Tag Archives: peter venkman

Mondo The Real Ghostbusters Peter Venkman and Samhain

Does bustin’ still make me feel good 40 years later? Let’s find out!

I didn’t do a big 2024 wrap-up type of post like I sometimes do, but if I did I would have awarded toy producer Mondo with the biggest reveal of the year when they debuted their line of action figures based on The Real Ghostbusters. The Real Ghostbusters was one of many 80s properties to have its moment in the sun when it came to toys, but ever since the original Kenner line ended in 1991 little has been produced based on the property. Diamond Select gave it a shot, Mego did as well, and current license holder Hasbro has dabbled in re-releases of the old Kenner toyline. What has alluded collectors and fans of the old cartoon and toyline is a truly dedicated, collector-friendly, line of modern action figures that better match the style of the show. Not to be denied, action figure sculptor and designer Alex Brewer made his own digital mock-ups of what he thought a modern line would look like and shared his work on social media. The response was pretty big and it helped get his employer, Mondo, to kick the tires on bringing his vision to life.

I have a pretty good memory, but I can’t reliably recall my life before The Real Ghostbusters. It was my first love when it came to action figures. I liked Matchbox and Tonka products prior to, but no figure line captivated me like The Real Ghostbusters. I have no idea how I was introduced to the property or what my first toy was from the series. I can’t remember getting the iconic firehouse playset or the Ecto-1, my memory basically starts with them in my possession. I can remember getting excited for the Ecto-3 and the tie-in products with the release of Ghostbusters II. I had some roleplay items including the trap, and in general I just had an awesome time playing with my Ghostbusters toys and watching the cartoon every afternoon.

Mondo also threw-in some cardboard standees of popular ghosts from the Kenner line.

Then came the Teenage Mutant Ninja Turtles. For a little while, the two co-existed, but eventually The Real Ghostbusters were phased out by the turtles, Bucky O’Hare, and eventually X-Men. Most of my toys would be sold in yard sales, though somehow my fright features Peter Venkman survived. I don’t think it was for any particular reason even though he was always my favorite, I think he just got misplaced. As an adult collector, I have wanted to reconnect with my former love, but no one was offering up the right product. Sure, I enjoy the theatrical version of these characters, but I don’t associate it with toys so I’ve never felt much of a compulsion to collect any of those outside of a pair of Venkmans. The Kenner reissues also don’t really do anything for me and I’m actually much happier with the Lego stuff I have, but The Real Ghostbusters? That’s the stuff I really want, so I was pretty damn excited when Mondo unveiled Peter and the best ghost from the show, Samhain. What I was not happy about was the price, and we’ll get to that, but as far as what Mondo was doing I was more than pleased and pretty damn excited to get my hands on them.

The first set has taken awhile to get here, but it’s finally here. Originally expected to arrive in May, the circus that is the current United States government messed things up with its tariff policy and the elimination of the de minimis shipping exemption. Mondo used to ship directly from the factory to your door, but the cost to do so increased overnight and made that impossible. They had to scuttle their whole operation and the result is a delay of about 3 months. The good news is we still received Pete and Samhain before the fall season hits as I suspect a lot of folks would like to have them on display for Halloween. The set was sold exclusively last fall on Mondo’s website as a two-pack while Peter was sold individually in all of the usual places. It came packaged in a huge box that recreates the front door of the firehouse and there’s artwork on the back which lists out all of the people responsible for the set’s creation. The front opens in the middle and is held fast by magnets revealing a window display behind it, though there’s so much tissue paper over the figures to protect them that it’s not very useful. My box also arrived pretty banged-up, but since it’s intended purpose is to protect the figures inside I can say it at least accomplished its goal.

Mondo typically lives in the scale of 1:6, but this line is its first foray into 1:12. Peter stands at around 6.5″ tall so I’m not entirely sure if its true 1:12 scale or not. That would make Pete 6.5′ tall and while he might be, I can’t say I ever thought of him as especially tall. The only thing he has to scale with is Samhain, Slimer, and the other Ghostbusters so I can’t say I’m all that concerned by it. Out of the box, he’s sporting a bit of a smirk with a raised left eyebrow which captures Peter’s personality well. He’s in his classic brown jumpsuit with teal color, black boots, and gray belt. There are some sculpted accessories attached to his belt that jump right off the screen. I have no idea what this yellow hook is or this thing that looks like a tape measure is or does, but I recognize them from the show. The paint is super crisp and matte. This figure has all of the detail work one would expect from Mondo’s sixth scale figures, but at a smaller scale.

