sven then mimes the danger Olaf is in and the visuals are pretty funny. It’s a bit awkward though since one of Kristoff’s gimmicks in the original film was that he had little trouble understanding the reindeer, but he’s now oblivious. Fortunately for Olaf, Anna and Elsa were in the doorway and they understand him perfectly, for the sake of humor. They quickly sound the bell to organize a search party, while Kristoff scolds Sven for sitting around while Olaf is in trouble.

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One dejected snowman.

Back in the forest, a battered Olaf is running from some hungry wolves while trying to hang onto his fruit cake. He dives through the thick hemlock and emerges on the other side looking worse for ware, but he’s happy still because he was able to save the fruit cake. As he raises it in triumph to the heavens, a hawk swoops in and snatches it. Olaf now allows himself to feel sad and reprises “That Time of Year” but in a somber fashion. Blaming himself for failing to secure traditions for his friends, he wanders off into the darkening woods and slumps down beside a tree as the snow whips up.

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Olaf set out to find a new tradition for Anna and Elsa, but it turns out he’s the tradition (aww!)

Elsa and Anna are shown, montage style, going door to door to organize a search party to find Olaf. Soon the whole town is out in the woods looking for Olaf. As Anna calls out for him, Olaf responds with a “Not here,” as the snow drifts have covered everything about him save for his nose and “hair.” Recognizing he’s a bit down, Anna and Elsa smile and play along with the game as they ask aloud where Olaf could be. Olaf responds in the third person explaining he set off to find traditions, and that they then caught fire, as Sven shows up to pull him out of the snow drift by the carrot. Olaf apologizes for losing the traditions, but they urge him to cheer up, and Anna pulls out that box from earlier. When Olaf looks inside he sees dozens of pictures of him, and even a crudely made doll. The sisters explain that when Elsa was exiled to her room, Anna would make her an Olaf card every year and slide it under her door. Olaf is their family tradition, and they embrace the little snowman and he starts to cheer up.

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And we get to end on a happy Christmas visual.

Elsa then breaks into song, because of course this is going to end on a song. “When We’re Together” is the special’s big song that sums up its message. Elsa and Anna lead the townsfolk back towards the town and to the harbor coated in ice. Elsa magics up a banquet while people mostly just watch the sisters dance while some kids get involved a little bit. A big ice tree is created by Elsa’s magic, and Olaf gets to place the star on top and sing the song’s closing line. Their special photo-op is broken up though when the hawk from earlier returns the fruit cake, dropping it out of the sky to land on Olaf. He declares the return of the fruit cake a Christmas miracle as the special ends.

Olaf’s Frozen Adventure was certainly misplaced as a caddy to an unrelated film. It’s a TV special with feature quality presentation that’s best enjoyed by those who actually like the characters from Frozen. Disney had done this before with Mickey’s Christmas Carol, but that was paired with a re-release of The Rescuers and was included as a way to offer patrons something new. And even so, that special is best enjoyed on TV as well, even though it’s no longer an annual feature. This special leans heavy on its music and the Olaf character and the attempted humor through Olaf works quite well. He’s a very optimistic and excitable character, but he’s also prone to deadpan humor. It’s an interesting dichotomy that works. I don’t know if he could anchor something longer, but for a half-hour television special he’s suitable. The humor and drama shared between the sisters is less successful. It’s forced in there because it has to be. Anna and Elsa are mostly here to sing, and when they stick to that the special is more successful.

Anything based on Frozen is going to be judged by its songs. After the likes of “Let It Go” and “Do You Want to Build a Snowman?” were so well-received in 2013 it became clear that anything else involving Frozen would need songs to match. The “Ring in the Season” song is well-suited as a light opener, while the Olaf vehicle “That Time of Year” is cheery and the visuals that go with it help to make it an enjoyable song. “When We’re Together” feels like it’s meant to be the showcase. It has a nice melody, though some of the song’s drama, like the narrative of the short, feels forced. It’s trying too hard to be the special’s biggest moment. It’s redeemed by the big ending, but it feels like the kind of song made for TV as opposed to one intended for the theater.

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“That Time of Year” gives the short a chance to show various holiday customs.

