Tag Archives: what a cartoon

Dec. 18 – I Am Weasel – “Happy Baboon Holidays”

happy baboon holidays

Original Air Date September 30, 1997

For today’s installment, we’re taking a trip back to Cartoon Network of 1997 and the animated short I Am Weasel – “Happy Baboon Holidays.” I Am Weasel originated as a segment as part of the Cow and Chicken show, which was part of the second wave of Cartoon Cartoons to become a full-fledged show. Like Dexter’s Laboratory, Cartoon Network asked the show’s creator, in this case David Feiss, to pair off the characters with another original character to provide some variety for the show. Feiss’s creation ended up being I. M. Weasel, a heroic weasel (voiced by Michael Dorn) who is beloved by all and always does the right thing. As an antagonist, there’s I.R. Baboon, a moronic and mean-spirited baboon who refuses to wear pants and hates Weasel. The pairing of a weasel and a baboon was inspired by the classic nursery rhyme/song “Pop Goes the Weasel,” and Feiss just thought it would be funny to have a heroic weasel instead of the typical weasel character which is usually scheming and selfish.

i am weasel

I Am Weasel ran from 1997 to 1999.

I Am Weasel ended up being popular enough to get spun off into its own show. The old segments from Cow and Chicken were also packaged together making the broadcast order of the show a little confusing. It technically spanned five seasons, though it really only had one 27 episode season as its own show. “Happy Baboon Holidays” was part of the first season and originally aired with episode 12 of the Cow and Chicken show which first debuted on September 30, 1997. None of the other shorts appeared to be Christmas themed, and I don’t know why a Christmas I Am Weasel was inserted into a Cow and Chicken episode before Halloween. As we saw with Johnny Bravo last year and Dexter’s Laboratory earlier this month, Cartoon Network didn’t seem to think it mattered if Christmas episodes premiered out of season.

The comedy of I Am Weasel is largely slapstick in nature, and it also relies on the dichotomy of the two leads. It also, like Cow and Chicken and many 90s cartoons, thinks butts are inherently funny. I. R. Baboon’s bright red rump is almost always in frame when he’s present and there are plenty of close-ups on it. It’s probably the most detailed aspect of the character too. The audience is also expected to laugh at how poor and miserable Baboon is justified by the fact that he’s stupid and mean. The squeaky clean Weasel is actually rather boring as he’s pushed into the straight-man mold. He speaks intelligently and is often accompanied by a heroic theme. The series was aware of the fact that Baboon was really the star, since the humor flows through him, and he basically overtakes Weasel in the fifth season.

baboon run

Of course, he exits butt-first.

This episode opens with I.R. Baboon (Charlie Adler) in his dilapidated trailer doing laundry. Baboon is too poor to own an actual trailer that one would live in and actually lives in something closer to a camper. There’s a knock on his door and he peers through the peephole to see his family:  mom, dad, and sister. His mom (DeeDee Rescher) announces they’ve decided to surprise him for Christmas, and Baboon goes into panic mode because his home is not prepared to host for the holiday. He jumps out the window, leaving his family outside in the snow, to go fetch a Christmas tree.

weasels discovery

Weasel’s tree actually isn’t much better than what Baboon ends up with.

As Baboon goes off tree-hunting, time passes and snow falls causing his family to freeze. Weasel sees them and drags them into his lavish home which towers over Baboon’s trailer and thaws them out. Once free from their icy prison, the Baboon family is quite taken with Weasel’s home and find him quite charming. Mom even seems tickled by Weasel, but concedes she’s married and offers up her rather large daughter (Marabina Jaimes). Weasel is much too polite to decline the young baboon’s affection, though he’s clearly not interested.

baboons big tree

Easily the episode’s best visual.

Baboon returns home with a gigantic tree that he shoves through his front door and through the back of his trailer. It basically just lays there looking ridiculous. He notices his family is gone, but looks up and sees them singing carols with Weasel from his balcony. This enrages Baboon and he takes his wrath out on Christmas. He smashes the inside of his home and totally trashes it, destroying anything resembling Christmas. He even rips all of the needles off his freshly harvested tree, but he’s not done, for he needs to take revenge on Weasel. He seals Weasel’s chimney so Santa can’t come and covers the roof of his house with explosives to ensure his Christmas is ruined. After his trap is laid, he seems to lose his enthusiasm for mayhem. He returns to his ruined home to cry.

she likes weasel

Baboon’s rather large sister really takes a liking to Weasel.