What really stands out is Peter’s proton pack. Brewer and painter Mark Bristow must have studied countless frames of animation to make sure everything is just right. It has all of the little details one would expect and yet there’s a simplicity to it which reflects the animation. The paint is pristine with little or no slop anywhere on the pack itself and the wand. The neutrona wand is connected via a very pliable, plastic, hose that does not detach from either the wand or the pack so there’s nothing to fiddle with. It’s plenty long so it won’t get stressed by placing it in the figure’s hands or when it’s holstered. Equally detailed is the included trap accessory. It looks fantastic and has a bendy wire that connects to the plastic foot pedal. The trap can be hung from the side of the pack just like it was on the show and there’s another hook for the bendy wire to be wrapped around. I was mildly concerned with the durability of the wire, but it seems strong and I don’t see any cracking of the plastic around it. The pack itself is a fairly light, but hard, plastic including the holster for the wand. That part is a little scary as it takes some mild effort to click the handle of the wand into place. It’s the part to be most mindful of as it doesn’t feel like it would take much to snap it. The pack goes on over Peter’s head pretty easily and the belt tabs into the back of the pack. It’s not the easiest thing to snap into place, but it also doesn’t really need to be secured for it to stay in place either (because it’s reenforced with a magnet, which I didn’t realize until after this review went live) so don’t stress yourself out if it doesn’t seem like it’s pushed in all the way.

Peter’s other accessories include a set of black hands for the few times he wore gloves in the show. There are cuffs for the gloves that slide over his forearms to complete the look. He also has an alternate, angry, expression which is appropriate for when he’s busting ghosts or annoyed with Slimer. Speaking of, we get a Slimer! He looks to be 100% on-model to the point where the resemblance is borderline mystifying. This is one of the most fun characters I’ve ever had the privilege of just holding in my hand and looking at – he looks that good. He has his own translucent, green, stand and if I have one complaint it’s that he doesn’t have a taller stand. This one puts the top of his head at Peter’s mid-thigh level when it would be great to get him up to eye level. Slimer is minimally articulated with swivels at the shoulders. There’s also a simple disc stand for Peter, but he doesn’t seem to need it. It’s not decorative or anything so it’s likely to stay in the box. Mondo also tossed in some cardboard ghosts and standees which was an unadvertised bonus item. It’s kind of fun, but I don’t see myself ever punching them out of the cardboard.

Even though Slimer is more of the friendly ghost variety, Peter does need to but ghosts from time to time. To do so he has a blast effect for his proton pack. It’s a clear plastic with just a hint of blue in it. It’s subtle, some would probably argue too subtle, but it’s a reasonable facsimile of what we used to see in the show. It slides onto the wand’s tip and doesn’t disrupt the weight of the figure any. He also has an accessory for the trap. The inner yellow doors of the trap are separate piece – a brick of plastic than can slide out. You can replace it with a set of open doors with lightning streaking out and the ghost, Samhain, getting pulled in. It’s a really fun idea and is also included with the standard version of Peter so those who skipped the ghost still have something they can bust.

And speaking of, we get Samhain! He’s much taller than Peter coming it at around 9″ tall. He’s a pretty simple design with a purplish robe and a jack-o-lantern head. Since he doesn’t have feet, he’s very easy to stand and is unlikely to ever tumble off your shelf. His default portait features narrow, black, eyes and a menacing grin. He also has two additional portraits both featuring his yellow eyes which I think we saw more of in his second appearance in the show. One alternate portrait features a toothy grin while the other an angry howl. He’s appropriately creepy, and like Slimer, really on-model. He also has an extra set of hands. His default ones are these curling, gesture, hands and he has an optional open right hand and a clawing left hand.

Where both figures are going to come up short is in the articulation department. Samhain is extremely limited as he just has head, diaphragm, shoulder, elbow, and wrist articulation. He’s basically all about presence, but at least what’s there works fine. Peter has a double ball joint at the head, hinged-ball shoulders, single elbows, ball-hinge wrists, waist cut, ball-socket hips, single knees, and ankles that hinge and rock. There’s an attempt at something of a butterfly joint at the shoulders, but it really doesn’t do anything. The elbows will bend 90 degrees, but the knees come up short. You do get a little rotation at both the knee and elbow, and the ankles and wrists work fine. The head really can’t look up or down and the tilt is pretty minimal. The hips are a bit tight and probably only go out to the side 45 degrees or so and do not kick forward and back effortlessly or with much range. He can get both hands onto his wand, and the hands are soft and pliable to minimize paint rub, but he can’t point it out straight from his body with two hands on it. Basically, when you want him to look like he’s shooting at a ghost, he needs to hold the wand across his belly or chest. It’s certainly not the most convincing thing and to really, properly, wield his proton pack he probably needs a more effective butterfly joint, but Mondo was clearly prioritizing the sculpt over articulation.

