Tag Archives: carl barks

Della Duck Comes Home

della flashbackIn the 1938 short Donald’s Nephews, Donald Duck received a postcard from sister Dumbella asking him to look after her three boys:  Huey, Dewey, and Louie. Who knew that afternoon would turn into nearly a century? Along the way, sister Dumbella would undergo a name change and the boys would even change guardians, but after many long years, Donald’s sister has finally made her way back to her children.

Airing last week was the episode of DuckTales titled “Nothing Stops Della Duck!” detailing the character’s journey from the moon to Duckberg and into the lives of her children for the first time. Interestingly, prior to the revamped DuckTales, Della had done little of note. She never appeared in a Donald Duck cartoon, nor did she have a meaningful appearance in the comics by Carl Barks or Don Rosa. She was Della in the Sunday strip, but Barks would rename her as Thelma with Rosa reestablishing the name Della years later. She appeared as a child in The Life and Times of Scrooge McDuck, albeit briefly. Aside from that, her most notable appearance is in the often circulated Donald Duck family tree in which she’s just a headshot.

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The infamous postcard, back when Della was Dumbella.

Most of the canon surrounding Della has been recent and has trended towards her being a pilot or astronaut and she’s either missing or presumed dead. This was established in the 2014 Dutch comic 80 is prachtig which was part of a celebration of Donald Duck’s 80th birthday. The story is by Evert Geradts and is drawn by Maximino Tortajada and appeared in a Donald Duck magazine. It’s unknown these days what Disney considers canon, but her backstory there is similar to what has been introduced in DuckTales. The boys have, on occasion, identified themselves as orphans suggesting they believe she’s dead, but for the most part the subject of their parentage has been avoided. It’s likely the characters of Donald’s nephews, first introduced in a 1937 comic strip illustrated by Al Taliaferro from which the cartoon short was based on, were just created to give Donald some juveniles to bounce off of without saddling him with kids of his own. It was the 1930s, so Donald being a single father with three kids out of wedlock was probably too taboo, and having him marry would make him too domesticated. As nephews, the trio could simply come and go, which is largely what they did on film though it became clear in the printed world of Donald Duck these boys were here to stay.

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One of the few canonical images of Della has been confined to a family tree.

Scrooge McDuck would eventually come along and he and his nephews would form a grand, adventuring, team which eventually found its way to television in the form of DuckTales. There Scrooge was in charge of the boys while Donald went off and joined the Navy and the subject of Della Duck was never broached. When the show re-launched in 2017, things were different. The ending of the premiere included the boys stumbling across a painting of Scrooge, Donald, and their mother Della in the midst of some heroics on a pirate ship. Throughout the first season, the boys would search for clues about what happened to their mother, the truth of which nearly driving them away from their Uncle Scrooge. The final shot of the first season revealed that Della was still alive, but trapped on the moon.

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Della’s fate was revealed in the first season finale of DuckTales.

Season Two has partly followed Della and her trials on the moon. There she fended off monsters (and lost a leg) and befriended a peaceful race of moon people that aided her in rebuilding her rocket to get back home. Prior to this show’s creation, Della Duck was a character I paid no mind to. I’m sure many others did the same considering how little impact she’s had over the years. DuckTales though has made me interested in her, and “Nothing Can Stop Della Duck!” only amplified that.

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Della is too nervous to knock.

The episode wastes little time in cutting to the chase. The previous episode ended (agonizingly on a Friday) with Della (Paget Brewster) blasting off so she’s outside of Scrooge’s estate when the episode begins. Donald Duck (Tony Anselmo) is waiting for a bus which is to take him away on vacation for a month and he sees the rocket crash and races over to find his sister, but she’s already gone. She quickly makes her way to Scrooge’s front door eager to see her uncle again and finally meet the children she left behind as eggs.

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Scrooge seeing Della will break you.

It’s in the moments outside of Scrooge’s door where the episode shines brightest. Della is eager, but also terrified of what her first impression will be like. She can’t bring herself to knock or ring the bell and instead starts trying out first impressions. It’s partly played for laughs to lessen the obvious tension. On the other side of the door, Scrooge (David Tennant) is armed with some priceless artifact in the shape of a quill that can magically lead him to any treasure if he uses it to sketch a map. He, the boys, and Webby (Kate Micucci) are ready to leave, but when Scrooge opens the door he’s stopped dead in his tracks as the quill falls to the floor shattering into a million pieces.

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The boys appear guarded and unsure initially.

Della then basically cracks a joke of an introduction as we see the tears well up in Scrooge’s eyes. It’s beautifully illustrated and the two share a warm embrace. When the camera pans to the children, they’ve become withdrawn and are looking on cautiously. Webby is casually positioned in front of them just taking everything in and it’s she who first posits that the woman at the door is their mother. Della enters and drops to her knees with tear-filled eyes as Scrooge introduces her. The scene is paced so intelligently as the boys are both excited but also very guarded. Dewey (Ben Schwartz) is the most exuberant and the firs to embrace his mother, while Huey (Danny Pudi) needs to only hear her quote the Junior Woodchuck handbook to know he’s found his mom. Louie (Bobby Moynihan), the most casual and laid back of the three, is also the most hesitant. He justifiably wonders if this is some weird trick and Della is going to turn into a ghoul or monster. He eventually gives in, and the three share a heartwarming group hug.

