Category Archives: christmas

Dec. 23 – The Super Mario Bros. Super Show! – “Koopa Klaus”

Original air date October 23, 1989

During the late 80s Nintendo was on fire in the US. The Nintendo Entertainment System came storming into living rooms, basements, and dens across the country making Mario and Luigi household names. In addition to video games, there were tons of licensing deals for clothing, school supplies, bedding, you name it. If it could be sold to a kid, then it had a Mario on it. This naturally made everything associated with Nintendo desirable for things like cartoons. Other older video game stars made that leap before Mario and found success, so it’s no surprise that Nintendo was willing to take the plunge as well.

Good old DiC was the first to come calling. By now, DiC is practically on top of the cartoon world in the US. The company has had some big hits while the former Hanna-Barbera juggernaut is starting to flounder and will soon be purchased by Ted Turner. Because of their stature in the world of animation, it wasn’t a surprise to see Nintendo go with DiC. Well, it’s not when you ignore that there are plenty of far more talented animation studios in Japan that Nintendo could have turned to, but their cartoon was clearly being targeted towards Americans so that likely explains the choice.

Danny Wells loves being Luigi.

For DiC’s first stab at a Nintendo cartoon it turned to the Super Mario Bros. It handed things over to Inspector Gadget creator, Andy Heyward, and trusted him to bring Nintendo’s mascot to the world of cartoons. That was hardly a surprise, but what was a bit surprising was the decision to include a live-action component in the show. The Super Mario Bros. Super Show! would begin with a segment featuring actors playing the brothers Mario and Luigi. They would have their own plot to untangle that would be setup in the opening act before the show would transition to the cartoon segment. The cartoon featured Mario, Luigi, Princess Toadstool, and her attendant Toad as they traveled through the vast Mushroom Kingdom always crossing paths with the evil King Koopa. When the cartoon concluded, the show would go back to the live-action portion where it’s story would progress and then resolve in the final act.

Why did DiC feel the show needed this live-action component? Well, it probably didn’t, rather DiC just saw an opportunity to knock the costs down. Who knows what Nintendo charged for the license, but my guess is the live-action was a lot cheaper to produce than animation. The actual cartoon in each episode is only 12 minutes or so in length. And the live-action part is just shot on a soundstage. There’s no on-location filming, wardrobe is pretty consistent, and they could probably bang out a few of these things in a day. Plus, it also allowed for the show to have some guest stars when the opportunity presented itself.

Monday through Thursday 1989, little dudes like me were “treated” to a Super Mario Bros. cartoon as part of the Super Show.

To add another wrinkle to the program, is that the show was actually 3 shows in one. It was a direct-to-syndication program that aired on weekday afternoons in most markets. Monday through Thursday featured a Mario cartoon and on Friday the Mario cartoon was swapped out for a Zelda one. During the lead-up to Friday, a sneak peek of the Zelda cartoon would be featured too so that when Friday came it almost felt like a re-run. It was an odd setup, but Mario and Zelda were like a packaged deal during this era, if cereal could be believed.

This is not a show with a large budget.

The Super Mario Bros. Super Show! lasted just the one season before it was replaced with a show based on Super Mario Bros. 3. The show produced 52 Mario cartoons and 13 Zelda ones. It also produced a pair of Christmas segments. One of which is the subject of today’s post, “Koopa Klaus,” in which King Koopa tries to ruin Christmas. The other Christmas segment was the live-action “Santa Claus is Coming to Flatbush.” Why the two weren’t paired up I have no idea. It makes no sense, especially since this one aired before Halloween in 1989 and the other on the more appropriate date of November 29. Instead, this one was paired up with “Little Marios” which is actually one of the more memorable segments for me since it features a ridiculous flashback in which the same actors portray kid versions of themselves. At any rate, it has nothing to do with Christmas so I’m just going to ignore it.

Better than a toilet…

Every episode opens with the very catchy theme song, “The Plumber’s Rap.” There are actually two versions of the rap, the one at the beginning of the show and then a different, much shorter one, that introduced the cartoon itself. Let’s just get it out of the way right now: this show sucks. However, I unironically love “The Plumber’s Rap.” It is perfect for what it is. When the opening credits are done, the episode begins with the first segment in the “Little Marios” plot. Now, I already said I’m going to ignore it, but while we’re here, I’ll just make some observations. For one, Mario is played by former professional wrestler Lou Albano and Luigi by Danny Wells. Both men are, unfortunately, no longer with us. They mostly look the part, I suppose. They’re definitely a little older than how I would have pictured the Mario brothers, but they have the colored overalls, blue undershirt, and big moustache. Albano even shaved his signature beard for the role, which was quite a commitment for him. Their home, which doubles as their place of business, makes no attempt to disguise itself as something other than a set. It’s very open. For some reason, the telephone is always shown in the middle of an actual pizza and it’s covered in cheese and pepperoni. The Mario brothers basically speak in Italian stereotypes and seem to consume nothing but pizza and spaghetti. The show makes very liberal use of a laugh track which makes it feel even more dated than it is.

Behold! Koopa Klaus!

When we get to the cartoon, we get the other opening credits with the modified rap. The lyrics are different and tell the viewer how the Mario brothers came to be in the Mushroom Kingdom (they found the secret warp zone while working on the drain). When the cartoon itself finally begins, we’re dropped into a factory where Koopa Troopas are dumping toys into a machine to grind them up into junk. King Koopa (Harvey Atkin, easily the best part of this show) is decked out in a Santa suit and is delighted to see the toys being smashed. He hates Christmas and he’s made it his mission to ruin the holiday for everyone. The three-headed serpent, Triclyde, approaches and he’s wearing a reindeer outfit. Koopa addresses him as Randolph the red-nosed triclyde. Apparently, Koopa’s sleigh is ready for him and he announces he’s off to Santa’s workshop to bomb it. He takes off with a sleigh full of bob-ombs being pulled by a pair of albatross with bicycle handles for reindeer antlers, a superior solution than what the Grinch settled for.

Mario gets to wear this stupid outfit the whole episode.

Mario and the gang have just popped up out of the ground like fucking Bugs Bunny for some reason in a very cold environment. Mario is dressed for some place much warmer and we find out that Toad (John Stocker) gave him some bad directions which has taken the four to The North Pole instead of Hawaii-Land. It would seem Toad may have done this on purpose for when Princess Toadstool (Jeannie Elias) realizes where they are Toad eagerly suggests they pay Santa a visit. Mario (voiced by Albano, Wells voices Luigi to keep things consistent with the live-action portion) then adds an entry in his “Plumber’s Log” as the gang starts walking towards the work shop. This is an obvious homage to Star Trek, though we never see a physical log book for Mario so maybe he just does this in his head to feel important.

FYI: if you didn’t already hate Toad, you’re about to.

Toad is rather excited about the whole thing with a major focus of his holiday love being the presents. Oh Toad, will you ever learn the true meaning of Christmas? He hopes Santa will give him his present now, which reminds the Princess that she has a gift for the little shroom and pulls it out. It’s a snowboard, and Toad is more than pleased with this development. He zooms around on the thing without so much as a “Thank you,” but the Princess seems to be enjoying this new development that has left her loyal attendant in a more infantile state.

Toad grave. Sadly, it’s short-lived.

The sound of sleigh bells get the attention of the Princess, but when she looks to the sky it isn’t Santa she spies, but Koopa Klaus! He drops some bombs which explode on impact and appear to be a direct hit on Toad. He’s not blown into bits though, he just goes soaring through the air and lands in a pile of snow. His snowboard follows and lands with one end in the ground forming a crude tombstone. When Toad emerges from the snow, he shrieks about his precious present and gives it a hug. The others then surround him and the Princess is rather pissed he doesn’t seem to care about their well-being. When confronted by this, Toad can’t even muster much of a defense aside from “well, it is Christmas” before finally asking the Princess if she’s ok.

This shot of everyone staring angrily at Toad is going to be repeated a lot in this one.

Luigi then rightly forgets about the dumb, little, fungus and wonders what Koopa is up to. Mario realizes that Koopa was flying towards Santa’s work shop which sets Toad off once again. As expected, he’s worried about the toys and the others have to glare at him to get him to add “…and Santa” to the list of things he’s worried about. No one is concerned for the elves.

The icy work shop, and our first animation gaffe of the episode as Mario is depicted in his red overalls.

The gang then comes across Santa’s work shop only to find it encased in ice. I guess somehow Koopa’s bombs can freeze stuff as well as blow up? I don’t know. They’re all pretty shocked at what they see, but worse, there’s no sign of Santa! They then spy Koopa Klaus (and I find it funny they keep calling him Koopa Klaus) flying away with Santa hogtied on the back of his sleigh. Toad starts crying about never getting another present while Koopa (rightfully) laughs his ass off.

That son-of-a-bitch kidnapped Santa Claus!

The Marios give chase as Koopa is heading…to the frozen work shop? I don’t understand his strategy. Mario is also so committed to saving Santa that he’s still in his vacation attire. Anyway, they happen upon a playground and Mario declares it’s a playground for the elves. Usually elves are little old men and women, but okay. Mario especially eyes a teeter-totter, only it’s not what I would call a teeter-totter, but a seesaw. Maybe it’s a regional thing? He tells Luigi to get a block of ice, only it’s too heavy for Luigi to toss over to Mario so he has to hobble it over. Mario then places it on the seesaw and instructs Luigi to jump off of his shoulders and onto the other end. Luigi does as he’s told and the block gets launched through the air and strikes Koopa’s sleigh. He and Santa fall, but Koopa uses his empty bomb sack as a parachute to slow their descent. I guess Mario was counting on Koopa doing that otherwise Santa would have just plunged to his death.

It’s Snoweegi!

When they hit the ground, Koopa keeps a firm grasp on Santa and uses his sack like a wind sail and lets the breeze pull he and Santa across the snow. Mario and Luigi respond with…snowballs. Koopa, who has a big, spiny, shell on his back could probably just weather the storm here, but he actually stops. He catches some snowballs in his sack, then throws it back at the Marios. Mario gets knocked over, while Luigi ends up covered in snow resembling a snow Luigi.

And I bet you thought Bender did it first.

Koopa Klaus carries Santa across the tundra, and it’s at this point I am just now realizing they aren’t leaving footprints in the snow – cheap animation budget! Mario and the others are right behind them, so Koopa does the reasonable thing of using Santa as a taboggan. As Mario and the others watch Koopa race away on his Santa-sleigh, Luigi worries aloud about the potential for thin ice ahead. Luigi, you’re at the North Pole. I’m pretty sure that ice is plenty thick. Toad then says something smart and points out if the ice can hold Santa and Koopa then it must be pretty thick. It must have been standards and practices that demanded they acknowledge the possibility of dangerous ice ahead or something.

This little guy doesn’t have much of a threatening aura to speak of.

The gang slides down on their rumps and crash land on the ice. Koopa then summons his Koopa Flurries, the little ice skating guys from the US version of Super Mario Bros. 2. They enter to the boss theme from the same game and spin-up some ice blocks to toss at the Marios. Their aim sucks, and Mario declares they must fight fire with fire! No, he’s not whipping out a fire flower, but tossing the ice block back at the flurries. Luigi makes the obvious observation that they’re actually fighting ice with ice, while he and Toad help Mario give it a push. All three wind up on top of the block as it whizzes towards the flurries who just…stand there. In tight formation, so we can get a bowling pin joke. No wonder why Koopa always loses.

Looks like certain death awaits you if you go in the cave.

Lamenting the defeat of his flurries, Koopa races into a cave still dragging Santa behind him (Koopa must be absurdly strong considering how easily he yanks this obese man all around the frozen north). The good guys arrive at the mouth of the cave, but hesitate once there. Luigi seems to be afraid of the dark, but the Princess declares the whole world will be a dark place without Christmas! Toad chimes in with a reminder they need to save the presents or some shit, but really this thing is sending mixed messages at this point. It would seem, per the Princess, that there’s no Christmas without Santa. Since Santa is just a jolly fat guy who brings presents, it would also seem that the implication is there will be no Christmas without presents! Hah! Check-mate, Princess!

It’s worth pointing out that it’s only the bad guy who has festive, holiday, attire.

They go after Santa and slide through the cave, though not smoothly. They end up essentially just going through a tunnel and emerge back out on the tundra. Koopa Klaus is above them though with Santa and he’s ready to dump the fat man over a cliff. He also slips into an Edward G. Robinson impression for some reason, as he spells it out. He ends his evil monologue with his catchphrase of the episode, “Bah Hum-koop,” which he shouts over and over until the predictable occurs: he starts an avalanche.

Is the background ice or water? Eh, it’s just a kid’s show.

The horribly animated avalanche falls on Koopa and Santa. In order to save Santa, Mario relies on that tool he’s most famous for, a plumber’s snake! Yeah, not a power star or flower or even a Koopa shell, but a plumber’s snake. He uses it like a whip to retrieve Santa, while leaving Koopa Klaus. When he asks what he’s supposed to do, Mario just makes a diving gesture. Koopa refuses, but has no choice in the end, so he jumps into…the ice? The background looks like more frozen tundra, but the animators layer a splash effect on it and Koopa behaves like he’s in water, but it looks ridiculous. Koopa hauls himself out of the water and onto some ice to feel sorry for himself. He asks “What else could go wrong?” and is greeted by an angry polar bear. We now leave Koopa to die.

Koopa’s new friend.

Back at Santa’s work shop, the big guy is pretty happy about being rescued, but things look dire. Santa (Stocker) doesn’t see how he could possibly unfreeze the work shop in time for Christmas. Surprisingly, no one seems concerned about the elves or reindeer encased in ice. They should be pretty dead at this point. Toad doesn’t give a shit though since he has his snowboard. He races around like a show-off, while Santa cries.

That is one punchable face.

Toad the infinite moron, then asks “What’s wrong?” when Santa walks off to be sad. The Princess has to dumb it down for him, and then Toad gets to flip a switch in his stupid little brain. He hands over his snowboard to Santa and tells him to give it to someone for Christmas. Santa, in an extreme overreaction, embraces Toad and tells him he’s never seen anything quite like the gesture Toad just made. His exact words are, “In all my life, I’ve never seen anyone express the true spirit of Christmas quite like you did.” What an astoundingly stupid thing to have Santa say. The little mushroom donated a snowboard, not a kidney!

Toad using Santa’s beard to dry his tears feels way too clever for this show.

Santa starts crying, and then everything melts because of Christmas. The Princess and Santa spell it out for the kids at home, in case they couldn’t figure it out, that the spirit of Christmas has warmed Santa’s heart to the point where the ice is thawing. It’s dumb, and an easy out. The elves and reindeer even seem fine, and Santa is able to prep his sleigh for Christmas Eve.

Looks like they saved Christmas after all.

Santa is ready to depart, and once again gives all of the credit to Toad for saving Christmas. Never mind that the little brat did almost nothing to actually rescue him from Koopa Klaus. That was pretty much all Mario. He then declares he has a special present for the lot of them and invites them to ride with him tonight to deliver presents. Toad gets to sit beside Santa, while the other three get stuck in the back. Santa is running lean too since he only has four reindeer and apparently two elves. They take to the sky and Santa calls out “Mario Christmas to all and to all a good night!” and does a moon fly-by to close it out.

Don’t worry, I wasn’t expecting the show to have an eight reindeer budget so I’m not even mad about it.

That’s how the Mario brothers saved Christmas. This is a profoundly stupid and cheap Christmas cartoon. I hate the Toad character as he’s annoying even when he isn’t acting like a child and he’s also kind of dumb looking, if I’m being honest. His arc is plainly obvious from the get-go and his selfishness at the beginning is just so over-the-top. Santa should just boot him out of the sleigh when they’re over the ocean.

The rest of the characters are fine, though none are particularly entertaining. Mario, who sounds like he was recorded over the phone or something, is the leader with all of the right ideas. Luigi is just there to be a sidekick and question Mario while the Princess is mostly along for the ride. She explains things, I guess, but in a cartoon lacking subtlety explanation is rarely needed. We don’t get any fun Mario power-ups in this one, and there’s a real lack of bad guys outside of Koopa Klaus. I did enjoy the Triclyde and birds with handlebar antlers, at least.

King Koopa, or Koopa Klaus, is the only redeeming part of the show. He’s over-the-top as well, but it works. He’s just an entertaining villain, even if he’s mostly inept, and the voice of the late Harvey Atkin is just so unique in this role. He and Stocker were pretty much the only voice actors that DiC would hang onto for the other Mario cartoons, as everyone else would eventually be replaced.

The Super Mario Bros. Super Show! is a relic of its era, a licensed cartoon designed to simply boost the profile of the main characters leading to sales of other merchandise. It’s not a good show, and this isn’t a good Christmas special. It is a widely available one though as Netflix currently has the streaming rights. It’s also available, cheaply, on DVD if you for some reason need to own this thing physically. You could also just stream it for free too, as it’s available on YouTube without the need for payment. Like I said, it’s not any good, but sometimes you just have to DO THE MARIO!

Swing your arms…

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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If you were a major motion picture studio in the 1940s and you didn’t have a mascot cartoon character then you really weren’t a major motion picture studio. The big ones were at Disney and Warner while Tom and Jerry reigned at MGM. Universal was one of the later entrants, but they struck gold with…

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Dec. 23 – Teen Titans Go!: Second Christmas

The Teen Titans are a super hero group consisting of all of the heroes no one cares about:  Robin, Starfire, Cyborg, Raven, and Beast Boy. They got a chance to shine in their own series, which was eventually spun-off into a satirical comedy series called Teen Titans Go! This series is basically a flash animated…

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Dec. 22 – Extreme Dinosaurs – “Holiday on Ice”

Original air date December 24, 1997

After looking at what I considered to be a pretty good cartoon yesterday, I’m feeling like I need to take-in some trash today. It’s to the late 90s we go and the Bohbot/DiC Street Sharks spin-off Extreme Dinosaurs! Ah yes, everything was extreme around this time. Surge was packing the soft drinks aisle in stores, the X-Games were coming to ESPN, and even the Ghostbusters were getting extreme, or should I say X-treme? And what could be trashier than a Street Sharks spin-off? That unapologetic Teenage Mutant Ninja Turtles rip-off started as a toyline and migrated to television and was truly abysmal in almost every way. The characters were just piles of muscles with mouths full of sharp teeth with easy to market personalities. I didn’t even know there was a spin-off until I came across this show, and my expectations could not be lower.

It was a just few days ago we looked at Inspector Gadget, DiC’s first big hit from the 80s when its animation was actually pretty good. Come 1997 though, DiC was all done with good and was only interested in cheap. Extreme Dinosaurs is an ugly show with poor animation, simplistic writing, and adequate voice acting. It was supposed to sell toys, and it shows. The character designs are in-line with Street Sharks in that it’s just muscles upon muscles with a dinosaur head on top. The show produced 52 episodes which aired as part of the Bohbot Kids Network, a package of syndicated cartoons that at one point was featured in about 75% of the US. I have no idea what channel carried this block in my market, but I do remember coming across Extreme Ghostbusters so it must have aired around me.

They’re dinosaurs, and they’re extreme!

The plot for Extreme Dinosaurs is some aliens created humanoid dinosaurs for nefarious purposes. They rebelled and became the heroic Extreme Dinosaurs on Earth. Opposing them are more mutated dinosaurs, these ones all velociraptors (again, this was the 90s and a post Jurassic Park world) that want to accelerate global warming and return Earth to a habitable environment for dinosaurs. The Extreme Dinosaurs live at a ranch/museum in the middle of no where with a kindly old man named Porcupine.

