Tag Archives: pedro pascal

The Fantastic Four: First Steps

As a kid, I did a lot of my comic reading in the early 90s and as a kid in the early 90s that largely meant X-Men. The X-Men were the “it” team of the moment and seemed so far and above the rest of the pack in terms of coolness. Batman was still in style on the strength of the Burton films and the animated series and Spider-Man (and Venom) was also pretty hot. When it came to comic and comic card trading with friends, those all commanded top dollar. One franchise that did not was The Fantastic Four.

It could have just been my little corner of the world, but The Fantastic Four were regarded as your dad’s comic book franchise. They were pretty lame. If you went to Toys R Us hoping to score a Venom, Spider-Man, or Punisher action figure there was a decent chance you would have to settle for the Fantastic Four instead. I personally never settled, though I was a little interested in The Human Torch. Even though I didn’t particularly care about the franchise, my earliest Cartoon Network memory is becoming aware of the channel by seeing a listing for a Fantastic Four cartoon in TV Guide airing on the network. We didn’t have access to the channel in my market, but it was about a year later that we did and I wanted to check out that damn cartoon. Too bad it was pretty bad, but not as bad as those lone cartoons based on The Thing where the character was a kid who activated his Thing power via a magic ring: Thing Ring do your thing!

I will say they have a good tailor.

Despite my feelings on The Fantastic Four growing up, it’s hard to argue that they’re not Marvel royalty. Created by Jack Kirby and Stan Lee, the group is one of the oldest superhero teams with a memorable rogues gallery headlined by Dr. Doom. When comic book movies exploded in popularity, 20th Century Fox threw The Fantastic Four into the mix with a pair of films in the 2000s that made money, but didn’t seem to make a huge cultural impact. Fox decided a reboot was necessary and the franchise returned in 2015. Again, it made money, but not the kind of money that gets studio executives excited. Fox was reportedly still kicking the tires on more movies, but the acquisition of 20th Century Fox by Disney in 2019 put an end to that. Now, Marvel and Disney are back with what it hopes will be the definitive take on the franchise in film. Ever since Avengers: Endgame basically put a bow on the massive story begun with 2007’s Iron Man, Marvel has been searching for that massive hit that catapults them into the next big event film. Attempts via Disney+ and other films have been met with mixed results, but can The Fantastic Four get audiences as hyped as Avengers did back in 2012?

The setting is practically a character on its own.

The Fantastic Four: First Steps is a film that has been in the works basically ever since Disney acquired 20th Century Fox. It took some time to get right, but once it did we ended up with a picture helmed by Matt Shakman with a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. The film stars Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/The Invisible Woman, Joseph Quinn as Johnny Storm/The Human Torch, and Ebon Moss-Bachrach as Ben Grimm/The Thing. The film is set in 1964, but a futuristic take on the era. This is a world where technology has advanced by leaps and bounds thanks to incredibly smart people like Richards. When we find him early in the film he’s working on teleportation just to give you an idea where we are as a society. As such, it doesn’t look like 1964 other than some design cues and the setting is really it’s own character. The closest example I can think of is Batman (1989) and it’s not 1940s setting that also kind of looks like 1940s America.

She does not bring tidings of great joy.

When we meet The Fantastic Four we’re informed right away that this film starts with their fourth anniversary as a team. Their origin is relayed via montage delivered by an in-universe television special and includes some cameos of their more famous adversaries though with one notable omission. When we actually meet the team, we learn right away that Sue and Reed are expecting a child, something they had been trying for with little success for years. This also sets off massive amounts of anxiety for the father-to-be who can’t help but wonder what effect their cosmic-induced mutations will have on his unborn child. Concerns have to be dismissed for an unusual individual soon reveals themself to the world: Shalla-Bal (Julia Garner), aka The Silver Surfer. She comes baring the unfortunate news that Galactus (Ralph Ineson) has marked Earth for consumption. This naturally comes as a surprise to all involved and it falls on The Fantastic Four to journey into space and barter with the world-devouring entity in hopes of sparing the Earth. They do manage to make it all the way to where Galactus dwells for a face-to-face with the massive entity and find a being who actually is willing to make a deal. The only problem is Galactus desires but one thing: the unborn son of Reed and Sue.

The shadow of Galactus looms large.