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Della falling to her knees feels like her succumbing to the weight of the moment. 

The scene dealing with both the joy of an unexpected, but welcomed, reunion coupled with some degree of trepidation and fear of the unknown is handled about as well here as it is in any medium. I was so impressed with the moment, but not surprised, because the bread crumbs this show had laid down gave me the confidence in knowing it could handle this kind of material and do it well. I was so convinced of that going into it that I made it a point to view this one by myself without my children. I love them dearly, but my son especially is at that stage where he asks 20 questions a minute when watching a TV show or movie so it can be trying to actually absorb and enjoy something when he’s around.

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The well-earned payoff.

The rest of the episode remained poignant and clever as Della tries to get readjusted to life within a family she hardly knows. She has to find her place and also figure out how to be a mother overnight. There’s confusion on all sides, and there’s a sense that Della is trying to force affection and a motherly persona onto her boys and all of them will adapt at different speeds. The show is establishing rather quickly that Della and Dewey will be kindred spirits and that bonding with him will come easier than it will with Huey and Louie. Della will have to spend time getting to know her boys and they will have to do the same. They love each other right now out of obligation and duty, but a more natural affection will take time. I think it will be an interesting experience to take in and you know the writers of the show will handle it deftly, mixing in plenty of humor and adventure.

Perhaps well aware that something they setup in the first episode was now being paid off, the writers saved one reunion for later. For when Donald stumbled into his sister’s spaceship he accidentally reactivated it sending himself to the moon. Della left behind a ruler who was scheming a way to motivate his people out of their docile, comfort, zone and into a more aggressive position by portraying Della as a villain to his people upon her departure. As a result, the environment Della found welcoming will not be so for poor Donald. Worse for him is that they all think he’s gone on vacation so they won’t even be looking for him. Eventually, they’ll have to go searching for him or Della will realize her ship is missing, but for now viewers will have to wait for the reunion of brother and sister. It was teased slightly in the episode with a cautiously optimistic and slightly excited Donald looking through the wreckage for Della. Meanwhile, Della has a moment by herself where she looks at a picture of Donald and the boys and thanks her brother for raising them so well (even if he didn’t give them the names she wanted). That moment to come may not be as satisfying as a reunion of mother and child, but I have a sneaking suspicion this show will handle it just fine.


Dec. 13 – Donald Duck in Christmas on Bear Mountain

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Four Color Comics #178 (1947)

For these features, I like to do something a little different at the midway point. This year I’m going to take a look at the classic Donald Dock comic “Christmas on Bear Mountain.” Donald Duck wasn’t just a movie star back in the day, but he also starred in his own line of comics published by Walt Disney. The author and illustrator was the renowned Carl Barks, who also would pen the Uncle Scrooge comics as well. Barks didn’t get to enjoy being celebrated for many years as anything published by Walt Disney was attributed to just one man – Walt Disney. He got to take credit for everything. I don’t necessarily think the intent was malicious or ego-driven, but a marketing one. If people thought these were coming from Disney himself then they would be more likely to buy them. This was a problem in those days across the comics world as the people with money got to take most of the credit, and royalties, away from the actual creators. It’s a problem that has thankfully largely been solved, but there’s still plenty of old wounds out there.

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The first page, with Scrooge’s debut at the bottom.

In terms of Donald Duck comics, “Christmas on Bear Mountain” is one of the most famous. It was first published in December 1947 by Dell Comics as part of their Four Color Comics. It’s most notable for being the first appearance of Scrooge McDuck, Donald’s wealthy uncle who would go on to star in his own line of comics as well as the DuckTales cartoons. For his debut, Scrooge is a bit more like his eventual adversary Flintheart Glomgold. He’s a bearded Scottsman with a rather lousy disposition. He claims he hates everybody and everybody hates him. He lives alone in a mansion in Duckberg with just his attendants. He appears to be a cross between Xanadu from Citizen Kane and Ebenezer Scrooge from A Christmas Carol. There’s no hint at his adventuring past as much of what will define Scrooge is yet to come, making this version of the character feel more like a prototype Scrooge than the actual Scrooge McDuck we’ll come to know and love.

The comic opens with Donald Duck bemoaning his lack of money in front of his nephews Huey, Dewey, and Louie. He doesn’t have enough money for food, let alone presents for Christmas. He openly wishes his rich uncle Scrooge were more generous, but dismisses that possibility pretty quickly. It’s a convenient thought though as we’re whisked away to Scrooge’s mansion on the other side of town where the old man is bemoaning the oncoming holiday as well. He’s a miserable sort, but also a bit mischievous, and he decides that for Christmas he would like to test the mettle of his cowardly nephew. Scrooge admires bravery and repeatedly references his stingy ways. He never gives anything away for free, but he’s willing to bestow food and presents upon his nephew if he can have a bit of fun at his expense and test his courage. And if he passes his test, he’ll reward him further. He instructs his butler to send Donald a telegram offering the use of his cabin on Bear Mountain where Scrooge intends to spring a surprise on his nephew.