Weasel takes note of Baboon’s sad state, though his reaction feels a bit detached like he doesn’t even know who this Baboon is. He realizes that Baboon needs to be cheered up so he puts on a Santa costume and stuffs a giant sack into Baboon’s home. Baboon looks upon this “Santa” with cautious eyes as the sack is opened to reveal Baboon’s family. He snaps out of his depression and is now happy to have his family in his home for Christmas.

baboon hates xmas

Baboon revolts against Christmas.

Unfortunately, he fails to tell Weasel about the trap he left for the real Santa. An explosion rockets Santa (Bruce McGill) off the roof and plunges him into a snow bank outside of Baboon’s trailer. Weasel frees him, but finds Santa is feeling a bit blue as this is apparently not the first trap-laden roof he has come across this evening. To help reinvigorate Santa’s Christmas spirit, Weasel directs him to look in on the Baboon family where he sees the four happily exchanging Christmas gifts. This seems to warm Santa’s heart, and all is right on Christmas as the brief short concludes.

santa weasel

Weasel does get to play Santa in this one.

“Happy Baboon Holidays” is fairly low-key for an episode of I Am Weasel. There aren’t even many butt jokes, save for Baboon’s boxer shorts containing a hole to display his prized rear end. Baboon’s tantrum is rather brief, but I suppose the most entertaining part of the episode. It’s kind of sad to see him smash his meager possessions, though I think it’s supposed to be funny to see him stupidly harming himself. The Baboon family doesn’t offer much, and the giant, ugly, sister isn’t really funny either. I don’t think I actually laughed at this show, though I did find the visual of Baboon stuffing a full-sized tree into his trailer kind of amusing.

Visually the show is pretty simple. Backgrounds are rather sparse and the show has a very flat look to it. Baboon is designed with a lot of corners and straight lines and is meant to be rather ugly, though Weasel doesn’t exactly look pretty either. The snow looks nice though and I did get a sense of cold from the visuals. The depiction of Santa is kind of ugly though, not as ugly as George and Junior‘s Santa, but definitely not as nice as the Flintstones/Dexter’s Laboratory one. He comes flying in on a sleigh pulled by four reindeer, which earns instant demerits from this reviewer.

happy baboon christmas

A nice, warm, ass-exposed, hug makes any Christmas worth having.

“Happy Baboon Holidays” is not really worth watching. I suppose if you liked Cow and Chicken it might be worth it to watch the entire half-hour block this segment first aired in. I did enjoy that show when it originally premiered, but I doubt I would now. It was a very 90’s show so it was rather loud and obnoxious. It struck me as the type of show that reveled in appealing to children at the expense of their parents. The show was actually pretty popular and one of Cartoon Network’s most successful. Despite that though, I Am Weasel has not received a proper physical media release. Seasons 1 and 2 were released in Thailand for some reason, while season one was also released in Region 4 (Australia/New Zealand). For US audiences, only sparse releases exist of a few episodes at a time on VHS and DVD. If you want to see this particular episode, you’re actually in luck as it was part of the 2005 release Cartoon Network Christmas 2:  Christmas Rocks. That DVD will likely only set you back around 5 bucks making this special one of the cheapest, and easiest to obtain that we’ve covered. If you’re dead set on not acquiring more physical media though, Cartoon Network is pretty lax when it comes to these old cartoons so free versions are not hard to come by online.


Dec. 7 – Dexter’s Laboratory – “Dexter vs Santa’s Claws”

Dexter_vs_Santas_Claws

Original air date April 29, 1998. Yes, you read that right.

After yesterday’s entry ran 3,000 words, it seems like a nice time to slip in one of the shorter specials we’ll be looking at this year. This one comes from the Cartoon Network original Dexter’s Laboratory. Created by Genndy Tartakovsky, Dexter’s Laboratory was one of the inaugural series to be spun-off from the Cartoon Cartoon/What A Cartoon! show which was basically an elaborate testing ground for cartoon pilots. Cartoon Network, which at the time mostly consisted of old Hanna-Barbera shows, would package together three cartoon shorts and air them over a half hour of television. Viewers could call into a hotline and vote for the short they liked best. At the end of the year, Cartoon Network would have a big New Year’s countdown ranking all of the shows in order of what was most beloved and what was not. The network wasn’t beholden to do anything with the results so for all we know they decided on what to promote and what not to, but Dexter’s Laboratory was one of the most well-received and it was the first to get a full production order.