The 52nd and final episode of this dumpster fire was a Christmas episode. Titled “Holiday on Ice,” the evil raptors are taking their talents to the North Pole to set off a bomb of some kind that will melt the polar ice cap and flood the world. The Extreme Dinosaurs need to stop them for the obvious reason of not letting the world become flooded, and because Santa lives up there! Duh!

And you thought Charlie Brown had a pathetic little tree.

The episode begins in a cave with the bad guys. Haxx (Lee Tockar) is working on his letter to Santa. He is apparently the dim-witted portion of the bad guys as he doesn’t seem too bright and almost sounds a tad infantile. Bad Rap (Gary Chalk) enters to admonish him for his foolishness. He also explains their new plan to melt the polar ice caps using some device Spittor (Terry Klassen), the third Raptor of their little team, cooked up. When Haxx questions what this will do to Santa, Bad Rap predictably doesn’t care.

There’s something you don’t see in every Christmas special.

At the museum, Bullzeye (Jason Gray-Standford), a pteranodon, is trimming the Christmas tree when Spike (Cusse Mankuma), a blue triceratops, enters the room. He’s confused why Bullzeye would erect a tree in the house, and he goes on to explain it’s a Christmas tree. It would seem Porcupine’s nephew is coming to visit them and he figured the kid would want to see a Christmas tree. Not knowing what holiday the kid is into though, he’s also prepared by having a menorah on hand and even some Kwanzaa decorations!

“All right, lunch is here!”

Outside a car pulls up and some guy in a blue suit drops his kid off. The kid is Matt (couldn’t find a credit for him, but he sounds super familiar and it’s driving me nuts) and he’s not very happy about spending Christmas Eve at this place. His uncle Porcupine (Chalk) comes out to greet him followed by Spike and Bullzeye. The kid has basically no reaction to these dinosaur guys which is just insane! They look horrifying! Any reasonable human, kid or not, would flip out at the sight of these things.

The most unrealistic thing about this image is the fact that the kid isn’t shitting his pants.

They head inside and because the kid doesn’t seem to care I just assume his dad prepared him for them. Nope, as he ends up suggesting they take off their masks. The other members of the team, Stegz (Sam Vincent, you can probably guess what kind of dinosaur he is) and T-Bone (Scott McNeil), a T-Rex, introduce themselves, but also have some information. They received a distress signal from way up north and want to check it out. Matt wants to go too so he grabs his coat and hat and the gang heads out.

The dinosaurs meet the “mysterious” Claus Nicholas. What a dumb, fucking, name.

The dinos ride some flying contraptions to reach a research station in the North Pole. A bald guy with a white beard and lab coat greets them and he too is apparently not frightened by gigantic dinosaur creatures. Oh, and he’s obviously Santa Claus. He’s thankful the dinosaurs have arrived as he’s all alone for Christmas and noticed a disturbance. They head inside and check out the place, and Matt soon discovers the raptors up to no good when he checks some security terminal. It’s decided that Matt will stay with “Mr. Nicholas” while the Extreme Dinosaurs confront the raptors.

These raptors have style.

The Extreme Dinosaurs head out and at this point I feel the need to point out that these guys are likely cold-blooded and they’re running around the polar ice cap in short sleeves. I know they’re “extreme” and all, but come on! Bad Rap, Haxx, and Spittor are up to something, and it would appear they’re drilling into the ice. They’ve also at least put on some clothing to better prep them for the cold. Bad Rap looks quite nice in his baby blue vest and stocking cap.

Time to get X-treme!

To emphasize their extremeness, the Extreme Dinosaurs descend upon the raptors via snowboards. T-Bone and Bad Rap square-off with each other, as I assume they probably often do as leaders of their respective factions, which results in Bad Rap getting tossed into a snowbank. Declaring it’s too cold for this stuff, he activates some device and a bunch of robot dinosaurs attack. They make the stock “dragon” sound you’ve probably heard in many shows and cartoons (think the Dragonzord from Power Rangers, and the dragon unit from Warcraft II) and quickly surround the good guys.

Oh goodie, robots!

With the cyber raptors occupying the Extreme Dinosaurs, the raptors slip away to resume their operation. The good guys take a bit of a pounding at first, but once they get extreme and hop back on those snowboards the tide of battle turns. They even find one of Spittor’s devices and Bullzeye is tasked with taking it back to Santa before returning to deal with the raptors.

“Ok Matt, lets watch your new friends freeze to death.”

At the research station, Santa (they keep calling him Claus or Mr. Nicholas, but I’m just going to call him Santa because he’s obviously Santa) brings Matt some hot cider while he busies himself at the computer keeping an eye on things. Bullzeye drops by with the device and takes off. Matt shows concern for the dinos since it’s getting really cold out. Santa confirms it’s probably getting too cold, but if anyone can handle it, it’s the Extreme Dinosaurs! Yes, they actually refer to themselves as the Extreme Dinosaurs.

“Don’t get too attached Matt, food is scarce up here so you’re hugging Christmas dinner.”

Santa’s husky enters the room and Matt thinks it’s a wolf at first, but warms to the dog quickly. He mentions how he wants a dog, and Santa replies, “No shit you want a dog. Don’t you think I already know that – I’m fucking Santa Claus!” Ok, not really, but he gets a lecture on doing his chores and showing his father he’s responsible and all of that crap so he can get a dog. And we now know how this episode is going to conclude. An alarm goes off to interrupt their conversation. Apparently now it’s too cold for the dinosaurs, but all they can do is watch a monitor.

I tried to warn them. Cold-blooded and all.

The Extreme Dinosaurs then come upon the raptors who are finishing up with their operation. The snow is really coming down though and everyone sounds cold. Spittor shows off why he has that name, and what all of the hoses and stuff are for on his body, as he blasts the good guys with water. Normally, this would just be annoying, but since it’s well below freezing the Extreme Dinosaurs ice-up. Bullzeye arrives and narrowly avoids the same fate. Even though they have the Extreme Dinosaurs practically dead to rights, the raptors retreat as it’s just too cold. Stegz is then the first to succumb to the cold as he falls on the ground declaring he can’t stay awake. Santa and Matt watch this all unfold and by now the kid is pretty worried.

Santa tells Matt he has to have faith in the Extreme Dinosaurs in order for them to prevail. Matt thinks this is a load of bull, but decides it can’t hurt. Miraculously, the storm stops and the sun emerges. He accuses Santa of being responsible, and he in turn accuses Matt as the frost on the window starts to melt.

Stegz is apparently not extreme enough to handle the heat.

Bullzeye emerges from a pile of snow and looks around for his comrades. He finds them frozen solid, but with the sun now out he’s hopeful. He apologizes in advance for what he’s about to do, and lets out a mighty scream to shatter the ice prison each of his buddies is in. They emerge, seemingly no worse for ware, and Spike passes around a thermos of hot sauce to really get them going. With the temperature a balmy 50 below, the Extreme Dinosaurs set out to find the raptors.

It’s time for another fight, but this time they’re taking it TO THE EXTREME!

The raptors are prepping the last of Spittor’s disrupters when the Extreme Dinosaurs come upon them. Before the detonator can be activated, it’s knocked from Spittor’s hands and the Extreme Dinosaurs take hold of it. Inside the research station, Santa informs Matt he’s figured out the frequency of Spittor’s device and announced he can jam it. A crash outside alerts the two of the rumble taking place, and Matt excitedly races outside to see the Extreme Dinosaurs in action.

Matt: a kid who is clearly not extreme.

This proves to be a bad move, as Bad Rap gets a hold of him almost immediately. With a hostage in hand, T-Bone hands over the detonator and Spittor is happy to activate it and plunge the world into a new reality. Unfortunately for him, Santa is ready and activates his own device which cancels it out. When nothing happens, Matt happily informs the evil dinos that Santa messed things up for them. Defeated, they race to their personal flying devices taking Matt with them and toss their last remaining disruptor behind them. They detonate it burying the Extreme Dinosaurs in snow. As they fly away, Matt actually asks Bad Rap if they’ll be okay and he shoots back, “I certainly hope not!”

“Don’t worry about it. People go missing all of the time up here at the North Pole.”

The Extreme Dinosaurs emerge from the snow to find Santa. Bullzeye is especially upset that the raptors got Matt, as he just wanted to help the kid be less jaded, as he puts it. Santa assures him that Matt has come a long way and has learned to believe in others. The dinosaurs are skeptical, but Santa leads them back inside assuring them that Matt will be back in an hour.

Ahh yes, the bad guy moved to do good on account of Christmas.

Inside the research station, the dinosaurs can be seen pacing about while Santa sits contently at a computer. Spike informs him the hour is up, but Santa informs him there’s still five minutes to go. T-Bone expresses his displeasure at this course of action, but a knock at the door gets their attention. It’s Haxx, and before the Extreme Dinosaurs can “fossilize” him, Matt runs in waving them off. Haxx has apparently brought him back in exchange for something, and Matt promised him he’d be able to leave unharmed.

Always a good move to give Santa a hug when the opportunity presents itself.

After Haxx departs, T-Bone reminds the others (and us) that it’s Christmas Eve. They need to get the kid home as Spike invites Matt to ride with him. Before he boards Spike’s personal transportation thing, he informs him he has one last thing to do. He runs over to Santa and gives him a hug and thanks him for his lesson on believing. He also hands Santa a note, and I think we can figure out what the deal between Haxx and Matt was. Santa gives him a wink and a chime sound effect is even played when he does it which always means magic. Matt and the dinosaurs then head home. Except for Bullzeye who stays behind to request a favor of Santa that we’re not privy to just yet.

Uncle Porcupine should probably give that cider a sniff.

Back at the ranch, Matt is excited to tell his uncle what happened, but also upset that Bullzeye is apparently going to miss his first Christmas Eve. Spike tells him not to worry, and gets him some cider. Later, Matt is passed out on the couch beside a now shirtless Spike (this is kind of weird) who is watching TV. A Santa report pops onto the news and we see that Santa has apparently traded in his eight reindeer for one pteranodon. Matt wakes up to recognize that it’s Bullzeye pulling the sleigh, and Spike reminds him he better get to bed before Santa arrives.

A puppy – who would have guessed?

The next morning, Matt steps out onto the porch to get the paper. There he finds a little dog with a ribbon tied around him. He’s pretty excited and knows this is the work of Santa Claus. His uncle is there to suggest that maybe the dog is a stray as people apparently often leave them here (probably for the dinosaurs to feast upon), but Matt knows better. His dad arrives to pick him up, and he’s surprisingly not pissed about the whole dog thing. He tells Matt he can keep him, and everything is wrapped up in a neat, little, package.

Sadly, the show was cancelled before it could do a proper Kwanzaa special.

After Matt leaves, the Extreme Dinosaurs are able to reflect on their first Christmas a bit. Spike is actually disappointed they have to wait a whole year to do it again, but Bullzeye informs him that Kwanzaa starts tomorrow!

The lesson here is it’s okay to take a hostage as long as you return them unharmed. At least, as far as Santa is concerned.

Elsewhere, Haxx finds a little tarantula under his makeshift tree. Apparently this is what he asked Santa for and he’s delighted that Matt gave Santa his list. Spittor walks in to throw cold water on his moment saying the bug probably just wandered in. Bad Rap also enters to suggest the whole Santa thing is nonsense since he didn’t get what he wanted: a boiling, hot, warming, trend. Haxx informs him that he probably didn’t get what he wanted because he’s on Santa’s naughty list, and Bad Rap responds by throwing one of those disrupter things at him. Only he misses and hits the wall of their cave causing a bunch of lava to come flowing in. As the three take shelter, Haxx explains to Bad Rap that he got what he wanted after all and he reasons he must not have been a bad, little, raptor after all. Bad Rap responds by saying if he wasn’t bad, he’s going to start being bad right now and chases Haxx. And that’s apparently the joke the series decided to end on.

Well, I went looking for a trash cartoon and I mostly found one. This episode of Extreme Dinosaurs hits on a lot of the Christmas special tropes we’ve come to know (and love?). We get a bratty kid who doesn’t believe in Santa who ends up learning to not only believe in Santa, but in everything, apparently. The kid is so bratty that towards the end Spike even tells Porcupine he thought his nephew sucked, which actually made me laugh out loud. And in order to reach that end we get to watch a pair of warring factions of mutated dinosaurs do battle and out scheme one another. The animation sucks and so do the character designs. I could see how these creatures could make for interesting toys, but as cartoons they mostly look awful. T-Bone looks like an oversized Poppler from Futurama. I will say the bad dinosaurs looked better than the heroes, but not by much.

The Santa radar from the news broadcast is the closest we get to a proper moon shot.

As far as Christmas goes, for an episode that takes place at the North Pole there’s very little Christmas to be found. We basically just get the beginning and end which features some decorated interiors and that’s it. We don’t even get to see Santa fly in front of the moon with his snazzy dinosaur ally! It’s fine though, and I did appreciate the winter clothing worn by the bad guys.

I had a little fun laughing at this one, but I’m not going to tell you that Extreme Dinosaurs is a good show. Or that it’s even worth watching. If you want a dose of 90s extreme then go for it, I suppose. No one is protective of it, so just punch the episode title into your search engine of choice. This is sometimes just labeled episode 52, and if you actually want to relive the Extreme Dinosaurs experience in its full then worry not as this episode was only the final episode in broadcast order. Production wise, it’s in the middle and feels like it’s pretty stand-alone at that. I don’t think Matt ever returns, which is probably why I can’t confirm a voice credit on the role, and it’s the only Christmas episode the show did. What a pity.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 22 – Eek! The Cat – It’s a Wonderful Nine Lives

For the second year in a row we are returning to Eek! The Cat, a Fox Kids property that’s probably not remembered by many. At least I never encounter anybody who has anything to say about Eek! The Cat, be it positive or negative. My lack of foresight means we’re working backwards in relation to…

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Dec. 22 – Johnny Bravo: ‘Twas the Night

This thing kicked off this year with the What A Cartoon! original George & Junior’s Christmas Spectacular. The comedic bear duo failed to make a lasting impression and faded away from sight. Johnny Bravo, on the other hand, debuted via the same show, but to a much warmer reception earning him his own series. The character…

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Dec. 21 – Buzz Lightyear of Star Command – “Holiday Time”

Original air date December 16, 2000

When Pixar set out to create competing, fictional, toys in its debut film Toy Story it settled on cowboys and space rangers. The thought being that once upon a time cowboys were the most popular fantasy toy among boys, but were soon replaced by fantastic space voyagers once real-life space travel became possible. In order to really set the mood for the film, Pixar created Buzz Lightyear. He had a fictional back story that felt like it came right off of the back of an action figure blister card in 1990. He had a fictional TV show in the film, though we saw little of it. He had a nemesis, and the lore of the Buzz character was added to for the sequel, Toy Story 2.

Both films were a huge success for Pixar and Disney. And since the films were popular with kids, it meant licensing was super easy. After all, every character in the film was a toy! Toys were created and sold and even more money was earned. Pixar didn’t stop there though. Kids liked Buzz and they had interest in the fictional lore of the character that the films only touched upon, so why not turn that into a real world cartoon series? That’s how the world ended up with Buzz Lightyear of Star Command. This is the story of the fictional Buzz created and sold to kids like Andy of Toy Story. He’s supposed to be a cartoon in that universe, so in our real world he too is a cartoon (and because animating the show like a Pixar film would probably be way too expensive). The only thing the show couldn’t do was preserve his voice, since star Tim Allen was either too expensive (probably) and also probably didn’t want to be tied down to an animated series.

Enter Patrick Warburton, who has a better voice for the character than Allen himself. He’s a natural fit for the regal, yet brash, space ranger that is Buzz Lightyear. The show was, like many Disney Afternoon shows that came before it, a direct-to-syndication order. And like DuckTales and Gargoyles, it premiered in an extended format as a mini film of sorts which spanned multiple episodes when aired on television and could be sold at retail and marketed as a movie. The show was part of the One Saturday Morning block and also aired on week day afternoons (though not as part of the famed Disney Afternoon) from 2000-2001 and likely in reruns there after across various Disney platforms. For a long time, it was the only Pixar television series, though Disney+ is expanding that. It also has the distinction of being one of the few hand-drawn, 2D, animated offerings from Pixar.

Every episode begins with the gang racing to the TV to watch the show, a cute addition.

As a syndicated program, Buzz Lightyear of Star Command totaled 65 episodes with the 62nd being a Christmas one. We’re going to find out how the denizens of space celebrate the holiday. And if you thought the Santa who lived on earth had it bad, the one we’re about to meet has to deliver toys to an entire galaxy! And since this is a cartoon series with Buzz in the starring role, we’re going to have to meet some unfamiliar supporting characters along the way. The big, baddie is obviously Zurg, but he figures to have some minions or something, I would assume. I’m going into this show pretty cold as it’s a blind spot for me, but it at least has a solid pedigree to start.

This little robot is XR and today he’s going to learn a lesson about giving, because someone has to in a holiday special.

Each episode begins with a cute little piece of animation where the characters of Toy Story are rushing to get to a television set to watch the show. The episode begins on what I assume is the home planet of Buzz, or at least the home planet where the Space Rangers are headquartered. There’s a Santa ringing a bell in the center of town and this Santa is not the real deal, but is actually Buzz. He strikes a nice pose, though he’s lacking in the whole bowl full of jelly department. Fellow space ranger Mira (Nicole Sullivan) is educating her colleague XR (Neil Flynn) about the holiday season. Mira is pretty basic looking as she’s just a blue human, though XR is some sort of robot. He looks kind of like Earthworm Jim to me. He thinks all of this holiday stuff is pretty dumb as he buys a gift for a friend and they do the same (he’s pretty cheap since he cites the gift as being ten bucks) and doesn’t see the point. Mira stresses it’s the giving that matters, and we’re probably setting up for a holiday lesson that will pay off in the end. Some kid then goes running by and mistakes XR for a toy snatching him up and thus proving his point for him. I also can’t help but notice that the characters have yet to say “Christmas” and instead use the generic term “holiday.” It’s sort of weird to have a holiday just named “The Holiday,” but apparently there was no Space Christ for a Christmas to arise from.

Buzz is a pretty solid looking Santa.

They soon turn their attention to Santa Buzz who’s working the crowd. A large man in a red suit soon approaches needing Buzz’s help and it’s plainly obvious that this guy is going to turn out to be Santa (Earl Boen). And sure enough, he claims to be Santa! Buzz thinks he’s crazy and isn’t eager to help him out with whatever problem he currently has. Fellow ranger, Booster (Stephen Furst), then calls for backup and Buzz bails. As Santa calls out to him practically begging for help he refers him to Mira to provide a statement.

But this guy is a better looking Santa.

Buzz then happens upon Booster who too was playing Santa in a different part of town to collect donations. The kids have turned on him though as they recognized the big, red, alien is not Santa. He’s hiding in terror behind his collection bucket as the locals pelt him with snowballs. When Buzz arrives, they stop momentarily to regard him and soon claim he isn’t Santa either. When Buzz insists that he is they ask him to explain how he can possibly get toys to every kid in the galaxy in a single night, and Buzz confesses that he can’t. They ready their arms, and Buzz distracts them with promises of destruction by offering to show off his wrist laser. Problem solved!

Booster is apparently not the most reliable member of the force.

Mira is still taking “Santa’s” statement back in town. He had something stolen, but can’t say what. While Buzz is regaling the children with tales of his exploits until Star Command sends out a signal for him to return to base. They all return to an orbiting space station where Commander Nebula (Adam Corolla) hands over a list of crimes Zurg apparently intends to commit. It’s the usual sort of stuff, but ends with Buzz’s newspaper being stolen on the list which really seems to piss him off.