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Many years later, Barks would do paintings of his prized creations and sell them for a tidy sum.

Donald and his nephews are surprised and delighted to receive the telegram from Scrooge offering the use of his cabin for the holidays. The boys set off immediately, though Donald is a little unnerved by the warning in the telegram to watch out for bears. In a bit of role reversal from a popular short like Duck Pimples, it’s Donald who is cowardly while the nephews are dismissive of the warning. They tell their uncle there are no bears around, and the thought is almost put out of Donald’s mind when they arrive at the cabin to find presents and food, lots and lots of food.

Meanwhile, Scrooge is eagerly anticipating pulling his little prank on his nephew. He plans on heading to the cabin himself, but first he must test his prank on his butler, Edgerton. When he summons the unassuming butler to his room he bursts forth in a bear costume prompting Edgerton to dive out of a window declaring he’ll take his holiday now. Scrooge is delighted with the result and immediately calls for his driver to take him to Bear Mountain.

At the cabin, night has fallen and Donald is on the look-out for bears. As the snow starts to come down the nephews declare there are no bears, but Donald is not satisfied. He peers outside through a telescope and is terrified at the sight of a creature, which turns out to be a squirrel. It’s enough to get him to jump into the chandelier and cower in fear, a frequent gag in the coming pages. Scrooge is on his way, but the snow is falling too fast. The roads are impassible, and the driver tells Scrooge they need to turn back. He’s not bothered as he’ll just pull his prank the next day, though he’s not crazy about his nephews getting to eat and sleep on his dime another night revealing he’s never provided a man a free meal in his life.

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The story goes out of its way to reveal just how much of a penny-pincher Scrooge is.

The next morning the boys have fun playing in the snow while Donald enjoys rummaging through the fridge for breakfast. When the boys request oatmeal, he tells them they’ll eat their lobster newburg and like it! Later on, Donald tries to relax by the fire but the nephews inform him they need a Christmas tree. It’s the one thing missing from Scrooge’s cabin, and given that it’s Christmas Eve, the place really needs one. Donald has no intention of going off into bear-infested woods looking for a tree, but the kids cry and complain and eventually he gives in. When they first set out, Donald thinks he sees bear tracks and runs back inside to hide under the bed while the boys point out they’re just rabbit tracks. Donald angrily grabs an axe and mutters his way through the snow. Finding only a single hollowed-out tree, the boys are forced to settle and they haul it back to the cabin.

The boys make the most of their sad tree by hanging colored soda bottles from it. Donald is more interested in finding some dessert and the kids are onboard as well. When they leave the living room it’s revealed their tree has a stow-away. A little bear cub emerges from his slumber and climbs out of the tree. He takes note of a teddy bear nearby and gives it a whack with his paw, startling the ducks in the other room. When the nephews come in they don’t notice the cub by the teddy bear, and Donald cowardly asks them to check the other rooms.

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Chandeliers make for great hiding places.

The little cub runs off undetected to the kitchen where he finds the strawberry shortcake the ducks were planning on eating, and consumes it himself. After finding no sign of bears, the others return to the kitchen and are shocked to see their cake has vanished. Donald immediately returns to the chandelier for cover, while the boys nervously tiptoe around the house. The cub though has returned to the tree for cover, and when he sees the boys leave he re-emerges. He drops out of the tree only to land on a roller skate just as Donald hops out of his hiding place. The bear goes rolling along and plows into Donald, who still doesn’t get a look at him but does notice the bear fur left behind. He then returns to his chandelier in terror.

Hearing the commotion, the boys return to the living room but again find no bears. Donald tells them his assailant fled through the door and the boys hear the sound of their roller skate on the floor. They angrily give charge only to slip on the discarded skate and crash into the wall. The bear has a look at the dazed ducklings, before he cheerfully resumes his skating. Donald asks what happened, and the boys don’t know, but they hear the skates and give charge once more. The cub hears them, and grabbing a box of chocolates, jumps back into his tree. When the boys enter the room they see no sign of the bear, but then one of them gets knocked on the head by the discarded chocolate box. They now know the bear is hiding in the tree and one of the nephews angrily yanks the cub out of his hiding place.

Just then, the mother of the cub awakens in the stump the ducks left behind and she is not happy to find her cub missing. She tracks them back to the cabin and smashes the door down. The cub though has managed to escape the ducklings, and after they failed to find him, they plead with their uncle to come out of his hiding place. Assuring him it’s just a tiny bear, Donald finally emerges to aid his nephews in their search. He confidently strides into another room expecting to find a cub, but naturally he finds the cub and his mother. He runs off and dives out the window as the bear gives chase and his nephews follow.

