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Dec. 11 – Be Cool, Scooby-Doo! – “Scary Christmas”

Original air date December 10, 2015

I don’t think there’s much debate that the most popular and enduring character churned out by the Hanna-Barbera factory during its hey-day is none other than Scooby Doo. About the only franchise that even competes with the big dog is The Flintstones, which hasn’t been relevant for ages. Scoob has basically had an omnipresence ever since he debuted on the small screen back in 1969. The franchise hasn’t always had a new show in production since then, but for a long time one of the shows it spawned could be found airing somewhere on television. I grew up watching Scooby and the gang solve mysteries featuring guest stars that predated my existence by quite a bit. I also had A Pup Named Scooby-Doo for something more modern, and eventually the franchise made the move to the big screen during the early 2000s.

It’s hard to say what has made Scooby-Doo such a lasting entity. I watched the show often enough as a kid, though I don’t recall ever liking it. Scooby-Doo seemingly existed during an era where kids (especially) would just watch whatever was on. No streaming, few houses with a VCR, and few options on VHS for those house that did have a VCR meant we were at the mercy of the broadcast overlords. It’s a thing my own children can’t even comprehend when I try to explain it which is usually brought on by me getting frustrated watching them endlessly cycle through their streaming options to try to decide what to watch. I feel like a lot of shows benefitted from that same phenomenon as I watched a bunch of crap I couldn’t have cared less about. Unlike a lot of that stuff though, Scooby has continued to live on. His shows may have sucked, but I do think the character of Scooby-Doo (and Shaggy) is pretty charismatic and likable. People want to enjoy the show, even if the actual program makes that task an impossible one.

It’s like past iterations of Scooby-Doo, only funny!

Because of my experience with the franchise growing up, it likely comes as no surprise that I have not paid much attention to it. I never watched the movies, and I definitely never sought out the many direct-to-video features the franchise has spawned over the years. I have heard some good things here and there, but they never were enough to get me to bite. It seems the franchise has had numerous stops and starts over the past decade and they almost all follow the same trajectory: premiere on Cartoon Network, air for a bit, move to Boomerang, see the remaining episodes unceremoniously burned off. Cartoon Network and parent company Warner seem like they don’t know what to do with the franchise, or they have unrealistic expectations for every new series they greenlight. They seem to give each one about two seasons, but no more. Right smack in the middle of this thing is the series Be Cool, Scooby-Doo! From an outsider’s perspective, it’s the most intriguing of the post 2000 Scooby-Doo productions because it features an art style most would deem “out there” for a Scooby-Doo cartoon. The characters have a much more “toon” vibe to them with unrealistic proportions and exaggerated features. I see a lot of different influences when I look at the characters ranging from American Dad!, Mission Hill, Powerpuff Girls, and The Ren & Stimpy Show. It also gives the series a throwback feel to the last version I paid attention to, A Pup Named Scooby-Doo, which also had a far more toon aesthetic.

More importantly, this show features a Christmas episode. The stuff from the 70s and the aforementioned Pup did not tackle the subject which is both surprising and not. The approach of a lot of Hanna-Barbera productions was to produce content that television networks could air at basically anytime. Scooby always had a mild horror element at play due to the mystery format, and maybe that contributed in keeping the franchise away from Christmas. Most of the classic Hanna-Barbera series avoided the subject though, with The Flintstones basically being the exception. Come the 80s, they embraced it a bit more as we’ve looked at Christmas episodes from The Smurfs, The Jetsons, and even Don Coyote. It’s a touch surprising that A Pup Named Scooby-Doo didn’t get to do a Christmas mystery, but then again neither did The Flintstone Kids, Fantastic Max, and a host of others.

This kid waited until Christmas Eve to get a primer on how everything works.

The episode begins with a cold open. A soft, instrumental, rendition of “Deck the Halls” can be heard as we pan from the sky to a warmly lit home on Christmas Eve. Two boys are putting out the customary milk and cookies for Santa Claus. If I’m supposed to know who these kids are it’s lost on me for having never watched the show. There are two boys listed in the credits, Aiden (Todd Haberkorn) and Braiden (Debi Derryberry) and I assume these are them. The younger of the two is pretty concerned with this whole Santa thing and is pointing out the gaps in the logic that allow Santa to visit millions of homes in a single night. He’s either some sort of math whiz or he simply memorized the conditions needed for Santa to complete the task. It begins with more innocent questions, like how does he avoid getting burned, before the kid launches into the more complicated questions. When he’s done, the older one just says “He’s fireproof.”

I was hoping to see Santa too, but this is kind of bad ass, no?!

Before the boy can respond, a sound from the roof excites the two and they run to an upstairs window. They open it up and take a look out and spy a shadowy figure on-top of a nearby chimney. They both ask aloud “Santa?” with a sense of awe before the shadow turns and reveals its true identity: a pterodactyl! The two kids scream as the beast jumps into the night and they retreat into the safety of their house as the opening title comes storming in. I don’t know about you, but I’d be pretty impressed with the sight of a pterodactyl on my roof, even if I was looking for Santa. The opening title features a pretty simple rock instrumental for its song. The characters dodge spooky creatures while Fred drives around in the Mystery Machine until eventually he collects the whole gang and Scoob ends it with his catchphrase, “Scooby-dooby-doo!” It’s a far cry from Scooby-Doo, Where Are You!

Hell yeah, it’s Christmas, baby!

When the song ends we find the gang in Rockwellville which boasts a population of zero naughty individuals and all nice. I’m guessing that sign will be proven wrong before this one is over. Fred (Frank Welker, the only original cast member still at it) and Velma (Kate Micucci) are admiring the scenery while Shaggy (Matthew Lillard) and Scoob (Welker) are doing exercises to keep their metabolism up as they’re in the prime eating season. Fred is very taken by how all-out the town goes for Christmas while Velma seems a bit overwhelmed by it. Fred decides to check on Daphne (Grey Griffen) and see how the decorations in the Mystery Machine are coming along, only when he opens the rear doors to the van, the group is greeted with a “Surprise!” and a face full of confetti. It would seem that Christmas also happens to be Daphne’s birthday and she says she’s always wanted to have a birthday all to herself and not have to share it with Christmas. Velma points out that this means she threw herself a surprise birthday party hoping the others will acknowledge how silly that sounds, but no one does. Fred isn’t really onboard with this decision from Daphne as he’s brought the gang to this festive town in search of the perfect Christmas mystery that will lead to them helping orphans or something. As he explains his reasoning, he’s bathed in a warm light from above which is literally coming from a street light that was just switched on by a fellow named George (Christian Lanz). Fred thanks him and gives him a tip hoping the fellow will return for any other epiphanies he may have.

Fred is so determined to make this a special Christmas episode that he’s even hired an epiphany guy.