Diabolical!

The first item was to sabotage the fleet, so Buzz and team head to where they think Zurg is going to strike only to find nothing. Buzz thinks he was scared off, and then a flash of white light and snowflakes appear for a second. When it fades all of the space ships are in disarray. Buzz is in disbelief over what he just witnessed, but has no time to ponder how Zurg did it because next on the list was busting out everyone in a space prison. The fleet is scrambled and Buzz and team are shown surrounding the jail. Once again, a flash of light and snowflakes occurs and when it fades Buzz and his subordinates are surrounded by escaping criminals! And then to top it off, the next morning Buzz emerges from his home in his robe to find his paper waiting for him. He’s comforted by its presence, but as he reaches for it a flash of light and snowflakes once again occurs, and Zurg (Wayne Knight) appears with newspaper in hand. He offers a quick pleasantry and then vanishes!

Never mess with a man’s paper.

Back in town, Buzz is overseeing the lighting of a giant, holographic, Christmas tree. It lacks the charm of an evergreen, but at least it’s environmentally friendly. Soon the man claiming to be Santa reappears to once again request Buzz’s aide. Buzz is in a grumpy mood on account of the Zurg stuff and is in no mood to even entertain this guy’s request. The rest of the team bails too since they think this Santa guy is literally insane. Santa pushes back though and is pretty insistent on who he is. He does allow himself to get frustrated though as he wonders aloud why no one believes him. Clearly, no one realizes they’re in a Christmas special. Buzz then explains he stopped believing when he was 9 because he didn’t get the laser he wanted. Santa knows, and he knows why he didn’t get what he wanted. For one, he wasn’t going to gift a 9-year-old a weapon for Christmas, and two, Buzz was actually on the naughty list for shooting the fur off of his cat’s tail.

Nice tree, would be a shame if something were to happen to it…

Buzz is pretty shocked that Santa knows this as blasting Fluffy was something only he knew about. Now that he finally believes this guy is Santa, it’s the perfect opportunity for Zurg to strike again. He’s going full Grinch this time as he steals the giant, hologram of a tree with the same flashing lights and snowflakes as before. And it’s not just the tree, as Buzz receives a transmission from Star Command that Zurg has hit all of the other planets in the galaxy and stolen everything related to the holiday! They keep teasing the line too that Zurg stole Christmas, but no one actually goes so far as to say it as they still insist on not saying Christmas. They had me on the edge of my seat just waiting for it!

Well this puts every version of The North Pole to shame.

Santa then has Buzz hop into his Christmas tree-shaped spaceship to take him to his work shop on North Polaris. It looks like a snowglobe of a planet, which is pretty near. There Buzz meets the elves, which are actually “LGMs” or Little Green Men (the squishy aliens from Toy Story). They are decked-out in elf attire (and also voiced by Warburton, but with his voice sped up) and apparently serve Santa. They finally spill the beans on what Zurg stole from Santa. Apparently, if you haven’t figured it out yet, Santa uses a device that stops time to deliver presents. He used to use some impossibly fast jetpack contraption, but apparently he’s too old for it. The elves are working on a replacement, but it’s still a week away from completion and Christmas is just two days away. Buzz takes one look at the old hyper-speed accelerator and requests it be strapped to his back.

Buzz is a character that seems quite comfortable in the spotlight.

Buzz radios ahead to his teammates and instructs them to meet him on Trade World. Their the group rendezvous with Buzz and Santa, only the rest of the team still wants to discuss the whole Santa thing. There’s no time though, and Santa demands they help decorate the place for the holiday. As they do, they broadcast out a message designed to infuriate Zurg and basically challenge him to come wreck their holiday again. Zurg sees the broadcast and acts accordingly, while Buzz shows off his new toy. Santa’s hyper-speed whatever thing has been strapped to Buzz’s back and looks ridiculous. It’s a giant snowflake, but the side is what is strapped to Buzz so it extends off of his back twice his height. The other rangers aren’t sure of this plan, but Buzz tells them they just need to go at Zurg when he shows up to make him think they don’t have any real plan for dealing with him.

This jetpack thing is pretty ridiculous.

Zurg then arrives on Trade World flying around in this Dr. Robotnik-like ship. He’s predictably pompous, and I have to say I love the choice of Wayne Knight for his voice. Santa informs Buzz he has to activate the hyper-speed accelerator at the exact moment Zurg uses his stolen device to stop time. Zurg readies his item as the other rangers surround him and engages it. Everyone appears to freeze in place, including Buzz! Oh woe, Christmas is ruined! As Zurg starts wrecking up the place and celebrating his victory, the frozen Buzz comes to life!

This battle and chase sequence is pretty awesome.

Buzz breaks out the one-liners (“I’d say the yuletide has turned!”) and the rock music kicks in. It’s battle time! Zurg chases after Buzz and opens fire with his laser blaster. Buzz does some Matrix moves to avoid it demonstrating his impressive speed. As the two zoom around the city, Zurg blasts a bunch of holiday decorations that Buzz apparently feels compelled to save. Zurg laughs at him and tells Buzz his devotion to his holiday has made him weak. Oh, that’s where you’re wrong Zurg, it’s made him more powerful! They do the Dragon Ball Z thing of zooming around as lights and eventually come to blows.

Yes! Give me more of this!

When the dust settles, Buzz’s hyperspeed accelerator is destroyed and Zurg has lost his grip on the time stopping device, which frees everyone else. Buzz and Zurg meet in a standoff in front of a billboard lit up red as the snow begins to fall. It’s quite an impressive visual. Zurg then finds out he’s out of ammo, and as Buzz declares victory, he summons his little buggy thing which knocks Buzz over. Zurg jumps into it ready to escape, but Buzz tells him he lost since he doesn’t possess the ability to stop time any longer. Zurg points out that the device is broken so Santa can’t either. He’s ruined everyone’s holiday! XR even admits that Zurg has won.

With morale at its lowest, it’s time for XR to get his lesson in believing.

Zurg escapes and the rangers return to Santa’s work shop. They’re all pretty down as without the ability to stop time Santa can’t bring everyone their gifts. XR then asks what Santa did before he had all of this fancy tech, and he shows them. A bright, red, sleigh is summoned and Buzz is pretty taken by it right away. He jumps in and ponders what it uses for fuel, and Santa predictably confirms it runs on belief. The belief in Santa.

Who needs reindeer when you have…lights…on sticks..?

Everyone starts to proclaim they believe, and apparently it takes very little to fill the tank. With Buzz, Mira, and Booster all professing their belief it’s nearly full, but they need one more person. Santa confronts XR about his lack of belief and basically tells him he knows that he believes in him more than anyone, even though he’s rather insistent that he does not. When he asks how Santa knows that, he replies simply that he’s Santa! It’s kind of cheap as the sleigh then fills with power without XR actually declaring his belief. With it at full power, some lights extend off of the front of it. It kind of looks like an old TV antenna that used to adorn every house, but it’s in the shape of a Christmas tree. There are lights where the reindeer would be, though only six. A seventh, red, light is at the tip.

This is like Christmas porn for someone like me.

With the sleigh powered-up, Santa just needs some helpers. Buzz and the gang dawn space helmets and they take off for other planets. Buzz even gets to drive the sleigh! We see a montage of the gang sneaking into houses to leave presents, the best of which is a reverse of a scene from How the Grinch Stole Christmas. A bunch of fish aliens are sharing a bed in a manner similar to Cindy Lou Who and her siblings. Mira slides a candy cane under the hands of one of the fish kids, rather than stealing a candy cane out from under her.

A toast to a job well done. No whiskey here, though.

The gang ends up back at the work shop where Santa toasts hot chocolate to a job well done. The only thing is one person is missing: XR. Apparently he had a special task to attend to and we cut to a little boy’s room where XR is the actual present. It would seem he gifted himself to the little kid from the beginning of the episode which is…weird. We don’t get to see how he untangles himself from that situation to return to work as the episode ends on a shot of the family’s tree with a Space Rangers logo where a star would normally be. That’s actually kind of weird and is like placing a police badge or something at the top of one’s tree. If you do that at your house well more power to you, I guess. I stick with a star.

If some weird guy pops out of one of my kids’ Christmas presents and goes for a hug it’s not going to be a happy ending.

Buzz Lightyear of Star Command is a show I wish had existed when I was younger. It has a nice pace to it and the dialogue is rather witty. I love Warburton as Buzz and his supporting cast is solid as well. Knight is fantastic as Zurg and I wouldn’t mind seeing more episodes where he has an even bigger presence. The animation is also way beyond what I expected. Perhaps Pixar had something to prove because everything looks great. The lighting especially is dynamic and I had a great time just taking this one in. The action scene with Zurg and Buzz was set to techno music and gave off some serious Samurai Jack vibes, even though this show actually predates that one.

It’s almost a blink and you’ll miss it, but we do get the moon shot in this one.

As a Christmas story, this one is both fun and odd. The characters never actually say Christmas during the episode. It’s just referred to as a holiday and obviously shares a lot of the same imagery and even an icon. The animators kind of screw up though as the word “Noel” is present during the city fight between Buzz and Zurg. If they were avoiding the term Christmas because it references Christ, then they should have avoided noel as well since it translates to “to be born,” and is a reference to Christ as well. The lack of reindeer is almost bizarre, but I get that they wanted to do their own space thing with it. Santa does have decorative reindeer antlers on his seat in his spaceship, so maybe he had them once upon a time and now they’re dead. I definitely like that the show went for a Grinch plot with Zurg, made all the more obvious by the visual gesture during the montage near the end. How the Grinch Stole Christmas is the best Christmas special ever, why more shows don’t borrow from it confuses me. We have a million different versions of A Christmas Carol, and hardly any Grinch plots. It’s 50 years old at this point, it’s fair game!

Despite there being no “Christmas,” there’s still plenty of the usual imagery.

This special could have been pretty manipulative since it telegraphs everything that’s coming our way. We know XR is going to come around on the holiday, we know Santa is telling the truth about who he is before he ever opens his mouth, and we also know that the heroes will prevail. The episode does a good job though of not really staying with anything too long. It does come close with the Santa/XR confrontation, and that bit is probably the weakest part, but at least it doesn’t get too sappy. They also made room for humor during the exchange, such as Buzz declaring you can’t force someone to believe in anything followed by him ordering XR to believe in Santa. The montage was a good move, and making the kid get XR as a present is more funny than heart-warming so it works and doesn’t betray the spirit of the show.

Bizarrely, Buzz Lightyear of Star Command is pretty hard to come by. Disney never released it on DVD or Blu Ray, and has yet to add it to Disney+. It doesn’t make much sense to leave it off, but for now the company is not being protective with it. That means you can find it online rather easily, though everything is going to be a rip from a TV broadcast. I assume it’s only a matter of time until Disney brings it to their streaming platform, but for now it’s basically YouTube or bust. If you like Toy Story then give it a look. It’s pretty fun and visually it’s definitely worthwhile. I think I even like it more than Toy Story That Time Forgot and if Disney were smart it would start airing that special alongside this one during the holidays. Of course, I’m the type of person that thinks Disney should be running a ton of its holiday themed episodes and specials on ABC this time of year so maybe I’m biased.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 21 – Nerds and Monsters – “Zanti-Clops”

I was doing a lot of different things in the year 2014. It was a busy one, but one thing I was not doing was watching Canadian children’s animation. Which is why I had zero knowledge of the cartoon series Nerds and Monsters before today. Nerds and Monsters, from what I have read and the…

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Dec. 21 – Rick and Morty – “Anatomy Park”

Rick and Morty is Adult Swim’s latest hit. Premiering in December 2013, it appeared to be just another Adult Swim cartoon, but come the season 3 premiere it seemed to really take off. That was the episode, you may have heard, that involved a certain flavor of discontinued McDonald’s McNugget sauce that went viral. It…

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Dec. 21 – A Pinky and the Brain Christmas

When Warner Bros. was looking to launch its own network which would feature weekday afternoon and weekend morning cartoon blocks they looked to the past to fill out the ranks. In particular, they went to their cartoons that had been running on the Fox network for sometime. When the rights to those shows expired, such…

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Dec. 20 – Inspector Gadget Saves Christmas

Original air date December 4, 1992

Once upon a time, Hanna-Barbera ruled the cartoon television universe. The company was one of the first to prioritize television over film when it came to cartoons, and it was a strategy that worked quite well. Come the 80s, cartoons were a Saturday morning staple and were taking over the weekday afternoon as well. Hanna-Barbera had been challenged by other companies, but was still holding strong. Then along came a little French company called DiC. DiC had a few shows airing in France, but wanted to expand to the US. In order to do so, it would hire ex-Hanna-Barbera story writer Andy Heyward, who would go on to create the character Inspector Gadget.

Inspector Gadget was DiC’s break-out hit in America. The cartoon was about a cyborg detective tasked with stopping the nefarious M.A.D. which was lead by the villainous Dr. Claw. The catch was that Inspector Gadget was an idiot completely oblivious to what was going on around him. His gadgets, while neat, were prone to malfunction and Gadget would find himself in perilous situations he would either rescue himself from via dumb luck, or with the help of his niece Penny and her dog Brain. Penny is a smart kid who comes with a lot of tech while Brain is apparently a super-smart dog capable of everything a human is save for speech. Brain would basically shadow Gadget to keep him safe while Penny did a lot of the real sleuthing. Gadget would inevitably spy Brain in one of his disguises, mistake him for the real crook, and somehow Dr. Claw’s plots would be foiled. Every episode would end the same way with Gadget getting the credit and Dr. Claw flying away in his car screaming “I’ll get you next time, Gadget! Next time!”

The theme song is definitely the most fondly remembered part of the show, for me.

The show is basically Get Smart for kids, with Gadget even sounding a lot like Maxwell Smart. That’s because he pretty much is! Don Adams played Smart on Get Smart and is also the voice of Inspector Gadget. Since this happens to be a cartoon, Gadget’s spy tech gets to be a lot more extravagant than what Smart had. The old shoe phone is now a phone embedded in Gadget’s glove, for example. It also looks pretty great for an 80s TV cartoon since DiC had the fortune of partnering with Tokyo Movie Shinsa for the animation. TMS would utilize its connections to outsource the animation to various satellite studios, but it means Inspector Gadget looks better than pretty much everything Hanna-Barbera was doing. DiC would eventually take over animation in an effort to cut costs (those in the business often referred to the company as Do It Cheap) so the era of TMS DiC cartoons on US television was brief.

A lot of people who worked on the original series were willing to come back for the special, including writer Jack Hanrahan.

Inspector Gadget was a direct-to-syndication show that only produced new episodes from 1983 to 1986. It was quite popular though so it remained on television in various markets for pretty much the entire duration of the 1990s. When I was a kid, the show felt inescapable. I watched a lot of Inspector Gadget as a result, though it was never one of my favorites. It was just on. Well after the show ended production, DiC went back to the well and produced a Christmas special for 1992. Titled Inspector Gadget Saves Christmas, DiC was able to get Adams back to voice the title character as well as the other mainstays Frank Welker and Maurice LaMarche. Hung Long Animation Company was contracted to produce the animation and was likely fed a bigger budget than a typical episode. It premiered in prime time on NBC on December 4, 1992 before heading to VHS were it was probably sold for an obscene amount (television shows and Christmas specials were often 25 bucks an episode in 1990 dollars) and then eventually forgotten. I don’t recall seeing this re-aired much at all after 1992 as the Inspector Gadget craze was apparently over. At least until a movie was made in 1999.

This is Santa, and he’s about to have a not so great day.

The special begins up at the north pole. It’s early in the morning, and Santa Claus (Frank Welker) is seated in his control tower as he rouses the elves awake. He’s a pretty traditional looking Santa; short, fat, big beard, kind eyes. The elves are roused from their slumber and they’re also pretty typical looking. They’re not little old men, save for at least one, but instead look quite young, and they all pretty much look the same. There’s a lot of inbreeding up there. They have mostly green outfits with tall hats that curl like a candy cane and end with a bell. They wake up quite happy and sing their own version of “Jingle Bells” with the lyrics altered to just describe what they’re doing.

These guys looks pretty happy considering they have a boss who literally possesses a machine to extract them from their beds and put them to work.

Unbeknownst to them all, Dr. Claw (Welker) has infiltrated the work shop and he’s up to no good. His trusty M.A.D. Cat (Welker) is at his side looking a little off model from what I remember, as he dawns a Santa outfit of his own. This is quite possibly the most we’ve ever seen of Dr. Claw as he rather famously avoided the camera during the show. We get to see his fully body with only his face obscured. He whips out a little device that when turned on activates a hidden, mind control, device in the bells of the elf hats. The elves enter a zombie like state and cease their wretched singing. Santa is confused, and then even more confused when a mechanical claw on the ceiling grabs him, pulls him from the command tower, and dumps him into a frozen dungeon. Why does Santa have a dungeon?

Dr. Claw is now Santa Claws. It writes itself.

Dr. Claw then enters the command tower and begins taking over. His plan is to sabotage the toys of Christmas and ruin Santa’s reputation. The elves start dismantling the toys on Claw’s orders and reassemble some into horrible toy abominations. As Dr. Claw enjoys the view and strokes his cat, he informs us only one man can stop him, and he’s deployed his highly ineffective M.A.D. Agents to stop him!

Christmas comes to…Gadget Land…All right, I confess, I have no idea where they live.

We then head to the home of Inspector Gadget (Don Adams). He and niece Penny (Erica Horn) and dog Brain (Welker) are busy decorating their home for Christmas. As they do, a corny Inspector Gadget theme plays that just sounds like a parody of other spy properties. Why they didn’t just use the catchy theme from the main series, I do not know. While the song plays though, we see Claw’s agents attempt to take down Inspector Gadget, only every one that tries gets tossed aside by a completely aloof Gadget. One bounces off of his springs, another gets accidentally gift-wrapped, and we also see the classic ice gag of an agent cutting a hole around Gadget as he ice skates only for the rest of the ice to fall away freezing the bumbling henchman. It ends with Gadget getting launched into his own logo as we get a second title card.

I don’t recall Gadget possessing a child-like demeanor. Maybe the cancellation of his show broke his brain?

Off to the mall, the most sacred place at Christmas time, where Gadget is seated on Santa’s lap reading him an exceptionally long list of Christmas wants. Only, this Santa isn’t the real Santa, but Gadget’s boss, Chief Quimby (Maurice LaMarche), in disguise. He tries to tell Gadget who he is, but Gadget is an idiot so Quimby calls him instead to relay the ruse. Gadget is then confused why Quimby called when he’s presently seated on his lap and I have no idea how Quimby hasn’t just snapped and murdered Gadget at this point. He hands Gadget a note, that will self-destruct, and details to Gadget how Dr. Claw has kidnapped Santa and dispatched M.A.D. agents to take him out. Gadget is confused why the agents never came for him, but declares he’s always on duty and tosses the note aside before heading out. As is always the case, the note finds a way back to Quimby, this time bouncing off of the trash can and landing on his pipe, where it explodes. Serves him right for smoking around children.

What a dope.