Night falls and the boys are forced to watch from outside as the bear and her cub enjoy the food and warmth of the cabin. After a satisfying meal, the bear lays down to sleep by the fire while the cub plays with the roller skate once more. The nephews then urge their uncle to go inside and tie the bear up while she sleeps while they’ll take care of the cub. Donald does not want to do this, but since the alternative is freezing to death, he has little choice. They slip in, and the boys start chasing the cub around. Donald, shaking uncontrollably, sneaks up to the mother bear. Before he can begin tying her up, the bear lets out a great sigh causing Donald to faint in fright right beside the bear who wraps an arm around him.

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Aww, they look so sweet together.

Just then, Scrooge shows up in his bear costume. He sneaks into the cabin and is immediately met by the cub who is being chased by his youngest nephews. He’s amazed at their bravery, even if it is just a cub, but not as amazed as he is when he looks into the next room. There he sees the slumbering mama bear, with Donald sleeping right beside her. He’s proud to see his nephew in so brave a state and even remarks the boy is like him and doesn’t know the meaning of the word fear. The bear then lets out another sigh, terrifying Scrooge who bolts out of the cabin. He’s not too scared to be proud of his nephew though, as he shares what happened with his driver, James. He intends to host the boys for Christmas dinner the next morning and instructs James to give them the good news.

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I love how Donald’s feathers explode when he’s frightened.

At Scrooge’s the next day, the boys enjoy a hearty meal. The youngest ducks get to consume liters of pop while Donald and Scrooge down lemonade. Scrooge is cheerful and supremely generous, all because he thinks his nephew is the bravest duck in town. To reward his bravery, Scrooge tells Donald he has a special gift for him:  a bear skin rug. When Donald sees the head of the rug he shrieks and faints. Scrooge is confused, but the nephews insist he just fainted from too much turkey. Scrooge actually seems to buy the explanation, but remarks in the final panel he thought Donald might actually be scared.

Like basically every Donald Duck story I’ve ever read, “Christmas on Bear Mountain” is a charming little tale. The humor is not explosive, but will probably produce a smile for most readers. Seeing Donald in such a cowardly role is a little different, not that Donald is ever a model for bravery, but often he’s too stubborn to be truly scared. There’s no real build-up for Scrooge, but it’s fine that he’s ushered in so conveniently and quickly since the story unfolds rather briskly. It’s interesting to see this early Scrooge, which is basically a magnified version of the character that focuses on his less admirable traits while also introducing a playful side. That playful side is seldom explored, so it’s an interesting way to see the character introduced.

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Fantagraphics has re-released a vast assortment of duck comics and they’re the easiest way to acquire them today.

Also like most Donald Duck stories, the artwork of Carl Barks is expressive and detailed. I love the shape of his ducks which are more rounded than the film counterparts. The pages are consistently laid out in a 2×4 format which helps to move the story along quickly in the 20 pages present though I do wish there was a splash page or two. In particular one that revealed more of Scrooge’s mansion or that captured the presents and Christmas setting of the cabin. It’s a minor quibble though. The backgrounds are actually quite populated without appearing busy and the action shots utilize minimal effects. Just the occasional dash line or sweat drops. It gives the comic a very clean, professional, look.

If you’re interested in reading this story yourself then it’s actually rather easy these days. Fantagraphics has republished several Scrooge and Donald Duck comics in large, hardbound, full-colored trades. A lot of bonus content is included and even some panels that were rejected by Barks’ editor at the time which were preserved and restored. The trades total about 200 pages and retail with an MSRP of $28.99 but usually are sold for less. Some are even sold in two-packs with a nice, hard, box holding the books in place. I highly recommend them if you’re a fan of these classic characters. Alternatively, you could also seek out older prints or even an original comic, but that might set you back a bit more depending on the condition and rarity of the edition.

And I also must take a minute to point out that this is post number 500 for this blog. Whether you’re reading your first or if yo’ve read the other 499: Thank you. As an unabashed fan of Donald Duck, I am happy the 500th post ended up relating to him.


The Chronological Donald – Volume 2

1e_66925_0_TheChronologicalDonaldVolume21What day is today? It’s Donald’s birthday! He made his debut in the Silly Symphonies short “The Wise Little Hen” on this day back in 1934 making him one of the oldest reoccurring characters at Disney. And while he may not be the oldest, he’s the most entertaining. Yes, more so than Mickey Mouse, Goofy, and all the rest. He was basically the star of Disney’s shorts in the 40’s and 50’s when other characters were seeing their workload reduced. It was basically the creation of Donald that allowed Mickey to settle into his more everyman role as the wholesome and unblemished face of the brand. And while Goofy and Pluto continued to receive steady work during these years, they never came very close to eclipsing Donald Duck who proved to be the most versatile and naturally funny character in the company’s arsenal. He was likable enough that the audience could be asked to root for him, but possessed enough bad qualities that audiences could also delight in seeing him get his comeuppance.

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Volume Two of The Chronological Donald is best known for containing the WWII cartoons.