Velma points out to Fred that he can’t just choose what kind of mystery falls into their lap, but Fred asks aloud what other mystery could possibly occur in a town as festive as this one? Cue some nearby carolers who sing about the town being terrorized by a giant pterodactyl. Velma seems ready to pounce on this one as she mentions they passed by an archeological site on their way into town, but Fred refuses to believe it. He suspects someone saw a giant reindeer and mistook it for a pterodactyl, but Velma just corrects him and states it was a pterodactyl, but in an excited tone. Fred continues to try and pushback, but Velma just gestures and repeatedly tells him it’s a pterodactyl!

He doesn’t look particularly holly or jolly.

And sure enough, the massive beast has landed on a decoration over the street and spreads its wings in a menacing fashion that sends the crowd scattering. The gang heads for the Mystery Machine, but as Fred tries to drive away, the van won’t budge. That’s because the pterodactyl has grabbed ahold of the roof rack with its massive claws and is now lifting the Mystery Machine high into the air! The beast flies above the city and inside the van the crew gets tossed around while Daphne struggles to save the birthday cake she bought/made for herself. Fred tells everyone to hold on and pulls a lever which releases the roof rack. Now free from the beast’s talons, the Mystery Machine races back towards the Earth, but Fred keeps his cool. That’s because this Mystery Machine really earns its name as Fred simply pushes a button in the shape of an airplane that converts the van into an actual plane. They land safely on a nearby road, but once they come to a complete stop Velma jumps right back into this mystery issue pointing out that Fred didn’t get the Christmas mystery he wanted. He simply narrows his eyes and says he knows exactly where they need to go next.

Get used to this shot.

The Big Sad Eyes Orphanage! The gang stands outside while a boy, with big, sad, eyes, presses his face on a window to look at them. Daphne is not happy with this development and what it means for her birthday celebration while Velma questions what they’re doing here when they could be exploring the archeological site that just so happens to be right next door. Fred rolls his eyes at her and points out they can’t help orphans at an archeological site which forces Velma to point out that he’s just trying to ignore the mystery they have in favor of finding a Christmas one. Fred sort of groans, but gives in and tells Velma they can go explore the site. As they approach the tunnel with flashlights in-hand Shaggy gets scared, per usual, and they take a look around. A light returns theirs from inside a dark tunnel and a shadowy figure comes rushing towards them!

You don’t have to get used to this guy though.

It’s just some guy named Dr. Mezmit (Jeff Bennett) who is apparently working at the dig site. He immediately mistakes the gang for some volunteers he’s been waiting on, and when Fred tries to tell him they’re not who he thinks they are, he just ignores them. He starts handing out equipment and Velma chimes in again that they’re not the volunteers and they’re actually investigating the pterodactyl sighting. The very cheerful Dr. Mezmit just remarks “Preposterous!” at the suggestion a real, live, pterodactyl is stalking the town and Fred agrees and tries to walk off in search of a new mystery. Then the doctor keeps on yapping and says someone found a perfectly preserved pterodactyl nest in the caves along with perfectly preserved eggs. They would undoubtedly be worth a fortune, but unfortunately a cave-in occurred trapping the nest inside and the mayor is trying to put a stop to their excavation. When Daphne again tells the doctor they’re not the volunteers he’s waiting on he just says “Splendid!” and that he needs all of the help he can get implying he expects them to help along with the volunteers, whenever they show.

I always do my mining in an elf costume.

The conversation is then interrupted by the arrival of one of Mezmit’s original volunteers, David. David (Haberkorn) is dressed as an elf and that’s because he was apparently trying to recruit volunteers at the Christmas festival where he works, but they all got scared away. He speaks like he’s frightened and the doctor is oblivious to this, just as he is oblivious to a lot of things, it would seem. The two grab pickaxes and start hacking away at some stones outside of the tunnel. Seems it would make more sense to break the rocks inside the tunnel, but I’m no archeologist. With the doctor seemingly distracted, the others drop the equipment that he had shoved into their arms and back away slowly. Velma wonders what they should do next, and Fred tells her he knows exactly where to go.

This is the worst looking cartoon silly string I’ve ever seen.

The Big Sad Eyes Orphanage! Yes, Fred is determined to find a Christmas mystery affiliated with this orphanage and the same kid with the big, sad, eyes is still staring at them from inside. Velma angrily tells Fred this isn’t where they should be and points out that the mayor’s office is their next, logical, destination. Fred doesn’t really want to entertain her and says they can do pterodactyl mysteries any day, but this is their one chance for a Christmas mystery! I like how he just dismisses something amazing like a possible real, live, pterodactyl, existing. He also goes into a generic speech about coming together at Christmas time, but is interrupted when he’s hit in the face with silly string. It continues to spray on him for what feels like a rather long time. This show is digitally animated, as is every show post 2000 or so, but for this one sequence it really looks like shit. The silly string looks like it’s being applied to Fred’s face via Microsoft Paint from 1996 as it has zero detail. The culprit spraying him is Daphne, who is still trying to have a birthday celebration here. Shaggy then reminds Fred that he and Scoob need to train for their Christmas feast, which forces Fred to cut a deal with them. He guarantees Daphne a birthday party and that he’ll help the other two train for their feast if they help him with a Christmas mystery. When Velma points out that he can’t just make that happen, he dismissively tells her that he’ll get her a book or something. Shaggy questions what Fred can do for them which prompts Fred to whip out some remote for the Mystery Machine which makes a bunch of training equipment sprout from its hull. It’s all surprisingly conventional gym equipment, but as Fred explains how the treadmill can power the van itself Shaggy reasons all of this equipment could help he and Scoob to eight helpings of Christmas dinner! Scoob doesn’t seem convinced as he finally says something, then smiles and declares they’ll get 9 helpings! With everyone seemingly onboard, Fred declares they’re off to the mayor’s office!

It’s the only way to travel.

I’m mildly confused that Fred wants to go to the mayor’s office since I thought he wanted to ignore the pterodactyl, but whatever. Shag and Scoob, via the treadmill affixed to the Mystery Machine, power the vehicle by running as the gang heads over. Inside the van, Daphne pelts Fred and Velma with balloon animals as she continues to try to force this birthday celebration while Velma ponders if these are the strangest circumstances she’s ever found herself in. Shaggy asks Scooby the same, if this is the strangest situation Velma has ever been in, but their seemingly simple ride over to the mayor’s office is interrupted by the reemergence of the giant pterodactyl! Shag and Scoob see it first and start running faster which makes the Mystery Machine go much faster. Fred tells them to slow down forcing Daphne to point out why they’re running in the first place. The van goes impossibly fast and the beast grabs an old-timey carriage to seemingly throw at them. It misses, but the now out of control Mystery Machine is heading right for a tour bus! We cut to a quick scene inside where the tour guide (Bennett) is pointing out a giant, novelty, candy cane to the patrons on the vehicle’s left and when he tells them to look to the right he’s immediately horrified to see the Mystery Machine baring down on them! He then yells at the people to return to looking left, as if that will save them, but Fred is able to cut hard to the left and avoid striking the bus. The pterodactyl is not so lucky as it clips the roof and crashes into the street. It then rises up and the gang find themselves looking directly at it. The dinosaur flies right at them, but rather than collide with the van it simply flies over it and off towards the full moon.

If it’s not Christmas, Fred’s not buying.

We next find the gang at the mayor’s office and Velma is questioning Mayor Riker (Christian Lanz) why he shut down the dig. He points out the obvious, that it caused a pterodactyl to start terrorizing the town, as justification for it being unsafe. He also adds that some of the money for the dig was then redirected to the orphanage since it was on their land. This gets Fred excited as he’s still in search of a mystery that will benefit the orphans and have a Christmas component. The mayor points out that he didn’t mention anything about helping orphans, per say, but does point out the town tree which they put a gift for everyone in town on. Fred just gets more excited and asks about rogue elves or Christmas ghosts and the mayor just points out they have a pterodactyl problem. Fred frowns as he’s clearly sick of hearing about this dinosaur problem and walks off much to the mayor’s confusion.

What are those leaves on Shag and Scoob supposed to be?!

Shaggy and Scooby spy some equipment nearby. It looks like an X-Ray machine, the kind you would find in airport security to check the contents of bags, but this machine has a different function. It’s a wrapping machine and it apparently runs on magic. When an item goes through it comes out on the other side fully wrapped. Shaggy even demonstrates its magic with a yo-yo as when the toy goes through it’s wrapped, but when it returns to him it’s unwrapped! Shaggy and Scooby seem entertained by this device, but when they peer in for a closer look they don’t notice the bicycle on the conveyor belt behind them. We then cut back to the mayor explaining more about the situation to Fred, Velma, and Daphne. As he starts to mention the development of the star for the town tree, Shaggy and Scooby ride by on the bicycle only they’re completely covered in wrapping paper. The others just look at them in confusion, but no one mentions what they all saw. Instead, the mayor explains that the man in charge of creating the star keeps taking it back for revisions. Fred declares this a mysterious act and is eager to investigate it as a Christmas mystery! Velma just snaps at him to knock it off as the mystery they have to solve is the pterodactyl which Fred has already conceded is not a Christmas mystery! Fred acknowledges this, but says it’s all pointing them in one direction.

What is it, boy?! Did you find a clue?!

The Big Sad Eyes Orphanage! We cut to the same scene of the gang standing outside of it only now Velma is insisting, “No! No! No!” As she and Fred resume their argument about the mystery they’re trying to solve, Scooby starts sniffing around the grounds of the orphanage. He raises his head to reveal a red bow is stuck to it and Fred pounces. This is the first Christmas related clue they’ve found, which just prompts Velma to point out their mystery has nothing to do with Christmas and therefore this is no clue! On the contrary, there are more ribbons just like the one that got stuck to Scooby’s nose and as the gang follows the trail it’s Shaggy who notices that the Mystery Machine isn’t where they parked it. They look around and suddenly the van drops from the sky in pieces! The pterodactyl then swoops in and grabs both Scoob and Daphne! As it flies away, Daphne can be heard yelling, “Worst birthday ever!”

All of those years sharing a network with Batman have finally paid off for Fred!

Fred instructs the others to get in what remains of the Mystery Machine. They speed off after the dinosaur and as they do we get to hear what sounds like an instrumental rendition of Iggy Pop’s “Lust for Life” but with a Christmas vibe. It’s good chase music as Fred and the others speed after the death bird in what is now basically a convertible. They find the streets are too crowded to proceed though, so Fred snatches a sled from some kid and they commandeer a horse. Velma and Fred ride on the horse itself as it pulls the sled with Shaggy standing on it through the streets. Along the way, the pterodactyl knocks over a lighted Christmas display that features two novelty candy canes with a wreath between them. Fred grabs one of the candy canes and the wire affixed to it and uses it like a grappling hook to grab the pterodactyl’s neck. Bad move, as now Velma and Fred get pulled into the air and Shaggy nearly collides with a truck! He avoids it on his sleigh, but winds up going airborne and the whole gang ends up on a giant, inflatable, Santa which is from earlier in the episode. The pterodactyl collides with the big novelty decoration causing it to deflate. The gang, including Daphne and Scoob, safely descend back to ground level while the pterodactyl, once again, heads towards the moon.

There goes Christmas…

The gang, tired and bruised, are left sitting on the curb feeling like they blew it. Fred finally admits that his search for a Christmas miracle has done nothing but harm to their cause and declares it’s his fault Christmas is ruined. Daphne adds that he’s also ruined her birthday, in case he needed to feel worse. While they mope, a grumpy guy named Alistair Levinthal (Bennett) calls out from a shop just behind them asking what they did to his store? Velma tells him it was the pterodactyl, but the guy can’t be bothered as he needs to finish the star for the tree. This piece of information rekindles Fred’s holiday spirit as he stands up and declares he’s going to follow a star to solve this mystery. As he does, he’s once again bathed in light and accompanied by music thanks to George. The group heads inside the shop to question this Alistair fellow about his work. Turns out, he hates Christmas since it falls on him to design a lot of the town’s decorations. Velma points out he’s redesigned the star numerous times lately and he chalks it up to the mayor not sharing the dimensions of the tree accurately for him to design a star for. He adds that the mayor will be surprised once he gets a look at what he’s come up with this year which prompts Velma and Fred to share a knowing glance with each other. They leave the shop with some sense of renewed determination, though Shaggy, Scooby, and Daphne aren’t really sure what’s going on. Fred vows to save Christmas and as he does he stands in front of a painted tree on a storefront window. He takes on his epiphany pose, but George wasn’t ready and comes running over and upset with himself for missing his cue. Fred tells him not to worry, he improvised, and the others reassure George as well. How nice of them?

You bet we’re getting in that moon shot!

We then cut to the center of town and the giant Christmas tree which awaits its proper coronation. The massive star is bolted to the top and the mayor is given the okay to light it up. He does and the star is a truly magnificent sight, but immediately upon lighting it seems to draw the attention of an uninvited guest. The pterodactyl comes soaring in and grabs the star ripping the tree from the ground. As it takes off, the gang comes flying up behind it in the somehow still functioning Mystery Machine! As they chase after the pterodactyl, Fred’s focus is broken-up by Daphne slapping a red party hat on his head followed by a clown wig and red nose on Scooby. This is her last chance to celebrate, apparently. Fred refocuses on the pterodactyl and they’re able to speed in front of it. Daphne then proposes they stop the beast in its tracks with her preferred celebration: silly string! It looks just as cheap as before as the crew sprays the dinosaur in the face. It drops the tree, which manages to end up right where it belongs, but the Mystery Machine is damaged and finds itself in a dive bomb. Scooby reminds Fred about the treadmill, and as he turns to regard him his face smashes into Daphne’s cake giving him a Santa-like “beard” to go with his red, party, hat. Scooby and Shaggy jump onto the treadmill and start running which fires the engines back up allowing Fred to avert total catastrophe. As they level off, they pass in front of the full moon and I’m counting it. Moon shot! They come to a screeching halt on a nearby rooftop prompting a kid on the ground to ask “Santa?” The Mystery Machine slides off of the roof, but the whole crew pops up out of a snowbank triumphantly seemingly unhurt.

That’s right! Take those assholes to jail!

With the tree returned and all of the presents seemingly saved, all that’s left is to unmask the individuals behind this heinous crime against Christmas. The pterodactyl is all wrapped up and tangled in Christmas lights from crashing into them and is seemingly no longer a threat as the mayor, some cops, and the mystery gang gather round. The mayor thanks the kids for saving Christmas from a pterodactyl, but he’s told that’s no pterodactyl. A door on the beast pops open and inside is David! The assistant dressed as an elf from the dig site! Velma explains that it was David who discovered the preserved egg and tried to steal it for himself. He took it to city hall to disguise it as a Christmas present via the wrapping machine, but it ended up getting mixed up with the actual gifts for the tree, so he came up with a scheme to steal all of the presents to find it. And to do that, he needed help from someone mechanically inclined: Alistair Leventhal! Leventhal wanted out of town, so he agreed to help David for a cut of the proceeds once the egg was sold. This required him to redesign the star to David’s exact specifications so he could steal the tree.

You can just see the Christmas spirit radiating from this little orphan boy.

With the mystery solved, it’s now time to haul away the bad guys. David gets the honor of saying the “And we would have gotten away with it if it weren’t for you,” but Levinthal cuts him off by saying, “Oh, be quiet! We didn’t!” Now the orphans can have their presents, but there’s one kid (Griffin) who can’t seem to find his. It’s the same kid who was looking at the gang from inside the orphanage earlier, and Fred walks up and hands the boy a gift. Their eyes meet, both welling with tears, and Shaggy and Scoob embrace each other as they watch. The kid opens the present to find a giant egg! His demeanor shifts as he announces his gift in a deadpan manner adding, “You really know kids.” Fred is completely unphased while Shaggy and Scooby sob with joy. Velma points out that’s the missing pterodactyl egg and the mayor comes over to declare that since it was found on orphanage land that it’s the orphanage that should benefit from its sale. He even declares that they saved the orphanage! Velma can only muster a “You gotta be kidding me,” while Fred looks rather proud of himself. Meanwhile, the kid still looks irritated by his crappy gift.

Fred helped save Christmas and Daphne gets a birthday song – mission accomplished!

Fred announces that he couldn’t have asked for a better Christmas gift than this. The mayor then adds that since they saved Christmas they get to be the guests of honor at the Christmas feast. We then pan to find Shaggy and Scooby already devouring a bunch of food. Scooby, with a mouthful, seems to say his catchphrase and the mayor indicates he has no idea what the dog just said. Shaggy translates for him by saying Scooby said, “We’re way ahead of you!” Fred then puts an arm around Daphne and announces that there’s only one thing left for them to do: Everybody joined together in song! Daphne looks unsure of this suggestion as the others return to frame and start singing. The song is “Happy Birthday to Daphne” sung to the tune of “Hark! The Herald Angels Sing.” The song is literally just “Happy birthday, Daphne,” only they add a third syllable to her name making it “Daph-ah-nee.” The towns people also join together and they all sing the song and Daphne actually looks pleased by this development. When the song is over, Fred adds a final, “Happy birthday, Daphne.” She smiles and says, “Aww, thanks guys. And merry Christmas!” The camera pans up to the sky and this one is through.

I knew those crafty kids would solve the mystery and save Christmas, I just don’t know why it took them almost 50 years to do it! Actually, I think there’s been other Christmas specials featuring Scooby-Doo and the rest, but this is the first one I’ve seen. Be Cool, Scooby-Doo! isn’t the most visually impressive show, but it’s far from ugly. It’s bright, colorful, and there’s plenty of Christmas décor to find in this one. The personalities of the gang we know so well are largely intact, but I enjoyed Fred’s dedication to Christmas and the conflict this seemed to create between he and Velma. Daphne, Shaggy, and Scooby, the supposed star of the show, were surprisingly understated throughout this one. Daphne just had her birthday bit to stick to and it’s pretty much all she does while Scooby and Shaggy feel like they’re just along for the ride. I was surprised there wasn’t a concerted effort to give the pair funny lines or some humorous physical comedy bits, but really all they got was the brief interaction with the wrapping machine. Scooby barely has any lines and contributes very little to the plot. I don’t know if that’s how most episodes are or if this is an outlier. It certainly caught me off-guard.

The Mystery Machine being able to convert into a jet was certainly not something I expected going in.

Not that it’s necessarily a bad thing for Scooby to have a reduced role in this episode. Fred was basically the star with Velma his sidekick, to a point. It worked as I found him funny enough and I enjoyed seeing Velma push back on him. I like that he wasn’t made to be some idiot oblivious to the real issue, he just rejected it. The repeating bit with George was okay, but the repeating gag with the group returning to the orphanage over and over was better. I also enjoyed the absurdity of a pterodactyl terrorizing a town at Christmas. I don’t know how the Scooby-Doo faithful received this show, but it was a lot better than any of the stuff I grew up with. The only thing I found weird or wasn’t convinced was a great idea was the high-tech approach to the Mystery Machine. Do we really need that? I guess it makes things different, but it makes the group feel like an Inspector Gadget clone.

I can see the mystery component of the show being something hardcore Scooby fans might not be impressed with. It certainly wasn’t impressive in this episode, but I also think this show is aiming to make you laugh, not necessarily make you think. Our only clue that David was involved was pretty circumstantial at best. He was connected to city hall and the dig site and the only such character with a connection to both and our only clue the two were even connected were the bows Scooby found outside. Unless you want to count Fred forcing the issue of bringing Christmas into the mystery. The show made sure to point out that those bows were for gift wrapping and we saw the wrapping machine at city hall itself. Leventhal being involved was certainly not a surprise as he was angry and an inventor and I think the show expected the viewers to know he was at least partly responsible. Some modern Scooby shows have been willing to turn to real, supernatural, beings, but I figured this pterodactyl wasn’t an example of such a thing meaning it had to be a robot of some kind. It’s fine, I guess. Mysteries are hard to write and I can’t imagine needing to do 26 of them for a season of television so I’m not going to harp on it any further, but I’m also not a hardcore Scooby fan.

As far as Christmas specials go, this one was fun enough.

Given my experience with the Scooby-Doo franchise up until now, I suppose I can consider this episode of Be Cool, Scooby-Doo! a pleasant surprise considering I enjoyed my time with it. It’s not a classic, but it’s a worthy watch and it gives a venerable character like Scooby-Doo a legitimately good Christmas special, something more famous and better cartoon stars can’t say. If you would like to watch this one it was released on DVD some time ago. Despite probably being out of print, it’s not an expensive buy and you can get Season One Part One or Part Two for 10 bucks most places. There are digital versions available as well, and it is streaming on the Max platform and might be on Boomerang as well. Unfortunately, like most Warner owned specials, it doesn’t get shown on Cartoon Network much which should be able to provide a massive, Christmas, blow-out every year, but chooses not to. When will they learn?

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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DuckTales (2017) – “The Last Adventure!”

Original air date March 15, 2021

The return of DuckTales came at a really good time in my life. When it was announced, I had just become a dad not that long ago and even had another kid on the way (a bit earlier than planned) and it seemed like the kind of show that would lineup well with my family when it premiered in 2017. I had grown up with The Disney Afternoon and the pre-Disney Afternoon shows, like DuckTales, and they were a formative experience for me. While DuckTales was never my favorite show, it was still appointment viewing and my sister and I watched it daily and stayed with it into the Disney Afternoon days through the release of the movie in 1990. Leading up to the premiere, I purchased the original series on DVD and would most often turn to it to amuse my kids on long car rides. We had a DVD player for the car, and for awhile it was the only show my son thought was available to him in the car. I can still remember his little voice saying “Go in the car, watch DuckTales!” The first thing he watched on YouTube, was the DuckTales intro and when the new intro was unveiled on YouTube it became a nightly ritual for him to sit at the table, eat his dessert (usually M&Ms), and sing along to the video.

Grab some tissues and get ready to say “good bye.”

When the show finally premiered in August of 2017 I had it in my head that this would be a show I could watch with my children and we would all enjoy it. Things didn’t quite work out the way I had planned. My son was only 2 and my daughter was still a month shy of her first birthday. They loved the song, but the episodes themselves were a bit hard to reach. The premiere, “Woo-oo!,” was a brief hit in my household with my son requesting to watch it quite often for a period of a few weeks. As he often did, he would latch onto a piece of media, consume it over and over for a period of time, and then move on. And move on he did. Eventually, they got older and to the point where they could sit and watch it with me and sort of enjoy it. My son seemed to like it more than my daughter, who remained way more into the opening song than the rest of the show, but at least it provided for a bit of quiet time on a Monday evening.

Webby gets to be the star in this one, which is only fair since they use her birthday party as a cover for their FOWL trap.

Even though they didn’t grab onto DuckTales like I had hoped, I’m still going to miss those Monday evening viewings for DuckTales just aired its grand finale last night. Appropriately titled “The Last Adventure!,” the finale truly was a grand undertaking as it spanned 90 minutes of broadcast space. It is my understanding that it will be broken up into three separate episodes with three distinct titles in the future, but as a finale it was pretty special. We knew DuckTales was not coming back for a fourth season as the news broke before the end of 2020. The creators of the show, Frank Angones and Matt Youngblood, were at least informed by the network that the show was ending after three seasons with enough advance notice that they could plan for a true ending. This is in stark contrast to the Disney Afternoon shows of old which were almost cynically constructed to air over and over in syndication with no apparent end. Viewers like finales though. We may hate to see a treasured program end, but if it’s got to, we want some closure. And DuckTales has always approached story telling in a big way. This is not the Disney Afternoon of old where the vast majority of episodes are just one-off, self-contained, stories that anyone can just drop in and out of. This show has arcs, it has continuity. It’s not to the point where it’s unapproachable for a newcomer, but it’s very rewarding for those who take it all in. Had it been denied a true finale, that would have been a television tragedy. Instead, viewers of DuckTales were treated to one of the best television finales in recent memory, and maybe even history!

Donald and the boys have one last adventure in them!

“The Last Adventure!” is centered around the nefarious organization, FOWL, and Scrooge McDuck (David Tennant) and his family have laid a trap for the organization to finally put a stop to it. It’s been somewhat simmering in the background for a few episodes, so it’s great to get back into this plot for the finale especially knowing that we’re going to spend 90 minutes on it. Naturally, the trap laid out by Scrooge and the gang isn’t much of a success, because we need this thing to carry on for awhile. The show introduces two new characters in the process, May (Riki Lindhome) and June (Noël Wells), who should be familiar to longtime duck fans or viewers of The Legend of the Three Caballeros. They’re really the only new characters as the rest of the show is going to be devoted to essentially bringing everyone back. Most just show up for a cameo or to hang out in the background of a shot, but it’s pretty cool to see everyone back. And chances are, if you think someone was missing they were probably there and you just missed them.

Della gets to play the audience surrogate this time as she declares she doesn’t want their adventures to end! There’s a lot of meta stuff in this one.

The theme of the episode is going to be that family is the greatest adventure of all. Della (Paget Brewster) is going to find out early in the episode that her brother Donald (Tony Anselmo) is planning on running off with his new love Daisy (Tress MacNeille) after their business is concluded and she is not happy about it. That’s our first little taste of family, while the rest is largely reserved for the character Webby Vanderquack (Kate Micucci) and how she fits into this eclectic clan.

Webby giving one of many lessons on family in this one.

Centering the finale partially on Webby is a brilliant choice. In the original series, Webby was basically everyone’s least favorite character. She was there because someone felt there needed to be a girl equivalent to Huey, Dewey, and Louie, which is fine. Unfortunately, she was made this annoying, baby-like, character and it was borderline offensive that someone thought this was the right choice for a character that young girls were supposed to relate to and enjoy. It felt like she was put upon the viewers, and viewers generally don’t like that. For the reboot, Webby was turned into the audience surrogate. She’s the outsider within the McDuck family and is constantly in awe of Scrooge and his exploits. When Della Duck has her emotional return, the camera pans to Webby to show her overcome with emotion and sobbing uncontrollably because the show knew that’s what we were doing! This Webby is fully embraced by the other characters in the show and she’s a ball of energy and insight and this show quickly became one that was largely about Scrooge and his nephews as well as his surrogate niece.

Despite being the finale, this one does make time for some new faces.

That is how I will remember DuckTales. It’s a show about Scrooge McDuck, but it’s mostly told through the children of the show. It was able to take time for other things as well, and the Della Duck plot was definitely one of the most rewarding the show touched upon. It was rewarding almost to a fault as once she was brought into the fold, Della kind of just slipped into the background. The show probably could have done more with her and Donald, as it felt like that was held back initially, but then never truly paid off. This finale rectifies that to a degree, but if the show had one missed opportunity it was in not doing more with the duck siblings.

The only thing missing is a, “DuckTales! Assemble!”

That may be a criticism of DuckTales on the whole, but it’s not applicable for the finale. FOWL’s plan will be revealed and it’s appropriately silly, but not to the point where the cast can’t take it seriously. There’s also quite a bit of fan service and pretty much every classic Disney Afternoon show gets a call-out of some kind. Favorite characters get their moment to shine, all the while the show practically beats us over the head with its theme of family being the greatest adventure. And when it’s starting to get too corny, the show basically calls itself out via one of the characters which is a good laugh-out-loud moment. A show centered around a family of adventuring ducks should get ample opportunity to get a little Full House at times. And it is truly impressive how such a massive cast of secondary characters were brought back into the fold so well. The episode doesn’t lag at all, even with it being triple the runtime of a normal episode. It makes me wonder what this team could do with an actual feature-length project set in this world.

So long and thanks for the memories, McDuck family!

Ultimately, DuckTales may not have been exactly the show I had hoped it would be for me and my family. My kids did sit and watch this one with me, but once 8 o’clock hit they checked out. In our house, 8 o’clock means tablet time and the kids get 30 minutes to do whatever they want on their tablets before we read a book and go to bed. And right when the clock struck 8, my son asked for his tablet (sigh). It wasn’t a total loss though for we got a late start to the show because it takes my kids forever to eat dinner, so at 8:30 their tablets went off and I gave them a choice of book then bed, or DuckTales then bed, and they chose DuckTales. We watched the last 20 minutes or so as a family and they were pretty into it, for what it’s worth. As for me, while the show didn’t become appointment viewing for my kids like I had hoped, it very much was everything I could have hoped a new version of DuckTales would be. The finale was fantastic, and I am not the sort who is prone to hyperbole in the moment, but this really was one of the best television finales I’ve had the pleasure of viewing. It was funny, exciting, full of action, and packed with plenty of emotional moments as well. The show set out to solve some mysteries and rewrite history, and boy did it ever deliver!


DuckTales Season One Review

ducktales newRebooting an old cartoon property has its pluses and minuses. On the one hand, reviving an old brand means the core of what you’re trying to build is already in place. Characters, relationships, stories, even music can all be mined from the old and adapted for the new. There are often tweaks made to the look of the show, new voices to cast, and a whole new team to assemble, but it’s undoubtedly easier and less expensive than starting from scratch. And it also allows a new generation of creators to take something they enjoyed as youngsters and mold it into something else. It also comes with risks, and as we’ve seen all too often recently there is an aspect of fandom that is, well, toxic to say the least. Take She-Ra, for example. Originally conceived as a way to market action figures to girls, She-Ra was integrated into He-Man and the Masters of the Universe, itself a show designed simply to sell toys to boys, and the backlash was swift and quick. Even those behind the creation of He-Man looked down on She-Ra and blamed her for hastening the decline of the franchise as a whole, “Now my sister wants to play with me? Gross!” This is all captured quite well in the documentary series The Toys That Made Us, if you want to know more.

She-Ra, I’m sure, had fans of her own, but they definitely were small in numbers, relatively speaking. Rarely did I ever hear anyone in conversation bring her up in a positive light and I literally met no one pining for a reboot in the same mold as He-Man himself. And yet, when a new concept was recently unveiled for She-Ra online the He-Man fandom and nerd culture as a whole was swift to pounce on it. Blaming it for ruining the character or for unoriginally adhering to the “CalArts style,” these fans were loud and largely obnoxious. It was similar to the backlash towards a new ThunderCats show that has yet to air. Did you ever watch ThunderCats back when it was originally aired? That show, just like She-Ra and He-Man and countless other programs, was terrible. It’s fine to be nostalgic for them because you grew up with them. I certainly watched a lot of crappy cartoons, but I don’t want to subject my kids to the same. If there are to be new versions of these shows I want them to be good! Not some 23 minute toy commercial. Fans should be happy these things still exist for a new audience. And the beauty of it all is, if you don’t like what’s new, you still have what’s old. It doesn’t go away or vanish the moment a new version shows up.

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The cast is much larger, but many episodes still revolve around Scrooge and his nephews (plus Webby).

It’s interesting that one of the companies behind the pivot from making shows that sell toys to just making good animated programming was Disney with its Disney Afternoon programming block. The original Disney Afternoon toon was Adventures of the Gummi Bears, but the show most associate with the block is none other than DuckTales. Basically a loose adaptation of the Carl Barks comics for television, DuckTales centered not around Donald Duck but around his rich Uncle Scrooge McDuck. He was partnered with his grand nephews Huey, Duey, and Louie along with his personal pilot Launchpad. Together they went on grand adventures searching for treasure. They wouldn’t just travel to far away places, but backwards and even forward in time! It was memorable for its lavish animation that went far beyond the likes of Dic and Hanna-Barbera. Not to mention for its incredibly catchy theme song.

As such, it seems appropriate that when it came time for Disney to adapt DuckTales for a new audience it largely escaped the internet backlash that had befallen other properties. Oh, I’m sure there are detractors that do not like the new visual style or the Felicia Barton sung intro, but by and large the response I have seen online and in person has been overwhelmingly positive. DuckTales just concluded its first season. Commercially, I have no idea how well the show has done, though it’s done well enough to receive a second season. It’s hard to judge that sort of thing in this day and age when ratings mean almost nothing thanks to streaming options and DVR. There hasn’t even been a tie-in toy-line until very recently so sales of that aren’t going to offer much of a measure. Creatively though, it’s hard to think of a cartoon reboot that has been more successful than DuckTales. The Teenage Mutant Ninja Turtles come close with their 2012 reboot, and really that ThunderCats reboot of a few years ago was miles ahead of the original, though it did not last very long. DuckTales is on another level though, and there are a lot of reasons why.

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After mostly chilling on the sidelines in the original series, Donald is a part of the main cast this time around. He doesn’t get to relax as much as this image suggests.

First and foremost, the work of Carl Barks has not been ignored. Scrooge is back to his red overcoat and he’s partnered with all of his nephews this time – including Donald Duck! Back when the original Disney Afternoon was conceived, Disney was hesitant about letting any of its big stars headline a show. Landing Donald for the few episodes he was in was a huge get, as characters like Mickey, Minnie, and Goofy were completely shut-out at the onset. That stigma has long since passed allowing Donald to finally star alongside his uncle as he should. Huey, Dewey, Louie are still around and now they have distinct looks and personalities all to themselves. The prior nephews in basically every iteration were interchangeable. It was part of their charm, but also pretty limiting from a character perspective. Now they’re free to be themselves and the writers are allowed to explore each individual duckling. Huey is the closest to the original mold, the burgeoning Junior Woodchuck. Louie is more slothful and laid back while Dewey embodies the adventurous spirit of his great-uncle with perhaps a touch too much enthusiasm. Webby is also back and she’s no longer the little girl who seems to get in the way, rather she’s an adventurer herself who looks upon the likes of Scrooge and Donald as something close to legendary figures. She’s good-natured, and her grannie Mrs. Beakly is still around to look after her. Oh, and Mrs. Beakly is no longer the meek maid to Scrooge but a former covert agent herself with a rather massive and intimidating physique.

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One of the more radical redesigns is that of Mrs. Beakley, who went from doting old maid to a tank-like brawler who still has a soft touch.

The show’s approach is similar to the original DuckTales, take Scrooge and the gang on adventures to fantastic worlds with treasures to uncover and villains to foil. Since the cast is larger, episodes will often pairs things down to just a handful and save the full cast for the most important episodes. It also includes more structured story-telling and the first season revolves around a character we’ve only ever seen mentioned, and rarely at that – Della Duck. Della is the sister to Donald and the mother to the boys, and at the end of the second episode (aired as one long episode for the premiere) the boys uncover a painting that depicts her alongside her brother and uncle. Della previously was basically only mentioned in the cartoon short “Donald’s Nephews” with Donald shown reading a letter from her asking her to watch her kids. She’s basically never been mentioned again and never seen, as far as I can recall. The boys start off knowing something happened to her and it may or may not have led to a falling out between Scrooge and Donald. The first episode deals with Donald reluctantly going to his uncle for help in watching the boys so he can go on a job interview, and that arch ends with Donald and the boys moving in as Donald seems to understand its best for his nephews (plus his house boat was destroyed in the process). The boys spend parts of the first season secretly investigating what happened to Della, and the mystery is unraveled slowly and takes some twists and turns. It even threatens to split the brothers apart as Dewey discovers something and decides to keep it from his brothers. Things come to a head in the penultimate episode leaving the finale, which just aired this past Saturday, to deal with the fall-out.

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Lena and Webby’s friendship is one of the main plot points weaved throughout the first season.

The other big teaser throughout the first season revolves around Scrooge’s old enemy – Magica De Spell (Catherine Tate)! She was a frequent foil in the original series so naturally she’s back. As basically the big baddie of the whole thing, it’s a lot of fun to see the show treat her as such. When the season begins she’s magically sealed away and only able to interact with the world through her niece Lena (Kimiko Glenn) who poses as a friendly sort in order to gain the trust of Scrooge and thus somehow free Magica from whatever keeps her sealed away. To do so she gets close to Webby and the two become best friends. Throughout much of the second half of the season we get to see Lena being pulled between the two forces in her life; her friendship with Webby and her loyalty to Magica. It’s nothing new, but it’s handled well and there are some genuinely emotional moments that come of this and there’s a lot of payoff in the end. Plus, the animators used this really creepy effect where Lena’s eyes turn black and “spill” shadows to form Magica. It’s genuinely unsettling.

The original DuckTales cartoon dealt with plots that continued from one episode into the other. There were even changes to the main cast as was the case with the introduction of Bubba and Gizmoduck. Those storyline pay-offs though were not on the equal with the new show. The main theme of family is at the core of this new show and it never strays too far from that. Very few of the episodes in the first season felt like filler as all seemed to serve some purpose. Either a character learns something about themself or their relationship to the others or something else happens to move the overall story along. It’s a great way to structure a show and I always love seeing what is primarily children’s programming take this sort of risk. There will always be television executives who look down on children and think the simpler the better, but trust me, kids notice this stuff and appreciate it when a show doesn’t treat them like brainless buffoons.

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Many of Scrooge’s old villains have returned.

Additional challenges arise when creating a new version of a 30-year-old show. Namely, the voice talent available isn’t the same anymore. Alan Young, who provided the voice of Scrooge for decades, is no longer with us. And since it was decided that the nephews would be approached differently this time around, the talents of Russi Taylor were declined and instead each was given a unique voice. These changes are often the hardest for the old fans since not only do these characters barely resemble what we fell in love with as children, but they also sound very different. Once you get past that change though, it’s hard to say bad things about this cast. David Tennant is a great Scrooge with a natural Scottish accent. He brings everything you need from a voice actor to the character. He can be gentle, intimidating, enthusiastic, and even sad. It was hard to say good-bye to Young, but Tennant has done a remarkable job in his first season at the helm. The nephews are voiced by Danny Pudi (Huey), Ben Schwartz (Dewey) and Bobby Moynihan (Louie) and they all impart their own personality on the characters. If there is one negative to this season, it’s that Dewey definitely feels more developed than the other two and thus Schwartz shines brighter than the others, but season 2 could easily rectify that. Kate Micucci is Webby and she was perfect in the role while Toks Olagundoye voices her grandmother Beakley. Beck Bennett plays a more aloof Launchpad, but otherwise kind of sounds like he’s trying to do Terry McGovern which is a little sad because I know McGovern really wanted the part. If you’re feeling uncomfortable with all of the newness in the cast then at least you have Tony Anselmo reprising his role as Donald Duck, as it should be.

The new visual style of the show is bright and expressive. It’s a bit flat, which seems to be a trend in 2D digital animation, but it has its own look which helps differentiate it from the original series. The look of the old series just can’t be duplicated in today’s environment, so the show was smart to not even try. I really like the new look for Scrooge and Donald and feel it suits them well. The nephews have taken some getting used to as they have really large heads and in some respects resemble chickens more than ducks. The backgrounds are all really well done and there’s plenty of variety to be found from suburban settings to creepy castles. There’s also more imaginative and fantastic settings to be found and the show does an admirable job of mixing things up. It does the same with the villains and guest spots and virtually everyone you know and love from the original series makes an appearance or two here. There are also a few new characters thrown around, some inconsequential and some rather imaginative (I’m looking at you statue-headed horse) and almost all have some pay-off.

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And many old allies are back as well.

Of the first season’s 23 episodes (25 if you count the premier and finale as two episodes) it’s hard to pick a favorite. The first episode, “Woo-oo” was wonderful for its patient and rewarding reintroduction of these timeless characters. Any episode that pits Scrooge against Glomgold was usually humorous and entertaining to watch and the episode “Beware the B.U.D.D.Y. System” was equally humorous for its focus on Launchpad, plus it had Gizmoduck! Some of the episodes have some rather delightful Easter Eggs in them. You have undoubtedly seen or heard about the numerous Darkwing Duck ones, and the finale included one Easter Egg from the old NES game. And it’s really hard for me to not just pick the last three episodes as my favorites. They’re the most weighty with the biggest emotional moments in the whole season. I even get a lump in my throat just thinking about them.

As I said earlier, it’s hard to imagine a reboot having as successful a reintroduction as DuckTales did in 2017 and into 2018. The new show proves the old comics and original series still have legs, their foundation was one that can anchor any show in any era. This is the rare reboot that should have little trouble appealing to the old fans while also being something new for a younger generation that may never have even heard of DuckTales before 2017. If nothing else, my own children have proven to me time and again that the old theme song will never go out of style as the two will happily sing it at the dinner table, from their car seats, or while they play. It’s really rewarding as a parent to see your children embrace something you loved as a kid yourself, even if it’s not the same and in a new form. I have no doubt that DuckTales is in good hands right now and I look forward to watching the second season with my kids, or even on my own after they go to bed (it can be hard to focus on these things with a pair of short-attention span toddlers).


DuckTales Premiere “Woo-oo”

ducktales_2017_by_xeternalflamebryx-db1zb8bWhen Disney set out to reintroduce DuckTales to a new generation of youngsters they clearly decided the most enduring legacy of the late 1980s cartoon series was its catchy theme song. Penned by Mark Mueller and covered in exhausting detail in a new Vanity Fair piece, the DuckTales theme has remained a unifying force of nostalgia for those who heard and watched cartoons during its run. It’s upbeat, poppy, and entrancingly catchy qualities are essentially the one aspect of the old cartoon preserved almost exactly for this new edition of DuckTales. Sure, it’s now sung by Felicia Barton and that final verse is altered ever so slightly, but it’s relatively unchanged from its origins and it still rocks.

The theme has been a central part to the advertising blitz laid out by Disney which seems to know it has something in DuckTales. So confident is the sense coming from the company that it’s a wonder this wasn’t attempted sooner. Is there something magical about waiting for the 30th anniversary of the original program as opposed to the 10th or 20th? Or have we just arrived at a moment in time technologically speaking where this show can be done at a reasonable cost without resorting to the 3D computer-generated imagery of many of Disney’s modern cartoons? Whatever the reason, the song appeared in a quick teaser for the show last year along with the unmistakable “Yeah!” of Donald Duck. The new cast was introduced via a YouTube video where they all sing the song with great exuberance and some pretty impressive timing. And why not? The song is perhaps the best cartoon theme ever concocted and should be leaned upon heavily to bring this franchise back.

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The money bin is still a thing, and looks to be harder to penetrate this time around.

And DuckTales is indeed back. Saturday August 12th marked the debut for the new series, and much like its predecessor, it debuted with an hour long special. Disney XD was the chosen landing spot and the entire day’s programming has been dedicated to airing the new episode of DuckTales, titled “Woo-oo”, for the entire duration of the day. It’s a bold way to announce a new show and it will also be streaming on Disney’s websites and apps presumably until the show’s re-debut in September.

Resurrecting a beloved franchise isn’t easy and often thankless. Fanbases seem to become increasingly protective of that which they love as time marches forward and the slightest change can cause the biggest disruptions. Perhaps that’s why the show has felt so secretive with Disney waiting what felt like an eternity before showing off even a still image from the show. In general, it seems most took the show’s new look with enthusiasm. Scrooge now sports his traditional red coat from the comics from which he first made his name. The show is presented in 2D as opposed to 3D, and all of the familiar faces are still there. The children have received a makeover, as expected, but they don’t feel as forced as the ones the nephews got for the short-lived Quack Pack program in which Disney seemed to be forcing teenaged culture into the show in a mostly unauthentic fashion. The show also promised to send its cast on more timeless adventures, seeking treasure and uncovering all manners fantastic all while maintaining not just the spirit of the original toon, but those Carl Barks stories as well.

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Expect to see some old foes pop-up eventually.

Naturally, some voices had to change as well and Disney kept its casting decisions under wraps for some time. Alan Young was basically the only Scrooge my generation knew, but Father Time made sure it wouldn’t be possible for him to continue the role for the new series (RIP). David Tennant has brought his Scottish charm to the new series. His Scrooge is a lot more youthful sounding, but comes across as authentic and dashing and I think it’s a voice that will suit him. Terry McGovern, who voiced Launchpad McQuack in the original series as well as in Darkwing Duck, lobbied hard for the role here but was passed over in favor of Beck Bennet. Bennett is fine, and I understand the feeling in the building that this should be a new show for a new generation, but Bennett basically sounds like he’s doing his best McGovern impression which makes me wonder what’s the point in re-casting him? The nephews Huey, Dewey, and Louie have unique voice actors for really the first time in their existence in Danny Pudi, Ben Schwartz, and Bobby Moynihan. I’ll miss the adorable duck voice of Russi Taylor, but I can’t argue against the decision to make the nephews feel like distinguishable characters from one another. It used to be that only the color of their shirt differentiated one from the other, but in this series all three have their own unique personality. It seems like Huey will be the boy scout, Dewey the crafty trouble-maker, and Louie more of a laid back sort. Kate Micucci is Webby, who too seems like she’ll have a more pronounced character other than girl duck. Mrs. Beakly has perhaps received the most pronounced makeover as she’s gone from grandma-like in appearance to a hulking behemoth. She’s voiced by Toks Olagundoye and I’m curious to see what kind of backstory has been crafted for her to explain this brawny physique. Last, but certainly not least, is Donald Duck voiced by the irreplaceable Tony Anselmo. Donald was reduced to a cameo role for the original DuckTales due in part to Disney being sensitive about using its classic characters for TV and over concerns of his sometimes unintelligible speech pattern. Thankfully Donald has been restored to full-time cast member as he was in the comics and DuckTales 2017 already has a huge leg-up over the original.

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Donald and his nephews have a very hum-drum sort of existence when the show opens.

The premiere opens with Donald and his nephews aboard a houseboat that they apparently live on. It’s seen better days, and Donald is preparing for a job interview. When he realizes he can’t leave his nephews home alone, he decides to ask his estranged uncle for a favor. We find Scrooge in a state of depression as his life has become rather mundane and unexciting. He’s still fabulously wealthy, but doesn’t appear to be living a truly rich life. He and Donald had an unexplained falling out and their first encounter in many years is hardly warm and fuzzy. Still, Scrooge agrees to help out his nephew by watching his grand-nephews, who before today had no idea they were related to the famous Scrooge McDuck. They think they’re meeting a great adventurer, but are pretty disappointed in what is presented to them. They soon meet Webby, the grand daughter of Mrs. Beakly who lives with Scrooge and takes care of the household. Webby is starved for adventure and her sheltered life in the mansion appears to be driving her a little crazy. The boys and Webby make some fun discoveries while poking around the mansion, which helps to bring out Scrooge’s adventurous side. Meanwhile, Donald gets his job, but his new employer is going to cause some problems for his uncle. Everyone ends up on a collision course for Atlantis, the adventure is appropriately grand.

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Scrooge will have no shortage of enemies and challengers to his title of World’s Wealthiest Duck.

Right off the bat I find myself in love with the visual style of DuckTales. There’s a very Barksian quality to the look of the show with some of the images appearing very influenced by Barks’ later works of art. The animation is undoubtedly done on a computer, whether it’s done South Park style by creating 2D models that are animated or if they’re hand-drawn onto computer tablets I do not know, but it does work. It’s not stiff and it’s not lazy and it doesn’t really look like anything else on television right now. Scrooge warms up to his adventuring lifestyle pretty fast, but it’s fun so I’m not going to quibble with a fast-moving plot. The adolescents are convincing and there is room for exploration with all of them. Mostly, of course, I really am fascinated by this Donald Duck. He possesses his trademarked short temper, but it also appears he’ll be the voice of reason in the group who at least tries to keep everyone in check. It’s a role Donald has really never served on film and it will be a lot of fun exploring this rarely seen side of an 80 year old character. The easter eggs and callbacks are also handled as well as fan-service can be with only one line spoken by a reporter sounding forced, but I won’t pretend like I didn’t enjoy it. And I really loved the reveal at the very end of the episode, which I won’t spoil here, as it seems to suggest this version of DuckTales will have something very new to explore.

If you can’t tell, I’m pretty high on this new version of DuckTales. I may have done things a little differently if given the chance, but I can’t deny the finished product looks and feels great. This show has a lot of potential and something about the way it’s being marketed just exudes an infectious amount of confidence in the material that’s very reassuring. It sounds like there’s a lot of fun stuff to look forward to on the horizon, with other Disney Afternoon properties even rumored to resurface. Whether you loved the original series or never watched it, I encourage you to check out DuckTales as this looks like it’s going to be a really fun ride.