Gadget, Penny, and Brain then head for the north pole. They take some giant airplane that can carry the Gadget mobile, or whatever it’s called, and also flies itself. Gadget informs the plane it can drop them where they are, and the A.I. takes Gadget literally and drops the car. Gadget tries to summon the Gadget Plane, but his Gadget Copter activates instead and whirling propellers pop out his hat and remove him from the car. A calamity of errors follow, with Gadget deploying his parachute, then the copter again, which just cuts up the chute. Penny is the one who saves the day activating the plane function of the car. Gadget plummets through the roof no worse for ware, though he declares there’s a lump in the seat. That’s just Brain though, whom Gadget landed on. He doesn’t seem concerned, and now I’m wondering if Gadget has just been playing dumb all of these years and really harbors a secret hostility towards the dog.

Inspector Gadget: the agent so dumb he wouldn’t know his nemesis if they were face-to-face.

The trio then enter Santa’s work shop, and Dr. Claw is understandably irritated to see Gadget is still alive (though really he should expect it). Gadget uses his extendable legs to approach the control tower where he introduces himself to Santa Claws. Gadget is, again, a moron so he doesn’t see through Dr. Claw’s disguise. He’s so dumb that he’s even fooled by M.A.D. Cat’s antlers and thinks he’s a tiny reindeer who does a mean cat impression. While Gadget and Claw exchange pleasantries, Penny and Brain take note of how odd the elves are acting. She soon realizes that something is off, and then spies Dr. Claw in his Santa suit. Gadget informs Santa he’s going to inspect the work shop to make sure everything is operating smoothly. Penny approaches and tries to tell him what’s up, but before she can the ceiling hook grabs Gadget and takes him away.

If Brain could speak I bet he’d have a Brooklyn accent.

Penny tells Brain to keep an eye on Gadget, while she investigates what’s going on with the elves. Meanwhile, Gadget thinks he’s on a tour of the facilities and begins his inspection. Unfortunately, this is set to a rendition of “The Twelve Days of Christmas.” LaMarche takes over as Gadget’s singing voice and the audio quality dips. Maybe this was recorded last and on the cheap? LaMarche is a fantastic voice actor, but he can’t save this horrible song. It mercifully ends after five days with Gadget dumped into the same dungeon as Santa. Upon seeing the real Santa, Gadget does what you would expect: he arrests him.

I expected no less.

Brain dresses up as an elf to take a look around while Penny hides in a giant jack-in-the-box to observe what’s going on. She realizes the elves are sabotaging the toys and figures out what Dr. Claw is up to pretty quickly. She radios Brain with her Apple Watch (not really, but the similarities are pretty insane) to relay her findings, while he informs her that her uncle has been imprisoned with the real Santa, and has arrested him. She takes the news well as she’s apparently used to this sort of thing. Unfortunately for her, the elves take notice of her and slam the lid the shut on the jack-in-the-box. They’re just as inept as Dr. Claw’s usual minions though and fail to alert him of what they found.

If this show were to come back, they’d have to get creative with Penny’s tech if they want her to stay ahead of the curve.

The elves place the box in a warehouse with the real toys. Penny radios to Brain that she’ll be fine, but he needs to get the key to the cell to free Gadget and Santa. And that key is currently dangling off of the antler of of M.A.D. Cat. Dr. Claw watches the presents getting sabotaged and relays the predictable news to the audience (via talking to his cat) that he wants to ruin Santa’s reputation because he didn’t get the toy he wanted as a kid. It’s always that. As he revels in his own villainy, we see Brain lurking in the rafters.

How do they know which one is Rudolph?

In the cell, Gadget continues to interrogate Santa. He has a long list of qualifications he expects Santa to possess, but they’re unreasonable demands as, for instance, he wants Santa to descend a chimney, but there’s no chimney present. There are reindeer, which just look like a palette swap of Brain with antlers, but Gadget remains unconvinced. He then declares it’s time to get rough, but don’t worry kids, he just deploys a bird from his hat which supplies a feather for cartoon torture: tickling. Santa is apparently exceptionally ticklish as Gadget doesn’t even remove a boot and just tickles the jolly, old, man’s beard and achieves the desired effect.

Poor kitty.

Dr. Claw enjoys watching the torture via his monitor which provides the perfect distraction for Brain. As he hangs from the ceiling by his feet, he extends a candy cane to try and slip the key ring off of M.A.D. Cat’s antlers. Instead, he hooks the elastic portion of the antlers which is around the cat’s neck. As he tugs, the cat gets strangled. Dr. Claw is completely oblivious though as Brain continues to yank on it. Brain bites the candy cane in half freeing the cat and also letting him snatch the key. M.A.D. Cat winds up on Claw’s face, and when he removes the cat he also removes his beard and hat which end up on the cat. How cute? Claw notices Brain though and orders…someone…to go after that elf. As he bangs the terminal, poor M.A.D. Cat gets knocked off.

Gadget has officially moved into “bad cop” territory. He’s assaulting Santa!

Back in the cell, Gadget has now begun trying to remove Santa’s beard. He’s got a foot in the poor guy’s belly while he tugs all the while taunting him for not actually being Santa. This is pretty damn cruel. Brain arrives dressed as a guard and unlocks the cell. Gadget is happy to finally see some security around here, but when Brain grabs Santa and takes off, he assumes he’s just an accomplice to Santa’s crimes. Gadget deploys his lasso, which actually works perfectly and entangles both Brain and Santa. Gadget then leaves the two bound together to go tell the “real” Santa he’s cracked the case.

A job not well done for Inspector Gadget!

Gadget then helps Dr. Claw load his sleigh. He’s confused that no reindeer are hooked up to the sleigh, and even names a few using incorrect names (the real Santa must have supplied the real names to no effect earlier). Dr. Claw tells him he’s taking care of things himself this year to make sure nothing goes wrong. Back in the jack-in-the-box, Penny has figured out how Dr. Claw is controlling the elves. She did so by looking in her computer book thing that’s basically magic. She then deploys the creepy “jack” she’s been stuck with which pops the box open and sends her sailing into a pile of teddy bears.

Thankfully, the real heroes are on the case, no thanks to Inspector Gadget.

Back in the cell, Brain is trying in vain to free he and Santa. He disappears into a classic cartoon cloud complete with whirling sounds only to emerge each time in a different sort of knot. Penny radios him to relay the info and Santa is initially confused to hear a little girl’s voice coming from the dog. They then realize Brain has actually untied the knot. Santa then summons his first four reindeer (I’m guessing they didn’t want to draw all eight) as they head for Dr. Claw hoping to catch him before he takes flight.

I can definitely relate to that elf smiling happily pulling on Gadget’s right foot.

Topside, Gadget has finished loading the sleigh and is trying to convince Dr. Claw to let him come with. Claw is finished with Gadget though and he orders the elves to seize him. True to his character, as the elves ineffectively grab him he just assumes they’ve grown attached to him. Meanwhile, Penny storms the warehouse alongside Brain. They’re being pursued by elves, which are pretty slow. The ones who have Gadget though are basically pulling him apart now like a torture rack, though he still isn’t bothered. Penny slips into the command tower and finds Dr. Claw’s mind control device and disables it. Immediately, the elves resume their stupid rendition of “Jingle Bells,” but at least they stop dismantling Gadget. Actually, I wish they had been successful.

Here come the reindeer!

It’s too late though, as Dr. Claw is in his M.A.D. Mobile ready to take off. That is, until Santa appears! He deploys the reindeer with a “Go-go-Santa’s reindeer!” As Claw speeds away with Santa’s sleigh hooked up, Santa jumps into the sleigh and disconnects the cable. Gadget sees the cable go by and connects it to a giant candy cane pole (perhaps THE north pole) in a bid to help Santa keep his odd looking car from getting away. Santa then orders the reindeer to “bash away all!” since Claw’s vehicle is resting on ice. The reindeer use their antlers to smash the ice allowing for Dr. Claw to simply drift away. They basically just let him go for no good reason. Claw calls out as he often does that he’ll get Gadget, only he drops the “next time” since this is evidently the end for this series.

Once Claw calms down he’s just going to disconnect that cable and fly away. Sure seems like they wasted an opportunity to finally nail him here.

Santa then thanks Gadget for his help. Why? I have no idea. Surely the old man remembers how awful Gadget treated him in the cell, and he should be aware of how he didn’t really contribute anything to take down Claw. Chief Quimby parachutes in to congratulate Gadget on solving the case and to declare that Inspector Gadget has indeed saved Christmas, as the title of the cartoon promised. Gadget has no time for congrats though as he instructs the reindeer to take off with a “Go-go-eight-tiny-reindeer!” Santa takes to the sky with Penny and Brain in the sleigh with him. Gadget soon joins them and we’re treated to an accurate depiction of Santa’s sleigh, complete with 8 reindeer, as he passes by a full moon. We return to the sleigh itself for one final shot of the whole gang wishing us a merry Christmas as we say goodbye to Inspector Gadget.

Time for the usual end of Christmas special pleasantries.

Inspector Gadget Saves Christmas is essentially a holiday themed exclamation point for the old cartoon series. It stays true to the spirit of that show with Gadget being comically inept while Penny and Brain save the day, with some help from the real Santa Claus. And in keeping with most Christmas specials, the writers and animators happily turn to song to kill some time and basically keep it in the public domain so there are no significant added costs. The story is super basic and adds nothing to the Santa legend, but at least it doesn’t contribute with ugly elf designs or something.

First up is the moon shot. Very nice!

The animation is noticeably different from the main series, but is largely acceptable. Some characters appear slightly off-model when compared with the old show, and Gadget’s coat looks slightly “off” to me, but for the most part I have no complaints. Gadget gets to deploy his most popular and recognizable gadgets, even if most are crammed into the one segment of Gadget falling from the sky, though it also doesn’t get to add any fun ones. At least they didn’t give him a love interest for a “Go-Go-Gadget-mistletoe” sequence. The special is so true to the spirit of the show that it’s even super familiar for someone like me who hasn’t watched an episode of Inspector Gadget in probably 30 years.

Followed by the standard farewell. Nice job, folks!

And that’s basically the crux of Inspector Gadget Saves Christmas. If you have fond memories of the old cartoon, then you’ll probably be okay with this. All of the old voices, save for Penny, are here and the special follows the usual beats. Few will probably enjoy the musical moments, but at least there’s some slapstick involved with them. Even if the slapstick isn’t particularly inventive. For me, this special mostly reminded me how annoying I found the character of Inspector Gadget. He’s so impossibly dumb, but also dangerously arrogant, that I actively root against him and wonder why any of the characters around him actually enjoy him. At least we get to see the elves attempt to dismantle him, though he unfortunately seems impervious to pain.

As always, the cat was the best part.

If you wish to set aside 20 minutes or so for Inspector Gadget this Christmas, this special has been released a few times on DVD. The first version contains some bonus episodes of the original series while a stand-alone version also followed. It’s cheap too and shouldn’t even run you ten bucks, should you wish to own it. It’s also available to stream for free online without any need for piracy. Sometimes, just being easy to watch is enough reason to take in a Christmas special if you have the time.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – Lilo & Stitch: The Series – Topper: Experiment 025

Last year, I fell down a bit of a Lilo & Stitch rabbit hole when it came time to do this list. I first researched the animated series known as Lilo & Stitch: The Series and its Christmas special “Topper: Experiment 025.” I ended up reading about the expanded lore the universe established in 2002’s…

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Dec. 20 – The Garfield Show – “Caroling Capers”

Back in the 1980s, Garfield was pretty damn popular. His presence was pervasive in pop culture, so much so that younger people today would probably be surprised. He originated as a comic strip by Jim Davis, but his popularity grew enough to pave the way for some prime time animation specials. These proved popular, and…

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Dec. 20 – The Simpsons: Marge Be Not Proud

For the titles of these Christmas entries I like to just go with the episode/special title when possible. Most of the time it’s obvious what series the episode is from based on the title such as is the case with “Tis the Season to be Smurfy.” With “Marge Be Not Proud” I wasn’t sure. Is…

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Dec. 19 – Christopher the Christmas Tree

Allegedly released December 24, 1993.

We look at a lot of Christmas stuff pulled from every day cartoons, for the most part. On occasion though, I suppose we should throw the Christians a bone and look at something a bit more secular. Yes, I think most people know Christmas was basically co-opted by the church many years ago, but it’s certainly because of that faith that it’s as popular as it is today. Or maybe it’s Coke’s fault. I don’t know. Either way, for many people Christmas is a time for worship so lets see if something intended to acknowledge that aspect of the holiday can be entertaining.

Christopher the Christmas Tree is a 1994 television special from the folks at Delaney and Friends Cartoon Productions. Look at the credits for that studio and you will find some other secular items, and also a Pfish and Chip cartoon (that feels like a mistake, but maybe they were looking to broaden their base). It was in conjunction with Chuck Glaser Productions and this is the only credit attributed to that entity. This thing is practically a one-off filled with voice actors of little renown, for the most part. Basically, the only one I recognized was Scott McNeil who was all over cartoons during the early 90s. According to a few sources, this thing aired on Fox and was relegated to VHS after that. It was possibly rebroadcast on Fox Family, but it’s definitely not a popular Christmas special

There’s scraggly little Christ, I mean Chris, the tree no one wants for obvious reasons.

Christopher the Christmas Tree is about a tree named Christopher – naturally. His wish is to be a Christmas tree some day, but when our feature begins (with narration by Bill Reiter who also voices the titular tree), he’s a scrawny, little, sapling. The other trees around him are large and lush and all feature a name that begins with the letter “C,” which must be standard in tree society. They’re all just trees with faces, but they also have strands of snow to distinguish them from one another and some feature pine cones. It’s not unpleasant.

“Ha ha, there’s no freakin’ way I’m letting you pick this tree, kid!”

A young boy and his grandpa come strolling up to the trees. The little kid wants Christopher, but his grandpa says he’s too small for the star they have at home. The kid then asks why they put a star on the tree, and here’s our first religious lesson. The grandfather says it’s to remind them of the star the three wise men followed long ago to reach Christ, and leaves it at that. That wasn’t too bad! They then get a tree, and leave Christopher to himself. Soon all of the trees are gone, except poor Christopher who just wants to die for a cause (that’s totally where this special is going).

This pathetic little creature is Hootie. Not pictured: The Blowfish.

We’re then taken to another area of the fictional Hidden Hollow. There we see a family of owls reading because owls are wise and all that. One owl, though, is not. He’s Hootie (very original), and he’s dumb. His book titled “How to Fly” is upside down and when his dad tells him to turn it around he just spins it in a 360 degree manner. His dad is so angry at his son’s stupidity that he tells him to get lost. Which is convenient, since a bindle has been sitting beside Hootie the entire time. I have no idea what sort of lesson this is supposed to impart, but poor, dumb, mute, Hootie leaves the confines of the tree for the snowy ground below. There he encounters some raccoons who want to play ball with him. They’re very hostile though, but without really an end goal, it would seem. When Hootie demonstrates that he can’t fly, they laugh at him so he scoops up his little bindle and trudges off into the woods.

He’s kind of like Rudolph, except no one cares.

We then get a montage set to a terrible song. All of the songs are originals and have a pop-country flair to them. Hootie just walks sadly through the forest as the seasons change and eventually encounters some bears on one occasion, but the mother bear chases him away. He winds up frozen and near dead on some family’s doorstep. A little kid brings him into their warm, Christmas-decorated, home and his parents instruct him to place the owl by the fire. This kid then, without really much prompting, asks his dad about the star on the tree and we learn the dad is the kid from before. The kid then makes a wish on the star for Hootie to survive, and what do ya know, it works! A wild animal isn’t a pet, though, so the kid’s dad makes him set Hootie free the next day, even though Hootie is in tears over the whole thing.

Note how Hootie is placed before a nativity scene prior to his miraculous recovery, except it’s just a red herring. The owl isn’t Jesus (spoiler: it’s the tree!).

Sad, rejected, Hootie is back to being sad in the woods, which is when he comes across Christopher. Now a big, full, tree, Christopher is happy to make friends with Hootie. The two even make a wish on a star for Hootie to fly and be able to talk, which seems a bit greedy. Christopher still wants to be a Christmas tree some day, though he seems resigned to just being a tree in the forest since he’s grown too large for most homes.

It’s Christopher! No longer a sapling, but a perverted old tree who loves having animals crawl up inside of him!

Some animals come across the two and they’re apparently in search of shelter. Being that Christopher is the only tree in a sea of stumps, they look to him to provide said shelter. He’s more than willing to be of some help as the various birds and rodents happily settle in. They do a bunch of dancing around Christopher, and this is becoming a really easy special to do a write-up on because it’s just full of empty songs and dancing!

That is not how fire works.

The next day, the animals head off to do animal stuff. A fox and a weasel happen by and they for some reason are wearing clothes to make them look like ruffians. They’re just here to crap on the dreams of Christopher and Hootie, and taunt him by saying the only thing he’ll amount to is fire wood. Proving their point, they set him on fire and leave. It’s a bit odd because they literally set ablaze the snow on Christopher. Christopher is pretty calm for a burning tree, and Hootie puts the fire out. He’s fine, and he even encourages Hootie to go find some food. He’ll be okay by himself.

Note how the setting sun has a cast the snow in a blood, red, hue for the execution scene.

Not (this was made in the 90s, I’m allowed a “Not!” joke)! A big red truck pulls up and a guy with a chain saw emerges. It would seem Christopher’s time has come, and he’s a bit distraught over it. Assuming he’s destined to become firewood, Christopher pleads with the man to not cut him down, but trees can’t talk so the guy doesn’t care. Hootie returns and tries in vain to stop what must be done, but he predictably fails and Christopher is hauled away. This thing just got dark.

Oh good, the little owl learned how to fly. I was really worried he never would.

As the truck speeds away, Hootie tries to follow, but he can’t keep up since he’s unable to fly. He just walks along sadly in the middle of the road and at this point it would not shock me if he gets run over. He doesn’t though and instead he starts flying! And talking! His wishes came true! He catches up to the truck and is even able to untie Christopher, who is still alive. Try as he might though, he can’t push Christopher off of that truck so he leaves to get help.

Hootie returns to rally the troops. Lucky for him this is a Christmas special and woodland animals are always extremely useful in such productions.

By now, the other animals have returned to find the stump that once belonged to Christopher. They’re pretty bummed, but Hootie arrives to tell them what’s up and soon they’re all racing down the road to catch the truck. They eventually find where the truck headed, and Christopher.

Hey! It’s Christopher! And he’s not on fire!

Now, apparently this where things can divert. If you were watching the original Fox broadcast, the animals find Christopher outside The White House. I am watching the VHS version and Christopher has been erected outside the United Nations. He is to be the Christmas tree for all of the children of the world, apparently even those heathens who don’t celebrate Christmas. And the little kid from earlier who helped Hootie is also there to put the star on Christopher. Someone with the UN is addressing the crowd and he declares the tree’s name to be Christopher. Not one for subtly, he goes on to say he is named so because a man named Christopher discovered America (lies) and because it contains the name of Christ who died for us all. He even remarks that Christopher had to be sacrificed in the name of Christmas. This is a special that doesn’t want to confuse anyone.

And look! The little boy from before is here to place the star on Christopher. What a happy, Christmas, ending!

Christopher is pretty damn happy to be the world’s Christmas tree. It was his destiny, he declares. Hootie though realizes this means it’s his first and last turn as a Christmas tree since this ends with him dead. Christopher reassures Hootie that this is what he wanted, and that he also shook out a bunch of pine cones before he left the forest. He wants Hootie and the animals to return to that spot and make sure they’re planted. Hootie and the animals do as instructed, and during the ending credits we see little saplings grow and a tiny, personified, tree emerges not unlike the version of Christopher we started with. The end.

Oh yeah, that’s right, he’s basically dead now. Well, one last hug before he goes!

