Tag Archives: billy west

Dec. 20 – Futurama – “A Tale of Two Santas”

Original air date December 23, 2001.

It was right here in this spot one year ago today that Futurama‘s “Xmas Story” was inducted into the very prestigious Christmas Spot Top 25 Christmas Specials of All-time. Well, it was named as such a few years prior, but last year is when it got the full write-up treatment. And while I selected that Christmas episode for inclusion, it really is a toss-up for me over which Futurama Christmas special I enjoy most: “Xmas Story” or its sequel “A Tale of Two Santas.”

“Xmas Story” is our introduction to Christmas in the year 3000. Philip J. Fry (Billy West), the time-displaced protagonist of the series, gets to learn how much Christmas has changed over a thousand years and we, the viewer, get to experience the same. Turns out, a robotic Santa Claus had been invented several decades prior to that story which went crazy. Its standards for niceness were too high and thus everyone was deemed naughty. Santa, apparently no longer content to hand out coal to naughty children, decided that it would prefer to kill the naughty instead making Christmas one of the worst days of the year.

That tidbit about Santa is basically just a third act story in that episode. Prior to that, the episode is a bit more light-hearted with some conventional Christmas episode drama and it’s purposefully done that way to highlight the drastic change in tone once Santa shows up. This sequel episode, which took a long time to see the air, doesn’t dawdle and instead gets right to Santa. Seeing that the robot is the big source of conflict for the holiday and the most unique aspect of Future Xmas, the episode doesn’t see a reason to delay the robot’s arrival until the final act once again. Though Santa is going to be put on ice, as it were, for a sizable portion of the episode.

“There were no survivors.”

The episode begins in a typical manner. Our tagline is “This episode performed entirely by sock puppets.” which is a damn lie! The snippet of an old, public domain cartoon just before the Planet Express ship crashes is some screaming, black, dog character (Bosko? – Yes, according to Wikipedia it’s Box Car Blues which is a Bosko short). When the episode begins, we find the Planet Express crew watching television, a familiar sight on Futurama. The news is on and our lovely anchor, Linda (Tress MacNeille) is sharing a story about a futuristic version of a Polar Plunge. You know, those charity events where people dive into frigid waters at Christmas time sometimes dressed in festive attire? Well, in this version the people are jumping into a river of ammonia and we get to see it happen live on television! As Morbo (Maurice LaMarche) informs us after, there were no survivors.

Lock your kids in the closet and say goodbye to your pets – there’s no stopping Santa’s brutal rampage each year.

It’s now time to hear a holiday message from the head of Walter Cronkite (Frank Welker). He is here to offer up a warning about Santa Claus. As he details the danger this menace presents, we’re treated to images of the robot’s exploits from the prior episode. The message is concluded with Cronkite telling the viewer, “Remember, I told you so.” And as he finishes, the screen gets covered by planks of wood. Hermes (Phil LaMarr) is apparently pretty frightened by the prospect of Santa to the point where he feels the need to cover the television. Fry is fine with it since he’s tired of this wood show. We cut to the crew trying in vain to install the fireplace cover to keep Santa at bay. The Professor (West) is there to scold them for taking too long saying he only has a few years left to live and doesn’t want to spend them dead! Leela (Katey Sagal) encourages Fry and Bender (John DiMaggio) to push harder prompting Bender to say, “Oh? Push!” Once the robot is pushing instead of pulling the giant shield slams into place causing Fry and Leela to get tossed aside.

This basically the “Season’s Greetings” of the year 3001.

With the shield in place, the Professor seems no happier. Declaring they’re doomed, he takes a seat and remarks he’s thankful that he installed some blast shields for shutters. He presses a button on the chair and we see his idea of defensive shutters are more like the shields on the 1989 Batmobile. Steel plats cover the entirety of the Planet Express building. Unfortunately for Amy (Lauren Tom), no one told her the Professor was going to be activating them as she was busy boarding up the windows. The blast shields knock her off of her ladder. There were no survivors. Actually, she’s fine, I just couldn’t resist going back to Morbo for a second. Once the shields are in place, we can also see the Professor’s holiday greeting spelled out in Xmas lights on the roof of the building: Trespassers Will Be Shot.

Naturally, the crew has to undertake a mission that will surely endanger their lives.

The Professor shouts a challenge to Santa calling him a cadaver junkie in the process. Even so, with the shields in place the Professor surmises that they’re all likely to make it through the holidays alive so long as they’re not dumb enough to leave the very spot they occupy. Fry, Leela, and Bender all cheer at this declaration, until the Professor remarks that they have a delivery to make: letters to Santa addressed to his death fortress on Neptune. We cut to the Planet Express ship leaving the building, getting some of its landing gear stuck in the blast shields which are very eager to close up. On the ship, the three seem to be in decent spirits and Fry is even reading some of the letters to Santa. One is from a little girl (credit to MacNeille, but I would have guessed it was Lauren Tom) expressing her desire to not want Santa to bring her any gifts this year because the bicycle he shot at her from his bicycle gun really hurt. She’s still sporting a cast in the cutaway. Leela remarks, “How awful! Let’s read another!” The next one is from a little boy (MacNeille) and he’s writing to ask Santa for a coffin for his grandfather. He goes on to point out that Santa choked him with a chestnut last year and his corpse is really starting to stink. The camera even pans to poor, dead, grandpa in a shadowy corner.

These elves are a pretty sorry looking bunch.

Fry is dismayed at all of these letters. Xmas was a time for bringing families together in the 20th century and he wants to bring that kind of Xmas back for the people of this era. Bender questions who would be willing to do such a thing and Fry confirms that they are! Leela is in agreement as the ship speeds towards the north pole of Neptune. Upon landing, we meet the Neptunians of Jolly Junction which looks more like a war zone than a happy, Santa, village as the sound of gunfire and barking dogs fills the air. The Neptunians are dressed like elves and seem to always come in pairs which are always holding hands. A welcome party, as Leela dubs it, comes over to greet them. The first one (West) offers to sell them a kidney while his companion (David Herman) invites Fry to punch him for a buck. Leela refers to them as elves which is when they explain they’re Neptunians (I think Elzar is one too, a four-armed alien race, basically) that are just small because Santa doesn’t feed them. His companion then grabs Fry’s hand and makes him slap him demanding a dollar in return.

At least they have something to look forward to.

As the gang walks through Jolly Junction we get to see how the elves live. It’s not pretty. Some are being massacred by wolves while another pair is trying to stab each other with broken bottles. When the crew walks past a house with two Neptunians each holding a baby (the babies are in turn holding hands) they beg for any morsel of food that they could provide. When Fry points out that they live in a gingerbread house, one of the elves retorts “Hey! It’s food or shelter – not both.” Fair enough. Bender calls them lazy and assumes that they should have money from all of the toy making that goes on. Just the mention of toys causes all of the elves within earshot to gasp and raise their heads. A helpful one points out that the toy factory has been closed for years since Santa judges everyone to be naughty. We see the closed toy shop which has a “Coming Soon: Crack House” banner on it. Fry has his blood angried up at this and vows to shove his foot up Santa’s chimney! He informs the elves that he just needs directions on how to get into Santa’s ice fortress. The first elf to greet them volunteers and his companion takes one look at their hands which are joined together and remarks, “Aww, phooey!”

On Neptune it’s eat or be eaten.

The eager elf and his unwilling companion lead the crew into Santa’s fortress as promised. They’ve hidden them in the sack of letters they’re to deliver and stuck them in a sleigh. This allows the elves to transport their guests past Santa’s traps, which are basically buzzsaws designed to take out anyone taller than an elf and some guard dogs (Welker) who bark “Jingle Bells.” A poor, wayward bird comes into lethal contact with one of Santa’s lasers which drops at the feet of the elves. The pessimistic one remarks, “An omen?” while the more cheerful of the two just shouts, “Dinner!” and stuffs the carcass into his pocket.

He seems excited to bask in the world’s naughtiness.

We cut to inside the fortress to find Robot Santa (DiMaggio, taking over the role from John Goodman) seated at a large console. It’s apparently his way of spying on the people of Earth to see who is being naughty and who is being…naughty. He’s viewing two robots from the robot mafia wailing on some poor guy in the street. Santa declares that beating up a shop owner for protection money is very naughty, but that not paying the mobsters their protection money is equally as naughty! Satisfied with himself, Robot Santa changes the display and it’s Scruffy, the janitor, seated on a stoop doing nothing. He runs his finger across the underside of his nose and Santa accusingly shouts “I saw that!” and appears to write Scruffy’s name on the naughty list. His standards really are set too high, there wasn’t even any nostril penetration!

Leela is the type to think she has the solution to a problem that’s plagued humanity for generations.

Santa is interrupted by the elves delivering the sack of letters. Santa is angry they failed to knock reminding them he could have been watching something really naughty on his device (“I get New Orleans on this thing!”). The elves, clearly terrified, apologize and run off before Santa can say anything else. Inside the letter sack, Leela informs the others of her plan to confuse Santa with a logical paradox and issues a warning to Bender. The three emerge from the sack and Santa is understandably surprised. He whips out a very large gun preparing to blow them away, but surprisingly responds in kind when Leela asks him to stop. He listens as she introduces her paradox (while Bender covers his ears and hops up and down) which claims that Santa is designed to punish the naughty, but is too naughty, and therefore he should have to destroy himself. The robot’s head begins to smoke and spin before finally exploding. Wow, that was easy. Why didn’t anyone think of that before?

Maybe all of the explosive stuff was in the back?

Because Santa had a head built with paradox absorbing crumple zones – that’s why! A new head just pops up to take the old one’s place forcing Fry and Leela to bail. Bender, because he was covering his ears, is a bit slow to pick up on what’s going on, but upon seeing Santa pointing his massive bazooka his way he gets the right idea to run. Santa fires as the trio duck into an elevator and the doors close right on the missile. It’s stuck there, blinking and beeping, while the elevator goes down. The tip of the warhead gets cut off, but we soon see Fry, Bender, and Leela emerging from the elevator at the base of the mountain, only Leela is carrying the explosive for some reason. She pauses, remarks “Wait! This is what we’re running from!” then tosses it back into the elevator. Fry hops onto a toboggan with Bender behind and Leela in the rear. They just sit in place with Fry shouting “Faster! Faster!” The bomb in the elevator then explodes and the force of the explosion sends the crew shooting down the mountainside.

No one gets away from Santa Claus!

The trio go fast enough down the mountain that they’re able to avoid the many security towers raining gunfire down upon them. They zoom through the elf town even passing by the pair that helped them sneak in tossing a bunch of snow up in their wake which covers them. At least the bird they were roasting on a spit was spared! The crew crashes into the Planet Express ship and frantically races abord to try and get the hell out of there. As Leela tries to take off, the ship refuses to respond. She doesn’t understand the problem, but we soon cut to outside the ship and see Santa has a grasp of the rear thrusters. The situation seems dire, but the burning engines cause the ice below Santa to melt. He slips into the water and when Leela powers down the engines the water immediately refreezes burying Santa up to his chin in ice.

Looks like they fall ass backwards into a way to imprison Santa.

The crew comes out to survey the situation, as do the elves. With Santa literally on ice, Xmas can go on as it was always intended! Fry announces that he can be the one to deliver the presents, but Santa scoffs at him and points out that no human could deliver billions of toys in a single night. Fry objects and argues Evel Knievel could, but Bender chimes in that only a robot could do it. Then he realizes that by pointing that out he’s basically volunteered himself and regrets it immediately. The elves, for their part, all cheer in unison tossing all manner of clothing into the air in celebration!

These guys need a better union.

After a break, we find Bender with Santa’s hat on outside the ship still. Santa declares that Bender can’t do the job since he wasn’t built to Yuletide specifications. Bender retorts that he wasn’t built to steal Leela’s purse either, but that didn’t stop him. He produces her purse from inside his jacket and Leela immediately grabs it from him. Bender then orders the elves to bow before their new master, which they seem happy to do. This takes us into a musical section where the elves, along with the Planet Express crew, sing a song welcoming the elves back to work. It’s a rather cheerful sounding melody with dark and bleak lyrics. The elves proudly announce they’ll do the job for free and expect to be horribly maimed in the process. One elf gets a toy lodged in his brain. There’s a spot where Leela sings about turning up the controls to super speed, which she does, causing even the song to get faster in response which is pretty clever. The elves make some pretty shitty toys while Bender gets spray-painted red to look the part of Santa Claus. When the song is over, it’s time to get Xmas underway!

Bender knows what to do with a flying sleigh.

The song concludes with the elves getting their drink on celebrating their adequate gorillas. Bender takes flight and passes by the moon before circling the area and dropping gifts that explode like fireworks. Poor Robot Santa can only issue threats from his icy prison. Bender arrives on Earth and encounters his first home. The chimney has a grate across it which Bender bends easily before entering. Upon landing in the fireplace, he comes face to face with a mother and her kids. She (MacNeille) declares that this is the end and frantically instructs her children to take their suicide pills. Bender stops her telling her he’s the good Santa and he comes baring gifts – at reasonable prices! This is when the father (Herman) pops his head up telling his kids not to believe Santa for he is the father of all lies and the uncle of all tricks. Not even Bender producing a box of Tri-Ominos can sway them and he’s forced to bail. As he does, the entire family wails on his legs with fireplace tools. Bender is able to escape though quite the worse for ware.

You have to admire the woman’s confidence to think she could seduce a robot.

His next stop sees him popping out of the chimney to a well-lit room which startles him. It’s the home of the, shall we say, loose old lady character? She (MacNeille) is perched in a doorway rather seductively, though her charms are unlikely to affect Bender. She saunters over to the mechanical man and offers him a cookie from her cookie jar. Bender is receptive to the idea and sticks his hand in only for an old-fashioned mouse trap to snap across his fingers. As he regals the trap, he asks “What’s in these things?” The old lady them suggests he slip into something…fiery, and she pulls out a flamethrower and lights him up. Poor Bender is then shown emerging from the chimney charred and broken.

Poor Kwanzaa-bot.

We next catch Bender flying in the sleigh his body reflecting the punishment he has endured this evening. He is soon approached by Kwanzaa-bot (Coolio) who is in some sort of rocket powered canoe. He’s alarmed to see “Kringle,” as he calls him, in such a sorry state, and Bender just bemoans the fact that everyone hates him. Kwanzaa-bot counters with an at least everyone understands you. Bender asks if he wouldn’t mind helping him out with these toys, but Kwanzaa-bot has his own work to do tonight: handing out the traditional Kwanzaa book “What the Hell is Kwanza?(sic)” Kwanzaa-bot then hangs his head and sighs, “I’ve been giving these out for 647 years.”

Fry should probably look more disgusted than he is here.

It’s time to check-in on the rest of the Planet Express crew at their headquarters. Amy, looking no worse for ware following her earlier accident, is using a jetpack to spray Xmas lights onto the traditional Xmas tree. They come out of a can like silly string. Leela is decorating a bush with candy canes which Nibbler promptly eats off. Fry has moved an old-fashioned clawed bathtub into the living room to make eggnog in – just liked Grandma used to drink (even though in the prior Xmas episode we found out his idea of eggnog was just bourbon and ice cubes)! Hermes looks on as Fry tastes it immediately spitting it out declaring it’s gone sour. Zoidberg (West) then emerges from the nog requesting privacy while he takes a scented bath. Leela is at the side of the Professor’s chair reminding him that Bender is Santa so they don’t have to hurt him. He angrily shouts back at her “Yes! Yes! Yes! You sound like a broken mp3!” and waves her off.

It’s hard being Santa Claus.

At that moment, Bender drops in with an unenthusiastic “Ho. Ho. Ho.” The Professor immediately produces a shotgun and blasts the poor robot in the chest knocking him down. Leela cries out, “Professor! Don’t you remember what I just told you?” He just shouts, “No!” in response and blasts Bender again who had been assisted to his feet by Amy and Hermes. We cut to the roof Planet Express HQ where Bender is seated crossing off the Professor’s name on his list. He moans that there’s got to be a better way. We then cut to a street view with a Toys for Tots bin in clear view. Bender walks by it with his sack of toys and then just dumps them in the sewer. He declares himself a genius then walks off laughing his usual evil laugh. A sewer mutant (Vyolet, voiced by Tress MacNeille) pops up waving one of the Barbie-like dolls Bender just dumped in the sewer crying out that it creates an unfair standard of beauty.

What a world.

With the toys “delivered,” Bender ducks into an alley to unscrew his present – a bottle of booze. As he enjoys it, New New York’s finest beat cops Smitty (West) and URL (DiMaggio) happen upon him. They both reason that bagging Santa on Xmas Eve would do wonders for their careers, earning URL a promotion and getting Smitty back onto the force (he’s apparently not an actual cop in this moment). They approach Santa Bender who looks alarmed to see them. There’s no struggle, apparently, as there’s a camera shutter and then a copy of the New New York Post is superimposed on the screen with a picture of Bender and the headline “Suspect Nabbed in Santa Case!” And below that, “Chanukah Zombie Still at Large.”

The Professor is now a man who just carries a shotgun everywhere he goes.

We then find our defendant at Famous Original Ray’s Superior Court where Bender is being brought before the Honorable Judge Whitey (West). His crime? Being Santa Claus! When the judge asks him to enter a plea, Bender stands up and announces “Not Santa,” at which point the Professor rises from the crowd to shout, “There he is again!” and blasts him in the back with his shotgun. The Hyper-Chicken (LaMarche), a frequent lawyer character on the show, is addressing young Premula on the witness stand. He tells her she need not fear him and then promptly pecks at her. He apologizes for mistaking her as corn, then politely asks her to point at Bender. She does, the crowd gasps, and the Hyper-Chicken has no further questions. Bender, apparently representing himself, then gets his chance to cross-examine the young girl (who appears to be the same girl injured by the bicycle gun from earlier). He points out that she was paid for her testimony today. She confesses that it’s true as Bender gave her a dollar and some candy causing Bender to scream back at her, “And yet you haven’t said what I told you to say! How can any of us trust you?!” The girls breaks down into tears causing the judge to order Bender to stop badgering the witness. The mere mention of a badger gets the Hyper-Chicken all flustered as he starts looking about for danger.

Maybe one day he’ll be a judge.

Judge Whitey gavels the room to get the Hyper-Chicken to stop freaking out over imaginary badgers. He’s apparently heard enough as he tells everyone in the court he has a ham dinner with mayonnaise waiting for him back at his mansion, so he finds Bender guilty. He sentences him to death which will take place at sundown (wow, the future moves fast). Bender is lead out in handcuffs while Leela is left to remark she hopes that dumb chicken feels bad about what he’s done. We cut to the chicken at the top of the courthouse crowing to the heavens.

He apparently gets a lot of the same messages.

After a break, we find our hero (villain?) Bender being lead to his cell by Smitty, URL, the mayor and the robot preacher while Smitty calls out “Deactivated robot walking. We’ve got a deactivated robot walking.” When Bender comes to a cell with some gangster looking robot in it, he (DiMaggio) calls out to Bender that when he sees the Robot Devil to tell him he’s a coming for him! One cell down the hallway is where Bender finds the Robot Devil (LaMarche), but before he can tell him what the other guy said he just says “I heard him!”

That wasn’t part of the plan.

Fry and Leela apparently aren’t going to give up without a fight. We find them on Neptune where the elves are dressed in summer casual attire and happy to see the two return. Leela doesn’t care about them though as they’re here for one thing and one thing only: Santa. Leela reasons that if they return to Earth with the real Santa the courts will have to spare Bender. She uses a chainsaw to free him from the ice while still leaving him stuck in a cube. Santa taunts her the whole time over who will get the last “ho.” Once Santa has been extracted, everyone soon realizes that they have a problem. The heat from the factory has caused a greenhouse effect and the cube starts melting immediately. Santa is soon free forcing Fry and Leela to bail on this idea. There’s a brief chase sequence through the toy factory which includes on animation goof where Santa suddenly has his hat back on, even though Bender stole it. He also gets his ass impaled on a toy solider. Fry and Leela reach the ship without much trouble and as they fly away trying to devise another way to free Bender, the camera pans to find Santa clinging to the ship and hitching a ride to Earth.

