Tag Archives: christmas

Dec. 20 – Futurama – “Xmas Story”

Original air date December 19, 1999

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama‘s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the holiday can still bring people together. They just huddle together in fear rather than comfort and joy. No matter, this is but one possible future and it’s not like anyone reading this is going to be around in the year 3000 anyway so don’t sweat it.

The Fox Broadcasting Company was a fledgling network in the early 90s. Two things are credited, primarily, with turning things around for Fox: Football and The Simpsons. Fox got into the animated sitcom market, one that was pretty barren in 1989, with Matt Groening’s The Simpsons. We talked about that show already this year just 10 days ago so there’s probably no need to rehash that. To sum it up though, Fox took a chance on the show and it paid off big time. In hindsight, it’s surprising that it would take Fox another decade after the premiere of that show to premiere another Matt Groening animated sitcom: Futurama. Along the way, there were some attempts at Simpsons spin-offs that went no where and I don’t think any even got very far along. Still, it’s pretty incredible that Fox wouldn’t turn to Groening for another show as it struggled to pair The Simpsons with other content. Eventually, the network would find another hit with Mike Judge’s King of the Hill and that apparently gave the network more confidence in the genre. Now, it seems they’ll greenlight anything for their “Animation Domination” block of content on Sunday night and sometimes a show sticks. Sometimes it has to get cancelled first, as it were with Family Guy, but these days that block is essentially The Simpsons, Bob’s Burgers, Family Guy, and whatever else Fox is taking a swing with.

Let’s celebrate the holidays with the whole gang! And some robots we’ve never seen before.

Futurama was given the greenlight around the same time as Family Guy. Unfortunately for it, Fox would change leadership at the network during development and the new regime was much higher on Family Guy than Futurama, probably for cost reasons, so it got the coveted post Super Bowl premiere while Futurama had to settle for the less prestigious March 28, 1999. The network would air 9 episodes that spring while holding the rest of Season One until the fall where it could air as part of the broadcast Season Two. Included in that second season was “Xmas Story,” an episode supposedly deemed a bit controversial at the network. For some reason, network heads were uncomfortable with a Christmas episode about a murderous, robot, Santa. The trepidation at Fox had little impact on this episode, but when Robot Santa returned in a sequel episode it would be delayed by about a year until the show was in a later timeslot.

This particular episode was originally conceived by Groening and series co-creator David X. Cohen around the same time as the pilot. I suppose when crafting a world set one thousand years in the future one would naturally wonder what Christmas might look like. It’s actually rather nice they didn’t just decide to go all-in on some sort of super commercialism as the plot. I feel like we have enough satire directed at that aspect of the holiday. A murderous Santa? That’s fresh enough. While we do have horror movies featuring killer Santas, this one is different in that it makes Santa a robot and has a plausible introduction for the character. And that he’s saved until the final act also helps to build suspense. This is also one of those early episodes of the show where it can utilize the time-displaced protagonist, Philip J. Fry (Billy West), as an audience surrogate in giving us a look at this futuristic yuletide celebration.

Fresh Hare, the closest Christmas came to Bugs Bunny for an entire generation.

The episode begins with the usual intro and music. The tag-line is “Based on a true story,” and the cartoon snippet at the end of the opening credits is one of the few Bugs Bunny cartoons in the public domain, Fresh Hare, which contains an image of a Christmas tree and Elmer with snow all over his head making him resemble Santa Claus. I had that cartoon on VHS when I was a kid along with a handful of other public domain toons. It has an abrupt ending with Bugs Bunny before a firing squad and I would learn years later that’s because it goes into a blackface gag which had been cut from my copy. And that is likely why it’s in the public domain now. Aside from that, it’s actually a pretty funny cartoon directed by Friz Freleng.

I’m surprised it took them until Season Two to get Conan on.

The cartoon opens on an idyllic lodge in the snowy mountains. The Planet Express crew is apparently going skiing and it will be Fry’s first experience of such in the year 3000. The skiing will have to wait though as the crew is all in attendance watching comedian Conan O’Brien (voiced by himself) performing stand-up. And since it is the year 3000, he’s just a head in a jar and the sight gag here is his head is so big that his hair extends beyond the jar. He makes a reference to his long-time band leader, Max Weinberg, but he’s just a skull in a jar. Apparently someone forgot to feed him. They eat like fish which is revealed in another episode.

Who knew the robot desired freckles?

Conan goes into his routine which begins with a Y2K joke. Bender (John DiMaggio), in the role of the heckler, yells out they fixed that problem a thousand years ago. O’Brien, slightly exasperated already, urges Bender to bare with him. His next setup has him recite “So, I was walking into work,” and Bender shouts out, “I doubt it!” Conan then tries to rip into Bender by saying that he may have lost his freakishly long legs, but he has something Bender never will – a soul! This doesn’t phase the robot in the least, but when he follows it up with, “And freckles!” Bender begins to weep. Get used to these sort of setups. Also, how am I going to get through this write-up without just typing out all of the jokes? This show is packed with so many and there are so many good ones contained in this episode.

The Professor is an incredible skier, provided he’s unconscious.

Conan announces he’s out of material and he’s taken away. Before he departs, he encourages everyone to enjoy their breakfast so Conan has apparently been reduced to breakfast entertainment. Considering how short and dated his set was, that seems appropriate. With Conan’s moldy old antics over, it’s time for some skiing! It looks pretty similar to skiing in the 21st century only the chair lift features hover chairs and no one uses actual ski poles. They’re basically just handles that impart balance somehow. Fry notes how beautiful the snow looks and thanks the lord that global warming never occurred. Leela (Katey Sagal) tells him that it actually did, but nuclear winter cancelled it out. When the two exit the chair lift they ski up to Bender, Fry says “Hi,” and Bender (who is wearing a funny, jester-like, hat) snaps at him, “Enough of your mindless chatter!” On another chairlift, Hermes (Phil LaMarr) and Dr. Zoidberg (West) are stuck and as Zoidberg applies another glove to his mouth appendages the two take notice of Professor Farnsworth (West) who is skiing like an Olympian. We then cut to a close-up of the Professor to find out he’s actually asleep standing up as he makes a flurry of fantastic moves.

I hope that in a thousand years they found a cure for tree to the groin.

Fry and Leela are skiing together and Fry begins to panic as they approach some thickly settled trees. Leela tells him to relax and then commands, “Trees down.” A robotic voice(West) repeats the command and the trees are retracted into the ground. Foolishly, Fry asks what they do when they want the “Trees up,” which predictably causes them to re-emerge from the ground slamming into Fry’s crotch. As he’s stuck in a tree, he meekly commands “Trees down,” and gets slammed into the snow. I should point out, these trees appear to be some sort of pine tree, which is important for later. With Fry laying helpless in the snow, Bender skis by and taunts him with a “Looking good, meatball!”

What a lovely setting for a Christmas special, surely nothing will come along and spoil this image.

As Bender has a laugh at his quip, a fellow skier warns him that he’s heading off the trail. Bender, who is in quite a mean mode so far this episode, just tells the guy to lick his frozen, metal, ass in response. He is immediately punished for his hubris as he plunges off of a cliff. We see him fall from behind, but then it cuts to a frozen pond where some kids are skating listlessly. A non-copywrite infringing song that sounds vaguely like “Christmas Time is Here” from A Charlie Brown Christmas plays and the image lingers just long enough to make us wonder if this is a setup going no where. It’s not, as Bender comes flying through the scene and crashes through the ice taking the children with him. According to the commentary, none survived.

Hermes is apparently not much of a bobsledder.

Zoidberg is shown skiing and he has an unusual way of going about it. Since he’s some sort of crab monster, he puts both feet in one ski and his claws in another and goes down the hill sideways. It’s a cute visual. He stops abruptly though when he comes upon the bobsled track and finds Hermes, the Jamaican accountant of Planet Express, preparing to race down the ice sled. He laughs at the sight, but Hermes is quick to counter that a thousand years ago there was a legendary team of Jamaican bobsledders. Fry is in attendance and he confirms this fact, but then adds “They came in last at the Olympics and then retired to promote alcohol.” This is a pretty consistent setup for a Futurama joke as one would expect Hermes to have a negative reaction to Fry’s statement, but this show’s writing staff loves misdirection so he instead responds with, “A true inspiration to the children.” The countdown sequence then finishes and the gate opens and rather than go forward, Hermes just slowly tips over until he’s upside down. He calls out for some help and Zoidberg just pushes him down the course upside down. He has a laugh at the misfortune of his co-worker (an uncharacteristic turn for Zoidberg, but the writers are still still feeling him out), but like we just saw with Bender, he gets his comeuppance almost immediately as he slips and falls down the course. Fry has a laugh at Zoidberg’s expense, and then decides “What the Hell?” and jumps down the course after him. We hear him crash into something at the end, but are deprived the visual.

I love the Professor’s prescription sunglasses.

At the lodge, we find Amy (Lauren Tom) getting cozy with someone who busted their leg skiing. He(DiMaggio) starts to detail what happened, but then Amy immediately loses interest as she’s spied someone who is even more injured (this is apparently a kink for her). It’s some guy in a full body cast and she pounces on him and suggestively says, “Hello there.” The Professor then comes skiing in still asleep, but he wakes up and is perplexed to find a medal draped around his neck. He finds the rest of the crew sitting around a roaring fire in the lodge and all appear to be damaged to some degree except Leela. Bender remarks there’s nothing like a warm fire and a Super Soaker full of cognac. He pumps it and then blasts it into his mouth. Fry says it really puts one in the Christmas mood and everyone gets confused by his statement. When Fry clarifies what he’s talking about, he does so by trying to spell Christmas, but he spells it as “X M A S.” This alerts everyone that he means Xmas, which they pronounce as X-Mas, and note that Fry must be using an archaic pronunciation like when he says “Ask” instead of “Axe” which sets off a running joke the rest of the series must abide by.

There, there, Fry. Everything is going to be okay.

Fry doesn’t seem bothered by the change in pronunciation, but he is bummed that this will be his first Xmas away from home. Leela then seeks permission to “axe” him if it would make him feel better if they went and cut down an Xmas tree. This causes Fry to perk right up, but we do a hard cut to him being disappointed when he finds out that their idea of an old-fashioned Xmas tree is a palm tree. When he points out that an Xmas tree is supposed to be some kind of pine tree, the Professor tells him that the pine tree is extinct, “Gone the way of the poodle and your primitive notions of modesty.” He then lets his fur coat drop to the ground revealing he’s completely naked underneath, “Ah, brisk!” Fry then starts to fret that everything has changed, and apparently not for the better, but the Professor is there to soothe him still naked. I love that Fry is not phased in the least by the casual nudity. Leela argues that Fry is being ridiculous as she holds an axe over her head to line up a strike, only for another patented Futurama misdirection joke to reveal itself as a laser shoots from from the axe handle and fells the tree unnaturally. And this is the part where I remind you the characters were just skiing amongst a forest of crotch-hunting pine trees.

You don’t see Bender cuddling with Nibbler too often. That’s the magic of Xmas!

The Planet Express ship cuts into view with the palm tree tied down to the roof as an instrumental of “Joy to the World” chimes in the background. The ship enters the Planet Express building and we soon find the dwellers inside decorating for Xmas. A calendar on the wall shows that it’s December 24th. Zoidberg is opening a box, Fry and Leela are by the fireplace looking miserable, and the Professor and Amy are wrapping lights on the tree. Adorably, Bender is in a rocking chair with Nibbler (Frank Welker) on his lap rocking back and forth and singing “Oh Xmas Tree” while Nibbler adds his own little inflections. Fry laments all of the things he is now missing, like his mom getting a goose for goose burgers and his dad whipping up his famous eggnog which was just bourbon and ice cubes. In the background, Amy is struggling with a jet pack which has already caused her to hit her head on the ceiling while trying to place the star on the tree and then sends her careening into the wall.

Thankfully, the sweet flower of the office has returned.

Fry suggests they stop talking about Xmas, which is the cue for Hermes to come barging in shouting “Xmas cards are here! Xmas!” He hands them out which includes a mighty hall for Bender. When he gets to the last of them he sets Leela up for her cards, but it’s actually himself he is referring to as the sweet flower of the office. Leela is upset, but Fry doesn’t notice and instead asks her for a little sympathy which causes her to cry and run off. When Fry asks what upset her, Amy reminds him that she’s an orphan with the Professor adding she’s also the only known member of her species which must make her the loneliest person in the galaxy. Bender then comes over to try and cheer Fry up, but as he does a little dance Fry starts sobbing causing Bender to ponder if he needs to work on his act.

Just like a classic episode of The Simpsons, the TV will tell us where the plot goes.

We cut to Fry seated on the couch all hunched over and sad. He declares he feels like a rat for sitting around whining like a pig while Leela was as lonely as a frog. He then adds he could kick himself, but Amy says she’ll do it for him and does. The Professor scolds him for being blind to Leela’s plight, which just cuts to Hermes telling him that Fry is “over there.” Bender is unphased though as he relaxes in a chair drinking booze and remarks how Xmas Eve is just another pointless day where he accomplishes nothing! Clearly, he needs his own plot then which is why we’re interrupted by a news broadcast. It’s hosted by Linda (Tress MacNeille) and the alien Morbo (Maurice LaMarche), the usual anchors for these broadcasts. Linda sets up her story by noting that Xmas is the time of year where we acknowledge the suffering of others, which is just Morbo’s cue to add “Earthlings do not yet know the meaning of suffering – muahahaha!” That’s his schtick.

First, Bender is snuggling with the office pet and now he’s off to do some charity work? This is too much!

Linda segues into a story about homeless robots who lack the necessary alcohol needed to power their circuits. She’s at a shelter which is basically a soup kitchen, but one that deals alcohol instead. She gestures to the scene and rhetorically asks, “Is there anything sadder? Only drowning puppies, and there would have to be a lot of them!” Bender turns off the TV and heads for the door. Apparently, our cold-hearted mechanical man has found the Xmas spirit for he tells the others that he’s going to volunteer at the shelter. They’re all skeptical and Hermes asks when has he ever done anything charitable? Bender counters there was that time he gave blood and when Fry asks, “Whose blood?” he comes back with “Some guy’s.” With Bender gone, Fry resumes his sulking so Zoidberg suggests he get down on his claws and do the apology dance to make it up to Leela. Fry pays attention to the demonstration miming the movements, then gets the idea in his head that he can just buy her an Xmas present. As he heads for the door the others caution him to be back before sunset. Fry indicates he likes to haggle, so he isn’t making any promises, which alerts the others that Fry doesn’t know about Santa Claus! Fry confirms that he does with a knowing wink, but the Professor is here to fill him in: In 2801 the Friendly Robot Company built a robotic Santa to distribute presents, but a programming error caused Santa to have too high of standards so everyone is on his Naughty List. Amy tells Fry if he gets caught that Santa will kill him while Professor Farnsworth adds “Nice knowing you!”

That’s better.

Time to check-in on Bender who has arrived at the liquor kitchen, only he’s not there to volunteer, but to score free booze. He’s dirtied himself up and put on a knit cap and some torn gloves and tells a volunteer he’s one of those lazy, homeless, robots he’s been hearing about and asks where the free booze is? The guy gestures in the proper direction and Bender is in. We then check in on Fry who is at the mall in search of a gift. He’s at a counter and explains his situation to the clerk, who suggests a nice, traditional, Xmas gift: a surface-to-Santa rocket launcher outfitted with jolly-seeking missiles. Fry laughs at the suggestion which causes one of the missiles to arm itself and point in his direction prompting a word of caution from the clerk.

Tinny Tim, the most pathetic robot you’re likely to see.

At the shelter, Bender is downing another bowl of booze and seems quite satisfied. He then tells the robot next to him who is modeled after an old hobo that someone is trying to steal his handkerchief full of crap. The robot turns to make sure his bindle is still there allowing Bender to steal his booze. A small, pathetic, robot approaches the counter. He’s wearing a flat cap and has a crutch for an arm. This is Tinny Tim (MacNeille), though right now he’s doing Oliver Twist as he politely asks for a bowl of booze, only to find out it’s all gone. As he sadly hobbles away, Bender says to himself, “My God, that poor kid,” and then laughs. Misdirection!

Decisions, decisions.

We are then whisked away to Joe’s Ark Pet Store, Formerly Noah’s Ark Shoe Store, where Fry is still in search of a gift for Leela. He pleads with the clerk as this is his last shot at finding the perfect gift. Following that is a series of gags where Fry is looking at some weird, futuristic, version of a pet and deciding it’s not good enough. Among them is an eight-legged dachshund and Bongo, the one-eared rabbit-like creature from Groening’s Life in Hell. Dissatisfied with his options, Fry asks the clerk what the best pet in the shop is and he points to the electric snail as his favorite pet. Fry declares it a stupid animal and calls the clerk stupid for suggesting it. He’s been hanging out with Bender too long. The clerk is understandably eager to get out of there before sundown and urges Fry to make a choice. Fry then zeroes in on a parrot that apparently costs 500 bucks. He remarks it’s a damn good parrot, but then spies stink lizards which are a buck each. He asks the clerk what women prefer: parrots or swarms of lizards? He’s instead urged to make a choice because the shop is closing setting up a gag where Fry goes back and forth agonizing over his decision as he basically narrates his thought process: “Okay, okay, I’ll take the 500 lizards. No! Wait! Yes! No! Yes! Yes! Yes! The parrot!” Every time he said “Yes” he inches closer to the lizards, a true misdirection if ever there was one.

Well, that took a turn rather quickly.

With that decision made, Fry leaves with his parrot satisfied that Leela will like it. The parrot (Welker) squawks in response and Fry cheerfully remarks how it’s quite the talker. It squawks again and Fry gets angry yelling “Shut the hell up!” The parrot is able to bite his nose through the cage causing Fry to drop it. When it hits the ground it breaks open and the parrot flies off. Fry raises the cage over his head and shouts “I know where you live!” Back at the Planet Express headquarters, Amy is wrapping gifts with Zoidberg as Nibbler bounces around and Hermes and the Professor play chess. Naked. There’s even a nice opening in the chair Hermes is seated in so we can see his butt crack. Leela enters looking for Fry, only to find out that he left to go get her a present. She’s alarmed given the hour and the others act like they have no idea why, but it’s so they can setup a joke for Leela to say “I’m telling you why – Santa Claus is coming to town!”

This is just a tremendous visual gag.

We find Fry at the base of a very tall building with a giant digital clock that reads 4:24 on the front of it. The parrot has apparently found a perch atop it and Fry is going after him. He states, “All right bird, you thought you could beat me in a game of wits, but you just met your equal.” At least he isn’t modest. Fry emerges at the top of the building where the parrot is perched atop the big clock face. There isn’t much room so Fry inches out with his back against the wall. He scoots along, and as he does so does the parrot until it runs out of real estate. Fry thinks he has the bird cornered, but it just does what birds do – it flies. In trying to grab it, Fry loses his balance. He appears to regain it for a second, but then abruptly falls. He’s able to grab onto the number 2 of the clock face, but he’s at the end of it and the number represents seconds that are elapsing. It’s apparently a tangible digital clock that changes to 3, but when it changes to a 4 the top disappears and Fry falls again grabbing onto the middle “bar” of the digital number. He’s safe only until it becomes a 7, then there are no more bars to grab onto.

Looks like everything is going to be just fine.

Lucky for Fry, Leela is there to grab him! Fry is so happy to see her that he declares he’s going to buy her so many lizards! Leela smiles and we cut to the pair walking out of the building. They have a heart-to-heart where Fry apologizes for ignoring her feelings and only focusing on himself. Leela accepts and suggests that at least this Xmas they can be lonely together. The two hold hands and this is probably the second big advancement of their romantic subplot following “A Flight to Remember.” As the two wish each other a “Merry Xmas,” they’re interrupted by a loud banging sound. They turn around and Fry is immediately excited to see Santa Claus! The robot gives a jolly “Ho Ho Ho,” but as it does, it’s U-shaped eyes rotate upside down into a frown as we head into an act break.

Oh, right, we forgot about the killer Santa.

After the break, Fry and Leela do not look at all happy to see the murderous robot as it approaches. Santa (John Goodman) informs the two that they have both been very naughty this year for neglecting each other’s feelings. When they tell Santa that they made up, he counters by asking if either of them had bothered to think about the feelings of their co-worker, Dr. Zoidberg? Fry quickly responds, “No! I swear!” in an early indication of how Zoidberg is to be treated going forward. Santa then tells the two he has something very special for them in his sack. As he reaches in, there’s a quick cut to Fry’s face and he’s smiling like he thinks Santa has a present for him, but he just pulls out a laser tommy gun and starts firing madly!

Clearly, Xmas is just the time of year where people make it easy for Bender to do crimes.

Fry and Leela are forced to run for their lives and rather than watch that we cut to Bender and some homeless robots singing Xmas carols outside an old lady’s (MacNeille) home. We get a piece of the future’s version of “Here Comes Santa Claus” which strikes a very different tone from the present, “So lock the door and hit the floor ’cause Santa Claus comes tonight.” The old lady applauds the group, which includes Tinny Tim, the robot with the bindle, and another, then tells them to go away. Bender stops her by suggesting it’s customary to invite carolers in for a traditional glass of hard cider. She surprisingly agrees and the gang heads in. The door closes and the camera stays outside the townhouse as we can hear them guzzling the stuff down and the old lady tell them that’s enough. The sound of empty bottles being discarded follows along with a command from Bender to get her purse. Suddenly, this is more like A Clockwork Orange than any Christmas special I know.

So did he have the spiked pom pom on his hat before or after he turned evil?

The scene shifts abruptly to Fry and Leela running towards the camera as Santa flies behind them. His sleigh is being pulled by two robotic reindeer as apparently eight weren’t needed. It does speak to humanity’s efficiency that in a thousand years they were able to devise a sleigh only in need of two reindeer to power it. As Santa continues to fire away at the two, Fry begs for their lives and promises to set out milk and cookies for the robot. Santa pauses, but only to remark how shocked he is that they would try to bribe him. That’s just another naughty deed and Santa vows to shove coal so far up their “stockings” that they’ll start coughing up diamonds! In the 90s, we were very fond of jokes that involved something going up the rectum and resulting in something hilarious occurring at the mouth region.

Sorry kids, this is no time for romance!

Santa tosses a grenade in Fry and Leela’s direction which is shaped like a traditional Christmas ornament. The two avoid it by ducking into an entryway to a building, but as Santa circles and prepares to come straight at them, they also realize they have no where left to run. As the two say their goodbyes to each other, Fry notices they’re standing under the mistletoe. The two lean in for a kiss, but the mood is disrupted by Santa declaring that their mistletoe is no match for his T.O.W. missile! He pulls out a massive rocket launcher and fires away, but as the missile heads right for the screaming Fry and Leela the parrot happens to fly by. It ends up taking one for the pair and as the feathers rain down in front of them Fry tells Leela her Xmas present may require some assembly.

I applaud Santa’s commitment to keeping some things old fashioned.

We jump back to Bender and his crew following their heist. Bender leads the group in his own version of the “Twelve Days of Christmas” which goes: “On the fourth day of Xmas I stole from that lady, four family photos – three jars of pennies – two former husbands – and a slipper on a shoe tree!” Each member of the gang sings their own line and the former husbands are urns. It’s pretty clever. Tinny Tim then spies Fry and Leela running in their direction and points them out as potential next victims, but Bender tells the gang he knows them – they got nothing. Santa is close behind the two and when he spies Bender he’s got some words to share. It would seem Bender is very high on Santa’s Naughty List, and when he tells Bender this he tries to finger the kid. Santa is so appalled that Bender would frame an orphan for his misdeeds that he feels compelled to update his list. Despite the fact that he can perform 50 mega-checks per second of his list, updating it is rather time consuming and as Santa does so the others run away.

“Finally, I look as pretty as I feel!”

At Planet Express HQ, the decorations are all in place and the clothes are back on. Hermes, Zoidberg, Amy, and Professor Farnsworth are seated all wearing Santa hats as the gift exchange begins. Zoidberg gifts Amy a set of combs, which is ironic because Amy sold all of her hair to buy a set of combs for Hermes. He too sold his hair to buy a set of combs for…Zoidberg? The bald crustacean accepts the gift and announces it will go splendid with his new hair! He takes his hat off and one side of his head features the hair of Amy and the other the hair of Hermes. No one apparently got the Professor anything, but he’s their boss so why should they? This obvious Gift of the Magi parody is very Futurama in that it sets up the joke, then goes beyond it in a way the audience should not have expected.

He’s on the roof!

The screaming of Fry, Leela, Bender, and the robot hobos puts an end to the lovely atmosphere in the room. The others see the crew from the window as they try to outrun Santa. The Professor notes they’ll be killed on their doorstep – with no trash pickup until January third. The door opens behind him and the group comes running in. They scramble to try and close the fireplace with this giant gear-like contraption, but it’s only Fry and Leela who try to push it while Bender urges them to use teamwork. Santa sticks a candy cane in front of it just before it locks into place and effortlessly forces himself inside along with his two reindeer minions.

Looks like it’s all over for this crew.

Santa menacingly descends from the ceiling and announces to the group before him that they’ve all been very naughty, very naughty indeed! Except Dr. Zoidberg who Santa gifts with a pogo stick. As the crab bounces merrily, Santa resumes his threats by indicating he’ll tare their skin off like wrapping paper and deck the halls with their guts – not his most clever threats. Bender gets an idea and tells everyone gathered that if they don’t believe in Santa then he can’t hurt them! Santa smacks him upside the head with his sack forcing Bender to cry out “Oh, God, the pain!”

This episode could have also been called “How Zoidberg Saved Xmas.”

Santa then commences with his punishment as he starts to laugh. Leela warns his belly is shaking like a bowl full of nitroglycerine while Amy and Fry point out Rudolph’s blinking nose. They’re clearly going to explode which will likely kill everyone in the process. When all hope is lost, the only one on the Nice List springs into action – literally! Bouncing on his pogo stick, Zoidberg snips one of the strings of lights which swings down and contacts Santa electrocuting him in the process. As he fries, Leela jump-kicks him back into his sleigh while Fry, Amy, Hermes, and the Professor (who is dangling off the tree and not really helping) carry the Xmas tree like a battering ram and slam Santa and the reindeer into the fireplace. The robots close the barrier and an explosion goes off behind it that rockets Santa and his reindeer into the sky leaving everyone else safe at last.

Oof, that’s an unfortunate sight.

With that out of the way, it’s time to serve Xmas dinner! The robots have stayed for dinner (and the wife of Hermes, LaBarbara, is suddenly present but not their son, Dwight) as Bender brings out a platter which contains…the charred remains of Leela’s dead parrot. Fry asks Bender where he got the bird and he says he got it where he gets all of the food he serves them – lying in the street. He starts carving the bird, which no one appears interested in eating, and puts a toenail on Tinny Tim’s plate. Nibbler then puts everyone out of their misery by eating the rest and then snatches the toenail from Tinny Tim’s plate. Bender is bummed, which prompts Fry to say the food isn’t important, but before he can continue Tinny Tim sadly moans to himself that he’s so hungry. Fry continues by saying despite being surrounded by robots, monsters, and old people, he’s happy to be among them all at Xmas. Everyone seems to share the same sentiment and the Professor announces that it’s time to shut up and sing!

Merry Xmas, everyone!

The whole gang gathers at the piano where Hermes leads them in a traditional Xmas song. Here we get a larger sample of this universe’s “Santa Claus is Comin’ to Town” which goes: He knows when you are sleeping(Amy). He knows when you’re on the can(Farnsworth). He’ll hunt you down and blast your ass from here to Pakistan(Leela)! Oh, you better not breath, you better not move(Hermes). You’re better off dead I’m telling you, dude(Bender). Santa Claus is gunning you down(Fry)!” Professor Farnsworth then steps into frame to announce “Merry Xmas!” as he disrobes into his birthday suit and takes his place beside his employees.

We can’t forget the moon shot. Too bad the credits are over it.

The camera zooms out through the window and pans up to the sky. We can see the skyscraper Fry dangled from earlier which now reads 8:57, which in the show’s original broadcast coincided with the actual time of day it would have been. Santa then comes flying by with a threat, he’ll be back when we least expect it – next Xmas! He laughs his evil laugh and flies into the sky and we end this one on a proper moon shot. Bravo, Futurama, bravo!

And that is the story of what Christmas Xmas is like in the year 3000. As an episode of Futurama, it follows the familiar template of Fry getting introduced to something about the future that’s changed from the past. There’s quite a few of these events in the first seasons of the show and this is one of the better ones. I tried not to keep pointing it out, but I love all of the misdirection in this one. So many jokes are just: here is the premise, here is your logical conclusion, but oh wait, that’s not the real conclusion! It’s the type of humor that can fall flat after repeat viewings because the surprises are no longer a surprise. In spite of that, this episode of Futurama remains timeless and it’s so timeless that I consider it one of the best Christmas Xmas specials ever aired.

Poor parrot, we hardly knew ye.

In terms of production, there is nothing special about this episode compared with a normal episode of the show. It looks fantastic, because pretty much all of Futurama from this era looked amazing, but did have the added benefit of being the first time the show really got to play with snow. The early scenes at the lodge look terrific even if there isn’t a ton of creativity on display as far as how a ski lodge in the year 3000 might look. The skyscraper with the giant digital clock is a terrific set piece and an even better gag when it turns out it actually has a physical form that Fry can interact with. And even though he didn’t last long, the parrot was pretty amusing. Poor, little, birdy.

I don’t think of this one as crass as some other Xmas specials, and then I remember the drowning children.

As an Xmas special, this one is surprisingly by the numbers for the first two acts. Two people are coping with the holiday blues brought on by loneliness and the holiday brings them together. It just brings them together in fear because Santa Claus is now homicidal. Fry and Leela nearly share a kiss, which wouldn’t have been their first since they kiss in “A Flight to Remember.” There, their kiss was one of deception and not romance so this one would have landed differently had it been allowed to take place. The show would play up the “will they won’t they” angle for many episodes to come and would eventually pair the two up. The Santa angle is present mostly for shock value, but it’s also entertaining. There are some good one-liners to be found that take a popular Xmas saying and turn it around, though it is the one aspect of the episode that does seem to get weaker as it goes along. Though it does turn things around with that humorous parody of “Santa Claus is Comin’ to Town” that basically takes us out.

In closing, this Xmas episode of Futurama has heart, but it’s also more funny and subversive than anything. I don’t think it has any real commentary to make on the holiday itself, but that’s fine as there’s plenty of space to do that elsewhere. This one just wants to present a ludicrous take on the holiday and give the viewer something to laugh at. If you want a funny Xmas special that doesn’t feature the crudeness of say South Park or American Dad! then this one should more than fit the bill. I absolutely love it, along with its sequel episode, and I think you will too.

Oh, and who could forget the casual nudity?

If you would like to watch Futurama‘s “Xmas Story,” then the easiest way in the US is via Hulu where the show presently resides. I think the show still airs on television as well where this episode will likely air. If you’re outside the US, then it can be found on Disney+. The best way to watch it though is to simply buy all of Season Two on physical media that way yo can enjoy it, and the rest of Season Two, whenever you want.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

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Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…

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Dec. 20 – Inspector Gadget Saves Christmas

Once upon a time, Hanna-Barbera ruled the cartoon television universe. The company was one of the first to prioritize television over film when it came to cartoons, and it was a strategy that worked quite well. Come the 80s, cartoons were a Saturday morning staple and were taking over the weekday afternoon as well. Hanna-Barbera…

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Dec. 19 – Aaahh!!! Real Monster – “Gone Shopp’n”

Original air date December 11, 1994.

