Tag Archives: the riddler

The Batman TAS Episode Ranking – Part 4

stonechairWelcome back for the fourth installment in the Batman: The Animated Series episode ranking. This week, we’ll be taking a look at entries 39 through 20. As a reminder, this feature encompasses all of the episodes produced under the banner of Batman, The Adventures of Batman & Robin, and The New Batman Adventures which are collectively referred to as Batman: The Animated Series. If you wish to view my thoughts on the episodes as a whole each episode here is linked to the write-up. If you prefer to explore more, simply head on over to the index page for all things BTAS. The episodes are already quite hard to separate from one another at this point, with only a true handful of episodes clearly establishing themselves as worthy of being in the top 10. These episodes are all pretty great, and hopefully it’s merely a matter of preference for what type of story viewers prefer or favorite villains that causes these to move up and down. Now, for entry number 39:

catwomans affection39 – You Scratch My Back

This was a logical plot to explore when the dynamics between Batman and the crime fighter formerly known as Robin, now known as Nightwing, changed. Catwoman, always the opportunist, uses her unique charms to basically seduce Nightwing causing friction between he and Batman as well as Batgirl. The soapish plot ends up having a nice payoff allowing it to overcome its otherwise lackluster villain of the day. Catwoman, post redesign looks rather lame, but her personality is a perfect fit. If only we could have had more of this character in the first two seasons.

38 – Sins of the Father

Dick Grayson got an origin story, so I suppose his successor deserved one as well. Tim Drake enters Batman’s life in what is essentially real-time in relation to the rest of the series as opposed to a flashback. This makes him a true Boy Wonder as opposed to an adult one, and while his tale isn’t as gut-wrenching as Dick’s, it’s still appropriately tragic. It also incorporates Two-Face which feels like a nod to the film Batman Forever.

hex vs duvall37 – Showdown

I didn’t care for this episode as a kid because of its lack of Batman, but as an adult I find it to be a great deal of fun and a nice change of pace. It’s somewhat quietly the best Ra’s al Ghul episode as it’s partially an origin tale for him, but mostly it feels like a backdoor pilot for Jonah Hex. Hex is a stereotypical gruff old cowboy, but the portrayal works. And I like that he’s one and done, and his tale also has a nice payoff in the present timeline leading to a very interesting conclusion.

36 – The Demon’s Quest: Part I

“Showdown” is arguably the best Ra’s al Ghul episode, but I just barely place this one above it. “The Demon’s Quest” is Ra’s al Ghul at his best:  mysterious, manipulative, conceited, obtuse, uncompromising, and pretty much insane. This is the episode we learn how Ra’s views himself and the world. He has all of the answers and deals in absolutes. Sometimes, to build a better world you need to start over. Batman, of course, does not share this world view, but he’s forced to go along for the ride as both Robin and Talia have been kidnapped. Adding a nice through-line to the episode is the little game between Batman and Ra’s al Ghul’s bodyguard, Ubu, which has a satisfying conclusion.

not good35 – Blind as a Bat

Can Batman perform blind as a bat, as the saying goes? It’s a simple premise, but an effective one. Bruce Wayne is injured when Penguin swipes a fancy helicopter being put on display by Wayne Tech leaving him temporarily blind. Not one to sit on the sidelines while a villain is on the prowl, Batman enlists the help of Leslie Thompkins to create a new helmet that allows him to see, and also has the added benefit of giving him glowing red eyes. The helmet doesn’t last very long, forcing Batman to go it alone without the aid of arguably his most important sense as a crime fighter. I’m not sure if the fact that he comes out alive says more about the prowess of Batman or the ineptitude of Penguin.

34 – I Am the Night

This one feels like a bookend to “Appointment in Crime Alley.” Batman deals with something he rarely has to:  failure. This time, his fatigue, both mental and physical, causes him to be late to a bust. His late arrival seems to have little impact, but it only further weighs him down later when Commissioner Jim Gordon is shot by the Jazzman. Batman mostly receives support from Leslie, Barbara, and Alfred, but Bullock lays into him when he goes by the hospital to see Gordon. Batman basically enters into a depression. He’ll bounce back, but it’s quite an emotional ride getting there as Batman ponders his worth and important questions like “Am I even making a difference?” It’s the most human the character will ever be portrayed.

HeartofSteel133 – Heart of Steel: Part I

The Blade Runner inspired “Heart of Steel” introduces the super computer H.A.R.D.A.C. which was created to construct robots with sophisticated artificial intelligence, but it soon goes rogue. The A.I. in the robots is too good making them able to blend in seamlessly with humanity. This causes problems when they start committing crimes, and both Bruce Wayne and Batman get pulled into it. It’s very compelling and for some reason the robots were really chilling to me as a kid, so I suppose it’s stuck with me partly for that reason.

32 – The Strange Secret of Bruce Wayne

Hugo Strange has invented a machine capable of extracting sensitive information from his patients under the guise of being beneficial for mental health. He ends up biting off more than he can chew when his machine is used on Bruce Wayne revealing his big secret. Strange immediately goes to Gotham’s most famous rogues:  Joker, Penguin, and Two-Face seeking to profit from the information. It doesn’t go well for him, and Bruce’s solution to his problem is pretty clever, even if it takes advantage of the medium perhaps too well.

new scarecrow31 – Never Fear

Scarecrow’s redesign in The New Batman Adventures was the most memorable. He went from pretty creepy looking to downright scary. This new persona really helps drive this episode as he’s created a new toxin that actually takes away fear, leaving his victims completely reckless. Batman gets a taste of it once again and basically loses his mind, putting him at odds with Robin. He’s a full on maniac in this one, and it’s kind of uncomfortable to watch. All turns out well in the end, but it’s hard to shake that side of Batman that was revealed here.

30 – Riddler’s Reform

Riddler has returned once again, only this time he’s reformed. Batman is skeptical, though he has no reason to be aside from a gut feeling. He’s a bit of a jerk as a result, but as usual he’s proven right when it turns out the Riddler is up to his old tricks once again. Before that is revealed though it’s actually pretty amusing seeing Riddler have fun at Batman’s expense when he has the support of the people of Gotham. It also has one of Riddler’s best traps, and Batman’s ability to escape it is what ends up driving him mad in the end.

dead eyed stare29 – His Silicon Soul

This episode is just plain cool. H.A.R.D.A.C. is gone, but before it was destroyed by Barbara and Batman it created one final robot:  a Batman robot. Armed with the knowledge that Bruce Wayne is Batman, it was able to create a perfect copy, but this isn’t revealed right away. We first see the robot burst into action in stopping a robbery, and then we get to feel the same sense of shock as the machine does when it sustains damage revealing the circuitry within. The robot thinks it’s human, making for a really compelling case study. Can Batman destroy that which is sentient? It’s just a wonderfully composed episode.

28 – If You’re So Smart, Why Aren’t You Rich?

Riddler’s debut took awhile to arrive, but it was worth the wait. This episode is really interesting because Riddler is the bad guy, but the guy he’s menacing is worse. And that guy is his old boss, a real piece of work who loves to work people to death and steal their ideas for his financial gain. It’s actually really topical in this day and age. And I like that in the end, Batman and Robin save him, but he doesn’t have a happy ending. And Riddler even gets away! I guess it actually is a happy ending, after all.

old chums

27 – Legends of the Dark Knight

This show did not do anthology episodes too often, but when it did they were quite good. This one has a group of kids basically telling tall tales about Batman. The fun aspect of the episode is that we get to see the show tackle a take on the 1960s Batman and Robin as well as an adaptation of the seminal The Dark Knight Returns. Maybe it’s a bit more style over substance, but I was a sucker for the nostalgia inherent and even the way it brought the real Batman into their orbit was pretty satisfying.