That becomes the central conflict of the film: would a parent give away their own child to save the world? It’s a pretty unfair question to ask, but I’m sure you can guess what Reed and Sue want to do and also guess that the rest of the world has a different opinion. The film mostly keeps its focus on that, but also finds time to show Ben trying to find his place in the world and Johnny’s obsession with trying to uncover more information on Shalla-Bal. The film is a tidy 114 minutes and never loses sight of the fact that this is The Fantastic Four’s film. It sounds cliche, but they do a great job of maintaining that family element without resorting to terrible sitcom tropes. This isn’t Full House, but it’s also not some anti-Full House either. There’s conflict between members of the family, but it’s organic. These characters know each other extremely well and love each other. They can annoy each other, but they also rely on each other. And I like that the film remembers that these are all super smart astronauts. Johnny isn’t some dumb jock spending all of his time trying to pick up chicks and The Thing isn’t a big grump who just wants to smash stuff. There’s nuance to all of them and I found it really gratifying to see them rally around a young Franklin Richards (Ada Scott and what Wikipedia refers to as “several other babies”) because that’s what The Fantastic Four should do.

Putting young Franklin at the center of the plot works well for a film emphasizing the family element.

When you have a cast that includes a rock man, a silver woman, and a planet devouring god-being you’re going to need some special effects. Marvel Studios does a solid job bringing characters like The Thing to life. You’re not going to forget that he’s a CGi being, but he doesn’t look out of place. Silver Surfer is also handled rather well and the film is pretty confident about placing this ridiculous being into the film and not making a big deal out of it. Galactus hews pretty close to his classic design with some modern embellishments, but the film definitely doesn’t shy away from showing the being. The colors are muted, but not removed or replaced and I suppose he looks as good as he probably could. The sets look like real sets in many places which is a nice touch over the green screen sets the MCU traditionally relies upon. H.E.R.B.I.E., the resident helper robot, looks like a mix of practical and CG elements and will likely be a crowd pleaser. Maybe not on the same level as Krypto, but kids will enjoy the little robot.

Your kids are going to want one of these.

The film does move fast which may have some questioning if it should have been longer. It’s a bit of a double-edged sword as I think audiences have superhero fatigue and the two and a half hour movies have become exhausting. I very much like how the film gives you the cliff notes version of the origin, though I can also understand some people wondering just what exactly Sue Storm’s powers are? Mr. Fantastic doesn’t get to show off his powers much and the crew really doesn’t get to engage with villains for much of the film. It’s a more procedural film with most of the action reserved for the last act. For action buffs, that’s a bad thing. For me personally, I wasn’t bothered by it. I think it helps set The Fantastic Four apart from more action-heavy franchises. I’m interested in these characters more as characters than as superheroes. It’s an approach that I think will serve the X-Men well whenever they finally get to run wild over the MCU.

The film decided to go the CG route for The Thing and the results are mostly fine.

One final point of criticism I have for the film resides with the ending. If you want zero spoilers about that ending (i.e. when we can expect to see The Fantastic Four again) then skip the rest of this paragraph as I’m going to talk about the mid-credits stinger. Yes, this film has a scene during the credits meant to hype the next adventure. Throughout the film I was quite content with how contained it was. There wasn’t any homework and I didn’t feel like Marvel was setting up another movie. Nothing felt sacrificed or incomplete for the sake of a larger narrative. Then came that mid-credits scene. I won’t actually spoil wht happens in the scene, but it concludes with “The Fantastic Four will return in Avengers: Dooms Day.” I don’t know if I let out an audible groan, but I felt like it. This film did such a good job of making me care about these characters that I don’t want to see them quickly thrust into an even larger ensemble. Now, the scene did follow a “Four years later,” message so it gives Marvel Studios a chunk of unexplored time they can go back to for later films, if they want, but I’d much rather see another Fantastic Four film before seeing them integrated with the Avengers. I know this Dooms Day thing is what the studio is hoping will do Infinity War/Endgame dollars, but I think Marvel and Disney are chasing a dragon there.

Hopefully we get to see a lot more from this group. There are always issues for The Fantastic Four to deal with.

Such concerns could be all for nothing. We’ll see. It also doesn’t really harm First Steps as a movie experience which is one I had a lot of fun with. I don’t think it’s in contention for best comic book adaptation or anything, but it’s a solid B+ theater experience. For the first time in my life I actually care about The Fantastic Four. I want to see more of these characters, this cast, and this really fun setting. Hopefully we do get more of that and hopefully this movie kicks off a new era for The Fantastic Four. The devoted fans have certainly waited a long time for this.