The Walt Disney Treasures collection is a series of DVD releases now long out of print. They fetch a pretty penny on the resale market now mostly because Disney has never really revisited them or printed them in mass quantities. They were the brainchild of film critic/historian Leonard Maltin, who felt these treasured shorts that defined Disney in the early days should be celebrated and made available. Since Disney no longer directly profits off of these cartoons, save for a bonus feature here and there on conventional releases, most of the shorts can actually be viewed on various streaming platforms online at no cost. Disney is expected to launch its own streaming service next year, so it will be interesting to see if lots of copyright claims start going up this year to get them pulled down.

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“Der Furher’s Face” contains some rather surreal imagery.

The DVDs are the way to go though if you want to watch these treasured shorts. Donald Duck had enough material to span four volumes, each being two discs, and of the four I think it’s safe to say the best overall collection is Volume 2. This captures the era of cartoons when Donald had settled into a nice groove, but had yet to become too formulaic. Released just after the Great Depression, there’s a lot of historical nuggets to chew on during disc one with Donald being rather poor and forced to ration things like rubber and gas. Perhaps most famously, are the World War II era cartoons contained in the “Vault” section on disc one. A lot of these could best be described as propaganda today, with Donald excitedly signing up for war in one and tackling Adolf Hitler in another.

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The boys have some fun at the expense of their uncle in “Donald’s Off Day.”

A great many Donald Duck cartoons typically place Donald in a fairly ordinary role, maybe in a conventional job or portraying a farmer, and then have him face-off with an adversary. In “Bellboy Donald,” he’s a bellhop on his last chance on the job to keep guests happy and he’s forced to deal with Pete’s punk kid who really tries his patience. In “Donald’s Garden” he’s a simple farmer with a rodent problem. A gopher, perhaps a precursor to the more famous duo of Chip and Dale, wants to eat his crops but Donald isn’t about to share. And then of course there’s his nephews which he clashes with at times such as in “Donald’s Snow Fight,” in which Donald wrecks their snowman and they plot revenge via a spectacular, over the top, snowball fight.

Other cartoons basically pit Donald against himself. In “The Plastic Inventor,” Donald tries to build a plane out of plastic, but he makes the mistake of getting it exposed to water while flying causing it to melt. In perhaps the best cartoon on disc two (and maybe the whole set), “Donald’s Crime,” he steals from his nephews’ piggy bank for a night on the town and is forced to confront the guilt he feels. And sometimes he’s also basically just playing the victim and we laugh at his misfortune, like in “Donald’s Off Day” where he just want to golf on his day off but the weather won’t allow it, forcing him to stay home with his nephews who play a vicious prank on him.

DonaldDuckInNutziLand_zpscc10584aThe war cartoons though, are definitely the most infamous on this set. Because they’re in The Vault and contain politically incorrect humor, they have a sort of forbidden fetish attached to them. They’re not all straight propaganda though. In “Donald Gets Drafted,” we see our duck protagonist in a very eager mood to enlist while a song cheerily lets us know that the Army is better than it’s ever been before. In the end though, while Donald hopes to be a fighter pilot, he just ends up going through basic training and is forced to peel potatoes. He gets some revenge against his mean drill sergeant, played by Pete, in the next cartoon, “The Vanishing Private,” when Donald uses invisible paint to disappear and harass his sergeant causing the general to think he’s crazy. “Der Fuehrer’s Face” is probably the most famous of these shorts, and not simply because it won an Academy Award. It depicts Donald in Nazi Germany being subjected to Hitler’s numerous brainwashing techniques and portraying daily life as horrible there. It also contains a rather unflattering portrayal of the Japanese, which also shows up in other shorts. It’s a surreal short though, and in the end it’s revealed to be a dream and Donald wakes up in the most garishly decorated bedroom of an unabashed American patriot. Everything about the cartoon is over the top, but it’s just so fascinating to watch as someone very far removed from that era.

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Goofy isn’t too good to appear in a Donald Duck cartoon.

If there is a shortcoming to this era of cartoons it’s that they’re not always the best looking. Some just weren’t properly taken care of, like “The Village Smithy” in which the film had aged so poorly Donald is basically yellow. Money was tight because of the war effort, so backgrounds are sometimes bland or sparse. The animation, by and large though, is still exceptional Disney quality animation. Another drawback though is perhaps the absence of more classic adversaries for Donald. Chip and Dale won’t show up until Volume 3, and they’re often thought of as Donald’s best foils. Pete is present in several shorts, and Donald pairs up with Goofy in a few others. There’s no Mickey though as he always receives top billing in any cartoon he shows up in. There are some one-off villains like a buzzard and gorilla, and if anything it’s nice to see some variety. The cartoons featuring Chip and Dale are more of a novelty than anything, as those two basically possess the same qualities as the gopher from “Donald’s Garden,” they just happen to be more recognizable.

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“A Day In The Life of Donald Duck” is probably my favorite special feature across the entirety of The Walt Disney Treasures line.