Which brings us to the final negative we need to talk about: the price. This set retailed for $202 with free shipping in the US. If you want just Peter, the price is $101. Why so high? Well, some of that is due to Hasbro. They hold the master toy license for Ghostbusters which Mondo had to work around with the licensee, Sony. Unlike a Paramount and Playmates situation with TMNT, Hasbro is a toy giant and not likely to get pushed around. Mondo hasn’t gone into the specifics, but they did cite that as an issue and expressed that this isn’t the price they wanted. It is assumed that in order for them to be compliant with the license, any 1:12 scale Ghostbusters toy had to be more than $100 and probably had some restrictions on where it could be sold and that sucks for us collectors. On the other hand, Mondo may not have been able to dictate the price as freely as it wanted to, but the company could have made the set feel a bit more value-friendly. One extra portrait and one extra set of hands (which is basically duplicative since they’re more gripping hands) is pretty slight. Peter, at a minimum, should have another portrait that’s probably a scared one or a slimed one. Some expressive hands, maybe emulating their dance during the ending credits, would have also been welcomed. If he’s not holding something his hands look silly. They may not have wanted to give Slimer more articulation and break-up his sculpt, but he could have had another set of arms. And for Samhain, maybe an effect part of his own? Something like the aura effects Bandai does for its Dragon Ball figures would have looked cool.

What I’m basically getting to is that this set isn’t really worth the asking price. It wasn’t going to be and I knew that when I placed my order. It’s also why I’ve passed on the other ghosts and am just getting the remaining Ghostbusters to round out my collection. That doesn’t mean I’m unhappy to have this. One can dislike the price and feel like they’re being overcharged while still enjoying the finished product. I’ve certainly paid for plenty of meals, drinks, and entertainment and felt like I was getting a bad deal, but still enjoyed what I paid for. I mean, I have been to Disney World many times. These figures aren’t perfect, but they look great. I’ll likely never have need of another set of figures based on The Real Ghostbusters when all is said and done. And considering how long I’ve had to wait for them, I’m okay with paying a little extra. If you loved the show and the old toyline, chances are you’ll be okay with it too.

Yeah, bustin’ still makes me feel good.

Interested in more Ghostbusters posts? Check these out including a very festive version of gang:

Ghostbusters Plasma Series: Venkman

Bill Murray is the greatest actor of all time. If you want to disagree with me, that’s fine, just know that you’re wrong. Because of my love of toys and Mr. Murray, I’ve always wanted a Bill Murray action figure. It might sound like a weird want to most people, but to a toy enthusiast…

Dec. 9 – The Real Ghostbusters – “Xmas Marks the Spot”

  The 1980s sometimes feel like they belonged to the Ghostbusters. That’s because, for me, the Ghostbusters were always around. The film came out when I was but a wee baby, but by the time I had a real interest in television The Real Ghostbusters (not to be confused with the Filmation series) was airing…

Ghostbusters: Afterlife

For many years, one of the most talked about subjects in the world of movie sequels was the prospect of a Ghostbusters 3. The original film was released back in 1984 and a cultural phenomenon was born. It was a huge hit for both its comedic acting and for the (at the time) incredible special…


Ghostbusters Plasma Series: Venkman

Bill Murray is the greatest actor of all time. If you want to disagree with me, that’s fine, just know that you’re wrong. Because of my love of toys and Mr. Murray, I’ve always wanted a Bill Murray action figure. It might sound like a weird want to most people, but to a toy enthusiast it probably isn’t. If one were to aspire to own Bill Murray in plastic though, then the easy franchise to look to is Ghostbusters.

The Real Ghostbusters is the toyline that made me an action figure fan for life. I loved that series from Kenner as I had the firehouse, the Ghostbusters, numerous vehicles, and some ghosts. That franchise is based on the cartoon though, and the actual Ghostbusters did not resemble their real-life counterparts even in the slightest. That is almost certainly due to money, as if you’re going to make a cartoon that uses the likeness of actors like Murray and Harold Ramis then it stands to reason that those individuals need to be compensated.

Nostalgia has taken over the toy collecting world though, and actual toys based on the original 1984 hit Ghostbusters have been trickling out for years. There have been some high end ones, and some more mass market friendly releases. I’ve always intended to purchase a Peter Venkman from one of those many lines to satisfy my Murray obsession, but I just never did. For one reason or another, I just either wasn’t enthused with the product or I didn’t like the price. Well, today on a trip to Target for some essentials, I made an impulse buy when I stopped by the toy section as staring at me right in the face was a Peter Venkman from Hasbro’s new Plasma Series of toys.