To my surprise, I don’t have any MCU reviews on this blog so here’s the best I can do for related posts:

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Star Wars: The Vintage Collection – Din Djarin (The Mandalorian) and The Child

The wholesome content you come here for.

Today we are celebrating ten years of The Nostalgia Spot! It’s not ten years to the day, the actual anniversary was about a week ago, but it’s close enough. In those 10 years, there have been 750 posts here on a variety of subjects, pretty much all of which could be labeled as nostalgic to someone my age. One such topic though has never been broached, and it’s Star Wars. I have nothing against Star Wars and actually consider myself a fan. The first Star Wars film I ever saw was The Empire Strikes Back when my dad was watching a television broadcast of it in the early 90s and beckoned me to watch it with him. I enjoyed it, even though I thought Darth Vader looked like a rip-off of The Shredder, and my dad made sure to rent The Return of the Jedi for me shortly after our viewing. I don’t think I’d see the original film for a year or so though, and that inaugural viewing was a broadcast television airing too.

I thought Star Wars was pretty great though, and while it never really threatened Teenage Mutant Ninja Turtles for number one in my heart, I would eventually become a bigger fan later in the 90s. The special edition of the trilogy was heavily marketed as was the novel Shadows of the Empire. Kenner re-launched its Star Wars action figure line and I dabbled in it. I had versions of all of the main cast, as well as a few vehicles, some Micro Machines, and other assorted toys. I got into the Expanded Universe and read quite a few books during that time and also played the video games. I even unironically enjoyed Masters of Teräs Käsi for the PlayStation and sunk several hours into it. And when the prequel trilogy was announced, I was pretty pumped and my family and I made sure to see The Phantom Menace as soon as we could.

Hasbro knows nostalgia.

Ever since though, my fandom has certainly waned. The prequels turned out be rather poor, and when I moved on from toys I largely left Star Wars behind as well. I never stopped liking the original films, but the fandom certainly became exhausting and I’ve never been able to bring myself to care about the franchise in the way a self-described “fan boy” would. To me, it’s just a fun world and fun collection of movies. I have made no grand plans on how to introduce my own kids to it or anything, I’ll just show it to them when they finally show enough interest to care. And so far, they’re fine with not really interacting with it outside of the Disney Infinity game. On the subject of this blog though, I’ve just never felt like I had anything important to say about Star Wars that hasn’t been said somewhere else. It’s a huge topic with a lot of opinions and you can find Star Wars blogs and YouTube channels in astronomical numbers. Anything I post here would just wind up in an echo chamber. I haven’t been actively avoiding the subject, I just haven’t really found anything worthwhile to say on the subject.

If you don’t like the modern stuff, there’s a Luke to keep you happy.

In celebration of ten years blogging though, it felt fitting to finally tackle something related to Star Wars. And today, we’re looking at a toy! The Star Wars: Vintage Collection from Hasbro is a throwback line of action figures meant to remind collectors of the Kenner days. And since Hasbro owns Kenner now, they can even toss the logo right onto the package! The Kenner line was a 3.75″ scale line, though it might be more accurate to say that was really the height and not the scale as the characters did not scale well with each other. They were also articulated in a simple manner with just five points of articulation: head, shoulders, and legs. It was limited, but not in a manner that stood out for the era as a lot of lines offered little articulation. A Toy Biz X-Men figure, for example, often only had four more additional points of articulation at the elbows and knees. I think the line is actually more memorable for just having some amusing sculpts and oddball characters. The original Luke, based on his appearance in Star Wars, had a massive, barrel, chest on him that looked ridiculous. There were also numerous peg warmers of characters no one wanted as the line went on as long as it could often pulling background characters into the limelight. It was a flawed line of figures to be sure, but I had a lot of fun with it and even still have all of my figures to this day.

And with him, as always…

For The Vintage Collection, Hasbro wisely did not just emulate Kenner. These are not ReAction figures. This is a 3.75″ scale line of figures with modern articulation and a lot of the bells and whistles collectors today are used to. I do not collect anything Star Wars today, but it looks to me like this line works largely in tandem with Hasbro’s The Black Series, a 6″ scale line, with these figures just being scaled-down versions of figures from that line. I do not know if that’s true of every figure, but it certainly appears to be the case with Din Djarin, better known to most as The Mandalorian.

This is awesome.