Whenever I approach another year of The Christmas Spot I usually have some kind of goal in mind. Maybe one could even think of it as a theme. The past few years I’ve made it a point to highlight some of the best Christmas specials I covered in the past, but felt I had short-changed the first time around. And that’s kept up, though after this year that task will basically be accomplished. It’s not the only goal I had this year as I also wanted to spotlight a lot of stuff I had just overlooked up until now. That’s why we’ve had some Looney Tunes themed posts this year and you could even count Scooby Doo as part of that. The other big one was to really dive into the Nicktoons.

Some of this drive to highlight more Nicktoons is born out of nostalgia for 90s properties. The Nicktoons were quite popular and there’s probably an appetite among my readers to engage with them at Christmas. There also were a fair amount of holiday specials produced by Nickelodeon for these shows and as someone who loves Christmas I want to make sure I’ve seen them all. Most of them I remember to some degree, while others I’ve completely forgotten about or missed entirely. The other motivating factor here is that now all of these shows are very accessible via Paramount+. That’s certainly a good thing, but as we saw with HBO Max and Disney+ this year, all of that content you see today isn’t guaranteed to be there tomorrow. And if you’re going to do an annual advent calendar of Christmas specials, streaming is the easiest way to interact with such episodes and specials so I do feel a sense of urgency with some of these properties.

Aaahh!!! Real Monsters is the fifth official Nicktoon and second (but no the last) developed by Klasky-Csupo.

Aaahh!!! Real Monsters was the fifth of the Nicktoons and the second created by Klasky-Csupo. It premiered in 1994 and its creation is primarily credited to Gábor Csupó and Peter Gaffney with a lot of input from director Igor Kovalyov. It’s a show about young monsters Oblina (Christine Cavanaugh), Krumm (David Eccles), and Ickis (Charlie Adler) who are all students in monster school just outside New York City. They attend a boarding school located in a dump overseen by The Gromble (Gregg Berger) who is tasked with teaching them how to scare humans and, perhaps more importantly, how to not get caught by said humans. It’s a little bit like Monsters Inc which followed this only there’s no monster world they travel from and the scares don’t power their society. They basically just scare because that’s what monsters do.

The show ran from 1994 through 1997 with reruns following that kept it on the air for quite awhile. It received the standard Nicktoon episode order of 52 which was broken up into multiple broadcast seasons. It was a bit of an odd inclusion to the lineup as, following the creation of Rocko’s Modern Life, the Sunday morning Nicktoons block had been made a whole two hours, but now they had five shows. Nickelodeon by then was premiering a lot of the new The Ren & Stimpy Show episodes during its Saturday night timeslot and fellow Nicktoon Doug wasn’t going to be around much longer so things did kind of work themselves out.

This one isn’t a traditional Christmas episode, but it does have its own version of the Red Ryder BB Gun.

The show does have a very interesting style. It’s undeniably Klasky-Csupo, but with monsters as the main characters those almost intentionally ugly character designs work very well with the show’s setting. All of the monsters are oddly shaped with lots of grotesque details about them. There is a more scatological humor at play in the show, though I would say it’s not as gross as Rocko or Ren and Stimpy. These monsters do live in a landfill and get around the human world by flushing themselves down the toilet. Toenail clippings are their currency and monsters like Krumm rely on their grotesque odor in order to scare humans. Some of the designs though are just really fun. Krumm was always a favorite of mine as he doesn’t have eye sockets. His face basically ends at his nose so he’s forced to carry his eyeballs around over his head. This can cause problems when he needs to use his hands for something else, but he doesn’t mind sticking his eyes in his mouth or even on the ground. They’re surprisingly durable.

If you’re a 90s kid then it’s likely that you’re familiar with Aaahh!!! Real Monsters and it’s also possible you’re saying to yourself, “Wait, I don’t remember that show having a Christmas episode?” And you would be partially correct. This one is a little bit of a cheat, but you know when you have to do 25 of these things every year you’re willing to settle for “close enough.” The sixth episode of season one features the segment “Gone Shopp’n” which places the three main characters in the mall decked out for Christmas. Only, it’s not actually Christmas, but a Christmas in July sale. If you didn’t know that detail then it likely wouldn’t matter as this looks like a Christmas episode. It aired in December, so it sure looks like it was timed as the show’s Christmas episode that year, but maybe they felt that by making it a Christmas in July episode it would give the network more freedom to re-air it as they saw fit? I don’t know, but we’re counting it so let’s go!

The episode begins, as all episodes of the show do, with a spooky, but lively, theme song set mostly to clips from the show. It’s composed by Drew Neumann and the song is punctuated with a stock scream (I don’t think this is another instance of the famous Wilhelm scream) since the show is called Aaahh!!! Real Monsters with the “aaahh” portion meant to be a scream. It’s a clever bit of wordplay that makes the title so much more interesting than if it had been called Real Monsters. It also made things more interesting on the Nickelodeon hype man when doing TV spots for the show.

This is rent-a-cop, Hal, who is going to be a passive participant throughout this one.

“Gone Shopp’n” is the second segment of the episode following “Monsters Don’t Dance.” It’s going to be a single setting segment as it starts and takes place at the Valley View Mall. It’s all decorated for Christmas in July which really makes it no different from just Christmas. I don’t even see a Hawaiian Santa anywhere so I’m puzzled why they even bothered to make this Christmas in July. Maybe someone at the studio was adamant that this show never have a true Christmas episode? There’s a quick cut of the face of a security guard who looks pretty intense, before we see some additional cuts of another gentleman apparently sneaking into the mall. He’s actively avoiding the guard and clearly up to no good. He also seems very interested in a ski sale.

It must have been fun devising ways for Krumm to scare people with his detached eyes.

A voice over the P.A. alerts us to the fact that the mall is closing in five minutes. Inside a store called Crystal Clear, a young woman (Cavanaugh) is scoping out a crystal ball that the clerk is aggressively pushing on her. The voice actor for the clerk (Nick Jameson) is doing an accent of some kind, I think he’s supposed to be middle eastern, and it’s probably not the sort of thing you would see in a modern cartoon. The young lady doesn’t understand why the ball is so expensive, but the clerk encourages her to gaze into it for it will reveal the depths of her soul. When she does, it rotates on its own revealing an eyeball which blinks. The two humans scream and cry out “Monster!” as they run out of the store.

Pay no attention to the man in the ski clothes.

Krumm pops up from under the table as it was his eye that frightened the two humans. As they run through the mall in terror, the security guard (Rodney Saulsberry) from earlier just shouts at them, “Hey! No running in the mall!” He’s soon approached by the mall’s manager (Michael Tucker) who wishes to push the new security system on him. The guard seems put-off and hostile towards his boss and the new system challenging that it couldn’t possibly prevent horseplay on the escalators. The mall manager doesn’t care and just wants the guy to enable the alarm. They’ve been burglarized multiple times this month and he seems desperate to put an end to that. The mall cop agrees to do as he’s requested and vows that no burglar can escape this “Rent-a-cop!” As he says that, we see the shady guy from earlier is watching disguised as a mannequin in ski attire.

If this episode had been made after the Lord of the Rings film franchise got off and running then we certainly would have had a “precious” line in here somewhere.

Ickis, Krumm, and Oblina poke their heads out from behind a corner. Oblina gestures towards a restroom and announces that’s their way out (remember, they travel through toilets) and the three take off. Oblina doesn’t make it very far though before something in a store display window catches her eye. Ickis shouts back at her in confusion over why she stopped, then joins her and becomes transfixed as well. Krumm then strolls up in confusion and sees what all the fuss is over: a lava lamp. The three monsters are completely enraptured by the novelty lamp. They can’t take their eyes off of it and we get a fun little cut of the lamp dancing in their eyes as the camera moves from monster to monster.

No running in the mall!

Nearby, the manager is leaving and passing on some final instructions to the rent-a-cop to remember to enable the alarm after he leaves. He also adds that he should release the dogs. The guard agrees and does that immediately. Two snarling, angry, looking dogs come running out and immediately go for the manager who narrowly avoids them by slipping out of the exit. He then can be heard shouting out “After I leave, you moron!” in response to him letting loose the beasts right away. The guard smiles sort of sheepishly realizing his error, then presses the button on the security box that barricades all of the entrances, even pipes and toilets. Satisfied, the guard turns back around and catches the guard dogs running by which calls for another, “Hey! No running in the mall!” The guard then smiles to himself and…closes his eyes. He falls asleep standing up and in doing so his elbow presses the door button again undoing all of the locks he had just activated.

Our thief is soon going to learn that he’s overprepared for this heist.

With the guard asleep and the security system disabled, our would-be thief jumps out from his disguise and immediately gets to work. He tosses a large rope net on the floor and then baits it with a juicy T-bone steak. He then heads over to a jewelry store with a hole saw to drill through the glass window. He takes a peek at the guard first then turns on the very noisy drill to create a hole in the glass. As he reaches in to grab the loot, the entire window shatters! He immediately looks back at the guard and finds him still snoring so he grabs the loot and moves on.

Behold the lamp’s beauty.

At the lamp, the monsters are still captivated by its warm, glowing, warming, glow. Ickis notes a tag that reads “Lava Lamp $20.00” and mistakenly thinks it’s called a Lava Lamp 2,000. The monsters all try to come up with a word to describe its beauty, but words fail them. Krumm declares it reminds him of his mother which makes him feel warm inside. Their religious moment is soon interrupted though as the dogs have taken notice. Ickis screams when he sees them and the three start running for a vent. Unfortunately for them, the guard is a little unsteady on his feet and his elbow has drifted back and reactivated the security measures which drops a series of bars across all of the exits once again.

That’s using the old noggin! Or, butt?

With their escape routes cut-off, Oblina does the only thing a monster knows to do in this situation -she resorts to scaring! Unfortunately, the dogs aren’t impressed and the three are forced to book-it. They hit a dead-end at a barred up store and appear to be dead in the water. It’s Oblina who has the bright idea to “use her” to break into the store. She is an unusual shape and is similar to a crowbar and that’s essentially how they use her to prop the gate open. Krumm, with his eyes in his mouth, holds the gate up long enough for Ickis and Oblina to slide under it before he joins them, his ass left red and irritated in the process.

The monsters probably shouldn’t feel too safe where they are.

With the threat of the dogs momentarily avoided, Ickis wonders aloud what they’re to do now, but Oblina can only think of “the Lahmp.” She pronounces it by exaggerating the “A” sound which confuses Ickis, but Krumm informs him she means the lamp. They then all get momentarily captivated by the thought of it and seem legitimately depressed about being separated from the lamp. I’m thinking it might not be a good influence on their lives. Oblina vows that they will not be leaving here without it!

What the hell is this thing in Oblina’s mouth?! Is it sentient? Can it speak? I have so many questions!

We get another shot of the wavering security guard who, once again, drifts back into the door release button. As the bars all retract from their various coverings, it would seem the monsters are in trouble. They have a plan though as we smash-cut to the crew crashing through the store display window in a little car. It sounds like it’s a battery-operated car as opposed to a peddle one. Ickis is driving while Krumm and Oblina can only watch as the dogs give chase. Oblina tries in vane to once again scare the dogs away, but nothing appears to be working. Even her weird technique that reveals some little monster living inside her.

They should have just gone all the way and gave him driving gloves and a scarf.

Ickis cries out for someone to do something, and it’s at this point I noticed he’s wearing some old-timey driving goggles, which is pretty cute. Since Oblina has tried every trick she knows, it’s Krumm’s turn to try to stink them out, but they’re dogs. They eat their own poop, smells don’t bother them. Ickis takes the crew up the escalator and as he does the bumper of the car falls off. They drive under a bench and everyone ducks which takes out the windshield. It’s like Smokey and the Bandit! Ickis takes the car back down the escalator and through some Christmas decorations before driving through the central Christmas display and past the sleeping guard. He’s able to make a hard right and send the dogs smashing into some garbage cans granting them a moment’s reprieve.

Saved in the “ick” of time…I’ll see myself out.

It’s going to be a short moment though as the car comes to a stop and then falls apart completely. Ickis has had it, and with the dogs baring down on them once again exits the remains of the vehicle and prepares to unleash his ultimate move. When Ickis needs a scare, his technique is to enlarge himself to gargantuan proportions which usually does the trick, but once again, these dogs prove to be impervious to their monstrous tactics. Ickis seems resigned to his fate, but Oblina spots an advertisement for dog muzzles alongside a lasso sale (it seems like a very interesting store). With Ickis about to meet his end, Oblina and Krumm spring into action lassoing the dogs effortlessly as the muzzles settle over their jaws.

When you’re forced to carry your eyes around in your hands like Krumm does, you learn how to be resourceful.

With the dogs neutralized, Oblina declares it’s time to go retrieve their lamp! With Krumm holding the pair of leashes, Oblina dangles a dog bone from a fishing rod and the monsters commandeer the store display Santa sleigh. Ickis questions how Oblina learned to do that with the lasso and she credits it to once eating a spaghetti western – hardy har har. That doesn’t explain how Krumm was able to do the same, but he can’t really tell us anyway since he has his eyes back in his mouth. Or maybe he can, since he has no trouble saying “Get along, little doggies!” His attempt to spur them on fails though as they just sit on the floor and stare at the bone. Krumm then spies a better motivator – the steak! He pulls the steak from the trap with a ski pole so as not to set it off then attaches it to the fishing rod. That does the trick as the dogs take-off, but without the monsters which was seemingly by design.

We are often most vulnerable at the height of our revelry.

Now that the dogs have been properly dealt with, the real mission to retrieve the lamp can begin. Or it would have if not for the fact that a laughing Krumm, amused by his dog contraption, stumbled onto the net set by the thief and got caught in his trap. Suspended from the ceiling, Krumm calls out for help and informs his friends that he hates heights. Ickis is immediately put into a state of panic at the sight of Krumm high above them and Oblina has to bark at him to “Get a grip!” She then assures Krumm that they’ll get him down. Ickis seems to disagree even though he’s the one monster present who seems to have no trouble growing to gargantuan sizes, but I guess his power doesn’t work in such a way that it would allow him to simply enlarge himself to retrieve Krumm? Instead, he sarcastically asks if Oblina knows any monsters that can fly.

So apparently Oblina can enlarge parts of herself for purposes other than scaring, but Ickis cannot.

Hard cut to the whirling sound of a toy airplane. Ickis is the lucky monster riding in the plane, while Oblina controls it with a remote control. Ickis is screaming the whole time while the dogs go running by with the sound of jingle bells coming from the sleigh – this all feels like a deliberate attempt to show us what a heavy sleeper the guard is even without actually showing us the guard again. Oblina tells Ickis to stop acting like a baby and jump, which indicates to me the plan is for Oblina to basically “buzz” Krumm as Ickis leaps onto the net and cuts him down. Ickis turns to the camera and pauses his screaming long enough to inform us that he’s not having fun. Oblina brings the plane over Krumm and Ickis comes through jumping onto the net which knocks it from the ceiling. The two fall onto the waiting…lips…of Oblina who was able to enlarge her mouth like an inflatable raft to cushion their fall. The plane continues on and flies right past the snoring guard and slams into the wall creating a rather spectacular explosion for such a small toy. The guard doesn’t wake up, but does manage to utter yet another “No running in the mall.”

Ickis is underneath those dogs. You’ll just have to take my word for it.

Free from the net, Krumm simply thanks Oblina while Ickis starts wailing about how he could have been severely hurt. Oblina is not interested in his complaints at this point and tells him he was safer in that plane than he is now. Ickis replies with an, “Oh really?!” and appears poised to go on a rant, but is soon flattened by the dog-pulled sleigh to which Krumm can only remark “Bummer,” at the sight of his flattened friend.

How could he possibly leave such a majestic object behind?

We then get to check-in on our thief. He’s moved onto the crystal store from the beginning and is using his hole saw on the glass door, which just shatters like the window from earlier. He enters and makes for the counter where he goes to use the saw once again, then thinks better of it and simply smashes it to steal…a geode? Far be it for me to judge value for a thief. We cut back to the monsters and Ickis is complaining about losing feeling in his right claw while gesturing to his left arm. I don’t know if this is a joke or an animation error. Oblina tells him that he’ll feel better once he’s back in the presence of the lamp and Ickis concedes as much. They then come upon it as the thief is leaving the store. He heads out, then upon seeing the lamp backtracks, smashes the window, and makes off with the lamp!

I was expecting something more elaborate to get the lamp back, but we are running out of time here.

The monsters aren’t going to let this go as Oblina proposes they scare this man so bad that he sleeps with the lights on for the rest of his life! As they give chase, the guard once again bumps the doors button and all of the bars and shutters return. This gives the monsters precious time as they come upon the thief using a blow torch on the bars over the exit. When he sets the torch aside, he grabs Oblina. I guess he thought she was a crowbar, but upon seeing the monster she screams and pulls a bunch of guts or something out of her mouth. It achieves the desired effect as the thief screams and drops her before running off. The monsters are then able to bask in the glow of the lamp, which is apparently battery-operated or something for it’s still glowing.

So that’s how you wake him up!

The thief (Adler) runs up to the security guard and wraps him in a hug begging for him to save him from the monsters. As the guard is startled awake, his elbow hits the emergency alarm. The shutters then go up and the mall manager is there immediately with a handful of cops as they come storming in. The monsters are forced to dash away to a hiding spot while the manager starts congratulating the guard for catching the crook. The guard is understandably confused, while the thief doesn’t correct the manager since he’s still traumatized from the scaring. The guard then realizes the crook was caught and is happy to take the credit, despite doing nothing all night.

Together at last! Merry Christmas, little monsters.

Hal, that’s the guard’s name, taunts the burglar before the real cops take him away. Then to just sort of add to the dysfunction of the night, the dog-sleigh comes racing by and the manager is forced to duck for cover as Hal shouts out “Hey! No running in the mall!” followed by another “Darn dogs,” once again. The manager then tells him how happy he is the burglar was caught and asks Hal how he did it? As Hal stammers and stalls the manager loses interest and decides to reward his security guard. Since he’s probably a rich guy who doesn’t actually like handing out money, he hands Hal what he feels is a suitable reward: the lava lamp. It had been left on the floor with the other booty and Hal accepts it in a manner that indicates he considers this to be a pretty shitty reward. When the manager presumably turns and walks away, Hal casually tosses the lamp in the trash. And at the bottom of that trash can, are the monsters reunited with their “precious” once again.

That’s how the episode ends. Even though it’s not a true Christmas special, the good guys get the thing they desired most this Christmas in July in the end. This is a very light, silly, sort of episode. There’s a clear goal for our characters and it should be an easy one, but those darn dogs just keep getting in the way. There’s some solid physical comedy and even some subtle stuff at play. The bits with the thief sneaking around even though he really doesn’t have to are quietly amusing and I like how no character points out how useless the guard is. The show is just confident in that its audience will get the joke and with children’s programming that isn’t always the case. The characters, especially Oblina and Ickis, bounce off each other well as their personalities clash. There were no moments that made me laugh out loud, but I was suitably entertained throughout.

Praise be to the sleigh, for without it the Christmas component would have been totally irrelevant.

The Christmas component is understandably muted in a show about monsters. We’re not going to get the usual feels out of this one and that’s fine. Instead, Christmas is merely a prop. It’s a way to decorate the scenery and make the mall a touch more interesting. In truth, you could take all of the Christmas stuff out of this one and it wouldn’t really change much. The only obstacle would be replacing the sleigh the dogs end up attached to. And it’s the presence of that sleigh that helps it pass my Christmas test since there isn’t an obvious replacement for it. It’s not like the dogs could pull one of those cars that are sometimes setup in the mall. Maybe a custodial cart? I don’t know, but there’s just enough Christmas that if it were all deleted the episode wouldn’t work.

All that being said, should you make time for “Gone Shopp’n” this holiday season? In a vacuum, probably not. If you’re marathoning the Nicktoons Christmas specials though, then sure, keep this one in the rotation. It’s brief since it only uses half of the show’s running time which is in contrast to most Nicktoons which dedicate the whole half hour to the holiday. It has it’s own flavor, and shows starring monsters are inherently cool, if you ask me. And should you wish to watch this, you can do so via Paramount+ or by purchasing one of the DVD releases of the show. It’s not particularly hard to come by and was released more than once so you have some options. Happy screaming!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 19 – American Dad! – “Minstrel Krampus”

I’m quite surprised to have made it all the way to December 19 without resorting to The Simpsons, American Dad!, Bob’s Burgers, or some other animated sitcom that has an annual, or near annual, Christmas episode. Not that I have been avoiding such shows, and I may turn to one again before this is all…

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Dec. 19 – Krazy Kat – “Krazy’s Krismas”

One of the most celebrated comic strips of all time is Krazy Kat by George Herriman. Krazy Kat debuted in the New York Evening Journal in 1913 and concluded its run in 1944. It contained a fairly simply premise where a cat named Krazy pined for a mouse named Ignatz, only the mouse hated the…

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Dec. 19 – Christopher the Christmas Tree

We look at a lot of Christmas stuff pulled from every day cartoons, for the most part. On occasion though, I suppose we should throw the Christians a bone and look at something a bit more secular. Yes, I think most people know Christmas was basically co-opted by the church many years ago, but it’s…

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Dec. 18 – Batman: The Brave and the Bold – “Invasion of the Secret Santas!”

Original air date December 12, 2008.

Come 2008, the DC Animated Universe had been dead for 2 years. Justice League Unlimited aired its final episode in 2006 bringing an end to something that had been ongoing since 1992. As I touched on earlier in this year’s countdown, the DCAU wasn’t something I was particularly invested in so it’s end went unnoticed by me. Hell, it’s continuation mostly went unnoticed as I stopped at Batman Beyond! With it in the past though, it seemed there was a desire at Warner to do something completely different. Enter Batman: The Brave and the Bold, a far more light-hearted and cheeky depiction of the caped crusader loosely based on the comic of the same name. The premise was to take Batman and focus on more contained stories that would feature a team-up between Batman and other DC superheroes, some of which would be well known and some that wouldn’t be. This new start came with a new art style and a new voice for Batman. Kevin Conroy (R.I.P.) will always be my Batman, but I get the desire to want to explore a different aspect of the hero which is how we ended up with Diedrich Bader. Bader’s more one-dimensional Batman is the anchor of this show. He has to take himself seriously and play the straight man in a world that is rather outlandish.

It’s a show that is not as campy as past Batman media, but it’s not as grim as the Batman of the 80s and 90s.

Despite all of that, Batman: The Brave and the Bold is not a show I sought out. It was sold to me as more of a kid’s show, and being well into my adult years at this point it didn’t make much sense to seek it out. Like Justice League, the show aired on Cartoon Network which just wasn’t really on my radar in 2008. I admired the visual style from afar, but that was as far as I went with it. Now, I’m more curious about the animated shows I passed on. I never fell out of love with cartoons, be they aimed at kids or adults, and if they’re well-animated then they have value to me. And let’s be honest, we’ve seen a ton of dark and gritty takes on Batman at this point. I love Batman ’89, Batman: The Animated Series, and Batman Begins – they’re all terrific, but at some point I just got tired of the same old Batman. I have yet to watch the latest film and I don’t have much desire to do so. A Batman that’s a bit more lighthearted where the individuals behind the production don’t take the character quite as seriously as others has appeal. I’m not saying let’s go back to the Adam West show and I definitely have no appreciation for the camp that was Batman & Robin, but something more offbeat can work. Batman is allowed to have a sense of humor.

The fifth production episode, and fourth to air, of Batman: The Brave in the Bold is the subject of today’s post. “Invasion of the Secret Santas” is going to team Batman up with Red Tornado, a character I have zero knowledge of. That’s part of the appeal of the show as it seeks to spotlight some lesser heroes in the DC back catalog. I assume it also intends to do the same with villains since today’s villain is another character I have zero experience with: Fun Haus. He certainly sounds like a villain that could work with a Christmas plot, and at least Red Tornado has red in his name. A green outfit leading to a red-green tornado would have really made him fit even more.

Tom Wilson is such a good voice actor, he doesn’t get enough accolades for his work in this area.

The way this show works, is it begins with a “teaser” that features Batman teamed up with a hero as they finish a job. It’s basically unrelated to the show’s main plot. And in this episode, we open with Batman (Bader) and Blue Beetle (voiced by former Batman Will Friedle) as they tangle with Sportsmaster (Tom Wilson)! It starts as a broadcast of The Professional Bowling League’s Christmas Tournament where the top bowlers in the country are competing for a sweet cash prize. Almost right away, Sportsmaster shows up to declare that bowling isn’t a real sport. Sportsmaster is basically a guy who has a costume composed of sports equipment. With him are a trio of goons one is a football player, one a baseball player, and the last is a hockey player. I’m not sure if he intends to steal anything or if he’s really out for money (he says he won’t steal their prize, but win it) or if this is more of a personal crusade against bowling. The bowlers don’t put up any sort of resistance apparently as we cut to them all placed in human-sized, transparent, bowling pins and the goons are setting them up. Sportsmaster then grabs a bowling ball, which is also a bomb, and rolls it in the direction of the pins. He’s a southpaw, in case you’re curious. Just before the ball strikes the pins a well-timed batarang intercepts it and detonates it before it can reach them. Enter Batman and The Blue Beetle!

I hope you’re not too attached to Blue Beetle, because he’s only here for a hot minute.

Batman is here to tell Sportsmaster he expected to find him…in the gutter! See, Batman gets to use puns with regularity now. Blue Beetle is basically just along for the ride. Sportsmaster welcomes the challenge, and Batman instructs Beetle to take the goons and leave Sportsmaster to him. Beetle is fine with that, but his suit might not be as he starts arguing with it and refers to it as a “goober.” Since only Blue Beetle can hear what the suit is saying (and that is true for us, the audience), it sounds like he’s insulting Batman, but he just ignores it. Beetle is embarrassed and a bit angry with his apparently sentient suit (I guess I should have watched the movie that came out this year), but orders it to conjure up some weapons for him to tackle the baddies with. It responds by morphing both forearms into Mega Buster-like canons, which is certainly aided in that both characters rely heavily on the color blue. Beetle requests something less likely to level the place and the suit responds by just bulking him up, and he seems satisfied. I had no idea Blue Beetle operated in such a fashion.

You didn’t really think a guy in sports equipment was going to be much of a match for Batman, did you?

Meanwhile, Batman is battling Sportsmaster who is tossing several bowling balls at him. Batman just punches them out of the air causing them to shatter so this is one beefy bat. He closes in on the villain, who responds with kicks as he’s apparently “sporting” some rather fiendish cleats. Unable to connect with Batman, Sportsmaster tries to make a run for it, but Batman is able to take him out with a bowling pin. Blue Beetle had no difficulty with the goons and the two regroup to bask in the glow of a job well done. Beetle then tries inviting Batman back to his place for Christmas Eve dinner, boasting that his mom is a great cook so he apparently still lives at home, but Batman turns him down on account of the fact that crime doesn’t take a holiday. Smash to intro!

I don’t think that eye color is natural.

After a pretty spectacular intro with an old school flair (think Johnny Quest), we settle on a small town gearing up for Christmas. We see some festive sights around town before the camera takes us to a university. It’s there a professor is teaching an archeology class. Professor Ulthoon (Corey Burton) takes a question from a kid (James Arnold Taylor) wondering if archeology is as exciting as someone like Indiana Jones makes it out to be, and the professor is forced to tell him that it is not. It’s mostly reading books. When he turns to address the kid we see his eyes are an unnatural shade of blue and his rather stilted speech would imply this gentleman is not human.

Meet Red Tornado, the communist superhero!

The sound of a runaway box truck gets the professor’s attention. He apparently has a super sense of hearing to notice the out of control vehicle and excuses himself from class for a moment. Once the door is shut behind him, he rips off his whole face to reveal a robotic one underneath. This, ladies and gentlemen, is Red Tornado! He whirls into action to save two children about to be struck by this vehicle, which comes to a complete stop shortly after, and delivers them to their father. There he tells the old man that his children need to be more mindful of traffic and he receives no objections from the man and his two kids. They thank him for saving them and for all that he does and make a reference to The Christmas Spirit in doing so. Red Tornado responds with, “Christmas…spirit?” as he’s apparently unfamiliar with the term. The boy (Zachary Gordon) describes it as a tingling feeling you get inside and when Red Tornado confesses he’s unfamiliar with that emotion the little girl (Liliana Mumy) laughs at him like he’s an idiot – “Of course you can’t, you’re a robot!” The three all have a hearty laugh while Red Tornado looks legitimately hurt.

Decorating is apparently quite easy when you’re some sort of magic tornado machine.

Later, we find Red Tornado as his alter ego back at his home. He’s just standing in his living room at first, but then it cuts to him seated on his sofa reading a book titled Get That Holiday Spirit! He closes it, apparently finished, and then goes into a whirling tornado form once more. As a tornado, he decorates the exterior of his house with holiday decorations and then the interior. We see him putting on a festive, ugly, Christmas sweater and he stands in the living room looking things over. Deciding that he’s still missing something, we cut to him knocking on someone’s door. It’s the man and the two kids from earlier and when they all answer the door, Professor Ulthoon (he’s apparently not concerned about giving away his identity) clears his throat and begins to sing “Jingle Bells” in a very monotone, emotionless, fashion. The family just slams the door in his face leaving poor Red Tornado looking rather sad.

It’s something Jack Skellington struggled with too, buddy.

Back at his home, we find the professor working out an equation on a chalkboard. He seems to hypothesize that decorations plus lights plus presents plus caroling equals Christmas Spirit. Or he’s dividing by Christmas Spirit. My algebra teacher would have scolded me for writing an equation like this. Nonetheless, it would seem he can’t figure out why he has yet to feel this so-called Christmas Spirit given that he’s done what he feels is required. The television is on in the background and a black and white movie is on where a father asks his son if he’d like to know the true meaning of Christmas? Red Tornado responds out loud with, “Yes, please elaborate,” only for the movie to be interrupted by a news broadcast. Flying saucers are attacking the city and there’s a transmission from a Neptunian Leader (Friedle) demanding that Earth hand over the one known as Santa Claus. The anchor then informs us that Batman is on the scene and alone in defending Earth from these alien invaders. Not for long as the professor dawns his Red Tornado guise intent on joining the fray.

Oh, hell yeah!

We cut to a close-up of some woman screaming as she and several others run for their lives. The flying saucers are blasting everything in sight, but Batman is on the scene. He’s shown riding on top of one of the saucers stabbing it repeatedly with a batarang. He sends it careening into the ground, does a backflip off of it, and takes out several others with batarangs in the process. He moves to another saucer and as he rides and stabs some more he’s able to direct the ship’s weapon blasts at other saucers in the process. He eventually sends that one crashing into a giant Christmas tree which goes up in flames, hopefully not an omen of what’s to come. Batman remarks to himself this isn’t how he imagined spending Christmas and soon deploys a jetpack of sorts. Why he didn’t use this thing from the beginning is a mystery. When he’s about to get nailed by a few more flying saucers, he’s saved by the entering Red Tornado. The robot wishes Batman a “Merry Christmas,” and responds by saying “Now’s not the time, Red Tornado.” This confuses Red Tornado who asks, “Isn’t Christmas tomorrow?” and I like his very literal response.

This is the team-up we’re getting, whether wanted or not.