The show is about the title character, Dexter (Christine Cavanaugh), a boy-genius with an elaborate and high-tech laboratory hidden under his parents’ house. They’re unaware of their son’s impressive intellect, but sister Dee Dee (Kathryn Cressida) is not. Despite Dexter’s best efforts, Dee Dee often finds a way into his lab and drives him crazy often times ruining whatever his latest invention is. He also has a rivalry with another boy genius, Mandark, and one of his laboratory monkeys also got to star in his own series of shorts. An episode was usually broken out into three short segments and I have mostly fond memories of it.

dexters fantasy

What Dexter thinks happens on Christmas.

“Dexter vs. Santa’s Claws” was the third segment of episode 37 of season 2 which first aired on April 29, 1998. Why did a Christmas episode air in April? I do not know. The show did have some issues with production delays, but that’s not out of the ordinary for a cartoon series. Often when that happens networks will just sit on a holiday episode and air it the next time that holiday comes around, but Cartoon Network apparently didn’t want to do that. The network didn’t even want to wait for Christmas in July. In looking over the episodes from season 2, a Halloween one premiered the prior month so I’m guessing this was supposed to air in 97 or something, or Cartoon Network just didn’t care.

santa magic

What really happens on Christmas!

The episode begins with Dee Dee using Dexter’s super computer to make her Christmas list. Dexter is irritated she would be utilizing his computer for such a foolish task and reprimands her. He explains she’s wasting her time for Santa Claus is just make-believe. When Dee Dee counters with a question of who puts the toys under the tree, Dexter explains, through rap, that their father does that. The humor is in how far Dexter thinks his parents carry the ruse insisting that their dad not only dresses up as Santa, but he disguises the car as a sleigh and puts it on the roof. Their mother, dressed as a reindeer, greases him up and sends him down the chimney with all of the toys. Dee Dee insists that’s not what happens, cutting his very poor rap off in the process, and gives the more conventional explanation of elves and magic. Dexter vows to prove her wrong.

jolly santa

Dexter confronts Santa, who only speaks in “ho’s”

That night, while everyone sleeps, Dexter sits in front of his monitors fighting off sleep hoping to catch their father in the act. When a sleigh and some reindeer go whirling past he thinks he’s got him. He emerges from his lab to find Santa in the living room getting down to business. The Santa model looks almost exactly like the one from A Flintstone Christmas only he seems incapable of speech and just keeps saying “Ho ho.” Dexter accuses him of being his dad in disguise, forcing Santa to magically flee up the chimney. Still not convinced, Dexter heads for the roof as well and confronts Santa once again as he climbs into his sleigh. He manhandles a reindeer, thinking it’s an elaborate costume worn by his mother, and even snaps its antlers off. Santa then takes off leaving Dexter stuck in the chimney.

dick dexter

Dexter is basically a violent, little, asshole this whole episode.

Dexter was apparently prepared for such a development as the chimney morphs into a high-tech spaceship and detaches from the house. In doing so it takes the side of the house with it leaving Dee Dee’s room without a wall. She awakens due to the frigid air and goes to shut her already closed window when she catches sight of Santa. She watches as her brother pursues him firing missiles which Santa intercepts with gifts (“Those better not be my presents!”). Dexter resorts to laser-fire and eventually he hits Santa causing him to crash into their home.

dee dee mad

When Dee Dee doesn’t have her pigtails in, the flatness of her head makes her look like Hulk Hogan.

Now with Santa incapacitated in the ruined livingroom, Dexter approaches armed with an electric razor. As he shaves off Santa’s beard his father (Jess Bennett) enters the room demanding to know what Dexter is doing. His mom (Kath Soucie) follows, still wearing her rubber cleaning gloves that she always wears, and is horrified to see the Christmas tree and everything else in ruin. Dee Dee then follows and scolds Dexter further demanding to know where her presents are. Dexter is forced to apologize for ruining Christmas, again, and apparently realizing he’s in a Christmas special, implores his family to treasure that they’re together and not fret over the destroyed gifts and decorations. He breaks into a rendition of “Oh Christmas Tree” and Dee Dee puts a stop to that telling him he’s wrong and calling him a block-head. When he asks what Christmas is about then, a beard-less Santa let’s him know, “The presents.”

look out santa

Do you like dog fights in your holiday specials?