Christopher the Christmas Tree is about what I expected; a bland cartoon about a lonely tree that just wants to die. Actually, it’s a little better if we’re just talking animation. It looks fine and the characters animate well, even if the character designs are about as boring as it gets. Christmas is all about the birth of Jesus, so it’s a bit weird to see this special focus on sacrifice, that’s usually more of an Easter thing, but whatever. Some of the backgrounds are a bit drab, and in one place the characters are in a lush forest and then in the next shot it looks like a meadow, but for the most part it’s error free.

This one may be a Christian special, but that doesn’t mean it can’t get a little freaky!

The music was all done by George T. Bowers. It’s fairly disposable, though I suppose the main “Christopher the Christmas Tree” song is fine. It definitely gets a bit tiresome towards the end, but the special is mercifully only about 20 minutes worth of content. Since this one is religious in nature, there’s no Santa to speak of. It’s not particularly over-the-top with the religious messaging either choosing to mainly focus on the role of the star in the whole thing. Only at the end does all of the sacrifice stuff pop up. The only thing I was confused by was the origins of Hootie. His intellectual family is portrayed as the bad guys, are we supposed to interpret that as a dig on academics who teach “pesky” things like evolution? I could be reading too much into that scene, but it struck me as dumb. If you have small kids and don’t consider yourself a Christian household you might not want to put this on lest you confuse your children.

Or, you could just not put it on because it sucks! I do feel bad for families looking for a Christmas special that is more secular, because so often what they get is junk. I hesitate to call this one junk, but I definitely wouldn’t call it good. It’s not as cloyingly sweet as something like The Chucklewood Critters, and it at least feels earnest in its attempt to tell a story. I just personally take issue with how a lot of Christian media places so much emphasis on sacrifice, like it’s something to aspire to. At least for families that want to watch it, Christopher the Christmas Tree is easy to find online for free so have it. If you’re more of a Santa, Frosty, Grinch kind of household then you should probably just ignore this one. If you do consider your household a Christian one, maybe just watch A Charlie Brown Christmas again.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 19 – The Shanty Where Santy Claus Lives

Every year I do this I am reminded at how surprising it is that so few Christmas themed Merrie Melodies and Looney Tunes shorts exist. Disney put out several memorable ones over the years featuring their characters, but Warner Bros. mostly stayed away. Bugs Bunny would eventually get a Christmas television special in the 70s,…

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Dec. 19 – Stitch and Santa!

Stitch, of Lilo & Stitch fame, is apparently quite popular in Japan. Disney is popular in general over there, but it seems like Stitch struck a chord. He has a lot of Japan exclusive merchandise and his popularity has extended well past the movie from which he originated. In the US, Stitch and his pal…

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Dec. 19 – The Ren & Stimpy Show: A Scooter for Yaksmas

The Ren & Stimpy Show seemed to delight in being absurd and perverse. It’s then no surprise that it’s two Christmas specials center around farts and a drunk who delivers pre-chewed gum and sausage. “A Scooter for Yaksmas” is from the Bob Camp era of the show and is the final episode to premiere on…

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Dec. 18 – Dumb and Dumber – “Santa Klutz”

Original air date December 16, 1995

After doing write-ups for the two cartoons inspired by Jim Carrey films from 1994, you must have figured I’d do the third today! Just as Carrey stormed the cinematic gates with Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber in ’94, the television world followed suit in ’95 with an animated series based on each of those three films. While the first two were made for CBS to air on Saturday morning, Dumb and Dumber went a different route. Still proving that anything relating to Carrey was worth investing in, Dumb and Dumber found itself on another broadcast network, in this case ABC. Thematically and visually, it didn’t really fit-in with the whole One Saturday Morning vibe the network was rolling with, so it’s probably no surprise to find out it wound up on Cartoon Network.

And that’s where the show probably belonged as this is a Hanna-Barbera produced toon. In the mid-90s, ABC was under the Disney banner so it was odd to have a non-Disney developed cartoon on ABC, where as Cartoon Network was owned by Turner which owned Hanna-Barbera. This ended up being the final Hanna-Barbera cartoon produced to air on a broadcast network for a Saturday morning block, an interesting little factoid since Hanna-Barbera was once the king of Saturday morning cartoons.

Because this series went a different direction, it has no affiliation with the other two cartoons we looked at so if you were hoping Harry and Lloyd would meet Ace, I regret to inform you it never happened. Dumb and Dumber probably wouldn’t have survived long enough to pull off that trick any way, since only 13 episodes were produced. Once ABC had seen enough, Cartoon Network was willing to take the re-runs, but not commission more episodes, so it’s safe to say this one was a flop.

The cartoon basically picks-up where the movie left off. Harry (Bill Fagerbakke) and Lloyd (Matt Frewer) are back home after their adventures in Aspen along with their dog-shaped van. Joining them is a new pet, a beaver they think is a cat, and each episode is split into two segments where Harry and Lloyd wind-up in some odd misadventure owing to the fact that they’re a pair of men with very limited intelligence and observational skills. As a mid-90s Hanna-Barbera production, it has a familiar art style to those who were watching the various cartoons premiering under the What a Cartoon banner. The character designs here remind me a lot of Dexter’s Laboratory, only with a touch more ugliness. Even though Harry and Lloyd had pretty similar builds in the film, for the cartoon it was decided to make Lloyd tall and lanky and Harry short and stocky. They’re both rather ugly, with Harry a walking mess and Lloyd a collection of sharp angles and teeth. While one can certainly argue this wasn’t a show that should look like The Mask or Recess, it’s still understandable to not be particularly taken with the visuals here.

The eighth episode of the series is the one to feature a Christmas plot. The first segment is dedicated to the holiday via “Santa Klutz.” The episode begins with Harry and Lloyd out and about with Kitty in their van. They’re both confused to see Kitty cutting down a Christmas tree and slapping it on top of their van, even though they refer to it as a “Christmas tree” and not as an evergreen or pine tree. Harry panics and wonders if Christmas is in December again, and quickly confirms that they’re only three days away from Christmas! Both men need to get a present for the other, but both are also faced with the problem of not having any money to get that present. Neither wants to admit this fact to the other, so Lloyd casually suggests they head to The Big City and look for a part-time job just because.

Lloyd likes to dream big.

The two arrive at Big Department Store and head in seeking employment. Along the way, Lloyd fantasizes about buying Harry a space shuttle for Christmas, proving he has no idea how much a part-time job around the holidays pays, or that he has no concept of how much a space shuttle would cost, or maybe both? Lloyd ends up with a 2 dollar-an-hour job handing out perfume samples, while Harry stumbles upon the store’s Santa who is fed up with the job. He hands over his costume to Harry and he immediately gets sent into the fray.

I hope he gets paid per kid.

Harry is seated in front of an impossibly long line of customers barely looking the part. The costume comes without a beard, it would seem, and Harry has trouble remembering the line “Ho Ho Ho.” His first child turns out to be homicidal, while the second is a degenerate gambler. Meanwhile, Lloyd finds out women don’t like being sprayed with perfume at random. The men don’t either, and when Lloyd angers a large male customer the two grapple over a perfume bottle until the top pops off. It is apparently now a grenade, and as it bounces away Lloyd does the noble thing of falling on top of it. Though since it’s perfume, it explodes rather tamely leaving Lloyd with a pleasant taste in his mouth.

Pictured: not a nice old lady.

As kids cry on Harry’s lap or sneeze on him, Lloyd attempts to sell some perfume to an old woman (Ed Asner per the credits, though it sounds nothing like him). She immediately takes offense to anything he says, even though it’s all innocent. When she informs the manager (Harvey Korman) that Lloyd accused her of smelling of cheap perfume, he asks if she’d like the man fired and she does. Lloyd them imagines a Christmas in which his space shuttle gift is repossessed by an army general (Ed Asner) leaving him despondent.

Lloyd’s Didi cosplay is on point.

Lloyd takes a walk over to the Santa area and spies Harry seated on the throne. Upon seeing his friend dressed as Santa, he comes to the totally reasonable conclusion that Harry IS Santa! And he has been this whole time! He then tries to go have a chat, but finds out from security that Santa is reserved for children. After a couple of failed attempts to sneak up, Lloyd dawns a disguise. I already said this show visually reminded me of Dexter’s Laboratory, but seeing Lloyd in his costume really drives that home as he’s basically in the same outfit as Dexter’s sister, Didi.

Upon reaching Harry Claus, Lloyd tells him he wants Santa to bring him a bunch of money so he can buy his best friend Harry a gift. Harry sees through the disguise which leads to a confrontation as Lloyd is angry with Harry for holding out on him. The two get into a fight and the store manager shows up. He reminds Lloyd that he already banned him, and fires Harry for good measure. Despondent outside the store, the two men hang their heads in shame. Only Lloyd hasn’t given-up on Harry as Santa, so Harry does the only reasonable thing he can to convince Lloyd he’s not who he thinks he is – they take a ride to the North Pole.

I think this is where they live.

The two arrive at Santa’s Work Shop on Christmas Eve. The only problem is Santa isn’t there since it’s, duh, Christmas Eve! They have that confirmed to them by an elf (Scott Menville), and Lloyd sees this as proof that he’s right. The two then head back to wherever they’re from to have a little camp out. Harry is hopeful they’ll be able to catch the real deal in action. Sure enough, he does indeed show up, but Lloyd still isn’t convinced. In fact, he had the foresight to assume Harry would try something like this so he called ahead for Officer Doohickey (Harvey Korman) who shows up and arrests Santa on the spot.

How to get on the naughty list.

Santa (Asner) is pretty surprised that anyone would mistake Harry for him, so Lloyd asks him to prove he’s really Santa. He uses some magic to get out of the police cuffs, which magically appear on Doohickey who remarks “This happens more often than you think.” Still not convinced, Santa whips out his portable PC to check his naughty list. He looks up Doohickey and finds him on the naughty list for lying to his wife about his doughnut habit. Doohickey declares he’s the real deal and scrams leaving Santa alone with the morons. He then asks the two what they want for Christmas and both gleefully whisper into one of his ears.

The next day, Kitty is opening his present from his car seat while Lloyd tells Harry he asked Santa for a gift for Harry. Harry confesses he did the same for Lloyd and the two trade identical boxes. Inside are identical gifts: best friend in the world trophies! Kitty also got a log with a plaque that reads “Best Kitty in the World.” Lloyd then declares there can be only one best friend in the world, and it’s Harry, as he tries to hand over his trophy. Harry does the same, and we zoom out on the two arguing over who is the better friend.

Everything worked out in the end, and all it took was a little divine intervention.

“Santa Klutz” is short and sweet. While I think very little of the art style, I can’t say I hate this. Maybe it was the fact that it’s only around 10 minutes, but I think I’d rather watch that again than either of the specials from the past two days. The humor is not as slapstick as I expected as it’s mostly derived from the two not correctly reading a situation or just getting into arguments stemming from the fact that they’re both stupid. Lloyd mistaking Harry as the real Santa is a bit clever as most shows aiming for such an error would have Lloyd tricked by the costume. Instead, he just thinks his best friend has been lying to him this whole time. It goes for a happy ending when I actually expected it to be a bit darker. If this were a true Farrelly brothers production, Santa probably gets victimized in some way instead of just mildly inconvenienced.

Even though I didn’t hate this, it’s not at all surprising to see a show about two grown men of limited intelligence failed as a cartoon. It’s basically 2 Stupid Dogs, but with humans instead, and how is that any more fun? I don’t think anyone walked out of a viewing of Dumb and Dumber wanting an animated series, but that didn’t stop folks from trying! If you want to check this out, it’s mostly been discarded by Hanna-Barbera. You won’t find it on Boomerang and it also isn’t on HBO Max with some of the other Cartoon Network shows. Instead, you can purchase it through Amazon and Apple if you want to stream it. Warner Bros. did make it available in a manufacture-on-demand release back in 2015 on DVD. Because of that format, it’s never really come down in price, though there also isn’t enough demand to cause it to go up. Even so, I doubt very much anyone would stumble upon this and decide they needed to spend 25 bucks on this cartoon, but in the event one person did, at least you have that option.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 18 – Little Dracula – “The Bite Before Christmas”

There was a huge demand for cartoons in the early 90s. Cable was expanding and needed content for all ages while a new broadcast network was also making noise. That network was Fox, and after scoring primetime hits with Married…with Children and The Simpsons, the network started to look at other areas where it could…

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Dec. 18 – I Am Weasel – “Happy Baboon Holidays”

For today’s installment, we’re taking a trip back to Cartoon Network of 1997 and the animated short I Am Weasel – “Happy Baboon Holidays.” I Am Weasel originated as a segment as part of the Cow and Chicken show, which was part of the second wave of Cartoon Cartoons to become a full-fledged show. Like…

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Dec. 18 – Bob’s Burgers: “Christmas in the Car”

Among the Fox programs airing on Sunday nights, Bob’s Burgers has become the one most likely to deliver a good Christmas special year in and year out, especially now that American Dad has fled to cable. It also still feels like a relatively new series to me, but it’s now in its eighth season. Bob’s…

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Dec. 17 – The Mask – “Santa Mask”

Original air date November 4, 1995

In the world of film, 1994 belonged to Jim Carrey. On television, 1995 belonged to TV shows based on those 94 movies. Well, not exactly, since all of the shows based on Jim Carrey movies made little impact, but like yesterday’s show I’d hesitate to call today’s subject a failure.

The Mask began life as a comic book by John Arcudi and was turned into a film of the same name. It then made the journey to the small screen for a cartoon also called The Mask. Like the Ace Ventura cartoon, this one was developed by Duane Capizzi and aired on the CBS network alongside Ace Ventura: Pet Detective. Unlike its network-mate, this show had a much more grounded visual style. Perhaps influenced by other superhero cartoons, most of the people in The Mask look like actual humans as opposed to oddly proportioned and exaggerated cartoon characters. Wang Film Productions Company handled the animated for this particular episode, but it looks like the show relied on multiple overseas studios for the animation.

The cartoon series of The Mask is basically an extension of the film. Stanley Ipkiss (Rob Paulsen) is a milquetoast bank teller frequently pushed around by his boss Charlie (Mark L. Taylor) and landlady Agnes (Tress MacNeille), but when he puts on the titular mask he morphs into a Tex Avery cartoon character come-to-life known as The Mask. Unlike the film, the cartoon series basically turns The Mask into a superhero who does battle with other super-powered individuals and freaks of nature. At his side is his trusty dog Milo (voiced by Frank Welker, as if there’s another choice for a cartoon canine) who also finds himself turned into The Mask on occasion, as he did in the film. All the while, The Mask is dogged by Lt. Mitch Kellaway (Neil Ross) who basically serves as the true foil for The Mask. He’s accompanied by the somewhat dimwitted Detective Doyle (Jim Cummings) who seems to have a positive impression of The Mask and does more harm than good as far as Kellaway is concerned.

The Mask aired from 1995-1997 over three seasons totaling 54 episodes, a bit more than Ace Ventura, but still short of the magic number of 65. Unlike Ace, it was a CBS show that never migrated to another network and the fact that it ended up with a few more episodes seems to jive well since I think of it as just a bit better than Ace Ventura. Even though the two shows clashed visually when compared side-by-side, it didn’t stop the two from having a crossover episode in each series. The series finale for The Mask was actually dedicated to the crossover, and oddly enough, Ace appears in this show as he does in his own, which is a truly bizarre sight to take-in. That is the third season though, and this Christmas episode actually takes us back to the first season.

Poor Stanley, out in the cold.

“Santa Mask” begins with Christmas descending upon Edge City. Stanley is being forced to dress as Santa and stand in the freezing cold outside of the bank he works at to attract customers. He badly wants to come in out of the cold, but his jerk boss, Charlie, has no time for complaints. He tries to make the best of things by calling out to a fellow Santa across the street, but unfortunately for Stanley he is no friend.

I don’t think he’s friendly.

The other Santa is actually a villain in disguise. Walter, I believe, is the strong silent type who saunters over to Stanley with an evil look on his face. He was apparently in the midst of a robbery, and likely has his eyes set on the bank now. Before he can do Stanley any harm, another pair of Santas show up. Dak (Cam Clarke) and Eddy (Jeff Bennett), also known as Putty Thing and Fish Guy, are here to rip-off the town dressed as Santa. It’s such a good idea that fellow villain Kablamus (Jim Cummings, using a slightly altered version of his Winnie the Pooh voice) is about to do the same thing! The scene keeps getting more ridiculous as more villains dressed up as Santa emerge, including a Zorro knock-off and apparently Rocky?!

This is actually a common problem around these parts.

The whole episode causes Mayor Tilton (Kevin Michael Richardson) to declare that anyone dressed as Santa be arrested and jailed. Apparently this is a regular problem for Edge City around Christmas time as we see video of many phony Santas causing mayhem over the years. This lands Stanley in jail as this new ordinance must have been retroactive. He’s stuck in a holding cell with all of the Santas from earlier, and also a new one. This guy (Cummings) looks like the real deal though, and he is not happy about being locked-up on Christmas Eve. He has some harsh criticisms of Edge City’s criminal justice system and turns to Stanley as someone he can dump on. Stanley obviously doesn’t think he’s the real Santa, but this guy has some pretty convincing credentials including pictures of his elves and a North Pole sleigh-driver’s license (we also learn that parallel parking eight reindeer is quite a bitch).

If he’s the real deal, he’s the most intimidating Santa I can recall!

Stanley is soon set free as the police were finally able to figure out he meant no harm, but this Santa guy isn’t as lucky. Before Stanley can exit the cell, Santa pulls him aside to let him know that while he may not believe in Santa, millions of kids do and they’re all about to have a pretty crummy Christmas with Santa locked-up. He tells Stanley that he needs someone to fill-in for him, and unfortunately he’s the best he can do on short notice. Stanley still isn’t sure what to believe, and as he exits the cell he begs the guard to confirm for him that there is no Santa, but the guy just shrugs his shoulders.

It wouldn’t be much of an episode if he didn’t put it on.

On his way home Stanley encounters a father and son pair (both voiced by Clarke) with the kid mistaking Stanley for Santa at first. Stanley pulls up his beard and puts on a smile, but the kid sees right through it. At his apartment, Stanley is torn on what to do as he doesn’t want to be known as “the jerk who couldn’t save Christmas.” Feeling he has no other alternative, he turns to The Mask!

Well, I certainly wasn’t expecting a traditional sleigh.

The Mask (also voiced by Paulsen) takes to the Santa thing with open arms. He puts on the suit, complete with padding so he looks like a big, red, blob, and even comes up with a sleigh. How did he produce a sleigh? I don’t know, but this is a character who can seemingly pull a mallet out of his trousers with no regard for the rules of physics so I guess maybe he just did the same for a sleigh? It’s a rather slapstick looking affair as it has a whirling propeller over the top of it and one lone reindeer. That reindeer is, of course, Milo suspended by balloons with antlers and a red light bulb placed over his nose – poor little guy.

Chimneys are for chumps.

The duo heads to the first little house on the square, home to some little girl. Rather than go down the chimney, The Mask instead jacks up the roof and hops into the girl’s bedroom. She’s surprisingly not terrified to see this loud, green-faced, man enter her room, but she is looking forward to a Christmas present. She’s a bit frustrated with Mask Claus though as he doesn’t seem to know what she wants, even though she told “him” when she sat on his lap at the store. Eventually, she reminds him that she wanted a rocking horse, so The Mask one-ups her request and removes a real, live, racing horse from his rather massive sack. She’s pretty thrilled by this development, and The Mask hands her a stack of bills to wager on an upcoming race for him before exiting.