Bender already hates magnets so this is probably the absolute worst way for him to die.

Back on Earth, Bender has been strapped to a table in-between two gigantic magnets. Mayor Poopenmeyer (Herman) is there to explain to Bender how these two magnets will rip him to shreds in the most humane way possible. When Bender points out how that doesn’t sound very humane, the mayor confirms that it is for the witnesses since it’s not boring! He then dawns an executioner’s hood and takes his place by the switch. When a random number generator hits zero, he’ll throw the switch. Since the number generator is random, it just spits random numbers that aren’t zero, for the time being.

Jesus must have been their ace in the hole in case the Spartacus routine failed.

This allows the others to attempt to free Bender. Leela comes running in ordering the mayor to stop the execution on account of the fact that he has the wrong Santa. He just keeps calling out numbers though while the “real” Santa is brought in. It’s Fry dressed in a Santa suit which causes the witnesses to all gasp and the mayor to cry out “What?” Then Hermes enters in a Santa suit declaring that he’s the real Santa, followed by Amy (in a much more revealing outfit) and the Professor. And in the rear is Santa’s friend Jesus, which is Zoidberg in a Jesus costume. Fry tells the mayor that he’ll have to execute all of them. The mayor tells them they’re not Santa and points out that they’re not even robots, then gets in the line of the episode, “How dare you lie in front of Jesus!”

Is Santa looking out for a fellow robot? Or does he just need something from Bender?

The random number generator then hits zero and the mayor gleefully throws the switch. Bender immediately feels the effects of the magnets, which as you may or may not know, causes Bender to sing folk songs, “Swing low sweet chariot coming forth to carry me home!” Fry can’t bare to see Bender suffer, while the Professor happily points out that at least it’s not boring! At that moment, the real Santa finally comes crashing through the wall in his sleigh. Doing so destroys one of the gigantic magnets though Bender still appears to be in some distress since he is attached to the board he’s on. Santa also has his hat back, so I guess he found a spare somewhere. Santa opens fire on everyone in the room and destroys the other magnet. The mayor cries out to Jesus for help, but Zoidberg informs him that he helps those who help themselves and then makes a retreat.

Is Robot Santa going to turn over a new leaf? Is this the heartfelt Xmas special conclusion we’ve been waiting for?!

Santa then approaches Bender who immediately thanks him for saving his life then begs him not to kill him. Santa laughs and tells Bender he’s not here to kill him, but he does need his help to save Xmas. Sappy music chimes in and Bender remarks, “Gee whiz, Santa, you want me to help you save Xmas?” Fry then cries out, “Don’t do it! He’s evil,” and it’s Santa who turns to Fry and says “I know he is, but I have no choice!” Robot Santa needs Bender to help him complete his brutal rampage, because without that it just wouldn’t feel like Xmas. He the turns to Bender and says, “Bender, won’t you join my slaying tonight?” All Bender can muster is a, “Well, ’tis the season!”

Of course not! Now there’s two of them for twice the carnage and mayhem!

It’s time for a holiday montage! It begins with Santa and Bender flying through the city streets while Bender smashes light poles with a baseball bat set to the tune of “Jingle Bells.” Santa then fires a missile into a diaper truck, one that apparently picks up dirty diapers? It rains diapers on the people of New New York causing Robot Santa to cry out, “Let it snow!” Bender then gets to hurl dolls through windows and brick walls and poor, little, Premula gets shot with a bicycle gun once again. It just wouldn’t be Xmas without that poor girl getting shot with a bicycle gun.

Fear: The Magic of Xmas.

At Planet Express HQ, fire is raging all around while the crew is huddled in the darkened living room. Leela is miserable because all of the trouble they went through just lead to an Xmas just as horrible as before. Then it dawns on Fry that this terrible future version of Xmas still does retain some of the magic of the one he left behind for it’s fear that has brought them together. The Professor is ready to tell him how stupid he thinks that sentiment is, then an explosion goes off and he meekly requests, “Hold me!” The whole crew are then left embracing each other in terror on the sofa as somber music plays.

Bender doing his best Hans Gruber.

We’re not done though, as we need to check-in with Bender and Santa one more time. We learn that Santa’s reindeer are Smasher and Thrasher as Bender calls out to them while also whipping them. Kwanzaa-bot pulls up alongside them to inform them Chanukah Zombie is throwing a party and they should come check it out, Bender just responds with “Word.” With Kwanzaa-bot gone, Santa tells Bender he wanted to give him something for covering for him while he was trapped in the ice. Bender greedily accepts the present, but is surprised to find that the box is empty. When Bender informs the big guy he made a mistake, Santa turns to him and says “Oh it might appear empty, but I think the message is clear: Play Santa again and I’ll kill you next year!” And with that, Santa swats Bender out of his sleigh where he falls to a fiery end. Laughing, the robot turns and heads off towards a gold-tinged moon laughing all the way. Merry Xmas, everyone!

Merry Xmas, Santa!

I’ve watched my fair share of dark or bleak Christmas specials over the years. I tend to find most of them funny when they’re done well. As a result, I’m pretty used to them and sometimes it takes me doing one of these write-ups to notice just how bleak an episode like this one is. Santa is a murderer. He inflicts violence upon children and misery upon the “elves” of Neptune. I can see why some at Fox would find this depiction of Christmas distasteful. There’s a perverse message in it that Xmas is supposed to bring people together in fear and we see our beloved main characters all in a fetal position grasping at each other. The darkest joke may have been the family Bender drops in on and the mother ordering her children to take their suicide pills. Does that count as a suicide joke? I suppose not in the traditional sense, but there’s no way to frame a mother ordering her children to kill themselves in order to spare them a long, torturous, death as anything but bleak.

Was the darkest joke in this one the family suicide pact? The little girl getting repeatedly attacked with a bicycle? The kid asking Santa for a coffin for his grandfather’s rotting corpse?!

Despite all of that, the episode is very funny. There are way too many lines in this one to quote them all. I might as well just post the script. Some of them don’t even read as well as they come out like the Professor’s “No!” in response to Leela asking him if he remembers what they just talked about. Billy West’s delivery is just so perfect. Pretty much every line the Professor has in this episode gets a chuckle out of me and it’s largely because of the performance of West. John DiMaggio does a lot of heavy lifting as well voicing Bender and some of his usual incidentals while also taking over the role of Robot Santa. He sounds surprisingly similar to John Goodman’s version of the character enough so that if you weren’t watching these close together you may not even notice the change. DiMaggio would continue to voice Robot Santa in his various appearances on the show. None of which really compare to the first two. I enjoy the other Futurama holiday specials to some degree, but the first two stand head and shoulders above the pack.

Professor Farnsworth is my pick for episode MVP. Every line he has is gold.

If you’re interested in this dystopian Xmas of the future then you can check out Futurama on either Hulu or Disney+, depending on your subscription and residency. Futurama still airs on cable in syndication as well and this episode is probably airing somewhere, perhaps even right this very minute! The series has also been released on physical media and is available to purchase digitally. Futurama is an easy show to find, and a worthwhile one as well.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – Futurama – “Xmas Story”

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama’s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the…

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…


Dec. 20 – Futurama – “Xmas Story”

Original air date December 19, 1999

Welcome, to the world of tomorrow! Today! We’re looking forward while we look back on one of the best animated Christmas episodes of all time – Futurama‘s “Xmas Story.” Have you ever wondered what Christmas could be like in the 31st century? Well, now you don’t have to. Turns out, it’s pretty bad, but the holiday can still bring people together. They just huddle together in fear rather than comfort and joy. No matter, this is but one possible future and it’s not like anyone reading this is going to be around in the year 3000 anyway so don’t sweat it.

The Fox Broadcasting Company was a fledgling network in the early 90s. Two things are credited, primarily, with turning things around for Fox: Football and The Simpsons. Fox got into the animated sitcom market, one that was pretty barren in 1989, with Matt Groening’s The Simpsons. We talked about that show already this year just 10 days ago so there’s probably no need to rehash that. To sum it up though, Fox took a chance on the show and it paid off big time. In hindsight, it’s surprising that it would take Fox another decade after the premiere of that show to premiere another Matt Groening animated sitcom: Futurama. Along the way, there were some attempts at Simpsons spin-offs that went no where and I don’t think any even got very far along. Still, it’s pretty incredible that Fox wouldn’t turn to Groening for another show as it struggled to pair The Simpsons with other content. Eventually, the network would find another hit with Mike Judge’s King of the Hill and that apparently gave the network more confidence in the genre. Now, it seems they’ll greenlight anything for their “Animation Domination” block of content on Sunday night and sometimes a show sticks. Sometimes it has to get cancelled first, as it were with Family Guy, but these days that block is essentially The Simpsons, Bob’s Burgers, Family Guy, and whatever else Fox is taking a swing with.

Let’s celebrate the holidays with the whole gang! And some robots we’ve never seen before.

Futurama was given the greenlight around the same time as Family Guy. Unfortunately for it, Fox would change leadership at the network during development and the new regime was much higher on Family Guy than Futurama, probably for cost reasons, so it got the coveted post Super Bowl premiere while Futurama had to settle for the less prestigious March 28, 1999. The network would air 9 episodes that spring while holding the rest of Season One until the fall where it could air as part of the broadcast Season Two. Included in that second season was “Xmas Story,” an episode supposedly deemed a bit controversial at the network. For some reason, network heads were uncomfortable with a Christmas episode about a murderous, robot, Santa. The trepidation at Fox had little impact on this episode, but when Robot Santa returned in a sequel episode it would be delayed by about a year until the show was in a later timeslot.

This particular episode was originally conceived by Groening and series co-creator David X. Cohen around the same time as the pilot. I suppose when crafting a world set one thousand years in the future one would naturally wonder what Christmas might look like. It’s actually rather nice they didn’t just decide to go all-in on some sort of super commercialism as the plot. I feel like we have enough satire directed at that aspect of the holiday. A murderous Santa? That’s fresh enough. While we do have horror movies featuring killer Santas, this one is different in that it makes Santa a robot and has a plausible introduction for the character. And that he’s saved until the final act also helps to build suspense. This is also one of those early episodes of the show where it can utilize the time-displaced protagonist, Philip J. Fry (Billy West), as an audience surrogate in giving us a look at this futuristic yuletide celebration.

Fresh Hare, the closest Christmas came to Bugs Bunny for an entire generation.

The episode begins with the usual intro and music. The tag-line is “Based on a true story,” and the cartoon snippet at the end of the opening credits is one of the few Bugs Bunny cartoons in the public domain, Fresh Hare, which contains an image of a Christmas tree and Elmer with snow all over his head making him resemble Santa Claus. I had that cartoon on VHS when I was a kid along with a handful of other public domain toons. It has an abrupt ending with Bugs Bunny before a firing squad and I would learn years later that’s because it goes into a blackface gag which had been cut from my copy. And that is likely why it’s in the public domain now. Aside from that, it’s actually a pretty funny cartoon directed by Friz Freleng.

I’m surprised it took them until Season Two to get Conan on.

The cartoon opens on an idyllic lodge in the snowy mountains. The Planet Express crew is apparently going skiing and it will be Fry’s first experience of such in the year 3000. The skiing will have to wait though as the crew is all in attendance watching comedian Conan O’Brien (voiced by himself) performing stand-up. And since it is the year 3000, he’s just a head in a jar and the sight gag here is his head is so big that his hair extends beyond the jar. He makes a reference to his long-time band leader, Max Weinberg, but he’s just a skull in a jar. Apparently someone forgot to feed him. They eat like fish which is revealed in another episode.

Who knew the robot desired freckles?

Conan goes into his routine which begins with a Y2K joke. Bender (John DiMaggio), in the role of the heckler, yells out they fixed that problem a thousand years ago. O’Brien, slightly exasperated already, urges Bender to bare with him. His next setup has him recite “So, I was walking into work,” and Bender shouts out, “I doubt it!” Conan then tries to rip into Bender by saying that he may have lost his freakishly long legs, but he has something Bender never will – a soul! This doesn’t phase the robot in the least, but when he follows it up with, “And freckles!” Bender begins to weep. Get used to these sort of setups. Also, how am I going to get through this write-up without just typing out all of the jokes? This show is packed with so many and there are so many good ones contained in this episode.

The Professor is an incredible skier, provided he’s unconscious.

Conan announces he’s out of material and he’s taken away. Before he departs, he encourages everyone to enjoy their breakfast so Conan has apparently been reduced to breakfast entertainment. Considering how short and dated his set was, that seems appropriate. With Conan’s moldy old antics over, it’s time for some skiing! It looks pretty similar to skiing in the 21st century only the chair lift features hover chairs and no one uses actual ski poles. They’re basically just handles that impart balance somehow. Fry notes how beautiful the snow looks and thanks the lord that global warming never occurred. Leela (Katey Sagal) tells him that it actually did, but nuclear winter cancelled it out. When the two exit the chair lift they ski up to Bender, Fry says “Hi,” and Bender (who is wearing a funny, jester-like, hat) snaps at him, “Enough of your mindless chatter!” On another chairlift, Hermes (Phil LaMarr) and Dr. Zoidberg (West) are stuck and as Zoidberg applies another glove to his mouth appendages the two take notice of Professor Farnsworth (West) who is skiing like an Olympian. We then cut to a close-up of the Professor to find out he’s actually asleep standing up as he makes a flurry of fantastic moves.

I hope that in a thousand years they found a cure for tree to the groin.

Fry and Leela are skiing together and Fry begins to panic as they approach some thickly settled trees. Leela tells him to relax and then commands, “Trees down.” A robotic voice(West) repeats the command and the trees are retracted into the ground. Foolishly, Fry asks what they do when they want the “Trees up,” which predictably causes them to re-emerge from the ground slamming into Fry’s crotch. As he’s stuck in a tree, he meekly commands “Trees down,” and gets slammed into the snow. I should point out, these trees appear to be some sort of pine tree, which is important for later. With Fry laying helpless in the snow, Bender skis by and taunts him with a “Looking good, meatball!”

What a lovely setting for a Christmas special, surely nothing will come along and spoil this image.

As Bender has a laugh at his quip, a fellow skier warns him that he’s heading off the trail. Bender, who is in quite a mean mode so far this episode, just tells the guy to lick his frozen, metal, ass in response. He is immediately punished for his hubris as he plunges off of a cliff. We see him fall from behind, but then it cuts to a frozen pond where some kids are skating listlessly. A non-copywrite infringing song that sounds vaguely like “Christmas Time is Here” from A Charlie Brown Christmas plays and the image lingers just long enough to make us wonder if this is a setup going no where. It’s not, as Bender comes flying through the scene and crashes through the ice taking the children with him. According to the commentary, none survived.

Hermes is apparently not much of a bobsledder.

Zoidberg is shown skiing and he has an unusual way of going about it. Since he’s some sort of crab monster, he puts both feet in one ski and his claws in another and goes down the hill sideways. It’s a cute visual. He stops abruptly though when he comes upon the bobsled track and finds Hermes, the Jamaican accountant of Planet Express, preparing to race down the ice sled. He laughs at the sight, but Hermes is quick to counter that a thousand years ago there was a legendary team of Jamaican bobsledders. Fry is in attendance and he confirms this fact, but then adds “They came in last at the Olympics and then retired to promote alcohol.” This is a pretty consistent setup for a Futurama joke as one would expect Hermes to have a negative reaction to Fry’s statement, but this show’s writing staff loves misdirection so he instead responds with, “A true inspiration to the children.” The countdown sequence then finishes and the gate opens and rather than go forward, Hermes just slowly tips over until he’s upside down. He calls out for some help and Zoidberg just pushes him down the course upside down. He has a laugh at the misfortune of his co-worker (an uncharacteristic turn for Zoidberg, but the writers are still still feeling him out), but like we just saw with Bender, he gets his comeuppance almost immediately as he slips and falls down the course. Fry has a laugh at Zoidberg’s expense, and then decides “What the Hell?” and jumps down the course after him. We hear him crash into something at the end, but are deprived the visual.

I love the Professor’s prescription sunglasses.

At the lodge, we find Amy (Lauren Tom) getting cozy with someone who busted their leg skiing. He(DiMaggio) starts to detail what happened, but then Amy immediately loses interest as she’s spied someone who is even more injured (this is apparently a kink for her). It’s some guy in a full body cast and she pounces on him and suggestively says, “Hello there.” The Professor then comes skiing in still asleep, but he wakes up and is perplexed to find a medal draped around his neck. He finds the rest of the crew sitting around a roaring fire in the lodge and all appear to be damaged to some degree except Leela. Bender remarks there’s nothing like a warm fire and a Super Soaker full of cognac. He pumps it and then blasts it into his mouth. Fry says it really puts one in the Christmas mood and everyone gets confused by his statement. When Fry clarifies what he’s talking about, he does so by trying to spell Christmas, but he spells it as “X M A S.” This alerts everyone that he means Xmas, which they pronounce as X-Mas, and note that Fry must be using an archaic pronunciation like when he says “Ask” instead of “Axe” which sets off a running joke the rest of the series must abide by.

There, there, Fry. Everything is going to be okay.

Fry doesn’t seem bothered by the change in pronunciation, but he is bummed that this will be his first Xmas away from home. Leela then seeks permission to “axe” him if it would make him feel better if they went and cut down an Xmas tree. This causes Fry to perk right up, but we do a hard cut to him being disappointed when he finds out that their idea of an old-fashioned Xmas tree is a palm tree. When he points out that an Xmas tree is supposed to be some kind of pine tree, the Professor tells him that the pine tree is extinct, “Gone the way of the poodle and your primitive notions of modesty.” He then lets his fur coat drop to the ground revealing he’s completely naked underneath, “Ah, brisk!” Fry then starts to fret that everything has changed, and apparently not for the better, but the Professor is there to soothe him still naked. I love that Fry is not phased in the least by the casual nudity. Leela argues that Fry is being ridiculous as she holds an axe over her head to line up a strike, only for another patented Futurama misdirection joke to reveal itself as a laser shoots from from the axe handle and fells the tree unnaturally. And this is the part where I remind you the characters were just skiing amongst a forest of crotch-hunting pine trees.

You don’t see Bender cuddling with Nibbler too often. That’s the magic of Xmas!

The Planet Express ship cuts into view with the palm tree tied down to the roof as an instrumental of “Joy to the World” chimes in the background. The ship enters the Planet Express building and we soon find the dwellers inside decorating for Xmas. A calendar on the wall shows that it’s December 24th. Zoidberg is opening a box, Fry and Leela are by the fireplace looking miserable, and the Professor and Amy are wrapping lights on the tree. Adorably, Bender is in a rocking chair with Nibbler (Frank Welker) on his lap rocking back and forth and singing “Oh Xmas Tree” while Nibbler adds his own little inflections. Fry laments all of the things he is now missing, like his mom getting a goose for goose burgers and his dad whipping up his famous eggnog which was just bourbon and ice cubes. In the background, Amy is struggling with a jet pack which has already caused her to hit her head on the ceiling while trying to place the star on the tree and then sends her careening into the wall.

Thankfully, the sweet flower of the office has returned.

Fry suggests they stop talking about Xmas, which is the cue for Hermes to come barging in shouting “Xmas cards are here! Xmas!” He hands them out which includes a mighty hall for Bender. When he gets to the last of them he sets Leela up for her cards, but it’s actually himself he is referring to as the sweet flower of the office. Leela is upset, but Fry doesn’t notice and instead asks her for a little sympathy which causes her to cry and run off. When Fry asks what upset her, Amy reminds him that she’s an orphan with the Professor adding she’s also the only known member of her species which must make her the loneliest person in the galaxy. Bender then comes over to try and cheer Fry up, but as he does a little dance Fry starts sobbing causing Bender to ponder if he needs to work on his act.