As a Christmas special, this one is plenty good enough. Perhaps those who feel there is a war on Christmas will turn up their noses at the sometimes reluctance of the special to even mention the holiday. Inclusivity is a virtue, and in being so inclusive the special is able to find interesting visual elements for Olaf’s journey through town. The special shows Jewish traditions, but it’s not as if it doesn’t show Christian ones as well amongst the townsfolk. They even allude to Santa at one point.

Olaf’s Frozen Adventure is available to purchase digitally and should also be available on Blu Ray and DVD when this post goes live. Since it was shown on television last year, it’s my expectation that Disney intends to include this with its annual holiday specials on ABC. It would be strange if it did not as the 21 minute runtime is perfectly suited for prime time viewing and the popularity of the franchise will likely equate to solid advertising revenues for the Disney owned network. If it’s anything like Disney’s other major Christmas specials, it will first air on ABC then receive encore runnings on either Freeform or The Disney Channel during the lead-up to Christmas allowing viewers plenty of opportunities to catch it. And if you couldn’t tell, I recommend this one. While I don’t think it’s as good as the excellent Prep & Landing, it’s certainly worth an annual viewing.

Olaf’s Frozen Adventure aired Thursday November 29th, but if you missed it then good news as it’s being shown again this coming Wednesday, December 19th, on ABC at 8:00 PM EST.


Dec. 12 – Life with Louie – “A Christmas Surprise for Mrs. Stillman”

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Original air date December 18, 1994

In the mid 90s comedian Louie Anderson got his own animated show. I have no idea how or why. It was apparently a Fox thing to find stand-up comedians and give them their own show, they just usually took the form of a late night show or sitcom. Life with Louie was a cartoon about Anderson growing up in Wisconsin with his family, even though the real life Louie Anderson grew up in Minnesota. It seems like a trivial change and I have no idea why it would have been done that way. Maybe they were hoping for a Step by Step crossover? The show ran for 3 seasons spread out over parts of four years from 1994 – 1998. It was actually pretty highly acclaimed during its run and even won an Emmy. Despite that, it feels like a forgotten cartoon from the 90s and that’s only amplified by the fact that it’s never had a proper home video release, even though Anderson once claimed it was coming (that was over 10 years ago).

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The real life Louie Anderson (left) with brother Tommy.

Fox apparently had some high expectations for Life with Louie because it got the prime time debut treatment. The pilot first premiered on the night of December 18, 1994. As you could probably have guessed based on that date, it was a Christmas episode! It’s also a pretty good excuse to bump animation into prime time when it can be marketed as a holiday special. Fox did this quite often which is why Eek the Cat even got the prime time treatment. Each episode of Life with Louie would begin with Anderson himself in live action to set up the plot of the episode, and at the end he usually got to return to summarize everything. During the episode he would also provide narration while voicing the child version of himself and his dad. It’s a simple and effective way to tell a story, and Anderson is actually pretty good in this role. He comes across as gentle, and he is happy to slip into his dad’s voice during these pieces for some cheap comedy.

The premiere episode is titled “A Christmas Surprise for Mrs. Stillman.” After the intro, the episode starts off with Louie riding in the car with his mom (Edie McClurg), brother Tommy (Miko Hughes), and dad, Andy. This sequence basically gives us a brief introduction to the main cast. Louie and Tommy are happy to see Christmas is incoming, while their dad just grumbles about everything. He’s a complainer and a grump and will be the source for much of the show’s humor. Louie is a bit laid back and sarcastic and he likes to make little quips under his breath in response to something his dad said, while his dad will usually respond with, “I heard that!” His mother, on the other hand, comes across as a kind, sweet, nurturing soul. She’s a bit of the stereotype of the midwestern maternal figure. The snowy backdrop, kind mom, grumpy dad, kid brother, shitty car, and narration from Anderson really give this a strong A Christmas Story vibe, which will only be amplified the further into the episode we go.

louie and jenny

Louie and Jenny, who will become a more integral part of the show following the pilot.

The next morning, a bunch of snow has been dumped on the town and Louie is excited that school has been cancelled. Tommy is too, even though he’s too young for school. His mom gets them bundled up to go out and play in the snow and it brings back memories to see kids stuffed into giant coats that heavily restrict arm movement. She also hands Louie a cup of hot coffee to give to his father, which he responds by saying he’s not going near that bathroom! She assures him his dad isn’t in the bathroom, but rather is outside shoveling the driveway so he can go to work.