Hasbro is the latest license holder to acquire Ghostbusters. Previously, Mattel held the license and I believe Diamond Select also had it at one point. Hasbro is a well known toy creator as it currently holds many of pop culture’s biggest licenses such as Marvel and Star Wars. Once upon a time, I was a Marvel enthusiast and was way deep into the Marvel Legends line, but when Hasbro acquired the license from Toy Biz I wasn’t impressed. I left that line around 2006 and I haven’t purchased a Hasbro toy since. For that reason, this purchase was a bit like a homecoming for me. I have nothing against Hasbro as a company, I just don’t have much interest in the licenses they hold. This was the first release that had appealed to me in quite some time, so I was curious to see how Hasbro’s action figures stand up in 2020.

The Ghostbusters Plasma Line all come packaged in an attractive window box display. One side panel features a bit of stylized art of the four Ghostbusters and the rear dispalys the rest of the line. There’s also a brief blurb on the character. For Venkman, the box reads: “The man with the mouth: Peter can convince (almost) anybody of (almost) anything.” Short and to the point, it described the character well enough. Each figure comes with a few accessories as well as a piece of Vince Clortho in demon-dog form. For Peter, it’s the left, front, leg. The other figures in the line include the other three Ghostbusters, Dana in her Zuul attire, and Gozer. The retail at Target was $19.99 so if you want to build your own demonic canine it will cost you around $140. Hopefully you don’t want two.

Peter Venkman comes clad in his traditional Ghostbusters outfit from the first film. It’s the khaki one with the logo on the right shoulder complete with black boots and gloves. He stands right around 6″ and possesses a great deal of articulation. His head sits on a ball joint with great range of motion. The shoulders are ball-jointed and there’s a hint of a butterfly joint in there as well for turning the shoulders into the body. It doesn’t do much though. He has a biceps swivel which is a little tight out of the box and double-jointed elbows. At the wrist he has a swivel and a hinge joint to tilt the hands up and down. His torso is on a ball-joint so he has some good motion there that doesn’t detract as much from the sculpt as an ab crunch would, though he lacks traditional waist articulation. The legs are attached via ball-joints with thigh swivels and double-jointed knees. The ankles are on swivels, but with an odd pitch to them so they sort of turn out and up instead of on a straight plane. The feet also rock side to side.

What I understand to be typical of Hasbro is fairly true here in that most of the figure is colored plastic. There’s not a ton of paint work aside from a yellow cable on his belt and the logo on his arm. The face is a solid likeness for Murray, as good as one would expect at this price point. I’ve seen more expensive Venkman figures with lesser face sculpts. He has a cocky smirk which is befitting of the character, though I wish he had a five-o-clock shadow. The uniform looks great and even features the screen accurate detail of Venkman’s pants not being tucked into his boots. He has his walkie talkie affixed to his belt, though it’s non-removable, and the belt itself is a floating piece of plastic which adds a little depth to the look of the figure. The hands are in trigger-finger positions as opposed to a more generic grip. I’m not sure this really adds anything to the figure as the proton pack doesn’t feature a trigger, but the plastic is soft enough that he can hold his accessories with only a little bit of fuss. The lack of paint means he’s fairly glossy to look at. A wash over the uniform might have done some good, and his eyes are particularly shiny, but it’s an attractive enough piece.

For accessories, Venkman comes with his proton pack and a ghost trap. The proton pack is a really nice sculpt with some paint highlights as well. It’s attached to a harness that features two shoulder straps, a belt, and a peg to fit into Peter’s back. The belt of the proton pack detaches on the left side and it was more than a little troublesome out of the box. It almost looks like it was glued in place which had me doubting myself if I was supposed to even go this route in order to get this thing onto Venkman. I did manage to unfasten it, but I was scared the whole time that the peg would come off with it. It definitely could have been done better and isn’t something that would probably hold up well to repeated removals. The actual blaster portion can be holstered on the side of the pack or held by the figure. It’s on a soft piece of plastic and seems reasonably durable. Venkman has enough articulation that he can hold the end of it in a casual manner, ready across his chest, or point it to bust some ghosts. The other accessory, the trap, looks the part, though it doesn’t do anything. Venkman can hold it, but there isn’t an easy way to clip it onto his belt or anything like that. It also doesn’t have the activation pedal. The only other accessory is the build-a-figure piece which I suppose looks fine, though I’m not about to judge that figure based on one leg.