26 – Perchance to Dream

This is a bit of a gimmick episode, but it’s done extremely well. Batman is caught in a trap by The Mad Hatter, but it’s not blatant at the episode’s onset. Bruce appears to wake from a nightmare, but he awakens in a world in which he is not Batman. He remembers being Batman, but no one else does. He’s engaged to Selena Kyle and his parents are still alive. And perhaps weirdest of all, Batman is real, he’s just not Bruce. He doesn’t know if he’s delusional, insane, or if something else is going on here. It’s obviously the latter, but the episode does a good job of planting the seed in your head that maybe this is the way things are meant to be. A real fun one.

goodbye annie25 – Growing Pains

Clayface might have the best average episode score of any villain in this show. He manages to return in The New Batman Adventures without really missing a beat (I don’t count that weird appearance in “Holiday Knights”). He’s somehow gained the ability to create sentient clay people from his own body, and one such creation takes the form of a little girl who comes in contact with Robin. She doesn’t know much about her existence, only that she needs to get away from Clayface. For us, that reveal doesn’t come until the final act and much of the episode is just Robin trying to lead this girl away from apparent danger. It’s thrilling, and the revelation ends up being heart-breaking in the end. One of the best endings to any episode in the final season.

24 – Pretty Poison

Poison Ivy makes a splashy debut alongside Harvey Dent, who she’s dating in this one. She’s an eco-terrorist, and she uses her charm to get close to Harvey and poison him with her deadly kiss. When Dent lands in the hospital, Batman has to solve the mystery of what happened to his friend and he winds up at Ivy’s doorstep. This is Poison Ivy in her best role as a femme fatale. I think she has at least one better stand-alone episode to herself, but I wouldn’t blame you if you felt this was her finest moment.

mask off

23 – Old Wounds

When The New Batman Adventures arrived and it was revealed that Dick Grayson had gone off on his own as Nightwing, viewers instantly wanted to know, “Why?” “Old Wounds” is the answer to that question as it’s largely a flashback told by Dick to Tim while out on the town. It’s a rather well-constructed story and we really saw the genesis for this break-up in past episodes when Batman’s stubborn approach to certain issues rubbed Dick the wrong way. It was a split that needed to happen, and I’m glad the show dedicated an entire episode to it.

22 – Harlequinade

When Joker gets his hands on an atomic bomb, Batman is forced to resort to desperate measures to find the clown and disarm him. As a result, he’s forced to turn to Harley Quinn for assistance as she travels alongside Batman and Robin as they track down Joker. It makes for a wonderful blend of action and comedy as Harley is just a true screen magnet. She is so charismatic, which is why she receives a lot of attention in season two of the show. This ended up being a sign of things to come as Harley would have an even better solo outing not long after.

21 – Trial

Batman finds himself once again imprisoned in Arkham, only this time the inmates are literally running the asylum. His only ally is the new Gotham District Attorney, Janet Van Dorn, who had previously sworn an oath to Gotham that she would be the one to bring Batman to justice blaming him for the creation of these so-called super villains. A bunch of rogues are brought together for a kangaroo court style trial that Batman and Van Dorn improbably win, but Joker, the presiding judge, still decides to kill him anyway! It’s a wacky episode, but it doesn’t sell-out its villains by having them all lumped together with Batman emerging triumphant.

MWKB_67_-_Sid_and_Thorne20 – The Man Who Killed Batman

What an interesting title. Very few cartoons are allowed to use a form of the word “Kill,” let alone in an episode title prominently splashed on a title card. This one tells the story of Sid the Squid, a nobody looking to become a big shot in crime. Through a comedic series of events during an encounter with Batman, Sid ends up “killing” Batman. He’s obviously not dead, but the episode tries to convince you he is as Sid ends up attracting all kinds of attention thanks to being known as the one who finally defeated Batman. Some thugs challenge him, while Joker actually seeks to murder him because by killing Batman he’s ruined Joker’s fun. The funeral Joker holds for Batman is probably the funniest scene in the entire show’s run and one of its most memorable.


The New Batman Adventures – “Judgement Day”

judgement dayEpisode Number:  24 (109)

Original Air Date:  October 31, 1998

Directed by:  Curt Geda

Written by:  Rich Fogel, Alan Burnett

First Appearance:  The Judge

We have arrived at the final episode of The New Batman Adventures and what is essentially the final episode of Batman: The Animated Series. This third season seemed to go by fast, and while that’s certainly partly attributed to the fact that it was 23 episodes versus the 85 that totaled the first two seasons, that’s still more than six months of weekly blog posts. And this final episode certainly has an ominous title to it, doesn’t it? “Judgement Day” is the final produced episode of the show, though it was never envisioned as a series finale since most assumed the show would continue into a fourth season. It did not, as DC and Warner elected to instead create a sequel series in the form of Batman Beyond depriving us of what would be a true series finale.

Even though this wasn’t necessarily intended to be farewell, some aspects of this episode work as a series finale. For one, this is a Batman solo adventure. He’s going to do everything on his own in this one and even look to Alfred for a little help along the way giving this one a very season one feel to it. It’s also going to bring back a few villains we haven’t heard from much during the events of this third season. It also introduces a new one in the form of The Judge, who bares a rather strong resemblance to The Phantasm from the film Mask of the Phantasm. And like that persona, this one has its identity unveiled at the end so if you’ve never watched this one on your own, maybe do that before reading any further. It’s a fun and worthwhile reveal that I’d rather not spoil.

bartering

Just The Penguin taking care of some business.

The episode opens during some negotiations between rogues. The Penguin (Paul Williams) is haggling with Killer Croc (Brooks Gardner) over a diamond he’s brought him. Penguin is a tough negotiator and it’s getting under Croc’s skin. Penguin appears to think little of Croc, and even flaunts it when another rogue saunters in:  Two-Face (Richard Moll). Penguin is open about how he’s willing to pay someone of Two-Face’s stature more money than he would Croc and the two quickly complete a business transaction. Croc, grumbling, reluctantly takes what Penguin is offering and he has his two female associates, Lark and Raven, escort the men out.

judge strikes

The rogues of Gotham have a new problem, and he carries a big sword.

As he deposits his newly acquired goods in a safe, Penguin remarks to himself essentially how fun it is ripping off Croc. Unfortunately for him, he’s not alone. A hollow, yet booming, voice (Malachi Throne) causes Penguin to turn around. Before him is a large man dressed in a long black robe. His face is completely black and surrounded by an old-fashioned white judge’s wig. He admonishes Penguin for possessing no honor among thieves and brandishes a sword declaring he must pay for his many crimes. Penguin, for his part, appears unfazed and is ready to go toe-to-toe with this apparent vigilante, but his umbrella is no match for The Judge’s sword. He runs and calls for his associates, but he stumbles upon them tied up and hanging from the ceiling. As The Judge chases him, he hacks at a large penguin statue on wheels which rolls over and lands on the “legitimate businessman.” The result leaves him unconscious and looking rather worse for ware.

A news broadcast the next day is covering the attack and reveals that Penguin is in critical condition. Killer Croc is shown watching the report smugly while Bruce Wayne reacts somewhat angrily as he watches from his limo. When it’s revealed that a vigilante was responsible for the attack, Alfred asks Bruce if it’s a friend of his, but gets a growl in response. Two-Face also sees the story, but isn’t happy, unlike Croc. The news then pivots to another new face in Gotham, councilman J. Carroll Corcoran (Steven Weber). Corcoran remarks that everyone knows Penguin is not on the up-and-up, but no one was brave enough to take him on. He thanks the vigilante for his brand of justice and for doing what Gotham’s police and D.A. would not.

A couple of security guards are loading an armored car along one of Gotham’s suspension bridges. They apparently are collecting the haul from the tolls and making small talk, but we all know the only reason for an armored car to be in this show is for it to be robbed. And sure enough, lurking beneath the vehicle is Croc. He emerges from a manhole to grab onto the underside of the car as it pulls away. Once on the bridge, Croc demonstrates his claws are quite sharp by ripping through the underside of the vehicle and climbing inside. He quickly gets rid of the guards, but someone is on the vehicle’s roof and unwilling to let Croc get away.

croc and judge

If it works in Donkey Kong it will work on you, Croc.

That someone is The Judge. This time he’s armed with a giant hammer and he causes Croc to lose control and flip the vehicle. Once he climbs out he confronts the new vigilante who has come prepared with numerous trial-related puns. He’s so generous with the puns that he comes across like a menacing version of a 1960s villain. Croc appears to be in no mood to fight with this guy, and makes his escape. He apparently forgot that he’s part crocodile, because rather than dive into the waters below he instead climbs up the cables of the bridge. When he gets to the top, he finds out that The Judge is just as capable as Batman in scaling great vertical distances without notice as he’s there waiting for him. He clocks Croc with the mallet knocking him from his perch.