Volume 2 not only perhaps possesses the best set of Donald Duck cartoons ever created, but it also has arguably the best bonus features of any of the four. “A Day in the Life of Donald Duck” highlights the first disc and it’s a fake documentary of Donald’s day to day life from the old Disneyland TV series. He’s super imposed over live-action as he visits the Disney Studios in Burbank and even runs into his voice actor, Clarence Nash, at one point. It’s pretty funny and the effects still hold up well enough today. My own kids are convinced Donald is really interacting with the environment in it. Disc Two contains a sit-down between Maltin and current Donald Duck voice actor, Tony Anselmo. It’s a great interview and Anselmo details how he got the role, what it’s like to play Donald, and even discusses drawing and animating him. There’s also a retrospective on Carl Barks, long somewhat forgotten and ignored, Barks was the writer and artist for the Donald Duck and Scrooge McDuck comic books that often didn’t even bare his name. He has since experienced somewhat of a renaissance as Disney tried to remedy that during the 90’s and 2000’s. It’s nice finally seeing him get his due.

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“Donald’s Crime” may not be as famous as the WWII cartoons, but it might be the best on the set.

If you wanted to get just one collection of Donald Duck cartoons, then Volume Two of The Chronological Donald is the way to go. It tends to be the cheapest due in part to 125,000 sets being produced, which is more than Volumes 3 and 4 combined, though not as many as Volume One. You may not get the fun first appearances of Daisy, the nephews, or Chip and Dale, but what you do get is a collection of really entertaining cartoons. All of the sets are pretty entertaining in their own right, but Volume Two is the one I come back to most frequently. The cartoons are just really funny and feature good variety, though I could understand if someone preferred Volume Three over this one since it has more familiar adversaries, some great cartoons in its own right, plus it features the more memorable Donald Duck theme song. If you’re a fan of The Duck, or a fan of classic animation in general, then you should probably just try and get all four volumes because I don’t think you can count on Disney re-releasing these anytime soon or in a better package.

The Shorts

1940

  • The Volunteer Worker (presented as a Bonus Cartoon on disc two)

1942

  • Bellboy Donald
  • The Village Smithy
  • Donald’s Snow Fight
  • Donald’s Garden
  • Donald’s Gold Mine

1943

  • Donald’s Tire Trouble
  • Flying Jalopy

1944

  • Trombone Trouble
  • The Plastics Inventor
  • Donald’s Off Day
  • Donald Duck and the Gorilla
  • Contrary Condor

1945

  • The Eyes Have It
  • Donald’s Crime
  • Duck Pimples
  • No Sail
  • Cured Duck
  • The Clock Watcher
  • Old Sequoia

1946

  • Donald’s Double Trouble
  • Wet Paint
  • Dumb Bell of the Yukon
  • Lighthouse Keeping
  • Frank Duck Brings ‘Em Back Alive

The Vault

  • Donald Gets Drafted (1942)
  • The Vanishing Private
  • Sky Trooper
  • Der Fuehrer’s Face (1943)
  • Fall Out – Fall In
  • The Old Army Game
  • Home Defense
  • Commando Duck (1944)

DuckTales Premiere “Woo-oo”

ducktales_2017_by_xeternalflamebryx-db1zb8bWhen Disney set out to reintroduce DuckTales to a new generation of youngsters they clearly decided the most enduring legacy of the late 1980s cartoon series was its catchy theme song. Penned by Mark Mueller and covered in exhausting detail in a new Vanity Fair piece, the DuckTales theme has remained a unifying force of nostalgia for those who heard and watched cartoons during its run. It’s upbeat, poppy, and entrancingly catchy qualities are essentially the one aspect of the old cartoon preserved almost exactly for this new edition of DuckTales. Sure, it’s now sung by Felicia Barton and that final verse is altered ever so slightly, but it’s relatively unchanged from its origins and it still rocks.

The theme has been a central part to the advertising blitz laid out by Disney which seems to know it has something in DuckTales. So confident is the sense coming from the company that it’s a wonder this wasn’t attempted sooner. Is there something magical about waiting for the 30th anniversary of the original program as opposed to the 10th or 20th? Or have we just arrived at a moment in time technologically speaking where this show can be done at a reasonable cost without resorting to the 3D computer-generated imagery of many of Disney’s modern cartoons? Whatever the reason, the song appeared in a quick teaser for the show last year along with the unmistakable “Yeah!” of Donald Duck. The new cast was introduced via a YouTube video where they all sing the song with great exuberance and some pretty impressive timing. And why not? The song is perhaps the best cartoon theme ever concocted and should be leaned upon heavily to bring this franchise back.

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The money bin is still a thing, and looks to be harder to penetrate this time around.

And DuckTales is indeed back. Saturday August 12th marked the debut for the new series, and much like its predecessor, it debuted with an hour long special. Disney XD was the chosen landing spot and the entire day’s programming has been dedicated to airing the new episode of DuckTales, titled “Woo-oo”, for the entire duration of the day. It’s a bold way to announce a new show and it will also be streaming on Disney’s websites and apps presumably until the show’s re-debut in September.