“Dexter vs. Santa’s Claws” is a pretty odd entry in the world of Christmas specials. We’ve seen plenty of cynical specials, and some that are just bizarre, but this one has an all-together different feel. Dexter basically beats up Santa Claus. He’s relentless and cruel. Unlike network-mate Johnny Bravo, he didn’t mistake Santa for an intruder or something he’s just trying to beat a confession out of him. And possibly worse, he assaults a reindeer and breaks its antlers off, which just sounds painful. The only really cute aspect of the episode is Dexter’s hypothesis on what really happens on Christmas Eve. Even though he’s super-smart, he’s still a kid and isn’t capable of just assuming his parents stick presents under the tree, they have to make it elaborate. The ending of the episode with the message being that Christmas is about the presents is pretty much the cynical 90s cartoon take. A lot of the comedy shows delighted in upending norms and that’s a pretty logical point for this one to make.

destruction

Ruined Christmas.

Revisiting this series reminded me how flat the design is. The characters are about as flat as those on South Park and they practically slide across the screen rather than trying to create the illusion that they exist in three dimensions. It’s a stylistic choice more than a budget one, I think, but it’s not unique to this show as basically all of the Genndy Tartakovsky shows were animated in this fashion. I really enjoy Christine Cavanaugh (RIP) as Dexter. He’s one part Chuckie from Rugrats (who Cavanaugh also voiced) with an accent that kind of sounds like Ren from Ren & Stimpy, with perhaps a slight Swedish twist? It’s an accent that doesn’t exist in the real world and it’s a funny quirk of Dexter. The show is also very bright and the characters change attires even in this brief little short which is kind of neat. I also definitely liked the homage to the Flintstones Christmas special. I wouldn’t think they were able to actually re-use the model from that special, but this Santa was definitely drawn to look almost exactly like it.

no beard santa

There is something very unsettling about a beard-less Santa.

“Dexter vs. Santa’s Claws” is not going to make you feel good about Christmas. It might make you uncomfortable to see Santa get his ass handed to him, but it also might make you laugh. It’s certainly different and I don’t regret watching it or anything, but it’s more dark than funny so ultimately I suppose it comes up a bit short. If you’re looking to check it out this year, Dexter’s Laboratory can be found on Hulu and iTunes. The entire series is also available on DVD, but it’s out of print and kind of pricey. This specific episode can also be found on The Powerpuff Girls:  ‘Twas the Fight Before Christmas DVD and also on the Cartoon Network:  Christmas Rocks DVD and both are cheaper than getting the entire series. And as usual, if you’re not picky about quality you can probably find this one streaming for free somewhere on the world wide web.


Dec. 22 – Johnny Bravo: ‘Twas the Night

TwasTheNight-JBThis thing kicked off this year with the What A Cartoon! original George & Junior’s Christmas Spectacular. The comedic bear duo failed to make a lasting impression and faded away from sight. Johnny Bravo, on the other hand, debuted via the same show, but to a much warmer reception earning him his own series. The character was created by Van Partible and some guy named Seth MacFarlane was a writer for the show. Johnny Bravo was essentially a modern guy with the personality of a 50s greaser who talked like Elvis. He wants to help the ladies and be kind of a stereotypical macho man. I guess he’s kind of like Uncle Jesse from Full House, except he thinks he’s as strong as a super hero and probably not as bright as the frontman for the Rippers. It honestly wasn’t a character that resonated with me right off the bat. I guess I just preferred child protagonists or animals in my cartoons, but it was a success and I think it was voted the #2 cartoon of the year by viewers of the What A Cartoon! show, behind only Dexter’s Laboratory which also got its own series.

“‘Twas the Night” is a cartoon from the show’s fifth episode. It, for some reason, premiered on August 4th, 1997 as the third segment in the half hour show. Why they chose to a premiere a Christmas episode in August is possibly due to many delays the show supposedly had in production. It’s possible it was meant to air closer to Christmas, or maybe even earlier for Cartoon Network’s then annual Christmas in July, but was ready when others were not. Or maybe they just didn’t care, since the broadcast lists online don’t appear to contain many gaps during the first season.

Johnny-bravo-twas-the-night-03

I can’t tell if Johnny is supposed to be sitting on the roof or standing awkwardly.