Just like a classic episode of The Simpsons, the TV will tell us where the plot goes.

We cut to Fry seated on the couch all hunched over and sad. He declares he feels like a rat for sitting around whining like a pig while Leela was as lonely as a frog. He then adds he could kick himself, but Amy says she’ll do it for him and does. The Professor scolds him for being blind to Leela’s plight, which just cuts to Hermes telling him that Fry is “over there.” Bender is unphased though as he relaxes in a chair drinking booze and remarks how Xmas Eve is just another pointless day where he accomplishes nothing! Clearly, he needs his own plot then which is why we’re interrupted by a news broadcast. It’s hosted by Linda (Tress MacNeille) and the alien Morbo (Maurice LaMarche), the usual anchors for these broadcasts. Linda sets up her story by noting that Xmas is the time of year where we acknowledge the suffering of others, which is just Morbo’s cue to add “Earthlings do not yet know the meaning of suffering – muahahaha!” That’s his schtick.

First, Bender is snuggling with the office pet and now he’s off to do some charity work? This is too much!

Linda segues into a story about homeless robots who lack the necessary alcohol needed to power their circuits. She’s at a shelter which is basically a soup kitchen, but one that deals alcohol instead. She gestures to the scene and rhetorically asks, “Is there anything sadder? Only drowning puppies, and there would have to be a lot of them!” Bender turns off the TV and heads for the door. Apparently, our cold-hearted mechanical man has found the Xmas spirit for he tells the others that he’s going to volunteer at the shelter. They’re all skeptical and Hermes asks when has he ever done anything charitable? Bender counters there was that time he gave blood and when Fry asks, “Whose blood?” he comes back with “Some guy’s.” With Bender gone, Fry resumes his sulking so Zoidberg suggests he get down on his claws and do the apology dance to make it up to Leela. Fry pays attention to the demonstration miming the movements, then gets the idea in his head that he can just buy her an Xmas present. As he heads for the door the others caution him to be back before sunset. Fry indicates he likes to haggle, so he isn’t making any promises, which alerts the others that Fry doesn’t know about Santa Claus! Fry confirms that he does with a knowing wink, but the Professor is here to fill him in: In 2801 the Friendly Robot Company built a robotic Santa to distribute presents, but a programming error caused Santa to have too high of standards so everyone is on his Naughty List. Amy tells Fry if he gets caught that Santa will kill him while Professor Farnsworth adds “Nice knowing you!”

That’s better.

Time to check-in on Bender who has arrived at the liquor kitchen, only he’s not there to volunteer, but to score free booze. He’s dirtied himself up and put on a knit cap and some torn gloves and tells a volunteer he’s one of those lazy, homeless, robots he’s been hearing about and asks where the free booze is? The guy gestures in the proper direction and Bender is in. We then check in on Fry who is at the mall in search of a gift. He’s at a counter and explains his situation to the clerk, who suggests a nice, traditional, Xmas gift: a surface-to-Santa rocket launcher outfitted with jolly-seeking missiles. Fry laughs at the suggestion which causes one of the missiles to arm itself and point in his direction prompting a word of caution from the clerk.

Tinny Tim, the most pathetic robot you’re likely to see.

At the shelter, Bender is downing another bowl of booze and seems quite satisfied. He then tells the robot next to him who is modeled after an old hobo that someone is trying to steal his handkerchief full of crap. The robot turns to make sure his bindle is still there allowing Bender to steal his booze. A small, pathetic, robot approaches the counter. He’s wearing a flat cap and has a crutch for an arm. This is Tinny Tim (MacNeille), though right now he’s doing Oliver Twist as he politely asks for a bowl of booze, only to find out it’s all gone. As he sadly hobbles away, Bender says to himself, “My God, that poor kid,” and then laughs. Misdirection!

Decisions, decisions.

We are then whisked away to Joe’s Ark Pet Store, Formerly Noah’s Ark Shoe Store, where Fry is still in search of a gift for Leela. He pleads with the clerk as this is his last shot at finding the perfect gift. Following that is a series of gags where Fry is looking at some weird, futuristic, version of a pet and deciding it’s not good enough. Among them is an eight-legged dachshund and Bongo, the one-eared rabbit-like creature from Groening’s Life in Hell. Dissatisfied with his options, Fry asks the clerk what the best pet in the shop is and he points to the electric snail as his favorite pet. Fry declares it a stupid animal and calls the clerk stupid for suggesting it. He’s been hanging out with Bender too long. The clerk is understandably eager to get out of there before sundown and urges Fry to make a choice. Fry then zeroes in on a parrot that apparently costs 500 bucks. He remarks it’s a damn good parrot, but then spies stink lizards which are a buck each. He asks the clerk what women prefer: parrots or swarms of lizards? He’s instead urged to make a choice because the shop is closing setting up a gag where Fry goes back and forth agonizing over his decision as he basically narrates his thought process: “Okay, okay, I’ll take the 500 lizards. No! Wait! Yes! No! Yes! Yes! Yes! The parrot!” Every time he said “Yes” he inches closer to the lizards, a true misdirection if ever there was one.

Well, that took a turn rather quickly.

With that decision made, Fry leaves with his parrot satisfied that Leela will like it. The parrot (Welker) squawks in response and Fry cheerfully remarks how it’s quite the talker. It squawks again and Fry gets angry yelling “Shut the hell up!” The parrot is able to bite his nose through the cage causing Fry to drop it. When it hits the ground it breaks open and the parrot flies off. Fry raises the cage over his head and shouts “I know where you live!” Back at the Planet Express headquarters, Amy is wrapping gifts with Zoidberg as Nibbler bounces around and Hermes and the Professor play chess. Naked. There’s even a nice opening in the chair Hermes is seated in so we can see his butt crack. Leela enters looking for Fry, only to find out that he left to go get her a present. She’s alarmed given the hour and the others act like they have no idea why, but it’s so they can setup a joke for Leela to say “I’m telling you why – Santa Claus is coming to town!”

This is just a tremendous visual gag.

We find Fry at the base of a very tall building with a giant digital clock that reads 4:24 on the front of it. The parrot has apparently found a perch atop it and Fry is going after him. He states, “All right bird, you thought you could beat me in a game of wits, but you just met your equal.” At least he isn’t modest. Fry emerges at the top of the building where the parrot is perched atop the big clock face. There isn’t much room so Fry inches out with his back against the wall. He scoots along, and as he does so does the parrot until it runs out of real estate. Fry thinks he has the bird cornered, but it just does what birds do – it flies. In trying to grab it, Fry loses his balance. He appears to regain it for a second, but then abruptly falls. He’s able to grab onto the number 2 of the clock face, but he’s at the end of it and the number represents seconds that are elapsing. It’s apparently a tangible digital clock that changes to 3, but when it changes to a 4 the top disappears and Fry falls again grabbing onto the middle “bar” of the digital number. He’s safe only until it becomes a 7, then there are no more bars to grab onto.

Looks like everything is going to be just fine.

Lucky for Fry, Leela is there to grab him! Fry is so happy to see her that he declares he’s going to buy her so many lizards! Leela smiles and we cut to the pair walking out of the building. They have a heart-to-heart where Fry apologizes for ignoring her feelings and only focusing on himself. Leela accepts and suggests that at least this Xmas they can be lonely together. The two hold hands and this is probably the second big advancement of their romantic subplot following “A Flight to Remember.” As the two wish each other a “Merry Xmas,” they’re interrupted by a loud banging sound. They turn around and Fry is immediately excited to see Santa Claus! The robot gives a jolly “Ho Ho Ho,” but as it does, it’s U-shaped eyes rotate upside down into a frown as we head into an act break.

Oh, right, we forgot about the killer Santa.

After the break, Fry and Leela do not look at all happy to see the murderous robot as it approaches. Santa (John Goodman) informs the two that they have both been very naughty this year for neglecting each other’s feelings. When they tell Santa that they made up, he counters by asking if either of them had bothered to think about the feelings of their co-worker, Dr. Zoidberg? Fry quickly responds, “No! I swear!” in an early indication of how Zoidberg is to be treated going forward. Santa then tells the two he has something very special for them in his sack. As he reaches in, there’s a quick cut to Fry’s face and he’s smiling like he thinks Santa has a present for him, but he just pulls out a laser tommy gun and starts firing madly!

Clearly, Xmas is just the time of year where people make it easy for Bender to do crimes.

Fry and Leela are forced to run for their lives and rather than watch that we cut to Bender and some homeless robots singing Xmas carols outside an old lady’s (MacNeille) home. We get a piece of the future’s version of “Here Comes Santa Claus” which strikes a very different tone from the present, “So lock the door and hit the floor ’cause Santa Claus comes tonight.” The old lady applauds the group, which includes Tinny Tim, the robot with the bindle, and another, then tells them to go away. Bender stops her by suggesting it’s customary to invite carolers in for a traditional glass of hard cider. She surprisingly agrees and the gang heads in. The door closes and the camera stays outside the townhouse as we can hear them guzzling the stuff down and the old lady tell them that’s enough. The sound of empty bottles being discarded follows along with a command from Bender to get her purse. Suddenly, this is more like A Clockwork Orange than any Christmas special I know.

So did he have the spiked pom pom on his hat before or after he turned evil?

The scene shifts abruptly to Fry and Leela running towards the camera as Santa flies behind them. His sleigh is being pulled by two robotic reindeer as apparently eight weren’t needed. It does speak to humanity’s efficiency that in a thousand years they were able to devise a sleigh only in need of two reindeer to power it. As Santa continues to fire away at the two, Fry begs for their lives and promises to set out milk and cookies for the robot. Santa pauses, but only to remark how shocked he is that they would try to bribe him. That’s just another naughty deed and Santa vows to shove coal so far up their “stockings” that they’ll start coughing up diamonds! In the 90s, we were very fond of jokes that involved something going up the rectum and resulting in something hilarious occurring at the mouth region.

Sorry kids, this is no time for romance!

Santa tosses a grenade in Fry and Leela’s direction which is shaped like a traditional Christmas ornament. The two avoid it by ducking into an entryway to a building, but as Santa circles and prepares to come straight at them, they also realize they have no where left to run. As the two say their goodbyes to each other, Fry notices they’re standing under the mistletoe. The two lean in for a kiss, but the mood is disrupted by Santa declaring that their mistletoe is no match for his T.O.W. missile! He pulls out a massive rocket launcher and fires away, but as the missile heads right for the screaming Fry and Leela the parrot happens to fly by. It ends up taking one for the pair and as the feathers rain down in front of them Fry tells Leela her Xmas present may require some assembly.

I applaud Santa’s commitment to keeping some things old fashioned.

We jump back to Bender and his crew following their heist. Bender leads the group in his own version of the “Twelve Days of Christmas” which goes: “On the fourth day of Xmas I stole from that lady, four family photos – three jars of pennies – two former husbands – and a slipper on a shoe tree!” Each member of the gang sings their own line and the former husbands are urns. It’s pretty clever. Tinny Tim then spies Fry and Leela running in their direction and points them out as potential next victims, but Bender tells the gang he knows them – they got nothing. Santa is close behind the two and when he spies Bender he’s got some words to share. It would seem Bender is very high on Santa’s Naughty List, and when he tells Bender this he tries to finger the kid. Santa is so appalled that Bender would frame an orphan for his misdeeds that he feels compelled to update his list. Despite the fact that he can perform 50 mega-checks per second of his list, updating it is rather time consuming and as Santa does so the others run away.

“Finally, I look as pretty as I feel!”

At Planet Express HQ, the decorations are all in place and the clothes are back on. Hermes, Zoidberg, Amy, and Professor Farnsworth are seated all wearing Santa hats as the gift exchange begins. Zoidberg gifts Amy a set of combs, which is ironic because Amy sold all of her hair to buy a set of combs for Hermes. He too sold his hair to buy a set of combs for…Zoidberg? The bald crustacean accepts the gift and announces it will go splendid with his new hair! He takes his hat off and one side of his head features the hair of Amy and the other the hair of Hermes. No one apparently got the Professor anything, but he’s their boss so why should they? This obvious Gift of the Magi parody is very Futurama in that it sets up the joke, then goes beyond it in a way the audience should not have expected.

He’s on the roof!

The screaming of Fry, Leela, Bender, and the robot hobos puts an end to the lovely atmosphere in the room. The others see the crew from the window as they try to outrun Santa. The Professor notes they’ll be killed on their doorstep – with no trash pickup until January third. The door opens behind him and the group comes running in. They scramble to try and close the fireplace with this giant gear-like contraption, but it’s only Fry and Leela who try to push it while Bender urges them to use teamwork. Santa sticks a candy cane in front of it just before it locks into place and effortlessly forces himself inside along with his two reindeer minions.

Looks like it’s all over for this crew.

Santa menacingly descends from the ceiling and announces to the group before him that they’ve all been very naughty, very naughty indeed! Except Dr. Zoidberg who Santa gifts with a pogo stick. As the crab bounces merrily, Santa resumes his threats by indicating he’ll tare their skin off like wrapping paper and deck the halls with their guts – not his most clever threats. Bender gets an idea and tells everyone gathered that if they don’t believe in Santa then he can’t hurt them! Santa smacks him upside the head with his sack forcing Bender to cry out “Oh, God, the pain!”

This episode could have also been called “How Zoidberg Saved Xmas.”

Santa then commences with his punishment as he starts to laugh. Leela warns his belly is shaking like a bowl full of nitroglycerine while Amy and Fry point out Rudolph’s blinking nose. They’re clearly going to explode which will likely kill everyone in the process. When all hope is lost, the only one on the Nice List springs into action – literally! Bouncing on his pogo stick, Zoidberg snips one of the strings of lights which swings down and contacts Santa electrocuting him in the process. As he fries, Leela jump-kicks him back into his sleigh while Fry, Amy, Hermes, and the Professor (who is dangling off the tree and not really helping) carry the Xmas tree like a battering ram and slam Santa and the reindeer into the fireplace. The robots close the barrier and an explosion goes off behind it that rockets Santa and his reindeer into the sky leaving everyone else safe at last.

Oof, that’s an unfortunate sight.

With that out of the way, it’s time to serve Xmas dinner! The robots have stayed for dinner (and the wife of Hermes, LaBarbara, is suddenly present but not their son, Dwight) as Bender brings out a platter which contains…the charred remains of Leela’s dead parrot. Fry asks Bender where he got the bird and he says he got it where he gets all of the food he serves them – lying in the street. He starts carving the bird, which no one appears interested in eating, and puts a toenail on Tinny Tim’s plate. Nibbler then puts everyone out of their misery by eating the rest and then snatches the toenail from Tinny Tim’s plate. Bender is bummed, which prompts Fry to say the food isn’t important, but before he can continue Tinny Tim sadly moans to himself that he’s so hungry. Fry continues by saying despite being surrounded by robots, monsters, and old people, he’s happy to be among them all at Xmas. Everyone seems to share the same sentiment and the Professor announces that it’s time to shut up and sing!

Merry Xmas, everyone!

The whole gang gathers at the piano where Hermes leads them in a traditional Xmas song. Here we get a larger sample of this universe’s “Santa Claus is Comin’ to Town” which goes: He knows when you are sleeping(Amy). He knows when you’re on the can(Farnsworth). He’ll hunt you down and blast your ass from here to Pakistan(Leela)! Oh, you better not breath, you better not move(Hermes). You’re better off dead I’m telling you, dude(Bender). Santa Claus is gunning you down(Fry)!” Professor Farnsworth then steps into frame to announce “Merry Xmas!” as he disrobes into his birthday suit and takes his place beside his employees.

We can’t forget the moon shot. Too bad the credits are over it.

The camera zooms out through the window and pans up to the sky. We can see the skyscraper Fry dangled from earlier which now reads 8:57, which in the show’s original broadcast coincided with the actual time of day it would have been. Santa then comes flying by with a threat, he’ll be back when we least expect it – next Xmas! He laughs his evil laugh and flies into the sky and we end this one on a proper moon shot. Bravo, Futurama, bravo!

And that is the story of what Christmas Xmas is like in the year 3000. As an episode of Futurama, it follows the familiar template of Fry getting introduced to something about the future that’s changed from the past. There’s quite a few of these events in the first seasons of the show and this is one of the better ones. I tried not to keep pointing it out, but I love all of the misdirection in this one. So many jokes are just: here is the premise, here is your logical conclusion, but oh wait, that’s not the real conclusion! It’s the type of humor that can fall flat after repeat viewings because the surprises are no longer a surprise. In spite of that, this episode of Futurama remains timeless and it’s so timeless that I consider it one of the best Christmas Xmas specials ever aired.

Poor parrot, we hardly knew ye.

In terms of production, there is nothing special about this episode compared with a normal episode of the show. It looks fantastic, because pretty much all of Futurama from this era looked amazing, but did have the added benefit of being the first time the show really got to play with snow. The early scenes at the lodge look terrific even if there isn’t a ton of creativity on display as far as how a ski lodge in the year 3000 might look. The skyscraper with the giant digital clock is a terrific set piece and an even better gag when it turns out it actually has a physical form that Fry can interact with. And even though he didn’t last long, the parrot was pretty amusing. Poor, little, birdy.

I don’t think of this one as crass as some other Xmas specials, and then I remember the drowning children.

As an Xmas special, this one is surprisingly by the numbers for the first two acts. Two people are coping with the holiday blues brought on by loneliness and the holiday brings them together. It just brings them together in fear because Santa Claus is now homicidal. Fry and Leela nearly share a kiss, which wouldn’t have been their first since they kiss in “A Flight to Remember.” There, their kiss was one of deception and not romance so this one would have landed differently had it been allowed to take place. The show would play up the “will they won’t they” angle for many episodes to come and would eventually pair the two up. The Santa angle is present mostly for shock value, but it’s also entertaining. There are some good one-liners to be found that take a popular Xmas saying and turn it around, though it is the one aspect of the episode that does seem to get weaker as it goes along. Though it does turn things around with that humorous parody of “Santa Claus is Comin’ to Town” that basically takes us out.

In closing, this Xmas episode of Futurama has heart, but it’s also more funny and subversive than anything. I don’t think it has any real commentary to make on the holiday itself, but that’s fine as there’s plenty of space to do that elsewhere. This one just wants to present a ludicrous take on the holiday and give the viewer something to laugh at. If you want a funny Xmas special that doesn’t feature the crudeness of say South Park or American Dad! then this one should more than fit the bill. I absolutely love it, along with its sequel episode, and I think you will too.

Oh, and who could forget the casual nudity?

If you would like to watch Futurama‘s “Xmas Story,” then the easiest way in the US is via Hulu where the show presently resides. I think the show still airs on television as well where this episode will likely air. If you’re outside the US, then it can be found on Disney+. The best way to watch it though is to simply buy all of Season Two on physical media that way yo can enjoy it, and the rest of Season Two, whenever you want.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 20 – A Charlie Brown Christmas

Let’s continue our look at the best of the best in the field of Christmas specials with perhaps the most quoted, parodied, and maybe even beloved special of all time: A Charlie Brown Christmas. This is the special that shouldn’t exist. It’s one if you are able to separate your nostalgia for the special itself…

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Dec. 20 – Toy Tinkers

We’re rounding the corner to Christmas. With just five days left until the big day, that means we have time for just five more specials after this one! And since we’ve hit another multiple of five, it’s time to do another retro-lookback (or whatever I’m calling these things) at an all-time classic: Toy Tinkers. Toy…

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Dec. 20 – Inspector Gadget Saves Christmas

Once upon a time, Hanna-Barbera ruled the cartoon television universe. The company was one of the first to prioritize television over film when it came to cartoons, and it was a strategy that worked quite well. Come the 80s, cartoons were a Saturday morning staple and were taking over the weekday afternoon as well. Hanna-Barbera…

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Dec. 4 – Doug – “Doug’s Christmas Story”

Original air date December 12, 1993.