Resurrecting a beloved franchise isn’t easy and often thankless. Fanbases seem to become increasingly protective of that which they love as time marches forward and the slightest change can cause the biggest disruptions. Perhaps that’s why the show has felt so secretive with Disney waiting what felt like an eternity before showing off even a still image from the show. In general, it seems most took the show’s new look with enthusiasm. Scrooge now sports his traditional red coat from the comics from which he first made his name. The show is presented in 2D as opposed to 3D, and all of the familiar faces are still there. The children have received a makeover, as expected, but they don’t feel as forced as the ones the nephews got for the short-lived Quack Pack program in which Disney seemed to be forcing teenaged culture into the show in a mostly unauthentic fashion. The show also promised to send its cast on more timeless adventures, seeking treasure and uncovering all manners fantastic all while maintaining not just the spirit of the original toon, but those Carl Barks stories as well.

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Expect to see some old foes pop-up eventually.

Naturally, some voices had to change as well and Disney kept its casting decisions under wraps for some time. Alan Young was basically the only Scrooge my generation knew, but Father Time made sure it wouldn’t be possible for him to continue the role for the new series (RIP). David Tennant has brought his Scottish charm to the new series. His Scrooge is a lot more youthful sounding, but comes across as authentic and dashing and I think it’s a voice that will suit him. Terry McGovern, who voiced Launchpad McQuack in the original series as well as in Darkwing Duck, lobbied hard for the role here but was passed over in favor of Beck Bennet. Bennett is fine, and I understand the feeling in the building that this should be a new show for a new generation, but Bennett basically sounds like he’s doing his best McGovern impression which makes me wonder what’s the point in re-casting him? The nephews Huey, Dewey, and Louie have unique voice actors for really the first time in their existence in Danny Pudi, Ben Schwartz, and Bobby Moynihan. I’ll miss the adorable duck voice of Russi Taylor, but I can’t argue against the decision to make the nephews feel like distinguishable characters from one another. It used to be that only the color of their shirt differentiated one from the other, but in this series all three have their own unique personality. It seems like Huey will be the boy scout, Dewey the crafty trouble-maker, and Louie more of a laid back sort. Kate Micucci is Webby, who too seems like she’ll have a more pronounced character other than girl duck. Mrs. Beakly has perhaps received the most pronounced makeover as she’s gone from grandma-like in appearance to a hulking behemoth. She’s voiced by Toks Olagundoye and I’m curious to see what kind of backstory has been crafted for her to explain this brawny physique. Last, but certainly not least, is Donald Duck voiced by the irreplaceable Tony Anselmo. Donald was reduced to a cameo role for the original DuckTales due in part to Disney being sensitive about using its classic characters for TV and over concerns of his sometimes unintelligible speech pattern. Thankfully Donald has been restored to full-time cast member as he was in the comics and DuckTales 2017 already has a huge leg-up over the original.

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Donald and his nephews have a very hum-drum sort of existence when the show opens.

The premiere opens with Donald and his nephews aboard a houseboat that they apparently live on. It’s seen better days, and Donald is preparing for a job interview. When he realizes he can’t leave his nephews home alone, he decides to ask his estranged uncle for a favor. We find Scrooge in a state of depression as his life has become rather mundane and unexciting. He’s still fabulously wealthy, but doesn’t appear to be living a truly rich life. He and Donald had an unexplained falling out and their first encounter in many years is hardly warm and fuzzy. Still, Scrooge agrees to help out his nephew by watching his grand-nephews, who before today had no idea they were related to the famous Scrooge McDuck. They think they’re meeting a great adventurer, but are pretty disappointed in what is presented to them. They soon meet Webby, the grand daughter of Mrs. Beakly who lives with Scrooge and takes care of the household. Webby is starved for adventure and her sheltered life in the mansion appears to be driving her a little crazy. The boys and Webby make some fun discoveries while poking around the mansion, which helps to bring out Scrooge’s adventurous side. Meanwhile, Donald gets his job, but his new employer is going to cause some problems for his uncle. Everyone ends up on a collision course for Atlantis, the adventure is appropriately grand.

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Scrooge will have no shortage of enemies and challengers to his title of World’s Wealthiest Duck.

Right off the bat I find myself in love with the visual style of DuckTales. There’s a very Barksian quality to the look of the show with some of the images appearing very influenced by Barks’ later works of art. The animation is undoubtedly done on a computer, whether it’s done South Park style by creating 2D models that are animated or if they’re hand-drawn onto computer tablets I do not know, but it does work. It’s not stiff and it’s not lazy and it doesn’t really look like anything else on television right now. Scrooge warms up to his adventuring lifestyle pretty fast, but it’s fun so I’m not going to quibble with a fast-moving plot. The adolescents are convincing and there is room for exploration with all of them. Mostly, of course, I really am fascinated by this Donald Duck. He possesses his trademarked short temper, but it also appears he’ll be the voice of reason in the group who at least tries to keep everyone in check. It’s a role Donald has really never served on film and it will be a lot of fun exploring this rarely seen side of an 80 year old character. The easter eggs and callbacks are also handled as well as fan-service can be with only one line spoken by a reporter sounding forced, but I won’t pretend like I didn’t enjoy it. And I really loved the reveal at the very end of the episode, which I won’t spoil here, as it seems to suggest this version of DuckTales will have something very new to explore.

