Tag Archives: christmas specials

Dec. 15 – Dr. Seuss’ How the Grinch Stole Christmas!

How the Grinch Stole Christmas! first premiered on December 18, 1966.

It’s December 15 which means it’s time for another retro throwback and I bet you’re surprised to see the green guy here. Since I dubbed Dr. Seuss’ How the Grinch Stole Christmas! as the best ever Christmas special not just once, but twice, you may have expected it to appear on this year’s edition in the coveted Christmas position. Well, it already received that honor back in 2015 and, to be honest, the actual Christmas Day post is usually one of the least read because people are quite busy that day. I figured we should leave that spot open for another deserving entry and give the Grinch his due on the road to Christmas 2021!

The now familiar A Cat in the Hat Presentation logo.

Now, in case you’re confused, there is only one Dr. Seuss’ How the Grinch Stole Christmas! that we need to acknowledge. That live-action movie with Jim Carrey? Nah, don’t like it. The CGi Benedict Cumberbatch vehicle from a couple of years ago? Technically, it’s titled The Grinch so I guess people shouldn’t confuse it with today’s topic, but it’s understandable if they do. That film is better than the live-action one, though it’s hardly what I consider truly memorable or even essential Christmas viewing. The 1966 animated special directed and produced by Chuck Jones is the only Christmas special I need in my life featuring the Grinch. I think it even far surpasses the beauty that is the source material, though I do consider that essential Christmas reading at this time of year. The animated version though just brings the character to life in a way that print and still images cannot. The famed Seuss himself did criticize the animated version a bit by pointing out to Jones that he took his character and just made it look like himself, but I don’t care! If he looks like Jones, it’s probably because the famed animator had to look at himself in a mirror to try to get that infamous smile drawn correctly and it turned out so well that I think he’s more than deserving of injecting a little bit of his own likeness into the character.

I take a trip to Who-ville probably a dozen times a year.

The animation for this special is terrific, especially for television. It likely had a bigger budget than what people were used to seeing and definitely a larger one than the latter day Looney Tunes shorts Jones had worked on. There’s a fluidity to Grinch’s movements few rivaled at the time and the little personality quirks and gags are so well designed. Beyond the simple looks of the special is the music. What is the Grinch these days without “You’re a Mean One, Mr. Grinch,”? The two are inseparable and the other musical bits are nearly as memorable. To top it off, you have the incomparable Boris Karloff as narrator who adds just a touch of a growl to his voice when performing as the title character. It’s just magic for the eyes and ears and the simple story of a Christmas grump trying to ruin everyone’s holiday makes the Grinch both loathsome and relatable.

We begin with what the Grinch hates most of all: singing!

Obviously, I love this cartoon and could talk about it for hours, but we should probably get on with the viewing before I get on too much of a roll. The special begins with the now familiar Cat in the Hat logo which fades into falling snow. Soft singing comes in as we’re introduced to the song “Welcome Christmas” as sung by the people of Who-ville. Albert Hague wrote the now memorable music featured in this special with lyrics by Dr. Seuss himself (it’s pretty obvious where he contributed). Eugene Poddany oversaw the score which is arguably as good as the actual songs with lyrics. There’s basically no soft spot in the production for this one.

Little Cindy-Lou Who who is no more than two.

We are introduced to the Whos as they chop down a massive tree to bring to their little town square. As it’s erected, the song shifts abruptly from the serene “Welcome Christmas” to the much livelier “Trim Up the Tree.” The massive tree is splashed and decorated with garish objects that have wacky, Seussian, names attached to them. The Whos move on to other parts of town as they hang wreaths outside and decorate the interior of their homes and through the lyrics of the song we learn that Christmas is tomorrow! These Whos are old fashioned in that they trim the tree and put up all of the Christmas décor on Christmas Eve, which is such a waste. It’s also during this song we get our first look at little Cindy-Lou Who who will play a larger role in the story later, but who Chuck Jones wanted to play an even larger role initially. He wanted her to be the granddaughter of the Grinch, but the idea was either cut for time or nixed by Seuss. If you ever thought Cindy-Lou looked an awful lot like the Grinch, well now you know why.

Never mind the size, that thing just doesn’t look healthy. The Grinch may only have a few more Christmases to endure.

As the song fades out the camera shifts to the snowy mountains and begins its climb. Our narrator, Boris Karloff, enters the picture to tell us that the people of Who-ville really like Christmas, if that wasn’t already obvious, but one guy does not: the Grinch! We’re introduced to this grumpy, green, fur-covered being as he leans against the entrance of his cave which he calls a home. His cave is located 10,000 feet above Who-ville in the side of Mt. Crumpet. When we meet Grinch he seems fairly nonchalant as he chews something with a toothpick hanging out of his mouth. As we regard this curious creature, Karloff tries to figure out just why he dislikes Christmas and hypothesizes it could be his shoes, or maybe his head, before settling on the size of his heart. A little X-Ray window is positioned over Grinch’s torso to demonstrate that his heart is two sizes too small.

Staring down from his cave…

The narrator dismisses the exercise as perfunctory for it matters not why Grinch hates Christmas, he just does! Grinch then walks over to the ledge as his dog, Max, comes trotting out and the two look down over Who-ville. It’s clear that Max is the opposite of the Grinch for everything about his disposition is cheerful and happy. Then Grinch speaks for the first time and Karloff uses a slight growl when reciting his lines. The Grinch informs his dog, or maybe himself, that Christmas is coming and he just can’t take it any more.

Yeah! Wham that gardinka!

Grinch then goes into detail about what it is he dislikes most about Christmas and it mostly boils down to noise. Grinch, you big wimp, it’s one day a year! Just deal with the noise! Though to be fair, the Whos definitely make a lot of noise as basically every one of their Christmas toys is some crazy concoction designed to make noise. My favorite as a kid was the gardinka (spelling?), mostly because it had the word “dink” in it. Though it’s hardly the most impressive of the instrument-vehicles. Some electro-who-cardio-thing is quite a spectacle and definitely good at producing loud noises.

The dude in the front should definitely be wearing ear protection.

The Grinch doesn’t just hate the noise though, he’s also annoyed by the feast the Whos have. Why? I don’t know. They have a bunch of desserts and rare, Who, roast, beast which is a feast that the Grinch cannot stand in the least. Again, we don’t know why, maybe he’s a vegetarian?

I think it’s a rather nice Christmas tradition the Whos have. No, I do not want to hold hands and sing with my neighbors.

The feast isn’t what Grinch hates the most though, nor is it the abstract noise from earlier. Oh no, what Grinch hates the most is the singing! And yeah, these Whos definitely seem to enjoy singing. It’s apparently a pretty large part of their Christmas celebration as every man, woman, and child gathers around the town tree to sing, with Christmas bells ringing! And their song of choice is “Welcome Christmas,” and we get another taste of that rather wonderful song. As Grinch recites all of this, the camera dissolves onto Max who seems to really be enjoying the memories of Christmases past.

Oh Max, do you have an idea?!

Grinch is not enjoying these memories and he repeats “Sing! Sing! Sing!” as he shoves his face right into Max’s as if to convince him he’s wrong to reflect fondly on these memories. Grinch has had it though. He’s put up with Christmas for 53 years! Is that how old he is, or just how long he’s lived in this cave? He doesn’t elaborate, but he has decided that he now must stop Christmas from coming. There will not be a 54th! In order to do so though he’ll need a plan, and one doesn’t come to mind immediately. Then he looks at Max…

The good stuff!

The rather meek canine had backed himself into the snow when confronted by the Grinch and found himself covered in snow. Upon popping his head out of the pile, the snow clings to his head like a hat and beard. Yes, he looks like Santa Claus and it’s Max in this state that gives Grinch an idea. Not just any idea though, a wonderful, awful, idea! The animation on the Grinch’s smile is quite possibly the highlight of the entire special, which is full of highlights. I just love how that smile climbs up the sides of the Grinch’s head and then it’s topped off by the tuft of fur on the top of his head unfurling. It’s so good, that I had to include a gif. Still images just won’t work.

Some amusing antics take place during the montage of Grinch and Max crafting the Santa suit. The original story was so short that the special needed the songs and non-speaking scenes to really lengthen the whole thing for TV.

The Grinch, chuckling to himself proudly, grabs his dog by the tail and drags him into the cave. He doesn’t keep any secrets as he informs the dog (and us) that he’s going to make a quick Santy Claus hat and coat. To do so, he starts cutting up some red curtains in his rather sad looking cave. What little we see of the interior seems to contain old, worn out, furniture. It looks rather dank, but also like a fitting place for such a creature to call home. His sewing machine looks nice though!

As the Grinch, and Max, get to work on a Santa outfit, we’re introduced to the baritone of Thurl Ravenscroft. I suppose Thurl is best known for his role of Tony the Tiger for many years, though kids today probably won’t know him from anything except this special. He gets the honor though of singing “You’re a Mean One, Mr. Grinch,” which is now a Christmas classic. Granted, the song never mentions the holiday, but its association with this special is all the Christmas it needs. Ravencroft’s performance combined with the words of Seuss and the bombastic melody nearly steal the show here. We only get a taste of the song though, the rest will have to wait for later.

The Grinch apparently doesn’t think much of the Whos if he expects them to confuse he and Max for Santa and a reindeer.

When the song drops out, we see the Grinch in his new Santa costume. It’s rather basic as it’s just a hat and coat. Apparently, Grinch is a bit like Donald Duck in that he refuses to wear pants. He also doesn’t see the beard as a necessity, but he does need a reindeer. He has none though, but he does have a dog and a pair of antlers on his wall! He takes some black thread and ties one of the antlers onto Max’s head. It looks rather uncomfortable as all of Max’s fur gets scrunched where the antler meets his skull. Worse though, is that it’s too heavy. When Grinch steps back to admire his handy-work, Max slowly collapses under the weight of the headpiece. Grinch then grabs a saw and removes some of the tines from the antler and Max slowly rocks back onto all fours, a little splash of drums can be heard as his feet return to the ground. I love the sound effects in this one, like the strings when Grinch saws the antlers. It’s all so good.

He’s so cute!

With Grinch in costume and Max turned reindeer, it’s time to stock an old sleigh with some bags. Max, behaving like a typical dog, jumps enthusiastically into the sleigh thinking he’s about to go for a ride. Oh, you’re going for a ride, Max, but it’s not going to be a fun one. The Grinch is not amused by his dog’s antics and grabs him by the fur and hooks him up to the front of the sleigh. The tiny dog looks ridiculous out in front of such a large sleigh, but the Grinch either disagrees or doesn’t care. He is coming up with this plan on the fly, after all. He cracks a whip over Max and orders him to “giddy-up” and the dog is forced to comply.

My second favorite piece of animation after the infamous smile.

The beginning of Grinch and Max’s descent to Who-ville is quite steep, so steep that the sleigh rushes past the dog. In perhaps the special’s cutest moment, Max winds up behind the sleigh and hops onto the back as the Grinch looks under the sleigh for his dog. When he turns and sees Max just sitting on the sleigh, the only thing the dog can do is smile and wave. That won’t do for the Grinch, who is committed to arriving at Who-ville in a style similar to Santa’s so he grabs the rope and yanks Max back out and in front of the sleigh where the little dog rolls before going into a run. The two then head up an embankment that causes the sleigh to flip in the air which results in Max grabbing onto his master for dear life. When the sleigh lands in the snow again, the Grinch is forced to pull Max off of him like one would a really tight-fitting sweater. For some reason the sequence reminds me of one of Jones’ other famous creations, Wile E. Coyote, as this seems like a predicament he’d find himself in. Though it wouldn’t be a dog grabbing onto him, but some weird ACME contraption.

Oh Max, you’re in for a long night, buddy.

With Max back out in front, the sleigh completes its descent and arrives in Who-ville. The Grinch immediately puts Max to work carrying a massive ladder while he grabs a bunch of bags. He leads the dog to the first house informing him this is only stop number one. Now we get to see the Grinch’s plan in motion as he ascends the ladder to arrive at the chimney. Since he’s committed to the Santa role, he can’t just break in through a window or door, no, he must go down the chimney!

This has become a rather iconic image over the years.

Grinch pauses at the top of the chimney to strike a pose before descending. He squishes his back against the side and basically “walks” his way down the chimney. He gets stuck briefly (Karloff claims it’s for a minute or two, but it’s more like a second) before eventually arriving in the living room of the Who house. His eyes shine from the blackness of the fireplace making him look like a rather sinister character, indeed. When he pops out, he uses a magnet to pull the tacks out of the mantle to collect the stockings. Then he slithers just like a snake, I guess to be quiet, and arrives at the tree. Old St. Nick has apparently already come and gone for the tree is covered in presents and goodies. The Grinch takes them all, stuffs them in bags, and then shoves them up the chimney where poor Max is expected to catch them and load them onto the sleigh.

You better believe he’s taking that star!

The song then returns as Thurl Ravenscroft continues to tell us how much the Grinch sucks. While he does so, we get to see the Grinch sneak around the house and take stuff. And he’s going to take it all! Presents, decorations, furniture, food – you name it. It doesn’t have to be anything representing Christmas, he apparently wants the Whos to suffer! The song drops out for him to raid the fridge where he makes sure to take the rare, Who, roast, beast. It returns for him to take everything else, before dropping again when only one item remains to be claimed: the tree!

Uh oh, Grinch, you’ve been found!
I love this shot.

As the Grinch stuffs the tree up the chimney, one, lone, ornament falls off of it and rolls into a bedroom. We had already seen Grinch raid this bedroom earlier and steal the candy canes from the hands of the sleeping children, now one of them has awoken. Cindy-Lou Who (June Foray) picks up the ornament and heads into the den to find the Grinch shoving the tree up the chimney. Now, she’s only 2 so we can forgive her for not noticing all of the other missing items and for confusing Grinch for Santa. Upon seeing the girl though, the Grinch gets really unnerved for a moment, but Karloff assures us he’s thought up a lie and thought it up quick! The Grinch changes his facial expression indicating that this did indeed happen and begins his lie. He tells Cindy-Lou that a light on the tree has malfunctioned and he’s taking it home to his workshop to fix it. A totally plausible explanation. She buys it, and the Grinch gets her a cup of water and puts her back in bed.

You might as well have fun while stealing.

With Cindy-Lou out of the way, Grinch is able to stuff the tree up the chimney without further issue. It’s at this point we’re informed of just how much he took as he left basically just wires on the wall. The narrator then tells us the one speck of food he left was a crumb that was too small for a mouse. As the wee little mouse approaches said crumb, Grinch’s hand comes back into frame to steal that too! He then goes to the other houses in Who-ville as “You’re a Mean One, Mr. Grinch,” returns for a final time. It plays over the Grinch stealing more stuff, some of the images are recycled from before as we see Max getting buried under bags and Grinch slithering around some more. The last thing the Grinch steals is the giant tree in the town square which he opens like an umbrella and then folds up to carry it away.

I’m starting to think the real Santa should try hiring Max.

When the song ends we learn that it’s quarter to dawn. It’s time for Grinch and Max to get out of there, but how are they going to do that? The sleigh is massive now, and it’s just little Max out in front who needs to pull it 10,000 feet up the side of a mountain! No matter, the little dog is a lot stronger than he looks as he’s forced to run when Grinch cracks his whip. The dog becomes buried in snow with only the antler showing, which is probably a good thing as he’s safe from the whip. The Grinch, being a chubby, green, guy, reclines on the pile of stuff and relaxes as his dog tugs the sleigh all the way up to the top of the mountain where Karloff informs us the Grinch intends to dump the sleigh.

And he put a hand to his ear.

Once the Grinch reaches the top, he cheerfully bounds from the pile of bags. He stops for a second to regard poor Max, who is just dangling in the air from his harness as the sleigh literally balances on the tip of the mountain. The Grinch then makes his way down to a perch where he’s able to assume yet another iconic pose as he places a hand to his ear. He’s hoping to hear the cries and wails of a defeated town, but he’s not prepared for what he hears instead.

Holy shit! The Whos have created a Spirit Bomb to avenge Christmas!

The people of Who-ville all emerge from their homes as the sun rises. They gather in the center of town as if nothing has happened, clasping hands and singing “Welcome Christmas” just as joyously as they would have even with trees and such. The Grinch also failed to steal the Christmas bells which blare as the song is sung and the narrator sounds aghast at what is taking place.

One grumpy Grinch.

We then pivot back to the Grinch, with his ice cold feet in the snow, looking as grumpy as ever. It’s at this point he tugs on Max and shoves his face into the dog’s to question how this could be happening, “It came without ribbon! It came without tags! It came with out packages, boxes, or bags!” He continues to ponder over it, before the background starts to brighten and the Grinch’s eyes turn a brilliant shade of blue. A smile comes across his face as he realizes that, “Christmas doesn’t come from a store. Maybe Christmas, perhaps, means a little bit more.”

Time to get bombarded with screenshots because this climax is just too good. First, we have the Grinch starting to realize something about Christmas.
However, this sudden change of heart coincides with the sleigh deciding it’s had enough. And don’t forget about poor Max who will surely die if he falls with the sleigh!
The Grinch’s initial bid to save the sleigh did not go well, but at least Max got free.

Unfortunately, just as the Grinch comes to this realization the sleigh starts to move. As it inches closer to the edge, the Grinch scrambles after it. He grabs onto Max to try to pull it back towards him, but Max slides out of the harness and the two wind up going headfirst into the snow. When they pop up, they both see the sleigh begin to fall and race after it. The Grinch gets to it first and tries to pull it back. Max arrives to grab onto Grinch’s coat with his mouth, but it appears their effort will be for naught. As the sleigh slowly slides down the backside of the mountain where it will soon plunge off the edge, the Grinch and Max slide with it.

If this special had been made in the 2000s it probably would have started right here, with Patton Oswalt the narrator, “Hi, my name is Grinch, and you’re probably wondering how I got into such a predicament.”
Normally, an enlarged heart is a bad thing, but not here!
Now he has so much Christmas spirit inside him it’s shooting out of his face!

Then it happens. The Grinch’s small heart, the thing suspected of being the source of his grumpy attitude towards Christmas, begins to grow. It grows one size, then another, and then another! As it breaks free from the confines of the X-Ray window from earlier, the true meaning of Christmas is able to enter the Grinch’s heart and he finds the strength of 10 Grinches! Plus two!

Christmas is saved!
And now, Max finally gets that ride he wanted.
And he brought everything back.

With such unbelievable strength coursing through his body, the Grinch triumphantly lifts the massive sleigh over his head. The sun bursts behind him as Max clings to the end of a runner. Now, their descent can begin as Grinch and Max ride down the side of Mt. Crumpet. Max gets to ride on the sleigh this time while the Grinch announces their arrival with a blast of a trumpet he must have found amongst the gifts. They pull into the village and the Whos welcome them without an ounce of judgement. He and Max then cheerfully toss items from the sleigh as the narrator informs us that they gave everything back.

Carve that beast, Grinch!
A slice of meat and a pat on the head for the best boy.

The image then dissolves as a little triumphant piece of music comes in. We see the Grinch has been invited to participate in Christmas with the Whos, not just as any old guest, but as the one to carve the roast beast! He hands a slice of beast to Cindy-Lou Who seated at his left who passes it on to the goodest boy of Christmas – Max! She pats his head as he looks at the full plate with eager eyes. The camera then pans back to show the Grinch carving and passing, carving and passing, before the camera moves beyond the wreath-lined window. As Boris Karloff recites some of the lyrics to “Welcome Christmas” the camera pans up the mountain as snow falls and the words “The End” come into focus.

Norman Rockwell, eat your heart out.

And that’s it: the greatest Christmas special ever made! Every time I watch this special I go into it knowing it’s the best, and I leave it secure in my thoughts. There’s nothing about this special I do not like. Even the few animation shortcuts, like the female Who pouring a glass of orange juice that’s not even animated during the feast scene, I find charming at this point. The sounds, the sights, the emotions, it all comes together in a delightful symphony of pure, Christmas, goodness.

A serene, Christmas, image to take us out.

Because this special is so old and such a part of our culture at this point, it’s easy to forget that before it came around the Grinch didn’t even have a color. His old book was mostly black and white, with a dash of red for his eyes and Santa suit. It’s a delightful, visual, story, but adding the voice of Boris Karloff and that green fur just adds so much life to the character. I love reading my kids that book every Christmas, but it’s so odd to not have the music to go along with it. When my son was just a baby, I loved putting on the spoken word version of this special for him while I was working. He probably didn’t care about hearing it, but he did bob his head with the music and both of my kids today love this special. Maybe not as much as their father does, but not a Christmas goes by without it.

Everything about this special is wonderful, but perhaps an undersold element is just how playful Grinch is with the camera. Look at this guy – he’s such a ham!

And thankfully the world loves How the Grinch Stole Christmas! so catching it on television shouldn’t be difficult this Christmas. If you missed the NBC broadcast to start the month, it will return on Christmas Eve so set your DVR if you can’t be in front of the TV to enjoy it. TBS also plays it throughout the month for those with cable, and you can purchase the special through various means if you wish. As for me, my preferred method of watching this one is on my ancient VHS from 1987 of recorded Christmas specials, even though CBS that year chopped out a piece of “You’re a Mean One, Mr. Grinch.” It’s just not the same though without the old commercials and the now washed out colors from years of use. Obviously, you shouldn’t let the season pass without watching this at least once (and I encourage you to watch it more than just once) so get to it! This is the best Christmas special ever!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 15 – Animaniacs – “A Christmas Plotz”

It’s rare when you encounter a cartoon series that has back-to-back episodes dedicated to Christmas, but that happened with the first season of Animaniacs. If you’re not familiar with the show, Animaniacs is essentially the spiritual successor to Tiny Toon Adventures as another Steven Spielberg presented cartoon series. It, even more so than Tiny Toons,…

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Dec. 15 – The Night Before Christmas with Tom and Jerry

As someone who loves the cartoon shorts produced by Warner and Disney, I sometimes am guilty of overlooking the contributions of MGM from that same era. MGM was a big player back then, and their flagship creation was Tom and Jerry. The cat and mouse pair first debuted in 1940 and were the creation of…

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Dec. 10 – It’s a SpongeBob Christmas!

Original air date November 23, 2012.

For December 10, we are returning to the theme of this year which is to revisit the best of the best. When I originally ranked my favorite Christmas specials, I had the recently released It’s a SpongeBob Christmas! ranked at #19. The years have been kind to this throwback Christmas special as last year I bumped SpongeBob and the residents of Bikini Bottom all the way up to #11! And from where I sit, it’s not in any danger of dropping back to 19, if anything, it’s a threat to move up into the Top 10 because this is a pretty fantastic way to celebrate Christmas.

Christmas returns to Bikini Bottom, but in a cool, new, old, way!

SpongeBob Squarepants is a show, and character, that I missed. I wasn’t watching Nickelodeon when he premiered and I’ve never made it a point in my life to see what all the fuss is about. I’ve seen episodes here and there, enough to know how the show works, but the only appointment viewing this show has ever produced for me is this Christmas special. When I saw the promos for this special I immediately was interested because the show had made the decision to produce a stop-motion Christmas special in the same vein as the old Rankin/Bass specials. If you’re going to enter the crowded world of Christmas specials and you’re looking to stand out, nostalgia is a recipe for success! Now, not everyone can just up and decide they want to do something like this and it helps that SpongeBob appeared to have the backing of Nickelodeon and the Viacom company since this sucker was ticketed for a CBS premiere. Sadly, CBS hasn’t turned this one into an annual tradition, but at least for one night there was an air of importance attached.

SpongeBob has the right DNA for a Christmas protagonist.

The animation for this episode was produced by Screen Novelties and directed by two of the studio’s founders: Mark Caballero and Seamus Walsh. Screen Novelties is a modern producer of stop-motion and has worked with yesterday’s feature, Robot Chicken, as well as famed visual effects pioneer Ray Harryhausen, so SpongeBob found himself in good company for this one. Screen Novelties also participated in the restoration of some of the puppets from the original special, Rudolph the Red-Nosed Reindeer, so they have significant Christmas cred. A collective of writers worked on this story, and it was partially inspired by the song featured in the episode, “Don’t Be a Jerk (It’s Christmas),” which was recorded by Tom Kenny and Andy Paley in 2009. It’s a semi-conventional plot, where a bad guy and naughty list regular tries to trick Santa into giving him a present for Christmas. The unconventional part is the method utilized to get on Santa’s famed nice list.

Patchy and Potty are back for another Christmas episode!

The special begins with old friend Patchy the Pirate (Tom Kenny) and his parrot sidekick, Potty (Paul Tibbitt). We met both in the original Christmas special from SpongeBob Squarepants, and when we catch up with them here we find Patchy driving a mail truck. It’s design, and Patchy’s, is reminiscent of Special Delivery from Santa Claus is Coming to Town, though it has conventional tires. Patchy informs us he’s giving the mailman some time off, by tying him up in the back of the truck. He wants to get to Santa so he can ask him to introduce him to his hero, SpongeBob, and Potty seems to be just along for the ride. Unfortunately, they’re about to hit a literal fork in the road which causes the vehicle to spin out of control. While the truck is spinning, Patchy suggests we peek in on old SpongeBob and see what he’s up to this Christmas.

SpongeBob has a rather festive pineapple.

We then head under the sea, after a modestly festive rendition of the credits, and the stop-motion set looks gorgeous. SpongeBob (Tom Kenny) emerges from his bed singing a festive tune, “Santa Has His Eye on Me,” as he decorates his home. He spins his entire pineapple house to wrap lights around it, and there is an animation cheat when it’s done as the lights that wrapped around his door have vanished. He sprouts a Santa hat and hops his way over to Squidward’s (Rodger Bumpass) house to find his crotchety neighbor decorating as well. This seems like a change of heart since we last saw Squidward at Christmas, but he lets us know his decorations serve a purpose: to tell Santa to go away! SpongeBob then checks in on his buddy Patrick (Bill Fagerbakke) who appears to be setting up a traditional box trap. It’s baited with a Christmas cookie, and Patrick explains to the tune of “The Nutcracker Suite” that he intends to catch Santa so he can have Christmas every day! He then sees his cookie and promptly traps himself. Also, an image of Santa dominates the “sky” momentarily while SpongeBob sings about Santa having his eye on him and it’s super creepy. Santa is some sort of sea elf. He looks like an old doll that was left to soak in the ocean and then dried out.

Squidward’s home is considerably less festive.

SpongeBob then pays a visit to his pal Sandy (Carolyn Lawrence) in her dome. She’s deconstructing the Christmas spirit or something via alchemy and seems to be having a good time. At the Krusty Krab, Mr. Krabs (Clancy Brown) is decorating the restaurant in anticipation of the “Season of getting.” When SpongeBob tries to correct him, he further corrects SpongeBob because he’s a greedy prick.

Plankton has a plan to get on Santa’s nice list.

At the Chum Bucket, Plankton (Mr. Lawrence) continues our song as he sings about Santa watching him too. He punctuates the song by announcing that every year he gets a stocking full of coal! His computer A.I., Karen (Jill Talley), chimes in that he’d probably get presents if he wasn’t the biggest jerk in Bikini Bottom, and that’s when we find out Plankton has a plan. Since it would be too hard for him to just be nice, he’s going to make everyone in Bikini Bottom a bigger jerk than even he so that he looks nice by comparison. And just how is he going to do that? By lacing the most innocent of holiday treats, the fruit cake, with the substance Jerktonium. Apparently, just one speck of the stuff will turn an ordinary person into a colossal jerk!

Fruit Cake jokes are a pet peeve of mine when it comes to Christmas specials. Here, it works because the special has you bracing for such a joke, but it never comes. Instead, everyone loves the stuff, especially SpongeBob.

Plankton prepares his fruit cake and then loads up a special dispenser he created that’s part oven and part go-kart. He takes it for a spin outside and immediately encounters SpongeBob. Upon seeing the little fruit cake cart, SpongeBob gets excited and asks if he can try some of his fruit cake. Plankton is happy to oblige and SpongeBob devours a slice. When Plankton inquires to see how SpongeBob is feeling, he finds he’s his usual cheerful, annoying, self and won’t stop raving about the fruit cake. Plankton gives him some more, but the result remains the same. Plankton then goes into a mini rage and starts firing fruit cake at SpongeBob who continues to devour it. Defeated, Plankton decides to retreat into the Chum Bucket, but before he does he hands SpongeBob the keys to his fruit cake cart since he’s so eager to share it with the rest of the town.

This idyllic Christmas setting is about to be poisoned by fruit cake.

SpongeBob pilots the cart over to a trio of carolers (Kenny, Fagerbakke, Lawrence) and offers them some fruit cake. They’re all happy to be offered the most foul of holiday “treats” and eat a slice each as SpongeBob looks on. After they’re done eating, a change comes over the carolers and each ends up with angry eyes and a five-o-clock shadow. They bicker about what song to sing and argue over which “bells” song is superior: “Jingle Bells” or “Silver Bells.” The third chimes in about wanting to sing “Randolph the Red-Nosed Seahorse” and they start to fight. SpongeBob drives away content that they enjoyed the fruit cake, seemingly oblivious to the violence that has commenced, while Plankton emerges from the Chum Bucket pleased to see the Jerktonium working on these “jerks.”

SpongeBob is so hopped-up on Christmas spirit that he’s oblivious to the chaos all around him.

SpongeBob then happens upon a festive, Christmas, parade. He decides that this would be a wonderful place to spread Christmas joy via Plankton’s fruit cake and hops right into the fray. SpongeBob goes into a new song about spreading holiday cheer as he fires off volley after volley of fruit cake towards the onlookers. They all eat their fruit cake and immediately turn into jerks. We see some minor stuff like a kid popping a balloon and another smashing a present. We also get to see Mr. Krab’s whale daughter, Pearl, get angry and start blasting others with her blowhole (that’s a weird sentence to type). Soon the town is in flames as fish grapple in the street while a kid (Carolyn Lawrence) seated on a fake Santa (Brown) details the stuff he wants for Christmas. SpongeBob gives him some fruit cake and the Santa turns into a jerk and tells the kid to get a job. SpongeBob then gives the driver of the float some fruit cake causing him to abandon his responsibilities sending the float to drive off a cliff. The kid seems happy about it though as he starts bouncing on the semi-conscious Santa like a trampoline.

Plankton has a pretty solid Plan B.

Plankton then returns to the Chum Bucket pleased with how things are going. He just has one problem: SpongeBob. Karen refers to the sponge as a fatal flaw pointing out that he’s immune to the effects of Jerktonium. Plankton assures her he has an answer to that problem and unveils his latest creation: Robot SpongeBob! The robot looks just like SpongeBob, only he’s all steel and probably twice as big. A reasonable person wouldn’t confuse the two, but that’s the joke! Plankton winds him up and commands his creation to go ruin SpongeBob’s good name as it blasts a stream of fire from its nose. He then heads for the Krusty Krab, smashing a boat along the way. Mr. Krabs meets the mechanical sponge at the door and immediately mistakes him for SpongeBob, but seems to assume he’s not the one responsible for the commotion since he’s SpongeBob and all. The robot then knocks over the Krusty Krab sign which lands on the restauranteur while Plankton looks on with glee.

It’s so cold Patchy’s signature eyewear is cracking.

We then hop back to check-in on Patchy and Potty. Their mail truck is still spinning but it eventually crashes into a snowbank allowing the mailman to escape. The hogtied mail carrier hops away while Patchy inspects the damaged tire which still has the fork stuck in it. He tells the viewers to go make some coco while Potty builds him a fire. When we return, the duo are freezing around a fire in the middle of the night. Patchy laments he hasn’t eaten anything for 20 minutes and could really go for a plate of Buffalo wings. He then hallucinates Potty as a plate of just that and tries to eat the bird, but gets a mouth full of log instead. When he comes to his senses, he apologizes to Potty who then in turn hallucinates Patchy as some sort of pizza slice covered in bird seed. He hops onto Patchy’s head and starts pecking at him as we dissolve back into the undersea world.

Squidward, a regular jerk, is about to have a splitting headache.

SpongeBob is driving around in Plankton’s fruit cake buggy and is surprised to find everyone acting like jerks. Mr. Krabs sees him and lets him know he’ll be garnishing his wages to pay for repairs to the restaurant. SpongeBob then comes across Patrick who is setting up a more elaborate trap for Santa. He’s also stuffing his face with fruit cake and acts like a jerk towards SpongeBob. Dismayed, SpongeBob heads home in confusion. He wakes up the next morning, Christmas Eve morning, hopeful things will be better, but when he heads out the door he sees two fish fighting in the street. He decides to check-in with Squidward who won’t even answer the door. He tells him to go bother Sandy and SpongeBob remarks he’ll have to thank Squidward for the advice when Squidward gets home – stupid sponge. As he bounds away, robo-SpongeBob shows up and knocks on the door. When Squidward won’t answer, the robot simply rips the door off of its hinges. Squidward shows up now, and I feel like I should point out he isn’t under the effects of Jerktonium – he’s just a regular jerk, and demands SpongeBob put his door down. The robot does as it’s told by smashing it over Squidward’s head and leaves.

SpongeBob makes an important discovery!

SpongeBob then goes to bother Sandy, as Squidward instructed, about how everyone is acting like jerks. He then finds the squirrel also under the effects of Jerktonium, but she’s at least lucid. Still, she’s a jerk towards SpongeBob and he frets he needs to go find someone who isn’t a raging jerk. As he goes to leave, he slips on an acorn and a piece of fruit cake he was holding goes flying into Sandy’s Christmas analyzer thing-a-ma-jig. She gets pissed at him for getting fruit cake in the machine, but then pauses her anger when the machine reveals the cake is laced with Jerktonium. She then asks where SpongeBob got the cake, and he says from Plankton. When she questions in an incredulous manner that he fed everyone fruit cake made by Plankton he just blankly says “uh huh,” prompting her to call him an idiot. SpongeBob then panics for a moment because he’s eaten a ton of the fruit cake, but Sandy points out the combination of SpongeBob’s pure heart and tiny brain have rendered him immune. She then turns to her machine for an antidote and it spits out sheet music. Sandy gets angry, but SpongeBob (rather surprisingly) recognizes the tune for what it is and can even read it. As he hums it aloud, the Jerktonium affecting Sandy wares off leaving SpongeBob overjoyed. He then sets out to spread the antidote around town.

Just sit back and enjoy the song.

SpongeBob arrives with an “Ahoy everybody!” and goes into the flagship song of the special: “Don’t Be a Jerk (It’s Christmas).” It’s a plenty delightful little song that will definitely stow away in your brain and pop up at the drop of a hat. It’s a real banger in my household. As SpongeBob sings, he does good deeds around town and and we see everyone shaking off the Jerktonium. By the end of it, the whole town is singing and dancing along!

That is one unpleasant looking Santa.

Sandy congratulates SpongeBob for saving the town from Plankton, and just in time, because Santa is here! Despite being under the sea, he arrives via conventional means though only sporting six reindeer. As SpongeBob races over to welcome him to Bikini Bottom he finds a rather sullen Santa. He has the unfortunate responsibility of informing everyone they’re getting coal this year because they’ve all been a bunch of jerks. And much to his surprise, only Plankton is on the nice list! Plankton shows up to get his gift: the secret formula for the Krabby Patty. Delighted, he takes his prize while Mr. Krabs asks Santa how he got that. When he informs the crab that he has his ways, we see an ugly little elf pick his pocket.

I don’t think this is going to be an even match-up.

SpongeBob then pleads their case with Santa, but he’s not interested in hearing an explanation from the naughtiest person in town. He then points out that SpongeBob is being naughty right now and gestures to the robot which is wreaking havoc still. It smashes through a crowd of people then begins to target Santa. SpongeBob jumps in front of his hero willing to defend him with his life, which he may need to expend. The robot SpongeBob doubles in size, apparently going into assault mode or something, and karate chops SpongeBob right between the eyes. The dazed and disfigured SpongeBob still stands ready and the robot picks him up and flings him off into the distance.

Who will save Santa?!

Santa then beats a hasty retreat, but rather than fly away, he tries hiding in the Krusty Krab. The robot simply lifts the restaurant up and pulls Santa out. When all hope appears lost, SpongeBob returns! Now driving the fruit cake cart once again, he whirls and fires away at the robot with sticky fruit cake. It appears to gum up the exhaust ports and the robot soon explodes!

It’s SpongeBob! With a cool, motion-blurring, background!

Santa shakes SpongeBob’s hand and thanks him for saving his hide. He’s now convinced that SpongeBob is indeed a very good boy, but frets over how his list could be so wrong. The elves then bring something to his attention: the wind-up crank leftover from the exploding SpongeBob robot. Santa inspects it and finds a message stamped onto it, “If found please return to the Chum Bucket.” He then shouts out for Plankton in an angry tone, who sheepishly tries to duck away still clutching onto the bottle that contains the secret formula. Mr. Krabs gets to him and orders him to hand it over. When he initially refuses, Mr. Krabs pinches his head with his claws and takes it away then flings him up against the Chum Bucket like a freshly picked booger.

SpongeBob just got onto the nice list for life.

Back in his sleigh, Santa is ready to take off. He wishes everyone in Bikini Bottom a merry Christmas as the reindeer take flight, or swim, or whatever. As Santa flies off, we see Patrick has stowed away on the back of the sleigh armed with a net. As they fly in front of the full moon, Patrick strikes! If he is successful at catching Santa, we don’t know, but he sure gave it a good try.

Stupid Plankton.

We then check-in with Patchy and Potty once again. Patchy appears to have stumbled onto Santa’s workshop which is in a snowy cave. He races inside to find the fat man seated on a throne. Patchy immediately whips out a list and tells Santa that what he wants for Christmas is to meet his hero: SpongeBob Squarepants! When he finishes his request, he finds Santa is pouring salt over his head. The screen then dissolves and we find out that Patchy is hallucinating again and the creature gently salting him isn’t Santa, but a very hungry polar bear! He runs out of the cave with the polar bear chasing after him The real Santa and Potty are standing outside the real workshop while Santa checks his list. Noting that stealing a mail truck definitely counts as naughty, he adds Patchy to his list as he and Potty share a laugh. They then turn to the camera and wave wishing us all a merry Christmas!

Even under the sea, we still get a moon shot!

And so ends the very special It’s a SpongeBob Christmas! Many Christmas episodes feel just like that, an episode that just happens to feature Christmas. Few are worthy of the term Christmas Special, and this one certainly qualifies. The music and festive scenery go a long way in conveying that special Christmas magic, but it’s the animation that really takes this one to another level. Stop-motion lends itself very well to Bikini Bottom. When your main character is an actual sponge, that certainly helps because it’s wonderful to see this character have actual texture. It works for the other characters as well and the ones who shouldn’t be squishy or furry are done in a different style. Mr. Krabs is a good example there as he has a smooth texture befitting an actual crab and the robot SpongeBob looks like an actual wind-up toy. The only character I wasn’t enamored with is Santa himself, who just features a weird design. He looks like he’s falling apart or something and is kind of gross, but he’s not in it that much in the end.

Patchy probably getting what he deserved.

The interesting thing about this special is if you strip away what makes it so special it would still work. If this were traditionally animated and without songs it would be a fun Christmas episode. It works as just a soundtrack, and I would totally buy a set of figurines made to look like the puppets in this special and make a Christmas display out of them. It’s a rare example of a show going all-out for Christmas and totally nailing it. It’s one I recommend to fans of SpongeBob and to people who have never watched a second of the show. It’s easily one of the best Christmas specials of the past decade and deserves to stand alongside the classics as well.

Is Patchy responsible for all of those infractions on Santa’s list? No wonder why they’re apparently letting the polar bear have his way.

If you want to catch It’s a SpongeBob Christmas! this year, and I obviously recommend that you do, then tune into Nickelodeon and its various offshoot channels all month long as it’s guaranteed to air multiple times. The entire show is also streaming on Paramount’s streaming platform and this episode can be found in Season 8. I wouldn’t be surprised one bit if a special holiday channel is also featured on the network that makes finding this one even easier. If neither option works for you, then you can also buy the special on physical media or rent it via other streaming platforms. However you choose to view it, I hope you enjoy it as much as I do.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 10 – The Town Santa Forgot

Come the 1990s, the cartoon juggernaut known as Hanna-Barbera was fading. It’s said the company once had control of approximately 80% of the children’s programming on television and even come 1990 it was still around 20%. The studio’s last big hit had been The Smurfs which set all kinds of Saturday morning records despite few…

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Dec. 10 – Merry Christmas, Super Dave!

  There are a lot of cartoons that have come and gone in my lifetime, many I forgot even existed until something jars my memory. Earlier this year we lost comedian Bob Einstein. Einstein is probably best known for his role on Curb Your Enthusiasm, but twenty years ago he was best known for his…

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Dec. 10 – The Sylvester & Tweety Mysteries – “Feather Christmas”

One of the earliest Kids’ WB shows was The Sylvester & Tweety Mysteries. It centered on Granny (June Foray) and her pets Tweety Bird (Joe Alaskey), Sylvester the cat (Alaskey), and Hector the bulldog (Frank Welker) and they went around, I bet you’ll never guess, solving mysteries. The personalities of the characters are all pretty…

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Dec. 9 – “Robot Chicken’s Santa’s Dead (Spoiler Alert) Holiday Murder Thing Special”

Original air date December 10, 2019

Yesterday, I sung the praises of American Dad! for its ability to give me fresh, Christmas, content seemingly on an annual basis. I should also apply the same to Robot Chicken, for even though it goes about making people laugh in a completely different manner from a more traditional animated show, it does have a solid track record of getting festive each and every December. I didn’t tally them up, but I would assume the number of Robot Chicken Christmas episodes actually compares quite favorably to American Dad!. The main difference though is that while American Dad! is essentially a sitcom, Robot Chicken is basically sketch comedy and sketch comedy doesn’t always lend itself well to such exercises.

As is customary for Robot Chicken holiday specials, this one begins with an homage to the old CBS Special Presentation logo.

The writers of Robot Chicken must have had me on the brain then when it unveiled its latest Christmas special, the insanely long-winded Robot Chicken’s Santa’s Dead (Spoiler Alert) Holiday Murder Thing Special. I’ve now typed it twice and I have no desire to type it again! This episode though is not a typical episode of Robot Chicken. While it’s still largely animated using stop-motion techniques, it actually possesses a narrative instead of just a theme. It’s going to introduce a plot in the early moments and just stick with that until it’s over. This makes doing a write-up a lot more rewarding than the typical episode. I’ve done those in the past, I’m just not convinced they make for good reading material. Feel free to correct me in the comments if you so wish.

Someone killed Santa, and it’s up to Jesus to figure out who among these characters is guilty!

This episode premiered in 2019 and is the most recent Robot Chicken holiday episode as-of this writing. The whole episode takes place on a train and unfolds like a typical murder mystery, only with some Robot Chicken humor tossed in. Tonight, our victim happens to be the big man himself: Santa Claus. Someone has put an end to the jolly, fat, man and answers need to be found so the culprit is brought to justice! Who would kill Santa? A jealous Jesus? Spoiled coal recipient? Overworked elves? The list of suspects may be longer than you think, and we’ve only got 11 minutes to solve the case!

Comet being an annoying chatterbox who confused The Polar Express for The North Pole Express will be a running gag throughout.

Our story begins on The North Pole Express, not to be confused with The Polar Express, as we’ll soon learn. Our conductor is the cheerful Porter (Timothy Simons) who is happy to boast about the train’s zero murder rate. Onboard, a snowman named Snowball (Zahn McClarnon) is seated beside the famed reindeer Comet (Breckin Meyer) who won’t shut up about this train being different from the other famous one. The snowman then moves to sit beside Krampus (Jason Alexander) who openly wonders what happens to their crap when they take a dump on the train causing the snowman to move once again.

Santa is dead. Very dead.

The scream of Porter interrupts Comet and Krampus, who were now seated together, and all rush over to see that he has discovered the corpse of Santa Claus (Seth Green) in another passenger car. He’s clearly been stabbed, many times, but that doesn’t stop Comet from assuming suicide. The passengers insist they need to de-board the train immediately, but Porter says no one is leaving until this mystery is solved. He then turns to the only man who could possibly solve this case: Jesus. Jesus (Meyer) immediately dubs himself Inspector Jesus and boasts that not only will he solve this case, he’ll do it without his powers! Despite Porter insisting to him that’s not necessary and he would actually prefer he use his powers, God takes them away with a blast of light. Jesus smooths his moustache into more of a handlebar variety and begins his investigation by ordering everyone away from the crime scene.

Santa needs better performance out of his reindeer and he’s found a solution.

Everyone is assembled in a passenger car. Jesus paces the room initially and then sets his eyes on Comet. In searching for a motive for the reindeer, Jesus zeroes in on whipping scars present on Comet’s rump. Comet comes clean about the whipping, insisting they all enjoy it, then casually asks Jesus if he’d also like to hear about the drugs. He obviously does and Comet then details how Santa has been shooting up the reindeer with performance-enhancing drugs for years. Apparently, poor Prancer lost his life to an equipment mishap when his legs were torn off accidentally. Santa is shown shoving needles in the ass of reindeer and it would seem that Jesus has stumbled onto a reason for the reindeer to want the big man dead.

Nutsy has reason to get agitated with Jesus.

Reasoning that steroids cost a lot of money, Jesus then turns his attention to a nutcracker by the name of Nutsy Goldberg (Wayne Knight), a Jew, as he “follows the money.” Nutsy takes exception to Jesus calling him out for being a Jew and adds he owes Santa his life. It seems nutcrackers were once a popular Christmas present, until Cabbage Patch came along. We see a kid (Matthew Senreich) removing a nutcracker from his stocking and his mom (Emmy Raver-Lampman) calling out from the other room asking him what Santa brought him and he casually chucks the nutcracker into an open fire and responds, “Fire wood!” It seems Santa was looking out for old Nutsy when it became apparent that no kid would want him and hooked him up as an accountant at the North Pole. Jesus then points out that Nutsy has a mink hat and Nutsy casually comes clean to embezzling here and there, like it was expected of him. Jesus accuses Nutsy of killing Santa when Santa found out, but Nutsy brushes him off and insists he’d never kill off his cash cow. Jesus then shouts back that it would be just like a Jew to kill Santa since they killed him, and Nutsy gets offended and calls him racist. Jesus apologizes and the two have a stare-down.

It’s doubtful anyone misses this act.

Krampus declares the case unsolvable and references the murder of Nicole Brown Simpson and Ronald Goldberg which causes Jesus to narrow his focus on him. Jesus refers to Krampus as Santa’s mortal enemy, and Krampus calls that an absurd characterization. He doesn’t hate Santa, just kids. He then says how they used to work together as a comedy duo and we see a little flashback to that. When Krampus uses Santa’s setup for a joke to make one about beating children, he storms off the stage in disgust and that’s apparently how that act came to an end.

Snowball and his family during happier times.

Krampus starts strumming his ukulele and singing a song about Santa when he’s interrupted by the train coming to a sudden stop. Jesus heads outside to see a small avalanche has blocked the tracks and it’s there he encounters Snowball. Snowball mentions how this stop is good for the murderer as it will allow the wolves to descend upon the train and desecrate Santa’s corpse thus destroying any physical evidence. Jesus then points his finger at the snowman, who has no problem admitting his disdain for Santa. We then see how the North Pole used to be a paradise for snow people, until Santa showed up and took over. He forced the naturally nose-less snow people to sport carrots and cover their heads all the while polluting the land with his toy factories contributing to global warming. We see a family of snow people being forced off land via a chunk of floating ice as Santa waves mockingly. Jesus accuses Snowball of doing the deed, but he responds with, “Does it matter?” and references the North Pole being lost to global warming. Krampus is there to make a “Global warming bullshit,” remark as we’re definitely supposed to view him as just the worst.

Ginger couldn’t handle just being the featured artist.

Porter then calls out to inform everyone who the real hero of the story is, him, as he shovels the snow off the tracks. Everyone returns to the train and Jesus takes note of the crumbs falling from the gingerbread woman, Ginger (Gina Rodriguez). He confronts her on the train for he spotted crumbs just like that on Santa’s corpse. He accuses her of killing Santa in a jealous rage since he wouldn’t leave Mrs. Claus for her. She confesses to being with him last night, but denies killing him, but does explain how she knows Santa. He discovered her in a night club one night and encouraged her to take her career to the next level. We see Ginger in a recording booth, and Santa shoves the engineer aside and starts rapping at the control deck. She explains creative differences drove them apart. Jesus presses further and she snaps, admitting she hated the guy and indicates she slept with him by complaining about his balls and small penis.

I think this joke predates the reveal on the working conditions inside Amazon warehouses.

As the suspects start feeling the heat, they turn things around on Inspector Jesus. They point out his many reasons to want to kill Santa, while also mistaking his heritage (“Santa was his father?”) which just frustrates him. Jesus then retreats to go examine the body once again, alone. The lights cut out though and when they come back on Jesus finds himself nailed to a cross! Worse, someone has written “BOOB” across his forehead! Removing himself, Jesus races out of the car and sees two candy cane-striped legs disappearing through an opening in the roof. He follows and encounters the elf, Peppermint (Emmy Raver-Lampman), on the roof of the train. The others gather around Jesus as he interrogates the scared elf and we see a permanent marker fall from her hand as she tries to deny any involvement in the murder of Santa or the recent attack on Jesus. It’s at this point Krampus informs us of the poor working conditions experienced by the elves. We see elves being mutilated by the equipment, urinating on the floor, and attempting suicide by jumping out of windows only to land in nets Santa strung up. Peppermint had tried to form a union, but Nutsy adds that Santa hired the Bumble from Rudolph the Red-Nosed Reindeer to put an end to that nonsense. We are “treated” to a visual of the Bumble curb-stomping a poor elf as an intimidation tactic for the rest of them.

Now that’s just low.

Peppermint is fed up at this point and announces she’s ready to blow the whole thing open. Only she would have, if not for a sniper taking her out! Jesus demands to know who did that, but the other individuals all deflect attention They head back inside and Jesus orders Porter to alert the authorities at the next stop to be prepared to receive a prisoner for he, Inspector Jesus, has solved the case! Utilizing what Jesus refers to as the most exciting flashback yet, Santa is shown in his train car when he went to open the door for some “friends” he thought were paying him a visit. Only their intentions were vile! One by one, each suspect is shown stabbing Santa “For the Watch” style punctuating with Ginger snapping her hand off in Santa’s mouth.

It’s kind of like that Korn video from 20+ years ago.

The suspects still aren’t entirely willing to come clean, but Jesus details the evidence even further which includes entrails on Comets antlers and Ginger’s hand still lodged in Santa’s throat. Porter makes the announcement that they now know why they wanted to kill Santa, only for Krampus to interject that he’s wrong. They actually wanted Santa dead because he cheated at fantasy football by using his naughty and nice list to guess which players would get suspended. Jesus then makes the announcement that Santa was killed for the greatest sin of all: giving a shit about fake football! Krampus, angry at Jesus for exposing them, whips out a gun and fires away! The bullet travels in slow-motion passed the shocked faces of the other culprits until it passes right through the nail hole on Jesus’ hand and strikes poor Porter. Jesus retaliates with his magic, some sort of icy blast or something that decapitates Krampus, and then kneels beside the dying Porter. He thanks Jesus for solving the train’s only murder, then asks him if he was happy with his service? Jesus indicates his experience was satisfactory, 3 1/2 stars, and Porter dies.

I knew he wasn’t dead!

The North Pole Express stops at the next station and all of the murderers are taken away. Jesus is quite pleased with himself and does a celebratory dance, only to be shocked when Santa comes out and thanks him! Jesus, confused, asks how Santa could possibly be alive? He explains he was in the locomotive the whole time running a different sort of train (Comet’s voice can be heard calling out “There’s two trains!”), and then informs Jesus the corpse he found was none other than Tim Allen (Tom Root). They share a hearty laugh as we head to the credits which includes a flashback of Santa calling Allen to invite him on the train. He only speaks in those grunts he used to do all of the time on Home Improvement. We also see him in costume as Santa basically assures him he’ll be fine as he walks him into a death trap. A Stoopid Monkey card appears on the screen at the end of the credits wishing us a “Merry Christmas” while the monkey mascot lights a menorah, which is genuinely cute.

Everyone is relieved to find out it was only Tim Allen.

The Robot Chicken special with the absurdly long title is a solid way to spend 11 minutes this holiday season. Turning the classic murder mystery into a holiday special where Santa is the victim is a solid setup and the Clue-like resolution is also appropriate. The Game of Thrones reference for the murder means this sucker is already super-dated, but it’s not a reference viewers need to get in order to find the situation funny as Christmas mascots all shout, “For the Pole!” as they stab Santa. Snowball, who apparently hates Santa the most, stabs him in the crotch. The animation and character designs are fun to take in and there’s plenty of blood and guts, if that’s your thing.

R.I.P. Porter.

Where the special does stumble a bit is where most Robot Chicken jokes have a tendency to fall flat, and that’s just in how obvious the jokes are. Robot Chicken always goes for the easiest joke. When your show is basically the Wario Ware of television and the joke needs to be communicated in about 10 seconds, that sort of thing makes sense. Here they actually have some semblance of time on their side, but they still go for the easy setup and knock down. I did enjoy the “dad jokes” Jesus leaned on which were all just Jesus puns like saying he does Crossfit and pointing out how he’s been double-crossed. They were able to create a fun lead with the character which initially surprised me as I thought Porter was being setup to lead the investigation. I also enjoyed the dig at Tim Allen during the credits.

Aww, how sweet?

If you like the comedy stylings of Robot Chicken then you’ll probably be entertained by this episode. I can see some fans being disappointed in the format as it’s not what’s expected, but the jokes are fairly similar and the staff probably welcomed the chance to just deal with a few puppets and staging areas rather than the usual amount needed to shoot an entire episode. And if you’re unsure, well, it’s only 11 minutes of your life so it’s hardly much of a risk. Cartoon Network is assured to show this one during the month of December, likely multiple times, and Robot Chicken is also available on HBO Max. For the Pole!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 9 – Space Goofs – “Holiday Heave Ho”

Come the late 90s I was definitely losing track of what was airing on Fox Kids. X-Men came to an end, as did Spider-Man and The Tick. They were replaced with Silver Surfer and a new Spider-Man cartoon that was pretty awful. There was also that live-action Teenage Mutant Ninja Turtles show called The Next…

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Dec. 9 – The Real Ghostbusters – “Xmas Marks the Spot”

  The 1980s sometimes feel like they belonged to the Ghostbusters. That’s because, for me, the Ghostbusters were always around. The film came out when I was but a wee baby, but by the time I had a real interest in television The Real Ghostbusters (not to be confused with the Filmation series) was airing…

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Dec. 9 – Spectacular Spider-Man – “Reinforcement”

It’s not my favorite, but if you wanted to argue that Spectacular Spider-Man is the best animated series based on a Marvel property then I wouldn’t fight you on it. The show ran from March 2008 to November 2009 and produced a tidy 26 episodes. It was a re-telling of Spider-Man with an obvious emphasis…

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Dec. 8 – American Dad! – “For Whom the Sleigh Bell Tolls”

Original air date December 12, 2010.

It was just last year that we finally broke the seal on American Dad!. It surprised me how long I was able to avoid American Dad! year in and year out since it has a wealth of Christmas episodes at its disposal. Last year, the featured Christmas episode was the very first one the show did, “The Best Christmas Story Never Told.” This year, I’m skipping ahead to Season 7 (or 6, it’s confusing) and the fourth Christmas episode the show has done, “For Whom the Sleigh Bell Tolls.” This episode had the distinction of being the only numbered entry in my Top 25 Christmas Specials from last year that had not been covered in some capacity on this blog. This year, I am rectifying that even if it means skipping over a couple of others, but that’s not a big deal because like most sitcoms there is no continuity from one episode to the next.

Except for this one! Actually, this episode is the beginning of a continuity in American Dad! that really only matters at Christmas. And that continuity concerns the Smith’s relationship with the big man in charge of the holiday. No, not Jesus, but Santa. This episode will show why Santa has a hatred for the Smith family and it’s a subject that will be revisited in subsequent Christmas episodes covering the old man’s death and even his resurrection. I think the last Christmas episode the show featured Santa in, “Santa Schmanta,” had him back to his old self at the end. The show doesn’t always do a Christmas special every year since it’s a TBS property that doesn’t always have anything airing around the holiday. Last year, the show was able to return to Christmas with “Yule. Tide. Repeat.,” and that was because they simply delayed airing the season finale three months so it would air in December.

I can’t believe this episode is more than 10 years old.

This Christmas episode happens to be my favorite from the show because it’s just over-the-top and ridiculous in a way that only American Dad! can get away with. Writer Erik Durbin wanted to make it bloody and referenced the movie 300, and he’s pretty much going to realize that dream. We’ve seen plenty of violent Christmas specials from places like Robot Chicken, but the violence is often used for just sheer shock value. Sure, there is definitely an element of that present in this episode as well, but it’s setup and earned over the duration of the show and most of the violence is reserved for the end. Plus, this show dares to imagine Santa as kind of a bad guy. He’s mostly just vengeful here (and with good reason), but the bad guy persona will be explored in greater detail and reinforced in the Christmas specials to come.

It cannot be overstated how much Stan hates Jeff.

The episode opens with the usual intro, only the title of the show is displayed in a candy cane font at the close and dissolved into a snowy sky. Stan (Seth MacFarlane) is in his living room and Jeff (Jeff Fischer) comes running downstairs to express his joy at the imminent arrival of Christmas. He expresses hope that Santa will bring him a polar bear helmet from the movie The Golden Compass and races outside to mail his letter to Santa. Stan is intensely annoyed with Jeff’s presence and thinks he’s an idiot for still believing in Santa Claus. Haley (Rachael MacFarlane) stands up for her husband and says his childlike innocence is one of the things that charms her, but she’s not winning Stan over who insists he will never accept Jeff as part of their family.

Nice clog, Francine.

When they leave they’re replaced by Francine (Wendy Schaal) who comes in carrying clogs. She is in search of a new family tradition and she thought the custom of filling clogs with presents was a good idea since Barbara Walters recommended it and she slept with a married, black, senator (“She doesn’t drive in the slow lane”). Stan doesn’t care as he’s excited about giving Steve his Christmas present this year: a gun. Francine is strongly against the idea of Steve having a gun, despite Stan’s protests that they’ve been unable to bond over anything else, and makes Stan promise not to give Steve a gun for Christmas.

Merry Wednesday!

We hard cut to Stan shouting “Merry Wednesday!” and presenting Steve (Scott Grimes) with a machinegun. Steve is a bit unsure if he’s ready for such an item, but his father’s insistence seems to be working. Jeff then pops into Steve’s room to enthusiastically declare that he’ll go shooting with Stan and Steve, much to Stan’s annoyance. He tells Jeff he can’t come since this is a father-son bonding thing and punctuates it by telling Jeff he’s not a part of their family. He closes his eyes and tells Jeff he wants him gone when he opens them. The camera shifts to Stan’s point-of-view as he opens his eyes and we see Jeff still standing there smiling like a dope.

Roger must go to great lengths to get drunk this Christmas.

The family alien Roger (MacFarlane) is out shopping for booze. He expresses to the clerk at a liquor store (Clancy Brown) that he needs something strong for his eggnog. When the clerk tells him most people use bourbon, Roger snaps at him with desperation in his voice that he can’t get drunk and needs something stronger. The clerk says he merely was checking to make sure and then leads Roger to the side of the counter and the two huddle down. He begins to tell Roger a tale about a legendary four-armed, nine foot tall, blind man who lives at the top of a nearby mountain, but has to stop his story when another patron interrupts them inquiring about seasonal beers. Roger tells him he’s ruining the story, and the guy goes away allowing the clerk to finish the story and present Roger with a special map leading to this man’s location. The customer then interrupts again to ask if the store sells watch batteries causing Roger to leap in the air, in slow motion, and slap the guy telling him to “Get out.”

Time to be a man, Steve.

Stan and Steve head off to try out Steve’s new gun. Stan gives him a lesson in handling a firearm describing it like making love to a woman, “First you inspect it to make sure she’s clean. Then, you grab her by the butt and jam the magazine in. If it doesn’t fit, make it!” Steve sets up to fire his new “toy” at some tin cans. When he fires the gun, he has little control over it and hits a nearby road sign causing a bullet to ricochet and strike Steve’s glasses, just like in A Christmas Story. He pleads with his dad that this isn’t safe, and Stan surprisingly agrees with him as he picks up the shot glasses.

Whoops…

We hard cut to a store parking lot, and Stan has just bought Steve safety goggles. Now they’re safe! He instructs Steve to take aim at a nearby snowman and Steve riddles the snow being with bullets. The snowman then starts to gush blood before falling apart to reveal a Santa had been standing behind it smoking a cigar and drinking a coffee. He’s filled with bullet holes and falls over face first into the bloody snow at his feet. Stan and Steve rush over with Steve freaking out about shooting a mall Santa. He then asks his dad, “Is he…?” and Stan interrupts him by finishing the question, “Is he dead?” by deadpanning that, yes, this guy is very dead. Stan casually loads the corpse into his car, while Steve continues to freak out. He assures him everything will be fine, they’ll just take him home and use Stan’s CIA resources to check his prints.

That won’t be necessary, Roger.

Roger reaches the top of the mountain the clerk instructed him to climb and finds an old, downed, airplane and a stereotypical redneck sitting on a porch outside the plane. Roger introduces himself and explains he’s looking for a nine foot tall, blind, moonshiner with four arms. When the man says he is the one he’s seeking, Roger is confused as he’s definitely not any of those things he expected him to be. The man has Roger take a sip of his shine and then Roger hallucinates the man into the creature he expected. He then introduces himself as Bob Todd (Erik Durbin) and goes into a long explanation of what people refer to him as. Roger politely endures this explanation from Robert Toddford Williams, then humbly requests to purchase some of his shine. When Bob Todd tells him he has no use for his money, Roger gets down on all fours preparing to pay for his booze in another fashion. When Bob Todd explains that he’ll teach Roger how to make it, he cheerfully hops back to his feet remarking “You had me in the palm of your hand there. In another second, it would have been the other way around!”

She’s right to be mad, Stan really should have put down some trash bags first or something.

At the Smith residence, Stan and Steve are preparing to head inside to check the fingerprints of the corpse when Francine arrives home. Stan instructs his son to act casual and compliments his wife on her appearance and Steve awkwardly follows suit. She’s flattered though, and the two head inside to check the CIA database. Stan can’t find anything on the guy, which puzzles him, and then gives an “Uh oh” as they look outside to see Francine has found the bloody mess of a Santa in the back of the family SUV.

Francine acts like someone who has done this before.

The family convenes in the living room and Francine expresses her displeasure with Stan. Steve starts crying about a boy shooting a man and his hysterics get Haley’s attention. She’s shocked to find out what happened and asks if anyone has called the police. It’s then Francine who says this isn’t going to ruin their Christmas and they’re all heading out to the woods to bury the corpse. We then cut to the family doing just that, and Francine is angry with the family for not letting her smash the guy’s teeth and cut off his hands. When they look at her with shock, she asks “Well you want to get away with murder or not?!”

Donkey Todd.

On top of the Chimdale mountains, Roger is ready to make some shine. He’s dressed like a hick in overalls and a crooked, bowl cut, wig and even has some janky teeth to go along with it. Bob Todd gives him a hit of the shine, and he morphs back into the mythical nine foot tall creature. The sequence of preparing moonshine is done-up like a game of Donkey Kong. Bob Todd chucks barrels and amusingly provides all of the sound effects, while Roger has to leap over them and get to the woman at the top of the still. He does, and gives her a big kiss only for the effects of the hallucination to ware off and reveal he’s smooching a raccoon. Bob Todd proclaims his training complete, for he has smooched the raccoon, and hands over some jugs and tells Roger to get to it.

Maybe that wasn’t your garden variety mall Santa.

Back at the Smith home, Stan is wrapping gifts in his study when he finds an elegant looking scroll with a message written on it, “I noel what you did in the woods.” We then see Francine preparing a turkey and she finds a scroll too, this one reads “Your goose is cooked.” Steve finds one by the fireplace that says “Your nuts will roast on an open fire,” while Haley has one stuffed in her bong that says, “THC you in Hell.” The family race to convene in the living room to show off what they found. As they wonder if they have a snitch in their midst, the television interrupts the family to provide some important plot details. A calendar salesman, who makes calendars featuring cats for lesbians, is asked what month it feels like and he says October as the Christmas cheer appears to have been sapped from the population. The reporter, Terry (Mike Barker), even punctuates it by suggesting it feels like someone killed Santa Claus.

They’re cute when they’re armed.

The family, now in a bit of a panic, decide they need to dig up the corpse and confirm if it’s Santa or not. They exhume it, only to find it’s empty except for the bloody remains of Santa’s suit. A note, not unlike the ones the Smiths already received, is left behind letting them know that Santa is pissed. As they stare in shock, an arrow whizzes past Stan’s head to lodge in a nearby tree. As they look up, they see an elf riding a reindeer armed with a bow and arrow. He laughs (Dee Bradley Baker) in a comical voice and tells them Santa can’t be killed. He’s home in the north pole recuperating, but he’ll have his revenge before dawn of Christmas morning. He then beckons to his reindeer, Mimsy, and the two fly off leaving the Smiths to comprehend what they just saw. We then see a quick scene from The North Pole of Mrs. Claus casually knitting while Santa is shown recuperating in a rejuvenation chamber of sorts.

Hick Roger is here to save the day!

Stan tries to dismiss the elf as the antics of a “midge,” but then the family uses the correct term of “little people” which is nice since they used the hurtful term in the prior special. The arrow dissolves into light though confirming once and for all that Steve did indeed fire upon the real Santa. As they wonder what to do, Roger appears still in his hick attire. He carries on the persona for a bit, then drops it as everyone seems confused. He tells them they can hide out in the mountains with him, then cracks a Deliverance joke at Ned Beatty’s (R.I.P.) expense.

Who wouldn’t want to spend Christmas Eve here?!

Atop the mountain, the family is introduced to Bob Todd who is happy to have guests for Christmas. As the sun goes down, the family heads inside to sing carols. The group looks setup to play carols jug-band style, and even seem excited about it, but the sound of sleigh bells startles them before they can begin. They open the door to see it’s just Jeff, driving up in his van. Stan is pissed at the sight of his hated son-in-law and Haley says she told him where they would be so they could spend Christmas together. Jeff enters the house and Stan angrily tells him to shut off the sleigh bell sounds coming from his van. When Jeff says his van isn’t making that noise, the family looks to the sky and sees Santa and his army descending upon them! As they fly towards the mountain summit, a metal version of “Carol of the Bells” by August Burns Red serves as the herald for Santa’s army.

He’s here!

Stan is now even more pissed at Jeff because it was he who wrote a letter to Santa telling him where they’d be so he knew where to deliver his present. Stan tells him to leave in hurtful terms insisting that Jeff is not, and will never be, a part of this family. The family doesn’t have time to get angry with Stan though as Bob Todd opens up a weapon’s locker and arms everyone. Steve is handed a gun and is unsure if he can ever touch one again, but it’s Francine who slaps him around and orders him to go outside and commit murder. He does as he’s told and takes the weapon, jamming the magazine into it as his father showed him earlier while referring to it as Linda. Stan, Steve, and Bob Todd then go out to defend the homestead while Haley and Francine are left to fire from the windows.

The Smith men finally found a way to bond.

Outside, the battle commences and Bob Todd apparently hates Santa. He calls him a butt licker, which is a strange insult coming from him because Bob Todd looks like the kind of guy plenty willing to go ass-to-mouth (probably with a raccoon), and starts blasting elves from the sky. Stan and Steve fire from behind a bunker and Steve questions his dad if it’s weird that he has a boner? Stan replies “It would be weird if you didn’t,” as the two, pretty cheerfully, lay waste to the reindeer and elves in a perverted bonding experience.

The perfect setting for some mother-daughter time.

Inside the hull of the downed plane that Bob Todd calls a home, Francine and Haley have a similar heart-to-heart about Jeff in between machinegun fire. Francine assures her daughter that her father will come around, eventually, it will just take some time. She references how long it took for him to adapt to Roger and adds “And the other one.” We hard cut to Klaus (Dee Bradley Baker), the fish, in his fish bowl at home to basically acknowledge his lack of a part in this episode.

He told you that he’d be back again some day!

Outside, Bob Todd is chucking molotov cocktails and Santa’s minions unleash a behemoth snowman. Bob Todd blows it up with a full barrel of flaming moonshine, only for presents to burst from the corpse each one containing a miniature snowman ready to attack. Inside, the girls are out of ammo and Roger suggests they use these oversized candy canes he has as weapons, they just need to sharpen them with their mouth first. All three suck the end of the candy cane, and Haley is the first to produce a pointy tip. Roger compliments her on her ability to do so while Francine struggles, but insists she can do it!

Nice to see Rudy make an appearance.

Jeff shows up behind Stan and Steve and asks if he can help. Stan tells him he can shield him from the arrows and die. Santa (Matt Mckenna) emerges from his sleigh and lights a cigar on Rudolph’s nose as he surveys the battlefield. He then calls out to Jeff telling him that he’s been a good boy and that he doesn’t need to die with the Smiths. Everything stops as everyone turns their attention to Jeff. Santa tells him he has the present he requested, the polar bear helmet from The Golden Compass, and urges Jeff to come stand by his side. Jeff quietly leaves Stan and Steve and walks towards Santa as Haley calls out to him urging him not to side with Santa. Stan tells her to let him go, using this act as a way to illustrate how Jeff was never a part of their family.

Merry Christmas, Santa!

Jeff receives his gift and happily puts it on his head as an elf smashes Stan in the back of the head with a club knocking him unconscious. Santa then grabs an ornate looking rifle and sets his sights on the unconscious Stan. Jeff, wearing the spiked helmet he just received as a gift, apologizes to Santa for what he’s about to do and then rams his head into Santa’s kidney area. The fat man howls in pain and doubles over as Jeff races over to Stan and drags him into the house. Santa calls to his elves who immediately bandage his wounds with wrapping paper.

Now he’s bonding with his son-in-law, Stan is on a roll!

Inside the plane, Jeff takes Stan into the cockpit to tend to his wound. When Stan comes to with his head bandaged, he expresses his surprise at Jeff’s actions. He’s shocked that Jeff would do something like that for him, but Jeff corrects him that he didn’t do it for him, but Haley. He then tells Stan that he actually thinks he’s an ass, and Stan is impressed with him for the first time ever. He then tells Jeff that they should go out there and die as a family. They open the door to the cockpit and survey the carnage as their family tries to fight off a horde of tiny elves with a wholesome score behind them to celebrate this moment as a magical Christmas one. The two then join the fray as it appears the family will soon be overcome by Santa’s minions.

Now there’s a festive image!

Outside, Santa is puffing on his cigar when he notices the sun rising. He curses, then calls off the troops. They all retreat and fade away into Christmas dust as they apparently only had until dawn of Christmas Day to do the deed (I wonder who filled in for Santa all night with his regular job?). The family emerges, battered and bloody, from the home. Jeff remarks that this means he probably won’t be getting any more Christmas presents, and we hear the voice of Santa chime in, “You’re damn right you jerk!” Francine catches a note from Santa which contains a threat for next year. She’s actually delighted since it looks like her family has found a new Christmas tradition! We then hear from Bob Todd who survived the massacre. He drags over the corpse of a reindeer explaining how it tried to turn into dust, but he was having none of that. When Stan remarks he’ll get some nice venison out of that deer, Bob Todd tells the family he’s going to prepare a Christmas feast for them, but first he’s going to make sweet love to this reindeer corpse. He and the family wish us a “Merry Christmas!” as the camera zooms out to show the bloody aftermath.

The aftermath.

“For Whom the Sleigh Bell Tolls” lives up to its promise of being a bloody, violent, Christmas special to the point that I’m surprised they didn’t opt for a pun with the title and use “slay” instead of “sleigh.” It’s almost an anti-special, since the family kills Santa and all, but it’s conclusion is pretty standard holiday fare as the Smiths learn the meaning of family. Family isn’t just blood, it can also be who you choose, and Stan finally accepts the fact that Jeff is married to his daughter and is indeed part of his family. And it does put an end to some of the venom from Stan that he reserved for Jeff previously, though he’s still allowed to think of him as an idiot. I like the natural setup of the episode with Stan attempting a last ditch effort to bond with his son over guns, and that leading to the tragedy of Steve accidentally murdering Santa (though I described it as an accident, I can’t overlook that he did willingly fire a machinegun in a crowded parking lot and chances are he was going to kill or wound someone in the process). There’s some great misdirection, from the reveal of Santa being shot, to Francine’s insistence on covering up the crime, and Jeff’s turn that are all quite funny. Another joke is rarely far away with this show as it’s often line after line of funny.

A new family tradition is born.

The violence is the star though as the last several minutes of the episode are devoted to a bloody battle of man and elf. There are numerous shots of reindeer getting shot out of the sky intercut with the expected Saving Private Ryan moments of limbless elves wandering among the fallen in a daze. Their search for their limb ended by another relentless volley of machinegun fire. The violence is juxtaposed with casual conversation from the family as they sort out their business adding to the humor, while Bob Todd is mostly allowed to just be a homicidal maniac. The portrayal of Santa as a vengeful blowhard is entertaining, but as I mentioned in the lead-in, we won’t really see a full-on villainous turn for years to come. Here he’s justified in hating Stan, and the whole family played a role in covering up their crime. You just wouldn’t expect the classic interpretation of Santa to be so bloodthirsty.

Merry Christmas from the Smiths!

The violence contained in this one obviously means it’s not a Christmas special for everyone. It’s not something I’d show my young kids at this juncture, but it is one that I get a laugh out of! Even though I’ve seen this one probably more times than any other American Dad! Christmas episode, it’s still the one I look forward to returning to each year the most. These days there are a lot of anti-Christmas specials, but this one might be the best.

If you’re looking forward to spending Christmas with the Smiths this year then you should have a few options at your disposal. The show is shown daily on Cartoon Network during its Adult Swim block and it will certainly air this, and a bunch of other Christmas episodes, this month. The show is also available to stream on Hulu and available to rent or own in various places. My advice is if you have a cable subscription just load-up the DVR with American Dad! Christmas episodes and have yourself a nice, festive, binge. It’s what I’ll be doing all month!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 8 – TV Funhouse – “Christmas Day”

When someone hears the title TV Funhouse they probably first go to Saturday Night Live and The Ambiguously Gay Duo, a cartoon Batman and Robin parody that hypothesizes the relationship between the two heroes is more than just friendship. What many aren’t aware of is that the comedic short starring Steve Carell and Stephen Colbert…

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Dec. 8 – The Adventures of Pete & Pete – “O’ Christmas Pete”

Nickelodeon used to be a weird channel. It was composed mostly of old black and white television shows like Lassie and Dennis the Menace while mixing in old cartoons like re-packaged Looney Tunes blocks. Then there was early morning educational stuff including some anime that wasn’t obviously anime, plus Mr. Wizard. And don’t forget about…

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Dec. 2 – Tennessee Tuxedo and his Tales – “The Tree Trimmers”

Original air date November 27, 1965

In the early 1960s, content producers were still trying to navigate the lay of the land when it came to television. Animation had been popular for decades in movie theaters and the big studios knew they appealed to kids, but it was just so expensive to produce that few were willing to try it on television. Where there’s a will, there’s a way, and one of the earliest Saturday morning cartoons was a production from Total Television titled Tennessee Tuxedo and his Tales.

Tennessee Tuxedo was essentially the heir apparent to the series King Leonardo which concluded the same day Tennessee Tuxedo premiered. The show was conceived of by W. Watts Biggers and Chet Stover and originally existed to sell cereal, as sponsorship was the name of the game back then (and for awhile) when it came to children’s programming. Education was also a component as well and the show was setup in a fashion that allowed the main characters to learn a thing or two and serve as an audience surrogate in the hopes that the kids watching at home wouldn’t figure out it was really they who were learning a lesson.

The show starred Don Adams in the role of Tennessee Tuxedo, a penguin in a hat and bowtie who lives at the Megapolis Zoo. Adams uses the “clippy” voice he would later perfect on the series Get Smart! and even later as the voice of Inspector Gadget to voice Tennessee. The penguin’s best friend is a walrus by the name of Chumley (Bradley Bolke) and together the two are usually up to something that takes them out of the confines of the zoo and presents a problem for the pair. Tennessee’s catch phrase is “Tennessee Tuxedo shall not fail,” even though he usually does. When the problem gets too big for the pair to manage, they turn to the all-knowing Phineas J. Whoopee (Larry Storch), who is literally the man with all the answers and the way for every episode to write its characters out of trouble. The main antagonist of the show is the zoo director Stanley Livingstone (Mort Marshall) who often threatens to skin the pair. Nice guy!

What a way to close out your opening theme song.

In the early 1990s, few cable networks dedicated significant time to children’s programming. Basically, the only game in town was Nickelodeon, but back then the Viacom-owned network did not produce much in the way of cartoons. Instead, the network was forced to license material to air on its network, but couldn’t pay the big money of the major broadcast networks to attract the best shows. That left Nick with a lot of older material, which is how I was exposed to Tennessee Tuxedo. Not long after the show’s original debut came Underdog, which proved to be the more popular show. In licensing Underdog for syndication, his show would often be packaged with other cartoons, many of which debuted as part of Tennessee Tuxedo and his Tales. These packaged shows would air often on Nickelodeon and I watched quite a bit of them, even though I don’t recall actually enjoying them. It was a cartoon and it was on – those were essentially my standards at the time.

As part of the show’s third season we have a Christmas episode. Tennessee is going to take it upon himself to trim the zoo’s tree, even though Stanley would prefer he not do so. I don’t recall seeing this one as a kid and it’s possible the holiday themed episodes were not included in the syndicated package. After all, networks just want to be able to throw these things on at any time and seasonal episodes can mess that up (if the network cares, and often times, they don’t). When this one first originally aired, it was at the end of November and likely the Saturday after Thanksgiving, a plenty appropriate time to unveil a Christmas episode.

The opening title for this one has a very Mickey Mouse Club feel to it, only it looks a lot worse. The scenes in the opening title also seem to suggest kids are getting a show full of high adventure, which is not how I remember the actual show being. It also ends with Tennessee and Chumley dropping onto the title of the show and then two, giant, gun barrels are pointed at them. There’s an explosion, but no animation of the guns actually firing, before the pair is blasted up and out of the shot. It’s a pretty intense close for a Saturday morning cartoon.

I bet you can’t guess what the eagle’s name is.

The cartoon begins with Tennessee and the gang singing a bad Christmas carol. They’re just singing “Merry Christmas to you,” over and over for the most part before they’re interrupted. Flunky (Kenny Delmar), the zoo keeper, comes running over to tell Tennessee that Stanley needs to see him in his office and Tennessee seems particularly annoyed at being taken away from caroling. When Flunky mentions it concerns the zoo’s Christmas tree, Tennessee gets excited as he assumes Stanley wants their help in setting up the tree.

Tennessee and Chumley head over to Stanley’s office ready to help trim the tree. Stanley, who always seems irritated, informs Tennessee he’s to do no such thing! Stanley tells the pair that the mayor has set up a tree contest and that he intends for the zoo to win. He’s hired professional tree trimmers to handle the decorating and wants Tennessee and Chumley to show the decorators where everything is while he’s out fetching the mayor. Tennessee protests a bit and insists he and Chumley can handle it, but Stanley refuses to entertain the thought. Once gone though, Tennessee tells Chumley they’re decorating that tree. Chumley, who speaks in a classic dimwitted voice where every line begins with a “duh,” reminds Tennessee that Stanley forbade them from doing so, but Tennessee insists that they should because it’s the season of giving and decorating the tree will be their gift to Stanley.

This is going well.

Outside of the zoo’s auditorium the pair find a massive tree that Stanley wants setup inside. Tennessee and Chumley each grab one end of the tree which knocks Tennessee flat on his back prompting him to instruct Chumley to, “cut the comedy!” They then try to bring it inside with Tennessee dragging the tree from the top and Chumley from the bottom, only the tree gets stuck about 3/4 of the way through the door. Tennessee tells Chumley to trim off some of the bigger branches so they can fit it in. He does as he’s told and the tree fits, but now the first 8 feet or so of the tree’s base is bare.

The two then go to set the tree up, only the top scrapes the ceiling. Chumley tells Tennessee the tree is too tall, and Tennessee indicates it’s not a problem as they can chop some off. Considering that the bare portion of the tree extends beyond the pair’s head, the viewer is likely supposed to assume Tennessee will cut from the bottom, but he does not, and cuts from the middle. When he’s done, the tree is much smaller, and Chumley remarks that it now looks like a dust broom. Tennessee, once again, assures him it’s fixable as he trims off the “handle.” Chumley then tells him it looks too wide and points out that a Christmas tree should be pointy at the top. Tennessee then takes some clippers and re-shapes it. When he asks Chumley if it’s not the ideal shape for a Christmas tree Chumley agrees, but notes it’s not the biggest tree he’s ever seen as it’s now about a foot tall.

Still less pathetic than Charlie Brown’s tree (which premiered less than two weeks after this episode).

Baldy, an eagle, and Yakkity Yak (both voiced by Kenny Delmar) enter the auditorium to ask what’s going on. Tennessee shows them the tree, and the two immediately start to panic as they know Stanley is going to be pissed when he sees what Tennessee did to his tree. Tennessee Tuxedo, turning to his catchphrase about never failing, tells them not to worry as he’ll just chop down another tree. We then jump to the new tree being setup and it’s actually quite lovely. Now, they need to trim it. Tennessee heads up a ladder and instructs Yak to start tossing him ornaments, only Yak’s aim is terrible and they just smash on the floor. Yak then decides it would be better to simply hand him the ornament and Tennessee places it at the top of the tree. He’s so enamored with the ornament’s beauty that he descends the ladder to admire it and promptly falls onto the other ornaments, breaking half of their allotment.

Tennessee places the rest on the tree and searches for compliments, but Yak is honest in his assessment that it’s pretty bare. He assures him it will look better with lights on it and turns to Baldy, who is about to plug in a string of lights to test them. As he does so, Tennessee examines the string and notes there’s a missing bulb. He sticks his finger in the socket right as Baldy plugs them in and is soon electrocuted. The effect is super basic as Tennessee just slowly flashes different colors before a cloud of smoke explodes.

Electrocution gags will get a lot better over the years.

With the tree bare and lacking lights, the only thing that can save it now is the star. Tennessee heads up the ladder once again to place the star at the top, only the ladder starts to shake right as he reaches to place the star in its rightful place. Despite Chumley telling him to be careful, Tennessee predictably takes a tumble right into the tree. The whole thing comes down and Yak quickly notes that now all of the ornaments are broken. Tennessee, with the star stuck on top of his head, rises from the shattered tree and tells Chumley it’s probably time they go seek the aid of Mr. Whoopey.

Your ornament sucks, Whoopey.

We find Mr. Whoopey casually seated on his desk as Tennessee tells him about their dilemma. Before he can finish, he remarks that Mr. Whoopey has a really fine tree in his office. This sets Mr. Whoopey on his instruction for the day as he tells them how to make shitty ornaments out of paper. The guy loves paper as most of the ornaments and garland he recommends begins life as a piece of paper, which seems really dangerous considering the lights utilized in the 60s were those giant, colored, bulbss that got super hot after about five seconds. He also tells them they can put cookies and candy on the tree as ornaments and shows them how to string popcorn and cranberries using a needle and thread. These guys can’t even work a ladder without destroying a tree, I don’t think they should be allowed to string anything with a needle. The advice all seems terrible, but Tennessee disagrees as the pair enthusiastically head back to the zoo.

Oh Stanley, you’re in for a treat!

We then see Stanley leading the mayor and his wife to the auditorium. As Stanley opens the door, he boasts about hiring professional decorators to trim the tree, but then looks at his tree in horror. He runs in wanting to know what happened to all his ornaments, but soon realizes the tree looks pretty good. And it does, and it magically has non homemade ornaments on it as well as the popcorn garland. They also apparently found more lights. The mayor’s wife really likes it and declares it the prettiest tree she’s ever seen prompting the mayor to inform Stanley they’ve won the contest. Tennessee then doffs his cap (which has switched back to his normal, yellow, hat) to wish everyone a merry Christmas and the whole gang assembles in front of the tree (and Tennessee’s hat has switched back to his red stocking cap) to resume the awful carol the episode began with.

Looks like it’s time to start singing again.

As they all sing, the other zoo animals start popping their heads out of their homes. They all react favorably to hearing the carol as they all start to leave and descend upon the auditorium. They enter and the carolers inside appear happy at their arrival and soon we have a large group shot of everyone singing the song. Tennessee, who now has his yellow hat again (this is insane!), acts like he’s conducting their choir or something. The cartoon closes on an external shot of the auditorium at night and then zooms in on the Christmas Star which sparkles in the night.

And now everyone gets involved!

“The Tree Trimmers” feels like an episode that was written in all of five minutes. Someone must have got the mandate to do a Christmas episode, and the writers quickly came up with Tennessee and Chumley struggling to properly decorate a tree. Even the educational segment was rather weak as Mr. Whoopey gives lazy advice on how to cut paper into half-assed ornaments. Seriously, if your kid came home from school with one of those you’d probably feel cheated. Everything turns out fine in the end because it’s Christmas and it has to. At least the song, even if it’s mediocre, appears to be an original rather than some public domain Christmas carol.

Being a cartoon from the 60s intended for television, it’s probably no surprise to hear that this one is pretty rough looking. The animation is very basic as the characters only move when necessary and they just sort of slide across the screen with no bounce in their step. There’s no wasted movement or embellishment anywhere. I can at least appreciate that they made the effort to put everyone in mildly festive attire with Tennessee and Chumley ditching their usual hats for winter ones. The vocal cast is okay and I do like how Adams plays Tennessee and Stanley is a well-acted antagonist, even if he’s barely in this cartoon. The show wisely lets Adams dominate every scene as the other actors really aren’t asked to do much more than just set Tennessee up for whatever comes next.

The final shot rests on a star. I would have preferred Santa.

It probably comes as no surprise to anyone reading this in 2021 (and beyond) that Tennessee Tuxedo and his Tales is not airing on any network these days. I don’t think it’s even streaming anywhere. The show was made available on DVD by Shout Factory in 2012 so if you want to own this episode, and every other episode, you can. It’s out of print though so it’s not exactly cheap, but also it’s not the sort of thing that has become insanely expensive. It can basically be had for around 30 bucks brand new, which is probably right around the original MSRP. If you were to find it used, maybe you could get it for 20. I don’t think it’s worth it, but at least the option is available for those who do like this show or just like to amass a large collection of animation. This episode can also be found on the internet for free, if that’s your preference. It’s not likely to bring about those lovely Christmas feels, but it’s certainly a Christmas themed episode and since it’s only about 10 minutes you probably won’t feel like you wasted your time. At least not much of your time.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Toy Story That Time Forgot

When the credits started to roll in 2010 signaling the end of Toy Story 3 I think most who were watching it assumed this was “good bye.” The toys which had captured the hearts of movie-goers going on two decades were saying good bye to their former owner and playmate, Andy, and so too were…

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Dec. 2 – Robot Chicken’s ATM Christmas Special

This is going to be a bit of an experiment. These recaps the last few years have basically focused on cartoons or live-action shows in which a story is told over some duration. I have so far avoided sketch shows, not purposely, but it’s definitely been in the back of my mind that doing a…

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Dec. 2 – The Simpsons – “Grift of the Magi”

Talk to any fans of The Simpsons and they’ll likely have an opinion on when the show ceased to be great. For most, that occurs sometime after Season 8 of the now 30 season show. Some will argue that, while it may have been past its prime, it was still watchable, reliable, programming for a…

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Dec. 1 – Frosty the Snowman

Original air date December 7, 1969

Welcome back, lovers of Christmas, to the 7th edition of The Christmas Spot! If you missed the introduction a few days ago, we’re doing things a little differently this year. Yes, you’re still getting a dedicated write-up each day through Christmas about a beloved or not-so-beloved holiday special, but this year we’re also going retro by this blog’s standards. In order to shine a brighter light on the best of the best in the field of televised Christmas specials, we’re revisiting some of the 25 best as laid out in 2015 and reaffirmed just a year ago on this blog. When the subject was first discussed, the format for The Christmas Spot was to do a mini review of each special as opposed to the full-on walkthrough it has turned into. It didn’t make sense that so few words were reserved for the best the holiday had to offer, so we’re going to start rectifying that this year. Not every one of those inaugural 25 are being rehashed this year, just a select few of my choosing. Maybe next year we’ll look at some more, maybe we won’t, it’s all rather fluid.

Today, we’re kicking things off with a lookback to one of those 25: Frosty the Snowman. The Rankin/Bass classic was originally ranked at number 15, but was dropped down to 19 last year. Being in the top 20 is still nothing to sneeze at as Frosty is here to stay.

The 1969 classic is now one of the longest running Christmas specials on television today. For the past several years it has been the unofficial start of the holiday special season as CBS has chosen to air it the day after Thanksgiving for quite awhile now. As streaming services continue to take over, the days of the event special may be coming to an end. Last year saw Charlie Brown and the gang get axed from a network timeslot all because Amazon scooped the property up and intended to put an end to the tradition. What happened was people were so pissed about missing out on annual viewings of the Peanuts holiday specials that Amazon rethought its position and made the Thanksgiving and Christmas special available for one night only each on PBS. They aired at 7 EST and were barely in prime time, but I suppose it’s better than nothing. ABC also seemed to reduce their holiday output since it now has Disney+ to stash its specials on. It’s likely we’ll continue to see massive corporations hoard these valuable pieces of television history and what was once a shared, viewing, experience each year is just another thing to binge at your leisure.

For now, we still have Frosty. The special, which is obviously adapted from the song written by Walter Rollins and Steve Nelson, was written by Romeo Muller and directed by the tandem of Arthur Rankin and Jules Bass. It’s narrated by comedian Jimmy Durante and features voice work from Jackie Vernon, Paul Frees, Billy De Wolfe, and June Foray. It’s a special that always stood out to me as a kid because, unlike Rudolph the Red-Nosed Reindeer, it was a cel-animated production from Rankin/Bass instead of stop-motion. I feel like everyone associates Rankin/Bass with stop-motion, but their more traditional animated works are pretty noteworthy as well. When it came time to animate the special, Rankin/Bass turned to Mushi Productions, the animation studio based in Japan founded by the legendary Osamu Tezuka. Yes, Frosty the Snowman is basically anime. It would be more obvious if Rankin/Bass had not hired Paul Coker Jr. to first design the characters for the special, but you can certainly see the Japanese influence in several places.

Jimmy Durante will be our guide through the story, and song, of Frosty the Snowman.

Frosty the Snowman opens in idyllic fashion. Snow is falling and the people of this small community are busying themselves getting ready for Christmas. Our narrator, Jimmy Durante who is animated to resemble himself, explains that this is the first snow of the season and that it’s actually a Christmas snow. Why is that important? Apparently, when the first snow of the season happens to fall on Christmas Eve, something wonderful is bound to happen!

Our attention then shifts to a small school house. The kids are restless as they want to go play in the snow and their teacher (voiced by June Foray) has organized a Christmas party. Yeah, those days were always long even if they weren’t filled with education as no one wants to be in school so close to the holiday (and basically no one goes to school on Christmas Eve these days). The teacher informs the students that she’s hired a magician to entertain them. Considering the teacher had to pay out of pocket to bring this guy in, you can probably guess just what kind of magician a teacher’s salary can afford.

Behold! The worst magician in the world!

Professor Hinkle (Billy De Wolfe) is introduced by the narrator as probably the worst magician in the world. He begins his routine by tossing some eggs into his “magic” hat, says some traditional magic words, and then turns the hat upside down only for the eggs to fall out and smash on the floor. The kids are disappointed, which is perhaps the most unrealistic aspect of this special about a snowman coming to life as any group of kids I know would have laughed at a trick going so poorly. Hinkle then tries to retrieve a rabbit out of the same hat, which is going about as well as the egg trick. Declaring the hat is only fit for the trash can, he chucks it towards the waste basket only for the rabbit to finally pop out. Before the kids can react to the reveal of Hocus Pocus, the bell rings and they storm out of there basically trampling the magician in the process.

Once outside, the kids race through the snow. Most apparently did not consult a weather report earlier in the day as several are wearing shorts. One girl is sporting short sleeves and a pink skirt with suspenders which really can’t be comfortable. Some of the boys immediately start building a snowman, and it’s during this process we really get to meet Karen (who was voiced by Foray in the original, now lost, airing and re-dubbed by Suzanne Davidson) as she volunteers to build the head for the snowman. She declares it’s the most difficult part of snowman construction, and even challenges the boys to ask anyone on the subject for confirmation. Well Karen, I’ve built a few snowmen in my day and I have to strongly disagree. The head is quite possibly the easiest part, especially if you’re building a snowman like Frosty who has actual legs! Seriously, that’s damn near impossible.

Never in my life have I been able to make a snowman half as good as what’s present in cartoons.

Once the snowman is assembled, the kids gather around to choose a name. After some truly wretched suggestions, including an unintelligible suggestion from one kid who apparently just speaks in sound effects, Karen proposes Frosty and the kids all seem to agree this is a fine name. They then clasp hands and spontaneously break-out into song. Either they’re all amazing at improv, or they’re just as unoriginal as most kids and they named their snowman after a song that already exists in their world. While they’re singing, the rabbit Hocus Pocus comes bounding out of the school house in the discarded hat which Karen tosses on Frosty’s head to complete his ensemble. Much to everyone’s shock, the hat brings Frosty to life as his lifeless, coal, eyes become whole and he greets everyone with a “Happy birthday!” Considering it is essentially his birth day, it’s an appropriate greeting, if a bit unexpected.

Professor Hinkle is there to witness the whole thing as he had been chasing Hocus. When Karen declares the hat must be magic, Hinkle decides he wants it back as a fortuitous wind blows it off Frosty’s head and into his waiting arms. When the children protest, Hinkle plays dumb and claims he didn’t witness any such nonsense. He admonishes the children informing them that when they’re grown up they’ll understand snowmen can’t come to life. As he takes off with his hat and rabbit, the kids turn forlornly towards Frosty and reassure the snowman that they did see him come to life. Durante then comes back in to sing a jolly rendition of “Frosty the Snowman” as we’re finally shown the opening credits for the special and the major network gets to toss some commercials our way.

Get a load of this asshole.

When we return from the festivities, our informative narrator makes it clear that Professor Hinkle was wrong to take Frosty’s hat. He doesn’t elaborate, but I guess we’re to hold him to his momentary anger at the hat when he tossed it at the garbage. That seems a bit extreme, but it’s important the viewer hates this guy (and denying life to a snowman is a pretty shitty thing to do) as Hocus Pocus is about to take action. As the magician walks past people on the street greeting them happily, Hocus quickly swaps the hat with a wreath and bounds off.

When Hocus returns to the site of Frosty’s awakening, the kids are still just standing around accepting defeat. Karen notes the hat is back, seemingly oblivious that it was the rabbit who returned it, and she places it back on Frosty’s head. He once again greets the children with a “Happy Birthday!” and then begins to question his existence. Rather than be burdened by some truly out of this world thoughts on who he is and why he’s here, he just humbly accepts that life has been granted to him and then begins to test out his bodily functions. No, nothing weird or gross, mainly just juggling and checking if he’s ticklish. Okay, that does sound a little odd. His right hand also sprouts an extra finger so he can count to five (like most cartoon characters, Frosty only has four digits normally), but that’s just one of many odd animation quirks we’ll endure.

Frosty admiring his own rump.

Once Frosty is satisfied that he’s alive, the dancing can commence! We get a little more of the song as sung by Jimmy Durante as we’re basically just going to hear a verse here and there until the special is over and the song concluded. Once they seem to get over the thrill of life, Frosty wipes some “sweat” off of his head and takes note of a nearby thermometer. I question its accuracy, as it appears to be pushing past 90 degrees Fahrenheit, but the point is made and that’s snow is destined to melt, which means Frosty is destined to melt. This is where the special takes a hard pivot from the song. The lyrics make it sound like Frosty accepts his fate as all snowmen must melt and resigns himself to have a good time until the moist, dripping, splash of death consumes him. In the special, he immediately decides death is quite a bummer and a thing to be avoided. Where can a snowman cheat death? Why, the North Pole of course! When Frosty shares this bit of info the children decide they have to help him get to the North Pole, so they have a parade! All right, that part is a little weird, but I guess if you need to head to a train depot you might as well make a parade of it.

We deserve a sequel that explains if this guy ever got his whistle back.

As Durante sings more of the song, we see Frosty lead the children through town (with Hocus in tow) which contains some visual gags of people reacting with shock at the sight of a walking, talking, snowman. The parade comes to a halt when they encounter the traffic cop the song makes mention of. He’s directing pedestrian and automobile traffic and has to scream at Frosty in order to get him to stop. This begins a 1920s-esque bit of shtick as the cop questions Frosty on the various signs and signals all around him, never once seeming to realize he’s speaking with a snowman. Frosty is ignorant of basically all things, and Karen has to explain he just came to life and the cop then backs off. After instructing the gang to move along, he remarks to himself that snowmen are so stupid when they first come to life. Only then does he realize how absurd the whole situation was as he exclaims to himself “Come to life?!” and swallows his own whistle.

The parade finally reaches its destination, a train depot. The clerk (Paul Frees) working the ticket counter is fast asleep when the kids approach requesting a ticket to the North Pole. He then springs into action as he stamps a whole sleeve of tickets remarking how their journey will take them through the Klondike and for some reason mentions aurora borealis. He’s clearly lost in his work. He returns with a stack of tickets, as this journey is going to require quite a few trains, and then requests payment: three-thousand dollars and four cents (including tax). When Karen sheepishly responds that they don’t have any money, the enraged clerk slams his fist on the table causing the whole pile of tickets to spring up and wrap around him. He then utters perhaps the most quotable line in the entire special, “No money, no ticket!”

He’s so angry that he just closes up shop and quits the business right here and now.

Well, if you can’t buy a ticket to the North Pole, just do like the old hobos do – stow away! One of the kids takes note of a refrigerated box car on a train apparently heading north. That’s good enough for Frosty as they inspect the car. It’s full of ice cream and frozen Christmas cakes, which we’ll find out is a splendid way to travel for a snowman. Frosty climbs aboard, and so does Karen. All of the other kids have sense enough not to attempt to travel to the North Pole on Christmas Eve, and Frosty is too dumb himself to point out that Karen climbing aboard is a bad idea. She seems to think she can get there and back before supper which begs the question how old is Karen supposed to be? Hocus Pocus also climbs into the car as I guess he would prefer the North Pole to whatever town they’re currently in. As the train speeds off, we see there’s another stow away on board – Hinkle!

After the break, we take a look inside the box car to find a contented snowman and relaxed rabbit, but a freezing girl. It takes Frosty a few seconds to realize that this is a bad situation for a little girl. Proving he’s not some selfish jerk, he elects to scoop Karen up in his arms and leave the frozen confines when the train has to stop at a crossing (the animation makes no sense as the train goes past the junction, then stops, and an express train goes past behind it). Hinkle, still clinging to the caboose, sees the trio hop off as the train starts to leave and thinks they’re trying to ditch him. As he shouts at them “No fair!” it’s hard to tell if Frosty actually takes note of him or not. Hinkle is then forced to jump from a moving train if he has any hope of getting his hat back. He hits the ground and stats flopping down a snow-covered embankment before finally crashing into a tree. As he falls, the person doing the sound effects just goes nuts as there appears to be no rhyme or reason to the sounds we’re hearing, but it certainly sounds painful for Hinkle!

He deserved that.

Frosty, Karen, and Hocus wander through the cold, darkening, woods as Frosty frets about finding warmth for Karen. Hocus, through pantomime, suggests he build her a fire, but that’s not something a snowman can do. They press on and eventually come across a bunch of animals. They’re slightly personified, sort of like Hocus, and they’re decorating the forest for Santa’s arrival that night. It’s a bit preposterous, but I suppose not out of character for a Christmas special. Frosty asks Hocus to communicate with the animals about building Karen a fire. He does as he’s told, and soon the deer, squirrels, and such get a roaring fire going for Karen to get warm by. It’s pretty damn goofy to behold.

As Karen warms herself by the fire, Frosty stays far away. With Hocus by his side, he contemplates how he can get Karen home and himself to the North Pole. Hocus acts out some suggestions including the marines and President of the United States. Hocus then covers his face in snow like a beard and struts suggesting Frosty seek the aide of Santa Claus. Frosty thinks that’s a great idea and smiles at the camera apparently happy with himself. Hocus is ordered to be a Santa look-out, and once the guy flies overhead, he’s expected to somehow get his attention even though he’s a fluffy white rabbit standing amongst a bunch of snow.

It’s belly-whopping time!

Unfortunately though, a roaring fire in a dark forest is quite visible and Hinkle soon stumbles upon Karen. He taunts her before laughing then demonstrates he has some amazing lungs as he literally blows the fire out. Frosty comes running over and Hinkle demands he hand over the hat. He makes an empty threat, which Frosty calls him on, and Hinkle just stamps his feet like a toddler screaming to get his hat back! When he makes a lunge for it, Frosty deftly sidesteps him and drops down onto all fours. Frosty tells Karen to jump on his shoulders and our narrator interjects that Frosty, being made of snow, is the fastest belly-whopper in the world! He basically shoots off like a rocket across the snow, down a small hill, up another, and down again leaving Hinkle far off in the distance.

This is where Hinkle goes from annoying to evil.

The ride comes to an end at a random green house in the middle of no where filled with poinsettia. Karen is pretty cold from the ride, and also likely because she’s currently being cradled in the arms of living snow, so Frosty decides to bring her inside. She reminds him he’ll melt in there, but he suggests he’ll only stay in to melt a little and makes a joke about losing weight. Hinkle then arrives, suggesting he not only has tremendous lung capacity, but he’s also really damn fast. Honestly, I feel a little betrayed by the narrator who said he was left far off in the distance just seconds ago. Anyway, Hinkle sees the snowman in the green house and promptly slams the door shot. It must lock from the outside, or Frosty just isn’t very confrontational, because they’re trapped. Hinkle laughs devilishly proclaiming the hat will soon be his as Frosty looks on with horror.

Up in the sky, Santa passes by! Maybe he’s just out for a quick preflight check or something, because he only has four reindeer and no sack of presents. He comes across the woodland critter celebration where he is informed by Hocus what’s going on with Frosty, Karen, and the magician. Hocus leads the big guy to the green house, but when they arrive they’re met with a terrible sight. Karen, on her knees sobbing, is beside a puddle and Frosty’s “parts” are floating in it. I feel like there’s a darker cut of Frosty the Snowman where we watch the poor snowman melt and Karen is forced to look-on helplessly. That girl has seen some shit and Hinkle, who presumably watched it all unfold too, is quite an evil soul.

She’s going to need some therapy.

The narrator tells us that Santa is too late, but he breaks the fourth wall to correct him. With a big, booming, voice, Santa (Paul Frees) shouts “Nonsense,” at the suggestion of being too late and then sets to comforting Karen. He tells her that Frosty, being made of Christmas snow, can never disappear completely. This does little to cheer up Karen since her friend is still a puddle, but Santa just chuckles and opens the green house door. He commands Frosty to basically pull himself together as a cold wind enters the green house, scoops up Frosty’s parts, and recreates the snowman outside the green house. The only thing left to do is return the hat to Frosty, but now Hinkle makes his presence known demanding the hat be returned to him.

Santa, who almost looks ready to throw-down, instructs Hinkle not to lay a finger on the hat. Rather than threaten him with the violence he so richly deserves, Santa just tells him he’ll never bring him another Christmas present so long as he lives. Earlier, Hinkle seemed to think a magic hat would make him a millionaire magician so I don’t know why he places any value on future Christmas presents, but he’s not the sharpest guy. He immediately begins to pout and kicks a can that mysteriously appeared in the snow before remarking, “We evil magicians deserve to make a living too.” Santa then tells him that if he goes home right now and writes one-hundred-zillion times that he’s sorry for what he did to Frosty, then maybe he’ll get a new hat for Christmas. Despite being handed an impossible task, Hinkle seems pretty happy with this arrangement as he starts hopping up and down with excitement. In probably my other favorite quote from this special, he hollers “Sorry to lose and run, but I’ve got to get busy writing! Busy! Busy! Busy!”

Santa will make everything right!

Santa slips in a little chuckle as Hinkle disappears into the night, then turns his attention back to Frosty. He returns the hat, and once again Frosty greets everyone with a “Happy birthday!” I guess it still is his birthday, after all. We then slip into a bit of a montage as the song returns. The group celebrates a bit before getting back to business. Santa, after all, has a long night ahead of him, but he still finds time to return Karen home. Maybe he’s a little ticked off though about the extra work on Christmas Eve since he leaves her stranded on her roof before taking off with Frosty. The narrator then pops in to let us know that Frosty would return every year after that and the whole town would have a big celebration in his honor. The song gets into full swing now and we basically see everyone from the special in Frosty’s parade, including Professor Hinkle in a new hat. Jimmy breaks from the song again to wish us all a very, merry, Christmas as Santa swoops down in his sleigh (again, only four reindeer) to retrieve Frosty as the song ends. Frosty gets the last word in as he alters the closing line of the song, “I’ll be back on Christmas Day!”

Santa finds time to fly past the moon, now how the hell is Karen getting off of that roof?

Frosty the Snowman is sort of like the Christmas special baseline. It’s cheerful, charming, magical and it has some memorable characters. It helps that it’s anchored by the classic song, which is catchy enough and isn’t as overplayed (or annoying) as other Christmas songs. It might not be anyone’s favorite Christmas special, but I don’t think I’ve ever met anyone who hated it. There’s definitely some goofy logic at times, and the animation is merely adequate. This is from the 60s so I think most of the animation warts are only really apparent with modern eyes. I don’t think it’s as good looking as How the Grinch Stole Christmas, but it’s definitely better looking than A Charlie Brown Christmas. And it has character with the design of Frosty being simple, but pleasant, and Hinkle looking quite memorable. About the only thing I don’t like when it comes to the visuals are the deer. They just look stupid, but not offensively so.

Rankin/Bass seemed intent on transforming Frosty from a character that was just a wintertime creation to a Christmas icon. As much as the old song is associated with the holidays, it doesn’t make mention of Christmas at all. Maybe that’s why when Rankin/Bass did return to the character with Frosty’s Winter Wonderland they left Christmas out. They did produce Rudolph and Frosty’s Christmas in July, one of the lesser stop-motion efforts from the studio, but otherwise Frosty has mostly left Christmas behind. Today this special is almost always joined by the non-Rankin/Bass production Frosty Returns every year, even though that special has nothing to do with Christmas. In 2005, Classic Media produced another pseudo-sequel titled The Legend of Frosty the Snowman. That one features a Frosty that looks identical to the one presented here (and that’s because Classic Media bought up the Rankin/Bass library), but otherwise tells a new story and also has nothing to do with Christmas.

He says he’ll be back on Christmas Day, but it’s an empty promise.

This Frosty the Snowman is truly the only worthwhile one. I don’t particularly care for the other animated specials, and the feature with Rudolph is a tremendous slog that shouldn’t be viewed by anyone. This one though is an annual tradition and no Christmas season goes by without at least a viewing of Frosty the Snowman in my house. It’s become a favorite of my kids, so I actually am subjected to it a lot each year and I’m totally fine with that. If you’re hoping to catch it on television this year, check cable and keep an eye on CBS. They already did the first airing, but often will re-air it later in the month. It’s one of the harder ones to miss.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 1 – DuckTales – “Last Christmas!”

It’s that time of year once again! Every day goods are a little pricier, egg nog is invading the dairy case at every grocery store, and red and green versions of every candy in existence flourish in the seasonal section of department stores. Yes, it is Christmas time and it would be obnoxious if it…

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The Christmas Spot Returns for 2021!

It’s that time of year again! Every year since 2015 when the calendar hits December 1 this blog turns into The Christmas Spot; a place to countdown the days until Christmas while basking in a festive, holiday, special of some kind. It will be 25 days of 25 posts, most of which will feature a Christmas special or the occasional special adjacent topic. It’s never a guarantee to be a great special, but at least it’s festive.

The first year this blog underwent such a transformation I dedicated each day to ranking the best Christmas television specials of all time. Last year, I decided to revisit that list and rearrange some things. In doing so I was reminded of how this concept had expanded over the years. In 2015, I was rather busy and my planning wasn’t the greatest. I was also intimidated by the concept of doing so many posts in such a small window of time so each entry that year was basically a mini review of the post’s subject. Since then, the format for this has changed to be more of a synopsis of the special as we go on a little journey together through the special making it almost like a written commentary track. And that’s the format I like best for The Christmas Spot and it’s the format I intend to continue.

The issue with that is, I’ve already talked about some of the greatest Christmas specials ever. Once I cover a subject, that’s it. It’s done. On the other hand, how can I allow this blog which celebrates Christmas on an annual basis to allow some of the greatest Christmas specials of all time to have such brief write-ups? In short: I can’t. This year, The Christmas Spot shall set out to write some of those wrongs. As part of the 2021 countdown, I’ll be revisiting some of those favorites I first blogged about in 2015. I’m not going to rehash all of them this year, because that would be a little too much redundancy, but in time perhaps I will revisit each and every one on that inaugural list. For this year, I have selected six specials to revisit and they’re spaced out to appear on every fifth day starting with the first post on December 1st. That means the other Christmas Spot Classics will appear on the fifth, tenth, fifteenth, twentieth, and conclude on the twenty-fifth. Revisiting these also accomplishes two goals: it gives each of these specials their proper due, and it allows me to preserve more specials for future years. There are a finite amount of Christmas specials out there, so anything that helps keep me from running out is a good thing.

With the “classics” appearing every fifth day, you can expect something brand new to The Christmas Spot on all of the other days. And we’ve got some good ones to talk about this year, including one that I placed in my top 25 last year that has never been discussed in full on here! So keep your eggnog handy, your chestnuts roasted, and your Christmas tree free of chipmunks as we count down the days until Christmas!


Dec. 25 – Sonic Christmas Blast

Original air date November 24, 1996

It’s Christmas morning, and if you woke up to a tree packed full of presents you have only one person to thank for that – Sonic the Hedgehog! What? You didn’t know that Sonic took over for Santa back in 1996? Oh, well find yourself a comfy chair and a plate of chili dogs while I tell you the tale of An X-Tremely Sonic Christmas Sonic Christmas Blast!

Back in 1993, Sonic the Hedgehog was so popular that he warranted two separate cartoon series: The Adventures of Sonic the Hedgehog and the more plainly named Sonic the Hedgehog. Adventures was the direct-to-syndication cartoon and aired on weekday afternoons, while the other cartoon aired on Saturday mornings as part of ABC’s block of cartoons and came to be known as Sonic SatAM. Both cartoons were produced by DiC and both featured everyone’s favorite nerd (at the time), Jaleel White, as the voice of Sonic. The executive producer on both was Andy Heyward, who you may recall was also the executive producer for The Super Mario Bros. Super Show. He may be the first person to work on official productions of both Mario and Sonic, which I guess is pretty cool. While the Saturday morning program had a more serious tone, the afternoon Adventures was more of a typical screwball comedy where the wily Sonic outsmarted and outwitted his nemesis, Dr. Robotnik (Long John Baldry), on the regular.

Sonic has arguably never been as popular as he was in 1993. That’s because he had a host of games on the Sega Genesis that were well received. In 1996, Sega was promoting the Sega Saturn console and looking to unleash its mega-popular hedgehog on that machine. The game was to be called Sonic X-treme, and in order to market it, someone got the bright idea to commission a Christmas special. It would be in the style of Adventures and would be produced by DiC, though it would no longer be in conjunction with Bohbot Entertainment. The problem was, the game was never released. Sonic X-treme was cancelled, but Sega still had a cartoon it paid money for and intended to air. The solution: simply change the title!

This one is like a regular episode of the show, but it’s Christmas!

Sonic wasn’t leaving the 16-bit world in the dust just yet as Sega was prepping a title for the Genesis: Sonic 3D Blast. It was an experimental game that attempted 3D on the aging Genesis hardware via an isometric perspective. If you do not remember it there’s a good reason: it was terrible. Bad game or not, it was still worthy of promotion so the Christmas special was re-named Sonic Christmas Blast and released on VHS and aired on the USA network.

A few days ago we did Mario Christmas, so it only felt right to do Sonic as well. Plus, Sonic has the distinction of being the best movie I saw in a theater in 2020. No, it’s not a fantastic film, but it got to win that coveted crown by simply being the only film I saw in a theater in 2020! Thanks, COVID!

Meet today’s audience surrogate: Ugly Kid. He has no name, but an ugly character model, therefore we shall call him Ugly Kid.

This one starts off with a festive remix of the traditional intro, except most of the footage has been removed and just replaced with clips from the special to come. Boring. It then picks up in the city of Robotropolis, a city from Sonic SatAM that I do not believe was ever depicted in Adventures. At any rate, it doesn’t resemble the city from the other show, it just shares a name.

Something’s not right with this Santa…

Citizens are gathering to view a giant television that is apparently about to broadcast a message from Santa (do they not have malls here?). The camera is rather focused on an ugly little boy with no name (Eric Pospisil). I don’t mean he’s ugly as far as Sonic Society is concerned, just that his character design is rather offensive to the eyes. Santa (Jay Brazeau) appears on the big television screen with a rather important announcement. For one, he’s clearly a robot as he has pins in his elbows and he doesn’t appear to move very well so I am rather suspect of this forthcoming announcement.

Robotnik has somehow become even more insane looking.

And that announcement is that he is retiring! Yes, the unthinkable is happening at Christmas! Not to worry though, for Santa has already named a replacement. And that man is: Robotnik Claus! Yes, the evil Dr. Robotnik is set to take over for Santa and he is introduced to a stunned audience. For some reason, he looks like a homeless Santa as his suit fits rather poorly exposing his hairy gut and his shoes are torn. Robotnik’s first announcement as Santa is that this year things will be different. Rather than Robotnik Claus delivering presents to all the good little boys and girls of the world, they are to deliver presents to him! The madness!

Judging by that smile on Ugly Kid’s face, it would seem he was initially hopeful about this whole Robotnik Claus thing.

Scratch (Phil Hayes), the robotic chicken with the incredibly annoying voice, and Grounder (Garry Chalk) are positioned as cheer leaders for Robotnik Claus, but they annoy him more than support him. We then have it confirmed that this world does indeed possess malls as we see Robotnik Claus seated in a chair with a line of children waiting to see him. Ugly kid from earlier hops on his lap and Robotnik rather enthusiastically asks the child what he’ll be giving him for Christmas. The kid responds by punching him in the gut and informs him that he will do no such thing. Robotnik is rather pissed, but apparently he is still only cartoonishly evil as he doesn’t kill the little squirt, but he does order him imprisoned in his robot factory.

Hey! Look! It’s Princess Sal, in her original pilot colors! She looks like she has something to say in this image, but she actually has nothing to say. Absolutely nothing.

Elsewhere, Sonic is gearing up for Christmas with Princess Sally Acorn (Tabitha St. Germain is credited, but the character has zero lines). Apparently Sally gave Sonic a fancy ring last Christmas and he gave her squat, so he’s dead-set on getting her a bunch of stuff this year, even though she apparently wants nothing. Before she can utter a word of rebuttal, Sonic takes off with his buddy Tails (Chris Turner) to go do some shopping. While he runs, he decides to jump up and grab onto a tree branch for no particular reason and just dangle there. A bird in its nest takes notice of Sonic’s ring that Sally gave him which features an unusual marking. Ah, he grabbed the tree as a plot device since this ring is going to be important. Logical.

These two clowns are up to no good, but at least they’re well dressed.

In town, Scratch and Grounder are going door-to-door Sheriff of Nottingham style to collect presents for Robotnik Claus. They confront one poor sap who claims he has nothing to give, so they tell him they’ll be taking his house. And not in a way a bank would, but by literally using an excavator to take the man’s house while he begs them not to. Vicious.

Oh, good. Ugly Kid made it out of Robotnik’s factory unharmed. I was real worried for a sec.

Sonic and Tails arrive at a mall to find it completely barren. Someone has taken all of the wares and Sonic is apparently out of the loop. Outside, they run across Ugly Kid who tells them that he escaped from Robotnik Claus and informs Sonic of what’s going on. Scratch and Grounder then appear and like good, ineffective, hench-robots, inform Sonic of Robotnik’s plan to take over Christmas and get lots of presents for himself. They also tell him that they kidnapped Santa and used a robot to transfer his role over to Robotnik without a hitch. They even brought the robot with them as proof of their misdeed. They also brought some giant tank too.

Well, at least they seemed to have come prepared. Not that it will make any difference.

Scratch then wishes Sonic and his pals a “Merry Crush-mas!” as he tries dropping a big, spiky, block on the trio. Sonic is too fast for it though, and he goes all buzz-saw and lands in their cockpit. He then controls the giant arm of the tank to position a magnet over them sucking up the three robots and then dropping them to the ground in a heap of parts.

Nothing puts me in the Christmas mood like a pile of broken body parts.

As Scratch and Grounder begin reassembling themselves, while mostly ignoring the destroyed Santa robot, Sonic comes waltzing by dressed as a janitor. He’s a bit like Bugs Bunny in this show in that he can always produce a not-so-clever disguise that fools the bad guy every time. He plays friendly and gets the two to spill the beans on where Robotnik is keeping Santa before splitting, but not first without revealing his identity to Scratch and Grounder and smashing them to bits again with a garbage can.

Why does he have a butt?

Scratch and Grounder head to the home of Robotnik which is currently being outfitted with many, many, chimneys. Robotnik is even demanding more of his robot minions for he wants enough chimneys on his home so that every citizen in the city can enter his home at once with big sacks of presents. The brainless duo flags down Robotnik with the bad news, and they’re informed that they can no longer expect a Christmas card this year. Robotnik then orders his defenses be increased while also informing the duo that they are to bring him the most important of Christmas presents this year: Sonic the Hedgehog! Hey, that’s the same thing my kid asked for!

Some “scary” looking robots.

Sonic and Tails are shown in a cold environment heading to the location of the kidnapped Santa. It’s surrounded by Swatbots, but they do not at all resemble the Swatbots from Sonic SatAM. They just look dumb. Sonic gets past them rather easily and finds Santa in a frozen cell. He tells Sonic they need to get to his workshop fast if they intend to save Christmas.

A clever use of exponents.

At Santa’s workshop (apparently titled Ho cubed), the heroes find out that Robotnik Claus has already paid a visit to the workshop and stolen everything! Santa is rather despondent, but Sonic thinks there’s still time to recapture the presents and save Christmas! As they sit and think, Santa notices Sonic’s ring. He recognizes the marking on it from the cave Robotnik had kept him at (how convenient!) and they return to consult some glyphs. Apparently, Sonic needs to complete a series of trials to unlock the secret of ultimate velocity. I don’t know how Santa got that much out of the wall, but it should fill some time.

Well, that was hardly a challenge.

They head to the location of the first trial: Ice Pick Peak. Sonic merely has to race up a mountain – no problem. Trial number two is to snowboard down Calamity Cliffs. This is amusing since the Mario Christmas special rather prominently featured a snowboard as well, and it too was orange!

Nothing’s more “X-Treme” than snowboarding, man!

As Sonic snowboards, Scratch and Grounder spy him and place a giant bear trap in his way. Sonic sees it, and just swerves out of the way spraying a bunch of snow in their face which buries them with the bear trap. Sonic then grasps a hang-glider and soars over the pair and dumps his snowboard on them.

This Santa is a real buzz kill. I think I like Robotnik Claus better.

The last piece of the trial is a bike ride. Sonic rides over the frozen tundra dodging moving icebergs. The animation is offensively bad and little of interest occurs during Sonic’s ride. When all is said and done, they’re back at Santa’s workshop and Sonic has apparently attained super speed. He didn’t physically receive anything, there was no flash of light, he just is faster, I guess. Santa still thinks all is for naught though, but Sonic is ever the optimist!

I am legitimately shocked at the absence of exposed butt-crack.

Sonic speeds off to Robotnik’s home where the jolly, fat, man is rummaging through the presents under his tree. He’s in an impossibly good mood, so it’s the perfect time for Sonic to swipe everything! He moves as a blue blur taking not just the presents and ornaments, but Robotnik’s clothes as well, leaving him to stew in his underwear proclaiming his hatred for that hedgehog.

Well, looks like he’s happy. I don’t know what I would have done if Ugly Kid didn’t get to have a merry Christmas.

We then check in on Ugly Kid, who is in his living room with a naked Christmas tree. The blue blur whizzes inside and decorates the tree while depositing a large amount of gifts under the tree. The kid can’t believe it, but he knows who to thank. He opens his window and shouts out thanks to Sonic.

Once again, you would think she’d have something to say.

Alone on a snowy hill by a campfire, Sally does her best Karen impression from Frosty the Snowman as she looks cold and lonely. Sonic then pops in with an arm full of presents he promptly buries her under. She says nothing, just looks surprised, while Sonic rambles on about wanting to give her a merry Christmas. He removes a present to expose her head, waves some mistletoe over her, and smooches her forehead before re-burying her. He then runs off before she can even react to his gesture. Honestly, I don’t know why they bothered including her if she wasn’t even going to say a word.

And now Sonic is Santa, how’s that for a resolution?!

Sonic returns to Santa’s workshop to celebrate a Christmas well done. There he receives some rather shocking news: Santa does indeed intend to retire! Sonic can’t believe it, but Santa informs him there’s no need to worry, for he has found a suitable replacement: Sonic! Tails slaps a hat on his head proclaiming him Sonic Claus. He seems unsure at first, but one look in a mirror seems to convince Sonic that this is the way. He and Tails then stand and wave at the camera while Sonic wishes us an “X-tremely Merry Christmas,” the one relic of the original title, as the credits roll.

And that’s the story about how Sonic came to be Santa Claus! If your tree is looking rather bare and has been for years, that’s likely because you’ve been leaving out a plate of milk and cookies as opposed to chili dogs and Mountain Dew (I just assume Sonic would do the Dew). I suppose I should have filled you in on that important piece of information prior to today, but there’s always next year!

Sonic Christmas Blast is a terrible Christmas special. Things just happen to advance the plot, and almost everyone is dumb and annoying. Sonic is fine, and I have no issue with Tails, but all of the other characters are just too stupid to even be funny. I’ll give it credit for coming up with an original plot. It’s sort of like The Grinch, except Robotnik is direct and open about his thievery, with a dash of unconvincing trickery too. It’s still not entertaining, and the resolution of Sonic becoming Santa is rather preposterous. I guess it’s the kind of thing you can do when you know there are no more episodes of this particular show coming.

I will say, as ridiculous as he is, I do mostly like this take on Robotnik.

Adding further insult to the special is the fact that it looks pretty bad. It’s definitely in style with Adventures of Sonic the Hedgehog, but it was also handled by a different animation studio. Believe it or not, this actually looks slightly better than a typical episode as far as character animation goes. The backgrounds though are terrible, and the non-regular characters (like the ugly kid and various robots) look like they were designed in five minutes, and drawn just as quickly. There isn’t any one scene or piece of animation that I’d call fun to look at while the audio is basically what you would expect of any episode from the show.

If you wish to ignore my warnings and spend Christmas with Sonic, Sonic Christmas Blast is X-tremely easy to come by. It’s currently included with a subscription to Amazon Prime so you can freely stream it there. It’s also available for free on YouTube along with apparently every other episode of Adventures of Sonic the Hedgehog and in great quality at that. It also was released on DVD and will probably be in discount racks tomorrow for five bucks, but the only folks who should own this one are Sonic diehards and they probably already have it.

This concludes the 2020 edition of The Christmas Spot! It was a truly bizarre and eventful year and I’ll be happy to kiss it good by in a week, but hopefully these past 25 days have helped bring you a little Christmas joy. Thanks for reading, and merry Christmas!

Can’t wait until next year for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 25 – Samurai Pizza Cats – “The Cheese Who Stole Christmas”

Welcome, Christmas Day! Hopefully you’re not hungover from too much Christmas partying last night, and if you are, hopefully it was worth it. By now, Santa should have deposited presents under the tree, if you were good this year, and hopefully he remembered the batteries. It’s been fun, but this post means we are done…

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Dec. 25 – A Jetson Christmas Carol

Merry Christmas! We have reached the end on our advent calendar celebration of the holiday season. This is the third complete 25 day advent calendar here at The Nostalgia Spot and fourth overall. For this year, I managed to shy away from the tropiest of the tropes when it comes to Christmas television specials -…

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Dec. 25 – Daze Before Christmas

Wait, what is this? We’ve reached the final day of this year’s advent calendar style countdown of Christmas specials and it’s not even a show, movie, or stupid commercial? No friends, for December 25th we’re taking a look at Daze Before Christmas, the Sunsoft produced 16-bit Christmas video game that never saw release in North…

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Dec. 24 – The SpongeBob Christmas Special

Original air date December 6, 2000

When I listed out the best Christmas specials over a week ago, I included the stop-motion A SpongeBob Christmas. And I stand by that as that special is pretty great. Before there was A SpongeBob Christmas, there was The SpongeBob Christmas Special. Confused? Well, there are only so many ways to title a Christmas special. To make things a bit easier (or more complicated) it’s also titled “Christmas Who?” This was a milestone episode of sorts for the now long-running SpongeBob SquarePants as it introduced Patchy the Pirate and his parrot Potty and told the story of how Christmas came to Bikini Bottom. It was also the first double-length cartoon for the show as most episodes are split into two segments. It’s probably not quite double-length though due to the live-action segments featuring Patchy, but you get the idea.

Meet the president of the SpongeBob fan club, kids!

SpongeBob Squarepants was created by the late Stephen Hillenburg, who got a lot of coverage on this blog in 2020 since I went back and revisited Rocko’s Modern Life, a show he was intimately involved with. It was due to the success of that show that Nickelodeon took a chance on a cartoon headed up by Hillenburg himself. Other veterans of Rocko joined him on SpongeBob, including Tom Kenny and Doug Lawrence, and his show has largely eclipsed the former in terms of popularity. It’s probably become Nickelodeon’s most recognizable show at this point and I’m not even sure another show could really challenge it for that title at this point.

Do you like alternate titles, because we’ve got one here.

In spite of SpongeBob’s popularity, the show has mostly been a blind spot for me. The show just came at a time when I wasn’t watching the channel, and even though I have kids of my own now, they’ve yet to really latch onto anything on Nickelodeon. Maybe they will in time, though with everything moving towards a streaming format I’m less certain of that. Even though SpongeBob SquarePants isn’t my childhood, I can recognize it for what it is: a pretty solid comedic cartoon. I see a lot of influences from past cartoons in it the few times I watch it, and I’ve never really had much of a reaction to it beyond that.

For today’s special, we’re heading to the home of Patchy the Pirate located in the unfestively warm California (I have a cold weather bias when it comes to Christmas).

Even though I’ve seen very little of SpongeBob SquarePants, I still really enjoyed the stop-motion special so I’ve always wanted to check out this one. It just took me going out of my way to make sure I saw it. Thankfully, I have cable still so I didn’t have to go out and buy this thing, and with 2020 just being a tenacious pile of misery, I actually welcomed Nickelodeon’s Christmas in July programming during the summer. That’s how I finally experienced the first SpongeBob Christmas special. Maybe it’s not the authentic, December, experience it was meant to be, but it also meant I got to re-experience it later in the year too thanks to the wonders of DVR!

The bird is the real star.

After a festive rendition of the show’s theme, the special begins at the home of the president of the SpongeBob fan club: Patchy the Pirate. Played by Tom Kenny, Patchy is happily preparing for Christmas in the not idyllic setting of southern California. Even though there’s no snow to speak of, Patchy’s house is pretty well decorated and he’s got his parrot, Potty (voiced by Hillenburg) by his side as well. Patchy is a pretty conventional looking pirate, while Potty is an intentionally obvious puppet. Patchy is welcoming, like a classic holiday special would be, though he has an antagonistic relationship with his parrot. He’s in the process of making cookies, and isn’t eager to share the dough with Potty.

R.I.P. Potty…

The segment is pretty long and probably overstays its welcome. There’s some visual jokes, like a predictable bubble pipe joke, but little truly lands. I did like that Patchy flips his eyepatch up to read a letter, revealing a perfectly functional right eye, and dons a pair of glasses with the right lens blacked out. The setup for the introduction of the cartoon is created when a letter received by Patchy asks about Christmas in Bikini Bottom, prompting Patchy to tell the audience that the dwellers of Bikini Bottom didn’t always celebrate Christmas. Before we can get to the cartoon though, Potty has to consume the cookie dough, and explode. It leads to the very bizarre image of Potty’s dismembered head suspended in the air while Patchy looks on with amusement. Poor Potty, Patchy is the asshole in this segment and yet it’s the bird who gets blown up.

Well Sandy, if you’re going to live underwater you should expect to get wet now and again.

The actual cartoon begins with SpongeBob (Kenny) outside the home of Sandy Cheeks (Carolyn Lawrence). Sandy is a squirrel living in the outskirts of Bikini Bottom, and being a squirrel, she needs oxygen in gas form to breath, so she lives in a bubble. SpongeBob is looking to infiltrate the bubble to drop some karate moves on her. I assume this is supposed to be a good-natured prank as SpongeBob doesn’t have a mean pore in his body.

Turns out, oak trees make pretty nice Christmas trees!

As SpongeBob prepares to enter the bubble, he notices Sandy lighting up a tree with lights. Mistaking this for fire (he’s not very smart), SpongeBob grabs a bucket of water and races inside only to douse Sandy herself. She’s rightfully annoyed, but soon realizes that SpongeBob has never seen a Christmas tree before. Not only has he never seen one, he’s never even heard of Christmas before. We then receive a montage of Sandy explaining Christmas to SpongeBob. We don’t actually hear what she’s telling him and can only see her pantomiming various parts of her lesson, most of which appear to have nothing to do with a discussion on Christmas (that’s the joke).

I love Squidward’s energy here.

SpongeBob is quite taken with the whole concept of Christmas (and who wouldn’t be?) and races over to The Krusty Krab to inform the others what Sandy has taught him. There he regales Squidward (Rodger Bumpass), Patrick (Bill Fagerbakke), and Mr. Krabs (Clancy Brown) a tale of Christmas with emphasis on Santa Claus. Mr. Krabs thinks it’s pretty great to hear about a guy who will give you whatever you want for Christmas and he’s eager to write a letter to the jolly, fat, man. Patrick is equally excited and sets out to write a letter to Santa as well.

SpongeBob is shockingly literate.

Squidward is the lone holdout. He finds the story preposterous and refuses to participate. SpongeBob tries to talk him into it, but he’s not coming around. All the while, Patrick keeps interrupting their conversation because his piece of paper has split in half. After he requests a new page a few times, we see what’s causing the problem. Patrick is sitting down with the pencil in between his legs pointing up. He then presses the paper down against the pencil in order to write on it. I’m now curious if he often has problems with the written word in other episodes.

Is he an inventor? I’m so confused by the existence of this competent machinery.

After the letter-writing is over, SpongeBob shows Patrick the machine he’s come up with to deliver the letters to Santa. They place each letter in a bottle and the machine fires it up to the surface of the ocean. It (shockingly) works just fine, and SpongeBob starts sending the letters to the surface. For his gift, he just wants to bring Christmas to Bikini Bottom, but the others want something more material. Patrick wishes to have more paper, and the message in his bottle is clearly ripped in half, while Mr. Krabs wants a pony…with saddlebags full of money. He gets it!

This is probably going to ruin the life of some castaway.

The other townsfolk get involved too and soon the surface of the water above Bikini Bottom is full of letters. Squidward is still holding out, and SpongeBob and Patrick get set to making the town look merry for Christmas via song. It’s called “The Very First Christmas,” and it’s plenty catchy. It’s not as good as “Don’t Be a Jerk,” but it’s fine. During the song, we see SpongeBob and Patrick chop down Squidward’s coral “tree” to set it up in town and decorate it with glowing jellyfish. Patrick is a natural fit for the top of the tree as the star.

Time for an image blitz because there’s a lot going on. First, SpongeBob and Patrick chopping down Squidward’s…tree?
At least they made it look nice.
Mr. Krabs coming in with the high notes.

When the song is over, Squidward is relieved that he can now peacefully go to bed. Only he can’t, because the entire town is outside his house to sing another song welcoming Santa. It’s basically “Jingle Bells” only with the words changed to reflect their Santa-eagerness. Time passes though, and as Squidward sleeps peacefully the folks outside sing all night to no avail. When the morning comes, everyone is still there, but there’s been no sign of Santa. The crowd angrily turns on SpongeBob, who shrinks before their gaze.

So who told them they should all stand outside and wait for Santa? Maybe that’s why things start to go wrong from here.
I admire that one fish in the front row still looking pretty hopeful.
This is how I felt right around noon of every Christmas Day for much of my youth.

Squidward rises to the misery, and is delighted! When the crowd leaves, he races outside to taunt SpongeBob about how wrong he was about Santa. SpongeBob doesn’t put up a defense and just stands there looking miserable. Squidward snaps a photo to remember this moment, and for some reason he gets off by putting his ass in SpongeBob’s face and slapping it. The cartoon literally tells us he’s being a jackass by superimposing an image of a donkey over him.

Squidward, feeling pretty god damn fabulous!
I don’t think SpongeBob can possibly be drawn any sadder.
Whoa Squidward! This is trending towards harassment here.
You’re lucky SpongeBob didn’t give you any advice on where to shove that thing. Don’t you feel like an ass now, Squidward?!

With Squidward’s antics mostly over, SpongeBob hands over the gift he made for him. SpongeBob was concerned that Squidward would be the only member of Bikini Bottom to not receive a present since he didn’t write a letter to Santa so he made him one instead. SpongeBob drags himself away leaving a stunned Squidward to stand there alone holding his gift. He opens it to find a clarinet that SpongeBob had made himself and instantly feels bad. Meanwhile, SpongeBob is miserable as he begins to take down the Christmas decorations he put on his own house as well as Squidward’s.

Raining underwater? It’s a Christmas miracle!
Looks like someone’s been hiding a secret Santa fetish…

Uncharacteristically, Squidward decides he needs to make things right. He goes home and puts on a Santa costume. I have no idea why he had such a costume in his house, but hey, it’s needed for the plot! He calls out to SpongeBob from his roof, before falling, leaving SpongeBob stunned with silent glee.

What’s with that look, Squidward? What did you think would happen?

Squidward gets SpongeBob to snap out of his trance long enough to tell him he’s here to thank SpongeBob for bringing Christmas to Bikini Bottom. He has to endure a pair of hugs from SpongeBob, but the exchange goes well for Squidward as SpongeBob heads back to his house. Feeling pretty good about himself, Squidward turns to enter his own home, but a little girl is standing in his way. She asks for her gift, and SpongeBob then reappears to encourage “Santa” to bestow a gift on this deserving young girl. Not knowing what else to do, Squidward ducks into his house for a present and ends up giving away a monkey wrench.

Squidward was not prepared for this contingency.
And he especially was not prepared for this!
Everyone seems to take their crappy gifts in stride, like this woman who wanted a new hairstyle, but instead was gifted a bowl of mashed potatoes.

Unfortunately, this doesn’t solve Santa Squid’s problem. A line of citizens has formed outside of his house and they all want a present. He goes in and out of his house getting items and gifting them to the people outside. They’re never what is asked of Santa, but the fish receiving them make do with what they have. They all seem to leave pretty happy, but they also leave behind an empty house for Squidward.

More or less how I feel every year when Christmas is over. Only there’s more stuff, a lot more stuff, in my house thanks to my kids.

With the crowd gone, Squidward removes his costume and wonders why in the world he just got rid of all of his personal belongings just to make SpongeBob happy. Oh Squidward, you just got caught by the Spirit of Christmas! A knock on the door comes from SpongeBob, who excitedly tells Squidward all about Santa, apparently oblivious to the fact that it was Squidward he encountered and not the real Santa. He mostly keeps repeating that Santa has a really big nose, though Squidward seems to take this all in stride.

Apparently someone was watching.

When SpongeBob finally returns home, Squidward notices a letter has been left outside his door. It’s from Santa! It thanks Squidward for bringing Christmas to Bikini Bottom, though makes no excuse for why Santa passed them by. Squidward can hardly believe it, but sure enough, up in the…sky?…is Santa in his sleigh. He’s portrayed with a live-action actor, played by Michael Patrick Bell, and he does a lot of “Ho ho ho’s” and waves. Squidward thinks he’s going insane and returns to his empty house. He breaks out his lone material possession, the clarinet SpongeBob gifted him, and seems to enjoy insanity. Above, we see Santa fly in front of a setting sun.

Santa, surprisingly being played by someone not named John Goodman or Ed Asner.
Squidward’s just taking it all in stride.
Hey look! A twist on the old moon shot!

At Patchy’s house, the special is over. He’s acting out some sea wreck thing and we interrupt him. He finds a present from a reassembled Potty has been left on his head, a nest full of wrapped eggs. Patchy doesn’t seem too interested and is more focused on the mistletoe hanging in his home. He stands under it hoping a woman will magically appear and give him a kiss, but instead Potty comes soaring in to do the honors. The episode ends with Patchy basically running from the sex-crazed puppet. The special ends on an external shot of Patchy’s ranch with a “Happy Holidays” message spelled over it.

A last bit of chaos at Patchy’s house lets us know we’re done.

The SpongeBob Christmas Special is a pretty satisfying piece of Christmas comedy. It starts with a solid premise, and then does a good job of playing with the viewer’s expectations. Squidward was setup to be a Scrooge, and I even found his choice of pajamas to be very Scrooge-like. I thought for sure we were going full parody when he went to sleep on Christmas Eve, but instead we got something very different. Squidward had to learn on his own that wishing misery upon others really doesn’t bring about good feelings in himself. It was sweet to see him affected by SpongeBob’s sadness, and he actually had to learn about Christmas the hard way when he gave all of his stuff away to maintain his ruse. I liked that he wasn’t rewarded with anything material in the end, he just did what was necessary (albeit, in a comedically exaggerated fashion), and found the true meaning of Christmas within himself.

When I saw this outfit I thought we were going full Scrooge. I’m glad I was mistaken.

The odd part of the special is the fact that Santa apparently planned all of this? Did he decide to fulfill SpongeBob’s wish through Squidward? Or maybe we’re supposed to assume that SpongeBob’s unorthodox way of getting everyone’s letters to Santa was simply a flop? SpongeBob did wait until the last minute to get those letters out and Santa is only capable of so many miracles.

The part of the special that didn’t add much for me was the live-action component. I just don’t find Patchy all that funny. I’m also not 7, so maybe it’s just not for me. The cartoon was entertaining, just that component felt a bit long. It doesn’t ruin it or anything, I could just do without.

The Christmas card ending; a tried and true classic.

This Christmas special isn’t as good as the one that follows, but it’s plenty entertaining for an annual viewing. And I feel confident in saying that anyone who likes SpongeBob probably enjoys this episode too. If you have cable, this one should be very to easy to view even this late in the game. It’s possibly available for streaming on Nickelodeon’s website, and it may even air today! It’s also available on various holiday themed DVDs and as part of the second season of the show. It’s also available digitally because it’s SpongeBob, one of the most accessible shows around. If you have yet to view it this year then find 20 minutes today and rectify that.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 24 – Silly Symphony – “The Night Before Christmas”

We have reached a day of great, holiday, release – Christmas Eve. And what better way to mark the occasion than with a holiday short titled The Night Before Christmas. A lot of cartoons have made use of this title, but today’s subject is the Silly Symphony short that falls under that heading. It felt…

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Dec. 24 – Ren & Stimpy’s Crock O’ Christmas

In 2018, it feels like the novelty music genre is mostly dead. Back in the day when radio was the primary vehicle for delivering new music the novelty song had a place. Usually they would be part of commutes or morning shows when producers thought a laugh was in order. I know where I grew…

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Dec. 24 – Chucklewood Critters: T’was the Day Before Christmas

In the 80s, if you had any connection to a successful animation production unit you could probably get a shot at creating your own series. Such was the case for former Hanna-Barbera animators Bill Hutten and Tony Love. They left that famous cartoon factory to create a series of holiday specials that would eventually lead…

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Dec. 23 – The Super Mario Bros. Super Show! – “Koopa Klaus”

Original air date October 23, 1989

During the late 80s Nintendo was on fire in the US. The Nintendo Entertainment System came storming into living rooms, basements, and dens across the country making Mario and Luigi household names. In addition to video games, there were tons of licensing deals for clothing, school supplies, bedding, you name it. If it could be sold to a kid, then it had a Mario on it. This naturally made everything associated with Nintendo desirable for things like cartoons. Other older video game stars made that leap before Mario and found success, so it’s no surprise that Nintendo was willing to take the plunge as well.

Good old DiC was the first to come calling. By now, DiC is practically on top of the cartoon world in the US. The company has had some big hits while the former Hanna-Barbera juggernaut is starting to flounder and will soon be purchased by Ted Turner. Because of their stature in the world of animation, it wasn’t a surprise to see Nintendo go with DiC. Well, it’s not when you ignore that there are plenty of far more talented animation studios in Japan that Nintendo could have turned to, but their cartoon was clearly being targeted towards Americans so that likely explains the choice.

Danny Wells loves being Luigi.

For DiC’s first stab at a Nintendo cartoon it turned to the Super Mario Bros. It handed things over to Inspector Gadget creator, Andy Heyward, and trusted him to bring Nintendo’s mascot to the world of cartoons. That was hardly a surprise, but what was a bit surprising was the decision to include a live-action component in the show. The Super Mario Bros. Super Show! would begin with a segment featuring actors playing the brothers Mario and Luigi. They would have their own plot to untangle that would be setup in the opening act before the show would transition to the cartoon segment. The cartoon featured Mario, Luigi, Princess Toadstool, and her attendant Toad as they traveled through the vast Mushroom Kingdom always crossing paths with the evil King Koopa. When the cartoon concluded, the show would go back to the live-action portion where it’s story would progress and then resolve in the final act.

Why did DiC feel the show needed this live-action component? Well, it probably didn’t, rather DiC just saw an opportunity to knock the costs down. Who knows what Nintendo charged for the license, but my guess is the live-action was a lot cheaper to produce than animation. The actual cartoon in each episode is only 12 minutes or so in length. And the live-action part is just shot on a soundstage. There’s no on-location filming, wardrobe is pretty consistent, and they could probably bang out a few of these things in a day. Plus, it also allowed for the show to have some guest stars when the opportunity presented itself.

Monday through Thursday 1989, little dudes like me were “treated” to a Super Mario Bros. cartoon as part of the Super Show.

To add another wrinkle to the program, is that the show was actually 3 shows in one. It was a direct-to-syndication program that aired on weekday afternoons in most markets. Monday through Thursday featured a Mario cartoon and on Friday the Mario cartoon was swapped out for a Zelda one. During the lead-up to Friday, a sneak peek of the Zelda cartoon would be featured too so that when Friday came it almost felt like a re-run. It was an odd setup, but Mario and Zelda were like a packaged deal during this era, if cereal could be believed.

This is not a show with a large budget.

The Super Mario Bros. Super Show! lasted just the one season before it was replaced with a show based on Super Mario Bros. 3. The show produced 52 Mario cartoons and 13 Zelda ones. It also produced a pair of Christmas segments. One of which is the subject of today’s post, “Koopa Klaus,” in which King Koopa tries to ruin Christmas. The other Christmas segment was the live-action “Santa Claus is Coming to Flatbush.” Why the two weren’t paired up I have no idea. It makes no sense, especially since this one aired before Halloween in 1989 and the other on the more appropriate date of November 29. Instead, this one was paired up with “Little Marios” which is actually one of the more memorable segments for me since it features a ridiculous flashback in which the same actors portray kid versions of themselves. At any rate, it has nothing to do with Christmas so I’m just going to ignore it.

Better than a toilet…

Every episode opens with the very catchy theme song, “The Plumber’s Rap.” There are actually two versions of the rap, the one at the beginning of the show and then a different, much shorter one, that introduced the cartoon itself. Let’s just get it out of the way right now: this show sucks. However, I unironically love “The Plumber’s Rap.” It is perfect for what it is. When the opening credits are done, the episode begins with the first segment in the “Little Marios” plot. Now, I already said I’m going to ignore it, but while we’re here, I’ll just make some observations. For one, Mario is played by former professional wrestler Lou Albano and Luigi by Danny Wells. Both men are, unfortunately, no longer with us. They mostly look the part, I suppose. They’re definitely a little older than how I would have pictured the Mario brothers, but they have the colored overalls, blue undershirt, and big moustache. Albano even shaved his signature beard for the role, which was quite a commitment for him. Their home, which doubles as their place of business, makes no attempt to disguise itself as something other than a set. It’s very open. For some reason, the telephone is always shown in the middle of an actual pizza and it’s covered in cheese and pepperoni. The Mario brothers basically speak in Italian stereotypes and seem to consume nothing but pizza and spaghetti. The show makes very liberal use of a laugh track which makes it feel even more dated than it is.

Behold! Koopa Klaus!

When we get to the cartoon, we get the other opening credits with the modified rap. The lyrics are different and tell the viewer how the Mario brothers came to be in the Mushroom Kingdom (they found the secret warp zone while working on the drain). When the cartoon itself finally begins, we’re dropped into a factory where Koopa Troopas are dumping toys into a machine to grind them up into junk. King Koopa (Harvey Atkin, easily the best part of this show) is decked out in a Santa suit and is delighted to see the toys being smashed. He hates Christmas and he’s made it his mission to ruin the holiday for everyone. The three-headed serpent, Triclyde, approaches and he’s wearing a reindeer outfit. Koopa addresses him as Randolph the red-nosed triclyde. Apparently, Koopa’s sleigh is ready for him and he announces he’s off to Santa’s workshop to bomb it. He takes off with a sleigh full of bob-ombs being pulled by a pair of albatross with bicycle handles for reindeer antlers, a superior solution than what the Grinch settled for.

Mario gets to wear this stupid outfit the whole episode.

Mario and the gang have just popped up out of the ground like fucking Bugs Bunny for some reason in a very cold environment. Mario is dressed for some place much warmer and we find out that Toad (John Stocker) gave him some bad directions which has taken the four to The North Pole instead of Hawaii-Land. It would seem Toad may have done this on purpose for when Princess Toadstool (Jeannie Elias) realizes where they are Toad eagerly suggests they pay Santa a visit. Mario (voiced by Albano, Wells voices Luigi to keep things consistent with the live-action portion) then adds an entry in his “Plumber’s Log” as the gang starts walking towards the work shop. This is an obvious homage to Star Trek, though we never see a physical log book for Mario so maybe he just does this in his head to feel important.

FYI: if you didn’t already hate Toad, you’re about to.

Toad is rather excited about the whole thing with a major focus of his holiday love being the presents. Oh Toad, will you ever learn the true meaning of Christmas? He hopes Santa will give him his present now, which reminds the Princess that she has a gift for the little shroom and pulls it out. It’s a snowboard, and Toad is more than pleased with this development. He zooms around on the thing without so much as a “Thank you,” but the Princess seems to be enjoying this new development that has left her loyal attendant in a more infantile state.

Toad grave. Sadly, it’s short-lived.

The sound of sleigh bells get the attention of the Princess, but when she looks to the sky it isn’t Santa she spies, but Koopa Klaus! He drops some bombs which explode on impact and appear to be a direct hit on Toad. He’s not blown into bits though, he just goes soaring through the air and lands in a pile of snow. His snowboard follows and lands with one end in the ground forming a crude tombstone. When Toad emerges from the snow, he shrieks about his precious present and gives it a hug. The others then surround him and the Princess is rather pissed he doesn’t seem to care about their well-being. When confronted by this, Toad can’t even muster much of a defense aside from “well, it is Christmas” before finally asking the Princess if she’s ok.

This shot of everyone staring angrily at Toad is going to be repeated a lot in this one.

Luigi then rightly forgets about the dumb, little, fungus and wonders what Koopa is up to. Mario realizes that Koopa was flying towards Santa’s work shop which sets Toad off once again. As expected, he’s worried about the toys and the others have to glare at him to get him to add “…and Santa” to the list of things he’s worried about. No one is concerned for the elves.

The icy work shop, and our first animation gaffe of the episode as Mario is depicted in his red overalls.

The gang then comes across Santa’s work shop only to find it encased in ice. I guess somehow Koopa’s bombs can freeze stuff as well as blow up? I don’t know. They’re all pretty shocked at what they see, but worse, there’s no sign of Santa! They then spy Koopa Klaus (and I find it funny they keep calling him Koopa Klaus) flying away with Santa hogtied on the back of his sleigh. Toad starts crying about never getting another present while Koopa (rightfully) laughs his ass off.

That son-of-a-bitch kidnapped Santa Claus!

The Marios give chase as Koopa is heading…to the frozen work shop? I don’t understand his strategy. Mario is also so committed to saving Santa that he’s still in his vacation attire. Anyway, they happen upon a playground and Mario declares it’s a playground for the elves. Usually elves are little old men and women, but okay. Mario especially eyes a teeter-totter, only it’s not what I would call a teeter-totter, but a seesaw. Maybe it’s a regional thing? He tells Luigi to get a block of ice, only it’s too heavy for Luigi to toss over to Mario so he has to hobble it over. Mario then places it on the seesaw and instructs Luigi to jump off of his shoulders and onto the other end. Luigi does as he’s told and the block gets launched through the air and strikes Koopa’s sleigh. He and Santa fall, but Koopa uses his empty bomb sack as a parachute to slow their descent. I guess Mario was counting on Koopa doing that otherwise Santa would have just plunged to his death.

It’s Snoweegi!

When they hit the ground, Koopa keeps a firm grasp on Santa and uses his sack like a wind sail and lets the breeze pull he and Santa across the snow. Mario and Luigi respond with…snowballs. Koopa, who has a big, spiny, shell on his back could probably just weather the storm here, but he actually stops. He catches some snowballs in his sack, then throws it back at the Marios. Mario gets knocked over, while Luigi ends up covered in snow resembling a snow Luigi.

And I bet you thought Bender did it first.

Koopa Klaus carries Santa across the tundra, and it’s at this point I am just now realizing they aren’t leaving footprints in the snow – cheap animation budget! Mario and the others are right behind them, so Koopa does the reasonable thing of using Santa as a taboggan. As Mario and the others watch Koopa race away on his Santa-sleigh, Luigi worries aloud about the potential for thin ice ahead. Luigi, you’re at the North Pole. I’m pretty sure that ice is plenty thick. Toad then says something smart and points out if the ice can hold Santa and Koopa then it must be pretty thick. It must have been standards and practices that demanded they acknowledge the possibility of dangerous ice ahead or something.

This little guy doesn’t have much of a threatening aura to speak of.

The gang slides down on their rumps and crash land on the ice. Koopa then summons his Koopa Flurries, the little ice skating guys from the US version of Super Mario Bros. 2. They enter to the boss theme from the same game and spin-up some ice blocks to toss at the Marios. Their aim sucks, and Mario declares they must fight fire with fire! No, he’s not whipping out a fire flower, but tossing the ice block back at the flurries. Luigi makes the obvious observation that they’re actually fighting ice with ice, while he and Toad help Mario give it a push. All three wind up on top of the block as it whizzes towards the flurries who just…stand there. In tight formation, so we can get a bowling pin joke. No wonder why Koopa always loses.

Looks like certain death awaits you if you go in the cave.

Lamenting the defeat of his flurries, Koopa races into a cave still dragging Santa behind him (Koopa must be absurdly strong considering how easily he yanks this obese man all around the frozen north). The good guys arrive at the mouth of the cave, but hesitate once there. Luigi seems to be afraid of the dark, but the Princess declares the whole world will be a dark place without Christmas! Toad chimes in with a reminder they need to save the presents or some shit, but really this thing is sending mixed messages at this point. It would seem, per the Princess, that there’s no Christmas without Santa. Since Santa is just a jolly fat guy who brings presents, it would also seem that the implication is there will be no Christmas without presents! Hah! Check-mate, Princess!

It’s worth pointing out that it’s only the bad guy who has festive, holiday, attire.

They go after Santa and slide through the cave, though not smoothly. They end up essentially just going through a tunnel and emerge back out on the tundra. Koopa Klaus is above them though with Santa and he’s ready to dump the fat man over a cliff. He also slips into an Edward G. Robinson impression for some reason, as he spells it out. He ends his evil monologue with his catchphrase of the episode, “Bah Hum-koop,” which he shouts over and over until the predictable occurs: he starts an avalanche.

Is the background ice or water? Eh, it’s just a kid’s show.

The horribly animated avalanche falls on Koopa and Santa. In order to save Santa, Mario relies on that tool he’s most famous for, a plumber’s snake! Yeah, not a power star or flower or even a Koopa shell, but a plumber’s snake. He uses it like a whip to retrieve Santa, while leaving Koopa Klaus. When he asks what he’s supposed to do, Mario just makes a diving gesture. Koopa refuses, but has no choice in the end, so he jumps into…the ice? The background looks like more frozen tundra, but the animators layer a splash effect on it and Koopa behaves like he’s in water, but it looks ridiculous. Koopa hauls himself out of the water and onto some ice to feel sorry for himself. He asks “What else could go wrong?” and is greeted by an angry polar bear. We now leave Koopa to die.

Koopa’s new friend.

Back at Santa’s work shop, the big guy is pretty happy about being rescued, but things look dire. Santa (Stocker) doesn’t see how he could possibly unfreeze the work shop in time for Christmas. Surprisingly, no one seems concerned about the elves or reindeer encased in ice. They should be pretty dead at this point. Toad doesn’t give a shit though since he has his snowboard. He races around like a show-off, while Santa cries.

That is one punchable face.

Toad the infinite moron, then asks “What’s wrong?” when Santa walks off to be sad. The Princess has to dumb it down for him, and then Toad gets to flip a switch in his stupid little brain. He hands over his snowboard to Santa and tells him to give it to someone for Christmas. Santa, in an extreme overreaction, embraces Toad and tells him he’s never seen anything quite like the gesture Toad just made. His exact words are, “In all my life, I’ve never seen anyone express the true spirit of Christmas quite like you did.” What an astoundingly stupid thing to have Santa say. The little mushroom donated a snowboard, not a kidney!

Toad using Santa’s beard to dry his tears feels way too clever for this show.

Santa starts crying, and then everything melts because of Christmas. The Princess and Santa spell it out for the kids at home, in case they couldn’t figure it out, that the spirit of Christmas has warmed Santa’s heart to the point where the ice is thawing. It’s dumb, and an easy out. The elves and reindeer even seem fine, and Santa is able to prep his sleigh for Christmas Eve.

Looks like they saved Christmas after all.

Santa is ready to depart, and once again gives all of the credit to Toad for saving Christmas. Never mind that the little brat did almost nothing to actually rescue him from Koopa Klaus. That was pretty much all Mario. He then declares he has a special present for the lot of them and invites them to ride with him tonight to deliver presents. Toad gets to sit beside Santa, while the other three get stuck in the back. Santa is running lean too since he only has four reindeer and apparently two elves. They take to the sky and Santa calls out “Mario Christmas to all and to all a good night!” and does a moon fly-by to close it out.

Don’t worry, I wasn’t expecting the show to have an eight reindeer budget so I’m not even mad about it.

That’s how the Mario brothers saved Christmas. This is a profoundly stupid and cheap Christmas cartoon. I hate the Toad character as he’s annoying even when he isn’t acting like a child and he’s also kind of dumb looking, if I’m being honest. His arc is plainly obvious from the get-go and his selfishness at the beginning is just so over-the-top. Santa should just boot him out of the sleigh when they’re over the ocean.

The rest of the characters are fine, though none are particularly entertaining. Mario, who sounds like he was recorded over the phone or something, is the leader with all of the right ideas. Luigi is just there to be a sidekick and question Mario while the Princess is mostly along for the ride. She explains things, I guess, but in a cartoon lacking subtlety explanation is rarely needed. We don’t get any fun Mario power-ups in this one, and there’s a real lack of bad guys outside of Koopa Klaus. I did enjoy the Triclyde and birds with handlebar antlers, at least.

King Koopa, or Koopa Klaus, is the only redeeming part of the show. He’s over-the-top as well, but it works. He’s just an entertaining villain, even if he’s mostly inept, and the voice of the late Harvey Atkin is just so unique in this role. He and Stocker were pretty much the only voice actors that DiC would hang onto for the other Mario cartoons, as everyone else would eventually be replaced.

The Super Mario Bros. Super Show! is a relic of its era, a licensed cartoon designed to simply boost the profile of the main characters leading to sales of other merchandise. It’s not a good show, and this isn’t a good Christmas special. It is a widely available one though as Netflix currently has the streaming rights. It’s also available, cheaply, on DVD if you for some reason need to own this thing physically. You could also just stream it for free too, as it’s available on YouTube without the need for payment. Like I said, it’s not any good, but sometimes you just have to DO THE MARIO!

Swing your arms…

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 23 – Missing in Action Christmas Specials

When you do an annual advent calendar-styled countdown of Christmas programming, you start to realize the brands you can rely on and what you cannot. It can be a challenge to find 25 worthy topics, so in order to prevent a time crunch every fall I keep a list of specials I can source from.…

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Dec. 23 – A Very Woody Christmas

If you were a major motion picture studio in the 1940s and you didn’t have a mascot cartoon character then you really weren’t a major motion picture studio. The big ones were at Disney and Warner while Tom and Jerry reigned at MGM. Universal was one of the later entrants, but they struck gold with…

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Dec. 23 – Teen Titans Go!: Second Christmas

The Teen Titans are a super hero group consisting of all of the heroes no one cares about:  Robin, Starfire, Cyborg, Raven, and Beast Boy. They got a chance to shine in their own series, which was eventually spun-off into a satirical comedy series called Teen Titans Go! This series is basically a flash animated…

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