The Mandalorian has been a big hit for Disney and its streaming service, Disney+, pretty much since day one. The second season just finished at the end of 2020 and a third season is expected later this year along with a spin-off series concerning Boba Fett. Like basically everyone with a Disney+ subscription, I have watched The Mandalorian and I’ve found it pretty damn enjoyable. It’s probably the best Stars Wars thing Disney has done and I think that’s due to it keeping things simple. Some of the episodes get a little too formulaic and feel like video game quests or missions, but for the most part the show is anchored by the relationship between its title character and The Child, a toddler of sorts who bares a strong resemblance to Yoda, hence why many just refer to him as Baby Yoda. The Child was given a name in Season Two, but I’ll refrain from including it here since it’s not printed on the package and because I don’t need to spoil it for anyone. This set features both characters and appears to be partly inspired by the final episode of the first season and is very similar to a set from The Black Series that also includes both. And because Hasbro needs to please all retailers, that Black Series set is exclusive to Target stores while this one comes from Walmart. I don’t know if any of these have actually made it to physical stores as it seems everyone who got one did so via Walmart’s online store where this set was made available as a pre-order (which Walmart cancelled many orders of). I did not get a preorder and was actually hooked-up by a fellow collector whom I met on Twitter via the #CollectorsHelpingCollectors group so a special shout-out and thanks go to Jay (@TMNT_MOTU_RGB)!

He’s got a spot for his rifle.

This set comes packaged on a retro-inspired blister card. The card itself is really attractive and features a shot from the series and a cross-sell on the rear. It looks so nice that I almost hate to open it as this is a classic blister and not something that can be resealed, but this wouldn’t be much of a review if I kept it mint-on-card. Once freed from his plastic confines, Mando stands almost right at that 3.75″ mark coming in a tick over. This makes sense as he appears to be a character of approximately average height for the setting. He’s in his beskar armor and he looks like he’s been in a fight as I think this is modeled on the Season One finale. There’s a nice graphite quality to the beskar with just a hint of a pearl finish on it. Black scuff marks and dirt smudges provide the distressed quality the figure is going for while the rest of the figure is mostly an earthy brown and gray-blue. He’s quite detailed for such a small figure and it’s incredibly rewarding to just sit an admire all of the little touches sculpted into the belt, armor, gloves, and boots. The amount of paint on him is rather impressive as there’s lots of little touches, especially on the belt or the shells strapped to his right calf. And it’s remarkably clean for the most part. The only areas I have some paint slop are the fingers and inside of the glove. The trigger finger of his right hand has some turquoise on it that I don’t think is supposed to be there, and it’s the only paint slop I’d consider an eyesore.

Or if you prefer, a jetpack!

Like the detail work on the sculpt, the articulation is rather impressive for such a small figure. His head is on a ball peg and has great range of motion. He can look up and down and tilt as well as rotate. The cape doesn’t really get in the way too, which is surprising. The shoulders are ball-hinged and he has single-jointed elbows with swivel right above the hinge. Even without a double joint at the elbow, he can still bend his arm a bit past 90 degrees. The wrists swivel and his left hand is a gripping hand while the right is in a trigger position. There’s a ball-joint in the torso with some nice range of motion that affords forward and back bends and plenty of twist and side-to-side action. The bandolier across his chest is loose enough that it doesn’t restrict the torso at all. His legs are on ball hinges which is certainly different. You can get him to kick forward and back as long as you line that hinge up the way you want it to go. This means he can swivel at the top of the thigh, plus he has a thigh cut just above his armor so you can finagle a kicking pose, for example, by spinning the top joint to orient the hinge properly and then twisting the thigh so his leg doesn’t look like it’s been contorted in an impossible fashion. I don’t know why they don’t just use a ball-joint, but this is okay. He has a single hinge in each knee and can swivel below the knee for an effective boot cut. The ankles are hinged and can rotate, but don’t appear to have an ankle rocker of any kind. And really, that’s probably the only thing I miss. An ankle rocker just adds stability for more spread out stances, but this guy stands pretty well and I am just impressed that Hasbro got as much articulation into this one as they did.

The best I could do with the rifle. Note how his jetpack can stand on its own though!
The ever important beskar.