Positioning and posing Venkman is pretty rewarding. There isn’t much he can’t do that you would want him to do based on what the character does in the film. His feet are a bit small, so he’s a little harder to stand than I expected he would be. The proton pack also adds some weight to the figure, but not enough to make standing him impossible. For the price, he’s as good as expected. The only real shortcoming with the figure is the lack of extra hands as he pretty much needs to be holding his proton blaster to not look stupid. A screaming second head would have also been cool, but not expected or really necessary. I wouldn’t be surprised if Hasbro does a slimed variant in the future.

The Plasma Series Venkman is an action figure that gets the job done. I wanted a Bill Murray toy, and was happy to take him in his Ghostbusters attire, and this fit the bill. It’s about what one would expect of a mass market action figure at the $20 price point, but it also doesn’t exactly leave me feeling like Hasbro went above and beyond like NECA often does with its products. It also didn’t leave me with a compulsion to buy the rest of the line, so Peter is going to have to get used to hanging out with the Lego versions of the other Ghostbusters. Maybe if they ever hit clearance I’d revisit it, but probably not. For Ghostbusters enthusiasts, I suspect they’re happy to have an improvement on what Mattel did in the past and at an affordable price point.


Dec. 9 – The Real Ghostbusters – “Xmas Marks the Spot”

 

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“X-Mas Marks the Spot” originally aired December 13, 1986

The 1980s sometimes feel like they belonged to the Ghostbusters. That’s because, for me, the Ghostbusters were always around. The film came out when I was but a wee baby, but by the time I had a real interest in television The Real Ghostbusters (not to be confused with the Filmation series) was airing in syndication every afternoon on ABC. To go along with that series were numerous toys and action figures. Some were roleplaying toys and many came with a vial of actual slime – something my mother still can recall the smell of because she had to clean up so much of it. My first big Christmas present I can recall was the much sought after Ghostbuster’s Fire House. It had a whirling pole the figures could ride down and even featured room for Ecto-1 where it could burst forth from behind the double red doors just like it did on TV.

 

real ghostbusters title

Every weekday at 4:30 you could find me in front of the TV watching this one.

Being a cartoon about ghost hunting, The Real Ghostbusters naturally lent itself quite well to Halloween. There are dedicated Halloween episodes of the show, but almost any episode works. The show ran from 1986 until 1991totaling 140 episodes when it finished up under the title of Slimer! and the Real Ghostbusters. Along the way Lorenzo Music was replaced by Dave Coulier as the voice of Peter Venkman, a truly horrible decision at the time. Arsenio Hall, voice of Winston, also left the show and was replaced by Buster Jones. The show was a DiC production with Saban providing the music including a redone version of the popular song from the film. The pilot, which the opening animation sourced, was animated by the famed TMS Entertainment production company in case you ever wondered why it looked so much better than the actual show, which actually looks pretty good all things considered as DiC basically shopped it around so TMS did some episodes as well as Toei Animation.

The inaugural season for The Real Ghostbusters was a tidy 13 episodes which ended with a Christmas episode. Proving that the Ghostbusters could handle Christmas as well as Halloween, “Xmas Marks the Spot” premiered on December 13, 1986 and would be the last new episode of the show for almost a year when season 2 premiered in November. While it may seem like Christmas is an odd fit for the property, there is one rather famous story that features ghosts prominently thus serving as the entry point for our special.

real ghostbusters outro

Peter, Egon, Ray, and Winston made-up the team with Slimer also soaking up a great deal of screen time.

Yes, that story is A Christmas Carol. You don’t need me to recap it, nor do you probably need me to remind you that adaptations of that tale are the bane of Christmas specials. It’s been done, though in 1986 that feeling may not have been as pervasive as it is today. The Real Ghostbusters at least gets credit for approaching the old tale from a different perspective. It’s also a bit peculiar as it’s going to treat that story as if it’s fact. Essentially, the Ghostbusters are going to somehow stumble through time and bust the ghosts meant to turn Ebenezer Scrooge around. Scrooge is apparently really important to the existence of Christmas, and the Ghostbusters will have to mess around with time to undo their mistake and ultimately save Christmas.

ecto1 snow

Nothing like a blizzard to set the mood.

The episode opens with the four Ghostbusters driving home from a job in upstate New York. The snow is coming down and visibility is poor, and so are spirits. Winston (Arsenio Hall) in particular is dismayed to be working on Christmas Eve and Ray (Frank Welker) is apparently responsible for a job not going well (something about a cat needing to regrow its fur). When Winston looks to find someone to share in his disapproval of working Christmas Eve he tries Peter (Lorenzo Music), but Pete couldn’t care less about Christmas. They soon arrive at a fork in the road and the strange thing is none of them can recall seeing it on their way in. Egon (Maurice Lamarche) tells Ray to take a left and as the Ecto-1 heads through the snow we see the turnpike sign has been knocked down and partially buried in snow.

busters in car

No one is particularly happy with the current predicament, but Winston is especially ticked to be working on Christmas Eve.