Elsewhere, Lt. Kellaway and Detective Doyle are out patrolling the streets for more renegade Santas. Doyle, being the “dumb” one, is rightfully concerned they may lock up the real Santa and mess up Christmas for a whole bunch of kids. Kellaway thinks he’s an idiot and tells him there is no Santa. His evidence? He never got some dumb train as a kid, so you can bet he’ll get it before the episode is over.

Well, at least he noticed his face was green. That makes him smarter than Cindy Lou Who.

The two soon run across The Mask as he was attempting to scale the next house on his list and Kellaway is eager for a chase. The Mask rides along beside their car and Doyle questions why Santa’s face is green. Kellaway breaks the news to him that it’s not Santa, but The Mask, and a chase is underway! It ends on a nearby pond that’s frozen over with the two officers exiting the car only to have The Mask ice skate over to them. The Mask gifts the pair a present each; a VCR for Doyle and a flannel shirt for Kellaway. The Mask informs him it matches his flannel underwear, which is when The Mask gives him a giant wedgie. The Mask laughs and skates a circle around the pair, and their car, and since he operates under the laws of cartoons you know this means he just cut a large hole in the ice. Kellaway and Doyle seem to be well-aware that the usual laws of nature do not apply here as they run from the car as a giant hole appears in the ice to swallow the vehicle up. The Mask leaves and Kellaway makes a call to the rest of the force requesting a helicopter and a very large crane to remove his car from the pond.

It’s wedgie time!

The Mask gleefully takes to the sky, but soon finds himself targeted by a rather odd looking police helicopter. Seriously, this thing looks more like a Transformer than any real world helicopter I’ve seen. The Mask instructs Milo to provide a diversion as he bails on the sleigh in favor of running across the rooftops. Fearing his city has become hostile towards Santa, he’s elated to see a smoke stack with neon lights welcoming Santa. He turns into a whirlwind and shoots up the smoke stack, leaving behind the word “No” added in lights to indicate that there are actually no Santas present inside.

Well that’s convenient.

The Mask disappears down the smoke stack only to find out it was all a trap! It would seem the villainous Doctor Septimus Pretorious (Tim Curry) has laid a trap with the intent to capture Santa Claus! This guy is a recurring villain who is some sort of robot with outlandish eyebrows and what looks like a cat sphincter in the middle of his forehead. Anyway, he wants to uncover the secrets of Santa’s magic sack since it can seemingly carry trillions of toys inside of it while looking mostly like an old pillow case. He’s eager to take a look and is apparently oblivious to the fact that he’s actually captured The Mask, and not Santa.

They just couldn’t leave Dickens out of this one.

The Mask rather effortlessly breaks free and then takes Pretorious on a Scrooge-like journey that wraps up in roughly a minute as opposed to the usual running-time such a thing entails. He changes wardrobes rapidly with the story, and when he needs Pretorious to do the same he simply rips his head off and shoves it where he needs it to be. Pretorious seems totally flabbergasted by the whole affair and basically just lets everything happen. When The Mask is done, or maybe just bored, he leaves, but not before he gives Pretorius his present: a bomb. As he exits the smokestack he also changes the lettering on it once again this time instructing the police to check there.

Admit it, you forgot about these guys. I know I sure did.

Outside, The Mask is unable to call for Milo, so he whips out a remote to summon him instead. The poor dog arrives out of breath and the two return to the sky with The Mask a bit dismayed to realize he’s only delivered one present this evening. Elsewhere, the other incarcerated Santas have devised a way to escape. Kablamus has let the others in on the fact that he’s a living bomb and the Rocky guy is rather impressed. For those who don’t watch the show, Kablamus is a supervillain who can make himself explode without harm. You would think the cops would have taken some precautions there. They blow the wall open and all of the Santas are free, including the real one.

I would really like to know who decided fruit cake was funny.

The Mask is then preparing to enter a home, but the sound of looting disturbs him. The Mask is forced once more to abandon his Santa duties to put a stop to these miscreants and does so by taking on the role of a drill sergeant to get their attention, then a Spanish singer to whip them into a frenzy. It’s basically all a performance to distract the crooks and group them all together (there’s a method to his madness) until they figure out they’re villains and shouldn’t be singing and dancing. The Mask then switches tactics and begins a speech about turning to some aspect of Christmas that is unloved, and the second it begins I catch myself saying aloud “not fruit cake!” Yes, it all builds to a dumb fruit cake joke. Actually, a joke basically utilized by another Paulsen show, Animaniacs, as a giant fruit cake magically falls from the sky to land on the villains. The Mask them wraps them up with a bow complete with a “Do Not Open till X-Mas” card, though I have to believe we’re past midnight at this point. Kellaway and Doyle then come upon the scene, driving a tow truck, and Doyle is predictably the only one to express affection for fruit cake.

Well, would you look at that?

With that mess taken care of, The Mask is finally able to get to the next house on his list. The only problem is right after he lands the sleigh (on the lawn, for some reason) he realizes that it’s actually dawn. He pulls off his face and The Mask is once again just Stanley Ipkiss. He’s dismayed that he’s let down Santa and realized his destiny as “the jerk who couldn’t save Christmas,” but as he peers through the window of the house he was about to enter he sees the same kid he encountered on the street earlier. Only this kid is excited because Santa left him some new action figures that look a lot like G.I. Joes. Stanley is relieved to see this and at that moment realizes that Santa must have escaped with the other inmates and set everything right.

Honestly, Stanley is lucky the worst that happened to him was his faith in Christmas was crushed. You go around grabbing people like that in the city and you’re liable to get stabbed. Or worse.

Stanley returns to the city proper and is eager to share the news that Santa is real! Most people on the street regard him suspiciously, and he even runs into Kellaway outside the police station. Kellaway has no interest in entertaining Ipkiss. He’s not even content to let Stanley think what he wants and instead informs him that all of the Santas who escaped were recaptured and takes him into the precint to show him. Stanley flips through the mug shots and doesn’t see the real Santa and begins to doubt himself. He leaves and Kellaway enters his office smugly to retrieve his bowling ball as that’s how he’s spending Christmas. There he finds the dumb train he wanted as a kid sitting on his desk. With tears welling up in his eyes, he looks to the sky hopefully, and then dismisses the possibility of an actual Santa. We don’t have room for two miracles in this one.

That’s the toy that made him lose faith in Santa?! Even the weenie whistle is better than that!

A somewhat down Stanley is then shown walking home. His experience at the police station has left him thinking there really isn’t a Santa, and that’s just sad. A present then lands on the sidewalk in front of him and Stanley picks it up. We hear a Santa voice-over thanking Stanley for at least trying to help out. His true gratitude is apparently expressed on the tag as Kellaway has been crossed out and replaced with Stanley. Inside is the flannel shirt The Mask had gifted Kellaway and Stanley is happy to have it. He picks up Milo and tells him, “Yes, Milo, there is a Santa Claus!” As the camera zooms out and we see the snow falling, the little girl from earlier goes riding by on her new race horse and Stanley gives her a wave.

The part of Virginia will now be played by Milo.

For Christmas, writer Dean Stefan basically took The Santa Clause approach, or Flintstones approach if you prefer, for The Mask. It’s a solid premise as imagining The Mask in the role of St. Nick certainly seems like it has some comedic appeal. In spite of that, I really didn’t find much to laugh at. Maybe if I were 7 this would be funny, but most of the jokes were too familiar. I liked some of the inexplicable humor, like Rocky being a villain (he’s apparently named Dynamite Joe), but few actual jokes did much to move me. The fish guy seemed like he had potential, as he’s basically just a fish, and there were some jokes at his expense once the Santas were captured as he apparently does not possess a pleasant odor. The Mask as a character isn’t really that funny though. He reminds me of The Tick, only instead of aloof he’s self-aware. He’s certainly loud and the nature of the character means he can lend himself well to gags, but few were present here. The fruit cake joke was dumb and it’s a punchline relied upon way too much in cartoons. Same with The Mask calling out fake reindeer names at one point which included Nixon instead of Blitzen – I think that’s another gag we can retire.

That’s not to say I did not enjoy the performance of Rob Paulsen. He’s a voice acting legend and he’s certainly able to match the intensity of the film performance. The other performance I quite enjoyed belonged to Tim Curry, which isn’t much of a surprise since he tends to be terrific whenever he takes on a voice role. He really didn’t have many lines as Dr. Pretorius in this one, but the way he emphasized the word “sack” was one of the few moments I actually chuckled aloud. Some words are just inherently funny when spoken a certain way, and Curry certainly found that with “sack.”

Her parents must have been pissed.

Otherwise, this episode does at least make an attempt at some Christmas feels with its resolution. There’s some cynicism present though, and it’s even embodied by the show’s real Santa character. And re-inserting the horse girl into the end was a good touch. Even though I found this one a bit short on laughs, it is written competently and I liked how it kept coming back to the fact that The Mask was so awful at playing Santa he only delivered one present.

Even though I consider The Mask to be superior to Ace Ventura: Pet Detective, it’s a bit harder to come by. Only the first season was released on DVD, but at least this episode is a part of that. And because of that, it’s also available streaming. The good news is that there’s also less protection of it. If you look at the credits, there were a lot of different companies involved in this series and I’m guessing that’s why it’s not more readily available. There are just too many parties to compensate in order to make it worthwhile. Instead, no one cares about it and you can find this online streaming for free should you wish to spend Christmas with The Mask.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 17 – Family Guy – “Don’t Be a Dickens at Christmas”

So it’s come to this. We’re doing Family Guy. I don’t mean to come across as a snob or some animation elitist (after all, we already did Robot Chicken), but I don’t care for most of Family Guy. That wasn’t always the case. When the show originally aired on Fox I actually liked it quite…

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Dec. 17 – Metalocalypse – “Dethmas”

A show that felt like it was made for, Metalocalypse was an animated show on Adult Swim about a fictitious death metal band and their misadventures. And yet, it was a show I could never get into. It began in 2006 as I was exiting college and heading into “the real world” in which I…

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Dec. 17 – It’s A Wonderful Tiny Toons Christmas Special

On December 6, 1992, Tiny Toon Adventures aired its series finale, a Christmas special. After three seasons it was time to move on to spin-offs, additional specials, and new shows. It’s interesting because this episode deals with the show getting cancelled in a hypothetical way. It’s also a parody of It’s A Wonderful Life which…

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Dec. 16 – Ace Ventura: Pet Detective – “The Reindeer Hunter”

Original air date December 9, 1995

The year 1994 feels like it belonged to Jim Carrey. Prior to ’94, Carrey was just another actor trying to make his way through Hollywood. He did some stand-up and even starred in a film, but he had yet to really make it. After being cast on the sketch comedy series In Loving Color, Carrey’s status began to rise. He stole the show, and soon found himself entertaining roles from Hollywood. His first big hit, arriving in February of 1994, was Ace Ventura: Pet Detective. The film was largely nonsensical, but the role of Ace Ventura allowed Carrey to basically just do what he did best at the time: act like a screwball cartoon character. There wasn’t much separating the character of Ace Ventura from Carrey’s stand-up or even his characters from In Living Color, such as Fire Marshall Bill. While the film wasn’t exactly a hit with the critics, it was at the box office and Carrey soon found himself among the ranks of the Hollywood A-Listers.

Following Ace Ventura, came The Mask in July and then Dumb and Dumber closed out the Year of Carrey in December of 1994. For Carrey, he began the year as a budding comedian on television and finished it as a big-shot. A sequel for Ace Ventura was fast-tracked for release in 1995 and it too performed well. Though by the time the credits rolled on the sequel, Carrey was likely priced-out of any future sequels for the franchise, just as he was for The Mask.

Whenever a film is a hit, studios naturally look to extract as much money as possible from it. With an Ace Ventura 3 starring Carrey unlikely, Warner Bros. turned to television writer Duane Capizzi to craft a cartoon series based on the character. When a film makes the jump from the big screen to the small screen, there’s always a risk audiences will reject it. Especially when we’re talking about a character like Ace Ventura who was basically just Jim Carrey. Will audiences accept what is essentially a caricature? It’s an important question to ask since there’s virtually no chance of an actor of Carrey’s stature coming with the project, and Ace Ventura: Pet Detective the animated series was no exception. Still, the mere subject of a pet detective leading a wacky cartoon has some promise. Kids like animals and comedy, so perhaps it had a chance? CBS was certainly banking on that when it committed to 13 episodes for the fall 1995 television series and the show did well enough to return for another 13 episodes in 1996. Following that though, CBS apparently lost interest and the Saturday morning block was waning. The show did find new life on Nickelodeon with 15 new episodes produced to air in 1999-2000, along with the returning 26 episodes previously aired. In that sense, the show was a modest success it would seem, though it did fail to get to that magical syndication number of 65 episodes.

The show forgoes opening credits and gets straight to it. Oh, joy.

For the show’s very first episode, it turned to Christmas. This is not unprecedented as the most famous cartoon series ever, The Simpsons, did the same thing. In the case of that more illustrious show, it premiered with the Christmas episode because the show’s first episode was rejected due to how it had been animated. The Christmas episode was ready, and it was also December. It basically had to air on time, so the decision was made to delay the official series premiere to January and air the Christmas episode as a “Sneak Peek” in December of 1989. Fox would repeat the trick with Life with Louie years later. As far as I know, this particular episode of Ace Ventura, “The Reindeer Hunter,” is the first episode in production order. It doesn’t feel like a series premiere though, so it wouldn’t shock me if it wasn’t. It premiered on December 9, 1995 with the second episode not airing until January 20, 1996. I suppose I could have watched that episode to see if it operated like more of a series introduction, but I really don’t want to. And you’ll soon see why.

The cartoon version of Ace Ventura is basically no different from his film counterpart, save for the fact that he’s voiced by Michael Daingerfield (then credited as Michael Hall), a fellow Canadian as well. His voice wouldn’t be confused for Carrey’s, but he seems to have the timing and inflections down. Expect to hear plenty of “All-righty-then” from him. Ace is still a pet detective and he’s joined by his monkey, Spike (Richard Binsley). For this premiere episode, Ace has to take a very important case for someone has abducted perhaps the most famous pets of all: Santa’s reindeer!

This one gets right to the Santa-moon shot, only with a crescent moon instead of a full moon.

The episode begins with a cheery Santa up at the North Pole preparing for Christmas. The image pans out and we see this was just a television. Soon, the real Santa passes overhead and soars past the rare Christmas Eve crescent moon to land on a nearby building. This isn’t exactly an idyllic Christmas image as we’re in hot, sticky, Miami and Santa expresses his displeasure at that almost immediately upon exiting his sleigh. He’s an appropriately chunky Santa, though his reindeer are a bit on the ugly side. It’s sort of in-line with a lot of post Ren & Stimpy cartoons looking to be a bit on the ugly side as the heads of the reindeer are quite triangular with ugly teeth jutting out of their mouth.

Someone wants to abduct these ugly-ass reindeer.

As Santa squeezes his bulbous form down the chimney, a shadow appears over the reindeer. A large figure tosses a sack over them and we smash-cut to the episode’s title card. We’re then introduced to the hero of the show: Ace Ventura. He’s in his apartment and he’s apparently cranked the air conditioner as he has penguins joining him as he’s seated on the couch with his monkey, Spike. It’s so cold in the apartment that there is actually snow falling from the ceiling.

An uncommon sight for Miami, though really, an uncommon sight inside any apartment.

Ace is called upon to answer the door and it’s the building superintendent, Mr. Schickadance (Vince Corazza). He has a problem with the snow, which is something a good super would have concern with. He apparently lives next door as he gestures to his wall which is covered with ice. Ace points out that there’s no “No Snow” designation on the sign for the complex as there is with a “No Pets” (though he has pets, so he obviously wouldn’t feel beholden to such a proclamation anyway). In short: the snow stays.

Old Santa apparently keeps Ace on the speed dial for just such an occasion.

Ace then receives a phone call and he’s skeptical of its source. The gentleman on the other end is claiming to be Santa Claus, so Ace tests him by asking him what he got for Christmas last year. Santa “aces” the quiz as he brought Ace a salon chair for crafting his unique hairstyle. With that out of the way, Ace hears him out. Turns out, Santa’s reindeer have gone missing in Miami and he needs Ace to help him find the reindeer. Surprisingly, the timing of this whole thing isn’t played up as much as it could be considering it’s Christmas Eve. You would think one little hang-up would really throw Santa off schedule, and this is hardly a little hang-up.

Cheeky.

Ace agrees to meet with Santa so he heads out to his car with Spike at his side. There we see that his license plated reads “Pet Dick,” and while I understand that dick is another name for detective, I’m still surprised CBS let the show get away with that. Mr. Schickadance is outside as well changing the sign to read to “No Snow. ” He’s on a ladder, so you can probably guess what happens next as Ace drives away…

Don’t worry, kids, we got Ace on the case!

Ace joins Santa at the scene of the crime. Finding no clues, he begins questioning Santa in order to deduce a motive. He asks him who might hate his guts, and Santa seems rather shocked at the mere suggestion someone might dislike him. Ace asks him to produce his naughty list and is then dismayed when he unfurls it and it’s long enough to roll off the side of the building and continue on down the street. He hands Santa the keys to his apartment, noting this investigation could take a while, and then starts with the top name on the list, a certain Akak the Clown.

A good, sneaking, disguise at Christmas time, I suppose.

Akak is apparently the clown mascot of a local burger joint. Ace spots him leaving his restaurant with a bag of food. Declaring they need disguises, Ace emerges from a costume shop dressed as a snowman and stalks Akak through the streets. When the clown removes a large sack from the back of his trunk, Ace pounces on him only to find the bag filled with toys. He then rules Akak out, and proceeds down the list. A sequence of slamming doors is then presented as Ace apparently finds no leads. He them enters a museum looking for a Larry Asta…something. He’s dismayed to find he’s not out of the “A’s” yet, but does find this Larry fellow in the midst of a heist. Pointing his carrot nose like a gun and doing an Al Capone impression, he holds the crook up and demands answers. It would seem there’s a big caper going down tonight, but it’s not related to any reindeer. When Ace asks where they are, the crook is dumb-founded, but suggests he asks the shady looking guys on the roof across the street who are about to get into a getaway chopper.

The monkey is definitely the smartest one.

Ace races over to the roof of the department store and finds three dudes placing a sack into a helicopter. One is kind of green and monstrous looking, another is your typical giant lug, and the third looks like a little scientist type. Ace demands they cease what they’re doing, but they disregard him. As they take-off, Ace grabs onto the lab coat of the science guy. The thug simply pulls the little man into the copter, while letting him out of his coat, causing Ace to plummet to what should be his death. Rather he lands atop a giant Christmas tree, which was on the roof of the building, which then bends causing him to land on the roof of a police cruiser below.

It’s at this point I think I’ll be okay with them killing off the star 8 minutes into the series.

There Ace is confronted by Officer Emilio (Bruce Tubbe) and Sargent Aguado (Al Waxman). They know Ace from around town and aren’t exactly happy to see him. Emilio helps him up and when Ace tells them to put out an “APB” for a helicopter, Aguado laughs at him and taunts him with, “Why? Have Santa’s reindeer been kidnapped?!” between laughs. When Ace confirms that’s exactly what happened, it doesn’t change the situation. Emilio actually tries to tell him when he talks crazy it makes it harder for him to be of any assistance, and Ace responds by talking through his butt. The two officers have a function to attend that night and they drive off with the giant star still lodged in their car leaving Ace alone with his piece of evidence. Ace then notices the lab coat has the unmistakable odor of lady’s perfume on it, so he runs into the department store to conduct some research.