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first of the Nicktoons to go into production. Back when Nickelodeon set out to commission its own animation, the studio didn’t actually have an in-house animation studio, or at least not one capable of producing three shows. This meant the original three Nicktoons were all animated independent of Nickelodeon which would in turn make them more expensive than the shows that followed. Rocko’s Modern Life was the first Nicktoon produced by Nick’s own internal studio, Games Animation, which also took over The Ren & Stimpy Show following the firing of John Kricfalusi. I think it’s because of that aspect of the show’s production that Nickelodeon was always reluctant to order more. The original contract with Jinkins was for 65 episodes which were ordered in chunks and spread out as seasons, a common tactic unique to animation where one production season is treated as multiples by a network. Nick ended up stopping at 52 episodes though as Doug wasn’t the hit they had envisioned. Not that it was a failure, it just wasn’t on the same level as the other two original Nicktoons. Combine that with it being more expensive to produce than some of the Nicktoons to follow meant Jinkins got to take his project elsewhere. Nickelodeon had agreed to let Jinkins retain ownership of the property from the onset which is how it ended up in the hands of Disney where it would be revived in 1997 and run for a few more years.

It’s easy to see why Doug may not have been the success that Rugrats and The Ren & Stimpy Show were. Rugrats was fairly unique in its depiction of toddler life which was ripe for comedy while The Ren & Stimpy Show was just off-the-wall zaniness. Doug was a gentler show that was basically a coming-of-age story about a kid who was actually older than the show’s target demographic. Doug was roughly 11 and a half and said to be in the 7th grade and most of the episodes dealt with Doug facing pretty ordinary problems: allowance, rumors, popularity, peer pressure, etc. The show was able to flex its animation muscle a bit with Doug’s imagination. Doug acted as both main character and narrator for each episode and would often fantasize about a way out of his problems where a superhero, secret agent, or some other product of his imagination would save the day. In the end, Doug would have to figure things out on his own that didn’t involve superpowers or fancy spy gear. Alongside him was always his trusty canine sidekick, Porkchop, who is basically on the level of Scooby Doo or Astro as far as intelligence goes. He’s way beyond a normal dog and he’s a character that helps remind the viewer that they’re watching a cartoon and not something set in the real world.

Jim Jinkins created Doug to not be an education show, but he did want each episode to have a moral of some kind which gave it a decidedly different flavor from the other Nicktoons.

Unlike the other two debut Nicktoons, Doug saved his Christmas episode for what Nickelodeon dubbed Season 4 of the show. Airing in 1993 was “Doug’s Christmas Story,” one of the last episodes of the show to premiere on Nickelodeon. Only three episodes remained from the Nick production run after it with Doug wrapping up on New Year’s Day 1994. And like a great many Christmas episodes from shows that customarily split their half hour block in two, “Doug’s Christmas Story” takes up the full 23 minute runtime for the episode so it can tell a more complete story. It’s one of tragedy and triumph and I don’t think it’s much of a spoiler to say Doug will have an okay Christmas when all is said and done.

Pictured: the kids actually able to afford hockey sticks.

Following the standard opening credits (boo!), we find Doug and his friends doing something familiar for the opening of a Christmas episode: skating. More precisely, they’re playing hockey on a frozen pond, but it’s impossible not to get some A Charlie Brown Christmas vibes from the scene. Doug chimes in as narrator to tell us that basically the worst possible thing that could happen in the lead-up to Christmas is about to happen. He doesn’t actually tell us what that something is, we have to watch and find out. Once he’s done setting the stage, we see the town kids playing hockey. You get a sense of which kids come from money and which don’t. Some have nice gear and actual hockey sticks, while Doug (Billy West) and his buddy Skeeter (Fred Newman) are using a rake and broom, respectively. Apparently, no one owns a hockey puck though as the kids are playing with a pine cone.

This isn’t going to go over well.

Porkchop (Newman) is also present and sliding around on the ice, but he comes to a section marked as a hazard for thin ice and freaks out a bit. As he backs off of the ice, it breaks, and the sign sinks below the surface of the water. A scrum around the not-puck results in the pine cone sliding over in the direction of the area Porkchop just vacated. Beebe (Alice Playten) skates over to retrieve it completely unaware of the thin ice. Despite the pine cone being located near open water, Beebe still heads in the direction to retrieve something that literally grows on trees while Porkchop tries to warn her. Now, I said Porkchop possessed intelligence far beyond a normal dog and compared him to the likes of Scooby Doo, but one thing Scoob can do that Porkchop cannot is actually talk. He communicates with pantomime mostly, and it’s pretty hard to figure out how to get the message of “thin ice” across in such a fashion. Especially when time is a factor, so he does the only thing a dog can do: he bites Beebe. By locking his jaws on her leg, he’s able to pull her away from danger, but to Beebe and any onlooker, it just looks like he attacked her (well, that’s how we’re supposed to read it and thereby ignore the actual open water she was skating towards). Beebe screams and the other kids gather around. As Doug approaches to find out what happened he’s given the bad news: Porkchop attacked Beebe. Doug is rather flabbergasted, but does the normal thing of reprimanding his dog as he has to go off of what the eyewitnesses saw, even if it makes no sense.

Following a quick break to introduce the title card, we find Doug and Porkchop at home. Doug is reprimanding Porkchop for what he did by telling him that you don’t bite people, even if it is Beebe. Beebe is basically the spoiled rich girl of the show that is hard to like, so if the viewer was going to enjoy seeing any of the characters in the show have pain inflicted upon them, chances are it would have been Beebe. Or the school bully, Roger, who is surprisingly absent from this one. Anyway, Porkchop tries to pantomime what happened for Doug, but his message isn’t getting across. Doug just tells him to quit goofing off and sends him into his igloo, which is his dog house. After Porkchop sullenly heads inside, Doug’s sister Judy (Becca Lish) pulls into the driveway and beckons Doug to come with her so they can get Christmas presents for their parents while they’re out. Doug seems a bit reluctant to leave Porkchop, but hops into the car anyway.

The former mayor turned disc jockey.

We then cut to a radio station where the former mayor of Bluffington, Bob White (Greg Lee), is hosting a talk show. He’s relaying some recipe that involves cocktail weiners soaked in grape jelly, which just sounds terrible. We also find out that he’s a bit of a sore loser as he lost his re-election bid in an earlier episode to Doug’s neighbor, Mrs. Dink, but he points out on his show that she’s out of town which practically makes him the acting mayor for the holidays (I don’t think that’s how it works, Bob, but whatever). Some of his terminology is eerily similar to some of the stolen election rhetoric that’s become all too common in our current society. Anyway, his caller brings up the incident at the pond and Beebe getting attacked by a dog. Seems like a weird thing to gossip about, but okay, it’s a small town. White is understandably just hearing about this for the first time, but he seems to view this incident as an opportunity to get some much needed publicity.

This seems a little over-the-top for a dog.

Doug and Judy are shown shopping and apparently Judy wants to get their father a new golf club. He needs a 9 iron and she mistakenly thinks getting him a 7 and a 2 iron would be better than just getting him one club! Doug, for his part, has his mind still on what happened earlier and can’t really focus on the task at hand. He does see a hat that he thinks would look great on Porkchop and decides to buy that for him for Christmas. This seems to cheer him up a bit as we find the two driving home, but when they get there they find a huge crowd assembled. White has apparently summoned the media and the police and demands that Porkchop be arrested for what happened earlier. He even brought his back-up singers from his radio show to punctuate everything he says. Referring to Porkchop as a trained killing machine, he orders the dog be taken away where he’ll be put away forever. This is all done in the name of keeping the children of Bluffington safe. Doug is understandably confused and a bit distraught, but there’s nothing he or his family can do to stop the cops from tossing Porkchop in a paddy wagon and hauling him off to the pound.

It’s not visible in this shot, but I like how the animators decided to put pants on Doug instead of his customary shorts considering it’s winter and all. For some reason, he’ll be back in shorts though before this one ends.

We then find the Funnie family in their nicely decorated family room. Doug’s dad, Phil (Doug Preis), is trying to cheer his son up by saying how the spirit of the season should help everyone come to their senses. Judy, on the other hand, is ranting about how unbelievable it is they had a killer in their midst this whole time which earns her a reprimand from their mother, Theda (Lish). Doug’s mom then asks him if he’s sure Porkchop was just trying to play with Beebe and that’s the story Doug is running with as he can’t fathom Porkchop ever actually hurting someone. They’re interrupted by the doorbell and it’s a letter for Doug. He opens it to find out it’s from Beebe’s father, Mr. Bluff, and he’s pressing charges against Porkchop. The family is pretty surprised by this development, but they cheer up when Phil suggests they start a petition that has every signer declare that Porkchop is in fact a good dog. Doug thinks it’s a great idea, but also one that he should undertake by himself since Porkchop is his responsibility. I get the sentiment on Doug’s part, but maybe he’s not taking this as seriously as he should? Four people canvassing the town would cover a lot more ground than one, but his parents don’t object and Doug sets off to do right by his pal.

She is just the worst.

Doug gets started right away on gathering signatures for his petition. He starts with his neighbor, Mr. Dink (Newman), who is happy to provide his name for Doug’s cause. He finds other neighbors in a similar position, but soon runs into trouble. When one person finds out he’s trying to help the dog they saw on the news, he declines to sign it. Others seem to follow suit and one older lady even reprimands Doug for spreading such negativity at Christmas time. The fact that Doug just stands there and lets her lecture him makes him a better person than I for I would have gone off on the woman. Defeated, Doug walks off and ends up downtown. A store display has a television running and Doug happens to catch a news report on what the media is calling the incident at Lucky Duck Lake. A re-enactment is shown which features a particularly vicious looking dog basically maul a young girl which gets Doug’s dander up. Realizing this is all getting out of hand, he decides he needs to talk to Beebe to try to put things in perspective.

Mr. Bluff is almost cartoonishly evil given his indifference, or disgust, towards dogs.

And Beebe is currently in the hospital. Doug races over there and tries to enter her room, only he runs into her father, Mr. Bluff just outside it. When he tells Mr. Bluff who he is the man refuses to grant him access to Beebe. In doing so, we also find out that the Bluffs don’t just want Porkchop put away, they want him killed, though he uses the kid friendly term of “put to sleep.” As Doug tries to reason with him, the man just walks away forcing Doug to follow. When he offers up the excuse that Porkchop was just playing, Mr. Bluff just reiterates that they’ll let the court decide if putting an innocent girl in the hospital is just playing. Doug follows him to his limo where the old man finally states it plainly that it’s no use, he doesn’t like dogs on account that they don’t have any money or even understand the concept of money. Now that we’ve established that this man is cartoonishly evil, we can remove any sympathy we might have felt for him as the father of a girl wounded by a dog. Doug tries to appeal to him once more by stating Porkchop is his best friend, but Mr. Bluff just tells him to get a new best friend. As he drives off, Doug suggests he knows just who to turn to in order to solve this crisis.

You know it’s a special episode when Doug’s personas have to get together to formulate a plan.

If you’ve watched an episode of Doug before then you probably know what’s coming. Doug is going to dip into his imagination and consult with one of his personas. Only since this is the biggest crisis we’ve seen Doug face to date, one persona just isn’t enough. We’re taken to a Hall of Justice like building where Doug’s Indiana Jones rip-off, Race Canyon, comes sliding down a firepole. He’s surprised to find the superhero, Quailman (who is just Funnie with a belt on his head and his underwear over his pants), is there already. He thinks Quailman summoned him, but he did not, and soon enters the James Bond wannabe Smash Adams. He’s brandishing a pair of non-alcoholic drinks that he hands to the others and notes they were all summoned here by someone else over a missing dog or something. And that someone else is: Doug! He spins around in a chair dramatically to announce he’s the one who assembled this collection of the world’s greatest heroes (his definition, not mine) because it’s going to take their combined might to get Porkchop back!

Apparently none of them are wise enough to tell Doug that breaking his dog out of prison is probably a bad idea.

Doug shows the assembled heroes a map of the pound where Porkchop is being held. He solicits a plan from each hero and it goes about as well as you might expect. Quailman suggests flying in and using his super powers to subdue the guards, which Doug can’t do. Next is Race who just suggests beating everyone up, but Doug isn’t about to do that. Smash suggests using high tech gadgetry (as he puts it) which Doug actually thinks is a good idea. He then seeks out the real world help of the Sleech twins (Eddie Korbich), the class nerds capable of inventing stuff, to see if they have a solution. They’re eager to help Doug since he’s likely one of the few kids at school who doesn’t make fun of them for their nerdy ways. And since their dad is a donut maker (a plot of a prior episode), they suggest Doug use subterfuge by hiding a smoke bomb in a cupcake. Apparently, these boys have been spending their Christmas break devising weapons that combine with holiday desserts which is a bit alarming. Doug is right to treat these future school shooters kindly.

Poor Porkchop.

Doug sets off with Skeeter and his cupcake bomb to execute his horrible plan to spring Porkchop from the pound. Only upon entering the premises, they find a No Cupcakes sign waiting for them. I guess the plan was to give the cupcake to Porkchop who would then use the cover of the smoke to escape? Seems like the actual cell is an obstacle Doug didn’t account for. Well, with that obstacle in place, Doug still decides to push ahead and alerts Skeeter that he’s up. Skeeter does as he’s told and fakes an illness, only the cop doesn’t really care. He takes a phone call, and it’s about Porkchop too, and that’s the distraction that allows Doug to slip inside to find Porkchop. At first, Doug can’t find him, but he calls out for Porkchop and a helpful dog points him in the direction of a door labeled Very Bad Dogs. In there, he finds a spiral staircase that leads deep into a dungeon-like setting where Porkchop still can’t be found and that’s because he’s in the section for Very Very Bad Dogs. Meanwhile, the cop tries eating the cupcake despite Skeeter’s warning not to and activates the smoke bomb, which will surely reflect poorly on Doug. He soon finds Porkchop who is basically in solitary confinement. He’s locked in a box which in turn is locked in another room separate from the others. Or not locked, as Doug is able to enter, but he sets off an alarm in the process and is hauled away. We briefly get a glimpse of a teary-eyed Porkchop waving goodbye to his best friend. It’s the saddest shot in the episode.

Aww, look how cute they are!

The guards at the pound must have felt some pity for Doug as he apparently avoided his own arrest. We next find him standing outside of Porkchop’s igloo which is covered in police tape. He’s at a loss as to what he can do next and starts to reflect on his past with his dog. We see a toddler Doug opening a present on Christmas which just so happened to contain Porkchop. We also get a shot of last Christmas when Porkchop gifted Doug the very journal he’s writing in as he narrates this story. We then see a vision of the future and a Doug draped in a black coat standing beside Porkchop’s grave. It’s at this point that Doug finally allows himself to cry for how could he not feel helpless knowing that if he fails his dog is as good as dead?

If things weren’t serious before, they are now.

The next day is the trial, and it starts with Mr. Bluff speaking casually to the judge and refers to him by his first name, Dave (West), and informs him he wants this over with quick so he can get to his office Christmas party. The judge tries to discourage him from being so casual, but lets him know he’s of the same mind, essentially. Porkchop is then brought in, muzzled and tied-up, and apparently Doug will be representing him. I guess the Funnie family couldn’t afford a lawyer? I’m also guessing that since this is essentially a civil matter that they’re not entitled to representation. Bluff’s attorney presents an expert on dog psychology who has predictably decided Porkchop is predisposed to being a killer. While he’s giving his testimony, Porkchop is trying to communicate something about the lake to Doug which the expert just uses against him as further proof the dog is nuts. Then they drop the hammer by bringing in their last witness: Beebe. She’s confined to a wheelchair with her leg wrapped and Doug is legitimately alarmed to see the state she’s in. She looks rather sad, like she doesn’t want to be there, but takes the stand, nonetheless.

With how cavalier everyone is towards Porkchop in this one, I’m guessing dog ownership isn’t that high in Bluffington.

Upon seeing the state Beebe is in, Doug does what he always does when overwhelmed: he retreats into his imagination. This is just further proof that someone else should be representing Porkchop here, but clearly he’s ride or die with Doug. In his head, Doug imagines his three heroes proposing suggestions on what to do next, which Race thinks should be to plead guilty. The three then get into a physical altercation which just forces Doug to realize that the only one who can get he and Porkchop out of this mess is himself. Beebe is then shown finishing her testimony and it’s now made clear she’s not really fully onboard with this charade. As she says what happened she tells the court that Porkchop did bite her leg, but tries to clarify that it didn’t hurt, which her father’s attorney tries to gloss over. When Doug asks if he can cross-examine the witness, Mr. Bluff objects declaring the girl has been put through too much already. The judge apparently agrees as he asks the people present “Isn’t she a brave girl, ladies and gentlemen?” Again, we’re talking about a dog here so apparently the same rules don’t apply. Doug then approaches the bench to try to plead his case that Porkchop should be allowed to tell his side of the story. He explains that Porkchop has been trying to tell him something about the lake and proposes going there, but the judge finds this suggestion ridiculous. He points out that a dog can’t tell it’s side of the story, and since it’s Christmas Eve, they all have families they need to return to.

Finally! Porkchop has a reason to smile! Though I don’t understand why he would suddenly be permitted to remove the muzzle.

Doug takes that as an opening and declares that Porkchop is a part of his family just as Beebe is to the Bluffs. The judge still seems unconvinced, which is when Doug addresses the assembled crowd to point out how Porkchop is a part of the community. It’s at this point the episode goes off the rails a bit for me as we hear about all of the good deeds Porkchop has done. Doug calls out one woman and points out that Porkchop babysat her kids when she had to go out of town to see an aunt. Another family had their house burn down, and Porkchop showed up the next day to help them rebuild. Another person chimes in that he lent them money and a woman stands up to declare that Porkchop fixed her transmission. The capper is that even the judge has encountered Porkchop in his day-to-day life. It seems his daughter suffered an accident and Porkchop actually taught her how to walk again. The judge probably should have recused himself from the case given that, but even so, the dog taught his kid how to walk! This is one absurdly amazing animal. This judge is ready to execute him after that experience?! This dog should be world famous and Bluffington’s number one citizen!

Old Killer is at it again!

After Doug pleads his case, the judge finally allows for Porkchop to do the same and orders everyone to reconvene at Lucky Duck Lake. Once there, Beebe explains what happened to the judge once more and points out where she thought she was at the time of the attack. Doug asks her to point out exactly where she was, but she’s not sure. Patti (Constance Shulman) spots the pine cone they were using as a puck and determines that she must have been there. Of course, there’s open water still present and even the Thin Ice sign is visible floating on it. As Beebe heads over there, Porkchop once again goes into a panic as he tries to warn everyone about the ice. To the onlookers, this just makes Porkchop look like he wants to maul her again and the judge even suggests that he’s seen enough. Doug assures them that Porkchop is just trying to tell them something and he gets on one knee to consult with the dog. It’s too late though as Beebe falls through the ice!

If you want a rich person to care about a poor dog, you basically have to save their life or the life of a loved one. And they better witness you doing it too!

Mr. Bluff immediately cries out for someone to help his daughter, but Doug shouts out a warning about the ice (finally, someone gets it!). Porkchop is able to break free of the guards and runs after Beebe diving into the water as Beebe goes under. He’s able to pull her up and onto the ice and drag her to safety. We then cut to everyone gathered in a hut of some kind as Patti declares that Porkchop was trying to keep Beebe away from the thin ice. Finally, the last horse, or horses, cross the finish line and the people gathered rightly acknowledge that Porkchop is a hero, not a devil. Porkchop is set free and we cut to Christmas morning and Doug looking at a newspaper which declares Porkchop a hero for saving Beebe. Porkchop is gifted the hat Doug bought for him and he seems to like it, though he also has a cold. Doug also narrates that people kept coming by all morning to see Porkchop, including Mr. Bluff and Beebe, whose leg is suddenly all better. Mr. Bluff, who clearly has had a change of heart, wants to know if there’s something he can do for Porkchop as a showing of thanks for saving the life of his daughter. Doug doesn’t know of anything, but Porkchop apparently does.

There’s the happy reunion we’ve been waiting for!

Porkchop is somehow able to communicate that what he would like most is for Mr. Bluff to put on a feast for all of the dog’s at the pound. We then get to see how it all unfolded as it took place in the center of town. The former mayor attended and Doug informs us that he was able to use his radio show to find homes for all of the dog’s in attendance. Mr. Bluff, who apparently has a different outlook on dogs now, offers a toast to all in attendance and a special toast for The Hero of Bluffington – Porkchop! Porkchop is there as well dressed as Santa Claus and he joins the Funnie family for a toast. The camera pans out as the assembled crowd break into “Deck the Halls” which takes us into the credits. As a parting gift, we’re treated to an image of a Christmas card from the Funnie family.

Doug even channels The Grinch with a “He himself,” line in reference to Mr. Bluff.

And that’s how Porkchop went from villain to hero one Christmas. It’s a solid approach to tug at the heart strings, have a dog wrongfully accused of being a bad dog and toy with the emotions of the viewer by suggesting the life of the mutt is over. And while the premise is a bit preposterous, it fits with the setting of the show since Porkchop is a bit preposterous himself. It just takes things too far by making the people of Bluffington look incredibly stupid by not realizing what is obvious to anyone who looks at that lake. And they also look like lunatics for wanting to terminate Porkchop from the start. The dog is amazing! Too amazing as it undermines the situation because no one would assume the worst of Porkchop given what he’s demonstrated in the past. It’s to the point where it’s absurd. Am I taking this cartoon too literally? Possibly, but it did it to itself by going way too far in characterizing Porkchop as a force in the community. We didn’t need all of those incredible examples of the dog’s good nature in the courtroom to be on his side. And if the show didn’t portray the people of Bluffington as being so readily out for blood then it wouldn’t have taken such a speech to grant Porkchop a defense. Sure, heading to the scene of the crime to let a dog tell its side of the story is a bit odd, but the judge was literally denying Doug any kind of defense for his dog. He couldn’t even cross-examine a witness!

Looks like it was a merry Christmas after all, just as I predicted it would be.

This one is clunky, but don’t assume that means I wasn’t still moved by it. Of course I was! I get a little choked up each time I watch that silly dog pull Beebe from the water and I do feel good for Doug and his dog when all is said and done. It’s still a heartwarming story, it just pushes things too far. It tries way too hard to be that kind of story when it didn’t really have to. That’s why a much better Christmas Nicktoon is “Arnold’s Christmas.” That plot needed some pretty crazy things to fall into place as well, but it doesn’t feel like it’s reaching to the degree that “Doug’s Christmas Story” is. Does that make this one bad? No, but I can totally understand someone having more of an eye roll reaction here than feeling truly moved.

Season’s greetings from the Funnie family!

If you would like to see this one for yourself, your best option is to stream it on Paramount+. Doug, being a less celebrated Nicktoon, isn’t assured of finding airplay on cable this year. It’s also a little messy in that Disney owns the character now so Nickelodeon might not be eager to promote this one, even though the company retains ownership of this era of Doug. The episode was released on both VHS and DVD if that’s your fancy, and it can be rented on other streaming services. I give it a bit of a tepid recommend. While I think anyone can enjoy it, it’s probably best enjoyed by those who watched the show as a kid. Anyone else might just find it too ridiculous to take seriously.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

Dec. 4 – Family Guy – “Christmas Guy”

In the fall of 2013, beloved family dog, Brian, met his demise. Brian was an extraordinary dog capable of communicating in English with his family members who was often seen walking on two feet. Despite that though, he met a rather ordinary end for a dog when he was unceremoniously struck by an automobile. Life…

Dec. 4 – A Christmas Story (1972)

For today’s Christmas post, we’re going to take a look at A Christmas Story. No, not that Christmas Story, the first one. Way before Ralphie started obsessing over a BB gun, the duo of William Hanna and Joseph Barbera brought us a story about a mouse and a dog trying to get a last-minute letter…


Dec. 13 – The Ren & Stimpy Show – “Son of Stimpy/Stimpy’s First Fart”

Original air date December 19, 1992.

The Ren & Stimpy Show burst onto the scene as part of the original trio of Nicktoons in 1991. The other two, Doug and Rugrats, were fairly gentle cartoons. Rugrats could sometimes get a little blue since the main characters were all babies, but the occasional poop joke was hardly something to get offended by. The Ren & Stimpy Show, on the other hand, was far more crass. It felt like a throwback to the days of Bob Clampett and Tex Avery with its manic pacing and outrageous character animations. It also had its own flair in the form of gross, disgusting, humor. It’s hard to imagine another cartoon in the 90s being more influential on what followed in the world of animation than The Ren & Stimpy Show.

This also came with its own set of problems. Certainly, Nickelodeon had to deal with more letters and phone calls regarding the show’s content than it did probably any other show on its network, but it also had to deal with series creator John Kricfalusi, or John K. The less said about him the better, but suffice to say he was very much a demanding boss and a bit of a perfectionist when it came to the show. This meant the show frequently missed deadlines and John K. also frequently ignored suggestions, or mandates, from the network when things got too risqué. I’m all for standing up for your artwork, but John K. agreed to make a show for kids and there’s some battles worth fighting and some that are not. There’s also been plenty of other things shared about him over the years that are not very kind that I don’t want to get into. At the end of the day, I do think he is a talented cartoonist and without his talents The Ren & Stimpy Show likely wouldn’t be what it was, but there were also lots of other talented people involved in the show’s production and without the likes of some of them the show also wouldn’t be what it is.

This very episode captures some of the dance the creators and Nickelodeon entered into with seemingly every episode of the show. The network wanted something heartwarming, I’m not sure if it necessarily wanted a Christmas episode, and John K. was willing to give them one so long as it was done his way. Hence why we have an episode about a fart. The original title is just “Stimpy’s First Fart,” but the network changed it to “Son of Stimpy.” Television networks have long had an adversarial relationship with the word “fart.” I don’t know why, but it is a thing and that’s why it still surprises me to this day that Salute Your Shorts got to have the word appear in every episode via the opening song. In this case though, I think the network was right as the “Son of Stimpy” title is a bit more mysterious and helps the fart joke land a little better.

“Son of Stimpy” is the first Christmas episode from the show and has the distinction of being done with digital ink and paint. Most of the show was animated with traditional ink and paint, but maybe the Christmas deadline forced the show to move a bit faster. The show was also transitioning from Spumco to Games Animation and that is said to have played a role. The content of the episode actually did not please Nickelodeon so it first premiered on MTV instead. It would eventually be run on Nick, but sometimes in an edited state. I can remember catching the first broadcast purely by accident. I was channel surfing in my bedroom and found it on MTV. I was super surprised to see an episode of the show I had never seen airing on the network and I was so excited that I recall telling my mom right away (who probably didn’t care). And it was a Christmas episode too! The episode also uses the full running time to tell its story without any other inserts, another rarity for the show, and contains several callbacks to the first episode either deliberately or to save time.

That was a juicy one.

This episode begins with an exterior shot of a house inhabited by Ren and Stimpy. A voiceover, John K., tells the audience that this is a story they just made up. Inside, Stimpy (Billy West) is watching TV and the sound effects sound exactly like the ones coming from the TV of the very first episode. He’s motionless except for his eyes dancing around as they take-in some cartoons. Then we get a shot of Stimpy’s butt and it’s done as a still image so it’s rather lovingly painted. Stimpy has a nice, well-rounded, set of buttocks in this episode to likely make them appear inviting, which is important to the plot (trust me). We then hear a noise, a gurgling kind of noise, and Stimpy looks at his butt with some confusion. The still image of the butt returns only now the image is shaking as a rumbling is taking place which leads to a very satisfying fart sound. It has a lot of bass and as far as fake farts go it’s quite lovely! It’s followed by the sound of a balloon letting out air as Stimpy looks satisfied and a puff of greenish-brown smoke emerges and then disappears. Some ominous “Dun! Dun! Duuuuun!” music plays as we get another shot of the the butt, this time with some skid marks added to the floor. Stimpy notices an odor in the air and is soon running in place calling for Ren.

There’s a pretty clear juxtaposition being portrayed between Ren and Stimpy here.

In another part of the house, Ren (John K.) is seated in a lounge chair in a bathrobe and fez hat reading from a book. The juxtaposition of the naked, cartoon-watching, farter and this very dignified Ren is obvious. Stimpy excitedly tells him in a quiet voice that something happened while he was watching TV. Ren can’t even begin to act like he cares, but he asks Stimpy what happened. Stimpy proceeds to tell him that something came out of his butt, it made a sound, and it smelled funny. Ren repeats everything Stimpy told him as if he’s gathering an understanding of the situation, then deadpans “You’re an idiot.”

You can’t force these things, Stimpy.

Stimpy is distressed that Ren doesn’t believe him, but then decides to just make another one! He moves into the center of the room and starts trying to push something out of his butt. There’s some groaning and obvious straining as Ren even moves into the danger zone to see what happens, but Stimpy’s butt just ends up deflating. Ren kicks at the remains of Stimpy’s cheeks, then tells him he has an overactive imagination and to leave him out of his stinky fantasies! It’s an interesting approach to the situation as when Stimpy originally approaches Ren we think he’s calling him an idiot for not knowing what a fart is, but now it seems clear that Ren too has never farted. I should point out for you continuity nerds, Stimpy did fart in a previous episode when they were in the bathtub together during “Big Baby Scam,” but this is a show that really has no continuity.

The absurdity of boogers being freaked out by Stimpy talking to farts is not lost on me.

As Ren leaves Stimpy to his stinky fantasies, Stimpy claims to himself that Stinky is real as he has apparently named his fart now. He then perks up as he declares he’ll find him! Stimpy then walks around the house calling out for Stinky in an operatic voice. He giggles with embarrassment seemingly acknowledging that we’re watching him act a bit silly – it’s cute. He checks in a few places before getting the idea to consult his Magic Nose Goblins he leaves under the bench for the piano. If you’re unfamiliar with the show, Magic Nose Goblins are Stimpy’s boogers. Before this episode, I don’t think they were ever personified, but here Stimpy is able to ask them if they’ve seen Stinky. When they press Stimpy for info on who Stinky is, he describes the fart as he did to Ren. One of the “goblins” figures out what Stimpy is looking for and whispers to the others “He talks to farts,” in a manner that expresses he views this behavior as extremely odd. The other boogers then just tell Stimpy they haven’t seen Stinky as they seem eager to get rid of him now. He leaves, but in doing so sits up and slams his face into the underside of the bench seemingly killing his booger buddies by mistake.

It’s not often we can say this, but here Ren does mean well.

Unable to find Stinky, Stimpy slips into a depression. He’s just seated in a darkened room as Ren tries to cheer him up. He pulls out a TV Guide-like magazine and reads off some of the programs Stimpy usually likes only for Stimpy to reply sullenly with an “I don’t care.” This setup is very similar to how the Commander Hoek and Cadet Stimpy cartoons begin, only Stimpy doesn’t get excited about that show or Muddy Mudskipper. Stimpy and Ren’s eyes then well with tears as their mouths quiver with sadness. Ren emotes frustration, and even anger, to the camera, but approaches Stimpy in calm, measured, tones about snapping out of this funk. We find out he’s been moping for 3 years now, which is certainly a long time to miss a fart.

The poor guy just wants his fart back, how can you not relate?!

Ren then dangles a new catnip mouse for Stimpy who makes an “Ehhh,” sound of annoyance that’s amusing to me because he sounds like future Billy West character Zap Brannigan. Ren tries cheering him up by jumping into his litter box and encourages him to drop a big, stinky, one into it. Hearing the word “stinky” causes Stimpy’s eyes to fill with tears again as he says “Stinky” in a longing tone. He then wails and starts sobbing forcing Ren to march over angrily. “So that’s it, you’re still crying about your imaginary butt stinkiness!” Stimpy insists in sad tones that Stinky is real and Ren tries, once more, to be supportive. He tells him he needs to get over this fantasy and says he’ll help him and that they can do it together, but Stimpy just replies once more with “I don’t care.” That’s the last straw for Ren, who has been uncharacteristically supportive and understanding throughout the scene. He stamps his feet and shouts at Stimpy. He tries to muster up one of his usual go-to insults for the cat, but he’s basically choked with anger and can just get out “stupid” over and over. Declaring “Who needs you!” he storms off leaving Stimpy alone and sad.

It’s oddly inviting.

It’s nighttime. Stimpy is laying wide awake in bed staring at the ceiling while Ren is on the other side asleep, his back towards Stimpy, with a smile on his face (this brief shot of Ren is cut from the DVD release, presumably because the DVD uses the Spike TV tapes which probably cut it for time). We move to a close-up of Stimpy’s eyes which once again fill with tears. He lets out a sigh and rolls over giving us a nice shot of his round buttocks covered in a purple blanket. The camera pans over to the window where someone is watching. It’s Stinky! He’s a brownish puff of gas with a face and arms. He’s looking through the window with longing and the camera zooms in on Stimpy’s sparkling butt cheeks. Opera-style chanting fills the soundtrack and Stinky looks so very sad. He lowers his head and drifts away as the snow begins to fall.

Ren’s trying everything to get Stimpy “in the mood.”

We cut to Stimpy in the doorway of the house calling out for Stinky. He has a scarf wrapped around his head and his face and hands are blue from the cold. Ren comes out to urge him to come inside. He says that Stimpy has been out there for months and tells him to come help him with the tree, our first hint at Christmas. Ren suggests he can string the dingleberry garland (gross), but Stimpy gives his “ehh” response again and Ren switches tactics by pointing out the mistletoe over their heads. He leans into Stimpy with a flirty, expectant, expression which might be the pair’s most gay portrayal up to this point in the series. Stimpy doesn’t react at first, and then his eyes widen with surprise. Did Ren maybe touch a sensitive area? Stimpy then explodes at Ren, “Gosh darnit, Ren! Is that all you can think of?!” He lectures Ren further saying that Stinky is lost out in the cold and finishes with a “He needs me.” And Stimpy leaves Ren, who cries for Stimpy to come back, but is ignored. Falling to his knees, he utters a prayer for Stimpy telling a higher power he can hold off on the pectoral muscle implants he presumably prays for usually, just bring Stimpy home!

It certainly would be a festive place for a fart to live at Christmas.

We’re then taken to The Naked City. Stimpy is roaming the streets calling out for Stinky in the dark and cold as the snow continues to pile up. We get a shot of Stimpy’s feet sporting crude shoes as he walks through the snow. A Santa on a street corner cries out “Ho ho ho,” as he rings a bell looking for donations. The cadence of his call changes abruptly like he stepped on something, or maybe someone placed a cold hand where he wasn’t expecting. We then see that Stimpy is behind him checking the fat man’s buttocks for Stinky, but finding nothing, he walks off.

This won’t end well.

Stimpy’s feet are shown again only now his shoes have been worn revealing purplish feet, one toe has a nail sticking out of it. Stimpy has posted signs reading “Have You Smelled Me?” with an image of Stinky on it, which is odd since he never really saw him. We cut back to his feet, now blocks of ice, as he continues his search. He tries filing a missing persons report at a police station, but the cop just throws him out. He smashes into a brick wall, but the scent of something stinky wakes him (this sequence is missing from the Paramount+ version). We see him again clawing his way down the sidewalk towards the smell, but it’s just a manure salesman (Mr. Horse) and Stimpy drops to the ground. A car parks on his head for good measure, and then lo and behold, Stinky shows up! He takes a seat on Stimpy’s ass and wishes he never left home, but Stimpy doesn’t hear or smell him since he, you know, has a truck parked on his head.

It’s tough being a fart.

Stinky then moves on and squeezes in between two guys seated on the ground sleeping back-to-back. One is just in a coat and underwear and they’re clearly meant to be un-housed individuals. One of them notices the stench of Stinky first, then the other who cries out for someone to light a match. They both stand up and start waving a lit match and poor Stinky is terrified. He lets out a tiny scream and is forced to flee to a sewer as the two men give chase.

There’s a lot of sad crying in this episode.

Back at the house, Ren is singing “We Wish You a Merry Christmas” through tears as he digs out Stimpy’s present from under the tree. He then goes to give it to Stimpy and we see his face, but it turns out it’s just a picture of Stimpy (the DVD version cuts out the tease and jumps straight to the gift next to the picture frame). A ring of the doorbell gets Ren’s attention and on the other side he finds Stimpy, only he’s completely encased in ice. They go into their reunited routine from the very first episode, only Stimpy can’t respond to Ren’s cry of “Pal” because he’s frozen.

It’s our first Christmas miracle.

Ren brings Stimpy into the living room and sets him up by the fire. The ice is gone and Stimpy is shivering in a blanket with his feet in a bucket of hot water. Ren has decorated for Christmas and he’s done a rather admirable job as he looks on Stimpy with glee in his eyes. He tells Stimpy to relax and kisses his forehead as Stimpy’s tongue pops out of the blanket. A ring of the doorbell causes Ren to leave and, at first, it looks like no one’s there. Then a familiar odor wafts into Ren’s nostrils. At first he’s repulsed, but then smiles as he reaches down off camera for something.

Take a big whiff, Stimpy.

Ren returns to the living room to tell Stimpy he has a visitor. Stimpy responds with his now customary “I don’t care,” forcing Ren to thrust his finger under his nose. As he sniffs Ren’s finger, a look of recognition crosses his eyes. The brown cloud then appears and Stimpy is on his feet crying out in joy “Stinky!” Stinky returns the cry with a “Dad!” and the two embrace to some uplifting music the show is returning to from the first episode, only the embrace is punctuated with a fart sound.

The moment we’ve been waiting for?

Stimpy, through happy sobs, declares that now he and Stinky can be together forever. Stinky’s face hardens and he pulls away from his father’s embrace to tell him, “No, dad, we can’t.” He explains that he’s a man now, and a man has needs, but when he asks Stimpy if he understands the cat just angrily shakes his head “No.” Stinky then gets an idea and tells him to wait here. He goes to the door and opens it and tells Stimpy he wants him to meet his fiancé: Cora.

She’s quite a…catch.

The bride to be is a rotting, mostly decomposed, fish. Stimpy takes one look at her though and declares her beautiful as the fart and garbage embrace, I guess. Ren and Stimpy embrace too and cry out “Memories!” We cut to a wedding, where Stimpy is marrying Stinky to his fish bride. For the first time, he uses the word fart when addressing Stinky so at some point he learned what he is. The two kiss, then head inside Ren’s nose for their honeymoon hanging a “Do Not Disturb” sign on the door that suddenly appeared on Ren’s nostril. The camera pans out and Ren looks pretty unhappy about this arrangement, as Stimpy tosses cat litter at his face in place of rice and tells the camera that he just loves happy endings!

“I now pronounce you fart and wife!”

And that’s the end! Nick wanted a heartwarming tale and it got one, albeit a subversive one that only could come from The Ren & Stimpy Show. Stimpy searches for his missing son so the two can be reunited for Christmas. It sounds like a nice and pretty standard holiday premise when you ignore that his son is a literal fart. It’s a bizarre and crazy premise that really puts Stimpy’s stupidity on full display. I suppose, in a sense, it’s funny to think about how we create and pass gas that vanishes quickly and for an idiot like Stimpy he might not comprehend that. Mostly, it feels like a challenge from the show to see if the audience can be moved to feel empathy for an actual fart and the one who dealt it.

A fart is having sex with the corpse of a fish in Ren’s nose right now. That’s a lot to process.

As is customary for the show, there’s tons of visual gags and gross images. There’s numerous shots of nice, round, butts that do look inviting given the cold climate throughout. The show almost made me want to climb in between those two gentlemen in the alley as Stinky did, but not quite. Ren and Stimpy’s relationship is also really interesting here. Ren is shown to be far more understanding and permissive of Stimpy’s depression when normally he’d just lash out with anger. He eventually gets there to a point, but it’s actually depicted rather well as it’s very easy to grow frustrated when trying to talk someone out of a funk. We all try our best not to act like Ren did in the end, but it can be trying. And then we have the obvious romance angle. The show flirts with that here and there before and after this episode, but the depiction of the pair under the mistletoe is definitely the most obvious call out to the two being a romantic couple that we’ve ever seen. Of course, the sequel show would make that plainly obvious to mostly disastrous results. Don’t confuse me for saying Ren and Stimpy being out of the closet is disastrous, that show just happens to be not funny and isn’t worth watching. The fact that it isn’t cut from the episode is rather brave on the part of Nickelodeon considering this debuted in 1992. Not on Nickelodeon, but that’s even pretty brave for MTV. And it would eventually jump to the kid’s network.

Watching Stimpy suffer is not really a whole lot fun, but then he’s also suffering because he misses his fart. It’s hard to know how one should feel, but I think that’s the point.

Ultimately, this episode leans so far into telling it straight that it’s not as funny as it perhaps could be. There are funny moments, for sure. Stimpy describing a fart without knowing what one is works as probably the best scene in the whole episode. The dismissive nature of his booger friends and some of the closeups definitely warrant a laugh. After that though, once Stimpy slips into depression, it’s fairly short on laughs and is really committed to telling this sad story that ultimately has a happy ending. Only I don’t think it succeeds in actually getting the viewer to care about Stinky. I think I identify more with Ren’s frustrations than Stimpy’s depression, which is probably not what the episode wants. Though I do think that aspect of it exists because the staff must have known there would be viewers like me and at least we have something to latch onto via Ren. Because of that, I never know how to feel when this one ends. Am I happy for Stimpy? For Stinky? I guess. I’m relieved it’s over because I don’t enjoy seeing Stimpy suffer like this, but the payoff isn’t there. I think if this one wasn’t as long as it is then it would work better because at some point it just feels sadistic with how it treats Stimpy. Stimpy is a character easy to laugh at when the pain inflicted upon him is physical, but not emotional.

There’s really not a ton of Christmas in this episode, but I think there’s enough.

“Son of Stimpy” is not the only Christmas episode the show created as there is also “A Scooter for Yaskmas.” That one is actually very similar in tone to this one as we basically just see Stimpy suffer, though in that one he creates some of that suffering by desiring a physical object. Both have their moments, but also neither one is a Christmas special I feel required to return to every year. I think others feel differently as “Son of Stimpy” seems to be well-received by the fanbase, so what do I know? If you want to embark on a journey of father and son reuniting for Christmas then this one is available to stream on Paramount+ and was also released on DVD many moons ago. That set is very easy to acquire and contains some classic episodes so even if your response to this episode is tepid like mine that DVD is still a worthwhile purchase. Unfortunately, both versions are edited to some degree. The one on Paramount+ omits the sequence where Stimpy enters the police precinct and gets thrown out, while the DVD version cuts out a shot of Ren sleeping in the bed and his giving a gift to a picture of Stimpy. For the DVD, I think both edits were just made for time as the source video is from Spike TV and their broadcast. With Paramount+, I think their version is the one Nickelodeon aired which apparently didn’t like featuring a cop assaulting Stimpy. Given the two choices, the DVD version is superior, but it continues to be frustrating how hard it is to find truly uncut episodes of The Ren & Stimpy Show.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 13 – Bob’s Burgers – “The Bleakening: Part 2”

Well fellow cartoon Christmas enthusiasts, we’re in a new and interesting place today. We’re coming in for the second part of a two-part story we started looking at yesterday. In the first part of “The Bleakening,” the Christmas special from Bob’s Burgers which originally aired in 2017, the children of Bob and Linda Belcher were…

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Dec. 13 – The 25 Greatest Christmas TV Specials

Five years ago The Christmas Spot did its first advent calendar countdown to Christmas and the theme was “The 25 Greatest Christmas TV Specials.” With that list, my approach wasn’t entirely forthright. I really had a list of 20 specials that I deemed worthy of such an honor and I devoted the back five to…

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Dec. 13 – How to Grinch

Christmas has a number of characters that instantly come to mind at the mere mention of the holiday. The big man, good old S. Claus, is likely number one. Whether you know him as Father Christmas, Saint Nicholas, or something else, Santa Claus has dominated the holiday for decades now. Other characters commonly associated with…

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Dec. 24 – Ren & Stimpy’s Crock O’ Christmas

crock o xmas

Released by Sony Wonder on September 21, 1993

In 2018, it feels like the novelty music genre is mostly dead. Back in the day when radio was the primary vehicle for delivering new music the novelty song had a place. Usually they would be part of commutes or morning shows when producers thought a laugh was in order. I know where I grew up the local rock station had the Free-ride Funnies in the late afternoon when novelty tracks would be played along with stand-up routines and prank calls. Weird Al had a place on MTV along with other novelty acts and songs (remember Green Jelly’s rendition of The Three Little Pigs?) that would be played along with more “legitimate” music. As such, novelty albums were more popular though I feel like the general experience with novelty albums was hearing a funny song on the radio, buying the record, then kind of regretting it. Even some Weird Al albums couldn’t shake that feeling.

It should come as no surprise, or maybe a little surprise, that The Ren & Stimpy Show got in on the novelty Christmas album game when it released Ren & Stimpy’s Crock O’ Christmas in 1993. This album arrived during the height of Ren and Stimpy’s popularity and after the departure of series creator Jon K. It was the second album attributed to the dog and cat duo following You Eediot! which was released just a month prior. That album contained mostly music from the show, while this one was all new.

yak shaving day canoe

A brief bit from the show called Yak Shaving Day is the originator for all of this extra content.

The album is called Crock O’ Christmas, but it’s not really about Christmas and is instead about the fictional holiday of Yaksmas, which was referenced in a prior episode. Many of the songs are parodies of popular Christmas songs and usually just reading the title will clue you in on what the song is going to parody. As the voice of both Ren and Stimpy, Billy West is called upon to do the heavy-lifting in both singing and speaking roles. Bob Camp illustrated the cover which depicts Stinky Wizzleteats and the Gilded Yak piloting Stinky’s sausage cart while Ren and Stimpy pull it dressed as reindeer. This album is a precursor to the “Scooter for Yaksmas” episode, which we covered last year, and a lot of the lore for the holiday found in that episode originates here. Bob Camp and Jim Gomez provided the lyrics for most of the music while the whole thing was overseen by Vanessa Coffey and Charlie Brissette.

Since the format of this advent calendar styled journey through Christmas media is to provide a synopsis and walk the reader through the episode, we might as well just go with a song by song breakdown of this interesting piece of largely forgotten media.

crock sony reverse

The reverse cover for the original release.

The first track is “Fleck the Walls,” and it’s to the tune of “Deck the Halls” as Stimpy and Ren introduce the listener to Yaksmas Eve. They talk about flecking the walls with dirty diapers and detail the events of Yaksmas Eve such as filling your uncle’s boots with coleslaw, wearing rubber nipples, and licking up shaving scum left behind by the Gilded Yak. It’s quite gross, but par for the course with The Ren & Stimpy Show which really started to double-down on the gross aspects of the characters during the Games Animation era.

The second track is “Cat Hairballs” which is a parody of “Jingle Bells.” It’s basically Stimpy bragging about the wonders of his hairballs and how useful they are. Ren chimes in he has had enough hairballs which provokes Stimpy into coming up with more uses for them like making cigars and underwear from them. Gross. They then venture to their neighbor’s house to sing for them, and because the guy who lives there owes Ren five bucks. They encounter the husband and wife (Cheryl Chase) and wish them a Merry Cobbday so we apparently have two holidays to celebrate. They then are introduced to a goat, who is the pet I suppose of the neighbors. The husband then confesses he’s depressed because he never gets what he wants for Yaksmas. When Ren asks what it is he wants, he replies “a hairy chest.”

kid rhino crock

The album was re-released in 97 with re-arranged artwork.

This takes us into song three, “We Wish You a Hairy Chestwig” (“We Wish You a Merry Christmas”) as Ren and Stimpy wish a chestwig for their neighbor. Shelly Williams takes over as the wife as the duo sing with Ren and Stimpy (Billy West is the husband) about wishing for a chestwig. It’s the most simple of the parodies so far and not very disgusting, just silly. At the end of the song they find themselves at The West Pole which is where Stinky Wizzleteats lives. They knock on the door and meet the old man, but find he’s not too kind. He demands Ren act like a dog then calls for his wife to get his dog wallopin’ 2×4. When Ren explains they want to sing him a Yaksmas carol, he calls for his dog wallopin’ guitar.

This takes us into the next song, “It’s a Wizzleteats Kind of Christmas” which is an original tune. It explains Stinky’s role in the holiday introducing us to his sausage cart and detailing the traditions of the holiday including falling down the stairs and eating pre-chewed gum. It will be recycled for the Yaksmas episode of the show and it’s amusing enough and it’s nice to have some added visuals in that case. When Stimpy finishes the song, Stinky gives him some praise then goes into a song of his own about a chicken getting eaten by giant worms. It seems to unnerve Stimpy and the two slip away deciding to go to the mall.

That’s where our next song takes place, “We’re Going Shopping” which is another original song, though it’s pretty dialogue heavy. Stimpy has dragged Ren to the mall and is a compulsive shopper. We also get a circus midget joke which is a reference to the fire chief from the show; a joke that hasn’t ages well. Ren doesn’t want to shop and complains about his feet hurting while Stimpy tries to sell him on a glass diaper pale (“You can not only do your duty, you can see it too!”), but he’s not interested. The song ends with them arriving at the Royal Order of Yaks where Stimpy explains how the Gilded Yaks are selected to pilot the enchanted canoes on Yaksmas Eve.

kid rhino crock reverse

Back cover of the 97 re-release.

This leads into “Yak Shaving Day,” where the characters sing about, what else, Yak Shaving Day. If you saw the bit in the show then you know what to expect. It might be the most basic song so far and least entertaining. It’s also an original tune. It ends with Ren and Stimpy back home to welcome Stinky (the fart, not to be confused with Stinky Wizzleteats) and his bride Cora from “Son of Stimpy.” Stinky and Stimpy then recount how they spent their first Christmas after thumbing through a photo album which brings us to…

“What is Christmas?” where Stimpy and Stinky basically refresh us on the events from Stinky’s debut episode. The song (another original) is actually rather sweet, even if it’s about a cat’s affection for its fart. Because it’s actually executed quite well as a sentimental track, it’s not very funny. The humor really needs the visuals of Stimpy hugging his fart cloud to work. Interestingly, our characters are now openly singing about celebrating Christmas making this whole holiday season really confusing

That song ends with dialogue about Stimpy introducing All Cobb’s Eve. It apparently coincides with Yaksmas Eve and it’s a custom from Stimpy’s native Gibberland. He then sings “Cobb to the World” (“Joy to the World”) detailing how Wilbur Cobb visits you in the night to pass out on your lawn (a trait that will be given to Stinky Wizzleteats later). The song describes Wilbur Cobb, a character from the show, in all of his gruesome glory. It’s all about how his body parts fall off with some other old man traits described as grossly as possible. The parody nature of the song limits it, but it gets its message across. Meat, corn, and cheese logs are apparently all part of this “holiday’s” celebration.

wilbur cobb

Wilbur Cobb is the subject of his own holiday, though it may be one only celebrated by Stimpy.

After that lesson on All Cobb’s Eve, Ren just wants to go to bed, but Stimpy reminds him they have somewhere to be. It’s Muddy Mudskipper’s Holiday Hop, which is the subject of “Happy Holiday Hop,” a fun little rockabilly jam. Ren and Stimpy aren’t on the guest list, but they politely ask to crash the party while singing about Muddy. It’s not a direct parody of anything, but it’s pretty generic 50’s rock in its presentation which makes it probably the most danceable of the album so far. It’s just about a party so there isn’t anything gross. If you wanted to add a track from this album to a generic Christmas mix, this is probably the song you’d go for.

Our next song is “I Hate Christmas” where Ren acts more like the Ren we know from the show as he confesses his disdain for all of this holiday stuff. He does it after Stimpy goes to bed who recounts all of their Yaksmas Eve activities thus far before doing so. He playfully asks Ren if he’ll be joining him in bed, a some-what subtle gay joke. Ren says he’s going to “tickle the ivories” instead which is a metaphor for playing the piano I had never heard before and is rather clever. Ren’s song starts off kind of mopey, then he gets angry, as it turns into more of a lounge type of song. He particularly hates Christmas music, which is deliberately ironic, I presume. It’s the most relatable track so far if you find yourself getting run down by the holiday.

Our penultimate track is the “The Twelve Days of Yaksmas,” and I assume you can figure out what it is a parody of. It begins with Ren getting a package in the mail (“Wow, that’s the biggest package I’ve ever seen!”) from Ignoramia, home to cousin Sven. The song is them going through the package of gifts from Sven which is mostly gross stuff:  jars of spit, used bandages, golden hairballs, etc. “The Twelve Days of Christmas” is quite possibly the worst of the traditional Christmas songs and it’s pretty annoying. They manage to run through it in about 4 minutes, so this isn’t too bad, but it still over-stays its welcome.

Our final track is “Decorate Yourself,” another original tune. The title is rather self-explanatory. It’s basically a rock ballad and comes in at over 5 minutes making it the longest song on the album. It has some silly lines, but isn’t very gross and the prior forty minutes of sillier stuff dampen the comedy element of the song. It mostly feels like putting a bow on the whole album. It ends with the duo saying goodbye to the audience as Stimpy tries to wish a happy holiday for every made-up holiday they cited on this album as well as some new ones prompting Ren to just tell him to shut up so they can leave. An appropriate ending for a Ren and Stimpy production.

So you want to get a novelty Christmas album to spin at your party this year? This would probably work out all right if your audience is familiar with The Ren & Stimpy Show. It’s more childish in its humor than other novelty albums, so it might only work on nostalgia really. If you’re counting on it being a memorable part of your holiday then you may be let down. As a little supplement to the show and its other holiday episodes, it’s kind of fun. If my kids ever get into the show I’ll probably try this on them and see what they think, though it is somewhat handicapped by the fact that the show skews a bit older than this probably would.

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An interview disk was distributed with the promo version of the album.

The album was first released by Sony on its Sony Wonder label. The production is actually really well done and there’s a band, choir, and orchestra utilized. Some talented people put some time into the compositions and it shows. The lyrics could be better as there is perhaps too much that is just nonsensical. A 90s trait of Nicktoons was just to make something like cheese funny all by itself, when it never really was in the first place. It’s a tactic that works on kids (just watch the show All That which is almost entirely what I call unhumor that somehow worked on children of the era) but less so on older audiences. The booklet is pretty nice and includes original art on the cover as well as stills from the show inside. It’s festive, and there are lyrics printed inside as well along with transcripts of the character dialogue. West does a nice job with what he’s given and his level of performance is on par with the producers and musicians who participated. The album was re-released by Kid Rhino in 1997. It features some cosmetic differences like re-arranged artwork and a different layout for the booklet, though content wise it’s the same. I’d say the presentation is a bit louder visually, though not necessarily better or worse.

If you want to hear Ren & Stimpy’s Crock O’ Christmas in 2018 your best bet is to just head to eBay. There the CD version of the album will only set you back a few bucks with the Kid Rhino re-release apparently commanding a bit more money. There is a cassette version as well if you want to go that route. If you consider yourself a big fan of the show and you like Christmas then I think this is probably worth a look considering it’s relatively cheap to acquire. If a Christmas album by Ren and Stimpy sounds like something you would not like then you should probably trust your instincts there. You can hear most of this stuff on YouTube if you’re just curious and not eager to add any physical media to your Ren & Stimpy collection. If you’re expecting this to be the funniest Christmas album you’ve ever heard, then once again you may be let down. It’s just okay, but very much in the spirit of the show which makes it charming for fans.


Dec. 23 – A Very Woody Christmas

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A Very Woody Christmas/It’s A Chilly Christmas After All/Yule Get Yours all from The New Woody Woodpecker Show first aired December 25, 1999.

If you were a major motion picture studio in the 1940s and you didn’t have a mascot cartoon character then you really weren’t a major motion picture studio. The big ones were at Disney and Warner while Tom and Jerry reigned at MGM. Universal was one of the later entrants, but they struck gold with their own creation of Woody Woodpecker. Woody was the creation of Walter Lantz, and like seemingly every major cartoon character from the era who didn’t originate at Disney, he was originally voiced by the great Mel Blanc. Woody debuted in the cartoon Knock Knock in 1940 and would go on to become a star. And like most cartoon stars of those days, he would make the move to television in the 1950s where his cartoons would be packaged together and shown in a half hour format. These shows were on television in some form or another well into the 1980s and even into the 90s in some places when they eventually faded out for one reason or another.

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Woody’s original and seldom seen first look.

In the late 90s, Woody received a makeover and a new show. The New Woody Woodpecker Show would air from 1999 to 2002 and it typically followed a format similar to the old show of three shorts shown together. Usually you got a new Woody cartoon, a Chilly Willy, and then another Woody cartoon. Woody was now voiced by Billy West and most of his friends and foes returned like Buzz Buzzard (Mark Hamill) and Wally Walrus (West). It tries to capture the spirit of the old cartoons, while also toning down some of the violence. In the first season it produced a Christmas episode among it’s 26 season order and it actually premiered on December 25, 1999. Was this the last new Christmas special to air before the new millennium? I’m not sure, but it must be rather close.

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This is the look most probably associate with the character and his friends.

Like most episodes of the show, this one contains three cartoon shorts and all three are Christmas themed. The first is A Very Woody Christmas which naturally stars Woody Woodpecker himself. It opens with Woody walking down the street talking to himself about what people are getting him for Christmas and what he got them in return. He realizes he forgot to get gifts for Knothead and Splinter, his nieces, or nephews, or something. He dashes into a store just before it closes and snags a couple of robots while passing the owner a few bucks. He then notices a dilapidated looking stand offering free gift-wrapping (too good to be true, Woody).

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And Woody’s redesign for this show, though his feet should be orange.

The stand is being run by Buzz Buzzard and his lackey Tweaky (Hamill). Their scheme is to take the gifts and replace them with rocks as they wrap and then return them to the patron. Woody picks up on this, but Buzz just launches him into a nearby Christmas tree. Decorated as an angel as a result, Woody swings down from the tree in Tarzan style and kicks Buzz into a snowman decoration, causing Tweaky to confuse him for an abominable snowman. The two then jump in their getaway sleigh, leaving Woody behind.

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Tweaky has a pretty crappy tree.

The pair arrive at their warehouse hide-away. Tweaky is worried that Santa won’t come to visit them because they aren’t asleep yet (even though it’s still daylight) while Buzz informs him that they just stole a bunch of gifts so Santa isn’t coming. He takes off to get a celebratory pizza. Outside, Woody was watching from a window and Tweaky’s Christmas spirit gives him an idea. He puts on a Santa costume and enters much to Tweaky’s delight. Woody convinces Tweaky to go to bed, but while he does he lists off all of the stuff he wants for Christmas. If you were feeling bad for Tweaky, since he’s bullied by Buzz, then you don’t have to anymore as all of the stuff he wants from Santa are crime-aiding devices. He knows what’s doing.

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I pretty much assumed Woody would dress-up as Santa at some point in one of these shorts.

As Woody tries to reclaim the goods, Tweaky keeps interrupting him causing Woody to have to put him to bed, only for him to re-emerge and get put to bed in a more comically restrictive fashion. It’s exhausting, and Woody seems like he may lose his tempur and blow his cover, but he’s able to convince Tweaky to pull the sleigh of stolen goods for him. As they’re ready to leave, Buzz returns and is incensed to see what his cohort is up to. Unlike Tweaky, he knows that this isn’t Santa and he tells Tweaky he’ll get him whatever he wants for Christmas if he’ll just stop, but Tweaky isn’t satisfied. Unless the gift is from Santa, he doesn’t want it. He takes off acting as Woody’s lone reindeer while Buzz is eventually run over by the sleigh. As Tweaky pulls the sleigh through town, Woody laughs and tosses out the stolen goods to their rightful owners.

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Penguins apparently are not happy in the cold.

The second cartoon is It’s a Chilly Christmas After All and it stars the mute penguin Chilly Willy. Chilly Willy is a classic cartoon star and he still is here. His segment opens with him freezing in his igloo at the South Pole. He’s watching a weather report remarking how cold it is which also goes into a little detail on Santa’s upcoming voyage that night. The weatherman (Billy West) points out all of the warm climates Santa visits which apparently gives Chilly an idea. He races out of his igloo to the literal South Pole which is poking out of a hole in the ice. He slides down the pole and into the hole and re-emerges at the North Pole! There he finds Santa’s workshop, and inside is old foe Smedley (West doing a pretty good Daws Butler impression) the hound dog. Smedley has apparently taken up a job as Santa’s elf and he’s trying to make sure everything is in tip-top shape for tonight. If all goes well, he hopes to be brought along as Santa’s exclusive Christmas delivery helper.

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Better check it twice, Smedley.

As Smedley narrates his existence for our viewing benefit, Chilly slips in and dashes for Santa’s sack of toys. Smedley intercepts him and lightly admonishes him for trying to sneak a peek in Santa’s sack before tossing him outside. Chilly will then make further attempts to get into that sack, only for Smedley to catch him. Chilly in turn uses some violence to escape, at one point dropping a bowling ball on Smedley’s toe. Santa himself then enters and he seems pretty joyful and oblivious to what is going on here. He has Smedley go inspect the toy assembly line in preparation for departure and Smedley obliges. You would think this would present an easy opportunity for Chilly to just jump back into Santa’s sack, but comedy demands that he jump into the toy assembly line. He doesn’t escape Smedley’s notice though and is promptly tossed away.

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It is cartoon law that all toy planes are pilotable provided there is a character small enough to fit in it.

Chilly is forced to sneak back in where he finds Smedley putting the finishing touches on a model airplane. Chilly hops in and takes off forcing Smedley to ground the airplane. Apparently having enough, Smedley then breaks-out a home chemistry set to whip up some kind of adhesive to catch the penguin. As he does his thing, Chilly sneaks in behind dressed in a lab coat and blastshield and mixes up something dangerous looking. As Smedley continues adding ingredients to his concoction, he grabs the beaker containing Chilly’s mixture, informs us it’s nitroglycerine, and casually explodes. Santa sees Smedley all covered in soot and remarks that he looks in need of a rest and tells him to take the night off. Before Smedley can explain he doesn’t want that, Santa takes off (with only two reindeer – preposterous!) with Chilly along for the ride. Smedley tries to hang onto the sleigh, but that just results in him taking a nasty spill. As the sleigh flies away, he shouts for Santa to make sure that Chilly Willy gets nothing but coal!

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Poor Smedley just wanted to be a good elf.

Back at Chilly Willy’s igloo, the little penguin is standing outside bouncing a lump of coal off his flipper while Santa flies away. Don’t feel bad for old Chilly though, he heads back inside and tosses the coal into his fireplace. Santa left him with a mountain of the stuff which is apparently just what he wanted for Christmas.

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That’s a lot of coal.

Our final segment is another Woody Woodpecker cartoon titled Yule Get Yours. It opens with Woody at a toy store waiting in a line to see Santa. He’s impatient and the line is long, so he burrows under the carpet to emerge on Santa’s platform to get the big guy’s ear. This Santa is a lot rounder than the one we just saw in the previous cartoon, and he has an elf attendant voiced by Rob Paulsen. After Santa confirms that Woody is the bird who lives in a tree and laughs obnoxiously (my word, not his), the elf steps in to let him know he’s been very selfish this year. In fact, he’s been so bad he’s not only getting coal but also having his previous Christmas gifts repossessed.

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Woody is a bit of a dick in this one, which I actually prefer.

Dejected, Woody slumps his way down the street until he notices a video camera in a storefront. He decides if he video tapes himself doing good deeds tonight, it will be enough for Santa to put him on the good list. We then jump to Woody outside his neighbor Wally’s house where he removes a panel from Wally’s fence. He then turns the camera on to show him repairing the fence, but he ends up knocking the whole thing over by accident. Moving along, he heads to his other neighbor’s house, a Ms. Mimi, and tries to get himself on tape clearing her walkway of snow. As he uses a snowblower to tidy up, a delivery man shows up with a package. Seeing another opportunity for a good deed, Woody films himself signing for it. The package turns out to be a giant, decorated, Christmas tree and as  Woody carries it to the house he accidentally turns on the snowblower. It goes haywire and chases Woody around the yard. Eventually, he turns to smash it with the tree, but the snowblower just grinds the tree up.

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I don’t recommend using your own snowblower as a substitute wood chipper.

Failing once again to do a good deed, Woody decides to decorate Wally’s house with more lights. In order to do so he steals lights from the other houses in the neighborhood. When he turns on the lights, the circuitry gets overloaded and Wally’s house catches fire. Woody then grabs a hose from Ms. Mimi’s yard and races to her roof to water Wally’s house and put out the fire. Once the fire is out, he loses track of the hose which covers Ms. Mimi’s house in water. It freezes, then crumbles, and Woody is left under a pile of ice. The elf from earlier then walks in to point out the obvious – Woody is just trying to look good without actually being good, and in doing so he’s done a lot of harm. As Woody tries to plead his case, the elf tells him Santa will be by in five minutes and he can take it up with him.

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I hope Wally isn’t home.

Woody realizes he has to act fast if he wants to save his own Christmas. He scoops up the wood from Wally’s ruined fence and hastily reconstructs both houses out of it. They look like shit, and Santa soon arrives (still with two measly reindeer). He tries to land on one of the houses, but the wood breaks under the weight of the reindeer causing Santa to tumble out of the sky. Woody races to catch him and succeeds, but of course gets flattened by the bulbous man in the process. Nonetheless, Santa thanks him and is impressed with Woody’s selfless act. He goes on a bit about how wonderful an act it was or something before remarking he was wrong about Woody. As he flies away, he puts a finger to his nose. Suddenly, the houses are rebuilt and Woody’s house is flush with presents causing Woody to proclaim that Santa is “da man.” As Santa flies past the moon, he calls out a merry Christmas and laughs in a manner similar to Woody, who waves and returns the laughter. The end.

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This elf seems to delight in Woody’s failure.

I have some conflicting emotions about this one. First of all, I think it’s great Universal tried to bring Woody and the gang back in a new show. Woody mostly looks pretty good, and West is fine in the role. His voice may be pitched a touch too high, but the character is supposed to be annoying. The look of the show is pleasing enough. There are lots of bright, solid, colors on simple backgrounds. The animation is largely fine, save for maybe the reindeer which looked kind of shitty. My main issues are more with the creative direction. The first cartoon just wasn’t very funny and none of the gags were memorable. The second Woody cartoon was a bit more interesting, and I prefer a more rascally Woody, but the resolution was pretty stupid. Santa even says Woody’s heart was in the right place – no, it wasn’t, you dope! I probably liked the Chilly Willy segment the best. It didn’t contain any physical comedy bits that haven’t been done before, but the general look was better and the format lended itself well to the gag-centered pace.

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You were bad and you should feel bad, Woody!

Before this I had never watched this show for more than a minute. I don’t feel like I missed out, but it does make me want to revisit some classic Woody shorts as I haven’t seen those in decades. I’ve never really heard anybody talk about this show, and I can kind of see why. I don’t want to judge it on one episode, but it didn’t leave me with a great impression.

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Needs more deer.

The New Woody Woodpecker Show hasn’t received a home video release outside of the first 13 episodes. It was on Netflix for a time, but now is not. If you want to watch this one though, there’s an official Woody Woodpecker Show channel on YouTube and it streams a lot of content for free, including this one. There are a bunch of ads inserted into it, but you get what you (don’t) pay for.


Dec. 19 – The Ren & Stimpy Show: A Scooter for Yaksmas

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Original air date December 16, 1996

The Ren & Stimpy Show seemed to delight in being absurd and perverse. It’s then no surprise that it’s two Christmas specials center around farts and a drunk who delivers pre-chewed gum and sausage. “A Scooter for Yaksmas” is from the Bob Camp era of the show and is the final episode to premiere on Nickelodeon. As the title implies, this is a parody of Christmas and not a true Christmas episode, but it counts for the purposes of this countdown. It’s also a call-back to an earlier filler short of Yak Shaving Day from the show in which a yak pilots a canoe through the night air and enters the home of children to shave. And it’s also a re-debut of sorts for Stinky Whizzleteats, the singer of “Happy, Happy, Joy, Joy.” As we shall see in this episode, the concept of Yaksmas has been expanded to more closely resemble Christmas.

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The object of Stimpy’s desires.

The episode opens with Stimpy working at the Cobbco factory making tongue depressors, or popsicle sticks if you prefer. He uses an absurd amount of wood to create just one stick, then discards it when it contains a crack into a comically high pile of rejected sticks. When the whistle blows he happily races to payroll where he is paid in popsicle sticks and gets a bonus half a stick (in addition to his usual one) for Yaksmas. As he giddily leaves work he admires the Yaksmas decor and seasonal traits:  soot in the air, children building soot-men, a street vendor selling roasted rubber bands. I’m not sure if this is supposed to just be seen as weird and the opposite of Christmas or if it’s a commentary on factory life in middle America and how those once wrecked the local ecosystem. It’s probably the first one.

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He really wants that scooter.

Before heading home, Stimpy stops at a store window to gaze longingly at a scooter. He promises the scooter that they will soon be together before heading home. There he covers the house in obvious hints for his pal Ren that he wants a scooter for Yaksmas. He lays a note across the toilet seat, puts up neon signs, and even wears a giant one on his head when he sits across from Ren at dinner. Ren doesn’t acknowledge the “hints” and even emerges from the bathroom with the sign stuck to his butt. Stimpy does not appear phased or disheartened in the least, being the eternal optimist. He tells Ren they need to get ready for bed or else Stinky Whizzleteats won’t visit their house and leave them sausage and pre-chewed gum. Getting ready includes making the house valuables easily accessible, leaving a place for Stinky to pass out on the front lawn, and decorating the Yaksmas stump and hanging long underwear. Ren admonishes Stimpy for being childish, but still lets Stimpy dress him in the appropriate sleeping attire – a bunny costume (Stimpy sleeps beside him in a tuxedo).

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The traditional Yaksmas stump.

During the night, Stimpy’s faith is rewarded as the Yak, piloting a magical sausage cart, brings Stinky to the house. Stinky is clearly drunk and vomits more than once. They clear out the fridge of mayonnaise, pickles, and other stuff that shouldn’t be combined with those before passing out on the lawn. Stinky and the Yak deliver though and fill the pair’s underwear with cooked sausage and pre-chewed gum. When morning arrives, Ren and Stimpy giddily bounce down the stairs, landing on their heads as the song commands (this whole sequence is set to music), and enjoy a heaping helping of their goodies. Stimpy suggests they exchange gifts and Ren agrees. For Yaksmas, Stimpy gives Ren exactly what he wanted (which he threatened with death) – a jewel-encrusted golden statue of the Queen of England. Ren is delighted and Stimpy is ever eager for his gift. Before Ren can produce it, Stimpy runs off-camera to grab his helmet and straps it on. As he trembles with anticipation Ren produces a box much too small to house a scooter. Stimpy’s demeanor immediately changes, but he’s much too polite to actually say anything mean to Ren. Instead he shakes violently as he opens the box and every soft curve of his body is now a squiggle. Inside the box is another box of popsicle sticks. Stimpy remarks it’s a thoughtful gift, as the background reveals an entire wall in their home lined with the things. He says he needs to step out for some gum, and disappears, Ren is completely oblivious to his friend’s distress. This entire sequence is easily the episode’s highlight in terms of animation as Stimpy’s disappointment, rage, and conscience wage war across his body.

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The yak and Stinky hard at work.

Stimpy returns to the store window to apologize to the scooter that they are not together. He’s illustrated in a real rough manner and even has nipples and man-boobs briefly. He loses his cool and pounds on the glass in despair, only for it to break and the scooter land in his arms. An elderly woman nearby sees it and immediately accuses Stimpy of thievery. A cop shows up and Stimpy panics, choosing to flee via scooter. The cop and old lady chase after him with the cop remarking that Stimpy will be taken dead or alive for stealing a $39 scooter. This feels depressingly topical right now.

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Stimpy on the run from the law.

Stimpy is able to escape the lawman and hides out under a bridge with his ill-gotten scooter. He falls asleep and has a nightmare about being caught and forced to sit in an interrogation room. There he’s accused and humiliated by the police, Ren, Stinky, and others. A cop says he stole the scooter he was going to buy for his sick daughter, and commands Stimpy “and now look at her,” and a decrepit looking marionette falls into view. I wonder if this was supposed to be a corpse or something and the censors wouldn’t allow it as it’s pretty weird as-is. I do appreciate how child-like Stimpy is portrayed, and his internal fears seem to be exactly what a kid would fear if in this otherwise implausible situation. Stimpy awakes from his dream in distress, and decides to go seek help from Ren as he’ll know what to do.

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Ren being Ren.

When Stimpy returns home he sees a news crew and they’re interviewing Ren. Predictably, Ren has turned on his best pal in order for his five minutes of fame in front of the camera. Stimpy is forced to run before anyone sees him and decides he needs to disguise himself if he’s to be a fugitive and dresses in a leopard-print vest and a wig that resembles Moe of the Three Stooges. Now disguised, Stimpy asserts that only one person can help him now:  Stinky Whizzleteats.

While on the run, Stimpy crashes into an oaf. Fearing he killed the poor guy, Stimpy weeps only for the large lad to declare he’s fine. They strike up a quick friendship in which Stimpy convinces the lad he’s a CIA agent that needs to deliver the scooter to Stinky. As the oaf, riding on the handlebars despite his monstrous size, gazes back at Stimpy a wanted poster collides with Stimpy’s face and the image on the poster perfectly aligns with Stimpy’s actual face. He screams and runs off shouting for the police and Stimpy is forced to forge on ahead – alone. As he races on, the front tire blows out on his scooter and Stimpy loses control crashing into a pole. Stimpy arises from the wreck only to see he has crashed into The West Pole Motel! Joy! This is the apparent home of Stinky Whizzleteats, but Stimpy’s joy is turned dark when he sees his beloved stolen scooter in shambles.

Stimpy lovingly gathers the poor scooter into his arms and heads into the motel to find Stinky and his yak passed out inside. He then spies a gift in the corner. Upon closer inspection it bares a tag reading “To: Stimpy, From: Ren.” Stimpy immediately tears the paper off to reveal a brand new scooter! Ren didn’t ignore the pleas of his friend, Stinky simply forgot to deliver it! Then Stimpy turns to his stolen scooter, and assuring it Stinky can fix him, he giddily climbs atop his new scooter and rides off. Just as he leaves, the police show up at the motel smashing into it and find Stinky asleep inside with the stolen scooter.

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All’s well that ends well.

Stimpy and Ren are then shown happily enjoying a scooter ride with Ren’s gigantic statue of the queen. Stimpy remarks he has his new scooter and his good name back and wishes everyone a merry Yaksmas. The yak and Stinky then go screaming past on their busted up scooter and the holes through their bodies imply some police brutality as our special comes to an end.

“A Scooter for Yaksmas” is an incredibly silly parody of Christmas with a little dash of A Christmas Story tossed in for good measure. Stimpy, being a pure-hearted soul, is actually a good protagonist for a Christmas special and even though he spends half of it on the run from the law it’s still nice to see him a bit happier than he was in the previous Christmas special, “Son of Stimpy.” Ren is barely in it, but when he is he serves his role of just being a mostly unkind jerk who takes his friend for granted, but he is some-what redeemed by the end even though he wasn’t at all concerned with the missing gift on Yaksmas morning. The sequence with the oaf feels like padding, I guess the only purpose he serves is to show us that the cops are still on Stimpy’s trail? He knew where Stimpy was heading, not that this show really needs to explain how the cops show up at the motel in the end. The musical number depicting Yaksmas is probably the episode’s highlight. While it isn’t on the same level as “Happy, Happy, Joy, Joy” it’s still pretty entertaining. Speaking of that song, I did appreciate them using Stinky Whizzleteats in the Santa role, as I don’t recall seeing him in-between the debut of his now classic song and this episode. As for low points, the backgrounds in this episode are particularly bare. The show often went minimalist with the backgrounds as a matter of style, but here it seems like they went way too far with that.

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Oh, God what is that?!

Overall, I’m not sure which of the two Christmas specials I prefer when it comes to The Ren & Stimpy Show. This one is better than I remembered as it aired when I had kind of lost track of the show, though I did see it when it was originally broadcast. “Son of Stimpy” basically plays the story straight with the humor coming from the fact that we’re talking about a lost fart (also named Stinky) trying to get back to the cat that dealt it. This episode is just silly, which might make it more entertaining. If you want to watch either this holiday season, you may have better luck tracking down the DVDs or streaming them. Nickelodeon’s retro block The Splat seems to rarely play The Ren & Stimpy Show, perhaps feeling it’s just too controversial (which seems ridiculous for a late night block that happily plays Rocko’s Modern Life, even if it chooses to censor some of the episodes) so it unfortunately can’t be counted on to play the christmas specials from this show.


Dec. 12 – The Futurama Holiday Spectacular

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Presented by Gundersons!

Back before the advent of home video, when a show aired you either saw it or you didn’t. Miss something all of your friends were talking about the next day and you were at the whim of re-runs until your favorite show hit syndication – if it hit syndication. When VCRs were popularized you had the option of recording television shows for later use, but re-watching a show was a great deal more difficult than it is now. When children’s shows were sold on VHS they were usually obnoxiously expensive costing upwards of twenty dollars for an episode or two. The home video market for television just wasn’t something studios paid much attention to, at least not until DVD made it a whole lot easier, and cheaper, to sell television shows to fans.

Futurama owes a great deal to home video and syndication. When the show originally debuted on the Fox Network it struggled to find consistent air time. Often banished to that time-slot before The Simpsons on Sunday nights, it was the first thing bumped if an NFL game ran too long. Many blame the poor time-slots of the show on its lack of success, because once the show was cancelled and appearing in syndication on Cartoon Network’s adult swim block, it suddenly found an audience. DVDs of the first few seasons sold well enough that Fox brought the series back, as it did with Family Guy before it. The only change was that Fox declined to broadcast the new shows and instead optioned the series to Comedy Central, who would eventually gain control of the first four seasons from Cartoon Network. After four direct-to-video Futurama movies were released, the show returned with “Re-birth” in 2010 and would run for two more seasons totaling 52 episodes.

During its original run, Futurama gave birth to two Christmas specials – “Xmas Story” and “A Tale of Two Santas.” For the return season we were gifted with “The Futurama Holiday Spectacular.” The general opinion by most fans is that the post-cancellation episodes are inferior when compared with the pre-cancellation ones. There are of course those who feel the show came back better than ever, or at least as good as it always was, but I tend to agree with those who feel the post-cancellation episodes were lacking when compared with the others. In that sense, “The Futurama Holiday Spectacular” is similar because it’s not as good as the previous two Christmas specials (I guess I should say Xmas Specials), but it’s still an enjoyable episode with some good holiday jokes and puns.

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The crew preparing for Xmas, with an obvious Gundersons tie-in to keep that joke running.

Unlike the first two Xmas specials, this one is a non-canon anthology episode like the Anthology of Interest episodes and the anthology ones that followed. It’s broken up into three segments that focus on three holidays. Only the first one is an Xmas story and the homicidal Robot Santa makes a return in this segment. The second segment concerns Bender’s made up holiday, Robanukah, which he came up with as an excuse to avoid work in the season one episode “Fear of a Bot Planet.” And the third segment is about Kwanzaa with Hermes being a celebrator of that holiday. It also features the return of Kwanzaa-bot, voiced by Coolio, who first appeared in “A Tale of Two Santas.”

Our first segment opens with an ad for Gunderson’s Nuts – they’re “nut” so good, as we pan around the Planet Express headquarters. Inside the crew is decorating for Xmas and Fry is feeling blue, much like he was back in “Xmas Story.” He’s just down because the future version of Xmas is more about survival than good cheer, and we’re soon visited by Robot Santa after Fry asks for everyone to, once again, explain this crazy holiday and do it preferably through song. A little song is sung and we get some visual gags of fruit cake bombs and egg nog molotov cocktails. Robot Santa enters and departs just as quickly, letting them know that to properly celebrate Xmas they need a “tree that’s coniferous.” Also, Scruffy dies.

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The White House Xmas tree isn’t very impressive in the year 3010.

Fry wants to get a real Xmas tree, but Professor Farnsworth explains that the pine tree has been extinct for generations and that they’ll need to head to a seed vault in Norway. Gaining access to the vault is surprisingly easy as the guard, surrounded by barking snakes in a callback to the first segment, is willing to let them in to rummage about. Next door to the vault is the germ warfare vault and Leela expresses concerns about cross-contamination with the seeds. Inside, the guard happily gives them some pine tree seeds and reveals the tree is extinct due to an emergency toilet paper need during the Fifty Year Squirts. Amy notices the seeds have traces of green crud, but no  one is overly concerned.

Back home, Fry plants his seeds and a year later we see he has a sickly looking pine tree for his efforts. Passer-by’s think it looks great, including President Nixon who is immediately advised by Vice President Dick Cheney that he needs to steal it to improve his poll numbers. He apparently does, because soon after The White House is hosting a tree lighting ceremony, and very much like A Charlie Brown Christmas, the sickly little tree suddenly appears a lot more full once decorated. Fry and the gang are there too, so apparently they weren’t too sore about their tree being stolen, but soon the tree grows massive. It was apparently mutated by being stored near the germ warfare containment vault (duh!), and at first Leela thinks it might be a good thing it mutated since it suddenly looks a lot more healthy than it did before. Soon it starts shooting off pine cones, pine cones that in addition to exploding also lead to massive reforestation.

Soon the entire planet is covered in pine trees. Leela, ever the optimist, still believes this could be a good thing and the Professor remarks that global warming has all but been eradicated as a result, and we get our required Al Gore cameo here. The Professor quickly realizes that oxygen levels are climbing dangerously high, and Bender remarks that he hasn’t done anything for awhile and lights a cigar. The air starts to sparkle before it catches fire and we get a view from space of the whole word being destroyed. Robot Santa flies into view laughing about how everyone is dead and tells us to stay tuned for more hilarity!

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Robanukah features six and a half weeks of fembot oil wrestling, let the good times roll!

The second segment centers on Bender’s made-up holiday Robanukah. It’s just after Xmas and Professor Farnsworth remarks they need to destroy all of the Xmas gifts they failed to deliver. Bender immediately gets salty about how they have to celebrate every dumb human holiday but not the robot ones. Everyone is well aware that Bender’s holiday was made up by him to avoid work, but that doesn’t stop Bender from singing a song about Robanukah in a bid to legitimize it. During that song we get a taste of the holiday and it basically takes all of the Chanukah customs and perverts them, most notably by including six and a half weeks of fembot oil wrestling. When Bender finds out they only have enough petroleum oil for four and a half weeks of wrestling, he makes the crew set out to acquire more.

At Mombil, they learn that petroleum oil is all gone, and Al Gore pops in again to reprimand the viewers that he warned this would happen. Bender isn’t satisfied and is determined to find more petroleum oil and he makes the crew head for the center of the earth. There they drill for oil, but the intense pressure kills everyone except Bender. Five-hundred million years pass and Bender, after apparently occupying his time by singing about how great he is, notices his friends have become petroleum oil. He heads back to HQ with his oil friends to find the two fembots still wrestling in oil – a Robanukah miracle!

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It wouldn’t be Kwanzaa without Kwanzaa-bot and beeswax candles.

Our third segment opens with the Planet Express crew arriving at the home of the Konrads and Leela is concerned her chocolate cake may be offensive in some way. They are there for Kwanzaa, and even Barbados Slim shows up shirtless and covered in snow, much to the dismay of Hermes. When everyone is gathered for dinner, it’s decided we need our third song of the episode to explain the holiday featured in the segment, so Kwanzaa-bot bursts in Kool-Aid style to rap about the holiday. The joke of the song is that even he isn’t completely sure about anything concerning the holiday, but he does know they need authentic beeswax candles to celebrate or else they might as well be white. It’s noticed that the Konrads do not have authentic candles, so Hermes takes the crew out to acquire some on the last night of Kwanzaa.

Like the trees and oil, beeswax proves hard to come by and the crew is forced to return to the hive from “The Sting” to get the necessary wax to create their candles. There they find the space bees have been infected by some kind of mite and they’re in some distress. The mites are causing the drones to crash and explode, and the workers are at odds with each other. The queen bee is the only one who appears unaffected, despite the presence of mites on her, and she explains the situation to Hermes. During this, Leela is able to acquire plenty of beeswax but Hermes can’t leave the bees like this, not on Kwanzaa! He explains the meaning of Kwanzaa to the bees, and his message of unity together with the spirit of Kwanzaa causes the bees to embrace each other and the mites to fall off and die. With their minds fully functioning once more, the bees turn their attention to the Planet Express crew. Kwanzaa-bot returns offscreen to save them, and is quickly killed, also offscreen. The bees attack and we fade to black and re-emerge to be wished a Happy Kwanzaa by Hermes who is encased in wax. The camera pans back to reveal the entire crew as wax candles and a curtain falls on the special.

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Al Gore is a reoccurring presence throughout the episode, and even gets to close the show.

Al Gore emerges, still as a floating head, to assure us, the viewers, that the crew will return next year in all new episodes. We get one final send-off from Gunderson’s, and the holiday special is ended. In re-watching it for this post I will say this episode is funnier than I remember. It still suffers from too much fan-service as many jokes exist just as a call-back to an older season (“My ice cream man-which!”) which just feels kind of lazy. There’s still plenty of witty dialogue and exchanges between characters, but the anthology format sacrifices pay-off as the stories are forced to be quick and concise with less room for everything, including jokes.

As a Christmas special, “The Futurama Holiday Spectacular” is mostly underwhelming because only a third of it is devoted to Christmas, and a bastardized version of the holiday at that. And with most of the Xmas parody handled by the past episodes, there’s little left for the show to tackle here. The inclusion of songs is the easiest form of parody, but they sometimes feel too much like padding as not a lot happens in these short segments. The best Futurama episodes are able to be funny while telling a meaningful story containing characters we genuinely care about. I suppose killing off these characters in three separate segments is kind of a play on holiday specials itself, but it’s not really as funny as it could be. It’s cool that they found room for more holiday lampooning, and not just Christmas, even if the Kwanzaa jokes felt a bit too easy. There’s always room for more holidays, as far as I’m concerned, and it’s the most obvious aspect of this special that makes it stand out. Criticisms aside, this one may do little to evoke the Christmas spirit, but it’s still a worthwhile inclusion in your annual holiday viewing.

If you want to watch this one this year, Futurama is shown on Comedy Central and they will play the crap out of the Christmas episodes (as of this update, the episode is scheduled to air Thursday December 21 at 5:20 PM EST). The show is also now syndicated on the Syfy channel and that channel is also set to air the Christmas specials this year. Syfy is showing a Christmas Eve marathon of Futurama including all of the movies and ending with the three Christmas specials. This one will be last to air at midnight, right when Santa is arriving!


#3 Best in TV Animation: Futurama

FuturamaWhen Futurama was first announced I didn’t think much of it. It felt like an unofficial spin-off of The Simpsons with a stupid title. The premise, a 20th century slacker getting cryogenically frozen to awake in the 30th century, probably should have interested me more than it did. As a result, I, along with most of America, mostly ignored the show during its initial run. Only when re-runs started surfacing on Cartoon Network’s Adult Swim block of programming did I truly give the show a chance. And what do you know? – I loved it!

Futurama follows the exploits of Fry, Bender, Leela, and the rest of the Planet Express package delivery crew as they parade around the universe getting into more trouble than a normal package delivery company would expect to. Like The Simpsons, Futurama relies on satire and a diverse cast of characters for its humor, and setting the series a thousand years in the future actually makes the satire come rather easy. It’s almost as if show runners Matt Groening and David X. Cohen watched Back to the Future Part II and decided a show that centers entirely on the future portion of that film would be a great idea. The future is a lot like our present, only America essentially rules the entire globe with President Nixon, now a head preserved in a jar, coming into power early in the show’s life. There’s also the Democratic Order Of Planets, or DOOP, which attempts to police the entire known universe with the incompetent Zapp Brannigan as its leading general. Robots handle a lot of the menial labor on earth with relations between humans and robots tenuous at best.

This picture essentially tells you all you need to know about Bender.

This picture essentially tells you all you need to know about Bender.

The principal cast revolves around the Planet Express crew itself. Fry (Billy West) is the main protagonist who is time-displaced due to a mishap in 1999 and doesn’t seem to mind it all that match. He’s a well-meaning but plainly stupid sort of character. His best friend is the robot Bender (John DiMaggio), who would rather chain smoke and steal than actually do any work around the office. Leela (Katie Sagal) is the pilot of the Planet Express ship and nominal love interest of Fry, a subplot that actually takes quite a while to fully develop. She also happens to be a one-eyed mutant. Professor Farnsworth (also voiced by West) runs the company (mostly incompetently) with the help of Hermes Conrad (Phil LaMarr), Amy Wong (Tress MacNeil)e, and Dr. Zoidberg (West). As you may have noticed, the voice cast is pretty well stocked with talented individuals, some who made a name for themselves with Groening’s Simpsons. West is the obvious star and one of the very best at his craft, but everyone is pretty top-notch making Futurama arguably the most well-voiced program in the history of animation.

Visually, the show is excellent and for most of its run was superior to its predecessor, The Simpsons. Fox clearly was pretty generous with the budget for the show’s first four seasons as traditional hand-drawn animation was blended well with computer-aided visuals where appropriate. The show is bright and vibrant and the setting helps to give it a unique look. As expected, there are some pretty standard tropes of the future setting like transportation tubes and laser weapons to go along the obvious hover cars. The show doesn’t make too many attempts at actually predicting the future, and given the setting is a thousand years away there’s little need to. The various aliens and robots are usually pretty fun to take-in and is where most of the show’s visual creativity ends up being on display.

Billy West lends his voice to many characters on the show.

Billy West lends his voice to many characters on the show.

Most importantly, the show is just plain funny. The characters tend to work well with each other. Fry and Bender are often the ones getting into mischief, and early in the show’s run, Leela was often left to play the straight man (woman). Bender is the unofficial star of the show as his general selfishness and law-breaking ways make him both hilarious and popular in the same way Bart Simpson did ten years prior, only with the debauchery and lewdness magnified considerably. Dr. Zoidberg, likely the universe’s worst doctor, is often a source of humor at the character’s expense considering he is both poor and foul-smelling. Professor Farnsworth is probably my pick for the most unsung hero of the cast. Whenever the show turns to him for a one-liner or a visual gag he seems to always deliver. The simple delivery of his “Tell them I hate them,” from “Fry and The Slurm Factory” gets me every time.

Where the show really found a way to separate itself from others is with its heart. It sounds sappy, but the show is surprisingly effective when it wants to make the viewer experience something other than laughter. The first episode where the show really successfully delivered on such was the Fry-centric “The Luck of the Fryish.” In that episode, Fry finds out his brother essentially stole his identity after he was frozen and basically lived out all of Fry’s dreams while becoming a national treasure. He owed it all to Fry’s lucky seven-leaf clover. Fry, in anger, wants his clover back and will go to great lengths to get it back, even if it means digging up his brother’s corpse. There’s a twist in the end and good luck keeping your eyes dry when it comes about. Of course, the show’s most infamous episode in this style is “Jurassic Bark,” in which we find out what happened to Fry’s dog, Seymour, after he was frozen and left him behind. I still remember the first time I caught the episode on television and the ending really snuck up on me and obviously made an impact. In general, the show does a really strong job of finding the humor in almost any situation. And even when the characters have to do something mean for laughs, the show is able to keep them from straying too far from a moral baseline so that the audience never turns against them. Even Bender has his moments where he does something nice.

Like The Simpsons, Futurama's cast became exceptionally large.

Like The Simpsons, Futurama’s cast became exceptionally large.

Futurama was originally unsuccessful during its initial run on Fox, though it did manage to last for the better part of four seasons. After the reruns performed well for Cartoon Network and DVD sales excelled, the show went the direct-to-video route with four feature-length films. They would eventually be chopped up into episodes that aired on Comedy Central, who picked up the show for an additional three seasons. Having the show come back from the dead was pretty awesome, but you would have a hard time finding a Futurama fan that felt the post-cancellation episodes were up to the same standards of quality as the first four seasons. Still, there were episodes here and there that stood out and subpar Futurama is better than most shows. The show ended with its 140th episode, a healthy run by any standard. In those 140 episodes the show made a bigger impact than all but two others, according to this list, and really stand among all television shows, animated or otherwise, as being among the very best.


#9 Best in TV Animation: The Ren & Stimpy Show

renstimpylogoThe thumping bass line leads into a frantic percussion section punctuated with a quick strike of a guitar and The Ren & Stimpy Show is on! The third and most unique of Nickelodeon’s early 90’s Nicktoons, the show was a throwback to the Golden Era of cartoons embodied by directors such as Chuck Jones and Tex Avery. This was a show for animators, for cartoon lovers, for people that wanted a show to just make them laugh. The process of creating an episode, from start to finish, was handled by one director and just a few writers who bounced ideas off one another. There was no rigid, segmented process where every aspect of the show had to be overseen by a specialist and there was no nefarious merchandizing gimmick turning the program into an extended commercial. The Ren & Stimpy Show simply existed for the love of it.

The early days of Nickeldeon consisted of live-action programming mixed in with educational programming for young children. The animation came from outside sources with the most notable being the Looney Tunes package program featuring classic cartoons. As the network grew, the desire to produce its own cartoons naturally arose and thus the Nicktoons were born. Consisting originally of Doug, Rugrats, and The Ren & Stimpy Show, the block first began airing on Sunday morning in 1991 and were so successful that they ended up being just the first in a long line of cartoons. While Doug and Rugrats were fairly tame in their approach to entertainment, Ren & Stimpy stood out for their crass, gross-out style of humor that would eventually land them on Nick’s late-night block of Saturday night programming and even a handful of MTV appearances.

Ren's rotting teeth, as seen here, are an example of the highly detailed (and often gross) still images the show would make use of.

Ren’s rotting teeth, as seen here, are an example of the highly detailed (and often gross) still images the show would make use of.

Conceived primarily by animator John Kricfalusi, Ren and Stimpy were atypical characters existing in a fairly typical format. They were a natural odd couple, being a dog and cat, but broke the mold in a sense by being rather unappealing to look at. Ren, gangly and liver-spotted, resembled a mosquito more than a chihuahua at times while Stimpy was a cat in name only. Rotund with a big, blue nose, he had no worries of being mistaken for Sylvester or Tom. The show was a half-hour program but mostly consisted of two shorts that would drop Ren and Stimpy into completely new environments with no continuity from one episode to the next. In fact, several episodes ended with the characters in hopeless situations or even implied death

The show’s intention was to make the viewer laugh. There were some bits of sentimentality tossed in to appease the network, but mostly the show wanted to be funny in the most obnoxious way possible. The characters often screamed with Ren in particular prone to violent tirades. Stimpy was the dumb one with a good heart while Ren often abused him both physically and emotionally. The show was able to retain its humor because Ren usually got what was coming to him making the show feel like it earned the laughs that came at Stimpy’s expense. The show often resorted to gross imagery for its humor. Stimpy would frequently cough up a lumpy hairball or show viewers his collection of snot he kept under a coffee table. Kitty littler featured prominently in multiple episodes with characters even eating the stuff right out of the litter box. By far, the show’s most memorable gross gag was the long-running extreme and highly detailed close-up shots of characters. These still images usually depicted characters at their worst with bloodshot eyes and hairy moles. The most memorable may have been when Ren revealed a mouth full of rotting teeth in response to Stimpy’s proper dental hygiene.

Because of its penchant for violence and toilet humor, Kricfalusi often found himself battling with standards and practices at Nickelodeon. One very memorable episode featured the characters playing a board game called “Don’t Wiz on the Electric Fence” climaxing with Ren doing just as the box suggested he not do and all the characters being sent to Hell. Another episode, “Man’s Best Friend,” climaxes with Ren violently beating a man with an oar. The animation goes into slow-motion as Ren strikes the man and his head violently squishes and twists with each strike of the oar. It’s the episode often cited as being the last straw for Kricfalusi, who was fired by Nickelodeon in 1992, barely a year after the first episode aired.

Nickelodeon would turn to co-creator Bob Camp to head up the show for the remainder of its run through 1995. Voice acting dynamo Billy West, originally hired to voice Stimpy, took over as Ren and added to his impressive resume (though one wonders what lasting damage all of the screaming from this show did to his vocal chords). Still, without Kricfalusi the show was doomed. It was still capable of making people laugh at times but it often felt directionless, even pointless.

The background was often used as a tool to heighten the emotion and intensity of the onscreen action as opposed to merely being a set piece.

The background was often used as a tool to heighten the emotion and intensity of the onscreen action as opposed to merely being a set piece.

From an animated perspective, the show was quite excellent. Everything was hand-drawn and the backgrounds often popped with detail. The show was not afraid to borrow from several styles of art, even abstract. In addition to the detailed still shot the show was known for, there was also frequent use of emotive backgrounds, usually when a character screamed or was frightened. Instead of the standard background being present, it might be a splatter effect or just splotches of color. Music was a big part of the show as well. The jazzy theme song was unmistakeable, and some of the show’s most iconic scenes include song such as the “Happy, Happy, Joy, Joy” segment from “Stimpy’s Invention” or the theme for the Royal Canadian Kilted Yaksmen. The music and visual effects all came together to help give the show it’s off the wall vibe.

The Ren & Stimpy Show could be described as one of those programs, or events, that burned too hot for it to last long. It may have remained in production until 1995, but the show’s creative output was only at its peak for a year or so. For that reason, it’s inclusion on such a list as this one could be debated, but it left such a mark on the 1990’s that it felt too hard to exclude. Many shows would follow and try to imitate what The Ren & Stimpy Show started but virtually none of them succeeded. Even Kricfalusi tried reviving the show in 2003 as an adult-oriented comedy program but the magic was long gone. It’s possible Ren and his pal Stimpy were simply not meant to last as long as Bugs or Daffy, but for the short while they were around they made an impact and their cartoons stand the test of time.