Eventually, the Ecto-1 gives out and the Ghostbusters are forced to resume their journey on foot. For some reason, they decide to strap on their proton packs. Winston once again tries to get Pete to share in his misery, but Pete shrugs him off. As Pete walks off, Ray explains to Winston that Pete doesn’t really like Christmas because his dad was always away as a kid. Egon says his apparent careless attitude towards Christmas is likely a coping mechanism and Winston adds once you spend so long pretending you don’t care about Christmas, you start to believe it.

ecto1 breaks down

Not without my proton pack!

As the four walk, a strange vortex appears up ahead. They don’t seem to notice it, but they do notice the sudden gust of wind that tosses them into a snowbank. Once they emerge from the snow they’re surprised to see a village down below. Oddly, it’s very old looking, but they reason their must be a phone there somewhere. As they head off into town, we see a man with a boy on his shoulders head into a meat shop. The shopkeeper addresses him as Bob Cratchit (Lamarche) and he’s here for his Christmas duck. The shopkeeper hands over what looks like a Christmas sparrow, but Cratchit and his son don’t let it bother them as they head home. Once gone, the shopkeeper remarks to a woman in the store that Tiny Tim is always so optimistic and expresses regret that his father is stuck working for someone like Ebenezer Scrooge.

ghostbusters cratchit

‘Tis a fine bird, Master Cratchit!

The Ghostbusters are walking through the streets of this village apparently trapped in time, but don’t seem to pay it any mind. They hear a cry up ahead and look up to a ghost draped in chains emerge from a home and speed off into the night. Continued cries from inside prompt them to run in. They head for the bedroom and inside they find an old man in bed and three ghosts: a female, a large bearded male, and a grim reaper like apparition. The Ghostbusters open fire while the ghosts reprimand them. They don’t care though and soon trap the ghosts.

past present future

Just 3 ghosts that need bustin’, nothing to see here.

A jubilant man jumps up and celebrates at the vanquishing of the ghosts. This old man (Peter Renaday) is positively delighted until Peter hands him a bill. He then sours on the Ghostbusters and initially says he won’t pay, but Ray threatens to set the ghosts free so the old man acquiesces. He tosses Ray a coin and at first Peter is ready to demand more money. Ray points out it’s an 1837 coin in mint condition and Peter seems to think it’s satisfactory upon hearing this. With the man not in possession of a phone, the Ghostbusters take their leave. Meanwhile, the old man heads for his window while talking to himself. He reveals what most likely already figured out, that his name is Ebenezer Scrooge, and feeling confident that he overcame the ghosts he declares war on Christmas!

scrooge triumphant

Oh shit, they just bailed out Scrooge!

The Ghostbusters, having failed to find a phone anywhere, return to the Ecto-1. To their surprise, the engine fires up and they head back to presumably take a right at the fork in the road. They end up back home in New York City and upon arriving Ray says he and Winston will take Pete with them to get a Christmas tree. Janine (Laura Summer) scoffs when she hears that and even gives them a “Bah! Humbug!” which surprises Egon. Slimer (Welker) even voices his displeasure at the prospect of a Christmas tree.

scrooge book

The one true holiday classic.

Ray, Winston, and Peter head for Fifth Avenue where they can apparently purchase a tree. Along the way they find everyone is not in much of a Christmas mood and when Winston wishes some random guy a “Merry Christmas,” he gets a “Bah! Humbug!” in return. When they get to Fifth, Ray is shocked to see no Christmas decorations at all. Instead, the visage of Scrooge is everywhere and there’s even books for sale penned by Scrooge himself about how he vanquished Christmas by defeating the three ghosts. A bystander (Marilyn Lightstone) even clues them in when she hears Ray talking about the ghosts. At this point they figure out what happened and quickly realize they need to get back to the firehouse before Egon places the three ghosts in the containment unit. Peter, on the other hand, doesn’t think this new present is so bad.

rays horror

It’s at this point Ray informs the viewer they just killed Christmas.

The three get back to the firehouse, but they find out they’re too late. Egon had just emptied the trap dumping the ghosts into the containment unit. The only way to set them free is to free all of the ghosts also locked up in there. Egon, even though he knew something was up, is still surprised to find out from Ray that they went back in time and captured the ghosts of Past, Present, and Future. Ray is the one to break the bad news that they may have just killed Christmas.

janines adoration

She may hate Christmas now, but Janine has not lost her affection for Egon.