If you can’t tell, I’m pretty high on this new version of DuckTales. I may have done things a little differently if given the chance, but I can’t deny the finished product looks and feels great. This show has a lot of potential and something about the way it’s being marketed just exudes an infectious amount of confidence in the material that’s very reassuring. It sounds like there’s a lot of fun stuff to look forward to on the horizon, with other Disney Afternoon properties even rumored to resurface. Whether you loved the original series or never watched it, I encourage you to check out DuckTales as this looks like it’s going to be a really fun ride.


DuckTales (1989)

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DuckTales (1989)

Licensed games are trash, or at least, that was the lesson the video rental store taught me as a child. Renting a video game on a Friday night was a special occasion in my house. Maybe a friend was sleeping over, or my parents wanted to rent a movie they didn’t really want me watching, so they got a video game to keep me occupied. The only thing that could ruin the evening, or rather the weekend, was renting a bad game so early on I learned what games to avoid. Usually, those games featured a licensed tie-in:  Roadrunner, Roger Rabbit, Dick Tracy, X-Men – all terrible games with attractive box art.

One consistent exception to that rule were the Disney games, especially the ones centered around the Disney Afternoon programming block. Recently released in a bundle for modern consoles (though sadly no portable devices), The Disney Afternoon Collection is a reminder of just how much better these games were than the usual licensed junk. Developed by Capcom, these were real games meant to entertain with their play mechanics. The games didn’t need the license, the license needed the games. And the cream of the crop was DuckTales, released on the Nintendo Entertainment System in 1989.

DuckTales was not the first of the Disney Afternoon cartoons, but it soon became the flagship series for the block. Featuring a great cast, stories adapted from the renowned works of Carl Barks, and the best animation on television by a mile, DuckTales was an easy hit and it’s a cartoon that holds up remarkably well today. It’s adventure themes are easily adaptable for a video game, so in some ways it should come as no surprise that the game matches, even exceeds, the quality of the program.

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In DuckTales, Scrooge’s adventures take him beyond Earth.

DuckTales is a pretty traditional game for its era. The player controls Scrooge, notably decked-out in his comic attire red coat instead of the blue from the show, who can run and jump his way through five stages collecting treasure as he attempts to recapture his lucky dime from the villainous Magica DeSpell and Flintheart Glomgold. Scrooge handles like a standard character from the era, with the notable distinction that he can’t simply stomp on the heads of his foes to defeat them. Instead he must utilize his cane. When standing next to certain objects, he can swing it like a golf club to knock objects into enemies or objects. Mostly though, he needs his cane to function like a pogo stick. Bouncing off the head of an enemy utilizing his cane in such a fashion is Scrooge’s primary method of dealing damage. It also helps to give his jump an extra boost allowing him to clear wide chasms or reach higher platforms.

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I think every side-scroller was required to have an ice stage.

It’s the pogo quality of Scrooge’s cane that lies at the heart of what makes DuckTales so much fun, even today. Also playing a role are the large, open, levels. There may only be five of them, but they’re much larger than your garden-variety Mario or Mega Man stage. Scrooge can roam around them in basically any direction, and all are loaded with secret chests and treasures for Scrooge to find. Amassing a fortune is part of the game, and the amount of cash a player finishes the game with affects the ending cinematic, a rarity for 1989. Scattered through-out the levels are also other characters from the show, including Scrooge’s nephews and Launchpad, who are able to help out in small ways.

The visuals and sound of DuckTales are also areas where the game performs well. Naturally, the game makes liberal use of a digitized sample of the DuckTales theme, though I never found myself tiring of it. The sound effects are pretty standard for Capcom games of the era and are probably more enjoyable today with the aid of nostalgia. The graphics, while good for the time, are probably just a little above average for the NES. Some of the enemy sprites and character models are quite fun and expressive, though the bosses sometimes leave something to be desired.

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Launchpad isn’t totally useless, but he also could be more helpful here.

Games for the NES are sometimes considered quite difficult by today’s standards, but DuckTales is a fairly forgiving title in this regard. While it lacks a password or continue system, the adjustable difficulty makes it pretty easy to taylor the game to one’s skill level without making it embarrassingly easy. Changing the difficulty largely affects how much damage Scrooge receives from enemies, which is a simple and fair way to measure difficulty. The game doesn’t throw anything odd at the player, or introduce a foreign play mechanic at any point (unlike say Battletoads which just throws a racing level at the player out of no where), and anyone who has played a decent amount of 8-bit platformers can probably find a way to finish the game. It’s not a long game, though the desire to find all of the hidden treasures and achieve the best ending help provide incentive to play the game again and again.

Mostly, DuckTales is a really fun action-adventure game for the NES. It’s the type of game I can play today and hope that younger generations are able to see what made the game so much fun in 1989. As I mentioned early in the post, DuckTales was recently re-released as part of a bundle of Disney Afternoon titles so you don’t need to have a working NES on-hand to play it, though that’s currently how I enjoy it. And this is a game still worth playing, even after all these years.


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