This is Ace Ventura, so expect some ass-play.

At the cosmetics counter, Ace sprays various perfumes in his face trying to find the right fragrance. All the while, a female clerk tries to warn him against perfume overdose, apparently a thing. Ace doesn’t listen and ends up passing out. A doctor has to come help revive him, and when he awakens he notices a display with an unusual looking woman holding a perfume bottle. It’s the fragrance he’s looking for! The clerk is able to tell him that the woman is Atrocia Odora (Pam Hyatt) and it turns out her factory is in town.

That’s no reindeer!

Ace heads over to the Odora plant and finds the helicopter from earlier on the roof. Spike gets to work sabotaging the chopper so it can’t be utilized as an escape route later, which is far smarter a plan than I would have expected of Ace. He then enters the factory from the roof and finds a big, white, sheet with “No Peeking” printed on it draped over a cage. Thinking this is where the reindeer are, Ace triumphantly removes it only to find an albino alligator roaring at him. The goons from earlier then spot him and are surprised he survived the fall. As Ace goes into some posing routine explaining his death-defying prowess, the big guy does a butt stomp on him. With Ace subdued, the green guy puts on a Santa outfit to go alert the boss.

The villain of the episode (series?), Atrocia Odora.

As the fake Santa enters another room, we see it’s a police officer function hosted by Odora herself. Disguised as Santa, the little guy is able to get over to Odora to alert her of what’s happening in the factory. She excuses herself to go check things out. Inside, Ace has been freed from the large buttocks and is using his karate maneuvers on the big guy, to no effect, while Spike is harassing the scientist guy. Once Odora enters the big guys retrains Ace in a more conventional manner than before by simply grabbing his arms.

Odora immediately notices the various odors on Ace’s shirt and warns him about the dangers of mixing fragrances noting he smells “louder than his shirt.” Ace demands to know where the missing reindeer are, but Odora instructs her men to dispose of him. As she walks away, Ace declares he knows her type and that she is eager to reveal her sinister plan. She deadpans it doesn’t bother her and continues out the door. Ace counts down aloud from 3, and she enters on 1 declaring that she does indeed need to tell him all about it.

That is certainly a sight.

Odora then explains she intends to create a treatment for aging. As she goes into her big, villain, speech, Ace plugs his ears and sings “We Wish You a Merry Christmas” via a sequence of “La’s.” This just enrages and annoys Odora and she has her men restrain him once again. Odora then explains her enemy is aging for as we age things become loose and sag, as she describes the various body parts starting with the face that fall victim to this Ace stops her before she can get past the neck. She then explains that Santa’s reindeer possess the unusual ability to defy gravity and reasons the secret must be in their glands. The professor then wheels in a contraption containing all 8 of Santa’s reindeer. They’re confined with their rear pointing up and a giant syringe is poised above them. It’s pretty kinky, though the reindeer do not look like they’re into these kinds of reindeer games.

At least Spike is enjoying himself.

Odora leaves Ace with an explanation about a death trap she has laid for him as she heads back to the party. As she does though, Spike hitches a ride on the back of her blazer while the goons drag Ace off to certain death. As they do, he reveals to them, out of a sense of moral obligation, that his monkey has escaped and is undoubtedly seeking help. We then cut to Spike at the party stuffing his face with food.

I really don’t like Ace’s character model.

Ace is then dragged away, all the while pleading, and in the process he opens the cage of the albino alligator. The ornery, and surprisingly bipedal, reptile chases the two goons up onto a giant chemical vat. Ace dusts himself off and informs the crooks this is what happens when you mess with him, mistaking the alligator for an ally. It then takes note of him and starts chasing him around the factory forcing Ace to exit into the party. Seeing all of the police in one place, he gets the sensible idea to inform them what’s going on in the other room. When Ace reveals that Odora should be arrested for abducting Santa’s reindeer, the suggestion is met with laughter.

At Ace’s apartment, we check-in with Santa to find him watching TV while one of Ace’s penguins searches for food in his beard. While channel-surfing, Santa stumbles onto apparent live coverage of the function and Ace pleading with the cops to arrest Odora. They’re not taking him seriously, and Emilio tries to reason with Ace by letting him know he’s not helping his cause. Ace then decides they’d probably like to arrest him, and he goads them into doing so while Aguado shouts “he’s disturbing the peace! Arrest him!” As Ace runs off, it’s clear he intends to lead the pursuing officers into the factory. Odora catches wind of the plan and counters in a fiendishly clever way: the dessert tray!

Never fear, Santa is here!

Ace races over to the captive reindeer, but all of the officers have abandoned the chase in pursuit of something sweet. The two other goons have also somehow returned the alligator to his cage, and the third goon still dressed as Santa re-enters the room. With Ace surrounded, it looks like his goose is cooked, but here comes Santa Claus! He swoops in like Tarzan to take out the impostor Santa, then turns his attention to the big guy. He takes him out with a series of kicks, leaving the professor for Ace. He yanks off the little guy’s glasses, and since this is a cartoon, this renders him blind.

Ace living out every kid’s fantasy.

With that guy out of the way, Ace is able to free the reindeer and not a moment too soon as they were about to be “penetrated” by the giant needles. The impostor Santa grabs one of the giant needles and charges towards Ace, but he’s saved by the reindeer. Flying high in the factory, Ace notices the fake Santa has turned his attention to the real Santa. As he charges Santa, Ace swoops in on his reindeer and crashes into him causing the needle to stab into the machinery. This apparently causes an overload of some kind, and the goons beat a hasty retreat.

That’s unfortunate.

Or they would, if it not for the fact that their helicopter was sabotaged! As Ace compliments Santa on his fighting prowess, the copter explodes and the three goons fall from the sky. They land right on Mr. Schickadance, who was still hanging from his sign after Ace took out his ladder. Santa then bids Ace farewell with an uncharacteristic “Heigh-ho, reindeer away!” He thanks Ace, and Ace responds with a “Wait until you see my bill!” He then remembers Spike is still in the building, and he’s been eating this whole time and apparently it’s caught up to him as he gets sick all over Odora’s lap.

I’m surprised we had to wait until the final act for a vomit gag.

Ace stops in front of the giant Odora #5 tank to declare it’s about to blow in a comedic fashion. He then heads into the party to pass this warning on to the police inside, though he’s more interested in making puns. He warns Aguado he’s about to receive a white Christmas as the whole thing blows up covering everyone in white cream. It also frees the rare, albino, alligator which was likely stolen from somewhere and is enough to get Odora arrested.

Ever see an albino alligator covered in cosmetics?

We then catch-up with Ace on the beach as his skin is now bone white. He needs to catch some rays in order to return his skin to some form of normal, and he has Santa along beside him. Ace gives Santa a Christmas present and it’s a shirt just like Ace’s to go along with Santa’s new hairstyle, which Ace reveals by yanking off Santa’s hat. Apparently Santa has co-opted Ace’s signature ‘do, and he goes into a nervous, stammering, explanation as the episode ends.

Now that’s a Miami Christmas.

And that is how Ace Ventura rescued Santa’s reindeer and saved Christmas! All in all, it was mostly what I expected. For better or worse, the Ace Ventura presented here is true to its big screen counterpart. He’s constantly rambling, sometimes its nonsensical, but mostly it’s surprisingly lucid. He’s a far more capable detective, I mean dick, than expected despite his slightly unorthodox approach. It’s a solid premise to incorporate Christmas into the show, and I suppose it was entertaining to kids who liked the films. For me, I was definitely ready for it to be over as a little Ace goes a long way.

The character designs did little for me.

Visually the show is rather ugly. It’s at least bright with a fairly robust color palette, but it’s also super basic. No shading or lighting to speak of and the character designs are a bit crude and ugly. There’s nothing really unique about it as even the three bad guys have a very bland look to them. The voice cast is serviceable, and I think Daingerfield does a good job with what he has, but none of the other cast members do much to stand out. I did like Pam Hyatt’s performance as Odora. And that’s a fun name for a villain too: Atrocia Odora. She has a little Cruella in her and it’s not very subtle.

I think Ace Ventura is just a character you either love or hate, with little room for in-between.

Given all of that, it’s not at all surprising that the cartoon version of Ace Ventura is rarely referenced. The show basically came and went, airing in the waning days of the CBS Saturday Morning before heading to cable to die. I am rather surprised it ever made it to a major network, but that was the power of Jim Carrey in the mid-90s, even if he had nothing to do with the cartoon. This one feels more like a USA show. Regardless, if you like the movies then there’s a reasonably good chance you’ll like this portrayal. And if you want to view it, you’ll probably have to track down a DVD or pay for a streaming option. It’s not terribly expensive, but I also wouldn’t really call it worth it either.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 16 – George of the Jungle – “Jungle Bells”

For a show that only lasted 17 episodes, George of the Jungle has had a surprisingly enduring legacy about it. The show was basically conceived as a Tarzan parody and was the spiritual successor to The Rocky and Bullwinkle show given that it was produced by Jay Ward and Bill Scott. The show premiered in…

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Dec. 16 – Mickey’s Christmas Chaos

Alternatively known as Mickey’s Christmas Crisis, Mickey’s Christmas Chaos is a Mickey Mouse Works cartoon from 2000. If you’re like me, you were probably “too old” for The Disney Channel around the turn of the millennium and are not too familiar with the Mouse Works toons. This was basically Disney’s attempt at creating a new…

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Dec. 16 – ‘Tis the Season to be Smurfy

The Smurfs were originally conceived as a comic in the 50’s by Belgian artist Peyo, but most know the series thanks to those purveyors of subpar animation Hanna-Barbera. Truth be told, Hanna-Barbera pioneered television animation after running Tom & Jerry for MGM. The company put out so much content that it’s not at all surprising…

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Dec. 15 – Bobby’s World – “Miracle on 34th Street and Rural Route 1”

Original air date December 22, 1995

When the Fox Network launched in the late 80s it had an uphill battle in front of it to gain relevance. The network seemed to know from the start that it couldn’t just jump right in and start doing what networks like ABC and CBS had already done and instead chose to focus on under-served aspects of entertainment. Sketch comedy, edgy sitcoms, live sports, and adult animation helped propel the network to eventual heights, but also helping along the way was good old Saturday morning. Fox would craft its own block of children’s programming and source material from admittedly odd places. And one such work was Bobby’s World.

Bobby’s World aired from 1990 – 1998, but like a lot of Fox Kids originals, it seems to have just disappeared since.

Bobby’s World is largely credited to comedian Howie Mandel, who at the time was best known for his stand-up routines and a role on the series St. Elsewhere. The real credit though belongs to a pair of Jims: Jim Fisher and Jim Staahl. Both knew Mandel and once worked at the famed Second City. The pair were contracted by Fox to create a kid’s show and the two thought of their friend Howie and his character Bobby. Bobby was part of Mandel’s stand-up routine and was basically just a vessel for Mandel’s funny voice which at that point had also appeared in Gremlins and Muppet Babies. Mandel was onboard and did contribute story ideas and such, but it’s a stretch to say he created the show. He was definitely the face of it though, as he would voice Bobby and Bobby’s father, Howard, who was basically just a cartoon version of himself. He also appeared in live-action segments to open and close each episode. Was his “star power” really needed? Probably not, as the target audience of children probably could not have cared less who Howie Mandel was, but it probably helped the show get some added coverage.

It’s a cartoon about that kid from The Shining!

Bobby’s World was one of the first hits for what would become Fox Kids. It premiered in 1990 and would run for 8 seasons totaling 81 episodes. Each episode basically revolved around Bobby, who was a young boy of about 4 with huge feet and an ill-fitting shirt who possessed an overactive imagination. The show is rather interesting for its use of change. Bobby actually ages throughout the life of the show. He begins the series as the youngest of the family, but by Season 3 he has twin infant brothers. By the time the show ended he was considered to be around age 7 or 8 though he was just as imaginative as always. It’s not a particularly original concept, a kid escaping reality via his own imagination, but the Bobby character wasn’t without charm so it’s not hard to see why the show worked in the long run.

In Season 6 the show decided to do a Christmas episode. This might seem a bit puzzling to some reading this since Bobby is a Howie Mandel character and Bobby’s dad in the show is basically Howie who is very Jewish. As was covered already, Mandel wasn’t the one writing the show and apparently he didn’t care that Bobby was going to canonically be Christian. Or he did, but didn’t make a big fuss about it. Considering that Fox was willing to be different, it’s a bit surprising that they didn’t do a Hanukkah episode instead, but network folks might have been pushing for Christmas. The episode could have stuck that in its back pocket for another holiday episode since the Generics (yes, the family name is literally Generic) celebrate Christmas with their mother’s parents, but Howard’s cousin also joins them so that muddies things a bit.

Every episode begins with Howie, usually with Bobby, in an animated setting. It ain’t no Roger Rabbit.

The episode begins with Mandel alongside Bobby to introduce the story. Mandel talks about his love of Christmas (maybe his family celebrated both?) and his fondness for the scents of the season. This opens up a joke for Bobby recalling the smell Uncle Ted makes when he pulls his finger causing Mandel to stop him there and get on with the episode.

Many car rides on Christmas Eve ended this way for me too.

The episode begins with the Generics arriving home following a Christmas gathering. It’s dark and everyone’s asleep in the car as Howard scoops Bobby up out of the back seat. I see palm trees in the background and they’re returning from a place where it snows so this has been one hell of a car ride. He and wife Martha (Gail Matthius) seem proud of their young son as Howard remarks this will be a Christmas Bobby tells his own grand kids about some day. Bobby, half awake, mumbles the same back to himself which sets up another introduction for this plot. Bobby imagines himself an old man recalling the events of the evening to his young grand kids, a boy and a girl who more or less look exactly like him. And despite being old, Bobby also appears to possess the same body only he’s wrinkly and has white hair. This is the imagination of a kid, after all.

The episode is going to go back and forth between the events of the plot and Old Man Bobby. It’s entirely unnecessary.

Elder Bobby then starts to tell the grand kids what happened that day and the story is finally allowed to begin. It starts at the Generic home with Bobby recalling the smell of his mother’s Christmas cookies. We will soon find out these cookies shouldn’t smell great as she refers to them as frosted whole wheat fiber holiday nuggets. They look about as appetizing as the dough is gray and reminds me of the gruel from Kamp Krusty. This is also the time for Bobby to setup his transformation as he’s obsessed with getting a Captain Squash Game Master for Christmas. His mom asks him if he knows what Christmas is all about and he gives the predictable kid answer: presents. She doesn’t correct him though and instead reprimands him for eating raw dough.

The family’s idea for a Christmas carol is just to take everything about Christmas and cram it into one song.

The family then piles into the station wagon to head to the home of their grandparents. It’s a long ride, long enough that everyone in the car is sick of hearing Christmas songs on the radio before they get there. This prompts Martha to encourage her bored kids Kelly (Charity James), Derek (Kevin Michaels), and Bobby to come up with their own Christmas carol. They basically just start throwing shit against the wall as they want to incorporate basically everything they love about Christmas into one song: jingle bells, Frosty, Santa, a “knight” before Christmas, snow, etc. It’s sort of cute as it’s done by presenting an idyllic Christmas setting and then images of all of the suggestions just start cluttering the screen. It does end on a fruit cake joke though, and I hate fruit cake jokes. Plus Bobby breaks the fourth wall to reference Barry Manilow which certainly dates this one.

He’s very fond of maps.

Eventually the family finally arrives at the home of Martha’s parents. Martha’s father is apparently Swedish? Or else the mid-western accent is just being taken to strange, new, places. Either way, Bobby once more breaks the fourth wall to request we not make fun of his family and we should respect the young boy’s wishes. We cut back to elder Bobby telling his story in which he sets up how he wants to tell his grandpa and grandma about the game he wants for Christmas only to find that his grandpa only wants to talk about one thing: directions. He even pulls down a shade in the living room which has a map on it as he interrogates Howard about the route he took to get there. Martha basically narcs on her own husband to confess they got lost while Bobby is allowed to display his aptitude for observational humor by questioning why kids always ask “are we there yet?” while adults ask “how did you get here?”

Uncle Ted is quite affectionate towards his brother-in-law.

Kelly then walks into the living room to question where a foul odor is coming from. Derek blames Bobby, but elder Bobby is returned just to tell us his grandmother’s house apparently always smelled like shit. The smell theme will continue. The doorbell rings and it’s Uncle Ted (Tino Insana) with his sister, Aunt Ruth (Susan Tolsky), the baker of really awful fruit cake. Ted dispenses with Christmas noogies and even has some mistletoe to sneak a smooch with…Howard? Meanwhile, Ruth practically tares Bobby’s face off while pinching his cheeks. Bobby though is delighted to see his uncle which is actually really sweet. He’s also happy because they brought the tree which they soon drag into the house. They put it up and then all have a good smell.

The Philadelphia wing of the Generic family is nothing to brag about.

We then pivot back to elder Bobby as his grand kids want him to get to the part where they open presents. Bobby tells them they’re not there yet, for first he has to tell them about his dad’s cousins from Philadelphia. They’re different and we see they dress quite formally. The father’s name is Sydney and he is clearly voiced by Rob Paulsen. He has a wife named Maive? Mame? Either way, she looks a lot older than him. They also have two teen aged kids in Jeffrey (Paulsen) and Brianna. None of the credits detail who voices who, so let’s just pile a bunch of names right here: Jim Fisher, Pat Fraley, Andrea Martin, Jim Staahl, and we might as well mention Frank Welker, who voices the family dog, Roger.

The Philly Generics are pretty condescending and their kids are just big jerks. It’s really quite puzzling that they would drive all the way out there from Philadelphia to be some place they clearly do not wish to be. Bobby is not at all bothered by the hostility as he just assumes with this many people in the house he’s sure to get what he wants for Christmas! He then declares that’s what Christmas is all about so they can really drive home the true meaning of Christmas later.

Nothing like a good family argument and a lit Christmas tree to set the mood.

The families then decorate the tree, and no one can agree on anything. Sydney thinks they need more lights while Ted insists on more tinsel. Ruth and the other lady argue about ornament placement, and everyone eventually just starts shouting. Bobby remarks it’s nice that Christmas gives families a chance to talk. His dad then asks him for the star, and Bobby daydreams about himself as a star. He has an odd idea for what a star should be as he imagines himself as a Phantom of the Opera-like character in front of a gigantic, synth, organ. He eventually snaps out of it and hands his dad the star who places it atop a well-decorated tree. Ted plugs the lights into a clearly overloaded socket A Christmas Story style, and the whole family gathers around to bask in the festive glow of the tree. Okay, now I want it to be Christmas in my house.

Bobby is apparently not one for carolers.

Next on the agenda is dinner. What’s on the menu? A traditional Christmas turkey. Howard first brings the bird to the kid’s table and Bobby remarks that it stinks. Howard gets mad at his son’s rudeness, while his sister informs him he’s just smelling their brother’s socks which were left to dry on a nearby radiator. Bobby is then tasked with saying “Grace,” so he literally just says “Grace.” The family shares a short, awkward, pause then Ted decides that’s good enough and digs in. The family then resumes its bickering as they can’t even agree on which direction to pass the sides. Sydney also feels the need to correct Ted on his use of the term “cranberry sauce” as the gelatin stuff doesn’t meet his definition. Seriously, who invited this guy?! Jeffrey then starts an argument about stuffing, and only the ringing of the doorbell can save this meal. Bobby is the only one to get up and answer it. He finds a group of carolers, and promptly shuts the door on them and returns to his seat. When his dad asks who was there, he says “I don’t know,” which just prompts his mother to ask “Well, what did they say?” “Fa-la-la-la-la-la…”

This show isn’t much to look at, but that’s a hell of an image for a Christmas special.