As pedestrians on New York’s streets scream humbug at each other, the Ghostbusters are inside trying to figure out how to right this wrong. Peter recaps what happened (because this is the scene coming back from a commercial break) while Egon reveals a way to fix this. He explains he can open up a crack in the containment unit allowing him to enter. Once inside, he’ll have to find the ghosts and free them. The problem is, time is of the essence. It seems the past and present, as a result of that vortex, are operating simultaneously so time is passing in both. They can’t just go back to the point in time at which they trapped the ghosts. Confusing, isn’t it? Janine doesn’t see why they care about Christmas so much, and Winston uses her attitude to show Peter how he was acting, though he insists he wasn’t that bad.

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Egon’s got some work to do.

Ray thinks it’s crazy for Egon to go in alone, but because of the time constraints Egon says it must be this way. The other three are to head back to Scrooge, for if Egon can’t find the real ghosts, they’ll have to play the parts. As they leave, Egon informs Janine he’ll need her help with this. With hearts in her eyes, she excitedly agrees though she insists she’s doing it for Egon and not Christmas.

venkman christmas past

Venkman’s convincing attire.

At Scrooge’s home, the old man is already working on his novel while the Ghostbusters get set up on a rooftop. Peter is up first and he’s dressed as some sort of Tooth Fairy or something to play the Ghost of Christmas Past. He swings in through Scrooge’s window and knocks him over causing his glasses to fall off. Even without the glasses, Scrooge isn’t convinced by Venkman’s disguise and is confused why the ghost would return after what transpired earlier. Peter activates some flares and a flashlight he’s wearing on his head to complete the ensemble. He then produces a Viewfinder which is apparently going to serve as Scrooge’s window into the past.

janines view

Janine’s view of the containment unit.

At headquarters, Egon is basically dressed up like an astronaut with Slimer and Janine looking on. He has some ray gun pointed at the containment unit that’s on blast. It will allow for a small opening, I guess, while Egon’s suit will allow him to assume a molecular state that will grant him passage. The key part being he can only stay in that state for an hour. If he’s not back in time he’ll be trapped forever. He heads in and Janine heads upstairs to watch on a monitor. Inside the containment unit is basically like the movie Tron, at least the entering part. Slimer notices the ray gun machine is overheating, but he fails to get Janine’s attention leaving him to blow on it in a futile manner.

scrooge view finder

Always good to have a Viewfinder on hand in case you find yourself stuck in the past.

Venkman is apparently having an all right time at convincing Scrooge he’s a legit ghost. The Viewfinder is loaded with pictures of a boarding school that Scrooge either recognizes as his own school or he’s just old enough to confuse it for his actual school (that seems more likely). Meanwhile, Venkman is pushing him around in circles in a wheelchair and claiming they’re flying. He’s clearly running out of breath. Scrooge describes how he was left at school by his father who had no time for Christmas, but Scrooge didn’t mind because he always had his books and things. Venkman takes a seat and explains how Scrooge’s view of Christmas is wrong, and thus realizes his own attitude has been wrong this whole time as well (aww). He’s dismayed to learn that Scrooge hasn’t quite been convinced of Christmas’s worth though, and takes his leave the same way he came in though not without some difficulty.

ghosts

The innards of the containment unit are not particularly inviting.

Inside the containment unit, which now just looks like floating rocks, Egon searches for the ghosts. Janine is able to watch on a monitor and communicate with Egon via a headset. Slimer is still trying to keep the machine from breaking apart, but it won’t matter if Egon can’t find the ghosts. Meanwhile, Winston is swinging around the rooftops of old England dressed as the Ghost of Christmas Present. Ray isn’t sure they can keep this up for much longer.

3 ghosts unit

Success at last! Present looks rather pissed.

Inside the containment unit, Janine urges Egon to give up, but of course he finds the ghosts at the last minute. He tells them to follow him and they say nothing and do as they’re told. At this point, many of the other ghosts have realized Egon is in there. This being the season finale, several ghosts from earlier episodes are shown and they start chasing Egon. This was probably rewarding for viewers who saw all of the episodes, though the only one I personally remember is Samhain, the Halloween ghost.

Janine heads downstairs and sees Slimer holding onto an open window and the ray gun machine about to blow. Egon then emerges with the ghosts just as the gun explodes. He closes the containment unit and returns to a more traditional state of being. He then implores the ghosts to jump in his trap citing he has no time to explain. Surprisingly, they agree.

ray diy future

Ray’s costume has a real D.I.Y. vibe to it.