Batman is unable to explain the nuances of the English language at this time to Red Tornado for they’re still under attack. They manage to avoid the saucers and return to the offensive with Red Tornado capable of taking them out with relative ease. He mentions to Batman that Neptune is uninhabited, to which the caped crusader responds with “No kidding.” He instructs the robot to search his database for Christmas movies featuring aliens and Red Tornado is able to find one: Holiday for Neptunians. He is also able to confirm the broadcast they saw earlier on television was taken from the film. Batman then tells him he’ll draw their fire so that Red Tornado can do his thing. He takes off forcing the saucers to fly in a group after Batman. Red Tornado is then able to line them up and blast them with…red tornadoes. That’s basically all he does.

Being a detective is pretty easy when all of the bad guys put their face on their weapons.

With the saucers now obliterated, the two return to the ground. Batman’s jetpack just sort of magically turns back into a cape. It makes no sense, but it looks pretty cool, and this is a cartoon about superheroes battling flying saucers so I’ll allow it. Batman examines the debris and finds a marking on it indicating it’s a toy. Red Tornado suggests he can search his database for the logo, but Batman tells him he won’t find it. Red Tornado comes back to say he could not locate it’s source, which seems to irritate Batman since he already told him he won’t. This logo is actually a mark of today’s villain. A flying saucer flies into view and from it emerges Fun Haus (Gary Anthony Williams)!

Fun Haus is clearly Toyman and that doll is definitely supposed to look like Baby Doll.

Fun Haus looks like a scary jester of some kind. He looks like a villain from the old Super Friends shows, but I’m pretty sure he was called the Toyman or something. A little bit of research tells me that Fun Haus is indeed meant to resemble that version of Toyman, so look at that. He’s shown standing in the saucer holding a doll which looks an awful lot like Baby Doll from Batman: The Animated Series. As he caresses her hair, he remarks to the pair that he was just playing with his toys asking rhetorically “Is that so wrong?” Red Tornado, who has to take everything seriously, confirms that it is indeed quite wrong and adds that most of the things Fun Haus does are wrong. He starts listing off all of his crimes he can find in his database until Batman basically tells him that’s enough once he hits jaywalking. He then tells Fun Haus “If you think we’re going to let you continue your deranged rampage you’re wrong.” Fun Haus is unimpressed and simply retorts, “If if’s and but’s were candy nuts we’d all have a merry Christmas!”

Spoiler alert, this is not the most unsettling image we’ll see from this one.

Fun Haus lobbs some threatening words at the heroes before pulling the drawstring on his dolly and tossing it to Batman. He flies off in his saucer as Batman catches the doll. As he looks it over, the doll’s head spins around and asks “Won’t you play with me?” When it does, the eyes fade to black and the doll’s right eye is replaced with a red, digital, “1” and the left eye a zero. Batman cries out, “It’s a bomb!” and we get a suspenseful act break. When we return from the break, the doll adds “My Christmas wish is to blow everything to smithereens.” This must be the hot, holiday, item for this year. Batman instructs Red Tornado to give this doll some altitude as he chucks it high into the air. Red Tornado obliges and blasts the doll ever higher where it detonates harmlessly.

Batman probably has an entire cupboard full of these things. What else is a hero supposed to gift a billionaire?!

Red Tornado then declares that they cannot let Fun Haus ruin Christmas. Batman sort of corrects him by saying Fun Haus is a crook first implying they just need to stop whatever scheme he’s up to. Christmas is apparently of little concern to Batman. He then asks, “Besides, why do you care?” in response to Red Tornado’s apparent concern about Christmas. Red Tornado then confesses it’s because he lacks Christmas Spirit and it’s something he would like to experience. Batman retorts that it’s overrated forcing Red Tornado to observe that he is not the only one lacking in Christmas Spirit. He then hypothesizes that something will help the both of them and produces a gift for Batman. He responds with “You shouldn’t have,” and I get the sense that he means that sincerely. He opens it anyway and finds a black coffee mug with the words “World’s Greatest Detective” printed on it.

Young Bruce clearly going for a Dennis the Menace look with that hairstyle.

This apparently triggers something in Batman as the screen gets all wavy and we see a flashback. It’s Christmas morning at Wayne Manor and little Bruce is making a b-line for the tree. His parents are standing by along with Alfred and his dad asks him what Santa brought for him. Young Bruce (Gordon) inspects a gift by shaking it, testing its weight, and seems to know what’s inside causing his dad (Burton) to remark “Our little detective.” He then rips it open, but we don’t get to see what’s inside (not yet, at least) as we’re taken back to the present. Batman is just staring at the gift while Red Tornado observes that he’s still not detecting any Christmas Spirit within the crime fighter. Batman snaps out of it and points out that he doesn’t have a gift for Red Tornado. He’s unbothered by this as he points out that he understands it’s the giving, not the receiving, that best exemplifies the Christmas Spirit. He’s then left wondering why he still doesn’t sense it within him and asks Batman to confirm that it’s a tingling sensation, no? Batman just smiles and says “When you start tingling, I’d see a repairman.” He then reminds him that they need to resume their hunt for Fun Haus and the pair dash away.

A barber shop with a space theme – I’d check it out.

We’re treated to a few shots of the town basically healing after the attack by Fun Haus. Some guy with a barber shop has incorporated one of the fallen saucers into his sign and is stringing lights over it while the giant tree that was half burned has been relit. A couple of kids approach a Santa seated in a sleigh and ask him if he has any Presto Playpal toys left, but he’s apparently just a robot and only responds with “Ho ho ho.” This seems like something that might scare these kids. Above the city, Batman and Red Tornado are flying past and the robot inquires with Batman why he dislikes Christmas so much? Batman corrects him and says he does not dislike Christmas – he dislikes crime! Batman is so single-minded that he doesn’t even have room in his heart to dislike anything but crime.

You kids ever want to see Santa’s eyes explode from their sockets?!

As he says that line, Batman spies a Santa stumbling through people on the sidewalk and the two head down to get a closer look. Batman accuses him of sipping too much eggnog, but we the audience recognize this Santa as the same robot one from just a moment earlier. His face is frozen in a smile and the “Ho ho ho” emerges from it same as before. Santa then dispatches the two heroes with a double uppercut, much to their surprise. From their backsides, Batman informs this imposter Claus that he just made the naughty list, while Red Tornado makes the useful observation that Santa does not typically behave in this manner. Batman points out that’s because this guy isn’t Santa. As the robot turns its attention towards the many pedestrians in the street, Batman nails him through the chest with a Batarang. The robot goes through a surprisingly gratuitous death scene that includes a close-up of its eyes bulging out of its head and exploding before the whole thing catches fire. Like a Terminator, this thing has a pretty detailed endoskeleton which stands in the middle of the street for a moment as all of the “flesh” is burned away before falling into a heap of Santa bones on the ground. I thought this show was for little kids?!

Geez…this show goes hard!

Batman and Red Tornado approach the remains to inspect it, when the sound of more Santa laughter causes them to whirl around. An army of these things are waiting for them and the head on the apparent lead Claus pops open to reveal a monitor with an expected face to follow. Fun Haus then makes the same observation as me by sarcastically stating “Gee, that won’t give kids nightmares,” as he taunts Batman and Red Tornado from the safety of his base, or wherever he is. The Santas then attack and Batman and Red Tornado brawl with them in the streets. The same screaming woman we got a close-up of earlier gets another chance to shine screaming just as she did before. These Santas seem like they’re here to just be bad guys as one walks over to a little girl and snatches her teddy bear so it can rip it in half. They don’t seem that interested in just hurting people. Some people are also shown running from a department store and the character model for one of the ladies running out appears to be a direct homage to “Christmas with the Joker” as she looks pretty much exactly like the older woman a kid returns a purse to when Batman and Robin are on patrol. A fun little Easter egg for those who have been watching Batman cartoons for a long time.

Gray-haired lady on the right appears to be another BTAS cameo.

Back at that big tree and sleigh, those kids are still pestering the obviously robotic Santa. Apparently this wasn’t the unit that Batman and Red Tornado encountered a moment ago. The eyes on the Santa flip to red as it stands up and the kids start screaming. This apparently scares the reindeer – yes, apparently they were real, who start running. Batman sees this going down and throws a batarang that cuts the harness off one of the four reindeer. That leaves three still pulling the sleigh which is flying down the street at this point. The freed reindeer continues running as well, and Batman leaps onto its back leaving Red Tornado to handle the other robot Santas, which he is apparently more than capable of doing. Batman is able to ride the reindeer alongside the sleigh until he’s able to jump on it just before it looks like the Santa robot is about to actually harm the children. He punches the head of the robot off of the body and it comes to land at the feet of the children. Batman tells them to pretend they didn’t see that and they respond with a scream.

Good thing you brought your robot friend, Batman, because that was a tough one.

The scream was apparently not due to the severed Santa head at their feet, but because the sleigh was heading towards a cliff. What city is situated this close to a giant cliff? It’s actually a bit humorous how they went from a city center to a setting that is pretty remote, but hey, it’s good suspense! The sleigh goes over the cliff, and if you were watching this on television back in 2008 you would have to sit through a commercial break to find out if Batman can save himself, the children, and the three reindeer still attached to the sleigh. And the answer is…he can’t, but Red Tornado can! The sleigh basically levels off and starts flying causing one of the kids to declare it a Christmas miracle. We pan back enough to see Red Tornado flying beside the sleigh as he created a whirlwind below it that is holding the sleigh in place. I don’t think tornadoes work that way, but as has been the case with a lot of stuff in this one so far, we’ll allow it.

The toy at the top of every kid’s Christmas list.

We return to the city and Batman and Red Tornado appear to be surveying the wreckage. I’m guessing they’re looking for clues, but they’re interrupted by the sound of a child crying. Red Tornado approaches and asks the boy’s father, who is standing with him, if the child was frightened by the Santa carnage. The dad says, “Nah,” the kid just wants some toy. The Presto Playpal is the hot toy, and the same one the kids earlier were asking Santa for, but it’s sold out. This triggers another flashback for Batman and we return to the same scene of him opening a present under the tree as a child. Little Bruce unwraps the gift to find it contains a nutcracker. He looks surprised and Thomas Wayne chimes in that it was a gift given to him by his grandfather and now he’s passing it onto Bruce. A sweet sentiment, but apparently Thomas doesn’t know his kid too well. Bruce gets mad because it’s not the swashbuckler action figure (aka Zorro!) he asked for. He chucks the nutcracker at the wall and it bursts into pieces as he runs off. Thomas is left to look downtrodden on the couch while Alfred is left to silently pick up the pieces.

Batman always has a pretty sweet ride.

When we return to the present, Batman looks a bit pissed. I’m expecting him to teach a harsh lesson about material possessions to this boy, but the sound of an alarm snaps him out of his trance. It’s one of the busted Santa robots, the one with a display monitor, and Fun Haus appears once again. He’s there to taunt him with his last setup, “‘Twas the night before Christmas, and I’ve hidden a bomb!” Batman and Red Tornado are forced to spring into action with Red Tornado searching from the skies and Batman from the Batmobile, which has a really cool design in this one that feels like a mashup of the ’66 Batmobile and the one from Batman Forever. Both heroes apparently have some sort of bomb-detecting radar and they just search all over town for this thing. Eventually, we see it’s 6:40 and the pinkish tint to the sky means it’s morning. Batman and Red Tornado are shown regrouping where Red Tornado refers to the bomb threat as “a wild goose chase.” I wasn’t aware he was able to speak so figuratively. Batman wonders what Fun Haus was trying to distract them from, and Red Tornado suggests Christmas morning. We then center on a theater marque that says “Happy Holidays” as Red Tornado expresses his hope that both he and Batman get what they want this year.

Spoiled little brat! Don’t you know your dad is about to die?!

The shot on the marquee fades into another flashback. The Waynes are leaving a showing of The Mark of Zorro, and I think we’re going to find out why Batman isn’t a big fan of Christmas. Any Batman fan knows what happens when little Bruce sees a Zorro flick with his mom and dad, but I don’t recall that fateful night ever occurring on Christmas before. As the family leaves the theater, Thomas bends down and acknowledges that Bruce didn’t get the toy he wanted for Christmas, but he hopes the swashbuckler movie helped to make up for that. Young Bruce just scowls and turns away and the disappointment on the face of Thomas pains me more as a viewer than if he just got angry with his spoiled son. He indicates it’s time to head home and the family starts walking into that fateful alley. Two gunshots rings out and all we see is a muzzle flash for each one before hearing Bruce cry out “Mom! Dad!”

Judging by mom’s expression, the action figure must have been dad’s idea because she has “I told you so,” written all over her face.

We return to the present to find a stern Batman once again, only this time he reacts to his memory by stating, “Sometimes what you wish for most is the one thing you can never have.” Red Tornado says nothing, but that might sting for him a bit and his quest to experience the Christmas Spirit. Batman then notices that on a nearby poster advertising the Presto Playpal is the mark of Fun Haus. Really, Batman? You’re a master detective and you didn’t notice the face of Fun Haus on these posters all over town? Recognizing the evil plan about to unfold, we then find ourselves taken to a nearby home. A young boy is excited to unwrap a Presto Playpal, until the toy comes to life and smashes its way out of the blister package. It goes after the kid’s parents and swipes his mother’s necklace before jumping out of the window and taking off.

A scheme that would make the Grinch proud.

A montage ufolds of similar experiences of kids opening these toys and promptly getting robbed. That’s apparently the end game of Fun Haus – steal Christmas! It’s pretty amusing to see one, little, action figure dragging boxes of presents out of a house while the family just looks on in horror. Just step on the damn thing! They take all of their loot to a box truck for Fun Haus and there’s basically an assembly line of toys delivering their loot while Fun Haus basks in the success of his glorious heist from the roof of the truck. Batman arrives and does as I suggested – he steps on a toy. He informs Fun Haus that he’ll be serving hard time by New Year’s, while Fun Haus counters with “Not if you’re in the grave by lunch!” Ohh, delicious!

Fun Haus is clearly an evil genius. Who else could have invented this thing?!

Fun Haus hits a button on his belt and the toy soldiers form-up in response. They jump on each other’s shoulders forming stacks of three, then we get an animation cheat where they jump together and a bright light obscures everything as they form a massive version of the Presto Playpal. Fun Haus appears in a cockpit located in the machine’s chest, like a Gundam, and informs Batman and Red Tornado that if he can’t steal from these people at Christmas, then he’ll steal Christmas from these people! I guess that’s a sweaty death threat as he then just tries to stomp on the people who came out for a peek. The screaming lady returns for a third time and this time it did get a chuckle out of me. Batman and Red Tornado spring into action by saving people from getting murdered by Fun Haus, but they’re unable to save the town water tower which says “Happy Holidays” on it. Fun Haus blows it up. That water tower has been in the community for generations – has he no shame?!

Don’t do it, Red Tornado!

Red Tornado approaches and declares that he will do no further harm. He starts blasting the mighty robot with his trademarked red tornadoes, but declares he needs more power. He apparently possesses it, as some flaps open up and his tornadoes increase in size and intensity. Soon it starts to break the robot apart, while Batman shouts from the ground for Tornado to stop since his body can’t handle that much output. And it looks like he’s right as cracks start to appear on Red Tornado’s body. The mecha toy thing explodes and we see Fun Haus go flying through the air. He’s really high, and he goes really far, so he might be really dead when he hits the ground.

Well, that sucks.

We don’t have time to worry about Fun Haus though, as Red Tornado looks to be in rather bad shape. He’s all cracked and broken, but he notices he feels something – a tingling sensation! Is it the Christmas Spirit? Or, as Batman suggested earlier, he needs to see a repairman? Batman looks to have the leading theory as Red Tornado explodes. His head winds up at the feet of Batman who picks it up and urges him to hang on referring to him as an old friend in the process. I had no idea they went way back!

Worry not children, for Red Tornado is a robot and he can be rebuilt!

We cut to Fun Haus being loaded into a police car. He looks no worse for ware so maybe he landed on a pillow factory or something. We then pan to a truck branded to be from Star Labs. A guy has a box of Red Tornado body parts that he hands off to another fellow in the truck. This episode has a lot of mild body horror, doesn’t it? We then hear Batman assuring Red Tornado that they’ll have him back together in no time. A gurney is wheeled in and we see Red Tornado’s head has been returned to his torso and he’s alert. Red Tornado then tells Batman it was an amazing feeling. Batman doesn’t try to discourage him and simply smiles and responds with, “Merry Christmas.” Red Tornado smiles in return as he’s loaded into the truck.

I had a feeling we’d find out what happened to that old nutcracker before this one was over.

As the truck pulls away, the Batmobile comes speeding over. Batman hops in and is startled to see a present on the passenger seat. He opens it to find the old nutcracker from his flashback has been put back together. It’s a little rough looking, but looks pretty good considering what happened to it. Batman smiles warmly and we hear him think to himself, “Merry Christmas to you too, Alfred,” implying that his loyal butler re-assembled the toy and placed it in the Batmobile before he left the previous night. The dashboard then starts beeping and Batman’s face hardens as we hear him declare (in his head) “But crime doesn’t take a holiday, and neither do I!” He steps on the gas and the Batmobile goes speeding off towards the source of the beeping and it would appear that there will be no rest for Batman this Christmas.

The episode does a good job of giving equal weight to both Batman and Red Tornado, who gets to experience the true feeling of Christmas without having to crack open a can of 7Up.

“Invasion of the Secret Santas” was a pretty fun little adventure for Batman and Red Tornado. For me, it was an introduction to Red Tornado who I can’t recall ever encountering before this. There are a lot of DC superheroes that I’m not familiar with, but usually I can at least say I’ve seen them in artwork or something, but with Red Tornado I have no frame of reference. It’s amusing to me that I looked at the Justice League Christmas episode earlier this year because Red Tornado and Martian Manhunter play similar roles as emotionless beings seeking to connect with Christmas. With Red Tornado, he’s more eager to experience an emotion he has no reference for. Maybe because the audience for this show was intended to skew younger is why Red Tornado is so vocal about his desire where as we’re expected to observe J’onn’s struggles in that episode without them being made so obvious. Though I’d argue it’s not exactly subtle, either. I wasn’t that enamored with the Justice League episode, but I like this. This show has a terrific visual style and it’s not really trying to look like a 90’s cartoon animated traditionally. It’s more willing to embrace the digital medium with bright colors, thick lines, and an intentional flatness to the characters. Batman himself reminds me a little bit of the character’s depiction in the minimally animated intro to the classic 1960s show. And it still has room for a little subtlety of its own, or at least audience autonomy, when it comes to Red Tornado’s experience of the Christmas Spirit in the end. Was it a mere malfunction, or something more? You decide.

I wasn’t expecting the episode to add a touch of sadness to this version of Batman, but it’s welcomed. Maybe this show has more depth than I thought? Or maybe this is just a Christmas thing?

The depiction of Batman is also a lot of fun. He dishes out the corny one-liners, but with total sincerity. Diedrich Bader sounds authentic and he plays it straight so there isn’t a winking at the camera moment when it comes to Batman. He’s also allowed to possess some dry humor, though is largely a no-nonsense straight man expected to play off of his ally for a given episode. It was interesting to see Christmas incorporated into his origin story and actually surprising to see a new layer of grief added to that. It’s a very similar tactic to what we’ve seen done with Spider-Man’s origin. I think of the first Toby Maguire film where he basically tells off his Uncle Ben and his last discussion with him is one in which he hurt his father figure. He never got to make up for that, and Batman never got to apologize to his own dad for how he reacted to a very personal and meaningful gift that went unappreciated. Separately, it’s also interesting to see young Bruce portrayed as a spoiled, little, rich kid as opposed to some ideal. It makes more sense for him to behave that way as a rich kid so in a way it was sort of refreshing. And it can be inferred that the murder of his parents gave him some new perspective and began his transformation from a very selfish child to a selfless adult. The ending also has a hint of sadness, or melancholy, to it since Batman is so focused on being this crime fighter that he won’t even allow himself a moment’s reprieve after an all-nighter dealing with Fun Haus.

Despite the nice little bow put on this one, the lasting image for me is definitely this gruesome Santa “death.” Good god!

The actual scheme of the episode is almost secondary. It incorporates Christmas in a pretty simple and direct manner and having a toy-themed villain for the episode definitely makes a lot of sense. I have no idea why they chose to call him Fun Haus instead of Toyman, since he appears to just be Toyman, but it doesn’t matter either. There’s some solid action, including the opening teaser with Blue Beetle, though it does start to get repetitive. There are lots of shots of Batman just taking enemies out with Batarangs and more than enough shots of Red Tornado and his tornado effect. That’s my one criticism for this one as it didn’t need to be as long as it is and was starting to drag come the climax. Maybe some of the action could have been substituted with another flashback, something that took place after the murder, or maybe just some actual detective work. It was a pretty lame reveal to have Batman see the Fun Haus logo on the poster for the most popular Christmas toy of the year, but I get the impression this show isn’t trying to be overly clever with its plot. The violence directed towards the Santa robots was certainly memorable and downright shocking to a point. I found it fun, but it wouldn’t surprise me if some kids are legitimately disturbed by it. That frozen, smiling, Santa face is a bit unsettling.

This episode of Batman: The Brave and the Bold is an easy recommend for me and I think a viewer only needs to have a basic understanding of who Batman is to enjoy it. I’m talking like just knowing that there’s a character that dresses in tights to fight bad guys at night sort of thing. There’s genuine humor in this one and it even has moments of actual emotion via the flashbacks. I do wish the “death” of Red Tornado hit a little harder, but it’s fine. I found more here to connect with than the intentionally sappy episode of Justice League and consider this episode a far greater success in basically every way which isn’t something I expected going in. And it’s also aided by having a fun visual style, great sound design, and some solid performances from the actors involved. Like Justice League, this one was rumored to be getting delisted from the Max platform, but it appears it has received a stay of execution and is still there as of this post going live. The series was released multiple times on both DVD and Blu Ray so it’s not that hard to obtain and it might even be a series worth watching beyond this Christmas episode. I’m certainly interested in doing so, which is why it’s such a shame to see Discovery Warner play games with these tentpole franchises. Why can’t we just have easy access to your stuff, Warner Bros? Are the tax savings worth the constant worry of losing access to quality shows like this one? To a heartless executive, I’m afraid the answer is “Yes.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 18 – X-Men – “Have Yourself a Morlock Little X-Mas”

Today, The Christmas Spot temporarily alters it’s name to The X-Mas Spot. As a sort-of celebration for the animated series X-Men turning 30 this past Halloween we’re going to look at the show’s lone holiday special – “Have Yourself a Morlock Little X-Mas.” The show X-Men was a pretty serious affair as far as kid…

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Dec. 18 – The Legend of Prince Valiant – “Peace on Earth”

The early 90s saw an influx of cartoons produced solely with the intent to sell to cable networks. Previously, most cartoons were packaged from film or created for broadcast networks which would get the first run on major network affiliates and then gradually migrate to smaller stations. With cable becoming more affordable, it was fast…

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Dec. 18 – Dumb and Dumber – “Santa Klutz”

After doing write-ups for the two cartoons inspired by Jim Carrey films from 1994, you must have figured I’d do the third today! Just as Carrey stormed the cinematic gates with Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber in ’94, the television world followed suit in ’95 with an animated series based…

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Dec. 17 – We Bare Bears – “Christmas Parties”

Original air date December 1, 2016.

This year, I’ve taken some time out to watch Christmas episodes of shows I’m pretty unfamiliar with. This is yet another one of those posts, only with this show I did make an attempt to get into it. A mild one. We Bare Bears is a show created by Daniel Chong that aired on Cartoon Network from July 2015 to May 2019. That’s a nice overlap with my early years of parenthood and I often found this show about three bear brothers playing in the evening hours. I tried to see if I could get my kids into it as I wanted to spend some time at the end of the day watching TV with them as my parents had done with me. It feels like there can be a negative stigma about a family sitting around the TV tuning each other out, but I always found it to be more collaborative and it’s really enjoyable when everyone can enjoy the show. That part can be challenging when you’re trying to appease toddlers and adults, but it can be done. Unfortunately, We Bare Bears did not become that show for my family and I, but I don’t blame the show for that.

We Bare Bears is essentially a show about fitting in. The main characters of Grizzly, Panda, and Ice Bear are obviously bears who live mostly like regular bears. They are anthropomorphized to a degree as they talk and walk upright, but they’re still bears living in a predominantly human world. They have some animal instincts, and a bit like a teenager first setting out, there’s an excitement for the bears whenever they uncover something new to them. It’s a digitally animated show, but one that’s in 2D with an emphasis made to have the show resemble a water colors production. It animates pretty well from what little I have seen and also has a solid cast of voice actors to bring the characters to life. Episodes for the show are about 11 minutes, and while there seems to be plenty of episodes where the bears learn a lesson of some kind, the show is predominantly a comedy where the humor is situation-based as opposed to one that relies on one-liners or non-sequiturs. The bears each have their own distinct personality and they, for some reason, travel in a stack with Ice Bear on the bottom and Grizzly on the top and Panda situated in the middle.

During the show’s second season it was decided that Christmas would be a topic. “Christmas Parties” is an episode about social obligations and how to manage them. It’s also an episode about acknowledging who your real friends are and making sure they feel loved and appreciated and Christmas is a pretty good time of year for such reassurance. It’s not the only Christmas episode for this show, but it is the first, and its simple premise attracted me to it. If I like it, maybe I’ll bring the bears back next year with a look at one of their other Christmas episodes.

Big bears need a big tree, I guess.

The episode begins in the den of the bears. A festive yule log is on display and the music of “Oh Tannenbaum” is softly playing. It sounds very similar to the Vince Guaraldi trio version from A Charlie Brown Christmas, but I don’t know if it’s that exact recording or not. A tell-tale triangle image pops up indicating this is an online video of some kind. Panda (Bobby Moynihan) presses play and the video restarts. He’s seated on the couch sipping a hot beverage while Grizzly (Eric Edelstein) is doing some holiday decorating. Both look nice and festive as Grizz is sporting a Santa hat and Panda a scarf. Grizz is having some issues hanging the stockings and Panda offers up some vegan nogg, which contains no eggs, but an abundance of nogg! Grizz politely declines and then a pounding of the door indicates the arrival of Ice Bear (Demetri Martin) who has returned with the Christmas tree. It’s massive, and when Panda points this out Ice Bear dismisses him with an “Ice Bear’s motto: go big or go home,” but, he is home?

The invitation from Charlie is obviously the best.

The tree discussion is interrupted by the mailman who has to shove the mail through the tree clogging the door. The bears are excited to find invitations to not one, not two, but three separate Christmas parties! Panda is particularly happy as they usually just stay home and eat, but now they have a place to be! As they look over the invites, an email from Nom Nom comes through. The bears are perplexed at this development as apparently they do not see eye-to-eye with the famous koala, but it’s yet another invite to a Christmas party! And since Nom Nom is some big shot influencer type, it’s looking like it’s going to be the party to end all parties. The capper being that every guest gets a free puppy! It’s just like Bridesmaids! The only solution to this sudden predicament is for the bears to go to all four parties tonight setting a timer for each one so they don’t miss Nom Nom’s. Grizz is pretty stoked as the bears set out to try to pull this thing off.

Hard to blame the bears for wanting to bail on this party.

Up first is Ranger Tabes (Cameron Esposito) who is hosting a party for the bears and the other rangers at the ranger outpost. When the bears arrive, they find a very excited and enthusiastic Tabes, but no one else present appears to share in her excitement. There’s a fellow female ranger eating some snacks, an old guy sleeping in a recliner, and a bearded fellow sipping a beverage who at least acknowledges the bears upon entering by raising his cup. Tabes is excited the bears have arrived so that they can help liven things up. Her solution? Limbo! They break out a candy cane patterned pole and get everyone on their feet, including the sleeping guy, with some tunes from a boom box. Things were getting pretty intense, but then Panda’s alarm goes off. Time for the bears to run though Tabes can hardly believe they’re bailing already. As they rush out, the boom box gets knocked over and the spicy limbo music is accidentally switched to “Silent Night” and the party is back to being lame.

I feel like we could use an entire episode about Christmas with Big Foot.

Up next is a party at Charlie’s house. Charlie (Jason Lee) is the local big foot who has decorated a large tree for his party. The bears come upon it and aren’t sure where the party is, until Charlie pops out of the tree to tell them it’s inside! The bears climb inside and are pretty confused why Charlie would have a party in an actual tree. Charlie seems to think it’s the only place you can have a proper Christmas party and his cheerful demeanor is not at all insulted. Charlie then points out how his party is plenty traditional because he has everything needed for a traditional Christmas party. He’s got cards (two squirrels playing Poker or a similar game) stockings hung with care (underwear full of rodents), reindeer (a deer clinging to a branch for “dear” life while Charlie pours water over its head) and food which is eggs with the word “Nogg” written on them. What Charlie doesn’t have, and needs help finding, is a star for the tree. He starts rummaging through a box of junk and seems to settle on a fractured doll head which would make a mighty creepy tree topper. Before they can get too far into this exercise, Panda’s alarm goes off and they have to go. Charlie seems sad, but the alarm knows when it’s time to go. They leave, but Ice Bear at least remembers to thank the sasquatch for the eggnog.

How can bears, creatures that are typically known for making decisions based on their stomach, turn down a spread like that?!

The next party is the home of Chloe Park and the bears are already behind schedule as it took them too long to get out of that tree. Chloe (Charlyne Yi) is a young, Korean, girl though she and her family aren’t drawn in a way that makes them look obviously Korean. She welcomes them into the home and the bears have to have their paws inspected before entering since they don’t wear shoes they can remove. Chloe is enthusiastic, like Tabes and Charlie before her, to have the bears over for Christmas and she leads them into the dining room where her family has gathered for Christmas dinner. They’re having what I assume is a traditional Korean dinner and are seated on pillows at a low table covered with delicious looking food. The bears look immediately distressed knowing they don’t have time to stay for dinner, but Chloe is insistent that they join her family at the table. Jon (Bert Youn), Chloe’s cousin, is immediately amused to see real bears as they try to fit under the table. The table gets jostled around prompting the others to look a little concerned, except Jon who laughs and points out their size. Chloe shushes him and tells the bears to ignore him.

And that’s why you won’t find carpet in my house.

Chloe’s dad (Jinkoo Jeong) then sets down the turkey and encourages everyone to start. Grizz and the other bears are clearly at a crisis here because the food looks so good, but they know they have to leave in order to make it to Nom Nom’s party. And sure enough, the alarm does go off. The bears try to excuse themselves, but Chloe tells them not to be ridiculous on account of the fact that they just got there. Chloe’s grandmother then tries putting items on Panda’s plate while Chloe force-feeds Grizz. Jon takes a moment to ask Ice Bear what baby seals taste like. He doesn’t offer a response, but does not appear amused by the question. Chloe’s grandma then starts putting meat items on Panda’s plate which causes him to freak out a little since he’s a vegetarian, but when he points that out she just replies with “Yes.” Panda’s alarm goes off again, and now they really feel like they need to leave. The bears awkwardly rise from the table, but in the process accidentally flip it over spilling all of the contents on the carpet. They look supremely embarrassed and offer apologies, but Chloe is clearly upset while the rest of the adults seem too shocked to respond, except Jon who laughs. The bears then try to help clean up, but Chloe tells them to just go. Her parents try to reassure them everything is fine as they awkwardly make their way out. Jon calls after them “Merry Christmas, ya filthy animals!”

Apparently Nom Nom sucks. They should feel bad about ditching Chloe for this.

The bears are making their way to Nom Nom’s residence and Panda seems pretty down. Grizz tries to raise the spirits of his brothers by dismissing what happened at Chloe’s as just an “off” party. They arrive at Nom Nom’s and it’s a massive house up on a hill. They enter to find an elaborately decorated rave that even Ice Bear has to admit is pretty impressive. There’s still some puppies left too, but as the bears walk through the room they get Nom Nom’s (Patton Oswalt) attention. Apparently, they weren’t supposed to be invited and Nom Nom has no problems letting them know they’re unwanted. He also fires his event coordinator and begins laying into the bears, but finds he’s on camera. This must be getting livestreamed or something and Nom Nom screaming at some bears would not be a good look for him as he changes his tone. He tries to make friends with the bears and even hands them a puppy, but once the camera is off he demands they get out!

That’s pretty damn adorable.

Outside, the bears are alone with their thoughts and their newly acquired puppy, who appears to be a german shepherd or something. They realize the obvious in that by prioritizing the hip party thrown by the guy they don’t even like they ended up hurting the people they care about the most. Grizz rises up and says he has an idea, and we spring forth into a montage! First, we see the bears all stacked up and running through the night each wearing festive attire including Ice Bear who now has reindeer antlers. They first arrive at the ranger station and leave a gift for Tabes on the front porch. It’s full of holes and that’s for a good reason as the box jumps out of her hands and the puppy the bears got at Nom Nom’s emerges. He’s someone that can match her energy and she’s delighted by the gift and the two immediately start playing.

I would say that tree looks pretty good in spite of its decorator.

Next is Charlie’s tree where the bears leave a box for him to find. He opens and inside is the Nom Nom-shaped tree topper from the party only they scribbled over Nom Nom’s face. Charlie looks excited to have a star for his tree and it cuts to him removing the creepy doll head from the top of the tree and replacing it with…the box the star was in. No matter, as he seems pretty happy to have a cardboard box over the top of his tree.

Makeup dinner.

Last, and definitely not least, is Chloe’s house. Now it’s Christmas morning, and Chloe has come downstairs rubbing her eyes roused from her slumber by an enchanting aroma. A feast has been set out and the family is most confused. Naturally, that’s because it was prepared by the bears who welcome them all to the table for Christmas dinner…or breakfast. There’s a turkey, so it’s a bit confusing, but the gesture is sweet. Grizz apologizes for what happened last night and the family rushes over with excitement, except Chloe who looks shocked. Ice Bear then hands her what he deems a peace offering and it looks like a pastry of some kind. Chloe accepts it with a smile while Grizz reiterates that they’re sorry for last night and that they just want Chloe to know that they really care about her. Throughout all of this, the Guaraldi “Oh Tannenabum” is playing once again which adds to the sweet mood. The family, and the bears, all gather around the table and the soft chatter of a family enjoying a meal together takes us out.

Looks like those bears aren’t too bad in a kitchen.

Well that was certainly a sweet little Christmas episode. I don’t know a lot about this show, but I do know that I liked that. It was a simple setup in that the main characters had too many places to be at once and spread themselves too thin in the process. It wasn’t quite that simple, because they clearly have no love for Nom Nom and yet they prioritized attending his party (where they weren’t even welcome, it turns out) for superficial reasons and in the process hurt the feelings of their true friends. They probably could have visited Tabes and Charlie letting them know they were also expected for dinner at the Park residence and it would have worked out fine. Christmas is busy and hectic, after all, and it’s a problem faced by many each year. Instead though, they really short-changed them and then made a disaster of a scene at Chloe’s house. The awkwardness that follows the bears flipping the table is most uncomfortable. I looked at that table and tried to imagine the amount of hours that went into that meal that’s now completely ruined and winced a bit. Talk about a nightmare scenario. I wonder how the Parks spent Christmas Eve following the departure of the bears? Cleaning. Lots of cleaning.

The bears clearly screwed up, but did manage to set things right in the end while seeming genuinely remorseful. It helps that they come across as likable characters that just got their priorities messed up temporarily. It’s fun that the show doesn’t ignore that they’re actual bears in a human world and the reactions from Jon were possibly the most amusing parts of the episode. There were other moments of humor, but it’s sort of a quiet humor. It’s not in your face, but it is pleasant and effective. That’s the word I keep coming back to with this special: pleasant. I smiled when I was supposed to, I felt sad when Chloe was clearly hurt, and the final scene brought about some happy tears. It’s just a nice, wholesome, Christmas episode of a show that I should probably spend some more time with.

The bears were able to save this Christmas, I suppose now I should see how they do when the holiday comes back around.

If you would like to view this episode of We Bare Bears the easiest way to do so is via the Max streaming platform, which I must say I’ve been able to get a lot of use from this holiday season. There’s still time to just drop a few bucks on a month-long sub if you don’t have one and there’s certainly enough Christmas content alone to get your money’s worth. Not that I want to be a shill for a giant corporation, but at least it has its uses. This episode might also see an airing on Cartoon Network at some point, if it hasn’t already, as this show hasn’t been completely banished from the air waves as far as I can tell despite ending years ago. If you couldn’t tell, I think this is worth tracking down and it’s the rare 11 minute short that I actually wouldn’t mind spending a bit more time with.

Dec. 17 – Peace on Earth (1939)

Hugh Harman was one of the early stars in the field of animation. In fact, we talked about one of his shorts already this year, but perhaps his most famous and most celebrated is the 1939 anti-war film Peace on Earth. According to Harman, the short subject was nominated for The Nobel Peace Prize, but…

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Dec. 17 – Popeye the Sailor – “Spinach Greetings”

One of the big, early, cartoon stars was Popeye the Sailor. Popeye starred in newspaper strips, radio plays, and theatrical shorts with contemporaries like Mickey Mouse and Bugs Bunny. His star has faded over the years, but few would deny Popeye’s place among the greatest cartoon stars of all-time. Come the 1960s though, Popeye and…

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Dec. 17 – The Mask – “Santa Mask”

In the world of film, 1994 belonged to Jim Carrey. On television, 1995 belonged to TV shows based on those 94 movies. Well, not exactly, since all of the shows based on Jim Carrey movies made little impact, but like yesterday’s show I’d hesitate to call today’s subject a failure. The Mask began life as…

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Dec. 16 – New Looney Tunes – “Tis the Seasoning/Winter Blunderland”

Original air (upload?) date November 30, 2017.

It was just over a week ago that we took a look at the Christmas episode of The Looney Tunes Show. That show featured the cast of Looney Tunes/Merrie Melodies in an animated sitcom and it was…okay. It definitely didn’t feel like Warner stumbled onto something with that idea and the search for a worthwhile Christmas special starring Bugs Bunny continues. After that show more or less failed, Warner went back to the drawing board with Wabbit: A Looney Tunes Production which would take those same characters and put them in a setting more familiar to them. The show would center around Bugs Bunny and feature some loose continuity. Later seasons would see other stars more prominently integrated. Erik Kuska is credited as the developer of the program which was executive produced by Sam Register. The design of the show would take these characters back to their infancy really with Porky more rotund and Daffy a screwball type instead of the jealous, scheming, duck of the Chuck Jones era. Bugs, for his part, was back to being his rascally self. His design might be a touch more Bob Clampett than we saw in The Looney Tunes Show, but overall he feels a bit more stylized and unique.

The show was originally called Wabbit and was a Bugs Bunny vehicle until someone realized that these characters work best as an ensemble.

The show began as Wabbit, but by its second season it was simply New Looney Tunes. I kind of hate it when a venerable property gets rebranded as “New” because it will inevitably be not the newest version at some point. Wabbit was a solid title, but I get that they wanted to move on from it when the show stopped being centralized on Bugs Bunny. Nevertheless, it’s approach is pretty true to classic Looney Tunes with the caveat that it’s being made in 2018 and not 1945. Anvils apparently were out in favor of more modern implements of destruction, but this is a toon where the bad guys get hurt, blown up, and traditionally have their violent actions redirected upon themselves. Unlike The Looney Tunes Show, I was aware of the existence of this show at the time and watched a little of it. I got the impression that guns were deemphasized though I don’t know if that’s necessarily true or not. As we’ll see in this short to come, there were ways to work them in. The show also premiered on both Cartoon Network and its offshoot Boomerang, which I believe only exists as a streaming service now, but might still be a channel on cable too. Once again, I couldn’t confirm another suspicion of mine, but I think Warner was hoping this would give Boomerang a boost as they premiered it on both platforms and then moved the show over to Boomerang exclusively. Get the kids hooked on the channel with wide distribution and get the parents to fork over extra money so they can continue to watch it on the subscription service. Pretty clever, though I have no idea if it worked. Considering I rarely encounter kids who know these characters outside of Space Jam, my guess is it didn’t move the needle much.

Some of these designs obviously date back to the origins of these characters, but most also feature some element of stylization unique to this show.

New Looney Tunes not only returns the characters to their roots, but also to a more natural running time. Each episode is two cartoons and they only total around 11 minutes. These cartoons are designed to bring the action and find a quick resolution. Even so, these feel a little shorter than the classic ones which I want to say normally ran for 8 minutes or so. These don’t even hit six. During the first season, New Looney Tunes did tackle Christmas. The show premiered on the Boomerang streaming service, and as far as I can tell, never aired on Cartoon Network. There is a separate date of February 8, 2018 that I assume is for the Boomerang cable airing though that’s a rather peculiar date for a Christmas episode premiere. Talk about a mistake to leave a holiday themed cartoon behind a paywall. If any were going to get a big premiere on Cartoon Network, it should have been the Christmas one as that’s easy ratings. It’s just yet another curious decision by Warner and if you were paying attention in 2023 then you know they had plenty more still to come.

The show begins with an original composition by Joshua Funk titled “Wabbit.” No offense to Funk, but it doesn’t feel like the right song for this program. In his defense, he was tasked with creating a song for a Bugs Bunny show and not specifically a Looney Tunes one. To no one’s surprise, once the show did change focus the opening theme did as well bringing back “The Merry-Go-Round Broke Down.” The interesting thing about the opening is it contains a shot of Bugs outside his rabbit hole with his mailbox on display. He jumps down it to coincide with the lyric “Going down the rabbit hole,” which leads to clips from the cartoons that will be following this. I take it they did this for every episode in the first season? That’s pretty interesting and I can’t recall a show that did something similar.

The return of fat Porky!

When the cartoon begins, we find Bugs Bunny (Jeff Bergman) looking over his shopping list. All of the names (Sylvester, Tweety, Daffy, Taz, and Foghorn, if you’re curious) are crossed out except one: Squeaks. Squeaks the Squirrel (Dee Bradley Baker) is a new creation for the this show and he’s the neighbor of Bugs. He’s shown in the intro and bares a resemblance to the MGM character Screwy Squirrel. As Bugs enters the store, we see a sign that says “Holiday Shopping Season Is Here – Only 360 Days left!” so we’re apparently not even close to Christmas. Porky Pig (Bob Bergen) is the doorman and he’s not only back to being rather large, but also quite tall. He might even be taller than Bugs! He’s also dressed like a nutcracker and following his stuttering greeting Bugs asks him where he could find an Easy Cook Acorn. It’s apparently a big seller, and as Porky tries to get out where the item can be found, Bugs gives up and walks on by. Porky, to his credit, doesn’t seem to mind. I’m guessing this happens to him a lot.

He’s become desensitized to the swine atrocities that surround him on a daily basis.

Bugs goes bounding past some aisles and then ducks down one to retrieve the very last Easy Cook Acorn. As he holds it up triumphantly, a large crate of hams lands on him. It’s Yosemite Sam (Maurice LaMarche), who hops off the top shelf to retrieve this hot holiday item from the crushed remains of Bugs Bunny. He’s back to being a very short man, but he’s also quite round now with bad teeth. He’s definitely designed to be some sort of rich Texan and he has a little exposed chest hair and his bandit mask is still quite prominent. As Sam yanks the toy away from Bugs, he remarks that he plans to sell it for 100 times the asking price and takes off. After he leaves, we hear Porky over the store’s intercom requesting a clean-up on aisle “never mind” as he can’t get the number out on account of his stutter and just says “I’ll do it.” He then comes into frame mopping up the ham juice while Bugs continues to remain motionless. He remarks to the camera “I’ve always been conflicted that we sell these,” which makes sense since he’s basically mopping up the remains of a potential relative.

Porky is getting way more facetime than I anticipated.

We then cut to Yosemite Sam running triumphantly down another aisle only for a huge barrel of eggnog to get tipped over in front of him. As the viscous liquid spreads, Sam gets stuck in it. Bugs pops out from where the can was and snatches the acorn thing and takes off. Porky then comes into frame with his mop to clean up the latest mess and Sam asks him why it’s so sticky as he can’t even get his boots out of it. Porky tells him it’s eggnog and that it’s mostly made of eggs. When Sam points out that eggs aren’t this sticky, Porky responds “Yeah, but that’s all yolks!” Oh Porky, you never miss an opening! Sam just grimaces and yanks his feet out of his boots to scramble after the rabbit.

That’s a rather speedy forklift.

Bugs, looking over his shoulder as he runs, remarks that Sam has a “Scrooge” loose, but he soon loses the acorn to him when he runs past a ladder Sam was standing on (his boots are back on, which is consistent with how a classic short resets everything after every gag). Sam laughs, but Bugs dropkicks the ladder out from under him and regains possession of the acorn box. As he runs, he soon finds the lift portion of a forklift slide under his arms and pick him off the ground. A laughing Sam is, of course, driving it, but he’s too proud of himself to react when Bugs jumps out of it just before he slams into a display for Block-O, obvious Lego knock-offs. I’m a little disappointed they used the same generic name as The Simpsons, but I’m guessing more than just those two shows have relied on the same.

This happens more than once. He’s not a very smart man.

We cut to the electronics section where Sam finds himself surrounded by television sets. As he ponders where Bugs could have gone, he hears the rabbit call out and finds him right over his shoulder. He tries to tackle Bugs, but it was just the rabbit on TV. This goes on for a bit as Sam keeps smashing into TVs that Bugs was on and I kind of like that this cartoon gets something dated into it. I associate classic Looney Tunes with lots of stuff that dates them, and a TV section at a big box store with a display camcorder that would be connected to a television is definitely something I haven’t encountered for years. Sam eventually finds Bugs, who was in the midst of making a crack about how all of the weight a camera adds to a person went to Sam’s head, before taking off again with a half-hearted “Yipe.” That’s already the second one and feels a bit too formulaic even for a Looney Tunes short.

Spoiler alert: this is the closest we’re going to get to a Santa sighting during this post.

Sam runs after Bugs, but soon gets distracted by the Santa’s Village section of the store. Sam then gets the bright idea that he can just ask Santa for one of them there acorn toys rather than deal with the rabbit. He then proceeds to just shove everyone out of the way including one woman and a stroller which is a pretty funny, and harsh, visual. He gets to Santa and jumps on his lap and we, the audience, can tell right away that it’s Bugs in disguise. Sam tells him what he wants: a train set, a pony, some TNT, and the Easy Cook Acorn. He’s pretty giddy about the whole thing, but Santa Bugs has to consult his Naughty List, and sure enough, Sam is on it. If you thought that would end this discussion you thought wrong. Sam instead pulls out a pair of pistols and points them at Santa demanding the presents he requested. The guns are clearly designed to be old fashioned, black powder pistols which was likely a requirement to get them into this cartoon. They’re also partially obscured by the list in front of Bugs and we only get a real glimpse of them when Santa agrees to Sam’s demands and he cheerfully tosses them in the air.

That poor pony.

Sam dives into his gifts while Bugs tries to slink away. We hear Sam hollering from off camera “My train set! My pony! My T-N-…” followed by an explosion. We pan back to see Sam covered in soot with his hair shot back from the blast and the poor pony too. What did that pony do to deserve to get blown up?! We then jump back into the chase routine as Bugs goes running down yet another nondescript aisle. In search of a place to hide, he dives behind a store display for a train set and Sam appears to see him do so. Once behind it, he finds another shopper (Candi Milo) doing the same as she has an Easy Cook Acorn under her arm too. She’s real excitable and acts like the two are in a foxhole together. She tells Bugs to cover her as she makes a break for it. Bugs just remarks to himself that next year he’s doing all of his shopping online. We never find out if the woman made it to the register or not. I like to think she did.

I hope she made it.

Sam reaches down from atop the train set to once again reclaim the acorn set by yanking it from the hands of Bugs. As Sam runs off, Bugs overhears Porky calling out about free samples of potato pancakes. Bugs runs over and scoops up a handful taking the time to tell Porky he’s going to need another clean-up. He doesn’t even get the full sentence out before Porky just says “I’m on it,” and grabs his trusty mop. Bugs then whips the pancakes like shrurikens at the feet of Sam causing him to go sliding into a display of Christmas yard decorations. Bugs cries out “What the?” as he sees Sam’s head emerge inside a giant snowglobe. Sam shakes out the cobwebs and takes notice of the Easy Cook Acorn sitting nearby on the floor. He pushes the snowglobe and it leaves the base of the decoration like a giant, glass, hamster ball. That must be one expensive yard decoration. Bugs just remarks “Oh brother,” then gesturing to a giant, store display stocking adds “This guy’s been ‘stocking’ me all day. It’s time to sock it to him,” and he jumps into the stocking.

So long, screwy!

We then see the two set for a collision. Sam rolling in his ball towards the Easy Cook Acorn and Bugs bounding in his stocking for the same. The two arrive at the same time and Bugs uses the oversized stocking to punt Sam clear out of the picture. He is forced to add “I really gave him the boot!” These quips aren’t really doing it for me. Sam winds up getting wedged between two objects on the ceiling, I have no idea what they’re supposed to be, and the globe breaks open. Despite it sounding like rolling glass earlier, it looks to be a plastic inflatable and Sam falls out of it to land in the gift wrapping department. The unassembled box he lands on then springs to life to seal him in and Bugs slides over to wrap it and launch it into the back of a box truck which drives away.

Dated reference aside, this was a solid joke to go out on.

Bugs is then shown leaving the store with the Easy Cook Acorn secure under his arm. He’s happy to have that ordeal over with and also happy with himself for getting the very last Easy Cook Acorn. He then spies a large truck being driven by Foghorn Leghorn (Bergman) who is speaking with Porky. It’s a huge delivery of Easy Cook Acorns. Porky tells him to take it over to the loading dock and Bugs looks at the camera with an annoyed expression. Hey Bugs, be happy a bunch of kids, or squirrels, will get their Easy Cook Acorns this year. I almost get the impression he was going to resell it like Sam was planning on doing. That’s the end though as we smash cut to an image of Bugs’ hole (that sounds pretty gross) and “New Looney Tunes” above it. This must be the standard act break between shorts. We then get a very quick interlude of a kid excitedly running down the stairs at Christmas. He rips open his present to find Yosemite Sam still sealed inside. The kid says, in a disappointed tone, “You’re not a Tickle-Me-Barbarian” and Sam just responds “My guess is you were naughty this year.” I can’t believer we were still making Tickle-Me-Elmo jokes in 2017.

Meet Squeaks. He’s actually not going to be around much in this short.

Now our second short begins titled “Winter Blunderland.” It begins with Squeaks showing Bugs that he’s written a letter to Santa Claus. Squeaks just speaks in…squeaks…but Bugs can understand him. It’s basically like how Luke can understand R2-D2 in Star Wars. Also, he sounds like Gizmo from Gremlins. Bugs is decorating his mailbox with Christmas lights and seems amused that Squeaks is writing a letter to Santa. Squeaks insists he saw Santa in the forest and runs off, but Bugs decides to follow him as he seems intrigued by the little guy.

There were a lot of new foils created for Bugs Bunny in this show and The Barbarian is one of them.

Squeaks soon comes upon The Barbarian (Steve Blum), a new character created for the show that’s just a big man in a loincloth. He’s always joined by his polar bear buddy Krakos (Baker) who behaves like a somewhat realistic polar bear, but he gets to wear armor. Barbarian is looking to do some thieving as that’s apparently all he does, but it soon becomes clear that he’s the one Squeaks mistook for Santa. It’s made all the more obvious when Barbarian gets some snow on his head that somehow takes on the shape of a Santa hat. Squeaks comes running over waving his letter in the Barbarian’s face who seems genuinely confused by what’s going on. He falls onto his butt and Squeaks jumps onto his lap and seems rather insistent that he take his letter. When he finally does, Squeaks leaves satisfied while Bugs witnesses what happened. He vows to get that letter back to make sure it gets to its proper destination.

Bugs is actually going to take quite a beating in this one.

If you thought maybe The Barbarian was a decent fellow who would just drop the letter in the mail you thought wrong. He’s also stupid and doesn’t really know what it is and even tries eating it. He eventually just decides that since stealing is what he does he’ll just keep the thing and slides it into his beard. Bugs then shows himself by hitting the guy with a snowball and demands the probably smelly Barbarian hand over the letter. That’s when the Barbarian actually realizes what it is and regards it in a somewhat disinterested manner. Maybe he would have done as Bugs said, but Bugs also decides to threaten him with another snowball which the Barbarian scoffs at. He then scoops up some snow of his own which forms into a massive snowball. Bugs utters another “Yipes!” as he tries to run away only for the Barbarian to nail him with the snowball which smashes him up against a giant rock.

Bugs wants that letter, but The Barbarian refuses to surrender it. Those are the stakes.

The Barbarian is then shown remarking to Krakos that they need to get back to stealing while Bugs is lurking from high up on a mountain. Or maybe it’s more like a hill as we see from the side angle, but I think they’re just having some fun with perspective. Bugs is also holding a tiny, Coco Puffs, sized snowball in between his thumb and index finger and lining it up with The Barbarian. He then gently rolls it down the hill and soon the cereal-sized snowball becomes a massive onslaught of snow that starts uprooting trees on its path towards The Barbarian. When the burly man finally sees the thing coming for him it’s too late and he’s crushed. The snowball breaks apart and Bugs comes trotting in to attempt to snatch the letter and a seething Barbarian emerges from the snow with an even more Santa-like appearance. He intends to keep that letter since he views it as his and that’s all that matters to him. A sensible person would let the worthless letter go, but it would seem this guy is anything but sensible. As Bugs tries to yank it from The Barbarian’s beard he gets punched in the face for his troubles and soars off screen.

The bear trap in the collection pot. Classic.

Krakos approaches The Barbarian who seeks some accolades from his bear buddy for ringing that rabbit’s bell, as he puts it. Krakos seems to be in agreement as he nods his head, but he looks angry about it so I can’t tell if he’s actually on The Barbarian’s side or not here. The two are interrupted by an actual ringing bell and it’s Bugs who is dressed like a mailman or something, but in green, and doing a Salvation Army bit. Bugs urges The Barbarian to make a donation and even suggests donating letters to Santa, but The Barbarian informs him that he doesn’t give – he takes! He reaches into the collection pot instead and Bugs informs him he was counting on that. We hear the snapping sound of a bear trap closing on the hand of The Barbarian and Bugs takes off. Krakos laughs at his “friend” which seems to indicate that maybe he is on the side of Bugs. The Barbarian just angrily demands the bear find him and tosses Krakos in the direction of Bugs.

That’s no snowman, you dumb bear!

Krakos is apparently an obedient bear as he starts sniffing around and comes upon a snowman. As he sniffs the carrot nose it vanishes leaving the bear perplexed. As he investigates the snowman more, the stick arms start to move and the top hat winds up on Krakos’ head. Bugs then waves a stick arm and gives some repeated whistles and Krakos responds by acting like a dog eager for a game of fetch. Bugs tosses the stick which lands at the feet of The Barbarian. Krakos comes running into frame and tackles him by mistake as the two slide out of frame.

Oh joy. The return of Christmas Carol.

We then cut to Bugs standing in the woods dressed in drag. It just wouldn’t be a proper Bugs Bunny Christmas special without at least one appearance of the rabbit in a dress. This purple dress with a bonnet looks awfully familiar and when The Barbarian approaches it’s confirmed for me why this dress looks so familiar as Bugs introduces himself as Christmas Carol. I can’t believe they’re repeating a bit from The Looney Tunes Show. Bugs even mugs for the camera for a second like we’re supposed to know this, but I bet most wouldn’t. Carol then asks The Barbarian if he would like to hear a Christmas carol and he actually responds rather enthusiastically and asks her if she knows the one “filled with false and unrealistic expectations?” Carol responds by singing “The Carol of the Bells” and Barbarian confirms that’s the one he was thinking of. Bugs then starts changing the words to describe their current situation telling him he took the letter and now he’s going to take it back and so on and so forth. He starts smashing The Barbarian with the little bell he’s holding. Barbarian even gets in on the action as he responds in melody confirming he took the letter and then uproots a tree to try and smash Bugs with it, but he just hits himself repeatedly.

I’ve never had them, but I can relate to being entranced by the scent of roasting nuts from such a cart.

Once The Barbarian collapses in the snow, Bugs takes off with the letter. Proving his resilience once more, The Barbarian intercepts him on a frozen pond. Bugs gets knocked on his back, but he deftly spins his nemesis and sends him sliding across the ice. Remarking, “What a neanderthal,” he goes to place the letter in his fur only for The Barbarian to come sliding past him snatching the letter in the process. He hops to his feet and remarks that he’s pretty fast for a big guy, but soon is distracted by an aroma. It’s coming from a nut roaster who is obviously Bugs Bunny in disguise. The Barbarian walks over and requests an order, but Bugs tells him he’s all out of packaging and asks if he has any paper he can place the nuts in. The Barbarian hands over the letter, but then demonstrates he’s not as slow as we all think he is. He realizes it’s Bugs and pulls off the rabbit’s moustache. It was held on by an elastic, which Bugs removes from his head and releases from behind his nut roasting cart. The band grabs the whole cart and carries it right into the face of the Barbarian who goes sailing across the ice once again.

This Poseidon is anything but merciful.

The Barbarian rises up in anger, and grabbing a club, declares that this is the end! Bugs then encourages him to mind the thin ice he’s standing on and when The Barbarian looks at his feet he finds all of the hot nuts Bugs had been roasting came to rest on the ice in a circle around him. He soon falls through the ice and the resulting splash freezes instantly trapping The Barbarian inside in a humorous position. Bugs waves the letter about remarking that it’s better to give than to receive, basically one final dig at the hapless barbarian.

These two seem to have no trouble getting along.

Bugs then heads over to his finely decorated mailbox and puts Squeaks’ letter in it. Krakos is there as well and is seemingly no threat at this point as Bugs even remarks to him how cute it is that Squeaks wrote a letter for Santa. The mailbox then starts to shake and we hear a “Ho! Ho! Ho!” from offscreen. Sparkles ring the mailbox and it soon opens all by itself and the letter floats out and is carried off into the sky. Bugs and Krakos look shocked as they watch the letter fly away and Bugs simply turns to the bear to excuse himself for he has a letter to write! He dives into his hole and that’s the end. We don’t actually get to see Santa so we’re denied a moon shot. Bummer.

And away goes the letter. Merry Christmas, Squeaks!

I think I enjoyed these two shorts more than I enjoyed the holiday episode of The Looney Tunes Show, but I think we’re still in search of something that could be considered worthy of Bugs Bunny’s reputation. Both shorts were two characters essentially playing tag with an item. In the first one, we had Bugs and Yosemite Sam fighting over a toy in a department store with the confrontation escalating throughout. The gags were okay and the best joke was probably Porky’s line about mopping up the ham juice, but there wasn’t really anything truly memorable about it. At least Maurice LaMarche got to do a proper Yosemite Sam this time and he was terrific in the role. Bergman’s Bugs remains consistent, though the writing wasn’t great. His one-liners are pretty bad and I can’t tell if they’re trying for a “So bad it’s good,” kind of thing with them or if we’re supposed to take them at face value. It was fine, but it’s but a footnote in the history of Bugs Bunny.

The second short was mostly more of the same. I did like the character of The Barbarian and I was able to accept that he’s just so single-minded and prideful that he wouldn’t relinquish a worthless letter under any circumstances. Most of the gags were predictable at first, but I suppose the nut roaster deserves some credit for being a different way to introduce some fire into the mix to melt the ice. The Christmas Carol gag works far better here than it did in The Looney Tunes Show for what it is. I did like the joke that Lola is such a bad writer that she named a character that, but after that the rest of the jokes at the character’s expense were lacking. Here it’s just a simple bit and the exchange Bugs and The Barbarian have was the short’s best part and maybe the best sequence between the two cartoons. I am a little salty at being denied a glimpse at Santa though, not that it would have really made the experience that much better.

There were some decent gags to be found in this one, but nothing to write home about, though apparently plenty to blog about.

After looking at two different Looney Tunes holiday specials I am still left wanting. This was a step in the right direction, but it’s not going into my personal holiday rotation. Nostalgia may even still win over when it comes to Bugs Bunny’s Looney Christmas Tales even if I concede that holiday special isn’t very good. Even though it’s not going onto my annual “Must Watch” list, I do think it’s worth a look for those who have access to it and have never seen it. At just 11 minutes, it’s hardly much of a commitment. You can find New Looney Tunes streaming on HBO Max and Boomerang and maybe the actual Boomerang channel will even air it or has aired it if that’s something you have. And for those who are hoping for something better, we do have one more shot this year at just that and I intend to follow through so keep checking back each day to find out if there is a worthwhile Looney Tunes Christmas special out there.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 16 – A Very Solar Holiday Opposites Special

Yesterday, we talked about South Park and its very first holiday special from the late 90s and today we’re talking about the Trey Parker/Matt Stone of the 2010s – Justin Roiland. Roiland was able to hook-up with Dan Harmon in the mid-2000s which put him on the path to comedy writer and actor, usually of…

Dec. 16 – The Pink Panther in: A Pink Christmas

In 1964, MGM released a film titled The Pink Panther. Such a title conjures up a certain image in one’s mind, but the titular pink panther in the film was not an animal, or even alive, but a pink diamond. Someone must have felt though that you can’t have a title like The Pink Panther…

Dec. 16 – Ace Ventura: Pet Detective – “The Reindeer Hunter”

The year 1994 feels like it belonged to Jim Carrey. Prior to ’94, Carrey was just another actor trying to make his way through Hollywood. He did some stand-up and even starred in a film, but he had yet to really make it. After being cast on the sketch comedy series In Loving Color, Carrey’s…


Dec. 15 – Beavis and Butt-Head Do Christmas

Original air date December 19, 1995

Today we continue our lookback at the best holiday specials ever sent to television and today’s subject is everyone’s favorite pair of Gen X deadbeats Beavis and Butt-Head. Beavis and Butt-Head were created by Mike Judge and the pair got its start on MTV’s Liquid Television in 1992. There they were a cruel, destructive, pair that delighted in smashing innocent frogs with baseball bats. They would evolve into being just plain stupid with Butt-Head taking on a more sociopathic personality and Beavis that of a subservient pyromaniac. The two were also victims of their environment as there were never any parental figures in their life, most of their teachers treated them with open hostility or just failed to listen to them, and they were basically forced to fend for themselves without ever receiving any training on how to do so. As a result, they spend most of their time watching television, eating junk, masturbating, and trying to find ways to “score” which will likely never happen because who could ever love Beavis and Butt-Head?

The duo that captivated a generation and told us who was cool and who was a “bunghole.”

Millions of adolescents at home, that’s who! When Beavis and Butt-Head got their own show in 1993 they were an instant hit. Who could forget that classic animated block airing weeknights on MTV of Beavis and Butt-Head at 7 PM followed by Speed Racer at 7:30? Yeah, that happened, though maybe my memory is mixing up the order in which they aired. Then some kid set his home on fire and the outcry over Beavis and Butt-Head being responsible forced MTV to move the show to late nights which made it harder for a kid like myself to watch, but not impossible. And for the record, it was found that kid had never even seen the show or was aware of its existence, but like that has ever stopped a media crusade against a television show, movie, or video game?

The show is quite stupid, but intentionally so. It’s satire, and when it’s on the show is quite funny. There is an odd juxtaposition at work though as the structure of the show was to take a roughly 5-7 minute cartoon and extend it with segments of the characters watching music videos on their own TV. During these segments, the two became much smarter and more clever than they were in their cartoons and that’s mostly because these segments were just Mike Judge (who voiced the pair) riffing on what he was seeing. It’s the type of thing many a Gen Xer or millennial would do throughout the 90s just watching television, be it MTV or something else. We hung out with our friends, watched whatever was on, and made fun of it to amuse ourselves. For the show, it was a genius way to fill time on the cheap as MTV had the rights to air those videos basically however they wanted and the little animation needed to go along with those videos could be recycled often. And it was amusing how these characters were presented as morons that no one would want to hang out with during the cartoons, but suddenly seemed cool while watching the videos. I’d watch videos with them, and if they liked an artist or song I was likely to enjoy it as well. Though it was far more entertaining when they watched something they didn’t like.

This Christmas special might set a record for most title cards.

In 1993, the show had its first Christmas special. “A Very Special Christmas with Beavis and Butt-Head” was an episode of the show that was just the two watching television. A whole bunch of Christmas videos were shown and the pair riffed on it. I think there were also some segments of the two just watching a burning Yule log as well. I say “I think” because that special hasn’t been made available on home media. You see, filling episodes with videos may have been cheap and easy to do at the time, but for home video it made the show a nightmare. MTV could air those videos as often as it wanted and whenever it wanted, but it couldn’t put them on a tape or DVD and sell them. That’s why most episodes of Beavis and Butt-Head released on home video are just the cartoons and it’s a shame because they don’t work nearly as well on their own as they did as part of a larger package. Even Paramount has found it hard to get all of the old episodes onto its streaming service. Despite telling consumers they were coming, the network has failed to deliver. Sure, there’s some on there, but it’s patchy at best, so if anyone is sitting on a VCR recording of the first Christmas episode how about hooking up your favorite Christmas blogger?

Because it could be released on video, the more popular Christmas special featuring the duo is “Beavis and Butt-Head Do Christmas.” This special is primarily composed of two cartoons with some segments of Butt-Head reading viewer mail. I don’t think the original broadcast featured any videos and I’m curious if that was by design so that MTV could release it on VHS since Christmas specials usually do pretty well on home video. Either way, it’s the subject of today’s post and it’s a special I enjoy a lot even if it commits my least favorite sin against the holiday as it adapts not one, but both of A Christmas Carol and It’s a Wonderful Life. That’s a Nostalgia Spot no-no when it comes to Christmas specials, but thankfully this isn’t a special that’s going to adapt them straight. It also isn’t super creative as it does what you would probably expect of Beavis and Butt-Head in that it takes the story and delivers the opposite conclusion. Or in the case of “It’s a Miserable Life,” presents the opposite premise. It manages to be entertaining, and since the segments aren’t that long, it manages to make it work.

Part 1 stars Beavis, who I think we can agree is the favorite of the two?

Part One of “Do Christmas” is titled “Huh-Huh-Humbug” and it’s obviously going to be our A Christmas Carol parody. It begins with an instrumental of “Jingle Bells” on a black screen with snow filling the air. Then a dead rat falls through the screen to shatter our idyllic, Christmas, imagery. It lands with a splat on the flat-top grill at Burger World, Beavis and Butt-Head’s place of employment. Beavis is applying a cleaning agent to the dead rodent which is what the snow-like substance was as it fries on the grill while Butt-Head is asleep at the register. Beavis starts pressing down on the carcass with his spatula while uttering “Not a creature was stirring.” He’s more clever than we tend to give him credit for.

To the tune of “The Christmas Song,” Dead rats steaming on a flat-top grill…

Beavis is interrupted by his manager (Judge) who rightly asks what he’s doing. Beavis, who possesses limited skills but one is apparently talking himself out of trouble, says he’s just trying to clean the grill like his boss asked of him. This sets off a lecture from the manager who accuses Beavis of screwing around. He points to himself as a success story and I think we’re supposed to laugh at him because his life’s ambition was to be an assistant manager at a fast food restaurant, but hey, if this guy has a home and is able to provide for his family then who are we to judge? As he lays into Beavis, he does do the asshole boss thing of pointing out that he gets to go home and spend Christmas with his family (I assume this is Christmas Eve) while these two stay and work, but little of his lecture gets through because Beavis has fallen asleep while standing. We then hear the sound of slapping as the manager wakes Butt-Head up on his way out as the screen dissolves to take us into the mind of Beavis.

Looks like Beavis does have some ambition after all.

We’re still at Burger World, but now Beavis is in charge and it’s his principal, McVicker (Judge), who is manning the grill as his underling. Beavis is just laying into him for screwing around, much like his manager was, only McVicker wasn’t. Beavis concedes this, but doesn’t care and accuses him of doing nothing instead which won’t pay the bills. McVicker, in his shaky, pathetic, voice, asks Beavis if he can go home to see his family on account of business being slow and it’s Christmas Eve. Butt-Head, who hasn’t changed roles in Beavis’s dream, asks if he can see his family too, but Beavis calls him a “bum-hug” and reminds him he doesn’t have a family to which Butt-Head responds, “Oh yeah.” Beavis then lays into McVicker about how they would all like to go home. Hell, he’d like to go home and spank his monkey, which Beavis notes is a good idea and decides to do just that because he’s the manager and he can do whatever he wants. He puts Butt-Head in charge who orders McVicker to clean the grill. He does as he’s told while moaning like he’s in tremendous pain as Beavis puts on his coat and hat and heads out to go “unwrap his wiener.”

Beavis only wishes he could spend Christmas Eve at home, on his couch, with a porno.

When Beavis arrives home it’s basically exactly like his home in the real world. He discards his coat and hat and takes his usual spot on the couch to watch a porno: Ebenezer Screw. He’s pretty jazzed up about it and even declares this film a Christmas classic. As the video begins we get to see some of the cast which Beavis reads aloud for us: Tiny Johnson and Bob Scratchit. Scratchit kind of looks like a Ron Jeremy parody which would make sense for a 90s TV show. As Beavis demands the video get to the chicks, the screen goes dark and reads “And introducing Butt-Head.” A black and white version of Butt-Head draped in chains floats out of the television. Attached to the ends of the chains are video tapes. As he stands before Beavis he explains, “In life I was your partner, but now I’m some dead guy with cool chains.”

Beavis and some dead guy with cool chains.

Beavis is impressed, more so that Butt-Head managed to get into a porno and not for being a ghost (even though we just saw him alive a moment ago, but this is Beavis’s screwed up dream). Butt-Head takes his usual spot on the couch as if he’s about to do what he always does, but then remembers he has a task. He stands up and announces that Beavis will be visited by three ghosts, or something. He then returns to the TV with a “Later, dude,” and his visage is soon replaced by the porno. Scratchit is about to get down with an actress, but just before she can remove her top the face of Tom Anderson (Judge) steps in front of her.

Anderson looks like such a dork.

This enrages Beavis who just wants to watch a porno, but Anderson comes out of the TV dressed like an angel with a goofy hat. He’s here to show Beavis his past and he does so by sitting on the couch beside him and changing the channel. He shows Beavis he and Butt-Head on Christmas day when they were five. It’s just the two of them seated on the couch as usual. As Anderson changes it to show the two age up, they just remain in the same spot. Beavis thinks his past is pretty cool, but Anderson tells him he’s wasted his life which just leads to Beavis responding with “Yeah, well at least I’m not some old fat guy.” He’s very hostile towards Anderson and tells him to get the hell out. As Anderson fades away he remarks, “You can’t lead a jackass to water and make him drink.”

Just let the guy wank it in peace!

With Anderson gone, Beavis can now resume his porno, but we all know what’s coming and I think, deep down, he does too. The girl is back on the screen, but she is soon replaced with an image of Mr. VanDriessen, Beavis’s hippy teacher. Beavis immediately gets annoyed as VanDriessen floats out of the TV in a meditative position wearing a Father Christmas robe and wreath on his head. He tells Beavis, who is furiously fighting with the remote to bring back his porno, that he can’t be tuned out. He then announces himself as the Ghost of Christmas Present, but Beavis shouts back, “No way, you’re Mr. VanDriessen and you’re pissing me off!” Beavis then realizes he said “present” and asks if he brought some Christmas presents. VanDriessen tries to explain his role here, but it’s in one ear and out the other with Beavis who instead asks more questions like can he sneak him into the girl’s locker room since he’s a ghost and all. VanDriessen does his best to ignore him and instead takes the remote to show him how Christmas is today, but Beavis just asks if they’re going to watch some bare ass.

Try to keep in mind that this is how Beavis imagines the McVicker family, though it does make me wonder what they’re really like.

We’re then shown the home of the McVickers. The family is huddled inside at the kitchen table anxiously awaiting the return of their patriarch with Christmas dinner. All of them look the same as if McVicker married a cousin, or sister, or worse, and they all shiver and moan like McVicker. There’s six kids, and one of them is just hoping for some fries while the smallest, and most sickly of the lot, hopes their dad comes home with a big bag from the dumpster! The mom cautions them not to get too carried away and urges them to keep praying. I guess their prayers are answered as Mr. McVicker does show up and in his hands is a Burger World Merry Meal. It’s basically a Happy Meal which means the family has a single cheeseburger and order of fries to share amongst themselves. It also contains their Christmas present: stick-on tattoos. The little one thinks they’re pretty great as the scene ends.

This little potato-headed kid is basically our Tiny Tim, only he won’t be saved.

On the couch, VanDriessen tries to show Beavis how a family who has nothing, like the McVickers, still have each other. Beavis doesn’t see things that way and just sees an employee stealing food. VanDriessen tries explaining that it’s the only food they’ll have this Christmas and tries to reason with Beavis by telling him that if he doesn’t give McVicker a raise his kids may not see another Christmas. Beavis is unmoved and instead vows to fire him. VanDriessen concedes that he can’t force Beavis to think a certain way and he floats off into the sky. Beavis calls him a butthole, then grabs the remote to resume his porno.

Buzzcut doesn’t screw around.

Only he doesn’t even get teased by a woman this time. Instead, it’s Coach Buzzcut (Judge) as the Ghost of Christmas Future who comes screaming out of the television to show Beavis how things will end up if he doesn’t change his ways. Beavis is quite annoyed at this latest intrusion, but Buzzcut isn’t taking any crap from him. Despite being a ghost, he’s able to grab Beavis by the ear and yank him towards him and threatens him with sodomy by Christmas tree. Beavis actually smiles at this threat and notes “That would hurt,” before Buzzcut tosses him back onto the couch and grabs the remote.

The future we all want.

He brings up the McVicker house, only now the kids are gone and it’s just Mr. McVicker and his wife. Beavis asks what happened to the kids and Buzzcut points out that this is the future and they didn’t have enough food to feed them. Beavis concludes that they must have ate them, but Buzzcut corrects him. He doesn’t actually say they’re dead, so maybe the state just took them. At any rate, Beavis disagrees with this view of the future and we’re shown a dream within a dream (Beavis and Butt-Head did it before Inception!) as we’re whisked to another version of the future. This one is more like Star Trek, but we’re in Burger World again. Butt-Head, now sporting bad teenaged facial hair, is telling a customer that he’s going to pay for his fries whether he likes it or not. When the customer demands to see the manager, Beavis comes bursting in. He basically looks like a Terminator carrying a goofy laser rifle. He lays waste to all of the customers and the building itself and then announces “I’m back. Heh, heh, this is cool.” Butt-Head thanks him for taking care of the customers, but Beavis tells him to shut up and shoots him in the dick.

This dream has officially become a nightmare.

We’re back in the living room where Beavis has concluded that the future is pretty cool. Buzzcut just grabs him by the shirt with both hands to scream at him that that is not what the future is going to look like. He reasons he’ll have to take him out of the house to show him in order to drive his point home so some mist enters through the window and a bolt of lightning shoots through the sky. We’re now in a cemetery and Beavis declares that the future kicks ass! Buzzcut just points out a nearby open grave with a headstone that reads “Here lies Beavis. He never scored.” Beavis struggles to read it, but eventually gets through it, and at first just thinks this is some loser with the same name as him. Buzzcut backhands him into the open grave and makes it clear to Beavis that this is his grave. He never left the house, just sat on the couch and watched pornography his whole life and thus never scored. Beavis sits up in the grave and finally realizes that this sucks. He’s struggling though to find a conclusion, and before he can get it out we’re back in Burger World.

Who runs this franchise? Why pay two kids to work when no one is there or will be there? Is it possible Beavis and Butt-Head know how to cash a check and essentially work for free?

Butt-Head has been shaking Beavis trying to wake him up because it’s midnight. This is setting up some Christmas realization, but when Beavis asks “So?” Butt-Head informs him it’s his turn to sleep. Beavis then tells Butt-Head he just had a dream about the future and now his conclusion is “It’s gonna be okay.” He becomes Butt-Head’s boss, has a VCR and some porn – what more could a kid want? Butt-Head concludes that this is pretty cool and Beavis declares that working on Christmas is cool too. An instrumental of “Joy to the World” accompanied by the incessant laughter of our two protagonists takes us out. As the camera pans out we see the Burger World sign which reads “Open 24 hours Xmas Day.” What an awful place to work.

Poor Beavis just gets abused throughout these segments.

Our next segment is Letters to Santa Butt-Head. In this one, Butt-Head (dressed as Santa, naturally) reads viewer mail and responds to questions while Beavis stands around dressed like a reindeer for Butt-Head to whip. The genius here is that Beavis is restrained and even has this uncomfortable harness in his mouth and we’re going to laugh at his misery. The first letter is from a kid who doesn’t like Christmas. He prefers Thanksgiving because he can eat all he wants and then go burp and poop. The duo have a giggle at the mention of poop and Santa Butt-Head promises to take a dump under his tree. The next letter is from a girl who wants a man. He should be young, blonde, and into Metallica. Butt-Head thinks he sounds like a wuss, but Beavis realizes he fits that description, but Butt-Head won’t give him the letter and whips him instead. The next one is from another girl who makes it clear she wants Beavis, but Butt-Head won’t deliver and whips Beavis some more. The next girl also plainly states she wants Beavis and will basically treat him like a pet. This leads to another disagreement, and Santa Butt-Head is a little frustrated at all of this Beavis love. Our final letter is more in his wheelhouse as it’s from some guy who just wants him to kick “the bejesus out of Beavis.” Santa Butt-Head is happy to oblige.

Now it’s Butt-Head’s turn.

The next segment is the two just watching an electronic Yule log while “Dance of the Sugar Plum” fairy plays in the background. They’re just critiquing Santa’s laugh and doing their own version while all we see is the fake log. This segment is brief and then goes into “It’s a Miserable Life” which stars Butt-Head. This one opens on an aerial shot of Highland and we hear the prayers of some of its citizens. There’s Stewart’s mom (Tracy Grandstaff), Principal McVicker, Tom Anderson, and Mr. VanDriessen, among others. They’re all asking for God to make Beavis and Butt-Head go away with McVicker explicitly asking that the lord kill the pair. I like how VanDriessen raises the possibility the pair could breed as if it’s justification for dealing with them now, even though we know the two will never score. The prayers seemingly worked though as we pan to the heavens and see two constellations, essentially, having a conversation about answering prayers. One tells the other to summon an individual named Charlie.

Would a RoboCop Christmas be cool? We may find out later on…

We then find Beavis and Butt-Head doing what they’re most often doing: watching television. They catch a bit of It’s a Wonderful Life, which is amusing because they’re parodying it as we speak. They stay on the channel just long enough for the Jimmy Stewart (Kristofor Brown) character to remark that a bunch of people gave him money so he wouldn’t kill himself! The two find this stupid and change the channel, but every channel has some “dumb Christmas thing” on including a RoboCop Christmas that might have been pretty cool. This realization forces the pair to conclude that it must be Christmas.

There’s no subtlety to Charlie’s tactics to reach Beavis and Butt-Head, and yet they still fail.

Back in the sky, the godly beings resume their discussion now that Charlie (Chris Phillips), their guardian angel, has shown up. Charlie tries to tell them he’s tried many times to reach Beavis and Butt-Head, but they’re simply unreachable. He demonstrates by going into their television where he appears on screen and talks directly to them. The two still don’t respond and Butt-Head turns the TV off in disgust. Beavis lasts about two seconds before he starts freaking out about no TV and Butt-Head has to slap him. He tells him no, this is Christmas, so lets go out and find some chicks. Beavis perks up at the suggestion and the two leave. In the heavens, Charlie is told there is no redeeming these two and he must take from them their very lives. Charlie doesn’t seem to like the suggestion, but also doesn’t exactly put forth much of a protest either. Beavis and Butt-Head must die!

They’re simple creatures at heart. Just give them porn and nachos and they’ll be set.

We next catch-up with the pair as they stand in a cinema parking lot in the pouring rain. The two don’t understand why no one is around, so they head to their favorite spot, the Maxi-Mart. When they arrive, the manager (Judge) is closing up for the night and tells the two to get lost. It’s Christmas Eve! Beavis notices there’s a new issue of Wet Hooters inside while Butt-Head laments that everything he needs for the rest of his life is behind these locked doors. Beavis kicks at them in frustration, then says “Life sucks, and then you…” and he can’t remember the rest. Butt-Head finishes the proverb for him, “and then you die, bunghole!” and the two walk off.

Is this the end for Beavis and Butt-Head?! No, of course not.

The two end up on a rather rickety looking bridge. Below, the torrential rain has caused the river to run wildly so they do the smart thing and start wrestling with each other on the narrow bridge. Charlie shows up and uses “angel powers” to make the water on the bridge freeze, but rather than slip and fall, the two complain that they’re cold and stop fighting. This frustrates Charlie who calls out to them to get their attention, but he slips and falls into the river below. Beavis and Butt-Head enjoy watching him flail around and if you thought they were going to render aid then you’re watching the wrong holiday special. When Charlie eventually makes his way back onto the bridge the two just ask if he’s going to jump again. When he informs them that he will not, they get bored and decide to leave.

There’s no intellectual curiosity with these two. Plus Charlie is stupid. If he tossed an issue of Wet Hooters off the bridge these two would certainly jump.

Charlie chases after them and is shocked to see that they have zero interest in him. When he asks the two if they’re even curious about how he knows their names, Butt-Head just responds matter-of-factly, “No.” He tries explaining the whole guardian angel thing, and then informs the two he’s actually there to relieve them of their lives. He apparently has no spine for this sort of task, so he politely suggests they go voluntarily. Butt-Head surprisingly realizes that Charlie is suggesting they jump off the bridge and refuses since they’d likely die. Beavis then theorizes that this guy might pay them to jump, and Butt-Head is the only one of the two smart enough to know that money is no good when you’re dead.

I kind of want to know who lives in the house next door to Anderson in this universe.

Charlie then gets the “bright” idea to show Butt-Head what the world would be like if he were never born. He raises his hands and calls forth a bright light which stops the bad weather, restores the bridge to something more secure, and makes Beavis vanish. Butt-Head seems to think this is cool and Charlie leads him back into town. There they find the place has come alive with the sights and sounds of Christmas. Butt-Head is confused, but Charlie tells him this is all because he was never born. The two walk past Anderson’s house and Butt-Head notes that his lawn isn’t in disrepair and Charlie, once again, explains it’s because he wasn’t there to wreck it. Anderson is standing at the end of his walkway ringing a bell and wishing everyone who walks by a merry Christmas, but as Butt-Head and Charlie walk off Butt-Head’s foot gets caught in one of the wires for his Christmas decorations which sets off a chain reaction destroying his whole display. Anderson can only slam the bell on the ground and cry out “God damnit!”

McVicker is actually a well-adjusted man in this world. Or he’s still an asshole that is willing to sing Christmas carols.

Charlie leads Butt-Head to the Burger World parking lot which is hopping since the duo of Beavis and Butt-Head haven’t ruined the restaurant’s reputation. Next, they walk past the school where Butt-Head is shocked to find McVicker leading a group of students in song. McVicker has hair and Daria is there with her boyfriend because Butt-Head wasn’t around to destroy her faith in men. Butt-Head is disgusted by what he’s seeing and demands to know where Beavis is since Beavis owes him a dollar. Charlie cautions Butt-Head that he won’t like it when he finds out. He then reveals that Beavis is with Stewart (Adam Welsh) at a homeless shelter. Butt-Head assumes Beavis is homeless and finds this cool, but we know better.

Probably not that surprising that Beavis found someone else to be number 2 to. Heh, number 2…

The two head to the homeless shelter where they immediately find Stewart ladling out soup to the homeless. He chastises a guy for going for seconds before everyone else has had a chance at firsts and kicks him out of line. Butt-Head is surprised to see Stewart acting this way, but Charlie reminds him that he wasn’t there to crush Stewart’s self-esteem. Stewart then calls out to Beavis because he needs more soup and Beavis humbly emerges from the kitchen with a fresh pot. He’s sporting a hair net and wearing a black Winger t-shirt, the same we’d usually see on Stewart (he’s wearing a blue Poison shirt), but is otherwise still Beavis, just more cheerful. Butt-Head then demands to know what Beavis is doing hanging out with Stewart and calls him a bunghole. Beavis, having never met Butt-Head before, is confused and asks, “What’s a bunghole?” Butt-Head retorts with, “You’re a bunghole – bunghole!” and Stewart jumps into the conversation to tell him you can’t define a word with itself.

This isn’t going to work, Butt-Head.

Butt-Head has had enough and demands that Beavis leave with him. He grabs Beavis by the arm who naturally resists. He starts to freak out in his usual Beavis way while Butt-Head insists he come with him on account of owing him that dollar. Eventually, a bunch of guys come to Beavis’s aid calling him a good kid and they tell Butt-Head to leave him alone. The drag him out offscreen and tell him to never come back as we hear the sound of Butt-Head getting punched. Stewart asks Beavis if he’s all right and he responds that he is while noting that they get “a lot of crazies in here.” He then repeats the word “bunghole” to himself. Remarking that he kind of likes it, he just starts saying it over and over as we fade out.

And our two heroes, having vanquished the murderous angel, walk off into the…gray.

Butt-Head is back on the bridge, and after finding that the world sucks without him, asks Charlie to undo what he has done. The weather starts to turn and the bridge turns to shit as Charlie and Beavis appear in a flash of light. Butt-Head is amazed and Beavis is wondering what he’s doing, calling him a bunghole in the process. When Butt-Head acknowledges that Beavis knows what a bunghole is, Beavis replies with “You’re a bunghole – bunghole!” With everything seemingly back to the way it was, the two walk off forcing Charlie to chase after them. As he cries out about making the world a better place, he slips and falls back into the river only this time the current takes him away presumably to his death. Beavis and Butt-Head laugh and Butt-Head shares what he’s learned today: the world sucks, but it would suck a lot more without them in it. The familiar Beavis and Butt-Head outro theme kicks in and the two head off to find some chicks.

I kind of like how the animation would get crude during the video segments, which it does here for the Yule log bit.

We’re not done though! We return to the Yule log and “Dance of the Sugar Plum Fairy” as the two comment on how they like the song. Beavis decides it sounds like Ozzy and the two start imitating the notes of the song, but as low guitar tones. Eventually, this turns into the two doing their “Iron Man” routine before the scene fades out and is replaced with another segment of Letters to Santa Butt-Head. Butt-Head is going to read more letters and the first is from some kid named Boner. He wants Santa Butt-Head to get his dad off the crapper and to come spend Christmas with the family, but Butt-Head, having concluded this father figure must be pretty cool if he named his son Boner, tells the kid to let his dad take a crap.

We still have time for more letters from Santa Butt-Head.

Our next letter comes from Jeff Boogers who wants to know what happens to the reindeer turds when the reindeer take a dump in mid-air. “Well Jeff, they hit the ground and go ‘plop.'” The next letter is from a guy wanting to know if he kicks the ass of some guy after his chick if he’ll still get presents. Santa Butt-Head informs the gent to go ahead and kick this guy’s ass, then send his girl to Santa Butt-Head. The next letter is from a guy named Ethan who just wants to shout out his friends. Santa Butt-Head keeps telling the voice over to shut up as the shout outs ring out. Santa Butt-Head is forced to confess to Ethan that he doesn’t give a rat’s ass about any of these people.

Their prayers have been answered.

The last letter is from a woman named Karen Kleavage. She has big “thingies” and just dumped her boyfriend so she can wait naked under the tree for Beavis and Butt-Head. The two are entranced as the letter is read and shaking with excitement. Butt-Head then returns the letter to his sack while Beavis reminds him that she wants both of them. Surprisingly, Santa Butt-Head doesn’t crack the whip and instead takes this opportunity to wish everyone a Merry Yuletide or something and then announces that they’re gonna score!

Santa Butt-Head needs to take his sleigh and go now, boys and girls.

And thus “Beavis and Butt-Head Do Christmas” is concluded. Did they score? Probably not. I think we can consider those segments non-canon, if anyone cares about what is and is not canon in the world of Beavis and Butt-Head. The special is a delightfully subversive take on the Christmas special format and the two works it is lampooning. In some ways, it shouldn’t work since as I noted in the intro these two stories have been adapted, parodied, and what-not to death at this point, but the show makes them work. It’s not a special that has a lot of observations to make about the holiday or society, it just wants to present Christmas through the lens of Beavis and Butt-Head.

The Yule log bit is a decent idea, but no substitute for actual music videos.

And that’s enough. A lot of the jokes are easy and delivered in a rather blunt manner. There are lines in this one that make me laugh out loud, but just reading them doesn’t do them justice. At this stage in the show’s production, Mike Judge has basically mastered the two and knows how to deliver his lines. He does the heavy lifting too as he’s just one of three regular voice actors. A bunch are credited as additional voices and I assume they’re the ones doing the voice overs for the Letters to Santa Butt-Head segments. I swear one of the angelic bodies sounds like Toby Huss, but he’s not credited so I guess I’m wrong. The sound design as a whole is fairly basic with jolly Christmas songs ushering in the shorts and sprinkled throughout. The no videos thing is kind of strange, but we get the Yule log segments instead. They’re nothing special, but I appreciate the effort to find a music video substitute.

Charlie got what he deserved.

The two cartoons are the meat of “Do Christmas” and they’re both pretty entertaining. I think I prefer the first segment more as the visual of Beavis pressing a rat on the grill and his frustrations about not getting to enjoy his porno do it for me. “It’s a Miserable Life” is funny as well, but is almost a little too obvious with its jokes. I wish there was one genuine surprise in the alternate timeline for Butt-Head to experience, but I don’t think that’s really the show’s style. The animation is pretty standard for an episode of the show so there’s no extra layers or anything present and that’s fine. The show is actually animated fairly well, but its style is intentionally ugly as that’s what suits it. Imagine if they had altered the style in Butt-Head’s alternate timeline? That could have been pretty fun.

“Beavis and Butt-Head Do Christmas” is a classic in my book because its subversive nature makes it unique. Well, it did in 1995, but since then we’ve had a lot of such specials arrive. I’m not saying this one was the first or anything, but it was one of the first I personally encountered. And I like the show and it makes me laugh. I enjoy every holiday season watching Mickey, Garfield, and the Grinch with my kids, but I also enjoy putting this one on after I’ve sent them to bed. If you would like to do the same this year, “Beavis and Butt-Head Do Christmas” was released on DVD many moons ago alongside “Butt-O-Ween” and can still be found for a reasonable sum. It’s also streaming on Paramount+ where it’s listed among the Mike Judge Collection of episodes. I think it lacks the log and letters segments, but does contain both cartoons.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 15 – South Park – “Mr. Hankey the Christmas Poo”

Today we are continuing our look back at the best of the best when it comes to Christmas specials and today’s entrant comes from the quiet, mountain, town of South Park. South Park burst onto the scene in 1997 and basically transformed the Comedy Central network from the get-go. The show about four foul-mouthed kids…

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Dec. 15 – Dr. Seuss’ How the Grinch Stole Christmas!

It’s December 15 which means it’s time for another retro throwback and I bet you’re surprised to see the green guy here. Since I dubbed Dr. Seuss’ How the Grinch Stole Christmas! as the best ever Christmas special not just once, but twice, you may have expected it to appear on this year’s edition in…

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Dec. 14 – All Grown Up! – The Finster Who Stole Christmas

Original air date December 7, 2004

In 2001, Rugrats had the honor of being the first Nicktoon to make it 10 years. The path to that honor was not a smooth one as the show had effectively been cancelled in 1993 with the third season. That appeared to not be performance related, but more strategic on the part of Nickelodeon as the Nicktoons brand was a constantly changing block of cartoons. It was only when the network realized that reruns of Rugrats were not only their highest rated program, but one of the highest rated cable programs in general did it finally decide that maybe keeping the show in production was a good idea. The show would end up lasting for 9 seasons with the final, new, episode airing in 2004. A new series has since been launched that returned some of the original cast and it would appear that Rugrats is not going anywhere anytime soon.

For that tenth anniversary episode the show aired the two-part special “All Growed Up.” The episode was a flash-forward and fans of the show got to see what the babies would be like as pre-teens. It’s one of the last Rugrats episodes I can remember watching. I did not come back to the show when it resumed in 1995 and I didn’t see any of the movies it spawned, but I was curious enough about “All Growed Up” to give it a look. I really don’t remember anything about the episode, but I do recall my number one takeaway from it was that this special was destined to become a series of its own. And it did! The special was a massive success scoring a 7.2 rating when it originally aired making it the number one cable show that week. It’s estimated that 70% of children in the show’s target demographic tuned in and those were numbers that Nickelodeon could not ignore. They almost immediately ordered 35 episodes of the show and on April 12, 2003 All Grown Up! debuted.

It’s probably a stretch to call them all grown up, but they’re definitely not babies anymore.

All Grown Up! returned basically all of the cast members who were still alive from the original show. At that point, Nancy Cartwright had replaced Christine Cavanaugh as the voice of Chuckie while David Doyle, voice of Grandpa Lou, had passed away in 1997. The show would run for five seasons totaling 55 episodes and aired its final episode on August 17, 2008. The show’s third season (which was part of that initial 35 episode order so we’re talking broadcast seasons) premiered on December 7, 2004 with the Christmas episode “The Finster Who Stole Christmas.” Rugrats had become known for its holiday specials as it was one of the few to dedicate full episodes to Jewish holidays. It was also no stranger to Christian holidays like Christmas thanks to the main character’s family being a mixed household. It’s easy to look back on that decision as one of genius since it creates easy opportunities for holiday episodes, but back in the 90s Jewish holidays were not thought of as marketable. Rugrats blew that preconception to dust as its Passover and Chanukah specials did big ratings proving that audiences just like to see their favorite characters celebrating their chosen holidays.

All of the regulars are back, except Anjelica who isn’t in this episode. Plus Dill, whom I’m too old to think of as a regular.

The show begins with this very generic alternative rock song performed by Cree Summer on vocals. I don’t particularly care for it and I miss the more whimsical charm of the original series’ intro. When it’s done, we find ourselves at a school. It’s pretty well decorated for Christmas and the bell has rung to release a horde of preteens upon the world. Dill Pickles (Tara Strong) is walking with his brother Tommy (E.G. Daily) and explaining to him how he believes that Christmas gets all of the best songs as he compares it to Chanukah. Tommy tries to offer up “The Dreidel Song” as a counterpoint, but seems to concede that yes, it’s not a particularly good song. They’re walking along with Chuckie (Cartwright), Susie (Cree Summer), and the twins Phil and Lil (Kath Soucie). Phil informs the group that his mom just burnt a whole bunch of angel cookies so they’re up for grabs. It would seem this is the show’s way of retaining how Phil, the baby, was always interested in eating gross items. This leads to a brief discussion about how the gang plans to spend the holidays with Susie mentioning she landed a big role in her church’s choir. All of the kids are really supportive of her and let her know they’ll be sure to attend her performance which is really sweet. One kid is conspicuously quiet though and that’s Chuckie.

This is pretty much how I expected Chuckie to turn out.

As the gang heads home, Chuckie lags in the back with his head down. Dill starts explaining to his brother how he has plans to create the world’s best Chanukah song and wants his brother’s help. Tommy thinks this is actually a pretty good idea considering the dearth of quality Chanukah songs. Dill is pretty sure of himself pointing out how he believes he’s an excellent singer in the shower and he makes up songs in there every day! Susie then recaps everyone’s holiday plans for us and in the process informs the audience that Anjelica is away on a ski trip, and then turns to Chuckie to ask what he’s got going on for the holidays. Chuckie just sighs and says, “Oh, the usual – high expectations met by crushing disappointment.”

Chuckie doesn’t have a lot of happy Christmas memories. Or really any.

We cut to what I assume is Chuckie’s bedroom. He and Tommy are watching a video on the television that’s apparently Chuckie’s Christmas gift to his dad: 20 years of Christmas home movies compiled on one DVD. We get to see glimpses of the many Finster Christmases and they’re all pretty terrible. There’s often a tree falling over, Chuckie crying (the tape begins before Chuckie is born, hence why it can total more years than Chuckie’s been alive), and Chuckie’s dad running out of frame due to some catastrophe. Chuckie is longing for a nice Christmas, one that’s more celebratory, but concedes that his dad’s mantra is “Christmas starts with family and ends with family.” He’s not really into the flashy stuff. When Tommy points out how the tree in every scene on the tape is pretty sickly looking it gives Chuckie an idea. If he can get a nice tree this year then that will be the way to setting the proper mood for his holiday.

Braving the cold to get the Finster Family Christmas tree!

The scene transitions to one of Chas (Michael Bell) leading his son Chuckie through the snow apparently in search of a tree. When the camera zooms out we see they’re actually just at a tree lot and the snow is being created by a snow machine. They’re still dressed rather warmly, but I do think this show is meant to take place somewhere in the southwest where there probably isn’t typically snow and frigid weather. The tree lot attendant shows Chas a nice looking tree that he seems to be in awe of. And that’s the problem. Chas Finster is a simple man and doesn’t like flashy items. He’s also probably very pragmatic when it comes to expenses, but Chuckie tries to tell him that buying a big tree is sort of like buying in bulk which is something his dad is prone to do. Chas reminds him that he only buys corn dogs and eyedrops in bulk, which apparently explains the added girth Chas possesses when compared to his character in Rugrats.

Chas and Clark Griswold have very different takes on what the family tree should look like.

Chas then comes across the perfect tree! It’s actually in the kindling section and the tree attendant is surprised that anyone would show interest in what are essentially needle-less sticks. He also positions himself in front of the kindling sign to conceal it from Chas’s view so that he can extract a little more money out of him since he’s committed the cardinal sin as a consumer in letting a salesman know that he’s very interested. The person not interested is Chuckie. When Chas asks for a price, he’s given 20 bucks though a small amount of snow falls on the tree and snaps the top off so the salesman immediately changes the price to 15. Chuckie can only hang his head in embarrassment when his dad tells him they’ll come back tomorrow for by then it will likely only be ten!

Now if you saw this while out for a walk how would you interpret the situation for the tree?

We next find Chuckie sullenly walking up a sloping sidewalk kicking a pinecone in frustration. He kicks it a bit too hard and it manages to knock someone’s Santa Claus decoration from their roof. Chuckie runs over to pick Mr. Claus up, but when he does he notices a Christmas tree bound with twine left leaning on someone’s garbage bin. Chuckie runs over in disbelief that someone would be throwing out a perfectly good tree, but gives it no further thought since fortune has apparently smiled upon him this day. As he drags the tree out of sight, some guy emerges from the house with a puzzled look on his face as he calls to his offscreen wife asking where’s the tree?

Chuckie went at this all wrong, he should have focused on the fire hazard the other tree would have presented. This one is much safer.

Chuckie struggles to get the tree home, but he manages to pull it off with only a minor concussion. He then has his dad cover his eyes so he can lead him into the living room to see what he brought home. When Chas opens his eyes his reaction is actually rather positive. I guess it’s pretty much in-line with how he responded to the resplendent tree at the lot, which is also why he shifts gears pretty quickly and remarks it’s not really a Finster tree. Chuckie points out that’s because it’s green, but then hangs his head once more and tells his dad they can get rid of it if he doesn’t like it. Chas immediately starts reassuring his son that it’s fine and he likes the tree. He gives him a concerned smile while Chuckie returns a more genuine one of his own as his Christmas wish is coming together nicely.

I guess these kids hang out at a coffee shop, because coffee is good for 10 year olds.

Our next scene takes place at the Java Lava Cyber Cafe. When did we stop calling cafes with internet access “Cyber” cafes and just went back to calling them cafes since they basically all have wi-fi now? A mall Santa comes walking out somewhat nervously ready to sip his hot coffee while inside Phil appears to be decorating. Dill and Tommy are rocking out on some keyboard while Chuckie and Susie just hang out eating popcorn. My guess is, since Phil and Lil’s mother Betty was always big into coffee in the original show, this is her place of business and the kids help out. It’s also probably a frequent hang out spot for them in the show (I’ve never watched a single episode until now).

Yup, looks like everything is falling into place and Chuckie is going to have the best damn Christmas ever!

Dill and Tommy’s song sounds pretty terrible and the two seem to know it as Tommy proposes they take a break. Dill seems less aware, but is in agreement on account that he’s creatively spent. Betty (Soucie) and Lil come walking in with trays of holiday themed beverages. They sound pretty awful with names like honey baked java, yam latte, and figgy pudding macchiato. Everyone is reluctant to partake, all except Chuckie who downs a cup of one of the likely terrible concoctions. Lil points out that it’s not like Chuckie to be the brave one, but he’s rather content at the moment and chalks it up to an abundance of holiday spirit. Phil sees this as an opening to bring up that someone in the neighborhood recently had their Christmas tree stolen. Chuckie does a spit-take when he hears about it while everyone has some rather choice words to share about the thief. Chuckie, growing visibly sick at the realization he likely stole someone’s tree, runs off to the bathroom clutching his stomach. Betty just assumes it’s related to her drinks, “Looks like that’s a big ‘No’ on the fig latte,” is the punch line used to go out on.

Or not…

After the break, we find Chuckie outside hyperventilating into a paper bag while Tommy exclaims “You stole a Christmas tree!” Chuckie apparently used the act break to explain partly what happened, though we get to hear him tell Tommy he thought they were throwing it away. He’s quite worried about getting run out of town while Tommy tries to calm him down. Since it was a simple misunderstanding, Tommy sees no reason why Chuckie can’t just tell his dad what happened and return the tree. Chuckie perks up at the idea, and this seems like a pretty simple solution to the episode’s plot. Now what are we going to do for the remaining 15 minutes or so?

Chuckie’s tree has apparently ignited the Christmas spirit deep within his father.

Tommy and Chuckie return to Chuckie’s house where the two are happy to find the tree just standing there undecorated. This seems to affirm in Chuckie’s mind that his dad didn’t even like the tree anyway, which is an assumption that’s about to be shattered. I knew we couldn’t just wrap this thing up so neatly! Chas comes waltzing into the house with his arms full of Christmas ornaments. Chuckie is surprised to see his dad bought new ones, and then Betty enters in behind him to inform him he bought more than just that. Apparently, Chuckie’s tree really pointed out to his dad how shoddy their Christmases were and the old guy has gone Christmas crazy! He’s even got gingerbread cooking in the oven so he can construct an entire gingerbread village right down to the emergency call boxes. Chuckie had initially told his dad he needed to tell him something before he saw all of this Christmas stuff, but now he has literal Christmas stars in his eyes and can’t bring himself to tell him the truth. Instead, he just says he wishes his step mother and step sister could be here, but Chas tells him not to worry as they should be boarding their plane home right about now. Earlier, we learned the two were in Japan and coming home on Christmas Eve so we’re basically right up against the holiday at this point. We then get a quick check on the two as Kira (Julia Kato) and Kimi (Dionne Quan) are being informed by a ticket agent that they’ve been bumped from their flight home. Looks like we’re going to need to order a Christmas miracle.

That truck driver was an asshole.

Chuckie and Tommy are outside the Finster home where Chuckie confesses to a somewhat disinterested Tommy that he just couldn’t bring himself to tell his dad what happened. Chuckie sort of rambles on while Tommy can’t get over how good the gingerbread is that Chuckie’s dad made. Chuckie then gets the idea that to solve his problem he just needs to buy a new tree for the family he stole from. Tommy points out how expensive that tree was, but Chuckie brushes aside his concern as he’s been schooled in the Finster art of tree shopping! We cut to the tree lot where only one, scraggly, tree remains and the attendant wants 50 bucks for it. Chuckie literally drops to his knees begging for a better deal, but he’s just met with a “Supply and demand” explanation. We then cut to Tommy and Chuckie carrying the tree with Tommy pointing out how Chuckie had saved all year for that money. Chuckie must have given in, but he’s at least comforted by the fact that he still has a little over 3 bucks left. He pauses to scratch his nose and in doing so lets go of the tree. Tommy does as well, for some reason, and it flops into the street and is predictably run over by a passing truck leaving it in shambles. Chuckie sadly picks up what’s left of it which at least kind of resembles a Christmas tree, albeit at only 9 inches tall. Tommy tries to cheer him up by saying maybe it will look nice with some tinsel or something, but there’s no fixing this mess.

One Christmas tree goes missing and Betty starts reevaluating her security measures. She’s definitely one of those parents that will accidentally shoot one of her kids when they get caught sneaking back into the house after a night out.

A close-up of Betty installing a security camera takes us back into the Java Lava. Susie is working the register while Dill is apparently still working on that song. He asks her what rhymes with dreidel, but Susie just tells him nothing does (how about ladle?) and supposes that’s why there’s so few Chanukah songs. Tommy and Chuckie come walking in and Lil immediately notes that Chuckie has a case of the holiday blues. Betty then draws attention to her new surveillance system and blames the tree thief for the holiday blues going around. Susie reassures everyone not to worry about that and when Chuckie asks why she theorizes that “the big man upstairs” will take notice. I wasn’t sure if she meant Santa or God, but then suggests a smiting shall be upon them which answers that. This freaks Chuckie out and as Betty turns on her camera she tells Chuckie to “Say cheese,” but finds the kid has run off. You would think they would start to piece some things together at this point.

You know Chas, there is such a thing as too much Christmas spirit.

Chuckie heads home only to find his dad rehearsing Christmas carols with a group of authentic looking carolers. Chuckie is bewildered at this continued outpouring of Christmas spirit from his father and is further surprised when he finds out they’re rehearsing for the Christmas party Chas intends to host. He even declares that from now on the name Finster will be associated with Christmas fun! This turn is so intense on the part of Chas that I’m starting to think this is all a dream, but I don’t think so. Chuckie declines the invitation to join in on the fun and tells his dad he’s off to bed instead. Chas doesn’t pick up on any distress in his son, and in his defense I’m guessing Chuckie is frequently mopey, and instead just has everyone whisper their song instead.

This is how Chuckie tortures himself when he sleeps. You know, that family bought an expensive tree, they’re probably not hurting for money.

With Chuckie in bed, it is time for a dream sequence. Chuckie dreams himself outside the home of the family he stole from while the sound of sobbing can be heard coming from inside. He peers through the window and finds a rather Dickensian looking family seated at the table. They appear to be very poor as a young boy consoles his sobbing mother. The daughter curses the one who stole from them while the father instructs her to essentially turn the other cheek. As they prepare to say grace, Chuckie runs off into the woods where he encounters a new creature: the Christmas tree! It speaks to him, and when Chuckie questions who he is, the tree responds rhetorically and turns into a burning bush. Chuckie wakes up with a startle in his bed repeating to himself that he’s going to be smited, wicked smited. I find it weird that he sleeps with his glasses on.

I’ve never known anyone to get upset about getting stuck in Hawaii.

Time to check in with Kimi and Kira who are now in Hawaii. Kira is on the phone with Chas while an airline employee claims to have good news for them. She thinks it’s about their luggage, which has gone missing, but he just wants to offer some macadamia nuts to them. Kira is trying to keep it together, but Kimi attempts to leap across the counter and grab the guy. Kira informs her daughter that he’s probably doing everything he can to locate their luggage, but rather than confirm that assumption the man just keeps waving the little bag of nuts in her face. She sighs and accepts the meager offering. I suspect she’s going to explode next time we check-in on these two.

Back in 2004, the mall was still clinging to life.

Chuckie, Phil, and Lil are next seen strolling through the mall. It must be Christmas Eve at this point and they’re basically exactly where I wouldn’t want to be. Tommy and Dill are there too and Dill is still trying to come up with a song. Tommy points out they only have two days until Christmas, so I guess my assumption was off. As was Chuckie’s earlier explanation that his mother and sister were coming home on Christmas Eve, unless they were planning on all of these travel nightmares they’re going through.

Chuckie, you’re already in enough trouble, you don’t need to go picking a fight with Santa.

It’s at this point that everyone has basically taken notice of Chuckie’s mood, and it becomes harder to ignore when he stops dead in his tracks to basically curse out a display Christmas tree. It’s located where the mall Santa has taken his perch and Chuckie confronts him to share his opinion that the holiday has turned into a sham. He points out a tacky holiday advertisement to support his claim, but the Santa doesn’t really seem to care. Tommy tries to pull his friend away and Chuckie agrees to back down, but not without one of Santa’s freebie candy canes! He lunges for it and at this point a bunch of helpers emerge to the sound of alarms to pry the Finster away.

The smiting has begun!

Tommy and the others lead Chuckie to a bench. He apparently got to keep the candy cane and I would say he’s rather fortunate to not be tossed out of the mall at this point. I’m betting that sly Tommy was able to talk him out of any further punishment. Lil asks Chuckie what’s gotten into him and then confesses that it’s kind of attractive. I’m guessing that normally such a declaration from Lil, or any girl, would knock Chuckie off of his feet, but he’s too far down in the dumps now. No longer able to take it, he tells the rest of his friends that he’s the sicko who stole the tree! Tommy quickly jumps to the defense of his bestie telling the others it was an honest mistake. Chuckie insists he’s in real trouble with the man upstairs, but Lil assures him that God won’t smite him. I thought they were purposely avoiding the mention of God until Lil jumped in there. Chuckie disagrees pointing out that he even has elves on his case now. He suspects a smiting is in order and tells his friends they should keep their distance. Right on cue, sparks start raining down on Chuckie, but it’s from someone welding a banister above them (pretty odd to do while the mall is open). Chuckie is beyond consoling and begins to leave and then has to move faster when more sparks start showering him.

The party is our chance to see how time has treated the other adults. Not so well. Lil looks like she’s had a bit too much eggnog. Howard appears to be near death.

It’s party time at the Finster residence! Not only are those carolers present, but Chas hired a full, live-action, nativity scene as well. He really has gone all out. We also get to see all of the adults we’ve been denied up until now. Howard, Phil and Lil’s dad, is looking rather feeble while Didi and Stu have aged more gracefully. The entire Pickels clan decided to wear formal attire, but Chas is doing the same so maybe that was encouraged? One person not in a suit is Chuckie and Tommy finds him sulking in a corner thoroughly miserable. He points out that this is the Christmas he’s always wanted and he couldn’t be more unhappy. The phone rings and it’s Kira and Chas has the Christmas wind knocked out of him when he finds out the two are stuck in Mexico. Chuckie blames himself and feels he’s essentially cursed his family’s Christmas by stealing that tree. Tommy points out that he could potentially fix this since he’s the one who stole it. When Chuckie asks how Tommy replies, “By stealing it.”

It’s nice to see they still go on adventures, just now they’re crimes.

We then find the crew dressed like ninjas and lurking outside the Finster house later that night. Stealing a Christmas tree is clearly a five kid job. They come to the window where Tommy whips out old reliable – his screwdriver, and uses it to break into the house. Chuckie points out that they can go through the door, but the others seem really invested in this ninja stuff. At least Tommy is, and as he makes various hand gestures to the others they just return them with confused looks. He then just tells them to get the tree. They try to shove it out the window, ornaments and all, but it’s a tight fit prompting Chuckie to remind them that the door is still an option.

The “cool” has evaporated.

In Mexico, we find Kira and Kimi on the streets. The good news is they appear to have all of their luggage, the bad news is they’re going to miss Christmas. Kira seems a little frazzled as well with the mariachi playing in her ear and street vendors repeatedly trying to sell her items. Kimi tells her mom she’s proud of her, and when Kira asks why, it’s because she’s managed to keep her cool throughout all of this. That means she’s about to lose it and does when some rando tries to swipe the cab she hailed. She grabs the man by the collar and throws him to the ground while recounting her misadventures up until now in case we needed a quick recap.

Chuckie is the only kid to ever wake up happy to find his Christmas tree stolen.

With that out of the way, we can return to the tree plot. The kids place the tree on the stoop of its rightful home and ring the bell. Then, for some reason, they stand around a moment until a light comes on inside and at that point they finally run. We cut to the next morning and Chas is discovering the missing tree. He apologizes to Chuckie, but the son is happy to just curse those tree thieves that have been making the rounds. As Chuckie dramatically cries out “Why?” Chas concludes that he should have listened to Betty’s warning and given Chuckie “that dog early.” Chuckie then excitedly asks if he’s getting a dog, but Chas just says “No.” He then wonders why someone would steal a Christmas tree, but leave behind “a Kid-Vid X-Game?” In this universe Kid-Vid must have broken free from the Burger King Kid’s Club. Chuckie then repeats the previous gag by asking if he’s getting such a game and Chas deadpans, “No,” once more. Does he know what really happened and is just torturing his son at this point?

Oh look, the family is all together at Christmas. Who could have predicted that?

Chas concludes that Christmas is ruined and draws his son in close and is puzzled at the presence of pine needles in Chuckie’s hair. That’s it, Chuckie is done keeping things from his dad and confesses to stealing the tree not once, not twice, but three times! He then concedes that he’s confused about how many times he stole it (I think it was just twice, Chuckie) and Chas just calmly tells him to explain what happened. And he…doesn’t? He just tells his dad that he wanted a big Christmas like everyone else and that’s it. Before Chas can ask a presumed follow-up question, the door opens and Kira and Kimi come waltzing in. The family embraces and Chas gets to give his son a lesson by showing him they don’t have nothing and repeats the mantra about family and Christmas. Kira is pretty amazed to see how festive the house is, but then asks about the lack of a tree. Chuckie suggests he tell them about that over breakfast. Kira then pulls out a bonsai tree and declares that anything is better than one of Chas’s trees and hands him what I assume is a little gift she brought back from Japan. They place it in the spot vacated by the Christmas tree and the sound of Susie singing “The First Noel” fills our ears.

Here’s that Susie solo we were promised.

As Susie sings we get to see the camera pan over the town and its festive decorations. I thought we were going to check-in on the other families, but no, instead we are taken to the church as the sun goes down. Inside, Susie is singing and all of her friends and their families are gathered just as they promised. When Susie finishes her song she announces that their Jewish friends have something to share as well. This is Tommy and Dill’s cue to launch into this Chanukah song they’ve been working on. It’s an ode to latkes, and most of the audience seems amused by it. Didi, surprisingly, does not. I also notice a lack of Grandpa Lou in attendance which had me running to a wiki to see if he was dead. He’s not supposed to be so I guess he’s just asleep in front of the TV.

And, of course, the Chanukah song as well. I’m guessing Dill is one of those characters that always wears a hat.

That’s it though as the episode ends with a pan up and out of the church as the audience applauds the silly song about latkes. That wasn’t bad and I was surprised at how effortlessly these characters just sort of slip into teenagers. I thought they might have felt forced into these somewhat new personas, but it all felt natural. The episode also didn’t feel like it had to get everyone into it. The cast is rather large now and likely a tad cumbersome, but I was surprised we didn’t get a quick cut to see what Anjelica was doing. Only Betty and Chas of the adult characters had any lines, not that we needed to hear from anyone else, but I was still surprised. Usually these holiday episodes feel the need to get everyone involved, but not All Grown Up!

The only plot in this one that mattered was Chuckie’s. The bit with his step mother and sister only existed to make Chuckie feel bad and that God was out to get him for stealing a Christmas tree. Even so, it was a rather low stakes plot considering it was a misunderstanding. A rational person would have righted the wrong fairly quickly, but that wouldn’t be very dramatic. We had to wait until the last minute for everything to be set right, though Chuckie really didn’t have any comeuppance. I guess his torture was all the comeuppance he needed. The subplot about the song was unnecessary, though I liked that the episode did end at the church since it was mentioned by Susie early on and I like that her friends are all supportive of her. It’s also somewhat quaint to see a church-going community on television in 2004. The Simpsons has been doing it for awhile, but even with that show it feels like a throwback to a bygone era.

There are a couple of subplots, but the only that matters is Chuckie’s.

And speaking of, the “villain” of the episode being God was pretty interesting. Well, I suppose technically the villain was Chuckie, but he feared God’s retribution and the almighty was even named. That’s definitely rare for a kid’s show, but it did make sense here considering we’re dealing with tweens. It would have felt really silly for Chuckie to fear getting coal in his stocking or something. If the show were Not Quite Grown Up and the kids were in elementary school then sure. They don’t outright say anything about Santa not being real, but it’s implied with Chuckie asking his dad what he got him for Christmas. I suppose Chuckie could have feared the police or another threat instead, but God works.

As for the production, this is still very much a Klasky-Csupo show. Character models are still pretty weird and almost purposefully ugly. The aged-up babies actually all look a lot less monstrous now, maybe it’s simply the hair? If it weren’t for the purple hair, Tommy would look fairly normal. Chuckie looks about the same, while I really dug Lil’s updated design. She has some flair, Phil as well, and I don’t know that I would have predicted that out of the twins. There’s a lot of wardrobe changes too for an animated show and I certainly appreciated the variety. The show is almost mean to the adults though. They all look like they aged 20 years, not 10 or whatever it’s supposed to be. Poor Howard looked the worst, but at least he’s still with Betty. I thought she would have left him for another woman by now. Mark Mothersbaugh is still the composer for the show, but his score is not really evocative at all of the one in place for Rugrats. I’m guessing that was tailor-made for a show about babies and this one needs to be about tweens, but in doing so it lost a lot of personality. Nothing about it stood out to me. At least the character voices all sound great. I’m not sure if they had to modulate Daily and Strong in post at all, but I was impressed with how low they were able to go with their voices. Soucie’s Phil and Lil were left mostly unchanged and same for Summer’s Susie. I actually don’t have much exposure to Cartwright’s Chuckie, but I think it’s basically the same between the two shows with maybe just a bit more confidence in the delivery since he’s no longer a baby stumbling over words.

At least the kid got to experience some fleeting moments of Christmas bliss.

I don’t know that I’ll ever get around to it, but I am curious about the rest of the show. I also wonder if Nickelodeon will ever bring these characters back as high school aged kids. The original audience of the show is approaching 40 at this point, so maybe that ship has sailed. Do those kids want to see them as adults? I was only a casual Rugrats viewer back in the day and I can safely say the idea of adult Rugrats doesn’t interest me. Maybe as a special, but what would I want from it? Can Rugrats be cynical or will everyone be leading happy, healthy, adult lives? I don’t know, but considering these characters are babies once again in the new show, that seems like something pretty far off.

If you want to spend Christmas in agony with Chuckie, All Grown Up! can be found streaming on Paramount+. There, this episode is listed as the seventh in the third season for some reason, but it’s there for you if you wish to view it. I doubt that Nick will air it, but I suppose you never know. You might as well pair it with the other Rugrats holiday specials, they’re all pretty good (the secret best one is actually the Mother’s Day episode), and you’re likely to have a good time whether you’re a kid, adult, or just a kid at heart.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 14 – Rugrats – “The Santa Experience”

Yesterday, we took a look at the 1992 Christmas special from the third Nickelodeon Nicktoon The Ren & Stimpy Show. Today, we’re basically working backwards and talking about the second Nicktoon to premiere: Rugrats. The Ren & Stimpy Show is probably the most celebrated of the original Nicktoons when it comes to animation circles, but…

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Dec. 14 – Gifts from the Air

For today’s subject, we’re going all the way back to 1937 to talk about the Columbia Pictures Gifts from the Air. This particular cartoon comes from an era dominated by Disney, Warner Bros, and MGM with a tip of the cap to Noveltoons. The Color Rhapsody Theatrical Cartoon Series is not particularly well-remembered outside of…

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Dec. 14 – Aqua Teen Hunger Force – “A PE Christmas”

It was a couple of years ago we looked at the first Aqua Teen Hunger Force Christmas episode because it contained Danzig. I was basically required to talk about it! This year we’re coming back to it, and wouldn’t you know, there is a musical component to this one as well. If you’re unfamiliar with…

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Dec. 13 – Smiling Friends – “Charlie Dies and Doesn’t Come Back”

Original air date January 10, 2022

Yesterday, we took a look at a Cartoon Network original aimed at a pretty broad audience. Today, it’s an Adult Swim original very much aimed at an adult audience. Or at least one older than eight. Smiling Friends is the creation of Michael Cusack and Zach Hadel and it’s an animated sitcom about a couple of guys who work for a non-profit dedicated to making people happy. People call in with a problem, and the Smiling Friends spring into action in order to make them feel better. Only this isn’t a show where the characters just dress up as clowns and do a quick a bit to make someone laugh. It’s more that they’re tasked with helping someone out of a depressive episode and the end results often aren’t achieved in the cleanest of manners.

The show premiered originally during an April Fool’s event in 2020 on Adult Swim. The show was well-received, but at the time was basically just a pilot. Adult Swim ended up ordering an entire season which would consist of 8 episodes and apparently had a season budget of 2 million dollars, which is roughly equivalent to the per-episode budget of Family Guy. Adult Swim is somewhat notoriously slow to act when it comes to greenlighting a show or a renewal, which I assume is part of the reason why it wouldn’t premiere properly for nearly two years. This despite the show being digitally animated with a voice cast largely comprised of just Cusack and Hadel. Each episode is roughly 11 minutes and in an odd twist the network chose to burn them all off in a single night, January 10, 2022, which actually means that today’s subject missed the Christmas season by about two weeks. It’s a bit odd, but Adult Swim rarely seems to care about such things.

The creators of Smiling Friends actually made a name for themselves via Newgrounds, a website I hadn’t thought about in probably a decade.

The main characters of Smiling Friends are Pim (Cusack) and Charlie (Hadel) who are friends and co-workers. Pim is the optimist of the two and would seem especially cut out for the type of job he has. Charlie is essentially the opposite of Pim who really doesn’t want to do anything except show up, do his job, and go home with a steady paycheck to follow. Their boss is simply named Mr. Boss (Marc M.), an old man with a giant head who seems to always be sporting some kind of pants-less bondage apparel. He is a typical terrible boss with unreasonable demands who doesn’t seem to value the lives of his employees, but he makes up for it with a cheerful demeanor. They have some additional co-workers in Glep (Hadel) and Allan (Cusack). Pim, Charlie, Glep, and Allan look more like aliens of some kind. Pim is a little purple guy with a single hair on his head while Charlie is large, yellow, and his head is about 90% nose. Glep is a little green guy with rounded, pincer-like, mandibles and Allan is lanky and red and often wears a tie. I’ve only ever caught a handful of episodes of this show and found it to be pretty typical of Adult Swim in that it’s absurd, but funny. There’s a dryness to the humor in this one and the leads are rather well-defined characters that play off of each other well. A lot of the character designs are crude, but not really ugly. Super Jail is an Adult Swim show I’d call ugly, this is not. There are also different animation techniques at play and guest stars to be found and at 11 minutes it basically doesn’t waste your time.

Charlie isn’t really in the Christmas mood, but considering he’s at work on Christmas Eve, I’d say he’s justified.

The final episode of the first season, which is somewhat irrelevant since they all aired on the same day, is the Christmas one “Charlie Dies and Doesn’t Come Back.” It’s not a very festive title, but it doesn’t need to be. The episode begins at the Smiling Friends headquarters where Pim is decorating for the coming holiday. Nobody else seems all that interested with Glep passed out and Charlie playing some kind of computer game. Pim prods Charlie for some help, but he has no interest on account of their shift is about to end and it’s Christmas Eve so he hardly sees a point in decorating now. Mr. Boss then enters with an unreasonable demand of his staff: find a Christmas tree for the office so it can be put up. Charlie is understandably pissed, while Pim is excited for a Christmas adventure! There’s being an optimist, Pim, and there’s you.

Pim is aggressively cheerful. He’s exhausting.

Pim, Charlie, Allan, and Glep take a ride out to the woods to apparently chop a tree down. Pim is very enthused about it while Charlie expresses a desire to get this over with. Pim is hurt by Charlie’s lack of enthusiasm and seems to not understand why Charlie is so grumpy. Charlie explains it rather plainly that it’s Christmas Eve and he wants to go home. He tries bringing Allan and Glep into the conversation, but they’re not really interested. Pim expresses his frustration that it’s not just now, but every time they want to do something for work Charlie acts like this. I get the sense that this is something that’s been building all season and is now coming to a head. Pim even makes reference to the first episode by bringing up Desmond.

Well that didn’t go well.

Allan interrupts the pair to point out a tree that seems fine. Everyone is in agreement that it’s suitable and Charlie takes it upon himself to cut it down to prove to Pim that he can be helpful. As he strikes at the tree with the axe, he taunts Pim who seems wary. I’m guessing he’s uncomfortable which Charlie swinging an axe in anger and not really paying attention to the task at hand. As Charlie calls out, “Is this putting anyone in a bad mood?!” the tree suddenly falls crushing Charlie in the process scattering blood and guts all over the snow. Pim looks horrified, while Allan and Glep look more stunned than anything. We then get a fast assortment of stock, live-action, images. There’s images of space, plants, binary code, a random guy screaming, and it’s all designed to be somewhat random and unsettling because it’s signaling Charlie’s journey to a very special place: Hell.

What’s the first thing you see when you wake up in Hell? I don’t know, but this is as good a guess as any.

Or as the creepy screaming face calls it, “H E double hockey sticks!” That’s the face that wakes Charlie up from…death? It’s gruesome, but once the camera isn’t zoomed in on it he looks a bit more cute. He’s some chubby, pink, demon, with a pitchfork and he informs Charlie that he’s the one in charge. He then points out Charlie’s hell mattress and hell toilet that he’ll be utilizing and both are supremely awful and terrible. There’s also Steve, some black, squiggly, guy who just screams and wiggles at Charlie prompting him to threaten Steve with violence if he ever does that again. The demon thing tells him that won’t be happening and that he needs to get used to it because we’re in Hell, baby!

Hell just isn’t what it used to be.

After the little guy is finished threatening Charlie, the background falls down revealing that all of the fire and horror was just a poster taped to the wall. They’re in a cell and it’s pretty plain looking. The demon comes clean when Charlie asks where all the fire is and explains that Satan hasn’t been himself lately. He’s pretty down in the dumps about something which has caused Hell to literally freeze over. Charlie then offers up his services as a Smiling Friend claiming he can help get Satan out of whatever funk he’s in. The demon at first denies Charlie’s request for an audience with Satan and threatens him with his pitchfork, but Charlie points out that it’s made of cardboard and the demon just hangs his head in shame. Defeated, he tells Charlie to just get out of there as he’s making him too depressed. Charlie does just that as the gate was apparently left unlocked leaving Steve to console the weeping demon.

On a list of places you don’t expect to run into your grandma, Hell is probably at the top.

Charlie then exits to find Hell is indeed frozen over. He walks through the snow while demons look frozen and upset about the climate until someone calls out to him. It’s his grandma, and Charlie is pretty surprised to find her condemned to Hell. She seems chipper about it though, and explains that she said “damn” one time in reference to her husband’s murder and that’s the strike that put her in Hell. Charlie comments that it seems pretty harsh, but Grandma doesn’t seem to mind. Charlie then asks her if she knows where he can find Satan and she points out a rather ominous looking pit. Charlie thanks her, and as he leaves she offers him a piece of hard candy which happens to be a dirty looking, oversized, lollipop. Charlie politely declines and Grandma is happy to keep it for herself as she shoves the whole thing in her mouth and makes unpleasant sucking sounds.

If it weren’t for all of the creatures trying to eat you, frozen Hell would be a pretty neat place to visit.

Charlie heads down the pit and it’s set to a musical number. It’s a bit of a jazzy sounding song with lyrics such as “It’s Christmas time in H-E-Double-L,” and during the song we see Charlie encounter a bunch of horrible things like predatory demons, fire-breathing monsters, and hordes of little, red, creatures he has to walk over. His journey ends at a frozen lake with what Charlie assumes marks the end of the worst of it. Then Steve pops up in his face screaming again and Charlie socks him right in what I assume is his stomach. As he doubles over in pain, Charlie taunts him by saying he promised he would do that to him if he ever did that again showing no remorse for Steve’s pain. Charlie then walks across the ice while the frozen heads of the damned trapped in the ice taunt him, except the last one who apologizes for not being able to think of something. Charlie takes it in stride telling him “No pressure.”

Hey Satan, how’s it going?

Charlie arrives at two large doors and works up the courage to knock. Once he does, a booming voice from behind the door asks him why he’s come here. Charlie replies “To make you smile,” and the doors open. Inside, Charlie meets Satan, who is a massive, hideous, demon, seated at a computer playing a game. He’s pretty chill for the lord of darkness, and Charlie asks him what’s wrong. Satan explains in a rather casual manner that he’s simply lost his enthusiasm for the job. The worst part is, he doesn’t get paid until the job is done, and considering it’s for eternity, he’s essentially never been paid. He explains that he just doesn’t care at this point and turns to his game. Charlie proposes that if he can help get him out of this depression that Satan let him return to the world of the living and he agrees. They’re then interrupted by a delivery man and there’s a somewhat awkward exchange of food and the driver requesting to take a picture of the food as proof of delivery and such before finally leaving. Satan then inspects the contents of the bag which includes a massive burger, fries, and a drink. He’s irritated that they, once again, forgot the straw.

Note to self: don’t piss off Satan.

As Satan chows down, Charlie points out that maybe he’s lost some of his enthusiasm because he’s stuck in a loop and relying on these quick dopamine hits via junk food and other vices. Satan is immediately put off by this accusation and turns to a vape pen to calm his nerves. Charlie points out that this is just more of said behavior and that’s the last straw (heh). Satan orders him to be tortured and some of his minions come out and strap him down to a rack table. While they crank on it, the little, red, demon guys from earlier start stabbing Charlie and then Steve shows up to get some revenge by punching him in the face. Now Satan is fired up as he tells Charlie it gives him great joy to inflict torture on a pathetic creature like him. This is it! Satan is out of his loop and Charlie points this out to him. Satan thinks about it for a second, and then agrees with Charlie’s take, but since he did piss him off he’s not going to be letting him go anytime soon. Charlie points out that isn’t fair, but Satan doesn’t care because he’s, well, Satan!

Behold! The nipple of God!

From off camera, we hear an unmistakable voice shout “A deal’s a deal.” It’s the late, great, Gilbert Gottfried, but he’s not playing himself, he’s playing God! God himself lands in the room superhero style, his face obscured by a bright light. He’s massive, about the same size as Satan, and sporting some sandals and a toga. He orders Charlie to jump onto his hand, and once he does the two fly out of Hell. Along the way, God tells Charlie that he passed his test. By confronting the evil Satan and restoring his smile he’s confronted the unhappiness in himself. God finishes up the explanation by saying he hopes he learned something from this “cool” experience and wishes him a “Merry Christmas” as he whips Charlie like a fastball at the Earth from way up in outer space.

Just what exactly is Charlie made of?

Charlie goes streaking towards Earth looking like the force of the throw will peel the skin from his skull, or whatever is under there. On Earth, Charlie’s friends are gathered for his funeral. They’re at the cemetery plot where a priest (Hans Van Harken) is delivering the eulogy for Charlie. Mr. Boss has chosen to say a few words via a free verse rap of some kind. The priest thanks Mr. Boss when he’s done, and then gives the signal that the casket is to be lowered. As it does, Charlie seemingly returns by smashing into it and exploding into yellow goo which covers all of the people in attendance and leaves the casket smashed. The goo shivers for a second before it all comes together and Charlie is reborn!

Friends don’t let something like an exposed penis get in the way of a good hug.

Pim and the others can hardly believe what just happened as a naked Charlie stands before them. Mr. Boss gets to declare it a Christmas miracle as Pim excitedly asks what happened? Charlie says a lot took place, and that he doesn’t want to get into it. He at least adds that he met Satan and apologizes for how he was acting. Pim apologizes too for their argument earlier and gives Charlie a big hug, who is very much uncomfortable with Pim hugging him in his present state. We then see a book close and find out an elder Glep had been telling this story the whole time to his grandson. The little Glep excitedly asks if all of that stuff really happend. Very casually, the grandpa confirms it and says it’s all real, including Christian Hell before adding “Sorry” as his grandson looks upset. He then cheerfully waves at the camera and says “Merry Christmas, everyone!”

The whole time it was just a grandfather telling a story to his grandson. Wholesome.

That was a very different sort of Christmas special, but one that I consider pretty entertaining in its own way. I’m assuming it was a lot of fun to see Pim and Charlie’s two very contrasting personalities come to a head as they did in the first act, and then it’s always fun to take a tour of Hell. Getting Satan out of a state of depression feels like an escalation of the problems the group encountered all season. It’s almost surprising to see them go to such an extreme in just the eighth episode. What could be a greater task than that? And on Christmas, no less!

As is often the case with these more offbeat Adult Swim shows, the Christmas element isn’t a huge player. It’s there to help get this one off the ground, and then it mostly fades into the background. Satan and God wishing others a “Merry Christmas” both serve as jokes because they jolt the viewer’s brain back into Christmas mode. These episodes are rather perfectly placed on a broadcast schedule often airing around midnight after one has indulged in a full course of more traditional holiday fair. This is the kind of thing you turn to when that’s getting just a bit too much.

This isn’t the type of show that induces hysterical laughter, but Hell’s toilet did get a chuckle out of me.

Smiling Friends is a show that’s simply animated, but this episode has a lot of flourish to it on account of the setting. The various areas Charlie finds himself traversing through in Hell are pretty interesting. The shot of Charlie walking over the frozen river while a massive beast swims beneath him is not the sort of thing this show needed to do, but I was happy for it. The approach to Satan was certainly interesting as he was done with a more traditional CG approach. He looks plenty demonic, and I’m not sure what the thought process was that resulted in the approach, but it was fine. It felt rather appropriate that a being such as Satan was depicted in an almost different medium from a mortal like Charlie or Satan’s various underlings. I’m just surprised that God didn’t get a similar treatment. The inclusion of Charlie’s grandmother was a bit of dark humor, and I liked the small arc with Steve. I’m surprised we didn’t hear from the little imp character again, but we didn’t really need to.

I don’t know if Charlie actually learned anything in the end, or if we’re supposed to expect a change in his behavior going forward. A second season is on the way, so I guess we’ll have to wait until then. Since this show isn’t even a year old, Cartoon Network is likely to show this episode during the Adult Swim block at least a few times this month making this one of the easier specials to view. If you still have cable, that is. If not, it’s on the Max streaming platform and available for purchase as well. Smiling Friends is a show that I should watch more of, and while this episode isn’t a classic, at least the show seems pretty good.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 13 – Bob’s Burgers – “The Bleakening: Part 2”

Well fellow cartoon Christmas enthusiasts, we’re in a new and interesting place today. We’re coming in for the second part of a two-part story we started looking at yesterday. In the first part of “The Bleakening,” the Christmas special from Bob’s Burgers which originally aired in 2017, the children of Bob and Linda Belcher were…

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Dec. 13 – The 25 Greatest Christmas TV Specials

Five years ago The Christmas Spot did its first advent calendar countdown to Christmas and the theme was “The 25 Greatest Christmas TV Specials.” With that list, my approach wasn’t entirely forthright. I really had a list of 20 specials that I deemed worthy of such an honor and I devoted the back five to…

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Dec. 12 – Regular Show – “The Christmas Special”

Original air date December 3, 2012.

I have a pretty tremendous blind spot for most animated shows produced between 2005-2015. If it was a show animated and marketed at adults, then I might have checked it out. If it was a show created primarily for kids and not based on some existing IP I knew from my childhood then I almost certainly did not interact with it. And when it comes to the Cartoon Network shows of that era, I basically only saw snippets of the programming when I turned my TV on if I had been watching Adult Swim the night before. That’s why I completely missed out on Regular Show. I say missed out because I’ve heard it’s quite good, but I don’t know that for sure. I know the name and I know it as the cartoon starring the bird and the raccoon, but that’s basically where my knowledge ends. I couldn’t tell you when it debuted, when it ended, or if it was associated with any of the other programs airing around the same time on Cartoon Network. For some reason I thought it was tied into Adventure Time, another show I am not familiar with at all, but aside from the creators knowing each other it would appear I was mistaken.

Now that I’ve done a little bit of reading, I can tell you that Regular Show was conceived by J.G. Quintel, a former Cal Arts student and a lot of the show is based on his experiences there. The show was part of Cartoon Network’s search for more original content via its Cartoonstitute initiative which allowed creators to submit a pitch without network interference. It’s a pretty neat idea and sounds similar to how the network first got into creating its own animation via the Cartoon, Cartoon model in the 90s which was similar to what Nickelodeon had done in creating its Nicktoons. And just looking at some of the shows the network greenlit during this time, it would appear it was a pretty big success. It’s somewhat baffling that the network seems to have moved away from this approach in favor of relying on existing IP, but that seems to be an industry wide thing and not something unique to Cartoon Network.

Regular Show aired on Cartoon Network from 2010 – 2017.

Regular Show may be a show I’m not familiar with, but it looks like I should probably reconsider that since it produced multiple Christmas episodes during its run. Given that, I’m a little surprised to see that the first of those episodes, and the subject of today’s post, didn’t come along until Season 4. Regular Show is one of those cartoons that gets a half hour block to air two roughly 11 minute shorts. For Christmas, 11 minutes just wasn’t going to cut it so both segments were devoted to one story as have many cartoons of similar formats before it. Christmas just isn’t suited for such a meager duration, as much as that pains my fingers each holiday season. I decided not to watch any Regular Show before watching this episode so I’m going in cold turkey. I know the two lead characters, Mordecai (Quintel) the blue jay and Rigby (William Salyers) the raccoon, are slacker types in their early 20s. They’re probably like a lot of men that age who would rather play video games and goof off than work or study. They would probably also like to drink beer, but this wasn’t an Adult Swim show so I’m guessing that’s out. I don’t really know what’s going on with the world they inhabit. There appears to be animal types as well as normally inanimate objects that are sentient. There’s also people. Is there an explanation for this in the show? I have no idea. Does there need to be one? Not really.

It’s rather amusing how the size of the sleigh changes to suit the shot throughout the fight. Some of the interior shots make it look more like a barge.

The episode begins with a cold open. A shadowy figure is in the midst of a heist in a cold climate and would appear to be using the sleigh belonging to one Santa Claus as a way of escaping. The sleigh is not only outfitted with eight reindeer, but even a ninth at the head of the team signifying Rudolph – that’s commitment! The show is hand-drawn with digital animation and it looks pretty fluid, but a little simplistic when it comes to lighting. It’s very similar to Rick and Morty in that respect. As the sleigh takes off, we see a sign indicating that this is the North Pole so the factory this guy is running from (and blew up) might just be Santa’s workshop. The shadowy figure is coveting what looks like a present and he also has the pointed features of an elf, but before he can open the gift he’s attacked by some sort of sky-sledding ninja! And not just any ninja – Santa! He removes a scarf to reveal his beard and this Santa isn’t your usual portly guy with red cheeks. He’s large, and intimidating, though he still retains the beard. He’s also voiced by the incomparable Ed Asner, probably the greatest Santa voice there ever was. He tells the elf, Quillgin (Thomas Haden Church) that he can’t let him leave with that gift, but he’s not going to just give it up. The two fight over it, and Quillgin is able to get it away from Santa momentarily. As he opens the lid, a light pours out. Santa cries out “No!” and then adds “Rudolph! Diene nase!” This command, which Google tells me means “Serve nose” in German, prompts the reindeer to cock his head and blast a laser from his nose at the elf. This dislodges the present, which Santa grabs and dives out of the sleigh with. Quillgen reaches over the side of the sleigh brandishing a gun, a realistic looking one at that, and shoots Santa three times in the stomach as the old man falls out of sight. Quillgin taunts him as he disappears through the clouds with a menacing, “Merry Christmas, Santa Claus.”

Benson’s sweater is going to be a source of consternation for him throughout.

That takes us into the title, which is some rather ominous music over dark, red-tinted, clouds. When the credits are through, we’re taken to a festive holiday gathering. Brenda Lee’s “Rocking Around the Christmas Tree” is playing and the warmly lit house is nicely decoarated. Here is where I have to do my research as I don’t know who anyone is. In the kitchen, a green guy in a Hannukah sweater is singing the praises of Christmas cookies to a yeti. This is apparently Muscle Man (Sam Marin) and the yeti is Skips (Mark Hamill), who doesn’t say anything. In the main room, a living gumball machine in a reindeer sweater is chatting it up with a human female. This is Benson (Marin) and the girl would appear to be named Audrey (Courtenay Taylor) via process of elimination when I look at the cast list. She compliments the sweater Benson is wearing who takes the compliment with grace, then she adds it’s sure to win the “Ugliest sweater” competition, if there is one. Benson gives a nervous laugh indicating he just thinks it’s a nice sweater, then excuses himself to get more soda. It’s technically a kid’s show, after all, no beer.

These are our main characters, a blue jay named Mordecai and a raccoon named Rigby.

In the kitchen, Benson runs into a Mr. Maellard (David Ogden Stiers) who looks like an old man, but his head is the moon. I have no idea who he is, but he’s leaving since he has six other parties to attend. He compliments Benson on his party though (this must be his home then) and gets in a dig about the sweater on his way out. Benson seems irritated at yet another jab at his sweater and gets further irritated when he finds nothing but empty soda bottles on the refreshments table. He then calls out to a Thomas (Roger Craig Smith) as he heads back into the living room and we see who Thomas is. It’s some goat guy and he managed to get his head stuck in the railing of the stairs. Mordecai and Rigby make their entrance here as they’re doing some sort of Christmas rap, or song, for someone on the phone. When the brief little diddy is concluded, Mordecai picks up the phone to ask a Margaret if she liked it. She must be a friend, or a girlfriend, who couldn’t attend the party. She seems to have a lukewarm reception to it since Mordecai says you need to be able to see the dance that goes with it, but he doesn’t seem bothered in the least. Benson then enters, and finding Thomas unable to procure soda, asks Mordecai and Rigby to go over to Skips’ garage to get some more. They agree to do so, but on the condition that this be considered their Christmas gift to Benson. He basically restates the offering in an irritated tone, then adds a fine, and the two slackers high five in celebration for seemingly getting out of spending money on a friend (he’s apparently their boss too, and yeah, don’t buy your boss Christmas gifts, folks).

Santa’s not looking so hot.

Mordecai and Rigby, with festive scarves around their necks, head through the snowy night to retrieve soda for the party. As they walk they both share their enthusiasm for Christmas and the getting gifts part, which is hardly a surprise. Rigby even adds the holiday should occur once a month, at a minimum, which his fine, feathered, friend agrees with. Their conversation is interrupted by what looks like a meteor streaking towards the home of Skips. It smashes through the roof of the garage (oh no, the soda!) and Mordecai beckons his friend to hurry. As they open the garage door, their scarves have mysteriously vanished. Damn, I liked how they looked. Inside the garage, they find an unconscious man on what was once an automobile. Mordecai asks the guy if he’s okay, and he speaks indicating he’s not actually out cold. He tells them not to worry about him, but to take the box. He then rolls over and groans when he realizes who is standing before him. Naturally, Mordecai and Rigby have questions, and when he says he’s Santa they’re not ready to believe him. Mordecai lists out the qualities they would anticipate Santa to have like smelling good and having rosy cheeks noting this guy has bruised cheeks and smells like he stepped in something. Santa, seeming more than a little irritated, informs them that stuff is just marketing and he’s the real deal and proves it by telling them what they keep writing him letters for every year: an invisibility cloak. Apparently, he’s not allowed to give out magical gifts as it’s against the rules, which Rigby is pretty surprised to hear that even Santa has to follow rules.

I wonder how you get to be part of a Santa focus group?

Santa then gets back to the box and tells the two they need to destroy it. When they ask what’s in it, he tells them it’s not what’s inside, but the box itself that’s the issue. We then are treated to a flashback. Santa explains that his head toy designer, Quillgin, had spent his life working on this thing. It’s a box that gives the opener whatever they desire most. Santa didn’t know at the time, but it was crafted using dark magic. They tested it on a focus group, a family of four and one box, to see how kids would react to it on Christmas morning. It made them violent as they coveted the box and wouldn’t let anyone else have it. The kid in the scenario even bites his mother on the forearm when she tries to open it. Santa orders the box be sealed away and all of the notes pertaining to its construction destroyed, but Quillgin challenged him on it. Santa is shown easily overpowering him, but acknowledges that he should have expected the elf to seek revenge at some point.

The box turns everyone into assholes.

That’s when the flashback ends. Santa, in the present, tells the boys they must destroy the box because Quillgin is still out there after it. And when he gets it, he’ll use it to get what he wants most: the destruction of Christmas! Mordecai and Rigby obviously don’t want that to happen and they vow to help Santa destroy the box. He doesn’t seem enthusiastic about enlisting their aid and wishes he had landed in someone else’s garage. Well, he’s stuck with them! The two try to help Santa up, but he’s in far too much pain to try and stand and tells them to take the box and go. They do as their told, though not before momentarily misplacing the box first, and once gone they get their friends and return to the garage to show them what happened, but Santa is gone! Everyone is pissed at the pair, and by everyone I mean Benson, Pops (a guy with a lollipop or something for a head voiced by Sam Marin), Muscle Man, Skips, and Hi Five Ghost (a little ghost with a hand coming out of its head that has a basic shape not unlike the ghosts from Pac-Man that doesn’t seem to do or say much, but the noises that come out of him are provided by Quintel). Not believing a word they’re saying, Benson takes the box and looks into it. We don’t know what he desired, but his pupils dilate and the box is snatched by Muscle Man. The same happens with him, and soon Pops and Hi Five Ghost have a gander and they all start fighting over it until Skips yanks it from them and leaves the lid on.

I’m guessing this place holds more significance for regular viewers of this show.

Now that the powers of the box have been demonstrated, the group asks what they’re supposed to do with it. Mordecai tells them that Santa entrusted the box to them so they could destroy it. Muscle Man decides to take care of it with a sledge hammer, but his strike bounces off and sends him sailing into the wall of the garage. Skips gives the box a sniff and confirm the presence of dark magic. The only way to destroy such an item, according to the yeti, is to cast it into molten lava. Rigby asks how they can possibly do that and Skips tells him he knows a place: East Pines. This is either the park all of these guys work at, or a rival one, as Rigby is kind of pissed that Skips lead them here. He mentions a Gene and some rival park rangers, but Skips informs him there’s an abandoned mine shaft on the other side of the park that will lead them to where they need to go.

These rangers are very committed to making sure their snowmen remain dickless.

The crew heads in and as they run through the park they pass a fairly conventional looking snowman. Rigby decides to get a little mischievous and indicates he’s going to “fix” the snowman. He reaches for the carrot nose, suggesting it’s likely to become another part of the snowman’s anatomy, but the second it’s disturbed an alarm goes off and a whole bunch of park rangers spring up from the bushes. They’re armed with some kind of guns and they order the group to step away from the carrot and they’re forced to comply. We then cut quickly back to the garage to see Quillgin finding the wrecked car where Santa once lay. He’s got a small army with him and he tells them the box couldn’t have gotten far from here. They mount snowmobiles and head off towards the park.

This is Gene, who happens to be a vending machine. We’ll get to see that he has a wife and son, also vending machines. How they procreate is a mystery.

At a ranger station, the crew is tied up and getting chewed out by a vending machine named Gene (Kurtwood Smith). He laments that he thought the “Prank Wars” were over and accuses the group of sneaking into their park to play some lame, Yuletide, prank this evening. Benson tells him that’s not what they’re after (and gets his shirt insulted in the process by Gene) and Mordecai tells him about the box. Predictably, Gene doesn’t believe him and orders one of his men, Larry (Salyers), to open it to see if it’s a prank. He doesn’t really want to, but he does as the vending machine commands. He reacts favorably to whatever he’s seeing, so Gene snatches it and does the same. Then another guy tries to get it and the three start fighting until the box squirts away and they get chewed out by Mordecai and the others. They bring Gene up to speed and let him know that Christmas is at stake. Right as they do, Quillgin and his team storm the place and all of the people in the station can see what’s happening via the monitors. Gene basically freezes as Mordecai and Rigby plead with him for his help. He just keeps looking at a picture of his family taken on Christmas morning (his wife and son are vending machines as well, it’s probably pretty easy for a vending machine to give birth) and then back to the monitor as Quillgin takes out the rangers. Rigby is pretty shocked to see that Quillgin isn’t some tiny, little, elf and soon the door to the room starts shaking. Someone is pounding on it, and they want in!

Ever see a vending machine drive a snowmobile? Yes, once.

The door bursts open and it’s just another ranger with his arms full of eggnog. He reprimands them for not helping him, then matter-of-factly mentions the attackers just outside. Gene finally comes to his senses and throws out a “Let’s ride” to transition us to the next scene where everyone is riding snowmobiles. Gene leads them to an abandoned mine, but then tells them he will go no further. He plans to try and stall the elves, but as he drives away he calls out to them to watch out for the booby traps. When Benson responds with “What booby traps?” Gene just shouts back, “Merry Christmas!” The crew then heads inside on their sleds until they reach a dead end. Before they can assess the situation, the floor opens up and sends them all down a long, icy, slide. It’s a slide that ends at a chasm, but the sleds have enough speed to clear it and crash on the other side where an impaled skeleton in a foreboding hall awaits them.

You can’t dance in a sweater, so Muscle Man discarded it.

Despite the ominous looking skeleton, Benson seems to think they can just walk around it to the door behind it, but the skeleton was clearly the victim of a booby trap. Or should I say, the human that the skeleton used to be was a victim of a booby trap? When Benson approaches it he steps on a tile causing spikes to shoot out, but he falls backwards to avoid it. It’s Skips who notices some glyphs on the wall which seem to suggest the right way to tiptoe through the would-be lethal trap. Mordecai decides to try and use the skeleton as a way to follow the directions as Rigby reads them. It’s basically like a 9-digit number pad on the floor, and activating each panel in the proper sequence should theoretically disable the trap. Only it’s not working and Mordecai casts the corpse aside in frustration. Then Muscle Man decides he’s got this and removes his shirt (despite his name, he’s not very muscley) for some reason and jumps into the trap. He basically breakdances in the pattern which he apparently memorized and a video game like chime lets him know he did it right. Everyone then heads through while Muscle Man boasts how that thing didn’t even touch him, then the trap springs all of the spikes at once and he changes his candor to “Whoa! I almost just died!”

This episode has me wondering if I too am good enough at pinball to allow my friends to traverse a dangerous chasm or if I’d end up getting them killed.

Skips encourages everyone to continue on which involves going down a slide. Meanwhile, Quillgin has taken over the ranger outpost and is analyzing the security footage of the crew heading into the mine and spots the present in Mordecai’s lap. Gene, who is bound up and placed on his side, taunts them that the box is probably already destroyed at this point so one of the elves just kicks him over so that he’s face down and they can’t hear him. At the bottom of the slide, the gang comes upon the next test: a snow-covered pinball machine. The clue indicates that they have to rack up points to make a bridge appear, but should they lose a ball “Watch out below.” The machine is positioned at the edge of a cliff and their destination is on the other side. Mordecai and Rigby bemoan this test as they consider pinball dated and out of fashion. Benson just tells them to step aside and starts playing the machine. As he racks up points, an ice bridge appears, but when he loses a ball the ground beneath Muscle Man breaks away, but Skips is able to grab him. Rigby criticizes Benson’s playing which earns him a punch in the head from Mordecai who is offering nothing but encouragement to the gumball man. Now three balls are deployed and Benson is going off. Quillgin and his team of operatives then show up and Benson tells everyone to make a break for it. Once they’re safely on the other side, he lets all three balls slip past the paddles and makes a break for it himself. As he runs across the ice bridge, it breaks apart behind him. Quillgin’s operatives are chasing him, but soon are overtaken by the crumbling ice and presumably fall to their death. Benson is able to make it across and Quillgin is left to wail “Noooooo!”

Pops is apparently a very accomplished grappler.

The good guys find themseleves in yet another room, this one with a circle of glyphs on the floor. Skips takes a gander at the glyphs and translates them for everyone. It’s the final trial, and apparently they have to wrestle a bear. Once Skips makes that announcement, a roar from offscreen can be heard and a massive polar bear comes sauntering in. Now it’s Pops’ turn to make himself useful as he volunteers to wrestle the bear and seems pretty confident in his ability. He gets into the ring and the bear starts tossing him around. Rigby, ever the optimist, declares that Pops is dead while Mordecai tells him to shut up. The bear gets Pops in a hold who then calmly informs the bear that this is a fight he cannot win. He then overpowers the bear by standing up and hip-tossing him onto his back. He grabs the bear in a hold similar to a Dragon Sleeper and proceeds to choke the bear out. The others celebrate his victory, then the bear stands up and surprises everyone when it speaks. The bear (Fred Tatasciore) congratulates them on passing the final trial and informs them that they may now proceed. He then opens a portal of some kind on his chest and the crew is just expected to walk into it. As Mordecai approaches, he’s dismayed to see yet another slide, but Skips just slaps him on the back forcing him onto it.

They managed to get through all of that, but still wind up at gunpoint before the task is done.

The guys head down the slide and it ends in a warmly lit room. The pit to the core of the Earth is here, but as the group approaches it with the box, Quillgin appears! They’re all pretty confused that he could beat them to this room, and he points out he took the stairs. Apparently, that was an option this whole time. Unfortunately for them, Quillgin has a gun and demands that Mordecai hand over the box. Benson encourages him to do so, pointing out the whole gun and all, and adds they did their best, but now it’s over. Mordecai reluctantly starts to head in Quillgin’s direction, but some weird steam or smoke encircles the elf and seems to take over his arm. He’s unsure of what’s happening, but some unseen force causes him to toss his gun down the fire pit. Then we hear some laughter, and above the pit is Santa! He was concealing himself with an invisible cloak! He’s also riding a pretty sweet hoverboard. The others are in awe at the sight of the legend himself while Rigby is actually ticked off about the invisibility cloak. When he accuses Santa of claiming they couldn’t make such things, he corrects him by saying they can totally make them, they just can’t give them as gifts.

There goes Christmas…

Santa joins the others leaving Quillgin enraged and in disbelief. He thought he had killed Santa, but the big guy reveals he was wearing a bulletproof vest which he also pulls aside to reveal some chiseled abs which Muscle Man seems to really like. Quillgin counters with a grenade and Santa is forced to dive in front of everyone with his hoverboard to shield them from the blast. In the process, the box is dropped and directed towards Quillgin who picks it up and proceeds to explain his nefarious plan. Or thought process, anyway, as he reasons if they just gave everyone in the world one of these boxes they wouldn’t have to fight over them. He accuses Santa of not wanting to do that as then no one would need him anymore if they had what they desired most. Santa denies this, but Quillgin is not going to be swayed. He opens the lid and demands he be given what he wants most: the destruction of Christmas forever!

That’s pretty bad ass, boys.

With the box open, the background turns into a nightscape. Images of holiday stuff appear floating in the air all with sticks of glowing red dynamite strapped to them. “Carol of the Bells” comes in and a remote control detonator appears inside the box. This is apparently how Quillgin will get his destruction of Christmas. As he reaches for it, Mordecai leaps into action! He tackles Quillgin and both fall into the pit! “Carol of the Bells” either morphs into, or was always, the Trans Siberian Orchestra version as Mordecai and Quillgin battle over the box and detonator while they fall to their certain death. Rigby dives in after his friend, though I’m not sure what he thought that would accomplish? Mordecai gets punched by Quillgin and loses his bid at the box, but Rigby is able to grab it. Quillgin gets his mitts on it too, and we see the image inside the box change from a detonator to a cone of ice cream as the two try to create what they desire most. Or in the case of Rigby, basically anything other than the Christmas-destroying detonator. Rigby is able to pull it out of Quillgin’s hands, but he grabs Rigby’s ankles. Mordecai then calls out to his friend to release his hold on the box so that he can fall to it. Rigby does as instructed and Mordecai is able to get control of the box and makes his own desire appear: a two-person hoverboard! He hops onto it, grabs Rigby, and leaves Quillgin to his fate. Which is lava. Lots, and lots, of lava.

Count it.

Mordecai rides out of the chasm with Rigby to applause from his friends. The box is no more, and the same is true of Quillgin. We’re then taken back to Benson’s house. Santa flew everyone there, and as they all head into the house Benson pauses to ask Santa a question. Declaring him the authority on all things Christmas, he asks for Santa’s opinion of his sweater. Santa curtly informs him that he should have tossed it into the lava pit. Benson says nothing in response, but removes the sweater and heads inside. Santa then has a chance to speak with Mordecai and Rigby. He confesses he didn’t think they were up to the task, but they surprised him. The two suggest that this should get them onto the nice list and Santa responds “Stranger things have happened.” He then takes off and the pair watch him fly towards a crescent moon, but not in front of it. Should we count this as a moon shot? It’s iffy. He vanishes with a blast of speed and Mordecai and Rigby seem very tickled by this as they high five declaring it “Just like in the movies!”

With invisibility cloaks, they’ll never have to work again! Though I’m guessing they probably lost them eventually.

Benson heads inside to find Thomas asleep with his head still stuck in the banister. He shouts “Thomas!” which startles the goat man awake and in the process gets him unstuck. He says nothing, though it looks like the other party-goers decorated him with lights and such while he was out. He walks off as Mordecai and Rigby enter. Benson points out that the house is a mess and they need to clean it up. They both groan, but Benson smiles and lets them know he plans to help. He heads off into the kitchen for some cleaning supplies leaving the two alone to discover a gift under the tree. It’s addressed to them and when they open it they find a card inside that simply reads “Sometimes you have to break some rules.” Benson re-enters the room with a mop and bucket, but Mordecai and Rigby are gone. Irritated, he marches back into the kitchen. Mordecai and Rigby then appear on the couch as the gift contained the invisibility cloaks they coveted. Shouting “Best gift ever,” the two head back under their cloaks and we see two game controllers rise up from under the coffee table. The camera then moves outside of the house and pans to the sky to find Santa Claus once again. He’s flying away from the camera shouting his customary, “Ho! Ho! Ho! Merry Christmas!” He turns the sleigh around so it’s facing the camera head-on, then in a flash of light he vanishes leaving behind two trails of flames a-la the DeLorean in Back to the Future as a sound-a-like musical number to that film’s theme comes in to take us out.

This version of Santa knows how to make an exit.

So that was Regular Show. After watching my very first episode, I can see the appeal. While it didn’t really make me laugh out loud, there was humor to be found. Mordecai is pretty likable as a lead character since he’s positive and seems sincere. He’s a nice guy and supportive of his friends, he’s just a slacker. Rigby is a little more plucky, a little less someone to aspire to, but still likable. The rest of the cast seem fine and I’m sure there’s more to them, but you can only learn so much about a show in 22 minutes. I always welcome an Ed Asner appearance, especially as Santa Claus. This show’s version of Santa was more of the bad ass kind and it works. The plot wasn’t anything special, but it gave the heroes a quest and provided a villain that could be disposed of in the end. It probably didn’t need the full runtime to tell the story as the trials did get a little long, but it was fine. It was still fairly breezy to take in.

I am here for bad ass Santa.

The visuals were also fine. It has that modern aesthetic that has been utilized most by Rick and Morty of late and I like how some characters look, but don’t care for others. I hate how Santa’s nose is drawn as it looks like a lump of flesh that got smashed with a shovel, but the design of the rest was fine. I especially liked Benson and how the untextured gumballs serve as a beard. The animation is fluid and the colors saturated, plus bonus points are in order for giving some of the characters holiday attire. I kind of wish Mordecai and Rigby kept the scarves they wore for a hot minute throughout the special, but oh well. I was surprised at the amount of licensed music, especially because this is a show that was released on DVD, so kudos to Cartoon Network for paying for it. Of course, I’m not watching it on DVD or Blu Ray so I don’t know if they were left in, but I’m assuming they were since I didn’t see any mention of it on all of the places I checked out to read up on the show.

Will I watch more Regular Show? Maybe. I don’t know. It was enjoyable, but I’m not feeling any urge to watch more. I also don’t feel the need to add this to the usual rotation of annual Christmas specials. I suppose I am curious about the other Christmas episodes the show did, especially to see if Santa or even the should-be-very-dead Quillgin return. If you would like to experience this one on your own, there are the aforementioned physical releases, plus digital ones available. It’s also streaming on the Max platform, and being a newer Cartoon Network property, there’s some chance the cable channel actually airs this one. It should be relatively easy to come by, just maybe not for “free.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 12 – A Very Venture Christmas

This one has been a long time coming. One of my all-time favorite television shows is The Venture Bros., but it’s a show I really haven’t spent much time discussing on this blog. I guess because I view it as contemporary, even though the pilot premiered almost 20 years ago now. For most of this…

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Dec. 12 – Bob’s Burgers – “The Bleakening”

All right, we’ve been at this for a few years now so you probably don’t need much of a primer on Bob’s Burgers, right? The animated sitcom which is shockingly in its 12th season (shocking because it still feels new to me) has become a reliable spot for Christmas fun each and every year. The…

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Dec. 11 – Be Cool, Scooby-Doo! – “Scary Christmas”

Original air date December 10, 2015

I don’t think there’s much debate that the most popular and enduring character churned out by the Hanna-Barbera factory during its hey-day is none other than Scooby Doo. About the only franchise that even competes with the big dog is The Flintstones, which hasn’t been relevant for ages. Scoob has basically had an omnipresence ever since he debuted on the small screen back in 1969. The franchise hasn’t always had a new show in production since then, but for a long time one of the shows it spawned could be found airing somewhere on television. I grew up watching Scooby and the gang solve mysteries featuring guest stars that predated my existence by quite a bit. I also had A Pup Named Scooby-Doo for something more modern, and eventually the franchise made the move to the big screen during the early 2000s.

It’s hard to say what has made Scooby-Doo such a lasting entity. I watched the show often enough as a kid, though I don’t recall ever liking it. Scooby-Doo seemingly existed during an era where kids (especially) would just watch whatever was on. No streaming, few houses with a VCR, and few options on VHS for those house that did have a VCR meant we were at the mercy of the broadcast overlords. It’s a thing my own children can’t even comprehend when I try to explain it which is usually brought on by me getting frustrated watching them endlessly cycle through their streaming options to try to decide what to watch. I feel like a lot of shows benefitted from that same phenomenon as I watched a bunch of crap I couldn’t have cared less about. Unlike a lot of that stuff though, Scooby has continued to live on. His shows may have sucked, but I do think the character of Scooby-Doo (and Shaggy) is pretty charismatic and likable. People want to enjoy the show, even if the actual program makes that task an impossible one.

It’s like past iterations of Scooby-Doo, only funny!

Because of my experience with the franchise growing up, it likely comes as no surprise that I have not paid much attention to it. I never watched the movies, and I definitely never sought out the many direct-to-video features the franchise has spawned over the years. I have heard some good things here and there, but they never were enough to get me to bite. It seems the franchise has had numerous stops and starts over the past decade and they almost all follow the same trajectory: premiere on Cartoon Network, air for a bit, move to Boomerang, see the remaining episodes unceremoniously burned off. Cartoon Network and parent company Warner seem like they don’t know what to do with the franchise, or they have unrealistic expectations for every new series they greenlight. They seem to give each one about two seasons, but no more. Right smack in the middle of this thing is the series Be Cool, Scooby-Doo! From an outsider’s perspective, it’s the most intriguing of the post 2000 Scooby-Doo productions because it features an art style most would deem “out there” for a Scooby-Doo cartoon. The characters have a much more “toon” vibe to them with unrealistic proportions and exaggerated features. I see a lot of different influences when I look at the characters ranging from American Dad!, Mission Hill, Powerpuff Girls, and The Ren & Stimpy Show. It also gives the series a throwback feel to the last version I paid attention to, A Pup Named Scooby-Doo, which also had a far more toon aesthetic.

More importantly, this show features a Christmas episode. The stuff from the 70s and the aforementioned Pup did not tackle the subject which is both surprising and not. The approach of a lot of Hanna-Barbera productions was to produce content that television networks could air at basically anytime. Scooby always had a mild horror element at play due to the mystery format, and maybe that contributed in keeping the franchise away from Christmas. Most of the classic Hanna-Barbera series avoided the subject though, with The Flintstones basically being the exception. Come the 80s, they embraced it a bit more as we’ve looked at Christmas episodes from The Smurfs, The Jetsons, and even Don Coyote. It’s a touch surprising that A Pup Named Scooby-Doo didn’t get to do a Christmas mystery, but then again neither did The Flintstone Kids, Fantastic Max, and a host of others.

This kid waited until Christmas Eve to get a primer on how everything works.

The episode begins with a cold open. A soft, instrumental, rendition of “Deck the Halls” can be heard as we pan from the sky to a warmly lit home on Christmas Eve. Two boys are putting out the customary milk and cookies for Santa Claus. If I’m supposed to know who these kids are it’s lost on me for having never watched the show. There are two boys listed in the credits, Aiden (Todd Haberkorn) and Braiden (Debi Derryberry) and I assume these are them. The younger of the two is pretty concerned with this whole Santa thing and is pointing out the gaps in the logic that allow Santa to visit millions of homes in a single night. He’s either some sort of math whiz or he simply memorized the conditions needed for Santa to complete the task. It begins with more innocent questions, like how does he avoid getting burned, before the kid launches into the more complicated questions. When he’s done, the older one just says “He’s fireproof.”

I was hoping to see Santa too, but this is kind of bad ass, no?!

Before the boy can respond, a sound from the roof excites the two and they run to an upstairs window. They open it up and take a look out and spy a shadowy figure on-top of a nearby chimney. They both ask aloud “Santa?” with a sense of awe before the shadow turns and reveals its true identity: a pterodactyl! The two kids scream as the beast jumps into the night and they retreat into the safety of their house as the opening title comes storming in. I don’t know about you, but I’d be pretty impressed with the sight of a pterodactyl on my roof, even if I was looking for Santa. The opening title features a pretty simple rock instrumental for its song. The characters dodge spooky creatures while Fred drives around in the Mystery Machine until eventually he collects the whole gang and Scoob ends it with his catchphrase, “Scooby-dooby-doo!” It’s a far cry from Scooby-Doo, Where Are You!

Hell yeah, it’s Christmas, baby!

When the song ends we find the gang in Rockwellville which boasts a population of zero naughty individuals and all nice. I’m guessing that sign will be proven wrong before this one is over. Fred (Frank Welker, the only original cast member still at it) and Velma (Kate Micucci) are admiring the scenery while Shaggy (Matthew Lillard) and Scoob (Welker) are doing exercises to keep their metabolism up as they’re in the prime eating season. Fred is very taken by how all-out the town goes for Christmas while Velma seems a bit overwhelmed by it. Fred decides to check on Daphne (Grey Griffen) and see how the decorations in the Mystery Machine are coming along, only when he opens the rear doors to the van, the group is greeted with a “Surprise!” and a face full of confetti. It would seem that Christmas also happens to be Daphne’s birthday and she says she’s always wanted to have a birthday all to herself and not have to share it with Christmas. Velma points out that this means she threw herself a surprise birthday party hoping the others will acknowledge how silly that sounds, but no one does. Fred isn’t really onboard with this decision from Daphne as he’s brought the gang to this festive town in search of the perfect Christmas mystery that will lead to them helping orphans or something. As he explains his reasoning, he’s bathed in a warm light from above which is literally coming from a street light that was just switched on by a fellow named George (Christian Lanz). Fred thanks him and gives him a tip hoping the fellow will return for any other epiphanies he may have.

Fred is so determined to make this a special Christmas episode that he’s even hired an epiphany guy.

Velma points out to Fred that he can’t just choose what kind of mystery falls into their lap, but Fred asks aloud what other mystery could possibly occur in a town as festive as this one? Cue some nearby carolers who sing about the town being terrorized by a giant pterodactyl. Velma seems ready to pounce on this one as she mentions they passed by an archeological site on their way into town, but Fred refuses to believe it. He suspects someone saw a giant reindeer and mistook it for a pterodactyl, but Velma just corrects him and states it was a pterodactyl, but in an excited tone. Fred continues to try and pushback, but Velma just gestures and repeatedly tells him it’s a pterodactyl!

He doesn’t look particularly holly or jolly.

And sure enough, the massive beast has landed on a decoration over the street and spreads its wings in a menacing fashion that sends the crowd scattering. The gang heads for the Mystery Machine, but as Fred tries to drive away, the van won’t budge. That’s because the pterodactyl has grabbed ahold of the roof rack with its massive claws and is now lifting the Mystery Machine high into the air! The beast flies above the city and inside the van the crew gets tossed around while Daphne struggles to save the birthday cake she bought/made for herself. Fred tells everyone to hold on and pulls a lever which releases the roof rack. Now free from the beast’s talons, the Mystery Machine races back towards the Earth, but Fred keeps his cool. That’s because this Mystery Machine really earns its name as Fred simply pushes a button in the shape of an airplane that converts the van into an actual plane. They land safely on a nearby road, but once they come to a complete stop Velma jumps right back into this mystery issue pointing out that Fred didn’t get the Christmas mystery he wanted. He simply narrows his eyes and says he knows exactly where they need to go next.

Get used to this shot.

The Big Sad Eyes Orphanage! The gang stands outside while a boy, with big, sad, eyes, presses his face on a window to look at them. Daphne is not happy with this development and what it means for her birthday celebration while Velma questions what they’re doing here when they could be exploring the archeological site that just so happens to be right next door. Fred rolls his eyes at her and points out they can’t help orphans at an archeological site which forces Velma to point out that he’s just trying to ignore the mystery they have in favor of finding a Christmas one. Fred sort of groans, but gives in and tells Velma they can go explore the site. As they approach the tunnel with flashlights in-hand Shaggy gets scared, per usual, and they take a look around. A light returns theirs from inside a dark tunnel and a shadowy figure comes rushing towards them!

You don’t have to get used to this guy though.

It’s just some guy named Dr. Mezmit (Jeff Bennett) who is apparently working at the dig site. He immediately mistakes the gang for some volunteers he’s been waiting on, and when Fred tries to tell him they’re not who he thinks they are, he just ignores them. He starts handing out equipment and Velma chimes in again that they’re not the volunteers and they’re actually investigating the pterodactyl sighting. The very cheerful Dr. Mezmit just remarks “Preposterous!” at the suggestion a real, live, pterodactyl is stalking the town and Fred agrees and tries to walk off in search of a new mystery. Then the doctor keeps on yapping and says someone found a perfectly preserved pterodactyl nest in the caves along with perfectly preserved eggs. They would undoubtedly be worth a fortune, but unfortunately a cave-in occurred trapping the nest inside and the mayor is trying to put a stop to their excavation. When Daphne again tells the doctor they’re not the volunteers he’s waiting on he just says “Splendid!” and that he needs all of the help he can get implying he expects them to help along with the volunteers, whenever they show.

I always do my mining in an elf costume.

The conversation is then interrupted by the arrival of one of Mezmit’s original volunteers, David. David (Haberkorn) is dressed as an elf and that’s because he was apparently trying to recruit volunteers at the Christmas festival where he works, but they all got scared away. He speaks like he’s frightened and the doctor is oblivious to this, just as he is oblivious to a lot of things, it would seem. The two grab pickaxes and start hacking away at some stones outside of the tunnel. Seems it would make more sense to break the rocks inside the tunnel, but I’m no archeologist. With the doctor seemingly distracted, the others drop the equipment that he had shoved into their arms and back away slowly. Velma wonders what they should do next, and Fred tells her he knows exactly where to go.

This is the worst looking cartoon silly string I’ve ever seen.

The Big Sad Eyes Orphanage! Yes, Fred is determined to find a Christmas mystery affiliated with this orphanage and the same kid with the big, sad, eyes is still staring at them from inside. Velma angrily tells Fred this isn’t where they should be and points out that the mayor’s office is their next, logical, destination. Fred doesn’t really want to entertain her and says they can do pterodactyl mysteries any day, but this is their one chance for a Christmas mystery! I like how he just dismisses something amazing like a possible real, live, pterodactyl, existing. He also goes into a generic speech about coming together at Christmas time, but is interrupted when he’s hit in the face with silly string. It continues to spray on him for what feels like a rather long time. This show is digitally animated, as is every show post 2000 or so, but for this one sequence it really looks like shit. The silly string looks like it’s being applied to Fred’s face via Microsoft Paint from 1996 as it has zero detail. The culprit spraying him is Daphne, who is still trying to have a birthday celebration here. Shaggy then reminds Fred that he and Scoob need to train for their Christmas feast, which forces Fred to cut a deal with them. He guarantees Daphne a birthday party and that he’ll help the other two train for their feast if they help him with a Christmas mystery. When Velma points out that he can’t just make that happen, he dismissively tells her that he’ll get her a book or something. Shaggy questions what Fred can do for them which prompts Fred to whip out some remote for the Mystery Machine which makes a bunch of training equipment sprout from its hull. It’s all surprisingly conventional gym equipment, but as Fred explains how the treadmill can power the van itself Shaggy reasons all of this equipment could help he and Scoob to eight helpings of Christmas dinner! Scoob doesn’t seem convinced as he finally says something, then smiles and declares they’ll get 9 helpings! With everyone seemingly onboard, Fred declares they’re off to the mayor’s office!

It’s the only way to travel.

I’m mildly confused that Fred wants to go to the mayor’s office since I thought he wanted to ignore the pterodactyl, but whatever. Shag and Scoob, via the treadmill affixed to the Mystery Machine, power the vehicle by running as the gang heads over. Inside the van, Daphne pelts Fred and Velma with balloon animals as she continues to try to force this birthday celebration while Velma ponders if these are the strangest circumstances she’s ever found herself in. Shaggy asks Scooby the same, if this is the strangest situation Velma has ever been in, but their seemingly simple ride over to the mayor’s office is interrupted by the reemergence of the giant pterodactyl! Shag and Scoob see it first and start running faster which makes the Mystery Machine go much faster. Fred tells them to slow down forcing Daphne to point out why they’re running in the first place. The van goes impossibly fast and the beast grabs an old-timey carriage to seemingly throw at them. It misses, but the now out of control Mystery Machine is heading right for a tour bus! We cut to a quick scene inside where the tour guide (Bennett) is pointing out a giant, novelty, candy cane to the patrons on the vehicle’s left and when he tells them to look to the right he’s immediately horrified to see the Mystery Machine baring down on them! He then yells at the people to return to looking left, as if that will save them, but Fred is able to cut hard to the left and avoid striking the bus. The pterodactyl is not so lucky as it clips the roof and crashes into the street. It then rises up and the gang find themselves looking directly at it. The dinosaur flies right at them, but rather than collide with the van it simply flies over it and off towards the full moon.

If it’s not Christmas, Fred’s not buying.

We next find the gang at the mayor’s office and Velma is questioning Mayor Riker (Christian Lanz) why he shut down the dig. He points out the obvious, that it caused a pterodactyl to start terrorizing the town, as justification for it being unsafe. He also adds that some of the money for the dig was then redirected to the orphanage since it was on their land. This gets Fred excited as he’s still in search of a mystery that will benefit the orphans and have a Christmas component. The mayor points out that he didn’t mention anything about helping orphans, per say, but does point out the town tree which they put a gift for everyone in town on. Fred just gets more excited and asks about rogue elves or Christmas ghosts and the mayor just points out they have a pterodactyl problem. Fred frowns as he’s clearly sick of hearing about this dinosaur problem and walks off much to the mayor’s confusion.

What are those leaves on Shag and Scoob supposed to be?!

Shaggy and Scooby spy some equipment nearby. It looks like an X-Ray machine, the kind you would find in airport security to check the contents of bags, but this machine has a different function. It’s a wrapping machine and it apparently runs on magic. When an item goes through it comes out on the other side fully wrapped. Shaggy even demonstrates its magic with a yo-yo as when the toy goes through it’s wrapped, but when it returns to him it’s unwrapped! Shaggy and Scooby seem entertained by this device, but when they peer in for a closer look they don’t notice the bicycle on the conveyor belt behind them. We then cut back to the mayor explaining more about the situation to Fred, Velma, and Daphne. As he starts to mention the development of the star for the town tree, Shaggy and Scooby ride by on the bicycle only they’re completely covered in wrapping paper. The others just look at them in confusion, but no one mentions what they all saw. Instead, the mayor explains that the man in charge of creating the star keeps taking it back for revisions. Fred declares this a mysterious act and is eager to investigate it as a Christmas mystery! Velma just snaps at him to knock it off as the mystery they have to solve is the pterodactyl which Fred has already conceded is not a Christmas mystery! Fred acknowledges this, but says it’s all pointing them in one direction.

What is it, boy?! Did you find a clue?!

The Big Sad Eyes Orphanage! We cut to the same scene of the gang standing outside of it only now Velma is insisting, “No! No! No!” As she and Fred resume their argument about the mystery they’re trying to solve, Scooby starts sniffing around the grounds of the orphanage. He raises his head to reveal a red bow is stuck to it and Fred pounces. This is the first Christmas related clue they’ve found, which just prompts Velma to point out their mystery has nothing to do with Christmas and therefore this is no clue! On the contrary, there are more ribbons just like the one that got stuck to Scooby’s nose and as the gang follows the trail it’s Shaggy who notices that the Mystery Machine isn’t where they parked it. They look around and suddenly the van drops from the sky in pieces! The pterodactyl then swoops in and grabs both Scoob and Daphne! As it flies away, Daphne can be heard yelling, “Worst birthday ever!”

All of those years sharing a network with Batman have finally paid off for Fred!

Fred instructs the others to get in what remains of the Mystery Machine. They speed off after the dinosaur and as they do we get to hear what sounds like an instrumental rendition of Iggy Pop’s “Lust for Life” but with a Christmas vibe. It’s good chase music as Fred and the others speed after the death bird in what is now basically a convertible. They find the streets are too crowded to proceed though, so Fred snatches a sled from some kid and they commandeer a horse. Velma and Fred ride on the horse itself as it pulls the sled with Shaggy standing on it through the streets. Along the way, the pterodactyl knocks over a lighted Christmas display that features two novelty candy canes with a wreath between them. Fred grabs one of the candy canes and the wire affixed to it and uses it like a grappling hook to grab the pterodactyl’s neck. Bad move, as now Velma and Fred get pulled into the air and Shaggy nearly collides with a truck! He avoids it on his sleigh, but winds up going airborne and the whole gang ends up on a giant, inflatable, Santa which is from earlier in the episode. The pterodactyl collides with the big novelty decoration causing it to deflate. The gang, including Daphne and Scoob, safely descend back to ground level while the pterodactyl, once again, heads towards the moon.

There goes Christmas…

The gang, tired and bruised, are left sitting on the curb feeling like they blew it. Fred finally admits that his search for a Christmas miracle has done nothing but harm to their cause and declares it’s his fault Christmas is ruined. Daphne adds that he’s also ruined her birthday, in case he needed to feel worse. While they mope, a grumpy guy named Alistair Levinthal (Bennett) calls out from a shop just behind them asking what they did to his store? Velma tells him it was the pterodactyl, but the guy can’t be bothered as he needs to finish the star for the tree. This piece of information rekindles Fred’s holiday spirit as he stands up and declares he’s going to follow a star to solve this mystery. As he does, he’s once again bathed in light and accompanied by music thanks to George. The group heads inside the shop to question this Alistair fellow about his work. Turns out, he hates Christmas since it falls on him to design a lot of the town’s decorations. Velma points out he’s redesigned the star numerous times lately and he chalks it up to the mayor not sharing the dimensions of the tree accurately for him to design a star for. He adds that the mayor will be surprised once he gets a look at what he’s come up with this year which prompts Velma and Fred to share a knowing glance with each other. They leave the shop with some sense of renewed determination, though Shaggy, Scooby, and Daphne aren’t really sure what’s going on. Fred vows to save Christmas and as he does he stands in front of a painted tree on a storefront window. He takes on his epiphany pose, but George wasn’t ready and comes running over and upset with himself for missing his cue. Fred tells him not to worry, he improvised, and the others reassure George as well. How nice of them?

You bet we’re getting in that moon shot!

We then cut to the center of town and the giant Christmas tree which awaits its proper coronation. The massive star is bolted to the top and the mayor is given the okay to light it up. He does and the star is a truly magnificent sight, but immediately upon lighting it seems to draw the attention of an uninvited guest. The pterodactyl comes soaring in and grabs the star ripping the tree from the ground. As it takes off, the gang comes flying up behind it in the somehow still functioning Mystery Machine! As they chase after the pterodactyl, Fred’s focus is broken-up by Daphne slapping a red party hat on his head followed by a clown wig and red nose on Scooby. This is her last chance to celebrate, apparently. Fred refocuses on the pterodactyl and they’re able to speed in front of it. Daphne then proposes they stop the beast in its tracks with her preferred celebration: silly string! It looks just as cheap as before as the crew sprays the dinosaur in the face. It drops the tree, which manages to end up right where it belongs, but the Mystery Machine is damaged and finds itself in a dive bomb. Scooby reminds Fred about the treadmill, and as he turns to regard him his face smashes into Daphne’s cake giving him a Santa-like “beard” to go with his red, party, hat. Scooby and Shaggy jump onto the treadmill and start running which fires the engines back up allowing Fred to avert total catastrophe. As they level off, they pass in front of the full moon and I’m counting it. Moon shot! They come to a screeching halt on a nearby rooftop prompting a kid on the ground to ask “Santa?” The Mystery Machine slides off of the roof, but the whole crew pops up out of a snowbank triumphantly seemingly unhurt.

That’s right! Take those assholes to jail!

With the tree returned and all of the presents seemingly saved, all that’s left is to unmask the individuals behind this heinous crime against Christmas. The pterodactyl is all wrapped up and tangled in Christmas lights from crashing into them and is seemingly no longer a threat as the mayor, some cops, and the mystery gang gather round. The mayor thanks the kids for saving Christmas from a pterodactyl, but he’s told that’s no pterodactyl. A door on the beast pops open and inside is David! The assistant dressed as an elf from the dig site! Velma explains that it was David who discovered the preserved egg and tried to steal it for himself. He took it to city hall to disguise it as a Christmas present via the wrapping machine, but it ended up getting mixed up with the actual gifts for the tree, so he came up with a scheme to steal all of the presents to find it. And to do that, he needed help from someone mechanically inclined: Alistair Leventhal! Leventhal wanted out of town, so he agreed to help David for a cut of the proceeds once the egg was sold. This required him to redesign the star to David’s exact specifications so he could steal the tree.

You can just see the Christmas spirit radiating from this little orphan boy.

With the mystery solved, it’s now time to haul away the bad guys. David gets the honor of saying the “And we would have gotten away with it if it weren’t for you,” but Levinthal cuts him off by saying, “Oh, be quiet! We didn’t!” Now the orphans can have their presents, but there’s one kid (Griffin) who can’t seem to find his. It’s the same kid who was looking at the gang from inside the orphanage earlier, and Fred walks up and hands the boy a gift. Their eyes meet, both welling with tears, and Shaggy and Scoob embrace each other as they watch. The kid opens the present to find a giant egg! His demeanor shifts as he announces his gift in a deadpan manner adding, “You really know kids.” Fred is completely unphased while Shaggy and Scooby sob with joy. Velma points out that’s the missing pterodactyl egg and the mayor comes over to declare that since it was found on orphanage land that it’s the orphanage that should benefit from its sale. He even declares that they saved the orphanage! Velma can only muster a “You gotta be kidding me,” while Fred looks rather proud of himself. Meanwhile, the kid still looks irritated by his crappy gift.

Fred helped save Christmas and Daphne gets a birthday song – mission accomplished!

Fred announces that he couldn’t have asked for a better Christmas gift than this. The mayor then adds that since they saved Christmas they get to be the guests of honor at the Christmas feast. We then pan to find Shaggy and Scooby already devouring a bunch of food. Scooby, with a mouthful, seems to say his catchphrase and the mayor indicates he has no idea what the dog just said. Shaggy translates for him by saying Scooby said, “We’re way ahead of you!” Fred then puts an arm around Daphne and announces that there’s only one thing left for them to do: Everybody joined together in song! Daphne looks unsure of this suggestion as the others return to frame and start singing. The song is “Happy Birthday to Daphne” sung to the tune of “Hark! The Herald Angels Sing.” The song is literally just “Happy birthday, Daphne,” only they add a third syllable to her name making it “Daph-ah-nee.” The towns people also join together and they all sing the song and Daphne actually looks pleased by this development. When the song is over, Fred adds a final, “Happy birthday, Daphne.” She smiles and says, “Aww, thanks guys. And merry Christmas!” The camera pans up to the sky and this one is through.

I knew those crafty kids would solve the mystery and save Christmas, I just don’t know why it took them almost 50 years to do it! Actually, I think there’s been other Christmas specials featuring Scooby-Doo and the rest, but this is the first one I’ve seen. Be Cool, Scooby-Doo! isn’t the most visually impressive show, but it’s far from ugly. It’s bright, colorful, and there’s plenty of Christmas décor to find in this one. The personalities of the gang we know so well are largely intact, but I enjoyed Fred’s dedication to Christmas and the conflict this seemed to create between he and Velma. Daphne, Shaggy, and Scooby, the supposed star of the show, were surprisingly understated throughout this one. Daphne just had her birthday bit to stick to and it’s pretty much all she does while Scooby and Shaggy feel like they’re just along for the ride. I was surprised there wasn’t a concerted effort to give the pair funny lines or some humorous physical comedy bits, but really all they got was the brief interaction with the wrapping machine. Scooby barely has any lines and contributes very little to the plot. I don’t know if that’s how most episodes are or if this is an outlier. It certainly caught me off-guard.

The Mystery Machine being able to convert into a jet was certainly not something I expected going in.

Not that it’s necessarily a bad thing for Scooby to have a reduced role in this episode. Fred was basically the star with Velma his sidekick, to a point. It worked as I found him funny enough and I enjoyed seeing Velma push back on him. I like that he wasn’t made to be some idiot oblivious to the real issue, he just rejected it. The repeating bit with George was okay, but the repeating gag with the group returning to the orphanage over and over was better. I also enjoyed the absurdity of a pterodactyl terrorizing a town at Christmas. I don’t know how the Scooby-Doo faithful received this show, but it was a lot better than any of the stuff I grew up with. The only thing I found weird or wasn’t convinced was a great idea was the high-tech approach to the Mystery Machine. Do we really need that? I guess it makes things different, but it makes the group feel like an Inspector Gadget clone.

I can see the mystery component of the show being something hardcore Scooby fans might not be impressed with. It certainly wasn’t impressive in this episode, but I also think this show is aiming to make you laugh, not necessarily make you think. Our only clue that David was involved was pretty circumstantial at best. He was connected to city hall and the dig site and the only such character with a connection to both and our only clue the two were even connected were the bows Scooby found outside. Unless you want to count Fred forcing the issue of bringing Christmas into the mystery. The show made sure to point out that those bows were for gift wrapping and we saw the wrapping machine at city hall itself. Leventhal being involved was certainly not a surprise as he was angry and an inventor and I think the show expected the viewers to know he was at least partly responsible. Some modern Scooby shows have been willing to turn to real, supernatural, beings, but I figured this pterodactyl wasn’t an example of such a thing meaning it had to be a robot of some kind. It’s fine, I guess. Mysteries are hard to write and I can’t imagine needing to do 26 of them for a season of television so I’m not going to harp on it any further, but I’m also not a hardcore Scooby fan.

As far as Christmas specials go, this one was fun enough.

Given my experience with the Scooby-Doo franchise up until now, I suppose I can consider this episode of Be Cool, Scooby-Doo! a pleasant surprise considering I enjoyed my time with it. It’s not a classic, but it’s a worthy watch and it gives a venerable character like Scooby-Doo a legitimately good Christmas special, something more famous and better cartoon stars can’t say. If you would like to watch this one it was released on DVD some time ago. Despite probably being out of print, it’s not an expensive buy and you can get Season One Part One or Part Two for 10 bucks most places. There are digital versions available as well, and it is streaming on the Max platform and might be on Boomerang as well. Unfortunately, like most Warner owned specials, it doesn’t get shown on Cartoon Network much which should be able to provide a massive, Christmas, blow-out every year, but chooses not to. When will they learn?

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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