The interrogation is interrupted when Bobby notices another odd smell, and this time it isn’t socks. There’s smoke filling the room and Bobby is the only one to get up and run over to the source to find the Christmas tree in flames. I mean, really people, you let the five-year-old investigate the source of a fire?!

Yes, Bobby, we can see that the house is presently on fire.

The family is forced to exit the house and Bobby then wonders aloud how Santa will get him his toys with the house on fire? We then see some of Bobby’s imagination at work as Santa (Welker) lands on the roof of the house (with the proper amount of reindeer) and tries to go down the chimney with Bobby’s coveted Captain Squash Game Master. When he tries to descend the chimney he’s set on fire and rocketed into the night sky. Surprisingly, he doesn’t pass in front of the moon.

With all of the houses he visits in a given year, you gotta believe this happens to Santa on the regular.

As Bobby laments the loss of a toy he never had, two firemen decide to reprimand the five-year-old about proper fire safety. Maybe lecture the adults? They also push their artificial tree agenda on Bobby which is so distasteful! The family then just sort of stands there and surveys the damage to the house. They soon start arguing as Ted blames Sydney’s lights for causing the whole thing. As Martha tries to speak, she can’t be heard over the arguing and Bobby is forced to yell to get everyone to be quiet so his mom can talk, which is rather sweet of him. Martha just scolds everyone finishing on the tried and true line of “Can’t we all just get along?” Grandpa then suggests to Bobby they head inside to see what’s worth saving. For a guy who basically just lost his house, he’s in a rather cheery mood.

One present made it through the fire, and wouldn’t ya know, it’s for Bobby.

The inside of the house is pretty much wrecked. The fire tore through the living room and left a rather large hole in the roof. Bobby’s mom calls everyone over to the carcass of the once fine-looking Christmas tree to announce one present survived the fire: Bobby’s present. He unwraps it eagerly to find his Squash game. He’s overjoyed, until he sees his cousin Jeffrey crying because he wanted one of those for Christmas, but it was under the tree and burned up. He then mournfully remarks he’ll have to wait until his birthday in July to get one. Bobby falls for this obvious con and hands over his present to Jeffrey. He perks up and accepts the gift, while Bobby’s mom tells him she’s so proud of him. Bobby says he feels good to do it, while I sit here in disbelief that the adults in the room allowed a teenager to take a kindergartners only Christmas gift! Jeffrey sucks!

This kid sucks.

The rest of the family take a moment to praise Bobby, who now understands the true meaning of Christmas. Ted also forces them to confront how shitty they’ve been acting, and he even breaks out the mistletoe to smooch Philadelphia Lady. Ruth comes in with her fruit cake, which apparently survived the fire as well. At first, no one wants any, but an elbow to the belly from his wife causes Howard to volunteer, followed by Ted. It starts snowing again, which in a house with no roof means it’s also snowing inside. Grandpa suggests they move the gathering to the barn, along with anything still worth saving.

This is about as close to a Jesus scene as you’re going to get.

In the barn, the family huddles around the twins in an obvious manger scene setup. Bobby, seated by the piano, remarks “What’s that smell?” as we’re apparently still doing this. Of course, they’re in a barn so it stinks. Bobby then decides to share his new Christmas carol with the family, which his siblings wrote down for him. Aunt Ruth plays the piano as Bobby sings. It’s basically “Deck the Halls,” but with Bobby’s favorite Christmas things. The melody also keeps changing as Bobby introduces new things, most of which were mentioned back when this bit first surfaced. His inability to remember the names of Santa’s reindeer is cute. It ends on the notion of “The spirit of giving is what we should do the whole year round,” and the entire family sings the line.

And this sequence from Bobby’s song is as close to a “Santa in front of a full moon,” as we’re going to get.

The festivities then come to an end and everyone heads home. Old man Bobby comes in to tell his grand kids that was the year he learned what Christmas is really about. We then see Howard carrying Bobby to bed as he remarks he hopes Bobby will remember the lesson from this Christmas. He asks, “Remember what?” and his dad just laughs softly and rubs his head. Bobby then laughs himself and remarks that it’s always fun to tease your parents. Live-action Howie then pops in, crying, telling us how he enjoyed the story. Bobby thinks it’s odd he’s crying, and asks for some meat. He always gets hungry around the holidays apparently. This one is over!

Pleasant dreams, Bob-oh!

The Bobby’s World Christmas special with the stupidly long episode title is okay. It’s so concerned with setting up the moral of the episode that it practically beats the audience over the head with it. It’s too telegraphed, and Bobby giving his lone gift to a spoiled, rich, teen, just doesn’t land in the feels. Maybe if he had given it to an orphan or something, or was just forced to go without, the scene could have had more impact. Instead it just feels too wooden to even be confused with corn. I also dislike how the episode writes Santa off. If I were watching this as a kid, and surely I did at some point, I’d just wonder why Bobby thinks Santa can’t go to his house with his present? Santa doesn’t go to your grandmother’s house, unless you’re sleeping there on Christmas Eve!

We need to check-in one more time with a crying Howie before we say goodbye.

The one thing this episode does have going for it is the likability of Bobby himself. He’s cute, and some of his observations about the world around him are genuinely amusing, though a bunch aren’t as witty as the writing would like you to believe. Most of the other characters are a bit under-served, but this is also one episode out of 81 in which most of these characters have a chance to develop. The family from Philadelphia definitely sucks though, I hope they didn’t return in a future episode.

I hope you ended up getting that Captain Squash thing, Bobby.

If you wish to spend Christmas with Bobby and his family the entire series is available on DVD. It was released as a manufacture on demand title so it’s not the easiest thing to acquire now. It is available via Prime and if you have a subscription it’s included. You can also purchase digital versions of the episode. Bobby’s World also isn’t a well-protected piece of intellectual property so you can also stream it for free. As I write this, it’s available on YouTube so go for it if you wish. This is definitely more of a nostalgia view, if you liked the show as a kid then you’ll probably have fun revisiting it. Otherwise, I give it just a tepid recommend. Watch it if you just feel like experiencing something different from your regular Christmas viewing habits, assuming it isn’t already a part of it.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 15 – Animaniacs – “A Christmas Plotz”

It’s rare when you encounter a cartoon series that has back-to-back episodes dedicated to Christmas, but that happened with the first season of Animaniacs. If you’re not familiar with the show, Animaniacs is essentially the spiritual successor to Tiny Toon Adventures as another Steven Spielberg presented cartoon series. It, even more so than Tiny Toons,…

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Dec. 15 – The Night Before Christmas with Tom and Jerry

As someone who loves the cartoon shorts produced by Warner and Disney, I sometimes am guilty of overlooking the contributions of MGM from that same era. MGM was a big player back then, and their flagship creation was Tom and Jerry. The cat and mouse pair first debuted in 1940 and were the creation of…

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Dec. 15 – Bugs Bunny’s Looney Christmas Tales

Once upon a time, Bugs Bunny was a big enough star to land numerous television specials. He’s still a recognizable character across the world, but I sometimes feel as if Bugs isn’t as loved as he should be. I can’t recall the last time I saw him standing next to a Warner Bros. logo in…

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Dec. 14 – Aqua Teen Hunger Force – “A PE Christmas”

Original air date December 13, 2009.

It was a couple of years ago we looked at the first Aqua Teen Hunger Force Christmas episode because it contained Danzig. I was basically required to talk about it! This year we’re coming back to it, and wouldn’t you know, there is a musical component to this one as well.

If you’re unfamiliar with the show, Aqua Teen Hunger Force was one of the first Adult Swim cartoons to really break-out as a full-fledged hit for the network. It was crudely animated and quite absurd as it detailed three characters based on food items: Master Shake (Dana Snyder), Frylock (Carey Means), and Meatwad (Dave Willis). They are literally a giant shake cup, box of french fries, and a meatball all with a face. Shake has the bonus feature of containing hands too while Frylock is forced to use his “fries” as limbs and Meatwad can basically contort his body into different shapes. The show was created by Dave Willis and Matt Maiellaro with the concept being these three would solve mysteries, only the mysteries would be relatively stupid and the characters would be rather bad at their job. That premise was dropped pretty quickly and it more or less became a show about misadventures. Master Shake would style himself the alpha of the group despite the fact that he’s mean, stupid, and self-centered. Meatwad is more child-like, but also pretty dumb and quite impressionable. Frylock is the only one with any sense of reason and it’s amazing he wasn’t driven insane by those he lives with.

The Aqua Teens (left to right): Frylock, Master Shake, and Meatwad.

The show takes place in New Jersey and the cast of characters would gradually fill out. Neighbor Carl (Willis) was featured the most and frequently found his life being completely upended and sometimes just plain ended by his weird neighbors. It’s funny when misfortune befalls him though as he’s a pretty terrible person as well. Various denizens of space would be added and all manner of just weird would cross paths with the main characters. Each episode was only around 11 minutes and most didn’t have much continuity from one to another. Sometimes characters would re-appear and reference past exploits on the show, but also many episodes end with a main character getting killed only to be returned the next week.

The show returned to Christmas for the Season 7 episode “A PE Christmas.” This episode will see Shake try to once again execute what he considers a brilliant, money-making scheme, that’s really foolish and misguided and destined to fail. Despite being a weird and rather ugly show, Aqua Teen Hunger Force was pretty successful at landing guest spots and this episode features some celebrity cameos like that first Christmas episode we looked at.

This is a very welcoming church, even by church standards.

The episode begins at, of all places, church. Frylock is apparently taking his faith and the role it plays in the Christmas holiday quite seriously, while Shake is not. Meatwad, for his part, is basically just along for the ride. Shake is irritated that there’s no food, pointing out they have bread, but no meat. He needs protein to bulk up for next Halloween (he says, as he mimes a Hulk Hogan pose). Frylock is embarrassed for them as people keep turning and shooting glances their way. Surprisingly, most of the people featured look normal and apparently some are even based on the creative staff on the show (Willis is for sure present in the audience). Shake then tries to get Meatwad to assist him in swiping the donation hat, but is denied by Frylock who actually happens to have money to donate. He tells the two they need to learn about how good it feels to give, while Meatwad notes it feels pretty good to receive as well.

Frylock probably didn’t need to drag him out, I’m sure he would have been more than willing to leave on his own.

Shake continues his rant as it’s evident he wants no part of this. Meatwad just wants to sit on Santa’s lap and it’s soon revealed he has mistaken Jesus for Santa. Frylock corrects him, but Meatwad still seems a bit attached to his theory considering Jesus has a beard, but he notes the stab wound from the spear and the shredded abs as a strike against his theory. Frylock ends up shouting in frustration that “Santa didn’t die for our sins!” which just confuses Meatwad further as now he thinks Frylock is telling him Santa is dead. Shake, who often behaves like an older brother towards Meatwad, sees this as an opening to tease him further by telling him Santa is indeed dead. Meatwad continues to get upset, while Shake keeps going, and Frylock decides enough is enough as he drags Shake out of the church. The whole time Shake is shouting about Jesus the failure wondering aloud how a guy gets himself nailed to a cross, “We’re supposed to revere him for his slow reaction time?!” We also see some inhuman cameos as Frylock drags Shake out so there’s the weird I was looking for.

They decorate, but it’s kind of sad.

Back at their house, we see the “Christmas tree” from the last episode has returned. It’s basically just green crayon on the wall with some stuff glued on. They’ve also added some lights and even a little Charlie Brown tree. There’s a manger in the background and it looks like a wrestling figure is playing the role of Jesus, possibly a WCW Giant or maybe Hillbilly Jim. Frylock is preparing Meatwad for a shitty Christmas, though Meatwad still seems to think he has a shot at a new Super Soaker. This is where Shake reveals he has a money-making plan up his…sleeve? He’s apparently stolen some financial documents from Chuck D and Flavor Flav of Public Enemy. Meatwad notes the print-out for Chuck D is his 401k. Shake seems to think this is enough material to declare that he has stolen their identities and that he intends to record a Christmas album under the Public Enemy heading and call it “Bring Tha Toyz.” He then demands Frylock take him to a recording studio right this very moment on Christmas Eve to record so that he may have it in stores for Christmas Day.

I’d buy it.

We then cut to Shake and Meatwad in a recording studio. Shake is decked out in outlandish hip-hop attire including a massive grill he’s trying to talk through. He eventually spits it out and complains openly about Frylock needing to reimburse him for the hour and a half of studio time they missed out on due to him refusing to drive them. Their technician for the evening is Michael (Michael Kohler) and he is about as excited to be there as one would expect. Meatwad is hoping to slip in some Christmas classics on Shake’s album, but Shake doesn’t seem too receptive. He’s also worried about listeners being able to tell that they are not Public Enemy, but Shake reminds them they’ll be modulating his voice. Plus, it won’t matter since they’ll have already bought the record!

I like the inclusion of the digital clock on Shake’s Flavor Flav costume.

The tape starts rolling and Shake starts spitting his rhymes, “Happy birthday Jesus, you are the one, coming down to Earth from the planet Krypton!” It doesn’t go on much longer than that totaling about 12 seconds. They head into the booth for Michael to play it back. Michael asks somewhat hopefully if they’re done and Shake seems to think they are, despite it being one 12 second track. Meatwad points out that most albums have at least six songs and Shake angrily concedes. He tosses a bottle of soda at Michael and makes a mess as he heads back into the recording booth.

Poor Michael has to put up with Shake’s bullshit when he’d probably rather be somewhere else on Christmas Eve.

Shake then raps a bunch of nonsense about what he’s looking at “Stapler on the desk,” and the lack of lumbar support on his chair. He declares it done after only a few seconds. Meatwad sees this as an opportunity to get one of his songs onto the record, but Shake insists that Jesus doesn’t want him to sing on his record. Meatwad continues to press Shake, only for him to relent because he has to go take a dump, though he orders Michael not to roll on this take that is about to take place. As Meatwad sings “Silent Night,” we can hear the sounds of Shake’s “movement” over Meatwad’s vocals. Meatwad asks of Michael to close the bathroom door, but he tells Meatwad it is as Shake continues to shout something about eels. He eventually emerges with a plunger and informs Michael someone from his entourage must have plugged up the toilet as water starts filling the studio.

Santa has odd taste.

The next morning, at the house the guys wake up to find a bunch of eels in the living room by their tree. Meatwad thinks Santa brought them for him and asks Frylock if he can keep them while Shake informs us these came out of him. They look like big worms and they have this weird expression on their “faces” that looks kind of tired, but also is possibly hiding an existence of constant pain. Shake then declares they need to go see how his record is selling.

There’s only one way into a store on Christmas.

Outside a store called Better Buy, Shake is trying to get through the doors, but they’re locked. Frylock gets in an “I told you so,” since it’s Christmas Day so of course the store is closed. It’s also likely the record isn’t in there anyway since they recorded it last night. Shake is a being devoid of logic though, so he starts trying to pry open the door with a monkey wrench. Meatwad and Frylock bail as an alarm blares, and Shake gets fed up and just tosses a garbage can through the door and goes in.

How dare they arrest Flavor Flav on Christmas?!

We cut to Shake in a holding cell back in his hip hop attire demanding to be let out because he is Flavor Flav. There are two guys behind in the corner, one being a reoccurring homeless man character model, who seem to ignore his ranting. He then wonders aloud just what he ate in Chuck D’s dumpster as more eels explode out of his backside. Since he’s a paper cup, he just collapses in a crumpled heap on the floor while the two guys behind him get sprayed with shit-blood to no reaction.

That’s a pretty sight.

We then get to see an additional scene in which Meatwad meets Chuck D (himself) disguised as Flavor Flav. Chuck D is rather confused by Flav’s appearance, but Meatwad assures him he just lost some weight. He also returns to him all of the stuff Shake had stolen, which apparently included a lot more than he had revealed earlier in the episode. He also compliments Chuck on his credit score. He then advises him to lock his dumpster, and Chuck D corrects him that it’s not a dumpster, but actually a lair for his space eels. Meatwad then demos the song he recorded, “Silent Night” with Shake’s farting and groaning over it, and Chuck D actually likes it and declares, “It’s gonna be huge.” We hard-cut to the ending credits which feature Shake’s Christmas rap, “Twas the Night Before Jesus,” only sung by Schoolly D, the regular performer for the opening credits.

This episode is pretty ridiculous, but what is somewhat surprising is it actually contains more Christmas than the previous episode we looked at. It does a good job of finding a use for the holiday within the world that is Aqua Teen Hunger Force and any episode involving some ridiculous Shake scheme to make money is often pretty entertaining. There’s some great lines from Shake and his exchanges with Meatwad are humorous, but the real scene-stealer is probably the engineer, Michael, who deadpans all of his lines. Kohler does a great job of just capturing the mood of an employee who wants nothing to do with his job at the moment without outwardly stating that.

The engineer, Michael, is perhaps my favorite character in this episode. He has to put up with a lot of shit. Literally.

Interestingly, the episode must not have been finished for its original airing in December, 2009. It originally ended with Shake’s back exploding and the eels emerging. The scene with Chuck D wasn’t added until it aired in March of 2010. I’m guessing the episode was rushed before they could get Chuck D’s audio recorded so it could air during the Christmas season, unless Chuck D happened to see it and liked it and thus an opportunity was presented to tack on a guest appearance. Either way, I actually think both endings work because the show is often so surreal and absurd that something like eel diarrhea doesn’t necessarily need an explanation. It’s certainly nice to have one though, and as a final dig towards Shake it turns out Chuck D likes Meatwad’s song instead of his.

This is a Christmas episode that is not likely to provide the usual dose of Christmas “feels,” but you’ll probably get some laughs. If you’re real passionate about the Christian side of the holiday then maybe some of the church scene will turn you off, but this was never meant to appeal to devout Christians looking to celebrate Jesus. And for what it’s worth, Shake does get his comeuppance by the end. If you wish to view it, it’s been released as part of Season 7 of Aqua Teen Hunger Force both on physical media formats and digitally. For some reason, it’s listed as part of Season 9 in some places so check first if you’re looking to buy a whole season. The entire series is also streaming on HBO Max. It’s also likely that Adult Swim will rebroadcast it this month as the network is pretty good about re-airing its Christmas episodes every year, though some of the older ones can get lost in the shuffle since there are just so many at this point. At just over 11 minutes long, it’s certainly worth a look this Christmas if this show’s humor appeals to you.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 14 – Heathcliff – “North Pole Cat”

  Heathcliff, despite being a cat, shares a similarity to a certain cookie. And that cookie is Hydrox, the chocolate and cream sandwhich style cookie often mistaken for an Oreo. When I was a kid, Hydrox was the inferior Oreo, the knock-off, and I suspect that was true for a lot of people. The funny…

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Dec. 14 – Olaf’s Frozen Adventure

Just past the halfway point is where our most controversial Christmas special appears:  Olaf’s Frozen Adventure. It’s not controversial for anything fun. No alluring scenes or hints of violence or anything like that. It’s controversial because of how poorly received it was when it was paired last year with the Pixar film Coco for it’s…

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Dec. 14 – Bonkers: Miracle at the 34th Precinct

Bonkers was a late inclusion in the Disney Afternoon, a post DuckTales/TailSpin/Rescue Rangers program and contemporary to Goof Troop and Gargoyles. It’s a show about a bobcat named Bonkers who serves in the Toon Police alongside his partner Lucky Piquel (pronounced Pickle by most characters, but it’s supposed to be Pee-kell, making it a running…

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