Since this is Mando, he needs to come with some accessories. And obviously, important to him are his weapons and tools. He comes with a blaster holstered at his hip which fits snugly in there, but is also easy to remove. The sculpt on it is quite nice, but the paint is understandably simple. It’s just gray with a brown hilt, but there is a touch of pearl in the finish on the gun metal. He also has his rifle which he can either hold or have pegged into his back. The sculpt of the rifle is great and it’s painted or sculpted in that same graphite gray nearly matching his beskar armor. The stock of the rifle is more of a copper than brown and there’s some gold portions where the scope is fastened to the barrel. It looks rather nice, though there is a couple of spots of missing paint on the stock that I don’t believe I caused when trying to pose him with the rifle. His articulation means he can hold it in a ready position, but struggles to hold it in a firing position, but that’s common for six inch scale figures as well. He also comes with a container that probably has a special name, but I don’t know it. It opens at the front with a hinge and the top can also come off. It’s off-white with a little gray paint and looks like something from Star Wars. It’s mostly here to store his stash of beskar. He has a single brick he can hold in his left hand and a molded stack of bricks to put in this container. It might sound stupid, but even this little, plastic, brick is sculpted rather well as it even has the Galactic Empire insignia stamped into it. The finish is the same graphite color as his armor. He also comes with his jet pack, and it’s done in the same graphite color. I’m not sure if this is painted or just the plastic used, but it’s nice. It pegs into his back just fine too.

A canister, some space metal, and a kid.
“I love you, little buddy.”

Of course, there is one other accessory and it’s The Child, or Baby Yoda, whatever you refer to him as. He’s in scale with his much taller buddy meaning he stands at just three quarters of an inch. He is tiny, and yet somehow he’s just as cute as he is on television. The face is perfect and his eyes are a shiny black so they really capture the eyes of the actual character. There’s a little paint in his ears, but otherwise he’s kept pretty simple. His robe is two-toned and has some nice sculpted details in it. Best of all, he’s articulated which the Black Series two-pack can’t even boast. His head is on a ball-joint and it can rotate all around. He can look up and down slightly, but the way the robe is sculpted won’t allow much. That’s the only disappointment since he can’t really look up at Mando. The arms are ball-jointed too so he can raise his arms out to the side a bit and rotate forward and back. I don’t think his hands can move, but they look like they could be pegged in. Maybe they were strengthened with glue. He is beyond fantastic as far as I am concerned though. Somehow, Hasbro got more personality into this tiny chunk of plastic than some of the much larger versions of the character I’ve seen out there. The only downside is he lacks his little, floating, bubble (pram?) stroller of a device which would look nice beside Mando. He’s also so small that he basically can’t have his little steel shifter-top from the show.

What’s in the box?!
SHIT!

And one last thing! Mando also has an alternate head. If you prefer your Mandalorian unmasked you can pop the helmeted head off and replace it with this unmasked version. Once again, I am left floored by this figure as the likeness to actor Pedro Pascall on this tiny, piece of plastic is better than a lot of the larger scaled figures out there. It’s also a far better solution than the Black Series which made the helmet fit over the head thereby smooshing the nose of the actor and leading to a slightly imperfect fit. I can’t imagine ever displaying him with his unmasked head, but it’s nice to have the option. It’s also worth noting that this head features no battle damage as one may have expected given the rest of the figure. And I suppose now is as good a time as any to mention that his cape is removable. One you have popped off the head, simply slide it off, if you desire. It’s well positioned though so as not to interfere with the jetpack slot or the rifle slot so I doubt most will want to remove it. Plus, everyone looks cooler with cape!

He’s so small that it’s hard to get a camera to focus on his face.

If you can’t tell already, I am in love with this release. It’s the best Hasbro figure I’ve ever owned. It makes me want to check out more from the Vintage Collection, though presently I am not after any other characters. Instead, maybe I’ll just quietly hope my son or daughter falls in love with Star Wars and wants to start a collection of these or something. I definitely don’t feel the need to acquire other characters based on The Mandalorian, at least not the characters who originated in the show. I can think of one character from the Season Two finale that might tempt me, but otherwise I think I’m all set. We’ll see. Time has a tendency to make fools of us all. For now, I have this awesome set of figures that I’m really excited to find a home for in my house. I don’t know where they’ll be displayed, but it will be somewhere prominent, I suspect. This set is being sold by Walmart and is presently sold out, but considering how popular these characters are I expect a restock is underway. There may even be a reissue that omits the battle damage and is distributed to other retailers, so if you missed out don’t despair just yet. And if you’re not interested in The Child, there are single card editions of just The Mandalorian available. It also should go without saying though, if you’re a fan of the show or a Star Wars collector you absolutely do not want to miss this!

I feel like we should end this on a comparison shot, just in case I didn’t properly convey how small this figure is. Left to right: Lightning Collection Green Ranger, Mando, Funko Scrooge, NECA Leonardo