Back in the past, Ray is dressed in a sheet and trying perhaps too faithfully to play the role of the Ghost of Christmas Future. He’s not speaking so Scrooge and he are essentially playing Charades. Egon arrives, still in his astronaut suit, and he races inside shoving Ray aside. He frees the ghosts then informs Scrooge what is to befall him this night. For his part, Scrooge seems dismayed that he has to endure another round of ghosts so maybe their work will be easier than usual. The Ghost of Christmas Past (Mona Marshall) then steps in to take things from the top. On the roof, the Ghostbusters get a minor lecture from the Ghost of Christmas Present (LaMarche) and he asks Pete if he too learned a lesson. Apparently, this whole time travel thing occurred because Pete had lost faith in Christmas. Well, it worked and Peter is totally onboard now. Present then uses his ghostly powers to send the Ghostbusters home.

scrooge more ghosts

Scrooge isn’t exactly thrilled to find out he’s got more ghosts on the way.

Back home, the Ghostbusters are delighted to see that Christmas has indeed been saved. They gather round a punch bowl that looks like it’s just full of water and Pete is the one to propose a toast to Christmas. Winston remarks how he thought the tale of Scrooge was just a story (are we now trying to convince viewers it was real?) and he wonders aloud if other apparent works of fiction could be real. On cue, a booming voice is heard from outside and it unmistakably belongs to Santa Claus (Welker). He’s shouting out commands to the reindeer and giving a hearty laugh. Peter mugs for the camera and gives a “Why not?” while Santa goes into his routine, “Merry Christmas to all,” with the Ghostbusters finishing the line, “…and to all a good night!”

peters fault

Where we find out this whole episode was basically Peter’s fault for not liking Christmas.

And thus ends a rather unconventional adaption of a A Christmas Carol. It probably is a little confusing for younger viewers who may have walked away thinking the story of Scrooge is true. If it also convinced them that Santa is real as well then I suppose the deception is worth it. It is a clever way to marry a brand like the Ghostbusters to Christmas. It’s definitely a bit contrived, especially the subplot surrounding Peter, but not annoyingly so.

ghost taost

Well, Christmas is saved, time to get our drink on!

Then again, I also have fond memories of this show. The personalities of the individual Ghostbusters all entertain me. Winston is the everyman and we’re supposed to identify with him the most. Ray is the more emotional one which is why he gets to deliver the dramatic news that they killed Christmas. Egon is the brain who is intrigued by everything, often reacting to things with a “Fascinating.” Peter is the one given the sarcastic remarks, much like his film persona, and Lorenzo Music’s performance is basically legendary. He’s just so good at deadpanning Peter’s lines that they don’t even have to be that well-written. This episode was light on Slimer, which is probably for the best. In hindsight, I’m surprised he didn’t join Egon or something in searching for the ghosts, but I don’t think he would have added much.

marley ghostbusters

This show was always pretty good at making the ghosts actually scary.

Visually this show has always been solid. I often associate the turn in children’s animation occurring with the Disney Afternoon, but The Real Ghostbusters is no slouch. It’s miles ahead of the likes of He-Man or Transformers and overall I found this one engaging from a visual sense. Peter’s methods of duping Scrooge were clever and visually amusing, as was Ray’s awful costume. Seeing the inside of the containment unit was probably thrilling for viewers as well. I don’t recall this episode specifically, but I recall other episodes that took place inside the unit as being among my favorite when I was a kid.

ghostbusdters meet scrooge

I have to give this one credit, the concept is pretty unique and certainly on-brand for the show.

As a Christmas special, this one gets the job done. It may go the lame route in adapting A Christmas Carol, but it’s unique enough to get away with it. The episode has Pete learn about the importance of Christmas, though in a mostly superficial sense. There isn’t some grand meaning assigned to the holiday, we’re just supposed to accept that it’s good and people should like it. That’s fine, as not everything needs to get too preachy. The big question, of course, is should you watch this? If you like the Ghostbusters, then why not? It’s fine. It won’t make you feel warm and fuzzy inside, but it may make you laugh and is at least visually entertaining.

If you wish to watch “Xmas Marks the Spot” then your best bet is to either purchase it digitally or on DVD. The show used to stream on Netflix, but sadly it was removed this year. It’s on Volume I of the DVD release which contains 30 episodes and is probably worth it to fans of the show. If you have young kids who either liked the movies or enjoy spooky stuff in general, then you may get enough enjoyment out of it to justify the purchase. It shouldn’t set you back much should you choose to go that route.