Louie and Tommy go outside and find the old man grumpily shoveling. He takes the coffee and the two boys go off to help their neighbor, Mrs. Stillman (Liz Sheridan), find her newspaper. Louie tries to trick Tommy into thinking there are monsters under the snow, but the little kid is smarter than he looks. After Louie finds Mrs. Stillman’s paper he and Tommy go off to have a snowball fight with the neighborhood kids. Many of these kids will become recurring characters and friends of Louie, but this pilot episode does nothing to establish their relationship with Louie at the moment.

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Louie’s mom is the moral center of the show.

In another bit very much reminiscent of A Christmas Story, Louie explains the intricacies of snowball fights. He also goes into detail about the pain of taking one in the ear. Now for some reason, Louie has removed the hood of his parka he’s been wearing this whole time for the snowball fight, so of course he’s going to get hit in the ear. It’s a little amusing watching him limp back home, explaining that for some reason a snowball to the ear always caused a limp, and the other kids all break in their snowball fight to basically sympathize with Louie. They all seem to share in his pain. Even his dad knows that look as Louie stumbles into the house, where he determines this is the only appropriate time he can utter profanity. He basically just shouts “darn it,” since this is a Fox Kids production, but it gets his parents’ attention. His dad then leaves for work, only for the plow to come by and plug-up the end of the driveway once more with snow.

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Louie’s dad, Andy, struggling to setup the tree.

That night, the family heads out to get a Christmas tree. They go to a lot where Louie is concerned his notoriously cheap dad is going to come away with a lousy tree. His old man is forced to pay $35 for a tree, which seems grossly expensive for this period in time. They bring it home where his dad orders Louie to fetch him his saw and the tree stand, and Louie makes a remark about how old the stand is. I’ve encountered many dads who insist the old, steel, tree stand is good enough so this little bit hits home. His dad fusses with the tree for an eternity before finally declaring it’s setup, then it tilts over discouraging Louie. Dad then tries to relax in his favorite recliner only to be reminded that the lights on the house still need to go up. This has been a running theme of the episode so far, and his dad finally heads out to do it.

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Those are some nice lights, Andy.

Dad Anderson does a notoriously shitty job at putting the lights on the house. He makes Homer Simpson look like a rock star. He basically just takes the string lights and tosses one end over the house and calls it done. He tosses another string up a tree and another across some bushes in front of the house before he heads in. Inside, the kids are watching Miracle on 34th Street and it’s the actual film super-imposed over their television set. I always found it weird when cartoon characters watched television containing real people. In a bit of interesting camera placement, we see the television from Andy’s eyes as he looks down the length of his body as he slumps back in his recliner. It’s the part of the movie where Mr. Kringle teaches young Susan how to act like a monkey, and it’s too stupid for the old man. He demands Louie change the set to channel 2, and we get to see Louie grab a pair of pliers as he goes to change the channel. Ah, old televisions.

louie tommy tv

Nice to see they paid enough money that even the JETIX reruns contained the Miracle on 34th Street bits.

As they fiddle with the TV, Louie’s mom looks out the window at Mrs. Stillman who is trying to clear away the snow from her driveway in the dark. She starts going on and on about how Mrs. Stillman is a recent widower, has no Christmas decorations, and her family has all moved far away and she has no money to visit them. She resolves to take Mrs. Stillman grocery shopping, and while she’s gone, she wants her husband to take their extra Christmas lights and put them on Mrs. Stillman’s house. He is not at all thrilled about this suggestion, but it seems old Andy has a hard time saying “no” to his sweet, little, wife. When mom leaves, Louie finds out he gets to help while his sister Laura, whom had not been mentioned up to this point and is only depicted as a shadow upstairs talking on the phone, has to stay in and watch Tommy.

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Stick ’em up, Anderson!

Before they head over, Louie’s dad tests out the extra lights in the garage and is dismayed to see that they do indeed work. He and Louie trudge through the snow with the lights and a ladder and get to work. As Louie’s dad prepares Stillman’s house, it falls on Louie to untangle the lights which is quite a chore for a kid with sausage fingers who also happens to be wearing mittens. As Louie’s dad barks orders at him, the police pass by and see Anderson on the house. They mistake him for a robber, and order him to put his hands up which causes him to fall off the ladder. They start asking questions and the old man insists he’s just decorating the woman’s house on account of his wife. The story sounds good, until he gestures to his shoddily decorated home. The cops cuff him, telling him he should have pointed to another house, which forces Louie to emerge from the shadows to stick up for his dad. The cops buy the story at that point, and order Andy to do a better job with the Stillman house than his own.

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Poor Louie struggling to rescue his dad from the roof.

Louie and his dad get back to work, and while the old man is on the roof, the neighborhood kids come by to sing Christmas carols. Their singing startles the old man, causing him to slip and fall off the roof. He’s able to grab onto the ledge, and the kids see him and they too mistake him for a robber and start pelting him with snowballs. Louie again makes the save and the kids help him get the ladder to free his dad. Once the kids find out what they’re doing, they all want to join in. They run off and get decorations from their own homes and start setting them up. Louie’s dad gets to be a foreman now and just barks out orders, Louie suspecting the louder he yells the warmer he feels.

andy zapped

You’re going to get electrocuted man, just lay back and accept it.

When Louie’s mom is seen down the road the rush is on to get the lights turned on. Something is off though and they won’t light, forcing everyone to scramble and check every bulb. Luckily for them, the Anderson family car is a piece of junk and it keeps stalling as they head down the road (Louie’s dad insists it’s not junk but a classic, a line that was common in cartoons and sitcoms in the 90s for some reason). Louie eventually finds the problem, one of the plugs wasn’t plugged in, and he hands it to his dad. It had been buried in the snow, so cartoon logic dictates that Louie’s dad get electrocuted once it’s plugged in. It works though, and Mrs. Stillman arrives home to a beautifully decorated house. She invites the kids in for hot chocolate and Christmas carols, where Louie reveals they found out she doesn’t have a tree or decorations because she’s Jewish. Louie’s dad is shown as being quietly satisfied with the job they did, and he even pauses to fix one of the little elf decorations as he heads home. He does insist he’s smiling because she’s going to get nailed with one Hell of an electric bill in January. The cops from earlier even swing by to compliment Anderson, and also to remind him he’s going to have to take it all down after New Year’s.

We’re next shown Christmas morning where Louie and Tommy unwrap gifts while their dad grumbles about how expensive each one was. Interestingly, there’s no attempt at suggesting anything was left by Santa Claus either by the characters in the cartoon or Louie the narrator. We also see Louie give his dad a Christmas present, some tools he had taken from his toolbox and re-gifted. His dad is actually amused by the joke, though he also expects a real present is coming his way. He’s asking about it as we zoom out on an external shot of the house to end the cartoon portion. Louie then comes in to say he’s giving his dad his jumper cables back this year, a joke that has always stuck with me for some reason in regards to this special. He wishes everyone a Merry Christmas as we go to the credits.

stillman and kids

And the kids celebrate with Mrs. Stillman, who despite being Jewish, knows a few Christmas tunes.

Life with Louie is a sweet show with some humor. It’s probably funnier to a kid than it is to an adult, and the dad character is definitely a bit over the top. There is some nuance and charm to the humor though, and I do like the dry humor from Louie himself. I do find it weird that Louie Anderson actually uses a lower voice when voicing the child version of himself and a higher voice for his old man. The family dynamics are a bit confusing since Louie basically has a hidden older sister. And in reviewing material for this post I’ve come to find out he actually has nine older siblings. I suppose just to keep things simple and tidy they chose to just focus on Louie and his brother while basically ignoring the others. It must have been weird for his real life siblings, but it works for the show.

The plot for the show is a sweet one and it is enjoyable and heart-warming. While it was kind of odd to see two different parties mistake Andy Anderson for a prowler, it did lead to some funny moments. The confrontation with the police might actually be the best part of the episode, though start to finish this thing is rather neat and consistent. The setting is also quite charming, and as someone who very much enjoys A Christmas Story I do like that it makes me think of that film. The show isn’t brilliantly animated, but it’s attractive enough. I also enjoyed the punchline of Mrs. Stillman being Jewish. It doesn’t make a whole lot of sense that no one in the neighborhood noticed the lack of Christmas decorations in prior years, but it’s funny so who cares?

If you want to watch this holiday edition of Life with Louie, you’re going to have to stream it. Since it’s not available on home video no one is particularly vigilant in keeping the show off of YouTube and other similar websites. I actually enjoyed this one, and it makes me want to revisit Life with Louie. Who would have thought a cartoon about the childhood of Louie Anderson would be good?