Fortunately for Croc, Batman was watching from a nearby rooftop. He makes the save before Croc can go splat on the pavement. When Batman looks up following the rescue The Judge is gone. How does it feel, Batman?!

corcoran

This guy Corcoran is basically a piece of shit and the episode isn’t interested in hiding that.

Councilman Corcoran is shown tossing some floppy disks across his desk. He says the data on them would prove invaluable for someone trying to track down Gotham’s most notorious villains. There to receive the data is The Judge. It would seem Corcoran’s endorsement of Gotham’s latest vigilante has been good for him in the polls, which is good news since there’s a primary on the horizon. He reasons that if Gordon can have his pet bat, why can’t he have The Judge? Really, everything he’s saying makes total sense given the reality of this world, but the delivery of his lines is done in such a way that it’s obvious this dude is a villain and there’s more to this story. The Judge, for his part, is fine with this arrangement and the two shake hands indicating they’ll be a force going forward.

riddler judgement day

The New Batman Adventures sure did The Riddler dirty.

We’re then shown another news report. This time it’s The Judge putting a stop to a crime being committed by The Riddler (John Glover). There’s footage of The Judge in action as Riddler is given just one brief line in which he’s not even allowed to deliver a riddle. Such an inauspicious way for his character to go out. Corcoran is again interviewed by the crew and heaps praise on The Judge. He confirms that the two are in communication and even issues a warning for Two-Face that he’s next on the list.

The image explodes as Corcoran issues his threat and it’s revealed we were watching this through a television in a bar. The bartender is initially pissed when his TV explodes, but he turns to see the responsible party and promptly shuts up. Apparently he forgot that Two-Face and his associates had sauntered into the bar, and since he didn’t like the program, he turned it off in his own special way. Two-Face then leaves and as he does another individual leaves as well. That individual is Wayne in disguise who quickly throws on his Batman attire and begins following Two-Face’s ride.

batman twoface gas

Don’t light a match.

Batman follows Two-Face to his hideout which is the same one from “Shadow of the Bat.” Two-Face is alone and soon Batman barges in. Two-Face is rather angry to see Batman on top of him, but Batman insists it’s for his own good as he’s trying to protect him from The Judge. Two-Face does not seem to want Batman’s help, but before the two can sort things out Two-Face’s security mechanisms take effect. Metal shutters cover the windows and doors turning the lounge into a panic room. A television then flips on and it’s The Judge. He delivers his judge-speak and sentences Two-Face to death by asphyxiation for his crimes. Gas then starts pouring into the room. With the doors and windows sealed, Batman demands to know where the secret exit is as he knows Two-Face would have one. He shoves Batman aside and then removes a trap door from the floor. He finds it’s been sealed with metal bars and then panic sets in. Two-Face claims no one knew that exit was there, but that doesn’t change the reality of the situation. Batman then tosses Two-Face over the bar and tells him to stay down. Ducking behind a wall, he pulls out an explosive Batarang and nails the source of the gas which results in a large explosion.

With the gas no longer a threat, Two-Face emerges from behind the bar. He finds Batman down on the floor and gives him a nasty kick. He then thanks him for saving his life and walks on by. This seemingly makes the two even.

Corcoran is shown on the phone having a conversation with The Judge. The Judge is angry with Batman for preventing The Judge from delivering justice to both Killer Croc and now Two-Face. He is seeking permission to deal with Batman from Corcoran, but he doesn’t think that would be a good look for anyone. The Judge hangs up in response and Batman soon appears. He wants info on who The Judge is, but Corcoran tells him he doesn’t know. He then goes off telling Batman that The Judge is good for Gotham and the people don’t mind if he kills the bad guys, as long as it gets them off the streets. Batman does his disappearing act, per usual, and Corcoran is actually happy by this development as he assumes it means Batman was in agreement.

two-face interrogates

Brought to a courtroom? This seems like something a judge would do…

Corcoran then heads for his car, his work done, when he’s confronted by Two-Face. Corcoran’s happy mood changes quickly and as he backs away he’s knocked out by Two-Face’s men. He is then taken to a courtroom and bound to a chair. Two-Face wants info on The Judge, but Corcoran swears he has nothing. The Judge always seeks him out, not the other way around. Two-Face consults with his men, who are seated where the jury normally would be, to see if they believe Corcoran’s story. Manny (Peter Jason) and Mo (Loren Lester) both say they believe him, but that doesn’t mean Corcoran is free to go. Two-Face consults his coin, and the results are not good for Corcoran. He tells the boys to do their thing, and they spring up armed with a knife. Corcoran is terrified as they approach, but the knife is just used to cut his restraints. As they lead him away, Corcoran begs with Two-Face. He reveals he has 100 grand in cash he can pay him with, all kick backs and bribe money he’s been taking. Two-Face says he wishes he knew that before he flipped the coin, but it’s too late now.

At the Batcave, Batman is examining the mallet The Judge wielded in his attack on Killer Croc. Alfred is there to monitor and wonders what Batman could be looking for since the police already checked it for prints. Batman is more interested in some holes in the mallet itself. He assumes there used to a plaque affixed to it and he turns to his omniscient computer for awards resembling mallets. He finds one, which is an award given out to lawyers and judges. He then pulls up a list of past winners and we’re not allowed to see the list of names. He asks Alfred if any look familiar, and he just gives us an “Oh my God!” in response. I think that’s a yes.

img_0382

This has been fun, but it’s time for these two to go one on one.

We now return to Corcoran who has been bound and blindfolded at the base of a giant Lady Justice statue. Manny and Mo appear ready to execute him and once more Corcoran tries to barter his way out. The two are amused that Corcoran would propose they two-time Two-Face and raise their guns to off the councilman. Suddenly, metal shackles snap onto their wrists. They’re apparently magnetized as not only do their wrists end up bound together, but they also end up pointing their guns at each other. The Judge then emerges once again armed with his sword. He knocks the men down and traps them with a wooden adornment. He then turns to Corcoran who is delighted that The Judge has come to rescue him.

Or not. It would seem The Judge was listening in on Corcoran’s attempts to bribe his way out of this predicament and he’s especially angry with Corcoran about the bribes he’s been taking. He takes aim with his sword, but a Batarang knocks his sword away. Batman informs Corcoran he’s not going to like what he’s about to reveal, but he’s unable to reach The Judge’s mask. Instead, The Judge flings the shackles he used on Manny and Mo at Batman binding his hands together. He then has to dodge The Judge’s sword strikes and use his body to knock him down. The Judge then uses another pair of shackles this time striking Batman’s ankles and binding them together. Realizing he can’t possibly fight like this, Batman uses a grapple gun on the ceiling and attempts to get away. The Judge won’t allow it though and jumps on Batman’s back. As the two rock towards the ceiling, Batman is able to swing himself into the statue of Lady Justice and knock The Judge from his back.

judge revealed

The Judge revealed. Is it surprising? Eh, close enough.

Batman returns to the ground where the judge lays unconscious, one of the scales having fallen on him. He takes the keys from The Judge to free himself from the shackles, then rather proudly informs Corcoran his life is about to get worse. He pulls the mask off of The Judge to reveal his identity:  Two-Face. Corcoran is shocked and soon the police and some reporters come storming in. They’re surprised to see Two-Face as well and Batman leaves Corcoran to explain this mess.

Bruce Wayne is shown reading the newspaper which contains a story about Corcoran being indicted and losing his primary. Alfred shows up to express how surprised he was to learn that Two-Face was The Judge all along, allowing Bruce to explain to the audience what happened. Two-Face essentially created a third persona, unknown to him, which is how The Judge knew about Two-Face’s hidden exit to his apartment. Alfred expresses pity for the man formerly known as Harvey Dent, which takes us to Arkham. The voice of The Judge can be heard demanding to know how Two-Face pleads when confronted with his crimes. Two-Face is shown in a strait jacket with his head hung low as he just repeats the word “Guilty” over and over, his face rising to reveal a haggard expression.

guilty

“Guilty…guilty…guilty…”

And that is how The New Batman Adventures comes to an end. One of the best villains the show produced is returned in yet another new role to disburse justice across Gotham. It’s a fitting sister episode to “Second Chance,” for in that episode it was Harvey’s bad side that took control to make sure an operation that would repair his face never took place. In this one, it was the side of him that is Harvey Dent, District Attorney, who found a way to manifest itself in the form of The Judge. The reveal is protected rather well, with the only tip-off being that The Judge was clearly either a judge or lawyer when not in costume. The only other clue was the throw-away line from Two-Face about his secret exit, but it’s not as if the exit was hidden well. It was plausible that if The Judge could gain entry to the apartment for long enough to hack the security system and plant the gas bombs that he also could have found the hidden exit. It works well as a clue though and helps to make sure the episode didn’t do anything unfair in hiding the real identity of the vigilante.

For Batman, he only has to do some simple detective work to figure this one out. And as we saw in “Second Chance,” Harvey is a tough villain for him to confront given his failure to protect him back when he was disfigured by Rupert Thorne. It makes sense for this to be a solo mission given that fact, and truthfully there wasn’t much room for anyone else given how this one moves along. It might have been nice to see Robin confront Two-Face again, but it wasn’t exactly needed either.

Corcoran is the only real weakness for this episode. His portrayal is so slimy in nature that the reveal that he’s a crooked politician was expected as opposed to surprising. If he had been played different or made to seem a little less self-serving it might have made that reveal a bit more shocking and effective, rather than just being ho-hum. The writers felt that Corcoran needed to be a villain, and since Gordon endorses a vigilante all of the time they had to make him different to further illustrate the difference between Batman and The Judge.

batman soars

It feels appropriate that the show ends like it started with a Batman solo tale.

For Harvey Dent, this is a sad end for him. He will not appear in any of the series that follow and clearly he’s no closer to regaining his sanity at the end of this one than he was at any time before. He feels like a lost cause, and even Bruce shows him no sympathy in the end which is in contrast to his appearance in “Second Chance.” They could have given him a line about how The Judge’s presence indicates that there’s still some of Harvey Dent locked inside of there somewhere, but alas they chose not to. I’m not complaining as I’m fine with the story of Two-Face essentially having a sad ending even considering it is the final episode of the series. And not to be forgotten, but this is also the final appearance of Paul Williams as The Penguin. The Penguin character will return in Mystery of the Batwoman, but Williams did not reprise his role. A lot of praise is heaped on Kevin Conroy and Mark Hamill for being the definitive take on their respective characters, but I can never read a line of dialogue from The Penguin and not hear Paul Williams in my head.

And that is the inescapable reality of this one. The end of Batman: The Animated Series, possibly the greatest action cartoon of all time. I started this project as a celebration of the show’s 25th anniversary more than two years ago. I also wanted to do it as a chance to revisit the show with a critical eye and determine for myself if it’s still worthy of much of the praise heaped upon it. And while it is true that not every episode is great, the vast majority are more than entertaining and it leads me to believe that the show has a well-earned reputation. It’s not just nostalgia talking. I will return to this show again to do a proper wrap-up, but it will have to wait until possibly the new year. I could not have timed this better when I started for next week will be a review of the show’s feature length finale, Mystery of the Batwoman. After that comes December which means Christmas, so there won’t be room for Batman for awhile. If you have been reading this weekly since the start, or just popped in now, thanks for doing so. I know it’s not as fun to read about Batman as it is to watch it, but hopefully this has been an acceptable use of time for anyone choosing to spend that which is so precious on my humble little blog.

 


Batman: The Animated Series – “Riddler’s Reform”

riddlers reform cardEpisode Number:  79

Original Air Date:  September 24, 1994

Directed by:  Dan Riba

Written by:  Alan Burnett, Paul Dini, Randy Rogel

First Appearance(s):  None

 

We’re coming to the end of Batman: The Animated Series so just about every episode from here on out will feature a final appearance of a specific rogue. In today’s case, there’s even more finality than there will be for others. The Riddler (John Glover) is considered a notoriously difficult character to write. His “super power” is he’s really, really, smart and also quite clever. It’s not easy to just come up with riddles or puzzles to fill an episode worthy of The Riddler. As a result, his appearances have been few despite his popularity as a villain largely owing to the 1960s series and the performance of the late Frank Gorshin. Nonetheless, three starring episodes isn’t too bad, but the real sense of finality comes from this essentially being it for The Riddler. Most of the villains featured in this show will return in The New Batman Adventures with new schemes, new motivations, and new costumes. The Riddler will return, and with a new costume too, but he won’t receive an episode to call his own as he’s basically reduced to a cameo and brief, supporting, role.

Give that this episode is, more or less, his encore hopefully it’s a good one. It has an interesting premise right in the title as The Riddler looks to establish a life for himself outside of crime. We’ve seen both Catwoman and The Penguin attempt the same and eventually slip-up and fall back into their old villainous ways. Is there any reason to think The Riddler will be any different? Probably not. Last we saw him he was antagonizing Commissioner Gordon and Batman with a virtual reality device. At the episode’s conclusion he became trapped inside the VR world with Batman offering an ominous commentary on the situation that would lead the audience to believe he may be trapped there forever. If you were hoping to find out what happened, well you’ll be disappointed. Similar to how The Joker appeared to die in “The Laughing Fish” only to resurface later as fine as can be, we don’t know how Riddler got here. Maybe Batman was just wrong and they unplugged the console and he was fine. Or maybe he found his own way out. Your guess is as good as mine.

baxter and riddler

Riddler and his new buddy Baxter who owns a toy company.

This one opens at a nondescript warehouse. Before we get to the action, we get a shot of some newspapers being unloaded featuring a cover story about the release of The Riddler from Arkham. We’re then taken to the warehouse where some typical looking goon-types are carrying a large red box emblazoned with a purple question mark. They’re taking directions from The Riddler on where to place it. After setting it down, they get paid a visit by Batman and Robin who come swooping in to kick ass and ask questions later – literally. Riddler takes a seat on the box and seems amused by their presence. He’s evasive when Batman asks him what’s inside the box and when it looks like he’s about to get punchy they’re interrupted by a nicely dressed old man.

His name is Charles Baxter (Peter Mark Richman) and his name is either a direct call-back to the Baxter Box puzzle from an earlier Riddler appearance or a coincidence. He’s not a puzzle-creator, as we’ll learn, so if it’s a reference it would seem it’s merely for fun. Baxter demands to know what’s going on, and after Robin fills him in on who The Riddler is, he tells him he’s well aware. The Riddler is his new business partner. He purchased the rights to the character’s likeness and intends to use him to market Nygma’s toys. The box then springs open unveiling a toy display kiosk and Riddler even tosses one to Robin referring to him as a kid, which you know he takes well. Baxter orders them to leave, and the two head into the building leaving Batman and Robin to tuck their tails between their legs.

At Wayne Manor, Dick is having a tough time with the puzzle Riddler gave him while Bruce is reading the paper. The television is on in the background and a story about The Penguin is running before leading to another story about a robbery. Some ancient relics were stolen, and this gets Bruce’s attention. When Riddler explained to them the night before his desire to be on the straight and narrow he made references to ancient history and Batman thinks he was referring to the items stolen. A commercial featuring The Riddler then comes on hawking the new toys. He ends the commercial by displaying a number on a chalkboard and then flips it around to reveal a map. It’s a part of some contest, but Bruce isn’t buying it. He pulls out a map and uses the number as a coordinate which leads him to the First National Bank.

riddlers ladies

Riddler enjoying the perks of being a celebrity.

Batman and Robin stake-out the bank that night, but nothing is doing. Robin begins to wonder if maybe he is reformed, but Batman remembers Riddler flipping the chalkboard over in the commercial, thus flipping the number. He looks at the number which he wrote down on a scrap of paper and turns it around. Before it read “31753701” but when reversed it looks like “10 LESLIE” which Batman determines is an address. They head there to find a large building with a jewelry store in it and sure enough there are crooks inside. They infiltrate the store and take on the bad dudes, but when a large cabinet falls over on Robin the crooks escape. Robin urges Batman to go on without him as his ankle or knee appears injured thus ending his contribution to the episode.

boing

The woman who really seems to get Nygma’s attention.

In a nearby high-rise, Riddler is getting ready for a party. He shows off a nifty little two-way radio that will be going to market soon and begins schmoozing with Baxter and the party-goers. Baxter is having a dreadful time with Nygma’s toy puzzle, but Nygma demonstrates it’s easy if you’re a genius. This earns him lots of laughter and even the attention of a fetching brunette in a blue dress (Patricia Alice Albrecht). When Riddler first lays eyes on her a cartoonish “boing” sound like a spring is heard. Yeah, the universal sound for a boner in a comedy setting. Riddler just popped a boner. Another female joins her and he’s very much enjoying their attention until a butler comes by to inform him he has a phone call. Riddler takes it in another room, but not before admiring himself in mirror. No one is on the line, but Batman is in the room. He mocks him a bit for his vanity, but Riddler quickly gains the upper hand in their conversation. He also activates his two-way radio, which one of them women had asked him to demonstrate. Since she’s holding the other one, all of the party-goers then overhear Batman threatening The Riddler. He doesn’t mind though, and opens the wall with a switch to introduce his guests to the one and only Batman. Batman, to his credit, doesn’t seem flustered by the display and tells Riddler he’ll get him eventually before taking his leave.

riddler batman

Look who crashed the party.

While Batman’s confidence remains intact, Riddler’s is not. He’s now convinced that Batman will indeed catch him. He has no desire to return to Arkham, so there’s really only one solution:  he must kill Batman.

riddler depressed

Sad Riddler is losing confidence in himself.

In order to set a trap, Riddler relies on yet another commercial to get Batman’s attention. This time the clues lead Batman to the Gotham Toy Fair. Batman heads for the local convention center and finds a rather large Riddler Box. The sides fall away, nearly crushing Batman, to reveal an equally large television inside. Riddler comes onto it, and he tells Batman farewell. It would seem the games are over, and rather than present Batman with a riddle, metal shades are dropped over all of the exits while Riddler reveals a bomb is about to go off that will kill Batman. Batman frantically searches for a way out, but the bomb detonates as Riddler said it would.

inflatable riddler

At some point Riddler had inflatable versions of himself made that could fire guns. Neat.

Back at his penthouse, Edward Nygma is burning his Riddler outfit. With Batman out-of-the-way, he has no need for it. No one to play with, and he vows now is the time to really reform his act. He doesn’t get to enjoy the satisfaction of victory for very long as Batman appears inside the room with him. Nygma is shocked to see Batman and absolutely perplexed at the thought of him escaping. He wants to know so bad that he’s willing to cut a deal. In exchange for the knowledge of how Batman escaped he’ll tell him where all of the stolen goods are hidden. Batman agrees, and Nygma explains his crime. Batman then produces Nygma’s own two-way radio and speaks into it “You get everything?” Commissioner Gordon is then heard on the other end confirming that he did. As Nygma is taken away he’s screaming at Batman to tell him how he escaped his trap, but Batman just smiles.

riddlers inmates

A couple of quick cameos of two famous rogues.

At Wayne Manor the next morning, Bruce and Dick are seated at the table and Dick asks just how he did escape. Bruce explains he couldn’t, but there was a safe on display and he climbed into it. It was strong enough to protect him from the explosion, though Bruce doesn’t say how he got out of it. Maybe it had a safety release on the inside. Dick says he never would have thought of that, and Bruce suggests The Riddler would not have either. We then cut to Arkham where several familiar faces are shown in their cells covering their ears as Nygma can be heard screaming from his own cell demanding to know how Batman escaped. It’s not going to be fun being locked-up with him for the foreseeable future.

raging nygma

Poor Eddie. It’s unlikely Batman will ever take pity on him enough to tell him how he escaped his death trap.

“Riddler’s Reform” is a fun little episode for The Riddler. It’s not particularly clever, but it’s interesting to see how Riddler’s mind operates. He literally can’t help himself when it comes to Batman and is compelled to commit crimes and leave behind clues just to see if Batman is smart enough to figure them out. There’s some situational humor, and seeing Batman with egg on his face to start things is an interesting look for our hero. It’s rare that he’s wrong. Of course, he wasn’t wrong in his hunch that Nygma was up to no good, it just took him a little while to prove it. The erection joke was a surprise, and it’s a greater surprise that it made it into the episode. It’s a low brow joke so it’s not really funny on its own, but amusing given the setting. The ending is perhaps a bit embellished I would think a man of Nygma’s intellect would figure out how Batman did it as he seems like the type who would have a near photographic memory. Maybe I’m giving him too much credit thought.

This is yet another episode animated by Dong Yang Animation Co., LTD. and it looks rather good. There’s some rainy sequences that look great and also some fun, shadowy shots of Batman. Riddler is animated in an amusing fashion as well as he’s quite expressive in costume when receiving female attention and I am just plain fond of his costume in this series. It’s too bad this is the last we’ll see of it as he’ll have a more classic look next we see him with a green unitard.

This is a good episode for Riddler to go out on. It was, after all, the rubber match or tie-breaker for these two. In Riddler’s first appearance he escaped capture while Batman emerged victorious in the second. With Batman foiling him here, and basically driving him even more insane, he earns a convincing win over the cerebral villain. I wish we got another starring episode out of the character, but I’m happy the writers never did a bad Riddler episode for the sake of doing another.


Batman: The Animated Series – “Trial”

btas trialEpisode Number:  68

Original Air Date:  May 16, 1994

Directed by:  Dan Riba

Written by:  Paul Dini and Bruce Timm

First Appearance(s):  None

“Trial” could be described as one of our first big payoff episodes for the series as it draws heavily on the events of season one. After spending considerable time developing Batman’s rogues’ gallery, Paul Dini and Bruce Timm decided to play around with them like a kid diving into a toy box for this episode as many of Batman’s foes are brought back for an ensemble episode. It also refers back to “Shadow of the Bat” and Gotham’s new district attorney, Janet Van Dorn (Stephanie Zimbalist, replacing Lynette Mettey, and also the daugher of Alfred voice actor Efrem Zimbalist Jr.), who was first introduced there as a hard-nosed and rigid authority figure. Here her personality is essentially doubled-down on as we find out she has a strong dislike for Batman and Gordon’s reliance on the vigilante in combating the crime infecting Gotham. Her dislike of Batman is a bit more practical than that of Detective Bullock’s as Batman’s clearly breaking the law, or at least bending it, with his vigilante antics and it makes her job considerably more difficult. And since she is at odds with Batman, it only makes sense to lean into that conflict as the backbone for this episode.

janet trial

Goth DA Janet Van Dorn assumes the spotlight for her second appearance. She also has been slightly redesigned to appear more youthful.

“Trial” opens in a court setting. Pamela Isely (Diane Pershing), better known as Poison Ivy, is facing incarceration beyond just treatment at Arkham Asylum and Van Dorn is arguing for life in prison. Ivy is able to avoid jail-time due to her capture being at the hands of Batman, who naturally isn’t present to even testify against her. The judge sends her back to Arkham, not an outcome Ivy probably wanted but it’s still better than prison. When the media approaches Van Dorn following the verdict, she uses the camera time to blast Batman calling him a disgrace and placing the blame for the presence of criminally insane rogues in the city on him. She’s also not afraid to let Commissioner Gordon know how she feels, but as always, he’s willing to stand-up for Batman viewing him as their best weapon in the fight against crime. Batman even drops in on their little meeting, presenting a gang leader as a present (who is wearing a skull shirt that seems to resemble a certain Marvel character’s logo). When Van Dorn challenges him to take off the mask and put on a uniform, Batman says nothing and departs. She takes a batarang from the perp as a parting gift, I guess?

At Arkham, a somewhat somber looking Poison Ivy is returned to her room. Her pal Harley Quinn (Arleen Sorkin) tries to cheer her up, but she has little success. She mentions something big is about to go down though that will likely lift her spirits. We then see some zombie-like orderlies and doctors milling about and The Mad Hatter bursts into the picture to reveal he’s used his mind control cards to subdue them as chaos breaks out.

captured batman

Van Dorn and Batman find themselves tied together by the real foes of Gotham.

A fatigued Van Dorn is shown arriving at a restaurant for dinner. Her date this evening is none other than Bruce Wayne. If Bruce is romantically interested in Van Dorn or just looking to get inside the head of someone who could either be friend or foe to Batman is not shown. Given his dedication to his Batman persona, it wouldn’t surprise me in the least if it was the latter. A waiter (clearly voiced by Mark Hamill, which is an unintentional piece of foreshadowing) comes to the table to tell Van Dorn she has a phone call. She never returns, and soon Batman is summoned by Gordon to find out the DA has been kidnapped. A ransom note was left behind containing a riddle. Batman deciphers it and heads for the court-house where he’s jumped by Poison Ivy and Harley Quinn.

Janet Van Dorn finds herself locked-up in Arkham. As she demands to speak with someone, she’s greeted by the former district attorney, Two-Face (Richard Moll). They’re having a little trial and need Van Dorn to act as a defense attorney with Two-Face the acting DA. Her client? None other than Batman. And to make things more interesting, Van Dorn’s fate is to be tied to that of her client. As Killer Croc (Aron Kincaid) dumps Batman in the cell with her, she complains about their situation and suggests Batman is where he belongs. Batman has no interest in debating his existence with Van Dorn.

trial jury

Batman’s jury hardly seems fair and impartial.

The two are lead into the court room, where a bunch of raving inmates jeer the presence of Batman and Gotham’s DA. Harley Quinn is there to taunt Batman revealing she stole his belt. The Ventriloquist (George Dzundza) with a newly reconstructed Scarface (also Dzundza) are acting as the bailiff and the jury is rather stacked against Batman as it contains:  Poison Ivy, Harley, Mad Hatter (Roddy McDowall), Killer Croc, Scarecrow, and The Riddler (Scarecrow and Riddler are not voiced in this episode). The judge? Well, it has to be The Joker (Mark Hamill) who is looking resplendent in a black robe and wig.

After Dent makes a rather brief and to the point opening statement, the trial gets underway. The Mad Hatter is the first witness who blames Batman for creating him. Van Dorn is able to expose his sick side rather easily, recalling the events of his debut and his obsessive pursuit of a woman who spurned his advances. Harley is the next, and Van Dorn is quick to point out she’s improperly influencing the judge who is laying his head in her lap (they apparently made up). Van Dorn gets no where with that complaint, but during her questioning of Quinn she actually reveals her origin for the first time as a doctor at Arkham perverted by The Joker. She also reveals that Joker ratted her out during his last capture, which enrages Harley and forces Croc to carry her out kicking and screaming.

harleys tampering

Harely and Joker are shown to have a still combustible relationship, but Harley just can’t seem to dump the clown.

Poison Ivy is next up, and her past with trying to murder Harvey Dent is once again brought up. Van Dorn accuses Ivy of having more love for plants than humans, and when Ivy denies that, Van Dorn begins taunting her by plucking the petals off a flower. This sets her off, and Ivy attacks Van Dorn and the two have to be separated. Van Dorn then composes herself for her closing remarks, claiming she now sees that it wasn’t Batman who created these villains, but the villains are the ones who created Batman. Her argument is apparently persuasive, and the jury actually finds Batman innocent. Joker is quick to point out that this is a court composed of the violent and depraved, and as such, they’ll still sentence Batman to the same fate that would have befallen him had he been guilty. Quoting Porky Pig’s “That’s all folks,” Joker strikes the bench with a rubber chicken and the two are dragged away.

van dorn and judge joker

The straight-laced Van Dorn is forced to contend with the crazies of Arkham, something she proves she’s capable of.

The rogues drag Batman to an execution chamber where the electric chair awaits him. Joker enters dressed as a preacher now as Batman is taken out of his strait jacket and placed in the chair. It’s at this point Van Dorn remembers the batarang in her jacket from earlier, and she takes out the only light in the room with it. This gives Batman the only opening he needs as he slips out of his confines and returns to the shadows where he is oh so comfortable being.

The tables have now turned, and Batman lets them know they’re now locked-up in there with him (perhaps a nod to Watchmen?) as he starts picking them off. When he grabs Croc, Joker reaches for Scarface’s miniature, but functional, tommy gun and opens fire. When Scarface warns Joker that he’ll hit Croc, he responds with “What’s your point?”

batman electric chair

This seems like a bad situation for Batman to find himself in, but as usual, he’ll make the best of it.

Batman grabs Van Dorn and the two attempt to escape, but are met by a scythe-wielding Scarecrow on the stairs. Batman is able to parry his strikes, which result in Scarface losing his head, and dispatches of the villains closing in on them. They escape to the rooftop where The Joker awaits. Joker ropes Batman and tugs him off the building with the rope affixed to an abutment that allows Joker to swing from the other end. He tries to take Batman out with a giant mallet, but as always, Batman is able to escape and take him out in the process. By now, the police (who have been tracking Batman’s location this whole time) arrive to clean up the mess. In a brief sequence to close things out, Van Dorn admits to Batman she sees a need for him in Gotham, but adds she’ll still work to create a Gotham that no longer needs Batman. He responds with a smile and a simple “Me too.”

“Trial” is a fun examination of how Batman and his adversaries are connected. Van Dorn’s argument that the cartoonish villains of their world are created by Batman is a common one, while the episode makes the case that it’s the other way around. The reality is that the two are forever intertwined. A criminal act created Batman, but Batman has certainly had a hand in creating some of the villains he combats (Van Dorn even references Joker’s creation which follows that of Batman ’89). It’s a fun little debate, and getting a bunch of villains together in one place is also equally fun and basically the impetus for Batman:  The Movie. I like seeing how the villains also play off each other, though Croc is back to being a dim-witted piece of comic relief who just wants to throw a rock at Batman. Having Harley’s origins touched upon is a nice little nugget and something that will be explored down the road. I could certainly nitpick how easy it was for Mad Hatter to gain access to his special cards or how Van Dorn is a great shot on her first try wielding a batarang, but this episode is pretty packed as-is (supposedly, this plot was considered as the first movie, but was scrapped in favor of Mask of the Phantasm) and had it spent any additional time on such details it would likely not have worked out as well. The script is also delightful, making this perhaps the most quotable episode of the series. The only gaffe, plot-wise, is the presence of Killer Croc in Arkham when it was established in “Sideshow” he’s not insane, just a bad guy.

preacher joker

Preacher Joker is one of the fun little touches in this episode.

Dong Yang Animation does a nice job with this episode having to animate so many unique characters at once. They even went through the trouble of portraying the villains in jumpsuits initially, rather than taking the easy way out and just having them in costume from the start. Bruce Wayne also gets a new look as he’s ditched his old brown suit for a sharp-looking gray one that seems to be his new default look. The drab backgrounds of Arkham are juxtaposed against the colorful costumes everyone sports and it creates a nice look. I also really enjoyed Joker’s various attires and the toy collector in me wouldn’t mind an action figure of Judge Joker and Preacher Joker. Van Dorn also received a subtle make-over from her prior appearance. She wears a blue suit now and appears a bit more youthful than before. There are a couple little production gaffes, like a character’s mouth moving when it shouldn’t and Riddler just disappearing, but nothing glaring enough to take away from the overall presentation.

“Trial” is a good second season episode that really takes advantage of the lore and backstories established in season one, and even elsewhere. It’s the type of episode I like to see in a show’s second season, and for a show like Batman that typically focuses on stand-alone stories, I always get a little rush of excitement when past events are mentioned.


Batman: The Animated Series – “What Is Reality?”

What_is_RealityEpisode Number:  48

Original Air Date:  November 24, 1992

Directed by:  Dick Sebast

Written by:  Marty Isenberg, Robert N. Skir

First Appearance(s):  None

After having escaped both Batman and the Gotham PD, The Riddler (John Glover) is back to erase his criminal history and likely get some measure of revenge against Batman and Robin for ruining his prior plans. It’s a rare example of the show having a direct follow-up to a prior episode as villains are often captured and released from Arkham or jail offscreen. It’s not often we have a villain escape and then make reference to their fugitive state, but that’s what we have here in what is only the second appearance of the quite popular Riddler character.

The episode opens with a jogger running through the Gotham night. He decides to withdraw some money from an ATM only to find it’s spitting out riddles instead of cash. Not only that, it shows his balance as zero which enrages the man. The scene jumps to Gotham’s version of Wall Street where investors are being taunted by the scroll not by failing prices, but by riddles. We then see the Gotham Department of Motor Vehicles suffer a similar fate as Dick and Alfred wait in line to dispute a ticket of some sort. All of this brings us to Gotham PD where Batman and Gordon are discussing the obvious – this is the work of Edward Nygma, aka The Riddler. He’s been on the run ever since the events of “If You’re So Smart Why Aren’t You Rich?” and has so far managed to illude capture. Gordon then notices that all online records of Nygma’s very existence are being deleted at an alarming pace to make it appear like he does not, and has never, exist. Before Batman can ask about the hard copies of his records, they’re informed that a package has arrived at headquarters and it’s ticking.

riddlers console

The shipping on that must have cost a fortune.

Gordon is apparently comfortable with letting Batman and Robin handle this potential explosive device as the two are seen examining the rather large package. Robin notes that the blocky structure is a puzzle and boasts that he was able to complete a Baxter’s Box puzzle in record time, so this should be no problem. A Baxter’s Box, as best as I can tell, is this world’s version of a Rubik’s Cube. I guess even referencing that famous toy could fall into a copyright area? Robin is able to get the box to open and inside they find a large console complete with a monitor, two seats, a massive keyboard, and a pair of headsets. Not knowing what to immediately make of it, Batman leaves Robin to check it out. Meanwhile, some cops have stolen the hard copies of Nygma’s records and are shown delivering them to Nygma himself who is watching all of this via a monitor in an undisclosed location.

Batman looks to the various riddles that Nygma left behind via the ATM, stock market, and DMV. They’re simple riddles, so Alfred and he deduce they should focus on the numbers contained in the riddles, which when translated to roman numerals, leads Batman to the DMV. There he finds some goons accessing the hard copy records there, likely searching for Nygma’s files. Batman engages them which leads to the action spilling outside where a Riddler Van tries to run down the caped crusader. When Batman winds up on the hood of the vehicle, he finds it’s being driven by a robot with a camera for a head. Nygma is able to taunt him as well, and points out the vast amounts of explosives in the back of the van. Batman is able to avoid a rather explosive demise, but not without detonating the van making quite the mess. Riddler is able to leave him another clue though, because that’s what he does, about where to turn his attention to next.

batman chess

Riddler’s virtual world.

At Gotham PD, Robin has discovered that the console delivered there is actually a virtual reality machine. He demonstrates how it works to Gordon before taking off for a snack leaving Gordon plugged into the machine. Once gone, Riddler appears in the virtual world and is able to trap Gordon. When Robin returns, he receives an electrical shock from Gordon’s headset when he tries to remove it. Batman soon arrives as Riddler’s most recent riddle directed him to Gotham PD headquarters. Robin gives him the rundown and Batman is left with no alternative but to enter the VR machine and rescue Gordon. Riddler has placed Gordon in a high velocity device within the world similar to what astronauts use to train for the force of space travel. Riddler claims Gordon’s heart can’t last in the machine indefinitely injecting a time component into the situation. Robin warns Batman that he’s basically entering a world controlled entirely by The Riddler which prompts Batman to insert an ear piece into one ear so he can maintain a link with Robin while inside the game. Robin is also able to watch what is going on via the rather large monitor Riddler included.

batman dark knight

If you’re going to call yourself the Dark Knight then you should look the part.

Once in the world, the episode’s perspective shifts to that. It’s mostly a world depicted in shades of red not unlike a Virtual Boy, but with some black and white as well. Riddler pushes Batman along via clues which leads him to a chessboard. Batman is forced to literally adopt his Dark Knight persona to sneak past which just leads to a constellation based puzzle for him to solve, with Robin’s help (he’s big on astronomy apparently). Eventually, Batman finds himself face to face with The Riddler and a giant version of a Baxter’s Cube. Not wanting to waste more time in figuring out the puzzle, Batman realizes he has some control over himself in this virtual world and imagines he has mallets instead of hands. He bashes the cube, which just prompts the Riddler to attack. He splits himself into multiple Riddlers, and Batman responds by doing the same. As they engage in a competition of who can create more versions of themself, Batman points out how hard it must be for Riddler to maintain control over his virtual world when splitting his focus amongst the many duplicates he’s made. Just pointing this out causes the world to collapse, and the Baxter’s Cube breaks away revealing Gordon.

many riddlers

Well this presents a problem.

Batman and Gordon are able to escape the virtual world. Once outside, The Riddler returns to the monitor to taunt them and leave them one final clue about where he could be. Just after doing so, he lets out a horrible scream indicating he’s in some trouble. His clue was enough for Batman to figure out his location, and when Batman, Robin, and Gordon find the Riddler he’s still connected to his game unable to remove himself much in the same manner as Gordon previously. Batman remarks getting him out of there may be a riddle no one can solve (spoiler: this isn’t the last we’ll see of The Riddler!) as the credits roll.

“What is Reality?” is a decent follow-up the The Riddler’s debut. It doubles-down on Riddler’s fascination with video games and virtual worlds, which is an interesting take on the character, and one that feels very of the times. I mentioned previously how I liked that this episode directly deals with the fallout of the previous one, even though it isn’t a two-parter. The writers seemed to not want to really bother with riddles this time around though, opting to deliberately have The Riddler use simple riddles but with a bit of a convoluted message hidden in each one. I’m not particularly good at riddles so I feel a little uncomfortable for criticizing the episode for going easy on them, but maybe they should have hired somebody who could craft a good riddle? As a result, The Riddler seems rather stupid as his efforts are not even remotely challenging for Batman to figure out. Batman also easily bringing an end to the VR world is rather underwhelming, but maybe they wrote themselves into a corner since they gave Riddler complete control over the world. The ending is kind of chilling though. After almost rooting for The Riddler in his debut he’s a bit more of a conventional villain here, but his actions never make us desire a fate like that for him.

riddler trapped

Riddler’s in a rather sorry state at the episode’s conclusion, but he’ll bounce back.

This episode marks the final contribution from Akom Productions. They were let go after the some-what disastrous “Joker’s Wild” episode. Perhaps because of this they did an especially careful job with this episode. It looks fine and I have no complaints about the animation. There are some very minor errors, but most episodes contain one or two. It’s not a hugely ambitious episode, though some fun things were done with the virtual world. I’m glad only a few minutes are spent there though as that red palette gets kind of irritating to look at.

This isn’t the last we’ll see of The Riddler, which I can’t imagine comes as a surprise to anyone. It is the last we’ll see of him for a while though and his last appearance of season one. Unfortunately, his next appearance doesn’t mirror this one by dealing with the fallout. He’ll just be his normal self leaving us to wonder how he extricated himself from the VR world. I guess for them not to tell us means it wasn’t a very interesting story. I bet they just unplugged the thing, that seems to be the solution for most electronic mishaps.


Batman: The Animated Series – “If You’re So Smart, Why Aren’t You Rich?”

If_You're_So_Smart,_Why_Aren't_You_RichEpisode Number:  40

Original Air Date:  November 18, 1992

Directed by:  Eric Radomski

Written by:  David Wise

First Appearances(s):  The Riddler

 

It only took 40 episodes, but we’ve finally made it to the debut of what I would consider the last of Batman’s most famous adversaries:  The Riddler. Thanks to his inclusion in the 60’s television series as well as Batman:  The Movie, The Riddler (John Glover) was a very well known villain and was so well known that it was basically considered a given that he would be the featured villain in the sequel to Batman Returns. And it turns out he was! That version of The Riddler, played by Jim Carrey, ended up being very similar in character to the one from the 60’s most famously portrayed by Frank Gorshin right down to the green spandex. For Batman:  The Animated Series, a more cerebral version of the character was chosen. Clad in a green and gray suit with bowler hat, he’s not very much like what we had seen before in popular media. He still is all about riddles though and the essence of the character is preserved. He’s also given an interesting motivation, and he’s yet another villain who was wronged in the past, but flouts the law in order to rectify what happened bringing him into conflict with the one and only Batman.

maxresdefault-35

Enter The Riddler.

Edward Nygma is a computer game designer who’s latest creation, The Riddle of the Minotaur, has become exceedingly popular. He works for Competitron, a company owned by Daniel Mockridge (Gary Frank), and unfortunately for Nygma all of his work has come under a work for hire agreement. He enters his office one day to find that he actually has no office. Mockridge is there gleefully waiting for him to let him know he’s being terminated. Nygma, irate at this treatment, points out how much money he’s made the company while Mockridge dangles his contract in front of him essentially boasting that he’s completely right, but there’s nothing he can do about it. Because he’s essentially a contractor, he receives no royalties for the game (or if he does, they’re not large) and no creative control. As a parting shot, Mockridge throws the episode’s title right in his face, “If you’re so smart, then why aren’t you rich?”

SR_11_-_Billboard_Riddle

Mockridge being taunted as he makes his pitch to Wayne and Fox.

The episode jumps forward two years and Mockridge is pitching Competitron to Bruce Wayne and Lucius Fox. Mockridge is looking to sell and cash-out of his growing business while Bruce is interested in moving the company to Gotham to create more jobs. As Mockridge is making his pitch, a word crawl on a building across the street (like one you would see outside a stock exchange) taunts him with a riddle and makes a reference to the big deal he’s trying to negotiate. Mockridge is unnerved, though Wayne and Fox aren’t aware of the message since it’s behind them, and are rather confused when the pitch is cut short. After Mockridge leaves, Wayne notices the riddle and begins reading it aloud while the shot transitions to the Batcave for Batman to finish the riddle. It’s a neat little trick as it points out how voice actor Kevin Conroy portrays Wayne and Batman just slightly differently.

Dick is also in the Batcave and he just so happens to be playing The Riddle of the Minotaur on the Batcave’s computer (which Alfred reveals cost 50 million dollars) which features sound effects lifted straight out of Super Mario Bros. Since Bruce Wayne had to pour over documents relating to the sale of Competitron to Wayne Enterprises, he knows about the creator of the game, Edward Nygma. The riddle also made reference to The Wasteland, which is both a region in the game and a night club owned by Mockridge. Batman decides that’s the most logical place to check-out and declares that Mockridge is in danger.

SR_33_-_Riddler

There’s something “off” with how Riddler’s expressions are animated. It’s animation more befitting Tiny Toons or Animaniacs.

It turns out, Batman was correct. Mockridge arrives at his club’s office and finds Nygma seated at his desk. He’s now The Riddler and he taunts Mockridge with a ring puzzle. He also has help in the form of two very large goons. Batman and Robin soon arrive, dramatically crashing through a stained glass skylight, but they find no one. The Riddler soon appears to let them know they’re too late, and Mockridge is bound within the ring puzzle The Riddler had been playing with. They have a scuffle with the hired muscle, who put up a pretty good fight. Robin is rather proud of himself when he literally kicks one of them in the rear. The Riddler eventually traps Robin in an over-sized finger trap as a fire breaks out, forcing Batman to either save Robin or pursue The Riddler, who flees with Mockridge. Batman obviously decides to save his ward, allowing Riddler to escape.

As the dynamic duo speed away in the Batmobile, Robin notices all of the lights in the city are flickering on and off. Batman, affixing some sort of mini computer to his glove which looks kind of cool, recognizes that the lights are flickering in a pattern indicating Morse Code. The code contains a riddle, because what else would it, who’s solution leads them to a maze in a closed amusement park. During the prior confrontation, Batman revealed that he knows The Riddler’s identity, so The Riddler determined that he needs to take out Batman to protect his secret. By luring Batman and Robin to his maze he hopes to do just that while also taking care of Mockridge.

hqdefault-43

The Riddler welcoming Batman and Robin to his maze.

The maze is a literal recreation of the one from Nygma’s game. Robin, having played it quite a bit, is familiar with it and Batman is gradually brought up to speed as they go along. Nygma has made this version of the maze much more lethal than the video game counterpart, and Batman and Robin have their hands full. The Riddler is able to taunt them from various video screens throughout the maze and he lets them know they only have a few minutes to make it to the center and save Mockridge, who is gagged and bound beneath the blade of the Minotaur. The problem is, no one has ever solved the riddle of the Minotaur and made it through the maze, meaning Batman and Robin will have to be the first if they want to save Mockridge and apprehend The Riddler.

Batman is willing to play along only so much, but when they make a wrong move The Hand of Fate is sprung on them. We saw the video game version earlier in the episode as The Hand of Fate is a game mechanic that punishes wrong answers by bringing the player back to the maze’s start. In the real world, it’s a literal flying hand that Batman and Robin are able to avoid. When it becomes apparent that they have no chance at making it to the center of the maze in time, Batman intentionally makes a wrong move to draw the hand to him. Using a piece of shrapnel from an earlier trap (The Riddler made them leave their utility belts outside the maze in order to gain entry), Batman is able to hack The Hand of Fate, and together with his little glove computer, is able to pilot the hand to the maze’s center. It’s cheating, but effective. There they have to answer one final riddle in order to prevent the Minotaur from killing Mockridge, and it’s actually a pretty simple riddle. Not content to make it so easy, The Riddler springs the Minotaur on them as one final obstacle that Batman is more than capable of dealing with, in his own way.

batman-the-animated-series-if-youre-so-smart-why-arent-you-rich-3

A confrontation with the Minotaur awaits at the center of the maze.

With Mockridge saved, the only thing left is to catch The Riddler. Unfortunately for them, he’s no where to be found. He’s been speaking to them from aboard an airplane and he’s now long gone. In the episode’s epilogue, we find out the deal was completed and Mockridge came away with a cool ten million. Dick is kind of disappointed as they’re well aware that Mockridge is a creep who took advantage of Nygma’s genius, but Bruce points out that all the money in the world can’t buy a good night’s sleep as we’re shown a very paranoid Mockridge locking his doors at night and keeping a gun by his bed as he shivers in fear.

This episode very much reminded me of Mr. Freeze’s debut, “Heart of Ice.” The only difference is that Freeze’s adversary was a criminal himself, while Mockridge is just your typical corporate sleezeball taking advantage of a system that’s rigged in his favor at the expense of someone much poorer than he. Mockridge hasn’t broken any laws, but he’s obviously a morally bankrupt individual. It’s not that surprising to see a show who’s origins stem from a comic book incorporate such a villain into an episode as Mockridge’s tactics are similar to the ones comic publishers used to box out the artists and creators that made the comics successful. It would be many years later that we would find out a similar travesty occurred with Batman as Bill Finger never received credit for his contributions to the character during his lifetime. Finger, appropriately enough, was also the creator of The Riddler.

hqdefault-44

Mockridge “enjoying” his money.

As a result of Mockridge being such a lame person, we’re in essence rooting for Nygma during this episode. In reality, he probably could have filed a lawsuit against Mockridge and Competitron and possibly could have won. For all we know he did during the two year time-jump and maybe lost. He chose to take things into his own hands though and turn to crime to exact revenge against the man and company that wronged him. How he was able to finance that ridiculous maze is not explained and I suppose we’re supposed to just ignore it so the episode can work. Even though we’re supposed to disagree with The Riddler’s methods, I have to assume we were supposed to take some satisfaction in his escape at the episode’s conclusion.

This episode is one of two animated by Blue Pencil, S.I., and it’s not a particularly strong episode. A lot of new backgrounds had to be utilized so there was some cost there, but the animation is inconsistent and there are numerous visual errors. The Riddler’s mask at one point changes from pink to gray and a key re-appears on a wall when it shouldn’t be there, among other little flaws. That stuff was common in a lot of kid’s cartoons of the era, though not so much in this one, so it stands out more. The Riddler himself is also some-what toon-like in his movements and mannerisms with his face stretching and contorting into odd shapes as he speaks. It looks out of place, and there’s some odd shots of Batman as well. The Minotaur at the episode’s conclusion, who is supposed to be a robot, also moves like this making it seem like he’s more flesh-like than steel. Blue Pencil only worked on one other episode, which we’ll get to in about a month from now, and I wonder if it’s because the quality wasn’t up to par.

The Riddler is not a villain we’ll be hearing from very much. It’s kind of a shame because John Glover’s take on the character is quite good and I much prefer it to the Gorshin and Carrey portrayal. I do wonder if he was avoided because it’s pretty hard to come up with clever riddles to dot his episodes with. The ones in this episode are kind of weak, but not embarrassingly so or anything. I can definitely see it being a very intimidating task to write a Riddler episode. I always liked The Riddler though and I kind of wish we saw him in the Nolan trilogy as I think he would have made his Riddler similar to this one. We had to wait awhile for him to show up in this series, but it would seem he was mostly worth the wait.


%d bloggers like this: