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The New Batman Adventures – “Judgement Day”

judgement dayEpisode Number:  24 (109)

Original Air Date:  October 31, 1998

Directed by:  Curt Geda

Written by:  Rich Fogel, Alan Burnett

First Appearance:  The Judge

We have arrived at the final episode of The New Batman Adventures and what is essentially the final episode of Batman: The Animated Series. This third season seemed to go by fast, and while that’s certainly partly attributed to the fact that it was 23 episodes versus the 85 that totaled the first two seasons, that’s still more than six months of weekly blog posts. And this final episode certainly has an ominous title to it, doesn’t it? “Judgement Day” is the final produced episode of the show, though it was never envisioned as a series finale since most assumed the show would continue into a fourth season. It did not, as DC and Warner elected to instead create a sequel series in the form of Batman Beyond depriving us of what would be a true series finale.

Even though this wasn’t necessarily intended to be farewell, some aspects of this episode work as a series finale. For one, this is a Batman solo adventure. He’s going to do everything on his own in this one and even look to Alfred for a little help along the way giving this one a very season one feel to it. It’s also going to bring back a few villains we haven’t heard from much during the events of this third season. It also introduces a new one in the form of The Judge, who bares a rather strong resemblance to The Phantasm from the film Mask of the Phantasm. And like that persona, this one has its identity unveiled at the end so if you’ve never watched this one on your own, maybe do that before reading any further. It’s a fun and worthwhile reveal that I’d rather not spoil.

bartering

Just The Penguin taking care of some business.

The episode opens during some negotiations between rogues. The Penguin (Paul Williams) is haggling with Killer Croc (Brooks Gardner) over a diamond he’s brought him. Penguin is a tough negotiator and it’s getting under Croc’s skin. Penguin appears to think little of Croc, and even flaunts it when another rogue saunters in:  Two-Face (Richard Moll). Penguin is open about how he’s willing to pay someone of Two-Face’s stature more money than he would Croc and the two quickly complete a business transaction. Croc, grumbling, reluctantly takes what Penguin is offering and he has his two female associates, Lark and Raven, escort the men out.

judge strikes

The rogues of Gotham have a new problem, and he carries a big sword.

As he deposits his newly acquired goods in a safe, Penguin remarks to himself essentially how fun it is ripping off Croc. Unfortunately for him, he’s not alone. A hollow, yet booming, voice (Malachi Throne) causes Penguin to turn around. Before him is a large man dressed in a long black robe. His face is completely black and surrounded by an old-fashioned white judge’s wig. He admonishes Penguin for possessing no honor among thieves and brandishes a sword declaring he must pay for his many crimes. Penguin, for his part, appears unfazed and is ready to go toe-to-toe with this apparent vigilante, but his umbrella is no match for The Judge’s sword. He runs and calls for his associates, but he stumbles upon them tied up and hanging from the ceiling. As The Judge chases him, he hacks at a large penguin statue on wheels which rolls over and lands on the “legitimate businessman.” The result leaves him unconscious and looking rather worse for ware.

A news broadcast the next day is covering the attack and reveals that Penguin is in critical condition. Killer Croc is shown watching the report smugly while Bruce Wayne reacts somewhat angrily as he watches from his limo. When it’s revealed that a vigilante was responsible for the attack, Alfred asks Bruce if it’s a friend of his, but gets a growl in response. Two-Face also sees the story, but isn’t happy, unlike Croc. The news then pivots to another new face in Gotham, councilman J. Carroll Corcoran (Steven Weber). Corcoran remarks that everyone knows Penguin is not on the up-and-up, but no one was brave enough to take him on. He thanks the vigilante for his brand of justice and for doing what Gotham’s police and D.A. would not.

A couple of security guards are loading an armored car along one of Gotham’s suspension bridges. They apparently are collecting the haul from the tolls and making small talk, but we all know the only reason for an armored car to be in this show is for it to be robbed. And sure enough, lurking beneath the vehicle is Croc. He emerges from a manhole to grab onto the underside of the car as it pulls away. Once on the bridge, Croc demonstrates his claws are quite sharp by ripping through the underside of the vehicle and climbing inside. He quickly gets rid of the guards, but someone is on the vehicle’s roof and unwilling to let Croc get away.

croc and judge

If it works in Donkey Kong it will work on you, Croc.

That someone is The Judge. This time he’s armed with a giant hammer and he causes Croc to lose control and flip the vehicle. Once he climbs out he confronts the new vigilante who has come prepared with numerous trial-related puns. He’s so generous with the puns that he comes across like a menacing version of a 1960s villain. Croc appears to be in no mood to fight with this guy, and makes his escape. He apparently forgot that he’s part crocodile, because rather than dive into the waters below he instead climbs up the cables of the bridge. When he gets to the top, he finds out that The Judge is just as capable as Batman in scaling great vertical distances without notice as he’s there waiting for him. He clocks Croc with the mallet knocking him from his perch.

Fortunately for Croc, Batman was watching from a nearby rooftop. He makes the save before Croc can go splat on the pavement. When Batman looks up following the rescue The Judge is gone. How does it feel, Batman?!

corcoran

This guy Corcoran is basically a piece of shit and the episode isn’t interested in hiding that.

Councilman Corcoran is shown tossing some floppy disks across his desk. He says the data on them would prove invaluable for someone trying to track down Gotham’s most notorious villains. There to receive the data is The Judge. It would seem Corcoran’s endorsement of Gotham’s latest vigilante has been good for him in the polls, which is good news since there’s a primary on the horizon. He reasons that if Gordon can have his pet bat, why can’t he have The Judge? Really, everything he’s saying makes total sense given the reality of this world, but the delivery of his lines is done in such a way that it’s obvious this dude is a villain and there’s more to this story. The Judge, for his part, is fine with this arrangement and the two shake hands indicating they’ll be a force going forward.

riddler judgement day

The New Batman Adventures sure did The Riddler dirty.

We’re then shown another news report. This time it’s The Judge putting a stop to a crime being committed by The Riddler (John Glover). There’s footage of The Judge in action as Riddler is given just one brief line in which he’s not even allowed to deliver a riddle. Such an inauspicious way for his character to go out. Corcoran is again interviewed by the crew and heaps praise on The Judge. He confirms that the two are in communication and even issues a warning for Two-Face that he’s next on the list.

The image explodes as Corcoran issues his threat and it’s revealed we were watching this through a television in a bar. The bartender is initially pissed when his TV explodes, but he turns to see the responsible party and promptly shuts up. Apparently he forgot that Two-Face and his associates had sauntered into the bar, and since he didn’t like the program, he turned it off in his own special way. Two-Face then leaves and as he does another individual leaves as well. That individual is Wayne in disguise who quickly throws on his Batman attire and begins following Two-Face’s ride.

batman twoface gas

Don’t light a match.

Batman follows Two-Face to his hideout which is the same one from “Shadow of the Bat.” Two-Face is alone and soon Batman barges in. Two-Face is rather angry to see Batman on top of him, but Batman insists it’s for his own good as he’s trying to protect him from The Judge. Two-Face does not seem to want Batman’s help, but before the two can sort things out Two-Face’s security mechanisms take effect. Metal shutters cover the windows and doors turning the lounge into a panic room. A television then flips on and it’s The Judge. He delivers his judge-speak and sentences Two-Face to death by asphyxiation for his crimes. Gas then starts pouring into the room. With the doors and windows sealed, Batman demands to know where the secret exit is as he knows Two-Face would have one. He shoves Batman aside and then removes a trap door from the floor. He finds it’s been sealed with metal bars and then panic sets in. Two-Face claims no one knew that exit was there, but that doesn’t change the reality of the situation. Batman then tosses Two-Face over the bar and tells him to stay down. Ducking behind a wall, he pulls out an explosive Batarang and nails the source of the gas which results in a large explosion.

With the gas no longer a threat, Two-Face emerges from behind the bar. He finds Batman down on the floor and gives him a nasty kick. He then thanks him for saving his life and walks on by. This seemingly makes the two even.

Corcoran is shown on the phone having a conversation with The Judge. The Judge is angry with Batman for preventing The Judge from delivering justice to both Killer Croc and now Two-Face. He is seeking permission to deal with Batman from Corcoran, but he doesn’t think that would be a good look for anyone. The Judge hangs up in response and Batman soon appears. He wants info on who The Judge is, but Corcoran tells him he doesn’t know. He then goes off telling Batman that The Judge is good for Gotham and the people don’t mind if he kills the bad guys, as long as it gets them off the streets. Batman does his disappearing act, per usual, and Corcoran is actually happy by this development as he assumes it means Batman was in agreement.

two-face interrogates

Brought to a courtroom? This seems like something a judge would do…

Corcoran then heads for his car, his work done, when he’s confronted by Two-Face. Corcoran’s happy mood changes quickly and as he backs away he’s knocked out by Two-Face’s men. He is then taken to a courtroom and bound to a chair. Two-Face wants info on The Judge, but Corcoran swears he has nothing. The Judge always seeks him out, not the other way around. Two-Face consults with his men, who are seated where the jury normally would be, to see if they believe Corcoran’s story. Manny (Peter Jason) and Mo (Loren Lester) both say they believe him, but that doesn’t mean Corcoran is free to go. Two-Face consults his coin, and the results are not good for Corcoran. He tells the boys to do their thing, and they spring up armed with a knife. Corcoran is terrified as they approach, but the knife is just used to cut his restraints. As they lead him away, Corcoran begs with Two-Face. He reveals he has 100 grand in cash he can pay him with, all kick backs and bribe money he’s been taking. Two-Face says he wishes he knew that before he flipped the coin, but it’s too late now.

At the Batcave, Batman is examining the mallet The Judge wielded in his attack on Killer Croc. Alfred is there to monitor and wonders what Batman could be looking for since the police already checked it for prints. Batman is more interested in some holes in the mallet itself. He assumes there used to a plaque affixed to it and he turns to his omniscient computer for awards resembling mallets. He finds one, which is an award given out to lawyers and judges. He then pulls up a list of past winners and we’re not allowed to see the list of names. He asks Alfred if any look familiar, and he just gives us an “Oh my God!” in response. I think that’s a yes.

img_0382

This has been fun, but it’s time for these two to go one on one.

We now return to Corcoran who has been bound and blindfolded at the base of a giant Lady Justice statue. Manny and Mo appear ready to execute him and once more Corcoran tries to barter his way out. The two are amused that Corcoran would propose they two-time Two-Face and raise their guns to off the councilman. Suddenly, metal shackles snap onto their wrists. They’re apparently magnetized as not only do their wrists end up bound together, but they also end up pointing their guns at each other. The Judge then emerges once again armed with his sword. He knocks the men down and traps them with a wooden adornment. He then turns to Corcoran who is delighted that The Judge has come to rescue him.

Or not. It would seem The Judge was listening in on Corcoran’s attempts to bribe his way out of this predicament and he’s especially angry with Corcoran about the bribes he’s been taking. He takes aim with his sword, but a Batarang knocks his sword away. Batman informs Corcoran he’s not going to like what he’s about to reveal, but he’s unable to reach The Judge’s mask. Instead, The Judge flings the shackles he used on Manny and Mo at Batman binding his hands together. He then has to dodge The Judge’s sword strikes and use his body to knock him down. The Judge then uses another pair of shackles this time striking Batman’s ankles and binding them together. Realizing he can’t possibly fight like this, Batman uses a grapple gun on the ceiling and attempts to get away. The Judge won’t allow it though and jumps on Batman’s back. As the two rock towards the ceiling, Batman is able to swing himself into the statue of Lady Justice and knock The Judge from his back.

judge revealed

The Judge revealed. Is it surprising? Eh, close enough.

Batman returns to the ground where the judge lays unconscious, one of the scales having fallen on him. He takes the keys from The Judge to free himself from the shackles, then rather proudly informs Corcoran his life is about to get worse. He pulls the mask off of The Judge to reveal his identity:  Two-Face. Corcoran is shocked and soon the police and some reporters come storming in. They’re surprised to see Two-Face as well and Batman leaves Corcoran to explain this mess.

Bruce Wayne is shown reading the newspaper which contains a story about Corcoran being indicted and losing his primary. Alfred shows up to express how surprised he was to learn that Two-Face was The Judge all along, allowing Bruce to explain to the audience what happened. Two-Face essentially created a third persona, unknown to him, which is how The Judge knew about Two-Face’s hidden exit to his apartment. Alfred expresses pity for the man formerly known as Harvey Dent, which takes us to Arkham. The voice of The Judge can be heard demanding to know how Two-Face pleads when confronted with his crimes. Two-Face is shown in a strait jacket with his head hung low as he just repeats the word “Guilty” over and over, his face rising to reveal a haggard expression.

guilty

“Guilty…guilty…guilty…”

And that is how The New Batman Adventures comes to an end. One of the best villains the show produced is returned in yet another new role to disburse justice across Gotham. It’s a fitting sister episode to “Second Chance,” for in that episode it was Harvey’s bad side that took control to make sure an operation that would repair his face never took place. In this one, it was the side of him that is Harvey Dent, District Attorney, who found a way to manifest itself in the form of The Judge. The reveal is protected rather well, with the only tip-off being that The Judge was clearly either a judge or lawyer when not in costume. The only other clue was the throw-away line from Two-Face about his secret exit, but it’s not as if the exit was hidden well. It was plausible that if The Judge could gain entry to the apartment for long enough to hack the security system and plant the gas bombs that he also could have found the hidden exit. It works well as a clue though and helps to make sure the episode didn’t do anything unfair in hiding the real identity of the vigilante.

For Batman, he only has to do some simple detective work to figure this one out. And as we saw in “Second Chance,” Harvey is a tough villain for him to confront given his failure to protect him back when he was disfigured by Rupert Thorne. It makes sense for this to be a solo mission given that fact, and truthfully there wasn’t much room for anyone else given how this one moves along. It might have been nice to see Robin confront Two-Face again, but it wasn’t exactly needed either.

Corcoran is the only real weakness for this episode. His portrayal is so slimy in nature that the reveal that he’s a crooked politician was expected as opposed to surprising. If he had been played different or made to seem a little less self-serving it might have made that reveal a bit more shocking and effective, rather than just being ho-hum. The writers felt that Corcoran needed to be a villain, and since Gordon endorses a vigilante all of the time they had to make him different to further illustrate the difference between Batman and The Judge.

batman soars

It feels appropriate that the show ends like it started with a Batman solo tale.

For Harvey Dent, this is a sad end for him. He will not appear in any of the series that follow and clearly he’s no closer to regaining his sanity at the end of this one than he was at any time before. He feels like a lost cause, and even Bruce shows him no sympathy in the end which is in contrast to his appearance in “Second Chance.” They could have given him a line about how The Judge’s presence indicates that there’s still some of Harvey Dent locked inside of there somewhere, but alas they chose not to. I’m not complaining as I’m fine with the story of Two-Face essentially having a sad ending even considering it is the final episode of the series. And not to be forgotten, but this is also the final appearance of Paul Williams as The Penguin. The Penguin character will return in Mystery of the Batwoman, but Williams did not reprise his role. A lot of praise is heaped on Kevin Conroy and Mark Hamill for being the definitive take on their respective characters, but I can never read a line of dialogue from The Penguin and not hear Paul Williams in my head.

And that is the inescapable reality of this one. The end of Batman: The Animated Series, possibly the greatest action cartoon of all time. I started this project as a celebration of the show’s 25th anniversary more than two years ago. I also wanted to do it as a chance to revisit the show with a critical eye and determine for myself if it’s still worthy of much of the praise heaped upon it. And while it is true that not every episode is great, the vast majority are more than entertaining and it leads me to believe that the show has a well-earned reputation. It’s not just nostalgia talking. I will return to this show again to do a proper wrap-up, but it will have to wait until possibly the new year. I could not have timed this better when I started for next week will be a review of the show’s feature length finale, Mystery of the Batwoman. After that comes December which means Christmas, so there won’t be room for Batman for awhile. If you have been reading this weekly since the start, or just popped in now, thanks for doing so. I know it’s not as fun to read about Batman as it is to watch it, but hopefully this has been an acceptable use of time for anyone choosing to spend that which is so precious on my humble little blog.

 


The New Batman Adventures – “Sins of the Father”

sin of the father titleEpisode Number:  2 (87)

Original Air Date:  September 30, 1997

Directed by:  Curt Geda

Written by:  Rich Fogel

First Appearance:  Tim Drake, Manny, Mo

Last week’s debut episode for The New Batman Adventures was an odd way to bring the caped crusader and his crime-fighting family back to the world of television. It was odd because it was an anthology-styled episode, something Batman: The Animated Series seldom dabbled in. Mostly though, it was weird because it contained a new Robin character without any setup for where this kid came from. Episode 2 will rectify that as this is the introduction of Tim Drake (Mathew Valencia) who will become this series’ version of Robin.

The episode is directed by Curt Geda and Rich Fogel, both new to these roles. For Fogel, this is his first contribtuon to Batman after working on Superman. He’ll work on Batman Beyond as well as other DC animated shows. For Geda, this is basically a promotion. After working on storyboards during the original run of the show he now finds himself in the director’s chair for the first time. Apparently, the company liked what he did because he’ll direct several more episodes in this series before moving on to Batman Beyond in the same role.

tim donuts

Tim Drake is a kid that will go to great lengths for some donuts.

“Sins of the Father” is not a flashback episode, it just takes place before the events of “Holiday Knights” even though it came after that episode in both production order and air date order. We’ll come to learn that at some point between the end of BTAS and the beginning of this series that Dick Grayson had a falling out with Batman. That won’t be explored until a later episode, but the important thing to know is that the role of Robin is open for audition. This Robin is actually the third Robin to appear in the comic books in the regular timeline. To no one’s surprise, the animated series is skipping Jason Todd who is mostly known for being horribly murdered by The Joker. I know we talked about last week how this series is a bit more violent and willing to flaunt it when compared with BTAS, but it’s not violent enough to have Robin get beaten to death.

This version of Tim Drake isn’t a carbon-copy of the one from the comic book. He actually has an origin similar to Jason Todd which is a nice way to incorporate the spirit of that character into this series. Tim Drake differs from Dick Grayson’s presentation in the previous series largely by being a kid, essentially bringing Robin back to the character’s roots. Grayson’s Robin that we were introduced to was an adult student attending college. I don’t know if that decision was done to appease the censors as they could place an adult in greater danger than a child or if the writers and showrunners just preferred an adult Robin to a kid. Personally, I do prefer the adult version as I just find the notion that Batman would pal-around with a kid to be ludicrous. Tim Drake is going to have to prove his worth to me, and it doesn’t help that his origin is naturally going to be compared with “Robin’s Reckoning” which was one of the better episodes in the series.

tim meets two-face

Tim is going to find himself in a lot of trouble in this episode.

The episode begins at night with a police officer chasing after…a donut thief. Hey, they can’t all be super villains. The thief is not a bald, fat, man with yellow skin, but a spry and acrobatic young man who this cop probably has no hope of catching. That must have been a good donut or a really expensive one though, because this cop isn’t giving up. As the kid bounds up a fire escape in impressive fashion he comes to a window that’s locked. The cop thinks he’s got him now, but the kid pulls out something the cop likely never expected:  a Batarang. He tosses the stylish shuriken with impressive precision taking out a nearby clothesline which binds the officer up aiding in the boy’s eventual escape.

Elsewhere, a pair of trouble-makers, Manny (Peter Jason) and Mo (Loren Lester), are banging on an apartment door demanding a fellow named Drake answer. When no one does they break the door down and enter the rather messy interior. No one is around, but they do spy a collage on the wall of various Batman stories from newspapers. Suddenly, the window opens and in comes our little donut thief. The thugs grab him and demands he tell them where his father is. The kid proves to be pretty resourceful once again using his ill-gotten donuts to momentarily blind the duo and remove himself from their clutches. He performs some Kevin McCallister styled antics to drop them and escape while the two actually open fire on the kid. When it looks like our young friend is home free, he bumps into some real trouble:  Two-Face.

new batboat

The new Batboat makes its debut in this one.

Two-Face (Richard Moll) and his goons take the kid down to the docks to see if they can get some information out of the kid about his old man. He’s tight-lipped, forcing Two-Face to have his men search his possessions. They find a letter addressed to him, Timmy, from his dad explaining he had to flee town for a bit and he left him a key, which Two-Face recognizes. Two-Face snatches the key, and satisfied, starts walking away. The guys ask him what to do with the kid, so Two-Face pulls out his trusty coin. The odds were not in Tim’s favor this day, for Two-Face orders them to kill him, once again driving home that this show is going to be more direct with its villains.

sins escape

He’s in no condition to drive.

Before Manny and Mo can do as their boss requested, a pair of Batarangs come sailing in knocking their guns from their hands. Batman takes on Two-Face’s thugs while Tim works on his own restraints. He’s able to wriggle his way out of them, but things aren’t going well for Batman. Distracted by the thugs, Two-Face is able to grab a crane hook and whack Batman with it sending him flying into a bunch of drums. As Batman lays there, some reddish liquid is pouring out and we’re about to find out it’s flammable. The bad guys open fire causing an actual fire to break out, and eventually explosions. Batman is hurt pretty bad, and he knows when he’s beat. Before things can get any worse he grabs Tim and spins off the dock to the waters below. There, a redesigned Batboat awaits them. It looks very similar to the Bat Ski Boat from Batman Returns only it possesses the submarine qualities of the previous Batboat. Inside the cabin, Tim frantically tries to get the thing started but is having no luck. Batman gestures to him to sit back and then commands the boat to head for home, and like a good little boat, it hears and obeys.

tim and costume

One had to assume this shot would appear in this episode. It’s like shooting fish in a barrel.

The pair arrive at the Batcave and Alfred (Efrem Zimbalist Jr.) is there waiting. He’s a bit alarmed to see Tim with Batman, but at the same time you almost get a feeling like Alfred is used to this stuff. He naturally pays more attention to getting Batman out of the boat which allows Tim to roam around the Batcave. He stares in awe at the various tech and the Robin suit on display (which is an homage to the Jason Todd memorial in the comics) before he manages to find the exit. Able to wander around the mansion, Tim easily figures out the identity of Batman and even tries to pocket some choice items. Batgirl then drops in to scold him – nice timing Barbara.

new alfred

This episode contains out first look at the new design for Alfred. He appears to have aged quite a bit between shows.

Batgirl takes Tim back down to the Batcave to share his findings with Alfred and Batman. Tim swears their secret is safe with him, but Batman doesn’t seem concerned. He just wants to know what Two-Face wanted with Tim. Tim explains he didn’t want him, but his father, who used to work for Two-Face before skipping town. Batgirl appears sympathetic towards the kid, but he doesn’t apparently want it. He swears he can take care of himself and he demonstrates so with the same Batarang we saw earlier. He hands over the letter that Two-Face apparently let him keep and Batman is able to tell what kind of key it was wrapped around previously due to the imprint it left. It’s a locker key, and Batman thinks it belongs to a locker at Gotham Airport.

Batman and Batgirl leave Tim with Alfred to go check out the airport. They arrive there too late though as Two-Face is already there retrieving a satchel from a specific locker. They flee at the sight of the Bat people and this new version of the Dynamic Duo chase after them, but following a thrilling chase involving a luggage carrier, are forced to return to the Batcave unsuccessful.

dad is gone

Tim learns the truth about his dad.

Back at the Batcave, Batman is at his wonder computer with Batgirl trying to find a lead on Tim’s father. What he ends up finding out is that a “John Doe” was found recently and all signs point to it being the elder Drake. As Batgirl wonders how they treat this information in regards to Tim, he walks in and tells them he knows what it means for his dad to be branded a John Doe. He wipes a few tears away while still maintaining that he’s fine and can take of himself. This is where we get our first demonstration of the direction this show wants to take with its cast. Batgirl does the sensible thing and tries to comfort Tim while remaining hopeful about his father, while Batman coolly confirms his dad isn’t coming back.

Alfred interrupts the conversation to tell the others there’s something on television that will interest them. Apparently Two-Face is borrowing a play from Joker’s playbook by hijacking the Gotham airwaves with a threat for the city’s inhabitants. That key apparently gave him access to a deadly gas, and if Two-Face isn’t paid 22 million dollars by 2 AM he’ll release it in Gotham killing millions. Batman insists they have no time to waste, but before he can leave Tim chimes in with a suggestion on where Two-Face may be hiding out. Batman takes the info as he and Batgirl hop into the redesigned Batmobile. It looks more like a sports car now and bares little resemblance to the Burton films. It even dropped flame from the rear of the car, which as someone who loved this feature on the 60s show, I find this disappointing.

new batmobile

The new Batmobile.

Tim, naturally, tries to go along with Batman and Batgirl, but Batman refuses to entertain the thought. As the Batmobile speeds away, Tim expresses his disappointment to Alfred who turns to regard the Robin costume on display and remarks how Batman and Master Dick used to clash. What the hell, Alfred? Are you trying to get the kid to rush off into harm’s way?

new dynamic duo

Batgirl almost got an entire episode to be the lone sidekick. Time to share the spotlight, Babs.

Batman and Batgirl arrive at the location Tim gave them, the Janus Theater. Two-Face and his men are there waiting and it’s just about time to unleash the gas. As they put on their gas masks they hear a cry from outside. Two-Face tells his guys “They’re here,” as they ready for the arrival of Batman. Batman pops in from behind some crates and takes out one guy. As another tries to run Batgirl swoops in to prevent him.

bus surfing

That’s one way to get around Gotham.

Outside the building, Tim is on his way dressed in the Robin costume. He rides atop a bus to get there and prepares to enter the building as the fighting rages on. As Batman and Batgirl tangle with Two-Face’s men, he’s able to activate a 3 minute timer on the bomb (that should have been a two-minute timer, I hope someone got fired for that blunder). He also whips out a Tommy gun and starts unloading on the vigilantes. Maybe the mask makes it hard to shoot because his aim is especially terrible. Robin then bursts in to try and turn the tides, but he’s actually not very good at this whole crime-fighting thing. He ends up getting grabbed by “Puke-Face,” who apparently doesn’t notice that this Robin is different from the past one, based on the comments he makes. Robin once again turns to his Batarang and uses it to cut some ropes on a grate or scaffolding above the bad dudes which falls onto Two-Face’s men. Two-Face himself avoids it, but he can’t avoid Batman who subdues him. Batgirl gets to the bomb and deactivates with a cool 2 seconds to spare. When Batgirl expresses a desire to head home, Tim pipes in that he’s looking forward to it too and searches for some praise, but Batman is not accommodating.

twoface and robin

Tim is going to need some practice.

At Wayne Manor, Tim is getting a lesson from the master himself. Bruce is wailing on Tim with what I’m told are pugli sticks. Basically, it looks like Joust from American Gladiators. As Bruce pummels the kid, he shouts out rules to Tim about what it will take to work with him. He comes across as strict and uncompromising, which I suppose he would have to be if he’s seriously considering letting a kid run around in tights fighting murderous bad guys. Dick Grayson (Loren Lester) pops in to offer his two cents and everyone acts surprised to see him, though Bruce is the only one who doesn’t smile.

no praise

Robin will have to learn that praise is hard to come by.

The Bruce/Dick dynamic will have to wait for another day. “Sins of the Father” is a suitable introduction to the show’s take on Tim Drake. Like Dick, there is an element of tragedy to it, but since we never meet the elder Drake it’s not nearly as affecting as what we saw in “Robin’s Reckoning.” Tim does get to demonstrate his skill with a Batarang, but it will take more than that to pull-off the role of Robin. The episode doesn’t really attempt to convince the viewer he’s up to the task, as he’s basically a one-trick-pony right now. I guess we’re supposed to assume a little sparring with Bruce is all that’s needed.

bat joust

This is all the boy needs to take on psychos and homicidal maniacs.

The inclusion of Two-Face in Tim’s origin story feels like another nod to Jason Todd. Two-Face was part of his origin, and he was also part of Dick’s origin in Batman Forever. He’s a villain adept at creating Robins, apparently. Plus, he also created this version of Batgirl. He’s just a ruthless bad guy here ultimately just out for money. It’s a bit dry considering how conflicted he was last time we saw him in “Second Chance.” He’ll get some proper attention eventually, but this is a nondescript performance for the villain. His redesign is possibly the least severe of all of the villains. He’s allowed to keep his black and white suit and everything else is basically as it was, just with this new style incorporated. That means more straight lines and less detail on the facial features. The white portion of his hair is also spiky now as opposed to curly. There’s also a little piece of blue skin on his face that stretch to the “good side” under his bottom lip. This might be a statement that his bad side is winning or something. He doesn’t look better, but it’s so similar to his past appearance that there’s no reason to get up in arms over it.

new two-face

The new Two-Face is more or less the same as the old Two-Face.

This episode was our first look at the new Alfred, who like Commissioner Gordon, just basically looks older. I already mentioned I don’t much care for the new Batmobile, it’s just boring looking compared with prior ones. The new Batboat looks fine, though it doesn’t look like anything that could possibly function as a submarine. This was also our first look at Dick in this series, albeit it’s quite brief. He looks a little older, but that’s it. He does have long hair now, but you don’t really get a true sense of that from his brief appearance here.

“Sins of the Father” probably should have been the series premiere for The New Batman Adventures. I suppose it’s not really that big of a deal that it wasn’t. It brings Tim into the fold, though I don’t feel the connection with him I had for Barbara or Dick in the past. Of course, Dick wasn’t introduced in a grand way as that version of Batman and Robin essentially existed before the show began, but the flashback episode for his origin fleshed that out. Tim’s story looks fine on paper, but I just feel indifferent to him at this point. I mentioned I’m already predisposed to not like the Boy Wonder version of Robin so perhaps that’s part of the reason, but I mostly wish he wasn’t even part of the show. It’s only episode 2 so he still has time to prove his worth, I suppose.

 


Batman: The Animated Series – “The Lion and the Unicorn”

lion and unicorn cardEpisode Number: 77

Original Air Date:  September 15, 1995

Directed by:  Boyd Kirkland

Written by:  Diane Duane, Peter Morwood, and Steve Perry

First Appearance(s):  Cousin Frederick

“The Lion and the Unicorn” brings with it some new additions and an old unfavorite. As far as the episode goes, we only meet one substantial new character, Alfred’s cousin Frederick (Roy Dotrice). This is mostly just interesting because after 76 episodes we still know very little about Alfred so anyone attached to him feels noteworthy. On the production side, we have two new writers in the husband and wife duo of Peter Morwood (who was mis-credited as Philip Morwood) and Diane Duane in their only contribution to this series. And then we have a returning face in Red Claw (Kate Mulgrew). Red Claw is a show creation of little importance. Her episodes aren’t great and she was never deemed worthy of introduction in the comic books. Her headlining role here is particularly noteworthy though since she debuted in “The Cat and the Claw.” That episode was chosen to be the series premiere, while this episode (her only other appearance aside from Part 2 of “The Cat and the Claw”) was the series finale. Now it wasn’t billed as such or setup as the finale, it was largely just circumstance as far as I know. Still, it’s pretty interesting given all of Batman’ celebrated villains that it’s Red Claw who gets to open and close the series.

alfred gets a call

In this episode Alfred gets a phone call!

The episode begins rather mundanely. Alfred is brushing lint off of Batman’s cape as he protests the criminals won’t care about the cleanliness of his costume while Dick works out on some gymnastics equipment. Alfred admonishes Dick for not wearing a shirt (it’s cold and dank in the Batcave) while Batman smiles as he watches the exchange and takes off in the Batmobile to go do crime-fighter stuff. Alfred leads Dick upstairs to the mansion while telling him where he can find his dinner. When they get up to the manor Alfred goes to answer the phone while Dick heads off to either get his food or take a shower or something. Alfred is surprised to find his cousin Frederick on the line. Frederick requests that Alfred meet him in what he calls the usual spot, and Alfred agrees to do so right away. As their conversation ends, we get a look at Frederick who’s tied up with a crimson-clad person behind. The tattoo of a clawed paw on her arm is a dead give-away for the identity of this nefarious individual.

alfred missing

Bruce, unsure how he’s going to get dressed without his trusty butler.

The next morning, Dick comes downstairs and playfully asks Bruce if there’s a butler strike because there’s no breakfast (the problems of the 1%). Bruce is standing in the same spot we last saw Alfred holding a note. He hands it to Dick and it’s from Alfred saying he needed to go to London right away because his cousin Frederick needed him. He apologizes, and even signs it as “Your obedient servant” which strikes me as kind of sad if that’s how Alfred thinks he should be viewed. Dick is surprised and a bit confused and this is the start of the episode showing us how Dick has viewed Alfred as some doting old guy. Bruce is more alarmed as he knows Alfred has no living relatives. He also knows Alfred was once a British agent and they often refer to their fellow agents as cousin.

foggy london

The London street scenes are dark and terrible.

We’re then taken to dark and foggy London. At least, I think that’s the effect Dong Yang Animation was going for. It’s a real dirty, grainy, image that’s not particularly enjoyable to look at. Alfred is at the spot requested, and two gentlemen approach him (they seem to be credited as Bert and Ernie, voiced by Adam Ant, [yes, the one from Adam and the Ants] and Richard Doyle, respectively) claiming to be sent on behalf of “Freddie.” Alfred knows Frederick hates being called Freddie, and he is immediately skeptical. When the two get hostile, he uses his umbrella to trip them up and then take off. Back at his hotel, Alfred is able to phone Bruce to fill him in on what’s going on. Before he can say much, Bert and Ernie cave in his door and Bruce is left to helplessly scream “Alfred!”

Alfred is then taken to some Scottish castle where he is reunited with Frederick. His hands are bound and the real captor emerges:  Red Claw. Alfred recognizes her, and I can’t tell if it’s because we’re supposed to think he tangled with her before or if he just remembers seeing her back on Batman’s massive computer.

red claw introduced

Red Claw is back and everyone is just super happy about it.

Back in Gotham, Bruce fills Dick in on what happened as well as Alfred’s background. Dick is surprised to find out Alfred used to be a government agent, which is a running theme of the episode. The two decide they need to help their friend, and they depart for London as Batman and Robin in the Batwing. Once there, they investigate Alfred’s room as Dick and Bruce, which gets the attention of Bert and Ernie who have been staking the place out apparently expecting someone to come nosing around. They try to tail them as they leave, but they don’t realize they’re tailing pros. Batman and Robin drop in on them, and give them a good beating. When the commotion is over, Robin inspects one of the men and finds Red Claw’s marking on his arm.

A meeting between British agents is going down. Two men and a woman are discussing what’s going on, noting Frederick’s disappearance and Red Claw’s occupation of a castle. Apparently that castle houses a missile silo and Red Claw wants to take control of it to hold Britain hostage. Batman and Robin then drop in, and the three agents seem to regard the duo with a ho-hum manner. I’d assume that Batman is pretty popular world-wide, but they essentially have no reaction to his presence in London. Actually, they’re a touch hostile. Batman alerts them that Red Claw also has Alfred Pennyworth and requests their help, but they don’t really see value in that. When he promises to deliver Red Claw, they change their tune and tell Batman where she’s hiding out and the two depart.

batman truth serum

She has ways of making men sing,

At the castle, Red Claw records a message for the British government. She lets them know she has control of the silo, and unless they pay up they’re going to get a taste of it. As the video signal is cut off, it’s revealed that Red Claw was bluffing, to a point. She has yet to get control of the missile because Frederick and Alfred each possess a unique code needed to activate it. They’re not going to talk, but Red Claw has her ways. She produces some truth serum, and apparently her crew is concerned about maintaining a sterile environment as one of her goons swabs Alfred’s arm before it’s administered. Both are given a dose and Frederick is the first to sing while Alfred just sort of mumbles away. Red Claw hardly seems dismayed though and is content to wait for the serum to do its thing.

Outside, some sentries hear a sound and go to investigate. That’s a mistake, as it allows Batman and Robin to take them out. They start making their way through the castle, picking off other men as they go along. In one fun sequence, a quartet of men are walking along in a diamond formation and Batman and Robin keep dashing back and forth and picking them off one by one.

smokey red claw

It’s even foggy indoors over there.

Inside the command room, Alfred finally cracks. He’s singing a song about the lion and the unicorn, a reference to the Royal Coat of Arms of the United Kingdom. Red Claw mistakes it as nonsense at first, then realizes it’s the code. After she enters it into the terminal, the silo becomes armed and she is free to launch it whenever she pleases. By now, they’ve become alerted to Batman’s presence so she and her men arm themselves and set out to take out the intruders. They burst into a room and open fire on Batman and Robin. The heroes use cover to try and take them out one at a time, and thankfully everyone can’t shoot.

Robin eventually makes his way to the room where Alfred and Frederick are being held. He opens the door, but finds a gun pointed at his face by the one woman who stayed back to guard the prisoners. He smiles sheepishly, and then the woman gets taken down from behind by Alfred wielding a chair. He expresses some remorse at smashing the chair as it apparently dated back to Louis the XV. Robin congratulates him, but the celebration is short-lived as Red Claw chops him from behind knocking him out. She then heads straight for the terminal, Alfred apparently has no desire to try and fight her, and launches the missile and takes off as Batman busts in.

red claw stow away

Go for the face!

Batman immediately takes off for the Batwing. His only hope is to shoot it down as there’s no way to cancel the launch command from the terminal. As he flies towards it and gets it in his sights, Red Claw emerges from behind him. She’s a stow-away, and grabs at Batman’s face and pulls on his cowl, successfully removing it in the process. This causes her to fall back into her seat allowing Batman to eject it sending her parachuting into the waters below. Batman then has to re-find the missile all while dealing with the fact that the Batwing’s hatch is open. We know Batman doesn’t like guns, and he doesn’t use them, but apparently that apprehension doesn’t extend to missiles. He locks onto the missile heading for London and then fires a pair of his own missiles. They do their job and take out the rogue-fired weapon and it detonates harmlessly in the London skies.

With the threat of Red Claw over, Batman and Robin apparently head home without Alfred to avoid suspicion. There’s no indication that they made good on their promise to deliver Red Claw to the British government, and she will never be heard from again. Alfred says goodbye to his “cousin,” who tries to coax him into returning to the agency. Alfred says he’s needed elsewhere though and heads back his life as the humble servant of Bruce Wayne.

red claw face

A curtain call for Red Claw. So long, you won’t be missed.

“The Lion and the Unicorn” is a bit of an atypical episode, but it gives Alfred more of a share of the spotlight than he’s had in awhile so it’s an episode I appreciate on that level. Especially since one of the other episodes to feature a heavy dose of Alfred is “The Forgotten,” one of my least favorite episodes of the series. Red Claw still kind of sucks, but she’s not really asked to do much. I like that she’s fairly ruthless and actually launches the missile. I don’t really get a sense of what’s motivating her here though. I guess money, or just general terrorism, but it’s not that important, I suppose.

The aspect of the episode that disappoints me the most though is some of the visuals. I mentioned it during the write-up, but the London night setting looks awful. I’m torn on if HD improves it or makes it worse. It’s so dark and grainy that it’s just frustrating to look at. My eyes are working too hard to make out the visuals. I don’t know if the animators were going for a fog effect, but it’s not good. The rest of the episode looks fine though, and the castle setting is new and interesting to look at. This castle apparently exists in the real world, though it’s an inland structure not located on the coast. I don’t know why they didn’t just make up a fake name then, but this was also back in the early 90s and the only way you were going to find out the depiction here isn’t authentic is if you found this thing in a book. In other words, it was information not as easily accessible as it is today.

If not for the unique setting and focus on Alfred, this episode would be pretty forgettable. The villain isn’t important, and there’s nothing flashy or memorable about the plot. It’s just a solid B- type of episode from the show. It’s miscast as the final aired episode of the show, and there’s a shame there wasn’t more of a “bang” to go out on, but the final fourth season Fox aired is mostly pretty mediocre so there wasn’t much to choose from. They could have chosen “The Terrible Trio,” so at least they didn’t go with that one.

 

 


Batman: The Animated Series – “The Last Laugh”

The_Last_Laugh-Title_CardEpisode Number:  4

Original Air Date:  September 22, 1992

Directed by:  Kevin Altieri

Written by:  Carl Swenson

First Appearance (s):  Batboat, Joker Gas

Despite the finality of the title, “The Last Laugh” is not the last appearance of The Joker, Batman’s greatest foil. While The Joker’s first production appearance in “Christmas With The Joker” featured a pretty slap-stick version of the character, The Joker depicted in “The Last Laugh” is a bit more dangerous and more in-line with his future appearances. Even though “The Last Laugh” marks The Joker’s second appearance in the series, it still isn’t the first appearance the character would make on television as we haven’t come to his broadcast debut yet. This is also the second holiday themed episode of the show, in this case April Fool’s Day, though thankfully The Joker would refrain from only appearing on holidays.

April Fool’s Day has arrived in Gotham, and with it a barge full of garbage is sailing down a canal in the city sending a foul order through-out that also happens to make all who inhale burst into uncontrollable laughter. This is obviously the work of The Joker, and our hero makes the same connection just as quickly as the viewer when the news reports break. Strangely, Batman doesn’t actually set out to put a stop to this until the gas creeps into Wayne Manor, turning Alfred (now voiced by Efrem Zimbalist Jr.) into a destructive force as he happily smashes various objects around the mansion.

The Last Laugh 1

Joker, breaking the fourth wall, declares “When the going gets tough, the tough go shopping,” which is a line I can’t decide if it’s just not funny, or intentionally not funny.

Meanwhile, Joker and his goons are galavanting around Gotham happily looting stores and emptying the pockets of those who are paralyzed with laughter. Unlike other depictions of Joker’s famous Laughing Gas, this version appears to only induce laughter without the fatal component; appropriate for a kid’s show. Batman eventually tracks down the barge with the debuting Batboat, which also appears to function as a submarine (surprisingly, it does not resemble the Bat Ski-Boat from Batman Returns) when needed. Batman is forced into conflict with Joker’s henchman, where one turns out to be not a henchman at all, but an android that is able to surprise and overpower Batman. Captain Clown, as The Joker affectionately refers to his robotic minion, stuffs Batman in a trashcan with a lockable lid and tosses it into the bay, but not before Joker stabs a few air-holes in it. Batman, naturally, avoids death by drowning and tracks the Joker down to a waste management facility where he dispatches with the goons, and eventually corrals The Joker himself.

lastlaugh2

The Joker always brings out Batman’s playful side.

Despite the title, this episode is some-what short on laughs as writer Carl Swenson seems to view The Joker as the type of comedian who just makes bad jokes that only he finds funny. While it may not be all that humorous, the visual style is exceptional. There’s some wonky animation early in the episode with Bruce and a shower scene (not as sexy as it sounds), but after that the rest is gorgeous. The initial fight scene between Batman and The Joker’s men features Batman ably darting around and throwing punches. Captain Clown, being a robot, allows for Batman to really tee-off on him in a manner the censors likely wouldn’t allow had the character been human. He even gets to smash him repeatedly in the head with a steel pipe, the clown’s frozen expression is probably rather creepy for those who hate clowns. Batman’s eyes are also allowed to emote in their most expressive manner yet as they’re constantly changing shapes to show fear, worry, and even dizziness. Joker is allowed to get serious and even a little scary when he reacts to Batman “killing” Captain Clown. There’s also a fun playful moment at the end between Joker and Batman, and Bruce even gets to make a joke to close the episode out at Alfred’s expense. The only other criticisms I can levy at the episode from a technical perspective is one shoddy-looking Batman chest emblem at the 9:40 mark and the abundance of eye black on The Joker, which at times makes it look like he’s wearing a bandit mask. The animators also, at times, appeared to have trouble with Joker’s mouth movements. Either that, or they re-recorded some lines after the fact. I’ll have to be on the look-out for this in future episodes featuring The Joker.

960-2

I’m not sure he’d still be smiling if he could help it.

Not to be outdone, the audio section of the episode is particularly lively this time around. Normally, the show can be a bit understated, relying on the Batman theme for its big moments. Joker has his jubilant theme which the series will return to time and again, and this episode has its own unique opening theme that’s really good. It has a nice build and I wish the show had returned to it more in other episodes, but then maybe it wouldn’t be as special.

This is a very good episode for the series, even if it probably isn’t among the very best. It’s harmed some-what by the mostly directionless Joker who has no real motivation here other than to rob Gotham. The show kind of does that sometimes with him as his primary goal appears to just be to stir up trouble and draw Batman out. Maybe I’d feel satisfied if we saw Joker just casually toss all of the stolen goods into the pile of garbage and not really care about it. Instead we don’t really see it at all. Even so, The Joker is easy to write as he’s Batman’s polar opposite so as long as the two get to share some screen time the results are typically entertaining.


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