The episode opens on a scenic look of a bridge and a city. There’s a narrator spinning a rendition of “A Visit From St. Nicholas” but with different words, and in a familiar voice. It’s Adam West! Oh, how we miss you Adam. He would guest star as himself on a later episode. The scene takes us to Johnny’s house where he’s preparing for bed and needs to silence his mama’s snoring. While laying in bed he hears a sound outside, he heads for the roof and spies a burglar. No, Johnny! It’s Santa! We cry out, but the thick-headed blond can’t hear us through the television and takes the poor bastard out. Santa has a busted arm as a result, and he’s pretty ticked, but also understanding, since he knows Johnny is an idiot. That and this Santa only has six reindeer, so Johnny was justified in thinking he was a fake. The problem is now he can’t fulfill his obligation to the children of the world, so Johnny is going to have to take his place.

Johnny hopes for cash and chicks in return for doing Santa’s job, but Santa threatens him with violence so he puts on the coat and the hat and takes off through the night. He screws up the names of the reindeer, then questions where the freak with the red nose is. We get a sort-of cut-away depicting laser wielding bad guys that look like Cobra rejects doing battle with a laser-nosed reindeer at the North Pole. The blasts even reach Johnny in the sky, but he pays them no mind. He whips out the list of gifts and it contains nothing but Senators all scheduled to receive coal. Johnny Bravo getting political! Their names are also almost all references to Hanna-Barbera and Warner properties so it’s worth a pause or two to read them. One senator is actually receiving a gift:  Senator Puffnstuff.

Johnny-bravo-twas-the-night-05

At least the suit fits.

Johnny sets to delivering the gifts. The mayor is the first to receive his, new underwear, and he prances around happily in his living-room until his wife knocks him out with a rolling pin, “You promised me no cavorting!” He next visits little Suzie and squeezes down her chimney. He eats the cookies and drinks the milk while little Suzie is sleeping peacefully in an easy chair, “She’s kind of cute when her mouth isn’t flapping.” He then visits Jungle Boy in the jungle and delivers a new loin cloth and makeup for the gorilla girls. The gorilla king gets coal and Johnny calls him Magilla, and he’s right to take that as an insult. He then visits a hibernating Cronos the bear and gives him an alarm clock, which goes off almost immediately forcing Johnny to scramble out fast. Then he pops in on Scooby-Doo and gives him a slip of paper for speech therapy with Cindy Brady. I always thought he spoke pretty well considering he’s a dog and all.

Johnny-bravo-twas-the-night-08

And he can also squeeze down a chimney. 

Johnny continues on through the night, and has a near miss with a space shuttle that’s woefully animated as it kind of bends in flight. He leaves gifts for a sleeping pair of twins, Tim and Tom. He’s depicted going all over the world causing him to question how Santa stays fat considering the work is hard. I guess working hard for one night can’t make up for all of the milk cookies throughout the year, Johnny. As Johnny gets to the bottom of the list he realizes he has one gift left to deliver:  Bunny Bravo, also known as mama. The problem is he has no gifts left – he must have delivered her gift to the wrong house. We then cut back to the mayor and his wife finding some woman’s garment and she accuses him of cavorting with some woman named Bunny. He tries to tell her he’s not, but gets another rolling pin to the noggin for his honesty. She’s rather abusive.

Johnny returns home, sad to not have a gift for his precious mama. As he sits sheepishly on the roof, he hears his mother cry out with joy from inside the house. He dives down the chimney and sees she’s sporting a new diamond ring. It says it’s from Santa, but she thinks it’s from Johnny. What a weird thing to give your mama. There’s also another gift and it’s for Johnny – a new pair of boxing gloves and mouthpiece. As Johnny admires his gift, Santa appears in the window to angrily remind him he didn’t forget how the night began, “Merry Christmas, you pinhead. Round two is next year!”

hqdefault-22

These Hanna-Barbera folks love cameos.

“‘Twas the Night” is a pretty simple little cartoon short that goes the predictable route of casting its protagonist as Santa. Really, that feels like the number 3 Christmas cartoon cliche at this point behind parodies/adaptations of A Christmas Carol and It’s a Wonderful Life. The narration is carried throughout the short and Adam West delivers all of his lines with great timing. He sounds sincere, even when he’s saying something funny, “And mama was sleeping, you can tell by the snoring. After four times today, Jimmy Stewart gets boring,” and It’s a Wonderful Life’s title card is depicted on the television set to complete the joke. Because of the narration, Johnny is sort of just there and he gets in a line every so often, but aside from the “Magilla” comment I didn’t find them memorable. I did like how Santa was depicted as professional and understanding of what happened. He can’t just blow-up at Johnny because he needs to focus on the task at hand, but he’s also pretty pissed and he isn’t just going to forget that Johnny Bravo broke his arm on Christmas. The animation is kind of cheap and minimalist. Johnny moves with quick actions that don’t require a lot of frames, but that’s a stylistic choice. The backgrounds though are quite static and droll. The best I can say for the show is it’s bright and colorful, and the Rudolph bit was funny.

If you like Johnny Bravo then you probably like this short well enough, even if it feels like a novelty due to the inserting of the poem. I love Adam West, so I’m inclined to at least give this one a passing grade. It may show up on Boomerang this year, but it also may not. I’d be surprised if Cartoon Network bothered to air it as they don’t do much with their legacy programs. Season one was released on DVD in 2010, and so far it’s the only season to receive a Region 1 release on DVD and it’s actually still easily obtainable so I guess they still print the things. For whatever reason, probably poor sales of season one, none of the other seasons have been released or even scheduled for release. If you like Johnny Bravo then you probably already have it at this point, and if you don’t well then I guess you stopped reading about a thousand words ago.

 


Dec. 1 – George & Junior’s Christmas Spectacular

GeorgeAndJuniorsXmasSpectacular

George and Junior’s Christmas Spectacular (1995)

Welcome to the inaugural post in this year’s edition of The Christmas Spot! We’re giving you a write-up each day in December as we march towards Christmas that will hopefully help give you a sense of that wonderful Christmas feeling. This year’s countdown is starting things off with a mostly forgotten short from 1995’s What A Cartoon Show! which aired on Cartoon Network and was basically a proving ground for new animation. Viewers would watch a block of new shorts and could phone in at the end of the episode to vote on their favorite. The most popular shorts would go on to become full-fledged shows in their own right. This was the birth place for many of Cartoon Network’s mid to late 90s original programming including Dexter’s Laboratory, Courage the Cowardly Dog, Johnny Bravo, The Powerpuff Girls, and others.

8Zvh6saroCWN0zGjdxwfZKlr7r9

G&J as they appeared in 1946 for their debut short.

Patrick A. Ventura directed six of these shorts and had the distinction of being one of those directors whose works never went to become a series. And as we’ll see with this post, it was mostly with good reason. Ventura has credits all throughout the 80s and 90s as a character designer, writer, director, and so on for lots of popular properties and some not so popular ones. For a pair of shorts he did for Cartoon Network he dug through the archives and resurrected two Tex Avery characters the public had largely ignored, the bear duo of George and Junior.

George and Junior are two bears that probably felt pretty familiar when they first showed up in 1946. George is the short and bossy character who fancies himself the brains of the duo, and he is, but only because the other half of the duo is so incompetent. Junior is a large, rotund, man-bear-child with very limited intelligence. He often begins every sentence with an “Uhhh” or a “Duhhh” before asking George what he should do. Avery was apparently fond with such pairings as you can find basically the same thing in other shorts where the characters may be cats or dogs. They also had the bit of when Junior would mess up George would command him to bend over so he could kick him in the ass as punishment.

Ventura resurrected the characters for two shorts in 1995, “Look Out Below” and “George and Junior’s Christmas Spectacular,” and the latter is naturally what this post is most concerned with. The duo are largely the same as they were in the 40s, only with a new look that Ventura used on basically all of his shorts from this era such as Yuckie Duck and Sledgehammer O’Possum. This style made the characters look a lot uglier and the animation was often minimal. The characters are usually stationary except for over-exaggerated mouth flaps and flailing noodle arms.

005

Characters typically get even uglier when speaking as is the case for Steve in this shot.

The short opens with George and Junior delivering mail to Santa’s Workshop in The North Pole. Just as they arrive though Santa departs. Steve the head elf (voiced by T.K. Carter), his status as such displayed via onscreen text, admonishes the duo for arriving so late with the last letter for Santa before telling them they’ll have to deliver it themselves so that some poor sap’s Christmas isn’t ruined. George (John Rubinow) tells him off but the other elves show up to grab the pair and they’re placed in Santa outfits and dropped into a ragged looking sleigh that’s apparently the rusted out frame of an old car. They get the back-up reindeer as well, which is headed by Randalf blue-nosed mule.

016

George preparing to deliver the present, note the noodle arm syndrome.

The deer/mule team leads the duo to the only house on their list, and promptly dumps them off the roof because they’re positioned in single file and can’t physically fit everything on top of the house. They dust themselves off and proceed inside, where we get our first “bend over, Junior” after Junior (Tony Pope) crushes George after following him down the chimney. George kicks him so hard the fur flys off of his ass and the commotion awakens Greta. Greta is an ugly little dog who was enjoying a nice snooze beside her dish filled with chicken and booze. A yellowish liquid surrounds her bed which may be drool or it may be urine – this cartoon is pretty gross in style so either is plausible. Greta assumes the two are bandits and gives chase. Repeating backgrounds are the name of the game with the chase and the production values are not looking too high. George and Junior find themselves dumped outside after Greta uses a wreath to lasso them and toss them through a window.

028

They love the eye bug-out gag almost as much as the noodle arms.

George, apparently really determined to deliver this gift, gets the bright idea to tunnel into the house. The sequence is actually done without dialogue opting only for visuals as the two dig their way into the house only to emerge in the toilet where Greta is in the midst of dropping a deuce. She flushes them, and presumably goes back to her dirty, sinful business. George them decides to have Junior just try and see if the door is unlocked, it wasn’t, but Junior’s freakish strength makes it moot when he pulls the door off its hinges. The two sneak in and George decides he’s going to creep over to the tree and leave the present. Before he goes he hands Junior an oversized candy cane and tells him to bop the dog if it chases him out. Greta naturally chases him, and Junior also naturally bashes George instead – repeatedly. This leads to the second bend over gag and this time George kicks Junior’s ass write off of his body which lands on George and crushes him.

032

That’s some kick.

Greta resumes the chase, and when George and Junior scream their heads resemble real bears in what may be the best visual gag of the episode (though the previous slab of ass was kind of funny too). They run up the Christmas tree, so the dog chops it down. When George and Junior land in a Jack-in-the-box Greta need only turn the crank to send them flying out of the house once more. Fed up with everything, George instructs Junior to saw a hole in the roof and they’ll just dump the gift, but Junior cuts a hole around the two and they both fall in on top of Greta. Greta then sees the gift, which is for her – a shiny new fire hydrant to defecate on! She’s overjoyed and immediately heads into the bathroom with it and even remembers to grab a book. Santa arrives (also voiced by T.K. Carter and sounding like a stoned jazz man) and thanks them somewhat awkwardly by giving them a gift before he floats back up the chimney. They open the present to find an adorable little white cat, that of course once acknowledged goes nuts and scratches the hell out of them thus bringing this cartoon to a much needed conclusion.

hqdefault-12

George’s last resort. By this point we all know giving Junior a saw is a terrible idea.

When this short first aired in 1995 I liked it. I thought it was gross, stupid, and funny and I probably hoped that George and Junior would get their own show. Now when I watch it I see it as a lazy, unfunny, short that tries to invoke memories of classic Tex Avery but without any nuance, charm, or purpose. The audio contains mostly public domain Christmas music with little dialogue, which is fine and expected. The sound effects though make frequent use of squishy, fart noises that I may have found funny when I was 11, but they do nothing for me now. A random fart noise is not a joke. Visually, the characters are all ugly which is fine since they’re also not really supposed to be likable. Even Santa Claus comes across as having a “Who cares?” attitude with his brief cameo. What’s less acceptable is just how little animation is present. Maybe Cartoon Network wouldn’t give Ventura much money to make this thing, but it’s also present in his other shorts. Characters just don’t move much, and when they do, there’s almost no transition animation making all of the characters very jumpy. Instead of having them actually move to do something, it just takes the lazy route of having their arms stretch to complete tasks which is neither funny nor interesting to look at.

the-boys-and-santa

Santa does make a brief cameo at the end to thank the boys.

Christmas-wise, this short at least does pass the test of having recognizable Christmas decor. George and Junior are both dressed as Santa and there’s a Christmas tree, wreath, and snow man, plus all of the different Christmas tunes. It’s not lazily adopting another Christmas story as parody, though the “Character fills in for Santa” routine has been done a lot as well, even by Hannah Barbera. I also do appreciate the attempt to revive a forgotten cartoon duo for another chance at stardom, even if it’s not done particularly well by this or by the other ’95 short. “George and Junior’s Christmas Spectacular” is neither spectacular nor is it likely to put you in the Christmas spirit, but it is a cartoon centered around the holiday so it’s at least deserving of coverage on a small WordPress.com blog. Now lets never speak of it again.


%d bloggers like this: